WEBVTT 1 00:00:01.080 --> 00:00:04.639 You're listening to Later with Moe Kelly on demand from 2 00:00:04.759 --> 00:00:08.119 KFI AM six forty. 3 00:00:09.480 --> 00:00:12.199 I Am six forty. It's Later with Mo Kelly. 4 00:00:12.199 --> 00:00:14.480 We're live everywhere in the iHeartRadio app and joining me 5 00:00:14.519 --> 00:00:18.320 in the studio is Latin Grammy Award winner, Grammy Award 6 00:00:18.399 --> 00:00:25.079 winner Friends of the Show Impresario Music. I don't know 7 00:00:25.239 --> 00:00:30.359 the word I should even think of Prodigy, Corey Henry, 8 00:00:30.760 --> 00:00:31.679 my brother, my friend. 9 00:00:31.719 --> 00:00:33.280 It is good to see you again. How are you? 10 00:00:33.079 --> 00:00:34.840 I heard you? Just like got off a plane, ran 11 00:00:34.920 --> 00:00:35.280 over here. 12 00:00:35.320 --> 00:00:36.399 I just got off a playing man. 13 00:00:36.479 --> 00:00:38.679 I just had to, you know, make it over here, 14 00:00:38.759 --> 00:00:40.479 just in time to be with you and a good 15 00:00:40.520 --> 00:00:41.240 family over here. 16 00:00:41.280 --> 00:00:42.920 Man. Just so glad to be in the number one 17 00:00:42.920 --> 00:00:44.399 with Tomes. Thanks for having me on the show. 18 00:00:44.960 --> 00:00:48.039 You have what moved that, Mike just a little bit 19 00:00:48.079 --> 00:00:49.880 to your left so it's not obscuring your face because 20 00:00:49.880 --> 00:00:50.920 we're on YouTube as well. 21 00:00:50.960 --> 00:00:53.159 There I go, Yeah, there I go, There I go, 22 00:00:53.320 --> 00:00:54.159 There I go. 23 00:00:55.640 --> 00:00:58.799 You have a show coming up on Easter evenings, Yes, 24 00:00:58.920 --> 00:01:02.600 at Miracle in Inglewood, which is gonna be from six 25 00:01:02.679 --> 00:01:03.560 thirty to ten thirties. 26 00:01:03.600 --> 00:01:05.640 It's in the evening hours, not like a Sunrise service. 27 00:01:05.680 --> 00:01:06.159 Said goodness. 28 00:01:06.319 --> 00:01:07.640 No, no, it's out of sunrise. 29 00:01:07.680 --> 00:01:09.319 You get to still go to your church, do whatever 30 00:01:09.359 --> 00:01:11.640 you're gonna do, dress up, have fun with your family. 31 00:01:11.879 --> 00:01:14.319 But if you don't, got no plans on Easter Sunday night, 32 00:01:14.640 --> 00:01:17.159 make some plans to be with me. We're gonna play 33 00:01:17.200 --> 00:01:19.920 some music. We got some food. We hav an Easter dinner. 34 00:01:19.959 --> 00:01:22.439 Waitee. You said food, food, You have me at food. 35 00:01:22.840 --> 00:01:26.319 I thought I would good old soul food for Sunday 36 00:01:26.599 --> 00:01:27.519 east of Sunday night. 37 00:01:27.519 --> 00:01:28.560 It's gonna be cool, man. 38 00:01:29.640 --> 00:01:32.599 I got some friends, friends gonna come out, great band, 39 00:01:32.799 --> 00:01:35.400 horn players, it's a whole no your name, it's gonna 40 00:01:35.400 --> 00:01:35.840 be a good time. 41 00:01:35.920 --> 00:01:38.120 When you say you have some friends, I went to 42 00:01:38.200 --> 00:01:41.920 your pre Grammy party. And when you say friends, you 43 00:01:42.040 --> 00:01:44.680 never know who might walk in. Yeah, who might grab 44 00:01:44.719 --> 00:01:47.439 the microphone? And I know when you're in like what 45 00:01:47.519 --> 00:01:50.239 I'll call a church setting. You know, it's at Miracle Theater, 46 00:01:50.280 --> 00:01:53.359 but it's like a church setting. It's a service. They 47 00:01:53.400 --> 00:01:55.439 could be anyone in that room who can take that 48 00:01:55.519 --> 00:01:57.840 microphone and blow yeah. 49 00:01:57.519 --> 00:01:58.920 Yeah, yeah, I like to look at it. 50 00:01:58.959 --> 00:02:02.200 Actually, you know, so it's a concert, but the