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Speaker 1: The band is Mercury Burns first, they are here with us.

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We've got three of the guys from Mercury Burns first.

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One of these guys I know very very well.

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Speaker 2: But Jay, let's start with you.

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Speaker 1: And we'll kind of go through and you can each

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tell us who you are and what you do in

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the band.

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Speaker 3: How's going. I'm Jay, I'm the vocalist. I don't play

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any instruments in this particular project, but I played the

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vocal courts.

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Speaker 2: Yes, yes you do.

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Speaker 3: I'm from locally, from from Manchester area, yep, been you know,

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playing in different bands around the scene and most of

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my life.

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Speaker 2: Yeah, for as long as I've known you, certainly. Yeah, yeah,

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hopefully this is the one. Yes, yes, I think it is.

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I think it is. And you, sir. My name is Dan.

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Speaker 4: I play bass in the band Local from Manchester, Okay,

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right up the street.

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Speaker 5: So yeah, it's a it's a pleasure.

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Speaker 2: Yeah, yeah, thanks for coming. Great to have you here.

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Speaker 1: I'm a fellow bass player, so absolutely natural kinship with

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you and you sir.

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Speaker 5: My name is Adam Grant, the guitar player from Conquered

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and this project is just kind of conceived from years

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of just playing music and being in bands.

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Speaker 1: And yeah, and here we are yeah yeah. So how

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long has Mercury Burns first existed? This is pretty new

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rights roughly two years almost now Okay, okay.

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Speaker 2: Is this your Is this your first release of this?

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Speaker 5: Uh?

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Speaker 2: This EP?

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Speaker 5: Yeah? Yep?

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Speaker 1: Okay, all right, yeah, I really like so we were

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kind of talking off air about what to which track

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to open the segment with, and I and uh Embraces

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my personal favorite. I love the vibe, the the guitars

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and that this there's something there's something different.

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Speaker 2: About it that I think is really really cool.

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Speaker 1: And uh, you know, Jay, I've always loved your vocals.

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Uh what like, like, what is your your kind of

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I mean obviously, you know, broadly speaking, we put you

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in the metal category, but you guys have kind of

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a is there a sub genre that that you're trying

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to to fit into? I mean, it's unique, the the EP,

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it's it's it's a little different than I can't think

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of anyone. You sound exactly like you know what I mean,

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There's there's something.

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Speaker 3: We are Like I personally have approached this project a

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little differently as anything that like comes along I want

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to try to turn into you know, turn into something. Yeah,

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I've been very like guarded in and picky about like

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what I actually want to like work on as a song.

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And and in this I'm not necessarily making music for

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just myself, uh anymore, Like I'm taking everything into consideration,

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Like I there there might be something that I'm not

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too into that like someone else and the band is

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into that like ends up growing on me. Yeah, and

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it you know, turns out to be my favorite, my

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favorite thing. So it's it's more of a throw throw

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it at the wall, see what sticks, and not necessarily

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trying to stick to one type or style or hopefully

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at hopefully by the end of you know, our our

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second third album, we've got a little bit of every

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every genre in there.

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Speaker 5: Yeah, And I think that was kind of like the

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general idea of putting this CP out in these particular

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songs first was to show more of like this, we're

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not just a heavy band. We have a little bit

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more to offer than you know, and I don't think

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we really wanted to pigeonhole ourselves into like the metal

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corner of music.

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Speaker 2: So yeah, now that makes sense.

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Speaker 1: So it sounds like you already have more and more

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songs that you're working on or you're going to be.

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Speaker 2: Yeah.

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Speaker 5: Yeah, I mean it's obviously, as we all know, writing

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is a slow process, but uh yeah yeah. Recording, Yeah yeah,

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I mean we've been cramming a lot in in the

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last year, just writing and recording and you know, just

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trying to get this ship sailing a little bit.

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Speaker 3: So we've yet to even play our first live show.

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Oh okay, Yeah, we've really stuck to working on the

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hone in our craft and working on the songs and

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at least getting this EP recorded and out there, you know,

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so we at least have a product to present to people.

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Speaker 2: Right.

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Speaker 1: Where does the name come from? By the way, the

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name is so cool. Mercury Burns first.

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Speaker 3: So initially our idea was to do a concept album,

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and it's it's stemmed from that, like that the concept

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was going to be when uh, you know, in the

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you know, in the distant future, when when the sun

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kind of expands and spells up, you know, the inner

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inner solar system. Mercury Burns first.

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Speaker 2: Yes, yes, and.

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Speaker 3: So that that idea came. The idea from the name

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kind of came from the idea from the album, which

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we may or may not have abandoned at least for

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at least for now. I think over the course of

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our career, we'll probably have that concept album put into

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the other albums instead of you know, focusing everything on

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one story and you know, again pigeonhole, pigeonholing ourselves into

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like being forced to write a certain thing. We just

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kind of want to do what comes comes along naturally

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when it when it comes along.

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Speaker 1: Yeah, yeah, I do feel like, you know, listening to

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the lyrics, and and you've always been a very interesting

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you know, back from your days and function, you know,

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your your your lyrics have always been really interesting. You know,

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it's you've got to kind of pay attention to what

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you're saying because you know, you've you've got a lot,

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You've got a lot that you're trying to express and

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and I've always been I've always been really interested in

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your lyrics. The lyrics on on some of these tracks

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is something sort of apocalyptic, so I'm not surprised.

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Speaker 3: When it from that. You know, we started out as

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it was all going to kind of be about that.

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Speaker 6: Really yuh yeah, there's there there is there is that

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that vibe to it, and and Embrace is particularly interesting

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to me because there's there's a texture to.

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Speaker 1: That song that's like I haven't heard anything quite like this,

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you know, it's it's it's really cool. Are are all

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the themes to these songs kind of like that? Or

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or are are there like what are what are some

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things that you explore these lyrics.

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Speaker 3: If if if this was a concept album, it would

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be very like scattered. They're not in order, yeah know

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what I mean. Yeah, so they're very far apart in

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the story. Yeah, but they probably would fit into into it. Yeah,

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but they're not necessarily purposely. We we just wanted to

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give the broadest spectrum of like what what we sound like?

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Speaker 2: Yeah?

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Speaker 1: Yeah, and then so when you do so you haven't

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played out yet, but do you do you have anything uh?

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Speaker 2: Planned?

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Speaker 3: Yeah, we have. We have a couple of shows lined

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up with with The Big Son and Adam McGrath. One

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of our shows also features the Forest Forgets.

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Speaker 2: Oh, we had them on the show. They're amazing.

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Speaker 3: Yeah. Our first show is uh February twenty second at

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the Gateway in Lawrence, Massachusetts. That's with The Big Son

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and Adam McGrath. Cool doors are seven, it's ten dollars

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a person. Twenty one plus just tickets at the door.

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We don't have any uh any tickets on sale for that.

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Speaker 2: Yeah.

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Speaker 3: The next show is.

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Speaker 2: March March eighteen, Mark March upstairs. Nice, yeah, excellent.

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Speaker 3: That you can get tickets for on the on the

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Middle East website. We got links to it on our

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on our Facebook, kind of posted it all over the

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place right now, so yeah, yeah, that that you can

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buy tickets ahead of time there.

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Speaker 5: I think there's twelve in advanced Yeah.

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Speaker 1: Okay, okay, Now you're gonna be playing the whole the

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whole EP, all five tracks, yes plus yeah, yeah and

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then some Yeah, so you've got other do you guys?

