1 00:00:00,240 --> 00:00:03,919 Speaker 1: The song is Blessing in disguise. The band is Factory 2 00:00:03,960 --> 00:00:05,480 of Art, and I think we have a couple of 3 00:00:05,480 --> 00:00:08,279 guys from Factory of Art on Skype with us. Hello, 4 00:00:08,359 --> 00:00:09,160 can you guys hear me? 5 00:00:10,599 --> 00:00:11,000 Speaker 2: Hey? Hello? 6 00:00:11,519 --> 00:00:14,119 Speaker 3: Here is still at a fun factory of Art and 7 00:00:14,560 --> 00:00:17,839 the best drama of the world rather is with me today? 8 00:00:19,440 --> 00:00:21,000 Speaker 1: Okay, Well, welcome guys. 9 00:00:22,399 --> 00:00:23,199 Speaker 2: How thank you? 10 00:00:25,399 --> 00:00:27,359 Speaker 1: How are you are you? Are you on the road 11 00:00:27,440 --> 00:00:27,879 right now? 12 00:00:29,559 --> 00:00:31,879 Speaker 2: Yeah? We are not on the road, but on the boat. 13 00:00:31,960 --> 00:00:35,640 Speaker 3: We play a show tonight on a little metal cruise 14 00:00:35,679 --> 00:00:36,560 in a New York Berlin. 15 00:00:37,359 --> 00:00:40,000 Speaker 1: Oh, that's cool. That's cool. Is the weather. They're a 16 00:00:40,000 --> 00:00:41,000 good good cruise weather. 17 00:00:42,159 --> 00:00:43,039 Speaker 2: Oh very fine. 18 00:00:43,200 --> 00:00:46,320 Speaker 3: It's not too hot, but it's sunny, and a lot 19 00:00:46,399 --> 00:00:50,280 of guys are here on a boat, and we hope 20 00:00:50,399 --> 00:00:52,960 we will play a good show tonight, but not as 21 00:00:53,039 --> 00:00:59,280 factory of Art. I told you earlier that we have 22 00:00:59,320 --> 00:01:04,959 a cover. Ohject we play songs of Inhale on Umstein 23 00:01:05,200 --> 00:01:08,519 a CDC and so on. Yeah, tonight is party. Tonight 24 00:01:08,640 --> 00:01:11,040 is not the Factory of Art show, it's a factory 25 00:01:11,040 --> 00:01:11,480 on the cover. 26 00:01:12,159 --> 00:01:16,200 Speaker 1: Sure, Oh I gotcha, I got cha. Now that's cool though, 27 00:01:16,200 --> 00:01:19,799 that you get to play on a cruise and congratulations 28 00:01:19,840 --> 00:01:22,920 by the way on the album. And I love these songs. 29 00:01:23,040 --> 00:01:25,599 I mean this is next level. Blessing in Disguise is 30 00:01:25,640 --> 00:01:28,519 such an interesting song. You know, it's it's got you know, 31 00:01:29,079 --> 00:01:32,040 kind of the power metal thing. But there's also there's 32 00:01:32,079 --> 00:01:34,799 also some curveballs in there. There's some things you don't 33 00:01:34,840 --> 00:01:37,560 necessarily expect to hear. At one point it sounds almost 34 00:01:37,640 --> 00:01:40,920 like a Moog keyboard is in there, or a Wurlitzer 35 00:01:41,000 --> 00:01:42,319 or something. It's really interesting. 36 00:01:43,560 --> 00:01:46,959 Speaker 3: Oh, thank you very much. It's it's so nice to 37 00:01:47,040 --> 00:01:51,040 hear that. Because we are very proud. Now the album 38 00:01:51,079 --> 00:01:53,840 is ready. We had a very good record release show 39 00:01:53,879 --> 00:01:58,799 in Leipsish in June, and the first reviews on the 40 00:01:58,879 --> 00:02:03,640 album in the German underground press are very very good. 41 00:02:04,159 --> 00:02:05,640 Speaker 2: We are very happy with this. 42 00:02:05,799 --> 00:02:11,759 Speaker 3: Sure and sure it's it's so nice that you like it. 43 00:02:11,240 --> 00:02:13,080 Speaker 2: Uh, it's it's it's great. 44 00:02:13,439 --> 00:02:19,800 Speaker 3: The best review says twelve from ten points okay to scale. 