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<v Speaker 1>This is the latest episode of Off Topic with Ben

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<v Speaker 1>and Balky, and it's a special one because we have

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<v Speaker 1>not done this show in two weeks because Ben was

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<v Speaker 1>in Thailand for two weeks. Ben, I have to ask you,

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<v Speaker 1>you did not see a lot of movies over in

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<v Speaker 1>Southeast Asia. This was your first movie in several weeks.

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<v Speaker 2>I caught Mickey seventeen.

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<v Speaker 1>Yeah, that's right, you saw Mickey seventeen. Okay, So the

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<v Speaker 1>fact that you you hit the mainland back in the

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<v Speaker 1>States here, how exciting was it for your movie watching

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<v Speaker 1>Stateside to be reintroduced with Mercy Starry Chris Pratt.

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<v Speaker 2>Yeah, I'll tell you, man, it was. It was a

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<v Speaker 2>rough entry for him into into the world of movies.

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<v Speaker 1>I'm gonna tell you this right now. There was there

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<v Speaker 1>was a stockpile for all the listeners out there. I

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<v Speaker 1>know this is gonna be a good episode. I know

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<v Speaker 1>this is gonna be a good episode because Ben and

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<v Speaker 1>I and I knew so. Like so, just so everybody's aware,

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<v Speaker 1>I liked this movie a lot. Okay, I liked it

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<v Speaker 1>a lot, a lot more than I thought I was

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<v Speaker 1>going to like it. And I knew as I was

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<v Speaker 1>watching this, this is going to join the bulky guilty

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<v Speaker 1>pleasure films where I have to watch them anytime that

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<v Speaker 1>you know, they're on television or I see them looking

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<v Speaker 1>for something streaming, and this pops up. This joins all

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<v Speaker 1>those great Jerry Bruckheimer Don Simpson movies of the nineties.

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<v Speaker 1>This joins pretty much any Nicholas Cage movie ever made.

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<v Speaker 1>This is right up there. But I knew when I

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<v Speaker 1>was watching it. I just had a feeling. I'm like,

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<v Speaker 1>you know what, there are a lot of holes in

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<v Speaker 1>this plot. Yeah, and I know Ben's going to poke

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<v Speaker 1>a lot of them, a lot of holes into this,

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<v Speaker 1>and I know he's not going to like it. And well,

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<v Speaker 1>at least I thought you weren't going to like it.

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<v Speaker 1>I didn't know, but I was pretty sure. And the

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<v Speaker 1>other aspect of this was, as I was watching it,

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<v Speaker 1>I could not know. There's there's some movies I just

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<v Speaker 1>zone out to like. I just I can't, And I

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<v Speaker 1>thought this is gonna be another one. Because I was

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<v Speaker 1>seeing it late on a Tuesday. Yeah, and I was like,

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<v Speaker 1>you know, I'm probably gonna be snoozing through parts of this.

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<v Speaker 1>I never was. I was on the edge of my

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<v Speaker 1>seat for And the other thing too, I didn't know how,

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<v Speaker 1>because there's different ways I could watch this, knowing I

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<v Speaker 1>was gonna do the podcast with you. Should I watch

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<v Speaker 1>it from the socio political aspect or you know, sort

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<v Speaker 1>of how you always watch things from a very macro

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<v Speaker 1>view of what it's trying to tell us. Yes, sure,

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<v Speaker 1>from from that standpoint. Should I watch it from the

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<v Speaker 1>standpoint of who's really responsible? Who's the true villain in

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<v Speaker 1>this movie? Because clearly it's not Chris Pratt, or was it?

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<v Speaker 1>You know, we don't know as we're watching it. So

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<v Speaker 1>there's a lot of different ways. And you know what,

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<v Speaker 1>I said, to hell with it. There's just too much

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<v Speaker 1>of that. I'm enjoying this too much. I'm just gonna

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<v Speaker 1>enjoy the hell out of this movie. And I did.

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<v Speaker 2>Yeah, which that mindset to me kind of does describe

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<v Speaker 2>the uh. The we went over the Rotten Tomatoes scores

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<v Speaker 2>during my radio show yesterday. I was a twenty eight

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<v Speaker 2>by critics and like an eighty two, like basically the

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<v Speaker 2>inverse number of audiences. And I was commenting, I've never

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<v Speaker 2>seen it that large. If you asked me what kind

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<v Speaker 2>of movie would come out of that disparity would be

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<v Speaker 2>what we watched yesterday exactly. And the listeners of my

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<v Speaker 2>show know this. And I was wondering if I was

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<v Speaker 2>going to lean into this or not, but we may

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<v Speaker 2>as well. This is not an indictment on the movie.

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<v Speaker 2>I want to say. I think even if it were

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<v Speaker 2>Running Man that I loved very much, when I watched it,

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<v Speaker 2>I was gonna fall asleep. I am thirteen hours behind.

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<v Speaker 1>Okay, that's a good point in terms.

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<v Speaker 2>Of when I'm watching things. I was in a dark room.

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<v Speaker 2>For those of you that don't listen outside the box,

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<v Speaker 2>I woke I missed the last fifteen minutes of the movie,

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<v Speaker 2>and I woke up. I was in a dream lounger.

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<v Speaker 2>I had reclined my seats and the empty seat next

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<v Speaker 2>to me, and I was sleeping horizontally.

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<v Speaker 1>With my Oh my god, really like it was straight

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<v Speaker 1>up like I treated it. I'm so thankful there wasn't

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<v Speaker 1>a lot of people in this theater.

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<v Speaker 2>You know, guarantee you some people saw me sleep, and

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<v Speaker 2>I'm so happy that it wasn't an usher like at

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<v Speaker 2>least I woke up to the credits. And you know

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<v Speaker 2>what's funny is I did wake up for one quick second,

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<v Speaker 2>and like fulky, I genuinely thought I was in my

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<v Speaker 2>house because I woked up, woke up, I looked at

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<v Speaker 2>the screen, and I went, oh, I predicted it was

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<v Speaker 2>going to be that guy.

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<v Speaker 1>And then I went right back to bed. Yeah. So

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<v Speaker 1>so so a couple of things on that. So number one,

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<v Speaker 1>this is not unlike how the movie starts where Chris

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<v Speaker 1>Pratt kind of wakes up and doesn't know where he

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<v Speaker 1>is right his character. And then number two, when I

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<v Speaker 1>was I did, I was playing the villain game of like, okay,

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<v Speaker 1>is it is it her? Is it him? Is it

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<v Speaker 1>you know or whatever? And I'm like, I'm pretty sure

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<v Speaker 1>this is the person. Yeah, you know, spoiler free. But

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<v Speaker 1>as I was deciding on that person, I'm like, I

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<v Speaker 1>think Kamenos is going to get this one right too. Yeah,

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<v Speaker 1>And it didn't surprise me. And by the way, that

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<v Speaker 1>wasn't even the big twist or cliff like, I don't

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<v Speaker 1>even know what it is. Then okay, no, there's another

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<v Speaker 1>big twist, because there's all there is almost well, there's

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<v Speaker 1>a there's a big twist at the end, a significant twist. Cool,

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<v Speaker 1>so how much so you don't even know how this ended?

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<v Speaker 1>Like I said, I went, did you go on the

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<v Speaker 1>internet and like actually read about it.

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<v Speaker 2>I read a little bit, but I'm not going to

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<v Speaker 2>say anything obviously, because we don't do spoilers on this.

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<v Speaker 1>But I had to balky it. You had well at

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<v Speaker 1>that point, that's not even bulkying it because you sat

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<v Speaker 1>through it. It was after the.

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<v Speaker 2>Yeah, no, exactly. Have you ever fallen asleep in a theater?

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<v Speaker 1>Oh? Yeah? Really? The first time I ever did the

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<v Speaker 1>first Avatar movie? Oh really, multiple times, I believe that.

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<v Speaker 1>You know what mine was.

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<v Speaker 2>It's a funny one because it's such a deep cut.

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<v Speaker 2>It was Ted's Excellent Adventure, the Close Close era, the

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<v Speaker 2>Dick Tracy movie.

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<v Speaker 1>With Warren Baties.

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<v Speaker 2>Yeah, al Pacino's Big Boy. I went with my dad.

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<v Speaker 2>I couldn't have been older than four years old, and

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<v Speaker 2>we both fell asleep. And I like that movie, Like

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<v Speaker 2>if you put it on, now, why did you fall asleep?

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<v Speaker 2>Because I was like, that's just.

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<v Speaker 1>Was your did your dad want you to like? Was

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<v Speaker 1>he a Dick Tracy guy? Growing up?

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<v Speaker 2>I don't know why we like, honest to god, man,

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<v Speaker 2>it's the first time I remember going to the movies

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<v Speaker 2>and we fell asleep for yeah, it was just like, yeah,

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<v Speaker 2>but that's the only time. I'm not a like I

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<v Speaker 2>catch all the midnight releases. I never am that go

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<v Speaker 2>to bed at a theater kind of gain.

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<v Speaker 1>My dad is a massive James Bond fan, like he's

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<v Speaker 1>the guy, and I haven't not. I've he's seen every

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<v Speaker 1>Bond movie there is. I have not. I watched most

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<v Speaker 1>of the newer ones, the Pierce brom said Val Kilmer,

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<v Speaker 1>the Pierce Brosen ones. I've watched most of those. I

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<v Speaker 1>watched all the Daniel Craig ones. And every time a

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<v Speaker 1>new one comes out, my dad's like, oh, we gotta

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<v Speaker 1>go see the new Bond movie. You gotta say it.

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<v Speaker 1>My dad is is well, he's now I'm trying to think.

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<v Speaker 1>He turns, oh Man seventy five this year, so he's

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<v Speaker 1>not a young man anymore. And when we saw the

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<v Speaker 1>No Time to Die, which came out I think at

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<v Speaker 1>twenty two, like and and he's like, he's got the

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<v Speaker 1>old man where he's just falls asleep all the time,

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<v Speaker 1>because you know, you don't sleep well at that age,

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<v Speaker 1>and so when you don't sleep while you're constantly waking up,

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<v Speaker 1>you sleep throughout the day. So he falls asleep a lot.

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<v Speaker 1>And I know he was totally into it, and he

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<v Speaker 1>was still falling asleep. Y, you know, it's just it

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<v Speaker 1>is one of the things.

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<v Speaker 2>Oh, absolutely, absolutely, yea.

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<v Speaker 1>Now, now let's let's go through this here. Mercy is

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<v Speaker 1>a movie about an artificial intelligence court. This is set

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<v Speaker 1>in the future, right. Did you notice in some of

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<v Speaker 1>the emails that were that they showed in this when

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<v Speaker 1>these emails were dated the year. Oh, I didn't know.

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<v Speaker 1>The year was twenty twenty nine, so a very very

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<v Speaker 1>it's not a distant future. This is a very near future.

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<v Speaker 2>If I may very quickly, just because this kind of

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<v Speaker 2>overlaps in my outside the box world. A think piece

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<v Speaker 2>came out today from somebody who resigned from a tech

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<v Speaker 2>company saying, the newest model that just released February sixth,

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<v Speaker 2>we're recording this on February eleventh, he said. It's the

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<v Speaker 2>first time he said the AI. Chatty says, if you

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<v Speaker 2>used AI two years ago and you used it as

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<v Speaker 2>like an advanced Google search, he goes, if you came

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<v Speaker 2>back and used it today, you wouldn't recognize it.

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<v Speaker 1>He said.

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<v Speaker 2>The AI now has taste, it uses discernment, it does

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<v Speaker 2>all these different things. Whether or not that's real or

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<v Speaker 2>not is this guy just trying to sell it. I

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<v Speaker 2>don't know, but the idea that three years from now,

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<v Speaker 2>because we're talking about three years ago and it looked

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<v Speaker 2>like appared to what's happening now, so it's not out

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<v Speaker 2>of the realm of possibility that we're less than a

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<v Speaker 2>half a decade away from this this reality right.

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<v Speaker 1>Essentially, Chris Pratt is a is a police officer. I

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<v Speaker 1>think he gets promoted a detective at some point, but

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<v Speaker 1>at the time, the catalyst for all this is basically.

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<v Speaker 2>The most cop name ever was something Raven.

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<v Speaker 1>Chris Chris Raven and and something happens, and he is

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<v Speaker 1>a big believer in the justice system. The justice system

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<v Speaker 1>fails and lets ay criminal go free. And I don't

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<v Speaker 1>know who developed the tech for this AI court, but

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<v Speaker 1>he was a big proponent of this, and why the

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<v Speaker 1>city of Los Angeles was looking at a detective like,

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<v Speaker 1>oh wow, he's throwing his weight behind us, then then

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<v Speaker 1>this has got to be we gotta have this happen

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<v Speaker 1>or whatever. That was kind of bizarre, not like he

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<v Speaker 1>was the mayor of da or.

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<v Speaker 2>Anything like what the trailers made. It seem like he

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<v Speaker 2>was the one that creed created it.

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<v Speaker 1>Yeah, yes, so as we find out in the film,

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<v Speaker 1>something happens and he becomes a big proponent because the

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<v Speaker 1>justice system fails him. Okay, And so basically what it

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<v Speaker 1>is is it is called mercy, the Mercy court or whatever.

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<v Speaker 1>Anybody charged with a was it a capital crime? Like

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<v Speaker 1>a significant crime, you know, like a I had an

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<v Speaker 1>ounce of weed on me or something like that, which

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<v Speaker 1>actually is legal in California. So sure that doesn't matter. Yeah,

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<v Speaker 1>So you have ninety minutes to prove your self innocent

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<v Speaker 1>or at least not guilty. Prove your not guilty. You

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<v Speaker 1>have ninety minutes in front of this AI judge. You

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<v Speaker 1>are strapped into a chair, you can't move, but you

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<v Speaker 1>have like this big three D computer screen in front

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<v Speaker 1>of you, and you have all the assets at your disposal.

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<v Speaker 1>This AI can provide you with all this stuff, right,

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<v Speaker 1>and and you can prove if you can, you know,

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<v Speaker 1>at least the what's the level of guilty? Which is

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<v Speaker 1>another Okay, so that was the left. So if you

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<v Speaker 1>are ninety two point four percent guilty, you are found

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<v Speaker 1>not guilty. Yeah, like that's the which that was bizarre

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<v Speaker 1>to me. Hold on, hold on, just let me let

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<v Speaker 1>me just us just thought okay. Yeah, and if ninety minutes,

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<v Speaker 1>if the AI judge, if if that percentage is still

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<v Speaker 1>ninety two and a half or higher, you're basically killed

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<v Speaker 1>instantly with a sonic boom. Okay, death punishment or death penalty,

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<v Speaker 1>death penalty, yeah, capital punishment anyway. Chris Pratt in this

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<v Speaker 1>film is charged with killing his wife, Okay, and I

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<v Speaker 1>don't know why. I'm like always telling you, like you

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<v Speaker 1>so so you know what's going on. It helps, so

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<v Speaker 1>so he and he has ninety minutes to prove it's

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<v Speaker 1>a real four like it happens in ninety minutes spoiler alert.

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<v Speaker 1>This film is like an hour forty five long, so

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<v Speaker 1>you know, stuff happens after too, which is great. And

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<v Speaker 1>I knew that, like go, I'm like, oh, this is

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<v Speaker 1>gonna be great because they're gonna add on this extra stuff.

