1 00:00:09,480 --> 00:00:14,800 Speaker 1: Kays for recording. Yeah, so okay, you do the intro, Chris, 2 00:00:14,800 --> 00:00:17,359 do the intro? Why do I? I always do the intro? 3 00:00:17,480 --> 00:00:19,000 I do it like ninety percent of the time. Why 4 00:00:19,000 --> 00:00:20,879 do't you do the intro for once? It's your job? 5 00:00:21,000 --> 00:00:23,280 Chris to the intro. I know, I know it's my job, 6 00:00:23,320 --> 00:00:24,039 but it's not fair that. 7 00:00:24,160 --> 00:00:25,839 Speaker 2: Okay, all right, Hey, good morning from l This is 8 00:00:25,839 --> 00:00:29,079 a good friend Clayton here with my assistant Chris. 9 00:00:29,800 --> 00:00:32,039 Speaker 1: He died not too long ago, about a year or so. 10 00:00:32,719 --> 00:00:35,039 Speaker 2: His eternal punishment is to do this podcast with me 11 00:00:35,799 --> 00:00:38,759 as a faithful assistant, which he is not being right now. 12 00:00:39,000 --> 00:00:40,679 Speaker 1: Chris, what is up with you today? 13 00:00:40,759 --> 00:00:43,399 Speaker 2: Nothing? Yeah, I mean you're acting like a teenager. No, 14 00:00:43,479 --> 00:00:45,119 that's what you're doing right now. No, I'm not. 15 00:00:45,640 --> 00:00:47,119 Speaker 1: But why do I have to do what you say? 16 00:00:47,159 --> 00:00:49,240 I mean, who are you? I'm Clayton, I'm the host 17 00:00:49,280 --> 00:00:51,560 of the show and the brother of Satan. Hello, you're 18 00:00:51,600 --> 00:00:53,359 just the brother of Satan. I mean, big deal. 19 00:00:53,399 --> 00:00:55,920 Speaker 2: Whatever, Okay, you're being a brat right now. I don't 20 00:00:55,920 --> 00:00:58,439 appreciate it. Who have you been hanging out with Chris? 21 00:00:58,520 --> 00:01:00,759 Speaker 1: No? One, Chris, Who have you been hanging out with? 22 00:01:00,799 --> 00:01:00,840 Speaker 2: You? 23 00:01:00,840 --> 00:01:02,840 Speaker 1: Why? Are you trying to always keep tabs on me? 24 00:01:03,000 --> 00:01:05,000 Speaker 2: Okay, all right, You've been hanging out with sha again, 25 00:01:05,040 --> 00:01:07,439 haven't you. You've been hanging out with Shae Guvara, haven't you? 26 00:01:07,480 --> 00:01:07,640 Speaker 1: No? 27 00:01:07,760 --> 00:01:08,879 Speaker 2: Yeah you have, Yeah you have? 28 00:01:09,040 --> 00:01:10,879 Speaker 1: Okay, fine, yeah I hung out with them. 29 00:01:10,959 --> 00:01:14,239 Speaker 2: Is this why you're being all, you know, resistancy right now? 30 00:01:14,400 --> 00:01:18,120 Speaker 1: No? No, because I'm just you know, I'm just realizing that, 31 00:01:18,159 --> 00:01:21,000 you know, I'm being mistreated. You know, I'm always the 32 00:01:21,000 --> 00:01:23,200 one doing everything, you know, Chris, it's your job. 33 00:01:23,280 --> 00:01:26,359 Speaker 2: I mean, I'm a fair manager. I you know, I 34 00:01:26,719 --> 00:01:29,079 treat you okay, right, not. 35 00:01:29,079 --> 00:01:31,079 Speaker 1: Not according to everyone that I've talked to. 36 00:01:31,319 --> 00:01:31,920 Speaker 2: Oh my god. 37 00:01:32,079 --> 00:01:34,120 Speaker 1: Okay. Do you think you could find better out there 38 00:01:34,120 --> 00:01:34,439 in Hell? 39 00:01:34,560 --> 00:01:35,120 Speaker 2: Huh yeah? 40 00:01:35,239 --> 00:01:37,840 Speaker 1: Yeah, I just you know, like maybe I'll have my 41 00:01:37,879 --> 00:01:38,719 own revolution. 42 00:01:38,920 --> 00:01:41,159 Speaker 2: See, you know, You've got all these revolutionary ideas and 43 00:01:41,359 --> 00:01:43,280 you're acting like I'm some sort of a bad guy. 44 00:01:43,319 --> 00:01:44,760 What is up with you? 45 00:01:44,760 --> 00:01:48,040 Speaker 1: You are a bad guy? Just for the record. Sure, yeah, So. 46 00:01:48,200 --> 00:01:50,640 Speaker 2: Okay, all right, Well hold on, I'm gonna make a 47 00:01:50,680 --> 00:01:52,000 quick call on my Hell phone. 48 00:01:52,079 --> 00:01:52,680 Speaker 1: Uh huh hold on? 49 00:01:52,840 --> 00:01:59,719 Speaker 3: Yeah, okay, yeah yeah, Helen, Yeah, it's Clayton. Yeah, you 50 00:02:00,239 --> 00:02:03,359 got a quick second okay, great, all right, all right, 51 00:02:03,439 --> 00:02:04,920 all right, Chris, we're gonna have a guest on. 52 00:02:05,040 --> 00:02:06,680 Speaker 1: We'll see how you feel by the end of it. Here, 53 00:02:06,719 --> 00:02:07,599 put this on. What is this? 54 00:02:07,719 --> 00:02:10,400 Speaker 2: It's it's an electric color thing. It's like it's they'll 55 00:02:10,439 --> 00:02:12,680 explain it in a second. I'm you'll figure it out fast. 56 00:02:12,960 --> 00:02:14,439 Speaker 1: Why why do I have to put it on? You're 57 00:02:14,439 --> 00:02:15,000 not holding on? 58 00:02:15,360 --> 00:02:18,319 Speaker 2: Hold still, fine, I'll put mine on you stop stop 59 00:02:18,400 --> 00:02:22,439 scorming mine. Okay, all right, here we go. Okay, all right, 60 00:02:22,520 --> 00:02:26,080 now I gotta boot up this sound file. It's a 61 00:02:26,080 --> 00:02:27,280 crowd shearing. 62 00:02:27,000 --> 00:02:28,759 Speaker 1: And you got some some music. 63 00:02:29,159 --> 00:02:29,879 Speaker 2: They like to come out. 64 00:02:29,919 --> 00:02:31,400 Speaker 1: They like to dance when they come out. It's they're 65 00:02:31,400 --> 00:02:33,680 saying who you'll you'll. 66 00:02:33,560 --> 00:02:37,919 Speaker 2: Find out soon enough, all right, introducing Helen Degenerate and 67 00:02:38,000 --> 00:02:39,159 Porsche de Grassy. 68 00:02:39,479 --> 00:02:42,199 Speaker 1: Oh clap, Chris, clap, class im do it? 69 00:02:42,680 --> 00:02:47,960 Speaker 2: Just clap? Well, look at those dance moves. Oh that's wacky, Chris, 70 00:02:48,039 --> 00:02:51,159 Chris lap, Chris Cable interested. 71 00:02:50,919 --> 00:02:53,319 Speaker 4: Yeah, crazy wacky. 72 00:02:53,120 --> 00:02:56,280 Speaker 5: Hey guys, Hey, you happy to be here? 73 00:02:56,360 --> 00:02:57,520 Speaker 6: Yeah? You summoned us? 74 00:02:57,599 --> 00:02:58,080 Speaker 2: That's right? 75 00:02:58,199 --> 00:02:59,639 Speaker 1: Yeah, we sure, dude, what's up? 76 00:03:00,280 --> 00:03:01,000 Speaker 6: Don't don't do that? 77 00:03:01,159 --> 00:03:03,520 Speaker 1: Sorry, Chris, you can't look them in the eye. What 78 00:03:03,800 --> 00:03:05,759 don't look at me? Look at me? Don't look at them. 79 00:03:05,879 --> 00:03:07,560 You can't look them in the eye. That's what shy not? 80 00:03:07,759 --> 00:03:09,840 Why can't I look at them in the eye? All right, 81 00:03:09,840 --> 00:03:11,719 give it a go, look him in the eye? Okay, 82 00:03:12,000 --> 00:03:14,000 I do, all right, Yeah. 83 00:03:13,800 --> 00:03:17,120 Speaker 6: That's listen, it's automatic. I don't control it. If you 84 00:03:17,199 --> 00:03:19,680 look me in the eye, it will happen. You may 85 00:03:19,719 --> 00:03:23,120 only look at me in my well fitted men's suit 86 00:03:23,639 --> 00:03:26,800 or directly into my bolot tie, and nowhere else. That's right. 