45 00:02:20,240 --> 00:02:23,960 Speaker 1: Okay, okay, excellent, excellent. Now are you guys getting to 46 00:02:23,960 --> 00:02:26,960 play these songs live? I I know tonight you're not 47 00:02:27,240 --> 00:02:30,199 because you're doing the covers, But do you guys have 48 00:02:30,280 --> 00:02:32,599 a lot of opportunities to play these songs live. 49 00:02:34,960 --> 00:02:38,280 Speaker 3: We played some shows with a new new material. Now 50 00:02:38,319 --> 00:02:42,479 we have a little break. It's summertime here and we're 51 00:02:42,560 --> 00:02:46,520 too late to be booked on the great festivals here 52 00:02:46,560 --> 00:02:49,199 in Germany. We have to try it in the next month. 53 00:02:49,280 --> 00:02:52,680 Is in the next year. Yeah, we have some gigs 54 00:02:53,280 --> 00:02:54,800 in Leipzig in Germany. 55 00:02:54,919 --> 00:02:58,800 Speaker 2: At all. It's great. 56 00:02:59,080 --> 00:03:01,560 Speaker 3: It's a great adventure for us to play the new 57 00:03:01,599 --> 00:03:06,080 material live on stage. But it's not the thing that 58 00:03:06,120 --> 00:03:10,719 we have a tour. That's yeah, that's the thing we 59 00:03:10,800 --> 00:03:12,840 have to work about in the next month. 60 00:03:12,719 --> 00:03:15,840 Speaker 1: Is okay? Okay? Is it challenging to play the new 61 00:03:15,840 --> 00:03:22,039 material live because, like I said, it's it's it's pretty loud. 62 00:03:22,039 --> 00:03:26,960 Speaker 3: There we were under a bridge, that's why. 63 00:03:28,159 --> 00:03:29,039 Speaker 2: A little bit too loud. 64 00:03:29,080 --> 00:03:32,879 Speaker 1: Yet, Yeah, that makes sense, that makes sense. So the boat, 65 00:03:32,960 --> 00:03:37,520 the boat is in motion. Is it challenging to play 66 00:03:37,560 --> 00:03:40,479 these songs live, because, like I said, it's you know, 67 00:03:40,599 --> 00:03:43,479 it's not your standard power metal. There's some there's some 68 00:03:43,520 --> 00:03:45,599 other things going on. It's very complex. 69 00:03:46,360 --> 00:03:49,080 Speaker 3: Yeah, it's a it's a challenge for us. It was 70 00:03:49,120 --> 00:03:52,560 a challenge for us, but we were well prepared for 71 00:03:52,599 --> 00:03:54,439 the first show, our record release. 72 00:03:54,199 --> 00:03:54,840 Speaker 2: Show, like this. 73 00:03:55,719 --> 00:04:03,919 Speaker 3: We had all our vocal singers guest singers. 74 00:04:01,759 --> 00:04:05,840 Speaker 2: On stage during the show. That was so so nice. 75 00:04:05,639 --> 00:04:10,960 Speaker 3: And we we trained very very hard to give the 76 00:04:11,000 --> 00:04:11,919 best on stage. 77 00:04:12,039 --> 00:04:15,360 Speaker 2: It's it's a challenge for us. You're right, yeah, yeah? 78 00:04:15,840 --> 00:04:19,319 Speaker 1: Do you I mean, are you able to play like 79 00:04:19,360 --> 00:04:21,519 when you do these shows? Do you just focus on 80 00:04:22,199 --> 00:04:25,079 the newer material because you you got you guys have 81 00:04:25,120 --> 00:04:27,279 been around for more than three decades, right. 82 00:04:27,680 --> 00:04:29,040 Speaker 2: Yeah, so it is. 83 00:04:29,639 --> 00:04:33,720 Speaker 3: We just last week we we created a new Settlers 84 00:04:34,879 --> 00:04:41,040 a mix of the new album and older songs. And 85 00:04:41,079 --> 00:04:45,600 now we have the ninety one hundred minute show program 86 00:04:46,079 --> 00:04:49,879 and we have I think seven new tracks and. 87 00:04:51,480 --> 00:04:55,079 Speaker 2: Three or four of the both former earlier albums. 