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<v Speaker 1>Okay anyway, but the difference is, like, he's not just

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<v Speaker 1>some schlub x con right, He's an LAPD police LAPD detective,

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<v Speaker 1>So he knows where to go to try to find

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<v Speaker 1>evidence of his innocence, and he believes there's no way

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<v Speaker 1>he could have done this. And as we're watching more

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<v Speaker 1>and more, we're kind of finding out you know what,

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<v Speaker 1>maybe maybe it is the maybe it is him.

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<v Speaker 2>Did you think ever there was a time that he

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<v Speaker 2>did it multiple times? Okay, see I was.

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<v Speaker 1>I never. I was like, if it's at least twice,

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<v Speaker 1>I should say, Okay, yeah, I was because I thought

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<v Speaker 1>that was the big that would be a big twist.

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<v Speaker 2>I agree, that would make it a super memorable movie.

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<v Speaker 2>And it did stick out to me because he very

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<v Speaker 2>clearly he utilizes and this isn't like this happens early

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<v Speaker 2>on in the movie. He had extra resources at his disposal,

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<v Speaker 2>like he was able to call police for Reilms.

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<v Speaker 1>Yes, and this which stuck out to me.

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<v Speaker 2>I'm just like, so if you or I ended up

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<v Speaker 2>in that situation, we might not necessarily have the same

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<v Speaker 2>means in order to prove our innocence that this individual

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<v Speaker 2>character did. Which is that one of the plot holes

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<v Speaker 2>you thought? Because that was driving me nuts.

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<v Speaker 1>Let's just throw the fact out that that he's a detective.

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<v Speaker 1>Rebecca Ferguson played the AI judge. Yeah, you remember her

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<v Speaker 1>from Dune form the Mission Impossible. Some of the newer

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<v Speaker 1>Mission Impossibles did a great job. Okay, So to your

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<v Speaker 1>point about having access to all this, it really seemed

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<v Speaker 1>off putting to me that she would be so the

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<v Speaker 1>AI judge, we'd be so regimented about you can only

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<v Speaker 1>call this person if it's for this reason, you can

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<v Speaker 1>only do this for so long or whatever. And he

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<v Speaker 1>seemed to get away with a lot of stuff. Right

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<v Speaker 1>now if the AI, now this is the other thing,

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<v Speaker 1>I don't know if it matters that he was a

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<v Speaker 1>detective because he had or we heard from the AI

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<v Speaker 1>judge that you have all the resources that artificial intelligence

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<v Speaker 1>can provide. And these people that he was calling, you know,

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<v Speaker 1>they didn't want to talk to him, but once they

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<v Speaker 1>heard Maddox for mercy, they they're like, okay, this is serious.

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<v Speaker 1>Now I have to So there's there's some sort there

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<v Speaker 1>must be some sort of penalty if you don't take

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<v Speaker 1>the call or talk if you're called, like you can

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<v Speaker 1>be charged with something if you're not talking to this.

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<v Speaker 1>So so I don't know if now the advantage he

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<v Speaker 1>had as a detective, he kind of knew where to look.

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<v Speaker 1>But it seemed to me that even if he wasn't,

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<v Speaker 1>you have access to all this stuff, the crime scene,

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<v Speaker 1>the files, whatever, and the AI was more than happy

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<v Speaker 1>to provide it, which to me Ben and this is

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<v Speaker 1>plot hole number one or plot hole number two, whatever, whatever.

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<v Speaker 1>On what if you are found innocent, okay, and you walk,

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<v Speaker 1>what about all that stuff you learned from AI, you know,

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<v Speaker 1>private texts, calls, police reports, whatever, And now you're just

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<v Speaker 1>walking as a free person, knowing all this with other people.

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<v Speaker 2>Point with his daughter. At one point he finds some

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<v Speaker 2>stuff out that he otherwise wouldn't have known. And I

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<v Speaker 2>mean that that's part of the game, and that that

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<v Speaker 2>was probably the most realistic part of it to me,

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<v Speaker 2>is the fact that you are actually mandated by law

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<v Speaker 2>when you get a device, you connect it to this cloud.

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<v Speaker 2>Like the idea of privacy is officially dead in this

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<v Speaker 2>version of America. If you get a new phone, the

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<v Speaker 2>idea of having a burner phone that isn't in the

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<v Speaker 2>system is a crime. The idea of not connecting certain

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<v Speaker 2>profiles to this system is a crime because they need it.

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<v Speaker 1>We're learning.

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<v Speaker 2>You watch the Super Bowl, obviously you have the Ring

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<v Speaker 2>Doorbell commercial where it shows you they found the missing

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<v Speaker 2>dog and it with all the cameras without permission of

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<v Speaker 2>the Ring Doorbell owners were searching the files looking for

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<v Speaker 2>video of this dog. And I saw that I'm like, man,

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<v Speaker 2>this is hitting so close to home and so.

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<v Speaker 1>Many Leveon Bell said about that. No, he put on

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<v Speaker 1>something of an ex if, like we should all be

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<v Speaker 1>taking our ring doorbells and throwing it into boiling pot

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<v Speaker 1>of water. Yeah.

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<v Speaker 2>Yeah, he's spot on with that. That's exactly wrong. I'm

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<v Speaker 2>with it because again, seeing those commercials and then watching

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<v Speaker 2>this happen, it's like, oh man, we're really not that far.

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<v Speaker 2>I really did like that element of it. I remember

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<v Speaker 2>Terminator Genesis, the one where Khalisi plays Sarah Connor.

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<v Speaker 1>Oh yeah, Sali Amelia Clark, Yeah yeah, whatever.

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<v Speaker 2>That In that movie, Skynet essentially was the Cloud, and

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<v Speaker 2>I thought that was such a dumb idea. And and

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<v Speaker 2>fast forward I think it came out in twenty fourteen.

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<v Speaker 2>Fast forward twelve years later. I'm like, oh no, Skynet

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<v Speaker 2>would totally be the cloud. I don't know what I

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<v Speaker 2>was thinking of it. That was actually way far ahead

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<v Speaker 2>of its time. Even though that movie is still sucked,

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<v Speaker 2>that one element was was way far ahead of its time.

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<v Speaker 2>Because I was watching that yesterday and I was like,

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<v Speaker 2>oh no, this is I have an iPhone sixteen in

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<v Speaker 2>my pocket. I just got it. I do not. It

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<v Speaker 2>doesn't recognize my face. I have to punch the passcode

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<v Speaker 2>in every time because I refuse to attach my face

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<v Speaker 2>to this phone.

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<v Speaker 1>You know what's funny is I always have to punch

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<v Speaker 1>in my passcode, but I would be fine putting my

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<v Speaker 1>face on it, because I'm just of the opinion that

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<v Speaker 1>they're gonna get it or they already have it right

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<v Speaker 1>at some like like like it's identity theft.

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<v Speaker 2>You ever fly internationally. I'm catching a flight from South

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<v Speaker 2>Korea to Thailand two weeks ago. I have my passport

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<v Speaker 2>and my ticket. They go, no, no, no, just look

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<v Speaker 2>at the camera. And I look at the camera and

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<v Speaker 2>it says Benjamin Kammano's seat thirty two.

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<v Speaker 1>Ssh.

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<v Speaker 2>And I was like, oh my god, wow, And I

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<v Speaker 2>actively avoid this shit.

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<v Speaker 1>Yeah, so they already had it, Yeah, they already had it.

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<v Speaker 1>But that's what I'm talking about. Identity theft is like

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<v Speaker 1>people already have your stuff. Yeah, you know, it's just

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<v Speaker 1>a matter of you know, so that which doesn't mean

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<v Speaker 1>you could be brazenly advertising it. But I'm not gonna,

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<v Speaker 1>you know, freak out about being super secretive like brill

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<v Speaker 1>an enemy of the state. Yeah, you know where he

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00:17:09.559 --> 00:17:12.519
<v Speaker 1>was like he really thought being in a big copper

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<v Speaker 1>box would would prevent but now it's get away with it. Okay.

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<v Speaker 1>So that was one of the pop points I didn't like.

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<v Speaker 1>I want to get back to this ninety two percent

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<v Speaker 1>guilt versus innocence. Do you think that's right? Yeah? I

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<v Speaker 1>mean if we are on a jury and we believe

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<v Speaker 1>that somebody is ninety percent guilty, we should be finding

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<v Speaker 1>him innocent. Yeah.

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<v Speaker 2>No, Because so I took law and justice.

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<v Speaker 1>Okay, this is good because I want to learn about this.

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<v Speaker 2>Here and it's uh so, there's a difference between criminal

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<v Speaker 2>trial and civil trial. Criminal trials is beyond a shadow

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<v Speaker 2>of a doubt if there is one element of you

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<v Speaker 2>that's like, well, maybe you vote not guilty. If you

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<v Speaker 2>and I are going to civil court about a car

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<v Speaker 2>accident and fifty one percent of the evidence says I'm

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<v Speaker 2>guilty and forty nine says you're guilty, I lose.

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<v Speaker 1>But in a criminal quot that's because somebody has to

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<v Speaker 1>lose in that right.

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<v Speaker 2>It's referred to as a preponderance of the evidence. If

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<v Speaker 2>one extra piece of evidence skews this way compared to

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<v Speaker 2>the other way. If you threw your door open, and

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<v Speaker 2>I was driving by, was I texting like, there's several elements.

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<v Speaker 1>That go in here. The O. J.

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<v Speaker 2>Simpson glove, Yeah, exactly. OJ Simpson was ninety two percent guilty,

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<v Speaker 2>you know what I mean? And you get the innocent though,

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<v Speaker 2>because and I've watched plenty of documentaries on that. Most

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<v Speaker 2>people told Marcia Clark, don't tell them to put the

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<v Speaker 2>glove on.

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<v Speaker 1>Yeah, you don't know.

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<v Speaker 2>And that element of it not fitting him, it's like, well,

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<v Speaker 2>wait a minute, the bloody glove doesn't fit.

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<v Speaker 1>Him, then who the hell if it does not fit you?

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<v Speaker 2>Exactly, So ninety two percent feels accurate because it's beyond

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<v Speaker 2>the shadow of a doubt for murder, because our system,

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<v Speaker 2>for all of its flaws, is designed to prevent you

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<v Speaker 2>let one hundred innocent or guilty men go free before

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00:18:55.599 --> 00:18:57.920
<v Speaker 2>you kill an innocent man. And that's always been the

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<v Speaker 2>attitude and a lot of people of frustration with that.

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00:19:00.559 --> 00:19:03.319
<v Speaker 2>But I'd argue that's probably the better if the two system.

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<v Speaker 1>Yeah, I think I think you're right, and I guess

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<v Speaker 1>that makes sense. I just it was it was shock.

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<v Speaker 1>It was a little shocking to me that, Okay, if

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<v Speaker 1>this guy is ninety one percent guilty.

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00:19:12.680 --> 00:19:15.079
<v Speaker 2>And I like it that the upper bound was ninety

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<v Speaker 2>eight percent, so they were like, yeah, we're never one

394
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<v Speaker 2>hundred percent certain of anything at any point. I thought

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<v Speaker 2>that was a cool element as well.

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00:19:21.799 --> 00:19:24.160
<v Speaker 1>Do they determine that ninety eight but we can we

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00:19:24.200 --> 00:19:25.559
<v Speaker 1>can go to ninety eight, but we can't go to

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00:19:25.640 --> 00:19:26.160
<v Speaker 1>ninety nine.

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00:19:26.200 --> 00:19:28.240
<v Speaker 2>I think it was just for a funny joke, because

400
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<v Speaker 2>when you see ninety eight, and I think he says

401
00:19:30.240 --> 00:19:31.759
<v Speaker 2>something like, well, at least it's not one hundred.

402
00:19:31.799 --> 00:19:33.759
<v Speaker 1>She's like, well, the highest it goes is ninety eight.

403
00:19:33.920 --> 00:19:36.839
<v Speaker 1>And that's that's my point, Like, how do they decide like, oh,

404
00:19:37.000 --> 00:19:38.319
<v Speaker 1>we can go as high as ninety eight, but we

405
00:19:38.319 --> 00:19:41.119
<v Speaker 1>can't go as high as ninety nine. Yeah, I think

406
00:19:41.160 --> 00:19:44.559
<v Speaker 1>that was just for comedic really. Okay, so let's talk

407
00:19:44.559 --> 00:19:48.440
<v Speaker 1>about the AI aspect of this. What's the commentary now

408
00:19:48.480 --> 00:19:51.279
<v Speaker 1>that you know what happens in the end and from

409
00:19:51.279 --> 00:19:54.440
<v Speaker 1>what you saw on this film as well, what's the commentary,

410
00:19:54.680 --> 00:19:57.680
<v Speaker 1>and maybe it's it's just bludging me over bludgeing, bludgeoning

411
00:19:57.720 --> 00:20:02.200
<v Speaker 1>me over the head. What's the commentary of about this

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00:20:03.200 --> 00:20:06.400
<v Speaker 1>filmmaker's view on AI.

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<v Speaker 2>I think it's referred to in my opinion, I think

414
00:20:09.599 --> 00:20:12.200
<v Speaker 2>it's a very Pollyannis term. I think it's a it's

415
00:20:12.240 --> 00:20:13.920
<v Speaker 2>a you have.

416
00:20:13.960 --> 00:20:16.680
<v Speaker 1>To remind me of polyN. It's a naive it.

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00:20:16.720 --> 00:20:19.680
<v Speaker 2>Like probably was like oh shucks, like you know, because

418
00:20:19.720 --> 00:20:22.559
<v Speaker 2>and I'm a firm believer that it's impossible to completely

419
00:20:22.720 --> 00:20:25.759
<v Speaker 2>write humanity out of the equation, and it kind of

420
00:20:25.759 --> 00:20:26.680
<v Speaker 2>seemed like that's the.

421
00:20:26.559 --> 00:20:30.599
<v Speaker 1>Theme artificial intelligence. What is that based on? It's based

422
00:20:30.799 --> 00:20:36.079
<v Speaker 1>on human intelligence? Like we create AI, right, so so

423
00:20:36.160 --> 00:20:39.319
<v Speaker 1>without humans there is well for now, but what we

424
00:20:39.400 --> 00:20:42.759
<v Speaker 1>create artificial artificial intelligence?

425
00:20:43.079 --> 00:20:45.839
<v Speaker 2>So to me, I mean, actually what the singularity is?

426
00:20:45.920 --> 00:20:47.720
<v Speaker 2>If you ever hear like people in tech movies to

427
00:20:47.799 --> 00:20:51.200
<v Speaker 2>be like, we're approaching the singularity. Approaching the singularity is

428
00:20:51.279 --> 00:20:55.000
<v Speaker 2>essentially ultron when ultrons are building stronger ultrons. When it

429
00:20:55.039 --> 00:20:58.079
<v Speaker 2>hits a point where AI can build AI more sophisticated

430
00:20:58.079 --> 00:21:02.319
<v Speaker 2>than humans, that's screwed the singularity. And I don't know

431
00:21:02.319 --> 00:21:04.160
<v Speaker 2>if that's achievable. I don't know if that's a sci

432
00:21:04.200 --> 00:21:06.480
<v Speaker 2>fi idea. I don't know how relevant that is in

433
00:21:06.559 --> 00:21:09.960
<v Speaker 2>terms of reality, but this movie kind of, in my opinion,

434
00:21:09.960 --> 00:21:12.839
<v Speaker 2>I thought that that was the overarching Mike, there's always

435
00:21:12.880 --> 00:21:16.960
<v Speaker 2>gonna be the gritty cop is able to show his

436
00:21:17.039 --> 00:21:20.480
<v Speaker 2>innocence through X, Y, and Z even though all of

437
00:21:20.519 --> 00:21:23.559
<v Speaker 2>this digital evidence is stacked against you and you're kind

438
00:21:23.599 --> 00:21:25.400
<v Speaker 2>of able to still come out on top, kind of

439
00:21:25.440 --> 00:21:28.960
<v Speaker 2>showing that good old fashioned ingenuity can still Well.