87 00:03:26,879 --> 00:03:29,120 Speaker 5: You can look into my perfectly quaft hair. But that's 88 00:03:29,159 --> 00:03:29,560 about it. 89 00:03:30,879 --> 00:03:32,759 Speaker 6: What's what's going on here? Why did you someone else? 90 00:03:33,000 --> 00:03:36,159 Speaker 2: Oh? Nothing much, ladies. You know, Chris here has been 91 00:03:36,719 --> 00:03:39,080 a little out of hand. You know, he's acting like 92 00:03:39,240 --> 00:03:42,879 I'm some big bad guy, And I thought i'd introduce 93 00:03:43,000 --> 00:03:45,439 him to you, guys, because you have a reputation for. 94 00:03:47,080 --> 00:03:48,400 Speaker 1: Your treatment of your. 95 00:03:48,360 --> 00:03:51,120 Speaker 2: Of your subordinates. So we're gonna teach you crystal lesson 96 00:03:51,199 --> 00:03:54,360 here in management and see what he thinks about that. 97 00:03:54,879 --> 00:03:58,680 Speaker 6: Oh yeah, worst worst treatment in the game. I honestly, 98 00:03:59,120 --> 00:04:02,840 I'm kind of proud of this one. The New York Times, yes, 99 00:04:02,919 --> 00:04:06,840 that one, actually wrote an article about how poorly I 100 00:04:06,919 --> 00:04:09,840 treat my staff. It's the I mean, you've experienced the 101 00:04:09,840 --> 00:04:12,560 eye contact, that's only the beginning. You should you should 102 00:04:12,879 --> 00:04:14,520 you should see what I do to the people who 103 00:04:14,560 --> 00:04:16,120 guess on my on my show. 104 00:04:16,199 --> 00:04:18,319 Speaker 1: Yeah, Chris, you want to you want to tango with that? 105 00:04:18,519 --> 00:04:21,120 I guess Wait, I don't even who are you all exactly? 106 00:04:21,560 --> 00:04:23,160 Speaker 2: Excuse me? Yeah? 107 00:04:23,240 --> 00:04:23,879 Speaker 1: Yeah, that one come. 108 00:04:23,959 --> 00:04:29,519 Speaker 5: We are Hellywood power couple, couple of sin entertainment. Myself 109 00:04:29,959 --> 00:04:33,279 esteemed acteur. I was on an episode of Mandal, the 110 00:04:33,519 --> 00:04:39,000 Hollywood show about scandals, Oh, starring men. Uh. My name 111 00:04:39,040 --> 00:04:43,879 is Borsia Degrassi, Okay, and I am married to one 112 00:04:43,920 --> 00:04:47,879 of the best worst people in the world. 113 00:04:48,040 --> 00:04:50,240 Speaker 6: Baby. I love you so much, Helen. I love you 114 00:04:50,279 --> 00:04:51,800 so much. You always you always know how to talk 115 00:04:51,879 --> 00:04:55,480 me up. Yeah. We're the two more most powerful people 116 00:04:55,759 --> 00:04:58,759 in all of Hellywood. You've seen our show, You've seen 117 00:04:58,800 --> 00:05:04,199 her antics U. I also had a very middling comedy 118 00:05:04,360 --> 00:05:06,560 sitcom back in the nineties, but we don't talk about that. 119 00:05:06,639 --> 00:05:11,040 What I really do is I appeal to the Midwestern 120 00:05:11,120 --> 00:05:15,000 segment of the hell demographic. Those Midwestern moms. They love me, 121 00:05:15,079 --> 00:05:17,199 they love my dancing, they love my antics. And they 122 00:05:17,279 --> 00:05:20,439 really love how I just torture the souls of the innocent. 123 00:05:20,480 --> 00:05:23,959 I'm so good at it. I'm just I'm a I'm 124 00:05:24,040 --> 00:05:25,240 kind of a bitch, you know. 125 00:05:25,279 --> 00:05:28,240 Speaker 2: But like in a sarcastic, kind of funny way. Oh no, no, 126 00:05:28,360 --> 00:05:29,959 that's your thing, wacky god. 127 00:05:30,000 --> 00:05:32,079 Speaker 6: No, No, I mean it seriously, and I mean it 128 00:05:32,120 --> 00:05:34,120 with my whole Well, I guess I don't really have 129 00:05:34,240 --> 00:05:35,519 a heart, now, do I know? 130 00:05:35,639 --> 00:05:38,560 Speaker 1: That's on gone? Yeah, you have a talk show in 131 00:05:38,560 --> 00:05:40,199 this entertainment industry, what do you? 132 00:05:40,360 --> 00:05:42,839 Speaker 6: Yeah? So basically what I do is I take all 133 00:05:42,879 --> 00:05:47,439 of Hellywood's rates stars. Sometimes I'll do fun little bits 134 00:05:47,480 --> 00:05:50,639 like I'll sentence them to ten thousand years and the 135 00:05:50,680 --> 00:05:52,839 fire pits and just kind of put that into the 136 00:05:52,839 --> 00:05:57,160 old YouTube. Or sometimes I would just simply prank Taylor 137 00:05:57,240 --> 00:05:59,800 Swift multiple times. It gets my blood going, really gets 138 00:05:59,800 --> 00:06:01,959 me up in the morning. But my favorite thing to 139 00:06:02,000 --> 00:06:04,759 do is to just really verbally abuse the people that 140 00:06:04,839 --> 00:06:07,199 work for me. That's not even for the show, that's 141 00:06:07,279 --> 00:06:08,879 just that's just what I like to do for me. 142 00:06:09,560 --> 00:06:12,839 Speaker 5: Yeah, it's honestly, like she does it and then like 143 00:06:12,959 --> 00:06:15,959 sometimes calls me in like on speakerphone, so I can 144 00:06:16,000 --> 00:06:18,040 just listen to it because it just really does something 145 00:06:18,079 --> 00:06:18,360 for me. 146 00:06:18,519 --> 00:06:21,519 Speaker 6: Yeah, it's what most of our relationship is based on. 147 00:06:21,600 --> 00:06:24,399 We have a we have a shared love of hatred. 148 00:06:24,480 --> 00:06:25,120 Speaker 2: Absolutely. 149 00:06:25,199 --> 00:06:28,439 Speaker 1: Yeah, so like I hate a love hate hate relationship, 150 00:06:28,639 --> 00:06:29,199 love of hate. 151 00:06:29,279 --> 00:06:32,160 Speaker 6: Yeah. Honestly, the shocking you guys is kind of like, 152 00:06:32,519 --> 00:06:34,480 come here, baby. Oh it's kind of getting me going. 153 00:06:34,480 --> 00:06:36,800 Speaker 1: Oh you see that, Chris. 154 00:06:36,839 --> 00:06:39,519 Speaker 2: You see how organic that love is, how they're holding 155 00:06:39,519 --> 00:06:43,120 hands and how they're madly in love with each other. 156 00:06:43,240 --> 00:06:46,560 That that's great stuff. That's good. Clap clap, clap, Come on, no, 157 00:06:46,680 --> 00:06:48,199 clapp Chris, Chris, you're. 158 00:06:48,079 --> 00:06:50,920 Speaker 6: Not going hard. Thank you, thank you. 159 00:06:51,040 --> 00:06:53,000 Speaker 5: Honestly, one of my favorite things that Helen has ever 160 00:06:53,079 --> 00:06:56,759 done was one time she brought this kid in who 161 00:06:57,240 --> 00:07:00,199 you know, had had some medical issues and whatnot, and 162 00:07:00,240 --> 00:07:02,439 she brought him in and his ultimate goal was to 163 00:07:03,279 --> 00:07:06,079 attend Disneyland. She was like and she was like, bring 164 00:07:06,240 --> 00:07:09,000 you know, bring little Kevin on. And then we had 165 00:07:09,000 --> 00:07:11,839 like a live shot of Disneyland and as he was watching, 166 00:07:11,920 --> 00:07:13,639 she blew the whole thing up, just. 167 00:07:13,600 --> 00:07:15,600 Speaker 2: Like blew it to smithereens, just like. 168 00:07:15,600 --> 00:07:20,959 Speaker 1: The TV or Disney the Park. Oh yeah, it's gone now, 169 00:07:21,079 --> 00:07:21,560 just to crater. 