WEBVTT

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<v Speaker 1>Tired of the everyday grind, ever dream of a life

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<v Speaker 1>of romantic adventure, want to get away from it all.

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<v Speaker 2>We offer you.

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<v Speaker 3>Escape, Escape, designed to free you from the four walls

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<v Speaker 3>of today for a half hour of high adventure.

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<v Speaker 1>You stare down from the height of your plane and

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<v Speaker 1>your brain keeps whispering. It's massif Werda, That's all. It is,

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<v Speaker 1>just an island three hundred miles off the coast of Chile.

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<v Speaker 1>But both you and the beautiful girl besides you know

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<v Speaker 1>it's more than that. It's the last stop, the last

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<v Speaker 1>time around, a death trap from which there is no escape.

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<v Speaker 3>Listen now, as Escape brings you Tony Barrett's story, the.

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<v Speaker 2>Target, the dreams. Senor. You see how, Queen, another one

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<v Speaker 2>of your talents you can make like a waiter went

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<v Speaker 2>necessary in Chili, Senor remind us many things to believe.

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<v Speaker 2>The way it was busy, so I got the drinks.

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<v Speaker 2>It's not a reason for it, all right, Peppy, all right,

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<v Speaker 2>I forget it. You are angry. Look, let's not play games.

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<v Speaker 2>Is an hour late? Now? Wow? Where is he prees?

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<v Speaker 2>He will be here. I watch with great care. He

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<v Speaker 2>has not come in yet. Trust me, I've got much

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<v Speaker 2>choice have I as being late? Is that part of

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<v Speaker 2>the build up, part of the sale you demand promptly

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<v Speaker 2>seen informer Senor, you ought to be used to it

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<v Speaker 2>by now You'll never get used to it because you

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<v Speaker 2>want something, an assurance. At this time you're buying the

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<v Speaker 2>right thing, the magic word, and you're whereabout Savata Madsen

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<v Speaker 2>and your fall for it every time to move on

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<v Speaker 2>to word, the whispered words said to go corakas and

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<v Speaker 2>lima coachabamba and now tutan taltan sitting one more crummy

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<v Speaker 2>little bar wait for one more sly little man with

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<v Speaker 2>a word for sale? How long you search for him?

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<v Speaker 2>This Artur Matson a year? You're watching that door. You're

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<v Speaker 2>sure Perez hasn't come in. I'm sure you know him.

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<v Speaker 2>I know Perrys, Senor, Why don't you relax yourself soon?

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<v Speaker 2>Think of something of more pleasantness, like what like the

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<v Speaker 2>lady of great beauty in the next booth from your country?

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<v Speaker 2>Is she not? Senor? Yeah? Way off face okay, joint

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<v Speaker 2>like this you must be out of her mind. That's fine.

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<v Speaker 2>All we need now is a beef, because see what's

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<v Speaker 2>all about Perry. See I'll be right back, Senor, Senor Kennedy,

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<v Speaker 2>call here quickly, Hedie. What is it? Luke? Senor there

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<v Speaker 2>on the floor? Is he dead? Senor? What do you

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<v Speaker 2>think at Knight's gotta pinned to the floor. I I'm

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<v Speaker 2>sorry for your sake, Senor. What are you talking about?

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<v Speaker 2>The dead one? He's the one you are waiting for? Yes,

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<v Speaker 2>paris another a blank? Now the dead end?

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<v Speaker 4>What is it? What happened?

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<v Speaker 5>Forget it?

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<v Speaker 4>I've got to see it.

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<v Speaker 2>You wouldn't want to it used to be a man

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<v Speaker 2>named Perez.

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<v Speaker 4>Listen, Get me out of here now, please, I can't

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<v Speaker 4>be found here.

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<v Speaker 2>Relax. It's a killing. I want to drink.

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<v Speaker 4>I've got to get out, please.

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<v Speaker 2>Cappy waiting here for me. Come on, lady, stay close

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<v Speaker 2>to me. There's a cab.

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<v Speaker 4>Aren't you coming?

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<v Speaker 2>No, now, you'll be all right. Cops will be here

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<v Speaker 2>in a few minutes. A lot of questions they'll want answers.