88 00:04:55,399 --> 00:05:00,879 Speaker 1: Yeah, I assume, I mean obviously, I don't know that 89 00:05:00,959 --> 00:05:04,199 I've listened to anything like really early from you guys. 90 00:05:04,240 --> 00:05:06,519 Has the sound changed over the years. I would imagine 91 00:05:06,560 --> 00:05:09,720 it has somewhat, right, Yeah. 92 00:05:09,079 --> 00:05:09,519 Speaker 2: So it is. 93 00:05:10,920 --> 00:05:14,600 Speaker 3: The sound changed, the songwriting process changed a little bit. 94 00:05:15,720 --> 00:05:21,920 But when we play on stage new material or all 95 00:05:21,959 --> 00:05:25,279 of material, it's the same band, it's the same sound, 96 00:05:26,199 --> 00:05:30,920 and that I think it's a unit. The people like 97 00:05:31,040 --> 00:05:36,879 the old songs too. We play the best of them, 98 00:05:36,959 --> 00:05:40,519 I think, and it's a good it's a good mix 99 00:05:40,560 --> 00:05:45,240 of all and and people say, oh yeah, nice to 100 00:05:45,279 --> 00:05:49,079 have the new material. Ah, but it's nice to hear 101 00:05:49,480 --> 00:05:53,399 songs again that we never heard for twenty years live 102 00:05:53,519 --> 00:05:54,199 on stage. 103 00:05:54,759 --> 00:05:56,639 Speaker 1: Yeah. I was gonna say, so. There must be people 104 00:05:56,680 --> 00:05:58,959 who've been there from the beginning, right, Do you see 105 00:05:58,959 --> 00:06:01,920 people at the shows who you remember from way back 106 00:06:01,920 --> 00:06:03,680 in the beginning when they first started to come out 107 00:06:03,720 --> 00:06:04,319 and see the band. 108 00:06:05,879 --> 00:06:08,040 Speaker 2: Yeah, still of them are still alive. 109 00:06:08,279 --> 00:06:15,560 Speaker 3: Yeah, and uh best best for us is that these 110 00:06:15,600 --> 00:06:19,439 people uh uh, the the die hard from fans from 111 00:06:19,480 --> 00:06:23,399 the first hour of the band say, it's so nice 112 00:06:23,399 --> 00:06:27,079 that you are back. And we like our new material too. 113 00:06:28,040 --> 00:06:30,639 I think it's for the for the for the people. 114 00:06:30,720 --> 00:06:35,480 It's nice to have the best of both worlds. 115 00:06:35,800 --> 00:06:42,759 Speaker 1: Yeah, yeah, no doubt, no doubt when you guys, when 116 00:06:42,800 --> 00:06:45,839 you guys do shows with the new material, are you 117 00:06:45,920 --> 00:06:48,759 doing festivals or have you been able to do any 118 00:06:48,759 --> 00:06:49,560 of those this summer? 119 00:06:50,319 --> 00:06:50,560 Speaker 2: Yeah? 120 00:06:51,079 --> 00:06:56,120 Speaker 3: We we played two shows, uh, two slots at festivals, 121 00:06:57,680 --> 00:07:02,040 but we were so so heavy that we played the 122 00:07:02,079 --> 00:07:08,319 whole new album in in on these two festivals. 123 00:07:08,360 --> 00:07:09,120 Speaker 2: For it. 124 00:07:09,120 --> 00:07:13,160 Speaker 3: It was for us to to to train our new material. 125 00:07:14,480 --> 00:07:17,680 The people asked us, oh, would you play some some 126 00:07:18,160 --> 00:07:21,959 older songs, and we said, sorry, not tonight. We want 127 00:07:22,040 --> 00:07:26,279 to show you that the whole new album. And uh yeah, 128 00:07:26,319 --> 00:07:30,000 that's why it was very nice. But it was an 129 00:07:30,040 --> 00:07:31,399 interesting effect for us. 130 00:07:31,680 --> 00:07:37,800 Speaker 2: The people heard very very with I don't know the 131 00:07:37,839 --> 00:07:42,639 English word of maxim. We both don't know. 132 00:07:43,439 --> 00:07:49,079 Speaker 3: They heard the new material and we're and but they 133 00:07:49,560 --> 00:07:51,879 needed a little bit time to understand it. 134 00:07:52,279 --> 00:07:57,800 Speaker 1: Sure, sure, no, that makes sense, but nice to have. 135 00:07:58,680 --> 00:08:03,800 Speaker 3: We sell our albums, our physical albums on our merg 136 00:08:04,680 --> 00:08:09,879 stand and it works, but only it works if you 137 00:08:09,920 --> 00:08:13,519 play a good show, right why And that's why we 138 00:08:13,639 --> 00:08:17,199 try to make it very good. 139 00:08:16,839 --> 00:08:22,480 Speaker 2: Every every night tonight we have the cover program. It's 140 00:08:22,600 --> 00:08:27,360 nice to have for us, but we try to. 141 00:08:28,600 --> 00:08:33,159 Speaker 3: Reach the people with a few informations about our Factory 142 00:08:33,200 --> 00:08:34,080 of Art project. 