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Speaker 1: Hello everybody, Welcome to That's Not Metal. We are your

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weekly rock and heavy music podcast, and welcome here to

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an edition of Hyperblasts, our rapid Speed, Rapid Fire new show.

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Will we come here every Friday and we let you

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know what has been going on, what releases you want

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I'm gonna want to hear on this Friday, and yeah,

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recap the week in rock. My name is Paren hairsh

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with me is Sam Dignon. Hello Sam. I would say

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it's been a you know, a pretty decent week for

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even just you know, our interests outside of music. Aunt

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Gladys is now an Oscar winning character.

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Speaker 2: Yeah, I kind of I tuned out of the Oscars

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this year because the discourse around it was just so

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like tiresome, Like again, I love a lot of these movies,

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aren't for it And I was just see people arguing

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about like this, that and the other one Bay Luff

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for another and Sinners was like, I ain't paying attention now,

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aw Revolutions are at the same time, I'm gonna be.

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Speaker 3: Watching that, but aren't Gladas one on.

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Speaker 2: Oscar Great Sinners did well like happy to see that

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one bat laugh another like Dad were like like good

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stuff one and you know, horror Icon, Aren't Gladys Oscar Winner?

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Speaker 3: We love to see it.

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Speaker 1: Yeah, you know, I liked many of the movies that

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were up for you know, big stuff and that. But

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I think there's just a certain level of disbelief around

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Aunt Gladys being an Oscar winning role because well, you know,

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you've got to have like when Timothy Shallamay is doing

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Markey Supreme, he's got it in his head that he's

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gonna be in the Oscar Race. People like, you know,

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a dramatic role, like yeah, everyone involved with one bat

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luck another or whatever. All these films even sinners to

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a degree, and maybe like you know that they're they're

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aware there might be some you know, awards consideration. At

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what point did Amy Madigan, who has been you know,

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working for like forty years, she gets sent this script

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for a movie with this crazy you know character in

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the mix of it, and she goes, okay, yeah, I'll

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go for this one. At what point does she start

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to twig, oh, wait, this one, this is good one,

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And I just think that's that's such a such a

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beautiful thing. So that was a fun touch of you know,

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the wider T and M universe happened this week. I

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went to Somerset for the weekend for Mother's Day and

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I was walking round Glastonbury Abbey and I swear I

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could hear a faint voice on the winds asking me

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to place my hands on its hope it was. It

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was really weird. Sam, you have had a pretty decent

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week as well. I imagine you went to was it

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Body Snatcher?

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Speaker 3: Yes, big stinky death course show in London?

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Speaker 2: So yeah, Body Snatcher ingested, Psycho Frame and Big Ass Truck.

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Speaker 1: Like that's that's three bands who go together. And the

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opener well, like it was, there was very much.

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Speaker 2: It was like quite like split gigging away. I'm going

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to go into it, but yeah, Body snatchal us death

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core band. They've been like kicking about a couple of

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years now, and it last album they started to obviously

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a bit more of a surge and kind of like

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a wave of kind of like popularity kind of picked

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up a little bit.

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Speaker 3: So I like they're one of.

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Speaker 1: The again the sort of the archetypal new wave death

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core bands. I don't remember if you've ever reviewed a

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record of this. Obviously we did review the Psycho Frame

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record that came out last year because had a lot

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of buzz around as well, ingested you know, very old

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hands at this sort of thing. But yeah, sort of

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a I say, a sort of a new wave, up

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and coming crop of death core kind of experience.

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Speaker 2: Yeah, and so like I've been accused of sort of

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like Seabody Snatch and kind of find out where they

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actually sit in the kind of this like wave of

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death corps. I will say I got to the Garazondon

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a bit before Doors or like bound Doors, and it's

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the biggest cue I've seen outside that venue in quite

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some time. The people want to see big ass truck,

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like I.

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Speaker 1: Was, like explained big ass truck for anyone who is

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not at all familiar.

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Speaker 2: So this is the thing that this was the band

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I was most curiously on this line up because they

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have been making waves in the sort of the hardcore

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and like metalcore scene, and like they are essentially they

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are a beatdown band, like they are early knock Loose

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that kind of like first album not Loose where it's

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just lump and beat downs, but they've got they've become

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the so of a meme band in the same time.

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Speaker 3: I mean, when you're called big ass Truck. It kind

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of lends itself to that.

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Speaker 2: But musically and this is this is my thing with

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Big Truck because I was, like, I quite like them

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on record, but there is so much buzz around them.

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But like you know, where they've been appearing, like all

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of the US hardcore festivals kind of getting like people

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really talking there.

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Speaker 3: People don't listen to hardcore, like who like and.

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Speaker 2: And that sort of stuff, are like going to Big

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Ass Truck, Like the octane core metal core kids are

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like Big Ass Truck on the bands they're kind of

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getting on board with and and again the menification of

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like the name and you know, and they've got songs

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called big Ass Beer and and like when they're in.

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Speaker 1: The very Bill Murray adjacent in that way, isn't it right?

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Speaker 3: It is? But the songs are actually legit.

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Speaker 2: And this is what I've got seeing them live like

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they are actually just like hard, meaty, beatdown songs. The

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basis wearing a Cannibal Holocaust t shirt, which you know,

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doesn't deear them. I'm like these guys, they like they

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are like legitimate, like the singers wearing a Foundation hoodie,

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which is like deep Pool, like twenty ten straight at

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hardcore like they are in on that scene. They've just

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kind of found a way to sort of sell it

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to as you say, the Bill Murray crowd by having

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the kind of like American redneck, big ash truck Nascar

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kind of like branding on it. I would be a

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bit iffy if the songs were just really fun moss

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Ready like hardcore like bruises and seeing them play live

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and they sound really like in your face live, the vocals,

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they've kind of got good stage banter, Like there's a

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song where the Moscow is, you know, big ass truck

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and the choruses get fucked by the big ash truck,

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like and like that is the stuffing that a lot

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of people going for. But at the same time, the

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just kind of like Moss Ready hardcore stuff they are.

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They are hitting the right spot, and so I'm kind

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of like willing to let them have that slight silly

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edge in the kind of the naming and the branding

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because they aren't They aren't silly comedy goofy songs. They

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actually do gives you about hardcore. They've just kind of

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found a branding thing around it. But seeing it live,

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I was like, you know what you are like probably legit,

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So I'm willing to sort of let you sort of

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be think, and I think this is the You're not

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going to see them opening bills like this much longer.

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Speaker 3: They're going to be on the headline runs and.

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Speaker 2: Like doing bigger and bet things going by how many

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people like got down there at twenty past seven on

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to catch them. Band of the Night though, Psycho Frame,

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like I've seen. This is my second time seeing Psycho Frame.

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I saw them with Malevolence last year, where they were good,

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but they were also swallowed up by the opening band

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of Bricks and Academy Sound Gremlins, so all you could

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hear was the low end and the sort of the meat,

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the beat downy moss parts and none of the kind

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of like wild technical stuff that kind of actually gives

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Psycho f Roim a bit more character as well.

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Speaker 3: None of those issues tonight.

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Speaker 2: They are like in terms of the modern crop of

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Deaf Court, they are by far my favorite band because

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they have that kind of old school MySpace era kind

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of like nastiness with that wicked technical edge. You've got

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two vocalists, which kind of always just gives me despised

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diacon vibes and I'm always just down for that. Having

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two vocalists on stage with a death cul band, but like,

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you know, one is doing the highest skis, ones are

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on the lower gut rules. When one of them is

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not screaming, he's just two step in and moshing.

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Speaker 3: On stage.

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Speaker 2: You've got a drummer who is like barely breaking a sweat,

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doing like the maddest or of technical shit. It's one

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of those drums where he's so just like reserving coma

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and you can just watch it, but he's playing like

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insanely well. And they again, the crowd was going off

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for them. They really felt like that. Again, the sort

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of the death Cult crowd right now are all in

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on psycho frame. They they look cool on stage. They

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have that again hard core adjacent background. In the pits

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are like hardcore washing pits. And I think I'm hoping,

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you know, going forward, they kind of can get a

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few more like legitimate, really good songs under their belt,

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because I think the album was good and the songs,

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you know, you're kind of just delivering that nasty death coving.

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Speaker 3: And we liked the album, we reviewed it, but we

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were kind of just like that.

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Speaker 1: That's my problem with almost basically that entire this entire

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generation of new wave death core bands. I thought the

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album was fine is because it does a nasty thing

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with no songs at all, and that is I have

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yet to really hear of the crop of Psycho Frame,

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Body Snatcher, Killing of a Sacred Deer, whatever, all of

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those type bands who have come through. I've yet to

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hear one who pack songs as good as the bands

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they want to be from two thousand and seven, you know,

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So I'm waiting for an MVP. Yeah, I'm waiting for

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any one of those bands really to step up and

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actually start delivering that.

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Speaker 3: That's one thing.

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Speaker 2: I think that big ass truck like you had people

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singing along to choruses with them. They they've kind of

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got like stuff in there, so that's one of the

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things they had. But I think just into like as

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a live band, just kind of like hit me with

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that thrill of what I want from these kind of

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death court shows. I mean, they are really great live

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and I think they have the song potential win them.

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That would be what kind of takes up to the

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next level for me. Yeah, but I'm right now on

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debut album. I'm cool with where they're at and I

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can't wait to obviou see what comes next Ingested. There's

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a bit of a funny one on this one, because

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I've been tuned out.

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Speaker 3: Of Ingested for a couple of years.

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Speaker 2: I really have a soft spot for like mid twenty

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tens in jest that I think you know they like

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if you're going to like death metal and death corn

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slam gigs in the UK and that sort of time,

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chance you would have seen jest.

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Speaker 1: They're the real old hands on this bill, like they are.

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They are like from the generation of bands that bands

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like Psycho Frame are trying to be.

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Speaker 3: Yes exactly and I kind of not paying attention.

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Speaker 2: I know that, like quite recently they've been in a

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bit of hot water with their now ex vocalist with

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respect to the guy they had Paul come in who

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took the tour like nine days in advance and kind

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of learned the set in that sort of time. I

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think he is actually vocalist of like of again, a

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one of this sort of newer crop of like us

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death Go bands who probably he probably is quite influenced

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by Ingested. I would guess he did a very good

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job the character that kind of always made Ingested really

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fun to see live. It is missing now because again,

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like the vocals they had that time, he is now

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two vocalists, Yeah exactly, and I'm singing just live and

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you know he'd always be making slam puns and just

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was like and to be injected a sense of fun

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into the kind of like the brutal death metal slam

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stuff they did. This Ingested set was just very po faced,

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deaf core, and so I was kind of like, yeah,

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like it was, it was totally fine. I just was

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kind of a bit like it felt a bit of

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like a lull and a slowing down after how kind

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of like Live Wire, Big Ash Truck and Psycho Frame

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were and then Body Snatcher kind of drew the short

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straw of going on at ten pm on a Sunday

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in London. And I think like after how like everyone

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was kind of really jazzed on the opening two bands,

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it had cleared out noticeably. I mean like it started

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to come out after Cycho Frame, like Biggest and Side

241
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Frame were like a big draw for a lot of people,

242
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and there was still you know, a heavy chunk of

243
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the room were there for Body Snatcher and were well

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into the songs and again, I think Body Snatching they're

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kind of like on this newest album.

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Speaker 3: They're a bit more kind of like some more metal corey.

247
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Speaker 2: I think on this newest album it's kind of like

248
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softened some of the death courages a little bit. But

249
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I did enjoy single live like again, nothing groundbreaking in

250
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terms of like the modern death golfront And again I

251
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think they they none of the songs again, not being

252
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massive familiar of them kind of immediately jumped out to me,

253
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but at the same time still pretty hard, still good

254
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moss parts. Kind of crowd who were there were still

255
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really into it, and I was kind I can see

256
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why they have, you know, kind of like risen up

257
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obviously on these new songs, which have a slight again

258
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just a bit of a cleaner edge where people who

259
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might not go for Psycho Frame or Killing of a

260
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Sacred Deer, those sort of bands that maybe a little

261
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bit too icky for some body snatch a kind of

262
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like bridge the gap nicely, where you can see that

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they're kind of looking to the grandiose side of Lorna Shore,

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but without the sort of symphonic embellishment where they're trying

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to go.