170 00:07:21,680 --> 00:07:25,160 Speaker 5: Yeah, just creator Yeah, creater Land. Actually we bought it, 171 00:07:25,199 --> 00:07:28,759 so yeah, yeah, six thousand dollars a ticket to go. 172 00:07:29,000 --> 00:07:32,160 Speaker 6: Very affordable if you ask me. I also, one of 173 00:07:32,160 --> 00:07:34,680 my favorite things to do is what I will do 174 00:07:34,800 --> 00:07:38,959 is I will take the most awful, undeserving, evil people, 175 00:07:39,160 --> 00:07:43,240 usually YouTubers or TikTokers, and I'll just give them exorbitant 176 00:07:43,279 --> 00:07:45,240 amounts of money instead of giving it to people who 177 00:07:45,319 --> 00:07:46,480 actually neither deserve it. 178 00:07:46,560 --> 00:07:49,199 Speaker 2: My favorite part is when she brings those people on 179 00:07:49,600 --> 00:07:52,600 and then humanizes them. Yeah, you know, it just makes 180 00:07:52,639 --> 00:07:55,480 them seem like normal people so that they can continue 181 00:07:55,480 --> 00:07:56,879 to do their horrible antics. 182 00:07:56,720 --> 00:07:58,199 Speaker 1: It's breaking work, Helen. 183 00:07:58,279 --> 00:08:00,279 Speaker 6: I guess yeah, I do. I do great work. Thank you, 184 00:08:00,319 --> 00:08:02,879 Thank you for recognizing exact Clayton, Chris, I know this. 185 00:08:02,920 --> 00:08:05,279 You're not groveling enough. Is do you wanna Chris? 186 00:08:05,360 --> 00:08:06,199 Speaker 2: Clap clap? 187 00:08:06,240 --> 00:08:08,319 Speaker 6: Do you wanna? Do you want to do some more 188 00:08:08,360 --> 00:08:08,560 of that? 189 00:08:08,800 --> 00:08:09,600 Speaker 1: Are you gonna shock me? 190 00:08:09,959 --> 00:08:10,600 Speaker 6: Absolutely? 191 00:08:11,319 --> 00:08:11,519 Speaker 2: Yeah? 192 00:08:11,759 --> 00:08:15,160 Speaker 1: Okay, there you go, there you go, Chris. 193 00:08:15,199 --> 00:08:16,879 Speaker 2: Oh, she's getting up, she's dancing. 194 00:08:18,040 --> 00:08:22,519 Speaker 6: Oh you know, I'm gonna hit the whoa. 195 00:08:24,800 --> 00:08:28,680 Speaker 1: We're doing the wave now, Chris, the way, Chris. 196 00:08:28,600 --> 00:08:32,879 Speaker 6: The wave. It's easier to do the wave and you 197 00:08:32,919 --> 00:08:34,639 have ten thousand volts pulsing through your body. 198 00:08:34,720 --> 00:08:39,240 Speaker 1: Huh yeah, it does so Like I mean, if you're 199 00:08:39,320 --> 00:08:41,919 such an awful demon, then how did you end up 200 00:08:42,000 --> 00:08:42,720 getting a show? 201 00:08:43,159 --> 00:08:46,399 Speaker 6: So the thing is, I'm great at facades. Do you 202 00:08:46,480 --> 00:08:47,679 what the facade is? Chris? 203 00:08:47,919 --> 00:08:48,240 Speaker 1: Uh? 204 00:08:48,279 --> 00:08:50,200 Speaker 6: Do you ever have to put on a happy face? Chris? 205 00:08:50,360 --> 00:08:53,559 Speaker 1: Yeah? Actually I do working in hell, So. 206 00:08:53,879 --> 00:08:57,559 Speaker 6: That's what it really is. I'm a master at manipulation, 207 00:08:57,840 --> 00:09:00,799 and that's honestly what makes me so good in my listen. 208 00:09:00,960 --> 00:09:04,960 I love it here. I love making people be lulled 209 00:09:04,960 --> 00:09:07,279 into a false sense of security where they think I'm 210 00:09:07,279 --> 00:09:10,320 a really cool, fun happening chick, and then when they 211 00:09:10,480 --> 00:09:15,440 least expect it, I do the most demonic and tortuous 212 00:09:15,519 --> 00:09:18,480 and evil thing that I could think of doing, and 213 00:09:18,519 --> 00:09:21,000 then no one's ever gonna believe them, and then everyone 214 00:09:21,080 --> 00:09:23,759 still loves me. It's honestly, it's my favorite. It's a 215 00:09:23,759 --> 00:09:24,360 good shtick. 216 00:09:24,840 --> 00:09:30,799 Speaker 2: Oh well, yo, yeah, that's great. Wow Chris clap, I'm clapping. 217 00:09:30,960 --> 00:09:34,720 Speaker 6: Okay, all right, So Clayton, I have a question. We 218 00:09:34,720 --> 00:09:37,200 all know how I treat my subordinates, but what are 219 00:09:37,240 --> 00:09:40,120 you doing that makes him think you're so bad. I 220 00:09:40,159 --> 00:09:42,519 know that the people who work for me. On Mondays 221 00:09:42,519 --> 00:09:45,320 we do the Lake of Fire. On Tuesdays it's the 222 00:09:45,320 --> 00:09:48,720 cattle prod Room. Wednesdays it's back to the Lake of 223 00:09:48,720 --> 00:09:51,399 Fire because now they're all raw from the cattle prod Room. 224 00:09:51,879 --> 00:09:54,919 I think on Thursdays that's the I have this little 225 00:09:54,960 --> 00:09:58,200 fun I call it. I call it Pandora's Box, And 226 00:09:58,320 --> 00:10:01,639 basically it's a it's a little it's a little speaker 227 00:10:01,840 --> 00:10:05,759 that I've hooked Pandora up to and whatever song comes on, 228 00:10:06,039 --> 00:10:09,600 some sort of ironic torture treatment will be generated by 229 00:10:09,639 --> 00:10:12,279 the song that plays on that Pandora station. That one's 230 00:10:12,320 --> 00:10:15,279 really fun, that's really good for Thursdays, and then on 231 00:10:15,440 --> 00:10:20,679 Friday it's just mostly spikes, it's mostly impaling. Yeah, So, like, 232 00:10:20,720 --> 00:10:22,480 what is it that you do the Chris that that 233 00:10:22,480 --> 00:10:24,559 that made him like this? 234 00:10:25,000 --> 00:10:27,240 Speaker 2: Well, first of all, I mean, I gotta say I'd 235 00:10:27,320 --> 00:10:30,440 never thought in a million years, maybe like two million years, 236 00:10:30,440 --> 00:10:32,679 but not a million, that I would be interviewed by 237 00:10:32,799 --> 00:10:35,399 the Helen Degenerate. I mean, this is this is cool 238 00:10:35,440 --> 00:10:38,000 having you on my show, but you it'd be your show, 239 00:10:38,919 --> 00:10:41,639 so in Borsche, great having you Powate couple. 240 00:10:41,720 --> 00:10:44,399 Speaker 1: Wow, let me see. I mean, you know, I do 241 00:10:44,519 --> 00:10:45,600 the standard stuff. 242 00:10:45,639 --> 00:10:48,360 Speaker 2: I mean, you know, I put Chris up on a 243 00:10:48,440 --> 00:10:52,240 wall and I you know, I'll taze him on his 244 00:10:52,360 --> 00:10:53,639 various body parts. 245 00:10:53,919 --> 00:10:54,559 Speaker 1: So standard. 246 00:10:54,600 --> 00:10:58,559 Speaker 2: Yeah, you know, regular pirana baths great for exfoliating. 