143 00:08:34,960 --> 00:08:37,039 Speaker 2: Let's see how it works tonight. 144 00:08:37,440 --> 00:08:40,440 Speaker 1: Yeah. I would imagine your music too. You must see 145 00:08:40,679 --> 00:08:44,000 like multiple generations. I assume you see young people at 146 00:08:44,000 --> 00:08:46,720 your shows too, right, because you you have music, I 147 00:08:47,039 --> 00:08:50,120 feel it's timeless. I feel that probably anyone of any 148 00:08:50,159 --> 00:08:51,879 age could get into what you're doing. Do you see 149 00:08:51,879 --> 00:08:53,879 a lot of young people at your shows? 150 00:08:54,960 --> 00:09:00,159 Speaker 3: You're absolutely right, it's when you hear in Germany go 151 00:09:00,200 --> 00:09:04,399 to a festival, you have a mixture of people elder people, 152 00:09:04,960 --> 00:09:06,679 young people, and we have. 153 00:09:09,240 --> 00:09:16,559 Speaker 2: Good response of both of them. You're right, it's it's. 154 00:09:16,759 --> 00:09:21,919 Speaker 3: Seems we weself cannot say it's time this, but if 155 00:09:21,960 --> 00:09:25,200 you say it, the people say, okay, it's it's it's 156 00:09:25,240 --> 00:09:26,679 a I think, Uh. 157 00:09:28,360 --> 00:09:31,000 Speaker 2: That's the truth. That's that's the truth. Yeah, and. 158 00:09:32,919 --> 00:09:37,759 Speaker 3: This is this is our experiences of the last two shows. 159 00:09:37,960 --> 00:09:44,000 Speaker 1: Yeah, yeah, excellent, excellent. Are you guys, are are you 160 00:09:44,039 --> 00:09:47,519 getting any traction at radio or radio stations they're playing you. 161 00:09:47,639 --> 00:09:49,639 I don't know what the what the situation is with 162 00:09:49,799 --> 00:09:52,279 radio in that part of the world currently, if there's 163 00:09:52,480 --> 00:09:56,559 a format that supports what you're doing. But I'm curious, 164 00:09:57,600 --> 00:09:58,000 I don't. 165 00:09:58,840 --> 00:10:02,799 Speaker 3: We like the American and radio scene very much. Every 166 00:10:02,840 --> 00:10:09,080 time when i'm as a tourist a'm in in the States, 167 00:10:09,360 --> 00:10:09,960 I like it. 168 00:10:09,960 --> 00:10:14,360 Speaker 2: So very much. But here in Germany it's so commercial. Yeah, 169 00:10:14,679 --> 00:10:18,559 it's so commercial there we have with our music no chance. 170 00:10:18,639 --> 00:10:22,240 But there is a really great and. 171 00:10:24,120 --> 00:10:30,000 Speaker 3: Interesting underground radio scene and these guys are loving the 172 00:10:30,039 --> 00:10:35,799 new album and we have airplay in Internet ratings stations 173 00:10:35,919 --> 00:10:36,879 here in Germany. 174 00:10:36,960 --> 00:10:39,960 Speaker 1: Oh, excellent, excellent, very good, Yeah, very good. 175 00:10:40,000 --> 00:10:43,000 Speaker 3: We are an album of the months June or July 176 00:10:43,960 --> 00:10:48,000 in five or six radio stations here in Germany. And 177 00:10:48,320 --> 00:10:50,799 that's for us a very good thing. 178 00:10:51,000 --> 00:10:57,759 Speaker 1: Sure, yeah, yeah, congratulations on that. That is outstanding. Well, listen, guys, 179 00:10:58,159 --> 00:11:01,279 it's great to speak with you. We'll we'll let you go. 180 00:11:01,799 --> 00:11:03,919 It sounds like there's a band. Is there a band 181 00:11:03,960 --> 00:11:06,120 on stage right now? Or is that a stereo? 