concert 51 00:02:02.359 --> 00:02:05.040 is kind of geared towards the spirit of God and 52 00:02:05.079 --> 00:02:07.959 the gift of music, you know, just like celebrating music 53 00:02:07.959 --> 00:02:10.520 in the way that everybody could get to it. And 54 00:02:10.560 --> 00:02:14.080 to your point with the Grammy uh uh pre celebration, 55 00:02:15.199 --> 00:02:18.240 it was crazy. Avery Wilson got up there. Every sunshine 56 00:02:18.280 --> 00:02:23.599 I got up there. Yeah, uh both Avery uh tore 57 00:02:23.639 --> 00:02:23.879 it up. 58 00:02:24.039 --> 00:02:27.560 Robert Glasper yes, uh Glasberg got up there. 59 00:02:28.599 --> 00:02:30.680 Who else? Uh? 60 00:02:30.680 --> 00:02:35.159 Man so many, Shalah McDonald got up there, Torda, Melvin 61 00:02:35.199 --> 00:02:38.919 Crispell Junior got up there. It was an amazing night, 62 00:02:38.960 --> 00:02:41.080 the Baylor Project, you know, Marcus Baylor. 63 00:02:41.479 --> 00:02:44.879 It was an amazing night Standard Romola. I was standing 64 00:02:44.919 --> 00:02:45.400 in the corner. 65 00:02:45.520 --> 00:02:46.120 Yeah, it was. 66 00:02:46.080 --> 00:02:49.280 Crazy, stay in the room only, but I had such 67 00:02:49.280 --> 00:02:51.479 a great time and I and I remember at the 68 00:02:51.599 --> 00:02:54.439 end of the night for me was like the the 69 00:02:54.439 --> 00:02:57.120 start of Uh I guess where I am tonight? Where 70 00:02:57.120 --> 00:02:59.960 we are today? Rather because I remember just the create 71 00:03:00.680 --> 00:03:02.719 at the end of that night. You know that I'm 72 00:03:02.719 --> 00:03:05.840 a winner and and I'm glad to. 73 00:03:05.879 --> 00:03:07.800 Have one the Grammy for my album Church. 74 00:03:08.199 --> 00:03:10.479 I love it. There's a spirit of humility. 75 00:03:10.840 --> 00:03:13.000 But the last time you came in on the show, 76 00:03:13.039 --> 00:03:15.599 I should say the first time came in before the Grammys, 77 00:03:15.639 --> 00:03:16.479 you made it very clear. 78 00:03:16.719 --> 00:03:17.439 I want to win. 79 00:03:17.719 --> 00:03:18.400 I want to win. 80 00:03:19.039 --> 00:03:19.520 I want to win. 81 00:03:19.800 --> 00:03:21.759 There's nothing wrong with that, nothing wrong with it. It 82 00:03:21.840 --> 00:03:24.080 is a competition. I think we all is a competition, 83 00:03:25.199 --> 00:03:28.680 and I'm not in it to lose. It's nice to 84 00:03:28.719 --> 00:03:31.360 be nominated, but and. 85 00:03:32.039 --> 00:03:35.360 Being nominated is also a win, Like I mean, there's 86 00:03:35.439 --> 00:03:40.639 millions of albums that are like submitted, you know, every year, 87 00:03:41.199 --> 00:03:44.280 and to be nominated is a win. So like I've 88 00:03:44.360 --> 00:03:48.400 always appreciated and never give up the fact that, like 89 00:03:48.840 --> 00:03:52.280 you know, I've already won, but to actually bring it 90 00:03:52.439 --> 00:03:54.400 home and you know, and bring the whole thing together 91 00:03:54.520 --> 00:03:55.039 is like whoa. 92 00:03:56.439 --> 00:03:58.080 It fulfills another whole joy in my soul. 93 00:03:58.560 --> 00:04:03.560 Going back to Miracle Theater Easter evening, how do you 94 00:04:03.719 --> 00:04:07.319 foresee that night going? Do you have a set list 95 00:04:07.360 --> 00:04:09.680 where you know I'm going to play this, this is this, 96 00:04:09.960 --> 00:04:11.319 or You're gonna let the spirit guide you. 97 00:04:11.400 --> 00:04:13.599 Wherever it leads you is where you're gonna end up. 98 00:04:14.080 --> 00:04:16.399 I always come in with a game plan, right, and 99 00:04:16.439 --> 00:04:19.720 I'm still working on it. The bands have now grown 100 00:04:20.279 --> 00:04:23.079 tremendously in