247 00:10:58,600 --> 00:11:00,639 Speaker 1: I learned that from your show. You're health tips. 248 00:11:00,879 --> 00:11:02,279 Speaker 6: Oh yeah, I love my health tips. 249 00:11:02,360 --> 00:11:04,519 Speaker 2: You know, standard stuff. He's just getting out of hand. 250 00:11:04,759 --> 00:11:05,759 I don't know what to do with him. 251 00:11:06,320 --> 00:11:09,519 Speaker 6: Oh oh my, you know what once a year. Uh, 252 00:11:09,879 --> 00:11:12,080 it's a little it's a little holiday treat that I 253 00:11:12,159 --> 00:11:14,799 like to do. What I like to do is uh 254 00:11:14,879 --> 00:11:17,000 do you know about the Everlasting Pit? 255 00:11:17,600 --> 00:11:19,120 Speaker 5: I love the Everlasting. 256 00:11:19,399 --> 00:11:19,960 Speaker 1: Tell me more? 257 00:11:20,159 --> 00:11:22,600 Speaker 6: Oh yeah, babe, oh babe. Remember when we went to 258 00:11:22,639 --> 00:11:24,679 the Everlasting Pit a couple of years ago. It was 259 00:11:24,759 --> 00:11:25,360 so nice. 260 00:11:25,440 --> 00:11:27,320 Speaker 5: It was like one of the best vacations we've ever taken. 261 00:11:27,440 --> 00:11:28,200 Speaker 6: It truly was. 262 00:11:28,279 --> 00:11:28,360 Speaker 1: So. 263 00:11:28,399 --> 00:11:30,440 Speaker 6: Here's the thing about the Everlasting Listen to that audience, 264 00:11:30,440 --> 00:11:35,360 They're just precious moment, baby baby, I love you so much. 265 00:11:37,919 --> 00:11:45,919 Speaker 7: Chris Coke, go off, Chris, no, no, no, no, shock him, 266 00:11:45,919 --> 00:11:48,240 shock him wrong? 267 00:11:48,279 --> 00:11:52,200 Speaker 1: Afe, yeah, yeah, wrong, But never Ending Pit. 268 00:11:52,279 --> 00:11:54,240 Speaker 6: You were saying, sorry, Yeah, So the thing about the 269 00:11:54,279 --> 00:11:56,919 never Ending Pit is honestly your brother. I'm surprised you 270 00:11:56,919 --> 00:11:59,120 don't know about this, Clayton. Your brother did install it 271 00:11:59,240 --> 00:12:03,399 for me for my eight hundred and ninety seventh rotation. 272 00:12:04,960 --> 00:12:08,279 But basically, what it is, it's this pit in the 273 00:12:08,320 --> 00:12:12,440 center of hell, and when you drop someone in it, 274 00:12:12,440 --> 00:12:16,360 it creates a liminal space where time exists but also 275 00:12:16,519 --> 00:12:21,320 doesn't exist. So imagine the sensory deprivation chamber, but for falling. 276 00:12:21,600 --> 00:12:24,320 And although it's called the limitless pit, it does have 277 00:12:24,399 --> 00:12:26,799 a bottom, but you don't know when it ends, so 278 00:12:27,000 --> 00:12:29,360 you get that, you get that little rush. It's like, hey, 279 00:12:29,399 --> 00:12:32,159 have I been falling for twenty seconds, five minutes, eighty 280 00:12:32,159 --> 00:12:34,320 seven years. I don't know, but at some point I'm 281 00:12:34,320 --> 00:12:36,200 going to hit that spiky, spiky bottom. 282 00:12:36,279 --> 00:12:38,879 Speaker 1: You know WHOA Chris. I think we should take a visit. 283 00:12:38,960 --> 00:12:39,720 That sounds great. 284 00:12:39,919 --> 00:12:42,960 Speaker 6: Yeah, if you guys want to recindole your subordinate superior 285 00:12:43,000 --> 00:12:45,840 relationship and you want him to, you know, respect you again, 286 00:12:46,279 --> 00:12:48,159 I cannot recommend the pit enough. 287 00:12:48,240 --> 00:12:50,440 Speaker 1: Yeah, okay, yeah, that's great. I'm gonna write that down. 288 00:12:50,480 --> 00:12:53,240 Speaker 6: That's that's actually how we got a DJ twitch into line. 289 00:12:53,320 --> 00:12:55,240 Oh yeah, yeah, he's the one who's actually been shocking 290 00:12:55,320 --> 00:12:57,320 you this whole time. Chris, Right, he's great, Yeah, he 291 00:12:57,360 --> 00:12:59,120 feels zero remorse. Now it's great. 292 00:13:00,000 --> 00:13:02,000 Speaker 5: And then you need to tell the story of how 293 00:13:02,159 --> 00:13:05,039 like we acquired DJ twitch. So basically, one of the 294 00:13:05,039 --> 00:13:08,960 great things that Helen does with her torture tactics, so Clayton, 295 00:13:09,000 --> 00:13:11,759 you might want to write this down, is she's actually 296 00:13:11,840 --> 00:13:14,960 very particular about the temperature of her drinks, and like 297 00:13:15,039 --> 00:13:18,159 hot lattes, she desires them to be at six hundred 298 00:13:18,159 --> 00:13:19,200 and sixty six degrees. 299 00:13:19,600 --> 00:13:22,519 Speaker 6: It's a perfect temperature. It makes the phone, it really 300 00:13:22,519 --> 00:13:23,879 makes the phone absolutely. 301 00:13:23,919 --> 00:13:26,679 Speaker 5: What this evil genius did one time is that she 302 00:13:26,840 --> 00:13:30,120 had like a line of ten assistants get together and 303 00:13:30,320 --> 00:13:32,159 was like, okay, you all have to go and get 304 00:13:33,480 --> 00:13:35,480 the lattes, and I want them at six hundred and 305 00:13:35,480 --> 00:13:38,279 sixty six degrees. And so she sent them off and 306 00:13:38,320 --> 00:13:40,320 then as they were coming back, she made them wait 307 00:13:40,360 --> 00:13:43,799 in line so that no matter what, anytime anyone presented, 308 00:13:43,879 --> 00:13:45,960 they would always be below the degrees. And then she 309 00:13:46,120 --> 00:13:47,080 just throw it in their face. 310 00:13:47,399 --> 00:13:50,080 Speaker 2: Whoa, it's so a pipe in like six hundred degrees 311 00:13:50,120 --> 00:13:51,679 at that point, yes, oh yeah. 312 00:13:51,519 --> 00:13:54,799 Speaker 6: Yeah, oh yeah, oh it was fully sixty four degrees, 313 00:13:54,879 --> 00:13:57,919 but it's about the principle of the thing. And then 314 00:13:57,919 --> 00:13:59,600 afterwards I threw them in the pit. Oh I think 315 00:13:59,600 --> 00:14:01,639 they're still Oh, I think they're still in there. Actually, 316 00:14:01,840 --> 00:14:04,279 oh wow, Actually yeah, Twitch is the only one who 317 00:14:04,279 --> 00:14:04,720 made it up. 318 00:14:06,519 --> 00:14:20,480 Speaker 4: Hey, Chris, I do love that Nicki Minaj Starships were 319 00:14:20,519 --> 00:14:20,960 meant to fly. 320 00:14:21,080 --> 00:14:25,159 Speaker 2: Huh yeah that song because vern hell and it's only 321 00:14:25,159 --> 00:14:27,360 public domain. But thanks. Yeah. 322 00:14:27,360 --> 00:14:31,120 Speaker 1: How often do you make people watch you dance? Oh? 323 00:14:31,159 --> 00:14:33,840 Speaker 6: Constantly. I've never not made people watch me dance. I 324 00:14:33,840 --> 00:14:37,320 don't why would I do anything else? It's listen. The 325 00:14:37,399 --> 00:14:39,399 thing is I explained this to you. If you weren't listening, 326 00:14:39,519 --> 00:14:44,559 Chris Twitch, I was listening. So the thing about that 327 00:14:44,720 --> 00:14:47,559 is you have to get people to trust you. I 328 00:14:47,600 --> 00:14:51,399 told you it's a facade. We're tricking these idiots, and 329 00:14:51,639 --> 00:14:55,720 dancing vulnerably and poorly is the best way to get 330 00:14:55,759 --> 00:14:57,879 the weak minded to fall in love with you. 331 00:14:58,240 --> 00:15:00,639 Speaker 1: When I when I was on Earth, I dance poorly 332 00:15:01,320 --> 00:15:04,080 every time, and no one fell in love with me. Ever, 333 00:15:04,360 --> 00:15:06,559 not even the weak minded or the good minded. 