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Are you guys gonna be doing any covers or are

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you just sticking to originals.

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Speaker 3: Or there's a there's a possibility of covers which we're

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trying to fill up our time slot, which yeah, it's

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gonna be pretty close, so you might get surprised with

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a couple of covers in there.

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Speaker 2: Yeah. Yeah that's cool. Now.

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Speaker 1: So so uh, Jay, obviously I know some of your

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musical history. You were, but you've been you've been in

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bands between you know, because for people who don't know,

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I mean, we're going back like twenty year is you

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know function of course, and then but you've had other

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projects between that one and this one, correct.

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Speaker 3: Yeah, I've been in some smaller you know, like like

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cover bands, and I was in a Christian based heavy

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metal band for a little bit called Slate Face.

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Speaker 1: I think I remember that because i'd run into you.

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I forget where I've run into you somewhere. I think

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it was probably during the number of years ago, and

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I think you.

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Speaker 2: Had told me about that. Yeah, yeah, okay.

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Speaker 3: And uh, I took a little bit of hiatus between

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then and in this, and uh really just kind of

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focused on what what I want out of you know,

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like if I really think this is probably gonna be

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my uh magnum opus, like my what I really put

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everything into like anything I've been holding back, you know,

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it's time there's I'm not getting any younger. Yeah, So

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I just really I think all of us are putting

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everything we have into into this, uh, all our eggs

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in this basket.

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Speaker 2: Yeah. Yeah.

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Speaker 1: And I'm curious too with you guys, like I assume

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you've both played in other bands before this.

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Speaker 4: And yeah, I played, you know, all through high school

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and college bands and then you know, life started and I,

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you know, I still played, but didn't take it as seriously.

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Speaker 3: Yeh.

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Speaker 4: And then the keyboardist in our band, Jeremy, me and

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him and playing music together for ten twelve years, you know,

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just once a week get together, a bunch of different guys,

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play covers. So you know, we we played, you know,

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we played our last shows like around Halloween. You know,

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so we play you know, once a week. And then

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you know, and I was able to get him in

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the bands. I think Joel said we need someone on keys.

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I was like, oh, I know a guy, so you know,

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so and we've been playing together, you know, every week

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for the past. I came into the bands about a

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year and a half ago. They had an original bass player.

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Oh okay, and then yeah, I came check them out.

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And then you know, as bands do things, people go

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different ways. And came down and played and thankfully okay, yeah,

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fun like sure, did yeah show up next week?

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Speaker 2: Yeah?

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Speaker 4: Yeah, you know, and it's great, especially you know, we're

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getting up there in Asian to be able to work

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our schedules out so that we can actually get together

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and do something that we really enjoy, and ye are

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building something towards it's it's so much fun. I really

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hope this goes places for us.

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Speaker 1: Yeah yeah, no, I think I think you're onto something

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great and how about you?

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Speaker 5: So for me, I mean basically, the whole music thing

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started out as an angsty teen playing playing hardcore and

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punk music locally here in a band called Strike Three.

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Speaker 2: I remember Strike Three.

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Speaker 5: Yeah wow.

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Speaker 3: They were like when we were in high school. Like

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they were like the first kind of people that I

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knew that were ever so like they're partially they're partially.

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Speaker 5: Yeah, so myself the reason why I'm a.

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Speaker 3: Musician, oh wow, because like I went to their shows

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and like saw that, Hey, you know these guys that

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I go to school with are doing this, Like why not?

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Speaker 2: Oh that's cool.

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Speaker 5: Our drummer jol Is also he was all so in

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that band, so we you know, we had done all

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that stuff and been a part of that scene. And

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I think once you're a part of that scene like that,

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that lifeblood of just being a part of that music

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and just the energy just never goes away, like yeah,

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it's always in you. And like so you know I

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did that and then took a break for a while obviously,

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like raised my family and uh, and then some years

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went by, tried to put some stuff together. Yeah, nothing

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really came to fruition. Then I did that I'm in

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a cover band as well, just to keep keep the

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fingers moving. And then now it was just like one

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day I just finally went on Facebook and I was like,

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who wants to play music? And Jay responded, and you

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know a couple other people and we just this is

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where we're at, and it just kind of like put

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this together, and like Jay said, it's kind this is

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kind of like we're all in right now. Let's do

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this because like you said, we're not getting.

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Speaker 2: Younger right right, So.

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Speaker 1: No, I think you're onto something really good though, you

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know this, Like I said, I listen to loly P.

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I think it's it's really good. Tell me about the

258
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I'm curious too about the cover art. I like the

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cover art. It definitely matches the it matches the name

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and the vibe of of of what we're what we're

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hearing from.

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Speaker 5: So that that came to place. Our drummer Joel found

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this guy. His name's Matt Barnes. He's from the UK

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actually okay, and he does like a bunch of like, uh,

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I guess it's like horrors like book covers and movie art,

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and so he contacted him and he's the one who

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actually put this together for us.

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Speaker 1: So yeah, no, it looks really cool. How much how

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much direction did you have to give him or or

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did you just.

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Speaker 5: Tell him just I think Joel, like Joel kind of

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had the whole like he was the brain child behind

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that artwork, and we were just kind of give him

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the input and it was kind of like his idea

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because it started out with the whole concept thing a

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little bit, yeah, and then it just kind of turned

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into that, and you know, we went back and forth

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a little bit with the ideas and that's that's what

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we ended up with.

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Speaker 7: Yeah.

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Speaker 1: I encourage people to if you haven't seen it, go

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online and check it out. It's yeah, you know, it

283
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kind of looks it looks like it could be a

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movie poster, you know, But yeah, it's it's cool. It's

285
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very striking. And I like the reds anyway because red's

286
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my favorite color. But but yeah, no, I like it

287
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a lot. Like was that something where when you guys

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saw it liked did everybody in the band immediately like

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it or did you have to kind of think about it?

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Speaker 5: I don't think so.

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Speaker 3: It actually send us like a stock photo of like

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the guy sitting out front asaut and there was like

293
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a couple of things that like I wasn't I wasn't

294
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a fan of and they really they changed it and

295
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now I mean, you know, yeah, I love it. So yeah, yeah,

296
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they like there was a little like the host coming

297
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out of his out of his helmet was like a

298
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little phallic. Oh really, I don't know if we're going

299
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you know, it's not gonna be the them are going

300
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for it.

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Speaker 1: Although would get people, yeah talking about it. Good good

302
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conversation piece, but no, I do understand.

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Speaker 8: Yeah.

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Speaker 4: I mean Joel, I think does does a lot of

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the art direction too. He's a very artistic guy. You know,

306
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he released his own comic book and you know he paintings,

307
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he art, Yeah, has a really great eye yeah for art.

308
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I mean he yeah, he's great.

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Speaker 2: He's put out a comic book, yeah.

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Speaker 5: Get comic a couple of years ago.

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Speaker 2: Oh very cool, yeah, j ol Joel Okay.

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Speaker 4: Yeah, but he said art shows and boss and stuff

313
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with his painting and everything. So I think we have

314
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a lot of different directions we can go in with

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this with you know, not only the music, but the

316
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art and the live show. Yeah, you know, I'm I

317
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think we have a good direction.

