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<v Speaker 1>Hey, welcome back Episode two of Punk Vacation and Unofficial

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<v Speaker 1>Vinever Syndrome podcast. This is Chris Haskell. As I said,

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<v Speaker 1>you may know me from They Live by Film, you

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<v Speaker 1>may not know me either way. Please join me on

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<v Speaker 1>this journey. I want to use this podcast as a

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<v Speaker 1>way of finding joy and unfettered creativity, which I associate

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<v Speaker 1>with the Vinegar Syndrome titles. I want this to be

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<v Speaker 1>a podcast dedicated to bringing awareness and context to movies

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<v Speaker 1>of any budget, from anywhere and during any time. This

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<v Speaker 1>is what I hope is the only episode I'm not

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<v Speaker 1>going to have a guest. I already have some exciting

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<v Speaker 1>guests lined up for September and even one in October,

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<v Speaker 1>which i'll promote his channel here in just a moment.

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<v Speaker 1>But yeah, I thank you so much for joining. What

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<v Speaker 1>I want to do with these mid month drops is

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<v Speaker 1>this is dropping in the middle of August, so I

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<v Speaker 1>want to go through all the July releases. I've watched

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<v Speaker 1>thirteen movies since I got my subscriber shipment in so

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<v Speaker 1>it's been a marathon, and as typical Vinegar Syndrome fashion,

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<v Speaker 1>seen a ton of movies from all over the board,

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<v Speaker 1>and I can't wait to get in and talk about these.

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<v Speaker 1>It's been a fantastic journey. So the way I want

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<v Speaker 1>to go through these with y'all, I want to do

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<v Speaker 1>the mainline titles first. Then just the way my brain works,

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<v Speaker 1>I want to go alpha through the sub labels so

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<v Speaker 1>it'll be cinematographed. Then we're gonna do Degausser. There's no

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<v Speaker 1>distribt picks from July, and I hope I didn't mess

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<v Speaker 1>that up. I don't think there's any. Then Vinegar Syndrome

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<v Speaker 1>Archive Labs, and then pictures, so we'll go through all

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<v Speaker 1>those titles. I'll give you my review. I'll tell you

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<v Speaker 1>what I thought about it. Who would tend to like

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<v Speaker 1>this kind of movie? What I thought? You know, if

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<v Speaker 1>it's something that you have to just rush out and get,

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<v Speaker 1>or if it's something that is more of just like

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<v Speaker 1>for a specific audience. As this is a podcast dedicated

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<v Speaker 1>to the love of Vinegar Syndrome, I'm probably not gonna

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<v Speaker 1>just straight up shit on any of the movies. There's

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<v Speaker 1>one this month that I didn't love, but even that

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<v Speaker 1>I can tell it's more of like a style thing.

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<v Speaker 1>And everybody I told about why I didn't love it,

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<v Speaker 1>they were like, oh, that sounds interesting. So sometimes it's

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<v Speaker 1>just a matter of preference. So we're gonna go through

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<v Speaker 1>them all. We're gonna go through spine number four seventy two,

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<v Speaker 1>four seventy three, and four seventy four, and I'll talk

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<v Speaker 1>a little bit about the letterbox views just to give

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<v Speaker 1>a sense of kind of how many other people have

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<v Speaker 1>seen this. I'll talk about what I can tell in

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<v Speaker 1>terms of how it's selling from them. This is not

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<v Speaker 1>inside information. I'm just getting it from their website. But

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<v Speaker 1>we'll kind of go through that and then talk a

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<v Speaker 1>little bit about the films themselves, what stood out to me.

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<v Speaker 1>And there's gonna be some I'm just gonna be a

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<v Speaker 1>fair warning. There's gonna be some that I'm a huge

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<v Speaker 1>homer for this time. There's some that I think are

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<v Speaker 1>must owns, especially for Vinegar Syndrome fans, really for any

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<v Speaker 1>fans of any movie. So be prepared for a little

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<v Speaker 1>bit of homersm coming up. And I will try to

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<v Speaker 1>get to the four partner titles that I saw as well,

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<v Speaker 1>so we'll get to that at the end. As long

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<v Speaker 1>as this does take too long, all right, let's jump.

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<v Speaker 2>In somewhere in the forbidding. Tundra mountains of Lapland, high

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<v Speaker 2>above the Arctic Circle, a group of mining engineers were

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<v Speaker 2>prospecting for copper, but what they on earth was a.

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<v Speaker 1>Story title Number one Spye number four seventy two in

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<v Speaker 1>the VS mainline is a movie that had an English

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<v Speaker 1>and a Danish movie filmed at the same time and

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<v Speaker 1>released separately. And although they have a ton of overlap,

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<v Speaker 1>it is actually two separate movies. Although it's commonly quoted

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<v Speaker 1>as one and the movie is reptilicous, there is two

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<v Speaker 1>directors on this. The Danish director is Paul Bang and

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<v Speaker 1>the English director is Sidney Pink. Again, it's a little

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<v Speaker 1>bit confusing, and it does sound like semantics, but these

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<v Speaker 1>are two separate movies that were filmed at the same

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<v Speaker 1>time with the same cast about roughly the same subject matter.

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<v Speaker 1>But they were determined and intended to be two separate films,

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<v Speaker 1>not one, not one with just like a language translation,

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<v Speaker 1>so they were actually filmed as two separate ones. VS.

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<v Speaker 1>As always does a fantastic job of getting both the

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<v Speaker 1>additions on there. It's that case that it's like a

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<v Speaker 1>They call it a gloss hard slipcase plus slipcover combo,

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<v Speaker 1>so it goes inside a slipcover, then it goes inside

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<v Speaker 1>the hard slip case. As always, Vinegar Syndrome did a

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<v Speaker 1>fantastic job on these special features and including all versions

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<v Speaker 1>of the film. So this is a three disc set.

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<v Speaker 1>It's a UHD disc and two Blu rays. It's a

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<v Speaker 1>new scanned four K and the print I saw look beautiful.

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<v Speaker 1>I saw the Danish version when I watched it. As

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<v Speaker 1>far as I remember, they're claiming this is the for

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<v Speaker 1>the Danish version of the film. This is the first

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<v Speaker 1>time it's been in the US on any disc, DVD,

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<v Speaker 1>Blu ray anything. They redid the subtitles for the transfer,

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<v Speaker 1>and as you can imagine, the sub the features are fantastic.

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<v Speaker 1>There's a commentary track with a film historian. They have

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<v Speaker 1>a great retrospective thirty two minute retrospective on the film itself.

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<v Speaker 1>There's an eleven minute feature called Life After Reptilicus. There's

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<v Speaker 1>a thirty minute I guess another documentary with a film

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<v Speaker 1>historian named Steven Bissett who's also an illustrator and he

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<v Speaker 1>kind of walks through the legacy of Reptilicus, and a

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<v Speaker 1>thirty minute feature. So there's just a ton of special features.

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<v Speaker 1>It's packed beautiful art as always, and beautiful film, beautiful

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<v Speaker 1>packaging all around. All right, as far as I can tell,

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<v Speaker 1>this one has sold about two thousand copies. There's just

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<v Speaker 1>under two thousand copies left. It's you know, this has

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<v Speaker 1>been a big seller for them. This is a popular release,

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<v Speaker 1>and I kind of get it. You know, this is

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<v Speaker 1>there's a there's this whole subgenre of kaiju movies or

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<v Speaker 1>monster movies. Obviously for fans of Godzilla, obviously for fans

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<v Speaker 1>of Gamada, but even beyond that. You know, there's a

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<v Speaker 1>whole bunch of movies that were made in Korea and

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<v Speaker 1>in Europe that had these monsters in them. Obviously the

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<v Speaker 1>US had some monster movies, and so this fits just

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<v Speaker 1>very snug in that genre. I wouldn't say there's anything

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<v Speaker 1>to me that necessarily stands out as like, oh, this

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<v Speaker 1>is the best one in the genre. But I like

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<v Speaker 1>this movie a lot. It's very snug, it's very comfortable,

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<v Speaker 1>it feels very known, and you know, it's it has

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<v Speaker 1>a message in it as well. It's just it's a

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<v Speaker 1>perfect example of one of these genre films. The basic

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<v Speaker 1>story is there's some miners that are digging up in Lapland,

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<v Speaker 1>which is where Santa Claus is from, obviously, and they're

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<v Speaker 1>digging in the eyep there and they accidentally cut off a tail.

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<v Speaker 1>It's frozen, so they bring it back to Denmark for science,

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<v Speaker 1>and there's a you know, a sleepy scientist that forgets

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<v Speaker 1>to close the door in the freezer, wakes up. The

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<v Speaker 1>tale is thawing out. Unfortunately for them, this is a

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<v Speaker 1>regenerative beast. So even though it's been asleep for you know,

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<v Speaker 1>hundreds of thousands of years or millions of years or whatever,

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<v Speaker 1>the tale immediately wakes up, starts to grow, and wreaking

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<v Speaker 1>havoc ensues. I think you'll know by now by the

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<v Speaker 1>way I'm describing it if this is a movie you

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<v Speaker 1>would like or not. For me, it's a film I'm

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<v Speaker 1>really happy to own. I like monster movies. They're the

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<v Speaker 1>kind of thing that I can have on sometimes it's

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<v Speaker 1>nice to have on, either to sleep or to if

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<v Speaker 1>there's chores, or if it's just like a lazy Saturday afternoon.

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<v Speaker 1>I like having these kind of movies in my collection

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<v Speaker 1>that are on and that are very relaxing and calm.

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<v Speaker 1>This is a fantastic example of that nothing is for me.

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<v Speaker 1>Nothing is necessarily stand out. It's not like it's hilarious

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<v Speaker 1>or you know, the the special effects work is amazing

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<v Speaker 1>or anything like that. I just it's a solid entry.

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<v Speaker 1>They hit all the beats, uh and it's a ton

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<v Speaker 1>of extras, so it's a it's a fun all around package.

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<v Speaker 1>I'm very happy I own this one.

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<v Speaker 2>Didn't find your dorm li mon bon my mo.

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<v Speaker 1>They all right now, I'm not even gonna bury the lead.

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<v Speaker 1>We're getting to what's probably my favorite one we're gonna

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<v Speaker 1>talk about today, although there's one that may come close.

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<v Speaker 1>Eleven hundred views on letterboxed and a movie that I

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<v Speaker 1>had not seen, although I do enjoy Category three films

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<v Speaker 1>talking about a Chinese torture chamber story one. So if

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<v Speaker 1>anybody did listen to episode one with Curtis, we talk

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<v Speaker 1>about this a little bit. So this might not be

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<v Speaker 1>a surprise for all of y'all. This movie is fucking amazing, Okay,

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<v Speaker 1>it is. It is everything I love about Kathrey. It

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<v Speaker 1>has some brutal moments, but it's hilarious. It's way over

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<v Speaker 1>the top. There's nudity in the film, but it's all

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<v Speaker 1>done in just to perfection. I think this is I

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<v Speaker 1>couldn't you know, for a long time I said, Ricky,

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<v Speaker 1>oh is my favorite? KA three, this is pushing it.

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<v Speaker 1>I might be willing to say this is better. I

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<v Speaker 1>don't know. I have to see it again. But this

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<v Speaker 1>movie is amazing. What a surprise by far and away

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<v Speaker 1>the surprise of twenty twenty four in terms of viewing

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<v Speaker 1>for me. Oh yeah, it's by number four seven three

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<v Speaker 1>if I didn't say that. But this movie is an

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<v Speaker 1>absolute and must have for I would say for anybody

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<v Speaker 1>that's willing to put up with, you know, some of

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<v Speaker 1>the edge of your content within movies. What you get

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<v Speaker 1>in exchange for that is just pure joy. And like

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<v Speaker 1>this is a party movie. It's a fantastic movie to

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<v Speaker 1>watch in a group. It's hilarious. Absolutely something that's gonna

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<v Speaker 1>shoot up the ranks for you know, horror lists or

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<v Speaker 1>best movie of all time lists. This is a great

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<v Speaker 1>job by Vinegar Syndrome and Sam Deagan, who did a

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<v Speaker 1>lot with the disc public, you know, from the production

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<v Speaker 1>side commentary and really kind of added some amazing context

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<v Speaker 1>for this one. This is just this is one of

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<v Speaker 1>those ones that people are gonna wish they own it.

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<v Speaker 1>Looks like it's also sold about four thousand copies, so

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<v Speaker 1>it has some left. It's not like a mad panic

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<v Speaker 1>to get it. But I would please please get this

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<v Speaker 1>before it sells out. This is one of those ones

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<v Speaker 1>that for years people are going to be talking about,

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<v Speaker 1>and I guarantee at some point in your life there's

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<v Speaker 1>gonna be a moment where you have not seen Chinese

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<v Speaker 1>Torture Chamber story, and then there's gonna be a moment

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<v Speaker 1>where you see it and you're gonna wish you had

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<v Speaker 1>seen it ten years sooner. So I don't even really

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<v Speaker 1>want to give too much away, but I'll give a

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<v Speaker 1>little bit obviously to kind of tantalize and tease a

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<v Speaker 1>little bit here. There is a This is a story

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<v Speaker 1>that's very loosely based off of a collection of stories

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<v Speaker 1>that came out around torture in sort of you know,

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<v Speaker 1>ancient Chinese history, right, So there are elements in this

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<v Speaker 1>story that are very real and that happened, and they

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<v Speaker 1>kind of built on that to make the story all right.

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<v Speaker 1>So this movie came out in nineteen ninety four, directed

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<v Speaker 1>by Bosco Lamb. I haven't seen a lot from Bosco Lamb.

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<v Speaker 1>He's a name that I know, but in terms of

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<v Speaker 1>the movies that he's directed, I haven't really seen a ton.

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<v Speaker 1>He was a kind of ad and actor, and he

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<v Speaker 1>was around a lot of Hong Kong cinema. He's he

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<v Speaker 1>was involved with God of Gambler's series Casino Raiders. He's

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<v Speaker 1>been involved in a lot of movies, but as far

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<v Speaker 1>as directing, you know, he doesn't have a lot on disc.

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<v Speaker 1>So it's and he only has twelve movies that are

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<v Speaker 1>kind of titled to him, credited to him, So you know,

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<v Speaker 1>it's possible we get a few more Bosco Lamb movies

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<v Speaker 1>if there anything like this, I want them all. He

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<v Speaker 1>what he's able to do in this movie so well.

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<v Speaker 1>The reason I'm so crazy for a Chinese torture chamber

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<v Speaker 1>story is he takes these historical documents and this historical

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<v Speaker 1>kind of torture stories which are obviously horrific and terrible,

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<v Speaker 1>and he puts this sort of magical twist on them,

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<v Speaker 1>and he and he tells the story of one particular

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<v Speaker 1>lord who brings a woman into his harem, and he

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<v Speaker 1>there's a there's an order of command to kind of

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<v Speaker 1>get time with him, but he falls for one of

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<v Speaker 1>the new recruits that the new women that come in

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<v Speaker 1>he he dies, and so most of the movie is

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<v Speaker 1>a trial about the woman who is accused of murdering

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<v Speaker 1>this this lord, and it goes back in time and

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<v Speaker 1>sort of catches up the story of of what's going on.

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<v Speaker 1>So that's the structure of it. But what happens within

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<v Speaker 1>that structure is this insane beautiful like I don't even know.

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<v Speaker 1>It's almost like a Princess Bride or something where you

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<v Speaker 1>know it like it cuts back to the scene where

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<v Speaker 1>they're in a courtroom and then it kind of goes

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<v Speaker 1>to this fantasy land of events, and the difference between

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<v Speaker 1>the fantasy and the reality in the courtroom are stark.