334 00:15:06,720 --> 00:15:09,039 Speaker 6: Did you do it in front of cameras, in front 335 00:15:09,039 --> 00:15:13,480 of millions of probably Americans. I don't strolling audience members 336 00:15:13,559 --> 00:15:18,200 and captivated audience five days a week at four pm 337 00:15:18,279 --> 00:15:22,279 on a middling public access television network. I don't. 338 00:15:22,399 --> 00:15:28,320 Speaker 1: Yeah yeah, there was less Midwest Housewives and more middle 339 00:15:28,320 --> 00:15:31,039 school prom. 340 00:15:29,879 --> 00:15:32,879 Speaker 6: Oh, well that's your problem, Like as an adult, that's weird. 341 00:15:33,200 --> 00:15:35,840 Speaker 1: I didn't dance at the prom as an adult. 342 00:15:37,279 --> 00:15:49,879 Speaker 8: Yeah, don't correct me, Sorry, baby baby Portill loves it 343 00:15:49,879 --> 00:15:50,480 when I dance. 344 00:15:51,279 --> 00:15:54,759 Speaker 6: Oh man, I just I just can't get enough of dancing. 345 00:15:54,799 --> 00:15:58,440 But boy does it it really tires to be out? 346 00:15:58,919 --> 00:16:03,159 Speaker 2: So what what's? What else has been going on? Helen 347 00:16:03,279 --> 00:16:05,600 and Borscha? Like, what what else do you guys up 348 00:16:05,600 --> 00:16:07,720 to these days? Aside from the show and you know, 349 00:16:07,799 --> 00:16:09,720 torturing subordinates? 350 00:16:09,759 --> 00:16:12,840 Speaker 6: Hold that, hold that thought. It's uh, the lighting here 351 00:16:12,960 --> 00:16:16,000 is just not working for me. Uh it's listen, I 352 00:16:16,039 --> 00:16:18,799 like it. I like it. It's cavernous, it's dark, it's stingy. 353 00:16:18,919 --> 00:16:20,879 But what if we just I'm just gonna I'm just 354 00:16:20,879 --> 00:16:22,159 gonna bring my set in real quick. 355 00:16:22,720 --> 00:16:26,159 Speaker 2: Oh uh yeah, I mean this is my set, is 356 00:16:26,200 --> 00:16:27,679 my my my studio. 357 00:16:27,799 --> 00:16:32,559 Speaker 1: But no, okay, all right, yep, go for it, go nuts. 358 00:16:33,440 --> 00:16:35,960 Speaker 6: This is my set now time as you can see. 359 00:16:35,960 --> 00:16:38,320 This is my plush chair that I love to sit in, 360 00:16:39,279 --> 00:16:41,720 and this is Hey, you guys are being interviewed. Why 361 00:16:41,720 --> 00:16:45,559 don't you Okay okay, and my beautiful wife Borsha, Yes, 362 00:16:45,879 --> 00:16:47,879 we'll sit on my lap absolutely, okay. 363 00:16:48,080 --> 00:16:49,759 Speaker 1: What is that plush chair? Beto? 364 00:16:49,960 --> 00:16:54,679 Speaker 6: Oh so you're gonna you're gonna love this. Uh have 365 00:16:54,799 --> 00:16:57,919 you ever seen the movie one hundred and one Dalmatians? Yeah, 366 00:16:57,960 --> 00:17:01,879 well that cheer is made of hundred and one babies 367 00:17:01,879 --> 00:17:05,319 that I stole from their mother's. Oh yeah, is it 368 00:17:05,400 --> 00:17:08,599 so curious? Yeah that's why. Yeah, that's why it's so solid. 369 00:17:08,640 --> 00:17:11,079 This is baby this is baby skin, baby skin. Yeah, 370 00:17:11,640 --> 00:17:15,039 it wasn't that hard. The the couch in the back 371 00:17:15,119 --> 00:17:16,799 room is made of the mothers. 372 00:17:17,839 --> 00:17:19,640 Speaker 2: Wow, the green room. 373 00:17:19,480 --> 00:17:23,279 Speaker 5: Couch Yeah yeah, they're from all the audience members that 374 00:17:23,319 --> 00:17:24,480 we deemed they're too ugly. 375 00:17:24,599 --> 00:17:27,759 Speaker 6: Yeah. Oh yeah. I have one rule. It's no uggles 376 00:17:27,799 --> 00:17:29,920 in the audience. It kills the vibe and I don't 377 00:17:29,960 --> 00:17:31,519 want them to witness me dancing. 378 00:17:31,680 --> 00:17:34,279 Speaker 2: Yeah no, no grannies. 379 00:17:34,680 --> 00:17:34,880 Speaker 6: Yeah. 380 00:17:35,480 --> 00:17:37,880 Speaker 1: The rules that I've heard. The rules okay, all right. 381 00:17:37,960 --> 00:17:40,720 Speaker 6: Also, it's subjective, you might think, you know, but hey, 382 00:17:40,799 --> 00:17:41,759 I make my own rules. 383 00:17:41,960 --> 00:17:45,920 Speaker 2: Yeah, you sure, do Helen. Huh uh oh, I noticed 384 00:17:45,920 --> 00:17:47,519 you have this nice coffee table. 385 00:17:47,559 --> 00:17:49,519 Speaker 1: I wonder what material this is made up. 386 00:17:51,359 --> 00:17:53,720 Speaker 2: There's a person there shot me. 387 00:17:55,119 --> 00:17:57,599 Speaker 6: I got you. Yeah, that's right. 388 00:17:58,839 --> 00:18:00,279 Speaker 1: Segments. 389 00:18:01,559 --> 00:18:04,680 Speaker 6: Everybody loves the pre hey baby dances. Everybody loves the 390 00:18:04,680 --> 00:18:05,279 prank seer. 391 00:18:06,240 --> 00:18:09,759 Speaker 2: Well you know, I've seen you do that about a 392 00:18:09,839 --> 00:18:12,400 hundred times and it's just never gets old. 393 00:18:12,519 --> 00:18:15,039 Speaker 6: Huh No, it doesn't. Hey baby, watch this. I'm gonna 394 00:18:15,039 --> 00:18:16,200 I'm gonna schalck both of them in the sun. 395 00:18:16,279 --> 00:18:16,720 Speaker 2: Oh my gosh. 396 00:18:16,759 --> 00:18:18,640 Speaker 1: Okay, no, please please don't talk about. 397 00:18:21,400 --> 00:18:24,720 Speaker 2: Absolutely. I just I love it. Someone bit so. 398 00:18:24,799 --> 00:18:26,559 Speaker 6: You did you record that? Since it to Satan? 399 00:18:26,680 --> 00:18:27,359 Speaker 2: Okay, I can. 400 00:18:27,720 --> 00:18:29,480 Speaker 6: He's gonna love that. He's gonna love that. 401 00:18:29,519 --> 00:18:30,960 Speaker 1: He's gonna love that. 402 00:18:30,960 --> 00:18:33,119 Speaker 6: That guy so like that. No, that's a that's a 403 00:18:33,119 --> 00:18:35,440 cool guy. You should you should be more like him. 404 00:18:36,200 --> 00:18:39,359 He's just like he's so confident. He just like knows 405 00:18:39,480 --> 00:18:41,960 what he wants, you know. Yeah, like if I wasn't married, 406 00:18:42,039 --> 00:18:42,960 it might be the full wi fi. 407 00:18:43,440 --> 00:18:45,319 Speaker 2: I mean, I mean to be honest telling I mean, 408 00:18:45,359 --> 00:18:47,640 you're kind of poking into my personal life a little bit, 409 00:18:47,759 --> 00:18:50,200 and you know that's not something I'm comfortable talking about 410 00:18:50,720 --> 00:18:52,559 on air, So if we could kind of steer away 411 00:18:52,599 --> 00:18:53,559 from that conversation. 