the last four days. I just started asking 101 00:04:23.120 --> 00:04:25.079 my friends and more with my friends I was like, man, 102 00:04:25.279 --> 00:04:26.600 could you come out? And I was like, oh, if 103 00:04:26.639 --> 00:04:28.199 I got this many people, we can go ahead and 104 00:04:28.199 --> 00:04:29.959 do this many things. So I come up with a 105 00:04:30.000 --> 00:04:32.680 game plan. But somewhere in the middle, if not the 106 00:04:32.720 --> 00:04:34.720 top of the concert, you know, the spirit does take 107 00:04:34.759 --> 00:04:36.720 over and I try to play the things that the 108 00:04:36.720 --> 00:04:38.519 spirit tells me to play. So it's always about that. 109 00:04:38.519 --> 00:04:40.839 It's always about following the spirit and trying to touch 110 00:04:40.879 --> 00:04:41.800 the people with the music. 111 00:04:44.120 --> 00:04:47.279 When you come in and you sit down and you 112 00:04:47.480 --> 00:04:51.000 see maybe a person who didn't expect to see there, 113 00:04:51.839 --> 00:04:54.560 and it fills your heart, does it make you play 114 00:04:54.600 --> 00:04:58.879 you just to make you play differently. I know when 115 00:04:58.879 --> 00:05:01.560 I would perform and I like, oh my mama's out there, 116 00:05:03.399 --> 00:05:03.920 or someone's like. 117 00:05:04.000 --> 00:05:04.480 Oh my god. 118 00:05:04.519 --> 00:05:06.639 Someone said they weren't sure they were gonna be able 119 00:05:06.639 --> 00:05:08.560 to make it and they end up making it, and 120 00:05:08.600 --> 00:05:10.079 it just changes your whole countenance. 121 00:05:10.199 --> 00:05:11.240 Yeah. 122 00:05:11.360 --> 00:05:15.199 I like when it happens on the like when it's spontaneous, 123 00:05:15.639 --> 00:05:18.879 you know, because normally when I'm playing shows, my eyes 124 00:05:18.959 --> 00:05:21.759 is closed or I'm kind of like zoned. 125 00:05:21.480 --> 00:05:24.240 In at the egg I get that, or I'm looking 126 00:05:24.279 --> 00:05:25.480 at something very random. 127 00:05:25.560 --> 00:05:28.519 But once I start to like recognize people in the 128 00:05:28.600 --> 00:05:31.600 performance and something like that does happen. It makes me 129 00:05:31.639 --> 00:05:35.639 happy and want to play harder. 130 00:05:36.680 --> 00:05:38.600 Let's see, are we plugged it in and hit a 131 00:05:38.639 --> 00:05:41.439 key or something. Okay, we'll get the we'll get the 132 00:05:41.480 --> 00:05:44.839 ampliphone amplifier fixed in just a second. We'll do that 133 00:05:44.920 --> 00:05:48.759 during the break. It's four hours long, six thirty to 134 00:05:48.800 --> 00:05:51.480 ten thirty. I think of it like being a revival 135 00:05:52.319 --> 00:05:56.399 where got a little bit of music, maybe some testimony, 136 00:05:57.120 --> 00:05:59.360 and maybe you know, you might even open the doors 137 00:05:59.360 --> 00:05:59.920 to the churches. 138 00:06:01.160 --> 00:06:04.040 Is there one maybe? 139 00:06:04.199 --> 00:06:04.680 Maybe? 140 00:06:04.879 --> 00:06:07.160 I think for me, you know, we got a few 141 00:06:07.160 --> 00:06:10.199 hours because as I mentioned earlier, there's a food portion, 142 00:06:10.240 --> 00:06:12.680 there's a fellowship portion in which, you know, I want 143 00:06:12.680 --> 00:06:13.240 a fellowship. 144 00:06:13.240 --> 00:06:15.040 I want to be, you know, with the people. 