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<v Speaker 4>Tell the driver quavers Hotel.

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<v Speaker 2>Got a data in a La Senorita our hotel, Quavas,

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<v Speaker 2>I'm at the Royal, call me in and or.

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<v Speaker 5>Would I ask for Kennedy?

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<v Speaker 2>The Kennedy my turn.

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<v Speaker 4>If you'll call and know.

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<v Speaker 2>She was she was lovely Senor. Yeah, and what will

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<v Speaker 2>you say if the police asked about her, if she

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<v Speaker 2>didn't like blood bueno? Come on, Pepper, you know what

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<v Speaker 2>the deal will be. The cops will come, they'll see

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<v Speaker 2>the last questions, and it'll end in drinks for everyone,

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<v Speaker 2>because life here is cheap. No, I didn't make it

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<v Speaker 2>that way. Man, buy a drink, we'll drink the Perez.

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<v Speaker 2>He was an informer. Senor. You always drink to a

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<v Speaker 2>dead man, even if you wouldn't give him the time

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<v Speaker 2>of day while he was alive. If you say so, Senor,

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<v Speaker 2>I say you. You are an unhappy man. Signor, I'm

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<v Speaker 2>sorry for that. Yeah, I'm an unhappy man. Once in

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<v Speaker 2>your room, you will sleep, Senor. I told you I

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<v Speaker 2>want to talk.

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<v Speaker 4>Come right, it's not just Senor.

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<v Speaker 2>Can't do any messages for me?

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<v Speaker 6>Sor?

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<v Speaker 2>You sure no phone calls?

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<v Speaker 4>No, Senor, I am sorry.

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<v Speaker 2>Give me miss Eve Coleman at the hotel Clervice.

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<v Speaker 4>Of course, you take it in your room.

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<v Speaker 6>Sen I'll take it here a moment.

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<v Speaker 2>Senor. You sure you don't want to take around pay.

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<v Speaker 7>Hol dah, Senor Kennedy, you said, Senorita e Coan, That's

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<v Speaker 7>what I said. I I am sorry, Senor, but there

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<v Speaker 7>is no one registered there about that name.

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<v Speaker 6>Senor.

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<v Speaker 2>Alright, alright, forget it, the lovely one who did not

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<v Speaker 2>like blood. Yeah, this ain't my day, Senor. Why did

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<v Speaker 2>I told you I didn't wanna sleep or wanna talk?

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<v Speaker 8>Well, well, well do come in there, boy, do.

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<v Speaker 2>Sprive. Yeah, I was under the impression this was my room.

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<v Speaker 8>That's not much of a greeting for a man that's

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<v Speaker 8>come all the way from Hartford just to see you getting.

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<v Speaker 2>All your man is Kennedy. This is Peppy Galvan, mister O'Brian,

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<v Speaker 2>Peppy chief claims man of the company that puts clothes

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<v Speaker 2>on my back. Be nice to him. He's a big man.

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<v Speaker 2>I think I better a social call O'Brien come two

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<v Speaker 2>thousand miles just to see me. You're spending company money?

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<v Speaker 2>Are we plenty of it? Dear boy?

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<v Speaker 8>Even after pouring your expenses down the drain considerable expenses

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<v Speaker 8>eind sight, You.

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<v Speaker 2>Can take me off at any time you like. You

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<v Speaker 2>got a better man, put him on it, dear boy.

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<v Speaker 2>Tem temper tempa.

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<v Speaker 5>Wouldn't be fair to you with a Kennedy.

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<v Speaker 8>After aught Arthur Manson was in your custody when he

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<v Speaker 8>escaped with his banks hundred thousand.

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<v Speaker 2>You come all this way, just tell me that they

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<v Speaker 2>have a.

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<v Speaker 8>No idea back home, Kennedy. But perhaps you're not trying

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<v Speaker 8>too hard to find Arthur Madson. That from your point

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<v Speaker 8>of view, it might be just the thing you don't

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<v Speaker 8>want to do.

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<v Speaker 2>I make myself clear. You don't have to fire me,

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<v Speaker 2>O Brian, I quit right now. I don't be an idiot. Kennedy.

