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<v Speaker 1>Hello everybody, and welcome to the season three finale of

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<v Speaker 1>Second Take Cinema, coming at you from the Glorious the

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<v Speaker 1>Swing in the Hip Hoppy in the Rockin' Im Parlor

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<v Speaker 1>Film's headquarters in sunny South End on Sea. I'm your host,

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<v Speaker 1>Jamie Evans, joined as always by Rory Jocelyn June. This

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<v Speaker 1>is Jazz and because it's the season finale, we are

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<v Speaker 1>bringing you a double feature episode. That's right, double bill baby,

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<v Speaker 1>as we talk about two different music based movies made

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<v Speaker 1>by very popular artists of their respective errors. Today we

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<v Speaker 1>are giving a second take to nineteen eighty eight's Moonwalker

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<v Speaker 1>and nineteen ninety seven's Spice World the movie. So starting

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<v Speaker 1>with Moonwalker, this is a nineteen eighty eight American experimental

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<v Speaker 1>anthology musical film. Now, I just want to put something

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<v Speaker 1>in quickly because I've never ever seen this before. As

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<v Speaker 1>you know, every time we cover a new film, I

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<v Speaker 1>start by reading a little summary off of Wikipedia, the

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<v Speaker 1>most you know, great source of information on the Internet,

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<v Speaker 1>very reliable. It's not like anyone can just edit it.

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<v Speaker 1>And I've never seen this before. It says verbatim. Moonwalker

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<v Speaker 1>is a nineteen eighty eight American experimental, open brackets, dubious, discuss,

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<v Speaker 1>close brackets, anthology, musical film. I mean, and that sums

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<v Speaker 1>this film up, doesn't it. I think? Is it experimental

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<v Speaker 1>genius and it's going over all of our heads? Or

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<v Speaker 1>is it just insane discuss? That's what we're going to

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<v Speaker 1>do in a minute, rather than featuring one continuous narrative.

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<v Speaker 1>This film is a collection of short films, many of

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<v Speaker 1>which are long form music videos from Michael Jackson's nineteen

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<v Speaker 1>eighty seven album Bad And of course the film is

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<v Speaker 1>named after The Moonwalk. It was directed by Jerry Crane,

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<v Speaker 1>Colin Chilvers, and Jim Blashfield. The screenplay for Smooth Criminal

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<v Speaker 1>was David Newman, based on a story by Michael Jackson himself.

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<v Speaker 1>The film was made for a budget of twenty two

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<v Speaker 1>million dollars and grossed sixty seven million dollars. It is

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<v Speaker 1>worth noticing, however, that the film ended up not getting

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<v Speaker 1>a theatrical release in America, because when I read that figure,

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<v Speaker 1>sixty seven million dollars, I thought, no, no, that should

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<v Speaker 1>be higher, like Michael Jackson, even if the film's bad,

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<v Speaker 1>Michael Jackson Bad, Yes, Michael Jackson in eight like this

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<v Speaker 1>should have made one hundred million at yeast, but it

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<v Speaker 1>turns out it basically didn't get Warner Brothers pulled the

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<v Speaker 1>American theatrical release. It was planned for a Christmas release.

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<v Speaker 2>Right, but they which would have fit to be fair

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<v Speaker 2>with some of the themes in it.

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<v Speaker 1>Yes, And it's funny that that's what they do with

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<v Speaker 1>musical films because guess when Spice World came out Boxing Day,

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<v Speaker 1>Boxing Day nineteen ninety seven. That doesn't look Christmas. See,

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<v Speaker 1>they should filmed it to look more like Chris. It's

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<v Speaker 1>just a music thing they did with music films. They

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<v Speaker 1>just go, hey, have it in December. I suppose maybe

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<v Speaker 1>you think people will be more forgiving of the quality.

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<v Speaker 2>I think so actually, because I think because it goes

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<v Speaker 2>with Panto season, so at least in the UK.

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<v Speaker 1>I don't know about America because I don't. Although they

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<v Speaker 1>didn't go theatrical release, it did incredibly well on VHS.

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<v Speaker 1>It remained number one on Billboard's Video chart for twenty

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<v Speaker 1>two weeks. It also spent fourteen weeks at number one

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<v Speaker 1>on the Video Cassette Sales chart NICE. In nineteen eighty nine,

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<v Speaker 1>moon Walker was honored with a certification of eight hundred

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<v Speaker 1>thousand copies sold by the Recording Industry Association of America

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<v Speaker 1>and was certified nine times platinum in the UK. Wow

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<v Speaker 1>They Leave Me Alone Music Video aired as a separate

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<v Speaker 1>entity and won a Grammy in nineteen ninety for Best

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<v Speaker 1>Music Video Short Form, which is the only Grammy Award

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<v Speaker 1>Jackson received for the album. Bad They Leave Me Alone

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<v Speaker 1>Music Video also won the CANS Golden Lion of for

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<v Speaker 1>Best Special Effects. Oh Wow. The film did receive mixed reviews, however,

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<v Speaker 1>with critics praising the music but complaining that there was

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<v Speaker 1>no plot and it seemed like a series of music

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<v Speaker 1>videos tied together. Variety reported that Moonwalker seems unsure of

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<v Speaker 1>what it's supposed to be. At the center of the

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<v Speaker 1>pick is the Smooth Criminal Segment, a musical slash dramatic

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<v Speaker 1>piece full of dancing, schmaltzy kids, sci fi effects, and

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<v Speaker 1>blazing machine guns, directed by Academy Award winner Colin Chilvers,

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<v Speaker 1>based on a story by Jackson. I looked up Colin Chilvers.

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<v Speaker 1>He actually worked on the Rocky horror picture show Superman,

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<v Speaker 1>The Christopher Reevewan and X Men Right, not as director

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<v Speaker 1>on all of those. To be fair, he was also

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<v Speaker 1>a special effects guy. So Moonwalker was added to the

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<v Speaker 1>list by your good self Rory. So do you want

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<v Speaker 1>to tell us about the first time you saw Moonwalker.

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<v Speaker 2>I would have seen this as a child. I do

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<v Speaker 2>not know exactly when, but I was born in eighty six,

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<v Speaker 2>so I was two years old when this came out.

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<v Speaker 2>I remember some very early memories of Michael Jackson. Not

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<v Speaker 2>to connect this too much as I would normally do

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<v Speaker 2>with EGMP, but a lot of my early memories of

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<v Speaker 2>Michael Jackson wasn't only the music videos that I saw

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<v Speaker 2>on TV when they got shown, because I didn't have cable,

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<v Speaker 2>so I didn't have MTV. But it wasn't just that.

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<v Speaker 2>It was also I remember pictures when I went to

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<v Speaker 2>Saga World. I went to Saga World once as a kid,

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<v Speaker 2>and they had a big photograph where Michael Jackson had

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<v Speaker 2>signed a Mega drive and stuff at Segaworld. Because that

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<v Speaker 2>in the early nineties, there was a huge cross connection

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<v Speaker 2>there between Michael Jackson and Saga, so there was this

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<v Speaker 2>huge sort of Michael Jackson was hugely in the zeitgeist.

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<v Speaker 2>I was aware of him. I'd seen the music videos,

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<v Speaker 2>and at some point I got to see this movie,

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<v Speaker 2>and I remember when I watched this movie as a

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<v Speaker 2>kid that there were bits that I really enjoyed, and

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<v Speaker 2>I also remember it being absolutely batshit, which I then

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<v Speaker 2>didn't watch it again from probably the early.

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<v Speaker 1>To mid nineties.

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<v Speaker 2>There would be a huge bit where I'd forget this

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<v Speaker 2>film existed. And then I got it on Blu Ray

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<v Speaker 2>about ten years ago, maybe a bit more, and I'll

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<v Speaker 2>tell you what this is the version that we watched.

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<v Speaker 2>It looks incredible on Blu Ray. Like the visual quality

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<v Speaker 2>of that is. If you're itching to watch Moonwalker, that

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<v Speaker 2>would be the way I would suggest to watch it,

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<v Speaker 2>because it looks so much better and the sound is great.

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<v Speaker 2>But watching it again, I was like, I remember this

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<v Speaker 2>being a little bit zany I'll watched.

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<v Speaker 1>And yeah, you could say that. I will give one

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<v Speaker 1>last thing.

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<v Speaker 2>About my perception of Moonwalker as a kid was I

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<v Speaker 2>remember the absolutely adoring the speed demon section where he

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<v Speaker 2>becomes a plastic scene rabbit and rides away on a motorcycle.

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<v Speaker 2>We'll get to that specifically for the motorcycle. Yeah, And

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<v Speaker 2>it was one of the early movies from my youth

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<v Speaker 2>that I watched and made me really love cruiser motorcycles.

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<v Speaker 2>That terminate two with Arno Schwarzenegger's big Cruiser motorcycle like

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<v Speaker 2>Big Harley. So I have some affection for this film.

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<v Speaker 2>It doesn't stop it being batshit, and I knew that

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<v Speaker 2>when I recommended it for this show.

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<v Speaker 1>I knew that.

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<v Speaker 2>I'll be honest JB a little bit. It was can

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<v Speaker 2>I break JBI with this film? Because I knew it

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<v Speaker 2>goes so off the rails. I wanted to see if.

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<v Speaker 1>You could follow along, right. So I was not familiar

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<v Speaker 1>with this movie. I knew it existed. I knew there

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<v Speaker 1>was a Michael Jackson Milwalker film, but I, believe it

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<v Speaker 1>or not, did not really know much about Michael Jackson

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<v Speaker 1>growing up. I know most people did well, because he

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<v Speaker 1>was a fucking megastar. You were born in ninety one,

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<v Speaker 1>so you were five years ninety ninety Okay, sorry, but yeah,

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<v Speaker 1>so you were born four years later than me, and

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<v Speaker 1>so by the time you would have had a memory

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<v Speaker 1>of Michael Jackson, you were looking at sort of ninety

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<v Speaker 1>five ninety six, So by that point he's star had

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<v Speaker 1>faded quite a bit. Yes, but you know what I mean,

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<v Speaker 1>Because of how big a story was, a lot of

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<v Speaker 1>people my age knew him still, yeah, because their parents

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<v Speaker 1>liked him, and my parents just didn't particularly like Michael Jackson,

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<v Speaker 1>so I never really got exposed to his music. They

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<v Speaker 1>liked Elvis Presley, so I wasn't super familiar with Michael Jackson. However,

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<v Speaker 1>I will just tell a very quick story about how

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<v Speaker 1>Michael Jackson has permeated pop culture so thoroughly. I years

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<v Speaker 1>and years later, I got hired when I first moved

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<v Speaker 1>to South End, I got hired to film on Michael

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<v Speaker 1>Jackson tribute concert. Right, So, me a couple of other

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<v Speaker 1>guys were paid a small amount of money. We have

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<v Speaker 1>three cameras and we just filmed this Michael Jackson performance.

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<v Speaker 1>And to be fair, I was surprised how many songs

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<v Speaker 1>I knew because I went in being like, okay, I

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<v Speaker 1>know Thriller, Billy Jean, and beat It. I didn't even

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<v Speaker 1>know bad. I was like, I know three songs, and

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<v Speaker 1>I actually almost every song he played I recognized, even

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<v Speaker 1>if I couldn't name it. I was like, oh, yeah,

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<v Speaker 1>I've heard this before. So this was my first time

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<v Speaker 1>seeing Moonwalker. I didn't know what to expect, except for

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<v Speaker 1>a handful of things you told me were cheers. You

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<v Speaker 1>had told me that Joe Peschi was in it. Yeah,

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<v Speaker 1>he's the only other celebrity in the film. Yeah, playing

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<v Speaker 1>mister Bige. Although he's actually got a name. He's Lideo

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<v Speaker 1>Frank Ldeo, which I noticed is a anagram of the

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<v Speaker 1>co producer's name. Oh really, Yeah, interesting, Joe Peshi is Ladeo.

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<v Speaker 1>The real life person is Delayo. Right, So I thought

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<v Speaker 1>that was a funny little thing. Yeah, so I'm going

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<v Speaker 1>to start. What makes it weird talking about this film

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<v Speaker 1>is it's not a movie if you're going to watch it.

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<v Speaker 1>I'm not saying this as a don't watch it. I'm

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<v Speaker 1>just saying this so people go in knowing what this is.

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<v Speaker 1>It is only a movie in the sense that it's

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<v Speaker 1>ninety minutes. It's not a movie in the sense of

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<v Speaker 1>it's actually a bunch of short films and music videos

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<v Speaker 1>that are put together. Now, there's still value, There is

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<v Speaker 1>still some value in it. I'm not saying there's no

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<v Speaker 1>value in it, especially given the impact Michael Jackson had,

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<v Speaker 1>the likes of which we probably will never see again. No,

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<v Speaker 1>so the film starts with just straight up concert footage

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<v Speaker 1>of Michael Jackson doing Man in the Mirror. Yes, it

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<v Speaker 1>is so yes, there is a good one. It is

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<v Speaker 1>a good one, to be fair. The songs in this

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<v Speaker 1>are all good except for one, which I'll get to

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<v Speaker 1>you later, this one and that I didn't like, but

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<v Speaker 1>we'll get to it probably. You then get a ten

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<v Speaker 1>minute long Greatest Hits compilation. Yes, that basically is the

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<v Speaker 1>complete history of Michael from the Jackson five to him

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<v Speaker 1>going solo, and it's mostly made up of music, video footage,

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<v Speaker 1>a couple of stills, some sound clips, randomly a photo

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<v Speaker 1>of him meeting President Reagan yep, which seems like a

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<v Speaker 1>choice in nineteen eighty eight. Well, actually, on those little

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<v Speaker 1>inserts I put here on mine, I said, it shows

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<v Speaker 1>an ego when has put footage of himself in his

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<v Speaker 1>Man on the Mirror performances alongside footage of Martin Luther King,

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<v Speaker 1>Junior GANDHI things like that, it's like, yes, me and

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<v Speaker 1>Martin Luther King. It's like, that's a bit of a trip, man, Like.

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<v Speaker 2>Don't get me wrong. In terms of social impact, probably

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<v Speaker 2>is equal value in that sense. But in terms of

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<v Speaker 2>the importance of the role you brought Martin Luther King

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<v Speaker 2>was to do with the face of the civil rights Luther, Yeah,

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<v Speaker 2>versus Hey, I make great songs.

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<v Speaker 1>Yeah, it's not. You are on a similar level in

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<v Speaker 1>terms of being known. You're not on a similar level

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<v Speaker 1>in terms of what you've brought. It's it's kind of different.

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<v Speaker 1>You said something there that will come back to later,

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<v Speaker 1>but it is one of the things I think it

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<v Speaker 1>is interesting to compare with these two films. Yes, is

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<v Speaker 1>this this film is made by Michael. Yes, he's self fondered. Yeah,

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<v Speaker 1>and it's very for better and for worse. It is

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<v Speaker 1>very of Michael, if I if I can say this

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<v Speaker 1>straight from the off, it is actually though the thing

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<v Speaker 1>for me that makes this the more interesting movie because

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<v Speaker 1>at the very least, while it's and I don't necessarily

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<v Speaker 1>think it's always in a good light for Michael, and

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<v Speaker 1>we'll get to those pieces, but because it is so

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<v Speaker 1>much Michael.

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<v Speaker 2>He wrote the base of it, he fully funded it. So,

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<v Speaker 2>like we said on VGMP with Uve Bowl, there's no

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<v Speaker 2>one to tell him no. He ends up with a

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<v Speaker 2>narrative he wants to display, but within that sometimes he

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<v Speaker 2>makes statements he doesn't mean to. He doesn't either intend

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<v Speaker 2>or doesn't understand he's accidentally making, which means that there

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<v Speaker 2>is something to discuss and look into whereas with the

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<v Speaker 2>next film we're going to discuss, it doesn't have that

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<v Speaker 2>element to it.

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<v Speaker 1>Now. I have noticed it takes a full twenty minutes

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<v Speaker 1>into this movie before we get any actual original footage

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<v Speaker 1>that's been shot for this movie.

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<v Speaker 2>Yes, before we get to that bit. But yes, that

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<v Speaker 2>is a very good point. I have also noted that

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<v Speaker 2>twenty minutes since we start to do some narrative. If

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<v Speaker 2>you are into MJ the intro twenty minutes is still

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<v Speaker 2>very good because it not only shows footage from the past,

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<v Speaker 2>but it strikes them from the best available sources. So

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<v Speaker 2>while Thriller doesn't look amazing necessarily, it is at least

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<v Speaker 2>struck from the film negative they used. There are some

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<v Speaker 2>bits that are struck from videotape or live TV transmissions

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<v Speaker 2>because there wasn't anything more available. And there is also

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<v Speaker 2>an animated android woman.

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<v Speaker 1>Bit, yes, which I liked. Yeah, I thought that was

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<v Speaker 1>really cool.

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<v Speaker 2>I don't know if that was made for this film,

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<v Speaker 2>because it is incredibly high quality, but I don't know

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<v Speaker 2>if it was made for the film, if it was

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<v Speaker 2>made for something else. And like like for one of

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<v Speaker 2>his other music videos, and he's just sort of planted

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<v Speaker 2>it in. That's kind of the difficulty of this is

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<v Speaker 2>you can't tell what's made for the movie and what's

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<v Speaker 2>not unless you already know where the music videos are from. Yeah,

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<v Speaker 2>but yeah, there are some where he does these animated inserts.

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<v Speaker 2>They are fantastic, Like the actual quality of them is

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<v Speaker 2>very good.

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<v Speaker 1>Then you get a parody of the bad music video

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<v Speaker 1>with children. I didn't get it. I didn't get it.

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<v Speaker 1>Like the kids are all great dancers, Like the kids

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<v Speaker 1>do a wonderful job. There is no slight to the kids.

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<v Speaker 1>But why not put the bad music video? But what

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<v Speaker 1>does it mean? Yeah?

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<v Speaker 2>Well, I can actually answer that as far as I'm

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<v Speaker 2>aware from what I've read before about this film. The

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<v Speaker 2>reason that that's done that way because realistically he should

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<v Speaker 2>have just put the bad music video in.

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<v Speaker 1>Yeah, because White transitions to next is him coming off of.

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<v Speaker 2>That set, Yeah, as an adult. But yeah, in the

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<v Speaker 2>he's also played by a kid who's also a kid

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<v Speaker 2>who appears later in the movie. So why is he

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<v Speaker 2>he becomes MJ at this point as if that's young MJ.

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<v Speaker 2>But then that kid appears later on seeing MJ in

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<v Speaker 2>another scene.

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<v Speaker 1>Just like It's one of those things that again, you're

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<v Speaker 1>just like, you just didn't fucking think any of this through.

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<v Speaker 1>But yeah, during that segment, the reason was MJ thought

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<v Speaker 1>it would be funny, and he genuinely loved that sequence.

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<v Speaker 1>He thought that the guy who plays the young MJ

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<v Speaker 1>doing the dancing was hilarious. Apparently he was cracking up

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<v Speaker 1>off camera all the time, which is fair enough.

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<v Speaker 2>If you enjoy it, Michael, that's great. It's one of

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<v Speaker 2>those things though, where I think a producer would have gone,

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<v Speaker 2>cool idea. But maybe because this is about MJ, we

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<v Speaker 2>should actually show the MJ video.

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<v Speaker 1>Yeah, if we're gonna do it, it's funny to you, Michael,

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<v Speaker 1>it's not funny to anybody.

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<v Speaker 2>Yeah, but again, where he's the guy bankrolling the whole thing,

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<v Speaker 2>he's also his own producer, and he's the guy right

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<v Speaker 2>in it. Who's going to tell Michael what to do

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<v Speaker 2>with his own money.

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<v Speaker 1>Oh, certainly not in nineteen eighty eight. No, so as

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<v Speaker 1>we said, this then transitions to Michael being an adult,

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<v Speaker 1>and this launches us into the next segment of the film,

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<v Speaker 1>which is called speed Demon. And this is the first

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<v Speaker 1>time we get to see Michael Jacks an act. YEP.

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<v Speaker 1>If you can call it that, and he is being

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<v Speaker 1>chased through a studio lot, yes, by caricatures of tourists. Yes,

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<v Speaker 1>as are made of claymation.

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00:17:11.160 --> 00:17:15.160
<v Speaker 2>Yes, we also get a couple of claymation caricatures of

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<v Speaker 2>Steven Spielberg and Lee van Cleif, Yes, who chased him

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<v Speaker 2>a horseback.

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<v Speaker 1>And I don't even turns into a dragon for some reason.

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<v Speaker 2>Yeah, he gets some angry turns into a dragon. The

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<v Speaker 2>other thing, as well is I don't think Lee van

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<v Speaker 2>Cleeff was alive at this point, so having Steven Spielberg

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<v Speaker 2>directing Levan Cleef in a western seems a bit out

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00:17:35.920 --> 00:17:38.119
<v Speaker 2>of place, like at least make it seem like a

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<v Speaker 2>believable shoot.

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<v Speaker 1>Yeah, I thought it was interesting because obviously this is

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<v Speaker 1>stop motion crossed with live action footage. Yes. And I

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00:17:45.799 --> 00:17:49.319
<v Speaker 1>also noticed a little trick they've used. I don't blame

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<v Speaker 1>them one bit because stop motion is incredibly time consuming, Yeah,

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<v Speaker 1>which also means it's incredibly expensive.

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<v Speaker 2>And they do it through it pretty much the entire

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<v Speaker 2>music videos, so actually fair play, they don't.

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<v Speaker 1>So they do a little trick I know, if you notice,

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<v Speaker 1>they do a little trick to get around some of it,

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00:18:06.680 --> 00:18:11.359
<v Speaker 1>which is whenever it's a person in the background who's

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<v Speaker 1>not really the focus. They're not actually stop motion animation.

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<v Speaker 1>It is a regular person where they've actually made latex

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<v Speaker 1>heads of the stop motion model. And it's just you

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<v Speaker 1>can always tell because the person's movement is obviously well,

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<v Speaker 1>they're acting smoother.

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<v Speaker 2>They're moving like a person, but the head doesn't move

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<v Speaker 2>and it's clearly unbalanced on their head, wobbling on their head.

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<v Speaker 2>I did what I like about this sequence. It's not

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00:18:37.640 --> 00:18:40.000
<v Speaker 2>a good sequence, let's put it that way in terms

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<v Speaker 2>of what it says. But that's kind of the bit

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<v Speaker 2>that I was saying about where this is all from

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<v Speaker 2>Michael's brain. This kind of feels like a slip up

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<v Speaker 2>that a producer would have caught and not had him make,

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<v Speaker 2>where it kind of fills it with the journalists, it

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<v Speaker 2>makes sense. There's bits of journalists, which there's a bit

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<v Speaker 2>that's really odd where you have like a line of

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<v Speaker 2>journalists in a row or walking in lockstep with.

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<v Speaker 1>Their cameras in front of their faces. That sort of

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<v Speaker 1>imagery is great. Yeah, the problem is is when he's

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<v Speaker 1>trying to run away from his fans and his fans

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00:19:09.160 --> 00:19:12.640
<v Speaker 1>are like, my god, they're turning into like grotesque monsters

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<v Speaker 1>almost because they are so obsessed and they're not girl

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00:19:16.880 --> 00:19:20.359
<v Speaker 1>sort of stuff. You're like, do you hate your fans?

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00:19:20.599 --> 00:19:23.599
<v Speaker 1>Like this kind of feels like I understand, like not

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<v Speaker 1>liking the obsession from fans, that's that I get and not.

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<v Speaker 1>But you could have done that same story and in

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<v Speaker 1>fact did with the journalists having the being the paparazzi

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<v Speaker 1>that have the obsession and not had the statement almost

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<v Speaker 1>about your fans. And I'm not sure that I don't

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<v Speaker 1>I doubt that Michael Jackson wanted to make a statement

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<v Speaker 1>about his fans. But this is the interesting bit.

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<v Speaker 2>Is he making a statement about his fans and now

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<v Speaker 2>you can have that discussion. Yeah, personally, I think he's

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00:19:51.480 --> 00:19:56.759
<v Speaker 2>accidentally let slip a little bit of frustration. Yeah, yeah,

351
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<v Speaker 2>I think he's accidentally saying more than he intended. But

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<v Speaker 2>it could just be an accident, and he was just like,

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<v Speaker 2>I love my fans, but you know, I just thought

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<v Speaker 2>it would be funny.

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<v Speaker 1>The part that's really weird in this section is he

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<v Speaker 1>goes and hides in a room, comes back out as

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<v Speaker 1>the rabbit Spike, yes, implying he has transformed into a rabbit. However,

358
00:20:13.880 --> 00:20:16.519
<v Speaker 1>when he then after we've had the chase sequence. He

359
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<v Speaker 1>then takes the rabbit costume off. You're like, oh, okay,

360
00:20:18.880 --> 00:20:21.079
<v Speaker 1>it was just Michael wearing a costume, but then the

361
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<v Speaker 1>costume comes to life. Yes, so so what was it.

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<v Speaker 1>Did he turn into a rabbit? Did he split into

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<v Speaker 1>two different people? Because right at the very end, the

364
00:20:30.000 --> 00:20:35.079
<v Speaker 1>rabbit becomes a mountain? Yeah, so does it really matter, Jamie, No,

365
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<v Speaker 1>this is my least favorite part in the film because

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<v Speaker 1>I also don't like the song speed Demon. It's the

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<v Speaker 1>only song in it that doesn't sound like a Michael

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<v Speaker 1>Jackson song to me. Oh, it's what I think of

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<v Speaker 1>with Michael Jackson weirdly. Oh really, Okay, that's interesting. Yeah,

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<v Speaker 1>I mean obviously different strokes for different folks and any

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<v Speaker 1>sort of music, but yeah, for me, it's kind of

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<v Speaker 1>the epitome. But it is.

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<v Speaker 2>What is kind of interesting with Speed Demon in terms

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<v Speaker 2>of album releases is it is on The Bad Album

375
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<v Speaker 2>in the UK, but it's not on The Bad Album

376
00:21:06.400 --> 00:21:10.680
<v Speaker 2>in America. Okay, so Speed Demon actually you could classify

377
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<v Speaker 2>as being part of one of like the Bad is

378
00:21:13.039 --> 00:21:18.000
<v Speaker 2>arguably his best ever album, and either depending on where

379
00:21:18.039 --> 00:21:20.400
<v Speaker 2>you live, it either is on that album or it

380
00:21:20.480 --> 00:21:23.480
<v Speaker 2>isn't right, and it's so very depending on territory.

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<v Speaker 1>But with this the one. So there's two things that

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<v Speaker 1>I something I don't understand in this is he comes

383
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<v Speaker 1>out as Spike, steals a bicycle to escape, and then

384
00:21:34.480 --> 00:21:37.759
<v Speaker 1>when he realizes he's gonna get away, he then turns around,

385
00:21:37.799 --> 00:21:40.079
<v Speaker 1>go whistles at the fucking crowd and goes it's me

386
00:21:40.279 --> 00:21:43.599
<v Speaker 1>basically and dancing. Oh, he's dressed as a rabbit. You're like,

387
00:21:44.079 --> 00:21:46.960
<v Speaker 1>so you're big a little more then, so Chase Mid

388
00:21:47.039 --> 00:21:51.119
<v Speaker 1>chase me. Oh, they're not chasing Chase Mid chasing Michael.