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Speaker 3: Can we write those kind of like songs of that

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sort of scale. They were good, though.

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Speaker 2: I think they were like a solid headliner, but I

269
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do think they would kind of like suffered from maybe

270
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picking two really hot supports as an opening act and

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then a kind of like a veteran hand who kind

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of killed the momentum a little bit. If you kind

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of just had a free band bill where they weren't

274
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going on stage at ten pm on a Sunday, that

275
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momentum would have kind of ridden through into their sound

276
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if and they maybe would have made more of a

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lasting impact.

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Speaker 3: But they were.

279
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Speaker 2: They were like solid, good death court stuff. I can

280
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sort of see why people like it, but it was

281
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again for someone who had like doesn't kind of rive

282
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death as much as I once did. I had a

283
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nice kind of just like stinky mosh night.

284
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Speaker 1: Yeah. Well, I would like to open up the news

285
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as we move into that, first of all, by paying

286
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tribute to the great Phil Campbell, who we got the

287
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really sad news that he passed away this week. Phil Campbell,

288
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of course, the long time guitarist of none other than

289
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Motorhead for the past you know, ten plus years now,

290
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since Head have obviously not been you know, but part

291
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of our world anymore. It's been over ten years since

292
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we've had you know, let me passing away in no Motorhead.

293
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Phil Campbell's own band, you know, the Bastard Sons a

294
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very frequent appearance at you know, rock festivals and metal festivals,

295
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you know, up and down the country, all over the place.

296
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So I'm sure even if you never, for example, saw Motorhead,

297
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you might well have you know, cross Paths with Phil

298
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Campbell playing, you know that those songs at some point

299
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in a live environment quite you know, sudden. And that's

300
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really just like really sad news about the guitarist of Motorhead,

301
00:13:32,600 --> 00:13:37,279
who I think so many of us I suppose new

302
00:13:37,440 --> 00:13:41,759
as the guitarist of Motorhead, because Motorhead obviously that's Lemmy's band.

303
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Like as soon as Lemmy was gone, then there was

304
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no more motor Head. That was just you know, at

305
00:13:45,000 --> 00:13:46,600
the question, and when you look at the different ears

306
00:13:46,639 --> 00:13:50,080
of Motorhead, obviously Lemmy is the one through line throughout it.

307
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And now that again we have been in the world

308
00:13:52,360 --> 00:13:55,759
without Motorhead for ten years, the immediate image you have

309
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of Motorhead does tend to be the peak classic years

310
00:14:00,200 --> 00:14:01,600
up for the Ace of Spades, lineup, that kind of

311
00:14:01,639 --> 00:14:05,279
thing with fast Eddite on guitars, Philthy Animal Taylor on

312
00:14:05,360 --> 00:14:09,879
the drums, that great three pieces lineup. But if you,

313
00:14:09,879 --> 00:14:12,159
you know, came of age and became a metal fan

314
00:14:12,519 --> 00:14:15,919
throughout the twenty first century, then there was another lineup

315
00:14:15,960 --> 00:14:18,480
of Motorhead that you would have seen everywhere. You would

316
00:14:18,519 --> 00:14:21,159
have seen in magazines, releasing albums every every two years

317
00:14:21,200 --> 00:14:23,679
as they always would do, and touring every year as

318
00:14:23,679 --> 00:14:25,879
they always would do. And that was the Phil Campbell

319
00:14:25,919 --> 00:14:28,679
on guitar and Mickey D on the drums lineup either

320
00:14:28,720 --> 00:14:31,519
side of Lemmy and Sam. I don't know if you

321
00:14:31,559 --> 00:14:33,279
are you know, you necessarily strike me as the kind

322
00:14:33,320 --> 00:14:34,679
of a metal fan who will have been, like, you know,

323
00:14:34,679 --> 00:14:36,559
going see Mohead every year, that kind of thing. Did

324
00:14:36,559 --> 00:14:37,759
you ever see Motohead life?

325
00:14:38,559 --> 00:14:41,279
Speaker 2: Yes, Sonosphere twenty eleven, Okay, right when they were main

326
00:14:41,320 --> 00:14:44,000
support to Slip No. Third from the Top of four

327
00:14:44,080 --> 00:14:46,960
Limbiscuit and Slipknot so like as the one time I

328
00:14:46,960 --> 00:14:49,720
saw Motorhead and it was kind of like, that's fucking Motorhead,

329
00:14:49,720 --> 00:14:51,799
that's Lemmy and like Phil Campbell on stage like he

330
00:14:51,960 --> 00:14:54,559
seemed I could do New is fucking just loving rocking

331
00:14:54,639 --> 00:14:57,799
on stage. And again like because he's obviously like the

332
00:14:57,879 --> 00:15:00,200
longest serving motor Head guitar, so if he's not part

333
00:15:00,200 --> 00:15:01,000
of it, he's the.

334
00:15:01,200 --> 00:15:04,799
Speaker 1: Single longest serving Motorhead member ever outside of Lemmy himself.

335
00:15:05,120 --> 00:15:07,399
Speaker 2: Lemmy, Yeah, exactly, Like and so I think that's where

336
00:15:07,399 --> 00:15:09,600
you kind of get like he was such a vital

337
00:15:09,679 --> 00:15:11,879
part of the fabric of that band. And yeah, like

338
00:15:11,879 --> 00:15:13,879
I said, I just remember seeing Moheads on his fifth

339
00:15:13,879 --> 00:15:16,559
twenty eleven and like just be like these songs rock

340
00:15:16,840 --> 00:15:19,639
like shatter Lemmy, but like Phil camp was up there

341
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doing his things.

342
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Speaker 3: And and again he's kind of then just presence over the.

343
00:15:23,240 --> 00:15:26,600
Speaker 2: Past or of decade at various festivals just seems like

344
00:15:26,799 --> 00:15:28,639
he just was just like doing it for the love

345
00:15:28,639 --> 00:15:31,039
of the game. He's kind of struck me as that

346
00:15:31,120 --> 00:15:32,879
at that point was like, I mean, you know, still

347
00:15:32,919 --> 00:15:35,200
play these mo Head songs with like Felk the bust

348
00:15:35,240 --> 00:15:37,279
Center and that they would just pop up a bloodstalk

349
00:15:37,279 --> 00:15:39,039
on like the little stages and and somef like that

350
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just to kind of like crack out the jams and

351
00:15:41,120 --> 00:15:42,639
have a good time. And he just kind of made

352
00:15:42,720 --> 00:15:46,039
him a very endearing kind of character to have around.

353
00:15:46,120 --> 00:15:47,480
Speaker 1: Yeah, I think in a lot of ways, for the

354
00:15:47,519 --> 00:15:50,799
past ten years he has been almost the guy sort

355
00:15:50,840 --> 00:15:53,759
of carrying on the motor Head legacy, I suppose, and

356
00:15:53,840 --> 00:15:56,440
like waving the flag you know sands the great band

357
00:15:56,480 --> 00:15:59,080
themselves actually still existing, and you can for years when

358
00:15:59,080 --> 00:16:01,919
I ou ahead, he was just like the cool Welsh

359
00:16:01,960 --> 00:16:03,679
dued with the hat and the cigarette hanging out of

360
00:16:03,679 --> 00:16:05,799
his mouth, riffing away on the corner of stage, not

361
00:16:05,840 --> 00:16:07,440
you know, taking up too much of the limelight, but

362
00:16:07,879 --> 00:16:11,759
clearly just exuding an aura of cool. And you can

363
00:16:11,879 --> 00:16:16,799
absolutely envision him being just part of that rock and

364
00:16:16,919 --> 00:16:20,519
roll life of fabric that Motorhead so like seemed to

365
00:16:20,559 --> 00:16:23,360
embody essentially more than any other band ever. He made

366
00:16:23,600 --> 00:16:28,240
sixteen albums with Motorhead, and considering that is, you know,

367
00:16:28,279 --> 00:16:30,039
obviously he comes into the band a good you know,

368
00:16:30,159 --> 00:16:33,639
handful of albums into Motorheads catalog overall, to have made

369
00:16:33,840 --> 00:16:38,960
sixteen albums with them, it's unbelievable. His first one was Orgasmatron,

370
00:16:39,399 --> 00:16:42,320
and you speak about the you know, the classic line

371
00:16:42,360 --> 00:16:43,879
of Motorhead and the peak run of albums you think

372
00:16:43,919 --> 00:16:47,000
of again overkill bombit as of spades whatever. As far

373
00:16:47,039 --> 00:16:49,440
as I'm Concerned or Gasmatron is still a classic album.

374
00:16:49,480 --> 00:16:52,360
Speaker 2: And I was going to say, like, that's a great

375
00:16:52,440 --> 00:16:54,320
sort of first statement from him, you know, that's what

376
00:16:54,440 --> 00:16:56,320
you know Sepultury coverage exactly.

377
00:16:57,240 --> 00:16:59,559
Speaker 3: It's got its iconic statusas for sure.

378
00:16:59,679 --> 00:17:01,399
Speaker 1: And then album right after that is the album rock

379
00:17:01,399 --> 00:17:03,240
and Roll, which I think is really underrated one. It's

380
00:17:03,240 --> 00:17:05,319
one of my underrated favorites, and there are some fantastic

381
00:17:05,440 --> 00:17:08,680
riffs on that. And then you go through to again

382
00:17:08,680 --> 00:17:11,160
the twenty first century and maybe the albums that you,

383
00:17:11,279 --> 00:17:13,680
if you're a slightly younger Motorhead fan might have remembered

384
00:17:13,720 --> 00:17:16,119
coming out and getting and some of the great highlights

385
00:17:16,160 --> 00:17:18,119
of you know, all of that later period of Motorhead,

386
00:17:18,119 --> 00:17:20,480
whether it be Inferno in the sort of early to

387
00:17:20,559 --> 00:17:24,759
mid two thousands, Motorizer in the late two thousands, records

388
00:17:24,799 --> 00:17:27,880
like Aftershock and Bad Magic, which were the final Moorhead albums,

389
00:17:27,920 --> 00:17:30,720
and the the guitar personality motor Head did change, like

390
00:17:30,799 --> 00:17:33,160
with Phil Campbell and eventually him being the band. It

391
00:17:33,240 --> 00:17:35,559
kind of gets you to, you know, the twenty first

392
00:17:35,559 --> 00:17:37,160
centuries sound, the motead, which does have this kind of

393
00:17:37,160 --> 00:17:41,559
slightly burlier, more downtuned like really creasy kind of type

394
00:17:41,559 --> 00:17:44,680
of riffing that you get on those Motorhead records. So

395
00:17:44,880 --> 00:17:48,119
he was like just such obviously a key part considering

396
00:17:48,160 --> 00:17:50,519
the you know, the rate of turnover which some of

397
00:17:50,559 --> 00:17:54,039
these bands went through members, including Moorhead obviously for you know,

398
00:17:54,160 --> 00:17:56,599
a few years sort of in the middle there two

399
00:17:56,720 --> 00:17:59,720
have been there for that longer period of time and

400
00:18:00,319 --> 00:18:02,519
you know, being part of that fabric and given so

401
00:18:02,640 --> 00:18:05,599
much that band for that period of time is it's

402
00:18:05,640 --> 00:18:09,160
just an incredible, you know, thing to look back on,

403
00:18:09,480 --> 00:18:12,480
just specifically looking at you know, Phil Campbell's time in

404
00:18:12,559 --> 00:18:14,440
that band and his part of it with it and

405
00:18:14,480 --> 00:18:17,119
obviously now you look at you know, the the great

406
00:18:17,200 --> 00:18:22,079
note Heead names and Lenny Filthy Animal, Worzel Fast Eddie,

407
00:18:22,519 --> 00:18:25,359
now Phil Campbell or all gone. It is as we say,

408
00:18:25,400 --> 00:18:27,720
you know, Mickey D from that final lineup, is the

409
00:18:27,759 --> 00:18:31,079
guy really out there? But to you know, to say

410
00:18:31,200 --> 00:18:32,960
you are the newer guitarist to boat Heead or like

411
00:18:33,000 --> 00:18:35,079
the Morten guitarist of Motorhead, and you go, hang on, No,

412
00:18:35,160 --> 00:18:39,119
he was there from nineteen eighty three. That's Metallica's debut

413
00:18:39,200 --> 00:18:43,079
album nineteen eighty three, you know, like three decades of

414
00:18:43,119 --> 00:18:45,720
Motorhead and then a decade after that of shows you

415
00:18:45,759 --> 00:18:48,559
know in his own name. Just an incredible career and

416
00:18:49,160 --> 00:18:51,839
a rightful, you know legend to so many, So absolutely,

417
00:18:51,880 --> 00:18:55,480
you know, all of the eternal respect and you know,

418
00:18:55,559 --> 00:18:58,240
rest in peace to to Phill Campbell. Let's go to

419
00:18:58,359 --> 00:19:01,319
some new music and new us if you.