440
00:21:28.960 --> 00:21:31.440
<v Speaker 1>I think there is that commentary that was that conflict

441
00:21:31.519 --> 00:21:35.960
<v Speaker 1>about like facts versus guts. Yeah, black and white versus gray,

442
00:21:36.160 --> 00:21:39.119
<v Speaker 1>like there there you needed both of them essentially to.

443
00:21:41.000 --> 00:21:43.960
<v Speaker 2>Figure this out, and doing talk radio, I live in

444
00:21:44.000 --> 00:21:45.839
<v Speaker 2>that sphere. I joke about it all the time. I

445
00:21:45.880 --> 00:21:49.160
<v Speaker 2>don't have insight, I don't have sources that give me

446
00:21:49.240 --> 00:21:52.400
<v Speaker 2>info that you, as another American citizen, wouldn't be able

447
00:21:52.480 --> 00:21:52.680
<v Speaker 2>to get.

448
00:21:52.839 --> 00:21:53.039
<v Speaker 1>Said.

449
00:21:53.039 --> 00:21:55.880
<v Speaker 2>What I have is my gut. I read the information like, well,

450
00:21:55.920 --> 00:21:58.319
<v Speaker 2>that doesn't make any sense because of this, but like

451
00:21:58.359 --> 00:22:00.880
<v Speaker 2>no one's telling me that. So I do put a

452
00:22:00.880 --> 00:22:03.519
<v Speaker 2>lot of stock in like someone's ability to take information

453
00:22:03.599 --> 00:22:06.119
<v Speaker 2>and be like that doesn't pass the smell test and

454
00:22:06.200 --> 00:22:07.319
<v Speaker 2>can a robot do that?

455
00:22:07.480 --> 00:22:07.920
<v Speaker 1>I don't know.

456
00:22:07.960 --> 00:22:10.440
<v Speaker 2>That was kind of the philosophy of this director here.

457
00:22:10.519 --> 00:22:12.920
<v Speaker 1>Well, it was pretty crazy about which, by the way,

458
00:22:13.160 --> 00:22:15.440
<v Speaker 1>so I'm gonna butcher I brought I brought it up here.

459
00:22:15.480 --> 00:22:17.079
<v Speaker 1>So I couldn't. I could say, I know I said

460
00:22:17.079 --> 00:22:18.039
<v Speaker 1>his name on your show.

461
00:22:18.240 --> 00:22:20.200
<v Speaker 2>Yeah, yeah, it's a it's a tough one.

462
00:22:20.319 --> 00:22:24.640
<v Speaker 1>So so the director of this film two more Beck

463
00:22:26.480 --> 00:22:34.960
<v Speaker 1>mcmn betof men Betoff Okay, also did a really interesting idea,

464
00:22:35.240 --> 00:22:37.839
<v Speaker 1>interesting idea for a movie that I think was was

465
00:22:37.960 --> 00:22:42.960
<v Speaker 1>kind of close to this called abrac No No, no

466
00:22:42.960 --> 00:22:45.519
<v Speaker 1>no one, not that one, although that's I mean say

467
00:22:45.519 --> 00:22:47.559
<v Speaker 1>he will, but Abraham like a vampire hunter. That was.

468
00:22:47.640 --> 00:22:50.720
<v Speaker 1>That was a cool idea. He he did a movie

469
00:22:51.079 --> 00:22:55.480
<v Speaker 1>starring John Chill. He might have produced this, actually I

470
00:22:55.480 --> 00:22:58.960
<v Speaker 1>don't think he directed it, Searching. Did you ever hear

471
00:22:58.960 --> 00:23:04.599
<v Speaker 1>of Searching? Yeah? I have why John chose. Daughter disappears

472
00:23:05.400 --> 00:23:07.799
<v Speaker 1>and Deborah Messing is in this as well as the

473
00:23:07.799 --> 00:23:13.079
<v Speaker 1>detective on the case and find her. No, he's usually

474
00:23:13.240 --> 00:23:17.279
<v Speaker 1>using social media profiles and digital data to try to

475
00:23:17.319 --> 00:23:20.200
<v Speaker 1>figure out what happened to her. Then there's a supposed

476
00:23:20.279 --> 00:23:23.799
<v Speaker 1>breakthrough in the case and we think everything's resolved, but

477
00:23:23.920 --> 00:23:26.359
<v Speaker 1>it's really not. And then there's another twist in it.

478
00:23:26.640 --> 00:23:30.759
<v Speaker 1>But it seemed very similar to this about, you know,

479
00:23:30.920 --> 00:23:35.200
<v Speaker 1>using all this digital information, somebody's always watching something. We

480
00:23:35.240 --> 00:23:38.160
<v Speaker 1>had the birdcam from from Chris Pratt's neighbor's house that

481
00:23:38.200 --> 00:23:42.039
<v Speaker 1>played a vital role in this All birds are they?

482
00:23:42.839 --> 00:23:44.680
<v Speaker 2>That's birds aren't real? Remember that?

483
00:23:44.759 --> 00:23:47.839
<v Speaker 1>Oh yeah? Yeah? And then he also did Unfriended, which

484
00:23:47.880 --> 00:23:50.960
<v Speaker 1>I think you saw. Yeah, so so that's so he

485
00:23:51.000 --> 00:23:51.839
<v Speaker 1>directed this.

486
00:23:51.759 --> 00:23:54.119
<v Speaker 2>Movie classic by the way, I'm Friended.

487
00:23:54.200 --> 00:23:57.160
<v Speaker 1>Yeah, it was good. It's just it's weird because like

488
00:23:57.839 --> 00:23:59.920
<v Speaker 1>even like you know, these movies are like ten years old,

489
00:23:59.920 --> 00:24:04.640
<v Speaker 1>and and John Chow is like searching his daughter's Tumblr

490
00:24:04.680 --> 00:24:07.680
<v Speaker 1>profile for clues, like, dude, Tumblr, really.

491
00:24:07.640 --> 00:24:10.759
<v Speaker 2>Oh, think of it in twelve years, this move. But like,

492
00:24:10.799 --> 00:24:12.960
<v Speaker 2>I can't believe this is what we thought. AI was right,

493
00:24:13.039 --> 00:24:13.519
<v Speaker 2>you know what I.

494
00:24:15.759 --> 00:24:20.000
<v Speaker 1>Thought the the guy that his daughter was talking to

495
00:24:20.240 --> 00:24:22.960
<v Speaker 1>on Instagram thought she was going to be playing a

496
00:24:23.000 --> 00:24:25.960
<v Speaker 1>bigger role. Yeah, I thought he was going to be

497
00:24:25.960 --> 00:24:28.079
<v Speaker 1>playing a bigger role. I should say so maybe a

498
00:24:28.079 --> 00:24:29.920
<v Speaker 1>little bit of a red herring. Maybe not. I don't

499
00:24:29.920 --> 00:24:30.839
<v Speaker 1>want to spoil.

500
00:24:31.279 --> 00:24:34.039
<v Speaker 2>Who's that boyfriend? By the way, is labeled in the

501
00:24:34.079 --> 00:24:35.880
<v Speaker 2>cast as tattooed sleeves ball.

502
00:24:36.039 --> 00:24:38.640
<v Speaker 1>Yeah, well that's basically what it was. He was never

503
00:24:38.640 --> 00:24:42.519
<v Speaker 1>referred to by name. Yeah. The I don't know what

504
00:24:42.599 --> 00:24:46.640
<v Speaker 1>it was about about this, It just it just seemed

505
00:24:46.680 --> 00:24:51.119
<v Speaker 1>like there was twists twist after twist, which I expected, yeah,

506
00:24:51.119 --> 00:24:53.799
<v Speaker 1>but maybe not to this degree. And there was a

507
00:24:53.960 --> 00:24:56.400
<v Speaker 1>there was a significant amount of people complaining in the

508
00:24:56.440 --> 00:25:01.680
<v Speaker 1>reviews about how certain information was revealed to be too

509
00:25:01.799 --> 00:25:08.160
<v Speaker 1>choppy and and and I'm not choppy. What's what's haphazardly?

510
00:25:08.599 --> 00:25:10.559
<v Speaker 1>I think is what I heard? And I'm like, dude,

511
00:25:10.599 --> 00:25:12.759
<v Speaker 1>I kind of like that. You know, there is that

512
00:25:12.880 --> 00:25:18.880
<v Speaker 1>shot of the open door on the Instagram post, right,

513
00:25:19.400 --> 00:25:22.000
<v Speaker 1>and then that kind of zero's in on what's behind that,

514
00:25:22.559 --> 00:25:25.119
<v Speaker 1>Like you couldn't really tell exactly, but you knew it

515
00:25:25.160 --> 00:25:27.000
<v Speaker 1>was something like I like that. I don't want to

516
00:25:27.039 --> 00:25:30.359
<v Speaker 1>be hit over the head with that information.

517
00:25:30.680 --> 00:25:34.279
<v Speaker 2>And what oftentimes gets lost in these movies. If I

518
00:25:34.440 --> 00:25:38.680
<v Speaker 2>woke you up hungover in a chair that you can't

519
00:25:38.720 --> 00:25:40.480
<v Speaker 2>get out of and you find out you have ninety

520
00:25:40.519 --> 00:25:42.400
<v Speaker 2>minutes to live, you know what you're gonna be doing

521
00:25:42.680 --> 00:25:45.960
<v Speaker 2>haphazardly running through all the information. Yeah, like the fact

522
00:25:46.000 --> 00:25:48.279
<v Speaker 2>that he was even as calm as he was. There

523
00:25:48.359 --> 00:25:50.960
<v Speaker 2>was a moment early early early on in the movie

524
00:25:51.000 --> 00:25:53.359
<v Speaker 2>where he even goes from like very frazzled to call

525
00:25:53.440 --> 00:25:55.759
<v Speaker 2>him very quickly, And I'm like, I don't buy that.

526
00:25:55.799 --> 00:25:57.200
<v Speaker 2>But then I was like, well, he's a cop, so

527
00:25:57.240 --> 00:25:58.839
<v Speaker 2>maybe I'll give him the benefit of the doubt.

528
00:25:58.920 --> 00:26:01.839
<v Speaker 1>And I'll say this too, like you know, you say hungover,

529
00:26:03.279 --> 00:26:05.799
<v Speaker 1>the AI judge said something like her basically still drunk.

530
00:26:05.839 --> 00:26:09.759
<v Speaker 1>He's still still drunk, but not maybe legally sure speaking, Yeah,

531
00:26:09.759 --> 00:26:13.119
<v Speaker 1>so he could stand trial for that now, Chris Pratt,

532
00:26:13.160 --> 00:26:15.319
<v Speaker 1>it seemed like had a lot of his character. Chris

533
00:26:15.400 --> 00:26:20.759
<v Speaker 1>Raven had a lot of experience with operating you know

534
00:26:20.960 --> 00:26:24.519
<v Speaker 1>what they call functional alcoholism where you can still you know,

535
00:26:24.559 --> 00:26:27.440
<v Speaker 1>be drinking and be drunk but still be So it

536
00:26:27.519 --> 00:26:29.319
<v Speaker 1>seemed like he had a lot of experience with that,

537
00:26:29.480 --> 00:26:30.039
<v Speaker 1>oh for sure.

538
00:26:30.599 --> 00:26:32.640
<v Speaker 2>Yeah, Yeah, that was definitely an interesting element. And I

539
00:26:32.720 --> 00:26:34.519
<v Speaker 2>do want to say because you said Chris Raven with

540
00:26:34.519 --> 00:26:37.079
<v Speaker 2>that inflection and like maybe I'm late to the party

541
00:26:37.119 --> 00:26:40.519
<v Speaker 2>on this, and I'm not. I still enjoy him as

542
00:26:40.559 --> 00:26:42.839
<v Speaker 2>an actor, but I do have to say this, he's

543
00:26:42.960 --> 00:26:45.440
<v Speaker 2>just star Lord and everything. He's one of those actors

544
00:26:45.440 --> 00:26:48.000
<v Speaker 2>that gets by on charisma and isn't really an actor,

545
00:26:48.400 --> 00:26:52.160
<v Speaker 2>Like he's just fun to listen to read dialogue and

546
00:26:53.039 --> 00:26:55.039
<v Speaker 2>this was like star Lord gets accused of.

547
00:26:54.960 --> 00:26:57.200
<v Speaker 1>You know what, he d kind of reminded me of

548
00:26:57.240 --> 00:27:00.000
<v Speaker 1>his character in Passengers with Jennifer Lawrence.

549
00:27:00.079 --> 00:27:01.279
<v Speaker 2>Actually never saw that one.

550
00:27:01.319 --> 00:27:03.880
<v Speaker 1>I'm familiar with the plot, yeah, but I mean that's

551
00:27:03.920 --> 00:27:07.240
<v Speaker 1>that's like another thing too where it's like, you know, futuristic,

552
00:27:07.440 --> 00:27:11.200
<v Speaker 1>you know, and there's a lot of stuff going on

553
00:27:11.279 --> 00:27:12.720
<v Speaker 1>that we can't really comprehend.

554
00:27:12.920 --> 00:27:14.640
<v Speaker 2>Yeah, and didn't he take a lot of heat for

555
00:27:14.680 --> 00:27:18.160
<v Speaker 2>that one because it portrayed as romantic but it was

556
00:27:18.200 --> 00:27:20.519
<v Speaker 2>actually like super messed up that he like woke someone

557
00:27:20.599 --> 00:27:21.400
<v Speaker 2>up their sleep.

558
00:27:21.519 --> 00:27:25.839
<v Speaker 1>Yeah. But then but then there's some sort of like like, uh,

559
00:27:26.039 --> 00:27:30.279
<v Speaker 1>there was as like a full circle kind of romantic

560
00:27:30.359 --> 00:27:32.599
<v Speaker 1>aspect of that, which I mean, you could make the

561
00:27:32.640 --> 00:27:35.000
<v Speaker 1>case that she didn't really have a choice. I think

562
00:27:35.039 --> 00:27:37.440
<v Speaker 1>that's a lot of people, but I mean, but but

563
00:27:37.440 --> 00:27:39.599
<v Speaker 1>but still, I mean, I guess she could have chosen

564
00:27:39.680 --> 00:27:43.240
<v Speaker 1>to we're spoiling passengers now, she could have chosen to

565
00:27:43.279 --> 00:27:49.400
<v Speaker 1>live in misery and anger for her she chose not to.

566
00:27:49.559 --> 00:27:51.920
<v Speaker 2>Yeah, yeah, no, I get that. But yeah, I never

567
00:27:51.960 --> 00:27:53.559
<v Speaker 2>saw that flick. But I feel like he's just the

568
00:27:53.599 --> 00:27:57.559
<v Speaker 2>same in everything, uh that that he's in other than

569
00:27:57.599 --> 00:27:59.960
<v Speaker 2>maybe like the Mario movies, he sounds a little more.