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<v Speaker 1>This movie is nothing like a Princess Bride. That's an

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<v Speaker 1>insane comparison only in structure. But the scenes in the

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<v Speaker 1>courtroom do involve some torture. But then when they flash back,

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<v Speaker 1>they show this kind of budding romance and they show

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<v Speaker 1>sex in a way that is just hilarious, Like there's

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<v Speaker 1>a woman who's playing with all these different sex toys.

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<v Speaker 1>The most famous scene in this film is this wusha scene,

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<v Speaker 1>this beautiful kind of wusha scene that's filmed very authentically

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<v Speaker 1>it would fit in any you know, martial arts film,

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<v Speaker 1>this kind of wusha based, this beautiful kind of ballet,

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<v Speaker 1>and the whole time this couple is fucking okay. And

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<v Speaker 1>so it's just there's this crazy there's this crazy sex

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<v Speaker 1>going on. They're yelling things at each other. I was

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<v Speaker 1>dying in this scene. There's but the comedy is throughout

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<v Speaker 1>even before when this lord he's married to his wife.

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<v Speaker 1>Obviously he's having sex outside of marriage, as is she.

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<v Speaker 1>But when he has sex with his wife, she's into

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<v Speaker 1>all these crazy things, and those scenes are really funny.

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<v Speaker 1>It's just it. Don't be Curtis said this, and I'll

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<v Speaker 1>say this too, don't be, you know, dissuaded by the name.

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<v Speaker 1>This is not a torture movie. If you're looking for

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<v Speaker 1>a torture movie, we'll talk about that in just a second,

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<v Speaker 1>because the sequel is closer to that. But Chinese Torture

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<v Speaker 1>Chamber Story one has light on the torture chamber and

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<v Speaker 1>just freaking hilarious throughout the rest of it. Just a

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<v Speaker 1>pure joy to watch. I don't really know how else

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<v Speaker 1>to say it. It's just a movie that I want

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<v Speaker 1>to recommend to everybody. Shout it from the Hills. This

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<v Speaker 1>should be in your collection. It's not a risk. If

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<v Speaker 1>you're a fan of laughing and just kind of enjoying

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<v Speaker 1>movies and having fun. This is right up there with

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<v Speaker 1>anything you could name it. It's not so bad. It's

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<v Speaker 1>a good movie. If you want to call it like that,

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<v Speaker 1>I don't. I don't even like that term. Anyways. It's

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<v Speaker 1>not like that. It's a very well made movie. It's

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<v Speaker 1>just hilarious, and they're The commentary from San Digan is amazing.

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<v Speaker 1>And there's a special feature of Rika Schultz from on

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<v Speaker 1>Some Horrors. By the way, if you're not listening to

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<v Speaker 1>Unsung Horrors podcast and you're listening to the Vinegar Syndrome podcast,

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<v Speaker 1>I think you'll love Unsung Horrors. Not that it's all

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<v Speaker 1>Vinegar Syndrome, but there's a lot of crossover and content

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<v Speaker 1>and in kind of mentality of listening listeners, So listen

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<v Speaker 1>to that podcast. But she but Erica breaks down a

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<v Speaker 1>video essay where she goes through and finds historical documents

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<v Speaker 1>and like scans the images in and like goes a

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<v Speaker 1>very academic but entertaining discussion on like the history of

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<v Speaker 1>Chinese torture. It's an extremely well made video essay. I

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<v Speaker 1>don't I'm not going to call out a lot of

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<v Speaker 1>individual special features, but this one is top notch. It's

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<v Speaker 1>very good and it's worth the disc in and of itself,

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<v Speaker 1>let alone the movies which are just fantastic. So I

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<v Speaker 1>could gush forever about Chinese Torture Chamber Story one, I'll

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<v Speaker 1>stop there, staying on spine four seventy three for a moment.

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<v Speaker 1>Chinese Torture Chamber Story two. The first one had eleven

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<v Speaker 1>hundred views on letterbox. This one only has three ten

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<v Speaker 1>as a recording, not as many people have seen this.

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<v Speaker 1>This is definitely a film that is probably way underseen

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<v Speaker 1>and is a good idea. I think to include it

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<v Speaker 1>as part of a double feature. I don't know how

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<v Speaker 1>many people would you know, buy, although anybody that saw

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<v Speaker 1>the first one would rush out to buy the sequel,

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<v Speaker 1>But I think fans of the first one purely for

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<v Speaker 1>that fun element might be a little disappointed by the sequel.

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<v Speaker 1>I think it's good in its own way, but it's

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<v Speaker 1>a very different movie. So the director is Ken Nam Cho,

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<v Speaker 1>probably most famous. Most of y'all probably know him from

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<v Speaker 1>Chinese Eerotic Ghost Story. I'm sure you might say there's

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<v Speaker 1>one that you like better, but as far as I know,

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<v Speaker 1>that's sort of his most famous film. This film has

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<v Speaker 1>a lot more actual torture. So this is much closer

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<v Speaker 1>to the name. And you know, this is what you're

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<v Speaker 1>probably looking for. If you just pass by the shelf

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<v Speaker 1>and you see torture Chambers story, this one probably has

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<v Speaker 1>a lot more of what you want. The interesting thing

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<v Speaker 1>about it is that although it can be pretty brutal

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<v Speaker 1>at times, there's certain you know, there's certainly levity in

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<v Speaker 1>the movie. It's not all just pure brutality. In fact,

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<v Speaker 1>some of the characters are very light and not quite

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<v Speaker 1>Samo hung funny, but they're just lighter and just kind

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<v Speaker 1>of more goofy. They would probably fit in like a

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<v Speaker 1>you know, mister Vampire series or something like that. But

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<v Speaker 1>the overall tone is certainly much darker, and it's it's

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<v Speaker 1>a movie that I think is is good. I'm guessing

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<v Speaker 1>that it's gonna be pretty split in terms of people

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<v Speaker 1>that watch the first one. I go in to watch this,

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<v Speaker 1>I would say, just kind of know who you are.

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<v Speaker 1>If you want to have a good time and laugh,

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<v Speaker 1>watch the first one. If you want something a little darker,

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<v Speaker 1>then this is the one for you. A little more,

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<v Speaker 1>a little more nasty, a little more gnarly. This is

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<v Speaker 1>where to start. It's just similar. The the other thing

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<v Speaker 1>I think it's probably worth calling out is that it's

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<v Speaker 1>very historically accurate. So this is where Erica's essay video

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<v Speaker 1>essay really stands out to me, because it's actually extremely

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<v Speaker 1>accurate when she starts breaking down like the different types

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<v Speaker 1>of torture that was used. Some of it is in

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<v Speaker 1>the first movie, for sure, but a lot of it's

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<v Speaker 1>in the second one. And it's interesting. I mean, you know,

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<v Speaker 1>it's it's a horror movie because of the horrific things

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<v Speaker 1>that happen, and it's even crazier that this was common,

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<v Speaker 1>and you know, it was the way that a lot

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<v Speaker 1>of people got sort of the justice system used these

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<v Speaker 1>torture devices to get information from people. So that's interesting

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<v Speaker 1>part of history, right, I mean, you know, it certainly doesn't.

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<v Speaker 1>Luckily we're not in that situation anymore. But you know,

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<v Speaker 1>before the mythology of like truth serums and all that

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<v Speaker 1>kind of stuff came out and you know, tough interrogators,

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<v Speaker 1>tough FBI interrogators, before all that, there was just straight

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<v Speaker 1>you know, physical torture to get information, and in both

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<v Speaker 1>movies actually the torture is used in a way to

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<v Speaker 1>have people admit guilt even when they weren't guilty. So

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<v Speaker 1>you know, there's certainly some parallels there to like the

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<v Speaker 1>Salem witch trials and you know, just the conquistadors and

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<v Speaker 1>a lot of these you know, really shitty kind of

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<v Speaker 1>leaders that abuse their power to get what they want

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<v Speaker 1>out of out of people that they have in power over.

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<v Speaker 1>So yeah, it has good history to it. It's interesting.

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<v Speaker 1>I personally like the first one quite a bit better

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<v Speaker 1>because I just like to have fun with these movies,

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<v Speaker 1>but the second, the second film, is quite good. The

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<v Speaker 1>other thing worth calling out is that Frank Jang does

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<v Speaker 1>the commentary for Part two. As usual, It's a fantastic

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<v Speaker 1>linguistic and cultural commentary. Frank is amazing at kind of

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<v Speaker 1>breaking down what's going on and why and why they're

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<v Speaker 1>using certain phrases and just you know the history of it.

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<v Speaker 1>It's very different. Sam Degan's commentary is incredibly well researched

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<v Speaker 1>and gives a lot of context. Is anything Frank Jang

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<v Speaker 1>is just that's his specialty, right as being actually Chinese

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<v Speaker 1>and knowing all these like little linguistical nuances and stuff,

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<v Speaker 1>so that's there too. There's a really cool feature by

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<v Speaker 1>Justin Declo of the Important Cinema Club called The Cat

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<v Speaker 1>Three Films of Wang Jing. I think it's worth a watch.

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<v Speaker 1>It's very good. The video essay that I was talking

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<v Speaker 1>about is called Titillating Torture, and there's a good booklet

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<v Speaker 1>that's written by Grady Hendrix. So yeah, I mean, this

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<v Speaker 1>is a I don't know how to say it to me,

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<v Speaker 1>this is a slam dunk, absolutely must own. No matter

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<v Speaker 1>how much I pare down my collection, this one's staying

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<v Speaker 1>in and it's probably going into my top one hundred

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<v Speaker 1>films of all time.

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<v Speaker 3>I love it a lot, all right.

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<v Speaker 1>Next release Vs. Four seventy four coming in at nine

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<v Speaker 1>hundred and sixteen views on Letterbox as of time of recording.

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<v Speaker 1>In Therapidos Punks and Vengeance of the Punks double feature,

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<v Speaker 1>this is another one that I'm gonna say is probably

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<v Speaker 1>pretty close to a must own. This movie is awesome.

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<v Speaker 1>It's so fun. It really really feels like a kind

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<v Speaker 1>of osploitation movie or an Italian genre film. It's got

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<v Speaker 1>the very similar vibe, very similar budget, very similar aesthetic.

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<v Speaker 1>It's just it snuggles right in there right with the

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<v Speaker 1>best of the just these kind of fun, exploitation action movies.

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<v Speaker 1>There's a biker film, punk rock film. Anarchy is throughout.

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<v Speaker 1>I mean, this is we'll get into in just a second.

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<v Speaker 1>This is truly an anarchic film. So they really captured

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<v Speaker 1>the spirit of what it is to be punk rock.

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<v Speaker 1>It didn't shy away from it. It has sold slightly less,

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<v Speaker 1>but it's still selling really well best I can tell.

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<v Speaker 1>It's sold around through thirty five hundred copies so far,

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<v Speaker 1>so I have no idea how this one's not sold out.

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<v Speaker 1>This movie is awesome, and I'm only guessing it hasn't

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<v Speaker 1>sold out because maybe people haven't heard about it. But

393
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<v Speaker 1>it is a yeah. I really do think this is

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<v Speaker 1>like a must own this is it's just fun. It's

395
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<v Speaker 1>extremely energetic in all the best ways. I loved it.

396
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<v Speaker 1>It's a nineteen eighty seven movie. Francisco Guerrero is the

397
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<v Speaker 1>director of it, and he's sort of this great genre filmmaker.

398
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<v Speaker 1>Like if you go through his you know his filmography,

399
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<v Speaker 1>He's got stuff like the White Condor, Condo Branco. Anyways,

400
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<v Speaker 1>he just his filmography looks super fun, lots of action movies.

401
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<v Speaker 1>Again just I don't really know how to say it

402
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<v Speaker 1>other than he just seems to be a genre film director,

403
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<v Speaker 1>like in His Blood, and it seems to make some

404
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<v Speaker 1>really fun action movies. In Trepido's Punks Is it's just

405
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<v Speaker 1>a wild film. So there's not there's really no good

406
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<v Speaker 1>guys in this. It's funny the way they set it up,

407
00:26:52.960 --> 00:26:56.680
<v Speaker 1>because there's this gang of punks that come through and

408
00:26:56.720 --> 00:27:02.480
<v Speaker 1>they terrorize. They just love doing coke, they love breaking things,

409
00:27:03.079 --> 00:27:07.319
<v Speaker 1>they love murder. They're just like, you know, they're bad people.

410
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<v Speaker 1>They don't hide shy away from anything, but they're so awesome.

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<v Speaker 1>Oh they rape too, so you know they hit all

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<v Speaker 1>the beats. But they're just awesome people. Like they're I

413
00:27:19.559 --> 00:27:22.359
<v Speaker 1>mean within the movie, like within the logic of the film,

414
00:27:22.400 --> 00:27:26.200
<v Speaker 1>they're awesome and they're not shying away from all the

415
00:27:26.200 --> 00:27:28.839
<v Speaker 1>bad things they do. But they're portrayed as just like,

416
00:27:28.880 --> 00:27:31.279
<v Speaker 1>look how cool these people are, And honestly, they are

417
00:27:31.319 --> 00:27:35.839
<v Speaker 1>pretty cool. They have great costumes. The music, the soundtrack

418
00:27:35.880 --> 00:27:38.119
<v Speaker 1>is awesome. It's a there's a theme song created for

419
00:27:38.200 --> 00:27:44.559
<v Speaker 1>this and it's super fun. The music is super fun,

420
00:27:44.960 --> 00:27:47.799
<v Speaker 1>so you know, you have these punks that are doing

421
00:27:47.880 --> 00:27:51.160
<v Speaker 1>terrible things, and then you have these sort of really lame, boring,

422
00:27:51.599 --> 00:27:56.400
<v Speaker 1>dumb cops that are written to be that way. I

423
00:27:56.400 --> 00:27:58.880
<v Speaker 1>don't think it's like a budget issue or the way

424
00:27:58.920 --> 00:28:02.279
<v Speaker 1>they're filmed or something. They're just written to be uninteresting

425
00:28:02.359 --> 00:28:04.480
<v Speaker 1>and you don't really want them to win, even though

426
00:28:04.480 --> 00:28:09.000
<v Speaker 1>they're doing the right thing. And so of course there's shootouts,

427
00:28:09.000 --> 00:28:11.640
<v Speaker 1>and of course there's some action in the film, and

428
00:28:15.319 --> 00:28:18.000
<v Speaker 1>I guess like the basic premise is that, you know,

429
00:28:18.079 --> 00:28:22.200
<v Speaker 1>these punks to get revenge on the cops for imprisoning

430
00:28:22.200 --> 00:28:25.000
<v Speaker 1>them and kind of making their life hard. They go

431
00:28:25.160 --> 00:28:29.079
<v Speaker 1>back and they abduct the wives and kill the wives

432
00:28:29.079 --> 00:28:32.759
<v Speaker 1>of these wardens and jailers and cops, and then you know,

433
00:28:32.839 --> 00:28:37.200
<v Speaker 1>there's a war that ensues between these groups. It's a

434
00:28:37.960 --> 00:28:40.680
<v Speaker 1>This is just a I know I've said fun like

435
00:28:40.720 --> 00:28:42.880
<v Speaker 1>twenty times. I don't really know a better word for it,

436
00:28:43.160 --> 00:28:45.960
<v Speaker 1>but this is just a great time again, kind of

437
00:28:46.000 --> 00:28:49.160
<v Speaker 1>like Chinese torture chamber story, although for a different reason.