389
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<v Speaker 1>This doesn't make you look good. You're you're encouraging it

390
00:21:54.960 --> 00:21:58.640
<v Speaker 1>if nothing, But to be fair, that is kind of

391
00:21:58.680 --> 00:22:01.839
<v Speaker 1>the duality of celebrity, isn't it is they both love

392
00:22:01.880 --> 00:22:04.759
<v Speaker 1>the attention and come to resent it. Yeah, but again,

393
00:22:04.839 --> 00:22:06.799
<v Speaker 1>I don't think he's trying to make a statement on it.

394
00:22:06.839 --> 00:22:10.279
<v Speaker 1>He's just accidentally done so because there's no one checking

395
00:22:10.319 --> 00:22:12.359
<v Speaker 1>the work and going, Michael, you know how this looks?

396
00:22:12.599 --> 00:22:15.200
<v Speaker 1>I will say, like, as I say, speed Demon is

397
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<v Speaker 1>one of the reasons that I absolutely love the type

398
00:22:17.440 --> 00:22:20.759
<v Speaker 1>of motorbike that I now own. So that's another reason

399
00:22:20.880 --> 00:22:23.400
<v Speaker 1>I watched this as a kid this music video separately

400
00:22:23.440 --> 00:22:26.440
<v Speaker 1>and fucking adored it. What I will say about this bit, though,

401
00:22:27.000 --> 00:22:30.119
<v Speaker 1>is something else about this footage. Now, obviously there's stop motion,

402
00:22:30.359 --> 00:22:33.839
<v Speaker 1>but the backgrounds aren't stop motion. The backgrounds are live action.

403
00:22:33.680 --> 00:22:38.920
<v Speaker 2>Footage speeding through cities, sometimes with like a frame like

404
00:22:39.119 --> 00:22:43.240
<v Speaker 2>a like where they have a long exposure, that's it.

405
00:22:43.359 --> 00:22:45.599
<v Speaker 2>Sometimes with a long exposure so that you get like

406
00:22:45.720 --> 00:22:49.079
<v Speaker 2>streaks from the street lights as they pass. That footage

407
00:22:49.119 --> 00:22:53.559
<v Speaker 2>is gorgeous, and I really one thing that's really good

408
00:22:53.599 --> 00:22:55.839
<v Speaker 2>about this film is a cinematography, and this bit doesn't

409
00:22:56.799 --> 00:23:01.440
<v Speaker 2>doesn't let let you down either. We've lost being able

410
00:23:01.480 --> 00:23:03.839
<v Speaker 2>to shoot night shoots in streets for some reason in

411
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<v Speaker 2>modern cinema. I don't know why, and I'm not just

412
00:23:06.279 --> 00:23:08.920
<v Speaker 2>going with oh because it's all cgi even when we

413
00:23:09.000 --> 00:23:13.160
<v Speaker 2>do film in actual streets in actual night. But we

414
00:23:13.279 --> 00:23:16.400
<v Speaker 2>can't get street lights to look like this anymore, the

415
00:23:16.680 --> 00:23:18.400
<v Speaker 2>sort of the way you get the glare come off

416
00:23:18.400 --> 00:23:21.240
<v Speaker 2>from the lights, sort of bluish tint you get out

417
00:23:21.279 --> 00:23:21.880
<v Speaker 2>of the lighting.

418
00:23:22.000 --> 00:23:24.680
<v Speaker 1>We talked about this on our Terminator episode. They use

419
00:23:24.720 --> 00:23:28.480
<v Speaker 1>mercury light in the light. The light bulbs are physically

420
00:23:28.559 --> 00:23:31.319
<v Speaker 1>different now and they don't have the same, not even

421
00:23:31.359 --> 00:23:34.200
<v Speaker 1>just the mercury ones. They're at least in the UK.

422
00:23:34.319 --> 00:23:36.279
<v Speaker 1>I don't know about America, to be fair, in the

423
00:23:36.359 --> 00:23:38.920
<v Speaker 1>UK they're nearly all led now. But I get what

424
00:23:38.960 --> 00:23:41.680
<v Speaker 1>you mean. Yes, it's not the same. Stuff doesn't look

425
00:23:41.720 --> 00:23:45.960
<v Speaker 1>the same on film anymore. Everything looks workman like now

426
00:23:46.640 --> 00:23:49.480
<v Speaker 1>because they get in they and I get it. Budgets

427
00:23:49.519 --> 00:23:52.359
<v Speaker 1>are getting tighter and tighter because everything's becoming more expensive.

428
00:23:53.079 --> 00:23:56.920
<v Speaker 1>But it is most content. You see, Well, they're the

429
00:23:56.920 --> 00:24:00.440
<v Speaker 1>word content. It's viewed as content, not as art. So

430
00:24:00.480 --> 00:24:03.960
<v Speaker 1>it's getting do the basic angle, shoot the damn thing

431
00:24:04.400 --> 00:24:07.000
<v Speaker 1>and get out. Well, you say everything's getting more expensive,

432
00:24:07.079 --> 00:24:10.440
<v Speaker 1>but to a certain level. Does it have to be.

433
00:24:09.839 --> 00:24:12.920
<v Speaker 2>Because like, for example, yes, like the cost of people,

434
00:24:12.960 --> 00:24:15.160
<v Speaker 2>for example, is more expensive now than it was, and

435
00:24:15.200 --> 00:24:17.240
<v Speaker 2>that is, to be honest, the bulk of costs in

436
00:24:17.279 --> 00:24:23.519
<v Speaker 2>any production, however, the cost of actually filming something should

437
00:24:23.519 --> 00:24:27.039
<v Speaker 2>be way down in terms of the technical costs should

438
00:24:27.039 --> 00:24:27.359
<v Speaker 2>be But.

439
00:24:27.319 --> 00:24:30.960
<v Speaker 1>It's not because capitalism sucks. Yeah, well no, because everything's

440
00:24:31.000 --> 00:24:34.160
<v Speaker 1>going up because of inflation, isn't it raw materials and shit,

441
00:24:34.240 --> 00:24:36.799
<v Speaker 1>I get that, but the raw material isn't really a

442
00:24:36.799 --> 00:24:41.000
<v Speaker 1>big issue anymore in at least one particular way, in that,

443
00:24:42.000 --> 00:24:44.599
<v Speaker 1>despite what Tarantino might say about what's real film and

444
00:24:44.640 --> 00:24:47.720
<v Speaker 1>what's not, most films now don't need to be shot

445
00:24:47.759 --> 00:24:51.039
<v Speaker 1>on cinema film, So the cost of the reel is

446
00:24:51.039 --> 00:24:53.440
<v Speaker 1>obviously you've got only so much real and you've got

447
00:24:53.480 --> 00:24:55.079
<v Speaker 1>to you know, blahlah blah blah.

448
00:24:55.119 --> 00:24:56.880
<v Speaker 2>But with digital you don't really have that issue. It's

449
00:24:56.880 --> 00:25:00.440
<v Speaker 2>not a you don't run out of it. You you know,

450
00:25:00.480 --> 00:25:02.160
<v Speaker 2>you have to empty the cards and stuff, so you've

451
00:25:02.160 --> 00:25:04.599
<v Speaker 2>still got more time, but you don't run out of it.

452
00:25:04.599 --> 00:25:10.519
<v Speaker 2>It's not a disposable material. So theoretically you've got as

453
00:25:11.160 --> 00:25:14.680
<v Speaker 2>that that's a cost saving. But then I think the

454
00:25:14.720 --> 00:25:17.200
<v Speaker 2>other problem with that, of course, is half the time,

455
00:25:17.240 --> 00:25:19.960
<v Speaker 2>even if you've got a big budget studio, they lease everything,

456
00:25:20.000 --> 00:25:22.920
<v Speaker 2>don't they, rather than buy their own equipment. So actually

457
00:25:23.039 --> 00:25:25.279
<v Speaker 2>the cost saving they would have had is thrown out

458
00:25:25.279 --> 00:25:25.759
<v Speaker 2>the window.

459
00:25:27.480 --> 00:25:32.039
<v Speaker 1>That's the things films are almost designed to be as

460
00:25:32.119 --> 00:25:34.680
<v Speaker 1>expensive as possible. It is a little bit of a

461
00:25:34.759 --> 00:25:38.640
<v Speaker 1>money pit buy design so that they can then claim

462
00:25:38.640 --> 00:25:41.559
<v Speaker 1>films cost more to make than they actually do. Yeah,

463
00:25:41.680 --> 00:25:44.759
<v Speaker 1>A discourages little guys from getting into it, and b

464
00:25:44.960 --> 00:25:47.079
<v Speaker 1>it means they can fiddle the books on the back end.

465
00:25:47.200 --> 00:25:48.559
<v Speaker 1>Maybe it also gives it from me.

466
00:25:48.759 --> 00:25:50.680
<v Speaker 2>Maybe it also gives the studios a bit more power

467
00:25:50.680 --> 00:25:52.880
<v Speaker 2>because if they go right, well, you've got twenty million,

468
00:25:53.200 --> 00:25:54.480
<v Speaker 2>make a decent film out of that.

469
00:25:55.480 --> 00:25:56.799
<v Speaker 1>You might go right well, as.

470
00:25:56.680 --> 00:25:59.400
<v Speaker 2>The director, I want to stipulate I want this, this, this,

471
00:25:59.440 --> 00:26:01.440
<v Speaker 2>and this in it. If they go, well, we're spending

472
00:26:01.480 --> 00:26:03.839
<v Speaker 2>two hundred million on this film, so whatever you say

473
00:26:03.839 --> 00:26:06.119
<v Speaker 2>doesn't really matter because it's not your two hundred million.

474
00:26:06.319 --> 00:26:07.839
<v Speaker 1>But that's what I mean by that, keeping the little

475
00:26:07.839 --> 00:26:09.480
<v Speaker 1>guys out of it as well. Yeah, because once upon

476
00:26:09.519 --> 00:26:11.039
<v Speaker 1>a time you'd have had a directicle all right, I'm

477
00:26:11.039 --> 00:26:12.559
<v Speaker 1>not gonna work like this. I'm gonna go to a

478
00:26:12.599 --> 00:26:16.000
<v Speaker 1>smaller studio, yeah, and make the film cheaper. But they're

479
00:26:16.039 --> 00:26:19.039
<v Speaker 1>convincing everyone that the minimum you can spend on a

480
00:26:19.039 --> 00:26:22.519
<v Speaker 1>film is one hundred million. Yeah, which is insane. It's insane.

481
00:26:22.680 --> 00:26:25.960
<v Speaker 1>So the next section is leave me alone again. This

482
00:26:26.119 --> 00:26:28.480
<v Speaker 1>is just a music video. It's a good music video.

483
00:26:28.519 --> 00:26:30.640
<v Speaker 1>I enjoyed it, and I enjoyed this song. Yeah, it's

484
00:26:30.680 --> 00:26:31.119
<v Speaker 1>a good song.

485
00:26:31.160 --> 00:26:33.920
<v Speaker 2>And actually, this is where I think Michael Jackson's put

486
00:26:34.000 --> 00:26:37.440
<v Speaker 2>in a message that he did intend, which is he

487
00:26:37.599 --> 00:26:40.599
<v Speaker 2>is the fair ground ride that all of the animeatics

488
00:26:40.599 --> 00:26:45.359
<v Speaker 2>are being built around, and yeah, and him eventually breaking

489
00:26:45.359 --> 00:26:47.480
<v Speaker 2>out of it at the end, and obviously the meaning

490
00:26:47.519 --> 00:26:49.839
<v Speaker 2>of the song itself, just Leave Me Alone, makes a

491
00:26:49.880 --> 00:26:53.319
<v Speaker 2>lot of sense. I think this should have come before

492
00:26:53.400 --> 00:26:59.000
<v Speaker 2>the speed Demon section because this basically explains the speed

493
00:26:59.000 --> 00:27:02.240
<v Speaker 2>Demon section. Yeah, so it would have been a case of,

494
00:27:02.319 --> 00:27:06.480
<v Speaker 2>you know, he comes off of bad and gets harassed,

495
00:27:07.240 --> 00:27:09.680
<v Speaker 2>and then he makes this song just leave Me Alone,

496
00:27:10.119 --> 00:27:12.079
<v Speaker 2>and then in the end wants to fuck off, so

497
00:27:12.160 --> 00:27:14.920
<v Speaker 2>he gets on the motorbiking goes on his way, and

498
00:27:14.920 --> 00:27:16.759
<v Speaker 2>then that would lead us to the next section, because

499
00:27:16.759 --> 00:27:20.160
<v Speaker 2>then we have after this it like is really disjointed.

500
00:27:20.240 --> 00:27:22.680
<v Speaker 2>You get this whole song just Leave Me Alone, and

501
00:27:22.720 --> 00:27:25.839
<v Speaker 2>the whole film at this point has basically been segments,

502
00:27:26.240 --> 00:27:28.200
<v Speaker 2>and then the next bit suddenly is like, hey.

503
00:27:28.079 --> 00:27:32.640
<v Speaker 1>Let's open up this fantasy film. Hurrah narrative begins and

504
00:27:32.920 --> 00:27:36.160
<v Speaker 1>that is at thirty seven minutes into A ninety s.

505
00:27:36.960 --> 00:27:39.119
<v Speaker 1>I wrote that down as well, thirty seven minutes smooth

506
00:27:39.119 --> 00:27:42.920
<v Speaker 1>Criminal begins. Yeah, but not actually smooth Criminal. Over that

507
00:27:43.039 --> 00:27:47.200
<v Speaker 1>segment is smooth Criminal. So some of the headlines in

508
00:27:47.279 --> 00:27:50.160
<v Speaker 1>the leave me alone. Thing are taken from real headlines,

509
00:27:50.240 --> 00:27:53.319
<v Speaker 1>real news stories that we're written about Michael, like sleeps

510
00:27:53.319 --> 00:27:56.519
<v Speaker 1>in a hyperbaric oxygen chamber. Yes, that he has Bubbles

511
00:27:56.519 --> 00:27:59.599
<v Speaker 1>the monkey as a pet, that he's got surgery addiction,

512
00:28:00.160 --> 00:28:02.079
<v Speaker 1>but no, I really liked the image of him being

513
00:28:02.119 --> 00:28:05.160
<v Speaker 1>the amusement park. This film's got almost This video has

514
00:28:05.160 --> 00:28:07.279
<v Speaker 1>got almost a stop motion quality to it as well.

515
00:28:07.279 --> 00:28:09.160
<v Speaker 1>It does not claymation though.

516
00:28:09.359 --> 00:28:12.039
<v Speaker 2>No, they live action footage of Michael, like when he's

517
00:28:12.079 --> 00:28:13.640
<v Speaker 2>in the rocket ship and stuff like that.

518
00:28:13.640 --> 00:28:15.400
<v Speaker 1>It's the ride, but he's not.

519
00:28:15.960 --> 00:28:17.880
<v Speaker 2>It's not a I think they've dropped it to like

520
00:28:17.880 --> 00:28:20.000
<v Speaker 2>twelve frames a second to make it feel like animation.

521
00:28:20.480 --> 00:28:23.200
<v Speaker 1>It reminded me this very high quality though something else

522
00:28:23.240 --> 00:28:25.519
<v Speaker 1>they like to do in the eighties, because it reminded

523
00:28:25.559 --> 00:28:29.559
<v Speaker 1>me a lot of Peter Gabriel's Sledgehammer video, which is

524
00:28:29.559 --> 00:28:32.599
<v Speaker 1>a similar thing. Okay, but no, I liked this one.

525
00:28:32.599 --> 00:28:36.240
<v Speaker 1>But again, it's not a film. Yeah, it's a music video.

526
00:28:36.400 --> 00:28:39.519
<v Speaker 2>We're not seeing a narrative actually start and finish yet.

527
00:28:39.519 --> 00:28:41.519
<v Speaker 2>So we're thirty seven minutes in, We're nearly halfway through

528
00:28:41.519 --> 00:28:45.160
<v Speaker 2>the movie, and we if we were to pause at

529
00:28:45.160 --> 00:28:47.799
<v Speaker 2>this point and go, Jamie, what's the theme of this movie.

530
00:28:47.839 --> 00:28:51.640
<v Speaker 2>You'd be like, like make music videos, Like that's all

531
00:28:51.759 --> 00:28:55.359
<v Speaker 2>you've got. We've not had an act one. This does

532
00:28:55.400 --> 00:28:57.680
<v Speaker 2>not fit a three act structure by any stretch. Like

533
00:28:58.240 --> 00:29:02.440
<v Speaker 2>Act one is forty minutes long, and it's not any narrative.

534
00:29:03.200 --> 00:29:06.240
<v Speaker 1>Not at all. So the smooth criminal segment, So this

535
00:29:06.440 --> 00:29:08.839
<v Speaker 1>is the bulk of the film. This is the bulk

536
00:29:08.839 --> 00:29:12.440
<v Speaker 1>of the narrative. It is a it's an extended short film.

537
00:29:12.440 --> 00:29:15.200
<v Speaker 1>It's probably about half an hour long something like that,

538
00:29:16.480 --> 00:29:21.000
<v Speaker 1>from a story by Michael Jackson himself. And it does

539
00:29:21.039 --> 00:29:26.160
<v Speaker 1>it not a show, it's it's something. I will say

540
00:29:26.160 --> 00:29:32.480
<v Speaker 1>one thing before we start. This entire sequence looks phenomenal

541
00:29:33.400 --> 00:29:38.880
<v Speaker 1>in terms of cinematography, lighting, sets, choreography. When we get

542
00:29:38.920 --> 00:29:43.000
<v Speaker 1>to the dance segments, one of the best pieces of cinema.

543
00:29:43.440 --> 00:29:48.720
<v Speaker 1>There's clearly there's clearly been money spent here. The lighting's great,

544
00:29:48.839 --> 00:29:53.119
<v Speaker 1>the choreography is great, the camera work is great, fairly certain.

545
00:29:53.160 --> 00:29:55.440
<v Speaker 2>The sets there on are sets that are used usually

546
00:29:55.480 --> 00:29:57.200
<v Speaker 2>in gangster films in America that would have been a

547
00:29:57.200 --> 00:29:58.119
<v Speaker 2>backlot somewhere.

548
00:29:58.240 --> 00:30:01.319
<v Speaker 1>Yeah, but they look incredibles got a real noir feel.

549
00:30:01.359 --> 00:30:04.759
<v Speaker 1>This film, this part of the film loves a Dutch

550
00:30:04.799 --> 00:30:09.039
<v Speaker 1>tilt mate and loves them, but it uses it so well,

551
00:30:09.279 --> 00:30:12.880
<v Speaker 1>like it knows when to employ these things. But unfortunately

552
00:30:13.319 --> 00:30:16.559
<v Speaker 1>this is like putting lipstick on a pig, because the

553
00:30:16.680 --> 00:30:21.279
<v Speaker 1>story is nothing. It's he comes out of his music

554
00:30:21.319 --> 00:30:24.599
<v Speaker 1>shop and they shoot him. Michael Jackson gets shot by

555
00:30:24.599 --> 00:30:27.279
<v Speaker 1>a bunch of gangsters. Well right, no, does he sing

556
00:30:27.319 --> 00:30:31.160
<v Speaker 1>smooth criminal? First he escapes as the car first right

557
00:30:31.400 --> 00:30:34.640
<v Speaker 1>to so he gets shot by but well no, no,

558
00:30:34.839 --> 00:30:37.559
<v Speaker 1>First of all, he frolics in a field with some children.

559
00:30:37.839 --> 00:30:39.519
<v Speaker 1>So he comes out of the music So the kids

560
00:30:39.519 --> 00:30:42.720
<v Speaker 1>are on the rooftops of what looks like New York Street. Yeah,

561
00:30:42.759 --> 00:30:43.839
<v Speaker 1>we got to find Michael.

562
00:30:44.000 --> 00:30:46.039
<v Speaker 2>They look over the side of a building and they

563
00:30:46.079 --> 00:30:47.839
<v Speaker 2>see him coming out of a music shop in a

564
00:30:47.839 --> 00:30:51.519
<v Speaker 2>white jacket, white like a white overcoat. You get this

565
00:30:51.599 --> 00:30:54.799
<v Speaker 2>sort of almost fantasy musical, beautiful sort of sound coming

566
00:30:54.839 --> 00:30:57.279
<v Speaker 2>through the sound waves. And then as he walks down

567
00:30:57.279 --> 00:31:00.519
<v Speaker 2>the street, you suddenly hear the like the frog marching

568
00:31:00.599 --> 00:31:03.519
<v Speaker 2>of all these soldiers and they look like, I'm gonna

569
00:31:03.559 --> 00:31:05.519
<v Speaker 2>put it this way, they look like what you'd expect

570
00:31:05.519 --> 00:31:09.039
<v Speaker 2>from a cyberpunk movie. As like a corporate or dystopian

571
00:31:09.079 --> 00:31:13.039
<v Speaker 2>capitalist soldier army, and then just through the middle of

572
00:31:13.079 --> 00:31:14.079
<v Speaker 2>them is Joe.

573
00:31:13.839 --> 00:31:19.440
<v Speaker 1>Peshi with a real choice for a haircut. He's made.

574
00:31:19.680 --> 00:31:22.640
<v Speaker 2>To be fair to Joe Peshi, he probably got offered

575
00:31:22.680 --> 00:31:24.599
<v Speaker 2>a shitload of money to be in a film that

576
00:31:24.599 --> 00:31:27.839
<v Speaker 2>didn't take him very long to actually make chew all

577
00:31:27.920 --> 00:31:31.119
<v Speaker 2>the scenery, and later on he slaps the shit out

578
00:31:31.119 --> 00:31:33.039
<v Speaker 2>of the little girl in the film. But it's just like,

579
00:31:33.160 --> 00:31:34.319
<v Speaker 2>I get a beat up a kid.

580
00:31:34.440 --> 00:31:37.359
<v Speaker 1>Fuck it I'm doing. He either must have been paid

581
00:31:37.359 --> 00:31:40.200
<v Speaker 1>a fortune or he must have just been a gigantic

582
00:31:40.240 --> 00:31:43.400
<v Speaker 1>Michael Jackson fan. Either way, and it's just like, yeah, whatever,

583
00:31:43.440 --> 00:31:45.400
<v Speaker 1>I'll do whatever stupid thing you want, as long as I.

584
00:31:46.400 --> 00:31:48.720
<v Speaker 2>Don't have any any qualms of Peshi. In this he's

585
00:31:48.759 --> 00:31:50.519
<v Speaker 2>chewing the scenery just the way he should.

586
00:31:50.559 --> 00:31:54.720
<v Speaker 1>His hair is so it's like pulled back really tight, yes,

587
00:31:54.799 --> 00:31:56.759
<v Speaker 1>and then it's in a ponytail, but instead of just

588
00:31:56.839 --> 00:32:00.799
<v Speaker 1>hanging down like a ponytail usually does, it's stuck up

589
00:32:01.559 --> 00:32:05.359
<v Speaker 1>ramrod straight, like like it's an antenna or something on

590
00:32:05.359 --> 00:32:07.759
<v Speaker 1>the back of his head. And what's really funny is

591
00:32:07.799 --> 00:32:09.240
<v Speaker 1>later on when his great hat on you could see

592
00:32:09.240 --> 00:32:14.599
<v Speaker 1>that that hair style is gone because you down. Yeah.

593
00:32:14.640 --> 00:32:17.319
<v Speaker 2>But yeah, he has all his men shoot and kill Michael,

594
00:32:17.400 --> 00:32:19.119
<v Speaker 2>and we just get close up on the kids show,

595
00:32:19.200 --> 00:32:22.000
<v Speaker 2>no not Michael, and then we get this flashback to

596
00:32:22.039 --> 00:32:24.359
<v Speaker 2>the past where him and the three children and a

597
00:32:24.440 --> 00:32:27.599
<v Speaker 2>dog go running off to play. What's weird is they

598
00:32:27.599 --> 00:32:30.759
<v Speaker 2>play like American football slash rugby, but with a soccer ball.

599
00:32:31.039 --> 00:32:32.920
<v Speaker 1>Yeah, this was a bit weird.

600
00:32:33.039 --> 00:32:35.680
<v Speaker 2>This is because it adds to nothing, though I did

601
00:32:35.799 --> 00:32:37.640
<v Speaker 2>notice that it's the same location they used in the

602
00:32:37.680 --> 00:32:40.440
<v Speaker 2>pilot episode of Deep Space nine. They run across the

603
00:32:40.519 --> 00:32:42.799
<v Speaker 2>river on that wooden bridge, and that wooden bridge is

604
00:32:42.799 --> 00:32:45.920
<v Speaker 2>where Cisco first meets Jake Cisco.

605
00:32:46.119 --> 00:32:49.279
<v Speaker 1>Oh okay, yeah, it's I'm not going to have cast

606
00:32:49.279 --> 00:32:54.440
<v Speaker 1>any aspersions here. I'm just going to say, looking back

607
00:32:54.480 --> 00:32:59.279
<v Speaker 1>on this film from this viewpoint where we can't forget

608
00:33:00.359 --> 00:33:03.880
<v Speaker 1>certain accusations that were made about Michael Jackson not necessarily

609
00:33:03.960 --> 00:33:06.240
<v Speaker 1>true but not necessarily true. And I'm not saying that

610
00:33:06.240 --> 00:33:09.279
<v Speaker 1>they're true, but definitely not necessarily falseeen but the fact

611
00:33:09.319 --> 00:33:13.279
<v Speaker 1>that he is this just feels really weird that he

612
00:33:13.440 --> 00:33:18.359
<v Speaker 1>made a film it's him in control, and it's just

613
00:33:18.400 --> 00:33:20.640
<v Speaker 1>got scenes of him running around a field with a

614
00:33:20.640 --> 00:33:24.440
<v Speaker 1>bunch of children, hiding behind barrels with a bunch of children.

615
00:33:25.559 --> 00:33:28.160
<v Speaker 1>He's got no adult friends in this film.

616
00:33:27.920 --> 00:33:31.960
<v Speaker 2>No, But also he has no adult friends. The kids

617
00:33:32.000 --> 00:33:34.960
<v Speaker 2>don't seem to have parents. No, there's no mention of

618
00:33:35.039 --> 00:33:38.519
<v Speaker 2>him being there to look after them, and if he was,

619
00:33:38.559 --> 00:33:42.519
<v Speaker 2>why they're not his house. Like again, if the man

620
00:33:42.640 --> 00:33:46.440
<v Speaker 2>is innocent of all the accusations, this film does not help, No,

621
00:33:47.119 --> 00:33:51.720
<v Speaker 2>because it just it's thrown in there with no context.

622
00:33:52.319 --> 00:33:55.319
<v Speaker 1>I'm sure going to play with these kids. That sounds bad.

623
00:33:56.200 --> 00:33:59.839
<v Speaker 1>I'm gonna go and play football with these kids, just

624
00:34:00.079 --> 00:34:03.039
<v Speaker 1>but for no conceivable reason that matches in with plot.

625
00:34:03.119 --> 00:34:05.039
<v Speaker 1>I'm sure he had good intentions. I'm sure it was

626
00:34:05.079 --> 00:34:06.640
<v Speaker 1>just sort of a well, you know, I want to

627
00:34:06.680 --> 00:34:08.840
<v Speaker 1>show that I'm really friendly and whatnot.

628
00:34:08.920 --> 00:34:11.199
<v Speaker 2>To be fair, with the way this film is written,

629
00:34:11.320 --> 00:34:14.440
<v Speaker 2>I can imagine he's not even thought about any sort.