182 00:11:06,480 --> 00:11:06,679 Speaker 2: Yeah? 183 00:11:06,879 --> 00:11:10,919 Speaker 3: Yeah, yes, as another band on stage. We look for 184 00:11:10,960 --> 00:11:16,080 the quietest place on this boat. But we have to 185 00:11:16,080 --> 00:11:19,279 go swim if you want to have it still. 186 00:11:20,480 --> 00:11:23,320 Speaker 1: I understand, I completely understand. No, it sounds like a 187 00:11:23,360 --> 00:11:26,960 great time. It sounds fun. And uh uh when when 188 00:11:27,000 --> 00:11:28,679 do you guys play? Is it in a few hours 189 00:11:28,759 --> 00:11:29,360 or is it soon? 190 00:11:29,559 --> 00:11:31,679 Speaker 2: Yeah? We have we have just have time. 191 00:11:31,720 --> 00:11:38,360 Speaker 3: We have uh stage time is here in Germany seven pm? Yeah, 192 00:11:38,360 --> 00:11:40,879 it means to an half hour. We have to go 193 00:11:40,919 --> 00:11:45,200 on stage and we play our open promsdike. 194 00:11:45,120 --> 00:11:47,720 Speaker 1: Usher excellent. 195 00:11:49,000 --> 00:11:55,720 Speaker 2: From a from a little German band. I've seen the. 196 00:11:54,440 --> 00:11:57,960 Speaker 1: Yeah, I've seen Ramstein. I can't pronounce it correctly but 197 00:11:58,679 --> 00:12:03,200 my American mouth, but but I've seen Ramstein live and 198 00:12:03,240 --> 00:12:07,240 it's it's quite a show. In fact, the times that 199 00:12:07,279 --> 00:12:09,440 I've seen them, if you're close enough to the stage, 200 00:12:09,480 --> 00:12:11,960 you can feel the heat coming from the pyro, which 201 00:12:12,039 --> 00:12:13,759 is a little scary. 202 00:12:13,639 --> 00:12:13,799 Speaker 2: But. 203 00:12:16,120 --> 00:12:20,159 Speaker 3: There's a nice story of our earlier days. I played 204 00:12:20,519 --> 00:12:26,200 two shows as local support with rumsheine In in the 205 00:12:26,360 --> 00:12:31,320 late nineties in Leipzigh. It was a great experience for us. 206 00:12:31,360 --> 00:12:34,559 But they were so fantastic, so good as well as 207 00:12:34,600 --> 00:12:38,480 little stage as well, a hall, not a stadium, but 208 00:12:38,679 --> 00:12:42,320 it was so great for us, and and it's what 209 00:12:42,399 --> 00:12:43,879 was nice too to meet the guys. 210 00:12:43,679 --> 00:12:45,960 Speaker 2: It us is the time of their first album, had 211 00:12:46,039 --> 00:12:53,120 the light? Now in these times the bridge? May we 212 00:12:53,200 --> 00:12:55,840 come under the bridge? Sorry, it will be allowed for 213 00:12:55,879 --> 00:12:56,639 a few seconds. 214 00:12:56,639 --> 00:13:00,759 Speaker 1: Oh that's okay, Yeah. 215 00:12:59,600 --> 00:13:04,240 Speaker 2: They've got here we go. Oh see legs have a 216 00:13:04,360 --> 00:13:09,559 paranoid Yeah, yes, they are prying here. It's so nice. 217 00:13:09,639 --> 00:13:13,559 Speaker 1: Yeah, so there we go, there we go. 218 00:13:14,480 --> 00:13:15,440 Speaker 2: Sorry, now it's better. 219 00:13:15,679 --> 00:13:19,080 Speaker 1: They should put some soundproofing panels under the bridge for 220 00:13:19,159 --> 00:13:19,919 when that happens. 221 00:13:20,159 --> 00:13:24,519 Speaker 3: Yeah yeah, yeah, yeah, we went through and everything's fine, 222 00:13:24,679 --> 00:13:28,519 I hope, yes, yes, yeah, And we play some songs. 223 00:13:28,519 --> 00:13:32,120 Tonight Helps Bells is the second song from Acy DC 224 00:13:32,679 --> 00:13:35,919 and our less song. Sure, Motorhead is of Space and 225 00:13:36,720 --> 00:13:41,480 then we have fifteen, sixteen, twenty twenty tracks to play tonight. 