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<v Speaker 1>Baby on My Gamestera too.

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<v Speaker 2>It takes a little tangle.

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<v Speaker 1>You don't mess with me, mess with me baby my

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<v Speaker 1>gamester too, pouch baby game Statooar.

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<v Speaker 3>This podcast is designed to take you outside of your

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<v Speaker 3>comfort zone and make you question reality. Listener discretion is

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<v Speaker 3>a vibe.

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<v Speaker 4>Fellas, this ain't my first time at the rodeos.

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<v Speaker 3>How do you, folks? Your host double J back here,

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<v Speaker 3>coming at you live slash live in a deep rain

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<v Speaker 3>delay from my studio slash RV dining room located directly

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<v Speaker 3>inside America. Folks of interwebs, once again JJ Vance here,

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<v Speaker 3>host of Operation GCD right there and perhaps more notably

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<v Speaker 3>not the vice president. So thanks for joining me here tonight, folks.

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<v Speaker 3>I will be your pilot navigator for tonight's Shenanigan infused

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<v Speaker 3>journey into the mind of this particular garbage can dude

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<v Speaker 3>and knocking a lot of you folks of interwebs, got

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<v Speaker 3>a real barn burner on deck for you all tonight

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<v Speaker 3>in a cult and a or s O terror review

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<v Speaker 3>of the nineteen eighty one film Ghost Story. And if

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<v Speaker 3>you folks of interwebs were like me and had not

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<v Speaker 3>heard of this film, you know it is an interesting

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<v Speaker 3>watch and hopefully you'll you'll reach that conclusion yourself. After

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<v Speaker 3>we discussed the Night's review. But it was the inspiration

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<v Speaker 3>of Tonight's guests that spawned this review because once again

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<v Speaker 3>I had not heard of this film, but Tonight's guest

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<v Speaker 3>John Mitchell, one of Tonight's guests, John Mitchell, in his

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<v Speaker 3>blog over on Substack, is highlighting a lot of these

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<v Speaker 3>matters relative to the Sun of Sam and this particular

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<v Speaker 3>one out of Peter straw books, that is the author

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<v Speaker 3>of this story that was later adapted into a film.

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<v Speaker 3>But this particular one ghost story I find interesting because

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<v Speaker 3>it was written contemporaneously to the Son of Sam events

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<v Speaker 3>in New York City back in with the arrest of

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<v Speaker 3>Burke Whits in seventy seven, and Straw writes this book

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<v Speaker 3>in seventy eight and is published in January of seventy nine,

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<v Speaker 3>and seems like seems like Peter Straw was in the

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<v Speaker 3>know and a lot of these cult details in around

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<v Speaker 3>that whole Sun of Sam process situation, and John's a

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<v Speaker 3>great research for into these matters relative to Yonkers cult

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<v Speaker 3>activities in around New York City, specifically Westchester County, New York.

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<v Speaker 3>The place I like to call a den of iniquity.

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<v Speaker 3>But thanks for joining us here tonight to get a

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<v Speaker 3>little GCD folks, and welcome our guests, John Mitchell and

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<v Speaker 3>Julia from Cosmic Peach. How y'all doing, Welcome to Operation GCD.

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<v Speaker 3>Welcome back now your first time, is it? Julia? John

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<v Speaker 3>greeting sir. Always great to have you back as well.

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<v Speaker 2>Yeah, thanks for having me. It's good to be back.

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<v Speaker 5>Absolutely, yeah, thanks thanks for having me. Jj. I'm excited

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<v Speaker 5>about this one.

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<v Speaker 3>For sure, me too. I really, you know, horror films

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<v Speaker 3>are not my you know, not my favorite genre, but

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<v Speaker 3>this one, given the esoteric understandings of a lot of

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<v Speaker 3>the things, uh and uh, just a lot of the

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<v Speaker 3>elements of the story I found very interesting. So and

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<v Speaker 3>it wasn't I had never heard of this film. So

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<v Speaker 3>and we actually had two other parties joining us tonight.

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<v Speaker 3>We had Davy Wavey and Nick has to be a

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<v Speaker 3>cult rejects. However, much like the characters in Tonight's film

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<v Speaker 3>who just seemingly, you know, fall off and die throughout

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<v Speaker 3>the storyline of Tonight's discussion. In the film plotline, Nick

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<v Speaker 3>and Davey Wavey didn't die, but I'm saying they've fallen

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<v Speaker 3>off Tonight's panal due to other reasons, weather and other matters,

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<v Speaker 3>personal matters. Nonetheless, we uh, we continue with our with

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<v Speaker 3>our with our review. And uh, I don't know, I

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<v Speaker 3>don't know. I have a lot of occult stuff. I mean,

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<v Speaker 3>I definitely saw a lot of esoteric stuff in the film.

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<v Speaker 3>And what were your thoughts, John Overall? I know you've

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<v Speaker 3>written a pretty an extensive block piece on Strab's work,

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<v Speaker 3>but you did a lot of you highlighted a lot

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<v Speaker 3>of very salient characteristics. I think of the Son of

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<v Speaker 3>Sam cult right in your blog piece relative to the

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<v Speaker 3>ghost story plotline, right.

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<v Speaker 2>Yeah, Yeah, there's an awful lot of stuff, especially in

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<v Speaker 2>the in the novel, but some of it survives in

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<v Speaker 2>the movie too, really really conscious references to the Ynker's cult,

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<v Speaker 2>And it's sort of like it's a version of the

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<v Speaker 2>story that never mentioned Son of Sam directly, but it

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<v Speaker 2>references all the other players and locations except for Son

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<v Speaker 2>of Sam itself. So it's it's it's odd the way

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<v Speaker 2>he did it, but it was ingenious for the book.

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<v Speaker 2>It's a it's a really interesting story structure.

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<v Speaker 3>Yeah, I agree for sure. I got some ideas on

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<v Speaker 3>those similar things that I saw, perhaps that more annoyed

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<v Speaker 3>thoughts I suppose of anything else, But before we get

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<v Speaker 3>into that, to those discussions, and before we discuss our

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<v Speaker 3>blog posts. Again, thank y'all both for joining me here,

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<v Speaker 3>and if I can offer you both, you know, your

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<v Speaker 3>time to plug anything you're working on or an introduction

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<v Speaker 3>anything you're working on, please John start us off there.

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<v Speaker 2>Sure, yeah, I know you got.

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<v Speaker 3>You got some new blog stuff, but as far as

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<v Speaker 3>and I'll have the links here in the show notes.

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<v Speaker 3>But if, yeah, if you want to introduce some of

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<v Speaker 3>your work, and and then Julie, of course we'll let

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<v Speaker 3>you do that next. And uh, then we'll get in

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<v Speaker 3>our discussion. Okay, well I'm not cutting out.

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<v Speaker 2>Well, I wrote a long essay or a short booklet

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<v Speaker 2>I guess, or pamphlet depending on how you you know

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<v Speaker 2>which classification you prefer, called before Son of Sam and

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<v Speaker 2>in the Substack blog, I'm just elaborating on some of

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<v Speaker 2>the points that I originally made in the booklet. And occasionally,

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<v Speaker 2>you know, you run across new information that relates to

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<v Speaker 2>things that you've already discussed. So yeah, I had been

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<v Speaker 2>thinking about the death Mask murder in the last few days,

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<v Speaker 2>so I just wrote up a little something on that,

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<v Speaker 2>but yeah, it's all Son of Sam adjacent stuff.

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<v Speaker 3>So yeah, that's awesome, And I'll make sure these links

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<v Speaker 3>from the show notes for folks that jack out. We'll

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<v Speaker 3>be diving into some of those blog posts here in

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<v Speaker 3>a second, because that death Mask one, that's a I

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<v Speaker 3>find out a very interesting and important case for folks

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<v Speaker 3>to understand what's going on with all that. But before

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<v Speaker 3>we get into that, Julia, thanks again man for joining

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<v Speaker 3>me here tonight. What have you been working out of

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<v Speaker 3>the Cosmic Peach podcast?

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<v Speaker 5>So, I'm actually working on something that I was talking

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<v Speaker 5>to John about before we started recording or before we

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<v Speaker 5>went live, which is program serial Killers. It's one of

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<v Speaker 5>my favorite subjects to talk about. I actually I've discovered

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<v Speaker 5>two new program serial Killers that were not mentioned in

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<v Speaker 5>Program to Kill, but I've put together presentations on both

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<v Speaker 5>of them and those episodes will be coming out in

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<v Speaker 5>a month or so. I'd love to talk to you

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<v Speaker 5>JJ about them because they're absolutely mind blowing the connections.

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<v Speaker 5>But yeah, Cosmic podcast, uh huh oh sorry, go ahead,

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<v Speaker 5>oh yeah podcast wherever you listen to podcasts. But yeah,

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<v Speaker 5>I got a lot of cool stuff I'm working on,

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<v Speaker 5>and this episode seems to be falling right in line

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<v Speaker 5>with a bunch of stuff I'm working on too. Actually,

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<v Speaker 5>you know, program Killers is uh the best subject in

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<v Speaker 5>my opinion.

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<v Speaker 3>It's funny you mentioned that with this film hitting on

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<v Speaker 3>so many subjects of things we're already working on, because

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<v Speaker 3>I you know, it's not necessarily relative to the conversation.

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<v Speaker 3>So I'll bring it up here in a moment of

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<v Speaker 3>how that kind of hit. This film hit home to

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<v Speaker 3>me in some weird synchronistic fashions, right, But to this

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<v Speaker 3>Graham Killer note, you know, I think that is interesting

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<v Speaker 3>that I do think there is an aspect I think

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<v Speaker 3>mcgawan was correct relating some of the matters to this

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<v Speaker 3>cold activity and killings the son of Sam Coult and

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<v Speaker 3>related to cold activity in around the ankers that Johns

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<v Speaker 3>highlighted on his bag. I do find that very relative.

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<v Speaker 3>The two conversations are the same in my opinion.

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<v Speaker 5>Hmm.

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<v Speaker 3>Now, these ones you were going over, they weren't by

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<v Speaker 3>name Buffalo Jared Revisa, were they?

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<v Speaker 5>No? No, you probably won't even recognize him. If I

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<v Speaker 5>told you the name, I bet you probably haven't even

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<v Speaker 5>heard of him.

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<v Speaker 3>John Are you familiar with my former stalker and the

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<v Speaker 3>guy who demanded to be my pr Rep Buffalo Jared Reviza,

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<v Speaker 3>the parent mind controlled assassin. He went on a multi

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<v Speaker 3>state stabbing spree.

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<v Speaker 2>I think we talked about the first.

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<v Speaker 3>I talked about him.

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<v Speaker 2>A few months back. Yeah.

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<v Speaker 3>Yeah, So I did a show there night about a

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<v Speaker 3>cannibalistic homicidal kid ddling serial killer. It's like a boy,

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<v Speaker 3>the serial killer named Nathaniel Barr Jonah Right, would you

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<v Speaker 3>believe the same Bridgewater Statemental Hospital that let that that

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<v Speaker 3>looney tune, you know, on the loosse to go murder

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<v Speaker 3>and eat more kids? In nineteen ninety one, he moved

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<v Speaker 3>to Great Falls, Montana and continued his activities despite being

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<v Speaker 3>a registered offender in the state of Massachusetts and let

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<v Speaker 3>out of the looney bin after already doing this to

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<v Speaker 3>five other kids, five other kids, not eating them. He

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<v Speaker 3>didn't do that until later, but or at least on record,

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<v Speaker 3>but he was let out the Bridgewater Statemental Hospital, and

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<v Speaker 3>that's where Buffalo Jared allegedly sits today. So I have

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<v Speaker 3>a lot of come on, I have a lot of questions.

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<v Speaker 5>JJ. The only thing that's even adjacent to being in

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<v Speaker 5>a military program, is being in a minial hospital. Yeah,

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<v Speaker 5>I mean they'll get you either way.

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<v Speaker 3>Well, I'm glad you said that. So to this point

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<v Speaker 3>of how these these homicidal mind controlled you know, you know,

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<v Speaker 3>hypnosis controlled or whatever you want to call it, serial killers,

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<v Speaker 3>serial killers, right, you know, the system time and time

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<v Speaker 3>seems to just you know, inadvertently or accidentally let these

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<v Speaker 3>people out. So in the case of Nathaniel bar Jonah,

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<v Speaker 3>he had not only attempted to murder five children, beginning

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<v Speaker 3>eighth at the age of seven, and by the age

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<v Speaker 3>of seventeen, was in prison on a twenty year clip

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<v Speaker 3>for doing the same stuff keeping trying to kidnap and

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<v Speaker 3>kill children dressed as a police officer Edward wayn Edwards

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<v Speaker 3>would do the same thing, by the way, nonetheless, his

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<v Speaker 3>focus wasn't children, at least overwhelmingly, but nonetheless, Nathaniel bar

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<v Speaker 3>Jonah he tells numerous psychiatrists that he wants to kill

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<v Speaker 3>and eat children. He tells the judge that the judges

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<v Speaker 3>as it's no big deal, We're gonna let this go.

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<v Speaker 3>He's not this guy's not a danger to society. He

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<v Speaker 3>tells another psychiatrist that after the judge makes them willing

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<v Speaker 3>to let him out of the state mental hospital fourteen

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<v Speaker 3>years after on a twenty year clip in prison for

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<v Speaker 3>the kid the kid kidnapping and attempt to murder two children, right,

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<v Speaker 3>and when they let him out, he did the same

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<v Speaker 3>thing less than a month later.

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<v Speaker 5>Fucker.

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<v Speaker 3>And you know what, you know what the district attorney

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<v Speaker 3>did on that on that charge that he did when

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<v Speaker 3>he kidnapped the kid less than month later, and he

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<v Speaker 3>would he was a three hundred pounds dude, so he

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<v Speaker 3>would disable the children by sitting on them, right, this

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<v Speaker 3>is this is his m He did the same thing,

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<v Speaker 3>kidnapping their kid, did the same thing, and the and

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<v Speaker 3>the uh County prosecutor there said, you know what, I

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<v Speaker 3>don't this guy's not a day. We're gonna give him probation.

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<v Speaker 3>We're gonna give him probation.

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<v Speaker 5>So well, that's the same with Jeffrey Dahmer and Ted Bundy.

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<v Speaker 5>They catch exactly exactly. And actually one of the serial

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<v Speaker 5>killers that I'm covering in an upcoming episode kept getting

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<v Speaker 5>let back out too. It was like orders from the

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<v Speaker 5>district attorney's office letting this guy out. I mean, I

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<v Speaker 5>can't give too much away obviously because you'll have to

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<v Speaker 5>listen to the episode, but it is crazy. And I

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<v Speaker 5>did see in the in the comment section they said,

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<v Speaker 5>is this the nineteen eighty one movie? Yes, it is,

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<v Speaker 5>and I had never heard of it, and I was

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<v Speaker 5>actually really excited because I love horror movies.

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<v Speaker 3>And on these kind of same notes of the mind

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<v Speaker 3>controlled serial killer, sasas and stuff, when we're talking all

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<v Speaker 3>these satanic cults and matters relative to the Son of

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<v Speaker 3>Same or the Process, right it is And one note

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<v Speaker 3>before I plugged the Anatomy of a Satanic panic series

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<v Speaker 3>starting tomorrow and Operation GCD Patreon, Nathaniel Barjona, the judge

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<v Speaker 3>that let him out was the special prosecutor in the

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<v Speaker 3>chap Aquidit case to let ted Kennedy walk, Make that

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<v Speaker 3>makes sense. And the woman that died in there, Mary

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<v Speaker 3>Joe Capecney. She was the senior staff or the RFK

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<v Speaker 3>on his presidential campaign, you know, the one where the

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<v Speaker 3>Process was associated with this assassination. And Teddy Kennedy by

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<v Speaker 3>that point in time, had already been documented meeting with

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<v Speaker 3>the Process and the Cambridge, Massachusetts mayor at the Process

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<v Speaker 3>coffee shop in Cambridge, Massachusetts prior to this eight so

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<v Speaker 3>seems seems kind of odd that this judge. You know,

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<v Speaker 3>all I like to say is process. Folks are gonna process, right,

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<v Speaker 3>So in this this judge seemed like he was more

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<v Speaker 3>than willing to ignore numerous statements from psychiatrists, statements from

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<v Speaker 3>the the actual homicidal psychopathic kid dedling, you know, serial

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<v Speaker 3>killer maniac guy, and another psychiatrist after he made his

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<v Speaker 3>decision just to say, you know what, we're gonna let

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<v Speaker 3>this guy out. He's on a dangerous society.

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<v Speaker 5>There's no coincidences.

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<v Speaker 3>So that I'll be going over certain aspects of unpacking

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<v Speaker 3>this is the quote unquote satanic panic and how ridiculous

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<v Speaker 3>a lot of these concepts are, and how they revolve

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<v Speaker 3>around a lot of around the psychological operations components, specifically

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<v Speaker 3>in other matters around this guy. Colonel Michael Aquino, Now, Julie,

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<v Speaker 3>are you famire? This is a relative to Dave mcgow

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<v Speaker 3>and John some of his work he did besides the

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<v Speaker 3>Program to Kill on some of these matters. Are you

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<v Speaker 3>familiar with the the infamous exchange that Aquino had with

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<v Speaker 3>Dave McGowan Syrica two thousand and one.

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<v Speaker 5>He had uh interaction with David Oh.

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<v Speaker 3>Yeah, yeah, So another one of the books, John, John,

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<v Speaker 3>you may not be familiar with this one, Julia, you

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<v Speaker 3>may be familiar with it.

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<v Speaker 5>Pedocracy, pedioocracy, Yeah, the pedaphocracy.

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<v Speaker 3>There we go, Pedophocracy, the McGowan books. So Aquina read that,

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<v Speaker 3>saw his name and other associated friends in there, and

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<v Speaker 3>wrote him an email saying, you're a madman, you're making

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<v Speaker 3>stuff up. You're you're creating satanic panic. Was a statement

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<v Speaker 3>of Quino made the McGowan be email. Obviously McGowan wasn't

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<v Speaker 3>buying it, no, and.

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<v Speaker 5>Also he probably read it and knew his goose was

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<v Speaker 5>cooked because McGowan had all the facts there. He never

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<v Speaker 5>published anything without having all the facts for sure.

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<v Speaker 3>And it's a it's a quite hilarious exchange. And I

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<v Speaker 3>will be coming going over with some of that and

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<v Speaker 3>my you know, outline and unpacking of this quote unquote

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<v Speaker 3>satanic panic. That again, when a man like Michael Quino

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<v Speaker 3>is accusing folks who were studying facts, and again McGowan

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<v Speaker 3>you know, provides in the fact states the facts as

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<v Speaker 3>you were pointing out, Julia, in the email exchanges they have,

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<v Speaker 3>you know, and it's kind of laughable. His response is

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<v Speaker 3>because mcgallan has a way of being kind of sarcastic

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<v Speaker 3>without even with being intelligent at the same time. You

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<v Speaker 3>know what I mean.

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<v Speaker 5>Mm hmm r I p Dave McGowan. I love that guy.

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<v Speaker 5>And also, hello Maria, I saw her mentioning me in

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<v Speaker 5>the comments.

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<v Speaker 3>Yeah, so that'll be a good one. Say on. On

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<v Speaker 3>top of that, I have one more plug before we

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<v Speaker 3>get we get started here, folks, and I do apologize

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<v Speaker 3>for any long winded natures. I have a actually we

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<v Speaker 3>have we have a different a cult esoteric review coming

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<v Speaker 3>up next week, don't we, Julia, Yes, we do. So

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<v Speaker 3>I married an axe murderer, right, Yeah, that's not it.

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<v Speaker 3>I got it here somewhere stand by one.

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<v Speaker 5>Yeah, so I married an axe murderers. Next week, yep.

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<v Speaker 3>This time. Next Wednesday, we have a different cult esoteric

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<v Speaker 3>view with the Cosmic Peach returning back along with myself,

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<v Speaker 3>Jen the Ninja Cain, my Idaho for I Haven't Costello Cohort,

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<v Speaker 3>and of course Hearty Love from Unfiltered Rise podcast. So

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<v Speaker 3>that'll be a good one. And then the following week

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<v Speaker 3>I have an occult esoteric review on lethal weapon. Relative

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<v Speaker 3>to all these Iran contra speaking of serial killers, Phoenix

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<v Speaker 3>program come Home ideas of David McGowan that we see

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<v Speaker 3>kind of depicted in that film, along with the drug

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<v Speaker 3>running that we know around things such as BCCI and

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<v Speaker 3>Iran Contra matters there. So that'd be a good one.

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<v Speaker 3>And then actually, I forgot one more here. I got

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<v Speaker 3>this Sunday on Operation GCD Patreon Sundays. I got the

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<v Speaker 3>serial killer. You have never heard of Edward Wyn Edwards.

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<v Speaker 3>So speaking of more serial killers, that's a serial killers,

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<v Speaker 3>that's a This one's a real barn burner because, as

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<v Speaker 3>I state in the title, most folks have never heard

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<v Speaker 3>of the man. He's one of the most, if not

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<v Speaker 3>the most diabolical serial killer in American history. So Day

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<v Speaker 3>Dark Ship, that's a good one.

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<v Speaker 5>That's a statement right there, JJ.

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<v Speaker 3>Absolutely so on that note, let's talk more serial killers?

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<v Speaker 3>Did I cut out in my back?

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<v Speaker 5>No, you're good? You want John to go first?

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<v Speaker 3>Well, I was gonna say, let's, uh, let's me bring

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<v Speaker 3>up the film first. Yeah, well we'll actually know what

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<v Speaker 3>Let's let's jump into some of John's work if you

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<v Speaker 3>don't mind on the Sun of Sam stuff. So I'm

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<v Speaker 3>sure Julia you'll be knowledgeable in some of these topics.

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<v Speaker 3>He's discussing here in his blog posts. Yeah, so John,

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<v Speaker 3>what what? What? What's been your It seems like you

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<v Speaker 3>on your blog post from from what I've read off

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<v Speaker 3>your recent ones, you've been highlighting the ongoing activity, right,

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<v Speaker 3>you did some of the ongoing activities here and.

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<v Speaker 2>Yeah, very recent uh story from Westchester County about uh

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<v Speaker 2>new or recent animal mutilations. Oh interesting that the one

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<v Speaker 2>of the New York City council women even acknowledges that,

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<v Speaker 2>you know, it's it's cults that are doing this, so

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<v Speaker 2>that I don't think this kind of activity ever stopped.

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<v Speaker 2>I think, I mean, it was obviously was going on

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<v Speaker 2>well before the Son of sam Era, but it continued,

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<v Speaker 2>you know, long after Berkowitz was arrested, and you know

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<v Speaker 2>the case was allegedly over.

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<v Speaker 3>So John, color me shock that Westchester County remains adent

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<v Speaker 3>of inequity today as god back in nineteen seventy seven.

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<v Speaker 3>But no, it says right here though, right like you said,

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<v Speaker 3>that these are fringe groups mutilating and killing animals, says

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<v Speaker 3>New York City councilwoman Joe Anne. And that's a real name, Ariola, Ariola.

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<v Speaker 5>So John, is it your opinion that this is accurate

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<v Speaker 5>or are they giving us more smoking mirrors? Like are

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<v Speaker 5>they trying to distract us, like, oh, it's you look

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<v Speaker 5>at this, look at this like you what are your

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<v Speaker 5>thoughts on that?

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<v Speaker 2>I think this one is because when I started to

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<v Speaker 2>get into like full time research, I had read another

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<v Speaker 2>story I think was actually in USA today, where similar

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<v Speaker 2>things were happening to this, like four or five years ago.

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<v Speaker 2>So it appears to be ongoing up there now you

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<v Speaker 2>know what it's attached to. Who's in charge of the

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<v Speaker 2>activity these days? I couldn't say, but and I've spoken

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<v Speaker 2>to people from the area, and everybody seems to sort

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<v Speaker 2>of be aware on some level that this kind of

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<v Speaker 2>stuff has always happened and continues to happen. I think

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<v Speaker 2>it is legit. Of course, there could be way worse

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<v Speaker 2>things that are happening, you know, that are behind the

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<v Speaker 2>scenes that we don't see. But at the very least,

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<v Speaker 2>this continued ritual sacrifice of animals I think indicates that

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<v Speaker 2>that basically the same practices are still being conducted in

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<v Speaker 2>that area.

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<v Speaker 3>Okay, I gotcha, And it's kind of never stopped if

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<v Speaker 3>you look at I mean, just from my just from

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<v Speaker 3>my take on all these matters is. Looking at some

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<v Speaker 3>of the newspaper accounts, there's records of mutilated animals throughout Westchester, Puttnam,

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<v Speaker 3>even Fairfield County, Connecticut, so throughout the eighties even yeah, yeah,

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<v Speaker 3>into the nineties. So it didn't seem like it ever

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<v Speaker 3>really stopped, right. I mean, they may shift their mode

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<v Speaker 3>of operations and where their locations are doing things maybe,

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<v Speaker 3>I guess right, but right, an ongoing enterprise.

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<v Speaker 2>Yeah, different public parks and things like that, But it's

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<v Speaker 2>it's it's always in areas where they seem to leave

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<v Speaker 2>some traces of evidence deliberately so that people will see

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<v Speaker 2>it and talk about it. And I think that's an

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<v Speaker 2>ongoing preoccupation of these groups.

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<v Speaker 3>Got that. So on that note, What do you think

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<v Speaker 3>they're doing that for? Is it a psychological terror campaign

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<v Speaker 3>to scare America? When they're leaving things behind, they could

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<v Speaker 3>just as easily clean it up as you just pointed out,

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<v Speaker 3>And I do agree.

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<v Speaker 2>I think it's like Peter Strub said in the novel

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<v Speaker 2>ghost Story, they like to flaunt themselves. They like to

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<v Speaker 2>leave breadcrumbs. It's it's a perverse thing that I think.

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<v Speaker 2>It's like people who are flashers or something like it.

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<v Speaker 2>People just they want people to see it. You know,

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<v Speaker 2>whatever it is they're doing, I have to have an

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<v Speaker 2>audience of some type for it.

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<v Speaker 3>So it's kind of that that same kind of ego

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<v Speaker 3>driven kind of thing, right, they're trying other people look

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<v Speaker 3>at him naked. My math teacher did that in high school.

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<v Speaker 3>He forced people to do that. It was after high school,

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<v Speaker 3>but sadly he's my favorite, one of my favorite teachers

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<v Speaker 3>in high school. But he was driving around after a

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<v Speaker 3>couple years later, just getting women to pull over on

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<v Speaker 3>the local highway or whatever and then running out there

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<v Speaker 3>with an overcoat on, saying, you know, look at this,

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<v Speaker 3>and then you know, things happen. You know what causes it? Yeah,

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<v Speaker 3>you know, check out this ding dumb who does what

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<v Speaker 3>causes these activities? But these things do happen.

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<v Speaker 2>It is the kind of thing that it has to

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<v Speaker 2>be like a deep seated compulsion for people to do

401
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<v Speaker 2>it at all, because if they sat and thought about

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<v Speaker 2>it rationally, that they wouldn't be out there doing it.

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<v Speaker 5>But yeah, speaking of this is a nineteen eighty one movie,

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<v Speaker 5>and I was actually surprised how much full frontal there's

405
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<v Speaker 5>a lot in this. Yeah, it's uh, it really was it.

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<v Speaker 3>Yeah, I forgot this as an adult because I remember,

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<v Speaker 3>you know a number My son's eighteen now, but you know,

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<v Speaker 3>almost almost eighteen. But when he was about seven or so,

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<v Speaker 3>I was, you know, introducing him some films from my child,

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<v Speaker 3>and I totally forgot how much full front was in

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<v Speaker 3>the film Howard the Duck, And then I realized, I'm like,

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<v Speaker 3>it's PG right, But I realized they didn't invent PG

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<v Speaker 3>thirteen for a couple more years because there's a lot

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<v Speaker 3>of full frontal on it. There's duck on there's women

415
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<v Speaker 3>have banging ducks in that film. There's that's a really

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<v Speaker 3>weird film, and it's of course it's a marvel story.

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<v Speaker 5>Right best reality at its finest.

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00:22:58.880 --> 00:23:00.480
<v Speaker 3>But yeah, they got a lot of They got away

419
00:23:00.480 --> 00:23:01.680
<v Speaker 3>with a lot of stuff in the early eighties. I

420
00:23:01.720 --> 00:23:03.359
<v Speaker 3>feel like in some of these films, this one had

421
00:23:03.400 --> 00:23:05.480
<v Speaker 3>some you know, more nudity than I thought was coming

422
00:23:05.519 --> 00:23:05.720
<v Speaker 3>in it.

423
00:23:05.759 --> 00:23:08.839
<v Speaker 5>But it is a horrible Yeah, me too, so right, Yeah,

424
00:23:09.279 --> 00:23:11.640
<v Speaker 5>you always know somebody's gonna die if their penis or

425
00:23:11.680 --> 00:23:12.400
<v Speaker 5>tits are out.

426
00:23:13.039 --> 00:23:15.200
<v Speaker 3>That's I was offended by the cock shot early on

427
00:23:15.240 --> 00:23:17.119
<v Speaker 3>in the film. I was offended by that there's no

428
00:23:17.160 --> 00:23:19.160
<v Speaker 3>need to show the man's penis falling out of the building.

429
00:23:21.519 --> 00:23:24.880
<v Speaker 2>That wasn't that. It was like a green screen thing

430
00:23:24.920 --> 00:23:27.680
<v Speaker 2>and you could see the outline as he fell.

431
00:23:27.880 --> 00:23:28.079
<v Speaker 1>You know.

432
00:23:28.599 --> 00:23:30.640
<v Speaker 2>The whole scene is just really odd looking.

433
00:23:31.160 --> 00:23:34.640
<v Speaker 5>Yeah, it's definitely kind of low budge, I would say,

434
00:23:35.960 --> 00:23:39.000
<v Speaker 5>but it's got a lot of aspects of like a

435
00:23:39.039 --> 00:23:41.960
<v Speaker 5>classic eighties horror movie.

436
00:23:42.519 --> 00:23:44.480
<v Speaker 3>Which and it's funny you say that it comes off

437
00:23:44.559 --> 00:23:46.079
<v Speaker 3>with a budget, doesn't it.

438
00:23:46.079 --> 00:23:48.400
<v Speaker 5>It does come off of a budge, it really does.

439
00:23:52.079 --> 00:23:55.200
<v Speaker 5>That surprises me because, like I don't want to get

440
00:23:55.200 --> 00:23:57.480
<v Speaker 5>ahead of ourselves here, but like the scenes where it

441
00:23:57.599 --> 00:24:03.240
<v Speaker 5>shows the uh, the woman as a skeleton and you know,

442
00:24:03.279 --> 00:24:06.480
<v Speaker 5>she's all it looks like something that you could get

443
00:24:06.480 --> 00:24:07.680
<v Speaker 5>at Spirit Halloween.

444
00:24:07.960 --> 00:24:08.160
<v Speaker 4>You know.

445
00:24:08.680 --> 00:24:09.680
<v Speaker 5>It just kind of.

446
00:24:11.559 --> 00:24:14.599
<v Speaker 3>It looked worse than that that Minnesota my control assassin

447
00:24:14.720 --> 00:24:16.400
<v Speaker 3>over the weekend, right than his master.

448
00:24:19.480 --> 00:24:22.880
<v Speaker 5>Well, yeah, but I will I don't want to get again,

449
00:24:22.960 --> 00:24:24.519
<v Speaker 5>I don't want to get too far ahead into the

450
00:24:24.519 --> 00:24:26.440
<v Speaker 5>movie or anything, but I will say I did enjoy

451
00:24:26.480 --> 00:24:30.640
<v Speaker 5>it because I feel like it's a story. I think

452
00:24:30.720 --> 00:24:33.720
<v Speaker 5>it's the predecessor actually to many horror movies that have

453
00:24:33.839 --> 00:24:36.039
<v Speaker 5>the same outline. I don't know if it will be

454
00:24:36.119 --> 00:24:39.799
<v Speaker 5>integral to anything John's gonna point out, but the idea

455
00:24:40.079 --> 00:24:45.400
<v Speaker 5>of the vengeful spirit coming back and attacking the living

456
00:24:45.519 --> 00:24:51.319
<v Speaker 5>and like taking them out one by one, it's repeated

457
00:24:51.400 --> 00:24:55.119
<v Speaker 5>throughout a lot of horror movies. This might have been

458
00:24:55.160 --> 00:24:58.440
<v Speaker 5>the first one that did that. I'm not sure. But

459
00:24:59.000 --> 00:25:02.000
<v Speaker 5>have you you guys ever seen a horror movie called Shutter?

460
00:25:02.680 --> 00:25:08.640
<v Speaker 5>It was originally a Japanese horror movie that was like americanized.

461
00:25:09.680 --> 00:25:11.680
<v Speaker 2>It's God, I don't think I've ever seen it.

462
00:25:12.359 --> 00:25:15.440
<v Speaker 5>Well, it's the same concept. I would say, like movies

463
00:25:15.480 --> 00:25:20.920
<v Speaker 5>like Grudge, you know, where it's like the bad guys

464
00:25:21.000 --> 00:25:24.960
<v Speaker 5>killed somebody and their ghost comes back and kills them

465
00:25:25.000 --> 00:25:28.480
<v Speaker 5>off one by one kind of thing, which is what.

466
00:25:28.359 --> 00:25:29.400
<v Speaker 3>We have here in Ghost Story.

467
00:25:29.480 --> 00:25:32.279
<v Speaker 5>Huh right, Yeah, I do feel like it's an idea

468
00:25:32.359 --> 00:25:34.720
<v Speaker 5>that's been kind of like, maybe they ripped it off

469
00:25:34.759 --> 00:25:37.839
<v Speaker 5>of this movie because it's not as well known as

470
00:25:37.839 --> 00:25:42.200
<v Speaker 5>some of the more popular ones, but sure it's older

471
00:25:42.240 --> 00:25:45.400
<v Speaker 5>than them, so I'm thinking maybe they ripped it off

472
00:25:45.440 --> 00:25:46.319
<v Speaker 5>of this movie.

473
00:25:46.519 --> 00:25:51.039
<v Speaker 3>Because you bring up some good points and I don't

474
00:25:51.039 --> 00:25:53.039
<v Speaker 3>want to cut you off there. But before we go

475
00:25:53.079 --> 00:25:56.480
<v Speaker 3>any further, this is gonna be the number one Halloween

476
00:25:56.519 --> 00:26:00.240
<v Speaker 3>costume of twenty twenty five, I imagine. But this was the

477
00:26:00.240 --> 00:26:03.200
<v Speaker 3>the Vance Botler guy, right. He seemed like, speaking of

478
00:26:03.240 --> 00:26:05.960
<v Speaker 3>horror stories, should just watch this guy's story of the weekend.

479
00:26:05.960 --> 00:26:08.079
<v Speaker 3>That's a horror story right there, the sigh of they

480
00:26:08.119 --> 00:26:10.119
<v Speaker 3>try to pass off on folks.

481
00:26:10.359 --> 00:26:12.599
<v Speaker 5>I didn't get to dive too far into it, but

482
00:26:12.640 --> 00:26:15.200
<v Speaker 5>I'm sure you've got a lot of thoughts on it.

483
00:26:14.640 --> 00:26:17.359
<v Speaker 3>It's ridiculous, Yeah, I do you talk about some of

484
00:26:17.400 --> 00:26:18.759
<v Speaker 3>their time. I just want to make the joke there

485
00:26:18.759 --> 00:26:21.000
<v Speaker 3>because it's a fancy boatler. I think that name is ridiculous,

486
00:26:21.000 --> 00:26:23.519
<v Speaker 3>and I think that mask is ridiculous, just as ridiculous

487
00:26:23.559 --> 00:26:25.920
<v Speaker 3>as the horror mask you're talking about from Ghost Story,

488
00:26:25.960 --> 00:26:29.480
<v Speaker 3>you know what I mean. So you know, as far

489
00:26:29.480 --> 00:26:31.480
<v Speaker 3>as a low budget where the money went, I imagined

490
00:26:31.480 --> 00:26:33.400
<v Speaker 3>it was all cocin hookers. But that's my opinion.

491
00:26:34.519 --> 00:26:37.480
<v Speaker 5>Well, you know, didn't Poltergeist come out in the eighties

492
00:26:38.000 --> 00:26:38.680
<v Speaker 5>or am I wrong?

493
00:26:38.880 --> 00:26:39.319
<v Speaker 3>Yeah?

494
00:26:40.039 --> 00:26:43.920
<v Speaker 5>Think think of all the freaking special effects they put

495
00:26:43.960 --> 00:26:47.720
<v Speaker 5>into Poltergeist. You know, it just didn't seem like it

496
00:26:47.799 --> 00:26:49.839
<v Speaker 5>was upper echelon type of.

497
00:26:52.200 --> 00:26:52.559
<v Speaker 2>Make up.

498
00:26:52.720 --> 00:26:54.640
<v Speaker 3>What's what I'm saying, you know, you got to you

499
00:26:54.640 --> 00:26:56.880
<v Speaker 3>gotta look at the Fred Astare situation, and you know

500
00:26:57.279 --> 00:26:59.960
<v Speaker 3>he's got a large large amount of money's probably deadic

501
00:27:00.319 --> 00:27:02.799
<v Speaker 3>his you know, line his budget line item of cocon

502
00:27:02.799 --> 00:27:08.119
<v Speaker 3>hoookers just for himself, right and I and I'm and

503
00:27:08.240 --> 00:27:09.960
<v Speaker 3>on that note, before we go any further here on

504
00:27:10.319 --> 00:27:12.759
<v Speaker 3>John's blogs, we will go over these characters, the folk,

505
00:27:12.839 --> 00:27:15.440
<v Speaker 3>the actors in the film, because there's some interest in

506
00:27:15.440 --> 00:27:20.039
<v Speaker 3>folks there. But yeah, Johnny, you were also recovering the

507
00:27:20.079 --> 00:27:22.559
<v Speaker 3>mystery of the mcnuts. What's that's some more recent one

508
00:27:22.559 --> 00:27:24.720
<v Speaker 3>of your since we last talk. That's your more the

509
00:27:24.759 --> 00:27:25.519
<v Speaker 3>most recent one.

510
00:27:26.000 --> 00:27:29.440
<v Speaker 2>Yeah, I was. I was really interested in that story

511
00:27:29.519 --> 00:27:32.039
<v Speaker 2>that I think we've talked a little bit about. Jesse

512
00:27:32.160 --> 00:27:35.720
<v Speaker 2>Turner and other Yea or Mickey Rose, the name that

513
00:27:36.480 --> 00:27:38.480
<v Speaker 2>Morey used to refer to. I don't know where the

514
00:27:38.559 --> 00:27:39.920
<v Speaker 2>name came from. I don't know if that's the name

515
00:27:39.920 --> 00:27:45.720
<v Speaker 2>that Turner used for himself, but he you know, he

516
00:27:45.799 --> 00:27:50.000
<v Speaker 2>lived with the Process in New Orleans, and he recalled

517
00:27:50.000 --> 00:27:56.680
<v Speaker 2>an incident where a fellow Process member was hung up

518
00:27:57.039 --> 00:27:59.119
<v Speaker 2>it sounds like on a wall or something, but but

519
00:27:59.240 --> 00:28:04.160
<v Speaker 2>tied up and bled to death. And the person who

520
00:28:04.200 --> 00:28:07.319
<v Speaker 2>did it was this person he refers to as Adam McNutt,

521
00:28:07.400 --> 00:28:15.200
<v Speaker 2>and Adam's wife apparently was named Karen, and uh, it's

522
00:28:15.240 --> 00:28:18.519
<v Speaker 2>it's a gruesome Morey referred to this just very very

523
00:28:18.519 --> 00:28:22.920
<v Speaker 2>briefly in the epilogue of the expanded edition of his.

524
00:28:22.799 --> 00:28:26.200
<v Speaker 3>Book that yeah, I'm not hip. I'm not hip to

525
00:28:26.240 --> 00:28:26.599
<v Speaker 3>this at all.

526
00:28:26.640 --> 00:28:28.559
<v Speaker 5>But I'm not hip to this either.

527
00:28:28.759 --> 00:28:32.119
<v Speaker 3>I'm very what years we talking here, this crucifixion situation.

528
00:28:33.119 --> 00:28:36.160
<v Speaker 2>This was in the early seventies when when Turner lived

529
00:28:36.200 --> 00:28:38.960
<v Speaker 2>with the Process in the French Quarter, they had a

530
00:28:39.000 --> 00:28:45.359
<v Speaker 2>house there, and he said that he witnessed this murder

531
00:28:46.160 --> 00:28:50.960
<v Speaker 2>and then the Adam and Karen, the mcnutts took the

532
00:28:50.960 --> 00:28:53.799
<v Speaker 2>body away in a car. He never saw Karen again,

533
00:28:53.839 --> 00:28:59.039
<v Speaker 2>but then he Jesse Turner evidently travels west with Adam

534
00:28:59.599 --> 00:29:01.799
<v Speaker 2>after this is all over with and they go to

535
00:29:02.960 --> 00:29:08.759
<v Speaker 2>try to set up headquarters for the Process in other areas.

536
00:29:08.359 --> 00:29:09.640
<v Speaker 3>In the United States.

537
00:29:10.200 --> 00:29:14.480
<v Speaker 2>Yeah. Yeah, so it's in the files that we have.

538
00:29:14.799 --> 00:29:17.400
<v Speaker 2>He doesn't really elaborate on the incident very much, but

539
00:29:17.480 --> 00:29:23.119
<v Speaker 2>it is this is publicly available information now and I've

540
00:29:23.200 --> 00:29:26.319
<v Speaker 2>searched and searched in Vain for any trace of Adam

541
00:29:26.359 --> 00:29:30.240
<v Speaker 2>and Karen McNutt, So I'm guessing that those probably weren't

542
00:29:30.240 --> 00:29:34.519
<v Speaker 2>their real names. But just the fact that the incident,

543
00:29:34.559 --> 00:29:38.319
<v Speaker 2>you know, the way the incident is described is it

544
00:29:38.519 --> 00:29:41.400
<v Speaker 2>seems pretty significant to me because I would guess that

545
00:29:41.480 --> 00:29:44.920
<v Speaker 2>the process didn't do this on only one occasion. I

546
00:29:44.920 --> 00:29:48.039
<v Speaker 2>think this probably happened a lot. We get some pretty

547
00:29:48.960 --> 00:29:53.119
<v Speaker 2>spooky accounts of well you like Peter Straub wrote about

548
00:29:53.319 --> 00:29:56.759
<v Speaker 2>a New Orleans incident in the novel Ghost Story, which

549
00:29:56.799 --> 00:30:00.319
<v Speaker 2>didn't make it into the film unfortunately, but that that's

550
00:30:00.359 --> 00:30:02.759
<v Speaker 2>part of what I cover in that substag.

551
00:30:04.640 --> 00:30:06.480
<v Speaker 3>So what you know, and I'll kind of put a

552
00:30:06.480 --> 00:30:08.279
<v Speaker 3>pin in that. But I am interested in your analysis

553
00:30:08.279 --> 00:30:09.759
<v Speaker 3>because I didn't read the book, but I'm interested in

554
00:30:09.799 --> 00:30:12.200
<v Speaker 3>your analysis and what was included in what was not

555
00:30:12.279 --> 00:30:15.480
<v Speaker 3>included there. But it's interesting about the mcnuts I often

556
00:30:16.079 --> 00:30:18.319
<v Speaker 3>look into that myself. Is after reading your article, it's

557
00:30:18.359 --> 00:30:19.240
<v Speaker 3>the first I heard of it.

558
00:30:20.880 --> 00:30:22.960
<v Speaker 2>Yeah, it's really It's one of those things that when

559
00:30:23.079 --> 00:30:26.240
<v Speaker 2>when we got the files that it jumped out at me.

560
00:30:26.279 --> 00:30:29.319
<v Speaker 2>But a lot all of the Mickey Rose slash Jesse

561
00:30:29.400 --> 00:30:33.960
<v Speaker 2>Turner files are really interesting because he knew firsthand about

562
00:30:34.000 --> 00:30:36.039
<v Speaker 2>this process stuff, and then later in New York he

563
00:30:36.720 --> 00:30:41.720
<v Speaker 2>became friends with Michael Carr. But yeah, I would recommend

564
00:30:41.799 --> 00:30:44.920
<v Speaker 2>everybody go and read the files at the people versus

565
00:30:45.039 --> 00:30:49.319
<v Speaker 2>David Berklewitz dot com.

566
00:30:48.240 --> 00:30:50.279
<v Speaker 3>And I'll get a link in their description for that too.

567
00:30:50.319 --> 00:30:52.720
<v Speaker 3>So it's interesting you said that he knew about details

568
00:30:52.720 --> 00:30:54.440
<v Speaker 3>of the cult. And again, that's what's most telling to

569
00:30:54.480 --> 00:30:58.599
<v Speaker 3>me about tonight's movie review is Peter Strob when he

570
00:30:58.599 --> 00:31:01.160
<v Speaker 3>wrote that book clearly new Detai tales of this could activity.

571
00:31:01.200 --> 00:31:03.839
<v Speaker 3>I mean wrote that nineteen seventy eight, right, because which

572
00:31:03.880 --> 00:31:07.240
<v Speaker 3>was arrested in August tenth or seventy seven, and Stroub

573
00:31:07.680 --> 00:31:10.559
<v Speaker 3>publishes this in January first of seventy nine, so you know,

574
00:31:11.319 --> 00:31:13.160
<v Speaker 3>less than eighteen months.