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<v Speaker 2>You could tell them they were right. You never get

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<v Speaker 2>another insurance job as long as you live. You know,

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<v Speaker 2>San Diego, Kennedy, but it's still run. I can get

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<v Speaker 2>their why. But that didn't come down here just to

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<v Speaker 2>fight with you.

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<v Speaker 4>You got one last chance. I listen to me.

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<v Speaker 8>Masafuera is an island three hundred.

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<v Speaker 2>Miles off San Diego. I know where it.

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<v Speaker 8>A return on an office wanted describes an American living there.

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<v Speaker 8>The description fits Arthur Madson.

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<v Speaker 2>I heard you. I'll take a look, do.

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<v Speaker 8>Dear boy do, and I'll tell them back in Hart that.

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<v Speaker 5>You're still trying.

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<v Speaker 2>By dear boy, bye, happy you really know San Diego

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<v Speaker 2>still got a job. Get down the docks. Get passage

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<v Speaker 2>for both of us for tomorrow. She signor he said,

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<v Speaker 2>three day trip, you know, on a fruit boat. I'd

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<v Speaker 2>have to make this one if it was a rowboat.

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<v Speaker 2>Picked me up in the morning. The cabin is not

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<v Speaker 2>so bad, Signor you wish to, I'll go out on

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<v Speaker 2>deck for a while. You wu back, Senor, I do that.

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<v Speaker 4>I never even said thanks, did I?

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<v Speaker 2>Vic Dick?

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<v Speaker 4>You're angry, No, you're angry. You helped the girl who

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<v Speaker 4>never said things I never called?

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<v Speaker 2>Why was it too much? Trouble?

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<v Speaker 4>Cool?

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<v Speaker 2>Sweet pigeon Victory? See Signor, this is a hotel wave

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<v Speaker 2>us no Signor is no lady here by name of

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<v Speaker 2>youve Coleman? Sorry? Why a joke? A whim? Why not

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<v Speaker 2>a whim? I want an answer.

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<v Speaker 4>It's too long a story, big.

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<v Speaker 5>Sweet bag.

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<v Speaker 2>I got the time, we got the time.

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<v Speaker 4>You're wasting it. You're wasting Hm. You talk too much?

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<v Speaker 4>You know that?

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<v Speaker 2>Yeah? That hapned. Let's go sit down. I'll set up

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<v Speaker 2>these deck chairs.

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<v Speaker 4>Mmmm happy?

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<v Speaker 2>What do you think.

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<v Speaker 4>Deck chair should always touch closer?

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<v Speaker 2>Darling? Better?

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<v Speaker 4>You know some days somebody's gonna get smart and make

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<v Speaker 4>a deck chair for two. You're quiet.

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<v Speaker 2>It's the setup to sit with a girl like you,

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<v Speaker 2>to look out at places with names like Antofagusta. Ow

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<v Speaker 2>dare we could get to like it?

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<v Speaker 9>Yes?

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<v Speaker 2>Eve, yes, Eve? The way you ran out on me

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<v Speaker 2>and tell Tan now you're.

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<v Speaker 4>Here a questions. I can see them coming to get dressed.

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<v Speaker 4>I see it dinner, darling.

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<v Speaker 5>You'll be pleased, Senor said.

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<v Speaker 2>You. You look like a man who is he loved,

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<v Speaker 2>but he's not happy about it. Something wrong, Senor, old

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<v Speaker 2>have it occupational hazard. You'll always add two and two.

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<v Speaker 2>Don't come up for it's bad if it comes forth

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<v Speaker 2>too easy? Bad again? She said, you wants you to

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<v Speaker 2>get a radiogram off for me to Hartford, Connecticut, to

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<v Speaker 2>an insurance company. What is it?

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<v Speaker 1>Then?

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<v Speaker 2>Nothing?

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<v Speaker 4>Ah, nothing, the man says, just like that, and his

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<v Speaker 4>eyes narrow and his lips tightened, and he wonders how

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<v Speaker 4>to begin. And when I ask him what does he say? Nothing?

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<v Speaker 4>That's what he says, And he fingers a sheet of

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<v Speaker 4>paper in his pocket, hopes, I don't notice.