145 00:06:15.560 --> 00:06:19.319 And then there's also like an after show portion, after 146 00:06:19.399 --> 00:06:23.480 party if you will, portion where you know, you know, son, 147 00:06:23.519 --> 00:06:25.360 no homies and friends go, I want to hang out. 148 00:06:25.399 --> 00:06:27.240 We're going to hang out afterwards. So I got a 149 00:06:27.279 --> 00:06:28.879 program to night to just be like, oh, we're going 150 00:06:28.920 --> 00:06:30.800 to be hanging all night. You know, if you don't 151 00:06:30.800 --> 00:06:32.959 got nowhere to go, you can kind of be with us. 152 00:06:33.279 --> 00:06:36.040 And and we have you know, a program of a 153 00:06:36.040 --> 00:06:39.240 bunch of things happening alongside with the music that I 154 00:06:39.360 --> 00:06:41.000 really feel really great about. 155 00:06:41.279 --> 00:06:43.839 That's gonna be just a good time. 156 00:06:43.920 --> 00:06:46.079 So tell me one song that you know you're going 157 00:06:46.160 --> 00:06:46.639 to perform. 158 00:06:48.199 --> 00:06:48.279 No. 159 00:06:49.160 --> 00:06:53.079 One song I know I'm going to perform is Praise God. 160 00:06:53.680 --> 00:06:56.279 That's one of my favorite ones. You know, it's a 161 00:06:56.480 --> 00:06:59.680 really simple, really simple song, but it touches me every day. 162 00:06:59.680 --> 00:07:02.120 It's like a daily mantra. 163 00:07:02.839 --> 00:07:07.160 I know that you are an exceptional singer, but you 164 00:07:07.279 --> 00:07:11.279 don't in other words, sometimes I think it gets lost 165 00:07:11.959 --> 00:07:14.120 in your musical virtuosity. 166 00:07:14.759 --> 00:07:18.079 Oh we're hot. Now, wait a minute, what happened? 167 00:07:18.120 --> 00:07:18.199 At? 168 00:07:18.240 --> 00:07:18.920 What changed? 169 00:07:19.279 --> 00:07:19.839 We just had? 170 00:07:20.000 --> 00:07:22.279 Has some We'll fix it during the break, because we've 171 00:07:22.240 --> 00:07:24.839 got to make sure we get you on this show. 172 00:07:25.079 --> 00:07:26.680 This is a live show, so stuff happens. 173 00:07:28.160 --> 00:07:28.519 It's on. 174 00:07:30.160 --> 00:07:33.959 Good all right. Well, how do you know? I lost 175 00:07:33.959 --> 00:07:37.360 my train of thought? So you know, why does your 176 00:07:37.439 --> 00:07:39.879 voice get lost? I think in your virtuosity? Do you 177 00:07:40.160 --> 00:07:44.560 is it something that you personally take as much pride 178 00:07:44.600 --> 00:07:46.439 in as you're playing or is it your secondary to 179 00:07:46.480 --> 00:07:46.959 your playing? 180 00:07:47.160 --> 00:07:48.079 Oh no, it's the same. 181 00:07:48.319 --> 00:07:52.800 I look at at now singing as if I'm playing. 182 00:07:52.879 --> 00:07:58.759 Actually my singing to me now is over my playing. Really, 183 00:08:00.040 --> 00:08:02.519 I think it's harder for people to get that and 184 00:08:02.560 --> 00:08:06.120 grasp that because I spent the better part of my 185 00:08:06.199 --> 00:08:09.120 life playing in front of people and just you know, 186 00:08:09.240 --> 00:08:12.800 being an instrumentalist and going viral for being an instrumentalist. 187 00:08:12.920 --> 00:08:15.120 So whenever you change, whenever. 188 00:08:14.839 --> 00:08:16.920 You start to do something different, people are like, WHOA, 189 00:08:17.040 --> 00:08:18.959 why aren't you still taking solos? 190 00:08:19.000 --> 00:08:20.759 And I'm like, I've been singing since I was a kid. 191 00:08:20.800 --> 00:08:22.720 I started singing in church when I was like, you know, 192 00:08:22.759 --> 00:08:26.480 six seven years old, and it's not new to me 193 00:08:26.600 --> 00:08:30.199 per se to be singing out now in the world, 194 00:08:30.279 --> 00:08:33.039 you know, as a career. So I feel like the 195 00:08:33.120 --> 00:08:35.399 voice kind of touches people and it gets to people 196 00:08:35.440 --> 00:08:39.720 closer than any instrument. I think most people can get 197 00:08:39.759 --> 00:08:42.919 with it. And I'd spent a lot of time listening 198 00:08:42.919 --> 00:08:44.519 to some of my favorite singers and just trying to 199 00:08:44.679 --> 00:08:48.559 shed my singing chops, and some people get with it, hopefully. 