575
00:31:12.880 --> 00:31:15.839
<v Speaker 2>That's right. And I think that's what's so important about

576
00:31:15.839 --> 00:31:18.319
<v Speaker 2>the novel, And wasn't a lot of other Straub's work too,

577
00:31:18.359 --> 00:31:22.039
<v Speaker 2>because there are references to this stuff sprinkled throughout virtually

578
00:31:22.039 --> 00:31:23.839
<v Speaker 2>every book he ever wrote, you know, right up to

579
00:31:23.880 --> 00:31:29.480
<v Speaker 2>the end. But he what's so important about it is

580
00:31:29.519 --> 00:31:36.440
<v Speaker 2>it's an entirely separate confirmation that this cult activity actually happened.

581
00:31:37.000 --> 00:31:40.279
<v Speaker 2>It's a totally separate confirmation of the existence of the

582
00:31:40.279 --> 00:31:43.400
<v Speaker 2>Anker's Cult, because as far as we know, Stroud never

583
00:31:43.440 --> 00:31:46.759
<v Speaker 2>had any contact with Maury Terry. And this novel was

584
00:31:47.000 --> 00:31:50.759
<v Speaker 2>published long long before Maury wrote The Ultimate Evil. He

585
00:31:50.839 --> 00:31:53.599
<v Speaker 2>was just putting his work together in a few newspaper

586
00:31:53.680 --> 00:31:57.799
<v Speaker 2>articles at that time. So just as Maury was really

587
00:31:57.839 --> 00:32:04.799
<v Speaker 2>getting into writing about this stuff in newspaper form, Stroud

588
00:32:04.839 --> 00:32:08.440
<v Speaker 2>had already published an entire novel that just page after

589
00:32:08.519 --> 00:32:16.039
<v Speaker 2>page references members of the cult, Westchester place names, other

590
00:32:16.160 --> 00:32:19.160
<v Speaker 2>place names that were connected to the cult and its membership.

591
00:32:19.640 --> 00:32:23.039
<v Speaker 2>It's really spooky because yes, Stroub clearly had a first

592
00:32:23.079 --> 00:32:25.640
<v Speaker 2>hand source for all this stuff, and really I think

593
00:32:25.680 --> 00:32:29.160
<v Speaker 2>the only question is who was his source. But it's

594
00:32:29.240 --> 00:32:32.880
<v Speaker 2>it's very it's very disturbing when you when you start

595
00:32:32.880 --> 00:32:36.079
<v Speaker 2>to you know, the references really pile up after a while.

596
00:32:36.960 --> 00:32:39.480
<v Speaker 5>Do you think he was involved in Nicole himself?

597
00:32:40.799 --> 00:32:44.480
<v Speaker 2>I want you know where. I think that there's at

598
00:32:44.559 --> 00:32:46.519
<v Speaker 2>least one clue to where he might have found out

599
00:32:46.559 --> 00:32:50.279
<v Speaker 2>about this. He dedicates the novel to a couple of

600
00:32:50.279 --> 00:32:58.440
<v Speaker 2>different people. What are their names here? Valley shioh s

601
00:32:58.640 --> 00:33:04.680
<v Speaker 2>h a Io and Gregorio Cahoone those were they? They

602
00:33:04.720 --> 00:33:07.000
<v Speaker 2>weren't married at the time, but they married later. They're

603
00:33:07.039 --> 00:33:14.200
<v Speaker 2>both psychotherapists, but they're both Tavistock already laying alumni. The

604
00:33:14.240 --> 00:33:17.680
<v Speaker 2>fact that, yeah, the fact that he doesn't know, yeah,

605
00:33:17.720 --> 00:33:20.240
<v Speaker 2>that seems to provide a clue as to where he

606
00:33:20.319 --> 00:33:27.079
<v Speaker 2>might have obtained some of this information book though he's like,

607
00:33:29.119 --> 00:33:31.359
<v Speaker 2>it feels that way, Unfortunately I can't.

608
00:33:34.160 --> 00:33:36.799
<v Speaker 3>He dedicated this book to the Tavistock to.

609
00:33:36.880 --> 00:33:40.680
<v Speaker 2>Two Tavistock alumni, yeah, Gregoria Cahoon and Valley Shio. And

610
00:33:40.720 --> 00:33:43.640
<v Speaker 2>he named his daughter Emma. One of her middle names

611
00:33:43.799 --> 00:33:46.559
<v Speaker 2>is Valley, So he apparently these folks were good enough

612
00:33:46.599 --> 00:33:49.079
<v Speaker 2>friends with with him and his family that that he

613
00:33:49.160 --> 00:33:53.799
<v Speaker 2>named his daughter after Valley Shio. So it gives you

614
00:33:53.920 --> 00:33:54.759
<v Speaker 2>something to think about.

615
00:33:54.839 --> 00:34:00.359
<v Speaker 3>Yeah, you've located the epicenter of activity between Peters Strobe

616
00:34:00.400 --> 00:34:02.519
<v Speaker 3>and the processed church cold activity via the town.

617
00:34:02.640 --> 00:34:05.160
<v Speaker 5>No wonder if his books are full of shit?

618
00:34:05.559 --> 00:34:08.400
<v Speaker 2>What? Well? I hated to find it out because I

619
00:34:08.440 --> 00:34:11.079
<v Speaker 2>love his books. I mean, he there's no writer I

620
00:34:11.119 --> 00:34:14.239
<v Speaker 2>love more than I mean. He was a brilliant storyteller,

621
00:34:14.320 --> 00:34:19.760
<v Speaker 2>just an amazing writer. So I almost found it upsetting

622
00:34:19.920 --> 00:34:22.159
<v Speaker 2>when I always knew there was something about ghost story

623
00:34:22.199 --> 00:34:24.400
<v Speaker 2>because all these links just kind of pop up at you.

624
00:34:24.440 --> 00:34:28.119
<v Speaker 2>But but to the extent that it is, especially in

625
00:34:28.159 --> 00:34:31.199
<v Speaker 2>that book, it really does, once you sit down to

626
00:34:31.239 --> 00:34:33.199
<v Speaker 2>think about it, it really is. It's disturbing.

627
00:34:34.039 --> 00:34:36.719
<v Speaker 5>Well, there's no music I love more than the Laurel

628
00:34:36.840 --> 00:34:37.880
<v Speaker 5>Canyon scene.

629
00:34:39.039 --> 00:34:40.760
<v Speaker 2>It's the same way with that. It's just like so

630
00:34:40.840 --> 00:34:42.400
<v Speaker 2>much of what you listen to and read you look

631
00:34:42.400 --> 00:34:44.599
<v Speaker 2>at it and say, oh my god, all this stuff

632
00:34:44.679 --> 00:34:49.039
<v Speaker 2>is connected to this, these horrible programs. But but yeah,

633
00:34:49.519 --> 00:34:51.199
<v Speaker 2>the links, unfortunately, there.

634
00:34:52.119 --> 00:34:53.719
<v Speaker 3>Are spot on. I got a couple. I got a

635
00:34:53.719 --> 00:34:56.039
<v Speaker 3>couple of things on Gradually.

636
00:34:56.199 --> 00:34:58.920
<v Speaker 5>I said, who doesn't love the Beatles? Their Tavistock.

637
00:35:01.159 --> 00:35:02.960
<v Speaker 3>I wasn't gonna say the Beatles, but you were close

638
00:35:03.000 --> 00:35:04.599
<v Speaker 3>because I was gonna say Rolling Stones. I got a

639
00:35:04.599 --> 00:35:07.760
<v Speaker 3>couple of details on Deckford Tonight's tale that include these

640
00:35:07.800 --> 00:35:09.960
<v Speaker 3>some of these bands like like the Stones, right, the

641
00:35:10.000 --> 00:35:12.639
<v Speaker 3>Process and Stones, or the Processing and Beatles for that matter,

642
00:35:12.800 --> 00:35:16.519
<v Speaker 3>or the British Invasion. What what really was that British invasion? Right?

643
00:35:18.440 --> 00:35:21.559
<v Speaker 2>Right? Well? Yeah, yeah, particularly with the Beatles because that

644
00:35:21.559 --> 00:35:24.000
<v Speaker 2>that was the one that that was their flagship group.

645
00:35:25.280 --> 00:35:30.840
<v Speaker 3>Yeah, so I agree because you got Jane Asher, who's

646
00:35:31.159 --> 00:35:35.920
<v Speaker 3>Paul McCartney's girlfriend and her brother is confirmed member and

647
00:35:36.079 --> 00:35:38.440
<v Speaker 3>owner of the in a good coffee shop there in

648
00:35:38.519 --> 00:35:42.280
<v Speaker 3>the Mayfair district of London where the Beatles are convening,

649
00:35:42.519 --> 00:35:46.559
<v Speaker 3>and John mutioco And it's funny because Peter Asher goes

650
00:35:46.559 --> 00:35:49.360
<v Speaker 3>on to be a major Hollywood music producer involved in

651
00:35:49.360 --> 00:35:54.639
<v Speaker 3>the Diddy scandal, just saying, and their cousin, their first

652
00:35:54.679 --> 00:35:58.199
<v Speaker 3>cousin is I believe she's still alive there at the

653
00:35:56.880 --> 00:36:03.199
<v Speaker 3>uh the processed Mothership and canob you she's a founder member.

654
00:36:04.920 --> 00:36:08.639
<v Speaker 5>So do you feel like they put aspects of like

655
00:36:10.360 --> 00:36:13.920
<v Speaker 5>the important aspects from the book into the movie because

656
00:36:13.960 --> 00:36:17.400
<v Speaker 5>there I did have a few questions about one or

657
00:36:17.440 --> 00:36:19.480
<v Speaker 5>two things I picked up on from the movie. But

658
00:36:19.880 --> 00:36:21.679
<v Speaker 5>do you feel like they left some of it out?

659
00:36:22.960 --> 00:36:25.199
<v Speaker 3>I think Madgie's interrojectal quick, Julie cau we put a

660
00:36:25.199 --> 00:36:26.719
<v Speaker 3>pen in that real quick. That's one we'll get. We'll

661
00:36:26.719 --> 00:36:28.960
<v Speaker 3>do the story here one second. I's want to close

662
00:36:28.960 --> 00:36:30.119
<v Speaker 3>out these one more blog.

663
00:36:29.960 --> 00:36:32.280
<v Speaker 5>Entry with John if you don't know, okay, sure, sure.

664
00:36:32.400 --> 00:36:34.400
<v Speaker 3>So relative to this entry, John and I think that

665
00:36:34.440 --> 00:36:37.920
<v Speaker 3>I think I found most intriguing, is my opinion. The

666
00:36:37.920 --> 00:36:40.480
<v Speaker 3>first investigator into the process was Jim Garrison, the New

667
00:36:40.599 --> 00:36:43.719
<v Speaker 3>Orleans District Attorney, based on his own you know, work

668
00:36:43.760 --> 00:36:45.760
<v Speaker 3>and whatnot. When you're saying this, that stuff with the

669
00:36:46.320 --> 00:36:48.920
<v Speaker 3>mcnut situation was popping off from the early seventies. He

670
00:36:49.000 --> 00:36:51.960
<v Speaker 3>was running office in seventy three there in New Orleans.

671
00:36:52.639 --> 00:36:53.960
<v Speaker 3>So I think that's an interesting time for him to

672
00:36:53.960 --> 00:36:56.440
<v Speaker 3>look at around those activities in that, you know, relative

673
00:36:56.440 --> 00:36:58.559
<v Speaker 3>to your McNutt mystery. You know, I think there is

674
00:36:58.599 --> 00:37:00.840
<v Speaker 3>some other activities going on in New Ones that may

675
00:37:01.480 --> 00:37:04.519
<v Speaker 3>in fact be uh, you know, interesting things to uncover.

676
00:37:05.039 --> 00:37:07.199
<v Speaker 2>Absolutely, there was a lot happening down there, and things

677
00:37:07.239 --> 00:37:09.519
<v Speaker 2>were happening in Yonkers at the same time. A lot

678
00:37:09.559 --> 00:37:10.920
<v Speaker 2>of children were disappearing.

679
00:37:11.039 --> 00:37:16.039
<v Speaker 3>So yeah, very interesting. So the quick quick highlight of

680
00:37:16.079 --> 00:37:18.239
<v Speaker 3>we can on these before we do the film review, John,

681
00:37:18.639 --> 00:37:21.039
<v Speaker 3>the true scope of this understand, What what do you

682
00:37:21.079 --> 00:37:22.280
<v Speaker 3>mean by the true scope?

683
00:37:22.679 --> 00:37:27.079
<v Speaker 2>Yeah, well that's that's Walter Brown's mugshot or Ace Brown,

684
00:37:27.119 --> 00:37:31.840
<v Speaker 2>the notorious Yonkers and he A lot of what we

685
00:37:32.000 --> 00:37:34.880
<v Speaker 2>know about these other aspects of the case comes from

686
00:37:34.920 --> 00:37:39.719
<v Speaker 2>Walter and he he knew all these other people, He

687
00:37:40.119 --> 00:37:45.400
<v Speaker 2>knew Sue Conway and all these important uh uh you know,

688
00:37:45.480 --> 00:37:48.199
<v Speaker 2>major figures in the Yonkers cult.

689
00:37:48.639 --> 00:37:50.119
<v Speaker 3>And if I may, he also knew a lot of

690
00:37:50.159 --> 00:37:53.480
<v Speaker 3>other folks, like he connects to the Dean Coral situation.

691
00:37:53.599 --> 00:37:56.000
<v Speaker 3>But I'm not mistaken, right right, Julia, do you familiar

692
00:37:56.000 --> 00:38:04.159
<v Speaker 3>with that? I'm not. Uh what's Coral? H Yeah? But

693
00:38:04.199 --> 00:38:05.480
<v Speaker 3>what's the guy in between those two?

694
00:38:06.480 --> 00:38:07.360
<v Speaker 5>Philip Pasky?

695
00:38:08.079 --> 00:38:09.760
<v Speaker 3>Yeah, Norton maybe what's his name?

696
00:38:10.719 --> 00:38:13.280
<v Speaker 5>Oh, you're talking about the guy with the peto island

697
00:38:13.840 --> 00:38:15.519
<v Speaker 5>Norman Norman?

698
00:38:15.679 --> 00:38:18.360
<v Speaker 3>Well yeah, so well, Norman's associates with I think Gaysey

699
00:38:18.400 --> 00:38:20.079
<v Speaker 3>and Coral, if I'm.

700
00:38:19.920 --> 00:38:22.360
<v Speaker 5>Not mistaken, and also John Norman.

701
00:38:23.039 --> 00:38:24.880
<v Speaker 3>Yeah, look at in a minute, and I don't want

702
00:38:24.880 --> 00:38:27.119
<v Speaker 3>to get too diverted, but this dude is connected to

703
00:38:27.159 --> 00:38:28.519
<v Speaker 3>a lot of stuff, is he not? He was connected

704
00:38:28.559 --> 00:38:30.079
<v Speaker 3>to a different pedo network.

705
00:38:29.840 --> 00:38:33.760
<v Speaker 5>Right, Yeah, yep. It was uh a network coming out

706
00:38:33.800 --> 00:38:37.119
<v Speaker 5>of Dallas that they were all connected to.

707
00:38:37.360 --> 00:38:40.760
<v Speaker 3>That moved to Chicago, right, because Norman moved to Dallas

708
00:38:40.800 --> 00:38:42.719
<v Speaker 3>then goes He's like the next day he's got a

709
00:38:42.760 --> 00:38:45.599
<v Speaker 3>whole new ten thousand note cards full of customers and

710
00:38:45.599 --> 00:38:46.800
<v Speaker 3>clients in this Chicago.

711
00:38:46.920 --> 00:38:49.000
<v Speaker 5>That is correct, Yep, that is correct.

712
00:38:49.360 --> 00:38:51.920
<v Speaker 3>So I apologize there the distracted there, John, if you

713
00:38:52.000 --> 00:38:54.519
<v Speaker 3>if you may continue on about your uh, you're a

714
00:38:54.559 --> 00:38:56.440
<v Speaker 3>blog post. You're aboudyes, Brown, because he is a very

715
00:38:56.480 --> 00:38:57.559
<v Speaker 3>important character.

716
00:38:57.320 --> 00:39:02.239
<v Speaker 2>Is he not? Yeah, he was. He It was when

717
00:39:02.280 --> 00:39:04.840
<v Speaker 2>Maury typed up what he called his flipper list when

718
00:39:04.960 --> 00:39:08.199
<v Speaker 2>Yonkers had sort of uneasily reopened the case in the

719
00:39:08.239 --> 00:39:12.519
<v Speaker 2>mid nineties. The people that Maury felt they needed to

720
00:39:12.559 --> 00:39:16.000
<v Speaker 2>flip to get the case to a grand jury were well,

721
00:39:16.239 --> 00:39:19.559
<v Speaker 2>Ace Brown was number one, Sue Conway was number two.

722
00:39:19.679 --> 00:39:23.239
<v Speaker 2>She's my sort of pet suspect. I'm fascinated by her.

723
00:39:23.480 --> 00:39:25.840
<v Speaker 2>I've done a lot of research on her. And then

724
00:39:25.960 --> 00:39:29.960
<v Speaker 2>so many other people that were associated with the Yonkers

725
00:39:30.079 --> 00:39:33.559
<v Speaker 2>cult even before the Process came into the picture, they

726
00:39:33.599 --> 00:39:34.679
<v Speaker 2>were on that list too.

727
00:39:35.400 --> 00:39:37.880
<v Speaker 3>And well, so this was you're saying, this was a

728
00:39:38.360 --> 00:39:41.159
<v Speaker 3>you know, like a pre existing operation that the Process

729
00:39:41.280 --> 00:39:42.760
<v Speaker 3>kind of co opted then.

730
00:39:43.039 --> 00:39:45.360
<v Speaker 2>Right, right, Yeah, the Yonker's cult had been there for

731
00:39:45.400 --> 00:39:49.400
<v Speaker 2>many years and they apparently, well, the Process started to

732
00:39:49.400 --> 00:39:51.960
<v Speaker 2>call the shots in the late sixties or early seventies.

733
00:39:52.440 --> 00:39:54.840
<v Speaker 2>And so by the early seventies when all these kids

734
00:39:54.840 --> 00:39:58.239
<v Speaker 2>are starting to disappear, primarily from the Graham School and

735
00:39:58.360 --> 00:40:02.079
<v Speaker 2>orphanage in Hastings, which is a a neighboring town. Uh,

736
00:40:02.159 --> 00:40:05.800
<v Speaker 2>it's it's the process. Who's controlling the action by that time.

737
00:40:06.760 --> 00:40:08.840
<v Speaker 3>Yeah, so they were if I if I'm here, you

738
00:40:08.880 --> 00:40:11.880
<v Speaker 3>aprently they were after orphans.

739
00:40:12.239 --> 00:40:15.559
<v Speaker 2>Yeah, yeah, they've from what John Carr told Paul Raine Eerie,

740
00:40:17.199 --> 00:40:19.800
<v Speaker 2>they took a lot of children from the Gram School

741
00:40:19.840 --> 00:40:24.800
<v Speaker 2>because they were orphans and they John's rationale for the

742
00:40:24.840 --> 00:40:27.480
<v Speaker 2>cult doing that was that the kids wouldn't be missed.

743
00:40:27.559 --> 00:40:30.280
<v Speaker 2>Nobody really tried to keep track of them, even the

744
00:40:30.320 --> 00:40:33.360
<v Speaker 2>school didn't try to find out what had happened to

745
00:40:33.400 --> 00:40:34.199
<v Speaker 2>the kids.

746
00:40:34.840 --> 00:40:39.239
<v Speaker 5>Much like the Franklin scandal. Yeah, with the boys town.

747
00:40:39.360 --> 00:40:42.719
<v Speaker 2>It's like that. Yeah, just convenient disappearances of kids that

748
00:40:42.760 --> 00:40:44.760
<v Speaker 2>nobody really cares about it is trying to take care

749
00:40:44.800 --> 00:40:48.559
<v Speaker 2>of it. It's it's really it's sad behavior.

750
00:40:48.639 --> 00:40:53.679
<v Speaker 3>Right, Yeah, what's that? What's that?

751
00:40:53.760 --> 00:40:56.159
<v Speaker 5>Julia I said they love orphanages.

752
00:40:56.559 --> 00:40:58.039
<v Speaker 2>Yeah it's true.

753
00:40:58.079 --> 00:41:00.840
<v Speaker 3>Oh well yeah, it's lack of accountability, right, one's paying attention.

754
00:41:01.280 --> 00:41:03.119
<v Speaker 3>So I like that you've quote, you've highlighted this. So

755
00:41:03.239 --> 00:41:07.079
<v Speaker 3>like this Brown said in December of nineteen ninety six.

756
00:41:07.679 --> 00:41:10.639
<v Speaker 3>It's a direct quotation from Maury's files. Ace Brown said,

757
00:41:10.760 --> 00:41:13.880
<v Speaker 3>I was told kids were buried there, referring to Untramer

758
00:41:13.960 --> 00:41:16.320
<v Speaker 3>Park and Yonkers. And he's not the only person to

759
00:41:16.320 --> 00:41:16.840
<v Speaker 3>say that, is he.

760
00:41:17.440 --> 00:41:21.840
<v Speaker 2>That's right. Multiple witnesses or sources told police the same thing.

761
00:41:22.880 --> 00:41:27.440
<v Speaker 2>Sue Conway said that too. She said she heard that

762
00:41:28.239 --> 00:41:31.159
<v Speaker 2>kids were buried there. I would imagine she presided over

763
00:41:31.360 --> 00:41:35.159
<v Speaker 2>at least some of those sacrifices and burials firsthand, because

764
00:41:35.159 --> 00:41:36.559
<v Speaker 2>that's the kind of person she was.

765
00:41:37.440 --> 00:41:40.079
<v Speaker 3>But yeah, Conway, yeah, yeah, And.

766
00:41:40.079 --> 00:41:42.679
<v Speaker 2>Multiple sources told the police that same thing, that children

767
00:41:42.719 --> 00:41:45.960
<v Speaker 2>had been sacrificed in rituals and then buried in the park.

768
00:41:46.440 --> 00:41:47.079
<v Speaker 2>That's true.

769
00:41:47.719 --> 00:41:51.119
<v Speaker 3>Interesting, And Sue Conway met in early demise, right, well, no,

770
00:41:51.320 --> 00:41:53.519
<v Speaker 3>she oh that's the one that that's when they died

771
00:41:53.519 --> 00:41:55.920
<v Speaker 3>of cancer. Always I always play a guessing game with you, John,

772
00:41:56.039 --> 00:41:56.960
<v Speaker 3>Who's who's a lie?

773
00:41:57.679 --> 00:42:00.679
<v Speaker 2>She was? Yeah, yeah, she Sue. She was apparently was

774
00:42:00.800 --> 00:42:03.400
<v Speaker 2>very ill in the years leading up to her death.

775
00:42:03.480 --> 00:42:05.480
<v Speaker 2>But she had she had lived really hard. You know,

776
00:42:05.519 --> 00:42:07.360
<v Speaker 2>a lot of a lot of drugs, a lot of alcohol.

777
00:42:07.480 --> 00:42:13.039
<v Speaker 2>But she two thousand or early two, I forget what

778
00:42:13.320 --> 00:42:17.239
<v Speaker 2>I think it was January of two thousand and uh. Yeah.

779
00:42:17.519 --> 00:42:21.079
<v Speaker 2>She was something else, she really is. She's kind of

780
00:42:21.079 --> 00:42:22.440
<v Speaker 2>a movie under herself.

781
00:42:23.760 --> 00:42:25.239
<v Speaker 3>So let me ask you all this. This is John

782
00:42:25.280 --> 00:42:28.760
<v Speaker 3>David David Norman, the the Deadler Fellow operation from Dallas

783
00:42:28.800 --> 00:42:31.760
<v Speaker 3>to Chicago, who's a saysion with Phil Pasky, who worked

784
00:42:31.760 --> 00:42:35.000
<v Speaker 3>for John Wayne Gacy and Ace Brown apparently ties into

785
00:42:35.039 --> 00:42:37.480
<v Speaker 3>Norman from my understanding as well, and there and that

786
00:42:37.559 --> 00:42:40.559
<v Speaker 3>they have links. And isn't it interesting that John Mnieri

787
00:42:40.679 --> 00:42:45.880
<v Speaker 3>would know uh, would would be familiar with uh Jeffrey Dahmer,

788
00:42:45.920 --> 00:42:48.639
<v Speaker 3>and Dahmer and Gasey both had uh you know uh

789
00:42:49.000 --> 00:42:52.960
<v Speaker 3>uh recruited their victims from the same gay club. What

790
00:42:53.079 --> 00:42:55.320
<v Speaker 3>is this weird? You see these weird epicenters of act.

791
00:42:55.360 --> 00:42:56.880
<v Speaker 3>I mean, it's a lot of details. I understand a

792
00:42:56.880 --> 00:42:59.760
<v Speaker 3>lot of Ann's couple what have you. But it seems

793
00:42:59.760 --> 00:43:01.360
<v Speaker 3>like all these people know each other and I know

794
00:43:01.400 --> 00:43:02.880
<v Speaker 3>what they say. We don't know each other, but it

795
00:43:02.880 --> 00:43:03.800
<v Speaker 3>seems like all these.

796
00:43:03.760 --> 00:43:07.119
<v Speaker 5>They're part of a network. I'm just telling John that

797
00:43:07.280 --> 00:43:10.639
<v Speaker 5>before we got started today that all of these assholes

798
00:43:10.639 --> 00:43:14.440
<v Speaker 5>are part of a network and there's multiple assailants they

799
00:43:14.760 --> 00:43:17.639
<v Speaker 5>but all the crimes get blamed on one guy. He's

800
00:43:17.719 --> 00:43:21.079
<v Speaker 5>like the scapegoat guy. But there are there are so

801
00:43:21.199 --> 00:43:23.320
<v Speaker 5>many people who are getting away with it, and then

802
00:43:23.440 --> 00:43:27.119
<v Speaker 5>their crimes just get attributed to Let's say one John

803
00:43:27.119 --> 00:43:31.960
<v Speaker 5>Wayne Gase, you are one Dean Coral, one Jeffrey Dahmer.

804
00:43:32.039 --> 00:43:37.519
<v Speaker 5>But there are several weirdo kid diddling, pedophilic, cannibalistic serial

805
00:43:37.599 --> 00:43:40.960
<v Speaker 5>killers amongst us, and most of the time we don't

806
00:43:41.000 --> 00:43:42.039
<v Speaker 5>even know who they are.

807
00:43:42.639 --> 00:43:44.320
<v Speaker 3>You ain't kid, and Julia, you ain't kidding.

808
00:43:44.599 --> 00:43:46.840
<v Speaker 2>Yep, It's true, and there has to be a network.

809
00:43:46.880 --> 00:43:48.559
<v Speaker 2>It just doesn't make sense any other way.

810
00:43:48.679 --> 00:43:51.480
<v Speaker 5>One hundred yeah, yeah, And you know.

811
00:43:51.599 --> 00:43:53.760
<v Speaker 3>I feel like a network that may be like covered

812
00:43:53.800 --> 00:43:56.880
<v Speaker 3>up under the auspices of national security.

813
00:43:57.480 --> 00:44:01.760
<v Speaker 2>Absolutely absolutely, because then the the ben Rose case, the

814
00:44:01.800 --> 00:44:05.519
<v Speaker 2>CIA pleaded national security they we don't have to testify

815
00:44:05.599 --> 00:44:07.639
<v Speaker 2>before this committee, so that was the.

816
00:44:07.639 --> 00:44:10.639
<v Speaker 3>End of them, you know, And how is that any

817
00:44:10.639 --> 00:44:13.880
<v Speaker 3>different than the current Epstein situation with matters of national security?

818
00:44:14.000 --> 00:44:15.840
<v Speaker 3>Right right, right?

819
00:44:17.239 --> 00:44:19.840
<v Speaker 5>Oh my gosh. I can't even tell you how much

820
00:44:19.880 --> 00:44:21.800
<v Speaker 5>I love being on a panel with people who know

821
00:44:21.880 --> 00:44:23.559
<v Speaker 5>what the fact they're talking about.

822
00:44:24.719 --> 00:44:27.480
<v Speaker 3>Well, you're you know, you're always welcome here in operations

823
00:44:27.480 --> 00:44:30.039
<v Speaker 3>GCD and John is as well. So I appreciate both

824
00:44:30.039 --> 00:44:32.239
<v Speaker 3>your all time and and the folks of Innerwebs, and

825
00:44:32.280 --> 00:44:34.440
<v Speaker 3>I got one more. We'll close out actually with the

826
00:44:34.480 --> 00:44:37.400
<v Speaker 3>death Mask Murder if you don't mind, John will just

827
00:44:37.480 --> 00:44:41.239
<v Speaker 3>jump into the ghost story right because you did this

828
00:44:41.280 --> 00:44:44.480
<v Speaker 3>blog post, which is what motivated me to You brought it.

829
00:44:44.519 --> 00:44:46.079
<v Speaker 3>You brought these things in my attention to be a

830
00:44:46.119 --> 00:44:48.840
<v Speaker 3>conversation and this blog post, and it might have even

831
00:44:49.159 --> 00:44:51.119
<v Speaker 3>me to put this panel together tonight and to watch

832
00:44:51.159 --> 00:44:53.280
<v Speaker 3>the film. And I do appreciate you, sir, because I

833
00:44:53.280 --> 00:44:55.800
<v Speaker 3>did enjoy the film. I didn't wasn't like again, it's

834
00:44:55.800 --> 00:44:59.039
<v Speaker 3>not really my genre, so you know, I didn't expect

835
00:44:59.039 --> 00:45:01.800
<v Speaker 3>you to enjoy it as much as I it.

836
00:45:01.760 --> 00:45:04.480
<v Speaker 2>It's interesting because there are some things in there that

837
00:45:04.480 --> 00:45:11.079
<v Speaker 2>that are important items from the book that did make

838
00:45:11.119 --> 00:45:12.079
<v Speaker 2>it into the movie.

839
00:45:12.480 --> 00:45:14.440
<v Speaker 3>There you go, let's start there, because I know Julia

840
00:45:14.480 --> 00:45:15.559
<v Speaker 3>had those same questions for you.

841
00:45:16.119 --> 00:45:25.679
<v Speaker 2>Yeah, yeah, What did survive were the strangeness of the

842
00:45:25.800 --> 00:45:29.239
<v Speaker 2>villain or the villain s who is played by Alice Kreese.

843
00:45:32.760 --> 00:45:35.400
<v Speaker 2>I think she's the single best part of the movie

844
00:45:35.480 --> 00:45:38.639
<v Speaker 2>because all the strange stuff that happens in the book,

845
00:45:38.679 --> 00:45:44.400
<v Speaker 2>the really creepy stuff Alice Kreese transmits through her performance.

846
00:45:44.800 --> 00:45:46.760
<v Speaker 2>I don't know if she ever actually read the book,

847
00:45:46.840 --> 00:45:50.719
<v Speaker 2>but she's she's the thing in the in the film

848
00:45:50.800 --> 00:45:54.880
<v Speaker 2>that is most like the novel, So she's her performance

849
00:45:54.960 --> 00:45:55.920
<v Speaker 2>is really interesting.

850
00:45:58.039 --> 00:45:59.599
<v Speaker 3>So that's interesting they would leave that out of the book.

851
00:45:59.599 --> 00:46:03.039
<v Speaker 3>That's a great comment there. Appreciate that their costs. The

852
00:46:03.440 --> 00:46:06.719
<v Speaker 3>fuzz One was another party who witnessed these activities, and

853
00:46:06.800 --> 00:46:10.679
<v Speaker 3>that's right, another independent you know, recollection and accounts of

854
00:46:10.760 --> 00:46:16.000
<v Speaker 3>these same uh, murderous and ritualistic activities of things being thanks,

855
00:46:16.039 --> 00:46:19.199
<v Speaker 3>people being buried in around these parks.

856
00:46:18.880 --> 00:46:26.840
<v Speaker 2>Right right, that's right, And I the testimony is really overwhelmed.

857
00:46:26.840 --> 00:46:32.519
<v Speaker 2>I mean, something happened in Undermark Park. People were killed there,

858
00:46:32.559 --> 00:46:38.119
<v Speaker 2>People died in that park, and the only thing that

859
00:46:37.679 --> 00:46:41.960
<v Speaker 2>that stopped the investigation was the fact that the police

860
00:46:42.000 --> 00:46:46.119
<v Speaker 2>and Yonkers evidently felt that an investigation would lead right

861
00:46:46.159 --> 00:46:48.519
<v Speaker 2>back to their doorstep, and they were worried about their

862
00:46:48.559 --> 00:46:52.480
<v Speaker 2>own skins, so they shut down the investigation.

863
00:46:52.760 --> 00:46:57.000
<v Speaker 5>So it does remind me also of the Finders, because

864
00:46:57.079 --> 00:47:02.079
<v Speaker 5>they were spotted numerous times in parks, taking kids, kids

865
00:47:02.119 --> 00:47:06.920
<v Speaker 5>in vans, kids being transported god knows where.

866
00:47:07.360 --> 00:47:11.199
<v Speaker 3>But also well, Julia, those are matters of national security.

867
00:47:11.559 --> 00:47:19.199
<v Speaker 5>Right, Yeah, the Finders well too. John's point about Alice

868
00:47:19.679 --> 00:47:21.719
<v Speaker 5>Kreeg is that how you say her last name.

869
00:47:22.480 --> 00:47:24.599
<v Speaker 2>I've heard it pronounce Creege, but then I've heard it

870
00:47:24.679 --> 00:47:27.960
<v Speaker 2>Prereese various ways, so I'm never sure which one is.

871
00:47:28.639 --> 00:47:31.119
<v Speaker 2>I just settled on one, but it may not be

872
00:47:31.199 --> 00:47:31.960
<v Speaker 2>the correct one.

873
00:47:32.480 --> 00:47:35.159
<v Speaker 5>She's awesome in this movie. I would agree with you.

874
00:47:35.320 --> 00:47:39.119
<v Speaker 5>She's the creepiest aspect of the entire movie. She's She's

875
00:47:39.159 --> 00:47:42.440
<v Speaker 5>actually in several horror movies. I think that's just her genre.

876
00:47:42.639 --> 00:47:46.039
<v Speaker 5>She's most recently in a couple of Star Trek movies,

877
00:47:46.079 --> 00:47:52.599
<v Speaker 5>I think. But so, she was super hot in this movie,

878
00:47:53.280 --> 00:47:57.920
<v Speaker 5>proverbial hot eighties chick in this movie. But there was

879
00:47:58.119 --> 00:48:02.360
<v Speaker 5>like this weird I don't know if it was like

880
00:48:02.400 --> 00:48:07.719
<v Speaker 5>this in the book, but she almost seemed like a

881
00:48:07.760 --> 00:48:11.599
<v Speaker 5>witch or something throughout the Yeah, And.

882
00:48:11.559 --> 00:48:15.880
<v Speaker 2>That's what's so great about her performance, because it you

883
00:48:16.000 --> 00:48:19.760
<v Speaker 2>get the now in the book, the character that she

884
00:48:19.880 --> 00:48:23.880
<v Speaker 2>plays in the film, she's much more than just a

885
00:48:24.000 --> 00:48:28.639
<v Speaker 2>person who has been reincarnated or whatever. She has a history,

886
00:48:28.639 --> 00:48:30.840
<v Speaker 2>and she has it with these old men in the

887
00:48:30.920 --> 00:48:34.519
<v Speaker 2>chatter society, and they never come right out and say

888
00:48:34.639 --> 00:48:39.039
<v Speaker 2>that there's an additional history in the film, but just

889
00:48:40.239 --> 00:48:43.119
<v Speaker 2>the subtlety of her performance gives you the impression that

890
00:48:43.119 --> 00:48:46.119
<v Speaker 2>there's more history there. Like that scene where she's holding

891
00:48:46.119 --> 00:48:48.119
<v Speaker 2>her head under the water in the back. It's just

892
00:48:48.280 --> 00:48:50.440
<v Speaker 2>so weird. And that's so much like the character in

893
00:48:50.480 --> 00:48:54.760
<v Speaker 2>the book, you know, just inexplicably odd and like to

894
00:48:54.800 --> 00:48:57.320
<v Speaker 2>the point where the boyfriend is like his nerves are

895
00:48:57.559 --> 00:48:59.840
<v Speaker 2>so shaky that he just he almost can't be in

896
00:48:59.840 --> 00:49:01.119
<v Speaker 2>this room with her anymore.

897
00:49:02.039 --> 00:49:05.679
<v Speaker 5>Yeah, gives you the creeps. And he said, like, you know,

898
00:49:07.000 --> 00:49:10.199
<v Speaker 5>just touch her, even her skin feels cold. You know,

899
00:49:10.880 --> 00:49:15.000
<v Speaker 5>there's just like this weird witch witchy thing yes about her.

900
00:49:15.760 --> 00:49:17.719
<v Speaker 2>Absolutely, And so was.

901
00:49:17.679 --> 00:49:21.760
<v Speaker 3>That not in the go ahead? Was that was that great?

902
00:49:21.800 --> 00:49:22.320
<v Speaker 3>Go ahead?

903
00:49:22.719 --> 00:49:26.320
<v Speaker 2>Oh? I was just gonna say that is she fortunately

904
00:49:26.360 --> 00:49:30.559
<v Speaker 2>or unfortunately that character had a real life counterpart, And that.

905
00:49:30.679 --> 00:49:33.119
<v Speaker 3>Was That's what I was gonna ask you.

906
00:49:33.360 --> 00:49:37.199
<v Speaker 2>That's what's so spooky. And you find that there's a

907
00:49:37.239 --> 00:49:41.039
<v Speaker 2>photo comparison of Sue from its two photos a decade apart.

908
00:49:41.559 --> 00:49:44.079
<v Speaker 2>But you see in the latter photo of Sue with

909
00:49:44.159 --> 00:49:46.920
<v Speaker 2>the long brown hair, I think you see a lot

910
00:49:47.079 --> 00:49:52.239
<v Speaker 2>of Eva Galley, Alma Mobile and a mosstin in that

911
00:49:52.280 --> 00:49:54.320
<v Speaker 2>photo of her and In fact, even in the book,

912
00:49:54.880 --> 00:49:58.599
<v Speaker 2>physically that character, the description of her is obviously modeled

913
00:49:58.599 --> 00:50:01.840
<v Speaker 2>on Sue Conway. I think Stroud must have met her

914
00:50:01.880 --> 00:50:05.639
<v Speaker 2>at some point, but I can't confirm that. But he

915
00:50:05.760 --> 00:50:08.840
<v Speaker 2>definitely saw photos over her and she was. She was

916
00:50:08.920 --> 00:50:13.440
<v Speaker 2>the model for Eva almah Anna in the book and

917
00:50:13.519 --> 00:50:14.719
<v Speaker 2>the film.

918
00:50:15.679 --> 00:50:18.719
<v Speaker 3>Do you think the real right she?

919
00:50:18.840 --> 00:50:20.639
<v Speaker 2>Yeah, the picture of her is there.

920
00:50:23.360 --> 00:50:25.840
<v Speaker 5>I was just gonna say, do you think the real

921
00:50:26.000 --> 00:50:28.920
<v Speaker 5>person to Conway? You think she's a witch? You think

922
00:50:29.000 --> 00:50:30.679
<v Speaker 5>she's sent to some dark ship?

923
00:50:31.320 --> 00:50:32.719
<v Speaker 2>She was? Yeah, she was.

924
00:50:32.760 --> 00:50:33.119
<v Speaker 3>She was.

925
00:50:33.480 --> 00:50:38.440
<v Speaker 2>There was a source who when Maury did an Unsolved

926
00:50:38.480 --> 00:50:41.039
<v Speaker 2>Mystery segment about the Son of Sam back in the

927
00:50:41.119 --> 00:50:47.079
<v Speaker 2>late eighties, a source called the Unsolved Mysteries UH hotline

928
00:50:47.079 --> 00:50:50.440
<v Speaker 2>thereafter and referred to her as he said, I knew

929
00:50:50.440 --> 00:50:53.679
<v Speaker 2>people who knew her. She literally was the high priestess

930
00:50:53.880 --> 00:50:56.280
<v Speaker 2>of the cult. That's what they called her. So she Yeah,

931
00:50:56.400 --> 00:50:58.679
<v Speaker 2>she was. She was actually into all that stuff, and

932
00:50:58.719 --> 00:50:59.719
<v Speaker 2>she was serious about it.

933
00:50:59.800 --> 00:51:03.440
<v Speaker 5>She I knew it, dude, I knew it. Just the

934
00:51:03.480 --> 00:51:07.360
<v Speaker 5>way that they portrayed her in the movie. There was

935
00:51:07.440 --> 00:51:09.840
<v Speaker 5>like some weird witchy thing about her.

936
00:51:10.079 --> 00:51:13.639
<v Speaker 3>Yeah, because there's like a mind control aspect too, right

937
00:51:13.679 --> 00:51:15.559
<v Speaker 3>with the two right before, I don't want to go

938
00:51:15.639 --> 00:51:17.079
<v Speaker 3>too far, and before we get to all the characters.

939
00:51:17.159 --> 00:51:19.480
<v Speaker 3>There's a mind she's got some sort of spell over

940
00:51:19.599 --> 00:51:23.320
<v Speaker 3>some some some hood rats, right, that's right, that's right,

941
00:51:25.000 --> 00:51:26.679
<v Speaker 3>some hoodlums, you will.

942
00:51:26.840 --> 00:51:29.360
<v Speaker 2>And there she is that that second photo, I believe

943
00:51:29.400 --> 00:51:33.000
<v Speaker 2>you a lot of what's strange about that character in

944
00:51:33.039 --> 00:51:35.719
<v Speaker 2>the book, in the film, you see in Sue's photo.

945
00:51:35.760 --> 00:51:38.760
<v Speaker 2>There she she she really was something else. She was.

946
00:51:39.960 --> 00:51:41.679
<v Speaker 2>She made an impression on a lot of people.

947
00:51:42.519 --> 00:51:45.360
<v Speaker 3>I agree, the resemblance is uncanny from the film.

948
00:51:45.800 --> 00:51:51.519
<v Speaker 2>Yeah, well, she I think I think one of the

949
00:51:51.519 --> 00:51:53.159
<v Speaker 2>things they did look for in the film when they

950
00:51:53.199 --> 00:51:55.960
<v Speaker 2>were auditioning people for the role of Eva of Almah

951
00:51:56.559 --> 00:51:59.559
<v Speaker 2>was somebody with that long, straight hair. Somehow that is

952
00:51:59.639 --> 00:52:03.719
<v Speaker 2>into to the whole character. Uh. If you had had

953
00:52:03.800 --> 00:52:06.639
<v Speaker 2>somebody with shorter hair or something, it wouldn't have worked

954
00:52:06.679 --> 00:52:11.320
<v Speaker 2>for whatever reason. It's that kind of hair just goes

955
00:52:11.360 --> 00:52:13.559
<v Speaker 2>with all the other aspects of the character for for

956
00:52:13.639 --> 00:52:14.320
<v Speaker 2>whatever reason.

957
00:52:14.920 --> 00:52:19.039
<v Speaker 5>I also film she has the eyes, like look at

958
00:52:19.039 --> 00:52:19.519
<v Speaker 5>the eyes.

959
00:52:22.679 --> 00:52:24.880
<v Speaker 3>Yeah, well, I was gonna say it's and it's the

960
00:52:24.880 --> 00:52:27.039
<v Speaker 3>same color eyes. I mean, they're the same kind of

961
00:52:27.079 --> 00:52:28.880
<v Speaker 3>they have the same shape if you will.

962
00:52:29.440 --> 00:52:32.360
<v Speaker 5>Yeah, right, Yeah, there's something about the eyes too. It's

963
00:52:32.400 --> 00:52:35.280
<v Speaker 5>like they picked her because she could. She can almost

964
00:52:35.280 --> 00:52:38.119
<v Speaker 5>put you in a trance just looking at her, you know.

965
00:52:38.039 --> 00:52:38.400
<v Speaker 2>What I mean.

966
00:52:38.519 --> 00:52:43.119
<v Speaker 3>I think she did, man, I think she did. Yeah,

967
00:52:43.159 --> 00:52:46.000
<v Speaker 3>that's intriguing. So let's do a quick since we're going

968
00:52:46.039 --> 00:52:48.599
<v Speaker 3>over kind of the characters, let's go back and revisit

969
00:52:48.880 --> 00:52:52.280
<v Speaker 3>the storyline we're dealing with here. Would you like to

970
00:52:52.280 --> 00:52:55.280
<v Speaker 3>to explain to the synopsis? And and uh, you know,

971
00:52:55.679 --> 00:52:57.719
<v Speaker 3>however you see it, they're they're gentleman. You like me

972
00:52:57.719 --> 00:53:00.199
<v Speaker 3>to read it from the Wikipedia, the source of all

973
00:53:00.239 --> 00:53:01.559
<v Speaker 3>information on the interwebs.

974
00:53:01.920 --> 00:53:07.920
<v Speaker 2>Sure, I can, I can snap size it just briefly. Sure.

975
00:53:08.440 --> 00:53:13.840
<v Speaker 2>In the novel, it's a fictional, allegedly fictional town called Milburn.

976
00:53:13.880 --> 00:53:17.440
<v Speaker 2>It's supposed to be in upstate New York. In the film,

977
00:53:17.480 --> 00:53:20.159
<v Speaker 2>if if I remember correctly, they don't actually name the city,

978
00:53:20.199 --> 00:53:22.840
<v Speaker 2>but it was filmed in Vermont somewhere.