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<v Speaker 2>Very pretty, you're good with words. I got a present

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<v Speaker 2>for you and no set of words. And they hear

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<v Speaker 2>it because they tell me something that there is no

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<v Speaker 2>Eve Coleman, only a girl who calls herself that, a

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<v Speaker 2>girl who's.

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<v Speaker 4>Who's really missus Arthur Madson. That's who I am, Missus

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<v Speaker 4>Arthur Madson, and he complaints.

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<v Speaker 2>And Vick mm hm hi.

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<v Speaker 10>Vic, you are listening to the Target.

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<v Speaker 3>It's presentation of Escape Junion Monday Night and meet Carlos

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<v Speaker 3>Archer here on CBS Radio. Remember on most of these

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<v Speaker 3>stations every Monday Night. Come on and meet Carlos Archer.

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<v Speaker 3>And now back to Escape and the second act of

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<v Speaker 3>the Target.

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<v Speaker 11>What is it?

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<v Speaker 4>It's Laura, invite me and you know the way in

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<v Speaker 4>they asked me if you were sick when you didn't

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<v Speaker 4>show for dinner.

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<v Speaker 2>I'm sick.

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<v Speaker 4>I missed you. Did it hurt to stay away from you?

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<v Speaker 11>Think?

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<v Speaker 4>Tell me how much it hurt?

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<v Speaker 2>Here is it?

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<v Speaker 4>The name?

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<v Speaker 6>Is that?

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<v Speaker 4>What bothers you? Why don't you try it? Darling? It's easy, Laura,

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<v Speaker 4>mats nice?

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<v Speaker 2>What is it?

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<v Speaker 3>Winnie?

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<v Speaker 2>What kind of dame are you?

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<v Speaker 4>You ask that?

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<v Speaker 12>You look at what a child who reached for the

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<v Speaker 12>moon and sucks because he found it a different color.

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<v Speaker 12>You can't afford to sulk, Vic, not you what The

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<v Speaker 12>last time I saw my husband was an hour after

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<v Speaker 12>his escape from you. How does a little man like

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<v Speaker 12>Arthur Madson get away from a man your size, vic.

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<v Speaker 9>How he buys that.

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<v Speaker 2>You're out of your mind.

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<v Speaker 4>You want the price five thousand dollars. Arthur told me

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<v Speaker 4>Hurting me won't change it, Darling doesn't change anything.

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<v Speaker 2>What I say.

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<v Speaker 4>I don't care. Don't you understand that, not about any

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<v Speaker 4>of it.

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<v Speaker 2>I love you, Darling. Hi, I'd say it.

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<v Speaker 4>I want to hear you say it. M H.

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<v Speaker 2>I love you, Laura, Ah say Senor, to find out anything,

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<v Speaker 2>catch my my brain? Where is she Peppy? Where? I

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<v Speaker 2>tried her cabin, everyplace, every pace?

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<v Speaker 6>He is he?

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<v Speaker 2>Senor? I just found out from one of the sea men.

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<v Speaker 2>He saw he leave there the moment with dark she

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<v Speaker 2>she was the first one off. What she couldn't do?

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<v Speaker 2>You sure is what he say? It must be so, Senor,

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<v Speaker 2>she's nowhere to be found. I'm sorry, Senor. Yeah, you

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<v Speaker 2>would take the stuff at her tell. I got things

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<v Speaker 2>to do. Be it the San Diego police most of

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<v Speaker 2>the day. Which hotel Senor is the best? Uh Cassa,

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<v Speaker 2>San Diego, right on the beach. It's nice for swimming.

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<v Speaker 2>That's it. Then last time around, I as well go

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<v Speaker 2>first class. Must have been a long visit with the police.

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<v Speaker 2>Is after eight Signor I haven't seen the chief yet.

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<v Speaker 2>He's at the other end of the city all day.

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<v Speaker 2>Be here in any minute. Then I see you in

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<v Speaker 2>the morning.

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<v Speaker 13>You like the room, the radio, Yeah, Senor, that's right you,

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<v Speaker 13>Captain Delgada, very late Delgada with much apology.

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<v Speaker 2>Oh what come on in for taking so long to.