438
00:28:49.480 --> 00:28:51.519
<v Speaker 1>This is a fun party movie. I think like this

439
00:28:51.559 --> 00:28:54.480
<v Speaker 1>is a great movie. In a group, You'll be singing

440
00:28:54.519 --> 00:28:57.519
<v Speaker 1>along the soundtrack, You'll be tapping your toes to the

441
00:28:58.960 --> 00:29:02.240
<v Speaker 1>good punk song, and yeah, it's just one of those

442
00:29:02.279 --> 00:29:04.480
<v Speaker 1>movies where I think, as weird as this might sound,

443
00:29:04.480 --> 00:29:07.000
<v Speaker 1>it kind of you want to talk about it afterwards

444
00:29:07.000 --> 00:29:09.200
<v Speaker 1>and maybe kind of diagnose it a little bit because

445
00:29:09.680 --> 00:29:12.079
<v Speaker 1>it's just it leaves you with this weird feeling of like, well,

446
00:29:12.079 --> 00:29:14.839
<v Speaker 1>who am I supposed to be rooting for here? I

447
00:29:14.880 --> 00:29:20.079
<v Speaker 1>think the Francisco Gotreto pulls off that balance flawlessly. He

448
00:29:20.200 --> 00:29:22.480
<v Speaker 1>nails it. I think he really gets it. And this

449
00:29:22.720 --> 00:29:24.160
<v Speaker 1>I don't know. I don't know if this is going

450
00:29:24.240 --> 00:29:25.839
<v Speaker 1>to be like a top one hundred movie for me,

451
00:29:26.160 --> 00:29:28.759
<v Speaker 1>but it's a contender. It's very good. I liked it

452
00:29:28.799 --> 00:29:31.359
<v Speaker 1>a lot. And again, I want to be really careful

453
00:29:31.359 --> 00:29:33.920
<v Speaker 1>with this as we go through. And I'm, you know,

454
00:29:34.359 --> 00:29:38.720
<v Speaker 1>representing vinegar syndrome here of course unofficially, but like, you know,

455
00:29:38.759 --> 00:29:40.319
<v Speaker 1>I want to be really careful with this. Term so

456
00:29:40.440 --> 00:29:42.000
<v Speaker 1>bad it's good. I'm going to try not to use

457
00:29:42.039 --> 00:29:45.119
<v Speaker 1>it anymore after episode two. I just want to like

458
00:29:45.240 --> 00:29:47.599
<v Speaker 1>kind of start to draw a distinction here. And the

459
00:29:47.640 --> 00:29:49.319
<v Speaker 1>only reason I'm using it is to stay like there's

460
00:29:49.319 --> 00:29:51.559
<v Speaker 1>a temptation to say, like, oh, it's good because it's funny,

461
00:29:51.640 --> 00:29:53.759
<v Speaker 1>or whatever. But like, no, like this is you know,

462
00:29:53.799 --> 00:29:56.680
<v Speaker 1>they had some budget constraints and stuff, right because they

463
00:29:56.720 --> 00:29:59.880
<v Speaker 1>were trying to put together these movies in nineteen eighty

464
00:30:00.000 --> 00:30:03.039
<v Speaker 1>even nineteen eighty eight in Mexico off of you know,

465
00:30:03.039 --> 00:30:05.759
<v Speaker 1>whatever money they could find, right. But like, it's a

466
00:30:05.960 --> 00:30:07.960
<v Speaker 1>very well made movie. I mean, you put it up

467
00:30:07.960 --> 00:30:10.200
<v Speaker 1>to Mad Max. You could put it up to like

468
00:30:10.240 --> 00:30:12.079
<v Speaker 1>I said, a lot of the exploitation, a lot of

469
00:30:12.119 --> 00:30:16.920
<v Speaker 1>the Italian genre cinema, has a good score, It understands story,

470
00:30:17.279 --> 00:30:20.319
<v Speaker 1>the characters are phenomenal. So yeah, it's good. I think

471
00:30:20.319 --> 00:30:22.440
<v Speaker 1>this is all around a fun movie. I'm super glad

472
00:30:22.440 --> 00:30:25.839
<v Speaker 1>to I've seen it so shot at the same time,

473
00:30:25.960 --> 00:30:29.880
<v Speaker 1>although it was released later, is the direct sequel La

474
00:30:30.079 --> 00:30:34.079
<v Speaker 1>van Ganza delos Bunks or Vengeance of the Punks. This

475
00:30:34.160 --> 00:30:37.400
<v Speaker 1>had a different director. His name was Domian Lacostas Bartosa.

476
00:30:39.480 --> 00:30:45.359
<v Speaker 1>He's not quite as His films are a bit more

477
00:30:45.440 --> 00:30:46.880
<v Speaker 1>kind of I don't know how to say it, like

478
00:30:46.920 --> 00:30:48.839
<v Speaker 1>maybe a little bit all over the place. But he

479
00:30:49.000 --> 00:30:50.839
<v Speaker 1>was another one of these directors that made a ton

480
00:30:50.880 --> 00:30:55.400
<v Speaker 1>of action movies, and this was near the end of

481
00:30:55.440 --> 00:30:57.559
<v Speaker 1>his career. He's a little bit He had been working

482
00:30:57.599 --> 00:31:01.920
<v Speaker 1>for a while, but yeah, this is kind of near

483
00:31:01.960 --> 00:31:04.880
<v Speaker 1>the end of his career. A lot of his movies

484
00:31:04.920 --> 00:31:07.079
<v Speaker 1>have death or vengeance in the title, so this fits

485
00:31:07.119 --> 00:31:14.440
<v Speaker 1>in pretty well there. But this has even less views

486
00:31:14.440 --> 00:31:21.440
<v Speaker 1>on letterbox, so similar to Chinese Torture Chamber Story too,

487
00:31:21.480 --> 00:31:25.799
<v Speaker 1>this is almost exactly the same, So yeah, that's interesting. Actually,

488
00:31:25.799 --> 00:31:29.160
<v Speaker 1>So Chinese Torture Chamber Story had eleven hundred ended epidos

489
00:31:29.200 --> 00:31:31.960
<v Speaker 1>Punks had nine hundred, so pretty close. And then both

490
00:31:31.960 --> 00:31:34.160
<v Speaker 1>of the sequels have almost the exact same number. This

491
00:31:34.200 --> 00:31:36.480
<v Speaker 1>one's at three h five instead of three to ten,

492
00:31:36.599 --> 00:31:40.640
<v Speaker 1>so the sequel drops off quite a bit. I would

493
00:31:40.720 --> 00:31:45.079
<v Speaker 1>say this one, it picks up right where we leave off,

494
00:31:45.160 --> 00:31:47.599
<v Speaker 1>has a lot of the similar characters, not everybody, but

495
00:31:48.000 --> 00:31:51.400
<v Speaker 1>a lot of similar characters, And this one just jumps

496
00:31:51.480 --> 00:31:55.359
<v Speaker 1>right into like quite a bit of rape and just

497
00:31:55.400 --> 00:32:00.759
<v Speaker 1>like long kind of extended sex scenes. I guess you

498
00:32:00.880 --> 00:32:05.000
<v Speaker 1>could say orgies, but it's not really like it's just

499
00:32:05.079 --> 00:32:08.200
<v Speaker 1>sort of like, again, this kind of anarchic spirait to it, right,

500
00:32:08.319 --> 00:32:10.920
<v Speaker 1>So it's not that everybody's having sex. It's like when

501
00:32:10.960 --> 00:32:13.680
<v Speaker 1>they get back to camp, they're just kind of lounging around.

502
00:32:13.759 --> 00:32:16.440
<v Speaker 1>Some people are drinking. Some people are super excited to

503
00:32:16.440 --> 00:32:19.279
<v Speaker 1>be doing cocaine. Some people are just naked, you know,

504
00:32:19.319 --> 00:32:23.079
<v Speaker 1>getting getting into it. So it's just like this sort

505
00:32:23.119 --> 00:32:28.400
<v Speaker 1>of lifestyle that they've built up, and you know, it's

506
00:32:28.440 --> 00:32:31.839
<v Speaker 1>a vibe. I guess you could say film. Both films are.

507
00:32:32.200 --> 00:32:36.519
<v Speaker 1>I think both directors capture the sentiment of it and

508
00:32:36.559 --> 00:32:39.519
<v Speaker 1>like the tone of it perfectly. This also has a

509
00:32:39.519 --> 00:32:42.759
<v Speaker 1>good soundtrack. I think it's a great sequel. I don't

510
00:32:42.759 --> 00:32:45.480
<v Speaker 1>think there's a big drop off in quality. These are

511
00:32:45.519 --> 00:32:49.640
<v Speaker 1>two Interrepredos Punks and Vengeance of the Punks, just back

512
00:32:49.680 --> 00:32:54.400
<v Speaker 1>to back, fantastic double feature. And this is vs. Four

513
00:32:54.480 --> 00:32:58.079
<v Speaker 1>seventy four. And so if you know, for me rounding

514
00:32:58.079 --> 00:33:01.039
<v Speaker 1>out the month, as far as the main line goes,

515
00:33:02.039 --> 00:33:06.319
<v Speaker 1>you have two films that are I don't really care

516
00:33:06.400 --> 00:33:09.039
<v Speaker 1>who you are like in terms of what you like

517
00:33:09.119 --> 00:33:12.680
<v Speaker 1>to watch in movies, I would say must watches, if

518
00:33:12.720 --> 00:33:17.039
<v Speaker 1>not must owns, for sure must watches. And then the

519
00:33:17.079 --> 00:33:19.400
<v Speaker 1>sequels for those films, which it's nice to have as

520
00:33:19.400 --> 00:33:23.039
<v Speaker 1>a package, and then Reptilicus, which some people are going

521
00:33:23.119 --> 00:33:24.960
<v Speaker 1>to be mad at me for not calling a must own.

522
00:33:25.400 --> 00:33:27.279
<v Speaker 1>I mean, if you're a fan of these kind of

523
00:33:27.319 --> 00:33:31.160
<v Speaker 1>monster films. It's a slam dunk again. Like I said,

524
00:33:31.240 --> 00:33:34.759
<v Speaker 1>I like it a lot, so I could just understand

525
00:33:34.799 --> 00:33:37.200
<v Speaker 1>why some people wouldn't want to have it. It is

526
00:33:37.400 --> 00:33:40.079
<v Speaker 1>close to that kind of thing that mister Sands Theater

527
00:33:40.640 --> 00:33:44.400
<v Speaker 1>would make fun of in terms of like the quality

528
00:33:44.440 --> 00:33:47.319
<v Speaker 1>of it. So if you know, if that's not your thing,

529
00:33:47.920 --> 00:33:50.960
<v Speaker 1>just just be forewarned. But I had a great time

530
00:33:51.000 --> 00:33:52.960
<v Speaker 1>with all these and I think VS Mainline killed it

531
00:33:53.039 --> 00:33:58.119
<v Speaker 1>this month. Maybe on leave for a couple of months,

532
00:33:58.119 --> 00:33:59.720
<v Speaker 1>but that is a pen and you had a breakdown.

533
00:34:00.519 --> 00:34:03.200
<v Speaker 1>You want a sanitarium. It wasn't a leave, it was

534
00:34:03.200 --> 00:34:05.240
<v Speaker 1>a breakdown. What are you force me to say these things?

535
00:34:06.200 --> 00:34:12.559
<v Speaker 1>All right? Cinematograph, I'm gonna go through the sub labels now.

536
00:34:13.519 --> 00:34:17.960
<v Speaker 1>Cinematograph is primarily, as far as I can understand, the

537
00:34:18.039 --> 00:34:22.480
<v Speaker 1>baby of Justin La Liberty. I think Justin has, as

538
00:34:22.559 --> 00:34:25.599
<v Speaker 1>far as I can tell, meticulous taste. Everything he's recommended

539
00:34:25.760 --> 00:34:28.519
<v Speaker 1>or everything he's put out that he's kind of been

540
00:34:28.519 --> 00:34:32.760
<v Speaker 1>a part of, has been fantastic. This is title number

541
00:34:32.840 --> 00:34:38.159
<v Speaker 1>six in his cinemat Cinematograph. Line one through five has

542
00:34:38.239 --> 00:34:43.079
<v Speaker 1>been something I've really liked. In fact, title five is

543
00:34:43.119 --> 00:34:50.239
<v Speaker 1>an Able Ferrara movie called Dangerous Game, and the movie

544
00:34:50.280 --> 00:34:54.079
<v Speaker 1>is fantastic. It's just kind of I guess the probably

545
00:34:54.119 --> 00:34:55.840
<v Speaker 1>the closest thing you would compare it to is like

546
00:34:55.840 --> 00:34:58.880
<v Speaker 1>a Leaving Las Vegas type of self destruction movie, although

547
00:34:58.920 --> 00:35:02.599
<v Speaker 1>it's done in different way, but it's Harvey Kaitel self

548
00:35:02.599 --> 00:35:06.960
<v Speaker 1>destructing for you know, our forty minutes or whatever. But

549
00:35:07.599 --> 00:35:13.280
<v Speaker 1>the special feature, the documentary with Abel Ferrara, it's just well,

550
00:35:13.280 --> 00:35:16.719
<v Speaker 1>it's more of just a frank discussion with him kind

551
00:35:16.719 --> 00:35:19.559
<v Speaker 1>of goes into why I love Abel Ferrara so much.

552
00:35:20.159 --> 00:35:26.360
<v Speaker 1>It's this extremely raw, brutally honest take, kind of introspective

553
00:35:26.440 --> 00:35:30.119
<v Speaker 1>look very similar vibe to Yodaawski when he does his

554
00:35:30.159 --> 00:35:33.360
<v Speaker 1>commentaries where he's just like nothing to hide and so

555
00:35:33.440 --> 00:35:38.800
<v Speaker 1>he you know, Abel Ferrara gives this fantastic description of

556
00:35:38.840 --> 00:35:40.719
<v Speaker 1>what it was like to work with Madonna, what it

557
00:35:40.760 --> 00:35:43.159
<v Speaker 1>was like to be in the studios, why he was

558
00:35:43.199 --> 00:35:45.239
<v Speaker 1>kicked out of Hollywood, Like, he just gets into all

559
00:35:45.280 --> 00:35:49.159
<v Speaker 1>of it. And I love that special feature. So that's

560
00:35:49.360 --> 00:35:53.239
<v Speaker 1>title five, which came out I guess most likely June.

561
00:35:53.760 --> 00:35:55.480
<v Speaker 1>I think they try to put out one a month,

562
00:35:56.079 --> 00:35:59.840
<v Speaker 1>maybe make because of the partner month thing. But that's

563
00:35:59.840 --> 00:36:03.039
<v Speaker 1>a to number six, which is a Jonathan Demi movie.

564
00:36:03.760 --> 00:36:07.400
<v Speaker 1>It is a extremely underseen Jonathan Demi movie. If you

565
00:36:07.400 --> 00:36:10.400
<v Speaker 1>think of how popular he is as a director, this

566
00:36:10.440 --> 00:36:13.400
<v Speaker 1>one only has forty four hundred views on letterbox, which,

567
00:36:13.480 --> 00:36:17.360
<v Speaker 1>again just for those tracking at home, is less than Reptilicus,

568
00:36:17.559 --> 00:36:20.199
<v Speaker 1>which had sixty eight hundred. So not a lot of

569
00:36:20.239 --> 00:36:22.920
<v Speaker 1>people have seen Last Embrace. This was a movie that

570
00:36:23.000 --> 00:36:30.719
<v Speaker 1>came out. It was a pretty early movie in his career.