420
00:19:01,519 --> 00:19:03,440
Speaker 3: Like new album announcements.

421
00:19:03,480 --> 00:19:06,880
Speaker 1: We're gonna start off with none other than News of course,

422
00:19:07,480 --> 00:19:11,599
who They have announced that their their tenth album, tenth

423
00:19:11,759 --> 00:19:14,279
studio album from mus obviously not including you know, B

424
00:19:14,400 --> 00:19:16,960
size collections and stuff like that they have over the years.

425
00:19:17,599 --> 00:19:24,720
It's called the Wow Signal with Wow all caps exclamation

426
00:19:24,799 --> 00:19:27,279
mark at the end of it. This if you are

427
00:19:27,359 --> 00:19:30,440
not aware, the Wow signal is an actual thing. It

428
00:19:30,720 --> 00:19:34,720
refers to a sort of a stray signal I suppose

429
00:19:34,759 --> 00:19:38,680
that was detected. It's a scientific term in the seventies. Essentially,

430
00:19:39,000 --> 00:19:41,519
it is a sort of like a signal that was

431
00:19:41,559 --> 00:19:45,880
picked up that may or may not indicate extra terrestrial life.

432
00:19:45,920 --> 00:19:49,799
It was an unexplained you know, transmission out there that

433
00:19:50,000 --> 00:19:52,720
was picked up. And it's so named because the scientist

434
00:19:52,799 --> 00:19:55,400
who picked up said signal, like you know, wrote it down,

435
00:19:55,440 --> 00:19:58,839
recorded it highlighted it and wrote a big wow because

436
00:19:58,880 --> 00:20:02,079
he couldn't bel what he was doing, so you know

437
00:20:02,200 --> 00:20:05,079
it and it is very very muse I suppose. Unfortunately,

438
00:20:05,160 --> 00:20:07,880
in a rock music context, I see wow exclamation mark

439
00:20:07,920 --> 00:20:09,880
and I just think of Royal Republic. Wow. Wow Wow.

440
00:20:12,119 --> 00:20:15,319
Speaker 3: I just saw the Wow signal and that NAP album covering.

441
00:20:15,359 --> 00:20:18,079
I was like, ah, fux sake music back.

442
00:20:20,039 --> 00:20:23,480
Speaker 1: They're back in space obviously. I mean you can say

443
00:20:23,559 --> 00:20:26,880
the album cover it's you know, a sort of a spacecraft,

444
00:20:26,960 --> 00:20:31,440
isn't it. So we're getting a space one. Even the

445
00:20:32,279 --> 00:20:34,039
launch of this album itself, you know, there's things where

446
00:20:34,079 --> 00:20:37,240
it's just like this is just made to be put

447
00:20:37,319 --> 00:20:40,680
in a pr email essentially to be sent out. They've

448
00:20:40,759 --> 00:20:43,440
it's like Mews have launched their album from space and

449
00:20:44,039 --> 00:20:45,599
there was you know, a video live stream that you

450
00:20:45,599 --> 00:20:48,319
could watch which had like a fifty five minute waiting

451
00:20:48,400 --> 00:20:51,319
screen countdown only to then cut to a like little

452
00:20:51,359 --> 00:20:54,480
camera with like a drone that flew up into the area,

453
00:20:54,519 --> 00:20:57,160
went up into space and then just revealed the Wow

454
00:20:57,319 --> 00:21:02,359
signal and then get us the track that has now

455
00:21:02,400 --> 00:21:05,599
been released from it as well. But new mews album's

456
00:21:05,640 --> 00:21:08,759
coming out at the end of June, the Wow signal this.

457
00:21:09,240 --> 00:21:10,720
I was actually I was thinking about this a little

458
00:21:10,720 --> 00:21:14,599
bit before I knew that this was coming, because Mew's

459
00:21:14,599 --> 00:21:16,839
put out a single last year. We spoke about it.

460
00:21:16,880 --> 00:21:21,119
It's called Unraveling, and I just like, you know, unrelated

461
00:21:21,119 --> 00:21:23,000
to this, just by chance. I was listening to Origin

462
00:21:23,039 --> 00:21:25,759
and Symmetry this week as weekend. And if you are

463
00:21:25,839 --> 00:21:27,759
you know, a long time T and M listener, you

464
00:21:27,880 --> 00:21:29,720
might know that that that is like one of my

465
00:21:30,160 --> 00:21:34,599
like absolute upper upper tier, like elite tier favorite albums

466
00:21:34,640 --> 00:21:37,359
of all time. I genuinely think that that and that

467
00:21:37,680 --> 00:21:40,440
run of records is some of the greatest rock music

468
00:21:40,480 --> 00:21:42,920
ever made. Like that's just how I feel one of

469
00:21:42,960 --> 00:21:45,200
my favorite album runs of all time, that period of

470
00:21:45,240 --> 00:21:48,359
Origin Symmetry and Absolution and Black Horns and Revelations. And

471
00:21:49,119 --> 00:21:52,440
I was, you know, thinking about, you know, revisiting that,

472
00:21:52,720 --> 00:21:55,640
and it reminded me that Muse had released a single

473
00:21:55,759 --> 00:21:58,319
last year that I had otherwise completely forgotten about.

474
00:21:58,759 --> 00:21:59,880
Speaker 3: Uh God, I didn't.

475
00:21:59,640 --> 00:22:02,119
Speaker 2: Realize the second song on the on this on the

476
00:22:02,559 --> 00:22:04,559
single one to play on it. There were the two

477
00:22:04,599 --> 00:22:06,559
songs and they I was like, God, we had discussed

478
00:22:06,680 --> 00:22:09,119
that other song. I was like, yeah, I've completely memory.

479
00:22:09,720 --> 00:22:11,759
Speaker 1: So then I look back to it and that song Unraveling,

480
00:22:11,880 --> 00:22:14,880
the first one came out in June of last year,

481
00:22:14,960 --> 00:22:17,079
so it's been what like nine months, like I got

482
00:22:17,119 --> 00:22:21,000
a fucking pregnancy gestation period between the first you know,

483
00:22:21,119 --> 00:22:23,319
single from it coming out and actually getting the ABB announment.

484
00:22:23,359 --> 00:22:24,640
So and I wonder, I've forgotten about it. But I

485
00:22:24,759 --> 00:22:27,720
was thinking, you know, it's just about you know, obviously,

486
00:22:27,839 --> 00:22:30,519
how intense a relationship I had with this band. I

487
00:22:30,559 --> 00:22:32,480
suppose like when I was younger and you know, with

488
00:22:32,599 --> 00:22:36,160
those those those classic records, and I remembered essentially that

489
00:22:36,279 --> 00:22:39,839
Unraveling existed prior to this like announcement coming, and I went, just,

490
00:22:40,160 --> 00:22:42,440
isn't it a shame that Muse released a single and

491
00:22:42,559 --> 00:22:47,400
I completely forgot about it, and that I essentially, like,

492
00:22:47,480 --> 00:22:49,920
you know, for years, I was just so you know,

493
00:22:50,079 --> 00:22:52,680
actively looking forward to everything news did, and I'm now

494
00:22:52,759 --> 00:22:55,200
at the point where I sort of don't really care

495
00:22:55,279 --> 00:22:57,400
one way or another if like a news record is coming,

496
00:22:57,440 --> 00:22:59,559
and and that, you know, that just sort of thought

497
00:22:59,680 --> 00:23:02,000
cross my mind. I suppose just at the weekend, as

498
00:23:02,039 --> 00:23:04,599
I was listening to an old classic record and remember

499
00:23:04,640 --> 00:23:08,279
they put out a song last year. Clearly they you know,

500
00:23:08,400 --> 00:23:10,000
felt the need to remind me because here we are

501
00:23:10,119 --> 00:23:12,119
now with the Wow signal coming out and as well

502
00:23:12,160 --> 00:23:13,920
as Unraveling, we've got a second single called Be with

503
00:23:14,000 --> 00:23:16,759
You Unraveling again. I revisited it along with this as

504
00:23:16,799 --> 00:23:20,799
I Know you did. I think it's a perfectly fine song.

505
00:23:21,119 --> 00:23:23,839
It has, you know, a riff in it. Eventually, it's

506
00:23:23,880 --> 00:23:26,440
got a mosh part breakdown. They're still doing the kind

507
00:23:26,440 --> 00:23:28,720
of you know, gent seven or eight string thing that

508
00:23:28,799 --> 00:23:30,799
they have adopted doing on the last couple of records.

509
00:23:30,839 --> 00:23:32,279
You might remember there was a I Think It It

510
00:23:32,279 --> 00:23:34,240
Won't Stand Down, the lead single from the Will of

511
00:23:34,240 --> 00:23:36,119
the People album that had a similar people like, oh,

512
00:23:36,240 --> 00:23:38,559
it was kind of going for a almost metalcore style,

513
00:23:39,000 --> 00:23:39,559
you know, bouncy.

514
00:23:39,720 --> 00:23:42,640
Speaker 3: It's the Mick Gordon Yeah soundtrack riff.

515
00:23:44,240 --> 00:23:46,359
Speaker 1: Is that? Like for sure, it's you know, Matt Bellamy's

516
00:23:46,640 --> 00:23:48,519
spin on it, but that is definitely where it comes from.

517
00:23:48,880 --> 00:23:50,799
I think Unraveling is an okay song. It just kind

518
00:23:50,799 --> 00:23:53,359
of lacks that momentum that for me as a marker

519
00:23:53,440 --> 00:23:55,279
of so many of these new songs now it's like

520
00:23:55,359 --> 00:23:56,960
you go, oh, there's a riff in there. Somewhere. It

521
00:23:57,039 --> 00:24:00,119
just doesn't seem to sort of pick up steam be

522
00:24:00,279 --> 00:24:02,359
with you. I guess they've gone with the approach of like, oh,

523
00:24:02,400 --> 00:24:04,480
we've put out a heavy riffer from the album already,

524
00:24:04,640 --> 00:24:08,200
so well, you know, go something different here. This one

525
00:24:08,720 --> 00:24:11,079
is like, Oh, we're gonna beam up and we're gonna

526
00:24:11,079 --> 00:24:13,519
have a religious experience meeting the alien.

527
00:24:15,480 --> 00:24:21,680
Speaker 3: Yeah, this song is so naff. I was like like, oh,

528
00:24:21,920 --> 00:24:22,759
and joke pretty much.