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Speaker 1: Yeah, yeah, it's it's good to have, you know, kind

319
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of a be able to approach it from different you know,

320
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different aspects and elements, like the art, you know, the

321
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the art work would because not everyone thinks about that,

322
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you know, some people don't really put a lot of

323
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thought into that part of it. But we live in

324
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an era where, you know, with social media and everything,

325
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you've really got to in terms of branding, you know,

326
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you've really got to think about all of that, all

327
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these different aspects and elements.

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Speaker 2: You know.

329
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Speaker 1: It's it's it's a lot different than it used to

330
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be in that sense, you know. So so yeah, I

331
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think that's I think that's really cool. And is now

332
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right now is everything only available on streaming or are

333
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are you making physical CDs?

334
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Speaker 5: So we have right now we have CDs already available

335
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which you can get on band camp. We have vinyls coming,

336
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uh March nice should be like mid to end of

337
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March should be arriving for those Oh very cool, very.

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Speaker 1: Cool expensive though right to do vinyl? Yes, I've I've

339
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heard it's it's very expensive, but no, I think, I

340
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think that's great that you're doing that. I'm I'm imagining

341
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that artwork on a on a full vinyl and oh,

342
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that's that's gotta be Uh, that's gonna look really cool.

343
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Speaker 2: I assume it's gonna be the same.

344
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Speaker 5: Image for the image.

345
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Speaker 1: Okay, not on some people they try to do like

346
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a different image for the vinyl to make it like

347
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a limited edition thing.

348
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Speaker 2: But it's like, that's already limited edition. It's vinyl, you.

349
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Speaker 5: Know, be orange vinyl.

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Speaker 1: Yeah, yeah, nice, nice, No, that's that's awesome.

351
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Speaker 2: That's awesome.

352
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Speaker 1: I have a theory that most people who buy new

353
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vinyl never actually play it, but they just buy it

354
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because if you know, if you're really a fan of somebody,

355
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it's cool to have, you know.

356
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Speaker 2: Like we have. We opened the show today with a

357
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new track from Mike Frasier.

358
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Speaker 1: He's a singer songwriter from Seattle, and we did the

359
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world radio premiere of his new song in April days.

360
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But when Jenny and I met him, remember that we

361
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met him at the Shaft Skin he was touring, and

362
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he gave us a vinyl. He was very excited to

363
00:16:46,279 --> 00:16:49,559
give us his vinyl record and and and it looked

364
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great and everything, and you know, the artwork was cool

365
00:16:51,519 --> 00:16:54,039
and it's like, okay, awesome, But but then there's that,

366
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you know, like I always have that conversation with myself

367
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in my mind. Should I tell him I have nothing

368
00:16:59,720 --> 00:17:04,000
to play on or or or does it matter or

369
00:17:04,000 --> 00:17:05,839
does he care whether I have something to play it

370
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on or not?

371
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Speaker 2: He clearly he wants us to have it.

372
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Speaker 3: I feel like often in that situation, someone might go

373
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out and buy a record player, so like people people

374
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give vinyl and like it'll sit for a while, but

375
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then you're like, you know what, I want to play this? Yeah, yeah,

376
00:17:19,279 --> 00:17:21,319
you know, you see see a little record player sitting

377
00:17:21,359 --> 00:17:23,359
at a yard sale, and you know, maybe you'll grab.

378
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Speaker 2: It right right.

379
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Speaker 1: Yeah, that's true, that's true. We don't even have a

380
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CD player at home. Really, we have one here at

381
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the station.

382
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Speaker 2: I think.

383
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Speaker 1: I don't know if you guys know Rob as a

384
00:17:32,160 --> 00:17:34,880
veto he owes granted state of mind, but he actually

385
00:17:34,960 --> 00:17:36,680
uses it or I think he's the only one.

386
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Speaker 2: What's that. I forget that it's even there. But yeah,

387
00:17:41,200 --> 00:17:43,640
you're right. But I do think though, there's there's.

388
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Speaker 1: A lot of value in physical media because even you know,

389
00:17:45,960 --> 00:17:47,759
even if somebody never plays it if they just want

390
00:17:47,759 --> 00:17:49,880
it because they're a fan. You know, people like to

391
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have the artwork, They like to look at liner notes

392
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and all that kind of stuff.

393
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Speaker 3: That was kind of our idea behind, you know, getting

394
00:17:56,039 --> 00:17:57,720
the physical copies of stuff, because it's like, you know,

395
00:17:57,880 --> 00:18:00,599
like the average person's probably gonna just dream it, you know,

396
00:18:00,759 --> 00:18:02,440
or if they're going they buy the album, they'll buy

397
00:18:02,440 --> 00:18:06,240
it on you know, Spotify or iTunes. Yeah, but you

398
00:18:06,319 --> 00:18:08,400
know the people that you know, know us already care

399
00:18:08,440 --> 00:18:10,480
about us and like want to have a piece of

400
00:18:10,480 --> 00:18:12,640
our art, like well, you know, they buy the CD

401
00:18:12,720 --> 00:18:16,000
and yeah there or the album the record.

402
00:18:16,000 --> 00:18:17,279
Speaker 2: Yeah exactly.

403
00:18:17,440 --> 00:18:20,480
Speaker 1: Yeah, yeah, because there was a period where you know, CDs,

404
00:18:20,519 --> 00:18:21,759
like nobody was doing CDs.

405
00:18:21,839 --> 00:18:24,440
Speaker 4: You know, there's still there's still something cool but grabbing

406
00:18:24,440 --> 00:18:27,519
the CD. I still have racks of my CDs. Yeah,

407
00:18:27,640 --> 00:18:30,160
grab one and play it front to back while you're

408
00:18:30,319 --> 00:18:31,599
you're taking the drive, you know.

409
00:18:31,720 --> 00:18:34,599
Speaker 3: Yeah, it's like I feel like that the EP sounds

410
00:18:34,640 --> 00:18:37,279
better in my car on the CD than any other

411
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any other thing I've listened in to it on. So

412
00:18:39,640 --> 00:18:42,039
it's just there's something about that. Yeah, I still have

413
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a CD player in my car.

414
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Speaker 1: Yeah, yeah, oh, excellent, excellent, Well we should play another track.

415
00:18:47,680 --> 00:18:50,319
Speaker 2: I'll let you guys pick what should we what should

416
00:18:50,319 --> 00:18:51,880
we play next?

417
00:18:52,240 --> 00:18:55,519
Speaker 5: We opened with embrace Let's do Deaf and Blind?

418
00:18:55,680 --> 00:18:56,400
Speaker 2: Deaf and Blind?

419
00:18:57,240 --> 00:18:57,640
Speaker 5: All right?

420
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Speaker 1: Uh, if you are just joining us on this chilly

421
00:19:02,480 --> 00:19:05,480
Saturday morning, here we got Mercury Burns. First is with

422
00:19:05,640 --> 00:19:07,160
us live and studio or part of the band. How

423
00:19:07,160 --> 00:19:08,039
many guys are in the band?

424
00:19:08,119 --> 00:19:09,000
Speaker 2: Is it five? Or six?

425
00:19:09,079 --> 00:19:09,640
Speaker 3: Six? Six?

426
00:19:09,759 --> 00:19:09,960
Speaker 2: Six?

427
00:19:10,119 --> 00:19:10,319
Speaker 3: Yeah?

428
00:19:10,359 --> 00:19:11,200
Speaker 2: So what does everybody?

429
00:19:11,279 --> 00:19:12,799
Speaker 1: Okay, so we know what the three of you do.