630
00:34:14.239 --> 00:34:17.199
<v Speaker 1>Of now and this mean it's just I like kids.

631
00:34:17.400 --> 00:34:20.000
<v Speaker 2>I'll, you know, do scenes where you know I'm being

632
00:34:20.039 --> 00:34:21.400
<v Speaker 2>a good guy with these kids.

633
00:34:21.559 --> 00:34:23.840
<v Speaker 1>I want to be a transformer. I'll be a transformer.

634
00:34:24.000 --> 00:34:26.519
<v Speaker 1>And this is five years before any accusations were made,

635
00:34:26.920 --> 00:34:30.239
<v Speaker 1>so I'm sure this crossed nobody's mind in nineteen eighty

636
00:34:30.320 --> 00:34:33.159
<v Speaker 1>ninety eight. I just I'm looking back from a twenty

637
00:34:33.199 --> 00:34:35.880
<v Speaker 1>twenty six less. It's hard to separate it when the

638
00:34:35.920 --> 00:34:38.280
<v Speaker 1>allegations were what they were, So like you said, with

639
00:34:38.360 --> 00:34:42.199
<v Speaker 1>mat Joe Peshi, Michaelaedeo, who literally has a line where

640
00:34:42.239 --> 00:34:45.800
<v Speaker 1>he's like, I'm Michu Ladeo, and I won't stop till

641
00:34:45.840 --> 00:34:49.079
<v Speaker 1>every kid on earth is on drugs or something somehow

642
00:34:49.119 --> 00:34:52.039
<v Speaker 1>has a massive death ray at the end. Yeah, like,

643
00:34:52.039 --> 00:34:54.280
<v Speaker 1>what sort of drug dealer has a fuck off huge

644
00:34:54.280 --> 00:34:58.599
<v Speaker 1>planetary death ray. Also, I don't understand why they go

645
00:34:58.679 --> 00:35:02.840
<v Speaker 1>into his lair because they him and the girl alone

646
00:35:03.280 --> 00:35:05.079
<v Speaker 1>run off away from the other kids because the dog

647
00:35:05.119 --> 00:35:06.800
<v Speaker 1>has run off and they've gone to look for the dog.

648
00:35:07.199 --> 00:35:10.280
<v Speaker 1>They go through an area that says no trespassers, and

649
00:35:10.320 --> 00:35:12.440
<v Speaker 1>they go in anyway because they think the dog's gone there.

650
00:35:12.880 --> 00:35:15.360
<v Speaker 1>They go into a cave which is full of cobwebs

651
00:35:15.840 --> 00:35:19.360
<v Speaker 1>and spiders. For some reason, then spiders the spiders that

652
00:35:19.400 --> 00:35:21.079
<v Speaker 1>have nothing to do with Joe Peshi except for he

653
00:35:21.119 --> 00:35:23.199
<v Speaker 1>doesn't seem to care that they're all around his lair.

654
00:35:23.360 --> 00:35:26.000
<v Speaker 1>I think he's using them to transport the drugs.

655
00:35:25.559 --> 00:35:27.719
<v Speaker 2>Maybe, I mean that makes sense, just inject them through

656
00:35:27.880 --> 00:35:28.400
<v Speaker 2>the spiders.

657
00:35:28.400 --> 00:35:30.119
<v Speaker 1>Who's going to know it's him? They go into this

658
00:35:30.199 --> 00:35:32.480
<v Speaker 1>cave and then there's like, oh, there's a spider shaped

659
00:35:32.559 --> 00:35:35.559
<v Speaker 1>button that Mike uster press that opens the doorway to

660
00:35:35.599 --> 00:35:38.719
<v Speaker 1>the evil hidden lair. And I'm like, Michael, how do

661
00:35:38.719 --> 00:35:42.599
<v Speaker 1>you think the dog pressed that button? Like you're you're

662
00:35:42.639 --> 00:35:45.039
<v Speaker 1>meant to be looking for a dog and it could

663
00:35:45.039 --> 00:35:48.440
<v Speaker 1>be an intelligent dog. You don't know. Okay, speeding up

664
00:35:48.440 --> 00:35:51.039
<v Speaker 1>a little bits. We've got two films to do, so

665
00:35:51.280 --> 00:35:54.519
<v Speaker 1>I talk about this bit. So Michael Jackson gets cordered

666
00:35:54.559 --> 00:35:57.880
<v Speaker 1>by Joe Peshi and his goons, yes, and jumps to

667
00:35:57.880 --> 00:36:00.559
<v Speaker 1>the present day. He's hiding in an alley. Show how

668
00:36:00.559 --> 00:36:01.639
<v Speaker 1>he escapes getting shot.

669
00:36:02.320 --> 00:36:04.239
<v Speaker 2>We just see his jacket is full of holes, but

670
00:36:04.280 --> 00:36:05.760
<v Speaker 2>he's managed to run off down the street.

671
00:36:06.000 --> 00:36:10.360
<v Speaker 1>Yeah, he's hiding in an Alleyway. You get a modicum

672
00:36:10.440 --> 00:36:14.039
<v Speaker 1>of tension where Joe pes. She's like, oh, he's like

673
00:36:14.119 --> 00:36:15.880
<v Speaker 1>he's looking into the alley, like, oh, I think he

674
00:36:15.920 --> 00:36:19.800
<v Speaker 1>knows Michael's there. He orders the firing squadcraftter Michael. Michael

675
00:36:19.880 --> 00:36:22.119
<v Speaker 1>runs to a dead end and then what's he going

676
00:36:22.199 --> 00:36:23.719
<v Speaker 1>to do. What is Michael Jackson going to do? And

677
00:36:23.760 --> 00:36:25.960
<v Speaker 1>he looks up and he sees a logical thing to

678
00:36:26.000 --> 00:36:28.239
<v Speaker 1>do at this point, clearly, he looks up and sees

679
00:36:28.280 --> 00:36:31.599
<v Speaker 1>a shooting star and wishes that he was a car.

680
00:36:31.920 --> 00:36:38.079
<v Speaker 1>Michael Jackson transforms into a car, a terrible looking sci

681
00:36:38.119 --> 00:36:38.840
<v Speaker 1>fi car.

682
00:36:39.079 --> 00:36:41.159
<v Speaker 2>So as well, when I was a kid, I thought

683
00:36:41.239 --> 00:36:43.800
<v Speaker 2>this car looked really cool. On the behind the scenes

684
00:36:43.840 --> 00:36:47.440
<v Speaker 2>of this the car barely works, so all the scenes

685
00:36:47.480 --> 00:36:50.119
<v Speaker 2>of it moving is mostly it's being pushed because the

686
00:36:50.159 --> 00:36:53.639
<v Speaker 2>car didn't really function very well. And then the bit

687
00:36:53.639 --> 00:36:55.880
<v Speaker 2>where it has to blast off, they had to animate

688
00:36:55.960 --> 00:36:58.880
<v Speaker 2>because the car just didn't go that fast and couldn't

689
00:36:58.920 --> 00:37:02.880
<v Speaker 2>travel that far without breaking down. So the car itself

690
00:37:02.920 --> 00:37:03.599
<v Speaker 2>is actually shit.

691
00:37:04.079 --> 00:37:06.760
<v Speaker 1>But this is where it devolves for me a little

692
00:37:06.760 --> 00:37:12.079
<v Speaker 1>bit on when he becomes the car. How does that devolve?

693
00:37:13.079 --> 00:37:15.039
<v Speaker 1>Then it picks up again because we do the smooth

694
00:37:15.079 --> 00:37:18.280
<v Speaker 1>criminal music anyow, which is again the best parts of

695
00:37:18.280 --> 00:37:21.119
<v Speaker 1>this film is when Michael Jackson. Surprisingly enough, the best

696
00:37:21.119 --> 00:37:23.880
<v Speaker 1>parts of this film are the parts where Michael Jackson

697
00:37:23.920 --> 00:37:26.880
<v Speaker 1>does the thing Michael Jackson is famous for, which is

698
00:37:26.920 --> 00:37:27.960
<v Speaker 1>singing and dancing.

699
00:37:28.079 --> 00:37:30.239
<v Speaker 2>Yeah, but I will say this music video is probably

700
00:37:30.239 --> 00:37:32.079
<v Speaker 2>one of the best music videos of all time. It

701
00:37:32.199 --> 00:37:35.599
<v Speaker 2>is incredible, Like, the choreography is super on point, the

702
00:37:35.639 --> 00:37:37.599
<v Speaker 2>cinematography is fantastic, the lighting is.

703
00:37:37.519 --> 00:37:40.960
<v Speaker 1>Incredible, and Smooth Criminals a fantastic song. Yes, a wonderful song.

704
00:37:40.880 --> 00:37:44.119
<v Speaker 2>And weirdly enough, unlike so I wanted to make a

705
00:37:44.119 --> 00:37:47.239
<v Speaker 2>slight comparison. He did a similar sort of gangster video

706
00:37:47.719 --> 00:37:49.400
<v Speaker 2>in the late nineties with Chris Tucker.

707
00:37:49.960 --> 00:37:52.480
<v Speaker 1>Yes, I've seen that one. Yes. I can't remember the

708
00:37:52.519 --> 00:37:54.079
<v Speaker 1>name of the song though, for the life of me, No,

709
00:37:54.239 --> 00:37:58.599
<v Speaker 1>because for years I misremembered Dangerous something like that. Because

710
00:37:58.599 --> 00:38:00.960
<v Speaker 1>for years and years I misrem but that that was

711
00:38:00.960 --> 00:38:03.079
<v Speaker 1>the Smooth Criminal video, right, because I was like, well,

712
00:38:03.079 --> 00:38:05.440
<v Speaker 1>he surely wanted have done two very similar videos, but

713
00:38:05.519 --> 00:38:08.440
<v Speaker 1>he did. It's not like people say, it's this a

714
00:38:08.480 --> 00:38:11.000
<v Speaker 1>legendary video. It's not that good. I've seen it, yeah,

715
00:38:11.039 --> 00:38:13.199
<v Speaker 1>and you're like, oh no, I didn't see it. Yeah.

716
00:38:13.239 --> 00:38:15.159
<v Speaker 1>So I think what that was was his career was

717
00:38:15.159 --> 00:38:17.440
<v Speaker 1>slightly on a downswing, so he was trying to redoce

718
00:38:17.920 --> 00:38:22.679
<v Speaker 1>Smooth Criminal. The problem is Smooth Criminal a By that

719
00:38:22.800 --> 00:38:26.440
<v Speaker 1>point he kind of had the child voice going on

720
00:38:26.519 --> 00:38:30.239
<v Speaker 1>all the times. Oh no, I'm against You're like, no, no,

721
00:38:30.280 --> 00:38:33.119
<v Speaker 1>I'm not believing that, Bichael. But number so, actually, to

722
00:38:33.159 --> 00:38:36.159
<v Speaker 1>be fair, he doesn't really talk in Smooth Criminal. He sings,

723
00:38:36.239 --> 00:38:38.719
<v Speaker 1>which is what he's known for, and it's kind of badass.

724
00:38:39.280 --> 00:38:43.519
<v Speaker 1>The other thing as well, is he's still actually a badass.

725
00:38:43.119 --> 00:38:45.960
<v Speaker 2>In this there's bits that are a little harder edge,

726
00:38:46.000 --> 00:38:49.199
<v Speaker 2>not hard edge overall, but a harder edge that were

727
00:38:49.280 --> 00:38:52.760
<v Speaker 2>not in Dangerous ironically, where because in Dangerous he still

728
00:38:52.800 --> 00:38:55.760
<v Speaker 2>had to be overall a good guy, Whereas in this

729
00:38:55.800 --> 00:39:00.119
<v Speaker 2>one there's a bit where I mean he he breaks

730
00:39:00.119 --> 00:39:03.039
<v Speaker 2>the cube all the white ball on someone's pool table

731
00:39:03.079 --> 00:39:06.880
<v Speaker 2>just to piss him off. Then afterwards he gets mugged

732
00:39:06.880 --> 00:39:09.840
<v Speaker 2>by a prostitute in the hallway. She takes his wallet

733
00:39:09.880 --> 00:39:11.840
<v Speaker 2>out of his pocket as he's trying to romance her.

734
00:39:12.280 --> 00:39:14.079
<v Speaker 2>Then he walks around the side of the balcony, a

735
00:39:14.119 --> 00:39:15.480
<v Speaker 2>guy comes out with a big knife and he just

736
00:39:15.519 --> 00:39:17.960
<v Speaker 2>shoots him through a fucking war and you're like, and

737
00:39:18.000 --> 00:39:20.639
<v Speaker 2>he kicks another guy over the railing and you're like, yes,

738
00:39:20.719 --> 00:39:23.400
<v Speaker 2>there's a little bit of a harder edge from this,

739
00:39:23.519 --> 00:39:24.559
<v Speaker 2>which is really cool.

740
00:39:24.599 --> 00:39:27.000
<v Speaker 1>And this is he does the famous anti gravity lean

741
00:39:27.079 --> 00:39:29.440
<v Speaker 1>in this does and as do a lot of the

742
00:39:29.480 --> 00:39:34.000
<v Speaker 1>other gangsters behind him, and the choreography is just incredible.

743
00:39:34.360 --> 00:39:38.159
<v Speaker 1>It's wonderful. If there's anything this is me skipping ahead

744
00:39:38.199 --> 00:39:40.440
<v Speaker 1>a little bit. Yeah, of course, my recommendation for people

745
00:39:40.480 --> 00:39:42.880
<v Speaker 1>with this is watch the music videos. Throw everything out away.

746
00:39:45.159 --> 00:39:48.639
<v Speaker 1>He's a half hour. Watch the music videos. Let's be

747
00:39:48.719 --> 00:39:49.199
<v Speaker 1>done with it.

748
00:39:49.519 --> 00:39:51.639
<v Speaker 2>So at the end of the Smooth Criminal music video,

749
00:39:52.480 --> 00:39:56.920
<v Speaker 2>all of the Cyberpunky guards walk out around the outside

750
00:39:57.159 --> 00:40:02.280
<v Speaker 2>edge of the set and basically they're silhouetted in the windows,

751
00:40:02.320 --> 00:40:05.039
<v Speaker 2>and then they shoot through and MJ has to fire

752
00:40:05.079 --> 00:40:08.920
<v Speaker 2>back with the Tommy gun and then leaves the studio,

753
00:40:09.199 --> 00:40:14.679
<v Speaker 2>sees that Joe Peshi has kidnapped the children and decides

754
00:40:14.719 --> 00:40:16.760
<v Speaker 2>to go after them and basically just runs into what

755
00:40:16.840 --> 00:40:19.480
<v Speaker 2>looks like a quarry in the middle of fucking New York.

756
00:40:20.599 --> 00:40:24.920
<v Speaker 1>For the final showdown. Yeah, there's not a surprisingly enough,

757
00:40:25.360 --> 00:40:27.440
<v Speaker 1>not a huge amount of sense between the two scenes.

758
00:40:28.280 --> 00:40:29.920
<v Speaker 1>But I know that's a surprise.

759
00:40:30.079 --> 00:40:32.800
<v Speaker 2>But yeah, at one hour and five we arrive at

760
00:40:32.800 --> 00:40:37.159
<v Speaker 2>the finale of a one hour and thirty minute long film.

761
00:40:37.199 --> 00:40:42.000
<v Speaker 1>And and Michael Jackson transforms into a robot. He doesn't

762
00:40:42.039 --> 00:40:44.960
<v Speaker 1>transform into just any robot, so he's it's like a

763
00:40:44.960 --> 00:40:49.400
<v Speaker 1>fucking transformer. Yeah, but his face opens up first and

764
00:40:49.440 --> 00:40:51.880
<v Speaker 1>he screams and it makes all the cyber punk soldiers'

765
00:40:51.920 --> 00:40:55.400
<v Speaker 1>faces explode. Yes, I take out Joe Peshi, though I

766
00:40:55.559 --> 00:40:57.719
<v Speaker 1>really think would be the one to go for. I

767
00:40:57.840 --> 00:40:59.880
<v Speaker 1>read a fair few people sorry if she do a

768
00:41:00.000 --> 00:41:02.880
<v Speaker 1>little bit of research traumat on this on this show,

769
00:41:03.239 --> 00:41:06.559
<v Speaker 1>And there was a fair few people online saying they

770
00:41:06.599 --> 00:41:09.760
<v Speaker 1>had nightmares about the bit where because when he first

771
00:41:09.800 --> 00:41:12.719
<v Speaker 1>turns metal, his eyes like turn yellow, and it is

772
00:41:12.800 --> 00:41:16.440
<v Speaker 1>because it's an old effect. The effect of his skin

773
00:41:16.599 --> 00:41:20.480
<v Speaker 1>turning metal is quite odd and very uncanny. And then,

774
00:41:20.519 --> 00:41:23.079
<v Speaker 1>like you said, his whole face just starts opening up,

775
00:41:23.159 --> 00:41:26.920
<v Speaker 1>it splits apart, and then he screams and it's fucking

776
00:41:27.079 --> 00:41:30.320
<v Speaker 1>evil looking, and you're like, Michael, you're trying to make

777
00:41:30.320 --> 00:41:33.480
<v Speaker 1>a horror film. For like three seconds, this was unnecessary.

778
00:41:33.480 --> 00:41:37.840
<v Speaker 1>But it's okay because in a minute he becomes a spaceship.

779
00:41:38.360 --> 00:41:41.280
<v Speaker 2>He does turn into a spaceship. He turns into a transformer,

780
00:41:41.559 --> 00:41:44.480
<v Speaker 2>shoots everyone dead apart from Joe Pesci because why would

781
00:41:44.480 --> 00:41:46.719
<v Speaker 2>you take out the main bad guy? And even though

782
00:41:46.760 --> 00:41:49.440
<v Speaker 2>he's right in front of him, And I will say

783
00:41:49.480 --> 00:41:52.079
<v Speaker 2>this though. I don't know why, but Joe Pesci smacks

784
00:41:52.079 --> 00:41:53.119
<v Speaker 2>seven shades of shit.

785
00:41:53.039 --> 00:41:55.599
<v Speaker 1>Out of the little girl like does not seem to

786
00:41:55.639 --> 00:41:59.159
<v Speaker 1>hold back so many films was it sobody films where

787
00:41:59.199 --> 00:42:02.320
<v Speaker 1>Joe Pesci tries to beat children? I will say the

788
00:42:02.320 --> 00:42:05.000
<v Speaker 1>animation work on the Robomichael for the Era is quite

789
00:42:05.000 --> 00:42:08.880
<v Speaker 1>well done, but it's it's it's mental to it's too

790
00:42:08.880 --> 00:42:10.599
<v Speaker 1>hard to remain It's so mental that it's hard to

791
00:42:10.639 --> 00:42:13.639
<v Speaker 1>remain invested because you're now at a point where you're like,

792
00:42:14.400 --> 00:42:17.960
<v Speaker 1>you jump the gun at the car, and then you went, hey,

793
00:42:18.400 --> 00:42:21.159
<v Speaker 1>I can go one better. Then after that you went,

794
00:42:21.280 --> 00:42:24.719
<v Speaker 1>but I can do more with the car? Right? He

795
00:42:24.800 --> 00:42:29.000
<v Speaker 1>still is bullshit? But and to be fair, I might

796
00:42:29.039 --> 00:42:31.000
<v Speaker 1>have missed something, So tell me if I did with

797
00:42:31.159 --> 00:42:34.280
<v Speaker 1>the car. They at least try and give an explanation.

798
00:42:34.320 --> 00:42:36.719
<v Speaker 1>It's a bullshit explanation to shoot. They at least try

799
00:42:36.719 --> 00:42:38.480
<v Speaker 1>and give one, which is he sees the shooting star

800
00:42:38.519 --> 00:42:41.519
<v Speaker 1>and he clearly makes a wish, right, yes, why can

801
00:42:41.519 --> 00:42:43.639
<v Speaker 1>he turn into a robot? Does he see another shooting star?

802
00:42:43.760 --> 00:42:44.679
<v Speaker 1>I didn't notice one.

803
00:42:45.519 --> 00:42:47.599
<v Speaker 2>No, he saw Joe Pessey slap the girl and got

804
00:42:47.599 --> 00:42:49.360
<v Speaker 2>angry enough to turn into a robot.

805
00:42:49.239 --> 00:42:52.679
<v Speaker 1>So he's the Hulk, so we should do Incredible Hulk

806
00:42:52.800 --> 00:42:58.400
<v Speaker 1>versus Robo Jacker Hulk Prime. I am Hulk Tomus Prime.

807
00:43:02.000 --> 00:43:05.519
<v Speaker 2>But yeah, he then turns into a spaceship Joe Peshy

808
00:43:05.559 --> 00:43:08.840
<v Speaker 2>has a huge planetary death laser.

809
00:43:08.599 --> 00:43:11.480
<v Speaker 1>And then MJ just destroys him. And this is the

810
00:43:11.519 --> 00:43:13.840
<v Speaker 1>other bit. MJ flies off and the kids are all

811
00:43:13.840 --> 00:43:16.800
<v Speaker 1>crying and where's he going? And the girl because he's leaving.

812
00:43:17.159 --> 00:43:20.159
<v Speaker 2>Don't know how they know that, but you know, okay,

813
00:43:20.199 --> 00:43:23.039
<v Speaker 2>Michael Jackson's pissing off. This is regardless of the fact

814
00:43:23.039 --> 00:43:24.800
<v Speaker 2>that clearly doesn't land because it's bollocks.

815
00:43:25.239 --> 00:43:28.000
<v Speaker 1>It's like, okay, you're having the emotional moment he's leaving

816
00:43:28.079 --> 00:43:31.599
<v Speaker 1>us by Michael, like a fucking ego of it. But

817
00:43:31.679 --> 00:43:34.000
<v Speaker 1>it doesn't work because a minute later they're sitting there going,

818
00:43:34.079 --> 00:43:36.480
<v Speaker 1>I wish she come back. Oh, he's never coming back.

819
00:43:36.800 --> 00:43:40.280
<v Speaker 1>Hey here's Michael. Hey I'm back. You're like, well that

820
00:43:40.679 --> 00:43:43.519
<v Speaker 1>what was the point of flying away? Then like what

821
00:43:43.559 --> 00:43:47.519
<v Speaker 1>the fuck? And then we go back to concert footage

822
00:43:47.559 --> 00:43:50.559
<v Speaker 1>for the end, and this is a really interesting choice.

823
00:43:50.800 --> 00:43:52.239
<v Speaker 1>The way they get there is he takes them back

824
00:43:52.280 --> 00:43:55.800
<v Speaker 1>to Club thirty and it seems that Club thirty just

825
00:43:55.880 --> 00:43:58.719
<v Speaker 1>changes to whatever MJ is feeling at the time, and

826
00:43:58.760 --> 00:44:01.400
<v Speaker 1>he goes, don't worry, I'll show you something special and

827
00:44:01.519 --> 00:44:06.880
<v Speaker 1>takes them into an abandoned Club thirty. But it's all

828
00:44:06.920 --> 00:44:09.440
<v Speaker 1>in there. Now. They're in the backstage of the music thing,

829
00:44:10.000 --> 00:44:12.280
<v Speaker 1>and this bit is fucking weird because I noticed this

830
00:44:12.320 --> 00:44:14.000
<v Speaker 1>is weird. It's walking around the back the back of

831
00:44:14.039 --> 00:44:18.039
<v Speaker 1>the you can see all of the truncated cabling for

832
00:44:18.079 --> 00:44:20.599
<v Speaker 1>the stat sound stage, which is all cool, great idea,

833
00:44:20.960 --> 00:44:23.559
<v Speaker 1>but they're walking through in the pitch black. There's no

834
00:44:23.599 --> 00:44:26.639
<v Speaker 1>one else there, and the kids are like, oh, I'm scared.

835
00:44:26.679 --> 00:44:29.719
<v Speaker 1>He's that there's nothing scary back here. What if there's spiders?

836
00:44:29.880 --> 00:44:32.840
<v Speaker 1>There's no spiders. And then we get an overhead shot

837
00:44:33.119 --> 00:44:36.599
<v Speaker 1>with some rats on the cabling above above them, and

838
00:44:36.639 --> 00:44:38.480
<v Speaker 1>they go, what if there's rats? He goes, he there

839
00:44:38.480 --> 00:44:39.320
<v Speaker 1>are no rats.

840
00:44:39.639 --> 00:44:42.559
<v Speaker 2>You're like, but I can see the rats. Michael like,

841
00:44:43.039 --> 00:44:45.239
<v Speaker 2>why are you exposing yourself as a liar? Like why

842
00:44:45.280 --> 00:44:47.480
<v Speaker 2>we're going to horror territory right now? Like what the

843
00:44:47.480 --> 00:44:48.400
<v Speaker 2>fuck is going on?

844
00:44:48.960 --> 00:44:51.880
<v Speaker 1>And then suddenly they reach the front and some big

845
00:44:51.920 --> 00:44:54.400
<v Speaker 1>black dude with a top hat comes along, which looks

846
00:44:54.440 --> 00:44:56.840
<v Speaker 1>fucking awesome, but just comes out of nowhere? Does that

847
00:44:56.920 --> 00:44:59.079
<v Speaker 1>a Michael go to Jersey and got your stuff for you?

848
00:44:59.400 --> 00:45:01.199
<v Speaker 1>Brings him on the stage and then he does the

849
00:45:01.239 --> 00:45:06.480
<v Speaker 1>final song. Yeah, yeah, And don't get wrong, this sequence

850
00:45:06.599 --> 00:45:08.840
<v Speaker 1>is great. He's fantastic. He's got a great energy as

851
00:45:08.840 --> 00:45:12.280
<v Speaker 1>a performer. I really love song. Yeah, it's that really

852
00:45:12.320 --> 00:45:16.519
<v Speaker 1>eighties grungy glam rockets. I think. But od is dressed

853
00:45:16.599 --> 00:45:18.480
<v Speaker 1>is awesome as well. Actually I think they're just better

854
00:45:18.519 --> 00:45:21.599
<v Speaker 1>than he is. Yeah. The because you've got You've got

855
00:45:22.199 --> 00:45:23.960
<v Speaker 1>a black guitarist, but it's got like his hair is

856
00:45:24.000 --> 00:45:26.199
<v Speaker 1>all spiked out. He's got like a black leather jacket,

857
00:45:26.239 --> 00:45:28.559
<v Speaker 1>the studs on it. You've got another woman who's i

858
00:45:28.559 --> 00:45:31.400
<v Speaker 1>think the bassist, and she's got like the incredibly wild

859
00:45:31.519 --> 00:45:35.519
<v Speaker 1>sort of glam rock hair style. They all look incredible

860
00:45:35.559 --> 00:45:38.840
<v Speaker 1>and the lighting and everything's amazing. Yeah, sorry, what was

861
00:45:38.880 --> 00:45:41.199
<v Speaker 1>your point? He just looks. It's an odd choice to

862
00:45:41.360 --> 00:45:45.519
<v Speaker 1>end an ego driven project that's basically been a celebration

863
00:45:45.639 --> 00:45:48.239
<v Speaker 1>of you and how good you are, Michael with a

864
00:45:48.440 --> 00:45:51.880
<v Speaker 1>cover of another band's song It's come Together not here.