571
00:36:31.440 --> 00:36:33.679
<v Speaker 1>You know, he got his start through AIP. He did

572
00:36:33.679 --> 00:36:36.840
<v Speaker 1>a lot of films for American International, and then this

573
00:36:36.880 --> 00:36:39.280
<v Speaker 1>came out in nineteen seventy nine, right before he kind

574
00:36:39.280 --> 00:36:42.840
<v Speaker 1>of got into his golden years. He was still doing

575
00:36:42.880 --> 00:36:44.679
<v Speaker 1>a lot of music videos here. He was still doing

576
00:36:44.719 --> 00:36:47.760
<v Speaker 1>a lot of other types of kind of artistic projects.

577
00:36:48.960 --> 00:36:55.079
<v Speaker 1>For me, the only movie from Jonathan Demi that I love,

578
00:36:55.239 --> 00:36:58.360
<v Speaker 1>truly love is Stopped Making Sense. I know he's done

579
00:36:58.400 --> 00:37:01.880
<v Speaker 1>Silence of the Lambs. I think it's a pretty good movie.

580
00:37:02.760 --> 00:37:06.639
<v Speaker 1>I think Manhunter is a better Hannibal Lecter story. But

581
00:37:07.880 --> 00:37:10.480
<v Speaker 1>Jonathan Demi for me, is as a director that I'm

582
00:37:10.480 --> 00:37:14.480
<v Speaker 1>okay with. Last Embrace did not change my opinion of

583
00:37:14.559 --> 00:37:19.960
<v Speaker 1>him as a director, so I can't lie and say

584
00:37:19.960 --> 00:37:25.119
<v Speaker 1>that I love this movie. The video essay from Sam

585
00:37:25.159 --> 00:37:29.519
<v Speaker 1>Degan is is fantastic. The commentary I've listened about half

586
00:37:29.559 --> 00:37:31.840
<v Speaker 1>of the commentary. I don't know how much you've heard

587
00:37:31.840 --> 00:37:34.639
<v Speaker 1>of Howard as Berger, but he's just this fantastic kind

588
00:37:34.639 --> 00:37:37.599
<v Speaker 1>of historian. Steve Mitchell does a great job on this

589
00:37:37.679 --> 00:37:44.199
<v Speaker 1>as well. So it's a beautifully packaged film typically you know,

590
00:37:46.000 --> 00:37:52.320
<v Speaker 1>vinegar syndrome fashion, the packaging, the art, the special features,

591
00:37:52.360 --> 00:37:55.360
<v Speaker 1>everything is top notch. This is a four K and

592
00:37:55.400 --> 00:37:58.400
<v Speaker 1>a Blu ray together, so it's a double feature or

593
00:37:58.519 --> 00:38:03.840
<v Speaker 1>double disc feature, you know. Really, Last Embrace. It's what

594
00:38:03.880 --> 00:38:06.599
<v Speaker 1>I what I don't like about it is it kind

595
00:38:06.599 --> 00:38:09.599
<v Speaker 1>of plays into a lot of genres that I struggle

596
00:38:09.639 --> 00:38:12.280
<v Speaker 1>with in general. So again, this is kind of like

597
00:38:12.280 --> 00:38:14.800
<v Speaker 1>I said in the beginning, as I describe why I

598
00:38:14.840 --> 00:38:18.559
<v Speaker 1>didn't like it, you probably more than half of y'all

599
00:38:18.719 --> 00:38:21.199
<v Speaker 1>will probably be like, well, yeah, I definitely want to

600
00:38:21.239 --> 00:38:23.719
<v Speaker 1>see that. The best I can I can put it

601
00:38:23.719 --> 00:38:25.800
<v Speaker 1>to you know, put it is that it's to me,

602
00:38:25.840 --> 00:38:28.519
<v Speaker 1>it's a combination of like a circa, like a Douglas

603
00:38:28.559 --> 00:38:33.760
<v Speaker 1>cirque melodrama with the spy sort of mystery film, and

604
00:38:33.840 --> 00:38:37.400
<v Speaker 1>it also has a layer of that paranoia that you

605
00:38:37.480 --> 00:38:41.880
<v Speaker 1>might see in a movie like the conversation that you

606
00:38:41.920 --> 00:38:46.039
<v Speaker 1>know is that it has that new Hollywood vibe at times,

607
00:38:46.559 --> 00:38:49.360
<v Speaker 1>but it also definitely I think tries to lean into

608
00:38:49.400 --> 00:38:57.079
<v Speaker 1>that classic fifties kind of melodrama aesthetic. I don't want

609
00:38:57.079 --> 00:39:01.280
<v Speaker 1>to shit on the film. I think there's gonna be

610
00:39:01.280 --> 00:39:03.159
<v Speaker 1>a lot of people that watch this and give it

611
00:39:03.199 --> 00:39:05.679
<v Speaker 1>five stars. A lot of people are probably gonna love

612
00:39:05.719 --> 00:39:07.960
<v Speaker 1>the aesthetic. A lot of people are probably really gonna

613
00:39:08.000 --> 00:39:13.719
<v Speaker 1>resonate with this because they like melodrama or because you know,

614
00:39:13.840 --> 00:39:17.599
<v Speaker 1>that whole paranoia aspect is done very well. The main

615
00:39:17.719 --> 00:39:23.400
<v Speaker 1>actor in this is Roy Schneider. Excuse me, Roy Scheider,

616
00:39:24.519 --> 00:39:29.639
<v Speaker 1>and you know he's actually really good. He has to

617
00:39:29.719 --> 00:39:33.199
<v Speaker 1>play a part where he's coming out of an institution,

618
00:39:33.360 --> 00:39:37.320
<v Speaker 1>a mental institution, a psychiatric hospital. He's being released and

619
00:39:38.119 --> 00:39:41.400
<v Speaker 1>he lives with this paranoia that he's being followed. And

620
00:39:41.719 --> 00:39:45.079
<v Speaker 1>it's that whole thing that's in a lot of thrillers,

621
00:39:45.320 --> 00:39:48.920
<v Speaker 1>I guess to say, where you don't know if they're

622
00:39:49.000 --> 00:39:51.679
<v Speaker 1>being paranoid or if they're paranoid is based on something

623
00:39:51.719 --> 00:39:54.880
<v Speaker 1>real and you just don't really know, so it adds

624
00:39:54.920 --> 00:39:58.880
<v Speaker 1>to the drama. There are some elements to this movie

625
00:39:58.920 --> 00:40:01.519
<v Speaker 1>I think they nail. For me, it was a little

626
00:40:01.519 --> 00:40:04.320
<v Speaker 1>bit of a confusing tone and I didn't really register

627
00:40:04.440 --> 00:40:08.719
<v Speaker 1>with it. But please please comment, tell me why I'm

628
00:40:08.760 --> 00:40:10.920
<v Speaker 1>an idiot. I would love to hear from people that

629
00:40:11.000 --> 00:40:16.639
<v Speaker 1>love this movie. It has been selling less. I don't

630
00:40:16.679 --> 00:40:21.400
<v Speaker 1>think that's any tie into you know, my views on it. Obviously,

631
00:40:21.400 --> 00:40:24.159
<v Speaker 1>I'm not saying that. I just as far as I

632
00:40:24.199 --> 00:40:26.679
<v Speaker 1>can tell, it has sold only about two thousand copies,

633
00:40:27.039 --> 00:40:30.119
<v Speaker 1>which is still pretty good for a movie that a

634
00:40:30.159 --> 00:40:32.760
<v Speaker 1>lot of people have seen. You know, for a Jonathan

635
00:40:32.800 --> 00:40:34.480
<v Speaker 1>Demi picture, you probably would have thought it would have

636
00:40:34.519 --> 00:40:37.000
<v Speaker 1>sold more. I'm imagining this is going to sell a

637
00:40:37.039 --> 00:40:41.559
<v Speaker 1>lot during the sale the you know, biennial sales. If

638
00:40:41.639 --> 00:40:42.800
<v Speaker 1>I was going to pick it up and give it

639
00:40:42.800 --> 00:40:45.039
<v Speaker 1>a chance, it would certainly for me, I would wait

640
00:40:45.079 --> 00:40:48.119
<v Speaker 1>for the sale. But don't let me dissuade you. If

641
00:40:48.119 --> 00:40:52.639
<v Speaker 1>you're into cerchi and melodrama or that kind of conspiracy

642
00:40:52.679 --> 00:40:54.719
<v Speaker 1>theory genre, it does a good job in both of those,

643
00:40:55.639 --> 00:41:00.360
<v Speaker 1>all right. Moving on from cinematograph, moving on to Dicaser video.

644
00:41:01.239 --> 00:41:04.000
<v Speaker 1>There was a release from de Goster in July, it

645
00:41:04.079 --> 00:41:07.440
<v Speaker 1>was Blood Cult. The story behind Blood Cult is pretty cool.

646
00:41:07.559 --> 00:41:11.320
<v Speaker 1>There was a filmmaker named Christopher Lewis. He was one

647
00:41:11.320 --> 00:41:16.400
<v Speaker 1>of the first or maybe the first filmmaker hired specifically

648
00:41:16.480 --> 00:41:21.400
<v Speaker 1>to make direct to video movies. So he made some

649
00:41:21.440 --> 00:41:26.360
<v Speaker 1>horror films. Vinegar Syndrome has released a lot of them

650
00:41:26.519 --> 00:41:29.320
<v Speaker 1>and previous to this, and one of the ones that

651
00:41:29.360 --> 00:41:33.039
<v Speaker 1>came out this month was Blood Cult. It has under

652
00:41:33.079 --> 00:41:35.719
<v Speaker 1>a thousand views on letterbox and it's an interesting one

653
00:41:36.000 --> 00:41:38.159
<v Speaker 1>to have such a little views because it's got kind

654
00:41:38.159 --> 00:41:39.920
<v Speaker 1>of a cool history, right, I mean, it was a

655
00:41:39.920 --> 00:41:45.880
<v Speaker 1>pioneer in a lot of ways. Blood Cult the Ripper

656
00:41:46.000 --> 00:41:48.760
<v Speaker 1>was a movie that came out from De Goser last month,

657
00:41:48.800 --> 00:41:52.039
<v Speaker 1>I believe, or within the last two months. And then

658
00:41:53.039 --> 00:41:57.199
<v Speaker 1>separately on the VS mainline, there's a Homegrown Horrors box

659
00:41:57.199 --> 00:41:59.719
<v Speaker 1>set that has Blood Cult too, but it has a

660
00:41:59.760 --> 00:42:03.079
<v Speaker 1>differ I think it's maybe Revenge. It has a different name,

661
00:42:03.119 --> 00:42:05.320
<v Speaker 1>but it's in the Homegrown Horror set, and so it's

662
00:42:05.320 --> 00:42:08.039
<v Speaker 1>the first three these kind of early three direct to

663
00:42:08.119 --> 00:42:11.679
<v Speaker 1>video horror films from Christopher Lewis. He has a very

664
00:42:11.719 --> 00:42:15.599
<v Speaker 1>distinct style. This movie is a lot of fun actually,

665
00:42:16.000 --> 00:42:19.440
<v Speaker 1>so it opens up well within the first five minutes anyways,

666
00:42:19.840 --> 00:42:25.239
<v Speaker 1>there's this killer is beating someone to death with someone

667
00:42:25.239 --> 00:42:29.360
<v Speaker 1>else's head, just to give you a sense of, you know,

668
00:42:29.719 --> 00:42:34.400
<v Speaker 1>the wildness here within Blood cult. Right, So Christopher Lewis

669
00:42:34.400 --> 00:42:38.360
<v Speaker 1>had a good sense for horror creative in the Kills.

670
00:42:38.440 --> 00:42:40.280
<v Speaker 1>I think if you think about the budget on this

671
00:42:40.320 --> 00:42:43.480
<v Speaker 1>one was pretty low and that shows at times. I mean,

672
00:42:43.559 --> 00:42:46.679
<v Speaker 1>it's not flawless, and people are people that don't like

673
00:42:46.719 --> 00:42:48.280
<v Speaker 1>this are going to point out maybe some of the

674
00:42:48.320 --> 00:42:51.719
<v Speaker 1>acting or some of the aesthetics of it are pretty

675
00:42:51.760 --> 00:42:57.079
<v Speaker 1>low budget, which I mean fair. But if you once

676
00:42:57.079 --> 00:42:59.000
<v Speaker 1>you kind of get settled into this story, I think

677
00:42:59.000 --> 00:43:01.880
<v Speaker 1>you see Christopher Lewis was trying to do and I

678
00:43:01.920 --> 00:43:04.920
<v Speaker 1>think it's it's a pretty solid story. Actually, it's a

679
00:43:04.920 --> 00:43:08.880
<v Speaker 1>pretty solid horror story. I think it's done really well.

680
00:43:08.920 --> 00:43:12.719
<v Speaker 1>I think the kills are very kind of imaginative, obviously

681
00:43:12.800 --> 00:43:17.199
<v Speaker 1>in a very macab way. I think the mystery, sort

682
00:43:17.199 --> 00:43:20.360
<v Speaker 1>of the suspense of who the killer is is kept

683
00:43:20.440 --> 00:43:24.800
<v Speaker 1>pretty well and the whole thing has this sort of

684
00:43:27.280 --> 00:43:29.840
<v Speaker 1>dreamy vibe to it at times like that. I think

685
00:43:29.840 --> 00:43:34.320
<v Speaker 1>they use the camera well when they want to convey

686
00:43:34.360 --> 00:43:37.360
<v Speaker 1>like for example, when when the Cult comes in. When

687
00:43:37.400 --> 00:43:40.079
<v Speaker 1>you first meet the cult, they sort of pan out

688
00:43:40.320 --> 00:43:43.320
<v Speaker 1>to where the there's not a lot of detail. You

689
00:43:43.440 --> 00:43:45.960
<v Speaker 1>lose the fact that it's like a low budget film

690
00:43:46.719 --> 00:43:49.159
<v Speaker 1>that you smoke a lot, that you shadows a lot.

691
00:43:49.159 --> 00:43:52.440
<v Speaker 1>They use the music well to create atmosphere. I think

692
00:43:52.480 --> 00:43:54.199
<v Speaker 1>they do a good job. I think there's a lot

693
00:43:54.239 --> 00:43:57.280
<v Speaker 1>of artistic vision in this uh. And it's a really

694
00:43:57.320 --> 00:44:01.440
<v Speaker 1>good release, this one. See it's sold at least the

695
00:44:01.480 --> 00:44:04.559
<v Speaker 1>limited edition, you know, because the standard always sells as well,

696
00:44:04.920 --> 00:44:07.079
<v Speaker 1>but at least the limited edition has already sold over

697
00:44:07.119 --> 00:44:09.480
<v Speaker 1>a thousand copies. It's selling pretty fast, it seems like.

698
00:44:11.559 --> 00:44:16.559
<v Speaker 1>And as far as features go, it's cool because they

699
00:44:16.559 --> 00:44:19.800
<v Speaker 1>actually found an old commentary truck with the director, so

700
00:44:19.840 --> 00:44:24.239
<v Speaker 1>they put that on here. And there's a new commentary

701
00:44:24.280 --> 00:44:28.679
<v Speaker 1>truck with the producer of the movie and a film

702
00:44:28.760 --> 00:44:33.679
<v Speaker 1>historian named John Woolley produces Linda Lewis, who's related to Christopher.