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<v Speaker 9>Return your court.

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<v Speaker 2>I forget it. You didn't know I was coming, but.

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<v Speaker 9>Of course I did, Senor.

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<v Speaker 2>Your senor O'Brien said, so San drink nice idea, very nice.

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<v Speaker 2>Obrian phoned you.

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<v Speaker 9>See I think we talked for maybe twenty minutes, A

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<v Speaker 9>long time.

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<v Speaker 2>Yeah, O'Brien can talk.

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<v Speaker 9>Did you drink las Yes, Akaraska. My Spanish is not

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<v Speaker 9>good translation to each what he deserves? How you call philosophical? No, well,

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<v Speaker 9>I'm sure O'Brien told you the whole setup and see everything.

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<v Speaker 9>What do you think it's possible this author Madson is

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<v Speaker 9>on Massafuera. If so, he won't be hard to find

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<v Speaker 9>a wild island, Senor. Beautiful, but no different than it

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<v Speaker 9>was thousands of years ago. See, they will know if

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<v Speaker 9>an American lives on that island. Hey, don't you know, oh'brian, amigo?

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<v Speaker 9>He asks me the same question, and I try to explain.

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<v Speaker 2>To him, Explain, explain what elgara.

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<v Speaker 9>The simple fact that Massafuera is just an island, and

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<v Speaker 9>that I have no you call jurisdiction there from friendly.

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<v Speaker 2>Yeah, yeah, I understand, and then we have no problems. None.

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<v Speaker 9>Well know, the day has been long, and the bed

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<v Speaker 9>will be as a friend. If there is anything I

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<v Speaker 9>can do for you here in Santiago, you will give

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<v Speaker 9>me that pleasure.

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<v Speaker 2>You've done it already, Senor.

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<v Speaker 9>And then I say good night to you, Senor, and

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<v Speaker 9>good hunting. I hope you find this Arthur medicine before

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<v Speaker 9>she does. She the young lady, the lovely young lady

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<v Speaker 9>who asks my lieutenant about Madson only this afternoon.

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<v Speaker 2>Where that's not you?

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<v Speaker 4>Open your eyes Vic for me, all right, Ala. A

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<v Speaker 4>man all alone on the beach at night is trying

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<v Speaker 4>to wash something out of his mind. Laura, no questions.

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<v Speaker 4>Nowhere have you been?

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<v Speaker 2>I know where you've been, doesn't matter.

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<v Speaker 4>Say it, Vick, I want to hear it.

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<v Speaker 2>I love you Laura again. I love you. Oh sweet

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<v Speaker 2>Big Laura is worried Matson. What are we gonna do

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<v Speaker 2>about him?

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<v Speaker 11>Kill him?

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<v Speaker 2>Why? Laura?

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<v Speaker 4>Why You've always known you'd have to do it. Took

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<v Speaker 4>a bribe, Darling. Remember I don't want my VICI prison.

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<v Speaker 4>I want him with me, close to me. Kill him, darling, Laura,

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<v Speaker 4>all that money a little nothing like him sitting on

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<v Speaker 4>an island with all that money. Our money. You hear me, Darling,

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<v Speaker 4>you understand our money.

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<v Speaker 6>Laura.

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<v Speaker 4>There's a plane in the morning. They must have wear it.

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<v Speaker 4>We'll be on him together.

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<v Speaker 2>We'll be honored like man hunting. Laura.

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<v Speaker 4>Oh not eight hours of it?

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<v Speaker 2>Oh god, I didn't tell me it was all uphill, Nick,

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<v Speaker 2>What is it?

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<v Speaker 4>Clearing?

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<v Speaker 6>Just a hit?

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<v Speaker 4>I think it's the top.

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<v Speaker 6>Come on, look in time for dinner, mister Kennedy.

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<v Speaker 11>I waited almost a year for you. You're looking well tired,

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<v Speaker 11>but well Hello. You want to freshen up my dear Arthur.

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<v Speaker 11>While you do, I'll entertain, mister Kennedy, show him what

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<v Speaker 11>my island has to recommend it. Freshen up, Laura, mats Now,

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<v Speaker 11>let me play host, Kennedy. I'm out of practice, but

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<v Speaker 11>let me try. You drink, Laura, yours Kennedy lost his mind?