200 00:08:49.360 --> 00:08:52.200 And if you're doing it's okay because I'm a singer. 201 00:08:52.240 --> 00:08:54.279 Now, can I get you to play us out to 202 00:08:54.360 --> 00:08:54.720 the break? 203 00:08:54.759 --> 00:08:57.519 Corey Henry joins us in studio at Corey Henry On 204 00:08:57.559 --> 00:09:04.159 social media. Legendary Grammy Award winning, Latin Grammy Award winning. 205 00:09:04.639 --> 00:09:05.440 He has a. 206 00:09:05.519 --> 00:09:09.240 Performance Easter performance at the Miracle Theater in Inglewood, right 207 00:09:09.279 --> 00:09:12.679 around the corner from my house. Basically, uh Easter Sunday, 208 00:09:13.120 --> 00:09:14.600 six thirty pm. I'm going to be giving away a 209 00:09:14.639 --> 00:09:17.399 pair of tickets to it. Next segment, Corey, do what 210 00:09:17.440 --> 00:09:17.720 you do? 211 00:09:19.240 --> 00:09:20.679 What Our favorite songs on the church. 212 00:09:20.519 --> 00:09:28.480 Reggor Praise Gone, Praise Gone. 213 00:09:28.279 --> 00:09:42.200 Praising the Mooning, Praising, prayse God, Praise Gone, Praising Sun Pray, 214 00:09:43.919 --> 00:09:51.120 Pray Gone, Prasraisday, Praise. 215 00:09:54.840 --> 00:09:56.960 Praise Sun goes. 216 00:09:59.080 --> 00:09:59.279 Yah. 217 00:10:00.159 --> 00:10:03.120 Yeah, can I am sixporting? 218 00:10:03.200 --> 00:10:06.200 Also YouTube, We're live everywhere in the whole damn world. 219 00:10:06.759 --> 00:10:09.840 You're listening to later with Mo Kelly on de maw 220 00:10:10.159 --> 00:11:03.320 from k f I A M six forty. 221 00:10:44.000 --> 00:10:50.039 Can if I am exporting Corey Henriett Studio. 222 00:10:51.600 --> 00:11:04.639 The song has been the phrase then the mass, since 223 00:11:04.720 --> 00:11:22.440 the death, when the praises go up, that's been the 224 00:11:22.720 --> 00:11:27.799 best since some death. Ay, and I got a little 225 00:11:27.840 --> 00:11:30.000 message where everybody listening. 226 00:11:31.600 --> 00:11:36.159 So God's got a blessing with your name. 227 00:11:36.200 --> 00:11:36.519 Morning. 228 00:11:36.919 --> 00:11:40.200 God's got a blessing with your name. 229 00:11:41.120 --> 00:11:41.480 Morning. 230 00:11:41.720 --> 00:11:45.120 God's got a blessing with your name. 231 00:11:46.639 --> 00:11:51.960 God's got a blessing with your name morning. So what 232 00:11:52.720 --> 00:12:06.480 let us pray God? Oh, blessing, No blessing. 233 00:12:14.600 --> 00:12:16.759 I feel like I'm gonna getting away if I say anything. 234 00:12:16.799 --> 00:12:18.519 That's the Cory. 235 00:12:18.279 --> 00:12:22.840 Henry Latin Grammy Award winner, Grabby Award winner for his 236 00:12:23.360 --> 00:12:24.480 album Church. 237 00:12:24.639 --> 00:12:27.360 Were speaking of church Sunday as. 238 00:12:27.200 --> 00:12:28.159 In Eastern Sunday. 239 00:12:28.159 --> 00:12:30.639 He's going to be performing at the Miracle Theater. We're 240 00:12:30.639 --> 00:12:33.320 gonna be giving away tickets in just a few moments. Look, 241 00:12:33.600 --> 00:12:35.399 I'm sorry that even got in the way of your 242 00:12:35.399 --> 00:12:38.240 groove because we were ready to go to church. I'm 243 00:12:38.240 --> 00:12:43.480 gonna let it cook a little. So are you available 244 00:12:43.600 --> 00:12:49.080 like every week? See me every week on Let me 245 00:12:49.159 --> 00:12:51.919 ask you this. They couldn't see during the break, but 246 00:12:52.039 --> 00:12:54.360 you were fiddling during the break. You were working it 247 00:12:54.360 --> 00:12:57.759 out during the break. You were working with some melodies 248 00:12:57.759 --> 00:13:00.480 and some harmonies. What was that process like? Explain to 249 00:13:00.519 --> 00:13:01.720 me what you were doing during the break. 