430
00:19:12,920 --> 00:19:14,799
It's unusual to see a band that large. What are

431
00:19:14,799 --> 00:19:16,759
the other three guys all do? One's?

432
00:19:16,880 --> 00:19:17,240
Speaker 2: Uh?

433
00:19:17,319 --> 00:19:21,200
Speaker 5: So we have Joel's our drummer, Max, Max is the

434
00:19:21,319 --> 00:19:26,039
other guitar player. Okay, also my son. Kind of an

435
00:19:26,039 --> 00:19:30,039
interesting story. Oh and then we have Jeremy. He plays

436
00:19:30,079 --> 00:19:31,079
synth and keys.

437
00:19:31,279 --> 00:19:34,240
Speaker 2: Oh okay, that must be cool playing with your son

438
00:19:34,319 --> 00:19:34,839
in a band.

439
00:19:35,079 --> 00:19:37,440
Speaker 5: Yeah. It was one of those things like when we

440
00:19:37,440 --> 00:19:40,400
were assembling the whole lineup, it was just he came

441
00:19:40,480 --> 00:19:42,440
and you know, he's he has had a lot of

442
00:19:42,480 --> 00:19:45,720
interesting guitar and i'eah like, well that's a no brainer,

443
00:19:46,039 --> 00:19:47,160
like just come on, let's go.

444
00:19:47,519 --> 00:19:48,039
Speaker 2: Oh wow.

445
00:19:48,160 --> 00:19:51,440
Speaker 5: So and actually the a lot of the guitar work

446
00:19:51,559 --> 00:19:54,079
the I guess I said they were the better guitar

447
00:19:54,119 --> 00:19:58,200
solos on the record were his, which for Embrace, and

448
00:19:58,960 --> 00:20:01,400
the guitar solo Hindsight was his as well.

449
00:20:01,799 --> 00:20:01,960
Speaker 2: Kid.

450
00:20:02,160 --> 00:20:05,400
Speaker 5: Yeah, so those all written by him, So oh very cool.

451
00:20:05,519 --> 00:20:08,599
Did you did you teach him or I would like

452
00:20:08,640 --> 00:20:11,119
to say yes, but no, I think the Internet had

453
00:20:11,160 --> 00:20:12,720
more to do with that than anything else.

454
00:20:12,960 --> 00:20:15,759
Speaker 1: Yeah, so it's amazing now like with YouTube, you can

455
00:20:15,880 --> 00:20:18,000
you know, take lessons right online.

456
00:20:18,119 --> 00:20:18,440
Speaker 5: Yeah.

457
00:20:18,519 --> 00:20:21,240
Speaker 4: Yeah, yeah, it's so cool because nowadays it seems like

458
00:20:21,240 --> 00:20:23,480
they're you know, guitar solos have kind of gone away

459
00:20:24,000 --> 00:20:26,640
in a lot of mainstream sure rock, and I think

460
00:20:26,640 --> 00:20:28,559
these are some of the best guitar solos that I've

461
00:20:28,640 --> 00:20:29,839
I've heard in a long time.

462
00:20:29,920 --> 00:20:30,160
Speaker 9: Yeah.

463
00:20:30,200 --> 00:20:35,359
Speaker 3: Things very tasteful and I agree, yeah, I agree absolutely.

464
00:20:35,519 --> 00:20:37,160
Speaker 2: All right, let's give this a spin. So this is

465
00:20:37,200 --> 00:20:41,319
called Deaf and Blind and the band is Mercury Burns First.

466
00:21:03,839 --> 00:21:08,880
Speaker 10: College, DISSI Sho skis O All My Dad, The City

467
00:21:08,920 --> 00:21:19,559
shows based off Station When Sey, Superstitions of the Ship, Winday.

468
00:21:19,039 --> 00:21:23,039
Speaker 11: Can Brost a Tusko.

469
00:21:23,480 --> 00:21:25,119
Speaker 8: The Can't Make Man.

470
00:21:29,359 --> 00:21:35,599
Speaker 11: Where two Tame shows, The Camel.

471
00:21:41,319 --> 00:21:42,119
Speaker 8: Y God.

472
00:21:48,160 --> 00:22:05,640
Speaker 7: Stays rock show Gallery, drowning.

473
00:22:05,759 --> 00:22:15,680
Speaker 11: Asso shot off not to estimation, snors.

474
00:22:16,480 --> 00:22:27,839
Speaker 12: Say, set files, sign doctors turns for a call.

475
00:22:29,119 --> 00:22:34,079
Speaker 11: To total shots twelve class.

476
00:22:35,599 --> 00:22:43,839
Speaker 8: Doll. Are you trying to tell Nail?

477
00:22:44,039 --> 00:23:10,039
Speaker 12: So tell friend black man ta cairnly Fui So time stay?

478
00:23:23,599 --> 00:23:27,440
Why stay?

479
00:23:30,519 --> 00:23:30,880
Speaker 11: Okay?

480
00:23:33,319 --> 00:23:57,720
Speaker 12: So whisn all t time shouting to cast?

481
00:24:14,240 --> 00:24:17,640
Speaker 2: That'll get the blood pumping on a cold Saturday morning.

482
00:24:18,000 --> 00:24:18,400
I love it.

483
00:24:18,519 --> 00:24:22,559
Speaker 1: That is The band is Mercury Burns First and that

484
00:24:22,720 --> 00:24:25,160
is called Deaf and Blind. And we've got three of

485
00:24:25,200 --> 00:24:27,880
the guys from Mercury Burns First here with us live

486
00:24:27,960 --> 00:24:30,119
in studio. Great track, guys, I love the energy of that.

487
00:24:30,400 --> 00:24:33,720
Thanks really really good. We have jay Dan and Adam

488
00:24:33,799 --> 00:24:36,880
here from the band joining us. And where do you

489
00:24:36,920 --> 00:24:37,519
guys record?

490
00:24:37,559 --> 00:24:37,759
Speaker 5: Where?

491
00:24:37,799 --> 00:24:39,720
Speaker 2: Where? Where did the where did you record the EP?

492
00:24:40,160 --> 00:24:42,519
Speaker 5: So we did this at right actually right around the

493
00:24:42,559 --> 00:24:44,240
corner at black Heart Sound Studio.

494
00:24:44,559 --> 00:24:48,880
Speaker 2: Oh nice. We had Eric Sotter on the show. I

495
00:24:48,920 --> 00:24:50,240
don't know, maybe six months ago.

496
00:24:50,279 --> 00:24:52,920
Speaker 1: It all becomes a blur, but but I told him

497
00:24:52,960 --> 00:24:54,160
when we had him on, I said, it's great to

498
00:24:54,200 --> 00:24:56,640
have you on because your name comes up all the

499
00:24:56,680 --> 00:24:58,559
time on the show because his name does. He comes

500
00:24:58,599 --> 00:24:59,920
up all the time, so many of the guests we

501
00:25:00,119 --> 00:25:02,640
that have recorded with him, and everything that comes out

502
00:25:02,680 --> 00:25:03,680
of there sounds amazing.

503
00:25:04,079 --> 00:25:06,000
Speaker 5: Yeah, he did a really good job, and he actually

504
00:25:06,039 --> 00:25:08,440
helped out quite a bit, like just pulling some of

505
00:25:08,480 --> 00:25:10,559
this stuff to the loose ends that we didn't have

506
00:25:10,759 --> 00:25:11,440
ready to go.

