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Speaker 1: I'm glad you called. Are you like to call me

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out tonight? Angel, I'm in the middle of a hot deal.

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Some boys I know are interested in the big money,

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and they figure if we put all our capital in

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the gun, we ought to make a killing. The Craft

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Foods Company brings you The Adventures of the Falcon, starring

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Less Damon. You met the Falcon first in his best

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selling novels, then you saw him in his thrilling motion

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picture series.

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Speaker 2: Now join him on the air when the Falcon.

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Speaker 1: Solves the case of the quarrelsome quartet. Before the Falcon

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starts on tonight's case, I'd like to say just a

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word about something extra delicious craft mayonnaise. Here's really true

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mayonnaise that is finest. One taste will tell you that

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just one taste of delicate, exquisitely flavored Craft mayonnaise will

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tell you that here is mayonnaise to delight even the

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fussiest cook. Try it, Try it and sleep for yourself.

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Tomorrow when you shop, get a jar of wonderful tasting

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Craft mayonnaise.

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Speaker 2: And now the case of a quarrels of what lends.

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Speaker 1: It's late evening in New York and in a shabby

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apartment on Manhattan West Side. A short, heavy set boy

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named Dixie Taylor watches his companion Georgie Reynolds attack an

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age old problem how to dispose of an empty bottle.

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But George is equal to the occasion for spying the fireplace.

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He comes up with a practical solution. Well, I guess

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there's one way to get rid of your empty anybody

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asks you? Taylor? Now all right, to shut your face, Hazel, Hey,

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you want me, George? No, I was just rehearsing. I'm

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going to for hardcore.

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Speaker 3: Oh, I'm sorry, Sweetie.

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Speaker 4: I was Disney.

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Speaker 1: Well, I hope I wasn't interrupting anything important. Give me

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another bottle, Johnson?

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Speaker 2: Can I tell you something?

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Speaker 3: All right?

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Speaker 1: George, it's one of my bedroom closet. But what are

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you staring that, Tixie? I was just wondering about Hayes.

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Speaker 5: We do you're gonna do?

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Speaker 1: Anyone drink? Think about Martinas Olthoi he'll be here. Yeah,

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when he was do an hour ago. Maybe he had

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some trouble finding.

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Speaker 2: Oh that's just ducky.

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Speaker 1: What goes on with you guys? Anyway? Do I have

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to tell you?

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Speaker 6: Probably Martinez and Saunders?

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Speaker 1: Now, yes, you. Did you hear that I was trying

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to get some money alipies that.

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Speaker 3: Second?

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Speaker 1: Hello, Hello Martine your boyfriend. Yeah, we're in the kitchen.

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Come on here and bring your friends with you by

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Jorgy Hello.

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Speaker 2: Tell me hello, Louis.

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Speaker 1: While you took your own sweet time getting here, Martinis,

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Well I got a little bit trouble finding mister Saunders.

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Gentlemen bringing a couple of chairs. Yes, yes, all right,

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I go out, go out theta. I got that fade it.

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He's fellas and I have some business to discuss it. Martinez.

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Did you tell Sauntas what I lined up? No? I

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think what's maybe better? I leave that for you. It's

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a snatch, Sons, Oh what a snatch.

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Speaker 5: That's what I told you said. Well, it's been nice

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knowing you, gentlemen.

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Speaker 1: Now, no thanks, I'm not interested, of course, use something

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to listen, all right? If they hear a big Joe Gallaghan,

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well enough to know that if he's the party you

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got in mine, you can include me out as the saying,

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don't be a jack saunt It's sure Gallagher is a

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big rackets boy, but that's just why we can get

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away with it. You're crazy, I look, Martinez, why didn't

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you tell me? Dixie and I used to work for Gallagher.

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We know what makes him tick. A guy in his

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position would never yell Copp it's be there's one thing

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you're overlooking. From what I know of mister Gallagher, he

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never goes anywhere without two or three of his boys.

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How are you going to separate the wheat from the chaff?

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I got it all figured out. Gallagher the ladies man.

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See now, if a fable to call him up and

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arrange a blind date, it's dollars to donuts. He go

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for it.

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Speaker 5: I doubt it.

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Speaker 1: Don't tell me. I've seen it work a dozen times.

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Speaker 5: You got the girl?

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Speaker 1: Yeah? Yeah, Hazel, So I want to let you in.

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I suppose she talks, He wouldn't they? Besides, she doesn't

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have to know what's going on. I'll not tell her.

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The whole thing's a gay.

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Speaker 5: Where do worc hime in?

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Speaker 1: Hazel will arrange to meet Gallagher at the forty nine club?

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You and Martinis will pick him up. What about you

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and Taylor? We can't take a chance.

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Speaker 5: You know? Well, what do you say son this? You

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think this will work? Martinis?

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Speaker 1: Why not? God, You've got all the angles figure out,

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so it would seem okay, gentlemen, deal me in.

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Speaker 3: Yeah, i'd like to see mister Gallagher.

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Speaker 1: Plea.

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Speaker 3: Oh Roger, Well, he wouldn't know me, but you can.