979
00:53:23.760 --> 00:53:26.440
<v Speaker 3>What I believe is from from my understanding, what's like

980
00:53:26.760 --> 00:53:29.119
<v Speaker 3>one of the locations, one of them.

981
00:53:28.639 --> 00:53:31.480
<v Speaker 2>And there was a real town square that they used.

982
00:53:31.480 --> 00:53:33.199
<v Speaker 2>But a lot of the backgrounds you see are just

983
00:53:33.239 --> 00:53:35.920
<v Speaker 2>like really elaborate matte paintings, which is another thing that

984
00:53:35.960 --> 00:53:39.559
<v Speaker 2>I really like about the movie, really really beautiful backgrounds.

985
00:53:40.079 --> 00:53:42.480
<v Speaker 2>I forget who the painter was, and I'm sorry about

986
00:53:42.480 --> 00:53:44.800
<v Speaker 2>that because he deserves a lot of credit. But uh,

987
00:53:46.360 --> 00:53:50.199
<v Speaker 2>the the town is it's supposed to be like a

988
00:53:50.239 --> 00:53:53.519
<v Speaker 2>little sleepy small town, you know. And there there's a

989
00:53:53.519 --> 00:53:59.159
<v Speaker 2>group of older men, affluent men. A couple of attorneys.

990
00:53:59.639 --> 00:54:04.599
<v Speaker 2>That's Sears James and Ricky Hawthorne. There's a doctor or

991
00:54:06.039 --> 00:54:08.440
<v Speaker 2>is he I think he's he's thinking about retirement, but

992
00:54:08.480 --> 00:54:11.199
<v Speaker 2>he's he's technically still in business. That's doctor John Jeffrey.

993
00:54:12.000 --> 00:54:14.559
<v Speaker 2>And there's the mayor of the town. And this is

994
00:54:14.559 --> 00:54:17.079
<v Speaker 2>slightly different because in the book there were five characters

995
00:54:17.599 --> 00:54:20.039
<v Speaker 2>and in the film there are four characters. So they

996
00:54:20.159 --> 00:54:23.360
<v Speaker 2>rolled two of the characters into one another. And the

997
00:54:23.400 --> 00:54:29.400
<v Speaker 2>mayor is that's Douglas Fairbanks character. He's he's ned right,

998
00:54:29.519 --> 00:54:33.079
<v Speaker 2>that's uh uh, and and I believe he's he's the

999
00:54:33.119 --> 00:54:35.760
<v Speaker 2>first one to go in the film. But these men

1000
00:54:35.840 --> 00:54:41.039
<v Speaker 2>all share ghost stories with each other. They get together

1001
00:54:41.199 --> 00:54:46.159
<v Speaker 2>in formal eveningwear one Friday night out of every month,

1002
00:54:46.159 --> 00:54:48.760
<v Speaker 2>and they they tell each other ghost stories. But they're

1003
00:54:48.760 --> 00:54:53.440
<v Speaker 2>doing this to cover the real story that they're actually

1004
00:54:53.440 --> 00:54:55.360
<v Speaker 2>afraid of and that they're afraid to talk about with

1005
00:54:55.440 --> 00:54:59.480
<v Speaker 2>each other. And that story unfolds gradually, you know, throughout

1006
00:54:59.480 --> 00:55:03.199
<v Speaker 2>the course of the film. But they they all share

1007
00:55:03.199 --> 00:55:06.239
<v Speaker 2>a terrible secret, something that happened to them all one

1008
00:55:06.280 --> 00:55:08.679
<v Speaker 2>evening when they were very young in the late nineteen twenties.

1009
00:55:08.719 --> 00:55:12.519
<v Speaker 2>And that's uh, that event comes back to haunt them

1010
00:55:12.559 --> 00:55:14.960
<v Speaker 2>and that's that's what the book and the film are about.

1011
00:55:16.400 --> 00:55:19.400
<v Speaker 3>Yeah, and it's like it's got an interesting dynamico. That's

1012
00:55:19.440 --> 00:55:20.960
<v Speaker 3>a good explanation, I sir, I appreciate it.

1013
00:55:21.039 --> 00:55:21.760
<v Speaker 2>That's sure.

1014
00:55:21.800 --> 00:55:23.800
<v Speaker 3>That One of the things I found interesting was this

1015
00:55:24.000 --> 00:55:27.280
<v Speaker 3>this towing between reality. What is reality and what is

1016
00:55:27.800 --> 00:55:31.119
<v Speaker 3>not reality? Like what's hallucination? Right, and what's causing these

1017
00:55:31.199 --> 00:55:33.159
<v Speaker 3>dusts and what's not called Like is it an external

1018
00:55:33.199 --> 00:55:35.239
<v Speaker 3>force or is an internal force? In their nightmares of

1019
00:55:35.280 --> 00:55:36.039
<v Speaker 3>their heart attacks?

1020
00:55:36.119 --> 00:55:38.079
<v Speaker 2>Right right? Right?

1021
00:55:38.280 --> 00:55:40.599
<v Speaker 3>Tows that line pretty well.

1022
00:55:40.400 --> 00:55:44.960
<v Speaker 2>It does, it does, because that that's uh, I believe

1023
00:55:45.000 --> 00:55:48.400
<v Speaker 2>in In the book and the film, somebody sees the

1024
00:55:48.440 --> 00:55:53.480
<v Speaker 2>first casualty jumping off the bridge, so uh, and then

1025
00:55:53.480 --> 00:55:55.679
<v Speaker 2>another one later dies of a heart attack. So there

1026
00:55:55.679 --> 00:55:58.159
<v Speaker 2>are things that could be chalked up to just mental

1027
00:55:58.159 --> 00:56:03.679
<v Speaker 2>distress or physical illness, and nobody really suspects what's actually happening.

1028
00:56:03.800 --> 00:56:07.559
<v Speaker 3>Yeah, so the film starts off. That's a good, good

1029
00:56:07.559 --> 00:56:09.480
<v Speaker 3>point there, And the film starts off with the first

1030
00:56:09.480 --> 00:56:11.159
<v Speaker 3>death we get there is the son of one of

1031
00:56:11.199 --> 00:56:15.440
<v Speaker 3>these characters, right, that's right, that's right, and we're forced

1032
00:56:15.440 --> 00:56:18.199
<v Speaker 3>to see his dick because he's falling out a building. Terrible.

1033
00:56:19.480 --> 00:56:21.679
<v Speaker 2>Yeah, yeah, and that's an odd.

1034
00:56:21.760 --> 00:56:24.280
<v Speaker 3>I wasn't expecting the full dick shot. I was kind

1035
00:56:24.280 --> 00:56:26.679
<v Speaker 3>of again angry that I was subjected to this, especially

1036
00:56:26.719 --> 00:56:28.760
<v Speaker 3>with that woman.

1037
00:56:28.320 --> 00:56:31.880
<v Speaker 2>You know, yeah, that that is probably the weirdest shot

1038
00:56:31.880 --> 00:56:33.840
<v Speaker 2>in the whole movie, just because you're not expecting it.

1039
00:56:33.880 --> 00:56:37.039
<v Speaker 3>There's no reason, there's no point in it right in there,

1040
00:56:37.039 --> 00:56:39.880
<v Speaker 3>but yeah, yeah, it's pointless. And then they show the

1041
00:56:39.920 --> 00:56:41.679
<v Speaker 3>body flop. I'm like, well, did we have to do

1042
00:56:41.679 --> 00:56:43.079
<v Speaker 3>the flop too? Like the bounce?

1043
00:56:43.679 --> 00:56:43.920
<v Speaker 2>Right?

1044
00:56:44.760 --> 00:56:45.199
<v Speaker 3>Yeah?

1045
00:56:46.119 --> 00:56:48.920
<v Speaker 2>Yeah, I guess it was one of those moments that

1046
00:56:48.960 --> 00:56:50.480
<v Speaker 2>they just wanted it to be a you know, a

1047
00:56:50.519 --> 00:56:52.239
<v Speaker 2>deliberate shock to the audience.

1048
00:56:52.320 --> 00:56:54.119
<v Speaker 3>You know, well that there you go and say, and

1049
00:56:54.199 --> 00:56:56.920
<v Speaker 3>it does too. It grasped your attention because of that

1050
00:56:56.920 --> 00:56:59.119
<v Speaker 3>that shock factor. For sure. It got me good and

1051
00:56:59.239 --> 00:57:01.280
<v Speaker 3>I'm like, wh mother fuckers, did you guys just show

1052
00:57:01.320 --> 00:57:03.159
<v Speaker 3>me a dick and a dude bouncing off the pavement?

1053
00:57:03.280 --> 00:57:08.480
<v Speaker 3>What's wrong with you? That was my immediate reaction. I

1054
00:57:08.519 --> 00:57:10.920
<v Speaker 3>was like, how processing of you folks to do that? Right?

1055
00:57:11.199 --> 00:57:14.199
<v Speaker 2>Yeah? Well that that definitely is the point in the

1056
00:57:14.199 --> 00:57:16.760
<v Speaker 2>movie where you know that really terrible things are going

1057
00:57:16.840 --> 00:57:21.400
<v Speaker 2>to happen throughout the rest of it. So yeah, it

1058
00:57:21.400 --> 00:57:21.840
<v Speaker 2>does have that.

1059
00:57:22.000 --> 00:57:25.480
<v Speaker 3>It does set the stage properly correct. Yeah, yeah, so

1060
00:57:25.840 --> 00:57:28.079
<v Speaker 3>I'm now that'll be related the groundwork there on the

1061
00:57:28.280 --> 00:57:30.000
<v Speaker 3>plot line. I just want to I just want to

1062
00:57:30.119 --> 00:57:31.920
<v Speaker 3>ask you this one question before we go any further

1063
00:57:31.920 --> 00:57:34.519
<v Speaker 3>in the characters and whatnot and how this thing's unfold.

1064
00:57:34.840 --> 00:57:39.599
<v Speaker 3>There was a nineteen seventy four film also name Ghost Story.

1065
00:57:40.159 --> 00:57:42.840
<v Speaker 3>Mm hmm, Storry Maryanne Faithful.

1066
00:57:44.480 --> 00:57:46.320
<v Speaker 2>That's interesting. I'm not familiar with it.

1067
00:57:46.360 --> 00:57:48.639
<v Speaker 5>But is it the same story?

1068
00:57:49.599 --> 00:57:52.199
<v Speaker 3>No, it's not the same story, but it's interesting. There's

1069
00:57:52.199 --> 00:57:53.960
<v Speaker 3>some interesting aspects to it, not the least of which

1070
00:57:54.199 --> 00:57:55.119
<v Speaker 3>Marianne Faithful.

1071
00:57:56.599 --> 00:57:59.079
<v Speaker 5>She's process Yeah, she.

1072
00:57:59.079 --> 00:58:02.280
<v Speaker 3>And Mick Jagger both and all the growing stones. In fact,

1073
00:58:02.360 --> 00:58:05.599
<v Speaker 3>John and I discussed an interesting murder surrounding these these

1074
00:58:05.639 --> 00:58:08.320
<v Speaker 3>folks in Westchester County, you know that den of iniquity

1075
00:58:08.679 --> 00:58:12.119
<v Speaker 3>north of New York City. Last time we discussed this

1076
00:58:12.159 --> 00:58:14.639
<v Speaker 3>because we discussed the the and John will have more

1077
00:58:14.639 --> 00:58:16.880
<v Speaker 3>details for a Julia. Is that but it's the Keith

1078
00:58:16.960 --> 00:58:20.679
<v Speaker 3>Richards domestic wife or girlfriend related murder, right John.

1079
00:58:21.320 --> 00:58:25.199
<v Speaker 2>That's right? Yeah, Anita Pallenberg. Yeah, but all those folks

1080
00:58:25.320 --> 00:58:27.840
<v Speaker 2>they did the process that they were just like the

1081
00:58:28.199 --> 00:58:33.239
<v Speaker 2>father Church Scientology. They courted celebrities and uh uh you

1082
00:58:33.280 --> 00:58:37.199
<v Speaker 2>know the process. They went after the younger, hipper versions

1083
00:58:37.239 --> 00:58:41.320
<v Speaker 2>of celebrities that, you know, just just like the Scientology

1084
00:58:41.360 --> 00:58:44.920
<v Speaker 2>did you know, more established, you know, like yeah, room

1085
00:58:44.960 --> 00:58:48.440
<v Speaker 2>stars and stuff. But yeah, and Marianne Faithful in particular,

1086
00:58:48.599 --> 00:58:51.400
<v Speaker 2>I believe she she got pretty cozy with with the

1087
00:58:51.440 --> 00:58:52.719
<v Speaker 2>processed Church, I believe.

1088
00:58:53.480 --> 00:58:53.840
<v Speaker 5>Mmmm.

1089
00:58:54.960 --> 00:58:56.079
<v Speaker 2>Yeah.

1090
00:58:56.360 --> 00:59:01.199
<v Speaker 3>And then Keith Richards's wife there murdered a fifteen I'm sorry,

1091
00:59:01.400 --> 00:59:03.239
<v Speaker 3>a gun went off when she was in bed naked

1092
00:59:03.239 --> 00:59:04.519
<v Speaker 3>with a fifteen year old, Is that right?

1093
00:59:04.840 --> 00:59:06.880
<v Speaker 2>That is correct? Yeah, he was in her bed and

1094
00:59:07.199 --> 00:59:12.079
<v Speaker 2>his name was Scott Cantrell and he she she got

1095
00:59:12.119 --> 00:59:16.320
<v Speaker 2>off for that whole thing very very easily. And I

1096
00:59:16.400 --> 00:59:20.679
<v Speaker 2>know that that the boys family were very upset about that.

1097
00:59:22.119 --> 00:59:25.840
<v Speaker 2>But it was a very strange incident for sure.

1098
00:59:25.920 --> 00:59:29.360
<v Speaker 5>Dude, a gun went off accidentally. Is that the story?

1099
00:59:29.559 --> 00:59:31.480
<v Speaker 2>Yeah? Well, she claims that he was he was playing

1100
00:59:31.559 --> 00:59:34.519
<v Speaker 2>Russian Roulette, that he was upset and suicidal, and that he,

1101
00:59:34.960 --> 00:59:36.960
<v Speaker 2>you know, just the gun went off and he shot himself.

1102
00:59:37.039 --> 00:59:42.320
<v Speaker 2>But it doesn't appear that the circumstances were ever examined

1103
00:59:42.320 --> 00:59:44.280
<v Speaker 2>too closely in court to me anyway.

1104
00:59:44.400 --> 00:59:48.679
<v Speaker 3>Sure. Wow, and this was nineteen eighty, seventy nine or

1105
00:59:48.719 --> 00:59:53.719
<v Speaker 3>eighty or something like that. Yeah, that's right, yep. So

1106
00:59:53.800 --> 00:59:56.199
<v Speaker 3>after after Burka, which so this is again this falls

1107
00:59:56.239 --> 00:59:59.480
<v Speaker 3>into the post son of Sam called activity in around

1108
00:59:59.519 --> 01:00:01.559
<v Speaker 3>that din An equity, Westchester County.

1109
01:00:01.960 --> 01:00:02.440
<v Speaker 2>That's right.

1110
01:00:02.960 --> 01:00:07.320
<v Speaker 5>Yeah, Sue. Do you think this secret society as they

1111
01:00:07.360 --> 01:00:12.320
<v Speaker 5>call it quote unquote in the book Slash movie is

1112
01:00:12.440 --> 01:00:16.679
<v Speaker 5>based on anything real because they call themselves the Chowder

1113
01:00:17.480 --> 01:00:18.679
<v Speaker 5>Society like.

1114
01:00:19.280 --> 01:00:22.360
<v Speaker 2>They just about that. Because there were there was a

1115
01:00:22.400 --> 01:00:27.400
<v Speaker 2>group of allegedly in the cult during the fifties and sixties.

1116
01:00:27.960 --> 01:00:30.920
<v Speaker 2>There were a lot of figures of that type involved

1117
01:00:30.960 --> 01:00:33.679
<v Speaker 2>in the cult. There were doctors and attorneys and judges,

1118
01:00:33.760 --> 01:00:38.119
<v Speaker 2>and so it could refer loosely to some of those individuals.

1119
01:00:39.079 --> 01:00:42.440
<v Speaker 2>We know the names of some of them. And when

1120
01:00:42.480 --> 01:00:44.800
<v Speaker 2>he was writing the Chowter Society yet it could have

1121
01:00:44.880 --> 01:00:48.480
<v Speaker 2>referred to some of those established community members. I think

1122
01:00:48.519 --> 01:00:49.360
<v Speaker 2>that's very likely.

1123
01:00:49.440 --> 01:00:54.559
<v Speaker 3>Yeah, you'll recognize one of those names, Julia Carlton gadget

1124
01:00:54.639 --> 01:00:56.519
<v Speaker 3>say you know that one?

1125
01:00:57.000 --> 01:00:58.719
<v Speaker 5>Now, who's this asshole?

1126
01:00:58.840 --> 01:01:02.159
<v Speaker 3>Oh? John, please let her know who Anthony Fauci's Ssydekick

1127
01:01:02.320 --> 01:01:05.480
<v Speaker 3>carl T. Gadgertik was relative to the Ankers Cold Yeah.

1128
01:01:05.280 --> 01:01:09.039
<v Speaker 2>He well, he he won a Nobel Prize for medicine,

1129
01:01:09.519 --> 01:01:14.000
<v Speaker 2>uh in nineteen seventy six, something like that. And he

1130
01:01:14.079 --> 01:01:16.440
<v Speaker 2>was born in Yonkers, but spent a lot of time

1131
01:01:16.599 --> 01:01:22.519
<v Speaker 2>outside there researching strange diseases in or was he on

1132
01:01:22.559 --> 01:01:24.559
<v Speaker 2>some of the Micronesian islands or someplace?

1133
01:01:24.719 --> 01:01:27.639
<v Speaker 3>Yeah, he brought yeah, Micronesia. He brought about fifty young

1134
01:01:27.679 --> 01:01:28.679
<v Speaker 3>boys back with him somewhere.

1135
01:01:28.760 --> 01:01:32.440
<v Speaker 2>Yeah, he was very interested in boys. And when when

1136
01:01:32.440 --> 01:01:35.760
<v Speaker 2>the son of Sam case was reopened by Yonkers police department,

1137
01:01:37.159 --> 01:01:42.119
<v Speaker 2>Gadgetsick became he was a person of interest and then

1138
01:01:42.159 --> 01:01:49.559
<v Speaker 2>some and he eventually was convicted of child molestations, served

1139
01:01:49.559 --> 01:01:52.920
<v Speaker 2>a boy a year in prison, then got out, retreated

1140
01:01:53.000 --> 01:01:58.519
<v Speaker 2>to Europe and died over there. He he was a

1141
01:01:58.559 --> 01:02:02.320
<v Speaker 2>strange character in a horing to multiple sources, he was

1142
01:02:02.440 --> 01:02:11.519
<v Speaker 2>present for very specific cultic activities, including allegedly the the

1143
01:02:11.679 --> 01:02:13.119
<v Speaker 2>sacrifice of a child.

1144
01:02:13.679 --> 01:02:20.360
<v Speaker 5>So yeah, god, yeah, why does he look like the

1145
01:02:20.480 --> 01:02:23.000
<v Speaker 5>composite sketch of the Zodiac Killer.

1146
01:02:24.039 --> 01:02:26.400
<v Speaker 2>He was a creepy guy. And there's there's a film

1147
01:02:26.440 --> 01:02:29.920
<v Speaker 2>where they an interview film where they talked to him

1148
01:02:29.960 --> 01:02:35.800
<v Speaker 2>and he's he's very He just totally denied reality it,

1149
01:02:35.880 --> 01:02:37.880
<v Speaker 2>could not admit that he had done anything wrong. But

1150
01:02:37.960 --> 01:02:44.159
<v Speaker 2>he David Berkowitz was aware of doctor Gadgetsik because he

1151
01:02:44.599 --> 01:02:47.639
<v Speaker 2>was a He was a major figure in youngers there.

1152
01:02:47.480 --> 01:02:51.599
<v Speaker 5>And he Yeah.

1153
01:02:52.400 --> 01:02:55.760
<v Speaker 3>From nineteen seventy to nineteen ninety six, Carlton Gadgasik was

1154
01:02:55.800 --> 01:02:58.920
<v Speaker 3>the chief of the Laboratory of Central Nervous System Studies

1155
01:02:58.920 --> 01:03:02.079
<v Speaker 3>that n I n DS at the National Institutes of Health,

1156
01:03:02.400 --> 01:03:05.039
<v Speaker 3>working directly for none other than Tony Fauci.

1157
01:03:05.960 --> 01:03:10.519
<v Speaker 5>Oh my god, and they were probably boyfriends him And

1158
01:03:10.639 --> 01:03:15.239
<v Speaker 5>you can do it, that little fairy fuck. I hate Fauci,

1159
01:03:15.360 --> 01:03:16.199
<v Speaker 5>I swear.

1160
01:03:16.719 --> 01:03:18.800
<v Speaker 3>So you may know Carlton gad your sex nephew. He

1161
01:03:18.840 --> 01:03:21.320
<v Speaker 3>brought us the first season of Stranger Things.

1162
01:03:21.880 --> 01:03:28.480
<v Speaker 5>Ah, stop it and make up. Oh, come on, you guys.

1163
01:03:28.880 --> 01:03:31.519
<v Speaker 5>This guy's neph what'd you say is nephew?

1164
01:03:32.360 --> 01:03:34.880
<v Speaker 3>I believe if I'm not mistaken, this is his brother's son.

1165
01:03:34.960 --> 01:03:38.400
<v Speaker 5>Yes, Oh my god, come on.

1166
01:03:39.480 --> 01:03:42.159
<v Speaker 3>He was the chief chief writer and showrunner for season

1167
01:03:42.199 --> 01:03:43.719
<v Speaker 3>one of Stranger Things.

1168
01:03:44.360 --> 01:03:49.480
<v Speaker 5>Just saying, oh my god, probably just.

1169
01:03:49.440 --> 01:03:53.559
<v Speaker 3>A crazier thing. Yeah, totally a coincidence, Stranger Things. Indeed,

1170
01:03:53.679 --> 01:03:59.000
<v Speaker 3>the I'm sure is behind all of that. Oh, so

1171
01:04:00.239 --> 01:04:00.760
<v Speaker 3>to this stuff?

1172
01:04:00.960 --> 01:04:05.159
<v Speaker 5>Fucking god, do that?

1173
01:04:05.199 --> 01:04:06.559
<v Speaker 3>Just blow up your brain hole there, Julia.

1174
01:04:07.480 --> 01:04:09.800
<v Speaker 5>Both of you guys are blowing up my brain hole

1175
01:04:09.840 --> 01:04:11.559
<v Speaker 5>in here. I thought I knew something.

1176
01:04:12.280 --> 01:04:13.800
<v Speaker 3>That's well, you do know stuff. That's what I like

1177
01:04:13.840 --> 01:04:15.559
<v Speaker 3>to do here. We like to exchange ideas. You know,

1178
01:04:15.559 --> 01:04:17.239
<v Speaker 3>we all we all have a different piece of the puzzle.

1179
01:04:17.280 --> 01:04:20.159
<v Speaker 3>I feel like, not to make it sound creepy or nothing,

1180
01:04:20.159 --> 01:04:21.760
<v Speaker 3>but it is a It is a puzzle of sorts,

1181
01:04:21.800 --> 01:04:27.039
<v Speaker 3>right it is. I heard it in a song one time.

1182
01:04:27.079 --> 01:04:28.719
<v Speaker 3>I think it was the beginning of the show The

1183
01:04:28.760 --> 01:04:31.920
<v Speaker 3>World's a Puzzle. So I don't know why they called

1184
01:04:31.920 --> 01:04:36.039
<v Speaker 3>this ghost story, but they Yeah, I mean, it doesn't

1185
01:04:36.119 --> 01:04:38.960
<v Speaker 3>have the same you know, plot lines or nothing. But

1186
01:04:39.000 --> 01:04:41.840
<v Speaker 3>it is an interesting story. And again it's just weird

1187
01:04:41.880 --> 01:04:45.360
<v Speaker 3>to me. It seems very processing when you got Homegirl

1188
01:04:45.360 --> 01:04:49.119
<v Speaker 3>in there, merry, unfaithful and whatnot. But h onto the

1189
01:04:49.159 --> 01:04:51.880
<v Speaker 3>actual ghost story, and that is the Peter Strub version.

1190
01:04:51.920 --> 01:04:55.320
<v Speaker 3>So besides Peter, uh, let's start off with Peter Strub.

1191
01:04:55.400 --> 01:04:58.519
<v Speaker 3>So this dude writes this book again, Burke, of which

1192
01:04:58.559 --> 01:05:01.440
<v Speaker 3>is arrested in August tenth of eighteen seventy seven. He

1193
01:05:01.480 --> 01:05:04.960
<v Speaker 3>publishes the book on January first, of seventy nine, So

1194
01:05:05.199 --> 01:05:08.079
<v Speaker 3>let's call it. He did this obviously within that seventeen

1195
01:05:08.079 --> 01:05:10.679
<v Speaker 3>month span. But I mean, you know, you pointed out

1196
01:05:10.679 --> 01:05:14.119
<v Speaker 3>how he's got he dedicated to Tavistock folks. That's a

1197
01:05:14.119 --> 01:05:16.519
<v Speaker 3>good indication of how he may know these tales. But

1198
01:05:16.559 --> 01:05:18.559
<v Speaker 3>what else is interesting about Peter Stroke.

1199
01:05:19.559 --> 01:05:23.960
<v Speaker 2>Well, he ghost story in every book thereafter pretty much

1200
01:05:24.639 --> 01:05:29.719
<v Speaker 2>contains some reference to the Yonker's cult and its membership,

1201
01:05:32.159 --> 01:05:35.280
<v Speaker 2>all the way down to well they have mystery listed

1202
01:05:35.320 --> 01:05:38.840
<v Speaker 2>there in nineteen ninety. By that time, he was writing

1203
01:05:38.880 --> 01:05:41.800
<v Speaker 2>sort of like he had He wasn't writing harder novels

1204
01:05:41.800 --> 01:05:44.840
<v Speaker 2>any longer, but he was writing really really dark murder mysteries.

1205
01:05:45.559 --> 01:05:49.079
<v Speaker 2>And there's a minor character in mystery a police officer,

1206
01:05:49.639 --> 01:05:54.880
<v Speaker 2>and his name is Officer Spahoa. It's phonetically that's yeah,

1207
01:05:55.039 --> 01:05:58.199
<v Speaker 2>s p y c h A l l A. Now

1208
01:05:58.239 --> 01:06:01.760
<v Speaker 2>that's a very specific name because it's the name of

1209
01:06:01.800 --> 01:06:05.199
<v Speaker 2>a person who allegedly was at the planning meeting for

1210
01:06:05.239 --> 01:06:07.480
<v Speaker 2>Son of Sam in the spring of nineteen seventy six.

1211
01:06:07.599 --> 01:06:11.280
<v Speaker 2>His name was Lapho. It's a it's a Polish name,

1212
01:06:11.360 --> 01:06:16.199
<v Speaker 2>so it's hard to pronounce correctly. But this Peter Strub

1213
01:06:16.320 --> 01:06:20.039
<v Speaker 2>used it as a character name many years before Ron

1214
01:06:20.119 --> 01:06:23.599
<v Speaker 2>Spachala was ever mentioned in the press in any public

1215
01:06:23.639 --> 01:06:27.000
<v Speaker 2>mention of Ron'spachala that I can find. But Strub used

1216
01:06:27.039 --> 01:06:30.760
<v Speaker 2>the name as a deliberate clue, just to let his

1217
01:06:30.840 --> 01:06:32.840
<v Speaker 2>readers know that he had not forgotten about all this

1218
01:06:32.920 --> 01:06:35.519
<v Speaker 2>strange stuff and that maybe one day somebody would figure

1219
01:06:35.519 --> 01:06:39.519
<v Speaker 2>out this this puzzle. So yeah, that's.

1220
01:06:41.079 --> 01:06:43.280
<v Speaker 5>Yeah, Well he's so Tavis.

1221
01:06:44.320 --> 01:06:47.800
<v Speaker 2>It does that way. It's a hard conclusion to escape,

1222
01:06:47.800 --> 01:06:51.280
<v Speaker 2>but it yeah.

1223
01:06:49.960 --> 01:06:53.639
<v Speaker 5>Oh my god, that's too specific. I'm sorry, is its

1224
01:06:53.679 --> 01:06:55.480
<v Speaker 5>way too it's too specific?

1225
01:06:56.000 --> 01:06:58.079
<v Speaker 2>Well, like I said, it's almost like finding a fingerprint.

1226
01:06:58.360 --> 01:07:01.800
<v Speaker 2>It's that definite, you know, it's hard to discount that.

1227
01:07:02.400 --> 01:07:06.000
<v Speaker 5>But yeah, John, what you need to start a podcast?

1228
01:07:08.880 --> 01:07:10.960
<v Speaker 3>Well, John, John's a wealth of information, isn't he.

1229
01:07:11.000 --> 01:07:14.000
<v Speaker 5>Julia, Yes, oh my god.

1230
01:07:14.199 --> 01:07:17.719
<v Speaker 2>Well strangely enough, and I'm glad we all find this

1231
01:07:17.800 --> 01:07:21.000
<v Speaker 2>so interesting, But I don't find a lot of interest

1232
01:07:21.039 --> 01:07:23.519
<v Speaker 2>in it within the community. It's just not one of

1233
01:07:23.519 --> 01:07:25.440
<v Speaker 2>those things that people seem to have caught onto.

1234
01:07:26.079 --> 01:07:29.639
<v Speaker 5>Really, I feel like this is one of the more

1235
01:07:29.760 --> 01:07:31.159
<v Speaker 5>interesting things.

1236
01:07:31.519 --> 01:07:33.400
<v Speaker 3>If I made that, if I met you. Guys are

1237
01:07:33.480 --> 01:07:36.320
<v Speaker 3>hitting on exactly why I'm doing these as occult esotic

1238
01:07:36.320 --> 01:07:37.840
<v Speaker 3>film reviews, because I think the one thing that the

1239
01:07:37.840 --> 01:07:39.639
<v Speaker 3>folks can understand is when they see a picture of

1240
01:07:39.679 --> 01:07:42.119
<v Speaker 3>these ideas and they can relate to a picture like

1241
01:07:42.360 --> 01:07:43.639
<v Speaker 3>it makes a lot more It makes a lot more

1242
01:07:43.679 --> 01:07:46.760
<v Speaker 3>sense to me when I see shit in a picture. Yes, absolutely,

1243
01:07:46.960 --> 01:07:50.920
<v Speaker 3>that's just me. Yeah, that's not what I'm saying.

1244
01:07:50.760 --> 01:07:53.840
<v Speaker 5>Julia, Are you special?

1245
01:07:53.880 --> 01:07:56.360
<v Speaker 3>As the pop ups? And I color them myself. Okay.

1246
01:07:58.400 --> 01:08:01.719
<v Speaker 5>I saw something on the Wikipedia page for the author though.

1247
01:08:01.760 --> 01:08:03.480
<v Speaker 5>I was going to ask John if he thought it

1248
01:08:03.519 --> 01:08:06.159
<v Speaker 5>was significant. Hang on, pull it back up.

1249
01:08:06.559 --> 01:08:09.880
<v Speaker 3>Please do stand by, police by. I don't even know

1250
01:08:09.920 --> 01:08:11.239
<v Speaker 3>what I was doing there. I was just cruising around

1251
01:08:11.280 --> 01:08:12.480
<v Speaker 3>my tabs. To be quite honest with.

1252
01:08:12.440 --> 01:08:15.400
<v Speaker 5>You, Well, it looks like the first book. This isn't

1253
01:08:15.440 --> 01:08:16.399
<v Speaker 5>what I was going to ask.

1254
01:08:16.479 --> 01:08:18.279
<v Speaker 3>But first, right.

1255
01:08:22.279 --> 01:08:26.960
<v Speaker 5>Is my namesake Julia nineteen seventy five. But that's besides

1256
01:08:27.000 --> 01:08:30.279
<v Speaker 5>the point. It looks like he did some work for

1257
01:08:31.000 --> 01:08:35.279
<v Speaker 5>or with HP Lovecraft.

1258
01:08:34.239 --> 01:08:36.279
<v Speaker 3>And Stephen King.

1259
01:08:36.319 --> 01:08:37.079
<v Speaker 5>Stephen King.

1260
01:08:37.439 --> 01:08:40.720
<v Speaker 2>Yeah, he and Stephen King wrote two novels together, The

1261
01:08:40.760 --> 01:08:45.079
<v Speaker 2>Talisman and Black House. Black House. That's one of the

1262
01:08:45.159 --> 01:08:48.000
<v Speaker 2>rare moments in Straub's career that I just didn't It

1263
01:08:48.039 --> 01:08:50.640
<v Speaker 2>wasn't very good. But the Talisman is really good, the

1264
01:08:50.680 --> 01:08:54.199
<v Speaker 2>first book. I really enjoyed that one. I think he

1265
01:08:54.359 --> 01:08:59.800
<v Speaker 2>edited maybe a volume of HP Lovecraft stories for the

1266
01:08:59.840 --> 01:09:02.840
<v Speaker 2>Library of America, and unfortunately a lot of that stuff

1267
01:09:02.840 --> 01:09:04.199
<v Speaker 2>has gone out of print. But that was a really

1268
01:09:04.199 --> 01:09:05.319
<v Speaker 2>a good series of books.

1269
01:09:05.520 --> 01:09:10.640
<v Speaker 5>Yeah, I wonder what's in the Talisman.

1270
01:09:12.359 --> 01:09:16.319
<v Speaker 2>Well, there's a character. In fact, the main villain in

1271
01:09:16.359 --> 01:09:20.479
<v Speaker 2>that book is named Morgan Slote, and the surname Slope

1272
01:09:20.560 --> 01:09:22.880
<v Speaker 2>comes from a roommate of John Carrs when he was

1273
01:09:22.920 --> 01:09:27.960
<v Speaker 2>in the Air Force. Uh So, yeah, there's just one

1274
01:09:27.960 --> 01:09:32.079
<v Speaker 2>clue after another in his books, and it's well, yeah.

1275
01:09:32.760 --> 01:09:37.800
<v Speaker 5>Isn't there a Laurel Kenyon asshole last name Slopeman changed

1276
01:09:37.840 --> 01:09:40.920
<v Speaker 5>it to do you know how I'm talking about j J.

1277
01:09:41.079 --> 01:09:46.760
<v Speaker 3>Are you referring to Jim Morrison's kindergarten classmate, Gail Slopeman,

1278
01:09:46.800 --> 01:09:48.439
<v Speaker 3>who would later marry Frank Zappa.

1279
01:09:49.199 --> 01:09:53.199
<v Speaker 5>Yes, yes, and changed her last name. That's right, that's right,

1280
01:09:54.319 --> 01:09:59.119
<v Speaker 5>Gail Zappa formerly known Slopeman.

1281
01:10:00.039 --> 01:10:01.800
<v Speaker 3>Yes, ma'am. She was.

1282
01:10:02.039 --> 01:10:05.319
<v Speaker 5>She was military, right her family.

1283
01:10:05.119 --> 01:10:08.560
<v Speaker 3>Sure for sure, that's why she was in kindergarten with Morrison.

1284
01:10:09.600 --> 01:10:15.119
<v Speaker 5>Yeah. No, that that obviously two connections in my mind,

1285
01:10:15.239 --> 01:10:19.720
<v Speaker 5>because I think that they sneak little stuff like that,

1286
01:10:19.840 --> 01:10:23.279
<v Speaker 5>and Gail Slopeman somebody wrote it in the comments.

1287
01:10:23.560 --> 01:10:25.760
<v Speaker 3>Yep, there you go, Thank you folks of the interwebs.

1288
01:10:25.800 --> 01:10:31.520
<v Speaker 3>So these are interesting aspects. So with regards to spy Challa, like,

1289
01:10:31.600 --> 01:10:32.880
<v Speaker 3>I mean, you got to be in the know on

1290
01:10:32.960 --> 01:10:38.520
<v Speaker 3>that one, right, you know, yeah, because that that my

1291
01:10:38.600 --> 01:10:40.600
<v Speaker 3>understanding is like like you were pointing out, is like

1292
01:10:40.680 --> 01:10:43.840
<v Speaker 3>that dude was like you know, you know, no one

1293
01:10:43.840 --> 01:10:45.159
<v Speaker 3>really knew that name, like that was one of the

1294
01:10:45.199 --> 01:10:47.960
<v Speaker 3>ones that minderstanding Mary kept close to the best, even

1295
01:10:48.039 --> 01:10:49.279
<v Speaker 3>right he did.

1296
01:10:49.359 --> 01:10:52.159
<v Speaker 2>Yeah, I think Maury was right up to the end.

1297
01:10:52.199 --> 01:10:55.239
<v Speaker 2>He was trying to learn more about all these individuals

1298
01:10:55.239 --> 01:10:58.039
<v Speaker 2>because he knew they all fit into the larger picture.

1299
01:10:58.840 --> 01:11:03.640
<v Speaker 2>But Yell was he's really You read about his history

1300
01:11:03.680 --> 01:11:07.119
<v Speaker 2>and some of this stuff is just almost unimaginably awful.

1301
01:11:07.720 --> 01:11:09.680
<v Speaker 2>He's another one of these people. The reason all these

1302
01:11:09.720 --> 01:11:12.119
<v Speaker 2>people were there is that they hurt children. That that

1303
01:11:12.399 --> 01:11:16.920
<v Speaker 2>was the common thread, you know, because that that's ultimately

1304
01:11:16.960 --> 01:11:20.279
<v Speaker 2>what this cult was about. The Son of Sam attacks themselves.

1305
01:11:20.600 --> 01:11:24.000
<v Speaker 2>I feel we're just the visible tip of a very

1306
01:11:24.119 --> 01:11:27.279
<v Speaker 2>large iceberg. In the case, was was way more complex

1307
01:11:27.439 --> 01:11:30.880
<v Speaker 2>than just the handful of of shooting attacks that people

1308
01:11:30.920 --> 01:11:31.399
<v Speaker 2>know about.

1309
01:11:31.720 --> 01:11:36.479
<v Speaker 5>Wait till you read Program to Kill. You're gonna you're

1310
01:11:36.640 --> 01:11:39.640
<v Speaker 5>gonna go so far down the rabbit hole you're gonna

1311
01:11:39.640 --> 01:11:41.800
<v Speaker 5>be begging me and JJ to pull you back out.

1312
01:11:42.119 --> 01:11:48.159
<v Speaker 5>I mean, it's it's it's absolutely mind boggling. But I

1313
01:11:48.199 --> 01:11:50.840
<v Speaker 5>agree with you. I think children are a currency in

1314
01:11:50.880 --> 01:11:57.439
<v Speaker 5>these cults. They're traded and they are used for blackmail,

1315
01:11:57.760 --> 01:12:00.640
<v Speaker 5>among other things, sacrificial.

1316
01:12:00.159 --> 01:12:01.640
<v Speaker 3>Well, there you go. You know, you hit it right there,

1317
01:12:02.039 --> 01:12:03.720
<v Speaker 3>the way I look at it, the way I look

1318
01:12:03.720 --> 01:12:05.960
<v Speaker 3>at the epicenter my apologize and mean to cut you off.

1319
01:12:06.039 --> 01:12:07.560
<v Speaker 5>Julie, No, yeah, go ahead, go ahead.

1320
01:12:08.039 --> 01:12:11.199
<v Speaker 3>I look at the epicenter of the activity of these

1321
01:12:11.239 --> 01:12:15.359
<v Speaker 3>spooky blackmail operations, and you know, I've read enough cruelly

1322
01:12:15.439 --> 01:12:18.359
<v Speaker 3>and I'll be going that on unpacking my Satanic Panic series.

1323
01:12:18.880 --> 01:12:21.760
<v Speaker 3>Literally again, I'm not trying to inform my own opinions, thoughts,

1324
01:12:21.800 --> 01:12:24.079
<v Speaker 3>or ideas against their judgmental on all these people. I'm

1325
01:12:24.159 --> 01:12:27.119
<v Speaker 3>using their words to describe these things. And there's a

1326
01:12:27.119 --> 01:12:29.119
<v Speaker 3>lot of kid diddling stuff that comes out of what

1327
01:12:29.159 --> 01:12:31.720
<v Speaker 3>people would call a religion. If they're Theelamites that I

1328
01:12:31.720 --> 01:12:34.840
<v Speaker 3>think intersects with all this thing that they're calling blackmail operations.

1329
01:12:35.520 --> 01:12:38.520
<v Speaker 5>Well, you should talk to William Ramsey about the West

1330
01:12:38.560 --> 01:12:41.159
<v Speaker 5>Memphis three too, because that came out of the Satanic

1331
01:12:41.199 --> 01:12:46.119
<v Speaker 5>Panic and that was all weird Crowley worshiping stuff.

1332
01:12:46.359 --> 01:12:48.119
<v Speaker 3>So I mean, and I'll be using that as an

1333
01:12:48.159 --> 01:12:49.840
<v Speaker 3>example of my series, but I'm actually gonna be going

1334
01:12:49.880 --> 01:12:53.239
<v Speaker 3>over the cases and comp comparing the Satanic Panic around

1335
01:12:53.239 --> 01:12:56.199
<v Speaker 3>these major events, but using cases emphasized this is a

1336
01:12:56.239 --> 01:12:58.159
<v Speaker 3>greater deal, just like John's doing here in the son

1337
01:12:58.159 --> 01:13:00.640
<v Speaker 3>A Sam series. There's a greater number of cases that

1338
01:13:00.720 --> 01:13:03.000
<v Speaker 3>are not being depicted in the conversation because this is

1339
01:13:03.000 --> 01:13:05.119
<v Speaker 3>a larger pattern of behavior the cult activity.

1340
01:13:05.800 --> 01:13:08.560
<v Speaker 5>M hmm, well, I mean even in this movie. I

1341
01:13:08.560 --> 01:13:13.840
<v Speaker 5>think they reference in the movie, uh something about occultism

1342
01:13:14.159 --> 01:13:19.399
<v Speaker 5>several times or like cult activity several times they do.

1343
01:13:19.439 --> 01:13:21.399
<v Speaker 3>And on that note is is this is this an

1344
01:13:21.399 --> 01:13:23.319
<v Speaker 3>accurate statement that we hear from the chat? I appreciate

1345
01:13:23.359 --> 01:13:25.800
<v Speaker 3>this statement. There, Wallhead Rex so car was O T

1346
01:13:25.880 --> 01:13:28.000
<v Speaker 3>O O t O Roade Strub's attorney, and Strub edited

1347
01:13:28.000 --> 01:13:29.079
<v Speaker 3>out the OTO reference.

1348
01:13:29.239 --> 01:13:31.199
<v Speaker 2>Strup did, in fact edit out a reference to the

1349
01:13:31.199 --> 01:13:34.279
<v Speaker 2>OTO in the original hardcover version. That's right, No, she.

1350
01:13:36.319 --> 01:13:38.640
<v Speaker 3>That that's a fucking barn burner, right there, folks.

1351
01:13:38.840 --> 01:13:42.399
<v Speaker 2>Yeah, he changes the name of the group to the XXX,

1352
01:13:42.439 --> 01:13:47.119
<v Speaker 2>which has a convoluted Latin it means something in Latin.

1353
01:13:47.159 --> 01:13:49.920
<v Speaker 2>But he changed the name in the paperback to the XXX.

1354
01:13:50.399 --> 01:13:53.880
<v Speaker 2>But he also rolls into that multiple references to the

1355
01:13:53.920 --> 01:13:57.640
<v Speaker 2>Processed Church. In fact, that the villainous who is she

1356
01:13:57.720 --> 01:14:00.760
<v Speaker 2>keeps coming back with the initials a M. Those are

1357
01:14:00.840 --> 01:14:04.159
<v Speaker 2>just the initials of Marianna Grimston reversed. So there's a

1358
01:14:04.279 --> 01:14:07.960
<v Speaker 2>lot of cult references in their conscious references. But yes,

1359
01:14:08.000 --> 01:14:08.399
<v Speaker 2>that's true.

1360
01:14:08.399 --> 01:14:10.399
<v Speaker 3>Blown up a brainhole, John, You're blowing up a brain.

1361
01:14:10.279 --> 01:14:16.720
<v Speaker 2>Hole reference in in the in the original edition of

1362
01:14:16.720 --> 01:14:17.000
<v Speaker 2>the book.

1363
01:14:17.079 --> 01:14:24.239
<v Speaker 5>Yeah, and to the person who left that comment, uh, Wayheadrex,

1364
01:14:24.520 --> 01:14:29.479
<v Speaker 5>is that how wyhead Rex? Who the fuck are you?

1365
01:14:29.600 --> 01:14:32.920
<v Speaker 5>Why do you know so much? That was awesome. I

1366
01:14:32.960 --> 01:14:36.079
<v Speaker 5>mean John obviously was gonna say, but still, that was awesome.