507
00:25:11,839 --> 00:25:14,960
Speaker 3: So yeah, there are even little little parts of like

508
00:25:15,480 --> 00:25:17,799
solo is that he kind of gave us ideas for that,

509
00:25:18,079 --> 00:25:20,960
like uh kind of you know, spiced it up a

510
00:25:20,960 --> 00:25:21,319
little bit.

511
00:25:21,359 --> 00:25:24,480
Speaker 5: And then yeah, it's just stuff that you just don't

512
00:25:24,559 --> 00:25:26,440
think about because someone else has got a set of

513
00:25:26,519 --> 00:25:28,480
years on it and you're like, oh, that's actually sounds

514
00:25:28,519 --> 00:25:29,599
a lot better than I thought it did.

515
00:25:29,839 --> 00:25:30,079
Speaker 13: Yeah.

516
00:25:30,319 --> 00:25:33,400
Speaker 4: Yeah, and we're recording live just in our in our studio,

517
00:25:33,640 --> 00:25:35,640
you know, we just pump it out and you know,

518
00:25:35,799 --> 00:25:38,599
not not a whole lot of mastering and stuff like that.

519
00:25:38,720 --> 00:25:41,200
So finally when we're in the studio and perfecting and

520
00:25:41,319 --> 00:25:44,079
he's picking up on other little nuances as you're recording

521
00:25:44,160 --> 00:25:47,000
track by track, you know, and gave us some good ideas.

522
00:25:47,079 --> 00:25:49,480
So it was it was awesome working with him. Yeah,

523
00:25:49,519 --> 00:25:51,160
his name comes up all the time. He was at

524
00:25:51,200 --> 00:25:52,160
the barber the other day.

525
00:25:52,400 --> 00:25:53,680
Speaker 5: You know, it's like, oh yeah, I know her.

526
00:25:54,039 --> 00:25:57,200
Speaker 2: Yeah, yeah, yeah, absolutely, no, he's he's remarkable at what

527
00:25:57,279 --> 00:25:57,559
he does.

528
00:25:57,680 --> 00:25:58,440
Speaker 3: He did a great job.

529
00:25:58,759 --> 00:26:03,640
Speaker 1: Absolutely. How long was the process of recording these Uh?

530
00:26:04,119 --> 00:26:09,039
Speaker 5: I mean it it started like, uh, it was dragged

531
00:26:09,079 --> 00:26:11,319
out because I think initially we thought we were just

532
00:26:11,400 --> 00:26:13,559
gonna go right in there and pump these songs out

533
00:26:13,559 --> 00:26:15,680
and be done with it. But yeah, it took probably

534
00:26:15,720 --> 00:26:18,119
a better part of like four or five months to

535
00:26:18,279 --> 00:26:20,279
just because and it was like just odd, like a

536
00:26:20,359 --> 00:26:22,920
couple of days here and there. It wasn't like consistent. Yeah,

537
00:26:22,920 --> 00:26:26,039
it was spaced out, So it was spaced out. But

538
00:26:26,319 --> 00:26:28,960
I think it was just also just the learning curve

539
00:26:29,079 --> 00:26:32,359
of being in the studio and being like, oh, like

540
00:26:32,599 --> 00:26:34,720
we actually need to take some time and do this

541
00:26:34,799 --> 00:26:35,319
the right way.

542
00:26:35,480 --> 00:26:35,720
Speaker 2: Yeah.

543
00:26:37,279 --> 00:26:39,240
Speaker 1: That makes sense though, because you know, like we were

544
00:26:39,279 --> 00:26:42,400
talking about earlier, this what you're doing here is fairly complex.

545
00:26:42,480 --> 00:26:44,759
It's not you know, it's not just three chord rock.

546
00:26:44,880 --> 00:26:46,559
Speaker 3: You know, it's yeah, and there's and you know, there's

547
00:26:46,599 --> 00:26:48,440
six six gears in the machine.

548
00:26:48,519 --> 00:26:51,279
Speaker 2: So it's yeah, yeah exactly, and and it.

549
00:26:51,359 --> 00:26:54,240
Speaker 3: Really it's been running smoothly pretty much the whole time.

550
00:26:54,279 --> 00:26:57,160
There's not a lot of conflict or anybody stepping on

551
00:26:57,200 --> 00:27:01,680
anybody's toes. That's great, It's it's gone really well.

552
00:27:01,880 --> 00:27:02,079
Speaker 13: Yeah.

553
00:27:02,200 --> 00:27:04,480
Speaker 1: Yeah, because I would think, you know, with six guys too,

554
00:27:04,599 --> 00:27:07,559
you've got so you've got six different schedules to work

555
00:27:07,640 --> 00:27:08,440
with and everything.

556
00:27:08,559 --> 00:27:10,400
Speaker 2: I mean, I would think it would be challenging, but

557
00:27:10,480 --> 00:27:11,240
it sounds like it's been.

558
00:27:11,440 --> 00:27:14,799
Speaker 3: We finally just downloaded this this calendar app where everybody

559
00:27:14,839 --> 00:27:17,839
can like put out their blackout dates. We're finally getting

560
00:27:17,839 --> 00:27:21,319
a little organized to know like where. Yeah, we'll find

561
00:27:21,359 --> 00:27:22,359
out how busy Dan is.

562
00:27:24,880 --> 00:27:27,039
Speaker 5: A lot going on, But I mean for the most

563
00:27:27,079 --> 00:27:30,880
part though, our regular practices have been pretty much locked down.

564
00:27:30,960 --> 00:27:33,440
I think it's just the level of commitment that we're

565
00:27:33,480 --> 00:27:35,720
at right now. We're all really committed to doing this,

566
00:27:35,920 --> 00:27:37,920
and I think that was the thing, was like, you know,

567
00:27:38,079 --> 00:27:40,759
practices are definite. Everything else will figure out.

568
00:27:41,039 --> 00:27:44,799
Speaker 2: Yeah, yeah, how do you do you guys?

569
00:27:45,720 --> 00:27:48,160
Speaker 1: Are you able to have practices where it's all six

570
00:27:48,240 --> 00:27:50,079
of you on a regular basis.

571
00:27:49,880 --> 00:27:51,759
Speaker 3: Normally we can all get there once, you know, once

572
00:27:51,799 --> 00:27:54,119
a week. Yeah, We've always had it up in the

573
00:27:54,160 --> 00:27:57,160
air that that we can we'll have an optional second practice,

574
00:27:57,160 --> 00:27:59,599
which we kind of have never.

575
00:27:59,599 --> 00:28:01,720
Speaker 2: Never been themselves up on.

576
00:28:02,039 --> 00:28:02,279
Speaker 8: Yeah.

577
00:28:02,519 --> 00:28:04,799
Speaker 3: Yeah, I think now that we have some shows coming up,

578
00:28:04,839 --> 00:28:06,880
will probably you know, between now and then, we'll probably

579
00:28:07,000 --> 00:28:09,359
throw an extra practice in here here and there to

580
00:28:09,680 --> 00:28:10,640
work on the actual.

581
00:28:10,480 --> 00:28:14,440
Speaker 1: Like yeah, you know the show. Yeah, yeah, now, very cool,

582
00:28:14,559 --> 00:28:20,119
very cool. What what went into the when you decided

583
00:28:20,200 --> 00:28:21,559
to work with Eric Sotter?