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Speaker 1: I've never heard of her, are you, mister Gallagher?

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Speaker 2: Ah?

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Speaker 6: That's right.

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Speaker 3: Well Gloria made me promise to look you up when

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I got to New York.

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Speaker 6: Sorry, sister, I don't know anybody by that handle.

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Speaker 3: She was a course girl at Curandellos.

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Speaker 6: Hey wait a minute, baby, what's your name?

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Speaker 3: Hazel?

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Speaker 6: You look at anything like it? Sound Hazel?

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Speaker 1: Oh?

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Speaker 4: No, really, mister.

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Speaker 6: Kidding, because if you do, i'd like to see it.

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Speaker 3: I'm afraid that's all the question, mister Gallagher. I'm flying

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to the coach tonight.

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Speaker 6: Ah what time?

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Speaker 3: Quarter after one?

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Speaker 1: Well?

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Speaker 6: It still give hers three hours to get acquainted.

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Speaker 2: What do you say?

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Speaker 1: Baby?

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Speaker 3: All right, but you'll have to meet me here, you

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see I'm expecting.

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Speaker 1: Oh that's okay.

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Speaker 6: Where are you?

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Speaker 3: It's a little place called the forty nine cup.

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Speaker 1: Do you know?

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Speaker 5: No?

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Speaker 1: What I'll manage?

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Speaker 6: Uh?

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Speaker 2: At what color?

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Speaker 6: Address? You were in? My favorite color? Okay, Hazel, I'll

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see you in twenty minutes.

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Speaker 1: Hey, buddy, why yeah.

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Speaker 7: You wouldn't have to know see the blonde anna blue dress.

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Speaker 2: Yeah, that's right, I'm glad to know you, missus Gallagher.

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Speaker 5: Who are you, Hazels cutser? Didn't you tell you we're

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having a little farewell party and her honna?

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Speaker 1: Well she said something about friends or I don't get fright,

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and we'll be pushing off in a few minutes and

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that'll give you enough time to talk to Hazel alone.

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Oh where is she?

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Speaker 5: She's in the back room with the rest of the panel.

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Let's go right down here.

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Speaker 6: By the way, teller, I don't believe I caught your name.

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Speaker 1: Well, it's the same as Hazel related on your father's side. Yes, right, Oh,

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here we are, Hello Louis. This is Hazel's friend.

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Speaker 6: Where's you to know you?

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Speaker 1: Mister gallow where's Hazel? She just stepped out for a minute.

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Speaker 6: Well where's the rest of the crowds?

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Speaker 1: Crown? Yeah, her cousin told me she had a flock

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her relatives down here. Never really, Saunders, he's a big joker.

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Speaker 5: Saunders.

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Speaker 6: I thought his name was Walsh. What goes down here anyway?

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Speaker 1: Just to keep those hands where they are, mister Gallica,

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frisky Martinez song got excited, mister Gallagher, he's bite of

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your blood priceure he clean, He's now good? Would you

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be kind enough to accompany it's miss.

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Speaker 6: Oh no, you're not getting me to walk out of here.

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Speaker 5: Wha as long as you feel have a head of

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to Latinez.

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Speaker 8: He said he wasn't walking out of here, and he

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was right.

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Speaker 1: Those guys anyway got the time to see You asked

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me that just five minutes ago, Joe, I don't get smart.

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If anything could have gone wrong.

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Speaker 6: He's not a chance.

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Speaker 1: But you tell Galcus wife just what you told me.

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I said we had a husband and if she wanted

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them back, she was to dig up one hundred gram.

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Maybe I should have comport myself instead of sending Sondis

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on my team. Were you worried about George? Did they

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manage the snatch?

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Speaker 4: All right?

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Speaker 1: Yeah, but how do I know that there is?

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Speaker 5: I'll get it? Oh no, George, you got it?

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Speaker 1: Sonus? What is the bike up? Like?

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Speaker 5: All right? Let me have it? How to go on?

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Speaker 1: All the clockworks? As soon as missus got I gonna

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give you the money I give her, and I can't

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talk away to find an Oh nice boy blowing Yes,

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I just congratulations not all around one hundred thousand dollars.

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Just just think of this. You'll think of it, sons,

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because that's as close as you'll get to it.

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Speaker 5: What do you mean, George, Well, i'll tell you a friend.

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Speaker 1: It's like this. The boys and I had a little.

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Speaker 5: Tought and you decided why split forwards? Huh?

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Speaker 1: All you catch un said? I didn't you think i'd

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have anything to say about Tara? I put away that gun?

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Speaker 2: So yeah, George, he was only clown our best.

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Speaker 5: You know, I'm a little surprised at you, dick. Sir.

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Speaker 1: Look, if we were gonna doublecross you, you think we'd

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send you for the door. Sure, that doesn't make sense.

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But don't move fi Sy, she'll drop that gun.

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Speaker 5: Let's go on.

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Speaker 1: My say it. Well, it's a smart guy. What are

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you saying? God? Sat sad? It all right? Gentlemen, If

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this little get together hasn't been pleasant, it has been informative. Well,

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I'll be very glad to show you what I learned

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next time we.

