WEBVTT 1 00:00:02.200 --> 00:00:10.599 You see something's going to happen. What what's gonna happen? 2 00:00:12.400 --> 00:00:12.919 I think. 3 00:00:15.480 --> 00:00:28.760 What you welcome? Welcome everybody to another Headlessen is magical mailbag. 4 00:00:28.800 --> 00:00:31.879 Tonight we've got a special treat. We're doing another remote 5 00:00:31.920 --> 00:00:35.880 viewing show. But before that, I gotta welcome my co 6 00:00:35.960 --> 00:00:37.679 host Nick. Tell them what you've been working on? What 7 00:00:37.719 --> 00:00:38.439 you got coming up? 8 00:00:39.079 --> 00:00:41.000 Oh, thank you sir, thank you for having me on. 9 00:00:41.159 --> 00:00:42.679 Looking forward to this one. This one would be a 10 00:00:42.719 --> 00:00:45.280 special and exciting and it has nothing to do with 11 00:00:45.280 --> 00:00:47.799 my someone. What have I been working on? Oh god, 12 00:00:47.960 --> 00:00:49.399 I have a ton of shit that I'm actually working 13 00:00:49.399 --> 00:00:51.880 on too much. Uh, A two part series on my 14 00:00:52.399 --> 00:00:56.399 sacred architecture, then a one show that's gonna you know, 15 00:00:56.439 --> 00:00:58.520 I'm focusing on four or five places. It's gonna be 16 00:00:58.520 --> 00:01:00.640 the architecture and then like the somatic in their archae 17 00:01:00.719 --> 00:01:04.319 acoustics and all that shit. Uh specifically. Then I'm gonna 18 00:01:04.319 --> 00:01:09.519 have two episodes on the planets and then one on 19 00:01:09.640 --> 00:01:15.079 Christian architecture as ritual technology. So yeah, looking forward to 20 00:01:15.120 --> 00:01:17.799 that one. Yes, but uh yeah we got that, and uh, 21 00:01:18.000 --> 00:01:20.040 we do have a guy coming on this Sunday. That's funny. 22 00:01:20.079 --> 00:01:22.680 I mentioned a grippa to you before for a grippa 23 00:01:23.200 --> 00:01:25.400 and then I think Saturday we got some lady coming 24 00:01:25.439 --> 00:01:27.760 off for Polish, uh, Polish magic or some shit. 25 00:01:30.480 --> 00:01:32.079 So yeah, gotcha, I'm down. 26 00:01:33.840 --> 00:01:35.200 All right. I figured it'd be interesting. 27 00:01:35.280 --> 00:01:35.400 Yo. 28 00:01:35.439 --> 00:01:39.079 You know what's cool too, is that uh is she well, 29 00:01:39.599 --> 00:01:41.359 I mean a lasson. I'm gonna be honest. I do 30 00:01:41.439 --> 00:01:45.560 understand when some people do this for her. I gave her, 31 00:01:45.879 --> 00:01:48.200 I gave her a pass, but like she had asked 32 00:01:48.200 --> 00:01:51.079 for questions, and I'm like, oh, I don't know. For 33 00:01:51.120 --> 00:01:53.480 some reason, that bothers me when some of these authors 34 00:01:53.480 --> 00:01:56.319 ask for questions. And the problem is it's just like, yo, 35 00:01:56.400 --> 00:02:00.519 like I even understand from when I do shows, if 36 00:02:00.519 --> 00:02:03.159 it was something that like meant a lot to me, 37 00:02:03.840 --> 00:02:05.560 that shit's like on the back of my hand. I 38 00:02:05.599 --> 00:02:08.120 know that shit. You know what I'm saying. So now 39 00:02:08.280 --> 00:02:11.120 you wrote that book and it wasn't ai like, and 40 00:02:11.159 --> 00:02:14.240 you spent all that time. I need to send you 41 00:02:14.280 --> 00:02:17.400 fucking questions. You should know that fuck. You should remember 42 00:02:17.400 --> 00:02:21.159 what that book was like before you edited it. So 43 00:02:21.319 --> 00:02:25.439 but she said that she's not a She's from Poland. 44 00:02:26.120 --> 00:02:29.280 English is in her first language. So this is actually 45 00:02:29.319 --> 00:02:32.080 real Polish person coming with Polish magic. Long story short. 46 00:02:32.439 --> 00:02:34.360 So yeah, she asked for questions and she did, you know, 47 00:02:34.759 --> 00:02:36.800 specify one of the reasons why she was asking because 48 00:02:36.840 --> 00:02:40.159 English isn't her like you language. So I was like, 49 00:02:40.199 --> 00:02:41.680 all right, cool, cool. 50 00:02:43.520 --> 00:02:47.319 Well, awesome, awesome. So before we get started, I want 51 00:02:47.360 --> 00:02:50.479 everybody to get themselves out a clean sheet of paper 52 00:02:50.560 --> 00:02:53.000 or a couple of sheets of paper, probably like four 53 00:02:53.000 --> 00:02:56.759 sheets of paper, right, and then have that ready. But 