584
00:28:22,799 --> 00:28:23,480
Speaker 2: What went into that?

585
00:28:23,759 --> 00:28:23,799
Speaker 12: Like?

586
00:28:24,079 --> 00:28:26,640
Speaker 1: Were you examining various options or what or was he

587
00:28:26,759 --> 00:28:28,240
the obvious choice right from the beginning.

588
00:28:29,079 --> 00:28:32,759
Speaker 5: I think initially when I when we started looking at studios,

589
00:28:34,039 --> 00:28:36,400
there were quite there's obviously quite a few to choose

590
00:28:36,480 --> 00:28:40,000
from between here in Massachusetts and oh yeah, I mean

591
00:28:40,039 --> 00:28:42,039
I had my sights set on a few down in

592
00:28:42,200 --> 00:28:44,400
mass but it was just a matter It's the travel

593
00:28:44,519 --> 00:28:46,880
time and all that. And it was also trying to

594
00:28:46,920 --> 00:28:50,400
find someone that was gonna be able to hear what

595
00:28:50,480 --> 00:28:53,200
we're doing right like we and I'm sure there's a

596
00:28:53,240 --> 00:28:55,920
plenty of studios out there that probably could have handled this,

597
00:28:56,079 --> 00:28:58,400
but I we definitely wanted the insight of somebody who's

598
00:28:58,400 --> 00:29:01,160
already done some heavy stuff. Yeah, and that was kind

599
00:29:01,200 --> 00:29:03,680
of the where we found Eric.

600
00:29:03,839 --> 00:29:06,920
Speaker 2: So yeah, yeah, and what about the mastering?

601
00:29:07,000 --> 00:29:10,359
Speaker 5: Did you no so The mastering was actually done by

602
00:29:10,400 --> 00:29:14,000
West West Side Music in New York by Alan Dutchess. Okay,

603
00:29:14,759 --> 00:29:18,519
which he's done so many albums and this and that.

604
00:29:18,720 --> 00:29:20,160
Speaker 2: It's gonna say the name is familiar.

605
00:29:20,359 --> 00:29:23,400
Speaker 5: Yeah, I mean he's done everybody that's ever been on

606
00:29:23,480 --> 00:29:26,440
the radio from what I could see from his portfolio.

607
00:29:26,599 --> 00:29:28,079
But it was like one of those things when I

608
00:29:28,160 --> 00:29:31,839
was looking at places to have it done, it was

609
00:29:32,640 --> 00:29:35,200
like where did these Where did this record get done?

610
00:29:35,200 --> 00:29:37,720
Where did that record get done? And then I contacted

611
00:29:37,799 --> 00:29:39,640
him and he was like the nicest guy ever, and

612
00:29:39,720 --> 00:29:41,880
it was just they took care of everything for us

613
00:29:41,920 --> 00:29:42,559
and it was great.

614
00:29:42,839 --> 00:29:45,640
Speaker 2: Yeah, yeah, no, that's excellent. Yeah, it came out, came

615
00:29:45,680 --> 00:29:46,319
out really well.

616
00:29:47,799 --> 00:29:50,279
Speaker 1: Do you plan to you know, obviously you're you're already

617
00:29:50,279 --> 00:29:52,880
thinking about or I don't know how far you are

618
00:29:52,920 --> 00:29:55,880
in the process of the next Obviously you've you've got

619
00:29:55,960 --> 00:29:57,440
more songs, right, so you're already.

620
00:29:57,720 --> 00:30:00,720
Speaker 3: Yeah. I feel like through through this process we've learned

621
00:30:00,880 --> 00:30:03,079
a lot. We already kind of like from the beginning,

622
00:30:03,119 --> 00:30:07,240
we've Adam has been recording our our live sessions. Yeah,

623
00:30:07,319 --> 00:30:09,720
and you know we've just kind of he's he's been

624
00:30:10,720 --> 00:30:14,519
honing his craft on mixing and that on our you know,

625
00:30:14,720 --> 00:30:18,559
just our practices. Yeah, I feel like if we're gonna

626
00:30:18,599 --> 00:30:22,400
do like a full album, we would maybe look to

627
00:30:23,039 --> 00:30:25,319
get that done under like a maybe a label, someone

628
00:30:25,400 --> 00:30:30,240
paying for it, yeah, or more likely just releasing singles ourselves.

629
00:30:30,440 --> 00:30:30,640
Speaker 2: Yeah.

630
00:30:31,480 --> 00:30:33,599
Speaker 1: Yeah, it's you know, we live in a time where

631
00:30:33,640 --> 00:30:35,559
you've got so many options as far as how you

632
00:30:35,799 --> 00:30:36,880
how you release music.

633
00:30:36,920 --> 00:30:38,759
Speaker 2: You know, you can put out an EP, you can

634
00:30:38,799 --> 00:30:41,640
put out a full album. You can do I guess

635
00:30:41,799 --> 00:30:41,920
you know.

636
00:30:42,000 --> 00:30:44,279
Speaker 1: Now they're calling it the waterfall effect where you release,

637
00:30:44,799 --> 00:30:47,039
you know, instead of releasing an album and then singles,

638
00:30:47,079 --> 00:30:50,440
you release the singles and then the singles eventually become

639
00:30:50,480 --> 00:30:50,920
an album.

640
00:30:51,079 --> 00:30:51,279
Speaker 5: Yeah.

641
00:30:51,759 --> 00:30:53,799
Speaker 2: Yeah, there's so many ways to do it now, and

642
00:30:53,920 --> 00:30:55,039
with Spotify and everything.

643
00:30:55,119 --> 00:30:57,160
Speaker 3: Yeah, because I feel like the songs that we wrote

644
00:30:57,200 --> 00:30:59,640
along with with the songs that are on the EP

645
00:31:01,039 --> 00:31:03,279
kind of fit they would fit together as like a

646
00:31:03,319 --> 00:31:05,559
full length album. Yeah, They're all kind of in the

647
00:31:05,640 --> 00:31:09,680
same vein, and like, you know, anybody that comes to

648
00:31:09,720 --> 00:31:11,759
see our show, we'll kind of we'll see it's it's

649
00:31:12,480 --> 00:31:17,480
we worked to make it kind of flowing, yeah piece.

650
00:31:17,799 --> 00:31:24,039
Speaker 2: Yeah, yeah, no, that makes sense, has I I assume that.

651
00:31:25,079 --> 00:31:29,160
Speaker 1: I mean when the band started, was was this kind

652
00:31:29,200 --> 00:31:31,680
of what you guys had in mind, because it's been

653
00:31:31,720 --> 00:31:35,079
a couple of years right since the band start.

654
00:31:34,559 --> 00:31:37,359
Speaker 3: I mean, you know, working as you know, a promoter

655
00:31:37,480 --> 00:31:40,480
and for me in the past that we didn't even

656
00:31:40,519 --> 00:31:43,480
have an album until the very end and we split

657
00:31:43,559 --> 00:31:45,759
up once. It was so it was like we did

658
00:31:45,839 --> 00:31:47,680
where I wanted to do that the other way around,

659
00:31:47,759 --> 00:31:51,640
like start with something that we could actually like give

660
00:31:51,720 --> 00:31:53,839
the people instead of just like the only way you

661
00:31:53,880 --> 00:31:55,640
can see us is the come is come see us,

662
00:31:55,799 --> 00:31:59,039
right right? And uh so yeah, it was it was

663
00:31:59,119 --> 00:32:02,000
it was pretty intentional to to get the album done

664
00:32:02,039 --> 00:32:04,440
before we like, you know, we we weren't really interested

665
00:32:04,519 --> 00:32:07,759
in just playing every dive bar every day of the week.