865
00:45:51.920 --> 00:45:54.440
<v Speaker 1>It's the Beatles, but they don't count. He owned the

866
00:45:54.480 --> 00:45:57.719
<v Speaker 1>Beatles at this point, so this is his ego again. Yeah,

867
00:45:57.360 --> 00:46:00.079
<v Speaker 1>he's just being look, I could do your song in

868
00:46:00.119 --> 00:46:02.400
<v Speaker 1>my movie. You can't stop ye because I think in

869
00:46:02.400 --> 00:46:05.039
<v Speaker 1>eighty two he bought all the Beatles back catalog, right,

870
00:46:05.519 --> 00:46:08.320
<v Speaker 1>but heate it's a Beatles song originally come together. In

871
00:46:08.360 --> 00:46:10.960
<v Speaker 1>the credits, it credits Paul McCartney and John Lennon as

872
00:46:11.000 --> 00:46:14.119
<v Speaker 1>the writers. That's me not knowing the Beatles. Sorry, no,

873
00:46:14.920 --> 00:46:16.760
<v Speaker 1>trust me. That's one of the only Beatles songs I

874
00:46:16.800 --> 00:46:18.960
<v Speaker 1>do know because I'm actually not a Beatles fan. I like,

875
00:46:19.639 --> 00:46:21.760
<v Speaker 1>I like the cover. It's a great performance, but yeah,

876
00:46:21.760 --> 00:46:23.679
<v Speaker 1>it is a bit with eat and the hey look

877
00:46:23.679 --> 00:46:26.559
<v Speaker 1>how great Michael is with Hey, I can do the Beatles,

878
00:46:26.599 --> 00:46:29.760
<v Speaker 1>Like why don't you do beat It or Thriller or

879
00:46:29.880 --> 00:46:32.440
<v Speaker 1>you know, yeah, Billy Jean or something. So there is

880
00:46:32.440 --> 00:46:34.119
<v Speaker 1>a guy with a key tar and I was like,

881
00:46:34.239 --> 00:46:38.880
<v Speaker 1>that's a bit miss Yeah, I'm in this day as

882
00:46:38.880 --> 00:46:40.559
<v Speaker 1>didn't really make it far out the eighties.

883
00:46:40.639 --> 00:46:42.119
<v Speaker 2>The last thing I want to mention on the film then,

884
00:46:42.119 --> 00:46:44.280
<v Speaker 2>before we move on to Spice World, is that the

885
00:46:44.320 --> 00:46:46.800
<v Speaker 2>outro music is really cool as well, because it's not

886
00:46:46.800 --> 00:46:49.480
<v Speaker 2>an MJ song. It's not mj at all. It's a

887
00:46:49.599 --> 00:46:54.119
<v Speaker 2>South African group called Lady Lady Smith Black Mumbazo doing

888
00:46:54.119 --> 00:46:56.559
<v Speaker 2>a song called the Moon Is Walking and it's fully

889
00:46:56.599 --> 00:46:59.280
<v Speaker 2>a cappella, so there's like six of them and they

890
00:46:59.320 --> 00:47:02.280
<v Speaker 2>all sing like the harmonized different parts of the song.

891
00:47:02.719 --> 00:47:06.119
<v Speaker 2>It was an adaptation of their song Linda Lanni, which

892
00:47:06.159 --> 00:47:08.320
<v Speaker 2>was a song that was anti apartheid at a time

893
00:47:08.320 --> 00:47:12.239
<v Speaker 2>where that was very culturally relevant for South Africa. Linda

894
00:47:12.280 --> 00:47:15.480
<v Speaker 2>Lani actually comes from the Zulu language meaning either wait

895
00:47:15.800 --> 00:47:18.599
<v Speaker 2>or come and see, and they do sing the words

896
00:47:18.639 --> 00:47:22.280
<v Speaker 2>come and see during Linda Lanni. There is a difference

897
00:47:22.280 --> 00:47:24.119
<v Speaker 2>between the two songs. I did look up Linda Lanni

898
00:47:24.199 --> 00:47:27.679
<v Speaker 2>as well afterwards to see if they're very similar. There's

899
00:47:27.719 --> 00:47:30.840
<v Speaker 2>slight differences, but not I'm not musical enough to really

900
00:47:31.320 --> 00:47:34.199
<v Speaker 2>be able to explain them, but there are some differences

901
00:47:34.239 --> 00:47:36.800
<v Speaker 2>subtly between the two. But yeah, I thought that was

902
00:47:36.840 --> 00:47:39.800
<v Speaker 2>a really nice way to finish the film was because,

903
00:47:40.320 --> 00:47:43.400
<v Speaker 2>let's be honest, up to this point, it's all been ego.

904
00:47:44.079 --> 00:47:47.960
<v Speaker 2>To then end with a band singing a song that

905
00:47:48.000 --> 00:47:53.199
<v Speaker 2>actually is an important song politically for its time showed

906
00:47:55.000 --> 00:47:56.480
<v Speaker 2>a surprising lack of intro.

907
00:47:57.159 --> 00:48:01.320
<v Speaker 1>Sorry a surprising lack of ego for its outro segment,

908
00:48:02.719 --> 00:48:05.119
<v Speaker 1>and then afterwards we get another montage of how great

909
00:48:05.159 --> 00:48:10.920
<v Speaker 1>Michael Jackson is so during the credits. So it's short lived,

910
00:48:11.239 --> 00:48:15.320
<v Speaker 1>but it is there. Yeah. So overall, like I said,

911
00:48:15.320 --> 00:48:17.719
<v Speaker 1>for me personally, take the music videos junk the rest

912
00:48:17.760 --> 00:48:21.679
<v Speaker 1>of it. For me, I agree that Smooth Criminal as

913
00:48:21.679 --> 00:48:25.320
<v Speaker 1>in the whole segments we can is beautifully shot. But

914
00:48:26.360 --> 00:48:28.840
<v Speaker 1>in the same what I've always been of that attitude

915
00:48:28.840 --> 00:48:33.679
<v Speaker 1>where like it's like video games, a video game with

916
00:48:33.760 --> 00:48:38.079
<v Speaker 1>incredible graphics can't make up for a boring video game.

917
00:48:38.199 --> 00:48:40.960
<v Speaker 1>Rise the Robots proved that in ninety four in my opinion,

918
00:48:41.960 --> 00:48:44.280
<v Speaker 1>but for some people it can. If you're one of

919
00:48:44.320 --> 00:48:45.519
<v Speaker 1>those people, you might like this.

920
00:48:46.119 --> 00:48:50.920
<v Speaker 2>I will say this is a proper movie in terms

921
00:48:51.039 --> 00:48:53.760
<v Speaker 2>of how it's shot technically.

922
00:48:54.239 --> 00:48:56.360
<v Speaker 1>Right, Yes, yes, it's not in the sense that it

923
00:48:56.440 --> 00:48:59.199
<v Speaker 1>isn't actually a script that goes from beginning to end.

924
00:48:59.280 --> 00:49:02.719
<v Speaker 2>So the recommendation you would do on it would be

925
00:49:02.800 --> 00:49:06.039
<v Speaker 2>based on what an audience memory is looking for. If

926
00:49:06.039 --> 00:49:09.719
<v Speaker 2>you're looking for something that's really out there, really different

927
00:49:09.800 --> 00:49:13.599
<v Speaker 2>and looks incredible, sounds incredible, will impress you with shit

928
00:49:13.760 --> 00:49:16.519
<v Speaker 2>like the choreography and the cinematography and things like that.

929
00:49:16.760 --> 00:49:17.760
<v Speaker 2>This film is a must.

930
00:49:18.039 --> 00:49:20.599
<v Speaker 1>But if you're after something that will give you a

931
00:49:20.639 --> 00:49:24.440
<v Speaker 1>really solid story, this is like the polar opposite end

932
00:49:24.440 --> 00:49:26.760
<v Speaker 1>of the scale from what you're actually after.

933
00:49:28.440 --> 00:49:31.119
<v Speaker 2>So it's something you watch when you're in a mood.

934
00:49:31.440 --> 00:49:33.719
<v Speaker 2>I think, like, if you're in the mood for just like,

935
00:49:33.800 --> 00:49:35.119
<v Speaker 2>you know what, I don't really care about story.

936
00:49:35.159 --> 00:49:37.199
<v Speaker 1>I just want something that's fucking fun and in your face.

937
00:49:37.320 --> 00:49:38.920
<v Speaker 1>I just want to be a map. I want to

938
00:49:38.960 --> 00:49:42.480
<v Speaker 1>be bathed in the vibes. Yeah, yeah, of Michael Jackson.

939
00:49:42.519 --> 00:49:45.480
<v Speaker 2>This film is a vibe film, right, and you have

940
00:49:45.559 --> 00:49:48.079
<v Speaker 2>to kind of just accept that the ego is going

941
00:49:48.119 --> 00:49:52.440
<v Speaker 2>to come along with that vibe. But ageah, if it's

942
00:49:52.760 --> 00:49:56.400
<v Speaker 2>any deep emotional themes, yeah, you're not going to Moonwalker.

943
00:49:56.719 --> 00:50:00.599
<v Speaker 1>No. So what's fully about Moonwalker is not well angry

944
00:50:00.679 --> 00:50:04.119
<v Speaker 1>man No No. So what's funny about Moonwalker in contrast

945
00:50:04.159 --> 00:50:07.400
<v Speaker 1>to our next film is obviously they're both film starring musicians. Yes,

946
00:50:07.480 --> 00:50:10.440
<v Speaker 1>roughly exactly ten years apart. This is eighty eight ninety

947
00:50:10.960 --> 00:50:14.400
<v Speaker 1>end of ninety seven is Spice World. The difference is

948
00:50:14.440 --> 00:50:17.320
<v Speaker 1>that's a self fundered movie that was for better and

949
00:50:17.360 --> 00:50:22.400
<v Speaker 1>for worse Michael Jackson. Yeah, it's fully Michael Spice World. Obviously,

950
00:50:22.400 --> 00:50:26.119
<v Speaker 1>the Spice Girls were a more managed band. They, as

951
00:50:26.159 --> 00:50:28.400
<v Speaker 1>far as I'm a weir, did not write their own songs.

952
00:50:28.480 --> 00:50:32.679
<v Speaker 1>They were very heavily managed, very scheduled every part of

953
00:50:32.760 --> 00:50:38.280
<v Speaker 1>their tour schedule, their their appearances, their publicities all managed.

954
00:50:38.320 --> 00:50:41.519
<v Speaker 1>So this is more of a product that is crafted

955
00:50:41.719 --> 00:50:46.960
<v Speaker 1>for them into Yeah, Michael Jackson's Moonwalker is a movie

956
00:50:47.199 --> 00:50:49.920
<v Speaker 1>made by an autur for better and worse all for

957
00:50:50.000 --> 00:50:56.360
<v Speaker 1>that word, for his own ego. This is content made

958
00:50:56.519 --> 00:50:59.840
<v Speaker 1>by a mass produced company. See I kind of agree,

959
00:51:00.079 --> 00:51:02.599
<v Speaker 1>kind of disagree on because yes, this is made by

960
00:51:02.639 --> 00:51:05.800
<v Speaker 1>a mass produced company, but this is a movie Moonwalker ism. No,

961
00:51:05.920 --> 00:51:09.400
<v Speaker 1>this is Moonwalker is a collection of music video. This

962
00:51:09.480 --> 00:51:12.559
<v Speaker 1>is a store. This is not a good one, but

963
00:51:12.639 --> 00:51:15.199
<v Speaker 1>it is a story that goes from a beginning to

964
00:51:15.239 --> 00:51:16.039
<v Speaker 1>an end. No, it doesn't.

965
00:51:16.119 --> 00:51:22.320
<v Speaker 2>There is exactly the same thing as Moonwalker. Yeah, but

966
00:51:22.440 --> 00:51:24.800
<v Speaker 2>worse and honestly.

967
00:51:24.400 --> 00:51:27.320
<v Speaker 1>Like the in fact, this lacks because it doesn't because

968
00:51:27.360 --> 00:51:32.639
<v Speaker 1>it is is studio produced, and because it is about

969
00:51:32.760 --> 00:51:36.400
<v Speaker 1>five stars not one. You don't have like the thing

970
00:51:36.400 --> 00:51:40.039
<v Speaker 1>that makes Moonwalker kind of interesting for a filmmaker is

971
00:51:40.159 --> 00:51:43.440
<v Speaker 1>just how much it is about this one man's self

972
00:51:43.480 --> 00:51:47.519
<v Speaker 1>inflicted ego. You don't even have that in Spice World.

973
00:51:47.679 --> 00:51:48.760
<v Speaker 1>It's just vapid.

974
00:51:50.000 --> 00:51:52.880
<v Speaker 2>Within five minutes, you meet Elton John for two seconds,

975
00:51:53.239 --> 00:51:55.639
<v Speaker 2>and then from that point on there's like another sixty

976
00:51:55.639 --> 00:51:59.079
<v Speaker 2>eight cameos and you're like, but none of them mean anything.

977
00:51:59.199 --> 00:52:02.320
<v Speaker 1>Well, get yourself ready to one night only revive. Jamie,

978
00:52:02.360 --> 00:52:06.559
<v Speaker 1>your film taste sucks because I massively prefer this to Moonwalker. Yeah,

979
00:52:06.599 --> 00:52:08.960
<v Speaker 1>I mean, but to be fair, I was a Spice

980
00:52:09.000 --> 00:52:11.559
<v Speaker 1>Girls fan. I am not, nor have I ever been

981
00:52:11.599 --> 00:52:15.440
<v Speaker 1>a Michael Jackson. Okay, so I like some of his songs, No, no,

982
00:52:15.519 --> 00:52:20.039
<v Speaker 1>So my issues with it because I like the Spice Girls.

983
00:52:20.039 --> 00:52:22.119
<v Speaker 1>I don't dislike the Spice Girls. And all the songs

984
00:52:22.159 --> 00:52:25.159
<v Speaker 1>they play in this are bangers, right, so apart from

985
00:52:25.199 --> 00:52:28.639
<v Speaker 1>when they did want to be because for some reason,

986
00:52:28.840 --> 00:52:31.480
<v Speaker 1>they sing it like garbage in this film, even though

987
00:52:31.519 --> 00:52:33.639
<v Speaker 1>I really like that song. As soon as they start

988
00:52:33.679 --> 00:52:35.320
<v Speaker 1>doing it, they're singing it out of kin. I'm like,

989
00:52:35.320 --> 00:52:37.320
<v Speaker 1>what the fuck's going on with this song? And it

990
00:52:37.360 --> 00:52:39.360
<v Speaker 1>also happens to be the only one, And this is

991
00:52:39.360 --> 00:52:43.960
<v Speaker 1>the big problem with it. They're both music video films basically,

992
00:52:44.599 --> 00:52:48.519
<v Speaker 1>but Spice World, every single music video is just girls

993
00:52:48.559 --> 00:52:51.960
<v Speaker 1>standing in a line behind microphones. Boring as fuck.

994
00:52:52.559 --> 00:52:57.559
<v Speaker 2>No cinematography, no choreography, nothing, It's just five people fucking

995
00:52:57.599 --> 00:53:01.000
<v Speaker 2>about behind a microphone for three and a half minutes.

996
00:53:01.280 --> 00:53:06.639
<v Speaker 1>At least with MJ's Moonwalker, the music video segments are incredible. Yeah,

997
00:53:06.639 --> 00:53:09.480
<v Speaker 1>the connecting thread is bollocks, but what you get in

998
00:53:09.519 --> 00:53:14.800
<v Speaker 1>between the shit connecting thread is gold and Spice World

999
00:53:14.840 --> 00:53:18.320
<v Speaker 1>doesn't have anything that matches that. At any point. We'll

1000
00:53:18.360 --> 00:53:21.159
<v Speaker 1>twitch the bit with the fucking agiens well to introduce it.

1001
00:53:21.960 --> 00:53:25.039
<v Speaker 1>Spice World is a nineteen ninety seven British musical comedy

1002
00:53:25.039 --> 00:53:27.920
<v Speaker 1>film directed by Bob Spears. It is made in a

1003
00:53:27.960 --> 00:53:30.280
<v Speaker 1>similar vein to the Beatles nineteen sixty four film A

1004
00:53:30.320 --> 00:53:33.000
<v Speaker 1>Hard Day's Night. It was made for a budget of

1005
00:53:33.079 --> 00:53:36.880
<v Speaker 1>twenty five million dollars, so we're around the same as Moonwalker,

1006
00:53:37.599 --> 00:53:40.880
<v Speaker 1>and it grossed fifty six million dollars at the box office.

1007
00:53:42.079 --> 00:53:46.920
<v Speaker 1>It stars obviously the Spice Girls, Victoria Beckham, Emma Bunton,

1008
00:53:47.239 --> 00:53:51.239
<v Speaker 1>Melc Melb and Jerry halliwell as well as Richard E. Grahm,

1009
00:53:51.400 --> 00:53:53.000
<v Speaker 1>Garry Hallewell. At the time or was she changed her

1010
00:53:53.039 --> 00:53:54.760
<v Speaker 1>name now I can't remember because no, that is her

1011
00:53:54.800 --> 00:53:58.000
<v Speaker 1>name is Jerry Halliwell. That's her maiden name. She's now

1012
00:53:58.039 --> 00:54:03.320
<v Speaker 1>Halliwell Horner. That's it. Richard E. Grant, Alan Cumming, George

1013
00:54:03.360 --> 00:54:09.599
<v Speaker 1>went Clear, Rushbrook, Mark McKinney, and Roger More. Spice World

1014
00:54:09.639 --> 00:54:12.039
<v Speaker 1>was a number one box office success in the United Kingdom,

1015
00:54:12.199 --> 00:54:16.159
<v Speaker 1>grossing two point three million pounds on its opening week end,

1016
00:54:16.880 --> 00:54:19.480
<v Speaker 1>breaking the record that had been set earlier that same

1017
00:54:19.599 --> 00:54:24.239
<v Speaker 1>year by Bean. The film received generally negative reviews from critics,

1018
00:54:24.599 --> 00:54:27.360
<v Speaker 1>with an average rating on ronin Tomorrow's of thirty five percent,

1019
00:54:27.639 --> 00:54:30.320
<v Speaker 1>with a critic consensus that reads, Spice World's lack of

1020
00:54:30.360 --> 00:54:33.719
<v Speaker 1>cohesive plot will likely lose most viewers, but for fans

1021
00:54:33.760 --> 00:54:36.079
<v Speaker 1>of the titular girl group, there's more than enough fun

1022
00:54:36.119 --> 00:54:39.079
<v Speaker 1>to be had in their wacky, albeit superficial whirlwind of

1023
00:54:39.119 --> 00:54:42.920
<v Speaker 1>an adventure. Noted American film critic Roger Ebert gave one

1024
00:54:42.960 --> 00:54:46.000
<v Speaker 1>half of a star and listed Spice World as one

1025
00:54:46.000 --> 00:54:48.920
<v Speaker 1>of his most hated films, saying, the Spice Girls are

1026
00:54:48.960 --> 00:54:52.039
<v Speaker 1>easier to tell apart than the mutant Ninja turtles, but

1027
00:54:52.159 --> 00:54:57.800
<v Speaker 1>that is small consolation. What I think that's really harsh. Actually,

1028
00:54:58.039 --> 00:55:00.719
<v Speaker 1>what I done this film? That is hard? What can

1029
00:55:00.760 --> 00:55:04.679
<v Speaker 1>you say about five women whose principal distinguishing characteristic is

1030
00:55:04.719 --> 00:55:07.679
<v Speaker 1>that they have different names? They occupy a spice world.

1031
00:55:10.599 --> 00:55:12.840
<v Speaker 1>They occupy Spice World as if they were watching it.

1032
00:55:12.920 --> 00:55:16.400
<v Speaker 1>They're so detached they can't even successfully lip sync their

1033
00:55:16.440 --> 00:55:18.800
<v Speaker 1>own songs. And when he reviewed the film on his

1034
00:55:18.880 --> 00:55:21.559
<v Speaker 1>and Gene Siskel's film critiquing program Ciskel and E but

1035
00:55:22.000 --> 00:55:25.079
<v Speaker 1>only three weeks into nineteen ninety eight, he declared he

1036
00:55:25.119 --> 00:55:27.679
<v Speaker 1>had already seen the worst film of the year and

1037
00:55:27.719 --> 00:55:31.000
<v Speaker 1>called it an entertainment free dead zone. He included the

1038
00:55:31.000 --> 00:55:33.400
<v Speaker 1>film on his The Worst of nineteen ninety eight special,

1039
00:55:33.599 --> 00:55:36.800
<v Speaker 1>but ultimately chose Armageddon as the worst film of nineteen

1040
00:55:36.880 --> 00:55:41.639
<v Speaker 1>ninety eight. Is better than this, especially Space Space. He's

1041
00:55:41.639 --> 00:55:44.039
<v Speaker 1>got space dementsion, which is still better than the fucking

1042
00:55:44.079 --> 00:55:46.920
<v Speaker 1>aliens that appear in this film. Yeah. Janet Maslin of

1043
00:55:46.920 --> 00:55:49.039
<v Speaker 1>The New York Times stated that the film is pleasant

1044
00:55:49.039 --> 00:55:52.159
<v Speaker 1>and painless enough to amuse ardent fans, who figure in

1045
00:55:52.199 --> 00:55:55.119
<v Speaker 1>the film quite often, but also noted that while it

1046
00:55:55.159 --> 00:55:58.280
<v Speaker 1>got a PG rating in the United States, nothing about

1047
00:55:58.320 --> 00:56:01.159
<v Speaker 1>it should disturb its target audience of media. Wise, fun

1048
00:56:01.199 --> 00:56:04.280
<v Speaker 1>loving eight year old girls. Writing for Site and Sound.

1049
00:56:04.280 --> 00:56:07.119
<v Speaker 1>In a positive review, Mark Sinker placed it alongside The

1050
00:56:07.159 --> 00:56:10.079
<v Speaker 1>Monkey's nineteen sixty eight cult film head. He went on

1051
00:56:10.119 --> 00:56:12.519
<v Speaker 1>to say that it sends up the amicable idiocy of

1052
00:56:12.559 --> 00:56:16.199
<v Speaker 1>pop packaging and the slow witted mass media response to it,

1053
00:56:16.480 --> 00:56:20.280
<v Speaker 1>and it was tirelessly generous in its energy. Derek Ellie,

1054
00:56:20.360 --> 00:56:22.960
<v Speaker 1>resident film critic for Variety, gave a mixed review, calling

1055
00:56:22.960 --> 00:56:25.920
<v Speaker 1>the film bright and breezy and as timely but evernescent

1056
00:56:26.000 --> 00:56:29.119
<v Speaker 1>as the cool Britannia culture it celebrates. He stated that

1057
00:56:29.119 --> 00:56:32.360
<v Speaker 1>the film would delight the fab Fire's pree prebeuescent fans,

1058
00:56:32.519 --> 00:56:35.960
<v Speaker 1>but it would be totally forgotten within six months. Oh look,

1059
00:56:36.000 --> 00:56:38.519
<v Speaker 1>it's never even had a blue roly. Several critics have

1060
00:56:38.599 --> 00:56:42.159
<v Speaker 1>reevaluated the film more positively in the years after its

1061
00:56:42.199 --> 00:56:47.239
<v Speaker 1>initial release. Rewatching Spice World in twenty nineteen, Alice Vincent

1062
00:56:47.280 --> 00:56:50.320
<v Speaker 1>of The Daily Telegraph was pleasantly surprised that the jokes

1063
00:56:50.360 --> 00:56:52.800
<v Speaker 1>had not aged badly and found the set were good.

1064
00:56:52.840 --> 00:56:55.760
<v Speaker 1>So yeah, they never aged bad to begin with, and

1065
00:56:55.840 --> 00:56:59.000
<v Speaker 1>found the sets and costuming had a now retro charm.

1066
00:56:59.599 --> 00:57:03.320
<v Speaker 1>I'll give that. Vincent stated, it's an irreverent, lighthearted romp

1067
00:57:03.360 --> 00:57:07.440
<v Speaker 1>that captured the brash, patriotic positivity of a London swept

1068
00:57:07.480 --> 00:57:10.320
<v Speaker 1>up in cool Britannia, people keep saying that I am

1069
00:57:10.400 --> 00:57:13.719
<v Speaker 1>British and I've never heard of cool Britannia. What is this?

1070
00:57:14.559 --> 00:57:20.599
<v Speaker 1>What is I'll be honest, like I've heard the britannially. Yeah,

1071
00:57:21.320 --> 00:57:24.880
<v Speaker 1>but cool Britanni particularly, is that what they call? Because

1072
00:57:24.880 --> 00:57:26.599
<v Speaker 1>there was I was going to talk a bit about

1073
00:57:26.639 --> 00:57:31.719
<v Speaker 1>how Britain punches above its weight in terms of music

1074
00:57:31.880 --> 00:57:33.440
<v Speaker 1>a lot of the time. So you actually had the

1075
00:57:33.440 --> 00:57:38.039
<v Speaker 1>British invase. So you actually had the British because we

1076
00:57:38.079 --> 00:57:40.719
<v Speaker 1>have Ireland connected to us. They bring most of the talent,

1077
00:57:41.360 --> 00:57:49.239
<v Speaker 1>do they? Yes? And Wales? Since when since almost every

1078
00:57:49.239 --> 00:57:53.400
<v Speaker 1>single Eurovision winner we've ever had your revision? Fuck your revision.

1079
00:57:55.000 --> 00:57:57.559
<v Speaker 1>I'm talking about us being popular in America? What's wrong

1080
00:57:57.599 --> 00:58:02.559
<v Speaker 1>with So? You know, you had the British Invasion as

1081
00:58:02.559 --> 00:58:04.599
<v Speaker 1>they called it in the seventies, which was all the

1082
00:58:04.639 --> 00:58:08.039
<v Speaker 1>metal and rock of the seventies. They got really big

1083
00:58:08.039 --> 00:58:10.599
<v Speaker 1>in America. I was thinking only of pop. Fine, yeah,

1084
00:58:10.679 --> 00:58:13.280
<v Speaker 1>when it comes to rock, we do tend to rock.

1085
00:58:13.519 --> 00:58:15.599
<v Speaker 1>And then in the nineties you had a wave of

1086
00:58:15.679 --> 00:58:18.119
<v Speaker 1>British music get popular in America with things like the

1087
00:58:18.159 --> 00:58:22.760
<v Speaker 1>Spice Girls and Oasis actually hate but yeah that was

1088
00:58:23.039 --> 00:58:24.760
<v Speaker 1>un Blur? Is that what that is? Is that? What

1089
00:58:25.000 --> 00:58:27.760
<v Speaker 1>is that what they call cool Britannia? I don't know.

1090
00:58:27.840 --> 00:58:30.639
<v Speaker 1>Because Oasis and Blur they had to fight because they

1091
00:58:30.639 --> 00:58:33.760
<v Speaker 1>were britpop, so that was its own specific category of rock.

1092
00:58:34.159 --> 00:58:38.119
<v Speaker 1>But Spice Girls would not have classified as Britain no anyway.