703
00:44:35.039 --> 00:44:39.400
<v Speaker 1>And then there's a bunch of documentaries and kind of

704
00:44:39.400 --> 00:44:42.039
<v Speaker 1>shorts on there. I guess there's a new interview with

705
00:44:42.119 --> 00:44:45.480
<v Speaker 1>Linda Lewis. There's an interview with Bob Blair, which is

706
00:44:45.519 --> 00:44:48.320
<v Speaker 1>pretty cool because he's the son of the person who

707
00:44:48.400 --> 00:44:50.840
<v Speaker 1>produced this movie, so he gives that background. That's an

708
00:44:50.840 --> 00:44:54.920
<v Speaker 1>eight minute interview with him, and there's a full hour

709
00:44:55.159 --> 00:44:59.360
<v Speaker 1>long documentary they found and put on this disc as well,

710
00:44:59.400 --> 00:45:06.239
<v Speaker 1>from twelve and a few archival interviews. So it's extremely

711
00:45:06.960 --> 00:45:11.320
<v Speaker 1>stacked release, very similar to the way that Saturn's Core.

712
00:45:11.440 --> 00:45:13.280
<v Speaker 1>I don't know if y'all have a lot of those

713
00:45:13.320 --> 00:45:17.199
<v Speaker 1>in your you know, in your shelves, but if you

714
00:45:17.239 --> 00:45:19.480
<v Speaker 1>don't have Saturn's Core and you're okay with shot on

715
00:45:19.559 --> 00:45:22.880
<v Speaker 1>video or like a lot of low budget filmmaking, you know,

716
00:45:22.920 --> 00:45:25.440
<v Speaker 1>they're one of the best at just stacking hours of

717
00:45:25.480 --> 00:45:28.679
<v Speaker 1>content on the disc, and Degasser certainly is doing a

718
00:45:28.679 --> 00:45:32.159
<v Speaker 1>good job of feeling like that. There's also an early

719
00:45:32.199 --> 00:45:35.920
<v Speaker 1>short film that was also produced by this guy, Bill Blair.

720
00:45:36.599 --> 00:45:39.079
<v Speaker 1>It's called The Appointment. It's fine, it's it's cute, it's

721
00:45:39.239 --> 00:45:41.559
<v Speaker 1>it's a fun little watch. It's short, it's like seven minutes.

722
00:45:42.920 --> 00:45:49.760
<v Speaker 1>But yeah, so you know, it's definitely sov you have

723
00:45:49.840 --> 00:45:52.679
<v Speaker 1>to kind of know if that's something you're comfortable with

724
00:45:52.719 --> 00:45:55.760
<v Speaker 1>and that's something you're interested in. But it has this

725
00:45:55.880 --> 00:46:00.719
<v Speaker 1>great history of being an early, you know, kind of

726
00:46:01.239 --> 00:46:04.159
<v Speaker 1>a movie made specifically for the home video market. So

727
00:46:05.920 --> 00:46:09.920
<v Speaker 1>the I said Linda was related to Chris, I'm sorry,

728
00:46:10.079 --> 00:46:13.800
<v Speaker 1>it's his wife. So you know, you get to see

729
00:46:14.199 --> 00:46:16.119
<v Speaker 1>the movie and then you get to hear the wife

730
00:46:16.159 --> 00:46:19.000
<v Speaker 1>of the director talk about it, and she has obviously

731
00:46:19.039 --> 00:46:24.000
<v Speaker 1>all the history and and everything, so it's uh, yeah,

732
00:46:24.159 --> 00:46:26.239
<v Speaker 1>I mean, I think this is a fun one. I

733
00:46:26.320 --> 00:46:28.519
<v Speaker 1>like it. I do like SOOV movies I have. I

734
00:46:28.519 --> 00:46:30.480
<v Speaker 1>have a lot of them. I watch a lot of them.

735
00:46:30.920 --> 00:46:33.400
<v Speaker 1>For me, I'm really happy to own this and I'm

736
00:46:33.480 --> 00:46:35.679
<v Speaker 1>excited to go check out The Ripper pretty soon so

737
00:46:35.719 --> 00:46:41.440
<v Speaker 1>I can complete the trilogy. All right. Moving on from

738
00:46:41.480 --> 00:46:46.280
<v Speaker 1>Degasser is, I don't think there's a distrib Pics title

739
00:46:46.400 --> 00:46:49.000
<v Speaker 1>from July. Please forgive me if I got that wrong,

740
00:46:49.039 --> 00:46:51.079
<v Speaker 1>but I don't believe there is. So going right into

741
00:46:51.599 --> 00:46:53.960
<v Speaker 1>we have three more left. We're gonna do Vinegar Syndrome Archive,

742
00:46:54.039 --> 00:46:58.159
<v Speaker 1>Vinegar Syndrome Labs, and then Vinegar Syndrome Pictures. Okay. The

743
00:46:58.280 --> 00:47:03.119
<v Speaker 1>Archive is a movie that similar to Chinese Torture Chambers story.

744
00:47:03.599 --> 00:47:05.920
<v Speaker 1>It's one of these like siminal events in my life

745
00:47:05.920 --> 00:47:07.599
<v Speaker 1>where there was a time when I had not seen

746
00:47:07.599 --> 00:47:10.639
<v Speaker 1>this and a time when I had, and I am

747
00:47:10.719 --> 00:47:14.760
<v Speaker 1>so happy to have seen this one. Okay, A Vinegar

748
00:47:14.800 --> 00:47:17.480
<v Speaker 1>Central Archive is an interesting line because they're forty five

749
00:47:17.519 --> 00:47:21.639
<v Speaker 1>titles in, so I can imagine that they might be

750
00:47:21.840 --> 00:47:24.559
<v Speaker 1>entering into like a phase where you don't know what

751
00:47:24.679 --> 00:47:26.519
<v Speaker 1>to buy, or you know, it's hard to keep up

752
00:47:26.559 --> 00:47:29.360
<v Speaker 1>with them, or some of the early titles are going

753
00:47:29.360 --> 00:47:32.320
<v Speaker 1>for these crazy prices on eBay, so the completionists get

754
00:47:32.320 --> 00:47:34.880
<v Speaker 1>frustrated and don't want to buy because they don't, you know,

755
00:47:35.199 --> 00:47:38.599
<v Speaker 1>they don't want to feel like they can't complete. I

756
00:47:38.599 --> 00:47:41.880
<v Speaker 1>get all that this is one you need to own.

757
00:47:42.239 --> 00:47:45.800
<v Speaker 1>I swear they call me Macho Woman is so good,

758
00:47:46.440 --> 00:47:49.679
<v Speaker 1>it's so funny. I don't know how there's only five

759
00:47:49.760 --> 00:47:53.320
<v Speaker 1>hundred and eleven views on Letterbox. First of all, this

760
00:47:53.400 --> 00:47:55.000
<v Speaker 1>must be one of those movies that just kind of

761
00:47:55.000 --> 00:47:58.760
<v Speaker 1>snuck under the radar. It is a produced by Trauma,

762
00:47:58.920 --> 00:48:03.639
<v Speaker 1>not made by Trauma, but it's distributed by Trauma. It

763
00:48:03.719 --> 00:48:06.639
<v Speaker 1>is a if you want to compare it, it's not

764
00:48:06.679 --> 00:48:09.039
<v Speaker 1>a perfect comparison, but if you're going to compare it

765
00:48:09.079 --> 00:48:12.079
<v Speaker 1>to a modern movie, it's sort of like a proto

766
00:48:12.239 --> 00:48:16.639
<v Speaker 1>You're Next, where you meet this woman and you don't

767
00:48:16.679 --> 00:48:19.880
<v Speaker 1>realize what she's capable of and as the film unfolds,

768
00:48:19.880 --> 00:48:22.559
<v Speaker 1>you just see her getting stronger and stronger and stronger

769
00:48:22.599 --> 00:48:26.360
<v Speaker 1>and smarter and more savvy and more handy and more

770
00:48:26.480 --> 00:48:29.320
<v Speaker 1>you know, better ingenuity. And it's just crazy the stuff

771
00:48:29.360 --> 00:48:31.760
<v Speaker 1>that she's doing. By the end of the film, you know,

772
00:48:31.800 --> 00:48:34.960
<v Speaker 1>she's like this stone cold killer. And she starts off

773
00:48:35.000 --> 00:48:39.440
<v Speaker 1>as this meek, meek but there's this traditional kind of

774
00:48:39.440 --> 00:48:45.239
<v Speaker 1>suburban you know, housewife or girlfriend, whatever it would be

775
00:48:46.199 --> 00:48:49.159
<v Speaker 1>other than your next The other comparison for this would

776
00:48:49.239 --> 00:48:53.920
<v Speaker 1>probably be something like a rape revenge movie, although there's

777
00:48:54.000 --> 00:48:58.760
<v Speaker 1>no actual rape in the movie, so you don't have

778
00:48:58.840 --> 00:49:01.480
<v Speaker 1>to sit through that to get to the revenge part.

779
00:49:01.920 --> 00:49:04.800
<v Speaker 1>It's like, as they start to attack her, she uses

780
00:49:04.840 --> 00:49:08.000
<v Speaker 1>her sexuality to entice them in to then destroy them,

781
00:49:08.679 --> 00:49:11.679
<v Speaker 1>so it happens in kind of rapid fire. She's somebody

782
00:49:11.719 --> 00:49:16.559
<v Speaker 1>you don't want to mess with. It's the villains in

783
00:49:16.559 --> 00:49:20.880
<v Speaker 1>this movie are what make it really fun. And I

784
00:49:20.880 --> 00:49:23.000
<v Speaker 1>guess I've said this three times now, this is a

785
00:49:23.039 --> 00:49:26.639
<v Speaker 1>fantastic movie. In a crowd, at a live event, at

786
00:49:26.679 --> 00:49:30.400
<v Speaker 1>a party, it's a great time. Like there's this wonderful

787
00:49:30.440 --> 00:49:34.599
<v Speaker 1>training montage where she's in this shed like sharpening her

788
00:49:34.639 --> 00:49:37.719
<v Speaker 1>tools because she's about to go back. Even though she's

789
00:49:38.199 --> 00:49:42.199
<v Speaker 1>you know free or can escape, she's about to go

790
00:49:42.360 --> 00:49:45.480
<v Speaker 1>back to the people that tried to hurt her and

791
00:49:46.079 --> 00:49:49.960
<v Speaker 1>get her revenge on them. And this whole montage around

792
00:49:49.960 --> 00:49:53.760
<v Speaker 1>getting all of her weapons ready is just beautiful film making.

793
00:49:54.119 --> 00:49:57.400
<v Speaker 1>It's fantastic. It's the way she sharpens the weapons, the

794
00:49:57.400 --> 00:50:00.639
<v Speaker 1>way she creates them, thinks about it like kind of

795
00:50:01.199 --> 00:50:03.599
<v Speaker 1>you know, utility belt that she builds to hold them

796
00:50:03.599 --> 00:50:06.679
<v Speaker 1>all in, and just the whole thing is wonderful. And

797
00:50:06.719 --> 00:50:09.280
<v Speaker 1>then the final kind of act of the movie is

798
00:50:09.280 --> 00:50:12.760
<v Speaker 1>her using all these weapons and sitting traps and just

799
00:50:12.840 --> 00:50:16.960
<v Speaker 1>becoming this like expert assass and just off of her wits.

800
00:50:17.519 --> 00:50:21.400
<v Speaker 1>It's fantastic. They call me Macho woman is It's the

801
00:50:21.440 --> 00:50:25.719
<v Speaker 1>most fun I've had in you know, vs archive has

802
00:50:26.360 --> 00:50:29.760
<v Speaker 1>Action USA, which is the movie that got me into

803
00:50:29.840 --> 00:50:35.920
<v Speaker 1>VSA a couple of years back. So I think it's

804
00:50:36.400 --> 00:50:38.559
<v Speaker 1>I don't know if it's as good as that. It's

805
00:50:38.599 --> 00:50:41.440
<v Speaker 1>one of my favorite movies of all time, but it's

806
00:50:41.480 --> 00:50:44.079
<v Speaker 1>in that same vein as Action USA. It's just a

807
00:50:44.119 --> 00:50:46.840
<v Speaker 1>movie that has no business being as good and as

808
00:50:46.880 --> 00:50:49.440
<v Speaker 1>fun as it is. And this is right up there

809
00:50:49.480 --> 00:50:52.159
<v Speaker 1>for me, which I don't know if you haven't seen

810
00:50:52.239 --> 00:50:54.159
<v Speaker 1>Action USA. That may sound like a joke or like

811
00:50:54.199 --> 00:50:56.679
<v Speaker 1>I'm being sarcastic or something, but that's about the highest

812
00:50:56.679 --> 00:51:00.800
<v Speaker 1>compliment I can give an action movie. I don't know

813
00:51:00.800 --> 00:51:03.440
<v Speaker 1>how else to heap love on a movie other than

814
00:51:03.480 --> 00:51:06.360
<v Speaker 1>to say it's it's in the ballpark of Action USA.

815
00:51:06.679 --> 00:51:11.039
<v Speaker 1>Just in terms of the creativity and the madness that

816
00:51:11.119 --> 00:51:14.480
<v Speaker 1>goes into the writing and the making of this movie.

817
00:51:15.320 --> 00:51:18.119
<v Speaker 1>It's pretty NonStop action. It doesn't really take a lot

818
00:51:18.159 --> 00:51:22.199
<v Speaker 1>of breaks. It's just super fun. And I wish that

819
00:51:22.360 --> 00:51:26.880
<v Speaker 1>Patrick donahue made a bunch of more movies. He only

820
00:51:26.920 --> 00:51:30.480
<v Speaker 1>has a few credits to his name. Probably the most

821
00:51:30.519 --> 00:51:32.679
<v Speaker 1>famous one outside of this would be a movie called

822
00:51:32.760 --> 00:51:35.920
<v Speaker 1>Kill Squad. So hopefully some of you all have seen that.

823
00:51:36.519 --> 00:51:38.679
<v Speaker 1>I can't wait. I've heard about it for years. I

824
00:51:39.239 --> 00:51:41.320
<v Speaker 1>haven't seen it, but I'm definitely gonna go check it

825
00:51:41.360 --> 00:51:44.599
<v Speaker 1>out because Patrick got Donna, Who's somebody that I wish

826
00:51:44.679 --> 00:51:49.199
<v Speaker 1>he was just still making movies. The other thing about Oh,

827
00:51:49.280 --> 00:51:52.440
<v Speaker 1>I should say they kill me or they call me

828
00:51:52.519 --> 00:51:54.880
<v Speaker 1>mach a woman. Seems like it's sold around two thousand

829
00:51:54.960 --> 00:51:59.000
<v Speaker 1>copies ish in that range. It's just it's a shame.

830
00:51:59.280 --> 00:52:03.719
<v Speaker 1>This movie needs to sell ten thousand copies and it

831
00:52:03.719 --> 00:52:06.519
<v Speaker 1>needs to be on everybody's shelf. It's that good. I

832
00:52:06.559 --> 00:52:08.480
<v Speaker 1>can't wait for it to get recommended. You're hearing it

833
00:52:08.519 --> 00:52:10.840
<v Speaker 1>here first. I just can't wait for more people to

834
00:52:10.840 --> 00:52:13.239
<v Speaker 1>see this and start recommending it around. I hope it

835
00:52:13.280 --> 00:52:15.960
<v Speaker 1>gets a huge cult following, and I hope everybody involved

836
00:52:15.960 --> 00:52:18.960
<v Speaker 1>has a long career at conferences talking about how much

837
00:52:18.960 --> 00:52:24.320
<v Speaker 1>fun they had making it all right. As about the

838
00:52:24.360 --> 00:52:27.199
<v Speaker 1>opposite of the spectrum as you can possibly get from

839
00:52:27.239 --> 00:52:30.320
<v Speaker 1>they call me macho woman. Let's talk about VS Labs.