666
00:32:08,519 --> 00:32:11,480
You know. The function was the house band at the

667
00:32:11,519 --> 00:32:13,400
Bomb Shelter, and we played like three days a week

668
00:32:13,440 --> 00:32:17,279
at the same omber the bar. So that was not

669
00:32:17,400 --> 00:32:19,240
what we were looking to do with this. Yeah.

670
00:32:19,440 --> 00:32:21,559
Speaker 1: Yeah, now I think, Uh, I think the way you're

671
00:32:21,559 --> 00:32:23,799
approaching it is, uh is excellent.

672
00:32:24,119 --> 00:32:26,559
Speaker 2: Uh we wanna play Uh we can play another one.

673
00:32:26,720 --> 00:32:28,599
Uh what should we what should we play?

674
00:32:29,599 --> 00:32:31,559
Speaker 5: Let's do hindsight do We'll do Uh?

675
00:32:31,599 --> 00:32:34,599
Speaker 1: We'll do hindsight. Okay, and if you are just joining us,

676
00:32:35,000 --> 00:32:38,039
we have Mercury Burns. First three of the guys from

677
00:32:38,079 --> 00:32:40,799
the band here with us uh in studio and yeah,

678
00:32:40,880 --> 00:32:42,920
let's give this a spin. This is from the EP

679
00:32:43,119 --> 00:32:45,200
the self that LEDDP. This is called hindsight.

680
00:33:07,079 --> 00:33:16,519
Speaker 11: I find little cars, no walls me this long. It's

681
00:33:16,640 --> 00:33:17,799
not low.

682
00:33:19,599 --> 00:33:26,920
Speaker 12: Go car live dolls doing what he's on again and

683
00:33:27,200 --> 00:33:31,079
where our stands the way there's guy was chops do

684
00:33:31,400 --> 00:33:51,359
scus it's start guy.

685
00:33:51,759 --> 00:33:57,880
Speaker 11: So you the choice car sing their face him on

686
00:33:58,039 --> 00:34:02,920
the fire fires. Ladies and girls have.

687
00:34:03,119 --> 00:34:11,239
Speaker 12: To roll know there welcomes two snoes around their shoulders

688
00:34:11,519 --> 00:34:14,920
about yam despite the world.

689
00:34:19,760 --> 00:34:26,400
Speaker 11: Car smoking small, I'm always missed with sign gone, We're

690
00:34:26,519 --> 00:35:03,840
twenty twenty two. Sad sea side the tall as long as.

691
00:35:03,840 --> 00:35:08,159
Speaker 13: Wrong, I'm always burst side gone.

692
00:35:09,239 --> 00:35:14,079
Speaker 12: You're twenty twenty two sail see nac girl sign.

693
00:35:17,039 --> 00:35:20,800
Speaker 11: The freaking my bird talks sail.

694
00:35:21,039 --> 00:35:23,159
Speaker 8: Say to this ball.

695
00:35:24,440 --> 00:35:30,239
Speaker 11: You fery cord the doing world. I'm telling my baseball

696
00:35:32,079 --> 00:35:35,760
were st Cols.

697
00:35:36,239 --> 00:35:37,719
Speaker 8: We all l.

698
00:35:39,239 --> 00:35:42,039
Speaker 11: One the other change because.

699
00:35:41,679 --> 00:35:47,360
Speaker 12: I'm there, little scared, what a fool.

700
00:35:47,119 --> 00:35:51,800
Speaker 11: Little chasing horse. The fuck it's a man of fuse

701
00:35:52,199 --> 00:35:56,199
to stand always that won't be study.

702
00:36:00,039 --> 00:36:05,519
Speaker 12: Want a show, Poli stars, facks walk or Penny bars

703
00:36:05,920 --> 00:36:06,719
and were on it.

704
00:36:06,760 --> 00:36:09,280
Speaker 11: It's water and we don't be a wall.

705
00:36:14,000 --> 00:36:14,719
Speaker 8: The three.

706
00:36:16,039 --> 00:36:22,400
Speaker 12: Man t s fall to Fall, don't fell. We card

707
00:36:23,320 --> 00:36:30,320
doing work on change Storm. We have being worn for

708
00:36:30,519 --> 00:36:35,800
Mestoke Beyond, but.

709
00:36:36,000 --> 00:36:39,840
Speaker 11: Not all change cause it nuts can.

710
00:36:42,760 --> 00:36:44,760
Speaker 8: Plays so long chapter.

711
00:36:46,159 --> 00:36:51,559
Speaker 12: The Fox walk for mad pos steps always that will

712
00:36:51,719 --> 00:36:53,199
restore the.

713
00:36:56,880 --> 00:36:59,440
Speaker 11: Poor shall pool stuffs.

714
00:37:11,639 --> 00:37:12,239
Speaker 2: That is cool.

715
00:37:12,480 --> 00:37:15,519
Speaker 1: That is called hindsight. The band is Mercury Burns. First,

716
00:37:15,960 --> 00:37:17,400
we've got three of the guys from the band here

717
00:37:17,440 --> 00:37:20,440
with us in studio. I was telling these guys off air,

718
00:37:20,480 --> 00:37:23,239
I think that would be a very strong radio single,

719
00:37:23,360 --> 00:37:24,440
really really catchy.

720
00:37:24,480 --> 00:37:27,119
Speaker 2: It's got a cool vibe to it. But yeah, excellent,

721
00:37:27,239 --> 00:37:29,559
excellent job. Guys. Do you do you do you each

722
00:37:29,599 --> 00:37:32,360
have your own favorite of the of these of these tracks,

723
00:37:32,400 --> 00:37:34,840
do you each have one that really stands out for you?

724
00:37:35,960 --> 00:37:38,159
Speaker 3: I mean it comes around like I keep I feel

725
00:37:38,159 --> 00:37:41,519
like I have like a favorite, you know, different each

726
00:37:41,559 --> 00:37:44,000
week is a different favorite. Like mine started out as

727
00:37:44,000 --> 00:37:50,440
embrace Yeah yeah, and uh respond is our heaviest song,

728
00:37:50,679 --> 00:37:53,440
and that's you know, like it's it's a different vein

729
00:37:53,519 --> 00:37:56,400
from the kind of the few that we played, so like, yeah,

730
00:37:56,440 --> 00:37:59,760
it's hard. It's hard to put that against like, uh,

731
00:38:00,360 --> 00:38:03,559
the song we just played, They're they're apples and oranges,

732
00:38:04,000 --> 00:38:09,440
like I would say, like that's my favorite, Like yeah, yeah,

733
00:38:09,559 --> 00:38:12,880
but but Respond is my favorite heavy song. Okay, okay,

734
00:38:13,559 --> 00:38:16,239
it's it's yeah, it varies.

735
00:38:16,440 --> 00:38:17,880
Speaker 2: Yeah. Yeah, what about you Dan.