1093
00:58:38.159 --> 00:58:40.519
<v Speaker 1>Writing for The New York Times in twenty nineteen, Eleanor

1094
00:58:40.559 --> 00:58:42.760
<v Speaker 1>Stanford found the film to be much smarter and more

1095
00:58:42.800 --> 00:58:45.320
<v Speaker 1>self aware than I once gave it credit for, particularly

1096
00:58:45.440 --> 00:58:48.800
<v Speaker 1>enjoying how the Spice Girls poked fun at themselves. Stanford concluded,

1097
00:58:48.840 --> 00:58:51.719
<v Speaker 1>the Spice Girls were absolutely working the very sexist system

1098
00:58:51.960 --> 00:58:53.679
<v Speaker 1>and making a lot of money off of it, but

1099
00:58:53.719 --> 00:58:55.840
<v Speaker 1>they were doing it slyly, with a wink and a grin.

1100
00:58:56.119 --> 00:58:58.280
<v Speaker 1>They were I think misunderstood at the time, and I

1101
00:58:58.320 --> 00:59:01.239
<v Speaker 1>wonder if an irreverent, breezy group like Theirs could even

1102
00:59:01.320 --> 00:59:04.719
<v Speaker 1>exist today. It was listed for a Golden Raspberry Award

1103
00:59:05.880 --> 00:59:10.639
<v Speaker 1>for several It won Worst Actress for all five Spice Girls,

1104
00:59:12.039 --> 00:59:15.199
<v Speaker 1>so collectively they won it. It was nominated for Worst

1105
00:59:15.280 --> 00:59:18.599
<v Speaker 1>New Star. It was nominated for Worst Original Song for

1106
00:59:18.639 --> 00:59:21.840
<v Speaker 1>the song too Much. Roger Moore was nominated for Worst

1107
00:59:21.920 --> 00:59:22.960
<v Speaker 1>Supporting Actor.

1108
00:59:23.119 --> 00:59:27.239
<v Speaker 2>He definitely deserves it. I love Roger Moore, but his

1109
00:59:27.320 --> 00:59:28.880
<v Speaker 2>performance and this is fucking track.

1110
00:59:29.000 --> 00:59:34.079
<v Speaker 1>It was also nominated for Worst Picture and Worst Screenplay,

1111
00:59:34.639 --> 00:59:37.400
<v Speaker 1>and then in two thousand and four it got renominated

1112
00:59:37.440 --> 00:59:42.599
<v Speaker 1>for Worst Musical of the first twenty five years of

1113
00:59:42.599 --> 00:59:45.559
<v Speaker 1>of the Raspberry the Razzies existing. Now, I just want

1114
00:59:45.599 --> 00:59:48.119
<v Speaker 1>to talk quickly about the director because one thing I

1115
00:59:48.159 --> 00:59:52.159
<v Speaker 1>will openly say, the two films have similar budgets. Yep,

1116
00:59:52.400 --> 00:59:55.320
<v Speaker 1>Spice Girls probably have slightly less when you factor in

1117
00:59:55.360 --> 00:59:57.559
<v Speaker 1>the ten years of inflation and the fact that there's

1118
00:59:57.599 --> 00:59:59.920
<v Speaker 1>five leads rather than one. So this is my thing.

1119
01:00:00.840 --> 01:00:03.960
<v Speaker 1>I think you can tell that one of the smart

1120
01:00:04.039 --> 01:00:06.519
<v Speaker 1>choices Michael Jackson made is as you said, there's basically

1121
01:00:06.519 --> 01:00:08.719
<v Speaker 1>no celebrities in it. And I wonder if he even

1122
01:00:08.760 --> 01:00:11.159
<v Speaker 1>paid himself because it maybe twenty five mil that without

1123
01:00:11.280 --> 01:00:13.920
<v Speaker 1>his cost included, so a lot of it went on

1124
01:00:13.960 --> 01:00:18.519
<v Speaker 1>the cinematography and it shows whereas Spy Skirls you're obviously

1125
01:00:18.519 --> 01:00:22.000
<v Speaker 1>paying five Spy Skirls, you're probably paying all those cameos

1126
01:00:22.039 --> 01:00:24.400
<v Speaker 1>and the director so I've just looked up the director

1127
01:00:24.519 --> 01:00:27.400
<v Speaker 1>Robert Spears. He's sadly not with us anymore. He died

1128
01:00:27.440 --> 01:00:31.119
<v Speaker 1>in two thousand and eight, and he's actually he's mostly

1129
01:00:31.159 --> 01:00:34.760
<v Speaker 1>a TV director, doesn't surprise me. He did three films,

1130
01:00:35.599 --> 01:00:38.119
<v Speaker 1>two of which were in nineteen ninety seven, which was

1131
01:00:38.199 --> 01:00:42.079
<v Speaker 1>That Darn Cat, which is a mystery comedy film starring

1132
01:00:42.159 --> 01:00:45.880
<v Speaker 1>Christina Reachi Spice World. And then in two thousand and

1133
01:00:45.920 --> 01:00:47.800
<v Speaker 1>one he did a film called Kevin of the North,

1134
01:00:48.199 --> 01:00:50.960
<v Speaker 1>which is an American comedy film starring Skeet all Rich,

1135
01:00:51.119 --> 01:00:55.280
<v Speaker 1>Natasha Henstridge, Leslie Nielsen, and Rick Mayle. And he's about

1136
01:00:55.280 --> 01:01:00.360
<v Speaker 1>the Alaskan idatorod Trail sled dog race. It no, but

1137
01:01:00.400 --> 01:01:03.079
<v Speaker 1>I kind of want to see that now. In terms

1138
01:01:03.079 --> 01:01:06.239
<v Speaker 1>of TV, though, I think you'll agree he's much more legendary.

1139
01:01:06.800 --> 01:01:13.559
<v Speaker 1>So on TV he directed Dad's Army Right, Faulty Towers, Wow,

1140
01:01:14.480 --> 01:01:23.199
<v Speaker 1>Are You Being Served? French and Saunders absolutely fabulous, bottom

1141
01:01:23.440 --> 01:01:27.360
<v Speaker 1>a bit of Fry and Laurie. Fry and Laurie and

1142
01:01:27.519 --> 01:01:30.559
<v Speaker 1>both in this film and the Ruby Wax Show that

1143
01:01:30.639 --> 01:01:37.000
<v Speaker 1>explains in this and she's from Fryan Laurie. So I

1144
01:01:37.039 --> 01:01:38.519
<v Speaker 1>think he got a lot of friends to come and

1145
01:01:38.559 --> 01:01:39.239
<v Speaker 1>just do camage.

1146
01:01:39.239 --> 01:01:41.679
<v Speaker 2>It makes me wonder if the cameos, most of which

1147
01:01:41.719 --> 01:01:44.239
<v Speaker 2>probably weren't paid, Roger Moore would have been paid.

1148
01:01:44.719 --> 01:01:47.519
<v Speaker 1>But I do wonder about Elton John as well.

1149
01:01:47.559 --> 01:01:49.440
<v Speaker 2>Actually because he's literal, because he's only in it for

1150
01:01:49.480 --> 01:01:51.039
<v Speaker 2>two seconds, make me think that.

1151
01:01:51.000 --> 01:01:55.360
<v Speaker 1>They bumped into them. He didn't know it was on film.

1152
01:01:55.559 --> 01:01:59.719
<v Speaker 1>He's just being himself. But so that's quite their big

1153
01:01:59.800 --> 01:02:02.079
<v Speaker 1>name was in British comedy. All those shows I've just

1154
01:02:02.119 --> 01:02:05.239
<v Speaker 1>listened some of the biggest names of comedy, actually Dad's

1155
01:02:05.320 --> 01:02:08.360
<v Speaker 1>Army being the biggest surprise because I consider that quite

1156
01:02:08.360 --> 01:02:10.760
<v Speaker 1>an old show, so he must have been quite old.

1157
01:02:11.039 --> 01:02:13.039
<v Speaker 1>He died in two thousand and eight. No no, no,

1158
01:02:13.079 --> 01:02:15.360
<v Speaker 1>Byny was like eighty right, there you go. Cool. So

1159
01:02:15.400 --> 01:02:18.000
<v Speaker 1>I put Spice World on the list. I chose it

1160
01:02:18.079 --> 01:02:22.760
<v Speaker 1>to be the season finale deliberately because it's a ridiculous movie,

1161
01:02:23.320 --> 01:02:26.920
<v Speaker 1>unlike Moonwalker. Well when you said moon Walker, I was like, well,

1162
01:02:27.000 --> 01:02:33.920
<v Speaker 1>let's put them together. Why not? So as a child,

1163
01:02:34.480 --> 01:02:37.760
<v Speaker 1>I was obsessed with the Spy Girls. Fucking me and

1164
01:02:37.800 --> 01:02:40.800
<v Speaker 1>my brother and sister all were. We loved the Spy Girls.

1165
01:02:41.239 --> 01:02:44.000
<v Speaker 1>We had a VHS of them performing live. I want

1166
01:02:44.000 --> 01:02:47.239
<v Speaker 1>to say Wembley Arena. We used to buy all the

1167
01:02:47.320 --> 01:02:49.639
<v Speaker 1>chocolate but I don't if you remember, but deary milks

1168
01:02:49.639 --> 01:02:52.400
<v Speaker 1>in the nineties have the spice Girls on them, right, Okay,

1169
01:02:52.679 --> 01:02:54.960
<v Speaker 1>we used to buy those. My sister had all of

1170
01:02:54.960 --> 01:02:58.239
<v Speaker 1>the Spice Girl dolls. The first game we had on

1171
01:02:58.280 --> 01:03:03.119
<v Speaker 1>our Sony PlayStation was the Spice World video game, which

1172
01:03:03.119 --> 01:03:06.880
<v Speaker 1>is I mean, it's not a game. It's not a

1173
01:03:06.920 --> 01:03:09.880
<v Speaker 1>game way, this is not a film. It is a

1174
01:03:09.920 --> 01:03:15.079
<v Speaker 1>waste of computer programming. So when this film came out, me,

1175
01:03:15.239 --> 01:03:17.679
<v Speaker 1>Jody and John were obsessed with it. We were like,

1176
01:03:17.760 --> 01:03:19.760
<v Speaker 1>we need to see this. I remember we had it

1177
01:03:19.800 --> 01:03:25.440
<v Speaker 1>on VHS and we must have watched it a jillion times.

1178
01:03:25.960 --> 01:03:28.719
<v Speaker 1>And that is why I am an uncultured swine who

1179
01:03:28.760 --> 01:03:31.480
<v Speaker 1>when I later saw some of the respectable work that

1180
01:03:31.559 --> 01:03:34.159
<v Speaker 1>Richard E. Grant went on to do, I was like,

1181
01:03:34.360 --> 01:03:37.480
<v Speaker 1>that's the guy from Spice World, which I'm sure Richard

1182
01:03:37.519 --> 01:03:40.159
<v Speaker 1>Grant would be Richard Y. Grant would be thrilled to

1183
01:03:40.239 --> 01:03:42.239
<v Speaker 1>know that. I didn't go, well, that's the dude from

1184
01:03:42.280 --> 01:03:44.559
<v Speaker 1>with Nail and I I went, oh, it's the dude

1185
01:03:44.639 --> 01:03:50.519
<v Speaker 1>from its most important role. As a kid. Loved the

1186
01:03:50.599 --> 01:03:53.800
<v Speaker 1>film haven't seen it in a very long time, as

1187
01:03:53.800 --> 01:03:56.400
<v Speaker 1>you can imagine, because I kind of grew out of

1188
01:03:56.440 --> 01:03:58.519
<v Speaker 1>the Spice because I still listened to the music occasional.

1189
01:03:58.679 --> 01:04:01.400
<v Speaker 1>They stopped being a band as well for a long time.

1190
01:04:01.599 --> 01:04:04.360
<v Speaker 1>So yeah, well, yeah they broke well Jerry halliwell left

1191
01:04:04.360 --> 01:04:07.440
<v Speaker 1>and then they broke up not long after that, and

1192
01:04:07.519 --> 01:04:09.480
<v Speaker 1>I ended up liking Girls Allowed. I ended up moving

1193
01:04:09.519 --> 01:04:10.800
<v Speaker 1>on to Girls Allowed for a because I guess I

1194
01:04:10.840 --> 01:04:14.239
<v Speaker 1>like pop music. But anyway, one thing about watching this

1195
01:04:14.880 --> 01:04:18.159
<v Speaker 1>back now that we can talk about later is realizing

1196
01:04:18.199 --> 01:04:20.559
<v Speaker 1>how little of the film I understood as a kid.

1197
01:04:21.199 --> 01:04:23.239
<v Speaker 1>There's a lot of jokes in this I are not

1198
01:04:23.320 --> 01:04:27.480
<v Speaker 1>even talking dirty jokes, but just pop culture jokes that

1199
01:04:27.519 --> 01:04:30.559
<v Speaker 1>as a seven or eight year old kid, I didn't

1200
01:04:30.599 --> 01:04:34.800
<v Speaker 1>have the pop culture knowledge to get well, all the

1201
01:04:34.880 --> 01:04:37.760
<v Speaker 1>Roger more stuff. Yeah, like so there are so many

1202
01:04:37.880 --> 01:04:41.360
<v Speaker 1>Bond references with Roger Moore's appearances. I didn't even know

1203
01:04:41.360 --> 01:04:44.400
<v Speaker 1>who Roger mare was. No again, I didn't know what

1204
01:04:44.519 --> 01:04:48.880
<v Speaker 1>James Bond was at seven years old. Right, meat Loaf,

1205
01:04:49.360 --> 01:04:51.599
<v Speaker 1>Yeah again. The first time I ever saw Meatloaf in

1206
01:04:51.599 --> 01:04:54.440
<v Speaker 1>a music video went that's the bus driver from Spice Girls.

1207
01:04:55.519 --> 01:04:57.119
<v Speaker 1>You know what It's meaning is that I didn't recognize

1208
01:04:57.159 --> 01:05:00.519
<v Speaker 1>him in this because he's doing a normal, more voice

1209
01:05:00.559 --> 01:05:02.519
<v Speaker 1>and I didn't like it. I want I want a

1210
01:05:02.559 --> 01:05:04.400
<v Speaker 1>performing voice.

1211
01:05:05.000 --> 01:05:08.760
<v Speaker 2>When he does, he does a joke about the toilets, yes,

1212
01:05:09.000 --> 01:05:11.239
<v Speaker 2>and he's I wanted him to sing the line, so

1213
01:05:11.360 --> 01:05:12.599
<v Speaker 2>that's that's better.

1214
01:05:12.800 --> 01:05:14.719
<v Speaker 1>That's a joke. I mean that I didn't get where

1215
01:05:14.719 --> 01:05:17.639
<v Speaker 1>he says I love these girls. I would do anything

1216
01:05:17.719 --> 01:05:20.360
<v Speaker 1>for him, but I won't do that. Yeah, we'll just

1217
01:05:20.559 --> 01:05:23.519
<v Speaker 1>clean toilets. But he should have sung it instead. He

1218
01:05:23.599 --> 01:05:28.400
<v Speaker 1>just says it and that I love these girls, but

1219
01:05:28.599 --> 01:05:31.440
<v Speaker 1>I won't do that. You know, that would have been

1220
01:05:31.480 --> 01:05:35.079
<v Speaker 1>the way to perform the line. So I fully met, Like,

1221
01:05:35.320 --> 01:05:36.599
<v Speaker 1>I'm not going to sit here and claim this is

1222
01:05:36.599 --> 01:05:40.400
<v Speaker 1>a good movie. It is an nostalgic is a nostalgic

1223
01:05:40.599 --> 01:05:44.079
<v Speaker 1>movie for me? Good? So fine. Right at the beginning,

1224
01:05:44.280 --> 01:05:46.800
<v Speaker 1>we open on Top of the Pops, and straight away

1225
01:05:46.840 --> 01:05:49.199
<v Speaker 1>I was like, fucking ill. Remember when Top of the

1226
01:05:49.199 --> 01:05:51.559
<v Speaker 1>Pops was a thing. It was such a big thing though,

1227
01:05:51.559 --> 01:05:55.239
<v Speaker 1>because it really did influence how or what would reach

1228
01:05:55.320 --> 01:05:58.320
<v Speaker 1>number one on the charts. It was important to get

1229
01:05:58.360 --> 01:05:59.199
<v Speaker 1>on Top of the Pops.

1230
01:06:00.480 --> 01:06:02.719
<v Speaker 2>And it's just so weird that it's not even a

1231
01:06:02.760 --> 01:06:04.599
<v Speaker 2>thing now, Like the Top of the Pops too, doesn't

1232
01:06:04.599 --> 01:06:08.199
<v Speaker 2>even play anywhere anymore. Yeah, no, it exists. It's just

1233
01:06:08.239 --> 01:06:12.079
<v Speaker 2>disappeared out of the zeitgeist. It's not really a shame,

1234
01:06:12.079 --> 01:06:14.760
<v Speaker 2>because I kind of understand it was a product of

1235
01:06:14.800 --> 01:06:17.440
<v Speaker 2>a time that no longer exists, but it is kind

1236
01:06:17.480 --> 01:06:20.440
<v Speaker 2>of it just feels weird to me, having grown up

1237
01:06:20.480 --> 01:06:21.679
<v Speaker 2>with it, that it's just gone.

1238
01:06:21.800 --> 01:06:24.719
<v Speaker 1>Well, we've talked before, haven't we, about how cultural zeitgeist

1239
01:06:24.800 --> 01:06:27.679
<v Speaker 1>is a thing that is thinning out because you because

1240
01:06:27.679 --> 01:06:30.760
<v Speaker 1>you used to have only, say, three radio stations and

1241
01:06:30.800 --> 01:06:34.760
<v Speaker 1>three TV channels. Let's say the bands that got featured

1242
01:06:34.760 --> 01:06:37.840
<v Speaker 1>on Top of the Pops, everyone in the country would

1243
01:06:37.840 --> 01:06:41.840
<v Speaker 1>have listened to them because it's your only source. But

1244
01:06:41.920 --> 01:06:44.599
<v Speaker 1>now that you've got the Internet, and you've got not

1245
01:06:44.639 --> 01:06:47.199
<v Speaker 1>only the entire back catalog of every other song that's

1246
01:06:47.239 --> 01:06:50.119
<v Speaker 1>ever been made before this point, but every day there's

1247
01:06:50.159 --> 01:06:53.199
<v Speaker 1>probably a thousand new songs that come out. When you

1248
01:06:53.280 --> 01:06:57.159
<v Speaker 1>factor in all of the indie artists and everything, people

1249
01:06:57.239 --> 01:07:00.480
<v Speaker 1>are able to curate their own experts. I do it.

1250
01:07:00.599 --> 01:07:04.199
<v Speaker 1>I can't name most modern singers because I don't have

1251
01:07:04.239 --> 01:07:06.679
<v Speaker 1>an interest in that music and you don't know. I

1252
01:07:06.679 --> 01:07:09.880
<v Speaker 1>don't go looking for it same anyway. That's kind of

1253
01:07:09.880 --> 01:07:12.760
<v Speaker 1>a off topic now, No, but it's it's it's interesting.

1254
01:07:13.239 --> 01:07:17.519
<v Speaker 1>I had misremembered this film because my miss I had

1255
01:07:17.559 --> 01:07:19.800
<v Speaker 1>remembered and I tell you now it's the facial hair.

1256
01:07:20.400 --> 01:07:23.280
<v Speaker 1>I had remembered that rich that much facial ha ha.

1257
01:07:25.039 --> 01:07:28.000
<v Speaker 1>I had remembered that Richard E. Grant was the villain

1258
01:07:28.039 --> 01:07:30.199
<v Speaker 1>of this movie because he had a go and he

1259
01:07:30.280 --> 01:07:34.239
<v Speaker 1>actually isn't. He's just getting pissy. I just remembered a

1260
01:07:34.280 --> 01:07:36.480
<v Speaker 1>bit where he's getting pissy and he's got the goaty

1261
01:07:36.559 --> 01:07:38.519
<v Speaker 1>and the sideburns, and there's a bit where they kind

1262
01:07:38.559 --> 01:07:40.440
<v Speaker 1>of light him from under a little bit and he's

1263
01:07:40.480 --> 01:07:44.880
<v Speaker 1>like glaring at someone. I just remembered that image. That's

1264
01:07:44.880 --> 01:07:47.000
<v Speaker 1>the villain in the film. Yeah, don't know. Richard E.

1265
01:07:47.039 --> 01:07:48.920
<v Speaker 1>Grant plays a lot of villain, but there isn't actually

1266
01:07:48.920 --> 01:07:51.119
<v Speaker 1>a villain in the film. The closest you get is

1267
01:07:51.159 --> 01:07:56.199
<v Speaker 1>the newspaper guy who's deliberately trying to spread rumors that.

1268
01:07:56.159 --> 01:08:00.880
<v Speaker 2>They broke I guess, yeah, No, to be fair, their

1269
01:08:00.960 --> 01:08:03.960
<v Speaker 2>Asian friend who's pregnant. She's really the villain because she

1270
01:08:04.000 --> 01:08:07.079
<v Speaker 2>almost makes them late for their final performance, right, so

1271
01:08:07.119 --> 01:08:08.199
<v Speaker 2>she's clearly a villain.

1272
01:08:10.280 --> 01:08:12.000
<v Speaker 1>Of course I'll belly joking.

1273
01:08:13.320 --> 01:08:16.000
<v Speaker 2>So okay, first of all, I want to say something

1274
01:08:16.039 --> 01:08:17.680
<v Speaker 2>that's in contrast with Moonwalker.

1275
01:08:18.399 --> 01:08:20.479
<v Speaker 1>Moonwalker looks amazing. This does not.

1276
01:08:20.840 --> 01:08:23.199
<v Speaker 2>And I don't just mean in terms of having maybe

1277
01:08:23.279 --> 01:08:25.680
<v Speaker 2>less budget, and I don't just mean in terms of

1278
01:08:25.680 --> 01:08:27.680
<v Speaker 2>it not fit in the same sort of style. And

1279
01:08:27.720 --> 01:08:29.840
<v Speaker 2>I don't even mean the fact that it's an interlaced

1280
01:08:29.920 --> 01:08:33.239
<v Speaker 2>DVD copyer, not a shiny blue ray at twenty four frames.

1281
01:08:33.760 --> 01:08:38.000
<v Speaker 2>None of the technical shit in that sense. What's worse

1282
01:08:38.039 --> 01:08:46.720
<v Speaker 2>about this film is camera work, angle, choice, movement, basically

1283
01:08:46.720 --> 01:08:49.359
<v Speaker 2>everything that makes the camera give a good performance.

1284
01:08:49.520 --> 01:08:49.960
<v Speaker 1>Lighting.

1285
01:08:50.319 --> 01:08:52.199
<v Speaker 2>There's a couple of shots with good lighting, but they're

1286
01:08:52.239 --> 01:08:53.960
<v Speaker 2>usually in places like there's a bit later on with

1287
01:08:54.039 --> 01:08:56.479
<v Speaker 2>Ministry of Sound, which looks really good, but that's because

1288
01:08:56.479 --> 01:08:58.479
<v Speaker 2>they're in the ministry of sound, and Ministry of sound

1289
01:08:58.479 --> 01:09:00.319
<v Speaker 2>looks incredible. Have been there, it looks amazing seeing with

1290
01:09:00.359 --> 01:09:03.319
<v Speaker 2>all the lights on. So that's all just freely given

1291
01:09:03.359 --> 01:09:06.239
<v Speaker 2>to the freely given to them by the venue where

1292
01:09:06.279 --> 01:09:09.640
<v Speaker 2>they are. There's a bit in not the first musical

1293
01:09:09.640 --> 01:09:12.000
<v Speaker 2>performan because the first musical performance has done like a

1294
01:09:12.119 --> 01:09:16.159
<v Speaker 2>James Bond intro is yes, girl, but it looks terrible

1295
01:09:16.159 --> 01:09:19.279
<v Speaker 2>because it's all CGI. And then they do a bit

1296
01:09:19.319 --> 01:09:21.880
<v Speaker 2>where they have to they're doing a rehearsal I think

1297
01:09:21.960 --> 01:09:24.680
<v Speaker 2>by Jules Holland in this tall ceiling.

1298
01:09:26.000 --> 01:09:28.920
<v Speaker 1>Jules Holland. It's Jules Holland. Yeah, it's a cameo. I

1299
01:09:28.920 --> 01:09:31.600
<v Speaker 1>didn't write down. Excuse me, There you go. I've made

1300
01:09:31.600 --> 01:09:34.319
<v Speaker 1>a list of all the cameos. Unnoticed I missed that one.

1301
01:09:34.359 --> 01:09:34.720
<v Speaker 1>There you go.

1302
01:09:34.840 --> 01:09:37.680
<v Speaker 2>So yeah, Jules Holland is directing them in a music video,

1303
01:09:38.079 --> 01:09:40.800
<v Speaker 2>which is again just them in a line singing behind

1304
01:09:40.840 --> 01:09:41.800
<v Speaker 2>my stands.

1305
01:09:41.800 --> 01:09:44.920
<v Speaker 1>Someone fucks on a keyboard, don't they Melbil los a

1306
01:09:44.960 --> 01:09:48.159
<v Speaker 1>temper at him. Yes, But when they start doing the

1307
01:09:48.159 --> 01:09:50.880
<v Speaker 1>actual rehearsal, the camera starts towards the ceiling of the

1308
01:09:50.960 --> 01:09:54.479
<v Speaker 1>room and slowly moves down to bring the girls into

1309
01:09:54.560 --> 01:09:59.479
<v Speaker 1>center frame. Beautiful idea of a shot. The camera's pissed.

1310
01:09:59.800 --> 01:10:02.520
<v Speaker 2>The the entire drop the camera is like, it's like

1311
01:10:02.600 --> 01:10:06.000
<v Speaker 2>someone's got a handicam and has got their hands slightly

1312
01:10:06.039 --> 01:10:08.560
<v Speaker 2>tilted as they do the motion. Oh, I didn't notice that,

1313
01:10:08.680 --> 01:10:11.319
<v Speaker 2>And they've not fixed it in post or anything like

1314
01:10:11.479 --> 01:10:14.640
<v Speaker 2>or redone it. It's one the shot is one key

1315
01:10:14.680 --> 01:10:17.600
<v Speaker 2>and not in like a Dutch angle way. It's just

1316
01:10:18.079 --> 01:10:20.319
<v Speaker 2>they fucked it up. And there's several shots throughout it

1317
01:10:20.359 --> 01:10:23.439
<v Speaker 2>where you're like, nothing's straight, like fucking straight in the

1318
01:10:23.520 --> 01:10:27.439
<v Speaker 2>fucking camera, like either they've got a dodgy tripod or

1319
01:10:27.760 --> 01:10:30.600
<v Speaker 2>that his name is Phil and he's got a dodgy leg.

1320
01:10:31.720 --> 01:10:34.720
<v Speaker 1>Everything is just won key where he's holding the camera

1321
01:10:34.800 --> 01:10:37.039
<v Speaker 1>at a weird angle. Why is it relevant that his

1322
01:10:37.119 --> 01:10:40.920
<v Speaker 1>name's Phil? I just want to now, I did want to.