529
00:24:23,200 --> 00:24:24,960
Speaker 2: Who's sounding a little bit husky now he can't quite

530
00:24:25,000 --> 00:24:26,839
hit those high notes like he once did. He like

531
00:24:27,559 --> 00:24:29,720
like he's definitely straining tips of those high notes now

532
00:24:29,799 --> 00:24:32,039
compared to how he wants did it kind of like

533
00:24:32,359 --> 00:24:34,079
so I was off fine enough for it, and then

534
00:24:34,119 --> 00:24:36,359
you know, the sort of like the electronics properly come

535
00:24:36,400 --> 00:24:39,119
in and I was kind of like, oh Jesus is

536
00:24:39,160 --> 00:24:41,559
doing this, and then it kind of goes like when

537
00:24:41,759 --> 00:24:43,279
like the guitar is probably kicking in the second half

538
00:24:43,279 --> 00:24:45,039
and it's trying to get all like stone and it's like,

539
00:24:45,079 --> 00:24:47,240
oh my god, how big something. It's like it's just

540
00:24:47,279 --> 00:24:50,559
a bit like Killers B side like went towards the end,

541
00:24:51,000 --> 00:24:53,599
I just was like, none of the individual parts and

542
00:24:53,640 --> 00:24:55,279
this none of it kind of fits together to be

543
00:24:55,319 --> 00:24:58,359
a conducive, interesting song to me, and then the individual

544
00:24:58,400 --> 00:25:01,920
parts kind of stand out as particular, kind of like stirring.

545
00:25:01,960 --> 00:25:05,359
Speaker 3: And here's the thing, right, Those like Original Symmetry.

546
00:25:04,960 --> 00:25:09,440
Speaker 2: Absolution and Black Cars and Revelations are incredible albums. I will, like,

547
00:25:09,519 --> 00:25:11,480
I do want to ever say like those albums are amazing.

548
00:25:11,960 --> 00:25:14,559
When I say I hate News, those three albums are

549
00:25:14,640 --> 00:25:18,759
immune to the hatred, and like my New News is,

550
00:25:18,799 --> 00:25:22,039
I'm like, at this stage, I want New News to

551
00:25:22,119 --> 00:25:24,680
be so daft that I laugh at.

552
00:25:24,839 --> 00:25:26,480
Speaker 3: I want the Will of the People. I want you

553
00:25:26,519 --> 00:25:27,599
make me feel like it's Halloween.

554
00:25:27,720 --> 00:25:29,519
Speaker 1: The song from the Will of that, like the Will

555
00:25:29,559 --> 00:25:31,039
of the People is the News album that I have

556
00:25:31,160 --> 00:25:34,160
revisited as an album the least ever, because it's, you know,

557
00:25:34,240 --> 00:25:35,720
the latest one that came in that kind of you

558
00:25:35,799 --> 00:25:38,079
know me sort of you know, losing track of I suppose,

559
00:25:38,119 --> 00:25:39,839
you know, really being that into what they were doing.

560
00:25:40,119 --> 00:25:42,720
The song that I have heard the most times is

561
00:25:42,839 --> 00:25:45,160
you make me feel like It's Halloween, because I'll slap

562
00:25:45,200 --> 00:25:46,839
it all on Halloween and it's and it's a load

563
00:25:46,880 --> 00:25:47,119
of fun.

564
00:25:47,839 --> 00:25:49,200
Speaker 3: It's that's song is so much fun.

565
00:25:49,200 --> 00:25:51,720
Speaker 2: That is my favorite MWS song since like any like

566
00:25:52,119 --> 00:25:54,359
probably since you know, Uprising off the Resistance and like

567
00:25:54,440 --> 00:25:56,759
like the couple of the Havelo decent songs on that album.

568
00:25:57,440 --> 00:25:59,400
Like if I'm gonna go for MWS now, I want

569
00:25:59,400 --> 00:26:02,759
them to be as stupid as possible. I don't want

570
00:26:02,880 --> 00:26:05,200
boring MWS and this is boring News And I'm just

571
00:26:05,279 --> 00:26:07,759
kind of like, is this how I'm gonna be like

572
00:26:07,920 --> 00:26:10,920
really self serious kind of like we're off to meet

573
00:26:10,920 --> 00:26:13,279
the aliens where, you know, adventuring into space. We are

574
00:26:13,400 --> 00:26:16,880
like the most mind altering epic band possible. And I'm

575
00:26:16,960 --> 00:26:20,559
just I was like, all right, cool, like muse fine,

576
00:26:21,160 --> 00:26:22,839
but I'm checked out already.

577
00:26:23,160 --> 00:26:27,119
Speaker 1: Yeah, it's Matt Bellamy. The way that Matt sings is

578
00:26:27,240 --> 00:26:30,400
like emotionally for the past sort of you know, at

579
00:26:30,480 --> 00:26:34,079
least ten years. Matt just sings differently to how like

580
00:26:34,160 --> 00:26:37,039
you know, classic Matt does, Like you can put Origin

581
00:26:37,039 --> 00:26:40,000
Symptory Absolution on and then put any record like from

582
00:26:40,119 --> 00:26:43,400
your post Drones on and like just the tone of

583
00:26:43,480 --> 00:26:45,680
his voice. I don't know he obviously yeah, he took

584
00:26:45,799 --> 00:26:48,599
some kind of vocal lessons. He changes his approach or something,

585
00:26:48,640 --> 00:26:51,680
but just if he sings like a different guy. And

586
00:26:52,400 --> 00:26:55,720
you then add the fact that this song is essentially

587
00:26:55,799 --> 00:26:58,039
gospel for a lot of it, like he's doing this

588
00:26:58,160 --> 00:27:02,400
again gospel s as I say, religious experience when beaming

589
00:27:02,480 --> 00:27:05,160
up and meeting the aliens. When you say that he's

590
00:27:05,160 --> 00:27:07,359
almost training, I think it's more that just like a

591
00:27:07,480 --> 00:27:09,720
Matt Bellamy high note and how he approaches them and

592
00:27:09,759 --> 00:27:13,519
the emotional effect of them is completely different to what

593
00:27:13,680 --> 00:27:15,799
that means so well.

594
00:27:16,039 --> 00:27:18,559
Speaker 3: Old high notes were like unlike any other vote.

595
00:27:18,599 --> 00:27:21,039
Speaker 2: They felt so like distinct him, and now it's just

596
00:27:21,079 --> 00:27:23,480
gonna sounds like he's just kind of pushing for it

597
00:27:23,480 --> 00:27:24,640
and it's not hitting the same way.

598
00:27:24,720 --> 00:27:28,440
Speaker 1: Yeah, it's a completely different planet to like microcuts, right,

599
00:27:29,119 --> 00:27:32,720
and so it's gospel that you know, that kind of Matt.

600
00:27:33,440 --> 00:27:35,839
Then with this electronic underpinning on it, that is like

601
00:27:35,920 --> 00:27:39,000
again it's it's perfectly finely produced or whatever, but it's

602
00:27:39,039 --> 00:27:41,079
not beyond what they were doing in this lane like

603
00:27:41,200 --> 00:27:42,960
fifteen years ago, you know. And I don't think this

604
00:27:43,119 --> 00:27:46,920
is not the worst new song. It's not like something human, right,

605
00:27:47,240 --> 00:27:50,079
but it's just it's not remarkable, And I do think again,

606
00:27:50,160 --> 00:27:52,039
I've immediately pretty much forgotten most of what it is

607
00:27:52,759 --> 00:27:56,119
and I do. I predict based on the the art,

608
00:27:56,279 --> 00:27:59,160
the title, the vibe of these singles, even though we

609
00:27:59,240 --> 00:28:01,640
have one heavy and one so heavy, I predict of

610
00:28:01,680 --> 00:28:05,839
an album of like cosmic yearning. Essentially. I predict, you know,

611
00:28:06,079 --> 00:28:09,079
the music's equivalent of the ending scene of Close Encounters

612
00:28:09,119 --> 00:28:10,839
of the Third Kind, where it's just like we are

613
00:28:10,880 --> 00:28:13,680
gonna We're gonna go up there and you know, meet

614
00:28:13,759 --> 00:28:16,880
fucking the Little South part alien or whatever. And I

615
00:28:16,960 --> 00:28:19,119
think the album it will be ridiculous at points because

616
00:28:19,200 --> 00:28:23,319
mus are I hope we got some daft ship, but

617
00:28:23,440 --> 00:28:24,839
I think the album is going to take it so

618
00:28:25,000 --> 00:28:27,000
very seriously. And I don't think we're gonna get much

619
00:28:27,039 --> 00:28:29,200
in the way of Halloween songs or whatever in that

620
00:28:29,279 --> 00:28:31,680
regard as well. And yeah, so we'll be back here

621
00:28:31,720 --> 00:28:34,880
in June for our sort of you know, every handful.

622
00:28:34,640 --> 00:28:36,680
Speaker 3: Of years, I'll be back is is that?

623
00:28:36,799 --> 00:28:36,920
Speaker 1: When?

624
00:28:37,039 --> 00:28:37,759
Speaker 3: When is that about?

625
00:28:37,759 --> 00:28:41,440
Speaker 1: In June twenty sixth of June, So we'll be back

626
00:28:41,440 --> 00:28:44,319
for the reviews for this one. Yeah, so we'll be

627
00:28:44,359 --> 00:28:46,720
back in June for I say, you know, every now

628
00:28:46,720 --> 00:28:48,519
and then we keep up with where where mus are at.

629
00:28:48,599 --> 00:28:53,000
But the wowl signal is beaming into our ears very

630
00:28:53,160 --> 00:28:55,839
very soon. We also have a new album announcement from

631
00:28:56,279 --> 00:28:58,400
keeping our you know, our absolute favorite bands coming thick

632
00:28:58,440 --> 00:29:01,920
and fast. Black Felt Bright have got a new album announcement.

633
00:29:02,839 --> 00:29:05,359
It's called Vindicate. There is a track out from it

634
00:29:05,480 --> 00:29:07,559
to the title track. It is out on maybe the

635
00:29:07,680 --> 00:29:10,400
eighth and Blackveld Bride, you know, you know, maybe sometimes

636
00:29:10,400 --> 00:29:12,759
they announce an album, we might not even necessarily even

637
00:29:12,799 --> 00:29:14,880
put it in the news, right, but it just popped up.

638
00:29:15,240 --> 00:29:18,680
And Blackveld Brides, I think are I know that they

639
00:29:18,720 --> 00:29:21,720
have been a punchline ever since they started, primarily initially

640
00:29:21,759 --> 00:29:24,960
because of you know, appearance and esthetic and that kind

641
00:29:25,000 --> 00:29:28,519
of thing. I think Blackveil Brides have consistently been a

642
00:29:28,839 --> 00:29:31,960
all right band, Like I don't think they have not

643
00:29:32,519 --> 00:29:36,920
the most terrible metalcore band of that generation by any means.