570
00:27:59.839 --> 00:28:02.680
<v Speaker 1>Like so yeah, which he got a lot of heat

571
00:28:02.680 --> 00:28:05.039
<v Speaker 1>for that too, or Chris Pratt, and I think he's

572
00:28:05.079 --> 00:28:08.359
<v Speaker 1>a conservative. I'm pretty sure he's a pretty pretty staunch conservative.

573
00:28:08.680 --> 00:28:12.039
<v Speaker 1>And he married into the Schwarzenegger family too, you know.

574
00:28:12.160 --> 00:28:14.599
<v Speaker 1>So that's the other aspect. So as as much as

575
00:28:14.640 --> 00:28:17.200
<v Speaker 1>Marvel has done for him, he does a lot for

576
00:28:17.279 --> 00:28:18.079
<v Speaker 1>the other side here.

577
00:28:18.160 --> 00:28:19.720
<v Speaker 2>Yeah, he takes a lot of heat. He takes a

578
00:28:19.759 --> 00:28:21.279
<v Speaker 2>lot of heat for stuff, that's for sure. But I

579
00:28:21.279 --> 00:28:23.440
<v Speaker 2>couldn't get past that. It felt like star Lord. And

580
00:28:23.480 --> 00:28:28.119
<v Speaker 2>I don't want to take away from Rebecca Fergusson because

581
00:28:28.400 --> 00:28:30.680
<v Speaker 2>she did the part the way she was asked to

582
00:28:30.720 --> 00:28:32.720
<v Speaker 2>do it, but it just, you know, it felt like

583
00:28:32.759 --> 00:28:36.799
<v Speaker 2>an AI robot and like to me, and again it's

584
00:28:36.839 --> 00:28:38.960
<v Speaker 2>not the movie that it was, but like I like

585
00:28:38.960 --> 00:28:42.839
<v Speaker 2>like the Judge dread style of doing like I don't

586
00:28:42.839 --> 00:28:45.200
<v Speaker 2>care if you're guilty or innocent, did you do the crime? Okay,

587
00:28:45.200 --> 00:28:49.119
<v Speaker 2>I'm going to execute you, whereas this was much more clinical,

588
00:28:49.240 --> 00:28:49.799
<v Speaker 2>Like it was.

589
00:28:49.759 --> 00:28:51.759
<v Speaker 1>Just very very dry. But it was good.

590
00:28:51.880 --> 00:28:54.039
<v Speaker 2>It was she felt like she wasn't a real person,

591
00:28:54.079 --> 00:28:56.680
<v Speaker 2>which I guess is the goal. But it was a strange.

592
00:28:56.880 --> 00:28:59.680
<v Speaker 1>All right, I'm gonna be honest with you. I think

593
00:28:59.720 --> 00:29:05.720
<v Speaker 1>that she reflected on significant amounts of humanity while probably

594
00:29:05.759 --> 00:29:08.640
<v Speaker 1>the parts you were sleeping. But I like, at the end,

595
00:29:08.640 --> 00:29:10.480
<v Speaker 1>I'm like, this is not I don't know if this is,

596
00:29:10.480 --> 00:29:12.480
<v Speaker 1>but maybe that's what they were going for too. Sure

597
00:29:12.799 --> 00:29:16.680
<v Speaker 1>were you awake for the portion where they have the

598
00:29:16.480 --> 00:29:24.279
<v Speaker 1>the sort of like race bomb race car? Okay, if

599
00:29:24.319 --> 00:29:27.720
<v Speaker 1>it didn't detonate in the in the film, and I'm

600
00:29:27.720 --> 00:29:32.400
<v Speaker 1>not saying it didn't, I'm not saying it did. Who

601
00:29:32.480 --> 00:29:37.200
<v Speaker 1>was responsible for that? Oh? Yeah? Because he shot her

602
00:29:37.240 --> 00:29:41.160
<v Speaker 1>a look and she kind of gave it a look

603
00:29:41.200 --> 00:29:42.920
<v Speaker 1>back to him. And I was like, oh, are we

604
00:29:42.960 --> 00:29:50.119
<v Speaker 1>to understand that AI could control because the officer who

605
00:29:50.160 --> 00:29:54.480
<v Speaker 1>released the bomb the result of what happened on that

606
00:29:54.559 --> 00:29:56.160
<v Speaker 1>he seemed genuinely surprised.

607
00:29:56.839 --> 00:29:59.680
<v Speaker 2>Yes, I agree, And there were several moments in that

608
00:29:59.720 --> 00:30:02.839
<v Speaker 2>movie and I realized anybody in law enforcement will tell

609
00:30:02.880 --> 00:30:08.119
<v Speaker 2>you lie detector tests and those certain those certain measures

610
00:30:08.119 --> 00:30:11.480
<v Speaker 2>to determine guilt are not evidence of innocence or guilt.

611
00:30:11.839 --> 00:30:14.759
<v Speaker 2>But I oftentimes wonder, because any expert will tell you

612
00:30:14.799 --> 00:30:17.880
<v Speaker 2>when you're lying, your pupils will do a certain thing,

613
00:30:18.200 --> 00:30:21.279
<v Speaker 2>breathing goes a certain way, There's certain biomess.

614
00:30:20.960 --> 00:30:22.240
<v Speaker 1>Cover your mouth. That's another.

615
00:30:22.480 --> 00:30:25.200
<v Speaker 2>But even like there, there there's physical elements. I mean,

616
00:30:25.319 --> 00:30:28.039
<v Speaker 2>there's like there's elements that go.

617
00:30:28.000 --> 00:30:32.119
<v Speaker 1>With law that you literally cannot control. It's a subconscious thing.

618
00:30:32.880 --> 00:30:34.880
<v Speaker 2>And like if you didn't do it, if you woke

619
00:30:34.920 --> 00:30:37.079
<v Speaker 2>me up, you can tell when you're accusing me something

620
00:30:37.119 --> 00:30:39.279
<v Speaker 2>I didn't do versus something I did. I did do,

621
00:30:39.400 --> 00:30:41.119
<v Speaker 2>but I want you to believe that I didn't do.

622
00:30:41.440 --> 00:30:44.000
<v Speaker 2>You could tell the difference, And like that was what

623
00:30:44.079 --> 00:30:46.480
<v Speaker 2>was sticking out to me very similarly to what you're

624
00:30:46.519 --> 00:30:49.039
<v Speaker 2>talking about. There, there's a there's an element to it

625
00:30:49.039 --> 00:30:50.920
<v Speaker 2>that I feel like just kind of skips over. It's

626
00:30:50.920 --> 00:30:54.279
<v Speaker 2>like your nostrils flaring and like like those elements of

627
00:30:54.319 --> 00:30:56.079
<v Speaker 2>it that you can't at least as far as I'm

628
00:30:56.119 --> 00:30:59.240
<v Speaker 2>aware you you really can't control. And I'm interested why

629
00:30:59.279 --> 00:31:01.319
<v Speaker 2>they I mean, it's just you know, it's too much

630
00:31:01.359 --> 00:31:03.119
<v Speaker 2>to write her around at that point. But like I

631
00:31:03.240 --> 00:31:05.720
<v Speaker 2>was waiting for those metrics, Like as soon as I

632
00:31:05.799 --> 00:31:07.920
<v Speaker 2>woke up and you're tell me ninety seven point five

633
00:31:07.920 --> 00:31:09.960
<v Speaker 2>percent guilt I killed someone that I remember, I'd be.

634
00:31:09.920 --> 00:31:12.640
<v Speaker 1>Like, bullshit, yes, what are you talking about?

635
00:31:12.799 --> 00:31:16.279
<v Speaker 2>Like immediately you'd know, like Okay, this guy's defending himself

636
00:31:16.279 --> 00:31:18.920
<v Speaker 2>in a way that makes me think maybe we don't

637
00:31:18.960 --> 00:31:19.680
<v Speaker 2>have the right guy.

638
00:31:20.000 --> 00:31:23.559
<v Speaker 1>But but can Maddox, who is the judge, can she

639
00:31:23.720 --> 00:31:27.480
<v Speaker 1>make that call? Yeah, because she reiterated several times. All

640
00:31:27.519 --> 00:31:31.799
<v Speaker 1>she can go by is the facts, Yes, And while

641
00:31:32.559 --> 00:31:37.599
<v Speaker 1>nostrils being flared and pupils being dilated are usually a

642
00:31:37.680 --> 00:31:42.440
<v Speaker 1>pretty significant tell of whether a person's lying or not,

643
00:31:42.880 --> 00:31:46.440
<v Speaker 1>there could be other reasons why the nostrils flare or

644
00:31:46.519 --> 00:31:49.279
<v Speaker 1>whether the pupils dilate. Sure, So that's why I think

645
00:31:49.319 --> 00:31:51.920
<v Speaker 1>that that that that thing was built and we found

646
00:31:51.920 --> 00:31:56.359
<v Speaker 1>out it was not built with impeccable precision right throughout

647
00:31:56.359 --> 00:31:59.759
<v Speaker 1>the film. I think that's that that was never a

648
00:31:59.799 --> 00:32:02.279
<v Speaker 1>thing in there, So that that I don't know. That's

649
00:32:02.319 --> 00:32:04.880
<v Speaker 1>just kind of where I stand on on as far

650
00:32:04.960 --> 00:32:08.400
<v Speaker 1>as what you're just talking about, the actual human human

651
00:32:08.440 --> 00:32:12.440
<v Speaker 1>elements of it. There is a point probably well there's

652
00:32:12.480 --> 00:32:14.839
<v Speaker 1>one point specifically, but there's probably a couple of points

653
00:32:14.880 --> 00:32:18.920
<v Speaker 1>while he's quote unquote on trial where he seems resigned

654
00:32:19.039 --> 00:32:22.880
<v Speaker 1>to the fact of like, look, I got really blackout drunk.

655
00:32:23.680 --> 00:32:27.319
<v Speaker 1>I don't remember a lot of what happened. Maybe I

656
00:32:27.359 --> 00:32:27.880
<v Speaker 1>did do this.

657
00:32:28.160 --> 00:32:32.279
<v Speaker 2>You know, I tries to talk him out of which

658
00:32:32.279 --> 00:32:33.119
<v Speaker 2>I found that little.

659
00:32:33.240 --> 00:32:35.400
<v Speaker 1>Yeah, I thought that was weird too. That was weird.

660
00:32:35.440 --> 00:32:40.480
<v Speaker 1>That was very weird that like you're losing focus and

661
00:32:40.480 --> 00:32:44.039
<v Speaker 1>and uh, if you admit guilt, that this trial's over

662
00:32:44.079 --> 00:32:46.079
<v Speaker 1>and I kill you, you know, or you get killed.

663
00:32:46.079 --> 00:32:47.559
<v Speaker 1>I don't know if the AI actually does it, but

664
00:32:48.319 --> 00:32:50.599
<v Speaker 1>it was like that episode of you never watched King

665
00:32:50.599 --> 00:32:53.559
<v Speaker 1>of Queens, did you? Yeah? Okay, there's an episode where

666
00:32:53.599 --> 00:33:01.680
<v Speaker 1>Doug and Deacon and Carrie and Kelly and uh, Danny

667
00:33:01.720 --> 00:33:04.799
<v Speaker 1>the cousin. They're all at this wedding and Danny's getting

668
00:33:04.839 --> 00:33:07.640
<v Speaker 1>super drunk because the bride is a woman he used

669
00:33:07.640 --> 00:33:11.240
<v Speaker 1>to date, and Doug ends up taking one of those

670
00:33:11.279 --> 00:33:14.720
<v Speaker 1>disposable cameras in the bathroom and takes a picture of

671
00:33:14.720 --> 00:33:18.759
<v Speaker 1>his genitals. Yeah, and he blamed it. Gets he doesn't

672
00:33:18.759 --> 00:33:20.920
<v Speaker 1>blame it, but it gets blamed on Danny when these

673
00:33:21.039 --> 00:33:24.119
<v Speaker 1>these photos are revealed, and then he starts thinking, you

674
00:33:24.160 --> 00:33:27.039
<v Speaker 1>know what I mean, I was pretty drunk. Maybe I

675
00:33:27.079 --> 00:33:29.400
<v Speaker 1>did do it, you know, And and so like there's

676
00:33:29.440 --> 00:33:31.519
<v Speaker 1>that aspect of it, which is why I crept into

677
00:33:31.519 --> 00:33:35.839
<v Speaker 1>my mind, like maybe he actually did do it. And

678
00:33:35.839 --> 00:33:38.559
<v Speaker 1>and the story is going to go somewhere else with this,

679
00:33:38.599 --> 00:33:41.880
<v Speaker 1>which it spoiler free. Maybe it did, maybe it didn't.

680
00:33:42.839 --> 00:33:46.079
<v Speaker 2>This is a true to the life of Ben Kommono's story.

681
00:33:46.119 --> 00:33:47.920
<v Speaker 2>I had a buddy who lived in a house to

682
00:33:48.160 --> 00:33:50.640
<v Speaker 2>three doors down from me in the city. We go

683
00:33:50.720 --> 00:33:52.480
<v Speaker 2>out with a third friend of ours, and the guy

684
00:33:52.519 --> 00:33:56.160
<v Speaker 2>who owns the home gets absolutely obliterated, like, go to

685
00:33:56.200 --> 00:33:58.880
<v Speaker 2>the bathroom somewhere that isn't the bathroom in the house.

686
00:33:58.960 --> 00:34:01.839
<v Speaker 2>Kind of obliterated, and the two of us were still awake,

687
00:34:01.880 --> 00:34:03.880
<v Speaker 2>and we decided to prank him, and we went into

688
00:34:03.880 --> 00:34:06.759
<v Speaker 2>his living room and turned everything upside down, and then

689
00:34:06.799 --> 00:34:09.119
<v Speaker 2>the next morning we told him he did it, and

690
00:34:09.159 --> 00:34:11.840
<v Speaker 2>the rest, like to this day, if you met him,

691
00:34:11.880 --> 00:34:13.159
<v Speaker 2>he's still he would be.

692
00:34:13.840 --> 00:34:14.000
<v Speaker 1>Yeah.

693
00:34:14.079 --> 00:34:16.320
<v Speaker 2>One day I got so bombed that I turned all

694
00:34:16.360 --> 00:34:19.199
<v Speaker 2>the furniture in my apartment upside down for reasons that

695
00:34:19.239 --> 00:34:20.719
<v Speaker 2>I'll never fully comprehend.

696
00:34:20.960 --> 00:34:25.039
<v Speaker 1>And it's like, wow, No, absolutely not, And.

697
00:34:24.960 --> 00:34:28.840
<v Speaker 2>That happened in twenty eleven, and he still thinks that

698
00:34:28.920 --> 00:34:29.679
<v Speaker 2>it happened.

699
00:34:29.719 --> 00:34:31.800
<v Speaker 1>Are you ever going to talk me? No, absolutely not.

700
00:34:31.880 --> 00:34:32.119
<v Speaker 1>He does.

701
00:34:32.119 --> 00:34:33.440
<v Speaker 2>I don't know if he listens to this or not.

702
00:34:33.519 --> 00:34:35.320
<v Speaker 2>I hope he doesn't. But it was a very like.

703
00:34:35.360 --> 00:34:37.320
<v Speaker 2>He calls his girlfriend the next day. He's like, yeah,

704
00:34:37.360 --> 00:34:39.360
<v Speaker 2>I don't know what I was thinking. We're sitting there

705
00:34:39.400 --> 00:34:42.679
<v Speaker 2>and dying. We are absolutely holling. Yeah, and uh yeah,

706
00:34:42.719 --> 00:34:44.840
<v Speaker 2>you get that bombed. You Really you could be talked

707
00:34:44.880 --> 00:34:45.960
<v Speaker 2>into just about anything.