412 00:18:53,880 --> 00:18:57,000 Speaker 5: Well, Clayton, I know your notoriety is pretty big here, 413 00:18:57,079 --> 00:18:59,640 but we can definitely help to make it bigger if 414 00:18:59,640 --> 00:19:01,359 you want to come and be like a regular on 415 00:19:01,440 --> 00:19:03,799 the show. The only thing is, I mean, we do 416 00:19:03,920 --> 00:19:06,359 put our guests under contract, so like, if you do 417 00:19:06,480 --> 00:19:08,319 make it bigger than you are, then we will be 418 00:19:08,359 --> 00:19:11,240 taking a portion of your earnings. How do you feel 419 00:19:11,240 --> 00:19:16,400 about that? Yeah, yeah, it's it's honestly industry standard. 420 00:19:16,559 --> 00:19:19,200 Speaker 6: Yeah. Wow, you'll be fun. You'll be making so much 421 00:19:19,240 --> 00:19:20,200 money you won't even. 422 00:19:20,079 --> 00:19:24,119 Speaker 1: Know this, right, but none of it goes to him? Hey, okay, yeah, no, 423 00:19:24,160 --> 00:19:25,319 it's a good idea. 424 00:19:24,880 --> 00:19:27,759 Speaker 6: Yeah, you number one show in Hollywood. Hey, whether it's 425 00:19:27,799 --> 00:19:29,599 going to do numbers like this? Where is she gonna go? 426 00:19:29,680 --> 00:19:30,960 Speaker 1: Huh yeah, where you gonna go? 427 00:19:31,079 --> 00:19:32,480 Speaker 6: What are you gonna do? We're gonna keep doing your 428 00:19:32,599 --> 00:19:35,359 your little pod cast. People even see you. How are 429 00:19:35,400 --> 00:19:37,640 they supposed to know you're dancing? I've done all this dancing. 430 00:19:37,759 --> 00:19:38,680 No one even gets to see it. 431 00:19:38,759 --> 00:19:44,839 Speaker 2: Speaking of dancing, get. 432 00:19:43,599 --> 00:19:44,039 Speaker 6: Up and dance. 433 00:19:46,240 --> 00:19:48,960 Speaker 2: That's quirky, that's crazy. Look at her? 434 00:19:49,000 --> 00:19:52,240 Speaker 6: Go wow, wait, I have to do the I'm hanging 435 00:19:52,279 --> 00:19:55,519 over the seat back down? 436 00:19:55,839 --> 00:19:59,119 Speaker 1: Okay, wow, as she stood up on the furniture. Shouldn't 437 00:19:59,160 --> 00:20:01,680 do that? Put the skate on the count. 438 00:20:02,160 --> 00:20:04,599 Speaker 6: Did you like the part where I danced over the 439 00:20:04,640 --> 00:20:06,960 table to get to the chair, because that's my I 440 00:20:07,000 --> 00:20:09,200 really like that move, and I think it's signature. 441 00:20:09,640 --> 00:20:15,319 Speaker 1: You get hoof marks all over the baby skin. It's okay, right, 442 00:20:16,079 --> 00:20:19,079 So I guess. I mean, you guys are big celebrities. 443 00:20:19,119 --> 00:20:21,079 I mean, have you ever had any other confrontations with 444 00:20:21,160 --> 00:20:24,720 other big celebrities or people in history? I don't know, 445 00:20:24,880 --> 00:20:25,920 you haven't gotten along. 446 00:20:26,079 --> 00:20:29,200 Speaker 5: Oh yeah, Helen's getting up in age, as we both are. 447 00:20:30,240 --> 00:20:31,920 Speaker 2: That's not something we ever want to talk about. 448 00:20:31,960 --> 00:20:37,200 Speaker 5: But there was one time that Helen was on her 449 00:20:37,279 --> 00:20:39,559 phone and realized that, like the font of her phone 450 00:20:39,720 --> 00:20:41,960 was just way too small, way too small. 451 00:20:42,039 --> 00:20:43,359 Speaker 2: So she called up. 452 00:20:43,400 --> 00:20:46,119 Speaker 5: Of course, she called up Steve Jobs, because that's what 453 00:20:46,160 --> 00:20:48,839 you do when things aren't working out, you go straight 454 00:20:48,880 --> 00:20:51,640 to the source. And he refused to make the font 455 00:20:51,680 --> 00:20:52,359 bigger for her. 456 00:20:52,440 --> 00:20:54,359 Speaker 1: Oh wow, what ended up happening? 457 00:20:54,960 --> 00:20:56,319 Speaker 5: You know what happened to Steve Jobs? 458 00:20:56,480 --> 00:20:57,640 Speaker 6: You know what happened to Jobs? 459 00:20:57,880 --> 00:20:58,839 Speaker 1: You did that? 460 00:20:59,119 --> 00:21:01,920 Speaker 6: Yeah? I did that those dance break. 461 00:21:06,680 --> 00:21:09,480 Speaker 1: She's literally dancing over the grave of Steve Jobs right now. 462 00:21:09,519 --> 00:21:10,200 Speaker 2: I don't know where that was. 463 00:21:10,240 --> 00:21:16,799 Speaker 1: Where did that come from? I don't know. Awful, It's terrible, horrible, horrible. 464 00:21:16,799 --> 00:21:17,799 Speaker 2: Why am I still here? 465 00:21:17,960 --> 00:21:18,359 Speaker 6: Ha ha? 466 00:21:19,480 --> 00:21:19,920 Speaker 1: Oh? 467 00:21:20,000 --> 00:21:20,720 Speaker 6: We have fun? 468 00:21:21,519 --> 00:21:24,319 Speaker 2: We sure do, We sure do, Helen, we do have fun. 469 00:21:24,839 --> 00:21:28,599 Speaker 6: Speaking of baby baby Borscha. Yes, you know, you know. 470 00:21:28,640 --> 00:21:31,279 I love you so much, Clayton. Do you have any 471 00:21:31,599 --> 00:21:34,640 any anyone in your life that you love? I mean 472 00:21:34,759 --> 00:21:35,920 Chris obviously, but. 473 00:21:37,640 --> 00:21:39,039 Speaker 1: Yeah, you're shocking Chris. 474 00:21:40,200 --> 00:21:42,400 Speaker 2: I've had some flings in the past, but you know, 475 00:21:42,680 --> 00:21:44,640 nothing's really coming to mind right now. 476 00:21:45,000 --> 00:21:47,480 Speaker 6: Oh that's that's interesting. I have your health phone here, 477 00:21:47,519 --> 00:21:49,720 and I think we have a little fun. How did 478 00:21:49,759 --> 00:21:51,400 you get that from me? I didn't even I didn't 479 00:21:51,400 --> 00:21:54,039 give it. It fell out of your pocket when you 480 00:21:54,039 --> 00:21:55,640 were convulsing during the ad. 481 00:21:55,440 --> 00:21:57,559 Speaker 2: Break and you danced over and you grabbed it off 482 00:21:57,559 --> 00:21:57,880 the floor. 483 00:21:58,079 --> 00:21:59,839 Speaker 6: Yeah, I danced so yes, it was all It was 484 00:21:59,839 --> 00:22:02,599 all a facade. They told you everything I do is manipulation. 485 00:22:02,920 --> 00:22:04,799 What's the what's the password on this thing? 486 00:22:05,000 --> 00:22:07,599 Speaker 2: That's an extreme violation in my privacy. I refuse to 487 00:22:07,599 --> 00:22:08,079 tell you that. 488 00:22:08,480 --> 00:22:14,119 Speaker 6: One two three four, nope, okay, six good six six 489 00:22:14,200 --> 00:22:18,680 oh six six six x you that's that's original. Did 490 00:22:18,680 --> 00:22:20,240 you get that? Did you get that from your brother? 