1323
01:10:41.000 --> 01:10:42.800
<v Speaker 1>I did want to point out something though that's actually

1324
01:10:42.840 --> 01:10:45.840
<v Speaker 1>quite serious, and I was surprised. I was surprised this

1325
01:10:45.880 --> 01:10:49.079
<v Speaker 1>film did it. In ninety seven, as the Spice Girls

1326
01:10:49.079 --> 01:10:51.039
<v Speaker 1>are leaving the rehearsal and they're making their way to

1327
01:10:51.079 --> 01:10:53.880
<v Speaker 1>their tour bus, you get a bit where there's a

1328
01:10:53.920 --> 01:10:57.680
<v Speaker 1>load of paparazzi waiting for them, Yes, and riginally Grank

1329
01:10:57.680 --> 01:10:59.520
<v Speaker 1>grabs one of the cameras that's low and he goes

1330
01:10:59.720 --> 01:11:03.520
<v Speaker 1>not the skirts, thank you? Oh interesting, I missed that bit. Now,

1331
01:11:03.560 --> 01:11:05.439
<v Speaker 1>I want to bring this up. So I probably wouldn't

1332
01:11:05.439 --> 01:11:08.279
<v Speaker 1>have noticed it either, except again, I've got that Girl's

1333
01:11:08.279 --> 01:11:11.359
<v Speaker 1>Allowed documentary right, And there is a lot of time

1334
01:11:11.600 --> 01:11:18.359
<v Speaker 1>dedicated in that documentary to how disgusting British paparatzi were

1335
01:11:18.840 --> 01:11:21.319
<v Speaker 1>in the nineties and the two thousands, the way you

1336
01:11:21.399 --> 01:11:23.920
<v Speaker 1>often got those sort of shots, to the point where

1337
01:11:23.920 --> 01:11:27.680
<v Speaker 1>in the early twenty tens the UK government finally pastor

1338
01:11:27.800 --> 01:11:30.720
<v Speaker 1>law making it illegally ill.

1339
01:11:31.039 --> 01:11:33.880
<v Speaker 2>It was also the reason why when the smart phones

1340
01:11:33.920 --> 01:11:36.520
<v Speaker 2>came out that could do cameras that they don't have

1341
01:11:36.560 --> 01:11:38.479
<v Speaker 2>to make a noise when you take a photo, but

1342
01:11:38.600 --> 01:11:41.119
<v Speaker 2>by law they it now has to make a noise

1343
01:11:41.159 --> 01:11:44.079
<v Speaker 2>as part of the program. Because that way a woman

1344
01:11:44.119 --> 01:11:46.840
<v Speaker 2>will know if you've tried to upskirt shot her. That's

1345
01:11:46.880 --> 01:11:49.039
<v Speaker 2>what that That's why if you go it doesn't really

1346
01:11:49.119 --> 01:11:52.399
<v Speaker 2>need to make the noise, it does because of not

1347
01:11:52.439 --> 01:11:55.920
<v Speaker 2>because because of because of perverts. It's to yeah, and

1348
01:11:55.960 --> 01:11:57.479
<v Speaker 2>it's it's it is.

1349
01:11:57.399 --> 01:12:00.159
<v Speaker 1>Atrocious that we're in a world where we have to

1350
01:12:00.199 --> 01:12:02.880
<v Speaker 1>go no, make it make a noise because of the pervert.

1351
01:12:03.239 --> 01:12:06.520
<v Speaker 1>And it saddens me because the British paparazzi, specifically the

1352
01:12:06.560 --> 01:12:10.720
<v Speaker 1>British paparazzi had a reputation for doing this. I've seen

1353
01:12:10.760 --> 01:12:14.079
<v Speaker 1>interviews with American celebrities who say they used to dread

1354
01:12:14.159 --> 01:12:19.159
<v Speaker 1>coming over to Britain and dealing with British paparazzi because

1355
01:12:19.239 --> 01:12:21.960
<v Speaker 1>they were desperate to get the obscull literally. In the

1356
01:12:21.960 --> 01:12:24.479
<v Speaker 1>Girls Allowed documentary, they talk about times where their car

1357
01:12:24.479 --> 01:12:27.520
<v Speaker 1>would pull up to somewhere and the cameraman would be

1358
01:12:27.600 --> 01:12:30.920
<v Speaker 1>laid on the pavement so that you've got to step

1359
01:12:30.960 --> 01:12:34.800
<v Speaker 1>over him. But like there's a certain level where you

1360
01:12:34.800 --> 01:12:37.560
<v Speaker 1>sit there and go right. So you're you're a photographer

1361
01:12:37.600 --> 01:12:39.680
<v Speaker 1>for a newspaper, you're going to take it. Try and

1362
01:12:39.680 --> 01:12:41.880
<v Speaker 1>get a shot of let's say, Spice girls for this

1363
01:12:42.199 --> 01:12:44.520
<v Speaker 1>sake of this film. If you're lying on the floor

1364
01:12:44.800 --> 01:12:47.520
<v Speaker 1>and get the shot the girls step over, don't hey,

1365
01:12:47.520 --> 01:12:50.399
<v Speaker 1>look I've got the panty shot? Who are you? Who

1366
01:12:50.479 --> 01:12:52.960
<v Speaker 1>you selling that to? And be telling you like how

1367
01:12:52.960 --> 01:12:55.479
<v Speaker 1>are you getting away with it? Because someone will go, well,

1368
01:12:55.760 --> 01:12:58.560
<v Speaker 1>here's the credit for the photo is Gilly bib Bob.

1369
01:12:58.880 --> 01:13:01.119
<v Speaker 1>Clearly he's a perf because the only way you got

1370
01:13:01.159 --> 01:13:03.960
<v Speaker 1>that shot was by lying underneath the girls. So it

1371
01:13:04.039 --> 01:13:07.800
<v Speaker 1>wasn't really newspapers so much. It was things like Heat magazine,

1372
01:13:07.880 --> 01:13:10.640
<v Speaker 1>Oh the rag mags, because they'd put them up and

1373
01:13:10.640 --> 01:13:13.920
<v Speaker 1>then they'd be like, look she's got cell You like that.

1374
01:13:14.640 --> 01:13:18.119
<v Speaker 1>So it's disgusting. They are vile, vile trash those magazine

1375
01:13:18.159 --> 01:13:21.560
<v Speaker 1>I'll be honest, I never read one. Yes, that's really sick. Yeah, yeah,

1376
01:13:21.560 --> 01:13:25.479
<v Speaker 1>it's disgusting. So I was actually pleased they don't do

1377
01:13:25.640 --> 01:13:29.039
<v Speaker 1>much with it. It at least gets acknowledged in this film.

1378
01:13:29.079 --> 01:13:32.720
<v Speaker 1>This is something that the paparazzi do, no fair, disgusting shit.

1379
01:13:33.520 --> 01:13:35.760
<v Speaker 1>So this whole next bit as a kid was the

1380
01:13:35.760 --> 01:13:38.279
<v Speaker 1>bit I fucking loved. I'm gonna admit something really embarrassing now.

1381
01:13:38.479 --> 01:13:41.079
<v Speaker 1>So their tour bus is a huge tour bus with

1382
01:13:41.119 --> 01:13:44.319
<v Speaker 1>the Union jack painted on it meat loaf STEbus driver

1383
01:13:44.560 --> 01:13:46.279
<v Speaker 1>which obviously didn't know it was meat loaf when I

1384
01:13:46.279 --> 01:13:48.520
<v Speaker 1>was a kid, And a lot of scenes in this

1385
01:13:48.560 --> 01:13:51.560
<v Speaker 1>film take place in the bus on a set where

1386
01:13:51.560 --> 01:13:55.760
<v Speaker 1>they've got this huge dressing room. Yeah, but as a kid,

1387
01:13:56.159 --> 01:13:58.199
<v Speaker 1>I was like, that's what the Spice Girl's tour bus

1388
01:13:58.199 --> 01:14:01.479
<v Speaker 1>looks like. That is it exactly what the Spice Girl's

1389
01:14:01.479 --> 01:14:05.319
<v Speaker 1>tour bus looks like? Despite the fucking it was a tardis,

1390
01:14:05.680 --> 01:14:08.680
<v Speaker 1>no wonder you fucking liked it. You love Doctor who

1391
01:14:09.239 --> 01:14:14.840
<v Speaker 1>Spice tardis Yeah, and uh, and then watching it again

1392
01:14:14.840 --> 01:14:16.760
<v Speaker 1>as an adult I was literally watching this scene where

1393
01:14:16.800 --> 01:14:19.840
<v Speaker 1>like Victoria Beckham's trying on dressers and Jerry Halliwell's reading

1394
01:14:19.880 --> 01:14:20.319
<v Speaker 1>the magnifice.

1395
01:14:20.560 --> 01:14:23.000
<v Speaker 2>Actually was looking at the fact that baby Spice was

1396
01:14:23.000 --> 01:14:25.279
<v Speaker 2>literally acting like a baby, like she's swinging a little

1397
01:14:25.279 --> 01:14:26.520
<v Speaker 2>sweet sucking on her farm.

1398
01:14:26.520 --> 01:14:29.119
<v Speaker 1>But you're like a bit weird in it. You don't

1399
01:14:29.119 --> 01:14:31.880
<v Speaker 1>need to go this far. I was looking at I

1400
01:14:31.920 --> 01:14:34.319
<v Speaker 1>was looking at it and just going, how the fuck

1401
01:14:34.399 --> 01:14:37.600
<v Speaker 1>did I ever think that this was the actual bus

1402
01:14:38.000 --> 01:14:40.680
<v Speaker 1>the starters. It clearly isn't em It's supposed to be

1403
01:14:40.760 --> 01:14:43.880
<v Speaker 1>in motion, isn't it nothing, But it clearly isn't. Nothing's moving,

1404
01:14:44.039 --> 01:14:47.199
<v Speaker 1>they're not rocket They're on solid ground. It's the width

1405
01:14:47.239 --> 01:14:52.119
<v Speaker 1>of three double decker buses at least, it's definitely a

1406
01:14:52.119 --> 01:14:54.640
<v Speaker 1>film studio. And then there is like the level of it,

1407
01:14:54.680 --> 01:14:58.319
<v Speaker 1>like riginally Grant there's like a balcony. Yeah, he's looking

1408
01:14:58.319 --> 01:15:00.760
<v Speaker 1>down at them, which is like four stor up and

1409
01:15:00.800 --> 01:15:03.680
<v Speaker 1>you're like, all its double decker. But as an eight

1410
01:15:03.720 --> 01:15:05.319
<v Speaker 1>year and I was like, yeah, that's the Spice Skills

1411
01:15:05.359 --> 01:15:10.279
<v Speaker 1>tour bus. Yeah, that's exactly what that looks like. It

1412
01:15:10.399 --> 01:15:12.319
<v Speaker 1>makes it. It says a lot that there's never a

1413
01:15:12.359 --> 01:15:16.079
<v Speaker 1>shot that takes you from the bit where meat Loaf

1414
01:15:16.159 --> 01:15:19.840
<v Speaker 1>is driving into the back you never see the entrance.

1415
01:15:20.840 --> 01:15:23.760
<v Speaker 1>We get another cameo, Jonathan Ross, who I'm sure the

1416
01:15:24.159 --> 01:15:26.640
<v Speaker 1>British the American listeners probably won't know who that is.

1417
01:15:26.840 --> 01:15:28.760
<v Speaker 1>But he's like a talk show host. I guess he's

1418
01:15:28.800 --> 01:15:32.840
<v Speaker 1>like our Conan O'Brien, maybe kind of Graham Norton might

1419
01:15:32.880 --> 01:15:36.640
<v Speaker 1>be more of ourn Graham. To be fair, our chatch

1420
01:15:36.760 --> 01:15:38.960
<v Speaker 1>hopes are very different, but yeah, he's on that grade.

1421
01:15:39.119 --> 01:15:42.760
<v Speaker 1>Did you think it was weird that Jonathan Ross's jokes

1422
01:15:42.760 --> 01:15:44.399
<v Speaker 1>are all about him not being able to get the

1423
01:15:44.479 --> 01:15:47.720
<v Speaker 1>languages of countries right, Like they say something in Spanish

1424
01:15:47.760 --> 01:15:49.920
<v Speaker 1>and he's like great for the German listeners, and then

1425
01:15:49.960 --> 01:15:53.640
<v Speaker 1>they say something like Mexican something, Japanese, Japanese, He's like

1426
01:15:53.640 --> 01:15:55.520
<v Speaker 1>great for the Chinese listeners or something.

1427
01:15:55.680 --> 01:15:57.239
<v Speaker 2>It wasn't even Chinese. It was like really off, like

1428
01:15:57.319 --> 01:16:00.319
<v Speaker 2>Brazilian or something. He made sure, to be fair, it's

1429
01:16:00.319 --> 01:16:02.720
<v Speaker 2>not that bad. He does at least go all over

1430
01:16:03.079 --> 01:16:05.079
<v Speaker 2>as far away from the rest of the world as possible,

1431
01:16:05.119 --> 01:16:06.840
<v Speaker 2>so that you know it's just him being an idiot,

1432
01:16:06.880 --> 01:16:07.520
<v Speaker 2>not racist.

1433
01:16:08.520 --> 01:16:11.720
<v Speaker 1>You then get George Went from Cheers is in this movie.

1434
01:16:12.000 --> 01:16:15.000
<v Speaker 1>So he's the movie producer who keeps meeting with Richard E.

1435
01:16:15.119 --> 01:16:18.840
<v Speaker 1>Grant right, yes, the chubby guy. Yeah, I didn't know

1436
01:16:18.880 --> 01:16:22.079
<v Speaker 1>his name at the time. That's the dude from Cheers. Yeah.

1437
01:16:22.279 --> 01:16:25.880
<v Speaker 1>Again the bus being ridiculous. Clifford's office is like a

1438
01:16:25.960 --> 01:16:30.920
<v Speaker 1>sci fi villain la. Yeah, so Kevin mcmaxford, isn't it. No, no, no,

1439
01:16:32.000 --> 01:16:34.960
<v Speaker 1>Richard E. Grant, Oh sorry, on the bus. He's got

1440
01:16:34.960 --> 01:16:37.000
<v Speaker 1>like a little office you see him in with a

1441
01:16:37.000 --> 01:16:39.960
<v Speaker 1>swivel chair, and it's got like all these monitors all

1442
01:16:40.000 --> 01:16:42.880
<v Speaker 1>around him in a circling. When I first watched the film,

1443
01:16:42.880 --> 01:16:44.840
<v Speaker 1>I was like, how did he get back to his office?

1444
01:16:45.159 --> 01:16:48.880
<v Speaker 1>And then I realized later on, oh he's made Yeah, okay,

1445
01:16:50.119 --> 01:16:53.319
<v Speaker 1>but no, and he calls Roger Moore's character so here's

1446
01:16:53.359 --> 01:16:57.800
<v Speaker 1>some more jokes. I didn't get some more jokes. Yeah

1447
01:16:57.079 --> 01:17:03.159
<v Speaker 1>what Roger Moore? Obviously very famously, James Bond is very

1448
01:17:03.199 --> 01:17:07.319
<v Speaker 1>deliberately made to look like Blofeld in this It's wearing

1449
01:17:07.399 --> 01:17:12.199
<v Speaker 1>similar clothes, he's in a swivel chair, He's stroking a cat,

1450
01:17:12.520 --> 01:17:15.560
<v Speaker 1>which they then later swap out for a teacup pig, yes,

1451
01:17:15.640 --> 01:17:17.880
<v Speaker 1>which was weird. This is a bit where the teacup

1452
01:17:17.920 --> 01:17:21.239
<v Speaker 1>pig just starts screaming is the only word I can use,

1453
01:17:21.359 --> 01:17:23.560
<v Speaker 1>and I'm fairly certain that's not in the script. I

1454
01:17:23.560 --> 01:17:26.079
<v Speaker 1>think the pig just started screaming, and Roger Moore just

1455
01:17:26.119 --> 01:17:27.640
<v Speaker 1>went with it. He was just like, I'll have you

1456
01:17:27.720 --> 01:17:31.399
<v Speaker 1>for another five minutes. The most egregious of these jokes, though,

1457
01:17:31.760 --> 01:17:34.520
<v Speaker 1>is there's a bit where he's shaking a Martini yes,

1458
01:17:34.880 --> 01:17:37.600
<v Speaker 1>and Richard E. Grant says, Oh, do you think I

1459
01:17:37.600 --> 01:17:38.960
<v Speaker 1>should stir up something?

1460
01:17:39.079 --> 01:17:42.359
<v Speaker 2>I was talking about the press? He's worried about we're

1461
01:17:42.359 --> 01:17:44.159
<v Speaker 2>getting to a point where the president a turn on

1462
01:17:44.199 --> 01:17:47.920
<v Speaker 2>the girls because they've had their peak almost And he's like, oh,

1463
01:17:47.960 --> 01:17:49.439
<v Speaker 2>do you want me to go and stir something.

1464
01:17:49.199 --> 01:17:51.520
<v Speaker 1>Up in the media? And he goes, no stirring necessary

1465
01:17:51.600 --> 01:17:55.159
<v Speaker 1>while shaking a Martini. Because in case you didn't get it, famously,

1466
01:17:55.239 --> 01:17:59.439
<v Speaker 1>James Bond drinks Martini's shaken, not stirred. You get a

1467
01:17:59.479 --> 01:18:02.239
<v Speaker 1>really weird skit with the Spice Girls as counsel of

1468
01:18:02.279 --> 01:18:05.199
<v Speaker 1>State moms. Yeah, that came out of nowhere because it

1469
01:18:05.239 --> 01:18:08.199
<v Speaker 1>doesn't happen anywhere else in the film, because essentially there's

1470
01:18:08.279 --> 01:18:11.279
<v Speaker 1>this uh, I can't remember the actress's name, the Asian

1471
01:18:11.319 --> 01:18:13.560
<v Speaker 1>friend that they've got. Oh, she's toss from torch. What

1472
01:18:13.680 --> 01:18:18.439
<v Speaker 1>didn't she? Yeah? Is it Naoki Maury or something like that?

1473
01:18:18.600 --> 01:18:20.239
<v Speaker 1>Let me fact check. So I don't want to be

1474
01:18:20.600 --> 01:18:23.039
<v Speaker 1>she's pregnant, and they're all like, oh, that, we're happy

1475
01:18:23.079 --> 01:18:25.760
<v Speaker 1>for you. And then in this sequence they'll sit there

1476
01:18:25.800 --> 01:18:28.159
<v Speaker 1>and going wonder, what do you be like to be pregnant? Oh,

1477
01:18:28.239 --> 01:18:30.159
<v Speaker 1>that might be quite nice. And then they have this

1478
01:18:30.279 --> 01:18:34.720
<v Speaker 1>dream sequence of them all pregnant together, living in a

1479
01:18:34.800 --> 01:18:37.800
<v Speaker 1>small house doing each other's laundry. Oh, it's right, it

1480
01:18:37.840 --> 01:18:42.800
<v Speaker 1>is Naoki Maury. Nice, Naoko Maury. Sorry, damn, I was

1481
01:18:42.840 --> 01:18:45.000
<v Speaker 1>nearly right. I mean it was closer than I would

1482
01:18:45.000 --> 01:18:48.119
<v Speaker 1>have gotten. So well done. But yeah, basically it's just

1483
01:18:48.159 --> 01:18:51.239
<v Speaker 1>really weird because this never happens again. We never get

1484
01:18:51.239 --> 01:18:54.560
<v Speaker 1>another sequence where they have like a dream sequence. No,

1485
01:18:54.640 --> 01:18:57.680
<v Speaker 1>not dream sequences, but you do get the film is littered.

1486
01:18:57.680 --> 01:19:01.760
<v Speaker 1>Do you get absurd moment with these weird sketchers that

1487
01:19:02.000 --> 01:19:04.680
<v Speaker 1>don't really fit into the narrative. It just feels like

1488
01:19:05.079 --> 01:19:09.359
<v Speaker 1>someone had a sketch script lying around and went, hey,

1489
01:19:09.920 --> 01:19:13.199
<v Speaker 1>I literally imagine they sat in the guy whoever wrote this,

1490
01:19:13.279 --> 01:19:16.000
<v Speaker 1>I imagine literally sat in a room and went, what

1491
01:19:16.199 --> 01:19:19.800
<v Speaker 1>if the Spice Girls were in a military training schore?

1492
01:19:20.279 --> 01:19:24.399
<v Speaker 1>What if the Spice Girls met aliens? Obviously couldn't think

1493
01:19:24.439 --> 01:19:28.159
<v Speaker 1>of enough plot, so just threw out any old shit. Yeah,

1494
01:19:28.159 --> 01:19:30.359
<v Speaker 1>well it's quite a tight run time, isn't it. And

1495
01:19:30.399 --> 01:19:34.039
<v Speaker 1>I think that's because they didn't have a whole lot.

1496
01:19:34.399 --> 01:19:36.199
<v Speaker 2>People are fans of the Spice Girls and they're watching

1497
01:19:36.239 --> 01:19:38.239
<v Speaker 2>this slop. Then they're coming because they want to see

1498
01:19:38.239 --> 01:19:39.479
<v Speaker 2>the Spicy Girls and they want to see the Spy

1499
01:19:39.640 --> 01:19:42.840
<v Speaker 2>Girls perform. Put in the best bits, put in instead

1500
01:19:42.840 --> 01:19:44.600
<v Speaker 2>of the wanna be thing that they do. Just put

1501
01:19:44.680 --> 01:19:47.119
<v Speaker 2>in the video from Wanna Bee. Try and strike it

1502
01:19:47.119 --> 01:19:47.880
<v Speaker 2>from a better.

1503
01:19:47.680 --> 01:19:52.199
<v Speaker 1>Source, maybe make it HD whatever, But like, don't don't

1504
01:19:52.199 --> 01:19:55.399
<v Speaker 1>do what you did. I'm so boring. But it's only

1505
01:19:55.479 --> 01:19:57.439
<v Speaker 1>now that we get introduced to the actual villain of

1506
01:19:57.439 --> 01:20:00.199
<v Speaker 1>the movie, who doesn't really implement much in the film.

1507
01:20:00.279 --> 01:20:04.399
<v Speaker 1>Kevin mcmaxford. He does anything the whole film. No, he

1508
01:20:04.520 --> 01:20:07.399
<v Speaker 1>has to be a parody of Rupert Murdoch. Right, Well,

1509
01:20:07.399 --> 01:20:10.880
<v Speaker 1>I thought it was Rupert Maxwell because of Robert Maxwell.

1510
01:20:10.960 --> 01:20:13.680
<v Speaker 1>Robert Maxwell, but Robert Maxwell would have been out of

1511
01:20:13.800 --> 01:20:16.640
<v Speaker 1>the count by for about ten years by this point,

1512
01:20:17.079 --> 01:20:21.760
<v Speaker 1>and Rupert Murdoch is Australian and this guy is Australian.

1513
01:20:22.039 --> 01:20:23.720
<v Speaker 1>Maybe they just felt like a choice.

1514
01:20:24.079 --> 01:20:27.640
<v Speaker 2>Yeah, but Rupert Murdoch's name doesn't fit anywhere in this

1515
01:20:27.720 --> 01:20:29.039
<v Speaker 2>as much as Maxwell does.

1516
01:20:29.439 --> 01:20:32.680
<v Speaker 1>I don't think the name necessarily is a reference because

1517
01:20:32.680 --> 01:20:36.920
<v Speaker 1>they're afraid to get sued. Maybe I can't remember the

1518
01:20:36.960 --> 01:20:39.560
<v Speaker 1>name of the guy who plays his sort of subordinate.

1519
01:20:39.800 --> 01:20:41.880
<v Speaker 1>He's famous as well, isn't he. I couldn't think of

1520
01:20:41.920 --> 01:20:45.079
<v Speaker 1>his lockstock into smoking barrels. He's a British actor. Yeah,

1521
01:20:46.359 --> 01:20:48.399
<v Speaker 1>he's very good in it as well, for the bits

1522
01:20:48.439 --> 01:20:52.079
<v Speaker 1>he's got. But these two are seen only together. They're

1523
01:20:52.119 --> 01:20:57.079
<v Speaker 1>never introduced into the main plot. It's essentially Kevin mcmaxford

1524
01:20:57.119 --> 01:21:00.119
<v Speaker 1>really really wants the Spice Girls to fail and he

1525
01:21:00.159 --> 01:21:01.239
<v Speaker 1>can sell more papers.

1526
01:21:01.359 --> 01:21:03.279
<v Speaker 2>Yeah, so you can sell more papers, and he's like, yeah,

1527
01:21:03.319 --> 01:21:05.399
<v Speaker 2>let's make sure it sucks up. And the only connecting

1528
01:21:05.399 --> 01:21:08.800
<v Speaker 2>thread really is yeah, they hire Richard O'Brien to gain

1529
01:21:08.880 --> 01:21:09.560
<v Speaker 2>spy on the girl.

1530
01:21:09.680 --> 01:21:12.239
<v Speaker 1>So there's a joke here that I fucking hated and

1531
01:21:12.319 --> 01:21:15.720
<v Speaker 1>I bet you fucking loved it on and it's they

1532
01:21:15.760 --> 01:21:18.840
<v Speaker 1>do a deja vu joke where they just play the

1533
01:21:18.960 --> 01:21:23.520
<v Speaker 1>exact same two lines. Devo joke where they just play

1534
01:21:23.600 --> 01:21:27.000
<v Speaker 1>the same two lines. I bet you fucking loved it,

1535
01:21:27.039 --> 01:21:29.920
<v Speaker 1>didn't you. I bet I fucking loved it, didn't I? Yeah, yeah,

1536
01:21:30.439 --> 01:21:33.199
<v Speaker 1>I was like, this is a it's a really good joke.

1537
01:21:33.239 --> 01:21:37.239
<v Speaker 1>It's it's a great job. This is the only good

1538
01:21:37.279 --> 01:21:39.279
<v Speaker 1>scene in the movie. I've found it. I found it

1539
01:21:39.359 --> 01:21:44.359
<v Speaker 1>funnier even though it's absurd when he gets really angry

1540
01:21:44.600 --> 01:21:47.560
<v Speaker 1>and he's like villain plotty it suddenly starts raining, but

1541
01:21:47.640 --> 01:21:50.239
<v Speaker 1>only in his office. Yes, that I loved as well.

1542
01:21:50.239 --> 01:21:51.079
<v Speaker 1>I've noted that down.

1543
01:21:51.159 --> 01:21:52.880
<v Speaker 2>This is literally the only good scene in the film,

1544
01:21:52.920 --> 01:21:55.319
<v Speaker 2>by the way, the only good one. It's got the

1545
01:21:55.359 --> 01:21:58.600
<v Speaker 2>deja vu deja vu joke, and it's also got the

1546
01:21:58.600 --> 01:22:01.000
<v Speaker 2>bit where it's like, let me down sort of thing

1547
01:22:01.119 --> 01:22:03.479
<v Speaker 2>of the blokes in the rain inside the office it's

1548
01:22:03.520 --> 01:22:04.680
<v Speaker 2>clearly not ready outside.

1549
01:22:05.000 --> 01:22:07.800
<v Speaker 1>Don't worry, I'm gonna make sure it happens. Right. I

1550
01:22:08.880 --> 01:22:11.960
<v Speaker 1>did more of this villain shit. The only person who

1551
01:22:12.000 --> 01:22:15.119
<v Speaker 1>got an outright laugh from me was actually Richard O'Brien

1552
01:22:15.319 --> 01:22:17.640
<v Speaker 1>just after that bet right when he comes in and

1553
01:22:17.640 --> 01:22:20.119
<v Speaker 1>he goes, this is you picking your nose? This is

1554
01:22:20.159 --> 01:22:22.760
<v Speaker 1>you doing that? And I was like, okay, that's fine. End.