1367
01:14:37.159 --> 01:14:39.000
<v Speaker 3>I didn't. Yeah, that's great stuff. I didn't know that

1368
01:14:39.039 --> 01:14:41.159
<v Speaker 3>at all. That's that's as I mean, it's an interesting

1369
01:14:41.199 --> 01:14:43.520
<v Speaker 3>aspect to understand when you you see the folks that

1370
01:14:43.560 --> 01:14:45.560
<v Speaker 3>get but hurt about their names appearing stuff. I had

1371
01:14:45.560 --> 01:14:48.920
<v Speaker 3>referenced earlier that creepy fellow Michae Lookino email and Dave

1372
01:14:48.960 --> 01:14:51.840
<v Speaker 3>McGowan saying how dare you and McGowan basically just laughing

1373
01:14:51.880 --> 01:14:52.399
<v Speaker 3>them off with.

1374
01:14:52.479 --> 01:14:57.479
<v Speaker 5>Facts, Yeah, with facts, literal facts like hello.

1375
01:14:57.720 --> 01:14:59.920
<v Speaker 2>Yeah, I'm really glad that people are coming about the

1376
01:15:00.079 --> 01:15:04.359
<v Speaker 2>things because this is a discussion that people have so seldom.

1377
01:15:04.399 --> 01:15:07.279
<v Speaker 2>I mean, it's this stuff is almost never talked about,

1378
01:15:07.640 --> 01:15:12.039
<v Speaker 2>especially in relation to the fictional references to real life

1379
01:15:12.039 --> 01:15:15.000
<v Speaker 2>people and events. I just, well, like I said earlier,

1380
01:15:15.079 --> 01:15:21.920
<v Speaker 2>it's it's so obviously a separate confirmation that the Yonkers

1381
01:15:22.039 --> 01:15:28.199
<v Speaker 2>case actually did happen, that this cult existed, but people

1382
01:15:28.239 --> 01:15:32.920
<v Speaker 2>within the community just aren't. They're not interested in it really,

1383
01:15:33.800 --> 01:15:37.199
<v Speaker 2>at least not in my experience, because I try to

1384
01:15:37.239 --> 01:15:40.920
<v Speaker 2>generate this conversation over and over again, and it's just

1385
01:15:40.960 --> 01:15:44.279
<v Speaker 2>not really something that people appear to be interested in.

1386
01:15:44.359 --> 01:15:47.000
<v Speaker 2>It's it's just not on their radar for whatever reason.

1387
01:15:47.640 --> 01:15:50.720
<v Speaker 5>Well, I found John, I'll give you my and I

1388
01:15:50.720 --> 01:15:53.479
<v Speaker 5>don't want a tangent or anything. But I just talked

1389
01:15:53.479 --> 01:15:57.159
<v Speaker 5>about this on a podcast recently, and you might agree

1390
01:15:57.239 --> 01:16:01.800
<v Speaker 5>or disagree, but I find it interesting the willingness of

1391
01:16:01.960 --> 01:16:05.800
<v Speaker 5>people to listen to podcasts but not to read anything.

1392
01:16:05.840 --> 01:16:08.359
<v Speaker 5>They don't want to read a book, they don't want to,

1393
01:16:08.760 --> 01:16:11.359
<v Speaker 5>they don't want to look up information they don't They

1394
01:16:11.399 --> 01:16:14.319
<v Speaker 5>want it to either be a Google away or in

1395
01:16:14.439 --> 01:16:17.720
<v Speaker 5>like some kind of a TikTok video or a podcast

1396
01:16:18.000 --> 01:16:20.800
<v Speaker 5>that they don't really have to like divulge too much

1397
01:16:20.800 --> 01:16:21.479
<v Speaker 5>of their attention.

1398
01:16:21.720 --> 01:16:25.600
<v Speaker 3>Yeah, right, it's sad.

1399
01:16:26.359 --> 01:16:29.119
<v Speaker 5>It is sad, But I think that's why it's so cool,

1400
01:16:29.479 --> 01:16:32.680
<v Speaker 5>like when we can talk about it in podcast form,

1401
01:16:32.760 --> 01:16:35.960
<v Speaker 5>Because obviously I love to read. I don't have any

1402
01:16:36.039 --> 01:16:40.119
<v Speaker 5>problems sitting down and reading The Ultimate Evil or Program

1403
01:16:40.159 --> 01:16:43.000
<v Speaker 5>to Kill Strange Things from the Canyon. I have no

1404
01:16:43.119 --> 01:16:46.640
<v Speaker 5>problem doing that. The thing for me is I didn't

1405
01:16:46.680 --> 01:16:49.039
<v Speaker 5>want to make it digestible so I can take it

1406
01:16:49.079 --> 01:16:52.520
<v Speaker 5>onto a podcast platform and talk to people about it

1407
01:16:52.560 --> 01:16:56.199
<v Speaker 5>and get them interested in it who would have otherwise

1408
01:16:56.319 --> 01:16:59.079
<v Speaker 5>never read the book or taken the time to read

1409
01:16:59.079 --> 01:17:02.399
<v Speaker 5>the book. So I think, you know, book reading in

1410
01:17:02.439 --> 01:17:05.680
<v Speaker 5>itself is kind of like this dying art form is like,

1411
01:17:05.720 --> 01:17:08.520
<v Speaker 5>oh what you read? You don't just listen to Joe

1412
01:17:08.640 --> 01:17:12.279
<v Speaker 5>Rogan and like download useless information, you know what I mean?

1413
01:17:12.439 --> 01:17:12.920
<v Speaker 5>So slight.

1414
01:17:13.199 --> 01:17:15.319
<v Speaker 3>I like your approach though. That's a pretty solid approaching

1415
01:17:15.359 --> 01:17:19.560
<v Speaker 3>out there. What you're saying, you're reading books and then

1416
01:17:19.560 --> 01:17:22.359
<v Speaker 3>trying to you know, instead of realizing folks don't read books,

1417
01:17:22.399 --> 01:17:25.520
<v Speaker 3>and then you try to digest that into a format.

1418
01:17:25.560 --> 01:17:27.920
<v Speaker 3>Then I did digestible podcast podcast.

1419
01:17:27.960 --> 01:17:30.840
<v Speaker 5>Yes, yeah, that's I mean, that's what I like to

1420
01:17:30.880 --> 01:17:33.119
<v Speaker 5>do on my show. That's why I think John would

1421
01:17:33.159 --> 01:17:37.600
<v Speaker 5>be successful at it, because it's obviously something that's very interesting,

1422
01:17:38.560 --> 01:17:41.239
<v Speaker 5>but people just don't want to read. Isn't that sad?

1423
01:17:41.760 --> 01:17:44.800
<v Speaker 5>People don't know one I want to take the time.

1424
01:17:45.560 --> 01:17:48.039
<v Speaker 2>Well, on my substect that's what I try to give

1425
01:17:48.039 --> 01:17:50.680
<v Speaker 2>it to people, Like, like you're talking about indigestible form,

1426
01:17:50.720 --> 01:17:52.520
<v Speaker 2>you know, you give them just a few paragraphs and

1427
01:17:52.560 --> 01:17:55.880
<v Speaker 2>hopefully it's not so complicated that it overwhelms them, but

1428
01:17:55.960 --> 01:17:58.760
<v Speaker 2>it gives them enough to think about and maybe that'll

1429
01:17:58.880 --> 01:18:00.840
<v Speaker 2>part their interest and then they'll go read a couple

1430
01:18:00.840 --> 01:18:03.439
<v Speaker 2>of books about it. But yeah, I felt like that

1431
01:18:03.520 --> 01:18:06.640
<v Speaker 2>was particularly important with Stroud because I kept asking people

1432
01:18:06.680 --> 01:18:08.560
<v Speaker 2>that they read the book and everybody said no, And

1433
01:18:08.560 --> 01:18:11.199
<v Speaker 2>I said, well, there's all this really bizarre stuff in

1434
01:18:11.239 --> 01:18:14.399
<v Speaker 2>it that relates directly to the case, and I just

1435
01:18:15.560 --> 01:18:19.600
<v Speaker 2>it was interesting to me anyways, so I started to

1436
01:18:19.600 --> 01:18:25.760
<v Speaker 2>dig deeper into it, and then it also correlated with it.

1437
01:18:25.920 --> 01:18:29.399
<v Speaker 2>I was really when I started doing research, I hated

1438
01:18:29.439 --> 01:18:31.920
<v Speaker 2>making phone calls to people. I just hated it because

1439
01:18:31.920 --> 01:18:34.840
<v Speaker 2>it made them feel weird and it made me feel weird.

1440
01:18:35.680 --> 01:18:38.039
<v Speaker 2>But I found that the more I did it, the

1441
01:18:38.079 --> 01:18:44.279
<v Speaker 2>more I found information from actual firsthand sources who corroborated

1442
01:18:44.399 --> 01:18:47.680
<v Speaker 2>the references to the cult that I found in Straub's work,

1443
01:18:49.079 --> 01:18:53.359
<v Speaker 2>to the point where this is one of the things

1444
01:18:53.399 --> 01:18:56.760
<v Speaker 2>that didn't make it into the film, unfortunately. But in

1445
01:18:56.800 --> 01:19:02.079
<v Speaker 2>the novel, the Alice Kreese character, this Eva Gali Alma

1446
01:19:02.119 --> 01:19:06.600
<v Speaker 2>Moblei character in one of her incarnations she appears in

1447
01:19:06.680 --> 01:19:10.159
<v Speaker 2>a stage play, and she's a big success, and everybody's

1448
01:19:10.159 --> 01:19:13.039
<v Speaker 2>fascinated with her, and they think, oh wow, she's destined

1449
01:19:13.079 --> 01:19:14.560
<v Speaker 2>to go on to be a star of the stage

1450
01:19:14.600 --> 01:19:15.840
<v Speaker 2>and she's going to do a lot of great things

1451
01:19:15.880 --> 01:19:21.039
<v Speaker 2>when her but she abruptly disappears. Well, for the longest time,

1452
01:19:21.079 --> 01:19:24.039
<v Speaker 2>I've been reading this book for thirty five thirty six years.

1453
01:19:24.119 --> 01:19:28.479
<v Speaker 2>I read it every Halloween. I had no idea that

1454
01:19:28.479 --> 01:19:31.479
<v Speaker 2>that referred to a real life event. Well, I started

1455
01:19:31.520 --> 01:19:36.479
<v Speaker 2>doing newspaper research on Susanne Conway. She appeared in nineteen

1456
01:19:36.640 --> 01:19:41.600
<v Speaker 2>seventy five in a stage play, then left town very suddenly.

1457
01:19:41.640 --> 01:19:44.520
<v Speaker 2>At first, I only knew about the play. Then I

1458
01:19:44.760 --> 01:19:48.079
<v Speaker 2>spoke to one of her fellow cast members in upstate

1459
01:19:48.159 --> 01:19:50.760
<v Speaker 2>New York and he tells me, well, you know, and

1460
01:19:50.800 --> 01:19:53.000
<v Speaker 2>I didn't tell him any of this stuff about ghost story,

1461
01:19:53.039 --> 01:19:54.359
<v Speaker 2>any of the rest of it, But he said, you know,

1462
01:19:54.760 --> 01:19:56.800
<v Speaker 2>I don't know what happened to Sue, because not long

1463
01:19:56.840 --> 01:19:58.399
<v Speaker 2>after she was in the place, she just up and

1464
01:19:58.479 --> 01:20:01.199
<v Speaker 2>left town, and everybody wondered about her. Nobody knew what

1465
01:20:01.239 --> 01:20:03.720
<v Speaker 2>happened to her. So it's a reference to the end

1466
01:20:03.880 --> 01:20:10.119
<v Speaker 2>Veronica more story in the novel a direct reference. Uh So,

1467
01:20:10.159 --> 01:20:12.560
<v Speaker 2>the more research you do, the more you find out

1468
01:20:12.560 --> 01:20:15.079
<v Speaker 2>that all this stuff actually happened, and that so many

1469
01:20:15.119 --> 01:20:18.920
<v Speaker 2>of the events in the book make reference to real life.

1470
01:20:18.800 --> 01:20:20.359
<v Speaker 5>Events, real life shit.

1471
01:20:20.880 --> 01:20:25.199
<v Speaker 3>Yeah. Yeah, that's a great blog piece, Specs. You definitely

1472
01:20:25.239 --> 01:20:27.039
<v Speaker 3>check this out. Isn't be in the show notes for

1473
01:20:27.079 --> 01:20:28.000
<v Speaker 3>folks to check out.

1474
01:20:28.640 --> 01:20:33.880
<v Speaker 5>Joy doesn't Susan Conway remind you of Tuesday Weld a

1475
01:20:33.880 --> 01:20:34.319
<v Speaker 5>little bit?

1476
01:20:35.880 --> 01:20:38.079
<v Speaker 3>She plays a very similar role in the in this

1477
01:20:38.119 --> 01:20:40.239
<v Speaker 3>scene that I think is Tuesday Well plays overall and

1478
01:20:40.319 --> 01:20:41.680
<v Speaker 3>especially in the Hollywood scene.

1479
01:20:42.239 --> 01:20:46.560
<v Speaker 5>Yeah, and they're both like priestess level. Yeah, you know

1480
01:20:46.600 --> 01:20:50.079
<v Speaker 5>what I'm saying. You gotta look into Tuesday Well if

1481
01:20:50.119 --> 01:20:55.279
<v Speaker 5>you haven't, John, because she's another rabbit hole that just

1482
01:20:55.319 --> 01:20:59.000
<v Speaker 5>never ends. But it's like the ones, the ones in

1483
01:20:59.039 --> 01:21:04.520
<v Speaker 5>these these who are actually the upper echelon, They actually

1484
01:21:04.520 --> 01:21:12.720
<v Speaker 5>get kind of shielded or hidden or occulted from mainstream view,

1485
01:21:13.159 --> 01:21:13.640
<v Speaker 5>which I.

1486
01:21:13.680 --> 01:21:14.840
<v Speaker 3>Come on, are you sing?

1487
01:21:15.279 --> 01:21:18.079
<v Speaker 5>Very interesting? What are you talking about?

1488
01:21:20.159 --> 01:21:21.880
<v Speaker 3>You mean to tell me people aren't how accountable for

1489
01:21:21.880 --> 01:21:24.000
<v Speaker 3>their activities? Is that around these these colts?

1490
01:21:25.119 --> 01:21:25.960
<v Speaker 5>Right? Yeah?

1491
01:21:26.560 --> 01:21:28.319
<v Speaker 3>What you mean is that what you want me to believe?

1492
01:21:29.199 --> 01:21:32.720
<v Speaker 5>I do want you.

1493
01:21:31.399 --> 01:21:33.039
<v Speaker 3>Now that is the pattern time and time again.

1494
01:21:33.159 --> 01:21:38.640
<v Speaker 5>Right mm so this this uh in the in the

1495
01:21:38.760 --> 01:21:41.960
<v Speaker 5>movie actually too. I wanted to get your thoughts on this.

1496
01:21:42.800 --> 01:21:44.680
<v Speaker 3>May I just make a point on your book booking

1497
01:21:44.720 --> 01:21:47.880
<v Speaker 3>on your statement there, Juliet, relative to national security on

1498
01:21:47.920 --> 01:21:50.720
<v Speaker 3>our left and relative to process church folks who walk

1499
01:21:50.760 --> 01:21:54.279
<v Speaker 3>on our right. Cocaine Bob here walked on trafficking charges

1500
01:21:54.279 --> 01:21:57.359
<v Speaker 3>in cocaine in nineteen eighty no time, and he walked

1501
01:21:57.359 --> 01:21:59.520
<v Speaker 3>on murder charges in nineteen eighty eight of the Roy

1502
01:21:59.600 --> 01:22:03.239
<v Speaker 3>Raidner her courtesy of Charles Manson's friend Ira Reyner, then

1503
01:22:03.439 --> 01:22:07.159
<v Speaker 3>LA district attorney and his co conspirator. There, Old Cocaine

1504
01:22:07.199 --> 01:22:10.319
<v Speaker 3>Bob was the medi Ian cartels number one dude in

1505
01:22:10.359 --> 01:22:14.079
<v Speaker 3>America's wife she just popped her husband six months prior

1506
01:22:14.119 --> 01:22:17.439
<v Speaker 3>to arrest with with with which Cocaine Bob was picked

1507
01:22:17.520 --> 01:22:19.640
<v Speaker 3>up for and was an unindicted co conspirator.

1508
01:22:20.760 --> 01:22:26.199
<v Speaker 5>But you know how many people know that you that's true?

1509
01:22:27.159 --> 01:22:30.359
<v Speaker 5>Like and like whoever's listening to this podcast right now,

1510
01:22:30.439 --> 01:22:30.760
<v Speaker 5>Well we.

1511
01:22:30.720 --> 01:22:32.520
<v Speaker 3>Gotta yeah say we got we got one hundred and

1512
01:22:32.560 --> 01:22:34.680
<v Speaker 3>seventy plus folks that are learning these things right now.

1513
01:22:34.680 --> 01:22:42.000
<v Speaker 3>So that's again, this is all right, definitely a barn burner.

1514
01:22:42.119 --> 01:22:44.760
<v Speaker 3>I appreciate. I just I got to bring in the

1515
01:22:44.760 --> 01:22:47.159
<v Speaker 3>cocaine Bob factor in my back. Yeah.

1516
01:22:47.199 --> 01:22:48.119
<v Speaker 5>Yeah, I mean that.

1517
01:22:48.000 --> 01:22:50.760
<v Speaker 3>He's an I never leave.

1518
01:22:52.079 --> 01:22:54.039
<v Speaker 5>You cut out for like a second.

1519
01:22:56.000 --> 01:22:59.560
<v Speaker 3>The uh so, Yeah, I mean I just think, you know, again,

1520
01:22:59.640 --> 01:23:02.600
<v Speaker 3>we're we're kind of drawing patterns of these activities and people.

1521
01:23:02.600 --> 01:23:04.600
<v Speaker 3>But you know, these people don't get held accountable, do they.

1522
01:23:06.119 --> 01:23:09.079
<v Speaker 2>No, No, they really don't. There was a handful of

1523
01:23:09.079 --> 01:23:12.760
<v Speaker 2>people in the case of Son of Sam who were

1524
01:23:13.319 --> 01:23:17.079
<v Speaker 2>members or affiliates of the cult who died in odd ways,

1525
01:23:17.159 --> 01:23:20.439
<v Speaker 2>you know, in the few years after Burkewitz's arrest. But

1526
01:23:20.840 --> 01:23:23.680
<v Speaker 2>the people hire up the ladder. Yeah, there very rarely

1527
01:23:24.119 --> 01:23:27.359
<v Speaker 2>are any consequences for them, unfortunately for sure.

1528
01:23:27.399 --> 01:23:29.239
<v Speaker 3>And I just want to highlight this before we move on.

1529
01:23:29.399 --> 01:23:32.600
<v Speaker 3>Peter Strobe, unless yell have anything else on Strobe, but

1530
01:23:32.680 --> 01:23:35.800
<v Speaker 3>he says he wrote ghost Story. The reason I chose

1531
01:23:35.840 --> 01:23:38.560
<v Speaker 3>to write scary books was because at the time there

1532
01:23:38.560 --> 01:23:41.960
<v Speaker 3>were only three horror novels and they'd been enormously successful,

1533
01:23:42.079 --> 01:23:45.520
<v Speaker 3>The Exorcist, Rosemary's Baby, and the other. And I just

1534
01:23:45.560 --> 01:23:49.000
<v Speaker 3>like to remind everyone Rosemary's Baby was a process outfit

1535
01:23:49.640 --> 01:23:53.079
<v Speaker 3>with Roman Planski cocaine Bob. He was on set every

1536
01:23:53.119 --> 01:23:55.760
<v Speaker 3>day despite being the head of Paramount and hiring Polansky

1537
01:23:55.840 --> 01:23:57.439
<v Speaker 3>to do that. And I like to put a note

1538
01:23:57.479 --> 01:23:59.520
<v Speaker 3>in there, penning Polanski there for a second, because he

1539
01:23:59.520 --> 01:24:02.760
<v Speaker 3>comes up here in Tonight's tale. But if you aren't

1540
01:24:02.960 --> 01:24:05.359
<v Speaker 3>have anything else on Peter Strubb, we can continue. But

1541
01:24:05.479 --> 01:24:07.640
<v Speaker 3>by all means, this guy's an interesting character.

1542
01:24:10.439 --> 01:24:13.359
<v Speaker 2>Yeah, I would I wish I knew more about him personally,

1543
01:24:13.439 --> 01:24:17.479
<v Speaker 2>because it's it's just so obvious that he had a

1544
01:24:17.520 --> 01:24:20.880
<v Speaker 2>first hand source, you know. Yeah, but it's the kind

1545
01:24:20.920 --> 01:24:23.199
<v Speaker 2>of thing that he was never going to talk about openly.

1546
01:24:23.239 --> 01:24:27.119
<v Speaker 2>I mean, he he talks about certain influence, you know,

1547
01:24:27.159 --> 01:24:30.279
<v Speaker 2>literary influence and stuff on Ghost Story. He talks about

1548
01:24:30.720 --> 01:24:35.159
<v Speaker 2>you know, uh, Nathaniel Hawthorne and Henry James and all that.

1549
01:24:35.239 --> 01:24:39.760
<v Speaker 2>But but those are the obvious things. What's not so obvious? Hey?

1550
01:24:39.640 --> 01:24:41.239
<v Speaker 3>There you go? What do we don't know that we

1551
01:24:41.279 --> 01:24:43.359
<v Speaker 3>don't know that? We do they know that we don't know?

1552
01:24:43.720 --> 01:24:47.239
<v Speaker 2>Yeah, And I just I wish I wish it was

1553
01:24:47.640 --> 01:24:50.159
<v Speaker 2>a wider discussion. I'd like to bring more people into it,

1554
01:24:50.199 --> 01:24:53.119
<v Speaker 2>you know, because somebody's going to know something about this somewhere.

1555
01:24:53.439 --> 01:24:55.319
<v Speaker 2>We just have to bring him into the circle and

1556
01:24:55.640 --> 01:24:57.479
<v Speaker 2>and get everybody to talk about it.

1557
01:24:58.359 --> 01:24:58.600
<v Speaker 3>Well.

1558
01:24:58.680 --> 01:25:02.319
<v Speaker 5>To add on to your point really quick about this

1559
01:25:02.520 --> 01:25:06.640
<v Speaker 5>author and why I feel like it's significant is because

1560
01:25:06.960 --> 01:25:11.920
<v Speaker 5>someone that I comment on constantly that I actually have

1561
01:25:11.960 --> 01:25:18.199
<v Speaker 5>a poster right here, Stanley Kubrick. He put into his

1562
01:25:18.359 --> 01:25:22.600
<v Speaker 5>movies things that were not in the novels, right like

1563
01:25:22.680 --> 01:25:30.079
<v Speaker 5>the Shining Clockwork Orange Lolita, you know. And the guy

1564
01:25:30.119 --> 01:25:34.319
<v Speaker 5>who wrote a Clockwork Orange actually ripped off the idea

1565
01:25:34.359 --> 01:25:37.800
<v Speaker 5>from a conversation that Stanley Kubrick was having with someone,

1566
01:25:38.279 --> 01:25:38.680
<v Speaker 5>and then.

1567
01:25:38.600 --> 01:25:39.680
<v Speaker 3>He ended up directing.

1568
01:25:40.319 --> 01:25:44.319
<v Speaker 5>Yes. Yes, So Stanley Kubrick was at a party one

1569
01:25:44.439 --> 01:25:46.680
<v Speaker 5>night with a bunch of like weird German people like

1570
01:25:46.760 --> 01:25:49.359
<v Speaker 5>Warner von Braun and shit like that, and he was

1571
01:25:49.439 --> 01:25:53.560
<v Speaker 5>talking about the idea of a clockwork Orange. The guy

1572
01:25:53.600 --> 01:25:56.319
<v Speaker 5>who wrote the book was there, wrote the book and

1573
01:25:56.359 --> 01:25:59.079
<v Speaker 5>then had Stanley direct the film. But the reason I

1574
01:25:59.119 --> 01:26:00.000
<v Speaker 5>bring all this up.

1575
01:26:00.119 --> 01:26:06.800
<v Speaker 3>Ark, No, it's Anthony Burgess. Like you, He's also got

1576
01:26:06.800 --> 01:26:08.159
<v Speaker 3>a weird a lot of weird stuff in.

1577
01:26:08.079 --> 01:26:12.479
<v Speaker 5>His stories, right, Anthony Burgess. So why I bring that

1578
01:26:12.600 --> 01:26:17.560
<v Speaker 5>up is because Stanley Kubrick was supposed to direct the Exorcist,

1579
01:26:17.960 --> 01:26:20.199
<v Speaker 5>but he passed it up. He said he didn't want

1580
01:26:20.199 --> 01:26:24.640
<v Speaker 5>to do it, and so they got William Friedkin to

1581
01:26:24.720 --> 01:26:28.359
<v Speaker 5>do the Exorcist. But then because he passed up on

1582
01:26:28.399 --> 01:26:32.560
<v Speaker 5>the Exorcist, they asked him to do the Shining and

1583
01:26:32.600 --> 01:26:35.079
<v Speaker 5>he took it and flipped it and made it a

1584
01:26:35.119 --> 01:26:38.319
<v Speaker 5>cult and esoteric and it it is what we have today.

1585
01:26:38.319 --> 01:26:41.720
<v Speaker 5>But then look at the other book slash movie that's

1586
01:26:41.720 --> 01:26:47.000
<v Speaker 5>listed Rosemary's Baby, right Polanski, So this guy is talking

1587
01:26:47.039 --> 01:26:52.199
<v Speaker 5>about I wanted to write horror because I know how

1588
01:26:52.399 --> 01:26:55.640
<v Speaker 5>esoteric it is. Basically, right, we got like The Exorcist,

1589
01:26:55.920 --> 01:26:59.079
<v Speaker 5>Rosemary's Baby. I mean, Stanley Kubrick was doing all this

1590
01:26:59.159 --> 01:26:59.760
<v Speaker 5>shit too.

1591
01:27:00.920 --> 01:27:02.600
<v Speaker 3>I would all books.

1592
01:27:02.560 --> 01:27:05.039
<v Speaker 5>And making them, you know what I mean. It's like

1593
01:27:05.079 --> 01:27:07.680
<v Speaker 5>they're all kind of connected. They all know that they

1594
01:27:07.720 --> 01:27:09.000
<v Speaker 5>can slip stuff in there.

1595
01:27:09.720 --> 01:27:11.800
<v Speaker 3>Yeah, for sure, I would argue it's them trying to

1596
01:27:12.560 --> 01:27:15.520
<v Speaker 3>basically a public initiation of some of the cold ideas. Because

1597
01:27:15.720 --> 01:27:18.560
<v Speaker 3>you mentioned freaking he ties into the gay club s

1598
01:27:18.600 --> 01:27:20.680
<v Speaker 3>and m scene with this tale relative to the Son

1599
01:27:20.720 --> 01:27:22.520
<v Speaker 3>of Sam story in the early eighties in New York City,

1600
01:27:23.880 --> 01:27:26.119
<v Speaker 3>that death mass story, the death mass story that John

1601
01:27:26.119 --> 01:27:29.199
<v Speaker 3>wrote about would be this environment here and Cruising. In fact,

1602
01:27:29.720 --> 01:27:31.680
<v Speaker 3>freakin knew the guy that was doing these.

1603
01:27:31.600 --> 01:27:34.960
<v Speaker 5>Murders, but see how they slipped that.

1604
01:27:34.960 --> 01:27:38.520
<v Speaker 3>Shit in Yeah, and freaking's it's I just friends with

1605
01:27:38.520 --> 01:27:40.680
<v Speaker 3>this guy who's a gay, gay S and M club

1606
01:27:40.720 --> 01:27:43.159
<v Speaker 3>serial killer. Don't worry about it, folks, don't worry about

1607
01:27:43.199 --> 01:27:46.880
<v Speaker 3>it and go cocaine Bible star his buddy Alvil stars

1608
01:27:46.920 --> 01:27:48.680
<v Speaker 3>the you know in the film about it, right, because

1609
01:27:48.880 --> 01:27:51.079
<v Speaker 3>these idiots are just telling that they're bragging about their

1610
01:27:51.119 --> 01:27:53.439
<v Speaker 3>Speaking of the Braggs we talked about earlier, John, they're

1611
01:27:53.479 --> 01:27:56.199
<v Speaker 3>just bragging about their ship in my opinion, but yeah,

1612
01:27:56.319 --> 01:27:58.439
<v Speaker 3>well I'm just the garbage candidates. Who am I to say?

1613
01:27:58.720 --> 01:28:00.720
<v Speaker 2>Well, I'll tell you And I hope this is not

1614
01:28:00.760 --> 01:28:03.239
<v Speaker 2>going to sound like Bragdon because it really isn't. But

1615
01:28:03.279 --> 01:28:07.199
<v Speaker 2>it's just such an inescapable connection I have to mention it.

1616
01:28:07.239 --> 01:28:11.920
<v Speaker 2>In reference to Cruising, the Los Angeles punk rock band

1617
01:28:11.960 --> 01:28:13.880
<v Speaker 2>The Germs, they did a couple of songs for the

1618
01:28:13.920 --> 01:28:15.920
<v Speaker 2>sound Actually they did about half an album's worth of

1619
01:28:15.920 --> 01:28:18.239
<v Speaker 2>stuff for the soundtrack of that film, but only one

1620
01:28:18.279 --> 01:28:22.760
<v Speaker 2>of the songs wound up being used. Uh, there is

1621
01:28:22.880 --> 01:28:23.960
<v Speaker 2>cult history there.

1622
01:28:26.319 --> 01:28:26.560
<v Speaker 1>Yeah.

1623
01:28:26.640 --> 01:28:29.760
<v Speaker 2>In in in Darby Crash's background.

1624
01:28:29.199 --> 01:28:32.720
<v Speaker 3>Thought came from that band.

1625
01:28:33.560 --> 01:28:38.840
<v Speaker 2>Yeah, no ship, Yeah, George Ruthenberg, Yeah, I don't. A

1626
01:28:38.880 --> 01:28:42.920
<v Speaker 2>good friend of mine knew Derby fairlywell. She was involved

1627
01:28:42.960 --> 01:28:50.960
<v Speaker 2>in that scene, and in fact she was Nicholas Shrek's

1628
01:28:51.000 --> 01:28:51.720
<v Speaker 2>first wife.

1629
01:28:53.359 --> 01:28:55.119
<v Speaker 3>That's right, you told me about that.

1630
01:28:57.000 --> 01:29:01.399
<v Speaker 2>But we were good, good friends. And uh, I learned

1631
01:29:01.399 --> 01:29:06.479
<v Speaker 2>a lot reading about Darby because he I believe he

1632
01:29:06.600 --> 01:29:11.479
<v Speaker 2>was almost certainly programmed. Uh And that's probably a story

1633
01:29:11.520 --> 01:29:12.960
<v Speaker 2>for another time, but but.

1634
01:29:13.079 --> 01:29:16.159
<v Speaker 3>He was a story from our time because I just

1635
01:29:16.159 --> 01:29:17.680
<v Speaker 3>put a pin in that there that' stuff. This is

1636
01:29:17.720 --> 01:29:19.039
<v Speaker 3>all very interesting, please continue.

1637
01:29:19.119 --> 01:29:22.279
<v Speaker 2>Yeah, Actually there's a lot of strange history there. He

1638
01:29:22.479 --> 01:29:24.479
<v Speaker 2>very early on, when he was still in high school,

1639
01:29:24.880 --> 01:29:27.720
<v Speaker 2>he had people from scientology and est and all these

1640
01:29:27.840 --> 01:29:32.680
<v Speaker 2>organizations actively messing with the heads of the kids that

1641
01:29:32.720 --> 01:29:35.760
<v Speaker 2>attended that school. So yeah, that that's something we could

1642
01:29:35.800 --> 01:29:37.640
<v Speaker 2>talk about another for.

1643
01:29:37.680 --> 01:29:43.079
<v Speaker 3>Sure, dude, that we exercise into my speaking of weird

1644
01:29:43.199 --> 01:29:46.399
<v Speaker 3>McGowan's weird scenes inside the Canyon. I took the framework

1645
01:29:46.439 --> 01:29:50.000
<v Speaker 3>of his story, the salient characteristics and points that he

1646
01:29:50.520 --> 01:29:53.760
<v Speaker 3>identified theirs. That was the framework of that operation in

1647
01:29:53.800 --> 01:29:56.720
<v Speaker 3>Laurel Canyon. I applied that same framework to Seattle runs

1648
01:29:57.000 --> 01:29:59.920
<v Speaker 3>counterculture and it's the exact same fucking thing. And Pat's

1649
01:30:00.039 --> 01:30:02.039
<v Speaker 3>mirror is part of that counterculture. That's interesting.

1650
01:30:02.720 --> 01:30:06.279
<v Speaker 5>Yeah, the Nirvana you know weird.

1651
01:30:06.399 --> 01:30:11.920
<v Speaker 3>Yeah, he came in there, Nirvana I love. Yeah, well yeah, yeah,

1652
01:30:11.960 --> 01:30:13.439
<v Speaker 3>that's yeah, there's a lot of a lot of a

1653
01:30:13.439 --> 01:30:15.760
<v Speaker 3>lot of weird. Tana have been getting on with those topics.

1654
01:30:15.760 --> 01:30:18.520
<v Speaker 3>But back to the ghost story here, the tonight's topic

1655
01:30:18.560 --> 01:30:20.560
<v Speaker 3>you can hand which I do appreciate your folks time

1656
01:30:20.600 --> 01:30:22.600
<v Speaker 3>at the interwebs in of course John and Julia and

1657
01:30:22.640 --> 01:30:25.319
<v Speaker 3>your conversation. I'm learning a lot here, as I always

1658
01:30:25.319 --> 01:30:27.720
<v Speaker 3>do with both of you all in conversations and podcasts,

1659
01:30:27.760 --> 01:30:31.000
<v Speaker 3>So I do appreciate that. And I will only show

1660
01:30:31.000 --> 01:30:33.920
<v Speaker 3>this picture of Cocaine Bob six or seven more times,

1661
01:30:33.920 --> 01:30:37.319
<v Speaker 3>so I do want to get that out there. So

1662
01:30:38.039 --> 01:30:40.279
<v Speaker 3>ghost story, and I just want to add this, and

1663
01:30:40.359 --> 01:30:42.399
<v Speaker 3>I asked you all this question here too as well.

1664
01:30:42.800 --> 01:30:44.800
<v Speaker 3>If you were to pick a character from the film

1665
01:30:44.800 --> 01:30:47.119
<v Speaker 3>and sign them to one of these Muppet muppets, who

1666
01:30:47.199 --> 01:30:51.520
<v Speaker 3>which character would it be? In which muppet? Obviously we

1667
01:30:51.600 --> 01:30:53.640
<v Speaker 3>know that the female ones, that's the only one I'm

1668
01:30:53.640 --> 01:30:55.720
<v Speaker 3>talking about. The the creepy.

1669
01:30:55.359 --> 01:31:02.960
<v Speaker 2>Fellas right, I'll I'll do. I'll say that doctor Jeffrey

1670
01:31:03.239 --> 01:31:08.760
<v Speaker 2>is the disheveled guy in the Chef's Hat Douglas character.

1671
01:31:09.640 --> 01:31:13.239
<v Speaker 3>Yeah, yeah, he's my favorite one out of the bunch.

1672
01:31:13.399 --> 01:31:14.720
<v Speaker 3>He's my favorite one out of the bunch.

1673
01:31:15.399 --> 01:31:22.159
<v Speaker 5>Ricky is the teddy bear faced one. I think maybe

1674
01:31:22.239 --> 01:31:24.119
<v Speaker 5>Ricky is the chef's hat guy.

1675
01:31:26.560 --> 01:31:28.880
<v Speaker 3>I think Freda Staire's Kerman. I could see him, you know,

1676
01:31:28.920 --> 01:31:29.600
<v Speaker 3>cutting a rug.

1677
01:31:37.119 --> 01:31:38.720
<v Speaker 5>What's the last one's name?

1678
01:31:39.760 --> 01:31:42.000
<v Speaker 3>Well, it started out as Gonzo. He went through a

1679
01:31:42.039 --> 01:31:43.560
<v Speaker 3>couple of morphs, you know what I mean in the

1680
01:31:43.600 --> 01:31:46.319
<v Speaker 3>GCD Muppet Factory, so it didn't come out as Gonzo,

1681
01:31:46.439 --> 01:31:47.600
<v Speaker 3>but he started as Gonzo.

1682
01:31:48.600 --> 01:31:51.119
<v Speaker 5>No, but the guy, the last guy in the movie,

1683
01:31:51.199 --> 01:31:53.439
<v Speaker 5>the fat guy always.

1684
01:31:53.079 --> 01:31:55.920
<v Speaker 3>Sits in the chair. Yeah, that's a good question. So

1685
01:31:55.920 --> 01:31:58.720
<v Speaker 3>we got fred Astaire, right, and start these four old

1686
01:31:58.800 --> 01:32:01.920
<v Speaker 3>muppets that you all see there. I'm depicted in the

1687
01:32:02.079 --> 01:32:06.359
<v Speaker 3>My Muppets take take the Ghost Story Invasion. There, we

1688
01:32:06.479 --> 01:32:09.920
<v Speaker 3>got the cast of Fred Astaire, Ricky Hawthorne. Right, we

1689
01:32:10.039 --> 01:32:13.199
<v Speaker 3>got Melvin Douglas. Y'all just mentioned doctor John Jeffery. He's

1690
01:32:13.199 --> 01:32:15.359
<v Speaker 3>trying to out out JJ mee, that son of a

1691
01:32:15.359 --> 01:32:20.840
<v Speaker 3>bitch Douglas Fairbanks Junior Edward Charles Wanderley, and John Houseman

1692
01:32:21.239 --> 01:32:22.840
<v Speaker 3>sears James Okay.

1693
01:32:22.680 --> 01:32:26.600
<v Speaker 5>John Houseman is the teddy bear faced one, all right,

1694
01:32:26.640 --> 01:32:27.119
<v Speaker 5>fair enough?

1695
01:32:27.479 --> 01:32:30.319
<v Speaker 2>I think that's yeah.

1696
01:32:30.359 --> 01:32:38.319
<v Speaker 5>And then obviously Alice Krieg is Miss Piggy for sure.

1697
01:32:39.600 --> 01:32:42.680
<v Speaker 3>So when, uh, was there anything about the director or

1698
01:32:42.880 --> 01:32:45.159
<v Speaker 3>executive producer? I mean it's all a little bit about

1699
01:32:45.159 --> 01:32:48.159
<v Speaker 3>the executive producer, but the director, he didn't really do

1700
01:32:48.279 --> 01:32:51.399
<v Speaker 3>much of note or of colts or anything that's seemingly

1701
01:32:51.399 --> 01:32:53.000
<v Speaker 3>of significance, to be quite honest with you.

1702
01:32:53.039 --> 01:32:56.239
<v Speaker 2>Besides, yeah, I forget how he was assigned to this project.

1703
01:32:56.239 --> 01:33:01.239
<v Speaker 2>I know the screenwriter, uh, Lawrence and he had done

1704
01:33:01.319 --> 01:33:05.640
<v Speaker 2>the screenplay for Carrie, the film version of Carrie. Yeah,

1705
01:33:05.880 --> 01:33:08.720
<v Speaker 2>really really great job with that. Yeah. And you can

1706
01:33:08.720 --> 01:33:12.359
<v Speaker 2>tell that he read Ghost Story because quotes from the

1707
01:33:12.399 --> 01:33:15.079
<v Speaker 2>book pop up here and there, you know, throughout the film.

1708
01:33:17.199 --> 01:33:22.319
<v Speaker 2>So it's the book is so long and involved and

1709
01:33:22.359 --> 01:33:25.159
<v Speaker 2>has so many different characters and situations that you can

1710
01:33:25.199 --> 01:33:27.000
<v Speaker 2>see why they had to kind of fold some of

1711
01:33:27.039 --> 01:33:31.000
<v Speaker 2>them into each other and abbreviate some things. Sure for

1712
01:33:31.119 --> 01:33:31.520
<v Speaker 2>the movie.

1713
01:33:31.600 --> 01:33:33.520
<v Speaker 3>My only question with this guy, and you all may

1714
01:33:33.560 --> 01:33:35.800
<v Speaker 3>have the same kind of Julia maybe thinking the same

1715
01:33:35.840 --> 01:33:39.239
<v Speaker 3>thing as well, there with your processed church understandings. What

1716
01:33:39.319 --> 01:33:41.560
<v Speaker 3>was this dude doing in London in nineteen sixty four,

1717
01:33:41.600 --> 01:33:43.119
<v Speaker 3>Because I'd be curious to them be saying out in

1718
01:33:43.119 --> 01:33:48.000
<v Speaker 3>the Mayfair district that would that the plot was thick

1719
01:33:48.039 --> 01:33:49.720
<v Speaker 3>and if he's if he's linked with the process in

1720
01:33:49.760 --> 01:33:52.079
<v Speaker 3>the Mayfair district in sixty four, that's all I'm saying,

1721
01:33:52.199 --> 01:33:54.600
<v Speaker 3>you know what I mean? Yeah, back of that India

1722
01:33:54.680 --> 01:33:57.039
<v Speaker 3>Indica cafe along with the Beatles, right.

1723
01:33:57.680 --> 01:34:01.800
<v Speaker 2>Yeah, well he's the right age range, so it could yeah.

1724
01:34:01.960 --> 01:34:03.760
<v Speaker 3>Right, he'd been twenty four years old the time he'd

1725
01:34:03.800 --> 01:34:09.239
<v Speaker 3>been right in their wheelhouse of crew. I would imagine, yeah. Now,

1726
01:34:09.279 --> 01:34:11.159
<v Speaker 3>and I just say that because like he's doing stuff

1727
01:34:11.439 --> 01:34:15.039
<v Speaker 3>and broadcasting film Ember in BBC. Looks like in that timeframe,

1728
01:34:15.119 --> 01:34:18.000
<v Speaker 3>right see made for TV films over there and whatnot.

1729
01:34:18.680 --> 01:34:26.119
<v Speaker 5>Yeah, it says something about Christopher Walking in the eighties

1730
01:34:27.119 --> 01:34:27.800
<v Speaker 5>he made.

1731
01:34:27.680 --> 01:34:30.439
<v Speaker 3>Yeah, so this this was his first movie. Yeah, this

1732
01:34:30.560 --> 01:34:32.520
<v Speaker 3>was his first movie in America and then Ghost Story

1733
01:34:32.600 --> 01:34:33.880
<v Speaker 3>was number two. But yeah, dogs of.

1734
01:34:37.960 --> 01:34:48.159
<v Speaker 5>JJ you cut out jj uh Oh he's froze, are

1735
01:34:48.159 --> 01:34:50.359
<v Speaker 5>you there? Yeah, you're back? You back?

1736
01:34:51.039 --> 01:34:53.319
<v Speaker 3>Yeah. He also would do raw deal with that shitty

1737
01:34:53.399 --> 01:34:55.119
<v Speaker 3>the shitty Belushi in Schwarzenegger.

1738
01:34:56.319 --> 01:34:58.319
<v Speaker 2>Yea, I remember that one.

1739
01:35:01.079 --> 01:35:05.640
<v Speaker 5>Well, you know, Christopher Walking is a whole nother podcast topic,

1740
01:35:05.920 --> 01:35:07.640
<v Speaker 5>especially his weirdness with.

1741
01:35:09.600 --> 01:35:13.239
<v Speaker 6>What's name Natalie Natalie would yeah, Natalie.

1742
01:35:12.960 --> 01:35:16.000
<v Speaker 3>Oh yeah, for sure. This is this is a this

1743
01:35:16.039 --> 01:35:18.239
<v Speaker 3>is a weird movie. This is weird. I'm reading this synopsis.

1744
01:35:18.359 --> 01:35:20.720
<v Speaker 3>This is a fucking weird movie. Dude.

1745
01:35:22.079 --> 01:35:24.000
<v Speaker 5>It looks like he has black face on.

1746
01:35:24.920 --> 01:35:28.760
<v Speaker 2>Based on the Angola mercenary situation.

1747
01:35:28.760 --> 01:35:30.600
<v Speaker 3>Like, why are they making this movie in the first place?

1748
01:35:30.720 --> 01:35:32.439
<v Speaker 3>What's the And then they say that they based it

1749
01:35:32.479 --> 01:35:35.399
<v Speaker 3>off of a phrase from William Shakespeare. I just feel

1750
01:35:35.399 --> 01:35:37.079
<v Speaker 3>like there's a lot more to this film too, Right.

1751
01:35:38.199 --> 01:35:42.640
<v Speaker 6>William Shakespeare looks like an interesting one, and I would

1752
01:35:42.680 --> 01:35:45.760
<v Speaker 6>wonder if it had anything to do with the fact that,

1753
01:35:45.800 --> 01:35:47.920
<v Speaker 6>you know, a lot of those mercenaries that wound up

1754
01:35:47.920 --> 01:35:53.960
<v Speaker 6>in Angola, they were trained at Jonestown, the same grounds there.

1755
01:35:54.079 --> 01:35:56.000
<v Speaker 3>Right, you know exactly what I'm talking about, stir This

1756
01:35:56.079 --> 01:35:58.319
<v Speaker 3>is the interesting details you're picking You're picking up what

1757
01:35:58.359 --> 01:36:00.399
<v Speaker 3>I'm what I'm talking about there, Johnny, You're a very

1758
01:36:00.399 --> 01:36:02.960
<v Speaker 3>smart man. You know exactly what I'm talking about. I've

1759
01:36:02.960 --> 01:36:06.439
<v Speaker 3>just been on that same note, on that same note

1760
01:36:06.479 --> 01:36:09.720
<v Speaker 3>that that creepy sygh op situation or whatever the hell

1761
01:36:09.720 --> 01:36:11.399
<v Speaker 3>it popped off in Minnesota over the weekend with those

1762
01:36:11.479 --> 01:36:13.319
<v Speaker 3>lawmakers up there getting marked in the middle of the night.