840
00:52:30.800 --> 00:52:33.360
<v Speaker 1>So VS Labs is a fascinating sub label for me.

841
00:52:34.719 --> 00:52:38.000
<v Speaker 1>They have, you know, the sci fi box that they

842
00:52:38.039 --> 00:52:42.760
<v Speaker 1>put out of Peter Schalkin Movies is possibly my release

843
00:52:42.800 --> 00:52:47.320
<v Speaker 1>of the year it came out. I love those movies.

844
00:52:48.199 --> 00:52:50.280
<v Speaker 1>Obviously Radiance you know, put them out at the same

845
00:52:50.320 --> 00:52:52.320
<v Speaker 1>time or whether it's like a split release or whatever.

846
00:52:52.360 --> 00:52:55.800
<v Speaker 1>But the VS release was fantastic for them. As always,

847
00:52:57.360 --> 00:53:01.320
<v Speaker 1>the Labs line I think has just it's fast, like

848
00:53:01.360 --> 00:53:03.800
<v Speaker 1>the difference. It's truly it feels like a lapse, like

849
00:53:03.800 --> 00:53:06.960
<v Speaker 1>it really lives into the name. And this movie is

850
00:53:07.000 --> 00:53:10.559
<v Speaker 1>another great example of truly living into the name because

851
00:53:11.320 --> 00:53:17.800
<v Speaker 1>it's a nineteen eighty nine movie made for Polish TV,

852
00:53:18.320 --> 00:53:21.840
<v Speaker 1>so right around then in Polish television, it's kind of

853
00:53:21.880 --> 00:53:24.159
<v Speaker 1>like a golden era, right That's when you have the

854
00:53:24.159 --> 00:53:27.880
<v Speaker 1>decalogue that came out right around the same time, and

855
00:53:28.400 --> 00:53:33.880
<v Speaker 1>then you have this movie by Risad Bugaiski and these apologies.

856
00:53:33.960 --> 00:53:40.599
<v Speaker 1>Polish names are always tricky for me, but Interrogation is

857
00:53:45.280 --> 00:53:49.719
<v Speaker 1>if anybody has seen Tom tick Vers Heaven, it reminds

858
00:53:49.719 --> 00:53:55.280
<v Speaker 1>me a little bit of that's It also has some parallels,

859
00:53:55.320 --> 00:53:58.360
<v Speaker 1>although this is going to be an odd comparison talking

860
00:53:58.360 --> 00:54:00.760
<v Speaker 1>about Polish people coming up out of the war, but

861
00:54:01.280 --> 00:54:03.599
<v Speaker 1>it has a little bit of comparisons to a Nazis

862
00:54:03.639 --> 00:54:08.079
<v Speaker 1>politation movie. There's no Nazis in this movie, but there

863
00:54:08.199 --> 00:54:11.039
<v Speaker 1>is a kind of secret police and there is this

864
00:54:11.159 --> 00:54:15.960
<v Speaker 1>kind of control. The world of Interrogation is a world

865
00:54:16.000 --> 00:54:19.840
<v Speaker 1>where police can bring people in and hold them for

866
00:54:19.920 --> 00:54:22.519
<v Speaker 1>no reason and interrogate them if they think there's a crime,

867
00:54:22.519 --> 00:54:24.880
<v Speaker 1>if they think they're involved, they can hold them and

868
00:54:24.920 --> 00:54:27.440
<v Speaker 1>torture them and do whatever they want to. So it's

869
00:54:27.480 --> 00:54:32.239
<v Speaker 1>about the story of a woman who's brought in and

870
00:54:33.400 --> 00:54:38.159
<v Speaker 1>you know, interrogated, and it's a very strict police regime.

871
00:54:38.320 --> 00:54:42.880
<v Speaker 1>They have no respect for these Polish prisoners that they

872
00:54:43.000 --> 00:54:45.119
<v Speaker 1>view them a lot of them. They view them as

873
00:54:45.360 --> 00:54:49.360
<v Speaker 1>conspirators or specifically communists. Is kind of like the bad

874
00:54:49.400 --> 00:54:53.800
<v Speaker 1>word of the time. And so they're in there trying

875
00:54:53.840 --> 00:54:57.159
<v Speaker 1>to get information for them to break up the communist

876
00:54:57.239 --> 00:54:59.960
<v Speaker 1>you know, rebels I guess in the area at that time,

877
00:55:01.159 --> 00:55:05.719
<v Speaker 1>and a love story kind of develops. It's complicated, right,

878
00:55:06.199 --> 00:55:09.280
<v Speaker 1>but there's a love story that develops between the prisoner

879
00:55:09.320 --> 00:55:12.480
<v Speaker 1>and one of the guards. I don't want to give

880
00:55:12.519 --> 00:55:14.559
<v Speaker 1>away too much, but the way that it plays out,

881
00:55:14.599 --> 00:55:16.800
<v Speaker 1>you know, it has its own twists, and it has

882
00:55:16.880 --> 00:55:21.039
<v Speaker 1>its own kind of angles there. This is for sure,

883
00:55:22.320 --> 00:55:26.280
<v Speaker 1>you know, an art house movie. It's for sure a

884
00:55:26.360 --> 00:55:32.599
<v Speaker 1>more serious festival film. It would be interesting to see

885
00:55:32.639 --> 00:55:35.599
<v Speaker 1>what happens if this one sells like hotcakes for them.

886
00:55:35.639 --> 00:55:38.920
<v Speaker 1>I think as of the time I'm looking at this,

887
00:55:39.119 --> 00:55:41.480
<v Speaker 1>it's not exactly been as hot as a seller as

888
00:55:41.480 --> 00:55:45.599
<v Speaker 1>some other titles. I don't know, you know, maybe this

889
00:55:45.679 --> 00:55:47.719
<v Speaker 1>is exactly what labs is for, is to kind of

890
00:55:48.119 --> 00:55:50.400
<v Speaker 1>figure out which ones are going to sell more and less.

891
00:55:51.159 --> 00:55:55.239
<v Speaker 1>It'd be really interesting to see if if Yes starts

892
00:55:55.280 --> 00:55:59.480
<v Speaker 1>to dig into Polish movies. Obviously those wells are pretty deep.

893
00:56:00.800 --> 00:56:04.119
<v Speaker 1>There's a lot of fantastic directors and filmmakers that have

894
00:56:04.239 --> 00:56:07.079
<v Speaker 1>still not been released even though they've been mined for

895
00:56:07.679 --> 00:56:12.800
<v Speaker 1>films for years, and so I think, similar to Italy, Sweden, France,

896
00:56:12.960 --> 00:56:14.679
<v Speaker 1>you know, this is one of those countries that has

897
00:56:14.719 --> 00:56:18.840
<v Speaker 1>a pretty rich film history and a lot to pull from.

898
00:56:19.239 --> 00:56:22.199
<v Speaker 1>So if this one does sell well, I'm assuming there

899
00:56:22.280 --> 00:56:26.840
<v Speaker 1>might be more. Honestly, even if it doesn't sell well,

900
00:56:27.239 --> 00:56:32.000
<v Speaker 1>justin whoever's listening for the vs Labs line, please put

901
00:56:32.000 --> 00:56:34.960
<v Speaker 1>out more Polish films. For the most part, there there's

902
00:56:34.960 --> 00:56:38.559
<v Speaker 1>always something interesting, you know. This one I think suffers

903
00:56:38.599 --> 00:56:41.079
<v Speaker 1>a little bit in my mind of being a little

904
00:56:41.079 --> 00:56:45.800
<v Speaker 1>bit melodramatic at times. I think it's not very subtle

905
00:56:45.920 --> 00:56:48.320
<v Speaker 1>in what it's saying and the way the writing is

906
00:56:48.360 --> 00:56:51.639
<v Speaker 1>done and the way the characters are written. It's certainly

907
00:56:51.679 --> 00:56:56.400
<v Speaker 1>I think lacks a bit of subtlety, but it's very

908
00:56:56.440 --> 00:57:01.400
<v Speaker 1>engrossing the way the story plays out is and I

909
00:57:01.440 --> 00:57:07.199
<v Speaker 1>had a great time with this one. It's somewhat well

910
00:57:07.280 --> 00:57:09.599
<v Speaker 1>seen on letter box, not great. It has thirty two

911
00:57:09.679 --> 00:57:15.199
<v Speaker 1>hundred views, so it's somewhat known. The special features on

912
00:57:15.239 --> 00:57:17.760
<v Speaker 1>this are a little bit light, although there's a really

913
00:57:17.800 --> 00:57:23.320
<v Speaker 1>good one. So they have a forty eight minute documentary

914
00:57:23.400 --> 00:57:28.280
<v Speaker 1>with one of the people that's interviewed for that is

915
00:57:28.440 --> 00:57:31.280
<v Speaker 1>agnieko Holland, who she's just been in some of the

916
00:57:31.320 --> 00:57:36.239
<v Speaker 1>best sort of Polish films ever, and so it's really

917
00:57:36.280 --> 00:57:38.440
<v Speaker 1>cool to hear her talk about it, as well as

918
00:57:38.480 --> 00:57:43.639
<v Speaker 1>director Bogeyski's widow. So it's some archival footage that they

919
00:57:43.639 --> 00:57:46.400
<v Speaker 1>found of her talking about it, and then there's an

920
00:57:46.719 --> 00:57:51.000
<v Speaker 1>essay and booklet written by a Polish historian, so it

921
00:57:51.039 --> 00:57:53.719
<v Speaker 1>creates some nice context around what was happening and what

922
00:57:53.840 --> 00:57:57.559
<v Speaker 1>was going on why this film is important. So yeah,

923
00:57:57.679 --> 00:58:03.159
<v Speaker 1>I mean this is a nineteen It shows nineteen eighty

924
00:58:03.159 --> 00:58:10.719
<v Speaker 1>two when it was made. It was released many different

925
00:58:10.800 --> 00:58:13.719
<v Speaker 1>years all the way up until nineteen eighty nine. So

926
00:58:13.800 --> 00:58:15.400
<v Speaker 1>this is one of those movies that has a you know,

927
00:58:15.760 --> 00:58:22.519
<v Speaker 1>like a complex release history. It was yeah, I don't know.

928
00:58:22.920 --> 00:58:25.039
<v Speaker 1>I mean, it was nominated for a Palm d Or

929
00:58:25.079 --> 00:58:27.360
<v Speaker 1>when it came out in nineteen ninety right, So look,

930
00:58:27.400 --> 00:58:30.880
<v Speaker 1>I mean it's it's a film that has a lot

931
00:58:30.920 --> 00:58:34.920
<v Speaker 1>of critical success behind it, and I think there's elements

932
00:58:34.920 --> 00:58:37.920
<v Speaker 1>of it that I liked a lot, and I'm a

933
00:58:37.920 --> 00:58:44.079
<v Speaker 1>sucker for Polish cinema, so I'm pro on this one. Yeah,

934
00:58:44.159 --> 00:58:46.800
<v Speaker 1>I'm just I'm fascinated every time VSL has a new

935
00:58:47.239 --> 00:58:49.519
<v Speaker 1>release because it's all over the place. It's like, you know,

936
00:58:49.800 --> 00:58:54.239
<v Speaker 1>a western sort of comedy, Western or I said, Polish

937
00:58:54.280 --> 00:58:57.880
<v Speaker 1>sci fi. Now this one. But while we're on the

938
00:58:57.880 --> 00:59:02.199
<v Speaker 1>topic of interrogation, if you haven't seen Tom Tickfers Heaven,

939
00:59:03.199 --> 00:59:06.639
<v Speaker 1>it's something I've been meaning to revisit. I remember loving it.

940
00:59:06.760 --> 00:59:09.559
<v Speaker 1>I saw it in theaters. Actually I don't even know

941
00:59:09.639 --> 00:59:13.039
<v Speaker 1>twenty years ago, now, twenty two years ago, whatever, but

942
00:59:13.360 --> 00:59:15.880
<v Speaker 1>I remember loving it and I still vividly remember the

943
00:59:15.960 --> 00:59:18.159
<v Speaker 1>ending and sort of some of the way this story

944
00:59:18.159 --> 00:59:21.079
<v Speaker 1>plays out. So I do want to go see it.

945
00:59:21.599 --> 00:59:23.119
<v Speaker 1>After seeing this kind of made me want to go

946
00:59:23.199 --> 00:59:26.239
<v Speaker 1>back and revisit that. If anybody's seen Heaven recently, please

947
00:59:26.239 --> 00:59:28.679
<v Speaker 1>talk to me. I'd love to hear if it still

948
00:59:28.719 --> 00:59:34.400
<v Speaker 1>holds up, and y'all, we have done it. Last one

949
00:59:35.000 --> 00:59:39.559
<v Speaker 1>Vinegar Syndrome Pictures VS. Pictures. This is released number seven.

950
00:59:40.280 --> 00:59:44.840
<v Speaker 1>It's eight eyes. It's directed by Austin Jennings. If y'all

951
00:59:44.880 --> 00:59:48.480
<v Speaker 1>know the name. It's I believe his first feature of

952
00:59:48.480 --> 00:59:52.480
<v Speaker 1>film or second. But he has done over eighty episodes

953
00:59:52.480 --> 00:59:55.119
<v Speaker 1>of The Last Drive In with Joe Bob Briggs, so

954
00:59:55.159 --> 00:59:57.679
<v Speaker 1>he's you know, he has a lot of connections in

955
00:59:57.719 --> 01:00:00.320
<v Speaker 1>the industry. This is a horror film that he he

956
01:00:00.559 --> 01:00:04.039
<v Speaker 1>has made. It was released last year twenty twenty three,

957
01:00:04.159 --> 01:00:05.960
<v Speaker 1>played at a bunch of horror festivals, got a lot

958
01:00:05.960 --> 01:00:10.159
<v Speaker 1>of attention. Lead actresses Emily Sweet, who obviously is kind

959
01:00:10.199 --> 01:00:14.639
<v Speaker 1>of becoming a scream queen in her own right, been

960
01:00:14.679 --> 01:00:18.039
<v Speaker 1>in quite a few horror movies. Before I get into

961
01:00:18.039 --> 01:00:20.320
<v Speaker 1>the movie itself, just a little bit of background. It

962
01:00:20.320 --> 01:00:23.639
<v Speaker 1>has about eleven hundred views on letterbocks. I imagine that's

963
01:00:23.679 --> 01:00:26.719
<v Speaker 1>gonna go up quite a bit as word gets out

964
01:00:26.719 --> 01:00:28.639
<v Speaker 1>around this. I'll get into that in just a second.

965
01:00:29.800 --> 01:00:31.559
<v Speaker 1>Has a lot of ties to just a lot of

966
01:00:31.559 --> 01:00:36.119
<v Speaker 1>things that I love in general. Obviously, the Joe Bob

967
01:00:36.159 --> 01:00:39.280
<v Speaker 1>Briggs is great. The producer of this is a guy

968
01:00:39.360 --> 01:00:43.000
<v Speaker 1>named well Vinegar Syndrome has a hand in the money

969
01:00:43.000 --> 01:00:47.639
<v Speaker 1>for this and producing it. One of the producers it

970
01:00:47.679 --> 01:00:50.079
<v Speaker 1>was really involved in the Serbia side of this movie

971
01:00:50.360 --> 01:00:52.440
<v Speaker 1>was a gentleman named Segar Dixon, who kind of has

972
01:00:52.480 --> 01:00:59.679
<v Speaker 1>a trauma background, and it has sold pretty well. It's

973
01:00:59.719 --> 01:01:03.760
<v Speaker 1>going pretty fast. There's just over a thousand copies left

974
01:01:04.039 --> 01:01:07.639
<v Speaker 1>of the time I'm recording this, but it's selling pretty fast.