250 00:13:01.919 --> 00:13:02.159 Oh. 251 00:13:02.360 --> 00:13:05.320 I once she said we're gonna you're gonna're gonna play 252 00:13:05.320 --> 00:13:07.879 some music to come back in, my mind just started 253 00:13:07.919 --> 00:13:11.080 racing about what I can do in the moment, and 254 00:13:12.039 --> 00:13:14.559 I got this is one of my favorite little pieces 255 00:13:14.559 --> 00:13:15.759 of equipment over here. 256 00:13:15.840 --> 00:13:18.080 The NPC and uh, and I was like, oh, I 257 00:13:18.120 --> 00:13:19.840 want to just do a jam from my album. 258 00:13:19.960 --> 00:13:21.919 Okay for those who are old and I'm sorry to 259 00:13:21.960 --> 00:13:24.879 interrupt you, but this reminds me of this classic Cosby 260 00:13:24.879 --> 00:13:28.799 Show episode where the Cosmy Kids meet Stevie Wonder and 261 00:13:28.840 --> 00:13:31.720 they start creating music. In that moment, if I were 262 00:13:31.720 --> 00:13:34.879 to say to you, Corey Henry, you've performed with Stevie Wonder, 263 00:13:34.919 --> 00:13:37.399 so there's a tie in here, and that's let's let's 264 00:13:37.440 --> 00:13:39.720 say we're gonna make some music together. How would you 265 00:13:39.759 --> 00:13:42.080 start if I say, give me a beat to work with. 266 00:13:42.120 --> 00:13:43.759 Give me example of how you create a beat. 267 00:13:44.279 --> 00:13:45.919 Yeah, I come on here and I would find a 268 00:13:45.960 --> 00:13:49.360 sound that I like, right, and then after I find 269 00:13:49.360 --> 00:13:53.720 a sound, I would pull up the measure of the bars. 270 00:13:54.799 --> 00:13:58.000 I tap a tempo out over here, you know, and 271 00:13:58.039 --> 00:14:02.679 then I'm just like you know, and then I'm like, 272 00:14:03.399 --> 00:14:10.399 record to what couple text based online or core progression 273 00:14:11.440 --> 00:14:14.080 right now? Because you said base, the base is coming next, okay, 274 00:14:14.559 --> 00:14:16.120 yeah know, and then. 275 00:14:16.000 --> 00:14:17.600 They can do kind of this kind of thing. 276 00:14:17.720 --> 00:14:19.360 You need to be watching this on YouTube, y'all. 277 00:14:19.600 --> 00:14:32.440 You know it's a little based m m hmmm hm. 278 00:14:35.519 --> 00:14:35.639 Hm. 279 00:14:37.840 --> 00:14:38.039 Yeah. 280 00:14:38.120 --> 00:14:39.559 And then there's maybe a little and. 281 00:14:41.320 --> 00:14:41.840 So would you. 282 00:14:44.320 --> 00:14:46.279 Let's see, let's see that's a little course. 283 00:14:49.879 --> 00:14:59.320 Mm let's find a better sound. Got a bass according 284 00:14:59.480 --> 00:15:00.600 and then maybe guitar. 285 00:15:00.759 --> 00:15:25.559 Okay, I didn't. 286 00:15:25.320 --> 00:15:28.399 Hear it endless, it could be leap on. 287 00:15:30.480 --> 00:15:42.559 You can hear the guitar part. Let's talk. I've got 288 00:15:42.559 --> 00:15:43.759 the podcastle. 289 00:15:55.799 --> 00:15:57.440 I mean, you know, I could do it all day, 290 00:15:57.759 --> 00:15:59.159 but you do do all that all day? 291 00:15:59.320 --> 00:16:00.639 I do, and I get. 292 00:16:00.480 --> 00:16:02.519 Lost and then you know it'd be like three hours later, 293 00:16:02.720 --> 00:16:03.080 all right. 294 00:16:03.120 --> 00:16:04.960 And for those who may not know, if they've never 295 00:16:05.000 --> 00:16:06.720 been to a Black church, when I say black church, 296 00:16:06.720 --> 00:16:10.360 I'm talking about Amme Kojik, Southern Baptist, what have you. 297 00:16:10.360 --> 00:16:14.759 There's a tradition and music is very, very prominently featured 298 00:16:14.759 --> 00:16:17.039 in that. And I always talk about when I'm talking 299 00:16:17.080 --> 00:16:21.799 to certain groups, you know, the salvific quality of gospel music. 