1763
01:36:13.960 --> 01:36:17.039
<v Speaker 3>That dude operates a security company out of the Congo.

1764
01:36:17.079 --> 01:36:18.319
<v Speaker 3>And that's the first thing I thought of when I

1765
01:36:18.399 --> 01:36:20.319
<v Speaker 3>read that detail, is what you just said there, John.

1766
01:36:20.560 --> 01:36:26.199
<v Speaker 2>Yeah, Yeah, things are still happening. I think we live

1767
01:36:26.239 --> 01:36:29.359
<v Speaker 2>in much more interesting times than people might generally think.

1768
01:36:29.600 --> 01:36:31.760
<v Speaker 2>You know, all the crazy stuff that happened in the

1769
01:36:31.800 --> 01:36:34.720
<v Speaker 2>sixties and seventies, we still we get our own versions

1770
01:36:34.760 --> 01:36:35.760
<v Speaker 2>of that even today.

1771
01:36:36.640 --> 01:36:39.520
<v Speaker 3>Oh, I tell you, I don't think that. I didn't

1772
01:36:39.520 --> 01:36:41.600
<v Speaker 3>realize John Irvan did this film. I love this film.

1773
01:36:42.479 --> 01:36:43.760
<v Speaker 2>I don't know if I've seen this one.

1774
01:36:44.079 --> 01:36:45.760
<v Speaker 5>I have not seen this one.

1775
01:36:47.279 --> 01:36:50.560
<v Speaker 3>To give you an abridged version, US Army Airborne Ranger

1776
01:36:51.079 --> 01:36:54.800
<v Speaker 3>raised an Appalachia Truman Gates migrates Chicago to become a

1777
01:36:54.800 --> 01:36:59.159
<v Speaker 3>police officer. That's Patrick Swayze. Oh, hal breaks Lucy starts

1778
01:36:59.159 --> 01:37:01.319
<v Speaker 3>battling with the mob, which is Ben Stiller was like

1779
01:37:01.359 --> 01:37:04.640
<v Speaker 3>the son of the Mob and in the of the Uh.

1780
01:37:04.840 --> 01:37:06.920
<v Speaker 3>I don't know whatever mob was in Chicago at the time.

1781
01:37:08.079 --> 01:37:11.359
<v Speaker 3>I think they were taling about. Remember but Liam Neeson

1782
01:37:11.439 --> 01:37:14.439
<v Speaker 3>comes in there and he gets murked spoil alert, and

1783
01:37:14.439 --> 01:37:16.760
<v Speaker 3>then that's his brother, and then the whole. Then everyone

1784
01:37:16.840 --> 01:37:20.000
<v Speaker 3>comes from Appalachia there in Kentucky to come Avenger's brother's

1785
01:37:20.039 --> 01:37:22.960
<v Speaker 3>murdered Chicago. They start murking folks in Chicago, Appleacha style.

1786
01:37:23.199 --> 01:37:23.680
<v Speaker 2>I like that.

1787
01:37:24.079 --> 01:37:24.520
<v Speaker 1>I like that.

1788
01:37:25.640 --> 01:37:28.760
<v Speaker 5>Well, you know, I love Bill Paxton, but I will

1789
01:37:28.920 --> 01:37:31.800
<v Speaker 5>just say a lot of excitement, a lot of excitement.

1790
01:37:33.079 --> 01:37:35.960
<v Speaker 3>Yeah, Bill Paxman, you got Baldwin.

1791
01:37:36.880 --> 01:37:38.119
<v Speaker 5>Which bald is that?

1792
01:37:38.399 --> 01:37:40.920
<v Speaker 3>That's not no, it's the non bald When Baldwin, he'll

1793
01:37:40.960 --> 01:37:41.840
<v Speaker 3>recognize his face.

1794
01:37:45.840 --> 01:37:50.359
<v Speaker 5>I was like, go ahead, I was just gonna say

1795
01:37:50.439 --> 01:37:52.800
<v Speaker 5>if he was part of the Baldwins. I just learned

1796
01:37:52.880 --> 01:37:58.920
<v Speaker 5>something very interesting about them today that their bloodline includes

1797
01:37:59.239 --> 01:38:04.319
<v Speaker 5>all kinds of weird upper echelon, including like several presidents,

1798
01:38:04.640 --> 01:38:10.439
<v Speaker 5>Hillary Clinton and like some weird inbred.

1799
01:38:10.439 --> 01:38:12.840
<v Speaker 3>Like wait, wait, who was this? Who were we talking.

1800
01:38:12.640 --> 01:38:14.199
<v Speaker 5>About the Baldwin family.

1801
01:38:15.039 --> 01:38:17.000
<v Speaker 3>Oh, I'm not surprised by any of this. This makes

1802
01:38:17.000 --> 01:38:17.960
<v Speaker 3>sense to right, but.

1803
01:38:18.159 --> 01:38:20.720
<v Speaker 5>I mean they were talking about it openly on this

1804
01:38:20.960 --> 01:38:24.680
<v Speaker 5>podcast thing and shit like bragging about it, like, oh yeah,

1805
01:38:24.760 --> 01:38:29.960
<v Speaker 5>we're related to you know, upper echelon and like these

1806
01:38:30.039 --> 01:38:33.640
<v Speaker 5>old in bread Fox that used to have klut palettes

1807
01:38:33.720 --> 01:38:37.119
<v Speaker 5>and stuff like that. And somebody wrote in the comment

1808
01:38:37.239 --> 01:38:40.560
<v Speaker 5>section Bill Paxton is dead. I know, and I'm really

1809
01:38:40.600 --> 01:38:43.479
<v Speaker 5>sad about that because I really loved Tim.

1810
01:38:43.920 --> 01:38:46.279
<v Speaker 3>Well now that I'm now that we're considering John Urbans

1811
01:38:46.399 --> 01:38:48.960
<v Speaker 3>works and he's more of an esoteric understanding here. I

1812
01:38:49.039 --> 01:38:51.199
<v Speaker 3>also love Bill Paxton, by the way, he's great actor.

1813
01:38:52.359 --> 01:38:55.479
<v Speaker 3>I see Joey Rosalini here is the name listed as

1814
01:38:55.560 --> 01:38:58.239
<v Speaker 3>this character that kills Liambnest in that story. And that's

1815
01:38:58.359 --> 01:39:01.880
<v Speaker 3>interesting because you know, Johnny Rosselli was the famous mobster

1816
01:39:01.960 --> 01:39:04.760
<v Speaker 3>out of Chicago associated with the JFK Biz and a

1817
01:39:04.800 --> 01:39:06.880
<v Speaker 3>lot of the other characters were discussing here within these

1818
01:39:07.399 --> 01:39:09.279
<v Speaker 3>this processing kind of element, right.

1819
01:39:10.239 --> 01:39:14.880
<v Speaker 5>Johnny Roselli was also tied up with Marilyn Monroe.

1820
01:39:15.920 --> 01:39:18.520
<v Speaker 3>Well, that's what I'm saying. His sidekick was Frank Sinatra,

1821
01:39:18.560 --> 01:39:20.920
<v Speaker 3>and Frank Sinatra and the entire rat pack. In my opinion,

1822
01:39:21.279 --> 01:39:24.319
<v Speaker 3>we're involved with the process, not just Mia Farrow's wife,

1823
01:39:24.399 --> 01:39:27.479
<v Speaker 3>not just Sammy Davis Junior. Right, the stars of who

1824
01:39:27.560 --> 01:39:30.840
<v Speaker 3>starred in Bob Cocaine, Evans and Roman Planski's cinematic shit

1825
01:39:30.880 --> 01:39:34.800
<v Speaker 3>show to Satanism Rosemary's Baby. But there's more connections, and

1826
01:39:34.840 --> 01:39:37.119
<v Speaker 3>I actually have those connections on deck here. But before

1827
01:39:37.159 --> 01:39:38.720
<v Speaker 3>we go any further from John Irvin, do you all

1828
01:39:38.720 --> 01:39:39.800
<v Speaker 3>have any more comments on him?

1829
01:39:42.199 --> 01:39:44.640
<v Speaker 5>No, I don't have anything to add.

1830
01:39:45.479 --> 01:39:49.079
<v Speaker 3>How about the executive producer, Bert Weissberd.

1831
01:39:50.600 --> 01:39:53.800
<v Speaker 5>Is he an asshole or not? Yeah?

1832
01:39:54.039 --> 01:39:56.479
<v Speaker 3>Again, he didn't really like these guys, didn't really seem

1833
01:39:56.520 --> 01:40:00.279
<v Speaker 3>to do a lot of significant stuff after this film.

1834
01:40:00.760 --> 01:40:04.119
<v Speaker 2>M Yeah, I just remember seeing his name in the

1835
01:40:04.199 --> 01:40:07.520
<v Speaker 2>credits of the movie. But I don't know anything about him.

1836
01:40:08.720 --> 01:40:10.680
<v Speaker 3>There's not much. Yeah, I couldn't find much about him either,

1837
01:40:10.720 --> 01:40:13.640
<v Speaker 3>to be quite honest with you, looks like the film.

1838
01:40:13.680 --> 01:40:15.880
<v Speaker 2>There was Sam Sheppard, which is interesting because he was

1839
01:40:16.079 --> 01:40:17.960
<v Speaker 2>he had a thing with Patty Smith for a little while.

1840
01:40:18.119 --> 01:40:20.720
<v Speaker 3>So well as you say that he started and that's

1841
01:40:20.760 --> 01:40:23.560
<v Speaker 3>Sam Shepherd and he starts with with Sissy SpaceX. So

1842
01:40:23.560 --> 01:40:24.720
<v Speaker 3>what do you got on Sam Shepherd?

1843
01:40:25.680 --> 01:40:28.600
<v Speaker 2>Yeah, he was just he he had a brief affair

1844
01:40:28.720 --> 01:40:32.159
<v Speaker 2>with with Patty Smith and they they wrote a play

1845
01:40:32.199 --> 01:40:35.800
<v Speaker 2>about it, Cowboy Mouth. But they're both actually performed in

1846
01:40:35.880 --> 01:40:41.880
<v Speaker 2>course that's named after Bob Dylan lyric but yeah, mainly

1847
01:40:42.000 --> 01:40:43.960
<v Speaker 2>just his his association with Patti Smith.

1848
01:40:44.000 --> 01:40:46.239
<v Speaker 3>There, hear me if I'm wrong, One of these cult

1849
01:40:46.359 --> 01:40:49.239
<v Speaker 3>nicknames for Ronald Sisman was Sissy SpaceX.

1850
01:40:48.840 --> 01:40:51.319
<v Speaker 2>Right, that's right, Yeah, that's right.

1851
01:40:51.920 --> 01:40:54.000
<v Speaker 3>And Sissy SPACEK was a fore momb was she not?

1852
01:40:56.960 --> 01:40:59.960
<v Speaker 3>I believe she was, And I guess my my other quote,

1853
01:41:00.079 --> 01:41:02.319
<v Speaker 3>I let me let me rephrase that this would not

1854
01:41:02.399 --> 01:41:04.520
<v Speaker 3>be the only Ford model connected to the sun of

1855
01:41:04.560 --> 01:41:06.279
<v Speaker 3>same situation, right right right?

1856
01:41:06.399 --> 01:41:06.439
<v Speaker 2>That?

1857
01:41:06.840 --> 01:41:11.479
<v Speaker 3>Yeah, yeah, I believe that's where she starts off.

1858
01:41:11.560 --> 01:41:11.680
<v Speaker 2>Though.

1859
01:41:11.680 --> 01:41:13.600
<v Speaker 3>I was working for the Ford Modeling Agency, and if

1860
01:41:13.640 --> 01:41:16.359
<v Speaker 3>I can unfuck my ability to click links here and

1861
01:41:16.680 --> 01:41:18.720
<v Speaker 3>move my dubie out of the way, I'll let us

1862
01:41:18.800 --> 01:41:21.279
<v Speaker 3>know that for certain. But I'm pretty there were some

1863
01:41:21.800 --> 01:41:27.399
<v Speaker 3>there were some wasn't Wasn't there a Ford Modeling Agency connection?

1864
01:41:27.439 --> 01:41:29.600
<v Speaker 3>What am I thinking of, besides possibly her? What was

1865
01:41:29.640 --> 01:41:30.359
<v Speaker 3>going on there with that?

1866
01:41:30.800 --> 01:41:30.960
<v Speaker 1>There?

1867
01:41:31.199 --> 01:41:34.439
<v Speaker 2>I've heard something about that, but I'm I'm reaching back

1868
01:41:34.680 --> 01:41:37.399
<v Speaker 2>years to figure out what I heard about it, and

1869
01:41:37.439 --> 01:41:39.319
<v Speaker 2>I can't remember exactly what it was. But there was

1870
01:41:39.439 --> 01:41:40.079
<v Speaker 2>there was.

1871
01:41:40.399 --> 01:41:42.520
<v Speaker 3>Let's let's put a penn put it for a future

1872
01:41:42.560 --> 01:41:45.199
<v Speaker 3>one because well, future one is in two seconds from

1873
01:41:45.239 --> 01:41:48.479
<v Speaker 3>now after I read this, because in nineteen sixty under

1874
01:41:48.520 --> 01:41:51.359
<v Speaker 3>the stage name Rainbow, she recorded a single John You

1875
01:41:51.439 --> 01:41:54.279
<v Speaker 3>Went Too Far This Time, the lyrics of which Chida

1876
01:41:54.359 --> 01:41:56.520
<v Speaker 3>John Lennon and for his Yoko Owner his new album

1877
01:41:56.640 --> 01:42:00.840
<v Speaker 3>for two versions. So that's interesting. Basic worked as a

1878
01:42:01.119 --> 01:42:04.319
<v Speaker 3>photographic model represented by four models. There you go, Oh,

1879
01:42:04.720 --> 01:42:08.239
<v Speaker 3>there it is and is an extra Andy Warhol's right,

1880
01:42:08.359 --> 01:42:11.439
<v Speaker 3>So you have more connections with the Velvet Underground. Uh,

1881
01:42:11.840 --> 01:42:14.119
<v Speaker 3>allegedly linked to this through folks like Lou Reid. Right,

1882
01:42:15.720 --> 01:42:19.159
<v Speaker 3>Lou was Mabel Thorpe Smith, kind of that Velvet Underground

1883
01:42:19.159 --> 01:42:19.680
<v Speaker 3>Andy Warhol.

1884
01:42:19.760 --> 01:42:22.279
<v Speaker 2>Next, he knew Patty and he played with her on

1885
01:42:22.399 --> 01:42:23.479
<v Speaker 2>stage a couple of times.

1886
01:42:24.520 --> 01:42:24.640
<v Speaker 1>Uh.

1887
01:42:26.159 --> 01:42:30.159
<v Speaker 2>I'm not sure exactly how extensive Lou's involvement in this

1888
01:42:30.239 --> 01:42:32.239
<v Speaker 2>stuff was, but he must have known about it, because

1889
01:42:32.279 --> 01:42:34.399
<v Speaker 2>all these people were doing this stuff at that point.

1890
01:42:34.600 --> 01:42:34.760
<v Speaker 2>You know.

1891
01:42:35.000 --> 01:42:37.760
<v Speaker 3>Yeah, they're they're, they're They practiced at the Andy Warhol

1892
01:42:37.800 --> 01:42:40.640
<v Speaker 3>studio that was there, much like the Birds did Polkas

1893
01:42:40.680 --> 01:42:44.079
<v Speaker 3>the studio, right, Julia the the the Velvet Underground did

1894
01:42:44.079 --> 01:42:46.800
<v Speaker 3>Andy Warhol studio. So we see the more comparisons.

1895
01:42:47.399 --> 01:42:47.720
<v Speaker 2>Did you.

1896
01:42:49.319 --> 01:42:54.600
<v Speaker 5>Watch men? In Black, the Third Men in Black movie with.

1897
01:42:56.159 --> 01:42:59.199
<v Speaker 3>With Josh Brolin, with Josh Yeah.

1898
01:42:59.319 --> 01:43:02.119
<v Speaker 5>Do you remember how they said Andy Warhol was a

1899
01:43:02.279 --> 01:43:08.520
<v Speaker 5>CIA agent and all the models were, Yeah, they were extraterrestrials,

1900
01:43:08.760 --> 01:43:11.840
<v Speaker 5>which I know, but I do think they were making

1901
01:43:11.920 --> 01:43:15.000
<v Speaker 5>a reference to Andy Warhol being c I A for sure.

1902
01:43:15.000 --> 01:43:16.319
<v Speaker 3>I don't want to do Yeah, I don't want to

1903
01:43:16.399 --> 01:43:18.000
<v Speaker 3>derail this too much because you just brought in a

1904
01:43:18.039 --> 01:43:20.279
<v Speaker 3>connection with his stepmother back to all these these characters

1905
01:43:20.319 --> 01:43:22.840
<v Speaker 3>that brought barbart streisand however, and that was with her

1906
01:43:23.159 --> 01:43:25.279
<v Speaker 3>with Warren Batty, the Young Turk. So there's a lot

1907
01:43:25.319 --> 01:43:29.359
<v Speaker 3>of these connections with these with these people. Right. So well,

1908
01:43:29.760 --> 01:43:31.199
<v Speaker 3>we've I think we just put a pen at least

1909
01:43:31.199 --> 01:43:33.680
<v Speaker 3>in my brain hole for a future couple of conversations here.

1910
01:43:33.720 --> 01:43:36.199
<v Speaker 3>But if we go back to John Irvin and we

1911
01:43:36.279 --> 01:43:39.760
<v Speaker 3>were doing the the next tup, I guess we're we're

1912
01:43:39.800 --> 01:43:43.079
<v Speaker 3>not talking about the the cast. Yeah, let's go to

1913
01:43:43.159 --> 01:43:45.479
<v Speaker 3>the cast. We got obviously the most notable cast member,

1914
01:43:45.520 --> 01:43:47.760
<v Speaker 3>Fred Astare. But you know, I don't know, I'd like

1915
01:43:47.840 --> 01:43:49.479
<v Speaker 3>to hear what your old's thoughts are. I don't know

1916
01:43:49.640 --> 01:43:51.720
<v Speaker 3>that I've really I could never really I've never heard

1917
01:43:51.760 --> 01:43:54.199
<v Speaker 3>a lot of creepy stories about us. There, I'm open

1918
01:43:54.279 --> 01:43:56.560
<v Speaker 3>to it. I couldn't really find anything too creepy about

1919
01:43:56.600 --> 01:43:58.279
<v Speaker 3>the guy, so again I'm open to it.

1920
01:43:58.399 --> 01:44:03.399
<v Speaker 2>But see, yeah, I've never heard he's he's I've never

1921
01:44:03.439 --> 01:44:06.479
<v Speaker 2>heard any particularly bad stories about it. The interesting thing

1922
01:44:06.520 --> 01:44:10.279
<v Speaker 2>about him for the role is that in the novel,

1923
01:44:11.640 --> 01:44:14.800
<v Speaker 2>Peter Straub says he describes Ricky Hawthorne as looking like

1924
01:44:14.880 --> 01:44:18.279
<v Speaker 2>Freda Staire, so presumably that's that's why he and Peter

1925
01:44:18.359 --> 01:44:20.560
<v Speaker 2>Straub himself said that that was one of his favorite

1926
01:44:20.600 --> 01:44:23.039
<v Speaker 2>things about the movie was that Freda Staire played the role.

1927
01:44:24.439 --> 01:44:28.760
<v Speaker 5>Wow, Okay, you know the main star is of this

1928
01:44:28.960 --> 01:44:32.720
<v Speaker 5>whole story is actually really just the author, Like he

1929
01:44:33.039 --> 01:44:35.760
<v Speaker 5>made this what it is, you.

1930
01:44:35.800 --> 01:44:40.279
<v Speaker 2>Know, Yeah, I think it's the story could have been

1931
01:44:40.319 --> 01:44:43.159
<v Speaker 2>told by somebody else, but but being told by him

1932
01:44:43.239 --> 01:44:43.960
<v Speaker 2>made it special.

1933
01:44:44.199 --> 01:44:44.800
<v Speaker 3>I think it did.

1934
01:44:44.920 --> 01:44:48.279
<v Speaker 2>Yeah, because it's it's a really really great book and

1935
01:44:48.600 --> 01:44:54.319
<v Speaker 2>it's uh, I can't think of a single more brilliant

1936
01:44:54.800 --> 01:44:59.079
<v Speaker 2>author of popular fiction than Peter Stroud. But it just

1937
01:45:00.600 --> 01:45:03.479
<v Speaker 2>man to know that he was aware of a lot

1938
01:45:03.560 --> 01:45:07.840
<v Speaker 2>of this stuff is just uh, well, yeah, came out

1939
01:45:07.960 --> 01:45:10.039
<v Speaker 2>for a couple of years. Yeah, it was hard to

1940
01:45:11.079 --> 01:45:13.079
<v Speaker 2>to see it in a different life that way.

1941
01:45:13.119 --> 01:45:16.119
<v Speaker 3>But yeah, sure, Well I think one thing I thought

1942
01:45:16.159 --> 01:45:18.640
<v Speaker 3>was interesting with Hysteric, especially because I think it's good

1943
01:45:18.720 --> 01:45:20.680
<v Speaker 3>for all four of the main cast members. This is

1944
01:45:20.760 --> 01:45:22.960
<v Speaker 3>their last film, right, that's.

1945
01:45:22.840 --> 01:45:25.199
<v Speaker 2>True, Well except for John Houseman. Yeah, he did a

1946
01:45:25.239 --> 01:45:34.920
<v Speaker 2>couple more. Okay, he was the growth angry guy.

1947
01:45:35.800 --> 01:45:38.359
<v Speaker 3>Oh, okay, and bring that up for you. I don't

1948
01:45:38.359 --> 01:45:40.319
<v Speaker 3>know why. I don't what happened to him here hold

1949
01:45:40.359 --> 01:45:43.520
<v Speaker 3>on stand By Police. Yeah, he's he's a pretty notable

1950
01:45:43.800 --> 01:45:46.279
<v Speaker 3>voice and face right in Hollywood and Housman over the

1951
01:45:46.359 --> 01:45:47.000
<v Speaker 3>years he was.

1952
01:45:47.119 --> 01:45:49.239
<v Speaker 2>Yeah, he did a lot of commercials and he didn't

1953
01:45:49.239 --> 01:45:51.199
<v Speaker 2>act until later in life. He was an acting coach

1954
01:45:51.279 --> 01:45:53.600
<v Speaker 2>for a long time. He worked at UH I think

1955
01:45:53.640 --> 01:45:56.640
<v Speaker 2>at Paramount. He was a good friend of Raven Chandler.

1956
01:45:57.279 --> 01:46:00.439
<v Speaker 2>But he didn't act until fairly late in life.

1957
01:46:00.960 --> 01:46:03.000
<v Speaker 3>Well, that's interesting, Paramount. You say.

1958
01:46:04.920 --> 01:46:06.239
<v Speaker 5>He died on Halloween.

1959
01:46:07.800 --> 01:46:11.600
<v Speaker 2>That's yeah, Yeah, that's weird.

1960
01:46:12.159 --> 01:46:15.640
<v Speaker 3>Let's see how I don't know enough about him to

1961
01:46:15.720 --> 01:46:19.119
<v Speaker 3>tell you how that went down, so essentially, well, I mean, sorry, eventually,

1962
01:46:19.159 --> 01:46:19.840
<v Speaker 3>we'll get down there.

1963
01:46:20.239 --> 01:46:23.640
<v Speaker 2>I think he looked pretty bad the last time I

1964
01:46:23.680 --> 01:46:24.039
<v Speaker 2>saw him.

1965
01:46:24.079 --> 01:46:28.000
<v Speaker 5>I can remember him, but yeah, oh yep, spinal cancer.

1966
01:46:29.039 --> 01:46:30.920
<v Speaker 2>See. I didn't know he was married to Zita Johan,

1967
01:46:31.159 --> 01:46:35.359
<v Speaker 2>but she was. She had a really odd mystical quality

1968
01:46:35.399 --> 01:46:37.920
<v Speaker 2>about her. She was in the Mummy with Boris Karloff.

1969
01:46:38.199 --> 01:46:40.159
<v Speaker 2>I had no idea that John Housman was married her,

1970
01:46:40.239 --> 01:46:42.039
<v Speaker 2>but she was interesting. Interesting.

1971
01:46:42.800 --> 01:46:46.039
<v Speaker 3>Yeah, he appears with some scientologists as his last film

1972
01:46:46.079 --> 01:46:53.600
<v Speaker 3>looks like, yeah, yeah, Priscilla Presley and Orenthal James Simpson scientologists.

1973
01:46:55.960 --> 01:46:58.680
<v Speaker 2>God, he was the driver's ed instructor in that.

1974
01:46:58.880 --> 01:47:03.560
<v Speaker 5>Yeah yeah, well, me and JJ just did an episode

1975
01:47:03.640 --> 01:47:05.479
<v Speaker 5>on OJ Oh.

1976
01:47:05.600 --> 01:47:07.319
<v Speaker 3>Folks were loving that. Julia again, I have to thank

1977
01:47:07.319 --> 01:47:09.199
<v Speaker 3>you again for even suggesting that, because the folks have

1978
01:47:09.279 --> 01:47:11.359
<v Speaker 3>been enjoying that one. For sure.

1979
01:47:11.399 --> 01:47:14.439
<v Speaker 5>That was a real born I enjoyed myself. Actually, that

1980
01:47:14.640 --> 01:47:18.600
<v Speaker 5>was a really fun episode. I was gonna say, you know,

1981
01:47:18.960 --> 01:47:21.319
<v Speaker 5>just I don't know if it's the right time to

1982
01:47:21.359 --> 01:47:23.600
<v Speaker 5>bring it up or not, but you know what I thought,

1983
01:47:27.000 --> 01:47:30.600
<v Speaker 5>So maybe you guys. Obviously John's going to disagree because

1984
01:47:30.640 --> 01:47:32.800
<v Speaker 5>he read the book and he already knew what was

1985
01:47:32.840 --> 01:47:35.640
<v Speaker 5>going to happen. But JJ, didn't you think that they

1986
01:47:35.680 --> 01:47:38.319
<v Speaker 5>were all going to take turns? Rape? In her and

1987
01:47:38.439 --> 01:47:41.720
<v Speaker 5>then like accidentally kill her, or like knock her out

1988
01:47:41.920 --> 01:47:44.199
<v Speaker 5>and then or like hold a pillow over her face

1989
01:47:44.319 --> 01:47:44.960
<v Speaker 5>or something like.

1990
01:47:45.199 --> 01:47:46.880
<v Speaker 3>Yeah, I mean it is the eighties. It seemed like

1991
01:47:46.920 --> 01:47:48.359
<v Speaker 3>the rape the era of films.

1992
01:47:48.399 --> 01:47:50.960
<v Speaker 5>So I agree with you, but like, you know what

1993
01:47:51.039 --> 01:47:53.960
<v Speaker 5>I'm saying, there there's another I mean, like you couldn't.

1994
01:47:53.640 --> 01:47:55.199
<v Speaker 3>Make Porky's in this day and age, right, you know

1995
01:47:55.239 --> 01:47:55.479
<v Speaker 3>what I mean?

1996
01:47:55.520 --> 01:47:58.960
<v Speaker 5>It was very rapey, right, right, Well, it just it

1997
01:47:59.119 --> 01:48:01.239
<v Speaker 5>looked like all all of them had a crush on

1998
01:48:01.479 --> 01:48:06.760
<v Speaker 5>the main character, right, and they all wanted her, but

1999
01:48:07.399 --> 01:48:09.960
<v Speaker 5>she was only interested in one of them. So that

2000
01:48:10.159 --> 01:48:12.199
<v Speaker 5>scene at the end where they're all trying to take

2001
01:48:12.279 --> 01:48:14.399
<v Speaker 5>turns dancing with her, I was like, Oh, I know

2002
01:48:14.479 --> 01:48:17.000
<v Speaker 5>what's gonna happen. They're gonna take turns rape in her,

2003
01:48:17.279 --> 01:48:20.319
<v Speaker 5>They're gonna accidentally kill her, and that's gonna be why

2004
01:48:20.840 --> 01:48:23.399
<v Speaker 5>her ghost is coming back to get revenges because they

2005
01:48:23.520 --> 01:48:25.800
<v Speaker 5>raped her and killed her. Sure, she didn't go as

2006
01:48:25.960 --> 01:48:28.439
<v Speaker 5>sinister as what I thought it would.

2007
01:48:28.800 --> 01:48:31.600
<v Speaker 3>Well, I don't know though, if I made just interject

2008
01:48:31.640 --> 01:48:33.239
<v Speaker 3>when they were dancing with her, I took that as

2009
01:48:33.359 --> 01:48:35.159
<v Speaker 3>them having sex with her. So you saw three of

2010
01:48:35.239 --> 01:48:36.880
<v Speaker 3>the four have sex with her in my opinion, because

2011
01:48:36.880 --> 01:48:38.239
<v Speaker 3>three of the four danced with her, right.

2012
01:48:39.520 --> 01:48:42.399
<v Speaker 5>But it didn't show them having sex with her, right.

2013
01:48:42.439 --> 01:48:44.039
<v Speaker 3>But I'm saying it was a metaphorical I think that

2014
01:48:44.239 --> 01:48:45.760
<v Speaker 3>to me, that was the metaphor that they were all

2015
01:48:45.840 --> 01:48:48.640
<v Speaker 3>hooking up with homegirl and they're passing around because they

2016
01:48:48.680 --> 01:48:50.520
<v Speaker 3>were all you know, it's like the song from the

2017
01:48:50.560 --> 01:48:53.560
<v Speaker 3>eighties with the Billy Idol dancing with myself. It's about masturbation,

2018
01:48:53.680 --> 01:48:54.079
<v Speaker 3>you know what I mean.

2019
01:48:54.680 --> 01:48:57.960
<v Speaker 5>Well, yeah, but there is another horror movie. That's why

2020
01:48:58.000 --> 01:49:00.520
<v Speaker 5>I say I feel like this book that got turned

2021
01:49:00.560 --> 01:49:03.880
<v Speaker 5>into a movie obviously was the predecessor for the idea

2022
01:49:03.960 --> 01:49:07.600
<v Speaker 5>of several several several future horror films. One of them

2023
01:49:08.239 --> 01:49:11.680
<v Speaker 5>is called Stir of Echoes. It actually has Kevin Bacon.

2024
01:49:11.760 --> 01:49:13.399
<v Speaker 5>It's one of my favorite horror movies.

2025
01:49:14.720 --> 01:49:16.520
<v Speaker 3>Kevin Bacon, ma'am the Kevin.

2026
01:49:16.439 --> 01:49:21.079
<v Speaker 5>Yeah, the Kevin Bacon. And it's basically, this girl gets

2027
01:49:21.199 --> 01:49:23.880
<v Speaker 5>raped by a bunch of dudes and they accidentally kill her,

2028
01:49:23.960 --> 01:49:26.159
<v Speaker 5>and they hide her body somewhere and she comes back

2029
01:49:26.199 --> 01:49:28.640
<v Speaker 5>as a ghost and haunts them all and is trying

2030
01:49:28.680 --> 01:49:29.119
<v Speaker 5>to kill her.

2031
01:49:29.720 --> 01:49:34.399
<v Speaker 2>That sounds very very ghost story in a novel, she's

2032
01:49:34.520 --> 01:49:37.439
<v Speaker 2>much more predatory. She gets drunk and she insists that

2033
01:49:37.520 --> 01:49:39.640
<v Speaker 2>they all drink and dance with and they're like starting

2034
01:49:39.720 --> 01:49:43.439
<v Speaker 2>to recoil from her, but she's being really vicious and awful,

2035
01:49:43.960 --> 01:49:46.439
<v Speaker 2>and she grabs Jeffery and says, kiss me a little

2036
01:49:46.479 --> 01:49:48.319
<v Speaker 2>toad and all that stuff that she says in the movie.

2037
01:49:48.600 --> 01:49:50.359
<v Speaker 2>And then one of them pushes her away, just like,

2038
01:49:50.800 --> 01:49:53.079
<v Speaker 2>you know, because they're all awkward and young, you know.

2039
01:49:53.199 --> 01:49:55.840
<v Speaker 2>And yeah, they start to be repulsed by her, and

2040
01:49:55.880 --> 01:49:58.279
<v Speaker 2>one of them pushes her away, not meaning to her,

2041
01:49:58.520 --> 01:49:59.760
<v Speaker 2>but that's when she hits her head.

2042
01:50:00.479 --> 01:50:04.279
<v Speaker 3>Yeah, Yeah, that there in lies their curse of this lady,

2043
01:50:04.319 --> 01:50:07.199
<v Speaker 3>not the curse of Robert the dollmind you, which I

2044
01:50:07.720 --> 01:50:12.399
<v Speaker 3>you know, like a curse nonetheless, And and before if

2045
01:50:12.439 --> 01:50:14.600
<v Speaker 3>I may, before we go deep dive into the full

2046
01:50:14.680 --> 01:50:17.199
<v Speaker 3>storyline there and how these things unfold, if we could

2047
01:50:17.239 --> 01:50:20.000
<v Speaker 3>just finish off going over these four actors that comprise

2048
01:50:20.079 --> 01:50:24.760
<v Speaker 3>these roles. Here we mentioned Melvin Douglas. He's one of

2049
01:50:24.800 --> 01:50:26.520
<v Speaker 3>the he's the next guy. He's the doctor, right, he's

2050
01:50:26.520 --> 01:50:30.960
<v Speaker 3>the Jaffery guy. Yeah, what are your thoughts on why

2051
01:50:31.000 --> 01:50:33.479
<v Speaker 3>this guy was cast? Was there any specific reasons or

2052
01:50:33.479 --> 01:50:35.359
<v Speaker 3>anything else. He did that the Caltural's eyes.

2053
01:50:37.640 --> 01:50:40.800
<v Speaker 2>Uh, I'm guessing he was. He had been in The Changeling,

2054
01:50:41.039 --> 01:50:44.399
<v Speaker 2>another horror film, yeah, a year earlier, and that's they

2055
01:50:44.439 --> 01:50:47.279
<v Speaker 2>were probably thinking about the casting for that film. That's

2056
01:50:47.319 --> 01:50:48.000
<v Speaker 2>a really good one.

2057
01:50:48.680 --> 01:50:51.960
<v Speaker 5>Is the Is that the same Changeling that would that

2058
01:50:52.159 --> 01:50:56.600
<v Speaker 5>would later get remade with uh Angeline and jo.

2059
01:50:56.640 --> 01:50:59.840
<v Speaker 3>Lee I'm not sure, Oh that I don't know.

2060
01:51:00.359 --> 01:51:03.359
<v Speaker 5>Same name though, right, yeah, it's the same name. I'm

2061
01:51:03.439 --> 01:51:06.960
<v Speaker 5>just curious as to if it this was the original

2062
01:51:07.039 --> 01:51:09.720
<v Speaker 5>and the one that Angeline and Joelie did was a

2063
01:51:09.840 --> 01:51:12.960
<v Speaker 5>remake because the one that she's in was about child

2064
01:51:13.079 --> 01:51:15.600
<v Speaker 5>trafficking and program serial killers.

2065
01:51:17.279 --> 01:51:19.279
<v Speaker 3>That's this one, right, Yeah, it's a different plot line.

2066
01:51:19.760 --> 01:51:23.920
<v Speaker 2>Yeah, like a straight haunted house movie.

2067
01:51:24.399 --> 01:51:29.119
<v Speaker 3>But it was written well, so Melvioln Douglason that that'll

2068
01:51:29.119 --> 01:51:32.479
<v Speaker 3>be an interesting one to check out. And then was

2069
01:51:32.960 --> 01:51:34.319
<v Speaker 3>was there anything else that jump out you with?

2070
01:51:34.439 --> 01:51:38.800
<v Speaker 5>The with old mill here, he's like a classically handsome

2071
01:51:39.399 --> 01:51:41.359
<v Speaker 5>guy for the era.

2072
01:51:41.680 --> 01:51:43.399
<v Speaker 3>Do you mean handsome.

2073
01:51:47.760 --> 01:51:48.199
<v Speaker 5>Handsome?

2074
01:51:49.239 --> 01:51:50.840
<v Speaker 3>No, you know what I mean, like Rock Hudson, you

2075
01:51:50.880 --> 01:51:53.119
<v Speaker 3>know what I mean. He famously joined scientology of the

2076
01:51:53.119 --> 01:51:55.279
<v Speaker 3>same kind of era of acting, and you know, hide

2077
01:51:55.319 --> 01:51:57.199
<v Speaker 3>his homosexual activities.

2078
01:51:56.760 --> 01:51:59.560
<v Speaker 5>Right, you know that cod of down there's definitely some

2079
01:51:59.720 --> 01:52:00.800
<v Speaker 5>of the There's always going to.

2080
01:52:00.800 --> 01:52:05.600
<v Speaker 3>Be some of that, right right. He just kind of

2081
01:52:05.680 --> 01:52:07.439
<v Speaker 3>he struck me as a very rock huts and type

2082
01:52:07.479 --> 01:52:08.600
<v Speaker 3>of character, is what I'm saying.

2083
01:52:09.079 --> 01:52:09.520
<v Speaker 4>Mm hmm.

2084
01:52:11.000 --> 01:52:12.880
<v Speaker 3>So the one thing I found most interesting about this

2085
01:52:12.960 --> 01:52:17.439
<v Speaker 3>guy is he did a film called Be There, Be

2086
01:52:17.600 --> 01:52:22.039
<v Speaker 3>There with Peter Sellers, famously of the Ciela Drive Manson Tate.

2087
01:52:22.079 --> 01:52:25.800
<v Speaker 3>Plansky processed church situation out there in Siella Drive that

2088
01:52:25.920 --> 01:52:29.079
<v Speaker 3>culminated the Manson family murders. Peter Sellers was the regular

2089
01:52:29.680 --> 01:52:32.359
<v Speaker 3>and so was the director of this film. That was

2090
01:52:32.479 --> 01:52:35.439
<v Speaker 3>Ruman Plansky's best friend, Jerry cool Zenski.

2091
01:52:37.720 --> 01:52:40.920
<v Speaker 5>So he's Besti's with all those fucks.

2092
01:52:40.640 --> 01:52:43.880
<v Speaker 3>Huh, Jerry Kazinsky. Right here you go. This was this

2093
01:52:44.119 --> 01:52:47.039
<v Speaker 3>was the best friend born and Paul and this is

2094
01:52:47.119 --> 01:52:51.520
<v Speaker 3>best friends of old Ruman Polanski. You know Rouman Plansky,

2095
01:52:51.880 --> 01:52:53.800
<v Speaker 3>friends with old Cocaine Bob Roman Plansk.

2096
01:52:53.960 --> 01:52:55.359
<v Speaker 5>Oh, here we go.

2097
01:52:58.399 --> 01:53:01.000
<v Speaker 2>I saw being there, but it was years and I

2098
01:53:01.000 --> 01:53:02.399
<v Speaker 2>would have been a little kid when I saw it.

2099
01:53:02.439 --> 01:53:03.920
<v Speaker 2>So I don't remember much about it, but I do.

2100
01:53:04.239 --> 01:53:05.880
<v Speaker 3>Yeah, I don't know much about either. I mean it

2101
01:53:05.920 --> 01:53:08.800
<v Speaker 3>says it's a satirical comedy drama, which is an odd

2102
01:53:08.880 --> 01:53:14.399
<v Speaker 3>phrasing of a genre of words in my opinion. So

2103
01:53:14.600 --> 01:53:17.520
<v Speaker 3>Peter Sellers, y'all know about him relative to the Manson

2104
01:53:17.720 --> 01:53:20.840
<v Speaker 3>situation in the process seeing out There and La in

2105
01:53:20.920 --> 01:53:22.000
<v Speaker 3>sixty nine sixties.

2106
01:53:22.840 --> 01:53:27.199
<v Speaker 5>Yeah, I've read about it in Dave Mcowan's work.

2107
01:53:27.680 --> 01:53:29.039
<v Speaker 3>Well, there you go. What do you recall from that?

2108
01:53:29.079 --> 01:53:31.439
<v Speaker 3>Because he was very tight right with this is? This

2109
01:53:31.600 --> 01:53:34.520
<v Speaker 3>is Peter Sellers with Sharon Tate and Christmas is sixty eight.

2110
01:53:35.000 --> 01:53:39.359
<v Speaker 5>Yea, I somehow, maybe I'm fucking this up. But wasn't

2111
01:53:39.399 --> 01:53:43.840
<v Speaker 5>he also somehow friends with the Wonderland Avenue people too?

2112
01:53:44.680 --> 01:53:46.520
<v Speaker 3>Oh? That that would be interesting. I'm not sure that

2113
01:53:46.600 --> 01:53:47.560
<v Speaker 3>would be interesting though.

2114
01:53:47.760 --> 01:53:49.119
<v Speaker 5>Maybe I'm remembering wrong.

2115
01:53:49.239 --> 01:53:51.960
<v Speaker 3>Maybe I'm remembering the whole scene. That's the whole scene now,

2116
01:53:51.960 --> 01:53:53.960
<v Speaker 3>I mean, that's those people were integrating the whole scene

2117
01:53:54.000 --> 01:53:56.039
<v Speaker 3>come the seventies, right, Yeah.

2118
01:53:55.920 --> 01:53:58.359
<v Speaker 5>Like he bought drugs from them or something. I don't know.

2119
01:53:59.000 --> 01:54:02.760
<v Speaker 3>That wouldn't I wouldn't be right, Yeah, I would say

2120
01:54:05.119 --> 01:54:09.000
<v Speaker 3>most people, now go ahead.

2121
01:54:09.800 --> 01:54:12.439
<v Speaker 5>I was just gonna say. Somebody put in the comments. Yeah,

2122
01:54:12.600 --> 01:54:16.319
<v Speaker 5>Peter Sellers was a cruel psychopath behind closed doors, much

2123
01:54:16.520 --> 01:54:18.800
<v Speaker 5>like how they describe Frank.

2124
01:54:18.720 --> 01:54:23.920
<v Speaker 3>Zappa among other same scene though, right these guys, right,

2125
01:54:25.600 --> 01:54:28.520
<v Speaker 3>I mean sailors, I mean sellers. So amongst these, uh,

2126
01:54:29.079 --> 01:54:31.800
<v Speaker 3>the various videos and pornographies, et cetera that we're allegedly

2127
01:54:31.840 --> 01:54:34.239
<v Speaker 3>filmed at Seela Drive, Sellers was deep in that mix,

2128
01:54:34.279 --> 01:54:37.279
<v Speaker 3>apparently along with folks like I mentioned before, Josh Brown,

2129
01:54:37.279 --> 01:54:39.279
<v Speaker 3>stepmother's old boyfriend, Warren Batty.

2130
01:54:40.680 --> 01:54:44.000
<v Speaker 5>Oh, Warren Baty, don't get me started on him.

2131
01:54:46.199 --> 01:54:49.760
<v Speaker 3>Best Buds Kissinger and cocaine Bob national Security never looks

2132
01:54:49.800 --> 01:54:51.720
<v Speaker 3>so sleazy. I like that. I like that phrasing. Todd

2133
01:54:51.760 --> 01:54:54.359
<v Speaker 3>Miller appreciate that. So yeah, I think it's odd you

2134
01:54:54.439 --> 01:54:56.840
<v Speaker 3>see this deep connection with all these kind of even

2135
01:54:56.880 --> 01:54:58.880
<v Speaker 3>within this film, right, you got these people that you know,

2136
01:54:59.079 --> 01:55:00.680
<v Speaker 3>you got Jerry because thence you in the orbit you

2137
01:55:00.760 --> 01:55:03.439
<v Speaker 3>got Peter Sellers in the orbit of of uh what's

2138
01:55:03.479 --> 01:55:06.399
<v Speaker 3>his name, Uh, Melvin Douglas.

2139
01:55:07.720 --> 01:55:11.399
<v Speaker 5>Well, it's kind of like guilt by association, right, Your

2140
01:55:11.560 --> 01:55:16.960
<v Speaker 5>friends circle is got it's weird, you know.

2141
01:55:17.000 --> 01:55:19.840
<v Speaker 2>The Beatles and Stones and Keith Richards living next to

2142
01:55:20.199 --> 01:55:24.960
<v Speaker 2>h John Phillips and yeah, yeah, m hmm.

2143
01:55:25.760 --> 01:55:27.840
<v Speaker 3>So the next the last guy we got here is

2144
01:55:27.880 --> 01:55:30.920
<v Speaker 3>the main the main four old dudes is Douglas Fairbanks Junior.

2145
01:55:31.880 --> 01:55:33.479
<v Speaker 2>Yeah, ned the mayor.

2146
01:55:34.079 --> 01:55:39.319
<v Speaker 5>Yeah, I got something interesting please. It says his first

2147
01:55:39.880 --> 01:55:43.119
<v Speaker 5>marriage was to actress Joan Crawford. Isn't she the one

2148
01:55:43.159 --> 01:55:45.880
<v Speaker 5>that beat her kids up and locked him in rooms

2149
01:55:45.920 --> 01:55:47.239
<v Speaker 5>and beat him with hangers and ship?

2150
01:55:48.079 --> 01:55:48.319
<v Speaker 2>Ship?

2151
01:55:48.439 --> 01:55:48.760
<v Speaker 3>Okay?