54 00:02:56.960 --> 00:03:00.759 first we got to get into nick symbol and piece 55 00:03:00.759 --> 00:03:04.120 of paper and pen. That's all you need and your mind, 56 00:03:04.680 --> 00:03:06.319 and we're gonna try and see if we can do 57 00:03:07.439 --> 00:03:10.960 some remote viewing using an AI. And I couldn't get 58 00:03:11.000 --> 00:03:13.759 the talking AI, but I could, you know, tell it 59 00:03:13.800 --> 00:03:16.240 what to do and then we're gonna read it off. 60 00:03:16.280 --> 00:03:20.080 So hopefully it can use the fast Warrior transforms as 61 00:03:20.120 --> 00:03:22.840 the as the prompt and we'll see where it goes 62 00:03:22.879 --> 00:03:26.840 from there. So go ahead, let's get into your symbol. 63 00:03:26.879 --> 00:03:29.479 All right, you can pull it up there, Yes, that 64 00:03:29.680 --> 00:03:34.439 is the uh where is it? The Marian mark. It 65 00:03:34.479 --> 00:03:37.560 can look like a double V or W or cross v's. 66 00:03:38.360 --> 00:03:41.240 It's a ritual protection symbol carved into churches and homes. 67 00:03:41.560 --> 00:03:47.000 Half prayer, half folk magic and shockingly widespread. The Merryon 68 00:03:47.080 --> 00:03:51.080 mark is It's usually scratched as a VV, sometimes fused 69 00:03:51.120 --> 00:03:54.080 into a W made of cross to v's and sometimes 70 00:03:54.080 --> 00:03:58.840 an M or found this interesting am. Sometimes you will 71 00:03:58.840 --> 00:04:04.800 see that F and AM free and accepted Masons. It 72 00:04:04.840 --> 00:04:07.319 shows up in exactly the places people feared we are 73 00:04:07.400 --> 00:04:14.080 vulnerable doorways, windows, fireplaces, thresholds, stairwells, roof timbers, barns and cays, 74 00:04:15.159 --> 00:04:18.759 and basically anywhere something could get in if there was 75 00:04:18.800 --> 00:04:21.560 an opening to get into a place. It's often called 76 00:04:21.560 --> 00:04:24.279 the witch mark, but that label is a modern shorthand 77 00:04:24.839 --> 00:04:28.360 Historically it's better described as an epotropic mark, a physical 78 00:04:28.399 --> 00:04:34.120 sign intended to turn away harm, witchcraft, spirits, bad luck, illness, fire, envy, 79 00:04:34.240 --> 00:04:37.040 the evil eye, whatever the local imagination was most afraid 80 00:04:37.040 --> 00:04:40.519 of at that time, basically where it first shows up. 81 00:04:40.560 --> 00:04:45.079 The Maria mark belongs to a broader European area habit 82 00:04:45.439 --> 00:04:48.800 scratching holy letters and protective geometry into buildings as a 83 00:04:48.839 --> 00:04:54.480 form of everyday spiritual insurance. The Marian part refers to 84 00:04:54.519 --> 00:04:58.639 the Virgin Mary, and Historic England notes that common letter 85 00:04:58.680 --> 00:05:02.759 marks include am, Ava, Maria or M Mary and VV 86 00:05:03.040 --> 00:05:07.439 often interpreted as the virgin of virgins. Let's a good 87 00:05:07.519 --> 00:05:11.600 way you get the VV that tells you what it is, 88 00:05:13.160 --> 00:05:16.199 That tells you what it is in its earliest logic. 89 00:05:16.240 --> 00:05:18.439 It's not a random room. It's not a demonic seal. 90 00:05:18.519 --> 00:05:22.279 It's more like a compact devotional invocation, carved where it 91 00:05:22.319 --> 00:05:26.639 matters the most. The one thing that I find interesting 92 00:05:29.480 --> 00:05:33.759 at one point when kind of like when there was 93 00:05:33.920 --> 00:05:43.480 a witchcraft hysteria, people who was it? Actually let me 94 00:05:43.519 --> 00:05:46.319 go into this first, Sorry, get screwed up the Marian 95 00:05:47.079 --> 00:05:49.600 where it first shows up. Oh. In practice, the mark 96 00:05:49.680 --> 00:05:51.920 works on two levels at once. It's an invocation. The 97 00:05:52.000 --> 00:05:54.920 letters themselves are doing the work, calling our Mary's protection 98 00:05:55.000 --> 00:05:58.319 through shorthand like am or again I said, M or VV. 99 00:05:59.079 --> 00:06:03.040 It's a threshold. Historic England explicitly frames these as a 100 00:06:03.079 --> 00:06:08.519 part of Which's marks. Again epatropaic marks scratched into the 101 00:06:08.519 --> 00:06:11.959 fabric of buildings to guard people from harm and maligned forces. 