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<v Speaker 11>Is that what you're thinking, Kennedy? That Arthur Madson lost

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<v Speaker 11>his mind?

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<v Speaker 2>A man who.

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<v Speaker 11>Shows you a shabby little house he loves, and the

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<v Speaker 11>stone terrace built himself and makes you a drink. As

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<v Speaker 11>civilized people do, values change, Kennedy. This is all I

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<v Speaker 11>care about now, this terrace, the view from it, even

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<v Speaker 11>the rocks one hundred feet below.

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<v Speaker 2>A great lesson, Kennedy.

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<v Speaker 6>From here, everyone's a little man.

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<v Speaker 4>I'm glad you're a happy little man.

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<v Speaker 6>How am I going to die?

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<v Speaker 2>Kennedy? Will you use a knife? That's the matter with you?

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<v Speaker 11>I don't mind, not really. I've had a year away

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<v Speaker 11>from her, a whole year. You'll pray for your island.

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<v Speaker 11>It will take too long.

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<v Speaker 2>You're crazy. Laura is doing better with you, Kennedy.

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<v Speaker 6>You're going to kill for her.

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<v Speaker 2>I only stole for you, stole for yourself. Matten.

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<v Speaker 11>That's what she fit you. Oh poor Kennedy. You told

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<v Speaker 11>him I had the money, law lovely.

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<v Speaker 4>Love killing Vick. Now what are you waiting for?

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<v Speaker 2>Who's got it? Mas? She has you idiots, She's always

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<v Speaker 2>had it.

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<v Speaker 6>But I'm the only one who knows it. Aun't I Laura?

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<v Speaker 2>With me alive, you'd never be safe, never be completely sure.

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<v Speaker 7>Are you.

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<v Speaker 6>Going to do your own killing?

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<v Speaker 2>Laura?

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<v Speaker 4>Let him live too? Long Vick. He shouldn't have said that,

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<v Speaker 4>stop moving.

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<v Speaker 2>You're gonna kill us both, Laura both. I could kill

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<v Speaker 2>the little man in a bar back in twtown.

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<v Speaker 4>I bought that, darling, you were getting too close. Say

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<v Speaker 4>goodbye Arthur nicely.

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<v Speaker 2>Alone. I won't go along now. You don't need help,

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<v Speaker 2>not any more. Humm, I an't need it now.

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<v Speaker 3>I the direction of David Friedkin and Morton Fine. Escape

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<v Speaker 3>has brought you the Target, a story by Tony Barrett.

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<v Speaker 3>Featured in the cast were Whitfield, Connor and Mary Jane Croft.

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<v Speaker 3>Also heard were Edgar Barrier, Herb Butterfield, Hans Conried, Malitea

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<v Speaker 3>Milo and Janeavello. You're announcer George Walsh. The special music

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<v Speaker 3>for Escape is composed and conducted by Leith Stephens.

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<v Speaker 2>Next week, you're at the end of a journey.

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<v Speaker 1>You've committed murder to make a barren wasteland of India

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<v Speaker 1>silent desolate, where there is a cave and a carved

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<v Speaker 1>image of the goddess Coullie, whose heart is a ruby,

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<v Speaker 1>big is a grenade, and which is guarded by a

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<v Speaker 1>smiling old man from whom there is no escape.

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<v Speaker 3>So listen next week when Escape brings you Ross Murray's

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<v Speaker 3>story The Red Heart of Callie, an honest doctor resists

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<v Speaker 3>temptation but gets into trouble anyway. Tomorrow night, when mister

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<v Speaker 3>and Missus North bring us their latest thrilling mystery.

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<v Speaker 10>Don't forget.

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<v Speaker 3>CBS Radio has a date for Mystery with Mister and

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<v Speaker 3>Missus North Tomorrow night, and you're welcome to on most

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<v Speaker 3>of these same stations. Stay tune now for night Watch,

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<v Speaker 3>which follows immediately over most of these stations. Where there's

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<v Speaker 3>gun smoke, there's Western Adventure Monday nights on the CBS

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<v Speaker 3>Radio network