226 00:13:42,360 --> 00:13:47,080 Speaker 2: We are the last band headline on you Boo and Cool. 227 00:13:47,440 --> 00:13:48,159 It's nice. 228 00:13:48,919 --> 00:13:52,960 Speaker 1: Yeah, I hear I hear a Black Sabbath Paranoid in 229 00:13:53,000 --> 00:13:54,200 the background. It sounds good. 230 00:13:54,279 --> 00:13:56,639 Speaker 2: Yeah, sure, yeah. 231 00:13:56,080 --> 00:13:58,320 Speaker 1: Whoever that band is, they sound good, but you will 232 00:13:58,320 --> 00:13:59,919 sound even better, I have no doubt. 233 00:14:00,639 --> 00:14:02,679 Speaker 2: I hope that will. We try it. 234 00:14:05,039 --> 00:14:07,799 Speaker 3: You know, it's it's it's party time for us tonight, 235 00:14:07,879 --> 00:14:12,440 but we want to we want to play a good show. 236 00:14:12,759 --> 00:14:15,559 Speaker 1: Yeah, yeah, No, you guys are amazing. Like I said, 237 00:14:15,600 --> 00:14:18,120 I love the album, Thank you so much for sending 238 00:14:18,159 --> 00:14:21,159 it to us, and I love these songs. I'm gonna 239 00:14:21,240 --> 00:14:22,840 let you go in a moment so you can you 240 00:14:22,879 --> 00:14:25,159 can get back to it. But I have a question. 241 00:14:25,960 --> 00:14:29,039 What song should I finish the segment with. I opened 242 00:14:29,039 --> 00:14:32,039 with the single of course, Blessing in Disguise, But do 243 00:14:32,120 --> 00:14:34,799 you guys have a suggestion on what you would like 244 00:14:34,840 --> 00:14:35,960 me to end the segment with. 245 00:14:37,600 --> 00:14:41,919 Speaker 3: Just let's let us talks launch bick to Life, Back 246 00:14:41,960 --> 00:14:42,759 to the Life. 247 00:14:42,799 --> 00:14:45,480 Speaker 2: Back to the Life. The lasted tracks the title track 248 00:14:45,559 --> 00:14:45,960 would be. 249 00:14:45,960 --> 00:14:49,720 Speaker 1: Nice, Okay, okay, yeah, we can go with that. Very cool, 250 00:14:49,840 --> 00:14:52,559 very cool, all right, And what should our listeners know? 251 00:14:52,600 --> 00:14:55,480 What should our listeners know here in America about how 252 00:14:55,480 --> 00:14:58,120 to find you guys online to keep up with what 253 00:14:58,159 --> 00:15:00,039 you're doing. Anything special you want them to. 254 00:15:00,159 --> 00:15:06,159 Speaker 3: No, yeah, sure, we have a new system. You find 255 00:15:06,759 --> 00:15:08,759 everything about Factory of Art. 256 00:15:08,720 --> 00:15:15,279 Speaker 2: On the Factory Minus minus Art dot band. 257 00:15:16,200 --> 00:15:18,720 Speaker 1: Okay, and we'll share the link out too to make 258 00:15:18,720 --> 00:15:22,399 sure people have it. But very good, very good. All right, 259 00:15:22,440 --> 00:15:24,840 Hey guys, thank you so much. Have a great show tonight. 260 00:15:24,879 --> 00:15:26,720 We'll let you go so we can hit this track. 261 00:15:26,799 --> 00:15:29,559 But I really appreciate you joining us today. 262 00:15:30,120 --> 00:15:32,720 Speaker 3: Thank you very much. Think it's nice to be with 263 00:15:32,840 --> 00:15:39,039 you and the best greetings from Berlin from the boat Factory. 264 00:15:39,879 --> 00:15:44,279 Speaker 1: All right, guys, thank you so much. Take care, have fun. Yep, 265 00:15:44,399 --> 00:15:48,159 you too, al all right, bye bye? All right, Factory 266 00:15:48,200 --> 00:15:50,720 of Art. What a great band. We will play this 267 00:15:51,559 --> 00:15:54,039 next to finish out the segment. This is a track 268 00:15:54,120 --> 00:15:56,840 called back to Life. Back to the Life rather from, 269 00:15:56,879 --> 00:15:59,799 of course, their album of the same name, the title 270 00:15:59,799 --> 00:16:02,840 track Factory of Art. I definitely recommend you check them out. 271 00:16:03,200 --> 00:16:05,600 Great guys, and I love their music.