102 00:06:12.720 --> 00:06:16.040 And again location matters. A lot of times. It's repeatedly 103 00:06:16.160 --> 00:06:20.959 noticed clustering around openings, around doors, windows, chimneys, like right 104 00:06:21.000 --> 00:06:25.160 around them where it's been seen and used. The symbol 105 00:06:25.279 --> 00:06:28.639 isn't rare. It's everywhere, which is part of the horror 106 00:06:28.800 --> 00:06:31.879 and the beauty of it. Churches, they have it carved 107 00:06:31.920 --> 00:06:35.920 into stone, especially at liminal zones like porches and entries, 108 00:06:36.360 --> 00:06:40.079 mixed in with other graffiti and protection marks. Domestic buildings. 109 00:06:40.160 --> 00:06:44.439 Sometimes you'll see it carved into roof timbers, beams, fireplaces, 110 00:06:46.360 --> 00:06:50.839 places associated with fire risk and spiritual vulnerability has been 111 00:06:50.879 --> 00:06:53.360 seen in caves, a long lived tradition of the symbol 112 00:06:53.399 --> 00:06:56.920 appearing in caves as well as buildings, suggesting the mark 113 00:06:57.160 --> 00:07:04.079 wasn't just church. The von historic graffiti project is pretty 114 00:07:03.600 --> 00:07:06.560 They say that there is a very long lived the 115 00:07:06.759 --> 00:07:09.959 w The VV symbol is a very long lived and 116 00:07:10.000 --> 00:07:14.759 it appears across context like churches, houses and caves. And 117 00:07:14.800 --> 00:07:18.199 although its overt medieval Marian meeting may blur over time, 118 00:07:18.279 --> 00:07:21.600 the protection function stays obvious. So I guess what they're 119 00:07:21.600 --> 00:07:23.879 saying is that you do see it crossover. It's pretty 120 00:07:23.920 --> 00:07:28.480 much used for the same thing. The Marian mark becomes 121 00:07:28.600 --> 00:07:32.319 especially visible in the period when fear of male effect 122 00:07:32.319 --> 00:07:35.319 forces become culturally loud. You know, when people start worrying 123 00:07:35.319 --> 00:07:41.120 about satanic nic Everything's Dixon demons, Stark, England's discussion of 124 00:07:41.160 --> 00:07:46.800 witch's marks places many appatraych apotropic marks, including the Marian 125 00:07:46.879 --> 00:07:50.399 letter marks and a broad early modern window, and treats 126 00:07:50.439 --> 00:07:53.879 them as a widespread response to fears of witchcraft and 127 00:07:53.920 --> 00:07:58.240 evil influences. A widely circulated summary of the historic England 128 00:07:58.319 --> 00:08:01.879 call to records such marks describe them as commonly found 129 00:08:01.920 --> 00:08:05.000 on buildings and used as protective signs during the era 130 00:08:05.120 --> 00:08:10.519 when belief in witchcraft was intense. This is officially. This 131 00:08:10.560 --> 00:08:13.160 is why I think it's kind of funny though, And 132 00:08:13.240 --> 00:08:16.959 this is where the Mary and mark kind of doubles itself. Officially, 133 00:08:17.000 --> 00:08:20.319 you're invoking Mary, which is socially acceptable in a Christian world, 134 00:08:20.879 --> 00:08:23.439 but practically you're performing a protective act that looks a 135 00:08:23.480 --> 00:08:28.439 lot like sympathetic folk magic. That's right. So I find 136 00:08:28.480 --> 00:08:31.920 that interesting, But yeah. 137 00:08:30.959 --> 00:08:34.399 I love it. This is this is okay. So the 138 00:08:34.720 --> 00:08:38.600 M is one of the oldest symbols for woman. There 139 00:08:38.759 --> 00:08:42.480 is the M. You flip that M upside down, you 140 00:08:42.519 --> 00:08:45.120 get a W. You put the two v's together, you 141 00:08:45.159 --> 00:08:49.159 get a W. And they actually make the entrances to 142 00:08:49.240 --> 00:08:53.799 these cathedrals in the shape of an M. Right, So 143 00:08:54.320 --> 00:08:58.320 you've got these double Mary and Marx right right there 144 00:08:58.320 --> 00:09:01.840 at the opening of the cathedral. I always say Father time, 145 00:09:01.919 --> 00:09:06.679 mother space. They're protecting the space with the Mary and Mark. 146 00:09:07.360 --> 00:09:10.720 That is the upside down version of the much more 147 00:09:10.840 --> 00:09:14.919 older thing. I mean, think about the virgo seal. Right, 148 00:09:15.000 --> 00:09:17.000 So it's it's that m again. 149 00:09:17.399 --> 00:09:17.600 Right. 