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Speaker 5: Hello.

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Speaker 1: I'm looking for Michael wearing private to take his call

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the falcon. Well you take the right place.

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Speaker 3: Oh are you?

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Speaker 1: Good morning? Angel?

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Speaker 4: Thank you?

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Speaker 1: Sit down?

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Speaker 3: I suppose I should introduce myself.

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Speaker 1: It's customary.

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Speaker 3: Well, my name is Hazel Wolf.

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Speaker 1: Hazel Wolf, that's right. Who recommended me? Well, I remembered

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hearing about the falcon years ago, and to file the

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information away for this more convenient dayton. Yes, are you

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available for a taste at fifty dollars a day and expenses?

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I am, what's a problem, Well, it's really not my problems.

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Speaker 3: You're wearing a girlfriend of mine's engaged to some man,

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and she believes that he's done something crooked.

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Speaker 1: Of course, not all right, let's call it unethical. Go on, Well,

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if the man ever was caught.

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Speaker 3: Could they force my friend to be a witnessed against him?

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Speaker 1: They certainly couldn't, even though she found out about it

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by accident. Doesn't make any difference with miss walf Well,

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isn't there anything she can do? Nope? Only if you

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were married to him? Could she refuse to testify?

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Speaker 3: Well, if we got married, I mean, if they got married.

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Speaker 1: I let's use the first example, Hazel, it'll be easier

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on us both. No, look here, miss it obviously in

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some sort of a jam. Now what is it?

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Speaker 3: I tell you you're wrong?

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Speaker 1: What did your boyfriend do? Nothing? Absolutely nothing? All right,

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I suppose you tell me his name. It's a Harry Preston,

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m On Hazel. What's his name?

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Speaker 3: Well, you have no right to question me like this.

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Speaker 1: No, but the police says, you're not going to call him. No,

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what is it?

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Speaker 2: It's George Reynolds.

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Speaker 1: You the same Georgia Reynolds he used to run with

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the Gallagher mob.

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Speaker 3: No, No, it's not that one at all.

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Speaker 1: What I suppose you introduced us and let me see

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for myself. I'm an easy man to convince. Well, sounds

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as though Mike follows that good old theory that seeing

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is bleeding. Of course, that's a pretty smart idea, I think,

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and it's a good one for everyone to follow.

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Speaker 2: When it comes to food.

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Speaker 1: For example, Well, I can tell you how satiny smooth

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Craft mayonnaise is, what an amazing creamy, rich texture it

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has because of the special way Craft blended. But to

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really appreciate just how smooth, crass, kitchen fresh mayonnaise is,

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get a jar and see for yourself. That way, you

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can taste for yourself too. You won't have to take

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my word for it. That Craft mayonnaise is especially good

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with a delicate, delightful flavor.

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Speaker 5: The result of careful blending of.

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Speaker 1: Only the finest oils and eggs, the most fragrant vinegars

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and spices. Yes, the best way to tell is to

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taste craft mayonnaise yourself. Try it on a cool and

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colorful salad if hollowed out tomatoes, topped with spicy devil

257
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eggs and garnished with fresh and tangy water cress. It's

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really delicious. Do tomorrow when you shop get a jar

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of craft kitchen fresh mayonnaise. Whether you're serving a simple,

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everyday kind of salad or of fancy company specials, you'll

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enjoy it more with true mayonnaise that is finest craft mayonnaise.

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Speaker 2: Now back to the Adventures of the Falcon.

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Speaker 1: Fifteen minutes of past and Hazel Walsh introduced themselves to

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Mike Wearing, and now the two are on their way

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to Georgie Reynold's apartment, and strangely enough, Miss Walsh doesn't

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seem too delighted by the trip.

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Speaker 3: I don't know why let you talk me into this, Wearing.

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Speaker 1: Simple, Hazel, you know the kind of girl who's taking

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such a licking. You could be talking to anything. That's

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a lot, all right, And why did you bring.

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Speaker 5: It here because I thought you could help George.

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Speaker 1: Well, if it's the same George, I think it is,

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you'll have to get yourself another boy. What if I

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made you tie up with a guy like that? I

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don't think I can send you that's the place? Yes?

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Speaker 2: Can I help no thing?

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Speaker 1: Where's the light switch? A little over your right?

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Speaker 5: Here?

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Speaker 1: You got it? Yeap that I saw him? You see

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where you are?

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Speaker 5: Is he else?

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Speaker 1: Someone gave it for the temperate or yourself? Didn't you

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talk to mean? I tell when my fiance I can

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talk to you right that? Because it's not your fiancee.

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What this is? A boy named Dixie Taylor? Now when

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you behave you must be some mistake. What's the matter?

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Has you disappointed? It isn't George? Of course not.

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Speaker 5: Did you know Taylor?

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Speaker 1: Well? He was a friend of George.

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Speaker 3: Is I show him around here once or twice?

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Speaker 1: Who else was a member of this fraternity? Just a

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man in Louis Martinez left some select group? I've heard

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of all of them. Did they blackball anyone recently?