491 00:22:21,400 --> 00:22:21,920 Speaker 1: Talk about it? 492 00:22:22,039 --> 00:22:22,400 Speaker 6: Let's see. 493 00:22:22,920 --> 00:22:25,319 Speaker 5: You don't have to get it through through I don't know, 494 00:22:25,440 --> 00:22:28,559 just go through his I don't know. Listen, we're actually 495 00:22:28,599 --> 00:22:34,440 really great matchmakers. We are very very well entwined with 496 00:22:34,519 --> 00:22:36,720 like the Hellywood elite, and I think we can really 497 00:22:36,720 --> 00:22:38,200 get you a good match. But like if we just 498 00:22:38,240 --> 00:22:40,279 go through your messages real quick and just kind of go. 499 00:22:40,240 --> 00:22:46,480 Speaker 6: Through, do not answer, who's that? Do not answer? That's 500 00:22:46,480 --> 00:22:47,759 a four. That's a fun name. 501 00:22:48,079 --> 00:22:50,079 Speaker 1: Okay, that's enough of that. 502 00:22:50,119 --> 00:22:50,839 Speaker 2: You can give that back. 503 00:22:53,640 --> 00:22:56,440 Speaker 6: I'm gonna this, do not answer she sounds like fun. 504 00:22:56,440 --> 00:23:01,160 I'm gonna text her, Hey, you up in thinking about you? 505 00:23:02,160 --> 00:23:06,319 Smiley face heart emoji, don't do that, egg plant emoji, 506 00:23:06,599 --> 00:23:11,119 egg plant emoji, egg plant emoji, devil emoji, please stop, no, 507 00:23:11,200 --> 00:23:15,839 not that word emoji. And then the cat covering its 508 00:23:15,920 --> 00:23:19,799 mouth and then the monkey covering its eyes. Okay, that's 509 00:23:20,400 --> 00:23:22,480 and then I'm gonna throw in I don't know what 510 00:23:22,559 --> 00:23:24,240 that seems like a Nordic flag. 511 00:23:24,519 --> 00:23:28,000 Speaker 2: Nordic flag, Helen check his pictures. Maybe he has a 512 00:23:28,000 --> 00:23:28,839 picture we can throw in. 513 00:23:29,519 --> 00:23:37,440 Speaker 6: Yeah, okay, so I sent the message thank you pictures 514 00:23:37,519 --> 00:23:40,079 to see Okay, Chris in the cage, Christ in the cage, 515 00:23:40,119 --> 00:23:42,240 Christ in the cage, Christ in a cage. 516 00:23:42,880 --> 00:23:43,680 Speaker 2: You look good in that one. 517 00:23:43,799 --> 00:23:45,440 Speaker 1: That's a good that's a that's a good picture. 518 00:23:45,440 --> 00:23:46,440 Speaker 2: I really good in that one. 519 00:23:46,839 --> 00:23:49,079 Speaker 6: This is a lot of pictures of Chris and the cage. 520 00:23:49,200 --> 00:23:51,279 Speaker 1: I don't do much else, you know. 521 00:23:51,400 --> 00:23:55,839 Speaker 6: It is oh, oh there's the pitchfork and send and 522 00:23:55,960 --> 00:23:58,000 when they send it to your mom too. 523 00:23:57,920 --> 00:24:01,160 Speaker 3: Don't don't don't don't send that to Lucy want that's. 524 00:24:00,759 --> 00:24:04,759 Speaker 6: Your brother, all right? So yeah, I'm having fun. This 525 00:24:04,839 --> 00:24:06,720 has been a great show. Hey, audience, hasn't this been 526 00:24:06,720 --> 00:24:13,839 a great showy. 527 00:24:12,319 --> 00:24:12,519 Speaker 2: Enough? 528 00:24:13,799 --> 00:24:15,440 Speaker 6: You know it will help with them a little bit 529 00:24:15,440 --> 00:24:21,119 of shocks Clayton. 530 00:24:21,599 --> 00:24:30,119 Speaker 4: You feel hurt so much like Clayton. 531 00:24:30,359 --> 00:24:32,839 Speaker 1: It's just it's your best just to take it. 532 00:24:32,920 --> 00:24:36,599 Speaker 6: Okay, back to the chair, there you go. 533 00:24:36,960 --> 00:24:39,240 Speaker 2: Oh you just moon walked on my testicles? 534 00:24:39,359 --> 00:24:41,640 Speaker 6: Out I did? I did you know? I? I I 535 00:24:41,680 --> 00:24:44,160 taught him that. I taught Michael the moonwalk. Actually we 536 00:24:44,279 --> 00:24:45,519 made the deal so he could do that. 537 00:24:45,680 --> 00:24:47,759 Speaker 1: Well, it's great, cool. 538 00:24:48,359 --> 00:24:50,880 Speaker 5: Well, Chris, you're I don't know, like you've been. You've 539 00:24:50,880 --> 00:24:53,640 been doing really well with us, Like I there pictures 540 00:24:53,640 --> 00:24:56,319 of you in the cage like kind of hot, kind 541 00:24:56,319 --> 00:24:59,920 of fits our vibe. I think you take a shock 542 00:25:00,279 --> 00:25:03,880 really really well. So I don't know, do you want 543 00:25:03,880 --> 00:25:06,279 to I mean, we have position ins open up because 544 00:25:06,279 --> 00:25:08,400 we fired most of our staff and then half. 545 00:25:08,240 --> 00:25:10,559 Speaker 6: Of them left, and by that she means we put 546 00:25:10,559 --> 00:25:13,200 them in the fire and then we have the other half. 547 00:25:13,279 --> 00:25:16,039 Speaker 5: Oh yeah, absolutely, I thought that was implied. 548 00:25:16,839 --> 00:25:17,519 Speaker 6: So yeah, I don't know. 549 00:25:17,640 --> 00:25:19,559 Speaker 5: I mean maybe you can get you like an intern position, 550 00:25:19,880 --> 00:25:21,200 like a PA position. 551 00:25:22,319 --> 00:25:23,640 Speaker 2: So he's not up for grabs. 552 00:25:25,319 --> 00:25:30,039 Speaker 6: I think, yeah for her once, let Chris talk, Okay, 553 00:25:30,200 --> 00:25:31,200 can I speak for myself? 554 00:25:31,240 --> 00:25:32,559 Speaker 1: Is that okay? 555 00:25:32,759 --> 00:25:33,160 Speaker 2: Go for it? 556 00:25:33,680 --> 00:25:36,720 Speaker 1: Okay. It sounds like a huge honor, but you know, 557 00:25:36,799 --> 00:25:39,160 I just have to say that I couldn't do it 558 00:25:39,200 --> 00:25:43,359 without finishing up my previous commitments. So I'm gonna unfortunately 559 00:25:43,359 --> 00:25:43,799 have to. 560 00:25:45,920 --> 00:25:48,279 Speaker 2: Wrong answer, wrong answer, wrong answer. 561 00:25:48,640 --> 00:25:50,799 Speaker 6: You know what, this was a great opportunity for you. 562 00:25:50,880 --> 00:25:53,599 Looks like you blew it. Uh No, I'm just gonna 563 00:25:53,680 --> 00:25:55,599 hate twitch. Can you turn it up to maximum and 564 00:25:55,640 --> 00:25:57,160 just let it run while I do the outro. 565 00:25:59,279 --> 00:25:59,599 Speaker 1: Twitch. 566 00:25:59,759 --> 00:26:05,960 Speaker 6: Yeah, yeah, that's it for the show. Me and gonna 567 00:26:06,000 --> 00:26:08,480 go blow up an orphanage because we need some more seats. 568 00:26:12,640 --> 00:26:18,200 Speaker 2: I think I think they left. I think they're gone. Okay, Chris, Okay. 569 00:26:18,000 --> 00:26:19,240 Speaker 1: Yeah, I'm I'm okay. 570 00:26:19,279 --> 00:26:20,200 Speaker 2: See that's yeah. 571 00:26:20,240 --> 00:26:21,920 Speaker 1: I could be that bad all right. 572 00:26:22,240 --> 00:26:24,000 Speaker 2: That could be your life. 573 00:26:24,319 --> 00:26:27,799 Speaker 1: I just missed being tortured by you know. Yeah, So 574 00:26:28,960 --> 00:26:31,119 be sure to when you're wherever you're listening to this, 575 00:26:31,359 --> 00:26:34,400 hit the little thing on the app. There's a little lipsies. 