1555
01:22:22.800 --> 01:22:24.800
<v Speaker 1>But then it's the way he just goes this is

1556
01:22:24.880 --> 01:22:29.159
<v Speaker 1>you peeing in a pool when you were twelve? And

1557
01:22:29.199 --> 01:22:31.720
<v Speaker 1>I just laughed. I was like, oh, this guy's somehow

1558
01:22:31.840 --> 01:22:34.640
<v Speaker 1>got photos. Oh a guy when he was twelve.

1559
01:22:35.199 --> 01:22:37.439
<v Speaker 2>Sorry, but the Kevin mcmxwell stuff is the only stuff

1560
01:22:37.479 --> 01:22:40.960
<v Speaker 2>that works, and not all of it does, but it's

1561
01:22:41.039 --> 01:22:43.800
<v Speaker 2>honestly like, I was like, Okay, this scene suddenly happened,

1562
01:22:43.800 --> 01:22:46.479
<v Speaker 2>and suddenly my interest went up, and I was like, okay, cool,

1563
01:22:46.640 --> 01:22:49.119
<v Speaker 2>we're gonna get like some drama start entering into this.

1564
01:22:49.119 --> 01:22:53.159
<v Speaker 2>We're gonna have this fucking scenery chewing villain, phenomenal Richard O'Brien,

1565
01:22:53.520 --> 01:22:57.479
<v Speaker 2>who It feels like such a downgrade for Richard O'Brien

1566
01:22:57.520 --> 01:23:01.439
<v Speaker 2>because I'm not I'm fair. Certainly this is the same year,

1567
01:23:01.560 --> 01:23:04.119
<v Speaker 2>or maybe it was just the year before that he.

1568
01:23:04.000 --> 01:23:07.079
<v Speaker 1>Did Dark City. Oh is he in Dark City? It's

1569
01:23:07.199 --> 01:23:10.640
<v Speaker 1>fucking amazing, right, okay, in Dark City? Okay, fair plad.

1570
01:23:10.640 --> 01:23:12.119
<v Speaker 1>I didn't know it's in Dark City. I was about

1571
01:23:12.119 --> 01:23:14.760
<v Speaker 1>to say, is it a damn grade though? Because it

1572
01:23:14.840 --> 01:23:18.159
<v Speaker 1>was rocky horror in like the early eighties. Yes, and

1573
01:23:18.199 --> 01:23:21.760
<v Speaker 1>then host of the Crystal may which is which is great.

1574
01:23:21.840 --> 01:23:25.840
<v Speaker 1>I love the Crystal Maze. It's not a stunning movie career.

1575
01:23:25.920 --> 01:23:27.840
<v Speaker 1>But I did not realize he was in Dark City. No,

1576
01:23:27.920 --> 01:23:30.960
<v Speaker 1>he's fantastic in Dark City. He was also in that.

1577
01:23:31.079 --> 01:23:33.479
<v Speaker 1>This is not a good film. The second mal viral movie,

1578
01:23:34.840 --> 01:23:38.560
<v Speaker 1>Virus Haunted Hills. Yes, it fucking awful movie. Yeah, the

1579
01:23:38.600 --> 01:23:40.960
<v Speaker 1>first one is not bad. El Vira Mistress of the Dark.

1580
01:23:41.079 --> 01:23:44.119
<v Speaker 1>No a Vira Haunted Hills is it's not worth We

1581
01:23:44.159 --> 01:23:47.680
<v Speaker 1>actually get another dream sequence that I'd forgotten about, similar

1582
01:23:47.680 --> 01:23:50.720
<v Speaker 1>to the Pregnant one, which is when they're talking to

1583
01:23:50.760 --> 01:23:53.199
<v Speaker 1>Baby Spice about how she can get away with anything

1584
01:23:53.239 --> 01:23:55.760
<v Speaker 1>by flashing her smile. And this is where we get

1585
01:23:55.840 --> 01:24:00.960
<v Speaker 1>Hugh Laurie's cameout. They cooked to Hugh Laurie's clearly playing yeah,

1586
01:24:01.119 --> 01:24:05.520
<v Speaker 1>at least a parody of named as poiro and IMDb anyway, Yeah,

1587
01:24:05.760 --> 01:24:08.680
<v Speaker 1>and he's like, so we must ask ourselves for the

1588
01:24:08.760 --> 01:24:11.279
<v Speaker 1>killer is. I can't do the accent. We must ask

1589
01:24:11.319 --> 01:24:14.119
<v Speaker 1>ourselves who the killer is. And he's going through all

1590
01:24:14.119 --> 01:24:18.039
<v Speaker 1>the typical you know, there's a vicar, a lady businessman,

1591
01:24:19.000 --> 01:24:24.039
<v Speaker 1>and then Emma Bunton is literally covered in bullets and

1592
01:24:24.079 --> 01:24:27.039
<v Speaker 1>holding a knife and he but she smiles at and

1593
01:24:27.079 --> 01:24:30.039
<v Speaker 1>goes the killer is clearly Reverend Smith or whatever his

1594
01:24:30.159 --> 01:24:32.399
<v Speaker 1>name is. I didn't like that saying that was ship.

1595
01:24:32.840 --> 01:24:34.840
<v Speaker 1>Two more cameos when they go to is this the

1596
01:24:34.880 --> 01:24:37.560
<v Speaker 1>Mystery of Sam the nightclub that they're in, Yes, Jennifer

1597
01:24:37.600 --> 01:24:41.079
<v Speaker 1>Saunders has a cameo here, Yes, talking to Victoria Beckham.

1598
01:24:41.159 --> 01:24:46.079
<v Speaker 1>She does. And Bob Geldoff has a cameo because I

1599
01:24:46.119 --> 01:24:48.479
<v Speaker 1>think he's got short hair, which is unusual for Bob Guilder.

1600
01:24:48.560 --> 01:24:51.119
<v Speaker 1>You know he's got long hair because Melby puts it

1601
01:24:51.159 --> 01:24:53.640
<v Speaker 1>into the same hairstyle she has. That's what it looks different.

1602
01:24:53.760 --> 01:24:56.800
<v Speaker 1>That's what I'm remembering, is that. Yeah, And here's a

1603
01:24:56.920 --> 01:24:59.199
<v Speaker 1>terrible lie. This is a we don't do worse lines

1604
01:24:59.199 --> 01:25:00.960
<v Speaker 1>on the show, but if we did, this is a

1605
01:25:01.000 --> 01:25:03.920
<v Speaker 1>candidate for worst line, because I get that you're playing

1606
01:25:04.199 --> 01:25:09.399
<v Speaker 1>of Victoria Beckham like Posh Spice's ditsy but fashionable. But

1607
01:25:09.479 --> 01:25:12.319
<v Speaker 1>this is too far. Is when they ask if the

1608
01:25:12.840 --> 01:25:16.359
<v Speaker 1>Japanese lady asks them if they can be godmother to

1609
01:25:16.399 --> 01:25:19.720
<v Speaker 1>the kid, and Victoria Beckham goes to Godmother's get stretch marks.

1610
01:25:20.319 --> 01:25:25.039
<v Speaker 1>What a stupid fucking question. I mean, like, no, of

1611
01:25:25.039 --> 01:25:27.960
<v Speaker 1>course they fucking don't. I mean it's part of the

1612
01:25:28.000 --> 01:25:31.000
<v Speaker 1>course for this film, to be honest. That doesn't surprise me.

1613
01:25:31.079 --> 01:25:35.079
<v Speaker 1>With this film, have hated the DJ joke more than that. Yeah,

1614
01:25:35.119 --> 01:25:38.479
<v Speaker 1>I did hate that. I also admitted that. Sorry, another

1615
01:25:38.560 --> 01:25:41.560
<v Speaker 1>chuckle I did get. I did get a little chuckle

1616
01:25:41.760 --> 01:25:45.199
<v Speaker 1>at They asked Jerry halliwell something, and she does a

1617
01:25:45.199 --> 01:25:49.560
<v Speaker 1>proper standard response of is the Pope Catholic? And it

1618
01:25:49.600 --> 01:25:53.000
<v Speaker 1>immediately cuts to a headline that says spice girls doubt

1619
01:25:53.039 --> 01:25:56.319
<v Speaker 1>Pope's fate. I did like that, and then it cuts

1620
01:25:56.359 --> 01:25:59.520
<v Speaker 1>to like the Bishop of Archbishop of Canterbury being like,

1621
01:25:59.600 --> 01:26:04.079
<v Speaker 1>of course the Pope is Catholic. This is slander. That

1622
01:26:04.279 --> 01:26:09.439
<v Speaker 1>was good. By this point though, my interest was waiting. Oh, actually, man,

1623
01:26:09.479 --> 01:26:11.279
<v Speaker 1>I'm wrong. I've got more laughs in this than I

1624
01:26:11.279 --> 01:26:11.760
<v Speaker 1>thought I did.

1625
01:26:11.800 --> 01:26:16.039
<v Speaker 2>Go on, Well, no, my next comment is about Michael

1626
01:26:16.039 --> 01:26:17.439
<v Speaker 2>Barrymore and I don't think we're there yet.

1627
01:26:17.479 --> 01:26:19.560
<v Speaker 1>Oh no, no, I've got one about the Italian dancers.

1628
01:26:20.800 --> 01:26:23.760
<v Speaker 1>So they go to the Italian dancers scene, they go

1629
01:26:23.840 --> 01:26:25.960
<v Speaker 1>to Italy, and I'm fairly certain it is a racist

1630
01:26:26.000 --> 01:26:28.239
<v Speaker 1>portrayal of the Italian directory. He's got like a mono

1631
01:26:28.359 --> 01:26:31.319
<v Speaker 1>brow and he's like, your mother like that, and we

1632
01:26:31.399 --> 01:26:34.000
<v Speaker 1>must have had sex. But these guys come on in

1633
01:26:34.039 --> 01:26:38.119
<v Speaker 1>like the teeny tiny Calvin Kline jockey shorts, you know,

1634
01:26:38.600 --> 01:26:45.880
<v Speaker 1>shorts of pants, and they like proper like jockey shorts underwear. Yeah, yeah, briefs. Yeah,

1635
01:26:45.920 --> 01:26:48.720
<v Speaker 1>but they're also called jockey shorts, I think, so I've

1636
01:26:48.720 --> 01:26:52.880
<v Speaker 1>never heard them. Okay, anyway, brief shorts would have considered

1637
01:26:52.920 --> 01:26:57.000
<v Speaker 1>briefs is the word I was actually looking for, you know,

1638
01:26:57.119 --> 01:26:59.800
<v Speaker 1>oiled up muscly guys. There's a bit that maybe wear

1639
01:26:59.800 --> 01:27:01.479
<v Speaker 1>one of touches one on their peck and they're like

1640
01:27:02.000 --> 01:27:05.199
<v Speaker 1>all the oil. Yeah, and I did like this joke

1641
01:27:05.359 --> 01:27:08.479
<v Speaker 1>only works because Richard E Grant's straight face delivery. They

1642
01:27:08.520 --> 01:27:11.079
<v Speaker 1>end up making a compromise. It cuts to the performance

1643
01:27:11.079 --> 01:27:13.439
<v Speaker 1>and the men all come out in purple suits and

1644
01:27:13.479 --> 01:27:18.119
<v Speaker 1>they're dancing, and Richard E Grant's assistant guys, oh, you

1645
01:27:18.199 --> 01:27:21.119
<v Speaker 1>managed to get it sorted then, and he goes, we

1646
01:27:21.199 --> 01:27:23.359
<v Speaker 1>made a compromise. And then the guys turn around and

1647
01:27:23.399 --> 01:27:25.439
<v Speaker 1>they've all got the butts on their suits cut out,

1648
01:27:25.880 --> 01:27:28.640
<v Speaker 1>and she goes, what is that straight faces anything? Richardie

1649
01:27:28.640 --> 01:27:32.319
<v Speaker 1>Grant goes. That's the compromise that made me laugh as well,

1650
01:27:32.359 --> 01:27:34.880
<v Speaker 1>but purely because of how Richard E. Grant delivers it.

1651
01:27:35.359 --> 01:27:38.199
<v Speaker 1>Richidey Grant is probably the MVP of the film. Yeah,

1652
01:27:38.239 --> 01:27:40.119
<v Speaker 1>I think so. Yeah, he is the best thing in

1653
01:27:40.159 --> 01:27:42.560
<v Speaker 1>the film. I think he's the only one trying to

1654
01:27:42.600 --> 01:27:45.319
<v Speaker 1>be honest. I don't think anyone else in this film.

1655
01:27:45.640 --> 01:27:47.680
<v Speaker 1>The assistant who's with him is doing a good job.

1656
01:27:47.720 --> 01:27:50.640
<v Speaker 1>But he's a celebrity. I don't I don't know her name,

1657
01:27:50.640 --> 01:27:53.399
<v Speaker 1>but she's in Doctor Who. Do you remember the episode?

1658
01:27:53.840 --> 01:27:56.359
<v Speaker 1>It's the two parter with David Tennant and Billy Piper

1659
01:27:56.600 --> 01:27:58.640
<v Speaker 1>where they go to the Satan planet with the UD.

1660
01:27:59.399 --> 01:28:03.560
<v Speaker 1>She's the woman who's like the second in command. Okay,

1661
01:28:03.680 --> 01:28:06.720
<v Speaker 1>fair enough, I didn't recognize that. Okay, cool, Yeah, she

1662
01:28:06.800 --> 01:28:08.359
<v Speaker 1>does a good job as well, to be fair, We

1663
01:28:08.520 --> 01:28:11.279
<v Speaker 1>randomly get a bit where the tour bus is driving

1664
01:28:11.319 --> 01:28:14.439
<v Speaker 1>through the British countryside at night and the Spice girls

1665
01:28:14.479 --> 01:28:17.159
<v Speaker 1>insist on pulling over because they need to pee. This

1666
01:28:17.239 --> 01:28:18.840
<v Speaker 1>is where you get the It's also where you get

1667
01:28:18.840 --> 01:28:20.960
<v Speaker 1>the bit where he says to Richard to meet Loaf,

1668
01:28:21.000 --> 01:28:23.199
<v Speaker 1>why don't you fix the toilets? Yeah, and I'll do

1669
01:28:23.199 --> 01:28:25.520
<v Speaker 1>anything with these girls, but I won't be there. Also,

1670
01:28:25.720 --> 01:28:28.920
<v Speaker 1>Britain's a real small country, Like you never need to

1671
01:28:28.960 --> 01:28:31.479
<v Speaker 1>hold it that long before you get to a service station,

1672
01:28:31.640 --> 01:28:34.760
<v Speaker 1>do you know what? Yeah, But anyway, they all go

1673
01:28:34.800 --> 01:28:36.600
<v Speaker 1>off into the trees in a scene of what I

1674
01:28:36.600 --> 01:28:39.960
<v Speaker 1>can only describe as a toilet no matter what that film. Yeah,

1675
01:28:40.199 --> 01:28:42.720
<v Speaker 1>but like considering that's the narrative is they all need

1676
01:28:42.760 --> 01:28:49.119
<v Speaker 1>to pee desperately that they can't wait for another truck stop. Yeah.

1677
01:28:49.199 --> 01:28:52.760
<v Speaker 1>What I can only describe as a very very low

1678
01:28:52.840 --> 01:28:57.000
<v Speaker 1>budget parody of Close Encounters of the third kind begins

1679
01:28:57.479 --> 01:29:01.720
<v Speaker 1>with these UFO lights in the sky and these aliens

1680
01:29:01.800 --> 01:29:05.039
<v Speaker 1>come down, and I swear to God Rory. As you

1681
01:29:05.079 --> 01:29:10.479
<v Speaker 1>mentioned earlier, I'm a doctor who fan the effects in seventies,

1682
01:29:10.600 --> 01:29:16.880
<v Speaker 1>doctor who look better than these aliens. These aliens look awful.

1683
01:29:17.640 --> 01:29:23.600
<v Speaker 1>They're like little trolled old masks with big collars. And

1684
01:29:23.640 --> 01:29:26.439
<v Speaker 1>then one of them pops its belly out and posh

1685
01:29:26.520 --> 01:29:29.760
<v Speaker 1>by fat shames the alien. But don't worry. One of

1686
01:29:29.760 --> 01:29:32.760
<v Speaker 1>them asks for a kiss, yes, and gets it and

1687
01:29:32.800 --> 01:29:37.159
<v Speaker 1>gets it physically. See the mask just dent. Yeah, this

1688
01:29:37.239 --> 01:29:39.439
<v Speaker 1>is a scene where you're like, what the fuck is

1689
01:29:39.479 --> 01:29:42.800
<v Speaker 1>going on and again it so it doesn't come back.

1690
01:29:42.840 --> 01:29:45.239
<v Speaker 1>It doesn't any right. Right at the end you see

1691
01:29:45.239 --> 01:29:48.720
<v Speaker 1>the aliens dancing to the song. But that's it. Yeah,

1692
01:29:48.760 --> 01:29:50.800
<v Speaker 1>it doesn't, it doesn't doesn't need to be here. No,

1693
01:29:51.119 --> 01:29:55.600
<v Speaker 1>this is literally just filling time. It's well, it's them going,

1694
01:29:55.720 --> 01:29:58.760
<v Speaker 1>oh look, the Spice girls are such a phenomenon that

1695
01:29:58.960 --> 01:30:02.880
<v Speaker 1>even alien on a different planet of heard them. But

1696
01:30:02.960 --> 01:30:05.840
<v Speaker 1>now we get to the military scene, so they basically

1697
01:30:05.840 --> 01:30:09.119
<v Speaker 1>get sent to a military score and we get another

1698
01:30:09.239 --> 01:30:12.199
<v Speaker 1>celebrity cameo. But it's another one where I don't think

1699
01:30:12.199 --> 01:30:15.520
<v Speaker 1>our American listeners will recognize him. I think he's only

1700
01:30:15.520 --> 01:30:19.359
<v Speaker 1>famous in Britain. I don't even know what he's famous for.

1701
01:30:19.560 --> 01:30:21.880
<v Speaker 1>I just know he is. So do you want to

1702
01:30:21.920 --> 01:30:22.520
<v Speaker 1>take this one?

1703
01:30:22.720 --> 01:30:27.520
<v Speaker 2>So Michael Barrymore is or was definitely won't be nowadays

1704
01:30:27.840 --> 01:30:31.520
<v Speaker 2>a famous game show host for different TV shows, but

1705
01:30:31.720 --> 01:30:36.800
<v Speaker 2>specifically Strike It Lucky, Slice Strike It Rich because they

1706
01:30:36.840 --> 01:30:40.479
<v Speaker 2>rebooted it halfway through its run and renamed it for

1707
01:30:40.520 --> 01:30:43.279
<v Speaker 2>some reason. But it's the same show. Michael Barrymore was

1708
01:30:43.359 --> 01:30:46.479
<v Speaker 2>very funny. He used to be quite witty with his guests.

1709
01:30:46.840 --> 01:30:49.239
<v Speaker 2>Sometimes he'd be a little bit sharp, but you know

1710
01:30:49.560 --> 01:30:51.760
<v Speaker 2>that's what his job was as the host, and at

1711
01:30:51.760 --> 01:30:53.960
<v Speaker 2>this time I think he would have been very famous

1712
01:30:53.960 --> 01:30:56.319
<v Speaker 2>in the UK, but I don't think he's ever been

1713
01:30:56.359 --> 01:30:59.960
<v Speaker 2>famous outside of the UK. But anyway, Michael Barrymore is

1714
01:31:00.079 --> 01:31:02.039
<v Speaker 2>in this, I don't think he's acting. You can tell

1715
01:31:02.079 --> 01:31:03.560
<v Speaker 2>he's a game show host because of the way he

1716
01:31:03.920 --> 01:31:06.880
<v Speaker 2>moons to camera and stuff, and he's trying.

1717
01:31:06.920 --> 01:31:09.279
<v Speaker 1>He's basically playing an army drill.

1718
01:31:09.119 --> 01:31:12.760
<v Speaker 2>Sergeant, but as campus nickers at certain points and that

1719
01:31:12.840 --> 01:31:13.920
<v Speaker 2>the blend doesn't work.

1720
01:31:14.039 --> 01:31:16.520
<v Speaker 1>No, you want to hear a Mandela effect on Well, no,

1721
01:31:16.560 --> 01:31:18.439
<v Speaker 1>it's not a mad Della effect. It's just me having

1722
01:31:18.439 --> 01:31:21.800
<v Speaker 1>a shit memory. If you'd have asked me before we

1723
01:31:21.880 --> 01:31:26.560
<v Speaker 1>watched this for this, I would have sworn on my

1724
01:31:26.880 --> 01:31:30.399
<v Speaker 1>life that this role was played by John Cleesh. Really,

1725
01:31:30.439 --> 01:31:33.840
<v Speaker 1>for some reason, it has always been my memory that

1726
01:31:33.960 --> 01:31:38.439
<v Speaker 1>John Clees is in Spice World playing the military drill sergeant. Right,

1727
01:31:39.880 --> 01:31:43.319
<v Speaker 1>And it's not at all at all. It's not even clubs,

1728
01:31:43.319 --> 01:31:45.319
<v Speaker 1>it's not even it's not even the same type of

1729
01:31:45.359 --> 01:31:48.319
<v Speaker 1>performance I was picturing. No, it's not what you'd expect

1730
01:31:48.319 --> 01:31:50.920
<v Speaker 1>from John Clee. No, my memory was it was John

1731
01:31:51.000 --> 01:31:56.640
<v Speaker 1>Clees doing a posh boy got his position by you know,

1732
01:31:56.800 --> 01:31:59.399
<v Speaker 1>just being born into the right family, because you know,

1733
01:31:59.520 --> 01:32:01.439
<v Speaker 1>we do that in Britain. They just get made fucking

1734
01:32:01.520 --> 01:32:03.720
<v Speaker 1>sergeants and ship because they were born in the right family.

1735
01:32:04.199 --> 01:32:07.159
<v Speaker 1>And then the Spice Girls won't obey him, so he

1736
01:32:07.239 --> 01:32:11.119
<v Speaker 1>starts getting all flustered and he's like, but the decorum

1737
01:32:11.159 --> 01:32:13.560
<v Speaker 1>and the tradition and that would have been better though,

1738
01:32:13.760 --> 01:32:15.920
<v Speaker 1>But in my memory that's what it was, right. And

1739
01:32:15.960 --> 01:32:17.880
<v Speaker 1>then I watched this and I was like, I literally

1740
01:32:17.920 --> 01:32:21.319
<v Speaker 1>wrote down, that's fucking Michael Barrymore. Have I got an

1741
01:32:21.359 --> 01:32:24.720
<v Speaker 1>alternate edition of the movie. Yeah, I doubt it. I

1742
01:32:24.720 --> 01:32:26.720
<v Speaker 1>think no. I looked it up. John Clees was never

1743
01:32:26.800 --> 01:32:29.600
<v Speaker 1>in it. No good good for him, Tell You, Tell You,

1744
01:32:29.720 --> 01:32:32.560
<v Speaker 1>isn't it? Those the most surprising cameo in it for me.

1745
01:32:33.399 --> 01:32:36.880
<v Speaker 1>Bob motherfucking Hoskins is in this film. I cannot with

1746
01:32:37.000 --> 01:32:42.600
<v Speaker 1>no dialogue. He's dubbed by Jerry halliwell, yep. To be fair, though,

1747
01:32:43.000 --> 01:32:46.039
<v Speaker 1>he can no longer have claimed that Super Mario Brothers

1748
01:32:46.119 --> 01:32:48.600
<v Speaker 1>was the worst film he was in, because this is

1749
01:32:48.640 --> 01:32:53.520
<v Speaker 1>way worse than Super Mario Brothers in every single capacity,

1750
01:32:52.960 --> 01:32:58.159
<v Speaker 1>is literally every single got Spice Girls in it, So

1751
01:32:58.840 --> 01:33:01.800
<v Speaker 1>with the music. They don't do any real singing or dancing.

1752
01:33:02.199 --> 01:33:04.760
<v Speaker 1>It weirdly, it weirdly made me proud to be British.

1753
01:33:04.800 --> 01:33:08.439
<v Speaker 1>This film it made me a shame to be really.

1754
01:33:08.920 --> 01:33:11.439
<v Speaker 1>I had a little wave of Patriotis and watching this, yeah,

1755
01:33:11.479 --> 01:33:14.800
<v Speaker 1>I was like, yeah, Britain I didn't get. I was like,

1756
01:33:15.000 --> 01:33:20.000
<v Speaker 1>look at all the fucking sellouts. This is how much

1757
01:33:20.079 --> 01:33:23.920
<v Speaker 1>Britain sucks is We are basically just sellouts that sit

1758
01:33:23.960 --> 01:33:26.960
<v Speaker 1>there and go, hey, look tea with the Queen. Yeah,

1759
01:33:27.079 --> 01:33:29.880
<v Speaker 1>that's all Britain is. Now. We were an empire on

1760
01:33:30.239 --> 01:33:35.640
<v Speaker 1>Yeah they were bad. There's a line though, in this

1761
01:33:35.840 --> 01:33:40.680
<v Speaker 1>bit that is so cringe where I obviously girl power

1762
01:33:40.720 --> 01:33:44.479
<v Speaker 1>was the whole spice Girl's thing and it was particularly

1763
01:33:44.520 --> 01:33:49.800
<v Speaker 1>associated with Jerry Halliwell and obviously great cause, you know, feminism,

1764
01:33:50.039 --> 01:33:54.199
<v Speaker 1>great cause and whatnot. But this line where she literally

1765
01:33:54.199 --> 01:33:58.439
<v Speaker 1>explains what girl power means and she's like girl power

1766
01:33:58.560 --> 01:34:03.279
<v Speaker 1>equalization between the sexers, but it's Bob Hoskins miming it,

1767
01:34:03.880 --> 01:34:07.159
<v Speaker 1>doing the peace sign while Jerry Halliwell says it. And

1768
01:34:07.199 --> 01:34:13.880
<v Speaker 1>I was just like, your message is good, like the absolutely,

1769
01:34:14.159 --> 01:34:17.880
<v Speaker 1>but it just something when you're Bob Hoskins and not Jerry,

1770
01:34:17.920 --> 01:34:21.239
<v Speaker 1>but the execution, the fact the Waits just dropped into

1771
01:34:21.319 --> 01:34:26.960
<v Speaker 1>the middle of this movie. It's like, what also I reckon?

1772
01:34:27.000 --> 01:34:30.199
<v Speaker 1>That's the only I reckon. Jerry Halliwell basically said to them,

1773
01:34:30.720 --> 01:34:33.119
<v Speaker 1>I will not do this movie unless I can have

1774
01:34:33.159 --> 01:34:35.920
<v Speaker 1>a part in the film where I say this or

1775
01:34:35.920 --> 01:34:38.680
<v Speaker 1>say something. But she didn't. But she didn't specify how

1776
01:34:38.760 --> 01:34:40.960
<v Speaker 1>she had to say it. So they went, Okay, we'll

1777
01:34:41.000 --> 01:34:42.680
<v Speaker 1>give you what you want. By the way, you're not

1778
01:34:42.680 --> 01:34:44.319
<v Speaker 1>even gonna be on screen when you say it. It's

1779
01:34:44.319 --> 01:34:47.560
<v Speaker 1>gonna be Bob Hoskins doing an over the top sassy

1780
01:34:47.640 --> 01:34:49.880
<v Speaker 1>girl move. But the point of the Bob Hoskins cameo

1781
01:34:50.399 --> 01:34:54.399
<v Speaker 1>narrative turns into Bob Hoskins Yeah, because she's like, she's

1782
01:34:54.640 --> 01:34:56.359
<v Speaker 1>going right, I've got a good way around the press,

1783
01:34:56.359 --> 01:34:58.560
<v Speaker 1>so they won't recognize me. She goes into the telephone

1784
01:34:58.600 --> 01:34:59.920
<v Speaker 1>booths to like change almost like.