300 00:16:22.120 --> 00:16:24.919 You have the minister and he will be going through 301 00:16:25.039 --> 00:16:25.559 his servant. 302 00:16:25.600 --> 00:16:28.120 He'll start hooping, as they say, and then usually the 303 00:16:28.200 --> 00:16:32.240 organists will come behind him and start complementing what he 304 00:16:32.480 --> 00:16:33.759 or she is saying. 305 00:16:33.840 --> 00:16:35.440 And I know you've done that before. 306 00:16:36.120 --> 00:16:38.399 If I would ask you to give me something like that. 307 00:16:38.360 --> 00:16:43.440 What would you do oh man, I'm always made at hoopie. 308 00:16:43.440 --> 00:16:46.279 Know mean okay, I mean, you know, just going to 309 00:16:46.360 --> 00:16:47.639 a church and heard it a lot, you know, so 310 00:16:47.799 --> 00:16:48.639 you know church. 311 00:16:48.840 --> 00:16:51.919 Okay, I'll help you outside. Well, we are in the 312 00:16:52.200 --> 00:16:54.000 church today, y'all. 313 00:16:54.080 --> 00:16:58.360 Yes we are, and we got Corey Henry in the studio. 314 00:16:59.360 --> 00:17:02.039 Flow on from New York, I think I be. 315 00:17:03.919 --> 00:17:06.839 I'm all the way from Brooklyn. I just got off 316 00:17:06.880 --> 00:17:09.359 the plane. I don't know where you came from. 317 00:17:09.359 --> 00:17:12.400 When I'm glad to see you're here in the studio tonight. 318 00:17:12.960 --> 00:17:15.119 I'm so glad to be back my third time. 319 00:17:15.799 --> 00:17:17.519 And not only here's my third time, but I came 320 00:17:17.559 --> 00:17:20.559 back with a keyboard. Yes I did. I already to 321 00:17:20.559 --> 00:17:21.799 play some music for all the people. 322 00:17:23.000 --> 00:17:25.799 That's what we're talking about. I can show you better, 323 00:17:25.799 --> 00:17:27.359 I can tell you all right. 324 00:17:27.599 --> 00:17:30.400 You can be performing at the Miracle Theater on Market 325 00:17:30.440 --> 00:17:35.000 Street in Eaglewood Easter Sunday evening from six thirty to 326 00:17:35.039 --> 00:17:36.880 around ten thirty. And I say from around ten thirty, 327 00:17:36.880 --> 00:17:39.000 because you never know, the spirit starts moving and all 328 00:17:39.000 --> 00:17:40.039 of a sudden, you just there. 329 00:17:40.440 --> 00:17:41.920 We can be in there. I ain't trying to hold 330 00:17:41.960 --> 00:17:44.279 you all night, but we can be in there. We're 331 00:17:44.279 --> 00:17:46.000 gonna have a good time. I'm looking forward to having 332 00:17:46.000 --> 00:17:48.640 a good time with everybody. How manybodies? 333 00:17:48.880 --> 00:17:53.279 Everybody? Can we give away a pair of ticks to somebody? 334 00:17:53.440 --> 00:17:54.079 Absolutely? 335 00:17:54.119 --> 00:17:55.839 Okay, what I'm gonna do is, I'm gonna open up 336 00:17:55.839 --> 00:17:57.680 the phones right now. Stefan help me. I'm gonna open 337 00:17:57.759 --> 00:17:58.160 up the phones. 338 00:17:58.279 --> 00:18:00.640 We're gonna give away a pair of twos to see 339 00:18:00.640 --> 00:18:05.400 Corey Henry Henry Easter Sunday evening, six thirty pm at. 340 00:18:05.279 --> 00:18:08.720 The Miracle Theater in Inglewood. Call her number six. Get 341 00:18:08.759 --> 00:18:09.680 call her number six. 342 00:18:09.720 --> 00:18:13.960 You get to see Grammy Award winning Latin Grammy Award 343 00:18:14.039 --> 00:18:18.480 winning celebrated the world over, Corey Henry. 344 00:18:19.319 --> 00:18:21.759 Call her number six. Cory's just been here all the time. 345 00:18:21.839 --> 00:18:22.079 I know. 346 00:18:23.240 --> 00:18:25.400 Hey, Corey, why don't you play us out for this segment? 