975
01:01:07.679 --> 01:01:10.360
<v Speaker 1>I imagine it'll still be around in the sale, but

976
01:01:11.239 --> 01:01:15.079
<v Speaker 1>probably not that much longer than that. I think it'll

977
01:01:15.079 --> 01:01:17.960
<v Speaker 1>probably at least the limit, it will probably be gone.

978
01:01:18.000 --> 01:01:22.880
<v Speaker 1>It's selling pretty fast. So the basic premise here is

979
01:01:24.719 --> 01:01:30.280
<v Speaker 1>some kind of combination of like Texas Chainsaw Massacre with

980
01:01:31.320 --> 01:01:35.079
<v Speaker 1>you know, maybe like an Eli Roth movie, like Hostel,

981
01:01:35.360 --> 01:01:40.039
<v Speaker 1>something like that. Taurusts going to in this case at

982
01:01:40.079 --> 01:01:45.519
<v Speaker 1>Serbia and Macedonia meet a local turns out to be

983
01:01:46.400 --> 01:01:51.360
<v Speaker 1>the wrong person to hang out with. Terror ensues. Final

984
01:01:51.400 --> 01:01:54.440
<v Speaker 1>girl comes out and has to claw her way out

985
01:01:54.440 --> 01:02:03.000
<v Speaker 1>of a horrible, horrible, terror filled, horrific situation. This movie

986
01:02:03.119 --> 01:02:08.199
<v Speaker 1>has a lot of pretty gnarly imagery, and I think

987
01:02:08.360 --> 01:02:12.400
<v Speaker 1>one of the things is that I loved about it

988
01:02:12.440 --> 01:02:15.360
<v Speaker 1>is it's obvious that Austin Jennings and maybe Matthew Frank

989
01:02:15.920 --> 01:02:18.159
<v Speaker 1>the writer, I don't know who did it or if

990
01:02:18.159 --> 01:02:20.519
<v Speaker 1>this was living put from Viennager syndrome. I'm not sure,

991
01:02:21.119 --> 01:02:26.440
<v Speaker 1>but the actual horror scenes in this film are fantastic.

992
01:02:26.679 --> 01:02:31.440
<v Speaker 1>It's like, you know, art in the truest sense macabre

993
01:02:32.239 --> 01:02:36.320
<v Speaker 1>and you know, fucked up for sure, but definitely art.

994
01:02:36.679 --> 01:02:43.159
<v Speaker 1>They are filmed well designed well you immediately you don't

995
01:02:43.159 --> 01:02:46.199
<v Speaker 1>have to have any background though. The whole set design,

996
01:02:46.360 --> 01:02:51.760
<v Speaker 1>everything is just pure terror and the feeling of being trapped,

997
01:02:51.760 --> 01:02:55.840
<v Speaker 1>the feeling of being tortured. They capture it all falllessly.

998
01:02:56.159 --> 01:03:01.079
<v Speaker 1>That's all done very well. The main villain in this

999
01:03:02.000 --> 01:03:06.159
<v Speaker 1>the actor's name is Bruno. In the film, his name

1000
01:03:06.199 --> 01:03:10.719
<v Speaker 1>is Saint Peter. In real life his name is Bruno Velyanovsky.

1001
01:03:11.119 --> 01:03:15.239
<v Speaker 1>He's phenomenal. I think he does a really strong job

1002
01:03:15.280 --> 01:03:19.079
<v Speaker 1>in this. He has to play like a couple different tones,

1003
01:03:19.639 --> 01:03:22.239
<v Speaker 1>and he has to go back and forth between being charming,

1004
01:03:22.840 --> 01:03:26.960
<v Speaker 1>being kind of like serious, being funny, just being like

1005
01:03:27.000 --> 01:03:31.360
<v Speaker 1>a good pal, and then really deeply believing in the

1006
01:03:31.440 --> 01:03:34.559
<v Speaker 1>cause and why he's bringing people into this kind of

1007
01:03:34.599 --> 01:03:38.679
<v Speaker 1>den of torture as the movie goes on, and he

1008
01:03:38.719 --> 01:03:42.000
<v Speaker 1>plays it all believingly. I think he's a fantastic find

1009
01:03:42.599 --> 01:03:45.800
<v Speaker 1>as an actor. He does a really good job. And

1010
01:03:45.840 --> 01:03:50.119
<v Speaker 1>again the makeup and his makeup in particular really helps.

1011
01:03:50.159 --> 01:03:52.000
<v Speaker 1>But he pulls it off without it. I mean, he's

1012
01:03:52.039 --> 01:03:54.079
<v Speaker 1>just a great He seems like a really good actor,

1013
01:03:55.320 --> 01:03:57.960
<v Speaker 1>and he nails it. I hope he's in more horror movies.

1014
01:03:58.920 --> 01:04:04.960
<v Speaker 1>This is a gnurally nasty little number. There's no you know,

1015
01:04:05.360 --> 01:04:09.360
<v Speaker 1>there's a lot of tension early on, and certainly you

1016
01:04:09.480 --> 01:04:11.920
<v Speaker 1>get the vibe as they go deeper into Serbia and

1017
01:04:11.960 --> 01:04:15.360
<v Speaker 1>deeper into Macedonia that's something bad is about to happen.

1018
01:04:15.480 --> 01:04:20.000
<v Speaker 1>But then every time Saint Peter turns it around and

1019
01:04:20.039 --> 01:04:22.880
<v Speaker 1>he turns on his charm and he pulls them in

1020
01:04:22.960 --> 01:04:26.480
<v Speaker 1>further and pulls them in further until they find themselves

1021
01:04:26.480 --> 01:04:30.960
<v Speaker 1>in a situation they can't escape from. And you have

1022
01:04:31.039 --> 01:04:34.039
<v Speaker 1>to get that final girl energy from Emily sweet Who

1023
01:04:34.119 --> 01:04:37.280
<v Speaker 1>and to her credit, she's written well and she does

1024
01:04:37.280 --> 01:04:40.039
<v Speaker 1>a great job in this. She's a very strong female lead.

1025
01:04:40.440 --> 01:04:44.280
<v Speaker 1>Even early on in the movie, she's fighting I could

1026
01:04:44.280 --> 01:04:46.360
<v Speaker 1>get each step of the way of going deeper, and

1027
01:04:46.400 --> 01:04:49.960
<v Speaker 1>it's the husband who's kind of encouraging her to go

1028
01:04:50.000 --> 01:04:53.360
<v Speaker 1>along with this charming dude who's just having fun. And

1029
01:04:53.400 --> 01:04:55.719
<v Speaker 1>so the way that her character is written is very good.

1030
01:04:55.800 --> 01:05:00.199
<v Speaker 1>I think, you know, she's certainly the star and she's

1031
01:05:00.239 --> 01:05:03.639
<v Speaker 1>a believable star. This is a movie that probably doesn't

1032
01:05:03.639 --> 01:05:06.760
<v Speaker 1>need as many actors as it has, even I mean,

1033
01:05:06.800 --> 01:05:10.559
<v Speaker 1>this is a movie between Emily Sweet and Bruno Veglianovski.

1034
01:05:10.679 --> 01:05:15.199
<v Speaker 1>This is a standoff between two powerful actors, good and evil.

1035
01:05:15.239 --> 01:05:18.039
<v Speaker 1>However you want to think about that, I will say

1036
01:05:18.039 --> 01:05:22.559
<v Speaker 1>that Bruno's family when they do go into the family

1037
01:05:22.639 --> 01:05:25.599
<v Speaker 1>home and you see that and the terror really starts.

1038
01:05:25.639 --> 01:05:29.719
<v Speaker 1>Those characters are designed well. This is a This is

1039
01:05:29.719 --> 01:05:31.719
<v Speaker 1>a movie by somebody that's seen a lot of horror

1040
01:05:31.719 --> 01:05:34.320
<v Speaker 1>movies and has a good eye for what's scary and

1041
01:05:34.360 --> 01:05:37.239
<v Speaker 1>what's horrific. And I think they pull it off. It's

1042
01:05:37.239 --> 01:05:39.480
<v Speaker 1>a It's a really good movie and VSP has been

1043
01:05:39.519 --> 01:05:41.719
<v Speaker 1>a lot of fun to watch just as a sub

1044
01:05:41.800 --> 01:05:45.159
<v Speaker 1>label so far. I think this is release number seven,

1045
01:05:45.719 --> 01:05:48.119
<v Speaker 1>so it's crazy to think they've had a hand in

1046
01:05:48.199 --> 01:05:52.440
<v Speaker 1>producing seven movies already. But yeah, this is a really

1047
01:05:52.440 --> 01:05:55.800
<v Speaker 1>fun label to watch. I'm very curious to see kind

1048
01:05:55.800 --> 01:05:58.119
<v Speaker 1>of what they do. I mean, Riddle of Fire I

1049
01:05:58.119 --> 01:06:01.199
<v Speaker 1>believe was fully produced by them. But then you even

1050
01:06:01.239 --> 01:06:03.719
<v Speaker 1>go back into movies like Divinity from a few months ago,

1051
01:06:04.119 --> 01:06:08.480
<v Speaker 1>which is just unbelievably good and people have to watch

1052
01:06:09.000 --> 01:06:12.239
<v Speaker 1>Sick of Myself is so good. Scary of sixty first

1053
01:06:12.400 --> 01:06:15.679
<v Speaker 1>is way better than I thought. It would be. Really cool,

1054
01:06:15.679 --> 01:06:19.440
<v Speaker 1>little fun m I don't even know what the word

1055
01:06:19.519 --> 01:06:21.159
<v Speaker 1>is for that, like a horror movie kind of based

1056
01:06:21.199 --> 01:06:24.599
<v Speaker 1>on psychosis and very frenetic and chaotics, similar to Possession

1057
01:06:24.599 --> 01:06:27.599
<v Speaker 1>almost Obviously, New York Ninja is a fun story. If

1058
01:06:27.599 --> 01:06:30.800
<v Speaker 1>you haven't don't know that story. They Live By Film

1059
01:06:30.800 --> 01:06:34.320
<v Speaker 1>has an episode on it, and there's a million interviews

1060
01:06:34.360 --> 01:06:37.679
<v Speaker 1>that Curtis has done on New York Ninja, and then

1061
01:06:37.719 --> 01:06:39.599
<v Speaker 1>Censor is one of the first ones that they did.

1062
01:06:39.679 --> 01:06:42.440
<v Speaker 1>It was a really fun throwback kind of horror film

1063
01:06:42.800 --> 01:06:47.960
<v Speaker 1>with some really great kind of sploshy, kind of squishy

1064
01:06:48.079 --> 01:06:53.679
<v Speaker 1>kills and that are surprising. Yeah, we did it. So Okay.

1065
01:06:53.800 --> 01:06:57.400
<v Speaker 1>That is all of the Vinegar Syndrome mainline and sub

1066
01:06:57.480 --> 01:07:02.440
<v Speaker 1>label releases for July. I hope you got something out

1067
01:07:02.480 --> 01:07:05.960
<v Speaker 1>of that. Oh, I promised to go through the some

1068
01:07:06.000 --> 01:07:07.960
<v Speaker 1>of most of the end titles that I saw. Okay,

1069
01:07:07.960 --> 01:07:12.079
<v Speaker 1>I'm gonna do this very quickly because I did promise

1070
01:07:12.119 --> 01:07:15.679
<v Speaker 1>I was going to do it now.

1071
01:07:15.719 --> 01:07:17.760
<v Speaker 2>That is a photo of the creature in its natural state.

1072
01:07:18.679 --> 01:07:21.840
<v Speaker 2>It's blurring spearheading the search for the missing Alien is

1073
01:07:21.880 --> 01:07:22.920
<v Speaker 2>Colonel Evan Rosen.

1074
01:07:23.119 --> 01:07:25.440
<v Speaker 4>They will pick the creature apart a little by little

1075
01:07:25.599 --> 01:07:34.519
<v Speaker 4>bit by bit until we understand every little bit.

1076
01:07:44.159 --> 01:07:49.400
<v Speaker 1>Touch me and you'll pull back a stop. Today, I

1077
01:07:49.480 --> 01:07:52.400
<v Speaker 1>made it through five. I can't remember if I said

1078
01:07:52.440 --> 01:07:57.559
<v Speaker 1>four earlier. I made it through five. So we're gonna see.

1079
01:07:57.920 --> 01:08:03.159
<v Speaker 1>I'm gonna go alphabetical by name and just quickly just

1080
01:08:03.199 --> 01:08:06.519
<v Speaker 1>talk about him. Amanda in the Alien is the new

1081
01:08:06.559 --> 01:08:10.280
<v Speaker 1>AGFA release. Agva's up to fifty eight releases. That's insane,

1082
01:08:11.320 --> 01:08:15.079
<v Speaker 1>and they're still finding really cool pieces of culture. So

1083
01:08:15.239 --> 01:08:18.880
<v Speaker 1>Amanda in the Alien is a little bit like Starman

1084
01:08:19.680 --> 01:08:22.399
<v Speaker 1>if you've seen Starman from Carpenter, but if you can

1085
01:08:22.439 --> 01:08:26.640
<v Speaker 1>imagine it was made by somebody who loved clueless and

1086
01:08:26.720 --> 01:08:30.560
<v Speaker 1>maybe a little bit like Reality Bites. It's extremely nineties,

1087
01:08:30.880 --> 01:08:33.720
<v Speaker 1>but it's a really fun piece of kind of a

1088
01:08:33.760 --> 01:08:36.640
<v Speaker 1>time capsule of the nineties, with a story that's pretty

1089
01:08:36.640 --> 01:08:41.399
<v Speaker 1>similar to Starman and also ven a little bit like.

1090
01:08:41.439 --> 01:08:43.800
<v Speaker 1>It's about this alien that comes in and takes over

1091
01:08:43.880 --> 01:08:47.159
<v Speaker 1>bodies and has a sexual exploration and awakening and then

1092
01:08:47.199 --> 01:08:51.399
<v Speaker 1>learns to love and then yeah, I won't spoil the

1093
01:08:51.640 --> 01:08:54.359
<v Speaker 1>third act, but it's a fun one to watch for sure.

1094
01:08:55.439 --> 01:09:00.720
<v Speaker 1>Bleeding Skull put out Way Bad Stone. If there's any

1095
01:09:00.760 --> 01:09:04.680
<v Speaker 1>tabletop fans in this audience, this is a movie that

1096
01:09:04.880 --> 01:09:06.720
<v Speaker 1>is just absolutely a must own. I don't know how

1097
01:09:06.840 --> 01:09:10.199
<v Speaker 1>to say it. There will never be a more faithful

1098
01:09:10.520 --> 01:09:14.840
<v Speaker 1>Dungeons and Dragons adaptation, I guess you could say than this.