1785
01:35:00.000 --> 01:35:02.159
<v Speaker 2>Superman, I guess, but when she comes out, rather than

1786
01:35:02.199 --> 01:35:05.760
<v Speaker 2>being a superperson, she comes out as Bob Hoskins. But

1787
01:35:05.800 --> 01:35:08.439
<v Speaker 2>then that never comes back, not even with Bob Hoskins.

1788
01:35:08.439 --> 01:35:11.479
<v Speaker 2>But in no capacity do they ever hide their actual

1789
01:35:11.640 --> 01:35:14.520
<v Speaker 2>you know personas Again, Bob.

1790
01:35:14.359 --> 01:35:19.560
<v Speaker 1>Hoskins needed some money or something for this. Yeah, yeah, yeah,

1791
01:35:19.600 --> 01:35:22.039
<v Speaker 1>So I pointed this is when I realized that Richard E.

1792
01:35:22.119 --> 01:35:24.439
<v Speaker 1>Grant was not actually the villain of the movie. Yeah,

1793
01:35:24.439 --> 01:35:27.079
<v Speaker 1>because I was like, I was sure he sold them out. Yeah,

1794
01:35:27.159 --> 01:35:29.960
<v Speaker 1>but he doesn't. Although I have put this, this neo

1795
01:35:30.119 --> 01:35:33.359
<v Speaker 1>green suit he's wearing makes me feel like he's auditioning

1796
01:35:33.359 --> 01:35:37.279
<v Speaker 1>to play the Riddler forever. It's like the Riddler, but

1797
01:35:37.399 --> 01:35:41.000
<v Speaker 1>within the Matrix. Yeah, because it's so precise, Like the

1798
01:35:41.079 --> 01:35:46.239
<v Speaker 1>suit is pristine, the sidebirds, the slip, the shades. I'm like,

1799
01:35:46.399 --> 01:35:48.680
<v Speaker 1>this guy is meant to be in the Matrix, but

1800
01:35:48.800 --> 01:35:51.239
<v Speaker 1>as the Riddler, and then he has to fit on

1801
01:35:51.359 --> 01:35:55.159
<v Speaker 1>stage in it. Ah, that's just like, yeah, this guy

1802
01:35:55.159 --> 01:35:59.239
<v Speaker 1>should totally be the Riddler home. I reckon to Tommy

1803
01:35:59.279 --> 01:36:01.319
<v Speaker 1>Lee Jones with the sank his buffooner, I reckon he

1804
01:36:01.319 --> 01:36:04.039
<v Speaker 1>would have done absolutely. This is also the part where

1805
01:36:04.119 --> 01:36:06.800
<v Speaker 1>Roger More's cat has been swapped for a pig, and

1806
01:36:06.840 --> 01:36:09.239
<v Speaker 1>we now do a very clever and by clever, I

1807
01:36:09.279 --> 01:36:12.920
<v Speaker 1>mean not great writing thing where they clearly had gotten

1808
01:36:12.960 --> 01:36:15.159
<v Speaker 1>to We're probably like an hour and ten into this

1809
01:36:15.279 --> 01:36:19.159
<v Speaker 1>ninety minute movie now yep, and the producers suddenly go, oh,

1810
01:36:19.199 --> 01:36:21.760
<v Speaker 1>there's no third act. There's no third act, and we

1811
01:36:21.760 --> 01:36:26.119
<v Speaker 1>don't really know how to build tension to get the

1812
01:36:26.159 --> 01:36:30.199
<v Speaker 1>Spice girls, you know from because they've gone to the

1813
01:36:30.199 --> 01:36:33.960
<v Speaker 1>hospital with their friend who's gone into labor yep. And

1814
01:36:33.960 --> 01:36:35.279
<v Speaker 1>they're like, we don't really know how we're going to

1815
01:36:35.359 --> 01:36:39.279
<v Speaker 1>get them back to their It's got to finish with

1816
01:36:39.319 --> 01:36:42.079
<v Speaker 1>a big concert, obviously, because it's a music film. Don't

1817
01:36:42.079 --> 01:36:43.399
<v Speaker 1>know how we're going to do this, So they use

1818
01:36:43.479 --> 01:36:46.319
<v Speaker 1>the American producer and writer character, the ones who are

1819
01:36:46.359 --> 01:36:48.880
<v Speaker 1>pitching the movie to Richard E. Grant. They use them

1820
01:36:48.960 --> 01:36:53.000
<v Speaker 1>to basically do away with the third act and truncate

1821
01:36:53.159 --> 01:36:57.159
<v Speaker 1>it into a just hand wave away the villains. Richard

1822
01:36:57.159 --> 01:37:01.880
<v Speaker 1>O'Brien just sees the error of his ways, doesn't he

1823
01:37:02.279 --> 01:37:04.640
<v Speaker 1>Just like he's like, oh no, I have realized the

1824
01:37:04.760 --> 01:37:05.600
<v Speaker 1>error of my way.

1825
01:37:06.079 --> 01:37:09.079
<v Speaker 2>Yeah, So I didn't need all of this. There's a

1826
01:37:09.079 --> 01:37:11.479
<v Speaker 2>bit where Jerry Halliwell shouts up the woman's fanny and

1827
01:37:11.479 --> 01:37:12.479
<v Speaker 2>I'm like, I didn't need this.

1828
01:37:12.840 --> 01:37:14.399
<v Speaker 1>I didn't. I didn't need a film with this bit

1829
01:37:14.479 --> 01:37:16.479
<v Speaker 1>in it at all. I forgot. I don't remember seeing that.

1830
01:37:16.640 --> 01:37:18.800
<v Speaker 2>When when they think she's gonna give birth, I think

1831
01:37:18.840 --> 01:37:20.439
<v Speaker 2>it might be when they're in the hospital with it,

1832
01:37:20.600 --> 01:37:21.640
<v Speaker 2>or does she stay up there?

1833
01:37:22.000 --> 01:37:22.720
<v Speaker 1>Stay up there?

1834
01:37:22.920 --> 01:37:24.600
<v Speaker 2>Shouts up the woman And I don't need to see

1835
01:37:24.640 --> 01:37:27.520
<v Speaker 2>Jerry Hall will shower up a woman's fanny. That's not necessary.

1836
01:37:29.199 --> 01:37:31.319
<v Speaker 2>There is one more good joke that comes.

1837
01:37:31.039 --> 01:37:34.000
<v Speaker 1>Out tower Bridge. Yeah. Yeah, it's the only other good

1838
01:37:34.079 --> 01:37:36.600
<v Speaker 1>joke in the film. Yeah, I've written here they so.

1839
01:37:36.880 --> 01:37:39.159
<v Speaker 1>I actually if we had more of this in the film,

1840
01:37:39.880 --> 01:37:41.880
<v Speaker 1>to be honest, what the film probably should have been

1841
01:37:42.479 --> 01:37:45.439
<v Speaker 1>should have if they were smarter and more meta about it,

1842
01:37:45.479 --> 01:37:47.640
<v Speaker 1>and we were doing meta films by ninety seven. Yeah,

1843
01:37:50.039 --> 01:37:54.359
<v Speaker 1>it should have been the American producers pitching different movies

1844
01:37:54.399 --> 01:37:58.079
<v Speaker 1>for the Spice Girls to act. Sketches. Yeah, that sketches

1845
01:37:58.119 --> 01:38:01.239
<v Speaker 1>and they're all terrible, And your film becomes a commentary

1846
01:38:01.439 --> 01:38:05.199
<v Speaker 1>on the commercialization of everything that would have been and

1847
01:38:05.239 --> 01:38:06.880
<v Speaker 1>it's brilliant, and it wouldn't be like it's the first

1848
01:38:06.880 --> 01:38:08.680
<v Speaker 1>time it's been done. I've got a film. I have

1849
01:38:08.760 --> 01:38:11.439
<v Speaker 1>an Audrey Hepburn box set, and there's a film in

1850
01:38:11.520 --> 01:38:15.000
<v Speaker 1>it called Paris When Its Sizzles. It's Audrey Hepburn and

1851
01:38:15.359 --> 01:38:20.920
<v Speaker 1>William Holden. William Holden's a screenwriter and she's a typist

1852
01:38:21.600 --> 01:38:24.199
<v Speaker 1>who has been sent there not only to be a

1853
01:38:24.199 --> 01:38:26.239
<v Speaker 1>typist for him, but to make sure he actually writes

1854
01:38:26.279 --> 01:38:29.039
<v Speaker 1>the script because he's a screenwriter who's gotten a bit

1855
01:38:29.039 --> 01:38:32.159
<v Speaker 1>of a reputation for never actually handing scripts in on

1856
01:38:32.279 --> 01:38:35.680
<v Speaker 1>time because he's a drunk. And he tells her the

1857
01:38:35.760 --> 01:38:38.800
<v Speaker 1>idea for the film, but he's only got like the

1858
01:38:38.840 --> 01:38:42.199
<v Speaker 1>first scene, and she's like, your deadline's in three days.

1859
01:38:42.199 --> 01:38:44.279
<v Speaker 1>What do you mean you've only got the first scene?

1860
01:38:44.520 --> 01:38:46.600
<v Speaker 1>Is like, well, I've written so many scripts, you know,

1861
01:38:46.640 --> 01:38:49.039
<v Speaker 1>I don't know what to do now. I'm just copying myself.

1862
01:38:49.039 --> 01:38:51.800
<v Speaker 1>It's previous stuff I've already done. And the whole film

1863
01:38:51.960 --> 01:38:56.119
<v Speaker 1>is them coming up with different ways the film could go,

1864
01:38:56.680 --> 01:38:58.159
<v Speaker 1>and then each time they cought with a new one,

1865
01:38:58.199 --> 01:39:00.960
<v Speaker 1>it will cut to them to acting that out, and

1866
01:39:01.000 --> 01:39:03.319
<v Speaker 1>it ends up being really crazy. The film that starts

1867
01:39:03.319 --> 01:39:07.039
<v Speaker 1>as like a serious drama about finding love in Paris

1868
01:39:07.439 --> 01:39:12.159
<v Speaker 1>ends up turning into a bit where Dracula is having

1869
01:39:12.199 --> 01:39:16.079
<v Speaker 1>a World War two bomber plane fight with them. Right, yes,

1870
01:39:16.199 --> 01:39:18.000
<v Speaker 1>they should have done something like that, because this bit

1871
01:39:18.920 --> 01:39:21.800
<v Speaker 1>I didn't mind where it's like, you know, oh, they're

1872
01:39:21.840 --> 01:39:23.279
<v Speaker 1>on top of the roof, they're on the roof of

1873
01:39:23.319 --> 01:39:25.760
<v Speaker 1>the bus and Richard E Grant's like, why those are

1874
01:39:25.760 --> 01:39:27.920
<v Speaker 1>the rules? You gotta do that, And then they find

1875
01:39:27.920 --> 01:39:31.439
<v Speaker 1>a bomb on the bus, but why it's the rule? Yeah,

1876
01:39:31.600 --> 01:39:34.199
<v Speaker 1>that could have been something. And the tower. I do

1877
01:39:34.359 --> 01:39:36.119
<v Speaker 1>like the bit where they're like, they're going to jump

1878
01:39:36.159 --> 01:39:39.239
<v Speaker 1>tower bridge. Oh that sounds expensive, and it cuts to

1879
01:39:39.399 --> 01:39:42.680
<v Speaker 1>literally a toy over a cardboard bridge and he goes,

1880
01:39:42.760 --> 01:39:45.680
<v Speaker 1>oh maybe, yeah that was a joke. That's a really

1881
01:39:45.680 --> 01:39:48.680
<v Speaker 1>good joke. What way too late do you're to talk

1882
01:39:48.680 --> 01:39:52.479
<v Speaker 1>about Hackney joke? Really hackneyed? Oh they know that they've

1883
01:39:52.520 --> 01:39:56.319
<v Speaker 1>gone through Hackney ha ha when they get I don't

1884
01:39:56.319 --> 01:39:59.840
<v Speaker 1>know if you noticed the needle drop when they get

1885
01:40:00.199 --> 01:40:02.880
<v Speaker 1>to the Royal Albert Hall, right, and they get off

1886
01:40:02.920 --> 01:40:06.279
<v Speaker 1>the bus and they run up the teeny tiny flight

1887
01:40:06.319 --> 01:40:11.319
<v Speaker 1>of steps. Yep, it plays the fucking music from Rocky

1888
01:40:12.119 --> 01:40:15.720
<v Speaker 1>when he's running up the massive Philadelphia steps and he's

1889
01:40:15.760 --> 01:40:18.880
<v Speaker 1>done the whole run all the way through. They make

1890
01:40:18.960 --> 01:40:21.760
<v Speaker 1>it up the first flight of stairs before the first

1891
01:40:22.199 --> 01:40:27.800
<v Speaker 1>five notes of the music have played. But anyway, you

1892
01:40:27.880 --> 01:40:30.479
<v Speaker 1>get a bit where Richard E Grant is like, I'm

1893
01:40:30.520 --> 01:40:33.560
<v Speaker 1>done for it's over. Then the Spice Girls turn up

1894
01:40:33.560 --> 01:40:36.000
<v Speaker 1>at the last minute. Alan Cummings disappointed because he kind

1895
01:40:36.000 --> 01:40:38.840
<v Speaker 1>of wants the documentary to have a well.

1896
01:40:38.720 --> 01:40:43.359
<v Speaker 2>Because where Richardie Grant basically goes, I hate them, I

1897
01:40:43.399 --> 01:40:45.760
<v Speaker 2>hate those girls, and he thinks he's got the perfect

1898
01:40:45.880 --> 01:40:48.199
<v Speaker 2>end of the documentary. This is basically how the Spice

1899
01:40:48.239 --> 01:40:52.000
<v Speaker 2>girls deteriorate and fall and then immediately the girls run

1900
01:40:52.000 --> 01:40:52.279
<v Speaker 2>in and.

1901
01:40:52.239 --> 01:40:54.199
<v Speaker 1>Go, hey, don't worry, we're here. We're going on stageing

1902
01:40:54.319 --> 01:40:55.319
<v Speaker 1>why are you sitting around?

1903
01:40:55.520 --> 01:40:57.760
<v Speaker 2>Yeah, and he goes, I love those girls, I love them,

1904
01:40:57.760 --> 01:41:00.159
<v Speaker 2>and that's why it ruins his documentary, But I'm in

1905
01:41:00.600 --> 01:41:04.199
<v Speaker 2>Would that really stop a nefarious, fucking journalist from just

1906
01:41:04.279 --> 01:41:08.600
<v Speaker 2>cutting out the I hate and releasing the movie as no?

1907
01:41:09.199 --> 01:41:13.720
<v Speaker 2>He apologizes to his assistant Donny that's a relatively good

1908
01:41:13.840 --> 01:41:15.560
<v Speaker 2>She says, you know, what do we do? He says,

1909
01:41:15.560 --> 01:41:16.760
<v Speaker 2>what do we do now? She goes, well, this is

1910
01:41:16.760 --> 01:41:18.319
<v Speaker 2>the bit where you chat me up. We'd end up

1911
01:41:18.840 --> 01:41:22.720
<v Speaker 2>basically sleeping together and then we'd fall out professionally in

1912
01:41:22.760 --> 01:41:25.600
<v Speaker 2>the next day, and the insinuation is that they do

1913
01:41:25.640 --> 01:41:28.680
<v Speaker 2>sleep together, and it nearly falls apart, but he manages

1914
01:41:28.680 --> 01:41:31.960
<v Speaker 2>to get enough heart to actually apologize, though he doesn't

1915
01:41:31.960 --> 01:41:35.119
<v Speaker 2>really apologize no, he apologizes and she goes, what for.

1916
01:41:35.119 --> 01:41:37.640
<v Speaker 1>It is because I'm supposed to I don't know. Yeah,

1917
01:41:37.840 --> 01:41:40.640
<v Speaker 1>it's like he doesn't really apologize, and it just kind

1918
01:41:40.640 --> 01:41:43.960
<v Speaker 1>of ends. We end up with a bit. They do

1919
01:41:44.039 --> 01:41:46.039
<v Speaker 1>a bit where the Spice Girls break the fourth wall,

1920
01:41:46.159 --> 01:41:49.000
<v Speaker 1>don't they and over the credits and they like come

1921
01:41:49.079 --> 01:41:52.039
<v Speaker 1>up to the camera they're like the people watching us. Yeah,

1922
01:41:52.520 --> 01:41:54.840
<v Speaker 1>it's like, of course they fucking are You're the Spice Girls.

1923
01:41:56.520 --> 01:41:59.319
<v Speaker 1>So yeah, it's it's it's it's not a great film,

1924
01:41:59.640 --> 01:42:02.720
<v Speaker 1>but I I thought it was interesting in a how

1925
01:42:02.800 --> 01:42:06.800
<v Speaker 1>ridiculous it is, and be in contrast to Moonwalker, I

1926
01:42:06.800 --> 01:42:08.880
<v Speaker 1>think we didn't really plan to do it as a

1927
01:42:08.880 --> 01:42:12.680
<v Speaker 1>double bill at first, and I think it's really interesting

1928
01:42:12.760 --> 01:42:19.399
<v Speaker 1>actually that one is clearly a singular person, the actual

1929
01:42:19.479 --> 01:42:23.479
<v Speaker 1>artist in question, driving it forward, whereas this other one

1930
01:42:23.760 --> 01:42:27.279
<v Speaker 1>is a commercial project, a package that's put together because

1931
01:42:27.319 --> 01:42:30.359
<v Speaker 1>the Spice Girls were the biggest fucking thing in the

1932
01:42:30.399 --> 01:42:34.720
<v Speaker 1>world in nineteen ninety seven, and it was like, well, yeah,

1933
01:42:34.800 --> 01:42:38.079
<v Speaker 1>let's fuck it, let's put them everywhere, Let's do Barbie dolls,

1934
01:42:38.159 --> 01:42:41.520
<v Speaker 1>let's do a video game, let's do a movie. And

1935
01:42:41.560 --> 01:42:44.640
<v Speaker 1>it's really shocking when you actually look at it because

1936
01:42:44.680 --> 01:42:47.279
<v Speaker 1>we remember them as this big cultural thing. It's only

1937
01:42:47.319 --> 01:42:51.119
<v Speaker 1>a few years that is peak Spice Girls, and all

1938
01:42:51.239 --> 01:42:54.960
<v Speaker 1>this shit is condensed into just like a two year

1939
01:42:55.039 --> 01:42:59.199
<v Speaker 1>period because I don't think they even fully lasted five years.

1940
01:43:00.000 --> 01:43:02.560
<v Speaker 1>I'll check it now. Yeah, because they came out mid

1941
01:43:02.640 --> 01:43:06.239
<v Speaker 1>nineties and they were gone realistically by the two thousands,

1942
01:43:06.279 --> 01:43:08.000
<v Speaker 1>at least as a five. I think like two thousand

1943
01:43:08.039 --> 01:43:10.600
<v Speaker 1>and one they broke up. Maybe maybe maybe even before that.

1944
01:43:11.119 --> 01:43:14.439
<v Speaker 1>Let me let me have a look for you. Ninety

1945
01:43:14.479 --> 01:43:16.880
<v Speaker 1>four to two thousand is their first run.

1946
01:43:16.880 --> 01:43:19.600
<v Speaker 2>Right, so yeah, six years if that that's you know,

1947
01:43:19.680 --> 01:43:23.720
<v Speaker 2>they were not up. But unlike MJ, who started off

1948
01:43:23.800 --> 01:43:25.920
<v Speaker 2>huge in the Jackson five and then had his own

1949
01:43:25.960 --> 01:43:27.479
<v Speaker 2>solo career for like thirty.

1950
01:43:27.199 --> 01:43:29.279
<v Speaker 1>Oh hang on, no, no, that said ninety four, but

1951
01:43:29.319 --> 01:43:32.439
<v Speaker 1>that's kind of bollocks. Their first ever single doesn't come

1952
01:43:32.439 --> 01:43:34.479
<v Speaker 1>out till ninety six, so I'm sorry, that's where you

1953
01:43:34.479 --> 01:43:36.399
<v Speaker 1>have to count it from, right. I don't care if

1954
01:43:36.399 --> 01:43:38.920
<v Speaker 1>they formed and were practicing before that. So this film

1955
01:43:39.039 --> 01:43:41.920
<v Speaker 1>was made within a year of them realistically being famous. Yeah,

1956
01:43:42.319 --> 01:43:45.439
<v Speaker 1>So ninety six is Wanna Be? Which is number one?

1957
01:43:45.680 --> 01:43:48.119
<v Speaker 1>Then they did three more number one singles, which will

1958
01:43:48.119 --> 01:43:52.159
<v Speaker 1>say You'll be there to become one a mama. Then

1959
01:43:52.159 --> 01:43:55.000
<v Speaker 1>they did the album Spice World, which sold fourteen million

1960
01:43:55.039 --> 01:43:58.680
<v Speaker 1>copies worldwide, another three number one singles Spice Up Your

1961
01:43:58.680 --> 01:44:01.640
<v Speaker 1>Life Too Much in Viva for Hour, and then in

1962
01:44:01.720 --> 01:44:04.479
<v Speaker 1>ninety seven they did their first ever live concert debut

1963
01:44:04.680 --> 01:44:07.600
<v Speaker 1>and the feature film. The nineteen ninety eight Spice World

1964
01:44:07.600 --> 01:44:09.319
<v Speaker 1>tour was the I Don't Know If It's Still Airs,

1965
01:44:09.680 --> 01:44:13.560
<v Speaker 1>was the highest grossing concert tour by a female group,

1966
01:44:14.399 --> 01:44:17.680
<v Speaker 1>and Halliwell left the Spice Girls then Jerry Halliwell was

1967
01:44:17.680 --> 01:44:20.199
<v Speaker 1>only in it for like two years ninety six to

1968
01:44:20.279 --> 01:44:23.560
<v Speaker 1>ninety eight. So then they did a nineteen ninety nine

1969
01:44:23.640 --> 01:44:27.840
<v Speaker 1>tour and did the album Forever, which gave them their

1970
01:44:27.960 --> 01:44:31.359
<v Speaker 1>ninth number one single, which was Holler Slash Let Lovely

1971
01:44:31.479 --> 01:44:33.159
<v Speaker 1>the Way I Don't Know That one, and at the

1972
01:44:33.279 --> 01:44:37.319
<v Speaker 1>end of two thousand they split up. So, yeah, they are.

1973
01:44:37.800 --> 01:44:39.800
<v Speaker 1>They're kind of a flash in the pan, you know

1974
01:44:39.840 --> 01:44:42.520
<v Speaker 1>what I mean, Like they turn up, they burn very brightly,

1975
01:44:42.640 --> 01:44:48.479
<v Speaker 1>very quickly, and then they're gone, yeah wow. Yeah four

1976
01:44:48.560 --> 01:44:52.199
<v Speaker 1>years then basically yeah, ninety six to two years of

1977
01:44:52.239 --> 01:44:56.800
<v Speaker 1>them as a five piece. Yeah, it's it's they were, yeah,

1978
01:44:56.800 --> 01:44:58.560
<v Speaker 1>a flash in the pan and nothing burger in the

1979
01:44:58.560 --> 01:45:02.079
<v Speaker 1>long stream, you know, because they and that's another thing.

1980
01:45:02.199 --> 01:45:04.680
<v Speaker 1>By the time m J made moonwalf I had to say,

1981
01:45:04.680 --> 01:45:07.399
<v Speaker 1>that's another difference is and that's at the height of them.

1982
01:45:07.800 --> 01:45:10.399
<v Speaker 1>That's MJ's been around for ages. Yeah, he's I mean,

1983
01:45:10.399 --> 01:45:12.720
<v Speaker 1>he's been a celebrity for about ten years at that point,

1984
01:45:12.800 --> 01:45:16.319
<v Speaker 1>at least longer because he was Jackson five. Yeah, as

1985
01:45:16.359 --> 01:45:18.680
<v Speaker 1>a solo career, at least he'd been going for about

1986
01:45:18.720 --> 01:45:21.600
<v Speaker 1>eight years. And prior to that, as you say, he

1987
01:45:21.640 --> 01:45:24.039
<v Speaker 1>had the Jackson five career. He was big.

1988
01:45:24.119 --> 01:45:25.720
<v Speaker 2>He was a big name for a long time, and

1989
01:45:25.760 --> 01:45:28.600
<v Speaker 2>he was at his peak, whereas technically the Spice Girls

1990
01:45:28.600 --> 01:45:30.000
<v Speaker 2>were at their peak at this time.

1991
01:45:30.039 --> 01:45:33.920
<v Speaker 1>But the peak came much quicker and very quickly. Yeah,

1992
01:45:34.000 --> 01:45:37.399
<v Speaker 1>And overall, Michael Jackson had a career his entire life,

1993
01:45:37.920 --> 01:45:41.800
<v Speaker 1>whereas these girls didn't have a Spice girl's career their

1994
01:45:42.000 --> 01:45:44.399
<v Speaker 1>entire life. No, and not, let's be honest, none of

1995
01:45:44.439 --> 01:45:47.359
<v Speaker 1>the solo careers really took off. Jerry Halliwell had a

1996
01:45:47.399 --> 01:45:49.920
<v Speaker 1>couple of good songs. Emma Bunton had a good song.

1997
01:45:50.520 --> 01:45:52.199
<v Speaker 1>Melc had a couple of good songs.

1998
01:45:52.279 --> 01:45:54.920
<v Speaker 2>Yeah, Melse sees the Sporty Spice Ones, and she she

1999
01:45:55.000 --> 01:45:57.279
<v Speaker 2>had a couple of good albums that were popular in

2000
01:45:57.279 --> 01:45:59.680
<v Speaker 2>the late nineties, no, in the early to mid two

2001
01:45:59.680 --> 01:46:02.720
<v Speaker 2>thousand and then she sort of disappeared as well.

2002
01:46:02.920 --> 01:46:04.760
<v Speaker 1>Well, there you have it, folks. That was a double

2003
01:46:04.800 --> 01:46:08.600
<v Speaker 1>bill for Second Take Cinema. This is the season finale

2004
01:46:08.760 --> 01:46:11.960
<v Speaker 1>of season three. Up next, we've got a five week

2005
01:46:12.239 --> 01:46:16.399
<v Speaker 1>long run of Listener Request Month. That's right, We will

2006
01:46:16.399 --> 01:46:22.039
<v Speaker 1>be doing episodes requested by you guys. We went out

2007
01:46:22.079 --> 01:46:25.439
<v Speaker 1>on our discord and on our Patreon and we asked

2008
01:46:25.439 --> 01:46:28.199
<v Speaker 1>people to send in films they want to hear us discuss,

2009
01:46:28.239 --> 01:46:31.319
<v Speaker 1>and we've got five great selections. So we will see

2010
01:46:31.359 --> 01:46:33.760
<v Speaker 1>you next time on Second Take Cinema.
