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Speaker 1: Sit in her hair in this chair thing again, wand

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the wear hair, this.

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Speaker 2: World school socks of wool, horror.

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Speaker 3: All low around, watch these buildings, Grumbo to go Graha.

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Speaker 4: Sippy bo.

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Speaker 5: These change and told.

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Speaker 1: Them months and not them all.

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Speaker 2: This change Wady.

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Speaker 5: Rain way way.

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Speaker 4: Why you see this?

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Speaker 6: Hey spread into the crowd affording boots.

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Speaker 2: Are alo.

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Speaker 3: Two parties say at designed to devine friends and family

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for she on shilly.

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Speaker 4: Change the change.

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Speaker 5: When whenning, when wearing.

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Speaker 7: Ballaticians pulling all those strings.

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Speaker 8: We'll just bom it in this bullet go wry, lead

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with your hall heart loves where it all big gains.

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Speaker 9: Let's stand together.

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Speaker 10: And learn to love.

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Speaker 7: Fuck.

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Speaker 11: That is a very very cool song. Everybody's changing. And

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let me get that mic up and I'm going to

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ask I'm going to ask him to so I don't

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screw up his last name. Welcome, How do you Okay?

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Go ahead and introduce yourself, Sarah. Let me get these

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make sure this mike is working here. Go ahead and

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introduce yourself.

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Speaker 12: My name is Stephen de Keure. Stephen de Keure local

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musician from Nashville, New Hampshire. I played full time all

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around New Hampshire in the Massachusetts area. Tonight, I'll be

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in a York, Maine, York beach playing from seven to

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ten pm. Okay to the show.

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Speaker 11: Very cool, very cool. Yeah, so Stephen de Ure, Yes,

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that's what I said. Okay, very good, very good, because

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you're I'm curious if your name ever gets messed up

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on a poster.

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Speaker 12: Gets messed up all the time, all the time.

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Speaker 11: Yes that I'm gonna get this camera on you here

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so people can see who are watching online if you

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are just joining us. Matt Connorton Unleashed. We have entered

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our number two New Marrow dose here on this Saturday morning,

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and Stephen de Keure is with us, and he brought

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his guitar. He's gonna play. He's gonna play for us

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in just a moment. But I love that song. So

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where was that recorded? Where did you do that?

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Speaker 12: So I've been recording with Charlie Brusso over at Woodshot

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Productions in Atkinson, New Hampshire.

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Speaker 11: Okay.

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Speaker 12: He's worked with like God, Smack and run DMC over

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the years, some pretty prominent names. Yeah, he's good friends

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of mine and a few of my other friends. So

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I've been working with him and I've been working on

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this EP coming out now on almost two years now,

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I've been working on it.

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Speaker 11: Oh wow, yep? Now, how did you? How did you

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come to work with him? Because obviously you know he's

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worked with some heavy hitters. How did that come about?

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Speaker 13: So?

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Speaker 12: Just mutual friends of my mom and dads and friend

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music friends of ours that I've known throughout the years,

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you know, put me in touch with him, and I've

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been working with him ever since.

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Speaker 11: How many are you putting out an EP or how many?

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Speaker 12: Just an EP? It's my very first EP, so it'll

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be six songs. Oh wow, song EP.

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Speaker 11: Very cool, congratulations on that.

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Speaker 14: Who else is on?

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Speaker 11: Who else is working?

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Speaker 6: Like?

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Speaker 11: Is it all just you?

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Speaker 12: It's mostly just me. I have obviously Charlie producing it.

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He's putting most of it together for me. But I

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also have Jeff McGinnis. He's one of my lead guitarists

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on the on the track on the album as well.

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He was guitarists on Everybody's Changing as well. Oh okay,

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and he's super super talented, super super talented guy, really nice.

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He actually owns the Mojo's music.

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Speaker 11: Oh yeah, ye oh, very cool.

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Speaker 12: Yeah, So that's what I'm working with on on that

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and getting some other people in for bass and things

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like that, and usually I just do it myself though.

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Speaker 11: Yeah, well, do you want to play something for us?

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You got your guitar, Let me turn that, turn that guitar,

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Apierroy've got the right. Oh that sounds nice. That sounds

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nice in the headphones.

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Speaker 12: Yeah, all right. This one's called quiet moments. This is

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an original, right, quiet.

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Speaker 7: Moments, all the long hours Friday, my pin money Lord.

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Speaker 14: Fill these patures.

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Speaker 15: And the story, arrange them your home way, sing them

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for me.

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Speaker 2: Looking at my.

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Speaker 15: Windows, the sun creets the day, birds.

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Speaker 9: Of singing clean tree zoo tree.

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Speaker 7: Writing songs come suweesally.

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Speaker 12: Surrounded by me.

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Speaker 16: Ches beudy, play the skits.

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Speaker 17: Are day and tuna high, create the fire.