644
00:29:36,960 --> 00:29:39,240
And I think they have had various moments where you go,

645
00:29:39,440 --> 00:29:42,640
that's all right, Like that's a decent tune. And they

646
00:29:42,680 --> 00:29:46,400
have always been particularly like baby of then Sevenfold, and

647
00:29:47,079 --> 00:29:50,160
they're not going to go and make their fucking life

648
00:29:50,240 --> 00:29:52,319
is a Bird Dream and ever record. They are going

649
00:29:52,359 --> 00:29:55,839
to stick to doing baby versions of you know, the

650
00:29:55,960 --> 00:29:59,279
radio fodder e then Sevenfold there's an album cover for

651
00:29:59,319 --> 00:30:00,319
this that I don't know what's going on with the

652
00:30:00,319 --> 00:30:02,440
album cover. It looks like it's not finished rendering. It's

653
00:30:02,640 --> 00:30:06,880
very very strange. But I put on a whim. I

654
00:30:06,960 --> 00:30:08,519
put on the Blackfir Bride single. I was like, okay,

655
00:30:08,559 --> 00:30:11,359
you know, put it on, and I would say it's

656
00:30:11,720 --> 00:30:14,839
a kind of for their standards, sort of heavy single,

657
00:30:15,000 --> 00:30:17,039
Like it has a bit of a riff going. There's

658
00:30:17,039 --> 00:30:19,279
even like little stray bits of like blast beats or

659
00:30:19,319 --> 00:30:23,519
whatever in it. And because blackfair Brides have not moved

660
00:30:23,920 --> 00:30:27,559
from their typical mode of being baby even sevenfold, which

661
00:30:27,720 --> 00:30:31,400
means that they have things like actual guitar harmonies and

662
00:30:31,440 --> 00:30:35,440
guitar events overfold and that again rock style. I think

663
00:30:35,440 --> 00:30:37,319
it is sort of classic rock and heavy metal based

664
00:30:37,400 --> 00:30:41,359
and stuff. Because they have that and they haven't moved

665
00:30:41,599 --> 00:30:43,319
from that. They still sound like when they were doing that,

666
00:30:43,440 --> 00:30:45,240
you know, in the mid twenty tens. I put this

667
00:30:45,400 --> 00:30:47,720
on and it's an okay song, But I went on,

668
00:30:47,799 --> 00:30:50,599
there's some lead guitar playing in this. This is more

669
00:30:50,640 --> 00:30:53,640
an actual heavy metal song than the majority of what

670
00:30:53,920 --> 00:30:56,720
metalcore has been for a long time. And again, I

671
00:30:56,720 --> 00:30:59,559
don't think this is a spectacular song or any thing

672
00:30:59,599 --> 00:31:02,200
by any means. But uh, I think it's all right.

673
00:31:02,400 --> 00:31:05,039
I think it is an actual heavy metal single from

674
00:31:05,480 --> 00:31:07,599
a popular commercial band which did hit my ears in

675
00:31:07,680 --> 00:31:09,680
a good kind of way. I think this is even

676
00:31:09,759 --> 00:31:13,240
better than some historically good bands are right now.

677
00:31:13,599 --> 00:31:16,319
Speaker 3: You know, I had a similar kind of thing. I

678
00:31:16,400 --> 00:31:18,599
was just like New York because they haven't moved.

679
00:31:18,839 --> 00:31:20,680
Speaker 2: But it's like, but they have at least, you know,

680
00:31:21,119 --> 00:31:23,279
it's nice to hear a modern kind of metal band

681
00:31:23,359 --> 00:31:26,039
or just man just actually kind of tip the hat

682
00:31:26,119 --> 00:31:27,839
to heavy metal and classic.

683
00:31:27,880 --> 00:31:30,319
Speaker 3: For that because it's no guitars, aren't you know?

684
00:31:30,480 --> 00:31:32,039
Speaker 2: They don't sound like you've pressed a button on a

685
00:31:32,119 --> 00:31:35,079
laptop and it's just like programmed guitar sound.

686
00:31:35,079 --> 00:31:38,160
Speaker 1: It's like Blackveld Brides By Not Moving are better than

687
00:31:38,319 --> 00:31:40,480
Architects Buried Tomorrow and While She Sleeps are in twenty

688
00:31:40,519 --> 00:31:41,000
twenty six.

689
00:31:42,799 --> 00:31:48,599
Speaker 3: Isn't that insane? You're right in the strength of this song.

690
00:31:49,400 --> 00:31:50,119
It's hard to.

691
00:31:50,359 --> 00:31:54,640
Speaker 1: Argue and it but it's all right in it stacent. Yeah,

692
00:31:55,000 --> 00:31:56,880
totally fine, Yeah, totally fine. Don't know if we review

693
00:31:56,880 --> 00:31:59,359
the record, but it's coming in May, and so good

694
00:31:59,400 --> 00:32:01,200
for them. Do you single that I am a little

695
00:32:01,240 --> 00:32:03,359
bit maybe more looking forward to the future about I

696
00:32:03,400 --> 00:32:07,519
suppose is will end our new single Gauntlet with most

697
00:32:07,599 --> 00:32:10,519
gauntletsy of them all. I suppose a storm Keep they

698
00:32:10,680 --> 00:32:12,960
are back. There is a single from storm Keeper out

699
00:32:13,000 --> 00:32:16,240
called Carnal Tapestries of Nail Torn Flesh. There is an

700
00:32:16,240 --> 00:32:18,079
album announcement right now, but I imagine this will be

701
00:32:18,119 --> 00:32:21,039
coming hot on its heels. If you don't know storm Keep.

702
00:32:21,359 --> 00:32:25,880
The mind behind this band is Isaac, who is the

703
00:32:26,000 --> 00:32:30,039
drummer of both Blooding Cantation and Wayfarer, and storm Keep

704
00:32:31,160 --> 00:32:33,559
is again one of that large family of projects I

705
00:32:33,599 --> 00:32:36,400
suppose all these guys have. Stormkeep is Isac from Blakenation

706
00:32:36,440 --> 00:32:40,319
and the Wayfarer. His sort of it's not necessarily quite

707
00:32:40,400 --> 00:32:43,799
symphonic black metal. It's not as like, yeah, you know,

708
00:32:43,960 --> 00:32:46,839
slathered in that stuff in the production, as like that

709
00:32:46,920 --> 00:32:48,839
kind of demi borg he or whatever thing is. But

710
00:32:49,000 --> 00:32:53,640
it's that kind of like you know, wind sweat, epic, icy,

711
00:32:53,799 --> 00:32:56,839
mountain wizard stuff, that that vision of blood Do you

712
00:32:57,119 --> 00:32:59,440
like the Yeah, exactly?

713
00:32:59,680 --> 00:33:00,440
Speaker 2: Do you like that?

714
00:33:00,599 --> 00:33:03,240
Speaker 3: Because that's what that's the vibe I get from it, exactly.

715
00:33:03,400 --> 00:33:06,559
Speaker 1: And the first album from twenty twenty one, I think

716
00:33:06,599 --> 00:33:08,640
it was called Tales of Other Time is kind of

717
00:33:08,720 --> 00:33:10,079
it sort of went down as maybe a sort of

718
00:33:10,240 --> 00:33:13,039
minor modern classic for this sort of thing. Like people

719
00:33:13,200 --> 00:33:15,400
love that record and like the artwork is really like

720
00:33:15,559 --> 00:33:17,480
you know, it gets shared around all the time. The

721
00:33:17,559 --> 00:33:19,400
thing you need to blue album art work exactly the

722
00:33:19,480 --> 00:33:20,640
thing I think you really need to know, and you've

723
00:33:20,640 --> 00:33:23,359
rereadly said it is Isaac from Again these Bands is

724
00:33:23,440 --> 00:33:26,720
the biggest Emperor fan in the world, and this project

725
00:33:26,799 --> 00:33:28,720
is where he just like gets all of the Emperor

726
00:33:28,759 --> 00:33:32,039
love out. So it has been, you know, sort of

727
00:33:32,079 --> 00:33:33,519
in the works for a while. They've been New Stormkeep

728
00:33:33,559 --> 00:33:34,519
and I think, you know a lot of people in

729
00:33:34,559 --> 00:33:36,680
the underground are looking forward to that. As I said,

730
00:33:36,720 --> 00:33:38,920
this is the first taste of an album. The single

731
00:33:39,079 --> 00:33:41,640
artwork for this has been again if you are in

732
00:33:41,720 --> 00:33:44,559
your black metal chords of the Internet. It's started a

733
00:33:44,640 --> 00:33:47,880
little bit of discussion because it does not look like

734
00:33:48,119 --> 00:33:51,440
your lovely icy Blue Mountain album artwork that the first

735
00:33:51,519 --> 00:33:55,400
one has, And I sort of see where it's coming

736
00:33:55,440 --> 00:33:57,680
from in that it's going for this like almost kind

737
00:33:57,759 --> 00:34:01,680
of cheap nath digital sort of turn of the naughties

738
00:34:02,279 --> 00:34:04,960
symphonic black thing like, you know, sort of mid period

739
00:34:05,079 --> 00:34:08,360
Cradle esthetics, that kind of thing. It it does look

740
00:34:08,360 --> 00:34:10,639
a bit like mid period Cradle mixed with like early

741
00:34:10,800 --> 00:34:15,880
Escape the Fates. So I've seen a lot of people

742
00:34:16,039 --> 00:34:18,559
like this art was fucking rubbish. I think it's just

743
00:34:18,679 --> 00:34:20,639
the single art rather than the album. So that's that's

744
00:34:20,719 --> 00:34:21,119
that's good.

745
00:34:21,480 --> 00:34:21,920
Speaker 3: I will say.

746
00:34:21,960 --> 00:34:24,880
Speaker 1: The promo picture is fantastic. If you've not seen that,

747
00:34:25,320 --> 00:34:29,199
go check Isa's Instagram. It looks fucking so cool because

748
00:34:29,400 --> 00:34:31,320
you know, you see isaacin Blooding Hantation and he's a

749
00:34:32,039 --> 00:34:34,599
long haired prog metal guy, like they all look right,

750
00:34:34,679 --> 00:34:37,840
but here the Isan circa nineteen ninety seven look that

751
00:34:37,880 --> 00:34:40,960
he's going for with the spiped shoulder pads, the corpse paint,

752
00:34:41,039 --> 00:34:43,119
the blood coming out of his mouth standing in the

753
00:34:43,199 --> 00:34:44,920
snow is fucking great.

754
00:34:45,639 --> 00:34:46,800
Speaker 3: But even even just.

755
00:34:46,800 --> 00:34:49,400
Speaker 1: Again the artwork being what it is, it sort of

756
00:34:49,840 --> 00:34:52,360
feels like it's going for a less like it's less

757
00:34:52,440 --> 00:34:54,559
night Side this time and more, as you say, a

758
00:34:54,599 --> 00:34:58,239
bit anthems and a bit you know, Equilibrium Emperor, and

759
00:34:58,519 --> 00:35:01,360
sonically it's a little or sort of moving in that

760
00:35:01,480 --> 00:35:04,559
direction as well, a little bit kind of aggressive in

761
00:35:04,639 --> 00:35:08,280
the production and that kind of thing, but obviously I

762
00:35:08,480 --> 00:35:09,719
enjoyed the hell A list. Did you check out the

763
00:35:09,719 --> 00:35:10,440
storm Keep single?

764
00:35:10,639 --> 00:35:12,920
Speaker 2: Yeah, I really like this Again, That's why I just

765
00:35:13,079 --> 00:35:15,119
mean it was like, yeah, this is because obviously, for

766
00:35:15,159 --> 00:35:17,599
the reasons I've listened to anthems a fair bit recently,

767
00:35:17,639 --> 00:35:20,679
I've kind of got back into like Vine with Emperor again,

768
00:35:21,079 --> 00:35:22,760
and this hit I was like, yeah, this is this

769
00:35:22,920 --> 00:35:23,559
is really cool.

770
00:35:24,000 --> 00:35:25,800
Speaker 3: I come over, I've listened to much storm GYP.

771
00:35:25,880 --> 00:35:29,440
Speaker 2: I know that I see the first album outwork around

772
00:35:29,440 --> 00:35:31,000
all the time, and I'm like, I think I probably

773
00:35:31,039 --> 00:35:32,320
had a few songs, but I think this song is

774
00:35:32,480 --> 00:35:33,039
is really cool.

775
00:35:33,159 --> 00:35:35,159
Speaker 3: And that kind of like grandiose, kind of like.

776
00:35:35,239 --> 00:35:39,039
Speaker 2: Very sophisticated, epic but still kind of evil black metal

777
00:35:39,440 --> 00:35:40,639
sort of thing that you just said you were like

778
00:35:41,039 --> 00:35:43,320
anth and all that. It's nailing that I assume even

779
00:35:43,360 --> 00:35:46,119
about the art that doesn't really suckle, but the song itself,

780
00:35:46,119 --> 00:35:47,440
I think it's just really fucking good.