2152
01:55:50.239 --> 01:55:56.000
<v Speaker 5>Yeah, yeah, you've never seen Mommy Dearest JJ. No, well

2153
01:55:56.159 --> 01:56:00.439
<v Speaker 5>you're fucking up, because that is an amazing movie and

2154
01:56:00.720 --> 01:56:03.479
<v Speaker 5>there's a lot of quotable lines from that movie. But yeah,

2155
01:56:03.560 --> 01:56:06.640
<v Speaker 5>she adopted two kids and then just beat the shit

2156
01:56:06.760 --> 01:56:09.720
<v Speaker 5>out of them their entire life, just beat the ship

2157
01:56:10.479 --> 01:56:12.880
<v Speaker 5>and she would handcuff them to the bed at night,

2158
01:56:13.680 --> 01:56:18.479
<v Speaker 5>all kinds of stuff. A psycho and I always.

2159
01:56:18.239 --> 01:56:19.640
<v Speaker 2>Thought she was one of the people that you could

2160
01:56:19.680 --> 01:56:23.720
<v Speaker 2>tell just looking at her that something was a little off,

2161
01:56:24.199 --> 01:56:24.319
<v Speaker 2>you know.

2162
01:56:24.479 --> 01:56:29.560
<v Speaker 5>Yeah, yeah, yeah, JJ, you need to watch that because

2163
01:56:30.039 --> 01:56:32.760
<v Speaker 5>I even put I even took something from this movie

2164
01:56:32.800 --> 01:56:35.239
<v Speaker 5>and I put it into my intro for my podcast

2165
01:56:37.000 --> 01:56:39.279
<v Speaker 5>because it's just so iconic. But anyways, yeah, she was

2166
01:56:39.319 --> 01:56:44.239
<v Speaker 5>horrible to her children who she adopted, and she was

2167
01:56:44.319 --> 01:56:47.079
<v Speaker 5>in the Have you ever seen a weird horror movie

2168
01:56:47.239 --> 01:56:49.039
<v Speaker 5>from back then called Baby Jane.

2169
01:56:50.479 --> 01:56:51.399
<v Speaker 3>I've actually heard of that.

2170
01:56:51.600 --> 01:56:53.399
<v Speaker 2>Yeah, whatever happened to Baby Jane?

2171
01:56:53.640 --> 01:56:54.880
<v Speaker 5>Whatever happened to Baby Jane?

2172
01:56:54.960 --> 01:56:56.960
<v Speaker 3>One of my fav're talking about.

2173
01:56:57.720 --> 01:57:01.239
<v Speaker 5>She's in it, And the first time I watched it,

2174
01:57:01.399 --> 01:57:03.159
<v Speaker 5>my mom was like, oh, do you know the true

2175
01:57:03.199 --> 01:57:05.359
<v Speaker 5>story about what she did to her kids? And then

2176
01:57:05.439 --> 01:57:10.159
<v Speaker 5>we hadammidarist after that. But yeah, Jill Crawford real fucked up.

2177
01:57:12.399 --> 01:57:14.399
<v Speaker 3>I'm definitely gonna be watching that. I appreciate that, thank you.

2178
01:57:15.039 --> 01:57:15.560
<v Speaker 5>Mm hmmm.

2179
01:57:16.359 --> 01:57:19.000
<v Speaker 3>So what else did her? So what these weren't This

2180
01:57:19.159 --> 01:57:21.039
<v Speaker 3>wasn't the dad of that right now?

2181
01:57:23.239 --> 01:57:23.359
<v Speaker 1>Uh?

2182
01:57:23.920 --> 01:57:26.760
<v Speaker 5>No, no, you talked about her kids?

2183
01:57:27.479 --> 01:57:28.920
<v Speaker 3>Yeah, her kids?

2184
01:57:29.439 --> 01:57:29.640
<v Speaker 5>Yeah?

2185
01:57:30.279 --> 01:57:32.439
<v Speaker 3>Okay, oh that's right. You just said that. You just

2186
01:57:32.479 --> 01:57:32.760
<v Speaker 3>said that.

2187
01:57:33.399 --> 01:57:35.840
<v Speaker 5>Well, that's what makes it worse is because like she

2188
01:57:36.079 --> 01:57:39.399
<v Speaker 5>hated kids, So why the fuck would you go and

2189
01:57:39.520 --> 01:57:40.920
<v Speaker 5>adopt two kids?

2190
01:57:41.239 --> 01:57:44.000
<v Speaker 2>I think that public image because she was seen as

2191
01:57:44.079 --> 01:57:47.079
<v Speaker 2>kind of a brittle, unpleasant sort of person, and they

2192
01:57:47.159 --> 01:57:49.119
<v Speaker 2>told her, you know, if you had some kids, it

2193
01:57:49.159 --> 01:57:51.000
<v Speaker 2>would improve.

2194
01:57:50.680 --> 01:57:54.960
<v Speaker 5>Your public image, right, and so she basically jj she

2195
01:57:55.039 --> 01:57:58.159
<v Speaker 5>would like John Banam and like dress them up in

2196
01:57:58.279 --> 01:58:01.560
<v Speaker 5>Christmas outfits and stuff, like parade them around like they

2197
01:58:01.600 --> 01:58:05.039
<v Speaker 5>were so happy, and you know, and the kids were

2198
01:58:05.119 --> 01:58:07.720
<v Speaker 5>just getting tied up at night and beat with hangars

2199
01:58:07.880 --> 01:58:10.960
<v Speaker 5>and all kinds of stuff. It's it's crazy, it's crazy.

2200
01:58:10.760 --> 01:58:14.039
<v Speaker 3>Word out huh yeah mmmm, worn outer kids. So this

2201
01:58:14.119 --> 01:58:16.920
<v Speaker 3>is what I found interesting about Fairbanks. During World War Two,

2202
01:58:17.239 --> 01:58:19.760
<v Speaker 3>he served as a commissioned officer in the US Navy

2203
01:58:20.159 --> 01:58:22.399
<v Speaker 3>and enter World War two and assigned a Lord Mountain

2204
01:58:22.399 --> 01:58:24.479
<v Speaker 3>Batten's commando staff in the United Kingdom.

2205
01:58:26.800 --> 01:58:29.439
<v Speaker 5>And he married a psychopath that beats her kids.

2206
01:58:30.000 --> 01:58:32.840
<v Speaker 3>Right, Oh, you'll like this one. Also, he was he

2207
01:58:32.960 --> 01:58:35.399
<v Speaker 3>was later implicated in the Profumo scandal.

2208
01:58:36.319 --> 01:58:41.079
<v Speaker 2>That's yeah, yeah, that's pretty much a direct connection to

2209
01:58:41.159 --> 01:58:41.680
<v Speaker 2>the process.

2210
01:58:41.800 --> 01:58:44.600
<v Speaker 3>Yeah yeah. I mean it's long been suspected that Marianda

2211
01:58:44.600 --> 01:58:46.560
<v Speaker 3>Grimston was one of the prostitutes in that scandal, but

2212
01:58:46.600 --> 01:58:49.720
<v Speaker 3>it's not been confirmed, but there is heavy suspicions of such. Yep.

2213
01:58:50.479 --> 01:58:55.760
<v Speaker 5>So he's the most interesting actor thus far, between him

2214
01:58:55.800 --> 01:58:56.840
<v Speaker 5>and Douglas my.

2215
01:58:56.880 --> 01:58:57.840
<v Speaker 3>Opinion, you know those two.

2216
01:58:58.039 --> 01:59:00.359
<v Speaker 5>Yeah, yeah, sure.

2217
01:59:00.840 --> 01:59:02.880
<v Speaker 3>So we get back into the plotline of the film.

2218
01:59:02.920 --> 01:59:06.000
<v Speaker 3>As we said, these four old men, uh sensibly at

2219
01:59:06.079 --> 01:59:08.279
<v Speaker 3>least metaphorically speaking of the film, seemed to have raped

2220
01:59:08.319 --> 01:59:10.359
<v Speaker 3>this young woman and she John. As you mentioned, she

2221
01:59:10.479 --> 01:59:12.720
<v Speaker 3>falls down and and they think she's dead because she

2222
01:59:12.760 --> 01:59:17.119
<v Speaker 3>gets her head right, that's right. Yeah, this is the

2223
01:59:17.199 --> 01:59:20.960
<v Speaker 3>witchy woman that looks like Suzanne Conway, right, Alma right right,

2224
01:59:21.720 --> 01:59:22.039
<v Speaker 3>or or.

2225
01:59:22.119 --> 01:59:26.319
<v Speaker 2>Eva her name is at that time, right, And it's

2226
01:59:26.720 --> 01:59:28.479
<v Speaker 2>I hate to keep bringing this up, but it's just

2227
01:59:28.640 --> 01:59:32.920
<v Speaker 2>so there are so many points that there was a

2228
01:59:33.000 --> 01:59:36.840
<v Speaker 2>real Eva, and the character who appears later in the

2229
01:59:37.600 --> 01:59:41.079
<v Speaker 2>Who the Chatter society consults to see if he can

2230
01:59:41.119 --> 01:59:44.199
<v Speaker 2>solve their problems is done well, there were a real

2231
01:59:44.319 --> 01:59:47.640
<v Speaker 2>Don and Eva. In the book, they're called Don Wanderley

2232
01:59:47.760 --> 01:59:48.600
<v Speaker 2>and Eva Galley.

2233
01:59:51.159 --> 01:59:51.359
<v Speaker 3>Yeah.

2234
01:59:51.479 --> 01:59:54.680
<v Speaker 2>The real Don was Don Warner, the guy who directed

2235
01:59:54.720 --> 01:59:57.199
<v Speaker 2>the play that Suzanne Conway was in, and he had

2236
01:59:57.239 --> 02:00:03.720
<v Speaker 2>a wife named Eva. That's how specific Straub's references were.

2237
02:00:04.399 --> 02:00:06.720
<v Speaker 3>You ain't kidding, dude. That's that's like on the money,

2238
02:00:06.760 --> 02:00:07.560
<v Speaker 3>on the money.

2239
02:00:07.560 --> 02:00:12.359
<v Speaker 2>It really is. Yeah, yeah, and that's right, Marie, it

2240
02:00:12.479 --> 02:00:13.079
<v Speaker 2>was yeah.

2241
02:00:13.279 --> 02:00:18.920
<v Speaker 3>Yeah, yeah, dude. I mean at some point, like what,

2242
02:00:19.039 --> 02:00:20.760
<v Speaker 3>at what point in time did you consider like that

2243
02:00:20.840 --> 02:00:24.039
<v Speaker 3>Strawb obviously knew a lot about this, like how many

2244
02:00:24.119 --> 02:00:26.199
<v Speaker 3>details of these before you're like, wait a second, this

2245
02:00:26.359 --> 02:00:28.239
<v Speaker 3>is something's going on here.

2246
02:00:30.079 --> 02:00:35.159
<v Speaker 2>You know, it was maybe late twenty twenty. I was

2247
02:00:35.239 --> 02:00:38.520
<v Speaker 2>rereading it for Halloween, like I do every year most years,

2248
02:00:38.840 --> 02:00:44.479
<v Speaker 2>and it was I was sitting in my chair one

2249
02:00:44.560 --> 02:00:48.720
<v Speaker 2>night and he was talking about neighborhoods in different places

2250
02:00:48.960 --> 02:00:52.319
<v Speaker 2>in this fictional city of Melbourne, and because I had

2251
02:00:52.359 --> 02:00:54.720
<v Speaker 2>been doing research, I just realized that every place he's

2252
02:00:54.720 --> 02:00:57.039
<v Speaker 2>talking about is just a Yonker's reference, like all the

2253
02:00:57.119 --> 02:01:01.159
<v Speaker 2>street names. There's a minor character the book named Venudi.

2254
02:01:01.279 --> 02:01:05.119
<v Speaker 2>He's the pharmacist. It's a reference to Jovinudi, who is

2255
02:01:05.159 --> 02:01:08.039
<v Speaker 2>a political figure in Westchester in the forties and fifties.

2256
02:01:08.239 --> 02:01:11.159
<v Speaker 2>It's just just one reference after another. But it's the

2257
02:01:11.239 --> 02:01:13.279
<v Speaker 2>kind of thing that people aren't going to realize until

2258
02:01:13.319 --> 02:01:17.720
<v Speaker 2>they're doing, you know, extensive newspaper research, like often tedious,

2259
02:01:18.359 --> 02:01:20.760
<v Speaker 2>but that's how I go across all those names.

2260
02:01:21.359 --> 02:01:23.880
<v Speaker 3>Well, relative to that Wanderley guy you were just talking

2261
02:01:23.920 --> 02:01:26.479
<v Speaker 3>about there, it says you're in your blog post. In

2262
02:01:26.560 --> 02:01:29.960
<v Speaker 3>the book's prologue, a man named Don Wanderley has kidnapped

2263
02:01:29.960 --> 02:01:32.520
<v Speaker 3>a young orphan girl from a park in Melbourne. It's

2264
02:01:32.560 --> 02:01:35.039
<v Speaker 3>down in New York State. He drives her to Panama City,

2265
02:01:35.439 --> 02:01:37.520
<v Speaker 3>which is the location of where John car was station.

2266
02:01:37.640 --> 02:01:39.920
<v Speaker 2>It says, that's right, that's right. Yeah.

2267
02:01:41.159 --> 02:01:43.800
<v Speaker 5>I just wanted to say this comment you got posted,

2268
02:01:44.279 --> 02:01:47.520
<v Speaker 5>Todd said, I learned everything about the Dutro scandal from

2269
02:01:47.600 --> 02:01:51.000
<v Speaker 5>Julia's show. Great work, Julia, just want to say that

2270
02:01:51.159 --> 02:01:54.880
<v Speaker 5>comment means the world to me because I worked tirelessly

2271
02:01:55.079 --> 02:01:58.840
<v Speaker 5>on that presentation for Program to Kill. I spent months

2272
02:01:59.560 --> 02:02:03.880
<v Speaker 5>pudding that presentation together. So thank you, Todd. And the

2273
02:02:03.960 --> 02:02:06.800
<v Speaker 5>stuff we're talking about today is no different. I mean

2274
02:02:07.319 --> 02:02:11.840
<v Speaker 5>all of this, this stuff, this the references he's making

2275
02:02:11.920 --> 02:02:15.880
<v Speaker 5>in this book, referencing real life stuff. They loved. It's

2276
02:02:15.960 --> 02:02:17.680
<v Speaker 5>like a sick joke to these people.

2277
02:02:17.840 --> 02:02:21.319
<v Speaker 2>They think that it really is. Yeah, they think it's funny.

2278
02:02:22.920 --> 02:02:26.079
<v Speaker 3>You'll laugh about it, right, Yeah. They think I covered

2279
02:02:26.079 --> 02:02:28.960
<v Speaker 3>all this in Dragnet. I didn't know. I'm sorry, go ahead, Julia.

2280
02:02:29.560 --> 02:02:31.800
<v Speaker 5>No, I was just gonna say. They think it's absolutely

2281
02:02:31.880 --> 02:02:35.520
<v Speaker 5>hysterical that we just watch movies and read books and

2282
02:02:36.479 --> 02:02:38.920
<v Speaker 5>you know, it's right in front of our face and

2283
02:02:39.000 --> 02:02:41.960
<v Speaker 5>we'll just never know, especially what John was talking about

2284
02:02:42.000 --> 02:02:44.920
<v Speaker 5>earlier with that guy's last name, Like, who else is

2285
02:02:45.039 --> 02:02:46.039
<v Speaker 5>going to put that together?

2286
02:02:46.920 --> 02:02:50.039
<v Speaker 3>Yes, Pacaula, Yeah, so I totally agree with you. I

2287
02:02:50.119 --> 02:02:53.279
<v Speaker 3>totally agree with you. So the I did a Nicolet

2288
02:02:53.479 --> 02:02:55.680
<v Speaker 3>esoteric review a number of weeks back on Dragnet. So

2289
02:02:55.760 --> 02:02:58.359
<v Speaker 3>folks to the interwebs or John or jolly of you

2290
02:02:58.399 --> 02:02:59.359
<v Speaker 3>folks want to check it out.

2291
02:03:03.560 --> 02:03:12.720
<v Speaker 5>Uh oh j Keith Frousin, Yeah, he'll probably be making

2292
02:03:12.760 --> 02:03:13.840
<v Speaker 5>a second yep.

2293
02:03:15.399 --> 02:03:18.359
<v Speaker 3>In my back, My back, my back, Yeah, you're back.

2294
02:03:19.000 --> 02:03:21.920
<v Speaker 3>It's a nineteen eighty seven cinematic masterpiece, Dragnet and Cult.

2295
02:03:21.920 --> 02:03:24.560
<v Speaker 3>An esoteric review where we go over the elements of

2296
02:03:24.640 --> 02:03:27.600
<v Speaker 3>the process being told there. And I'll just use to

2297
02:03:28.159 --> 02:03:30.560
<v Speaker 3>emphasize my point, I'll bring up one one character from

2298
02:03:30.600 --> 02:03:33.520
<v Speaker 3>the film and show you the murder of Roy Raidin. Right,

2299
02:03:33.680 --> 02:03:36.600
<v Speaker 3>So back to back to my favorite character here at

2300
02:03:36.640 --> 02:03:41.840
<v Speaker 3>Operation GCD, not Cocaine Bob Boy. He was the unindicted

2301
02:03:41.920 --> 02:03:44.520
<v Speaker 3>co conspirator in the murder of Roy Raiden, so the

2302
02:03:45.199 --> 02:03:48.199
<v Speaker 3>one of the co the convicted murders. And that the

2303
02:03:48.279 --> 02:03:52.159
<v Speaker 3>hitman that that he allegedly hired was a fellow by

2304
02:03:52.239 --> 02:03:54.479
<v Speaker 3>named William Menzer, the guy that as John will tell

2305
02:03:54.520 --> 02:03:57.119
<v Speaker 3>you what, Who's William Menszer? John? Help me out with that?

2306
02:03:58.239 --> 02:04:01.199
<v Speaker 2>He had along, he had a background. He apparently was

2307
02:04:01.279 --> 02:04:03.560
<v Speaker 2>pretty serious about his occultism.

2308
02:04:03.720 --> 02:04:04.079
<v Speaker 3>He was.

2309
02:04:06.159 --> 02:04:09.159
<v Speaker 2>He's been alleged to have been involved with Son of Sam,

2310
02:04:09.279 --> 02:04:11.680
<v Speaker 2>particularly the Christine Freud murder. He was supposed to have

2311
02:04:11.680 --> 02:04:13.680
<v Speaker 2>been on the scene there, if not the actual shooter.

2312
02:04:15.720 --> 02:04:17.880
<v Speaker 2>And he's well, he has a he's another one of

2313
02:04:17.880 --> 02:04:19.920
<v Speaker 2>these people. He's a movie into himself.

2314
02:04:21.159 --> 02:04:22.119
<v Speaker 3>That you ain't kidding.

2315
02:04:22.479 --> 02:04:25.720
<v Speaker 5>Yeah, I'm pretty sure he was mentioned in Program to

2316
02:04:25.840 --> 02:04:32.199
<v Speaker 5>Kill as being like they linked him somehow to being

2317
02:04:32.279 --> 02:04:36.760
<v Speaker 5>an offshoot of like after the Manson family murders went down,

2318
02:04:37.279 --> 02:04:42.119
<v Speaker 5>there was the Common Club, yeah, and then this guy yeah,

2319
02:04:42.720 --> 02:04:46.199
<v Speaker 5>uh huh, all process offshoot kind of weirdos.

2320
02:04:46.520 --> 02:04:48.720
<v Speaker 3>So one of the other things he was notorious for

2321
02:04:48.960 --> 02:04:52.439
<v Speaker 3>was being the security guard and chauffeur of Larry Flint. Yeah,

2322
02:04:52.640 --> 02:04:55.640
<v Speaker 3>And in the nineteen eighty seven cinematic Masterpiece were introduced

2323
02:04:55.680 --> 02:04:59.479
<v Speaker 3>to jack O Hallahan's character Imo muzz He is the

2324
02:05:00.000 --> 02:05:03.520
<v Speaker 3>security guard and driver of the pornographer in the film,

2325
02:05:03.560 --> 02:05:06.520
<v Speaker 3>which is part a machination of what I would argue

2326
02:05:06.600 --> 02:05:10.399
<v Speaker 3>is Larry Flint and and uh Hugh Hefner. But he

2327
02:05:11.000 --> 02:05:14.079
<v Speaker 3>he's also a major figure in the cult that is

2328
02:05:14.159 --> 02:05:17.399
<v Speaker 3>Siege that has taken a siege of Los Angeles and

2329
02:05:17.520 --> 02:05:22.279
<v Speaker 3>co opted politicians, attorneys, police, police folks, including the commissioner. Right,

2330
02:05:22.439 --> 02:05:24.680
<v Speaker 3>And it's all run by a guy who's doing this.

2331
02:05:25.520 --> 02:05:28.199
<v Speaker 3>He's the head of the Christian organization in town fighting

2332
02:05:28.239 --> 02:05:30.600
<v Speaker 3>all this. He's the head of the Satanist organization, the

2333
02:05:30.760 --> 02:05:32.880
<v Speaker 3>pagan cult that has sieged it. And he's part of

2334
02:05:32.960 --> 02:05:36.039
<v Speaker 3>that cult. And Bill Mentzer just happened to be the

2335
02:05:36.159 --> 02:05:41.359
<v Speaker 3>driver and chauffeur of Larry Flint. And Bill Metzer just

2336
02:05:41.479 --> 02:05:45.880
<v Speaker 3>happens to look identical to Emmaus. So you tell me

2337
02:05:45.960 --> 02:05:47.600
<v Speaker 3>if they're if they're telling us a tale that one,

2338
02:05:47.640 --> 02:05:50.359
<v Speaker 3>you know what I mean, Like.

2339
02:05:50.800 --> 02:05:53.439
<v Speaker 2>Somebody who wrote the stuff knew exactly what was happening,

2340
02:05:53.479 --> 02:05:54.840
<v Speaker 2>and they knew who the players.

2341
02:05:54.520 --> 02:05:59.640
<v Speaker 3>Were to speak. You see what I'm saying, how much

2342
02:05:59.760 --> 02:06:01.199
<v Speaker 3>you no, I agree to her, but you see how

2343
02:06:01.239 --> 02:06:04.039
<v Speaker 3>much these dudes look. I mean, they played the same role.

2344
02:06:04.359 --> 02:06:07.800
<v Speaker 5>Ash, come on, and they're playing like the same he's

2345
02:06:07.880 --> 02:06:09.199
<v Speaker 5>playing the real guy.

2346
02:06:09.560 --> 02:06:10.159
<v Speaker 2>You know what I mean?

2347
02:06:10.760 --> 02:06:13.079
<v Speaker 3>And oh, haller hand don't look anything like like they had.

2348
02:06:13.239 --> 02:06:14.760
<v Speaker 3>This is all made up with the hair and the

2349
02:06:14.920 --> 02:06:18.279
<v Speaker 3>mustache they gave to him there So and it's interesting

2350
02:06:18.399 --> 02:06:19.840
<v Speaker 3>because this is what I like the joke when you

2351
02:06:20.000 --> 02:06:21.640
<v Speaker 3>this is what reminded me of this You all were

2352
02:06:21.680 --> 02:06:24.640
<v Speaker 3>talking about the bragging. So Bob Cocaine Evans went and

2353
02:06:24.720 --> 02:06:27.680
<v Speaker 3>saw the film Wag the Dog, right with Dustin Hoffman,

2354
02:06:28.319 --> 02:06:30.560
<v Speaker 3>and when he this is nineteen ninety seven, he walks

2355
02:06:30.560 --> 02:06:33.079
<v Speaker 3>out of the film and the uh, he's asked by

2356
02:06:33.119 --> 02:06:35.880
<v Speaker 3>you know, the premiere, He's asked by the paparazzi, you know,

2357
02:06:36.199 --> 02:06:38.479
<v Speaker 3>what do you think of the film, And in old

2358
02:06:38.520 --> 02:06:41.680
<v Speaker 3>Cocaine Bob Fantoausy replies, I thought I looked great on

2359
02:06:41.760 --> 02:06:44.880
<v Speaker 3>the big screen because Dustin Hoffman is playing a Hollywood

2360
02:06:44.880 --> 02:06:48.199
<v Speaker 3>producer who's doing a Bob Cocaine Evans character, right, yeah,

2361
02:06:49.720 --> 02:06:52.000
<v Speaker 3>and they're all every yeah, everything, And I would I

2362
02:06:52.039 --> 02:06:54.439
<v Speaker 3>would argue that they're that whole film is a satirical

2363
02:06:54.560 --> 02:06:58.199
<v Speaker 3>take of them bragging and laughing on these fella's relationship

2364
02:06:58.560 --> 02:07:01.840
<v Speaker 3>because de Niro hero was a man who Evans made

2365
02:07:01.880 --> 02:07:05.720
<v Speaker 3>his career. He made Hoffman's career. And de Niro plays

2366
02:07:05.760 --> 02:07:08.119
<v Speaker 3>a you know, not necessarily a national security council.

2367
02:07:15.119 --> 02:07:19.920
<v Speaker 5>In my froze my back, my back, so I didn't

2368
02:07:19.920 --> 02:07:22.199
<v Speaker 5>know if it was me or you. Yeah, you're you're back.

2369
02:07:22.800 --> 02:07:26.359
<v Speaker 3>Yeah. So Evans makes both de Niro in Hoffman's careers.

2370
02:07:26.880 --> 02:07:28.960
<v Speaker 3>Hoffmann's playing a ceturial take on I just think that

2371
02:07:29.039 --> 02:07:30.720
<v Speaker 3>de Niro is doing the kind of a cterial take

2372
02:07:30.800 --> 02:07:33.920
<v Speaker 3>on Henry Kissinger there. But nonetheless he walks out of

2373
02:07:33.960 --> 02:07:35.760
<v Speaker 3>the theater and says, I thought it looked great. So

2374
02:07:36.359 --> 02:07:38.520
<v Speaker 3>when this film came out in nineteen eighty seven, I

2375
02:07:38.640 --> 02:07:41.439
<v Speaker 3>often wonder if this fellow, who was not arrested until

2376
02:07:41.479 --> 02:07:43.880
<v Speaker 3>August of eighty eight, walked out of that same film

2377
02:07:43.920 --> 02:07:45.560
<v Speaker 3>and said, I thought I looked great on the big screen.

2378
02:07:46.479 --> 02:07:48.520
<v Speaker 2>I bet he did, you know, because they said too

2379
02:07:48.600 --> 02:07:50.880
<v Speaker 2>when he was when he was arrested, they found a

2380
02:07:50.960 --> 02:07:54.960
<v Speaker 2>copy of Maury's book and it had his parts underlining

2381
02:07:55.039 --> 02:07:57.840
<v Speaker 2>the book. And he told somebody that they in this

2382
02:07:57.960 --> 02:08:00.520
<v Speaker 2>book they described what I did as a perfect which

2383
02:08:00.600 --> 02:08:04.760
<v Speaker 2>wasn't actually true. But he he had that conscious vanity

2384
02:08:04.760 --> 02:08:07.560
<v Speaker 2>about himself that when he knew he was being written

2385
02:08:07.640 --> 02:08:10.199
<v Speaker 2>about or depicted in the movie, he was he knew

2386
02:08:10.239 --> 02:08:12.520
<v Speaker 2>about it, you know, he was, he was happy about it.

2387
02:08:15.039 --> 02:08:20.920
<v Speaker 5>Somebody had seen something in the commons here, hang on, is.

2388
02:08:20.920 --> 02:08:23.720
<v Speaker 3>It Kane b He was friends with the box fast Eddy.

2389
02:08:24.119 --> 02:08:27.119
<v Speaker 5>The one before that. He's somebody's talking about a movie

2390
02:08:27.199 --> 02:08:30.359
<v Speaker 5>that rolls of dan Aykroyd.

2391
02:08:30.640 --> 02:08:32.760
<v Speaker 3>But fast Eddie was the mina somma bitch I've ever

2392
02:08:32.840 --> 02:08:34.439
<v Speaker 3>met in my life. I think Kane's actually telling you

2393
02:08:34.479 --> 02:08:36.399
<v Speaker 3>now an actual story here. He used to work for

2394
02:08:36.479 --> 02:08:39.039
<v Speaker 3>a tourist trap restaurant in the eighties. Oh so, because

2395
02:08:39.119 --> 02:08:40.680
<v Speaker 3>Kane used to live in San Diego in the eighties.

2396
02:08:40.720 --> 02:08:43.720
<v Speaker 3>That's interesting, Kane, so he was friends with Bill, your

2397
02:08:43.880 --> 02:08:46.680
<v Speaker 3>old boss was friends with Bill Metzer. Huh, that's we

2398
02:08:46.720 --> 02:08:48.640
<v Speaker 3>got to talk about that for a fellow. Like I

2399
02:08:48.680 --> 02:08:50.399
<v Speaker 3>would like to hear some more of those tales that's

2400
02:08:50.439 --> 02:08:52.439
<v Speaker 3>gonna be, you know, I'd like just you know that

2401
02:08:52.520 --> 02:08:55.000
<v Speaker 3>whole era. I feel like San Diego is whatever, Los Angeles,

2402
02:08:55.279 --> 02:08:57.840
<v Speaker 3>whatever Cole takesot he was popping off in Los Angeles.

2403
02:08:58.239 --> 02:08:59.960
<v Speaker 3>It sounds like Kane had been seeing some of the

2404
02:09:00.119 --> 02:09:06.000
<v Speaker 3>ship in San Diego at the same time. Am I

2405
02:09:06.079 --> 02:09:06.920
<v Speaker 3>back my back?

2406
02:09:07.600 --> 02:09:09.680
<v Speaker 5>Yeah, you're good, You're good. I was just reading the

2407
02:09:09.760 --> 02:09:10.600
<v Speaker 5>comments over here.

2408
02:09:10.680 --> 02:09:13.520
<v Speaker 3>It looks like I don't know, Oh, go ahead.

2409
02:09:14.279 --> 02:09:16.760
<v Speaker 5>I was just gonna say, look like Headless is in

2410
02:09:16.920 --> 02:09:20.119
<v Speaker 5>the comments. People are on fire tonight. We got all

2411
02:09:20.239 --> 02:09:22.199
<v Speaker 5>kinds of stuff coming through. This is awesome.

2412
02:09:22.920 --> 02:09:24.880
<v Speaker 3>It's good stuff. I appreciate the folks of your webs

2413
02:09:24.880 --> 02:09:27.720
<v Speaker 3>and joined the show and commenting here on the on

2414
02:09:27.880 --> 02:09:30.800
<v Speaker 3>the chat, So where did we leave off? Before I

2415
02:09:30.840 --> 02:09:34.359
<v Speaker 3>went on a cocaine bob excursion, we.

2416
02:09:34.439 --> 02:09:39.319
<v Speaker 5>Were talking about how she basically they kill her.

2417
02:09:42.319 --> 02:09:46.000
<v Speaker 3>No, was that what we were talking about. Yeah, we

2418
02:09:46.319 --> 02:09:48.560
<v Speaker 3>were saying how it was similar. They were bragging about

2419
02:09:48.560 --> 02:09:51.199
<v Speaker 3>these stories, right, But no, they killed the woman on accident.

2420
02:09:51.600 --> 02:09:54.479
<v Speaker 3>And then the next thing we see, right is one

2421
02:09:54.560 --> 02:09:57.359
<v Speaker 3>of the character's sons falling out of a building was

2422
02:09:57.399 --> 02:09:58.159
<v Speaker 3>showing us as dick.

2423
02:10:00.399 --> 02:10:03.119
<v Speaker 2>And you don't realize at first that she's they get you.

2424
02:10:03.520 --> 02:10:07.960
<v Speaker 2>The woman he's with is the one that's the central figure.

2425
02:10:08.119 --> 02:10:08.279
<v Speaker 4>Right.

2426
02:10:10.000 --> 02:10:11.720
<v Speaker 3>That's a good point too. I thought you meant you

2427
02:10:11.760 --> 02:10:13.199
<v Speaker 3>don't realize at first they're going to show you his

2428
02:10:13.239 --> 02:10:14.239
<v Speaker 3>dick because I didn't realize that.

2429
02:10:16.960 --> 02:10:20.079
<v Speaker 5>They show you plenty of of tit action too.

2430
02:10:20.279 --> 02:10:23.800
<v Speaker 3>And but from this, no, I had no idea dan

2431
02:10:23.880 --> 02:10:26.359
<v Speaker 3>Ackroyd bought Mama Cass's house. Get the fuck out of here.

2432
02:10:26.439 --> 02:10:30.680
<v Speaker 3>That's awesome stuff. Come on, because he already he's already

2433
02:10:30.720 --> 02:10:33.520
<v Speaker 3>he's already questionable enough. Starring Opposite Tuesday Well, the nineteen

2434
02:10:33.600 --> 02:10:38.680
<v Speaker 3>ninety five film starring Keanu Reeves and Courtney Love Feeling Minnesota.

2435
02:10:39.920 --> 02:10:42.640
<v Speaker 2>Yeah, and that Dan he has a serious interest like

2436
02:10:42.760 --> 02:10:45.239
<v Speaker 2>in ghosts and UFOs and just the paranormal.

2437
02:10:47.239 --> 02:10:50.239
<v Speaker 3>Well, absolutely, John, and I cover that. You'll you'll enjoy

2438
02:10:50.319 --> 02:10:53.560
<v Speaker 3>this comparison. I cover that in that Dragonet film that he,

2439
02:10:54.119 --> 02:10:56.279
<v Speaker 3>you know, went into some of the Ghostbusters activities. I

2440
02:10:56.359 --> 02:10:59.760
<v Speaker 3>think he has raised a cult. Bookstore was based upon

2441
02:10:59.800 --> 02:11:00.640
<v Speaker 3>the Magic Child.

2442
02:11:01.640 --> 02:11:03.520
<v Speaker 2>I wouldn't doubt it. I wouldn't doubt it.

2443
02:11:04.399 --> 02:11:08.800
<v Speaker 5>And Mama Cass's House makes sense to me.

2444
02:11:09.600 --> 02:11:11.880
<v Speaker 3>Hey, look, if you start opposite, they will makes sense

2445
02:11:11.960 --> 02:11:12.119
<v Speaker 3>to me.

2446
02:11:12.960 --> 02:11:17.119
<v Speaker 5>That's like Jared leto buy and lookout Mountain Laboratory. Yeah,

2447
02:11:18.439 --> 02:11:20.159
<v Speaker 5>and he's doing some kind of cult.

2448
02:11:20.039 --> 02:11:23.920
<v Speaker 3>Activity that was originally Natalie Woods house. Holy Masicious, that's

2449
02:11:23.960 --> 02:11:24.920
<v Speaker 3>some great stuff.

2450
02:11:24.680 --> 02:11:24.960
<v Speaker 2>You got that.

2451
02:11:25.000 --> 02:11:25.880
<v Speaker 3>I didn't know that either.

2452
02:11:26.880 --> 02:11:27.960
<v Speaker 5>Holy Ship.

2453
02:11:28.199 --> 02:11:32.600
<v Speaker 3>Who is this? It's Masicious. That's not ship, It's totally Masicious.

2454
02:11:34.199 --> 02:11:36.720
<v Speaker 2>She has a lot of good information. I know her.

2455
02:11:37.039 --> 02:11:39.359
<v Speaker 2>She research.

2456
02:11:40.640 --> 02:11:42.600
<v Speaker 3>Thank you man. That's a that's some awesome stuff.

2457
02:11:43.479 --> 02:11:45.880
<v Speaker 5>Yeah, some awesome stuff.

2458
02:11:47.720 --> 02:11:49.399
<v Speaker 3>I don't know. Nicholas Roorck, who's that?

2459
02:11:51.000 --> 02:11:54.920
<v Speaker 2>Oh, the Russian painter, who's that mystical?

2460
02:11:56.600 --> 02:12:01.560
<v Speaker 5>Is he a weirdo child diddler, Cannibal little really just

2461
02:12:02.119 --> 02:12:02.640
<v Speaker 5>just sort.

2462
02:12:02.479 --> 02:12:06.720
<v Speaker 2>Of known as a painter of like mystical and occult subjects.

2463
02:12:06.760 --> 02:12:09.319
<v Speaker 2>Thank you made glad you're listening tonight.

2464
02:12:10.359 --> 02:12:12.760
<v Speaker 5>May I need to get you on my show. What

2465
02:12:13.000 --> 02:12:18.880
<v Speaker 5>the fuck? Geez? People in the comments are going, John,

2466
02:12:19.000 --> 02:12:22.399
<v Speaker 5>you brought the best audience tonight. Holy crap.

2467
02:12:23.079 --> 02:12:23.840
<v Speaker 3>That's not that?

2468
02:12:23.960 --> 02:12:24.520
<v Speaker 4>Is that is that?

2469
02:12:24.680 --> 02:12:25.239
<v Speaker 2>May? May?

2470
02:12:25.520 --> 02:12:27.520
<v Speaker 3>May Zech? Do I know this Maze? Is this one

2471
02:12:27.520 --> 02:12:28.159
<v Speaker 3>of your followers?

2472
02:12:29.199 --> 02:12:32.399
<v Speaker 2>Well, we're just fellow researchers and nice.

2473
02:12:33.359 --> 02:12:35.079
<v Speaker 3>It sounds like I need I need to know this person.

2474
02:12:35.520 --> 02:12:37.640
<v Speaker 2>Yeah, it's both interested in the same kinds of things.

2475
02:12:37.680 --> 02:12:40.319
<v Speaker 3>And I'm so glad I didn't know dan Aykroyd bout

2476
02:12:40.359 --> 02:12:42.279
<v Speaker 3>that fucking house. That's I mean, I don't a lot

2477
02:12:42.319 --> 02:12:43.319
<v Speaker 3>of these details.

2478
02:12:43.640 --> 02:12:46.000
<v Speaker 2>I didn't either. But it's so great that people are

2479
02:12:46.039 --> 02:12:49.000
<v Speaker 2>talking about this stuff because it really is. It's not.

2480
02:12:49.760 --> 02:12:51.960
<v Speaker 2>This aspect of it has not discussed a whole lot,

2481
02:12:51.960 --> 02:12:54.279
<v Speaker 2>I don't think, or maybe it is privately, but I've

2482
02:12:54.359 --> 02:12:56.359
<v Speaker 2>just never been able to engage a whole lot of

2483
02:12:56.439 --> 02:12:58.920
<v Speaker 2>people in the Son of Sam community in this.

2484
02:13:00.000 --> 02:13:01.560
<v Speaker 3>I'm hope to see the interest down. I hope to

2485
02:13:01.560 --> 02:13:02.279
<v Speaker 3>see the interests.

2486
02:13:03.079 --> 02:13:05.840
<v Speaker 5>I'm gonna have to put my email in if you could.

2487
02:13:06.000 --> 02:13:08.720
<v Speaker 5>I email JJ at the end of the show so

2488
02:13:09.239 --> 02:13:11.520
<v Speaker 5>people can reach send me an email reach out and

2489
02:13:11.840 --> 02:13:15.239
<v Speaker 5>I want to get may on my show. Only crack

2490
02:13:15.600 --> 02:13:19.239
<v Speaker 5>throwing out some crazy info like that, I need to

2491
02:13:19.359 --> 02:13:19.800
<v Speaker 5>know more.

2492
02:13:19.960 --> 02:13:22.079
<v Speaker 3>It's a real barn burner here, Julie. It's a real barn.

2493
02:13:21.960 --> 02:13:26.000
<v Speaker 5>Burner burning down the barn. Holy shit.

2494
02:13:27.000 --> 02:13:30.279
<v Speaker 3>So after we see the unsolicited dick pic of one

2495
02:13:30.279 --> 02:13:32.439
<v Speaker 3>of the main characters sons that jumps out of the

2496
02:13:32.840 --> 02:13:35.039
<v Speaker 3>building because he sees the ghost, right, the ghost comes

2497
02:13:35.079 --> 02:13:37.159
<v Speaker 3>on him. What's that about? Why is the ghost aunting

2498
02:13:37.199 --> 02:13:37.720
<v Speaker 3>the man's son.

2499
02:13:39.239 --> 02:13:41.840
<v Speaker 2>Well, he's one of the two sons of Ned, the

2500
02:13:42.199 --> 02:13:46.159
<v Speaker 2>mayor and the the guy that Eve I actually liked

2501
02:13:46.239 --> 02:13:49.319
<v Speaker 2>in nineteen twenty nine or whatever it was. He's one

2502
02:13:49.359 --> 02:13:50.159
<v Speaker 2>of the two sons.

2503
02:13:50.399 --> 02:13:58.159
<v Speaker 3>He's uh, do you take it as being like Ricky right?

2504
02:13:58.439 --> 02:14:00.359
<v Speaker 3>Ned and Ricky right? Because the next thing we see

2505
02:14:00.479 --> 02:14:03.119
<v Speaker 3>is the father chasing after Ricky. He goes to see

2506
02:14:03.119 --> 02:14:05.680
<v Speaker 3>his dad for the funeral of his brother and tells

2507
02:14:05.720 --> 02:14:08.600
<v Speaker 3>his dad, Hey, I would sleeping with that lady too, right, yeah,

2508
02:14:08.760 --> 02:14:10.359
<v Speaker 3>he tells his dad, right, yeah.

2509
02:14:10.840 --> 02:14:12.880
<v Speaker 5>But do you take that kind of freaks out right

2510
02:14:13.439 --> 02:14:17.000
<v Speaker 5>lamb kind of thing, like the firstborn son, like, I'll

2511
02:14:17.039 --> 02:14:19.439
<v Speaker 5>get you and your firstborn son kind of thing.

2512
02:14:19.680 --> 02:14:22.359
<v Speaker 3>That's what I was thinking, kind of right, a little curse. Yeah, well,

2513
02:14:22.439 --> 02:14:23.640
<v Speaker 3>Robert the Dolls curse.

2514
02:14:24.359 --> 02:14:26.960
<v Speaker 2>I'm not sure how they actually were thinking about it

2515
02:14:27.159 --> 02:14:31.760
<v Speaker 2>in in the film and in the book, Alma Till's

2516
02:14:32.760 --> 02:14:36.039
<v Speaker 2>done really specifically that, you know, when we get married,

2517
02:14:36.039 --> 02:14:37.720
<v Speaker 2>I want to go back and get married in the

2518
02:14:37.840 --> 02:14:40.520
<v Speaker 2>town where you grew up, and I want all your

2519
02:14:41.239 --> 02:14:43.479
<v Speaker 2>father and all of his friends and everybody in the

2520
02:14:43.560 --> 02:14:45.399
<v Speaker 2>town to be there, and I want them to see me.

2521
02:14:47.760 --> 02:14:49.800
<v Speaker 3>And then the next phrase she says is the phrase

2522
02:14:49.880 --> 02:14:51.640
<v Speaker 3>she repeats at the end, right, that she's gonna make

2523
02:14:51.680 --> 02:14:53.840
<v Speaker 3>them all kind of like she's gonna make them all pay.

2524
02:14:53.880 --> 02:14:55.600
<v Speaker 3>They're all gonna feel her or something like that.

2525
02:14:55.840 --> 02:14:59.640
<v Speaker 2>That's exactly it. Yeah, it's revenge for what they did

2526
02:14:59.720 --> 02:15:03.960
<v Speaker 2>to her, albeit accidentally. Now it's funny because in the

2527
02:15:04.079 --> 02:15:07.720
<v Speaker 2>movie they really it's sort of inadvertently I think, turns

2528
02:15:07.880 --> 02:15:11.039
<v Speaker 2>the men and the chatter society into the villains because

2529
02:15:11.600 --> 02:15:14.199
<v Speaker 2>they just kill this woman who has no she's just

2530
02:15:14.319 --> 02:15:17.239
<v Speaker 2>a normal human being.

2531
02:15:17.359 --> 02:15:17.520
<v Speaker 1>You know.

2532
02:15:18.479 --> 02:15:21.920
<v Speaker 2>In the book, there's already something wrong with Eva, and

2533
02:15:22.079 --> 02:15:26.560
<v Speaker 2>she already is this sort of inhuman other worldly figures,

2534
02:15:26.640 --> 02:15:30.479
<v Speaker 2>so that they they think that they have killed a

2535
02:15:30.600 --> 02:15:34.640
<v Speaker 2>human woman, but what they have actually done is just anger,

2536
02:15:35.000 --> 02:15:39.960
<v Speaker 2>a an other worldly sort of spirit being that just

2537
02:15:40.079 --> 02:15:42.399
<v Speaker 2>keeps coming back at them over and over at various

2538
02:15:42.439 --> 02:15:45.720
<v Speaker 2>points throughout their history. But she's even at the point

2539
02:15:45.720 --> 02:15:47.680
<v Speaker 2>where they kill her in the novel the first time

2540
02:15:48.000 --> 02:15:52.000
<v Speaker 2>as Eva, she already is not a human. She's something else,

2541
02:15:52.279 --> 02:15:58.800
<v Speaker 2>just occupying a human body, possessed. She's a manitute. She's

2542
02:15:58.840 --> 02:16:03.279
<v Speaker 2>an Indian's you're one of these shape shifting changeling things.

2543
02:16:03.439 --> 02:16:03.960
<v Speaker 5>I knew it.

2544
02:16:04.479 --> 02:16:07.520
<v Speaker 2>Yeah, it becomes people or animals or whatever, but it's

2545
02:16:07.560 --> 02:16:11.319
<v Speaker 2>always in the disguise of a physical creature, but it's not.