150 00:09:17.840 --> 00:09:21.000 All of these m's go way way back into agent 151 00:09:21.120 --> 00:09:25.080 history as the symbol for women because it's the simplest 152 00:09:25.120 --> 00:09:30.320 way of drawing two legs splayed open, ready to give birth. 153 00:09:31.360 --> 00:09:33.919 That's what you're looking at. 154 00:09:34.039 --> 00:09:37.399 So they've inverted it. The ultimate Virgin is going to 155 00:09:37.440 --> 00:09:40.039 be the opposite of a woman giving birth, while at 156 00:09:40.039 --> 00:09:43.039 the same time sort of symbolizing that mother space concept 157 00:09:43.080 --> 00:09:44.799 inside of all of these churches. 158 00:09:46.519 --> 00:09:47.320 Manipulate man. 159 00:09:48.240 --> 00:09:54.320 Well, I mean, but again, she's virginal. So the whole 160 00:09:54.360 --> 00:09:58.639 idea there is that this space is sacred because it's virginal. 161 00:09:58.679 --> 00:10:02.480 It's untouched by evil. Well, it's untouched by any impure forces. 162 00:10:02.840 --> 00:10:05.399 That's what they're going for. It's like, this is holy, 163 00:10:05.559 --> 00:10:10.039 sacred space. You cannot corrupt it. It is incorruptible. It's 164 00:10:10.039 --> 00:10:14.399 the ultimate virgin, the virgin of virgins. So yeah, it's it. 165 00:10:14.960 --> 00:10:18.000 I mean, that's that's powerful, dude. That's powerful. Love it. 166 00:10:18.799 --> 00:10:20.480 Yeah, I actually thought you might have gotten a kick 167 00:10:20.480 --> 00:10:27.279 out of this one. Mother. There's space right there, Yeah yeah, yeah, yeah, 168 00:10:27.519 --> 00:10:30.120 I like that definitely fits in with your phrase because 169 00:10:30.120 --> 00:10:31.039 I've heard you say that before. 170 00:10:31.799 --> 00:10:32.799 Oh yeah, yeah. 171 00:10:33.039 --> 00:10:34.600 I mean it's right before you enter, I. 172 00:10:34.600 --> 00:10:38.519 Mean exactly, and right there at the uh you know, 173 00:10:39.000 --> 00:10:42.039 all of the windows and all of these entry ways. 174 00:10:42.080 --> 00:10:44.720 You're saying, this is virginal space. You are not allowed 175 00:10:44.759 --> 00:10:48.480 to enter here. So it's yeah, powerful protection, Mar. 176 00:10:50.399 --> 00:10:54.039 You know, vampires they have to ask to enter. It's 177 00:10:54.080 --> 00:10:57.000 just interesting think about all that entering spaces and ship 178 00:10:57.440 --> 00:10:59.519 I wonder if there's like doors, I'm like, I'm gonna 179 00:10:59.519 --> 00:11:01.200 sell looking at all the places, like if there's ever 180 00:11:01.240 --> 00:11:04.919 a door with like a decorative m on it, you 181 00:11:04.960 --> 00:11:07.080 know what I'm saying, Or even like there's windows that 182 00:11:07.120 --> 00:11:09.440 look like they have those criss crossings that could start 183 00:11:09.480 --> 00:11:14.840 looking like that just from then the. 184 00:11:14.879 --> 00:11:17.600 Three doors with the largest one in the middle and 185 00:11:17.600 --> 00:11:20.360 then the two on the sides. That's one way. But again, 186 00:11:20.440 --> 00:11:23.120 you know it's the vampires have to have to have 187 00:11:23.200 --> 00:11:26.840 permission before they can enter because you've you've protected that 188 00:11:26.919 --> 00:11:29.360 space and they're no longer sort of fully on this 189 00:11:29.480 --> 00:11:35.000 plane or something else. So well, let's get into it. 190 00:11:35.159 --> 00:11:40.639 So I've got oh yeah, four envelopes. Now, I like 191 00:11:40.679 --> 00:11:46.399 to do this the classic way of remote viewing. Take 192 00:11:46.440 --> 00:11:52.000 your time. So basically, I don't know which of the 193 00:11:52.039 --> 00:11:57.120 pictures that I've taken are indicated by these envelopes. I've 194 00:11:57.159 --> 00:12:00.960 shuffled them up. I don't know which one is which. 195 00:12:01.080 --> 00:12:04.720 There's no markings on the envelopes, right, So what we're 196 00:12:04.720 --> 00:12:07.759 gonna do is, I'm going to pick up an envelope. 197 00:12:07.960 --> 00:12:13.080 I'm going to do a quick relaxation exercise. I don't 198 00:12:13.120 --> 00:12:16.399 know which site. I've labeled each one of the papers 199 00:12:16.440 --> 00:12:19.039 inside with the site. I don't know which site is which. 