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Speaker 2: Don't know what you mean.

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Speaker 1: Did your boyfriend and Martinez cross anyone lately?

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Speaker 3: I don't think so?

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Speaker 1: A soil You better stop lying. You don't do it

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00:14:55,399 --> 00:14:58,679
very well? What it was a Nick Saunders? Good looking boy?

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I'm thirty five? Yes, what do they fight about it?

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I don't know anythink Saunders might have killed that thing?

301
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I suppose? So how about George? No, Hazel, don't be

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a sucker. You think you'll appreciate your loyalty somewhere Georgy?

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00:15:13,320 --> 00:15:16,559
All right, I will. Isn't it nice? Ever?

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Speaker 2: Not to suspect you, George, not to suspect you?

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Speaker 1: What? Take a look under that blanket? Oh? Who did it?

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Speaker 5: That's just what I was asking you?

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Speaker 1: Get any suggestions? Larry? What say? Who invited you here?

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Speaker 5: Anyway? She didn't? Oh?

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00:15:33,360 --> 00:15:34,799
Speaker 1: Was that so darling?

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Speaker 3: I was only thinking of you.

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Speaker 1: That's the truth, George. Never have I seen a woman

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00:15:39,440 --> 00:15:41,279
shows how much concern? Al Right, wearing fleet it?

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Speaker 5: I don't need you.

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Speaker 1: How about Hazel? She don't need you either.

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Speaker 5: Go on, Hagel tell him.

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Speaker 3: Oh, I made a mistakement to wearing.

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Speaker 1: I'm sorry you mean that? Yes, okay, there'll be it.

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Speaker 2: Oh when the police show off, tell him I have

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to leave.

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Speaker 1: It'll be a pleasure. Listen, George. Yet, I know what

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00:16:00,559 --> 00:16:02,679
you're gonna say, do you? Oh? Darling. I was only

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00:16:02,759 --> 00:16:05,879
thinking of you. I know what you did my team

323
00:16:06,240 --> 00:16:08,600
to Saunder's. That's why I went to Wearing. This was smart,

324
00:16:09,039 --> 00:16:11,440
but I was worried about Saunder's and I'm worried about you.

325
00:16:13,039 --> 00:16:15,120
You think you'll ever learned to keep your mouth shut?

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00:16:15,799 --> 00:16:32,240
What do I have to pay? Oh? Car, it doesn't,

327
00:16:32,279 --> 00:16:32,759
Mike Wearing.

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Speaker 4: What's on your mind?

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Speaker 1: Mike?

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Speaker 4: Listen?

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Speaker 1: What kind of caper was Georgia Reynolds poll recently?

332
00:16:38,639 --> 00:16:41,360
Speaker 4: Well, there's some talk going around to think Joe Gallagher

333
00:16:41,519 --> 00:16:42,600
was snatched last week.

334
00:16:42,840 --> 00:16:45,120
Speaker 1: Oh, it's crazy, Sage. And I saw on Fouriershaw yesterday.

335
00:16:45,240 --> 00:16:47,960
Speaker 4: I know that's the story we got. According to one

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of my pet stoolies's Missus laid on one hundred grand

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to get him back.

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Speaker 1: You think Georgia Reynolds's behind us would have been all surprise?

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00:16:54,960 --> 00:16:55,840
Well can't you do anything?

340
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Speaker 4: You tell me how when we got no proof? Missus

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00:16:59,000 --> 00:17:00,279
Gallagher hasn't seen fit.

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Speaker 1: To make a complaints. Nick Saunder's in on us even.

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Speaker 2: Know more about it?

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00:17:04,720 --> 00:17:06,440
Speaker 4: And Ida, what do you know about Saunders?

345
00:17:07,000 --> 00:17:09,039
Speaker 1: Not quite enough, Sergeant. I'll let you know the menu

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00:17:09,039 --> 00:17:11,960
that I learned more. Oh, by the way, there is

347
00:17:12,000 --> 00:17:15,000
a body over Georgie Reno's apartment. Go over and pick

348
00:17:15,000 --> 00:17:16,039
it up like a good fellow, will you?

349
00:17:29,720 --> 00:17:29,920
Speaker 6: Yeah?

350
00:17:30,400 --> 00:17:31,160
Speaker 1: Hello Saunders?

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Speaker 5: If you never mean, oh sure, sure you're the folking aunt.

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00:17:34,680 --> 00:17:36,119
Speaker 1: You can I come in?

353
00:17:36,319 --> 00:17:40,079
Speaker 5: Why not? Sorry? I can't offer you or anything?

354
00:17:40,519 --> 00:17:42,359
Speaker 1: Well, you never know, Unles should try a right wearing

355
00:17:42,400 --> 00:17:45,119
what's on your mind? I heard you and George Reynold

356
00:17:45,200 --> 00:17:47,839
had a little trouble last night. You must be taking

357
00:17:47,880 --> 00:17:49,880
it two other guys. But what gets me is why

358
00:17:49,960 --> 00:17:51,880
you took it out on Taylor and Taylor h Haven't

359
00:17:51,920 --> 00:17:53,079
you heard he's dead?