736
00:38:18,440 --> 00:38:21,000
Speaker 4: Yeah, I asked to embrace this my favorite song. I

737
00:38:21,119 --> 00:38:23,719
love that just kind of the the more mellow vibe

738
00:38:23,760 --> 00:38:26,320
and yeah, yeah it hops into you know, a lot

739
00:38:26,400 --> 00:38:30,360
heavier late later on. Yeah, from playing I think Respond

740
00:38:30,480 --> 00:38:32,079
is one of my favorites to play. I got a

741
00:38:32,159 --> 00:38:35,239
little bass and drum break down midway for me and Joel,

742
00:38:35,320 --> 00:38:36,960
So that's that's really fun to play.

743
00:38:37,119 --> 00:38:38,840
Speaker 2: Yeah yeah, what about you Adam?

744
00:38:38,920 --> 00:38:41,199
Speaker 5: I mean for me, it's basically all of them. I

745
00:38:41,719 --> 00:38:44,639
think it's just because we've we've poured so much energy

746
00:38:44,679 --> 00:38:46,760
into them and just seeing like where they're, where they're

747
00:38:46,800 --> 00:38:50,360
coming and going, and the overall development of the songs themselves,

748
00:38:50,440 --> 00:38:52,719
and you know, especially when you have, like you said,

749
00:38:52,840 --> 00:38:57,000
six guys in one band and coming from the concepts

750
00:38:57,039 --> 00:39:00,320
of where the song started and garage band, because that's

751
00:39:00,360 --> 00:39:02,679
usually how we do it. We'll put the arrangement, a

752
00:39:02,800 --> 00:39:05,239
quick arrangement together for everyone to listen to, yeah, and

753
00:39:05,320 --> 00:39:08,000
then to see it when unfold. That's why it's kind

754
00:39:08,039 --> 00:39:10,480
of like cool, this is great, Like yeah, so I

755
00:39:11,079 --> 00:39:12,679
don't have a particular favorite.

756
00:39:12,960 --> 00:39:15,559
Speaker 3: Okay, Okay, they were all really we're really proud of

757
00:39:15,880 --> 00:39:18,920
of each theres they're all our children and they all

758
00:39:19,000 --> 00:39:20,719
have a special special too.

759
00:39:21,159 --> 00:39:25,239
Speaker 2: Yeah, no doubt, no doubt. Well, guys, the time goes

760
00:39:25,280 --> 00:39:25,719
so fast.

761
00:39:25,760 --> 00:39:28,280
Speaker 1: I think we'll probably close the segment with respond because

762
00:39:28,280 --> 00:39:29,920
we were talking about and that is a great track.

763
00:39:30,000 --> 00:39:32,559
Speaker 2: That's the opener of the EP, and it is. It

764
00:39:32,679 --> 00:39:35,880
is good and heavy. But what should people know about?

765
00:39:35,880 --> 00:39:37,920
Where to keep up with you online? Everything that the

766
00:39:37,960 --> 00:39:38,280
band is.

767
00:39:38,840 --> 00:39:42,760
Speaker 3: We're on Instagram, We're on Facebook. We have band Campus

768
00:39:42,760 --> 00:39:46,320
where you can get our merch or our CDs, our records,

769
00:39:46,440 --> 00:39:49,320
T shirts. You know. Come out and see us at

770
00:39:49,360 --> 00:39:53,960
the Gateway or at the Middle East the Gateways February

771
00:39:54,000 --> 00:39:58,480
twenty second, Middle East is March eighteenth. We'd love to

772
00:39:58,519 --> 00:39:59,960
see you guys there. Come check it out.

773
00:40:00,840 --> 00:40:05,559
Speaker 2: Excellent Mercury Burns first on the Google machine. Yes, yes, yes,

774
00:40:05,639 --> 00:40:09,039
it's very googleable, which is important. Which is important.

775
00:40:09,519 --> 00:40:13,000
Speaker 3: Yeah, we have our albums up on Spotify, iTunes, Pandora,

776
00:40:13,159 --> 00:40:15,639
all you know, all the streaming services, all major streaming.

777
00:40:15,880 --> 00:40:19,000
Speaker 1: Yeah yeah, excellent. Yeah, no, you guys got it, got

778
00:40:19,039 --> 00:40:22,400
it well covered. And congratulations on h on the EP

779
00:40:22,639 --> 00:40:25,039
and uh and everything that you're doing. And we'll we'll

780
00:40:25,079 --> 00:40:26,960
definitely have to have you back in the future. But

781
00:40:27,239 --> 00:40:29,239
uh yeah, I think we'll close out the segment with

782
00:40:29,400 --> 00:40:32,960
respond again. That's the opener and very very strong track,

783
00:40:33,320 --> 00:40:36,079
nice and heavy. We will close out with this. This

784
00:40:36,320 --> 00:40:39,079
is called the segment with this. This is called Respond.

785
00:40:39,519 --> 00:40:42,679
It is the opener from Mercury Burns first and guys,

786
00:40:42,760 --> 00:40:46,159
thank you again great absolutely.

787
00:41:08,519 --> 00:41:13,440
Speaker 12: Answer to rush of fast, walls out the songs quoted

788
00:41:15,960 --> 00:41:20,440
the sound so loud, I got to explore less cross

789
00:41:20,519 --> 00:41:21,480
into walls.

790
00:41:22,159 --> 00:41:26,760
Speaker 11: Let's stop for you anymore to get it's all that's

791
00:41:27,280 --> 00:41:28,199
guy stops to.

792
00:41:28,440 --> 00:41:29,840
Speaker 8: That's what all.

793
00:41:31,000 --> 00:41:47,679
Speaker 11: Show us.

794
00:41:52,440 --> 00:41:57,239
Speaker 12: Rock lest a round, okay, lights out of course of

795
00:41:57,400 --> 00:42:03,960
col down out taking a steps to a show before

796
00:42:05,280 --> 00:42:09,519
all this chaff. So watch word your change that way,

797
00:42:09,599 --> 00:42:13,920
start a restaurant place for start off.

798
00:42:19,360 --> 00:42:40,320
Speaker 8: A show way because you can't away you stand star

799
00:42:40,519 --> 00:42:42,639
face wearing your cat.

800
00:42:43,960 --> 00:42:47,960
Speaker 11: Shows a fire to your plan, says very last.

801
00:42:48,480 --> 00:42:56,519
Speaker 12: They stands before you the gas fust stair to fly

802
00:42:56,679 --> 00:43:10,760
over your flo Oh my god, she suggested. Tor sir La,

803
00:43:16,000 --> 00:43:39,079
guess we're also are laser story, Priscut, you.

804
00:43:41,079 --> 00:43:42,280
Speaker 11: Knows not coer.

805
00:43:57,760 --> 00:44:06,360
Speaker 9: We will have a boy, will be sport, We walk act,

806
00:44:06,760 --> 00:44:09,880
but will respawn.

807
00:44:09,760 --> 00:44:19,639
Speaker 13: Worry, brow burning scraps great wells to will cracky glds not.

808
00:44:21,599 --> 00:44:26,599
Speaker 12: Else wus we know were blown with them there longs.

809
00:44:26,559 --> 00:44:29,480
Speaker 11: Were lying with the souls charge we're not.

810
00:44:29,559 --> 00:44:33,480
Speaker 8: Itself, so well we don't exploding.

811
00:44:33,000 --> 00:44:37,000
Speaker 12: With less that clause into one website that's not tire,

812
00:44:37,159 --> 00:44:41,519
got ball to oject brown with all that's left were

813
00:44:41,559 --> 00:44:55,280
my start to us on the ballot frown stra