200 00:12:19.240 --> 00:12:22.159 They're all mixed up. What we're going to do is, 201 00:12:22.240 --> 00:12:24.600 after we're done with this, I'm going to label this 202 00:12:24.679 --> 00:12:26.840 with the number, and then we're going to go through 203 00:12:26.879 --> 00:12:30.480 it together with the AI and we're going to go 204 00:12:30.519 --> 00:12:34.320 over your impressions, your sensory data, that's what it's called. 205 00:12:34.679 --> 00:12:37.480 So you're going to write down your impressions. I'm going 206 00:12:37.519 --> 00:12:41.399 to give you a quick relaxation exercise so that we 207 00:12:41.480 --> 00:12:45.039 can we can kind of mark out our successes and 208 00:12:45.080 --> 00:12:49.399 our failures. So if there's something that is obvious with 209 00:12:48.919 --> 00:12:53.159 your your sensory data that matches up, put a check mark. 210 00:12:53.279 --> 00:12:56.679 That's a go. If there's something that's not there, just 211 00:12:56.720 --> 00:12:58.639 put an X next to it and then you can 212 00:12:58.679 --> 00:13:01.039 count up all your check mark of all your sensory 213 00:13:01.159 --> 00:13:04.279 data and then you can see what your accuracy is. 214 00:13:05.000 --> 00:13:06.960 But I thought this would be a cool thing to do. 215 00:13:07.240 --> 00:13:10.360 We we had the fast fur Yer Transforms video last 216 00:13:10.399 --> 00:13:14.080 week and I figured, let's try it. So we've got AI, 217 00:13:14.240 --> 00:13:16.919 which is supposed to be good at remote viewing using 218 00:13:17.080 --> 00:13:19.960 fast Furrier transforms, which is a type of algorithm to 219 00:13:21.080 --> 00:13:28.039 condense data down into easily transferable packets. And then I'm 220 00:13:28.039 --> 00:13:31.519 going to put uh the you know, I'm going to 221 00:13:31.600 --> 00:13:34.480 talk to it and tell it the commands right, the 222 00:13:34.519 --> 00:13:38.559 prompts that we're going to use for each one of them. So, yo, 223 00:13:40.960 --> 00:13:45.000 what is that called fast Furier transforms? And that is 224 00:13:45.799 --> 00:13:50.799 that is a type of condensing packets of information, so 225 00:13:50.879 --> 00:13:53.519 you're you're looking at the frequency that the information is 226 00:13:53.559 --> 00:13:57.080 coming in. It's basically a way of simplifying other code. 227 00:13:57.360 --> 00:13:57.519 Right. 228 00:13:57.960 --> 00:14:02.240 And when this is applied to let's say the imagination 229 00:14:02.360 --> 00:14:05.120 of a machine or computer vision, it's going to start 230 00:14:05.159 --> 00:14:10.120 giving you impressions based upon the condensing data that's coming 231 00:14:10.159 --> 00:14:12.840 into it, which makes it, you know, sort of have 232 00:14:13.440 --> 00:14:16.320 the effect of remote viewing, and what people have gotten 233 00:14:16.360 --> 00:14:20.440 before with it is pretty stunning. So you're going to 234 00:14:20.440 --> 00:14:26.960 be remote viewing against the computer, right, So I just. 235 00:14:27.200 --> 00:14:30.000 Answer my AI. Now, if it could do that, it 236 00:14:30.039 --> 00:14:34.559 was like, yeah, in theory you could use literally so yeah, 237 00:14:34.879 --> 00:14:35.559 that's crazy. 238 00:14:37.279 --> 00:14:41.480 All right. So let's start with this one right here. 239 00:14:41.559 --> 00:14:46.039 So I want you to calm your mind, get in 240 00:14:46.080 --> 00:14:54.000 touch with your heartbeat, just listen, close your eyes, block 241 00:14:54.120 --> 00:15:00.519 out any sort of distracting phenomena around you. I want 242 00:15:00.519 --> 00:15:03.840 you to focus in. I don't want you to start 243 00:15:03.879 --> 00:15:07.679 picturing anything. Don't start picturing anything. I want you to 244 00:15:07.720 --> 00:15:10.159 get in touch with your body first, right. I want 245 00:15:10.200 --> 00:15:12.200 you to think about the different parts of your body 246 00:15:12.240 --> 00:15:15.360 and how you're relaxing, from your head down to your toes. 247 00:15:16.120 --> 00:15:19.279 You are not going to be engaging in any other thoughts. 