2546
02:16:11.520 --> 02:16:14.680
<v Speaker 2>It's not actually a physical person or an animal at all.

2547
02:16:14.960 --> 02:16:20.680
<v Speaker 5>Right, She's like a siren. She's like a yeahs figure,

2548
02:16:20.800 --> 02:16:23.399
<v Speaker 5>yeah yeah, and can lure you in with like her

2549
02:16:23.439 --> 02:16:24.640
<v Speaker 5>good looks and stuff.

2550
02:16:24.800 --> 02:16:26.520
<v Speaker 3>But then she turns right.

2551
02:16:27.640 --> 02:16:31.000
<v Speaker 5>Yeah, but think of it like JJ, like in the Shining,

2552
02:16:31.399 --> 02:16:33.959
<v Speaker 5>you know, when it's like a beautiful woman in the bathtub,

2553
02:16:34.079 --> 02:16:36.040
<v Speaker 5>and then he goes to kiss her and she turns

2554
02:16:36.079 --> 02:16:40.200
<v Speaker 5>into like some weird hag witch thing that's like laughing

2555
02:16:40.280 --> 02:16:43.120
<v Speaker 5>and cackling like that's Eva, Like she's like some kind

2556
02:16:43.120 --> 02:16:44.040
<v Speaker 5>of weird siren.

2557
02:16:44.840 --> 02:16:47.159
<v Speaker 3>Which we see that a lot. Though that same sequence

2558
02:16:47.200 --> 02:16:48.879
<v Speaker 3>you just described from The Shining, we see that same

2559
02:16:48.959 --> 02:16:50.879
<v Speaker 3>sequence play over here in this film as well, with

2560
02:16:51.000 --> 02:16:54.079
<v Speaker 3>this this witchy character, right, this this Eva Alma character.

2561
02:16:54.239 --> 02:16:56.799
<v Speaker 3>But it is it's that's the call of the siren,

2562
02:16:56.959 --> 02:16:58.680
<v Speaker 3>is what she's doing. When I think when she says,

2563
02:16:59.159 --> 02:17:01.079
<v Speaker 3>I will take you place you've never been, I will

2564
02:17:01.120 --> 02:17:03.360
<v Speaker 3>show you things that you've never seen, and I will

2565
02:17:03.360 --> 02:17:05.280
<v Speaker 3>see the life run out of you. She repeats that

2566
02:17:05.440 --> 02:17:06.719
<v Speaker 3>numerous times in the film.

2567
02:17:07.719 --> 02:17:11.159
<v Speaker 5>It's like a chance. It's like the priestess thing, you know,

2568
02:17:11.280 --> 02:17:12.120
<v Speaker 5>it's like a spell.

2569
02:17:12.680 --> 02:17:15.559
<v Speaker 3>Yeah, yeah, but she's learning these men in with especially Ricky.

2570
02:17:15.639 --> 02:17:17.920
<v Speaker 3>She lowers Ricky in with that statement, right, m.

2571
02:17:19.319 --> 02:17:27.200
<v Speaker 2>Yeah, that's right. And the our real life priestess, that

2572
02:17:27.479 --> 02:17:31.440
<v Speaker 2>is the the image she consciously affected. She she was

2573
02:17:31.600 --> 02:17:36.120
<v Speaker 2>like that Sue Conway, right, yeah, that was very much

2574
02:17:36.200 --> 02:17:37.600
<v Speaker 2>her her persona.

2575
02:17:38.319 --> 02:17:40.719
<v Speaker 3>You know, yeah, that's I mean, you bring up some

2576
02:17:40.799 --> 02:17:43.799
<v Speaker 3>good points there. So then we see we see Ricky

2577
02:17:44.520 --> 02:17:47.239
<v Speaker 3>and is it Ricky Senior? Right, he falls off the

2578
02:17:47.280 --> 02:17:51.559
<v Speaker 3>bridge they're chasing Ricky Jr. Right, Well, yeah, but but yeah, yeah, I'm.

2579
02:17:51.399 --> 02:17:55.159
<v Speaker 2>Sorry, falls off the bridge and he sees uh Almah's

2580
02:17:55.280 --> 02:17:57.959
<v Speaker 2>or Eva's figure. They're approaching him just as he's about

2581
02:17:57.959 --> 02:17:58.440
<v Speaker 2>to jump off.

2582
02:17:58.559 --> 02:18:02.000
<v Speaker 3>Yeah. Yeah, And then and then and after that is

2583
02:18:02.040 --> 02:18:04.600
<v Speaker 3>when we start getting into the bending of reality, right,

2584
02:18:04.639 --> 02:18:09.120
<v Speaker 3>because when they go when fred Astaire goes to the house, right, well,

2585
02:18:09.399 --> 02:18:10.760
<v Speaker 3>that's is that the next scene, right, is that the

2586
02:18:10.799 --> 02:18:11.159
<v Speaker 3>next part.

2587
02:18:12.639 --> 02:18:15.719
<v Speaker 2>It's it's somewhere early in there. I forget exactly when

2588
02:18:15.760 --> 02:18:18.920
<v Speaker 2>he goes to it. Uh. Now, incredibly too that that

2589
02:18:19.120 --> 02:18:21.719
<v Speaker 2>whole house is a matte painting. It's not even a

2590
02:18:21.760 --> 02:18:26.559
<v Speaker 2>real hat. That's it's an amazing painting there. But that's uh.

2591
02:18:26.680 --> 02:18:28.120
<v Speaker 2>I wish I could remember the name of the guy

2592
02:18:28.159 --> 02:18:29.440
<v Speaker 2>that did those paintings.

2593
02:18:29.079 --> 02:18:32.440
<v Speaker 3>For the for the Yeah, I'll look that up here

2594
02:18:32.479 --> 02:18:36.040
<v Speaker 3>in a second. So we are just looking at the Oh,

2595
02:18:36.079 --> 02:18:39.760
<v Speaker 3>that's right, So doubting his father committed suicide. Don then

2596
02:18:40.559 --> 02:18:42.959
<v Speaker 3>the remaining three friends and tells them a ghost story, right,

2597
02:18:43.040 --> 02:18:45.600
<v Speaker 3>approaches the remaining three friends. So then that's when the

2598
02:18:45.639 --> 02:18:47.200
<v Speaker 3>son is trying to get into the club, right.

2599
02:18:47.760 --> 02:18:50.399
<v Speaker 2>Right, right, and he uh, they talk to each other

2600
02:18:50.440 --> 02:18:53.719
<v Speaker 2>because he's a horror author, and I think Riky or

2601
02:18:53.760 --> 02:18:56.879
<v Speaker 2>somebody suggests or not it's not Ricky. Maybe it's Sears

2602
02:18:57.159 --> 02:19:01.239
<v Speaker 2>who suggests well edward Son and knows about all this

2603
02:19:01.319 --> 02:19:04.120
<v Speaker 2>weird stuff, so maybe he could tell us something to

2604
02:19:04.200 --> 02:19:06.559
<v Speaker 2>sort of calm us down a little bit and keep

2605
02:19:06.600 --> 02:19:09.559
<v Speaker 2>our imaginations from running away with us. So they asked

2606
02:19:09.600 --> 02:19:12.280
<v Speaker 2>him to come to town, and he uh. He attends

2607
02:19:12.319 --> 02:19:15.559
<v Speaker 2>one of their meetings and yes, Sears is really grouchy

2608
02:19:15.600 --> 02:19:18.799
<v Speaker 2>and offers him a Cuban cigar. But then Don says

2609
02:19:18.840 --> 02:19:21.319
<v Speaker 2>something like, well, let me tell you a story, and

2610
02:19:21.399 --> 02:19:23.879
<v Speaker 2>maybe that'll be the price of my admission into the

2611
02:19:23.959 --> 02:19:27.479
<v Speaker 2>chatter society, which Sears really doesn't like for some reason,

2612
02:19:27.520 --> 02:19:29.879
<v Speaker 2>and he he blows up at him over that comment.

2613
02:19:30.040 --> 02:19:33.200
<v Speaker 2>But Sears is just kind of a cantanker's character like

2614
02:19:33.239 --> 02:19:34.799
<v Speaker 2>that in the book and in film too.

2615
02:19:36.040 --> 02:19:39.079
<v Speaker 3>Now you're that's spot on, that's what. And the next

2616
02:19:39.120 --> 02:19:41.840
<v Speaker 3>thing we see is them and he's recounting this story, right,

2617
02:19:41.879 --> 02:19:43.760
<v Speaker 3>But that's when we meet Alma, right, So that's when

2618
02:19:43.840 --> 02:19:47.440
<v Speaker 3>it started blurring the boring the reality situation, right right.

2619
02:19:48.120 --> 02:19:52.319
<v Speaker 2>Before Alma knew his brother who dies at the beginning

2620
02:19:52.360 --> 02:19:58.040
<v Speaker 2>of the movie, she knew Don and uh, she approaches

2621
02:19:58.120 --> 02:20:01.879
<v Speaker 2>him when he's teaching at some university in Florida somewhere.

2622
02:20:02.680 --> 02:20:05.920
<v Speaker 3>And I may put it in that statement because I

2623
02:20:05.920 --> 02:20:07.840
<v Speaker 3>got an interesting, little weird thing that I saw on

2624
02:20:07.920 --> 02:20:09.399
<v Speaker 3>that whole Florida thing. I'll bring us at the end,

2625
02:20:09.440 --> 02:20:10.239
<v Speaker 3>but please continue.

2626
02:20:10.959 --> 02:20:13.280
<v Speaker 2>Yeah, well he he uh. He falls for her, and

2627
02:20:14.719 --> 02:20:17.360
<v Speaker 2>initially they're planning to get married, but she just gets

2628
02:20:17.479 --> 02:20:19.879
<v Speaker 2>weirder and weirder, and he has more of these strange

2629
02:20:19.920 --> 02:20:24.079
<v Speaker 2>experiences where her he he's it becomes impossible for him

2630
02:20:24.120 --> 02:20:29.200
<v Speaker 2>to ignore that something's wrong with her, and eventually, one

2631
02:20:29.280 --> 02:20:32.000
<v Speaker 2>day he tells her that he's breaking it off, you know, And.

2632
02:20:32.559 --> 02:20:35.680
<v Speaker 3>So she and this is all going on in the past.

2633
02:20:35.760 --> 02:20:38.239
<v Speaker 3>He's now retelling in the present based upon his brother

2634
02:20:38.280 --> 02:20:41.239
<v Speaker 3>already hooking up with this girl. Right, so it kind

2635
02:20:41.280 --> 02:20:43.280
<v Speaker 3>of it's suddenly the whole When I was watching, I

2636
02:20:43.319 --> 02:20:45.200
<v Speaker 3>was like, holy shit, did this stuff this all collapsed

2637
02:20:45.200 --> 02:20:46.760
<v Speaker 3>on me at once? Dude, I didn't see it coming.

2638
02:20:47.079 --> 02:20:49.719
<v Speaker 2>Yeah, And that's one of those things that's very much

2639
02:20:49.840 --> 02:20:53.319
<v Speaker 2>like the book is it's different narratives woven into each other,

2640
02:20:53.520 --> 02:20:56.959
<v Speaker 2>different time periods, and yeah, it starts to get pretty

2641
02:20:56.959 --> 02:20:57.879
<v Speaker 2>complex at that point.

2642
02:20:58.040 --> 02:20:59.680
<v Speaker 3>Come, it comes at you real fast, because then you

2643
02:20:59.719 --> 02:21:01.799
<v Speaker 3>realize the opening sequence when he saw his brother falling

2644
02:21:01.840 --> 02:21:04.479
<v Speaker 3>out the building and the dick pic. The lady that

2645
02:21:04.840 --> 02:21:09.479
<v Speaker 3>he saw was this Alma ghosts. Yeah, I'm sorry's sleeping

2646
02:21:09.520 --> 02:21:12.079
<v Speaker 3>with Alma, but he sees the ghost of Eva in

2647
02:21:12.239 --> 02:21:14.319
<v Speaker 3>her and then falls out the window. And then you

2648
02:21:14.399 --> 02:21:16.200
<v Speaker 3>find out his father is doing the same. And then

2649
02:21:16.360 --> 02:21:18.239
<v Speaker 3>his brother's like, wait a second, I've been banging this

2650
02:21:18.319 --> 02:21:19.280
<v Speaker 3>broad for a while, guys.

2651
02:21:19.360 --> 02:21:22.120
<v Speaker 2>So time he talks to his brother, he's in a

2652
02:21:22.159 --> 02:21:26.239
<v Speaker 2>bar and he says, David, don't don't marry her, something's

2653
02:21:26.280 --> 02:21:28.600
<v Speaker 2>wrong with her, and yeah yeah.

2654
02:21:30.159 --> 02:21:35.040
<v Speaker 3>Thereafter yeah, wild ship man, wild Ship. Yeah, what was

2655
02:21:35.079 --> 02:21:36.120
<v Speaker 3>your taking all that? Julia?

2656
02:21:37.040 --> 02:21:41.000
<v Speaker 5>Well, I just wanted to note two things I thought

2657
02:21:41.079 --> 02:21:44.920
<v Speaker 5>were cool from this part of the movie. The fact

2658
02:21:44.959 --> 02:21:50.200
<v Speaker 5>that he knows Don knows that he has to quote

2659
02:21:50.280 --> 02:21:54.680
<v Speaker 5>unquote like blood his way into the cult. Right, He's

2660
02:21:54.760 --> 02:21:59.040
<v Speaker 5>gotta pay his dues. He's gotta tell this story to

2661
02:21:59.159 --> 02:22:01.000
<v Speaker 5>get into the Sea Great Society.

2662
02:22:01.120 --> 02:22:04.840
<v Speaker 3>Right when he says the series, he's like John House,

2663
02:22:04.920 --> 02:22:06.239
<v Speaker 3>He's like, hey, I want to get in, and there's

2664
02:22:06.559 --> 02:22:08.520
<v Speaker 3>John Sten is kind offended, and then he offers up

2665
02:22:08.520 --> 02:22:10.600
<v Speaker 3>his blood sacrifice.

2666
02:22:10.200 --> 02:22:13.280
<v Speaker 5>Right right, Yeah, so I felt like that was symbolic.

2667
02:22:13.479 --> 02:22:17.959
<v Speaker 5>And then when it shows him at the university talking

2668
02:22:18.079 --> 02:22:22.280
<v Speaker 5>to his class full of students, the only thing he's

2669
02:22:22.360 --> 02:22:27.360
<v Speaker 5>really talking about is is being seduced and someone seducing

2670
02:22:28.200 --> 02:22:30.920
<v Speaker 5>or him seducing someone else, or he's talking about like

2671
02:22:30.959 --> 02:22:33.959
<v Speaker 5>a short story, but it's all about seduction, and like

2672
02:22:34.159 --> 02:22:41.040
<v Speaker 5>the weird siren thing, you know, So it's it's weird weird.

2673
02:22:40.879 --> 02:22:42.879
<v Speaker 3>Tiren things are I'm spinning because I was You're making

2674
02:22:42.959 --> 02:22:44.280
<v Speaker 3>a great point, I want to comment, and I was

2675
02:22:44.319 --> 02:22:47.040
<v Speaker 3>also trying to actually it thumbs up and talk at

2676
02:22:47.040 --> 02:22:48.600
<v Speaker 3>the same time. Apparently I can't do all at once

2677
02:22:48.639 --> 02:22:51.120
<v Speaker 3>without spinning on myself. So that's a great point you.

2678
02:22:52.639 --> 02:22:54.840
<v Speaker 5>But yeah, no, those were two things that I took

2679
02:22:54.920 --> 02:22:57.239
<v Speaker 5>out of it. Also just a funny part from the

2680
02:22:57.360 --> 02:23:00.719
<v Speaker 5>beginning of the movie when the dad goes to pick

2681
02:23:00.840 --> 02:23:04.319
<v Speaker 5>up the sun from the train station. He's like, look

2682
02:23:04.399 --> 02:23:07.959
<v Speaker 5>at you. You look horrible, and he's wearing like a

2683
02:23:08.159 --> 02:23:12.000
<v Speaker 5>sweater vest in like a button Like if you saw

2684
02:23:12.159 --> 02:23:14.959
<v Speaker 5>somebody wearing that outfit, you'd be like, oh, he looks nice,

2685
02:23:15.000 --> 02:23:18.399
<v Speaker 5>where's he going? And the Dad's like, you look like shit, he.

2686
02:23:18.479 --> 02:23:22.520
<v Speaker 3>Wasn't dressed right. He was dressing you know, really you know,

2687
02:23:22.600 --> 02:23:24.760
<v Speaker 3>put together as far as style and whatnot goes. You

2688
02:23:24.920 --> 02:23:27.200
<v Speaker 3>wasn't doing flannel and headbands what I'm saying, you know.

2689
02:23:27.360 --> 02:23:30.559
<v Speaker 3>And again it kind of that was an interesting scene

2690
02:23:30.600 --> 02:23:32.799
<v Speaker 3>to me because it's like he didn't want to the

2691
02:23:32.879 --> 02:23:34.719
<v Speaker 3>son didn't want to go back there. He already knew that,

2692
02:23:35.000 --> 02:23:36.760
<v Speaker 3>he already knew the dynamic that they didn't know that

2693
02:23:36.840 --> 02:23:38.520
<v Speaker 3>he was banging his lady already. He didn't want to

2694
02:23:38.680 --> 02:23:41.280
<v Speaker 3>do that. His brother dies, there was a lot going

2695
02:23:41.319 --> 02:23:43.319
<v Speaker 3>on there, and then he gets there, his father's giving

2696
02:23:43.399 --> 02:23:44.280
<v Speaker 3>him heat, you know what I mean.

2697
02:23:44.479 --> 02:23:48.680
<v Speaker 5>So well I did that. It was another testament as

2698
02:23:48.799 --> 02:23:52.000
<v Speaker 5>to the elitism of the family, because.

2699
02:23:51.760 --> 02:23:53.520
<v Speaker 3>That's what I'm saying, Like he's getting heat from his

2700
02:23:53.639 --> 02:23:54.559
<v Speaker 3>dad no matter what he does.

2701
02:23:55.639 --> 02:23:59.719
<v Speaker 5>Sweater vest looks like ship to the dad, Like what's

2702
02:23:59.799 --> 02:24:00.520
<v Speaker 5>the dad on?

2703
02:24:01.040 --> 02:24:01.239
<v Speaker 2>You know.

2704
02:24:01.760 --> 02:24:05.159
<v Speaker 5>Yeah, So it's like another testament as to these high

2705
02:24:05.399 --> 02:24:12.120
<v Speaker 5>elite Secret Society members and their kids, right dying mysteriously

2706
02:24:12.639 --> 02:24:15.559
<v Speaker 5>accidentally killing people in their past.

2707
02:24:15.360 --> 02:24:21.440
<v Speaker 3>And covering it up like total accident. Yeah, while we're

2708
02:24:21.440 --> 02:24:22.799
<v Speaker 3>on the topic, and you bring us some great points.

2709
02:24:22.799 --> 02:24:24.719
<v Speaker 3>While we're on the topic, was there anything important about

2710
02:24:24.760 --> 02:24:26.840
<v Speaker 3>the scenes that we see that are the actual scenes, right?

2711
02:24:26.920 --> 02:24:29.559
<v Speaker 3>And like not the obviously you've made all those correlations

2712
02:24:29.600 --> 02:24:31.840
<v Speaker 3>between Yonkers and the fictional town of Melbourne with the

2713
02:24:31.959 --> 02:24:35.120
<v Speaker 3>namesakes of roads and whatnot and people's But we see

2714
02:24:35.200 --> 02:24:38.000
<v Speaker 3>a couple interesting places like Saratoga Springs is one of

2715
02:24:38.040 --> 02:24:42.079
<v Speaker 3>the filming locations, right, What's Doctor Mont's another one. I

2716
02:24:42.120 --> 02:24:43.879
<v Speaker 3>believe this was the down I believe this is the

2717
02:24:44.040 --> 02:24:44.920
<v Speaker 3>downtown setting.

2718
02:24:46.079 --> 02:24:50.079
<v Speaker 2>Yeah, I believe that's right. Yeah, I'm not sure if

2719
02:24:50.079 --> 02:24:53.040
<v Speaker 2>there was any particular reason that they chose those locations,

2720
02:24:53.159 --> 02:24:57.639
<v Speaker 2>but for the town square, it it looks and sounds

2721
02:24:57.680 --> 02:24:59.760
<v Speaker 2>a lot like the wheat Row of the book, the

2722
02:25:00.040 --> 02:25:03.040
<v Speaker 2>on Square of Melbourne in the novel. So that's uh,

2723
02:25:03.319 --> 02:25:06.959
<v Speaker 2>that's it's very close and tone to what what Straw

2724
02:25:07.040 --> 02:25:08.000
<v Speaker 2>described in the novel.

2725
02:25:08.680 --> 02:25:10.399
<v Speaker 3>How about during the Son of sam Era, was there

2726
02:25:10.440 --> 02:25:14.879
<v Speaker 3>any connections to the Kipps Bay area of Manhattan, Not

2727
02:25:15.079 --> 02:25:16.319
<v Speaker 3>to my knowledge.

2728
02:25:17.200 --> 02:25:20.040
<v Speaker 2>Although a lot of those members did sometimes go to

2729
02:25:20.120 --> 02:25:23.719
<v Speaker 2>hang out in the city, so it's possible that that

2730
02:25:23.879 --> 02:25:27.280
<v Speaker 2>there's some that one of them had a connection to

2731
02:25:27.479 --> 02:25:28.200
<v Speaker 2>to Kipps Bay.

2732
02:25:30.639 --> 02:25:33.600
<v Speaker 3>Yeah, I don't as much I know about New York

2733
02:25:33.639 --> 02:25:35.319
<v Speaker 3>City when I used to hang out there all the time.

2734
02:25:35.399 --> 02:25:37.719
<v Speaker 3>I never I don't know anything about that region of Manhattan.

2735
02:25:37.799 --> 02:25:40.600
<v Speaker 3>I was, you know, I was normally found in mcsorley's,

2736
02:25:40.600 --> 02:25:43.360
<v Speaker 3>the oldest bar in Manhattan, with Sorley's Old Ale House,

2737
02:25:44.079 --> 02:25:46.000
<v Speaker 3>a bunch of old surly Irish dudentes. I highly recommend

2738
02:25:46.040 --> 02:25:49.399
<v Speaker 3>the place, great spot, but I don't know much about

2739
02:25:49.399 --> 02:25:52.399
<v Speaker 3>that region. However, mcsorley's is down there in that kind

2740
02:25:52.399 --> 02:25:54.319
<v Speaker 3>of Sun of Sam East Village, not far from some

2741
02:25:54.399 --> 02:25:55.719
<v Speaker 3>of that East Village stuff, you know what I mean.

2742
02:25:55.719 --> 02:25:57.040
<v Speaker 3>And that was on the Sun of Sam that.

2743
02:25:57.159 --> 02:26:02.319
<v Speaker 2>That definitely was was an area that I think everybody

2744
02:26:02.639 --> 02:26:04.520
<v Speaker 2>when you go there you have at least one sort

2745
02:26:04.520 --> 02:26:07.719
<v Speaker 2>of strange experience. You walk past some place and you

2746
02:26:07.879 --> 02:26:10.360
<v Speaker 2>realize that it's a place that you've read about. You

2747
02:26:10.440 --> 02:26:13.680
<v Speaker 2>weren't consciously seeking it out, but there it is, and

2748
02:26:13.719 --> 02:26:15.959
<v Speaker 2>you realize you're standing next to it, and it just

2749
02:26:16.399 --> 02:26:18.719
<v Speaker 2>you know, because there's so many places like that in

2750
02:26:18.799 --> 02:26:22.360
<v Speaker 2>New York. But mine was the place where William Burrows

2751
02:26:22.559 --> 02:26:25.360
<v Speaker 2>used to live. I knew it was down there. That

2752
02:26:25.440 --> 02:26:28.079
<v Speaker 2>wasn't really what I was going to see, but all

2753
02:26:28.120 --> 02:26:30.120
<v Speaker 2>of a sudden, it's just right there, and you recognize

2754
02:26:30.200 --> 02:26:33.000
<v Speaker 2>the gate and the number over the door and everything,

2755
02:26:33.079 --> 02:26:37.360
<v Speaker 2>and of course Burrows that's a whole other connection to

2756
02:26:37.440 --> 02:26:41.079
<v Speaker 2>this stuff, you know, into the Magical Child and all

2757
02:26:41.159 --> 02:26:41.760
<v Speaker 2>of that scene.

2758
02:26:41.879 --> 02:26:43.799
<v Speaker 3>Well, well, John Sara, you just signed yourself up for

2759
02:26:43.799 --> 02:26:46.239
<v Speaker 3>another show here in Operation GCD, because it is William

2760
02:26:46.280 --> 02:26:48.799
<v Speaker 3>Burrows who institutes the smiley face as a chaos symbol

2761
02:26:48.840 --> 02:26:50.200
<v Speaker 3>into the Neo process movement.

2762
02:26:50.399 --> 02:26:54.920
<v Speaker 2>Yeah, yeah, Burrows was, he was, he was something else.

2763
02:26:55.399 --> 02:26:57.559
<v Speaker 3>I as always absolute your refforts and all these things.

2764
02:26:57.559 --> 02:27:00.559
<v Speaker 3>I learned something new. I I did not know these

2765
02:27:00.639 --> 02:27:03.079
<v Speaker 3>these Boroughs connections. I do need to learn more Burroughs stuff.

2766
02:27:03.120 --> 02:27:07.120
<v Speaker 2>Clearly, it's spooky. He was involved in some and he admitted,

2767
02:27:07.159 --> 02:27:11.799
<v Speaker 2>you know, he said I had CIA acquaintances, which I

2768
02:27:11.840 --> 02:27:14.079
<v Speaker 2>think you're underplaying it a little bit. But at the

2769
02:27:14.200 --> 02:27:15.840
<v Speaker 2>very least, yeah, he heed.

2770
02:27:15.719 --> 02:27:18.479
<v Speaker 3>And a scientologist, John, and a scientologists that's.

2771
02:27:18.399 --> 02:27:21.440
<v Speaker 2>Right, that's right, very dedicated scientologist. And one we sure,

2772
02:27:22.319 --> 02:27:24.719
<v Speaker 2>and that's right DeLand, Florida. And you know, May another

2773
02:27:24.799 --> 02:27:28.559
<v Speaker 2>thing about DeLand is I believe that's where Burrow's son

2774
02:27:29.159 --> 02:27:33.440
<v Speaker 2>of Billy Jr. He died in DeLand, or somewhere just

2775
02:27:33.559 --> 02:27:37.200
<v Speaker 2>outside of the land. Strangely enough, just as we're we're

2776
02:27:37.239 --> 02:27:38.159
<v Speaker 2>talking about Burrows.

2777
02:27:38.600 --> 02:27:40.280
<v Speaker 3>Yeah, that's.

2778
02:27:42.680 --> 02:27:45.559
<v Speaker 2>Yeah. But Billy or Willie Junior, Yeah, guy.

2779
02:27:45.879 --> 02:27:48.559
<v Speaker 3>Die his number three, William number three dies March third,

2780
02:27:48.680 --> 02:27:55.319
<v Speaker 3>nineteen eighty one, survey says DeLand, Florida. Yeah.

2781
02:27:55.639 --> 02:27:57.479
<v Speaker 2>He was a very good writer in his own right,

2782
02:27:57.559 --> 02:28:01.479
<v Speaker 2>and I to his credit, ultimately, I believe although it

2783
02:28:01.559 --> 02:28:03.520
<v Speaker 2>caused him a lot of pain in his life. He

2784
02:28:03.799 --> 02:28:06.479
<v Speaker 2>was not a part of his father's circle. He was

2785
02:28:06.680 --> 02:28:09.840
<v Speaker 2>very much outside that and was was frustrated and didn't

2786
02:28:09.959 --> 02:28:13.840
<v Speaker 2>understand all the the weird you know that that weird

2787
02:28:15.760 --> 02:28:19.079
<v Speaker 2>group of friends, and you know that his father had

2788
02:28:19.159 --> 02:28:21.639
<v Speaker 2>all the strange stuff that he was involved with. He

2789
02:28:22.360 --> 02:28:24.399
<v Speaker 2>I think a lot of that was was a mystery

2790
02:28:24.520 --> 02:28:27.680
<v Speaker 2>to Billy. He's one of the fuorite riders. I have

2791
02:28:27.760 --> 02:28:29.719
<v Speaker 2>a real soft spot for Billy because he had a

2792
02:28:29.799 --> 02:28:30.239
<v Speaker 2>rough life.

2793
02:28:30.840 --> 02:28:32.520
<v Speaker 5>He did die at thirty three.

2794
02:28:32.680 --> 02:28:36.879
<v Speaker 3>Though I'm not gonna, y'all rather blow my brain all here,

2795
02:28:37.079 --> 02:28:38.959
<v Speaker 3>and I don't want to. I don't want to. You're

2796
02:28:39.000 --> 02:28:40.639
<v Speaker 3>you know, make some great points and I don't want

2797
02:28:40.639 --> 02:28:43.559
<v Speaker 3>to direct you from them. But yeah, I do have

2798
02:28:43.680 --> 02:28:45.719
<v Speaker 3>to get us back on track here with the chapter society.

2799
02:28:45.799 --> 02:28:48.200
<v Speaker 2>Yeah, well we'll yeah, well, we'll go ahead and sun

2800
02:28:48.239 --> 02:28:49.079
<v Speaker 2>ups as the rest of.

2801
02:28:49.079 --> 02:28:50.879
<v Speaker 3>The Oh, I assure you you have both of you

2802
02:28:50.959 --> 02:28:53.360
<v Speaker 3>receiving emails from me tonight with these various notes of

2803
02:28:53.440 --> 02:28:55.040
<v Speaker 3>things that come back in the future of an invite.

2804
02:28:55.079 --> 02:28:57.840
<v Speaker 3>So I do appreciate your time and for blowing my brain.

2805
02:28:57.879 --> 02:28:59.959
<v Speaker 3>Though I just like to try to keep this their

2806
02:29:00.079 --> 02:29:02.280
<v Speaker 3>have gone because I you all just made so many

2807
02:29:02.319 --> 02:29:04.920
<v Speaker 3>comments that I've been my tongue on. We'll just we'll

2808
02:29:04.959 --> 02:29:06.959
<v Speaker 3>stay we'll stay the path here. We'll definitely be doing

2809
02:29:07.040 --> 02:29:08.520
<v Speaker 3>these in the future though, these other things.

2810
02:29:08.959 --> 02:29:10.159
<v Speaker 2>Yeah. Absolutely.

2811
02:29:12.280 --> 02:29:14.559
<v Speaker 3>So the next thing we see is Don there getting

2812
02:29:14.920 --> 02:29:15.760
<v Speaker 3>engaged to Alma.

2813
02:29:15.879 --> 02:29:23.000
<v Speaker 2>Huh, that's right. Yeah, yeah, That's probably my favorite part

2814
02:29:23.040 --> 02:29:24.959
<v Speaker 2>of the movie is when he starts to realize that

2815
02:29:25.120 --> 02:29:28.120
<v Speaker 2>something's wrong with her. It's it's really creepy. You know,

2816
02:29:28.440 --> 02:29:31.639
<v Speaker 2>there's very little dialogue, but she's acting so weird, and

2817
02:29:31.719 --> 02:29:33.879
<v Speaker 2>they keep flashing back to the looks on his face

2818
02:29:33.959 --> 02:29:35.319
<v Speaker 2>and he's just it's that.

2819
02:29:35.639 --> 02:29:39.319
<v Speaker 3>I really like that part, said Don. I meant David,

2820
02:29:39.440 --> 02:29:42.600
<v Speaker 3>so Don to learn that he was horrid to become

2821
02:29:42.639 --> 02:29:49.879
<v Speaker 3>engaged at Alma. So Don then shows the three elders, right, yeah, he.

2822
02:29:50.520 --> 02:29:53.120
<v Speaker 2>He shows them a photo and they say, oh my god,

2823
02:29:53.280 --> 02:29:55.639
<v Speaker 2>that's that's Eva. We remember Eva.

2824
02:29:56.000 --> 02:29:58.840
<v Speaker 3>So yeah, so we have three we have three old

2825
02:29:58.920 --> 02:30:01.680
<v Speaker 3>muppets at this point, right, because Don's dad's dead.

2826
02:30:01.840 --> 02:30:03.799
<v Speaker 2>That's right, that's right. He's the one that jumped off

2827
02:30:03.840 --> 02:30:04.239
<v Speaker 2>the bridge.

2828
02:30:04.760 --> 02:30:08.159
<v Speaker 3>Yep, Don's brother's dead because he was banging Alma. Right,

2829
02:30:08.680 --> 02:30:11.840
<v Speaker 3>we saw his dick at the beginning of the film, right, stay. Unfortunately,

2830
02:30:12.920 --> 02:30:15.040
<v Speaker 3>good point. I'm just reiterating. That's so, folks, you go

2831
02:30:15.079 --> 02:30:18.600
<v Speaker 3>watch this film. Can expect the they want to watch it,

2832
02:30:18.639 --> 02:30:19.719
<v Speaker 3>that's up to them. At least.

2833
02:30:21.079 --> 02:30:23.840
<v Speaker 5>Scary part of the movie.

2834
02:30:24.319 --> 02:30:26.200
<v Speaker 3>Dude, I only jumped at one part and that was

2835
02:30:26.239 --> 02:30:27.680
<v Speaker 3>that part. Like there was another jump scar.

2836
02:30:31.479 --> 02:30:34.280
<v Speaker 2>It's an unflattering shot for any actor. I think.

2837
02:30:39.399 --> 02:30:40.000
<v Speaker 3>Inappropriate.

2838
02:30:40.799 --> 02:30:43.200
<v Speaker 5>They didn't even like slap it around and get it

2839
02:30:43.399 --> 02:30:46.639
<v Speaker 5>kind of half chubb or something like. No, it was

2840
02:30:46.920 --> 02:30:48.239
<v Speaker 5>full on baby dick.

2841
02:30:48.680 --> 02:30:51.559
<v Speaker 2>It looks very awkward. Yeah, it must have been an

2842
02:30:51.559 --> 02:30:52.520
<v Speaker 2>awkward day on set.

2843
02:30:54.600 --> 02:30:57.159
<v Speaker 3>Well, I mean, you know when there's a lot of

2844
02:30:57.280 --> 02:30:58.760
<v Speaker 3>awkward days and a lot of sets, you know what

2845
02:30:58.760 --> 02:30:59.000
<v Speaker 3>I mean.

2846
02:31:00.239 --> 02:31:02.559
<v Speaker 5>And his bush on the first.

2847
02:31:05.479 --> 02:31:07.920
<v Speaker 3>The so the next day we lose the second and

2848
02:31:08.040 --> 02:31:09.040
<v Speaker 3>we lose our next muppet.

2849
02:31:10.399 --> 02:31:12.079
<v Speaker 2>Yes, yes, that's doctor Jeffery.

2850
02:31:12.159 --> 02:31:20.520
<v Speaker 3>Yeah yeah, huh yeah yeah. So then and then after that,

2851
02:31:20.719 --> 02:31:23.600
<v Speaker 3>then the other the two remaining muppets, fred Astaire and

2852
02:31:23.680 --> 02:31:27.319
<v Speaker 3>the other guy the Ricky and Sears right houseman and

2853
02:31:27.399 --> 02:31:31.360
<v Speaker 3>Freda's Staire, right yeah, yeah. They tell they kind of

2854
02:31:31.399 --> 02:31:32.920
<v Speaker 3>bring Ricky in on the scene or I'm sorry, don

2855
02:31:33.079 --> 02:31:34.920
<v Speaker 3>in on the scene at that point, right. Yeah.

2856
02:31:35.000 --> 02:31:36.799
<v Speaker 2>They explained to him, just just like in the book,

2857
02:31:36.879 --> 02:31:39.760
<v Speaker 2>to everything that happened. They in the book, when it's

2858
02:31:39.879 --> 02:31:44.079
<v Speaker 2>just the two of them left, they're sitting in Edward's house, uh,

2859
02:31:45.159 --> 02:31:49.040
<v Speaker 2>and they're they're saying, you know, we're we're gonna explain

2860
02:31:49.120 --> 02:31:51.479
<v Speaker 2>to you what happened and what the history of this is,

2861
02:31:51.559 --> 02:31:54.399
<v Speaker 2>and we're not proud of it, but we killed this

2862
02:31:54.520 --> 02:31:55.520
<v Speaker 2>woman and we didn't mean to.

2863
02:31:56.159 --> 02:32:00.799
<v Speaker 3>Yep. Uh so yeah, and that's when we see the

2864
02:32:00.879 --> 02:32:03.760
<v Speaker 3>scene and that they flashes back to when they were dancing. Right,

2865
02:32:04.680 --> 02:32:07.719
<v Speaker 3>that's right, that's right. It says after the four were

2866
02:32:07.879 --> 02:32:10.440
<v Speaker 3>uh oh, that's not it. After the four win Hammond

2867
02:32:10.479 --> 02:32:13.680
<v Speaker 3>became drunk. They returned to the houses of the dilapidated

2868
02:32:13.760 --> 02:32:16.319
<v Speaker 3>house that we see in the future. Actually we skipped

2869
02:32:16.360 --> 02:32:20.159
<v Speaker 3>over that part, and I apologize. So, yeah, it's town

2870
02:32:20.239 --> 02:32:23.040
<v Speaker 3>fred Astaire, mister Ricky there, right, he goes over to

2871
02:32:23.079 --> 02:32:24.959
<v Speaker 3>that old mercy and right what happens there in the

2872
02:32:25.040 --> 02:32:27.440
<v Speaker 3>old scene. So I think that's a very interesting dynamic

2873
02:32:27.559 --> 02:32:30.120
<v Speaker 3>that obviously plays a very important role later in the film,

2874
02:32:30.159 --> 02:32:32.920
<v Speaker 3>but is interesting in this kind of esoteric understanding as well.

2875
02:32:33.280 --> 02:32:39.200
<v Speaker 2>Yeah, well, he sees Gregory and Finny. Their roles in

2876
02:32:39.280 --> 02:32:42.399
<v Speaker 2>the film were a little murky. There's not any real

2877
02:32:42.520 --> 02:32:44.360
<v Speaker 2>reason for them to be in the film other than

2878
02:32:44.399 --> 02:32:48.879
<v Speaker 2>to just add another horrific layer to the story. But

2879
02:32:48.959 --> 02:32:54.600
<v Speaker 2>they're major characters via flashback in the novel. But yeah,

2880
02:32:54.680 --> 02:32:58.319
<v Speaker 2>Gregory Bait whose character name is is from Gregory Bates

2881
02:32:58.399 --> 02:33:04.239
<v Speaker 2>and the Influenced are d laying, Yeah ye, and Finny

2882
02:33:04.479 --> 02:33:10.760
<v Speaker 2>is his, uh, developmentally disabled brother of the little boy,

2883
02:33:11.479 --> 02:33:14.719
<v Speaker 2>and you see them here and there throughout the film

2884
02:33:14.760 --> 02:33:16.200
<v Speaker 2>whenever something had happens.

2885
02:33:17.200 --> 02:33:17.319
<v Speaker 1>Uh.

2886
02:33:17.680 --> 02:33:20.920
<v Speaker 2>But their roles in the film are are much diminished

2887
02:33:21.040 --> 02:33:22.440
<v Speaker 2>compared to what they do in the book.

2888
02:33:22.600 --> 02:33:25.319
<v Speaker 3>But oh yeah, yeah, Well, the one thing I did

2889
02:33:25.440 --> 02:33:27.719
<v Speaker 3>pick up on there was, especially after fredis Stare gets

2890
02:33:27.799 --> 02:33:30.959
<v Speaker 3>chased out of there by them, you hear Alma's voice

2891
02:33:31.000 --> 02:33:32.639
<v Speaker 3>and them going to room like she's got some sort

2892
02:33:32.639 --> 02:33:33.920
<v Speaker 3>of mind control spell on them.

2893
02:33:33.959 --> 02:33:35.920
<v Speaker 2>That's right, She lasts, and she says, I've got something

2894
02:33:36.000 --> 02:33:38.280
<v Speaker 2>for you to do or something of that effect. Yeah,

2895
02:33:38.840 --> 02:33:41.879
<v Speaker 2>and the the the police dispatch. The guy on the

2896
02:33:41.959 --> 02:33:45.520
<v Speaker 2>dispatch phone says, tells the sheriff, well, we've got this

2897
02:33:45.680 --> 02:33:48.440
<v Speaker 2>weird guy in town, Gregory Bate. He was involved in

2898
02:33:48.520 --> 02:33:50.600
<v Speaker 2>some cult or something back on the West coast and

2899
02:33:51.680 --> 02:33:55.079
<v Speaker 2>he's he left, he got out of an asylum or something,

2900
02:33:55.120 --> 02:33:58.600
<v Speaker 2>and he's, uh, he's here in Milbourne now, and uh,

2901
02:33:59.760 --> 02:34:02.959
<v Speaker 2>they're there is that verbal tie to all the cult

2902
02:34:03.000 --> 02:34:04.079
<v Speaker 2>stuff in the movie.

2903
02:34:04.920 --> 02:34:07.360
<v Speaker 3>So two questions. One I just forgot while I was

2904
02:34:07.399 --> 02:34:10.680
<v Speaker 3>asking you that, and uh, secondly I forgot the second one.

2905
02:34:10.799 --> 02:34:13.479
<v Speaker 3>So I will get back to you points about bateson

2906
02:34:13.879 --> 02:34:15.760
<v Speaker 3>and there were both relative debates and whatever it was.

2907
02:34:15.840 --> 02:34:18.879
<v Speaker 3>It'll circle back here in a second. Sure, Yeah, Now,

2908
02:34:18.920 --> 02:34:21.280
<v Speaker 3>because Bates is an interesting character right within within this

2909
02:34:21.479 --> 02:34:24.360
<v Speaker 3>kind of he didn't mean he's not he didn't work

2910
02:34:24.360 --> 02:34:27.200
<v Speaker 3>for the Tabstad, but within this kind of mind controlled Tavistock,

2911
02:34:27.360 --> 02:34:30.680
<v Speaker 3>and you know, he was very going to do this

2912
02:34:30.799 --> 02:34:33.079
<v Speaker 3>to society, right like he's entered on that process.

2913
02:34:33.319 --> 02:34:36.520
<v Speaker 2>He had some odd concepts and he was a huge

2914
02:34:36.559 --> 02:34:37.799
<v Speaker 2>influence on already Lane.

2915
02:34:38.000 --> 02:34:48.680
<v Speaker 3>Yeah. Yeah, not the comedian, No, the Oh so did

2916
02:34:48.719 --> 02:34:52.239
<v Speaker 3>the mill Milburne? Was that any not to mil Grum.

2917
02:34:54.079 --> 02:34:55.600
<v Speaker 2>You know, I'm not sure. That's a good question.

2918
02:34:55.760 --> 02:34:59.040
<v Speaker 3>It may have been, you know, the milgrim experiment.

2919
02:34:59.719 --> 02:35:02.559
<v Speaker 2>Yeah, yeah, and that's that's a good point. It may

2920
02:35:02.600 --> 02:35:02.959
<v Speaker 2>have been that.

2921
02:35:03.680 --> 02:35:03.799
<v Speaker 1>Uh.

2922
02:35:05.319 --> 02:35:06.959
<v Speaker 2>I would have asked Peter Strout if I could have

2923
02:35:07.000 --> 02:35:08.760
<v Speaker 2>asked him, you know, and sat down with him and

2924
02:35:08.760 --> 02:35:12.319
<v Speaker 2>said like, sure, wow, man, you really packed the references

2925
02:35:12.360 --> 02:35:15.760
<v Speaker 2>into this one book. It's just it's incredible hardcore.

2926
02:35:16.360 --> 02:35:20.360
<v Speaker 5>Yeah, this may have been his opus. I don't know

2927
02:35:20.719 --> 02:35:23.000
<v Speaker 5>about I'm not a hundred on that JJ.

2928
02:35:23.600 --> 02:35:26.000
<v Speaker 3>When they were convincing folks to shock, they thought they

2929
02:35:26.040 --> 02:35:29.280
<v Speaker 3>were getting you know, deadly levels of shock therapy, but

2930
02:35:29.440 --> 02:35:31.399
<v Speaker 3>really they were just an actor holding the things like

2931
02:35:31.440 --> 02:35:33.840
<v Speaker 3>they were getting shocked and the person didn't know the

2932
02:35:33.920 --> 02:35:36.399
<v Speaker 3>whole thing was an experiment. But they realized that they

2933
02:35:36.399 --> 02:35:38.879
<v Speaker 3>could get other people to kill people because they were

2934
02:35:38.920 --> 02:35:45.280
<v Speaker 3>being told to do so. Oh shit grant on paper.

2935
02:35:45.280 --> 02:35:47.600
<v Speaker 3>At least allegedly, they weren't really killing folks. There was

2936
02:35:47.639 --> 02:35:50.920
<v Speaker 3>no actual electric shock being applied. The person who was

2937
02:35:50.959 --> 02:35:53.399
<v Speaker 3>applying electric shock was the subject of the test to

2938
02:35:53.399 --> 02:35:54.879
<v Speaker 3>see how much they could get them to do by

2939
02:35:55.000 --> 02:35:57.680
<v Speaker 3>just telling them to do more, you know everything, even

2940
02:35:57.719 --> 02:36:00.079
<v Speaker 3>though everything said that person was going to die, and

2941
02:36:00.120 --> 02:36:01.760
<v Speaker 3>they would remind the person's gonna die there, you know,

2942
02:36:01.760 --> 02:36:03.200
<v Speaker 3>I'm just gonna do it anyway, because there was a

2943
02:36:03.440 --> 02:36:06.079
<v Speaker 3>bifurcation of liability, et cetera, et cetera. But yeah, it's

2944
02:36:06.079 --> 02:36:07.559
<v Speaker 3>really easy to get people to tell people to die

2945
02:36:07.680 --> 02:36:08.719
<v Speaker 3>and kill people apparently.