708
00:34:46.000 --> 00:34:49.480
<v Speaker 1>I think as far as uh, we won't, we won't

709
00:34:49.519 --> 00:34:53.760
<v Speaker 1>give it away. The perpetrator, who the ultimate villain was

710
00:34:53.800 --> 00:34:56.400
<v Speaker 1>in this movie? I thought it was obvious. Uh what?

711
00:34:56.559 --> 00:34:59.079
<v Speaker 1>I thought it was obvious? But go on, okay, hold on.

712
00:34:59.280 --> 00:35:02.000
<v Speaker 1>That's I was to ask you, did you ever think

713
00:35:02.159 --> 00:35:04.519
<v Speaker 1>it was anybody other than that person? Did you ever

714
00:35:04.559 --> 00:35:05.880
<v Speaker 1>have another guess? No?

715
00:35:06.039 --> 00:35:07.960
<v Speaker 2>And I have a reason why, But I feel like

716
00:35:08.000 --> 00:35:10.119
<v Speaker 2>if I give the reason, it kind of gives it away.

717
00:35:10.480 --> 00:35:13.880
<v Speaker 2>But it has nothing to do with the actual plot.

718
00:35:13.960 --> 00:35:16.400
<v Speaker 2>It just has to do with watching a billion movies

719
00:35:16.639 --> 00:35:18.239
<v Speaker 2>and it has nothing to do with the.

720
00:35:18.199 --> 00:35:21.559
<v Speaker 1>Actual with this with this particular actor. Nope, Okay no,

721
00:35:21.599 --> 00:35:23.239
<v Speaker 1>Because I think you can make the case that this

722
00:35:23.280 --> 00:35:26.719
<v Speaker 1>particular actor and the status of this actor's career, you

723
00:35:26.800 --> 00:35:30.199
<v Speaker 1>might be like, Okay, well there could be something here. Now.

724
00:35:30.679 --> 00:35:34.760
<v Speaker 2>I'm very big on the misdirection element of things, and

725
00:35:35.559 --> 00:35:38.800
<v Speaker 2>that's always my first go to move, is like when

726
00:35:38.800 --> 00:35:40.920
<v Speaker 2>you want me to think it's something and you give

727
00:35:40.960 --> 00:35:43.400
<v Speaker 2>me plenty of reason to think it's not something else,

728
00:35:43.440 --> 00:35:46.599
<v Speaker 2>I'm like, okay, well I'm starting there and working backwards. Yeah,

729
00:35:46.719 --> 00:35:48.800
<v Speaker 2>is kind of the way that I do these kind

730
00:35:48.880 --> 00:35:51.360
<v Speaker 2>of things. And so I feel like this was one

731
00:35:51.400 --> 00:35:52.480
<v Speaker 2>of those examples.

732
00:35:52.920 --> 00:35:57.920
<v Speaker 1>Did you Okay? Maybe this really irritated me. And I

733
00:35:57.920 --> 00:36:02.159
<v Speaker 1>mean somebody they have to have somebody fact check this

734
00:36:02.239 --> 00:36:04.719
<v Speaker 1>kind of stuff when they make these movies. So the

735
00:36:04.760 --> 00:36:10.119
<v Speaker 1>first criminal that gets put to death on the Mercy Program,

736
00:36:10.880 --> 00:36:14.119
<v Speaker 1>his name was David Webb, and they made a big

737
00:36:14.159 --> 00:36:17.960
<v Speaker 1>deal out of that, and not a big deal, but significant,

738
00:36:18.000 --> 00:36:20.480
<v Speaker 1>like bringing his name up or whatever. And I'm like,

739
00:36:20.559 --> 00:36:23.199
<v Speaker 1>I think that this is gonna be relevant to the plot.

740
00:36:23.480 --> 00:36:28.239
<v Speaker 1>You know, when they're talking the name David Webb, does

741
00:36:28.280 --> 00:36:30.199
<v Speaker 1>that ring any bells to you? Ben?

742
00:36:30.320 --> 00:36:31.320
<v Speaker 2>It doesn't.

743
00:36:31.960 --> 00:36:37.039
<v Speaker 1>David Webb was Jason Bourne's real name? Oh really? Yes?

744
00:36:37.840 --> 00:36:42.559
<v Speaker 1>And it's revealed in the Born Supremacy or whatever the

745
00:36:42.599 --> 00:36:45.039
<v Speaker 1>third one was, And it's revealed in that. So when

746
00:36:45.039 --> 00:36:48.719
<v Speaker 1>they say David Webb, I'm like, why do you pick

747
00:36:48.760 --> 00:36:51.199
<v Speaker 1>that name? Yeah? I mean this is not Born. I

748
00:36:51.199 --> 00:36:54.000
<v Speaker 1>mean the Boorne stuff is still less than twenty years old, right,

749
00:36:54.199 --> 00:36:56.920
<v Speaker 1>sure it was, like I mean, super rewatchable. I'm sure

750
00:36:56.920 --> 00:36:57.840
<v Speaker 1>a lot of people have seen those.

751
00:36:58.119 --> 00:37:00.119
<v Speaker 2>I didn't make that jump though. I feel like there,

752
00:37:00.280 --> 00:37:01.159
<v Speaker 2>I think maybe.

753
00:37:00.920 --> 00:37:04.400
<v Speaker 1>Those are those are higher in your in your Nobody

754
00:37:04.400 --> 00:37:08.239
<v Speaker 1>who's working on this movie reads the name David Webbing, like, hey,

755
00:37:08.239 --> 00:37:10.920
<v Speaker 1>can we pick a different name out? You know, it's

756
00:37:10.920 --> 00:37:12.280
<v Speaker 1>not like it was picked for a purpose.

757
00:37:12.480 --> 00:37:15.079
<v Speaker 2>Again, it sounds like a criminal's name, like like, oh,

758
00:37:15.119 --> 00:37:15.960
<v Speaker 2>it was David Webb.

759
00:37:16.639 --> 00:37:19.480
<v Speaker 1>Usually with a criminal you use the middle name too.

760
00:37:19.599 --> 00:37:22.679
<v Speaker 2>Sure, like that's assassin that that's that's what you get

761
00:37:22.679 --> 00:37:23.159
<v Speaker 2>the middle name.

762
00:37:23.280 --> 00:37:26.599
<v Speaker 1>Well not well maybe, but like I always remembered in

763
00:37:26.639 --> 00:37:31.000
<v Speaker 1>the first Fast and the Furious movie when uh who

764
00:37:31.079 --> 00:37:35.119
<v Speaker 1>Paul Walker gets beaten up by Vin Diesel's crew and

765
00:37:35.199 --> 00:37:37.360
<v Speaker 1>Dominic Turetto pulls out his ID and looks at it

766
00:37:37.360 --> 00:37:40.000
<v Speaker 1>and goes, Brian Earl Spilner, what are you a serial

767
00:37:40.079 --> 00:37:42.920
<v Speaker 1>killer or something? You know?

768
00:37:43.159 --> 00:37:45.239
<v Speaker 2>No, yeah, that's always that you get the third name

769
00:37:45.280 --> 00:37:46.360
<v Speaker 2>once you try, you know.

770
00:37:46.639 --> 00:37:49.719
<v Speaker 1>Yeah. What I loved about this and this is a

771
00:37:49.760 --> 00:37:52.679
<v Speaker 1>classic I mean kind of who done it? After the

772
00:37:52.679 --> 00:37:56.239
<v Speaker 1>fact that they've already charged somebody for it. So many twists,

773
00:37:56.239 --> 00:38:00.920
<v Speaker 1>so many turns and the reveal of it information. It

774
00:38:01.000 --> 00:38:04.239
<v Speaker 1>was super fast paced too, you know where I felt

775
00:38:04.239 --> 00:38:06.840
<v Speaker 1>like I wasn't my mind wasn't catching up with everything.

776
00:38:07.119 --> 00:38:10.559
<v Speaker 1>I would love to watch this, not not now, but

777
00:38:10.719 --> 00:38:13.679
<v Speaker 1>sometime in the future, like when it hits streaming or

778
00:38:13.800 --> 00:38:15.639
<v Speaker 1>if it's on tel. I would love to watch this

779
00:38:15.719 --> 00:38:18.480
<v Speaker 1>again because I feel like there is there's a good

780
00:38:18.480 --> 00:38:20.920
<v Speaker 1>amount of stuff I missed, you know, sure in this.

781
00:38:21.199 --> 00:38:23.320
<v Speaker 2>And I do want to be clear me falling asleep

782
00:38:23.360 --> 00:38:25.239
<v Speaker 2>is not an indictment like I've been going to bed

783
00:38:25.239 --> 00:38:28.480
<v Speaker 2>at five pm all week. I'm thirteen hours behind Wisconsin

784
00:38:28.559 --> 00:38:31.400
<v Speaker 2>time right now. It was a very quick paced movie,

785
00:38:31.400 --> 00:38:33.760
<v Speaker 2>and I was into elements of it, but it would

786
00:38:34.280 --> 00:38:37.239
<v Speaker 2>it would be lost if I didn't mention. I was

787
00:38:37.280 --> 00:38:41.280
<v Speaker 2>speaking our fellow coworker, Jason Slade, is a big movie

788
00:38:41.320 --> 00:38:44.119
<v Speaker 2>person and oftentimes gets down to for the Tuesday movies

789
00:38:44.159 --> 00:38:46.960
<v Speaker 2>as well. He caught Mercy last week, okay, and I

790
00:38:47.000 --> 00:38:48.679
<v Speaker 2>was asking him, was like, should be I'd be excited

791
00:38:48.679 --> 00:38:50.840
<v Speaker 2>about it? He said, I'm perfectly honest with you. I

792
00:38:50.960 --> 00:38:53.280
<v Speaker 2>nodded off for about ten or fifteen minutes in the

793
00:38:53.320 --> 00:38:55.159
<v Speaker 2>middle of that movie. I just I don't get it.

794
00:38:55.199 --> 00:38:57.840
<v Speaker 1>I like I'm a I'm a unicorn in this one.

795
00:38:58.280 --> 00:39:01.119
<v Speaker 1>I'm all alone on my own eyland. But like except

796
00:39:01.119 --> 00:39:02.880
<v Speaker 1>for all the except for all the audience score, the

797
00:39:03.159 --> 00:39:03.880
<v Speaker 1>popcorn score.

798
00:39:04.519 --> 00:39:06.440
<v Speaker 2>That's what I'm saying. I really don't want it to

799
00:39:06.480 --> 00:39:09.840
<v Speaker 2>sound like I wasn't into it or or that, like,

800
00:39:09.840 --> 00:39:11.960
<v Speaker 2>I don't even think it dragged really. I think I

801
00:39:12.039 --> 00:39:14.360
<v Speaker 2>was always like, Oh, I wonder what's gonna happen next,

802
00:39:14.400 --> 00:39:16.400
<v Speaker 2>Like I was into what was going on there.

803
00:39:16.480 --> 00:39:19.360
<v Speaker 1>It was anetic pace. They it was almost like they

804
00:39:19.480 --> 00:39:22.840
<v Speaker 1>call these screen life movies. Have you heard of this term? No,

805
00:39:23.440 --> 00:39:26.280
<v Speaker 1>Like where a movie is like basically taking place like

806
00:39:26.320 --> 00:39:30.280
<v Speaker 1>within the confines of one screen. Sure, similar like Unfriended.

807
00:39:30.480 --> 00:39:32.159
<v Speaker 1>I think that that there was another one too.

808
00:39:32.400 --> 00:39:34.719
<v Speaker 2>Even the War of the World's with ice Cube was.

809
00:39:34.719 --> 00:39:38.440
<v Speaker 1>That, yeah, exactly, And and so for a good portion

810
00:39:38.519 --> 00:39:42.679
<v Speaker 1>of this it was like a screen. You know, he

811
00:39:42.760 --> 00:39:44.519
<v Speaker 1>was constantly on it, basically was on a screen the

812
00:39:44.519 --> 00:39:48.119
<v Speaker 1>whole time. But because of the AI, he was like

813
00:39:48.239 --> 00:39:51.119
<v Speaker 1>in the middle of like the crying scene or something

814
00:39:51.159 --> 00:39:51.760
<v Speaker 1>you know going on.

815
00:39:51.880 --> 00:39:53.800
<v Speaker 2>It's like kind of like when Tony Star like is

816
00:39:53.840 --> 00:39:56.440
<v Speaker 2>living in his like he has the yeah, the stuff

817
00:39:56.480 --> 00:39:57.559
<v Speaker 2>going on all around him.

818
00:39:58.079 --> 00:39:59.639
<v Speaker 1>For his computer. Yeah, exactly.

819
00:39:59.719 --> 00:40:01.800
<v Speaker 2>Yeah, And for the record, I do love those kind

820
00:40:01.800 --> 00:40:04.119
<v Speaker 2>of movies even without the screens like phone Booth or

821
00:40:04.119 --> 00:40:06.400
<v Speaker 2>if you ever saw Buried with Ryan Reynolds, Like these

822
00:40:06.400 --> 00:40:09.360
<v Speaker 2>are good movies in the place, in one place.

823
00:40:09.119 --> 00:40:13.159
<v Speaker 1>So so buried, Like I can't I can't watch. I

824
00:40:13.239 --> 00:40:16.639
<v Speaker 1>mean like that, I'm I said I was. I flew

825
00:40:16.679 --> 00:40:19.239
<v Speaker 1>to Kentucky for the Super Bowl this past weekend and

826
00:40:19.360 --> 00:40:22.440
<v Speaker 1>my flight on Friday morning was delayed. We sat on

827
00:40:22.480 --> 00:40:26.880
<v Speaker 1>the runway for ninety minutes and I wasn't in first class.

828
00:40:26.920 --> 00:40:29.760
<v Speaker 1>I was in coach, and I didn't feel all that great.

829
00:40:29.800 --> 00:40:32.519
<v Speaker 1>It was super early in the morning. Normally I deal

830
00:40:32.559 --> 00:40:36.639
<v Speaker 1>well with okay, like I'll comfy, cozy. No, after a while,

831
00:40:36.679 --> 00:40:39.960
<v Speaker 1>I'm like this sucks, you know, like I gotta get

832
00:40:40.000 --> 00:40:44.039
<v Speaker 1>out of here. So the whole aspect of Buried to

833
00:40:44.159 --> 00:40:48.079
<v Speaker 1>me is like I can't that. That's too much, that's

834
00:40:48.119 --> 00:40:53.000
<v Speaker 1>too much stimulation. And the spoiler alert for Buried, the ending,

835
00:40:53.199 --> 00:40:57.960
<v Speaker 1>in my opinion, sucks fantastic. No, yeah, it is awful. Oh,

836
00:40:58.000 --> 00:40:58.800
<v Speaker 1>because yeah.

837
00:40:59.000 --> 00:41:01.519
<v Speaker 2>The whole thing's a meta four for living with anxiety,

838
00:41:01.559 --> 00:41:03.239
<v Speaker 2>which I which I you know, I deal with that.