360
00:17:53,799 --> 00:17:55,680
Speaker 5: Not my old Palell Dixie?

361
00:17:56,400 --> 00:17:56,640
Speaker 2: Whoa?

362
00:17:56,839 --> 00:17:58,119
Speaker 5: Whoa? Will? What do you know?

363
00:17:58,519 --> 00:18:00,319
Speaker 1: I know? You better have a pretty good alibi I am.

364
00:18:01,319 --> 00:18:03,680
Come on Sounders and get your coat. We're going to headquarter.

365
00:18:04,160 --> 00:18:07,119
Speaker 5: Just brief me on one thing. Wearing you're a private

366
00:18:07,160 --> 00:18:07,839
to take this, an't you?

367
00:18:08,000 --> 00:18:08,960
Speaker 1: That's right? Now?

368
00:18:09,079 --> 00:18:11,720
Speaker 5: Where did you get off pushing people around? It's my hobby.

369
00:18:12,000 --> 00:18:13,440
Speaker 1: You're going to get your coat when you go like.

370
00:18:13,480 --> 00:18:14,640
Speaker 5: That at your age.

371
00:18:15,880 --> 00:18:18,640
Speaker 1: Put away the guns, Saunders. But it's the way I.

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00:18:20,240 --> 00:18:21,400
Speaker 2: Drop it, drop it.

373
00:18:23,759 --> 00:18:24,079
Speaker 1: All right?

374
00:18:24,119 --> 00:18:24,200
Speaker 5: Now?

375
00:18:24,200 --> 00:18:26,039
Speaker 1: What do you say? Friends? Do we take that little

376
00:18:26,119 --> 00:18:30,079
ride I mentioned Okade? Wearing but don't be surprised if

377
00:18:30,160 --> 00:18:32,079
someday I returned to taper.

378
00:18:44,920 --> 00:18:47,279
Speaker 6: That guy named Mike wearing hair, that's me. It's like,

379
00:18:47,680 --> 00:18:48,799
come in here, I want to talk to you.

380
00:18:49,000 --> 00:18:51,039
Speaker 2: Okay, see lady, Sergeant l bat.

381
00:18:52,599 --> 00:18:55,920
Speaker 6: See how worry? Thanks dougeand Carpett tells me you're the

382
00:18:55,960 --> 00:18:56,599
boy who brought in.

383
00:18:56,720 --> 00:18:58,279
Speaker 5: Saunders with the play here.

384
00:18:58,599 --> 00:18:59,880
Speaker 2: I'm glad you got a kick out of it.

385
00:19:00,160 --> 00:19:01,839
Speaker 6: Could I just talked the headquarters about you?

386
00:19:02,319 --> 00:19:03,039
Speaker 1: What's four to.

387
00:19:03,079 --> 00:19:05,240
Speaker 6: See how they feel about attempted blackmail?

388
00:19:05,640 --> 00:19:06,599
Speaker 1: What are you talking about?

389
00:19:06,759 --> 00:19:08,319
Speaker 6: Didn't you try to shake down Saunders?

390
00:19:08,880 --> 00:19:09,759
Speaker 1: Is that what he claims?

391
00:19:09,839 --> 00:19:09,960
Speaker 2: Now?

392
00:19:10,119 --> 00:19:12,000
Speaker 6: I can put two and two together myself.

393
00:19:12,079 --> 00:19:13,480
Speaker 1: And you want to go back to school, inspect that

394
00:19:13,519 --> 00:19:14,880
there's something wrong with your arithmetic.

395
00:19:15,039 --> 00:19:15,480
Speaker 4: I got it.

396
00:19:15,839 --> 00:19:17,960
Speaker 7: When you start shoving a guy around just because you've

397
00:19:17,960 --> 00:19:19,400
got a record, there's only one answer.

398
00:19:19,720 --> 00:19:21,839
Speaker 1: You're crazy. I tell your Saunters killed Dixie Taylor?

399
00:19:21,960 --> 00:19:22,920
Speaker 2: How he shot him?

400
00:19:22,960 --> 00:19:24,279
Speaker 6: That's how from Philadelphia?

401
00:19:25,039 --> 00:19:25,880
Speaker 1: What are you talking about?

402
00:19:25,920 --> 00:19:28,720
Speaker 6: Going to the corner? Dixie Taylor died at eight thirty PM,

403
00:19:28,920 --> 00:19:29,559
so what well?

404
00:19:29,599 --> 00:19:31,839
Speaker 7: At eight twenty five, Saunders was picked up by the

405
00:19:31,880 --> 00:19:34,960
Pennsylvania State Police for carrying a ride without a license

406
00:19:35,359 --> 00:19:38,160
and he wasn't released until two hours later. Now, who

407
00:19:38,279 --> 00:19:39,720
doesn't know his arithmetic?

408
00:19:51,240 --> 00:19:55,039
Speaker 1: Fo huh, Hazel one, how'd you get in here?

409
00:19:55,359 --> 00:19:56,640
Speaker 3: Did you pretended let me in?