781
00:35:47,880 --> 00:35:49,840
Speaker 1: It is good, and I think just obviously this is notable,

782
00:35:49,880 --> 00:35:51,880
not only because it's you know, a good band and

783
00:35:51,960 --> 00:35:54,159
a musician News plays and lots of good bands and stuff,

784
00:35:54,199 --> 00:35:56,519
but like coming right after the Worm album that we

785
00:35:56,639 --> 00:35:59,719
reviewed on last month show. I think you can see

786
00:35:59,760 --> 00:36:01,440
that like in the Underground, and there are other bands

787
00:36:01,480 --> 00:36:03,440
doing it as well. This is kind of in vogue now,

788
00:36:03,800 --> 00:36:07,239
like the sort of specifically when you look at Worm,

789
00:36:07,239 --> 00:36:09,519
it's that sort of like late nineties kind of kitchy,

790
00:36:09,679 --> 00:36:12,239
sort of kind of you know, dated, but in a

791
00:36:12,280 --> 00:36:15,639
way that people really love that sort of era of

792
00:36:15,760 --> 00:36:18,679
like the symphonic black metal thing is kind of being

793
00:36:18,800 --> 00:36:22,199
you know, revived a lot right now. This track I

794
00:36:22,239 --> 00:36:24,039
think is like compared to start of the Worm, it's

795
00:36:24,039 --> 00:36:26,679
a little bit more sort of high tech fidelity maybe,

796
00:36:26,760 --> 00:36:28,719
but yeah, it's a really good, good track. It's got

797
00:36:28,760 --> 00:36:29,719
great guitars on it.

798
00:36:29,719 --> 00:36:31,960
Speaker 2: And then the Worm stuff is. But yeah, it unds

799
00:36:32,000 --> 00:36:34,360
a bit more, a bit more kind of like sophisticating.

800
00:36:34,440 --> 00:36:37,800
Speaker 1: Stately, I'd say, yeah, maybe again like if if Worm

801
00:36:37,840 --> 00:36:40,079
are like you know, Cradle or Dimu, then Storm keep

802
00:36:40,079 --> 00:36:41,559
obvious a little bit more emperoring, as you say, a

803
00:36:41,599 --> 00:36:44,519
little bit more has that sort of sophistication to it.

804
00:36:45,000 --> 00:36:46,840
I'm just it's it's made me annoyed that they're not

805
00:36:46,880 --> 00:36:48,599
playing Fortress in a couple months where I can see

806
00:36:48,599 --> 00:36:50,880
them alongside old Band's child. You know, that's exactly the vibe.

807
00:36:50,920 --> 00:36:53,079
But when we get you know, news on a storm

808
00:36:53,159 --> 00:36:55,480
Keep album, then that will be good news as well. Right,

809
00:36:55,559 --> 00:36:59,559
some live news based here in the UK. Let's start

810
00:36:59,599 --> 00:37:02,599
off with Corn, who have announced there. This is the

811
00:37:02,679 --> 00:37:05,840
bit that blew my mind. It's Corn's first like full

812
00:37:06,280 --> 00:37:10,320
UK to or Europe as well in almost a decade. Right,

813
00:37:10,639 --> 00:37:13,920
I'm guessing that has to be the Corn limp Biscuit

814
00:37:14,039 --> 00:37:15,920
mad Ball run that they did at the end of

815
00:37:16,000 --> 00:37:19,679
twenty sixteen. And obviously I don't think it's felt necessarily

816
00:37:19,880 --> 00:37:23,760
that Corn have been you know away, because they have

817
00:37:23,920 --> 00:37:25,679
you know, done some high profile shows here in the

818
00:37:25,760 --> 00:37:27,320
UK in the last handful of years. But I guess

819
00:37:27,360 --> 00:37:31,000
it has been centered on those individual high profile shows

820
00:37:31,199 --> 00:37:34,239
things like obviously headlining Download Festival and the sort of

821
00:37:34,280 --> 00:37:38,159
standalone park shows that they did, yeah leading up to that,

822
00:37:38,360 --> 00:37:41,239
And like, I haven't seen Corn in about ten years

823
00:37:41,599 --> 00:37:44,719
since that Corn olymp Biscuit mad Ball show, and I

824
00:37:44,880 --> 00:37:46,360
was thinking, like, why haven't I seen Corn in so

825
00:37:46,480 --> 00:37:47,960
fucking long? And I guess it just makes sense because

826
00:37:47,960 --> 00:37:49,719
I don't go to Download or whatever, so I haven't

827
00:37:49,760 --> 00:37:52,800
been to those big ones. But it's kind of crazy

828
00:37:52,880 --> 00:37:55,920
that Corn, despite being they never felt like they went

829
00:37:55,960 --> 00:37:58,519
away and they obvious they've they've done huge things, have

830
00:37:58,679 --> 00:38:02,559
not actually done an actual US tour in ten calendar years.

831
00:38:02,719 --> 00:38:03,320
Speaker 3: That is nuts.

832
00:38:03,960 --> 00:38:05,960
Speaker 1: Bringing along with them for this tour is going to

833
00:38:06,000 --> 00:38:10,920
be Architects as main support and Youth Code as well. Opening.

834
00:38:11,199 --> 00:38:13,360
I think the UK dates is Youth Cod. There's also

835
00:38:13,400 --> 00:38:15,960
a band Pixel Grip, who are appearing on some of

836
00:38:16,039 --> 00:38:18,079
these dates as well. And I think the obviously the

837
00:38:18,119 --> 00:38:21,239
other surprise there for some people maybe is that architects

838
00:38:21,320 --> 00:38:24,800
who have done you know, arena runs in their own

839
00:38:24,880 --> 00:38:26,440
right and I'm sure have played some of the same

840
00:38:26,679 --> 00:38:30,280
venues that Corner playing here, have you know, taken on

841
00:38:30,440 --> 00:38:31,760
the main support role for this.

842
00:38:32,760 --> 00:38:35,760
Speaker 2: Yeah, I mean obviously architects did the O Too Arena,

843
00:38:36,079 --> 00:38:38,519
which was where Corner doing on this in London.

844
00:38:38,719 --> 00:38:41,480
Speaker 3: Yeah, I will say it was a like and again

845
00:38:42,480 --> 00:38:43,320
is huge no matter how you.

846
00:38:43,320 --> 00:38:45,599
Speaker 2: Try and swing it, but it was a like half

847
00:38:45,639 --> 00:38:48,360
shot off Too Arena like the Architects one night, Yeah,

848
00:38:48,679 --> 00:38:51,039
the top tier, So like there's still I'm not I

849
00:38:51,079 --> 00:38:53,079
don't want to knock out. I've knocked architects with so

850
00:38:53,119 --> 00:38:55,079
many things. Twenty thousand se.

851
00:38:56,119 --> 00:38:59,199
Speaker 1: If your architects and Corn come call and game. Want

852
00:38:59,239 --> 00:39:00,159
you want to come out of us?

853
00:39:00,320 --> 00:39:02,360
Speaker 3: Yeah? Yeah, can take that because again I don't think

854
00:39:02,360 --> 00:39:04,599
going to climb because that's also going to put them

855
00:39:04,639 --> 00:39:06,920
in front of a lot of normous We're going to

856
00:39:07,000 --> 00:39:09,880
go to their one metal show every in her it is.

857
00:39:09,880 --> 00:39:11,159
It's the same sort of thing we're talking about.

858
00:39:11,960 --> 00:39:13,440
Speaker 2: So, like I was saying to some thing about like

859
00:39:13,480 --> 00:39:16,000
the link of parks where you know, spirit Box and

860
00:39:16,480 --> 00:39:18,000
whoever been on them, and people who don't go to

861
00:39:18,039 --> 00:39:20,840
metal shows but are going to go see Lincoln Park

862
00:39:21,000 --> 00:39:23,119
or Corn or Limp Biscuit, those sort of bands from

863
00:39:23,119 --> 00:39:25,599
their childhood that they might still go and see every

864
00:39:25,639 --> 00:39:27,440
now and then, Keets's gonna get in front of them

865
00:39:27,480 --> 00:39:29,159
and it might kind of just sort of bolster their

866
00:39:29,199 --> 00:39:30,960
position and show them up so that they can then

867
00:39:31,639 --> 00:39:34,280
have another go at these big arenas off the back

868
00:39:34,320 --> 00:39:36,920
of this. But you know, as a package, I think

869
00:39:36,960 --> 00:39:39,800
that that's you know, a big two big bands or

870
00:39:40,000 --> 00:39:42,800
like which again for audiences, concer mean how much fucking

871
00:39:42,800 --> 00:39:45,280
arena shows cost? Now actually know more bang for your bucket.

872
00:39:45,400 --> 00:39:48,480
But Corn, you know, they are like riding that wave.

873
00:39:48,639 --> 00:39:50,960
Speaker 3: They they are you know, just a massive band on

874
00:39:51,039 --> 00:39:52,079
them and Deftones.

875
00:39:52,119 --> 00:39:54,360
Speaker 2: They are the big boys in the sort of the

876
00:39:54,440 --> 00:39:56,679
modern new metal sort of thing, so it makes sense

877
00:39:56,760 --> 00:39:59,199
that you know, they get in this full UK arena run.

878
00:39:59,239 --> 00:40:01,480
Imagine it will sell really well on Corn, who are

879
00:40:01,480 --> 00:40:03,480
always fantastic live, will be brilliant.

880
00:40:03,400 --> 00:40:07,559
Speaker 1: And youth code as well as an opener is It's

881
00:40:07,679 --> 00:40:09,480
like that's a bit of a pivot going from that

882
00:40:09,559 --> 00:40:12,199
into you know what follows. But yeah, good, Like I said,

883
00:40:12,199 --> 00:40:14,280
I haven't seen Corn in like ten years, essentially since

884
00:40:14,280 --> 00:40:17,039
the last I actually did a proper tour, and I

885
00:40:17,519 --> 00:40:19,440
would be you know, I would want to go to this,

886
00:40:19,679 --> 00:40:22,119
I think, certainly knowing you know, some some of what

887
00:40:22,199 --> 00:40:23,880
we are going to be doing, you know, I'll be

888
00:40:23,920 --> 00:40:25,239
in a Corn mindset and I'll want to go and

889
00:40:25,280 --> 00:40:28,000
see it. I suppose, you know, I'm not necessarily going

890
00:40:28,039 --> 00:40:29,880
to jump right on and drop nay quid on it

891
00:40:30,079 --> 00:40:33,599
this distance this weekend. I'll I'll stick around and see

892
00:40:33,639 --> 00:40:35,880
what happens. But yeah, big news in terms of the

893
00:40:36,320 --> 00:40:41,360
Corn camp. Also, Marmazettes have announced another UK tour. They've

894
00:40:41,360 --> 00:40:44,599
literally only just done a UK tour leading up to

895
00:40:45,519 --> 00:40:48,920
their new album that's coming out in May. They've announced

896
00:40:48,920 --> 00:40:51,119
more dates kind of off the back of it. So

897
00:40:51,159 --> 00:40:55,639
if you are in Sheffield, Oxford, Northampton, Portsmouth, Bournemouth, London

898
00:40:55,800 --> 00:40:59,079
or Leicester, then I think they're also going to be

899
00:40:59,119 --> 00:41:01,840
playing Tooth and Trees around that time as well, and

900
00:41:01,880 --> 00:41:04,400
they're also playing Biffy Cleiro's big Finsbury parture. They're around

901
00:41:04,440 --> 00:41:06,159
a lot, which is good to see, isn't it that

902
00:41:06,239 --> 00:41:08,599
Marmosettes are around a lot? Clearly. I think they just

903
00:41:08,760 --> 00:41:10,599
you know, they did that tour that they've just done,

904
00:41:10,960 --> 00:41:12,960
enjoyed it so much, got anymore.