1099
01:09:15.439 --> 01:09:17.479
<v Speaker 1>I don't think it's I don't think they claim it's

1100
01:09:17.479 --> 01:09:22.680
<v Speaker 1>a Dungeons and Dragons adaptation, but if it's just it's

1101
01:09:23.439 --> 01:09:27.920
<v Speaker 1>basically people that were actually real Renaissance fair folks getting

1102
01:09:27.920 --> 01:09:32.319
<v Speaker 1>together with a filmmaker from Florida and creating like a journey,

1103
01:09:32.520 --> 01:09:35.399
<v Speaker 1>like a story from one of these tabletop games, and

1104
01:09:35.439 --> 01:09:38.479
<v Speaker 1>filming it with their friends. And there's some really cool

1105
01:09:38.520 --> 01:09:41.640
<v Speaker 1>costumes and set designs. Considering the whole budget with two

1106
01:09:41.680 --> 01:09:44.359
<v Speaker 1>thousand dollars, and from the quote from the director was

1107
01:09:44.359 --> 01:09:47.079
<v Speaker 1>a ninety percent went to feeding the fifty people that

1108
01:09:47.119 --> 01:09:50.920
<v Speaker 1>were working on the film. So Way Bad Stone from

1109
01:09:50.960 --> 01:09:54.399
<v Speaker 1>Bleeding Skull really cool. Find a great, great fun movie

1110
01:09:54.439 --> 01:09:58.479
<v Speaker 1>to watch. Go down. Death from Factory twenty five. As

1111
01:09:58.600 --> 01:10:01.119
<v Speaker 1>much as I talk about different labels here, I think

1112
01:10:01.119 --> 01:10:03.840
<v Speaker 1>this is the first Factory twenty five release that i've

1113
01:10:03.840 --> 01:10:06.279
<v Speaker 1>actually seen. I'm going to try to watch more. It's

1114
01:10:06.319 --> 01:10:12.439
<v Speaker 1>an interesting one. This is a definitely a modern art surrealist,

1115
01:10:12.760 --> 01:10:18.159
<v Speaker 1>nonlinear kind of work of art, more than more than

1116
01:10:18.199 --> 01:10:26.079
<v Speaker 1>a linear film. Very experimental. Yeah, I don't this is

1117
01:10:26.079 --> 01:10:30.199
<v Speaker 1>a this is something there's you know, when art label

1118
01:10:30.359 --> 01:10:33.359
<v Speaker 1>broke off of culture shock and art label was started.

1119
01:10:33.840 --> 01:10:36.680
<v Speaker 1>This has a similar vibe to what I think Warren

1120
01:10:36.800 --> 01:10:41.760
<v Speaker 1>was talking about trying to start with art label. This

1121
01:10:41.880 --> 01:10:45.800
<v Speaker 1>is just a yeah, it's a very experimental movie, and

1122
01:10:46.880 --> 01:10:48.319
<v Speaker 1>I wasn't quite in the mood for it. I'm going

1123
01:10:48.399 --> 01:10:50.640
<v Speaker 1>to watch it again so I can talk more openly

1124
01:10:50.720 --> 01:10:54.039
<v Speaker 1>about it and kind of give a more measured response.

1125
01:10:54.119 --> 01:10:56.720
<v Speaker 1>It cut me off guard and I struggled to follow it,

1126
01:10:56.760 --> 01:10:59.039
<v Speaker 1>but that's more on me than the film itself. I'm

1127
01:10:59.039 --> 01:11:01.399
<v Speaker 1>ready for it now. I don't ever read much on

1128
01:11:01.479 --> 01:11:03.039
<v Speaker 1>movies before I go in. I like to go and

1129
01:11:03.079 --> 01:11:06.359
<v Speaker 1>blind and let the movie kind of surprise me. But occasionally,

1130
01:11:06.399 --> 01:11:07.840
<v Speaker 1>for movies like this, it doesn't mean I need to

1131
01:11:07.840 --> 01:11:13.600
<v Speaker 1>see them twice. Claire Denny. Okay, so I have C Films,

1132
01:11:13.640 --> 01:11:17.439
<v Speaker 1>you know, as a relatively new partner label, and Bastards

1133
01:11:17.439 --> 01:11:21.560
<v Speaker 1>from Claire Denny is out and it's a masterpiece. I

1134
01:11:21.600 --> 01:11:23.119
<v Speaker 1>don't know what else to say about it. It's an

1135
01:11:23.199 --> 01:11:27.039
<v Speaker 1>art house masterpiece. And it's gonna continue to rise on

1136
01:11:28.039 --> 01:11:30.359
<v Speaker 1>cit and sound list. I'm sure. I'm sure it'll continue

1137
01:11:30.359 --> 01:11:33.479
<v Speaker 1>to rise on they shoot pictures. It's a it's a

1138
01:11:33.520 --> 01:11:39.119
<v Speaker 1>beautiful it's dark, it's very dark. It's very uncomfortable, and

1139
01:11:39.159 --> 01:11:42.640
<v Speaker 1>there are some scenes that are very horrific, as Claire

1140
01:11:42.680 --> 01:11:47.560
<v Speaker 1>Denny can do sometimes, but it's it's a fantastic movie.

1141
01:11:47.920 --> 01:11:55.840
<v Speaker 1>The basic premises there's a guy trying to find this

1142
01:11:55.840 --> 01:12:01.960
<v Speaker 1>this person who's sexually abusing kids. I guess I'm trying

1143
01:12:01.960 --> 01:12:03.680
<v Speaker 1>to think of what to say without spoiling too much.

1144
01:12:04.239 --> 01:12:08.479
<v Speaker 1>It's just I guess it's sort of like a ifnything Taken.

1145
01:12:09.119 --> 01:12:13.159
<v Speaker 1>The premise of Taken, I guess, but you remove a

1146
01:12:13.159 --> 01:12:15.560
<v Speaker 1>lot of the hollywoodness of it and you kind of

1147
01:12:15.600 --> 01:12:18.159
<v Speaker 1>strip it down to the idea of a chase to

1148
01:12:18.319 --> 01:12:22.800
<v Speaker 1>find to prove somebody's guilty of committing these horrific crimes

1149
01:12:22.840 --> 01:12:25.640
<v Speaker 1>and turn it into more of a French art house picture.

1150
01:12:26.079 --> 01:12:28.199
<v Speaker 1>That's kind of what Bastard is. But it's a masterpiece.

1151
01:12:28.199 --> 01:12:33.520
<v Speaker 1>It's really good. And then speaking of experimental Saturn's cores.

1152
01:12:33.520 --> 01:12:37.479
<v Speaker 1>I mentioned them earlier. Saturn's Core put out a double feature.

1153
01:12:37.640 --> 01:12:40.800
<v Speaker 1>I have not seen Kittie Killers, but I have seen

1154
01:12:40.840 --> 01:12:45.439
<v Speaker 1>Living a Zombie Dream and the movie's really good. Like

1155
01:12:46.319 --> 01:12:49.199
<v Speaker 1>it's another one of these ones, similar to maybe Cornshucker

1156
01:12:49.359 --> 01:12:51.880
<v Speaker 1>or some of these ones where it's an s OV film,

1157
01:12:52.359 --> 01:12:56.520
<v Speaker 1>but the way they construct the story is experimental and

1158
01:12:56.560 --> 01:13:00.920
<v Speaker 1>it makes it to where I'm watching it, I forget

1159
01:13:00.960 --> 01:13:03.640
<v Speaker 1>that it's a SOV and I'm just captivated in the

1160
01:13:03.640 --> 01:13:05.920
<v Speaker 1>way that they're editing and like the stories they make.

1161
01:13:05.960 --> 01:13:10.039
<v Speaker 1>This one is literally kind of looks asked the question

1162
01:13:10.079 --> 01:13:13.199
<v Speaker 1>of what would zombies dream about? But it does it

1163
01:13:13.239 --> 01:13:17.640
<v Speaker 1>in a very interesting way and extremely creative, and as always,

1164
01:13:17.640 --> 01:13:20.119
<v Speaker 1>it's chocked full of a ton of special features. So

1165
01:13:20.520 --> 01:13:23.560
<v Speaker 1>Living in Zombie Dream is a cool release from Saturns Court.

1166
01:13:23.840 --> 01:13:26.000
<v Speaker 1>And speaking of high numbers, they're up to thirty seven,

1167
01:13:26.359 --> 01:13:30.359
<v Speaker 1>So some of these partner labels from Ocean are getting

1168
01:13:30.399 --> 01:13:33.239
<v Speaker 1>up to becoming, you know, legitimate labels and to themselves.

1169
01:13:33.720 --> 01:13:35.840
<v Speaker 1>But I'm glad they're there. It's easy for me to

1170
01:13:36.000 --> 01:13:38.119
<v Speaker 1>kind of go in one place and buy them. Also,

1171
01:13:38.279 --> 01:13:40.880
<v Speaker 1>I hope they stick around for a while. I am

1172
01:13:41.039 --> 01:13:45.079
<v Speaker 1>on Instagram, I am on Reddit. I'll post the links

1173
01:13:45.079 --> 01:13:47.880
<v Speaker 1>in the episode. I would love to chat about this,

1174
01:13:48.039 --> 01:13:49.720
<v Speaker 1>like this is the fun thing I want to do.

1175
01:13:50.239 --> 01:13:52.720
<v Speaker 1>Like I said, I hope this is the only episode

1176
01:13:52.760 --> 01:13:57.439
<v Speaker 1>where I'm by myself. I'm trying to get guests for

1177
01:13:57.520 --> 01:13:59.680
<v Speaker 1>the next three or four episodes. We already have guest

1178
01:13:59.760 --> 01:14:02.239
<v Speaker 1>line up, so that we should be good. I'm going

1179
01:14:02.279 --> 01:14:04.439
<v Speaker 1>to try to keep that going as much as possible.

1180
01:14:04.920 --> 01:14:06.600
<v Speaker 1>Try to get people from VS and I try to

1181
01:14:06.640 --> 01:14:09.840
<v Speaker 1>get people from around the community as well. This is

1182
01:14:09.840 --> 01:14:12.960
<v Speaker 1>something that's important to me to not make mine, but

1183
01:14:13.159 --> 01:14:17.279
<v Speaker 1>to truly make the something for the community, right, So

1184
01:14:18.239 --> 01:14:20.920
<v Speaker 1>I hope we can do that. If you have anything

1185
01:14:20.960 --> 01:14:23.159
<v Speaker 1>on this that you don't like or you want to

1186
01:14:23.199 --> 01:14:29.039
<v Speaker 1>hear more about, just tell me. I'm wide open. And

1187
01:14:29.439 --> 01:14:31.640
<v Speaker 1>one of the things I do want to highlight there's

1188
01:14:31.680 --> 01:14:37.319
<v Speaker 1>a relatively new podcast coming out called the Trash Mechs

1189
01:14:37.319 --> 01:14:44.439
<v Speaker 1>Podcast by Armando, and episode one just came out and

1190
01:14:44.720 --> 01:14:46.800
<v Speaker 1>he's going to be a guest on here in October.

1191
01:14:47.319 --> 01:14:49.119
<v Speaker 1>If we can pull that off. I'm hoping that that

1192
01:14:49.199 --> 01:14:53.439
<v Speaker 1>works to get him on in October. But yeah, Armando

1193
01:14:53.560 --> 01:14:58.039
<v Speaker 1>is a super talented, knowledgeable person. Go check out the

1194
01:14:58.079 --> 01:15:05.199
<v Speaker 1>Trash mechs podcast and what else came up in this episode.

1195
01:15:05.520 --> 01:15:09.720
<v Speaker 1>Go check out aerosplus Massacre at Sam Degan's podcast. Go

1196
01:15:09.880 --> 01:15:14.399
<v Speaker 1>check out On Some Horrors. That's Eric Schultz's podcast. I mean,

1197
01:15:14.720 --> 01:15:17.000
<v Speaker 1>how can we possibly name all the great podcasts out there.

1198
01:15:17.000 --> 01:15:20.720
<v Speaker 1>Obviously we're on someone's favorite production. Go check out Disconnected.

1199
01:15:21.159 --> 01:15:23.000
<v Speaker 1>If you want to see live they live by film.

1200
01:15:23.119 --> 01:15:28.199
<v Speaker 1>We have other than the recent Fast and the Furious

1201
01:15:28.279 --> 01:15:30.600
<v Speaker 1>series that we just went through. If you go back

1202
01:15:30.640 --> 01:15:32.319
<v Speaker 1>through our history, we have a lot of interviews with

1203
01:15:32.399 --> 01:15:34.960
<v Speaker 1>the OCN labels and a lot of the different boutique

1204
01:15:35.000 --> 01:15:40.840
<v Speaker 1>labels really trying to be passionate about promoting this industry. Y'all.

1205
01:15:40.840 --> 01:15:43.159
<v Speaker 1>Thank you so much. I can't you know anybody who's

1206
01:15:43.199 --> 01:15:46.319
<v Speaker 1>listening this far. Thank you so much. I can't wait

1207
01:15:46.399 --> 01:15:53.199
<v Speaker 1>to do announcements on September first, right around September first,

1208
01:15:53.600 --> 01:15:55.800
<v Speaker 1>And what I'm gonna do is I'm going to pick

1209
01:15:55.800 --> 01:15:59.600
<v Speaker 1>a label to highlight, a partner label to highlight as well.

1210
01:16:00.319 --> 01:16:02.000
<v Speaker 1>I'm going to keep it as surprised, and I'm going

1211
01:16:02.039 --> 01:16:04.560
<v Speaker 1>to keep it a surprise because I don't have the

1212
01:16:04.560 --> 01:16:07.600
<v Speaker 1>guest finalized yet, but you know, we have time, so

1213
01:16:07.680 --> 01:16:09.760
<v Speaker 1>I'm going to get a guest finalized and try to

1214
01:16:09.760 --> 01:16:12.920
<v Speaker 1>bring in somebody from that label to talk about their

1215
01:16:12.960 --> 01:16:14.920
<v Speaker 1>films and and really go a little bit more in

1216
01:16:14.960 --> 01:16:18.960
<v Speaker 1>depth after announcements to spend time talking about their films.

1217
01:16:19.399 --> 01:16:22.239
<v Speaker 1>So it should be fun, should be I hope this

1218
01:16:22.279 --> 01:16:26.720
<v Speaker 1>is a good addition to the episode and give a

1219
01:16:26.880 --> 01:16:28.800
<v Speaker 1>chance to get to know some of the back you know,

1220
01:16:28.840 --> 01:16:31.279
<v Speaker 1>catalog titles a little better for some of these labels.

1221
01:16:32.640 --> 01:16:37.279
<v Speaker 1>Love you all again. You know on Instagram, I'm on Reddit.

1222
01:16:37.359 --> 01:16:40.319
<v Speaker 1>I'm not on Reddit under punk Vacation I'm on, so

1223
01:16:40.640 --> 01:16:43.359
<v Speaker 1>check the links to If you're on Reddit, come talk

1224
01:16:43.399 --> 01:16:46.840
<v Speaker 1>to me there. I try to write reviews. I average

1225
01:16:46.840 --> 01:16:49.800
<v Speaker 1>somewhere about three hundred reviews a year that I write

1226
01:16:49.880 --> 01:16:53.640
<v Speaker 1>on Reddit and also Letterbox. I'm obviously on there. But

1227
01:16:53.680 --> 01:16:56.000
<v Speaker 1>then you know, they live by film as a place

1228
01:16:56.039 --> 01:16:59.600
<v Speaker 1>you can find some more of the interviews we've done

1229
01:16:59.640 --> 01:17:03.000
<v Speaker 1>and some discussion we've done. Uh and then I can't

1230
01:17:03.000 --> 01:17:05.199
<v Speaker 1>wait to do a hundred of these, So all right,

1231
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<v Speaker 1>seell later.