410
00:19:57,279 --> 00:19:59,079
Speaker 1: I gotta talk to you now. That makes this even

411
00:19:59,119 --> 00:20:01,200
angel because I want to talk to you. Look, you've

412
00:20:01,200 --> 00:20:03,160
got to drop the case A lot raises a problem.

413
00:20:03,559 --> 00:20:05,279
Why can I drop something I've never been paid for

414
00:20:05,359 --> 00:20:07,839
in the first place? I don't understand. I mean, if

415
00:20:07,839 --> 00:20:09,319
I'm going to work for free, I might as well

416
00:20:09,319 --> 00:20:11,519
do it for myself. You can't do that. You like

417
00:20:11,559 --> 00:20:12,039
to see someone?

418
00:20:12,079 --> 00:20:12,480
Speaker 2: Stop me?

419
00:20:13,200 --> 00:20:14,319
Speaker 1: But Georgie's phone number?

420
00:20:14,880 --> 00:20:15,079
Speaker 4: Why?

421
00:20:15,200 --> 00:20:18,119
Speaker 1: Because I want to talk to him. What about the

422
00:20:18,240 --> 00:20:19,279
murder of Dixie Taylor?

423
00:20:19,359 --> 00:20:20,920
Speaker 3: He doesn't know anything about it?

424
00:20:21,039 --> 00:20:21,680
Speaker 1: Are you kidding?

425
00:20:22,839 --> 00:20:22,920
Speaker 5: Now?

426
00:20:22,960 --> 00:20:25,680
Speaker 1: What's the number? Come on, Hazel, I'm not clowning.

427
00:20:26,839 --> 00:20:28,839
Speaker 3: It's really four nine nine.

428
00:20:30,000 --> 00:20:32,240
Speaker 1: I'm sure a baby. When I get through with mister Reynolds,

429
00:20:32,240 --> 00:20:34,319
you whenever lay a hand on me again, you don't

430
00:20:34,359 --> 00:20:37,759
hear me. Next you'll be telling me you love the

431
00:20:37,839 --> 00:20:40,720
job I do. Is that you Reynolds?

432
00:20:42,400 --> 00:20:42,599
Speaker 8: For you?

433
00:20:43,079 --> 00:20:45,680
Speaker 1: Mike Warring? Let me talk to George. I'm afraid that

434
00:20:45,799 --> 00:20:47,839
he's not a good question listen my penis if I

435
00:20:47,880 --> 00:20:53,519
have to come over there, he's what? Yeah, I don't

436
00:20:53,720 --> 00:20:58,319
thought strict me about an hour ago, and somehow we

437
00:20:58,440 --> 00:20:59,759
didn't seem to agree with you.

438
00:21:12,200 --> 00:21:15,680
Speaker 3: True, Okay, I don't give my team has redly.

439
00:21:16,039 --> 00:21:19,119
Speaker 1: I suppose we go over and check. George will come on, Hazel,

440
00:21:19,200 --> 00:21:21,599
get a grip on yourself, get better off without him? Oh,

441
00:21:22,200 --> 00:21:24,240
you talk, because it's the truth. He was no good.

442
00:21:24,400 --> 00:21:24,920
Speaker 4: That's a lie.

443
00:21:25,200 --> 00:21:27,519
Speaker 1: Don't give me that you knew he was a brain

444
00:21:27,599 --> 00:21:29,039
behind the big Joe Gallagher snatch.

445
00:21:29,119 --> 00:21:30,640
Speaker 2: No, you're wrong, are you kidding?

446
00:21:31,119 --> 00:21:31,240
Speaker 5: Well?

447
00:21:31,319 --> 00:21:34,440
Speaker 1: The incidentally, what happened to the loot? The loot the

448
00:21:34,559 --> 00:21:38,079
ransom money missus Gallagher paid off? You would if anybody would.

449
00:21:38,839 --> 00:21:41,200
You can't keep it, angel, I didn't change to And

450
00:21:41,279 --> 00:21:42,799
where is it? Really?

451
00:21:43,119 --> 00:21:45,880
Speaker 3: They didn't tell me, but I watched them through the keyhole.

452
00:21:45,960 --> 00:21:48,359
Speaker 1: Where did they put it under the middle cushion of

453
00:21:48,400 --> 00:21:50,839
the sofa in George's apartment? Okay, let's get it before

454
00:21:50,880 --> 00:21:53,200
someone else gets the same idea. I wouldn't be surprised

455
00:21:53,240 --> 00:21:53,880
for a little late.

456
00:21:53,960 --> 00:21:54,079
Speaker 5: Now.

457
00:22:02,640 --> 00:22:04,960
Speaker 1: You know what Mike said just now about getting there

458
00:22:05,079 --> 00:22:07,559
first sounds like the race that usually goes on in

459
00:22:07,640 --> 00:22:09,519
my house for the last piece of cold chicken in

460
00:22:09,559 --> 00:22:13,240
the refrigerator. But a chicken sandwich sure makes a swell snack,

461
00:22:13,599 --> 00:22:17,079
especially when you put lots of craft mayonnaise on the bread. Hmmm.