576 00:26:34,440 --> 00:26:37,160 Click that and it'll take you to share and then 577 00:26:37,440 --> 00:26:40,240 share it out onto into the world social media, to 578 00:26:40,480 --> 00:26:43,119 you know, spread the bad word of of Clayton, you know, 579 00:26:43,160 --> 00:26:46,359 because man, give it out for Clayton. I just get 580 00:26:46,519 --> 00:26:48,079 I'm gonna I'm gonna dance for Clayton. 581 00:26:48,200 --> 00:26:52,240 Speaker 2: Yeah, hell Clayton. Oh that audience is still here, Thanks guys. 582 00:26:52,640 --> 00:26:53,880 I guess I'll do a little dance. 583 00:26:54,319 --> 00:26:56,920 Speaker 1: Oh wow, all right, hell Clayton. 584 00:27:04,359 --> 00:27:06,079 Speaker 2: Hey, guys, thanks for listening to another episode of Good 585 00:27:06,079 --> 00:27:08,839 Morning from Hell. I want to thank Caleb Milton and 586 00:27:08,839 --> 00:27:12,079 Mary El Salcedo for joining us. Guys, Thanks for swinging by. 587 00:27:12,240 --> 00:27:14,720 Speaker 5: Thank you so much for having us. That was delightfully 588 00:27:15,000 --> 00:27:15,640 so much fun. 589 00:27:15,920 --> 00:27:16,920 Speaker 6: It was a lot of fun. 590 00:27:17,400 --> 00:27:18,960 Speaker 1: I wonder who we were parodying. 591 00:27:19,960 --> 00:27:22,559 Speaker 2: Yeah, you'll never know. You'll never be able to get 592 00:27:23,480 --> 00:27:24,720 my ocs. 593 00:27:26,759 --> 00:27:29,839 Speaker 1: So y'all have a brand new podcast, Yes, that is 594 00:27:30,160 --> 00:27:32,680 really really fun that also kind of plays off the 595 00:27:33,000 --> 00:27:34,920 well y'all just describe it, because it'll be better than. 596 00:27:34,799 --> 00:27:40,480 Speaker 6: If it's like half improv half like just us like 597 00:27:40,559 --> 00:27:42,960 dicking around. Like the way I describe it like to 598 00:27:43,200 --> 00:27:45,680 I guess I could to your fans is like this 599 00:27:45,720 --> 00:27:49,079 podcast plus just like an RT podcast type thing. We're 600 00:27:49,119 --> 00:27:50,119 just like talking about stuff. 601 00:27:50,160 --> 00:27:50,920 Speaker 1: And what is it called. 602 00:27:50,920 --> 00:27:54,319 Speaker 6: It's called No Dumb Answers with Mark and Brad. Basically 603 00:27:54,920 --> 00:27:57,400 the premise is that I'm the producer of this long 604 00:27:57,480 --> 00:28:00,000 running podcast called No Dumb Answers to the Mark and Brad. 605 00:28:00,400 --> 00:28:02,960 But uh, the dude, the guys who do the podcast, 606 00:28:02,960 --> 00:28:06,279 they're just not showing up to studio to record. Uh, 607 00:28:06,319 --> 00:28:08,880 So I the producer have to just grab people from 608 00:28:08,920 --> 00:28:12,160 around the studio to do an episode, to like fill 609 00:28:12,200 --> 00:28:13,599 in for them, and we do a lot of We 610 00:28:13,640 --> 00:28:15,599 do a lot of good gags. We got some some 611 00:28:15,599 --> 00:28:18,559 some some ongoing jokes. My favorite bit that we do 612 00:28:18,720 --> 00:28:21,599 is we have them leave a voicemail at some point 613 00:28:21,680 --> 00:28:23,960 during the show explaining why they're not there for whatever 614 00:28:24,079 --> 00:28:27,799 ridiculous reason, like one time they got stuck in a bunker. 615 00:28:28,599 --> 00:28:30,640 I think they got stuck in at the at the 616 00:28:30,680 --> 00:28:32,920 Mexican border because they were trying to smuggle drugs back 617 00:28:32,960 --> 00:28:36,319 in in the first episode. Uh, but yeah, it's a 618 00:28:36,440 --> 00:28:39,960 it's really fun, it's really good. Mariio plays an audio engineer. 619 00:28:40,519 --> 00:28:43,400 She's got a fun soundboard that we're gonna play with eventually. 620 00:28:44,200 --> 00:28:45,839 But yeah, it's it's a lot of fun. 621 00:28:45,880 --> 00:28:46,799 Speaker 2: Yeah, it's great times. 622 00:28:46,920 --> 00:28:49,519 Speaker 1: I like it because it's a it's like almost too true, 623 00:28:49,599 --> 00:28:54,440 but also but also it's like it's so if you 624 00:28:54,519 --> 00:28:56,200 if you like Good Morning from Hell, obviously this is 625 00:28:56,240 --> 00:29:00,680 like improvised, half improvised, half planned comedy show and that's 626 00:29:00,799 --> 00:29:03,640 very similar to what y'all do. So I think people 627 00:29:04,200 --> 00:29:06,839 who like this show should absolutely go check it out. 628 00:29:07,319 --> 00:29:10,119 Thanks guys, you just want search search for. 629 00:29:12,000 --> 00:29:14,799 Speaker 6: With Mark and Brad. It's anywhere you can find podcasts. 630 00:29:15,599 --> 00:29:17,440 I give it a listen, give it a download, give 631 00:29:17,440 --> 00:29:20,279 it a good comment on iTunes. Because two people were mean, 632 00:29:22,920 --> 00:29:24,720 it wasn't even like it wasn't even like good. It 633 00:29:24,759 --> 00:29:27,559 wasn't even like good, mean, it was literally just like 634 00:29:27,960 --> 00:29:32,079 what is this? And then and then one star no comment, 635 00:29:33,240 --> 00:29:35,160 Like they didn't even leave a comment. I was like, well, 636 00:29:35,200 --> 00:29:37,519 at least like me created say something. 637 00:29:37,599 --> 00:29:40,480 Speaker 2: Yeah, so that's that's sort of prompt for our listeners 638 00:29:40,519 --> 00:29:45,160 this week is go flood no dumb answers with positivity 639 00:29:45,200 --> 00:29:47,440 and good vibes because we love Kayla and we love 640 00:29:47,480 --> 00:29:49,079 Maryel and we appreciate them. 641 00:29:49,400 --> 00:29:52,400 Speaker 6: Or okay, or leave a five star comment and say 642 00:29:52,400 --> 00:29:54,720 something mean if you want to. But the five stars 643 00:29:54,839 --> 00:29:55,839 is the most important part. 644 00:29:56,039 --> 00:29:58,000 Speaker 2: Yeah, I mean, just a numbers game, so we just 645 00:29:58,039 --> 00:29:59,799 need the they just need the five stars. 646 00:30:00,000 --> 00:30:01,680 Speaker 1: You can say whatever you want, I mean, not whatever 647 00:30:01,720 --> 00:30:02,759 you want, but. 648 00:30:02,960 --> 00:30:08,119 Speaker 6: Mostly whatever you want. Nothing nothing Helen's shocky for right, Yeah, 649 00:30:08,720 --> 00:30:10,240 nothing thrown into the pit. 650 00:30:10,319 --> 00:30:12,039 Speaker 1: All right. Well, thank y'all so much for coming on. 651 00:30:12,279 --> 00:30:14,519 Everyone listening, go check out their new show. Thank y'all 652 00:30:14,599 --> 00:30:15,279 both for coming on. 653 00:30:15,519 --> 00:30:16,640 Speaker 2: Yeah, thanks for having us guys. 654 00:30:16,680 --> 00:30:17,839 Speaker 6: Yeah dude, thanks for having us. 655 00:30:18,000 --> 00:30:19,200 Speaker 1: Bye byeus.