248 00:15:20.200 --> 00:15:23.279 All you're doing is emptying out all of the stress 249 00:15:23.399 --> 00:15:27.720 and all of the distractions from yourself. And you're going 250 00:15:27.799 --> 00:15:32.960 to get ready to process the images, process the feelings, 251 00:15:33.080 --> 00:15:38.519 process the ideas that come to you, and then write 252 00:15:38.559 --> 00:15:42.399 down what you see or what you feel, or how 253 00:15:42.399 --> 00:15:45.200 it is. Each one of the remote viewings is like 254 00:15:45.240 --> 00:15:51.279 a four dimensional snapshot. So it's not just time, it's 255 00:15:51.320 --> 00:15:54.120 not just a place. You're going to get colors and impressions, 256 00:15:54.440 --> 00:15:58.039 kind of like an impressionistic artwork, right, So if you 257 00:15:58.080 --> 00:16:02.039 can imagine right now, sort of like a blank canvas 258 00:16:02.080 --> 00:16:06.799 with a bunch of maybe random brushstrokes on it, and 259 00:16:06.840 --> 00:16:10.159 you've got to sort of make out what's on that canvas, 260 00:16:10.240 --> 00:16:12.320 all right, So what I want you to do is 261 00:16:12.360 --> 00:16:15.840 now focus on this envelope and I want you to 262 00:16:15.919 --> 00:16:21.000 focus on site that's in the envelope, envelope number one 263 00:16:21.600 --> 00:16:24.559 as the site within it. And I want you to 264 00:16:26.080 --> 00:16:29.840 take a deep breath. I want you to feel the 265 00:16:29.919 --> 00:16:32.840 sensations around you, and I want you to start writing 266 00:16:34.279 --> 00:16:40.679 what you feel, what you see, how you feel, how 267 00:16:40.720 --> 00:16:45.879 you're seeing around you, any impressions that come through, anything 268 00:16:46.000 --> 00:16:48.279 that is coming through. I want you to start writing 269 00:16:48.399 --> 00:16:51.360 right now. I want you to write down some of 270 00:16:51.399 --> 00:16:55.679 the impressions that you feel. Right, don't judge yourself on 271 00:16:55.759 --> 00:17:00.320 how it's gonna come out. You're just blanking everything out 272 00:17:00.399 --> 00:17:03.519 and you're just going to write what you see, what 273 00:17:03.600 --> 00:17:08.119 you hear, what you smell, any of these sensations that 274 00:17:08.200 --> 00:17:13.319 come to you as you are experiencing envelope number one. 275 00:17:13.359 --> 00:17:17.920 What is within envelope number one is what you are 276 00:17:17.960 --> 00:17:24.759 connecting to. Whatever is inside of envelope number one is 277 00:17:24.759 --> 00:17:27.680 what you're connecting to. So if you have any feelings, 278 00:17:27.759 --> 00:17:30.359 if you have any thoughts, if you have any emotions, 279 00:17:30.920 --> 00:17:36.200 write those down. You're a blank canvas and you're just 280 00:17:36.440 --> 00:17:40.480 taking in that energy, just taking in that sensory information 281 00:17:40.680 --> 00:17:44.400 right now, So as you see it, write it down. 282 00:17:44.640 --> 00:17:48.240 We'll give you a couple more seconds. Go ahead and 283 00:17:48.279 --> 00:18:01.240 write all of your impressions down, all right, Envelope one down, Okay, 284 00:18:05.480 --> 00:18:09.319 all right, clear all of the data from the last 285 00:18:09.880 --> 00:18:15.240 written words that you've done, Get rid of all of 286 00:18:15.799 --> 00:18:18.599 the images that you were just writing down. I want 287 00:18:18.640 --> 00:18:21.440 you to come back to that blank space. I want 288 00:18:21.480 --> 00:18:23.400 you to come back. I want you to blank out 289 00:18:23.440 --> 00:18:28.640 all of that sensory data out. It's now flushed completely away. 290 00:18:29.240 --> 00:18:31.200 You're not going to see it anymore. You're not going 291 00:18:31.279 --> 00:18:33.559 to hear it anymore, you're not going to feel it anymore. 292 00:18:34.079 --> 00:18:37.559 You're back to that blank state, all right. As you're 293 00:18:37.599 --> 00:18:41.680 in that blank state where you're calm and relaxed. No 294 00:18:41.839 --> 00:18:45.319 more sensory data. I want you to focus now on 295 00:18:45.559 --> 00:18:49.880 envelope number two. I want you to focus now on 296 00:18:50.039 --> 00:18:53.759 envelope number two. I want you to write down what 297 00:18:54.000 --> 00:18:57.519 you feel and what you see from envelope number two. 298 00:18:57.640 --> 00:19:01.079 I want you to just keep it very simple, very 299 00:19:01.119 --> 00:19:04.079 simple impressions. I don't want you to get too complicated. 300 00:19:04.160 --> 00:19:07.559 I don't want you to move around. I don't want 301 00:19:07.559 --> 00:19:10.640 you to be distracted at all. Go ahead and take 302 00:19:10.680 --> 00:19:15.079 that pen and start writing down the sensations what you 303 00:19:15.160 --> 00:19:21.839 feel from envelope number two. Start to relax and allow 304 00:19:21.960 --> 00:19:25.519 the images to come to you. There's no reason to 305 00:19:25.559 --> 00:19:30.160 stretch out. There's no reason to concentrate on other things. 