347 00:18:25.680 --> 00:18:26.839 All right? All right, all right? 348 00:18:26.920 --> 00:18:28.119 What are we going to go to break with? 349 00:18:28.279 --> 00:18:28.839 Oh? Man? 350 00:18:28.880 --> 00:18:31.400 All right, let's try this one. Uh let's check us 351 00:18:31.400 --> 00:18:31.920 out on YouTube. 352 00:18:31.920 --> 00:18:33.079 You got to see this to believe it. 353 00:18:33.519 --> 00:18:37.039 MS do my Grandmama's favorite song. Okay, I've got to 354 00:18:37.039 --> 00:18:38.400 get into this quickly. Let's see. 355 00:18:38.480 --> 00:18:39.160 Now you got time? 356 00:18:39.279 --> 00:18:39.839 Oh I do? 357 00:18:39.960 --> 00:18:44.119 Yeah, you got time? It it's my show. Into it 358 00:18:44.160 --> 00:18:53.400 this one thirty seconds. 359 00:18:53.960 --> 00:19:08.680 That's all right, it's live too. He's creating on the fly. 360 00:19:10.799 --> 00:19:12.319 Is my grandma. My favorite song. 361 00:19:15.039 --> 00:19:16.480 Makes no difference. 362 00:19:17.359 --> 00:19:24.799 But the problem. I can go to God in proud Yes, 363 00:19:25.000 --> 00:19:26.119 I haven't. 364 00:19:26.839 --> 00:19:32.680 Bless you it assurance. I can go to Guy improd. 365 00:19:34.079 --> 00:19:40.079 He will turn out glooming sunnings, turning. 366 00:19:39.640 --> 00:19:46.519 In to lie Hi heven. Never he would always come 367 00:19:46.720 --> 00:19:47.079 to kick me. 368 00:19:47.279 --> 00:19:48.279 And now I'm on with it. 369 00:19:48.640 --> 00:19:53.039 You can go to Guy and I can call it. 370 00:19:53.240 --> 00:19:59.440 I can call when I need our father. 371 00:20:00.880 --> 00:20:01.599 Up in heaven. 372 00:20:02.400 --> 00:20:08.240 I can go to God and pray. I can go 373 00:20:08.440 --> 00:20:12.319 to Garden Brown. I gotta tell you that he can 374 00:20:12.440 --> 00:20:16.839 break it out. He can work it out. Everybody says, yes, 375 00:20:16.920 --> 00:20:21.279 it can, Yes can, yes can, Oh, yes I can 376 00:20:21.359 --> 00:20:25.079 out of out of town, I can break it out. 377 00:20:25.240 --> 00:20:27.839 Everybody said yes again, yes. 378 00:20:27.680 --> 00:20:29.160 I can, Yes I can. 379 00:20:29.319 --> 00:20:30.160 Oh. 380 00:20:30.240 --> 00:20:34.279 I can't call him. I can call him whenever I 381 00:20:34.400 --> 00:20:38.359 need him, our father up in heaven. 382 00:20:39.200 --> 00:20:39.400 Oh. 383 00:20:39.839 --> 00:20:45.400 I can't go to God and prayer. I can't go 384 00:20:46.039 --> 00:20:49.039 to God and prayer. I think I said one more time. 385 00:20:49.319 --> 00:20:52.680 I can call him when and if I need him. 386 00:20:54.799 --> 00:21:00.000 I'm a father up in heaven. I can go. 387 00:21:01.319 --> 00:21:07.359 Gotten prem a game, go din't gotten prend. 388 00:21:08.480 --> 00:21:09.279 Call at number six. 389 00:21:09.279 --> 00:21:12.319 You're going to see Corey Henry at the Miracle Theater 390 00:21:12.759 --> 00:21:14.359 on Easter Evening. 391 00:21:15.160 --> 00:21:18.720 You're listening to Later with Mo Kelly on demand from 392 00:21:18.839 --> 00:21:20.759 KFI A M six forty. 393 00:21:55.480 --> 00:22:08.880 Mm care Fire, Corey Henrimoe, Killing. 394 00:22:14.839 --> 00:22:17.559 Sunshine, don't come without ray. 395 00:22:19.079 --> 00:22:26.720 And that's okay, that's okay, loveing magic with thou pay. 396 00:22:27.799 --> 00:22:32.039 So we keep trying, We keep trying it anyway. Please 397 00:22:32.200 --> 00:22:35.000 don't fugging. 398 00:22:36.079 --> 00:22:39.839 FuG live in fall. 399 00:22:40.400 --> 00:22:43.279 Please don't FuG it. 400 00:22:45.279 --> 00:22:48.759 What your fighting phone? 401 00:22:52.200 --> 00:22:55.400