905
00:41:13,039 --> 00:41:15,199
Speaker 2: Yeah, I think they're just trying to like rebuild as

906
00:41:15,280 --> 00:41:18,280
much momentum as possible going into this new alan kind

907
00:41:18,280 --> 00:41:19,440
of like showing.

908
00:41:19,199 --> 00:41:21,079
Speaker 3: About that they are, that they are active again.

909
00:41:21,519 --> 00:41:24,880
Speaker 1: Yes, And back on the black metal front, we've had

910
00:41:24,920 --> 00:41:28,480
some news that Noctool, which is Serena Cherryson Stoubard's solo

911
00:41:28,599 --> 00:41:31,039
black metal project, they put a first album a few

912
00:41:31,119 --> 00:41:33,239
years ago and there is going to be a second

913
00:41:33,280 --> 00:41:35,280
one you know, coming I would imagine probably this year.

914
00:41:36,079 --> 00:41:39,639
They have joined onto the UK dates of Spectral Wounds

915
00:41:40,400 --> 00:41:43,360
UK and European tour. That also includes the dates in

916
00:41:43,639 --> 00:41:45,679
Scotland that Wolves and The Throne Room are playing with

917
00:41:45,760 --> 00:41:49,039
both of those bands. So if you are a black

918
00:41:49,119 --> 00:41:51,400
metal fan, particularly obviously the Scottish dates with Wolves in

919
00:41:51,400 --> 00:41:52,800
the Throne Room on, but even just the you know,

920
00:41:52,880 --> 00:41:55,639
the the English dates with Spectral Wound and Noctall, then

921
00:41:55,679 --> 00:41:58,320
that has become one of the tastier looking black metal

922
00:41:58,360 --> 00:42:01,159
packages this year, I think, So you know, go forth

923
00:42:01,199 --> 00:42:04,159
and get necro with it. And just last piece of

924
00:42:04,239 --> 00:42:07,320
news here for this Friday's come from the Wildhearts camp.

925
00:42:07,719 --> 00:42:10,440
Ginger Wildheart has you know, kind of put out there

926
00:42:10,480 --> 00:42:13,039
that he has been diagnosed with with what he describes

927
00:42:13,039 --> 00:42:16,519
as an aggressive form of cancer. He's still going to

928
00:42:16,559 --> 00:42:19,119
be touring and making new music and everything. There is

929
00:42:19,119 --> 00:42:21,440
a tour coming up in April that is, you know,

930
00:42:21,519 --> 00:42:24,239
immediately straight off the back of this that he's committed

931
00:42:24,519 --> 00:42:26,920
to doing. So definitely, you know, if you are a

932
00:42:26,960 --> 00:42:28,679
Wildhart's fan, then I'm sure you'll be going out and

933
00:42:29,199 --> 00:42:31,920
hitting up these hitting up these shows. Just yeah, like

934
00:42:32,000 --> 00:42:35,840
you know, absolute best wishes of course to mister Wildheart. Right,

935
00:42:36,960 --> 00:42:39,119
what have we done this week? We just on the

936
00:42:39,159 --> 00:42:43,000
Patreon you and I Sam, we put out another latest episode.

937
00:42:43,000 --> 00:42:46,360
It's like episode forty I saw of our horror series

938
00:42:46,400 --> 00:42:48,039
that we've been doing for like five years now. Yeah,

939
00:42:48,679 --> 00:42:51,639
nice big round number on one of the goats because

940
00:42:51,679 --> 00:42:54,320
we spoke about Sam Rainey because we wanted to check

941
00:42:54,400 --> 00:42:56,239
in with his latest film that came out aout a

942
00:42:56,239 --> 00:42:57,239
month ago, called Send Help.

943
00:42:57,440 --> 00:42:58,320
Speaker 3: We paired it with.

944
00:42:59,800 --> 00:43:01,800
Speaker 1: Of He Is perfect pairing that also just meant it

945
00:43:01,920 --> 00:43:04,840
was an excuse for us to talk about the absolute

946
00:43:05,280 --> 00:43:08,800
twenty first century masterpiece that he has dragged me to. Hell.

947
00:43:09,760 --> 00:43:11,159
Speaker 3: Yeah, this was This was just fun.

948
00:43:11,239 --> 00:43:12,760
Speaker 2: This was one of those like you know, you know what,

949
00:43:12,840 --> 00:43:14,880
we've done some of these tins and we've gone deep

950
00:43:14,960 --> 00:43:17,239
and we've gone too like that really like hefty conversations.

951
00:43:17,599 --> 00:43:19,760
Speaker 3: This one was just like Sam Raimi's the guy.

952
00:43:19,760 --> 00:43:21,400
Speaker 2: And obviously we still kind of dung in some sort

953
00:43:21,400 --> 00:43:23,679
of like deeper things on this, but just talking about

954
00:43:23,719 --> 00:43:27,159
Sam ray being the fucking guy and drag me tell

955
00:43:27,320 --> 00:43:29,239
being an absolute right out of a movie that I'd

956
00:43:29,280 --> 00:43:32,880
kind of forgotten just how wonderful and riot to that

957
00:43:33,039 --> 00:43:36,360
movie is of all gags and all like and then

958
00:43:36,400 --> 00:43:38,840
again like just Parry was sent out, just two great

959
00:43:39,000 --> 00:43:41,320
fun goofy horrors from the King of that shit.

960
00:43:41,599 --> 00:43:43,880
Speaker 3: This was This was just such a really just fun,

961
00:43:44,039 --> 00:43:45,159
good vibes episode.

962
00:43:45,800 --> 00:43:49,599
Speaker 1: Yeah, very very fun. Indeed, the Tinando's Horror series, it's

963
00:43:49,599 --> 00:43:51,199
a little extra that we do for the people who

964
00:43:51,320 --> 00:43:53,559
you know, choose to give the highest amount over on

965
00:43:53,599 --> 00:43:56,079
the Patreon and support us because that is so so

966
00:43:56,840 --> 00:44:00,920
appreciated elsewhere on the Patriots that we have completed now

967
00:44:01,039 --> 00:44:05,000
are Mega Mega nineteen ninety seven special that we started

968
00:44:05,039 --> 00:44:07,280
like the first couple of months of this year doing

969
00:44:07,559 --> 00:44:10,920
as we look to the future, We've got other specials planned,

970
00:44:11,000 --> 00:44:13,920
band specials, list specials to like we are going to

971
00:44:14,039 --> 00:44:16,039
because we know we did not have not done them

972
00:44:16,079 --> 00:44:17,880
so far this year because we got so deep in

973
00:44:17,920 --> 00:44:20,800
the week and seven. Yeah, but we are going to

974
00:44:20,840 --> 00:44:22,199
be bring about album Club is going to be the

975
00:44:22,239 --> 00:44:23,840
next thing that is going to be happening over there

976
00:44:23,920 --> 00:44:27,079
in the next half of weeks. So yeah, look to

977
00:44:27,199 --> 00:44:29,400
that and get involved as you see fit cheers everybody.

978
00:44:29,519 --> 00:44:32,559
Let's end this this hyperblast with the releases for today

979
00:44:32,679 --> 00:44:35,000
twentieth of March, and there is one release in particular

980
00:44:35,000 --> 00:44:36,880
that we start with that I think is one of

981
00:44:36,880 --> 00:44:38,440
the ones that we have been most looking forward to

982
00:44:38,559 --> 00:44:41,880
all year, really Poison the Wells new album is out.

983
00:44:42,239 --> 00:44:44,760
It's called Peace and Place. One of these single most

984
00:44:44,800 --> 00:44:48,079
important metalcore bands has ever ever been subject of a

985
00:44:48,119 --> 00:44:50,960
T and M band special last year. Obviously, this is

986
00:44:51,280 --> 00:44:52,800
right at the top of our list of things to

987
00:44:52,920 --> 00:44:55,400
be excited about and be checking out, So we will

988
00:44:55,440 --> 00:44:57,360
be back to you with our thoughts on Poison the

989
00:44:57,400 --> 00:44:59,960
Well's new album. There's also the new album from Exodus

990
00:45:00,320 --> 00:45:03,039
called Goliath. This is the first album that the Thrash

991
00:45:03,119 --> 00:45:06,199
Titans have released with the return of one of their vocalist,

992
00:45:06,320 --> 00:45:08,719
Rob Dukes. Their two thousands ear at vocalist Rob Dukes

993
00:45:08,840 --> 00:45:11,760
returns to the band for this album. There's also Gearrhea,

994
00:45:12,199 --> 00:45:15,360
the black metal band from Portugal, with an album called

995
00:45:15,519 --> 00:45:17,880
Loss and it's one of the releases that I am

996
00:45:18,280 --> 00:45:21,800
most I've been most sort of curious and fascinated by,

997
00:45:22,079 --> 00:45:25,039
I suppose heading into this year. So we are going

998
00:45:25,119 --> 00:45:26,960
to be of course, you know, reviewing that one as

999
00:45:27,000 --> 00:45:30,119
well and updating you with what the take is, I suppose,

1000
00:45:30,159 --> 00:45:32,239
with what is going on there. Then there is a

1001
00:45:32,320 --> 00:45:35,079
band called Filth Is Eternal. You might remember them. They

1002
00:45:35,159 --> 00:45:37,119
used to be called Fucked and Bound. They were more

1003
00:45:37,159 --> 00:45:40,239
of like a really like nasty, d beat hardcore sort

1004
00:45:40,239 --> 00:45:42,519
of band. They changed their name to Filth of Eternal

1005
00:45:42,599 --> 00:45:44,280
and what I checked out from this record is more

1006
00:45:44,320 --> 00:45:46,199
sort of like grungey olt rock. So that's kind of

1007
00:45:46,280 --> 00:45:49,079
the pipeline I suppose it's going on there but a

1008
00:45:49,119 --> 00:45:51,159
few like a mixture of those kind of worlds. Then

1009
00:45:51,440 --> 00:45:54,639
there's a band for you. Over from the like punk

1010
00:45:54,800 --> 00:45:56,880
side of the spectrum. There's a band called Glady with

1011
00:45:57,039 --> 00:45:59,400
a record called No Needs to Be Lonely. That album

1012
00:45:59,480 --> 00:46:01,840
is being produce by Jeff Rosenstocks. So I think that

1013
00:46:01,920 --> 00:46:02,840
gives you the world.

1014
00:46:02,639 --> 00:46:04,400
Speaker 3: Of punk that you know. I don't recoize that name,

1015
00:46:04,400 --> 00:46:05,920
but I do know this band. Cool band.

1016
00:46:06,280 --> 00:46:08,159
Speaker 1: Okay, well there you go. If that's your world of punk,

1017
00:46:08,199 --> 00:46:10,000
then that's your your pick of the week this time.

1018
00:46:10,760 --> 00:46:14,880
Then if you are into nineteen eighties sleeze sunset strip

1019
00:46:15,000 --> 00:46:17,360
style heavy metal, then there's a band, a new band

1020
00:46:17,599 --> 00:46:20,000
called Stainless. I think this is a daily record. Record

1021
00:46:20,039 --> 00:46:23,800
calls Lady of Lust and Steel and it's absolutely as

1022
00:46:23,840 --> 00:46:26,559
I say, those like sunset Strip sort of vibes in

1023
00:46:26,639 --> 00:46:27,800
a you know, a modern context.

1024
00:46:27,840 --> 00:46:28,480
Speaker 2: So there you go.

1025
00:46:28,800 --> 00:46:31,519
Speaker 1: Into the underground. There is a band called Eggry Gore

1026
00:46:32,280 --> 00:46:34,719
with a record called it Echoes in the Wild, which

1027
00:46:34,760 --> 00:46:37,239
is like a cult black death metal Then there is

1028
00:46:37,360 --> 00:46:42,960
also a band called The Silver with looking Glass Hymnal Blue.

1029
00:46:43,199 --> 00:46:45,719
This is a band that features members of some of

1030
00:46:45,760 --> 00:46:48,480
the great mon underground bands like Horrendous and crypt Sermon.