306 00:19:30.599 --> 00:19:34.079 All you can do is let the images come to you. 307 00:19:36.319 --> 00:19:42.640 Write those impressions down for envelope number two. What you see, 308 00:19:43.000 --> 00:19:49.880 what you feel, how the space is around you. I 309 00:19:49.920 --> 00:19:53.599 want you to think about the different ways that you 310 00:19:53.680 --> 00:19:56.759 can interact with the space. I want you to think 311 00:19:56.799 --> 00:19:59.839 about the different ways that you can feel the space. 312 00:20:00.000 --> 00:20:01.880 I want you to think about the different colors that 313 00:20:01.960 --> 00:20:07.240 you see, the different textures. All of these things could 314 00:20:07.279 --> 00:20:11.599 be important. Right Think about what your fingertips are touching 315 00:20:12.319 --> 00:20:15.599 think about what your eyes are seeing, think about what 316 00:20:15.640 --> 00:20:22.359 your ears are hearing. Get in tune with envelope number two. 317 00:20:23.759 --> 00:20:25.599 Take a few more seconds to write down what you 318 00:20:25.680 --> 00:20:28.759 got envelope number two. Now I don't know what is 319 00:20:29.720 --> 00:20:32.000 the order of these envelopes. I know what the pictures 320 00:20:32.000 --> 00:20:34.480 I took are, but I'm not sure the order. So 321 00:20:34.599 --> 00:20:38.920 this is envelope number two. Once you have all of 322 00:20:38.960 --> 00:20:45.240 those impressions, all of that sensory data written down, write 323 00:20:45.279 --> 00:20:49.119 it down, keep it stored, Switch to a different piece 324 00:20:49.119 --> 00:20:53.440 of paper, go back to blank, be that blank canvas. 325 00:20:53.480 --> 00:20:56.519 Once you're done with it, just block out any sort 326 00:20:56.519 --> 00:21:01.599 of residual energies from that last from that last site. 327 00:21:01.759 --> 00:21:04.160 And I want you to just go back to being 328 00:21:04.200 --> 00:21:09.640 relaxed and calm, back to being that blank canvas, ready 329 00:21:10.240 --> 00:21:14.240 to absorb any new impressions that are going to be 330 00:21:14.279 --> 00:21:21.960 coming from Envelope number three. Envelope number three is your target. 331 00:21:22.519 --> 00:21:24.599 This is the target that you are now going to 332 00:21:24.640 --> 00:21:29.200 be receiving sensory data from. Envelope number three has the 333 00:21:29.279 --> 00:21:34.400 site that you will be receiving that sensory data from. 334 00:21:34.799 --> 00:21:39.240 And I want you to imagine yourself seeing and feeling 335 00:21:39.920 --> 00:21:43.960 what is inside of envelope number three. I want you 336 00:21:44.039 --> 00:21:50.799 to calmly, relaxedly feel with your fingertips, see with your eyes, 337 00:21:51.640 --> 00:21:58.200 smell any sensory data from this or any impression at all. 338 00:21:58.400 --> 00:22:04.079 I want you to feel envelope number three. I want 339 00:22:04.119 --> 00:22:07.880 you to be at the site of envelope number three. 340 00:22:08.000 --> 00:22:14.279 Envelope number three is your target. Take a few more minutes, 341 00:22:14.400 --> 00:22:17.039 write down what you have. Take a few more seconds, 342 00:22:18.279 --> 00:22:24.720 take a deep breath, release all of the sensory data. 343 00:22:24.759 --> 00:22:29.799 After you've written down your sensory data, just release it, 344 00:22:29.960 --> 00:22:32.640 let it go. Go back to being a blank canvas again, 345 00:22:34.079 --> 00:22:37.480 one more time, with the blank canvas in front of you, 346 00:22:37.519 --> 00:22:47.960 completely relaxed. Now you are done with envelope number three, 347 00:22:48.240 --> 00:22:51.519 take a few more seconds to write down your impressions 348 00:22:53.279 --> 00:23:07.720 completely clear of envelope number three. All right, now we're 349 00:23:07.720 --> 00:23:12.880 going to go. But envelope number four. I want you 350 00:23:12.960 --> 00:23:17.160 to be in that relaxed, calm frame of mind. Your 351 00:23:17.240 --> 00:23:23.240 new target is envelope number four. Envelope number four is 352 00:23:23.279 --> 