839
00:41:03.400 --> 00:41:05.719
<v Speaker 2>I bite my nails. I'm a pretty anxious cat, okay,

840
00:41:05.719 --> 00:41:07.480
<v Speaker 2>And you watch that and like there's a lot of

841
00:41:07.480 --> 00:41:11.719
<v Speaker 2>elements of it where he like intentionally does they Like

842
00:41:11.760 --> 00:41:13.559
<v Speaker 2>they tell him early on in the movie, They're like,

843
00:41:13.599 --> 00:41:16.239
<v Speaker 2>make sure you close the screen on your phone to

844
00:41:16.320 --> 00:41:19.159
<v Speaker 2>conserve battery life for as long as possible. And then

845
00:41:19.239 --> 00:41:22.239
<v Speaker 2>like eventually, like forty minutes later, he's almost like intentionally

846
00:41:22.320 --> 00:41:25.360
<v Speaker 2>leaving the screen on and like the self defeatist attitude

847
00:41:25.400 --> 00:41:27.079
<v Speaker 2>that comes from it. I'm like, this is a deep

848
00:41:27.119 --> 00:41:29.480
<v Speaker 2>fucking movie for being a movie about a guy in

849
00:41:29.480 --> 00:41:32.840
<v Speaker 2>a coffin for ninety minutes. Yeah. I love that kind

850
00:41:32.880 --> 00:41:35.880
<v Speaker 2>of stuff. So movies like this oftentimes appeal to me.

851
00:41:35.960 --> 00:41:38.079
<v Speaker 2>I liked Phone Booth too. It's a stupid movie. I

852
00:41:38.119 --> 00:41:40.280
<v Speaker 2>love Phone Booth. Anytime Phone Booth is on, I watch

853
00:41:40.320 --> 00:41:43.320
<v Speaker 2>it calling Farrell Key for Sutherland Banger bang Man on

854
00:41:43.360 --> 00:41:44.280
<v Speaker 2>a Ledge Banger.

855
00:41:44.440 --> 00:41:46.119
<v Speaker 1>I love Man on a Ledge. That is great.

856
00:41:46.239 --> 00:41:48.800
<v Speaker 2>What's the one with George Clooney and Julie Roberts Money Monster,

857
00:41:48.880 --> 00:41:51.679
<v Speaker 2>Money Monster, Money Monster's pretty good? Yeah like that kind

858
00:41:51.719 --> 00:41:54.039
<v Speaker 2>of stuff. Yeah, I'm all about that. So this just

859
00:41:54.159 --> 00:41:56.480
<v Speaker 2>kind of is another one in that list of movies.

860
00:41:56.519 --> 00:41:59.519
<v Speaker 1>That's fine. But I the col claustrophobic aspect of burying

861
00:41:59.639 --> 00:42:02.480
<v Speaker 1>something can't. I can't. I don't believe to the end.

862
00:42:02.679 --> 00:42:04.599
<v Speaker 1>I don't want to spoil you. I had I had

863
00:42:04.639 --> 00:42:06.760
<v Speaker 1>to see it. I mean I can't. I was invest

864
00:42:07.039 --> 00:42:09.400
<v Speaker 1>dude most movies, even if I don't like him, Like,

865
00:42:09.480 --> 00:42:11.599
<v Speaker 1>I'm watching it all the way to the end. I

866
00:42:11.639 --> 00:42:13.639
<v Speaker 1>told you my mother does not watch a movie or

867
00:42:13.679 --> 00:42:15.960
<v Speaker 1>read a book unless she knows how it ends. I

868
00:42:16.000 --> 00:42:19.599
<v Speaker 1>can't even imagine how angry she would be if she

869
00:42:19.760 --> 00:42:22.320
<v Speaker 1>watched Barry, Just like if I like, hey, you're don't

870
00:42:22.440 --> 00:42:25.840
<v Speaker 1>like that, you're gonna like this movie? Watch Barry and

871
00:42:25.880 --> 00:42:28.400
<v Speaker 1>then it and then that that ending, and she'd be like,

872
00:42:28.840 --> 00:42:30.800
<v Speaker 1>she'd never talk she would not talk me for a month.

873
00:42:30.840 --> 00:42:34.880
<v Speaker 1>I guarantee you that. Okay, there was one other aspect

874
00:42:34.920 --> 00:42:36.599
<v Speaker 1>that wanted to bring up with this that didn't make

875
00:42:36.679 --> 00:42:38.880
<v Speaker 1>sense to me that I thought was kind of stupid.

876
00:42:40.079 --> 00:42:43.079
<v Speaker 1>Oh no, it didn't. It wasn't stupid. Were you surprised

877
00:42:43.119 --> 00:42:46.800
<v Speaker 1>every time he called somebody like there is always an answer.

878
00:42:47.880 --> 00:42:50.320
<v Speaker 1>I mean they're showing like the phone ringing when he's

879
00:42:50.360 --> 00:42:54.079
<v Speaker 1>calling his daughter, when he's calling Rob, when he's calling

880
00:42:54.599 --> 00:42:58.599
<v Speaker 1>his partner, they always picked up. People don't always pick up.

881
00:42:58.639 --> 00:43:00.559
<v Speaker 1>And I understand it's a movie, but especially in the

882
00:43:00.599 --> 00:43:02.599
<v Speaker 1>movie I was waiting for like even one time they

883
00:43:02.639 --> 00:43:05.960
<v Speaker 1>were like on his daughter's phone for forever. I'm like, oh,

884
00:43:05.960 --> 00:43:07.960
<v Speaker 1>she's not going to pick up, oh right, and then

885
00:43:08.000 --> 00:43:08.280
<v Speaker 1>she did.

886
00:43:08.440 --> 00:43:10.719
<v Speaker 2>One guy didn't pick up. He answers, He's like.

887
00:43:10.679 --> 00:43:14.960
<v Speaker 1>Oh, but but but no, everybody answered. There is not

888
00:43:15.079 --> 00:43:17.400
<v Speaker 1>like one call that went to boy SmaI. That's my point,

889
00:43:17.599 --> 00:43:19.920
<v Speaker 1>that's my yeah, okay, yeah, no, I can go with

890
00:43:20.000 --> 00:43:20.519
<v Speaker 1>your void is.

891
00:43:20.559 --> 00:43:22.360
<v Speaker 2>But yeah, I think it's just because you know, you

892
00:43:22.400 --> 00:43:25.280
<v Speaker 2>can't unless it were part of the plot, right that

893
00:43:25.360 --> 00:43:28.679
<v Speaker 2>you that information maybe was super pertinent and you had

894
00:43:28.679 --> 00:43:30.360
<v Speaker 2>to wait till later to get it. That would have

895
00:43:30.360 --> 00:43:32.159
<v Speaker 2>been the only reason for that to happen.

896
00:43:32.320 --> 00:43:35.079
<v Speaker 1>I know. The other dumb thing that I said, I said,

897
00:43:35.079 --> 00:43:40.000
<v Speaker 1>this is so stupid. There is a photo that is

898
00:43:40.000 --> 00:43:46.400
<v Speaker 1>is reference towards the end of a character in the story,

899
00:43:47.119 --> 00:43:51.159
<v Speaker 1>and Chris Pratt said, Hey, that's someone else's arm in

900
00:43:51.239 --> 00:43:54.719
<v Speaker 1>that photo with that person. We need do you know

901
00:43:54.719 --> 00:43:57.719
<v Speaker 1>what I'm talking about? Yeah, I think so we need

902
00:43:57.760 --> 00:44:00.480
<v Speaker 1>to find out who else is in that photo. And

903
00:44:00.559 --> 00:44:02.679
<v Speaker 1>I'm like, dude, I mean like, how many photos are

904
00:44:02.719 --> 00:44:06.159
<v Speaker 1>you in where where just there's like stuff gets cut

905
00:44:06.239 --> 00:44:09.079
<v Speaker 1>off or like it just could be some but somehow

906
00:44:09.159 --> 00:44:12.840
<v Speaker 1>this arm was gonna be the key to breaking this wide.

907
00:44:13.000 --> 00:44:15.519
<v Speaker 1>And then of course, because it's Ai, we can do

908
00:44:15.559 --> 00:44:21.039
<v Speaker 1>whatever we want. So AI locates who this person was

909
00:44:21.079 --> 00:44:24.440
<v Speaker 1>in this photo and found out who they were. Yeah,

910
00:44:24.480 --> 00:44:27.519
<v Speaker 1>so I'm I mean, it's a lot, It's it's a lot,

911
00:44:27.639 --> 00:44:29.159
<v Speaker 1>and this is this is one of the things. Like

912
00:44:29.239 --> 00:44:31.400
<v Speaker 1>I was telling Sturfry about this at work. I'm like,

913
00:44:31.480 --> 00:44:34.880
<v Speaker 1>I love this movie, but man, you gotta suspend disbelief

914
00:44:35.800 --> 00:44:39.239
<v Speaker 1>for for most of it because there was some hokey

915
00:44:39.760 --> 00:44:42.360
<v Speaker 1>ways to collect to connect dots in this.

916
00:44:42.800 --> 00:44:44.880
<v Speaker 2>Yeah, it was a very uh in my opinion, it

917
00:44:44.920 --> 00:44:46.880
<v Speaker 2>was like a low budget Minority Report.

918
00:44:47.000 --> 00:44:49.440
<v Speaker 1>But like, to me, oh my god, there's a there's

919
00:44:49.440 --> 00:44:52.159
<v Speaker 1>so many references to Minority Report in this movie on

920
00:44:52.199 --> 00:44:54.559
<v Speaker 1>the Internet right now, Like there's i think even on

921
00:44:54.599 --> 00:44:58.920
<v Speaker 1>the Wikipedia page there's a whole section about the comparisons

922
00:44:58.920 --> 00:45:01.159
<v Speaker 1>to Minority reput Yeah, because it's very, very similar.

923
00:45:01.280 --> 00:45:04.320
<v Speaker 2>Absolutely it had Minority Report. There's Judge Dread in this.

924
00:45:04.519 --> 00:45:07.519
<v Speaker 2>There's a handful of movies that I'm like, oh, yeah,

925
00:45:07.599 --> 00:45:10.199
<v Speaker 2>this seems like it took like the ideas of five movies,

926
00:45:10.239 --> 00:45:13.400
<v Speaker 2>merged them together in a unique way that I think

927
00:45:13.480 --> 00:45:15.000
<v Speaker 2>hit in a lot of ways. And I'll be honest,

928
00:45:15.079 --> 00:45:18.079
<v Speaker 2>just because I talk about surveillance so much on my

929
00:45:18.280 --> 00:45:21.000
<v Speaker 2>radio show, they're like a lot of it didn't feel

930
00:45:21.159 --> 00:45:23.400
<v Speaker 2>contrived to me that it was able to do it

931
00:45:23.440 --> 00:45:28.000
<v Speaker 2>because so much of our lives is recorded and available

932
00:45:28.280 --> 00:45:30.920
<v Speaker 2>and able to find. I've been watching there's this woman,

933
00:45:31.000 --> 00:45:33.320
<v Speaker 2>this Guthrie woman who's been kidnapped.

934
00:45:33.360 --> 00:45:35.679
<v Speaker 1>Right, Okay, now hold on before you get to this.

935
00:45:35.679 --> 00:45:38.840
<v Speaker 1>This is my insensitive Yeah, this is my insensitive comment

936
00:45:38.920 --> 00:45:41.760
<v Speaker 1>of So NBC had the Super Bowl, Yeah, and we're

937
00:45:41.760 --> 00:45:43.960
<v Speaker 1>watching towards the end, and I'm at this I'm at

938
00:45:43.960 --> 00:45:46.559
<v Speaker 1>this casino where we got this huge lounge rented out,

939
00:45:46.760 --> 00:45:49.519
<v Speaker 1>and I had a few bourbon Old Fashioners in me

940
00:45:49.639 --> 00:45:52.159
<v Speaker 1>or whatever, and I just kind of casually turned to

941
00:45:52.199 --> 00:45:57.559
<v Speaker 1>the people sitting around me. NBC postgame show, We've found

942
00:45:57.559 --> 00:46:01.400
<v Speaker 1>Savannah Guthrie's mother, like it's it's it would be the

943
00:46:01.519 --> 00:46:03.840
<v Speaker 1>all time and and we're and then we're gonna go

944
00:46:03.880 --> 00:46:06.199
<v Speaker 1>to the Olympics after that, you know what I mean.

945
00:46:06.920 --> 00:46:08.920
<v Speaker 1>And got a FEUs but a few people are.

946
00:46:08.760 --> 00:46:13.119
<v Speaker 2>Like maybe, but I say all that to say, this

947
00:46:13.280 --> 00:46:16.159
<v Speaker 2>morning there was a big break in the case. Was

948
00:46:16.159 --> 00:46:18.920
<v Speaker 2>a break some dude, one of the dudes involved, shows

949
00:46:18.960 --> 00:46:22.039
<v Speaker 2>up with a ski mask, shows up where in front

950
00:46:22.039 --> 00:46:23.239
<v Speaker 2>of the door today.

951
00:46:23.559 --> 00:46:25.960
<v Speaker 1>Yeah, he came back to the scene of the crime.

952
00:46:25.800 --> 00:46:28.719
<v Speaker 2>In the evening and he's so stupid, like he didn't

953
00:46:28.719 --> 00:46:30.960
<v Speaker 2>even account for there being a camera, and you see

954
00:46:31.039 --> 00:46:33.800
<v Speaker 2>him like trying to put shrubbery up in front once

955
00:46:33.840 --> 00:46:36.480
<v Speaker 2>he's been seen. And I've been watching interviews all morning

956
00:46:36.519 --> 00:46:39.840
<v Speaker 2>with with FBI people saying like, Okay, now that we've

957
00:46:39.880 --> 00:46:42.400
<v Speaker 2>seen he's wearing this brand of jacket, we're gonna look

958
00:46:42.440 --> 00:46:44.880
<v Speaker 2>around for this brand of jacket and where it's been bought,

959
00:46:44.960 --> 00:46:47.480
<v Speaker 2>and can we find that jacket without the mask. We're

960
00:46:47.519 --> 00:46:50.559
<v Speaker 2>gonna be monitoring his gait because he has this strange

961
00:46:50.639 --> 00:46:52.559
<v Speaker 2>hitch where he walks, and we're gonna see where we

962
00:46:52.599 --> 00:46:57.079
<v Speaker 2>can find that hitch in camp on the right. Now,

963
00:46:58.079 --> 00:46:59.639
<v Speaker 2>how do we know that this is a guy that

964
00:47:00.320 --> 00:47:02.360
<v Speaker 2>he's wearing a ski mask and he's like up in

965
00:47:02.400 --> 00:47:04.280
<v Speaker 2>the like like he walks up to it. You can

966
00:47:04.320 --> 00:47:07.400
<v Speaker 2>tell he's clearly like, oh shit, there's a camera right here.

967
00:47:07.480 --> 00:47:12.559
<v Speaker 1>That doesn't mean, he's was one of the kidnappers, Ben Ben.

968
00:47:12.880 --> 00:47:16.000
<v Speaker 1>There's a lot of weird old crazies in this world, okay, Finn.

969
00:47:16.280 --> 00:47:20.199
<v Speaker 1>The fact the fact that so number one, I alay said,

970
00:47:20.280 --> 00:47:22.440
<v Speaker 1>number one, number two, How do they not have people

971
00:47:22.480 --> 00:47:24.280
<v Speaker 1>watching this house like staking it out.