1031
00:46:48,679 --> 00:46:50,760
This is them doing some kind of like experimental black

1032
00:46:50,800 --> 00:46:54,440
metally sort of fair more straightforward death metal, as you

1033
00:46:54,480 --> 00:46:57,800
probably tell from the name gut Void with liminal shrines.

1034
00:46:57,880 --> 00:46:59,800
And then when it comes to sort of EPs and

1035
00:47:00,079 --> 00:47:03,599
mini albums, I suppose this time there's McCluskey, you know,

1036
00:47:03,760 --> 00:47:07,239
a quite well you know, regarded historically, I guess alternative

1037
00:47:07,280 --> 00:47:09,840
rock band. Their mini album is called I Sure, I'm

1038
00:47:09,920 --> 00:47:12,480
getting sick of this Bowling Alley if you are into

1039
00:47:12,519 --> 00:47:15,280
your post punk dark wave kind of stuff, you know,

1040
00:47:15,400 --> 00:47:18,000
Batcave vibes. Then there's another release from a band called

1041
00:47:18,119 --> 00:47:22,079
Arnul Noir called Inexistence and dropped sort of in the

1042
00:47:22,119 --> 00:47:23,440
middle of the week, but I thought we'd put it here.

1043
00:47:23,440 --> 00:47:27,119
I suppose there was a split release from the two

1044
00:47:27,239 --> 00:47:29,880
bands from New England, because it's called New England Forever.

1045
00:47:30,400 --> 00:47:32,719
It's the drop Kick Murphy's and Hey Wire. So that's

1046
00:47:32,800 --> 00:47:37,719
kind of a you know, obviously an old very associated

1047
00:47:37,760 --> 00:47:40,360
with you know, Boston in New England, you know, kind

1048
00:47:40,360 --> 00:47:42,559
of a legend band who would agree with the drop

1049
00:47:42,639 --> 00:47:45,639
Kit Murphy's with as we have spoken about recently, one

1050
00:47:45,679 --> 00:47:48,280
of the real like you know, hype popular new bands

1051
00:47:48,440 --> 00:47:51,000
coming from particularly hardcore in that kind of corner of

1052
00:47:51,119 --> 00:47:53,920
the world, New England forever that sounds like something that

1053
00:47:53,960 --> 00:47:54,760
you'd be into. Sound.

1054
00:47:54,840 --> 00:47:56,199
Speaker 3: Yeah, this is this is really good.

1055
00:47:56,880 --> 00:47:58,400
Speaker 2: It's you know, I think they dropped as part of

1056
00:47:58,440 --> 00:48:01,079
like in from of like Saint Patrick's there I like

1057
00:48:01,159 --> 00:48:02,039
a boss.

1058
00:48:01,880 --> 00:48:05,800
Speaker 3: New yeh Irish Americans of thing like Dranger's identity. But

1059
00:48:05,880 --> 00:48:06,440
this is really cool.

1060
00:48:06,440 --> 00:48:10,519
Speaker 2: So it's two collaborative songs, two individual original songs from

1061
00:48:10,519 --> 00:48:12,039
each band, and then they're covering each other as well

1062
00:48:12,039 --> 00:48:13,719
as like the last songs on their sides of the split.

1063
00:48:14,119 --> 00:48:16,880
Speaker 3: But like drop Kick Murphy's it's I think it's a really.

1064
00:48:16,760 --> 00:48:19,159
Speaker 2: Cool sort of thing for them sort of sort of

1065
00:48:19,159 --> 00:48:21,840
put themselves alongside one of the buzzier newer hardcore bands

1066
00:48:21,880 --> 00:48:24,239
or obviously from their area, but kind of like it's

1067
00:48:24,239 --> 00:48:25,679
sort of showing that they can sort of hang with

1068
00:48:25,760 --> 00:48:27,199
the new bands but also kind of lift them up.

1069
00:48:27,199 --> 00:48:29,000
The drop Ky Murphy songs are really good that they're

1070
00:48:29,480 --> 00:48:32,159
dron Kink Murphy's playing Hard on this, like it's.

1071
00:48:32,280 --> 00:48:34,320
Speaker 1: A really cool Yeah, one of them, I checked out

1072
00:48:34,360 --> 00:48:36,480
the split and one of them is called Citizen Ice,

1073
00:48:36,920 --> 00:48:39,920
and it is a reworking of an older you know,

1074
00:48:40,320 --> 00:48:42,800
drop Kit Murphy's on called Citizens Cia, and they've just

1075
00:48:43,119 --> 00:48:46,159
like that's the really hard that's a collaborative one, like yeah, yeah,

1076
00:48:46,320 --> 00:48:48,000
and they've just like you know, obviously they've they've altered

1077
00:48:48,000 --> 00:48:51,599
the lyrics to modernize it, which you know, very appropriate.

1078
00:48:51,840 --> 00:48:55,199
There's also that the Haywire cover of drop Kit murphy

1079
00:48:55,280 --> 00:48:58,599
song called the Boys Are Bad and like, bizarrely that

1080
00:48:58,760 --> 00:49:01,880
that drop Kick Murphy's albums like twenty twenty, twenty twelve,

1081
00:49:02,599 --> 00:49:04,880
that bizarrely is like one of the moments where I

1082
00:49:05,039 --> 00:49:06,480
have sort of, you know, just me and the drop

1083
00:49:06,559 --> 00:49:09,639
Kit Murphy's are paths crossed, I suppose. And I really

1084
00:49:09,679 --> 00:49:11,159
liked that record when it came out. So I remember

1085
00:49:11,239 --> 00:49:12,960
that song and I was like, oh, like, you know,

1086
00:49:13,039 --> 00:49:15,000
it's not you know, it's not shipping up to Boston, right.

1087
00:49:15,039 --> 00:49:18,039
It's sort of a slightly late this drop Kink.

1088
00:49:17,960 --> 00:49:21,000
Speaker 2: Murphy's either though the late noughties into the early twenty ten. Yeah,

1089
00:49:21,079 --> 00:49:23,400
I really like those drop King Murphy's albums, but.

1090
00:49:23,480 --> 00:49:25,480
Speaker 1: I was like, oh, it's Haywire covering that like sort

1091
00:49:25,480 --> 00:49:27,480
of like slightly forgotten rock kit Murphy song that I

1092
00:49:27,599 --> 00:49:29,039
really liked when it came out so great.

1093
00:49:29,519 --> 00:49:31,679
Speaker 2: Yeah, and again, like the funny one is like one

1094
00:49:31,719 --> 00:49:33,199
of the most joyous songs in the album is the

1095
00:49:33,280 --> 00:49:35,559
drop Kink Murphy's covering Haywire. They kind of take one

1096
00:49:35,559 --> 00:49:38,039
of the haywar like thing is Haywire for hug about

1097
00:49:38,039 --> 00:49:39,880
that there are hark Man who like punk. They right,

1098
00:49:40,119 --> 00:49:42,559
they like they haven't really like tough guy hargle songs,

1099
00:49:42,559 --> 00:49:45,679
but they also have like really upbeat, catchy, kind of

1100
00:49:45,719 --> 00:49:48,320
like celebratory punk songs. So that's why again they kind

1101
00:49:48,320 --> 00:49:50,920
of sync up really nicely with dron Kink Murphy, so

1102
00:49:50,920 --> 00:49:52,800
you can again be a bit tough, but can also

1103
00:49:52,960 --> 00:49:55,519
have that kind of real good vibes hargles. Yeah, I've

1104
00:49:55,599 --> 00:49:57,400
been spinning this split all week and just having a

1105
00:49:57,440 --> 00:49:58,000
great time with it.

1106
00:49:58,719 --> 00:50:02,199
Speaker 1: Yeah, And I suppose you don't necessarily expect it, but

1107
00:50:02,719 --> 00:50:08,159
Drocket Murphy's considering how again, still politically on it they are,

1108
00:50:08,159 --> 00:50:10,639
I suppose like still you know, they speak about the

1109
00:50:10,719 --> 00:50:13,280
ship that currently matters, you know, and then when they

1110
00:50:13,480 --> 00:50:15,559
you know, they they because they're doing that they chime

1111
00:50:15,719 --> 00:50:18,760
with a contemporary band like a Haywire or something. Trocket

1112
00:50:18,880 --> 00:50:21,840
Murphy's are I mean a very sort of plain way

1113
00:50:21,840 --> 00:50:23,320
of saying it is that maybe Dorocky Mefis are kind

1114
00:50:23,320 --> 00:50:25,960
of cool again. I know that they never went away,

1115
00:50:26,079 --> 00:50:29,760
but in terms of like bands who you know are

1116
00:50:29,800 --> 00:50:31,559
sort of in vogue at the moment and people look

1117
00:50:31,639 --> 00:50:33,599
to the Rocky Murphys have you know, they've they've stood

1118
00:50:33,639 --> 00:50:35,039
the test of time and they're still about and still

1119
00:50:35,039 --> 00:50:35,280
don't it.

1120
00:50:35,480 --> 00:50:36,880
Speaker 3: Yeah, No, I think I think the last like a

1121
00:50:36,960 --> 00:50:38,719
few years have been pretty good for Drocking Murphy's.

1122
00:50:38,800 --> 00:50:41,760
Speaker 2: Like there's sort of like late twenty ten, twenty twenties

1123
00:50:41,760 --> 00:50:43,519
out put a bit right, but the bit n aft,

1124
00:50:43,559 --> 00:50:44,840
but the album last year was really good.

1125
00:50:45,239 --> 00:50:47,480
Speaker 3: They've kind of been like, you know, quite outspoken when

1126
00:50:47,480 --> 00:50:49,519
they're talk about stuff on shows and calling shot out.

1127
00:50:49,920 --> 00:50:52,119
Speaker 2: Really now there's all of colors to sort of being

1128
00:50:52,159 --> 00:50:55,079
outspoken and being a proper punk band again. And I

1129
00:50:55,159 --> 00:50:57,800
think because it's given them like link up Haywies, so

1130
00:50:57,840 --> 00:50:59,119
we're going to give them a bit like a kick

1131
00:50:59,199 --> 00:51:00,719
to like it up even further.

1132
00:51:00,840 --> 00:51:04,320
Speaker 3: And like I say, do Citizen Icee and stuff like that. Yeah,

1133
00:51:04,360 --> 00:51:04,960
and maybe at me.

1134
00:51:05,400 --> 00:51:07,159
Speaker 1: Again, I've not seen them, so I can't speak to

1135
00:51:07,199 --> 00:51:09,239
maybe they're already there, but maybe it means that Haywire

1136
00:51:09,280 --> 00:51:10,679
shows you're start going to see loads of people in

1137
00:51:10,760 --> 00:51:17,880
flat caps, swamp in the underneath the bridge, whatever it

1138
00:51:17,960 --> 00:51:19,119
was you saw them. So yeah, I think that's a

1139
00:51:19,159 --> 00:51:21,639
good place to end off our release round up for

1140
00:51:21,800 --> 00:51:24,239
this week. Cheers everybody for being with us and listening.

1141
00:51:24,400 --> 00:51:27,800
Let's know your thoughts on everything we have discussed. Next

1142
00:51:27,880 --> 00:51:30,360
week we'll be back with another reviews show and it's

1143
00:51:30,400 --> 00:51:32,440
a pretty big bunch considering we'll be getting our thoughts

1144
00:51:32,480 --> 00:51:35,280
on you know, new Poison, the Well, new Lamb of God,

1145
00:51:35,800 --> 00:51:38,039
some we have some you know, lesser known names to

1146
00:51:38,119 --> 00:51:40,320
pull out from the underground and give to you as well.

1147
00:51:40,559 --> 00:51:42,559
So be back with us next week and we will

1148
00:51:43,159 --> 00:51:45,400
be here with all of that. So yeah, cheers everybody,

1149
00:51:45,440 --> 00:51:45,800
Bye bye,