2946
02:36:09.159 --> 02:36:12.120
<v Speaker 5>Well, I mean this is a psychological operation.

2947
02:36:11.959 --> 02:36:13.719
<v Speaker 3>That's what I mean. So this guy, That's what I'm saying.

2948
02:36:13.799 --> 02:36:16.239
<v Speaker 3>So if we're doing baits and stuff, right, why would

2949
02:36:16.360 --> 02:36:18.200
<v Speaker 3>Milburn not be a nod to mil Groom?

2950
02:36:18.360 --> 02:36:18.479
<v Speaker 1>Right?

2951
02:36:19.000 --> 02:36:20.319
<v Speaker 5>Ah, for sure?

2952
02:36:21.440 --> 02:36:26.280
<v Speaker 3>Yeah, yeah, those were the thoughts of the circle back

2953
02:36:26.280 --> 02:36:27.040
<v Speaker 3>of my brain hole there.

2954
02:36:27.079 --> 02:36:27.319
<v Speaker 7>That was.

2955
02:36:27.399 --> 02:36:29.879
<v Speaker 3>I appreciate you all stand by for that one. But yeah,

2956
02:36:31.360 --> 02:36:34.440
<v Speaker 3>So the next thing we see, after we see the four,

2957
02:36:34.559 --> 02:36:36.959
<v Speaker 3>the three out of the four dance with the Eva.

2958
02:36:37.479 --> 02:36:39.040
<v Speaker 3>She hits her head. They put her in the car,

2959
02:36:39.120 --> 02:36:40.879
<v Speaker 3>they sent her in the pond, but she's alive when

2960
02:36:40.879 --> 02:36:42.680
<v Speaker 3>she goes in that pond. So that's a very to me,

2961
02:36:42.760 --> 02:36:45.280
<v Speaker 3>that's very indicative a ritual human sacrifice.

2962
02:36:44.799 --> 02:36:49.159
<v Speaker 5>And water same and the fact that she's a siren.

2963
02:36:50.479 --> 02:36:53.680
<v Speaker 3>There you go again with the sirens. I wasn't even

2964
02:36:53.719 --> 02:36:55.200
<v Speaker 3>considering that the first time I saw it. With the

2965
02:36:55.239 --> 02:36:58.159
<v Speaker 3>siren stuff, that's even Yeah, brings it all right into

2966
02:36:58.440 --> 02:37:00.479
<v Speaker 3>the same same conversation.

2967
02:37:00.520 --> 02:37:03.040
<v Speaker 5>And it's like she draws her power from the water

2968
02:37:03.239 --> 02:37:06.719
<v Speaker 5>because water is a conduit for Yeah.

2969
02:37:07.799 --> 02:37:10.719
<v Speaker 3>Yeah, that's right. So they call him Gregory Bait, which yeah,

2970
02:37:10.760 --> 02:37:12.120
<v Speaker 3>I was like, wait a second, that's a little too

2971
02:37:12.159 --> 02:37:16.319
<v Speaker 3>on the nose, Gregory Bates and yeah, yeah. So then

2972
02:37:16.360 --> 02:37:18.639
<v Speaker 3>we go back to present day, right, and then that's

2973
02:37:18.639 --> 02:37:21.799
<v Speaker 3>when these fellows start, you know, after they flashed back

2974
02:37:21.840 --> 02:37:24.479
<v Speaker 3>to yesterdayear remember the time they killed that lady and

2975
02:37:24.479 --> 02:37:26.120
<v Speaker 3>they're like, wait a second, and that lady is the

2976
02:37:26.159 --> 02:37:27.399
<v Speaker 3>new lady? What's going on here?

2977
02:37:27.920 --> 02:37:32.719
<v Speaker 2>Right? Right? And then you have a long flashback scene

2978
02:37:32.799 --> 02:37:35.799
<v Speaker 2>with the with the young versions of all the members

2979
02:37:35.840 --> 02:37:37.959
<v Speaker 2>of the Chatter Society, and we see how they meet

2980
02:37:38.920 --> 02:37:42.879
<v Speaker 2>Eva like a summertime, some sort of social gathering, and

2981
02:37:43.360 --> 02:37:46.239
<v Speaker 2>then they she's had a tea or a dance or something,

2982
02:37:47.159 --> 02:37:50.399
<v Speaker 2>and they all become fascinated with her. But it's it's

2983
02:37:50.520 --> 02:37:53.239
<v Speaker 2>ned who's the best looking of the bunch, and it's

2984
02:37:53.319 --> 02:37:59.799
<v Speaker 2>ned that he and Eva are attracted each other. And

2985
02:38:00.159 --> 02:38:03.559
<v Speaker 2>so they're all out doing this almost kind of like surreal,

2986
02:38:03.719 --> 02:38:05.600
<v Speaker 2>like they're running through an orchard and then they're on

2987
02:38:05.719 --> 02:38:11.120
<v Speaker 2>a canoe and yeah, you know, nineteen twenties escape, Like right,

2988
02:38:11.520 --> 02:38:15.680
<v Speaker 2>everybody's wearing those boater hats and but yeah, that's an

2989
02:38:15.719 --> 02:38:19.520
<v Speaker 2>interesting series of scenes too. But yeah, they they wind

2990
02:38:19.639 --> 02:38:23.440
<v Speaker 2>up killing Eva accidentally, or they think they've killed her,

2991
02:38:23.479 --> 02:38:27.959
<v Speaker 2>as we described, but then they see as they're pushing

2992
02:38:28.040 --> 02:38:32.680
<v Speaker 2>the car into the pond that that she's still lots

2993
02:38:32.719 --> 02:38:36.959
<v Speaker 2>of the back window and is banging on the window

2994
02:38:37.040 --> 02:38:37.879
<v Speaker 2>and screen.

2995
02:38:38.000 --> 02:38:42.040
<v Speaker 5>They put in zero efforts and watching.

2996
02:38:43.399 --> 02:38:47.760
<v Speaker 7>Like oh wait, she's alive, you know, drooling and punching,

2997
02:38:48.559 --> 02:38:51.600
<v Speaker 7>and looked at each other and they were like, wow, fuck,

2998
02:38:52.920 --> 02:38:54.639
<v Speaker 7>I guess she's dead, right, And.

2999
02:38:54.719 --> 02:38:58.239
<v Speaker 2>That's that's that's supposed to be, Like, look at these horrible,

3000
02:38:58.319 --> 02:39:01.040
<v Speaker 2>spoiled rich kids. Look at what they did, had a

3001
02:39:01.159 --> 02:39:06.040
<v Speaker 2>chance to save somebody's life, and they, which is in

3002
02:39:06.120 --> 02:39:08.360
<v Speaker 2>the book is is the way they think of themselves

3003
02:39:08.399 --> 02:39:11.159
<v Speaker 2>all throughout their lives. They think, God, we just killed somebody.

3004
02:39:11.200 --> 02:39:15.120
<v Speaker 2>We murdered a woman, and then Don tells Sears and

3005
02:39:15.200 --> 02:39:17.959
<v Speaker 2>Ricky in the book, you know, she never was a woman.

3006
02:39:18.079 --> 02:39:20.879
<v Speaker 2>There was always something wrong with her. What you did

3007
02:39:21.079 --> 02:39:25.360
<v Speaker 2>was you just inadvertently caught her off guard. She was

3008
02:39:25.399 --> 02:39:27.520
<v Speaker 2>already going to kill you, but you just made her

3009
02:39:27.559 --> 02:39:30.440
<v Speaker 2>angrier than ever. And that's why she's been coming back

3010
02:39:30.920 --> 02:39:32.639
<v Speaker 2>over and over throughout your lives and.

3011
02:39:35.520 --> 02:39:38.360
<v Speaker 5>Families and killing their sons.

3012
02:39:38.040 --> 02:39:41.159
<v Speaker 3>And the audience to see their sons dick because they're

3013
02:39:41.159 --> 02:39:47.639
<v Speaker 3>falling out of building. Yeah, so that I'm obviously upset

3014
02:39:47.680 --> 02:39:48.319
<v Speaker 3>about that or anything.

3015
02:39:49.159 --> 02:39:51.680
<v Speaker 5>We flashed back to present time.

3016
02:39:55.319 --> 02:39:58.520
<v Speaker 3>He flapped He what I said? That guy flashed something

3017
02:39:58.559 --> 02:40:00.399
<v Speaker 3>all right in that in that scene falling out the building.

3018
02:40:01.360 --> 02:40:03.600
<v Speaker 5>Yeah, his baby asparagus.

3019
02:40:04.719 --> 02:40:06.600
<v Speaker 3>What were you saying? The flashback to the present when

3020
02:40:06.639 --> 02:40:09.159
<v Speaker 3>we see them concluding that Eva and Alma are the

3021
02:40:09.200 --> 02:40:10.040
<v Speaker 3>same person, right.

3022
02:40:10.719 --> 02:40:12.719
<v Speaker 5>Yeah, and then they're like, all right, what are we

3023
02:40:12.840 --> 02:40:16.639
<v Speaker 5>gonna do? And they decide to drive back to Eva's

3024
02:40:16.680 --> 02:40:19.120
<v Speaker 5>old boarded up, old scary house.

3025
02:40:19.559 --> 02:40:22.079
<v Speaker 3>Yeah, where fred Astaire got Ricky got chased out by

3026
02:40:22.159 --> 02:40:24.600
<v Speaker 3>the goons, the goons squad, yep.

3027
02:40:24.760 --> 02:40:29.120
<v Speaker 2>Yeah. And in the meantime, here Sears he has left

3028
02:40:30.280 --> 02:40:33.680
<v Speaker 2>Ricky's house alone to sort of divert attention because he

3029
02:40:33.719 --> 02:40:36.159
<v Speaker 2>thinks if he can draw the bad guys away from

3030
02:40:36.920 --> 02:40:40.440
<v Speaker 2>Ricky and Don, that he'll sacrifice himself to do this.

3031
02:40:40.520 --> 02:40:44.440
<v Speaker 2>So he does. Sears dies when Gregory and Finny magically

3032
02:40:44.479 --> 02:40:47.319
<v Speaker 2>appear in his car. So they kill Sears in his

3033
02:40:47.479 --> 02:40:50.520
<v Speaker 2>car out in the snow, and then there's just Ricky

3034
02:40:50.600 --> 02:40:54.040
<v Speaker 2>and Don left and they go to Eva's house and yeah,

3035
02:40:54.120 --> 02:40:55.879
<v Speaker 2>Don hurts his leg and.

3036
02:40:56.120 --> 02:40:59.799
<v Speaker 3>Uh stairs in the old lap and instructure. Huh right right,

3037
02:41:02.520 --> 02:41:05.280
<v Speaker 3>and then we see them going uh and he suddainly

3038
02:41:05.360 --> 02:41:06.399
<v Speaker 3>has a go ahead.

3039
02:41:07.079 --> 02:41:08.840
<v Speaker 2>Oh yeah, I was just yeah, the interior that is

3040
02:41:08.959 --> 02:41:13.040
<v Speaker 2>really nice that they convincingly recreate a broken down house

3041
02:41:13.079 --> 02:41:15.920
<v Speaker 2>from that period. It's that's really nice.

3042
02:41:15.959 --> 02:41:24.239
<v Speaker 3>And maybe that's where the main thing. Yeah, yeah, we see,

3043
02:41:24.319 --> 02:41:26.520
<v Speaker 3>we suddenly see, after watching all his friends die, that

3044
02:41:26.639 --> 02:41:29.239
<v Speaker 3>he's something that old Ricky here suddenly gets a conscience

3045
02:41:29.280 --> 02:41:31.120
<v Speaker 3>about himself. Huh he does.

3046
02:41:31.280 --> 02:41:33.399
<v Speaker 2>Yeah, And while he's going to get help for Don,

3047
02:41:33.479 --> 02:41:36.440
<v Speaker 2>who can't move because of his injured leg, he gets

3048
02:41:36.479 --> 02:41:39.600
<v Speaker 2>the idea that, well, maybe if we pull the old

3049
02:41:39.680 --> 02:41:43.399
<v Speaker 2>car up from the pond. And it's not real clear

3050
02:41:43.559 --> 02:41:45.600
<v Speaker 2>how he thinks this is going to solve everything, but

3051
02:41:45.719 --> 02:41:49.600
<v Speaker 2>he wants to make it the nineteen twenty nine incident, right,

3052
02:41:49.719 --> 02:41:52.200
<v Speaker 2>So he tells the sheriff what he and his friends

3053
02:41:52.280 --> 02:41:54.360
<v Speaker 2>did to the woman back then, and that they pushed

3054
02:41:54.399 --> 02:41:57.000
<v Speaker 2>the car into the pond. So they go and they

3055
02:41:57.040 --> 02:41:57.879
<v Speaker 2>get on.

3056
02:41:57.920 --> 02:41:59.680
<v Speaker 3>The pond routine and he thinks that the woman is

3057
02:41:59.719 --> 02:42:02.639
<v Speaker 3>that he thinks the woman is in the car or

3058
02:42:02.680 --> 02:42:03.200
<v Speaker 3>not in the car.

3059
02:42:03.680 --> 02:42:06.840
<v Speaker 2>He thinks somehow if he can dredge up the body

3060
02:42:06.959 --> 02:42:10.120
<v Speaker 2>and expose the body, that the ghost will leave Don alone.

3061
02:42:10.760 --> 02:42:13.159
<v Speaker 2>And it's never really clear how that works, but he

3062
02:42:13.319 --> 02:42:15.840
<v Speaker 2>gets a tow truck and a crane and a wench

3063
02:42:15.879 --> 02:42:19.319
<v Speaker 2>and everything, and they they dredge the pond and then.

3064
02:42:21.000 --> 02:42:23.079
<v Speaker 3>The old pond the car of the pond. Magic trick

3065
02:42:23.239 --> 02:42:23.680
<v Speaker 3>with the car.

3066
02:42:23.760 --> 02:42:27.000
<v Speaker 2>Right, Yeah, Yeah, it's it is kind of an unexpected that,

3067
02:42:27.159 --> 02:42:28.840
<v Speaker 2>like that's not where you expect the plot to go,

3068
02:42:29.159 --> 02:42:32.600
<v Speaker 2>you know. But Done is waiting in the house and

3069
02:42:32.840 --> 02:42:35.000
<v Speaker 2>Eva's ghost is right there and she's reaching out for

3070
02:42:35.159 --> 02:42:37.920
<v Speaker 2>him and she's like a skeleton hand touching his throat

3071
02:42:38.200 --> 02:42:40.920
<v Speaker 2>and he's screaming and and so. But just at that

3072
02:42:41.079 --> 02:42:44.600
<v Speaker 2>moment they dredge the car up from the pond. Ricky

3073
02:42:45.000 --> 02:42:48.280
<v Speaker 2>or somebody opens the door and then out comes Eva's

3074
02:42:48.319 --> 02:42:51.280
<v Speaker 2>corpse straight at him, and Ricky is going like, you know,

3075
02:42:51.440 --> 02:42:53.440
<v Speaker 2>like you're afraid that's going to kill him, since all

3076
02:42:53.479 --> 02:42:57.079
<v Speaker 2>his other friends are already dead. But the body of

3077
02:42:57.159 --> 02:43:00.680
<v Speaker 2>Eva collapses right there on the ground. And then suddenly,

3078
02:43:01.159 --> 02:43:05.680
<v Speaker 2>back at Eva's house, her ghost or the ghost of

3079
02:43:05.719 --> 02:43:08.879
<v Speaker 2>all whatever she is is gone and done is safe too.

3080
02:43:09.879 --> 02:43:10.079
<v Speaker 3>Yeah.

3081
02:43:10.520 --> 02:43:13.920
<v Speaker 5>Well yeah, it was like every she needed everybody to

3082
02:43:14.079 --> 02:43:15.440
<v Speaker 5>know what happened to you.

3083
02:43:16.360 --> 02:43:18.920
<v Speaker 2>Yeah, And and just by their dredging up the car

3084
02:43:19.159 --> 02:43:25.959
<v Speaker 2>and exposing the body somehow or other, her her visits satisfied. Right, Yeah, yeah,

3085
02:43:26.200 --> 02:43:28.360
<v Speaker 2>that puts you, Yeah.

3086
02:43:29.159 --> 02:43:31.440
<v Speaker 3>Which you know, to a certain extent, I feel like

3087
02:43:32.040 --> 02:43:34.360
<v Speaker 3>that's kind of these tropes and that that that you know,

3088
02:43:34.520 --> 02:43:37.840
<v Speaker 3>there's some sort of you know, something attracting keeping these uh,

3089
02:43:38.000 --> 02:43:39.600
<v Speaker 3>these you know, this isn't the first time we've seen

3090
02:43:39.680 --> 02:43:42.079
<v Speaker 3>some sort of a priestess of a witchcraft type of

3091
02:43:42.120 --> 02:43:46.200
<v Speaker 3>deal sorcery kind of being that's haunting folks until they

3092
02:43:46.280 --> 02:43:48.920
<v Speaker 3>can get something back from the person a heart or

3093
02:43:49.000 --> 02:43:51.799
<v Speaker 3>a long maybe maybe kidney. I'm not sure they're on

3094
02:43:51.799 --> 02:43:54.319
<v Speaker 3>an organ donor list in the spirit world or what,

3095
02:43:54.520 --> 02:43:56.399
<v Speaker 3>but they're always after something right.

3096
02:43:57.120 --> 02:43:58.879
<v Speaker 2>Right, like a pound of flesh?

3097
02:43:59.000 --> 02:44:00.239
<v Speaker 3>Yeah, yeah, there you go.

3098
02:44:00.719 --> 02:44:00.920
<v Speaker 2>Yeah.

3099
02:44:01.760 --> 02:44:05.360
<v Speaker 3>So I'm trying to remember why I saved this from

3100
02:44:05.440 --> 02:44:09.000
<v Speaker 3>the film, and I just got distracted because, uh was

3101
02:44:09.040 --> 02:44:11.559
<v Speaker 3>that it? We're I'll give you all some closing statements,

3102
02:44:11.600 --> 02:44:13.239
<v Speaker 3>but that was I thought that was a great recap

3103
02:44:13.319 --> 02:44:16.000
<v Speaker 3>of events. But I had saved two notes from earlier

3104
02:44:16.079 --> 02:44:18.840
<v Speaker 3>I said that were really weird and creepy synchronistic events

3105
02:44:18.879 --> 02:44:20.479
<v Speaker 3>for me when I was watching this film and reading

3106
02:44:20.479 --> 02:44:22.680
<v Speaker 3>about stuff. Yeah, and I don't remember why I saved

3107
02:44:22.719 --> 02:44:24.079
<v Speaker 3>this lady to do it, to give me a second,

3108
02:44:24.120 --> 02:44:26.280
<v Speaker 3>but she I just got distracted because she was married

3109
02:44:26.319 --> 02:44:28.680
<v Speaker 3>to Roll Doll speaking of Deadler.

3110
02:44:28.520 --> 02:44:31.840
<v Speaker 2>Oh Patrician Neil. Yeah, I almost forget. Yeah, she was

3111
02:44:32.680 --> 02:44:33.360
<v Speaker 2>Ricky's wife.

3112
02:44:33.440 --> 02:44:36.040
<v Speaker 3>Yeah, that's right, she was Ricky's wife, Thank you, sir.

3113
02:44:36.120 --> 02:44:37.559
<v Speaker 3>I knew there was some reason why I saved this.

3114
02:44:37.760 --> 02:44:39.719
<v Speaker 2>Yeah, and why can't I think of her name Stella?

3115
02:44:40.200 --> 02:44:42.639
<v Speaker 3>Yeah? Yeah, so she was married to the old diddler

3116
02:44:42.719 --> 02:44:45.399
<v Speaker 3>Roll Doll. Because them Snosberry's from Willi Wanka turned out

3117
02:44:45.440 --> 02:44:46.680
<v Speaker 3>to be dicks and not candy.

3118
02:44:47.239 --> 02:44:51.360
<v Speaker 2>Yeah she was. At one point she was Dashal Hammett's

3119
02:44:51.399 --> 02:44:52.079
<v Speaker 2>girlfriend too.

3120
02:44:52.760 --> 02:44:56.239
<v Speaker 3>Oh interesting, Yeah, when roll Doll was telling folks that

3121
02:44:56.360 --> 02:44:58.959
<v Speaker 3>the Snosberry's tastes like Snosberry's according to them kids. He

3122
02:44:58.959 --> 02:45:01.559
<v Speaker 3>would later just crib to Snosbery in the later book

3123
02:45:01.680 --> 02:45:02.360
<v Speaker 3>as Dix.

3124
02:45:06.399 --> 02:45:10.040
<v Speaker 2>In fact, according to one of Nashal Hammett's daughters, Hammett

3125
02:45:10.120 --> 02:45:13.479
<v Speaker 2>warned her, uh, don't get married to him. He's not

3126
02:45:13.559 --> 02:45:15.799
<v Speaker 2>a good person, or something to that effects. So that

3127
02:45:15.920 --> 02:45:16.600
<v Speaker 2>that's interesting.

3128
02:45:16.799 --> 02:45:19.520
<v Speaker 3>Yeah, that is interesting. Well, can't be the purge there.

3129
02:45:19.559 --> 02:45:23.159
<v Speaker 3>It's my Abin Costello Cohort and Idaho. Four conversations we

3130
02:45:23.239 --> 02:45:25.159
<v Speaker 3>do over there on his show, and he's gonna love

3131
02:45:25.239 --> 02:45:28.159
<v Speaker 3>this one. So as you can see her. Patricia O'Neil

3132
02:45:28.239 --> 02:45:31.079
<v Speaker 3>was a member of Phi Beta Pie, the sorority girls

3133
02:45:31.159 --> 02:45:33.639
<v Speaker 3>up and around that Idaho. For murder, we're all Phi

3134
02:45:33.719 --> 02:45:38.680
<v Speaker 3>Beta Pie. Interesting. Interesting And the man, the male, the

3135
02:45:38.760 --> 02:45:42.280
<v Speaker 3>male victim was Sigma Chai. And in the film we

3136
02:45:42.399 --> 02:45:46.079
<v Speaker 3>hear them singing this song Sweetheart of signay Chais.

3137
02:45:47.280 --> 02:45:50.920
<v Speaker 2>Yes, that's what we're singing it down down below eas window.

3138
02:45:51.120 --> 02:45:58.040
<v Speaker 3>Yeah. Yeah, the Snisberry like Snilesberry's. Yeah, according to these guys,

3139
02:45:58.079 --> 02:45:59.600
<v Speaker 3>and eat a bunch of dicks. If you asked me

3140
02:45:59.639 --> 02:46:02.040
<v Speaker 3>to believe this is somehow just weird circumstances.

3141
02:46:02.520 --> 02:46:04.639
<v Speaker 2>I would not put that pass role though at all.

3142
02:46:04.959 --> 02:46:07.079
<v Speaker 2>He was a very peculiar person.

3143
02:46:08.120 --> 02:46:10.360
<v Speaker 3>I'm just saying, like, it's weird. It just weird to

3144
02:46:10.399 --> 02:46:12.479
<v Speaker 3>me that in the future past all of these things. Again,

3145
02:46:12.520 --> 02:46:14.799
<v Speaker 3>I don't want to get into comments of questions of

3146
02:46:14.879 --> 02:46:16.680
<v Speaker 3>time and concept of time, but it is weird to

3147
02:46:16.760 --> 02:46:18.639
<v Speaker 3>me how some of these things work that, like you

3148
02:46:18.719 --> 02:46:20.840
<v Speaker 3>can have such you know, elements where an actress as

3149
02:46:20.840 --> 02:46:22.559
<v Speaker 3>a member of the same sorority as these victims, and

3150
02:46:22.559 --> 02:46:24.639
<v Speaker 3>they're singing a song about the other victim and the

3151
02:46:24.840 --> 02:46:26.879
<v Speaker 3>fraternity he's from. It's just a weird concept of the

3152
02:46:26.920 --> 02:46:28.079
<v Speaker 3>movie for me to watch. And I was like, what

3153
02:46:28.159 --> 02:46:29.200
<v Speaker 3>the fuck's going on right now?

3154
02:46:29.239 --> 02:46:29.399
<v Speaker 2>Man?

3155
02:46:29.959 --> 02:46:31.520
<v Speaker 3>Gil Bill Searns went off in my brain hole, is

3156
02:46:31.559 --> 02:46:32.040
<v Speaker 3>what I'm saying.

3157
02:46:32.280 --> 02:46:34.840
<v Speaker 2>I think all of this stuff is absolutely conscious. I mean,

3158
02:46:34.920 --> 02:46:35.440
<v Speaker 2>it just doesn't.

3159
02:46:36.239 --> 02:46:41.319
<v Speaker 3>It's you know, yeah, well, I'm what I'm saying about

3160
02:46:41.360 --> 02:46:43.799
<v Speaker 3>time and magic. It's like and again I want to

3161
02:46:43.879 --> 02:46:45.719
<v Speaker 3>this is a conversation for a different day. But I

3162
02:46:45.799 --> 02:46:48.879
<v Speaker 3>think part of this and Peter Lavenda, the OTO member,

3163
02:46:49.280 --> 02:46:51.120
<v Speaker 3>brings us up in his book relative to some of

3164
02:46:51.200 --> 02:46:53.559
<v Speaker 3>the son the same matters right, talking about time and

3165
02:46:53.639 --> 02:46:56.040
<v Speaker 3>centers for forces and whatnot, and how you can how

3166
02:46:56.120 --> 02:46:59.000
<v Speaker 3>these magicians impact time and a non linear fashion. And

3167
02:46:59.079 --> 02:47:00.959
<v Speaker 3>again it's a it's a lot of stuff to get

3168
02:47:01.000 --> 02:47:03.479
<v Speaker 3>into right now, but these are concepts similar to a

3169
02:47:03.559 --> 02:47:07.159
<v Speaker 3>relative to the subject via folks like the OTO member

3170
02:47:07.159 --> 02:47:08.600
<v Speaker 3>Peter Lavenda, right.

3171
02:47:08.920 --> 02:47:13.799
<v Speaker 2>Yeah, yeah, And these people they do, they're very serious

3172
02:47:13.879 --> 02:47:16.200
<v Speaker 2>about what they do. A lot of them, well, this

3173
02:47:16.479 --> 02:47:18.520
<v Speaker 2>this stuff is silly that they're into, but it's but

3174
02:47:18.680 --> 02:47:20.440
<v Speaker 2>they take it very very seriously.

3175
02:47:21.159 --> 02:47:25.000
<v Speaker 5>Right, I say that all the time. Yeah, I agree.

3176
02:47:25.840 --> 02:47:28.319
<v Speaker 3>Yeah, when when, for example, when people try to try

3177
02:47:28.319 --> 02:47:30.479
<v Speaker 3>to suggest to me that the Church of Satan and

3178
02:47:30.840 --> 02:47:33.000
<v Speaker 3>Antonavay was just a carnival barker and it was all

3179
02:47:33.079 --> 02:47:34.920
<v Speaker 3>bet it is all a gambit, and I'm like, all right, dude,

3180
02:47:34.920 --> 02:47:36.440
<v Speaker 3>well that's hilarious, but I don't buy it.

3181
02:47:36.799 --> 02:47:38.840
<v Speaker 2>Yeah, And that's exactly what they want people to think.

3182
02:47:38.879 --> 02:47:39.719
<v Speaker 2>It's all just a joke.

3183
02:47:40.440 --> 02:47:45.000
<v Speaker 3>Yeah, you know, yeah, yeah, we're we're just we're just agnostic.

3184
02:47:45.200 --> 02:47:48.159
<v Speaker 3>We just like the Lares devils and weird shit.

3185
02:47:49.559 --> 02:47:54.399
<v Speaker 5>Like the Larvest devils. You know what it is to

3186
02:47:54.680 --> 02:47:56.639
<v Speaker 5>This is something that I always bring up when I

3187
02:47:56.719 --> 02:48:00.920
<v Speaker 5>cover these type of topics is if they weren't results,

3188
02:48:01.639 --> 02:48:04.200
<v Speaker 5>why would they keep doing it. They've been doing it

3189
02:48:04.360 --> 02:48:08.040
<v Speaker 5>forever and obviously they're getting some kind of results, so

3190
02:48:08.440 --> 02:48:10.719
<v Speaker 5>you don't have to believe in it, but they do.

3191
02:48:11.200 --> 02:48:14.319
<v Speaker 5>And obviously it's working for them, or they wouldn't do

3192
02:48:14.520 --> 02:48:15.479
<v Speaker 5>the shit that they're doing.

3193
02:48:15.559 --> 02:48:18.559
<v Speaker 3>Oh yeah. And when I say this nonlinear aspect of time,

3194
02:48:18.600 --> 02:48:21.799
<v Speaker 3>where ideas come from, especially for writers, and again suggested

3195
02:48:21.840 --> 02:48:23.760
<v Speaker 3>by Peter Leavenda, where I even came up but started

3196
02:48:23.799 --> 02:48:26.239
<v Speaker 3>going on this path, not just his ideas, but he's

3197
02:48:26.280 --> 02:48:28.040
<v Speaker 3>the one who sent me on this path. I believe

3198
02:48:28.079 --> 02:48:31.360
<v Speaker 3>he mentions it in Sinister Forces. There was a book written,

3199
02:48:31.360 --> 02:48:33.879
<v Speaker 3>I believe in eighteen eighty seven called The titan which

3200
02:48:33.959 --> 02:48:37.200
<v Speaker 3>was about an indestructible cruise linership that went between Europe

3201
02:48:37.200 --> 02:48:40.520
<v Speaker 3>and America and suddenly hit an iceberg and sank. Well

3202
02:48:40.559 --> 02:48:42.520
<v Speaker 3>that just so happened to occur again later in the

3203
02:48:42.600 --> 02:48:45.319
<v Speaker 3>future real world time is the Titanic. So that's all

3204
02:48:45.319 --> 02:48:46.840
<v Speaker 3>I'm saying here with these circumstances.

3205
02:48:47.280 --> 02:48:51.040
<v Speaker 2>Yeah, no, absolutely, oh yeah, you get in, Julie.

3206
02:48:50.840 --> 02:48:53.000
<v Speaker 3>Get something obvious, just for at least for the advocation

3207
02:48:53.079 --> 02:48:54.959
<v Speaker 3>of the folks of the interwebs. Who have missed my

3208
02:48:55.200 --> 02:49:00.200
<v Speaker 3>you know routine and you know unsolicited tirades on time time,

3209
02:49:00.319 --> 02:49:02.479
<v Speaker 3>then you know there's part of it on right there.

3210
02:49:03.440 --> 02:49:05.479
<v Speaker 3>I appreciate both of your all's time and night speaking

3211
02:49:05.520 --> 02:49:07.840
<v Speaker 3>of time, Julia and John both, and for blowing up

3212
02:49:07.840 --> 02:49:09.200
<v Speaker 3>my brain whole a number of times.

3213
02:49:09.000 --> 02:49:10.079
<v Speaker 5>Which thanks I just got.

3214
02:49:10.159 --> 02:49:12.000
<v Speaker 3>I just started getting walk in that cycle for a moment.

3215
02:49:12.079 --> 02:49:14.200
<v Speaker 3>There are things you suggested to me and I didn't know.

3216
02:49:14.200 --> 02:49:15.959
<v Speaker 3>I'm like, wait a second, I got to close the

3217
02:49:15.959 --> 02:49:18.959
<v Speaker 3>show out first before I start doing that. So I

3218
02:49:19.000 --> 02:49:20.159
<v Speaker 3>appreciate both of your all time.

3219
02:49:20.680 --> 02:49:27.159
<v Speaker 5>Yeah you yes, Yes, great to meet you. John, I

3220
02:49:27.200 --> 02:49:35.200
<v Speaker 5>always love go ahead, thank you, No, that's all I had. JJ.

3221
02:49:35.280 --> 02:49:35.600
<v Speaker 2>Go ahead.

3222
02:49:35.639 --> 02:49:37.959
<v Speaker 3>I'll make sure I connect y'all with the emails and

3223
02:49:38.000 --> 02:49:40.760
<v Speaker 3>I'll put your email Julia in the show notes for

3224
02:49:40.879 --> 02:49:43.719
<v Speaker 3>folks to reach out to you, especially maze Iss, who

3225
02:49:43.799 --> 02:49:46.239
<v Speaker 3>I again love to hear more thoughts there, ma'am. That's

3226
02:49:46.280 --> 02:49:50.040
<v Speaker 3>great stuff. I appreciate the input and chat for all

3227
02:49:50.079 --> 02:49:52.000
<v Speaker 3>the folks in the web as well, for sure, and

3228
02:49:52.120 --> 02:49:54.479
<v Speaker 3>if I can offer y'all, I appre appreciate y'all's review

3229
02:49:54.520 --> 02:49:56.639
<v Speaker 3>and again all the ideas we've shared your night's great

3230
02:49:56.680 --> 02:50:00.479
<v Speaker 3>stuff like to offer y'all both closing st a, ma'am,

3231
02:50:00.479 --> 02:50:02.120
<v Speaker 3>would you like to go first, and anything you'd like

3232
02:50:02.200 --> 02:50:03.600
<v Speaker 3>to recap or anything you like to plug.

3233
02:50:05.200 --> 02:50:09.360
<v Speaker 5>I thought this movie was really awesome. John obviously reads

3234
02:50:09.399 --> 02:50:11.920
<v Speaker 5>the book every October. It sounds like it's just a

3235
02:50:12.000 --> 02:50:15.200
<v Speaker 5>part of his Halloween ritual thing that he does. I

3236
02:50:15.360 --> 02:50:18.559
<v Speaker 5>have a similar one. I watch American Horror Story season

3237
02:50:18.639 --> 02:50:22.719
<v Speaker 5>one in three every October, just something I like to do.

3238
02:50:22.959 --> 02:50:26.479
<v Speaker 5>I think there's a lot of conspiracy stuff within American

3239
02:50:26.559 --> 02:50:30.440
<v Speaker 5>Horror Story. And so yeah, it's just nice meeting people

3240
02:50:30.600 --> 02:50:34.440
<v Speaker 5>who know what's up and having a good conversation. JJ,

3241
02:50:34.639 --> 02:50:37.280
<v Speaker 5>thanks for the invite, John, great to meet you. Yes,

3242
02:50:37.559 --> 02:50:41.200
<v Speaker 5>the chat was on fire tonight, so thanks to everybody

3243
02:50:41.280 --> 02:50:43.719
<v Speaker 5>in the chat. And yeah, that's it for me.

3244
02:50:45.079 --> 02:50:48.280
<v Speaker 3>That's awesome. No, thank you, ma'am. And I definitely one

3245
02:50:48.319 --> 02:50:50.360
<v Speaker 3>thing I was thinking, and we'll turn over to John

3246
02:50:50.399 --> 02:50:51.920
<v Speaker 3>for an answer, but i'd like to get both y'all

3247
02:50:51.959 --> 02:50:54.520
<v Speaker 3>back on to discuss Program to Kill after John gets

3248
02:50:54.520 --> 02:50:55.200
<v Speaker 3>a chance to read it.

3249
02:50:56.120 --> 02:50:58.120
<v Speaker 5>Absolutely, I'm down for that anytime.

3250
02:50:58.760 --> 02:51:00.920
<v Speaker 3>What do you say, Johnny? Gunny close statements, we walcome

3251
02:51:00.959 --> 02:51:03.120
<v Speaker 3>back and I'm sure you're walking back any time to

3252
02:51:03.239 --> 02:51:05.399
<v Speaker 3>talk any of these things. But you know, I would

3253
02:51:05.399 --> 02:51:07.879
<v Speaker 3>love to get your input on the Program to Kill

3254
02:51:07.879 --> 02:51:09.000
<v Speaker 3>once you get a chance to read that. And I

3255
02:51:09.040 --> 02:51:11.520
<v Speaker 3>don't knock over my micro front with the karate chop.

3256
02:51:12.000 --> 02:51:14.399
<v Speaker 2>Yeah, I look forward to that. Yeah, I'm gonna start

3257
02:51:14.440 --> 02:51:17.280
<v Speaker 2>reading it tomorrow. So yeah, and and thank you guys.

3258
02:51:17.360 --> 02:51:20.600
<v Speaker 2>And I'm just uh, I'm still working on the book.

3259
02:51:20.600 --> 02:51:22.239
<v Speaker 2>I don't know when that's gonna come out, but it's

3260
02:51:22.360 --> 02:51:24.520
<v Speaker 2>it's gonna be a big one. And it's uh, it's

3261
02:51:24.559 --> 02:51:27.040
<v Speaker 2>taken me a long time because I'm doing all the

3262
02:51:27.239 --> 02:51:30.159
<v Speaker 2>editing and all the drafts myself. So I'm just working

3263
02:51:30.200 --> 02:51:32.440
<v Speaker 2>on it bit by bit, but it'll it'll be out eventually.

3264
02:51:32.920 --> 02:51:35.000
<v Speaker 3>It's good to have a better uh probably like you

3265
02:51:35.159 --> 02:51:37.159
<v Speaker 3>you know, you can stand behind rather than one that's timely,

3266
02:51:37.159 --> 02:51:37.639
<v Speaker 3>you know what I mean.

3267
02:51:37.799 --> 02:51:39.879
<v Speaker 2>Right, Yeah, I want to I want to take some

3268
02:51:40.000 --> 02:51:40.440
<v Speaker 2>care of it.

3269
02:51:40.639 --> 02:51:41.360
<v Speaker 3>So so it.

3270
02:51:43.840 --> 02:51:44.840
<v Speaker 5>Passion project.

3271
02:51:45.319 --> 02:51:48.719
<v Speaker 3>Yeah, that's great stuff. And like I said, I have

3272
02:51:48.799 --> 02:51:50.719
<v Speaker 3>all your all folks in the inter webs can find

3273
02:51:50.799 --> 02:51:53.479
<v Speaker 3>Julia's stuff, John stuff and the links and their show

3274
02:51:53.520 --> 02:51:57.120
<v Speaker 3>in the show notes. And uh, I don't have any

3275
02:51:57.159 --> 02:51:59.719
<v Speaker 3>closing statements myself other than I greatly appreciate your all

3276
02:51:59.799 --> 02:52:02.760
<v Speaker 3>time conversation, all the time of the and chad of

3277
02:52:02.799 --> 02:52:05.680
<v Speaker 3>the folks of the interwebs, and tune in for Operation

3278
02:52:05.959 --> 02:52:09.600
<v Speaker 3>GCD Thursdays. I'm a Patreon. I'll do a about a

3279
02:52:09.680 --> 02:52:12.239
<v Speaker 3>thirty minute preview here on the on the youtubes and

3280
02:52:12.239 --> 02:52:14.239
<v Speaker 3>the other stuff, and then I go over to the

3281
02:52:14.280 --> 02:52:18.120
<v Speaker 3>Patreon Thursdays and Sundays. But tomorrow is my first the

3282
02:52:18.200 --> 02:52:22.760
<v Speaker 3>Anatomy of a Satanic Panic, which again largely is gonna

3283
02:52:22.799 --> 02:52:25.680
<v Speaker 3>involve not this guy, not the muppet version of this guy,

3284
02:52:25.760 --> 02:52:29.399
<v Speaker 3>but the original version of this guy, Michael Lokino. You know,

3285
02:52:29.559 --> 02:52:31.360
<v Speaker 3>like I said, Piops, I'm not gonna be like, well,

3286
02:52:31.559 --> 02:52:34.920
<v Speaker 3>I'm happy to discuss elements of Satanic murders that have

3287
02:52:35.040 --> 02:52:37.040
<v Speaker 3>existed in around the sun of same situation or the

3288
02:52:37.079 --> 02:52:40.840
<v Speaker 3>process or anto these other similar murders. We've discussed this evening.

3289
02:52:40.959 --> 02:52:44.799
<v Speaker 3>But I'm really looking at focusing on unpacking the propaganda,

3290
02:52:44.879 --> 02:52:49.000
<v Speaker 3>the psychological operations, and then comparing these these major events

3291
02:52:49.000 --> 02:52:50.399
<v Speaker 3>that we know of the Son of Sam and stuff,

3292
02:52:50.399 --> 02:52:53.000
<v Speaker 3>and again showing that these aren't the only you know,

3293
02:52:53.120 --> 02:52:55.440
<v Speaker 3>these aren't these this is not the only example, It's

3294
02:52:55.440 --> 02:52:56.959
<v Speaker 3>not an outlier right. There's a lot more of the

3295
02:52:56.959 --> 02:53:00.159
<v Speaker 3>ship that doesn't even get talked about. For example, you'll

3296
02:53:00.159 --> 02:53:02.399
<v Speaker 3>see the Presidio board in the background here, because you

3297
02:53:02.399 --> 02:53:04.280
<v Speaker 3>know he was stationed to the presidio associated with the

3298
02:53:04.680 --> 02:53:09.079
<v Speaker 3>Presidio daycare situation. As Julia's now you're head any agreements,

3299
02:53:09.079 --> 02:53:11.319
<v Speaker 3>She's well aware of what I'm talking about there, Julia,

3300
02:53:11.319 --> 02:53:13.239
<v Speaker 3>would you believe that's not the only daycar that popped

3301
02:53:13.239 --> 02:53:15.079
<v Speaker 3>off with that same epidemic and the same problem.

3302
02:53:16.200 --> 02:53:20.920
<v Speaker 5>I would believe that one hundred. I think McMartin Presidio,

3303
02:53:21.799 --> 02:53:26.959
<v Speaker 5>I mean they're just uh, you know, drops in the bucket. Yeah,

3304
02:53:27.040 --> 02:53:30.319
<v Speaker 5>if you if you can imagine. And just as a

3305
02:53:30.360 --> 02:53:34.520
<v Speaker 5>closing thought, this is a closing thought anyone who has

3306
02:53:34.639 --> 02:53:37.440
<v Speaker 5>read Program to Kill Her or they're familiar with McMartin

3307
02:53:37.479 --> 02:53:43.399
<v Speaker 5>preschool scandal or the Presidio daycare scandal. I just recently

3308
02:53:43.479 --> 02:53:47.959
<v Speaker 5>saw something saying that the movie with Robin Williams Missus Doubtfire,

3309
02:53:48.559 --> 02:53:53.280
<v Speaker 5>that character, Missus Doubtfire is based on the preschool teacher

3310
02:53:53.479 --> 02:53:58.600
<v Speaker 5>at McMartin, down to the exact look, wardrobe, everything. If

3311
02:53:58.639 --> 02:54:00.920
<v Speaker 5>you look at the McMartin precs school teacher next to

3312
02:54:01.040 --> 02:54:04.879
<v Speaker 5>Robin Williams as missus doubtfire. They're spitting images of each other.

3313
02:54:06.079 --> 02:54:08.799
<v Speaker 5>So that's a rabbit hole for the listeners to.

3314
02:54:08.879 --> 02:54:11.079
<v Speaker 3>Go and look it down. I'm gonna look at it

3315
02:54:11.239 --> 02:54:13.600
<v Speaker 3>as we get off of here, in fact, but yeah,

3316
02:54:13.680 --> 02:54:18.479
<v Speaker 3>that's just for sure, no, thank you. And from Presidio

3317
02:54:18.639 --> 02:54:21.200
<v Speaker 3>to West Point at that same time in the eighties

3318
02:54:21.319 --> 02:54:24.639
<v Speaker 3>there was more than one diddling scandal. So that's from

3319
02:54:24.680 --> 02:54:28.000
<v Speaker 3>coast to coast, that's my point. We were so as

3320
02:54:28.040 --> 02:54:30.360
<v Speaker 3>part of the propaganda and magic show, we're sold these

3321
02:54:30.479 --> 02:54:33.079
<v Speaker 3>one off incidents and say everyone, look at this incident.

3322
02:54:33.440 --> 02:54:35.399
<v Speaker 3>This incident didn't occur anywhere else. It only happen here

3323
02:54:35.399 --> 02:54:37.200
<v Speaker 3>at the Presidio, within the confines of the Persida and

3324
02:54:37.280 --> 02:54:39.559
<v Speaker 3>only involved Michael Keino. And I assure you that ain't

3325
02:54:39.600 --> 02:54:40.120
<v Speaker 3>the full tail.

3326
02:54:40.520 --> 02:54:41.319
<v Speaker 5>Yeah nope.

3327
02:54:42.000 --> 02:54:46.239
<v Speaker 3>So folks want to check out more of that business,

3328
02:54:46.360 --> 02:54:50.879
<v Speaker 3>please check out Operation GC Thursdays and uh. On that note,

3329
02:54:51.120 --> 02:54:53.159
<v Speaker 3>and if he yelled on anything else, I thank you

3330
02:54:53.239 --> 02:54:55.680
<v Speaker 3>all both for your time and folks of the interwebs,

3331
02:54:56.760 --> 02:54:57.479
<v Speaker 3>thanks a lot.

3332
02:54:57.520 --> 02:54:57.840
<v Speaker 2>Enjoyed it.

3333
02:54:58.440 --> 02:54:58.760
<v Speaker 5>Thank you.

3334
02:55:08.079 --> 02:55:08.120
<v Speaker 2>O