00:23:28.000 your target. I want you to completely let all of 353 00:23:28.039 --> 00:23:34.240 the sensory data flood you with images, bludge you with visions, 354 00:23:34.480 --> 00:23:39.640 bludge you with any kind of sensory data. How it 355 00:23:39.720 --> 00:23:43.880 feels to stand in this space, how you look around, 356 00:23:44.000 --> 00:23:49.240 how you what you see, the colors, the shapes, the 357 00:23:49.279 --> 00:23:56.559 impressions you get. I want you to target envelope number four. 358 00:23:58.960 --> 00:24:04.920 Envelope number four. Take the time you need to really 359 00:24:04.960 --> 00:24:10.960 connect with whatever's coming in envelope number four. Start writing 360 00:24:11.000 --> 00:24:24.599 down what you get with envelope number four. Write down 361 00:24:24.640 --> 00:24:34.319 what you get with envelope number four. Take a couple 362 00:24:34.359 --> 00:24:38.799 more seconds, Go ahead and write it down, and then 363 00:24:38.880 --> 00:24:42.279 take a deep breath and release all of those images. 364 00:24:43.079 --> 00:25:00.880 Release all of those images. All right now, I'm gonna 365 00:25:00.880 --> 00:25:04.079 throw a monkey ranch into the works. We've got the 366 00:25:04.119 --> 00:25:10.119 fifth envelope. So when you didn't see coming, this one 367 00:25:10.599 --> 00:25:12.799 is now your target. As you're in that relaxed state, 368 00:25:12.880 --> 00:25:18.599 I want you to connect with envelope number five. I 369 00:25:18.640 --> 00:25:20.759 want you to get your sensory data. I want you 370 00:25:20.839 --> 00:25:22.920 to see, I want you to smell. I want you 371 00:25:22.960 --> 00:25:31.839 to hear anything that's happening around. Envelope number five. Envelope 372 00:25:31.920 --> 00:25:36.200 number five. Are you ready to target envelope number five 373 00:25:36.240 --> 00:25:40.640 In that relaxed state, I want you to feel the impressions. 374 00:25:40.640 --> 00:25:42.559 I want you to feel the emotions. I want you 375 00:25:42.599 --> 00:25:51.839 to connect with this target of envelope number five. Write 376 00:25:51.880 --> 00:25:57.680 them down. Write down person, place, thing, Write down any 377 00:25:57.920 --> 00:26:04.680 kind of colors, any type of feelings, anything you see 378 00:26:05.279 --> 00:26:24.960 with envelope number five. Take a few more seconds. Write 379 00:26:24.960 --> 00:26:35.440 down your impressions from envelope number five. Any impressions you 380 00:26:35.480 --> 00:26:38.920 feel at all are good, any answer at all, you're 381 00:26:38.960 --> 00:27:09.559 connecting with something that is out there. All right, Now 382 00:27:09.599 --> 00:27:16.839 that you've gotten all your impressions, let's go to the envelopes. Now. 383 00:27:17.680 --> 00:27:20.119 I screwed up and I put a blank one in there, 384 00:27:22.000 --> 00:27:24.759 and so you were getting impressions from a blank envelope. 385 00:27:25.359 --> 00:27:32.480 Which one was the blank envelope? It doesn't matter, you see, 386 00:27:32.720 --> 00:27:36.440 you've gotten the impressions, and maybe there might be something 387 00:27:36.480 --> 00:27:38.480 interesting that's happening. What you have to do is you 388 00:27:38.480 --> 00:27:41.799 have to be open to having this stuff coming in. 389 00:27:42.160 --> 00:27:46.039 It's more important to find out a look at that. 390 00:27:48.440 --> 00:27:50.319 All right, we're gonna go with the envelope number one. 391 00:27:52.599 --> 00:27:55.240 Somebody got it right there, right off the bat. Envelope 392 00:27:55.279 --> 00:28:00.880 number three, you picked it, pretty impressive life. 393 00:28:02.079 --> 00:28:03.880 It was one I can't remember well. I mean there 394 00:28:03.920 --> 00:28:05.839 was one that I could I had a problem getting it, 395 00:28:05.880 --> 00:28:11.880 but I I don't remember which one that was Do 396 00:28:12.920 --> 00:28:15.759 you remember which one which one you read it? Do 397 00:28:15.839 --> 00:28:17.759 you remember what you were saying on the envelope that 398 00:28:17.799 --> 00:28:22.240 was empty or you didn't know? I don't. I remember 399 00:28:22.240 --> 00:28:24.279 what you were saying. I remember what you were saying 400 00:28:24.319 --> 00:28:27.200 on the one that, uh, that I was having problems with. 401 00:28:27.319 --> 00:28:29.640