972
00:47:24.519 --> 00:47:26.599
<v Speaker 2>I don't get it either, man, But like, and you

973
00:47:26.639 --> 00:47:28.840
<v Speaker 2>may be right, Okay, I shouldn't jump to the conclusions. But

974
00:47:28.880 --> 00:47:31.840
<v Speaker 2>the fact is the way the FBI was listing the

975
00:47:31.880 --> 00:47:34.559
<v Speaker 2>litany of ways that like, you're able to find this

976
00:47:34.599 --> 00:47:38.320
<v Speaker 2>guy with no identifiable markers, no real like it's like

977
00:47:38.360 --> 00:47:40.599
<v Speaker 2>they saw a tattoo and they were like, we're gonna

978
00:47:40.719 --> 00:47:43.880
<v Speaker 2>like it's just all vague things that you're gonna use

979
00:47:44.000 --> 00:47:47.760
<v Speaker 2>other people's cameras, other receipts, other things like that in

980
00:47:47.840 --> 00:47:49.920
<v Speaker 2>order to find So the idea that you could see

981
00:47:49.920 --> 00:47:53.079
<v Speaker 2>the arm of a person and find someone, I'm like, well.

982
00:47:53.239 --> 00:47:56.039
<v Speaker 1>So so just just yeah, I know it was that

983
00:47:56.119 --> 00:47:57.519
<v Speaker 1>part of stupid I want to get back.

984
00:47:57.519 --> 00:48:00.360
<v Speaker 2>No I'm saying it's doable, Like I'm saying, I'm just like,

985
00:48:00.400 --> 00:48:00.840
<v Speaker 2>it's really not.

986
00:48:01.239 --> 00:48:03.880
<v Speaker 1>It wasn't even a current photo. It was a photo

987
00:48:03.920 --> 00:48:07.079
<v Speaker 1>from like thirty years ago. Dude, Like it's I mean,

988
00:48:07.440 --> 00:48:11.880
<v Speaker 1>how it's it was so ridiculous, I can't believe. All right,

989
00:48:11.920 --> 00:48:15.280
<v Speaker 1>so so so this guy just walks up to the

990
00:48:15.320 --> 00:48:19.000
<v Speaker 1>Guthrie mother's house. Yeah, front door, I think, so to

991
00:48:19.119 --> 00:48:19.400
<v Speaker 1>do what.

992
00:48:19.679 --> 00:48:22.199
<v Speaker 2>I don't know. Again, this was happening as I was

993
00:48:22.239 --> 00:48:23.280
<v Speaker 2>coming to work this morning.

994
00:48:23.320 --> 00:48:26.239
<v Speaker 1>This was like this totally this, this is just something

995
00:48:26.280 --> 00:48:28.360
<v Speaker 1>to throw throw them off the chase.

996
00:48:29.159 --> 00:48:31.519
<v Speaker 2>You see, everyone else is looking at it the other way.

997
00:48:31.559 --> 00:48:34.239
<v Speaker 2>I was watching FBI people say, you know, I thought

998
00:48:34.280 --> 00:48:36.559
<v Speaker 2>this was a pretty high end operation, and now I'm

999
00:48:36.599 --> 00:48:39.000
<v Speaker 2>starting to question what other mistakes they're making if they

1000
00:48:39.000 --> 00:48:40.920
<v Speaker 2>were this stupid, if this is.

1001
00:48:40.920 --> 00:48:42.880
<v Speaker 1>A high end if this is not a high end operation,

1002
00:48:43.039 --> 00:48:47.559
<v Speaker 1>this looks really poorly on the FBI, really poorly. This

1003
00:48:47.719 --> 00:48:49.760
<v Speaker 1>is a bunch of shlubs. Oh you haven't caught him yet.

1004
00:48:49.760 --> 00:48:52.880
<v Speaker 1>Ah No, they're really good. What you can't talk out

1005
00:48:52.920 --> 00:48:54.400
<v Speaker 1>of both sides of your mouth. That's a good point.

1006
00:48:54.440 --> 00:48:57.199
<v Speaker 1>Either they're really good or they're really or you're really stupid.

1007
00:48:57.440 --> 00:48:58.960
<v Speaker 1>That's that's It's one or the other.

1008
00:49:01.039 --> 00:49:05.480
<v Speaker 2>Nancy got three doorbell video shows person and mask and

1009
00:49:05.559 --> 00:49:08.519
<v Speaker 2>gloves outside of the home. And this was released like

1010
00:49:08.519 --> 00:49:09.760
<v Speaker 2>at three o'clock in the morning.

1011
00:49:09.840 --> 00:49:12.599
<v Speaker 1>Now, it was released, But do we know that this

1012
00:49:12.719 --> 00:49:16.480
<v Speaker 1>happened after? Like could this have happened before she was kidnapped?

1013
00:49:17.000 --> 00:49:20.440
<v Speaker 1>But I don't rotate it. Yeah, it doesn't matter, yea.

1014
00:49:20.599 --> 00:49:23.039
<v Speaker 1>So is it possible that this was recorded before she

1015
00:49:23.199 --> 00:49:24.920
<v Speaker 1>was taken and that they've just released it to the

1016
00:49:24.920 --> 00:49:25.400
<v Speaker 1>public now.

1017
00:49:25.440 --> 00:49:27.760
<v Speaker 2>It doesn't seem like it because it was accompanied with

1018
00:49:27.800 --> 00:49:30.039
<v Speaker 2>a whole bunch of breaking breaking.

1019
00:49:30.119 --> 00:49:32.039
<v Speaker 1>Right, because they just the FBI chose to.

1020
00:49:32.000 --> 00:49:34.960
<v Speaker 2>Release Okay, maybe maybe who knows.

1021
00:49:35.119 --> 00:49:38.400
<v Speaker 1>I don't That's That's what I'm Okay, Yeah, anyway, I

1022
00:49:38.400 --> 00:49:39.800
<v Speaker 1>don't know what we got on the.

1023
00:49:39.679 --> 00:49:42.719
<v Speaker 2>Because this was this was my proof that like a

1024
00:49:42.760 --> 00:49:46.320
<v Speaker 2>lot of the quote unquote contrivances of mercy maybe aren't

1025
00:49:46.320 --> 00:49:49.199
<v Speaker 2>as contrived as we think. Yeah, because like I was

1026
00:49:49.239 --> 00:49:52.119
<v Speaker 2>listening to them parsed through how they operate, and I'm like, man,

1027
00:49:52.360 --> 00:49:54.280
<v Speaker 2>I wouldn't have considered a lot of this stuff, right,

1028
00:49:55.360 --> 00:49:55.960
<v Speaker 2>But I mean, like.

1029
00:49:56.000 --> 00:50:00.760
<v Speaker 1>Chris Raven, like he he he like didn't even he

1030
00:50:00.800 --> 00:50:02.760
<v Speaker 1>didn't even hesitate. He's like, hey, there's somebody else in

1031
00:50:02.800 --> 00:50:04.880
<v Speaker 1>that photo that this is, you know, Like to me,

1032
00:50:04.960 --> 00:50:07.719
<v Speaker 1>it's just like, really, yeah, this is I don't know.

1033
00:50:08.480 --> 00:50:12.679
<v Speaker 1>It seemed again a little bit lazy. Okay, what else

1034
00:50:12.679 --> 00:50:15.280
<v Speaker 1>did I want to say about this? About the twists? Okay,

1035
00:50:15.480 --> 00:50:19.800
<v Speaker 1>so you know what the final twist was in that scene? Okay,

1036
00:50:19.800 --> 00:50:23.280
<v Speaker 1>did you see that coming? Now? See this? I kind

1037
00:50:23.360 --> 00:50:26.679
<v Speaker 1>of did not till the very yet, not not not

1038
00:50:26.719 --> 00:50:29.639
<v Speaker 1>to the very yet, because I did not suspect this person,

1039
00:50:30.159 --> 00:50:33.639
<v Speaker 1>that character to be in on it. But there was

1040
00:50:33.760 --> 00:50:39.920
<v Speaker 1>a part there was there was a portion where this

1041
00:50:40.119 --> 00:50:44.039
<v Speaker 1>character was trying to shoot somebody and I was I

1042
00:50:44.079 --> 00:50:48.360
<v Speaker 1>was like, why is that character so hell bent? And

1043
00:50:48.480 --> 00:50:52.559
<v Speaker 1>then there was another thing that happens where that character

1044
00:50:52.760 --> 00:50:57.039
<v Speaker 1>was the catalyst for somebody else potentially dying, right, And

1045
00:50:57.079 --> 00:51:00.000
<v Speaker 1>I'm like, okay, that's that's that. This is the same

1046
00:51:00.159 --> 00:51:03.360
<v Speaker 1>character that was And then at the very end, when

1047
00:51:03.400 --> 00:51:09.639
<v Speaker 1>that character is blatantly shooting an unarmed character, like yeah,

1048
00:51:09.719 --> 00:51:12.920
<v Speaker 1>I'm like, dude, this is I know exactly what's about

1049
00:51:12.920 --> 00:51:15.039
<v Speaker 1>to happen here. And and then it was and then

1050
00:51:15.039 --> 00:51:17.360
<v Speaker 1>it was revealed and and and it was fine. It

1051
00:51:17.400 --> 00:51:19.199
<v Speaker 1>was It was a cool twist at the yeah it was,

1052
00:51:19.280 --> 00:51:21.199
<v Speaker 1>but I did see, Like, but you did at what

1053
00:51:21.239 --> 00:51:24.199
<v Speaker 1>point did you realize what was going on? Then? I did?

1054
00:51:24.599 --> 00:51:27.679
<v Speaker 2>Oh? So the like the like the original twist dude,

1055
00:51:27.679 --> 00:51:28.760
<v Speaker 2>it was so early.

1056
00:51:28.519 --> 00:51:30.760
<v Speaker 1>On Again, I know that I know that I'm talking

1057
00:51:30.760 --> 00:51:31.599
<v Speaker 1>about the final one.

1058
00:51:31.599 --> 00:51:33.440
<v Speaker 2>I didn't see that like by like, oh.

1059
00:51:33.320 --> 00:51:35.599
<v Speaker 1>Because you had to read it. Yeah, so where you're

1060
00:51:35.679 --> 00:51:36.719
<v Speaker 1>where you're read it and you're like.

1061
00:51:36.920 --> 00:51:42.000
<v Speaker 2>Huh, yeah, it came out of nowhere. But yeah, and

1062
00:51:42.039 --> 00:51:45.639
<v Speaker 2>again I can't stress enough. It's not because I like

1063
00:51:45.679 --> 00:51:48.920
<v Speaker 2>the movie is entertaining enough to maintain your interest to

1064
00:51:49.000 --> 00:51:49.320
<v Speaker 2>the end.

1065
00:51:49.400 --> 00:51:54.000
<v Speaker 1>Yes, yeah, unless you're thirteen hours behind. Yes. Yeah.

1066
00:51:54.119 --> 00:51:58.280
<v Speaker 2>So for the record, I left the theater. I drove

1067
00:51:58.360 --> 00:52:01.159
<v Speaker 2>the ten minutes back to my apartment, and I immediately

1068
00:52:01.199 --> 00:52:03.079
<v Speaker 2>fell back asleep until the following morning.

1069
00:52:03.320 --> 00:52:05.000
<v Speaker 1>Like it's not even like I would have gone on

1070
00:52:05.079 --> 00:52:06.480
<v Speaker 1>I would have gone I would have not left that

1071
00:52:06.519 --> 00:52:10.159
<v Speaker 1>theater until I went on the internet to find out

1072
00:52:10.159 --> 00:52:12.360
<v Speaker 1>what happened, and then went on the internet to see

1073
00:52:12.360 --> 00:52:13.679
<v Speaker 1>if there's a post credits.

1074
00:52:13.440 --> 00:52:15.440
<v Speaker 2>Yeah you know, yeah, let's uh because I feel like

1075
00:52:15.480 --> 00:52:17.800
<v Speaker 2>we're rapping soon. But I do want to see because

1076
00:52:17.800 --> 00:52:18.519
<v Speaker 2>you had some fun.

1077
00:52:18.519 --> 00:52:20.760
<v Speaker 1>Okay, just real quick, just real quick. I want to

1078
00:52:20.960 --> 00:52:22.960
<v Speaker 1>get to those reviews. Yes, I do want to do Okay,

1079
00:52:23.079 --> 00:52:27.360
<v Speaker 1>so with all those other movies you mentioned, Money, Monster,

1080
00:52:27.480 --> 00:52:29.679
<v Speaker 1>manon a Ledge. Yeah, but I feel like this is

1081
00:52:29.679 --> 00:52:31.400
<v Speaker 1>going to fall right in with those I agree.

1082
00:52:31.679 --> 00:52:33.800
<v Speaker 2>I agree that that's what I'm saying. I like these

1083
00:52:33.880 --> 00:52:37.519
<v Speaker 2>kind of movies. So like, again, I don't Jason Slade

1084
00:52:37.559 --> 00:52:40.000
<v Speaker 2>Falling Asleep. I can't comment one way or the other.

1085
00:52:39.840 --> 00:52:41.800
<v Speaker 1>But I don't know enough about his movie taste.

1086
00:52:41.920 --> 00:52:45.360
<v Speaker 2>Yeah, so okay, me falling asleep was completely a matter

1087
00:52:45.400 --> 00:52:48.920
<v Speaker 2>of circumstance and not. And again, I normally catch these

1088
00:52:48.960 --> 00:52:51.679
<v Speaker 2>things at like one o'clock in the afternoon, but this

1089
00:52:51.719 --> 00:52:54.199
<v Speaker 2>didn't have a lot of theaters, so I wasn't there

1090
00:52:54.360 --> 00:52:58.199
<v Speaker 2>until five o'clock, which to me, five o'clock this time

1091
00:52:58.320 --> 00:53:01.960
<v Speaker 2>is four in the morning in Bangkok time. So I'm

1092
00:53:02.079 --> 00:53:04.960
<v Speaker 2>just like, all right, I'm freaking tired at this point.

1093
00:53:05.000 --> 00:53:08.639
<v Speaker 1>It's so critical response. I want to review. To read

1094
00:53:08.639 --> 00:53:13.079
<v Speaker 1>a few of these reviews websites consensus for Rotten Tomatoes,

1095
00:53:13.840 --> 00:53:17.320
<v Speaker 1>constricting its two stars inside an airless presentation of a

1096
00:53:17.360 --> 00:53:21.480
<v Speaker 1>clunky techno thriller premise Mercy is tedious enough to make

1097
00:53:21.519 --> 00:53:26.159
<v Speaker 1>you cry. Uncle, what I did not get that at all? Yeah, okay,

1098
00:53:26.280 --> 00:53:34.440
<v Speaker 1>now hold on, now hold on, there's more. Um Okay,

1099
00:53:34.480 --> 00:53:40.400
<v Speaker 1>it's not like this is radhean Simone Palai from Globe

1100
00:53:40.400 --> 00:53:43.280
<v Speaker 1>and Mail. It's not like the premise isn't intriguing, It's

1101
00:53:43.320 --> 00:53:46.840
<v Speaker 1>just that the result is the kind of soulless response

1102
00:53:46.920 --> 00:53:50.000
<v Speaker 1>you'd expect from AI. Should it be prompted to make

1103
00:53:50.079 --> 00:53:53.480
<v Speaker 1>a screen live version of Minority Report with some elements

1104
00:53:53.519 --> 00:53:55.639
<v Speaker 1>from Speed. The Speed was another one that we didn't

1105
00:53:55.639 --> 00:53:57.039
<v Speaker 1>bring up. There's I think there's a lot of aspects

1106
00:53:57.039 --> 00:54:01.079
<v Speaker 1>of them that was not accurate. Soulless soulis come on.