462
00:22:17,279 --> 00:22:20,279
The delicate flavor of craft mayonnaise is just exactly what

463
00:22:20,400 --> 00:22:23,960
you want. And Crafts mayonnaise is so creamy, rich and smooth.

464
00:22:24,599 --> 00:22:27,599
Just try it for a grand sandwich spread as well

465
00:22:27,640 --> 00:22:31,240
as for fine salad. There's nothing like true mayonnaise at

466
00:22:31,279 --> 00:22:34,400
its finest. Crafts Kitchen Fresh Mayonnaise.

467
00:22:40,279 --> 00:22:42,720
Speaker 2: Now back to the Adventures of the fore.

468
00:22:45,599 --> 00:22:47,759
Speaker 1: A half hour has passed since Mike Wearing learned that,

469
00:22:47,839 --> 00:22:50,039
with the recent death of Georgie Reynolds and the earlier

470
00:22:50,079 --> 00:22:53,279
demise of Dixie Taylor, the original quartet was now working

471
00:22:53,319 --> 00:22:55,920
as a duo on one hundred thousand dollars worth of

472
00:22:56,039 --> 00:22:58,880
loose notes an hour. As we rejoined the team of

473
00:22:59,000 --> 00:23:02,319
Mark and Hazels, they're making that entrance to Georgie Reynold's apartment.

474
00:23:02,799 --> 00:23:04,920
Hazel seems to be suffering with a bad case of

475
00:23:05,000 --> 00:23:07,000
stage fright. That's not Rangel having trouble.

476
00:23:07,880 --> 00:23:08,920
Speaker 3: Guess I'm a little nervous.

477
00:23:09,119 --> 00:23:09,799
Speaker 1: He let me try.

478
00:23:11,960 --> 00:23:15,079
Speaker 2: Ah come in Louis, what do you expect?

479
00:23:15,799 --> 00:23:16,319
Speaker 5: Shuttered door?

480
00:23:16,400 --> 00:23:21,119
Speaker 1: Wearing Look Martin, I said, shuttered door? All right, all right,

481
00:23:21,240 --> 00:23:22,039
you don't have to worry.

482
00:23:22,039 --> 00:23:22,440
Speaker 5: I'm clean.

483
00:23:22,480 --> 00:23:24,599
Speaker 1: I don't believe in taking chances, that's no matter. No

484
00:23:24,720 --> 00:23:28,720
sporting blood. I guess I'm yellow too bad. Georgie didn't

485
00:23:28,759 --> 00:23:32,640
have as much, saying sirsy moved the club chair on. Yeah, gone,

486
00:23:33,079 --> 00:23:40,119
he's behind it. That wouldn't bring him back. Well, while

487
00:23:40,160 --> 00:23:42,240
we are on this subject, why were you at eleven thirty?

488
00:23:42,359 --> 00:23:45,119
He was waiting for me in my apartment? Nice lucky

489
00:23:45,160 --> 00:23:47,680
that I watched that man, and you better watch yours. I,

490
00:23:47,839 --> 00:23:50,400
like Hazel, worried it. Where is what? Know we got

491
00:23:50,440 --> 00:23:52,880
from Gallagher? I don't know. Won't give me that I wanted,

492
00:23:52,960 --> 00:23:55,359
honey bunch and nothing. He's gone. They'll keep me from it,

493
00:23:55,440 --> 00:23:56,079
understand what.

494
00:23:57,599 --> 00:24:00,960
Speaker 5: No, no, no, don't bother turning around, Latina, It's only me.

495
00:24:01,279 --> 00:24:04,599
Speaker 1: Listen, Sunder, don't mind if I do, Martinez, but drop

496
00:24:04,680 --> 00:24:08,960
the guns so sweet? Do you want me to pick

497
00:24:09,000 --> 00:24:09,200
it out?

498
00:24:09,240 --> 00:24:12,079
Speaker 5: No? No, no, don't tub me yourself wearing? I can manage.

499
00:24:13,359 --> 00:24:14,839
Oh what happened to Georgia?

500
00:24:15,279 --> 00:24:17,759
Speaker 1: The same thing that happened to Dixie Taylor, and he

501
00:24:17,920 --> 00:24:20,519
was such a sweet guy, wasn't he? Well? By the way,

502
00:24:20,559 --> 00:24:23,039
when I walked in here, Martinez was asking you a question.

503
00:24:23,279 --> 00:24:26,359
Speaker 5: I don't remember your answering it would you like to?

504
00:24:26,559 --> 00:24:28,519
Speaker 1: Now you'll never see a penny.

505
00:24:28,279 --> 00:24:29,480
Speaker 2: Of that mon Manes.

506
00:24:29,559 --> 00:24:30,240
Speaker 5: We're wasting time.

507
00:24:30,279 --> 00:24:31,720
Speaker 1: Where is it that I talim angel? I think he

508
00:24:31,759 --> 00:24:32,240
means business.

509
00:24:32,279 --> 00:24:33,680
Speaker 5: I do, and make no mistake about it.

510
00:24:34,359 --> 00:24:36,160
Speaker 1: It's under the middle cushion of his sofa.