1107
00:54:01.159 --> 00:54:04.079
<v Speaker 2>No, so, I will say. And it kind of ties

1108
00:54:04.119 --> 00:54:07.559
<v Speaker 2>into if you are a fan of movies for the art.

1109
00:54:07.719 --> 00:54:09.960
<v Speaker 2>As I mentioned, Chris Pratt is not an artist. He

1110
00:54:10.039 --> 00:54:13.199
<v Speaker 2>is just a charismatic, handsome dude that is fun to

1111
00:54:13.239 --> 00:54:16.679
<v Speaker 2>watch lead Amoss and if that's not your cup of tea,

1112
00:54:16.800 --> 00:54:19.760
<v Speaker 2>Like I watched Mickey seventeen and that's starring Robert Pattinson

1113
00:54:19.800 --> 00:54:24.719
<v Speaker 2>who also played Batman. He completely disappears in Mickey soon

1114
00:54:24.920 --> 00:54:26.920
<v Speaker 2>really like he does it in a way that I'm like,

1115
00:54:27.039 --> 00:54:28.599
<v Speaker 2>holy crap, how is he talking?

1116
00:54:28.800 --> 00:54:32.760
<v Speaker 1>Like cloning is a cloning movie? Or what's what's the yeah,

1117
00:54:32.800 --> 00:54:33.440
<v Speaker 1>I heard of it.

1118
00:54:33.519 --> 00:54:37.039
<v Speaker 2>He's essentially referred to as an expendable and he to

1119
00:54:37.280 --> 00:54:39.480
<v Speaker 2>escape a debt that he owes the mob. He goes

1120
00:54:39.519 --> 00:54:42.639
<v Speaker 2>into a space colony and signs up to essentially die

1121
00:54:42.800 --> 00:54:45.960
<v Speaker 2>over and over again to test diseases. And they download

1122
00:54:46.000 --> 00:54:50.400
<v Speaker 2>your memories and thoughts to a database. And every time

1123
00:54:50.440 --> 00:54:53.119
<v Speaker 2>he's Mickey seventeen because he died, they like expose him

1124
00:54:53.119 --> 00:54:55.559
<v Speaker 2>the radiation just so as he's dying, he can talk

1125
00:54:55.599 --> 00:54:58.760
<v Speaker 2>about when he loses his vision, when his skin burns,

1126
00:54:59.000 --> 00:55:00.960
<v Speaker 2>and they do all these off things and you die,

1127
00:55:00.960 --> 00:55:04.480
<v Speaker 2>and Mickey seventeen kind of escapes that death. And it's

1128
00:55:04.519 --> 00:55:07.400
<v Speaker 2>where I'm we messed up, because I remember you proposed

1129
00:55:07.400 --> 00:55:08.840
<v Speaker 2>watching him No, no, no, I.

1130
00:55:09.119 --> 00:55:13.960
<v Speaker 1>I proposed watching Mickey Supreme. Yeah with Timothy Shallice.

1131
00:55:14.039 --> 00:55:16.599
<v Speaker 2>Okay, Mickey seventeen, which I think is done by the

1132
00:55:16.639 --> 00:55:20.639
<v Speaker 2>same guy that did Parasite. It's either Parasite or snow Piercer.

1133
00:55:20.719 --> 00:55:24.800
<v Speaker 2>Either way, I like those movies. Oh my god, Sleeper

1134
00:55:24.840 --> 00:55:27.719
<v Speaker 2>HiT's available on Hulu or HBO. Can't recommend it enough

1135
00:55:27.719 --> 00:55:30.519
<v Speaker 2>if you guys have those streaming service. Yes, but but

1136
00:55:30.599 --> 00:55:34.519
<v Speaker 2>yet I go back to my main point to these guys.

1137
00:55:34.519 --> 00:55:36.159
<v Speaker 2>When they call it soulis, when they call it a

1138
00:55:36.159 --> 00:55:38.159
<v Speaker 2>cash grab, I do get like from a from an

1139
00:55:38.199 --> 00:55:42.199
<v Speaker 2>acting perspective, I think, Chris, there are.

1140
00:55:42.079 --> 00:55:44.360
<v Speaker 1>Some empty calories. Yeah, for sure. All right. The last

1141
00:55:44.400 --> 00:55:46.960
<v Speaker 1>review I want to read Peter Howell from the Toronto Star.

1142
00:55:48.119 --> 00:55:50.599
<v Speaker 1>He does he's a movie critic there. He gives it

1143
00:55:50.719 --> 00:55:53.599
<v Speaker 1>a four star rating, you know, one two. He gives

1144
00:55:53.639 --> 00:55:57.559
<v Speaker 1>this one. You guessed it zero stars. Wow. Here's the quote.

1145
00:55:58.519 --> 00:56:02.360
<v Speaker 1>Lazily written, chaos, directed and played out with all the

1146
00:56:02.519 --> 00:56:07.519
<v Speaker 1>zest of a convenience store security video. It lacks not

1147
00:56:07.599 --> 00:56:12.079
<v Speaker 1>only vision and purpose, but the faintest hint of entertainment.

1148
00:56:12.280 --> 00:56:13.639
<v Speaker 2>Oh come on now, listen.

1149
00:56:14.000 --> 00:56:16.119
<v Speaker 1>You want to talk about how it was directed, you

1150
00:56:16.119 --> 00:56:18.360
<v Speaker 1>want to talk about how it was written. It's fine.

1151
00:56:18.800 --> 00:56:23.000
<v Speaker 1>Don't tell me, Peter Howell that you were not entertained

1152
00:56:23.079 --> 00:56:27.000
<v Speaker 1>at least a hint where you were entertained in this movie.

1153
00:56:27.599 --> 00:56:30.280
<v Speaker 2>I will say, I like, I think you had the

1154
00:56:30.280 --> 00:56:34.440
<v Speaker 2>perfect description. If it were Saturday afternoon, a lazy Saturday

1155
00:56:34.480 --> 00:56:37.039
<v Speaker 2>at one pm and Mercy came on, I'd probably watch

1156
00:56:37.119 --> 00:56:38.760
<v Speaker 2>it every time it's on, you know what I mean,

1157
00:56:38.800 --> 00:56:41.119
<v Speaker 2>I'd be like, yeah, yeah, what the hell, this is fine,

1158
00:56:41.159 --> 00:56:43.280
<v Speaker 2>this is fine to put on in the background. Maybe

1159
00:56:43.320 --> 00:56:45.840
<v Speaker 2>catch the last twenty minutes so I can, you know, tell.

1160
00:56:45.679 --> 00:56:46.559
<v Speaker 1>Them actually watch it?

1161
00:56:46.760 --> 00:56:50.519
<v Speaker 2>Sure, yeah, exactly, but the idea there's no entertainment, you're

1162
00:56:50.599 --> 00:56:51.679
<v Speaker 2>just kind of being difficult.

1163
00:56:51.760 --> 00:56:54.239
<v Speaker 1>This is entertaining. I liked it a lot, Yeah, a lot.

1164
00:56:54.559 --> 00:56:56.440
<v Speaker 2>Yeah, I'm in the I'm in the six to six

1165
00:56:56.480 --> 00:56:57.360
<v Speaker 2>point five range.

1166
00:56:57.800 --> 00:57:01.519
<v Speaker 1>One. I was thinking about this back and forth on

1167
00:57:01.559 --> 00:57:03.880
<v Speaker 1>my way over here. I'd made up my mind I

1168
00:57:03.920 --> 00:57:05.119
<v Speaker 1>was going to give it an eight and a half,

1169
00:57:05.639 --> 00:57:08.239
<v Speaker 1>and then I still, you know, with with some of

1170
00:57:08.280 --> 00:57:10.880
<v Speaker 1>the plot points and the hole not the plot points,

1171
00:57:10.880 --> 00:57:14.840
<v Speaker 1>but the holes and some of the again, kind of

1172
00:57:15.679 --> 00:57:19.639
<v Speaker 1>lazy is the wrong term, sloppy writing connecting some of

1173
00:57:19.639 --> 00:57:21.079
<v Speaker 1>these things. I'm like, I can't really give it an

1174
00:57:21.119 --> 00:57:22.320
<v Speaker 1>eight and a half, but I will give it an

1175
00:57:22.320 --> 00:57:24.920
<v Speaker 1>eight because again I brought this up at the top

1176
00:57:24.920 --> 00:57:27.599
<v Speaker 1>of the podcast. I saw this late on a Tuesday

1177
00:57:27.639 --> 00:57:29.800
<v Speaker 1>night when I was tired. This is these are the

1178
00:57:29.880 --> 00:57:33.679
<v Speaker 1>kinds of movies I usually doze off. Never was even

1179
00:57:33.760 --> 00:57:36.840
<v Speaker 1>close Yeah to close me, I was. I was literally

1180
00:57:37.159 --> 00:57:41.039
<v Speaker 1>I was on the edge of my seat, literally like

1181
00:57:41.159 --> 00:57:43.639
<v Speaker 1>for for the last forty minutes of this, for sure,

1182
00:57:43.800 --> 00:57:46.880
<v Speaker 1>and I was definitely entertained by It's not gonna win

1183
00:57:46.920 --> 00:57:49.320
<v Speaker 1>any Oscars. You're gonna see a lot better directing and

1184
00:57:49.360 --> 00:57:54.159
<v Speaker 1>acting performances in other movies. The storyline was cool, right,

1185
00:57:54.239 --> 00:57:55.800
<v Speaker 1>it was timely, it was.

1186
00:57:55.760 --> 00:57:58.320
<v Speaker 2>Fun, and yeah that's just it, dude. And at the

1187
00:57:58.400 --> 00:58:01.000
<v Speaker 2>end of the day, that's what it's about, right, Like.

1188
00:58:01.519 --> 00:58:04.400
<v Speaker 1>We're going there to escape our own lives, right for

1189
00:58:04.440 --> 00:58:07.000
<v Speaker 1>an hour forty five or whatever. And I did it

1190
00:58:07.039 --> 00:58:07.840
<v Speaker 1>was great. Yeah.

1191
00:58:07.960 --> 00:58:10.079
<v Speaker 2>I thought it was very captivating as well. It was

1192
00:58:10.119 --> 00:58:14.000
<v Speaker 2>an enjoyable experience. And I'm glad because after Jason's comments

1193
00:58:14.039 --> 00:58:15.960
<v Speaker 2>on it, I was getting ready to text you because

1194
00:58:15.960 --> 00:58:17.639
<v Speaker 2>our movie next week, Send Help.

1195
00:58:17.760 --> 00:58:19.280
<v Speaker 1>Oh, I was gonna ask you if we're gonna do that. Yeah,

1196
00:58:19.440 --> 00:58:19.840
<v Speaker 1>that's fine.

1197
00:58:19.840 --> 00:58:24.119
<v Speaker 2>It's currently the highest rated movie of twenty twenty six, really,

1198
00:58:24.639 --> 00:58:26.679
<v Speaker 2>and I was like, maybe I should just tell Balkey

1199
00:58:26.679 --> 00:58:28.280
<v Speaker 2>to skip this one. And I'm glad I didn't.

1200
00:58:28.440 --> 00:58:33.880
<v Speaker 1>Mercy actually was the movie that dethroned Avatar finally, because

1201
00:58:33.920 --> 00:58:37.639
<v Speaker 1>Avatar was number one in the box office. But yeah,

1202
00:58:37.679 --> 00:58:39.280
<v Speaker 1>Send Help, I think is gonna be a lot of fun.

1203
00:58:39.440 --> 00:58:41.519
<v Speaker 2>Yeah, yeah, Send Help. Looks like it's going to go

1204
00:58:41.599 --> 00:58:44.039
<v Speaker 2>to Sam Raimi's first R rated movie I think in

1205
00:58:44.079 --> 00:58:45.920
<v Speaker 2>twenty seven years, which.

1206
00:58:45.840 --> 00:58:49.079
<v Speaker 1>Uh, okay, that's a long time. So this is maybe

1207
00:58:49.119 --> 00:58:50.800
<v Speaker 1>I didn't know this until I read it, and I

1208
00:58:50.840 --> 00:58:54.079
<v Speaker 1>think it's it's it's not spoiling anything, but it's cool

1209
00:58:54.119 --> 00:58:56.840
<v Speaker 1>to know this going in. Yeah, you know the premise

1210
00:58:56.840 --> 00:59:00.440
<v Speaker 1>of the movie. Okay, Rachel mcadam's character, I guess and

1211
00:59:00.480 --> 00:59:03.159
<v Speaker 1>maybe already know this, but her character in this movie

1212
00:59:03.440 --> 00:59:06.599
<v Speaker 1>is kind of like this mild mannered timid. She is

1213
00:59:06.639 --> 00:59:11.360
<v Speaker 1>a huge, massive super fan of the show Survivor.

1214
00:59:11.599 --> 00:59:17.039
<v Speaker 2>Okay, Okay, the character, the character, the character, it's a huge.

1215
00:59:17.119 --> 00:59:19.480
<v Speaker 1>And then you see what happens, right, and she's with

1216
00:59:19.519 --> 00:59:22.360
<v Speaker 1>this guy her Ba, Oh my god. And then and

1217
00:59:22.360 --> 00:59:26.079
<v Speaker 1>then you just like you just mentioned r rated. Absolutely

1218
00:59:26.119 --> 00:59:28.239
<v Speaker 1>there's gonna be so much cool stuff that happens in that.

1219
00:59:28.360 --> 00:59:30.880
<v Speaker 2>Although I will say Drag Me to Hell is probably

1220
00:59:30.960 --> 00:59:33.880
<v Speaker 2>the grossest PG thirteen movie I've ever seen in real life,

1221
00:59:33.880 --> 00:59:36.440
<v Speaker 2>so I would probably like that probably should have been our.

1222
00:59:36.880 --> 00:59:40.119
<v Speaker 2>But Sam Raimi, he's my He's one of my goats.

1223
00:59:40.159 --> 00:59:42.519
<v Speaker 2>I freaking love him as a director. I think he's

1224
00:59:42.639 --> 00:59:44.760
<v Speaker 2>very unique in how he does things, and I'm very

1225
00:59:44.760 --> 00:59:47.199
<v Speaker 2>excited to see I have high hopes for this one,

1226
00:59:47.239 --> 00:59:48.679
<v Speaker 2>and I hope I'm not disappointed.

1227
00:59:48.760 --> 00:59:50.239
<v Speaker 1>I hope I'm not either, But I mean, I can't

1228
00:59:50.280 --> 00:59:52.400
<v Speaker 1>I mean, did you look at the tomatoes on this Nope?

1229
00:59:52.800 --> 00:59:54.599
<v Speaker 1>I I And you said, what did you say about

1230
00:59:54.599 --> 00:59:54.880
<v Speaker 1>this film?

1231
00:59:54.960 --> 00:59:57.679
<v Speaker 2>That it was the highest rated film of twenty twenty

1232
00:59:57.719 --> 00:59:59.719
<v Speaker 2>six from from What's going on?

1233
00:59:59.760 --> 01:00:03.519
<v Speaker 1>So I really don't think that we're gonna dislike this movie.

1234
01:00:03.639 --> 01:00:06.320
<v Speaker 2>Yeah, yeah, all right, Well we'll see what happens there.

1235
01:00:06.559 --> 01:00:08.840
<v Speaker 2>Mercy though, check it out. I think it was worth checking,

1236
01:00:08.960 --> 01:00:11.440
<v Speaker 2>definitely for sure. And we'll talk to you guys next

1237
01:00:11.480 --> 01:00:11.800
<v Speaker 2>week