511
00:24:36,319 --> 00:24:36,960
Speaker 5: What say, where you.

512
00:24:37,000 --> 00:24:40,720
Speaker 1: Are Martine's I'll do my own checking. Oh that's pretty

513
00:24:41,559 --> 00:24:42,920
I'm afraid I haven't the time when.

514
00:24:42,799 --> 00:24:44,240
Speaker 6: We have to find it, sad.

515
00:24:51,160 --> 00:24:54,759
Speaker 4: If he has, Hello, shag and high, I inspector, sat

516
00:24:54,839 --> 00:24:56,039
me around and apologize.

517
00:24:56,160 --> 00:24:58,599
Speaker 1: Oh what happened? Twenty minutes a Galla car came through

518
00:24:58,680 --> 00:24:59,119
from Philly.

519
00:24:59,240 --> 00:25:00,599
Speaker 6: That that sounder they picked up?

520
00:25:00,640 --> 00:25:02,000
Speaker 1: There was this guy's cousin.

521
00:25:02,319 --> 00:25:03,880
Speaker 5: I thought there was something scooy playing.

522
00:25:04,160 --> 00:25:06,359
Speaker 1: Well, if you fellows on the man in just a minute.

523
00:25:06,400 --> 00:25:09,440
Where you're going, Martinez, Well, like your figure, there's.

524
00:25:09,319 --> 00:25:10,599
Speaker 2: No point of my hanging around you.

525
00:25:10,839 --> 00:25:12,920
Speaker 1: Now you better get used to it, Louis, You're gonna

526
00:25:12,920 --> 00:25:14,480
do quite a bit of it from now on. What

527
00:25:14,640 --> 00:25:17,240
are you talking about? You'll kill Dickxie Taylor and George Reynolds.

528
00:25:17,279 --> 00:25:20,160
Oh crazy, Maybe you're right here. I've get you hanging.

529
00:25:20,200 --> 00:25:22,039
When any kid knows that in New York, they burn you,

530
00:25:22,680 --> 00:25:24,000
all right, I thought I didn't prove it to him.

531
00:25:32,960 --> 00:25:34,799
I don't say it anything. I was just going to

532
00:25:34,920 --> 00:25:38,599
ask me to explain things. Well, I guess you're entitled

533
00:25:38,640 --> 00:25:40,799
to it. You see. This was a modern version of

534
00:25:40,839 --> 00:25:43,880
thieves falling out. When Louis Martinez saw how George double

535
00:25:43,960 --> 00:25:45,680
cross Saunders, it didn't take him long to figure that

536
00:25:45,720 --> 00:25:47,839
he was next. So it decired to beat your boyfriend

537
00:25:47,920 --> 00:25:50,319
to the punch. First he killed Dixie, which made it

538
00:25:50,400 --> 00:25:52,640
look bad for Saunders, and then to ensure his best

539
00:25:52,720 --> 00:25:53,400
he killed George.

540
00:25:53,480 --> 00:25:55,119
Speaker 3: Didn't Why did he waited to have to us?

541
00:25:55,240 --> 00:25:56,759
Speaker 1: Well, we had to. You were the only one who

542
00:25:56,799 --> 00:25:58,920
knew where money was fashed, and until he got it,

543
00:25:59,279 --> 00:26:03,000
he committed to nothing. Well couldn't have Saunders have done? Mmmm?

544
00:26:03,160 --> 00:26:05,160
I knew Martinez was the killer long before Saunders ever

545
00:26:05,200 --> 00:26:07,880
showed up. But Martha feld Us he hadn't called the police,

546
00:26:07,880 --> 00:26:10,240
so obviously there was no autopsy performed. Yet he knew

547
00:26:10,240 --> 00:26:12,079
exactly what pus and killed George in the time he

548
00:26:12,119 --> 00:26:13,920
got it. Never he told me was the phone that

549
00:26:13,960 --> 00:26:16,000
George hadn't seat a dose of picton and now before

550
00:26:16,039 --> 00:26:17,559
I called h Well, now, how would he know that

551
00:26:17,680 --> 00:26:18,079
unless he.

552
00:26:18,119 --> 00:26:19,160
Speaker 5: Was right there seating you too?

553
00:26:20,319 --> 00:26:22,240
Speaker 1: Shall I tell you something I wish you wouldn't?

554
00:26:22,759 --> 00:26:24,039
Speaker 5: I like you about loving.

555
00:26:23,920 --> 00:26:26,119
Speaker 3: George to see otherwise I tell it? Your fraid he

556
00:26:26,200 --> 00:26:26,839
might suspect me?

557
00:26:27,000 --> 00:26:29,720
Speaker 1: No, I couldn't afford to Angel. Why not? No, You're

558
00:26:29,759 --> 00:26:33,839
much prettier than Martinez and Massando. I don't understand. But

559
00:26:33,880 --> 00:26:35,799
you see, I figured to wrap up this case on midnight.

560
00:26:36,000 --> 00:26:38,000
And if you were guilty, what would I do for

561
00:26:38,079 --> 00:26:38,359
a day