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Speaker 10: Hi, I know you like.

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Speaker 7: Fill these pages, charms the or hories, arrange them your

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home way.

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Speaker 18: Sing for me.

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Speaker 7: Looking at my window is the clouds over the day

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window is boring meaning song its way. Writing songs come

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sueezsony surrounded by mechs beudy, quiet moments.

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Speaker 2: All along.

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Speaker 17: House is sampty.

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Speaker 15: No once.

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Speaker 14: Fill these pages.

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Speaker 7: Flownly stor homies, range them your hollway.

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Speaker 18: Sing for me.

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Speaker 12: Quite a moment's a little rough, but you know, a

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little rough.

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Speaker 11: That was beautiful. That was beautiful. Welcome everybody, if you

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are just joining us. We have Stephen Deakiri here with us,

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alive in studio, and that's that sounded fantastic.

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Speaker 12: Thank you.

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Speaker 11: How long have you been? How long have you been

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doing that? So have you been?

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Speaker 3: No?

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Speaker 10: I have been playing.

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Speaker 12: So I started playing guitar when I was seven years old.

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My uncle got me an electric electric guitar, so I

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was playing you know Metallica, Iron Maiden, you know all

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the Megadeath, you know Green Day. And then when I

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was freshman in high school, I had to do a

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guitar class, so I had to get an acoustic guitar

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because I didn't have enough for all the kids. So

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sure I had to go buy one, got one, never

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looked back.

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Speaker 2: Yeah.

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Speaker 12: So I've been playing since I was like seven, and

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I've been doing like full time gigging for about a

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little over ten years.

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Speaker 11: Oh, excellent, excellent. Wow. Where are you from?

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Speaker 7: Uh? So?

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Speaker 12: I was born in Lawrence, Massachusetts. Okay, moved to Nashville

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when I was about six years old. So I've been

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in Nashville since about two thousand and two thousand and one.

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Speaker 11: Okay, okay, now how did you how did you when

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when you were starting out? I mean, did you always

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do a solo acoustic thing or did you play a band?

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Speaker 12: An I've always done solo acoustic.

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Speaker 8: Yeah.

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Speaker 12: Over the years, now that I've been doing it for

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a while, I've been trying to work more with like,

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you know, bands and like get up on stage with

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bands and as far as that goes. But yeah, I

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usually just do it solo.

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Speaker 11: It's easier, right, I mean it's you know, you don't

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depend on anybody else for yeah, their availability and in

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terms of rehearsing and playing shows and.

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Speaker 12: All that exactly exactly. It's it's a it's a little

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bit it's a little bit easier to go about a

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business wise.

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Speaker 11: Yeah, yeah, no doubt.

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Speaker 12: Do you do covers as well or I do do

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covers as well?

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Speaker 2: Yeah?

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Speaker 13: I do.

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Speaker 12: I do mostly covers even at all my shows. Yeah,

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Like I said, this is the first EP I have

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coming out, So these are my first original songs that

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I have. Yeah, and so I mostly do covers and

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things like that.

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Speaker 11: Yeah, how many originals do you have at this point?

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Would you say? I mean, can you even put a

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number on how many songs you have.

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Speaker 12: I have about like six or seven okay, okay, I said,

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I rarely just started writing about maybe a year or

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two ago, okay, and moved back into you know, my

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parents and stuff, and yeah, my dad's been helping me

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a lot with you know, the writing, and oh good

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help me put together the music and things like that.

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Speaker 11: What is it that motivated you to want to start writing.

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Speaker 12: I'd really just want to get my own music out there.

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I mean, I play, I do all the covers, I

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play live full time, and you know the next step

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is to get onto my own stage. Yea, hopefully you

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know what I mean, and have people come and see

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my music. Yeah, yeah, exactly, you know, put music out

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there that you know, can help people along the way.

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And yeah, the ways that music's held me along the way.

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Speaker 5: You know.

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Speaker 11: You want to play another one? Yeah, of course, yeah, yeah,

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if you're just joining us. Stephen Cures saying it right, yep,

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is he is here with us in in studio sounded amazing.

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Speaker 12: Yeah, that's correct.

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Speaker 11: Here another one?

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Speaker 19: Does that?

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Speaker 10: Ever? Does?

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Speaker 2: Uh?

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Speaker 11: I I assume, like, what what's the I'm just curious

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what what's the most unusual? Shall we say pronunciation. You've

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heard of your name?

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Speaker 12: I mean I've had I've had, I've had the queer,

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I've had the choir, I've had I felt a lot. Yeah, declare,

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declare mind better.

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Speaker 11: How did you say it? I don't remember?

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Speaker 13: He is.

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Speaker 11: Blue? Oh, yes, there you go. That sounds.

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Speaker 12: I've had people put a queue in front of it.

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Speaker 11: A real yeah, yeah, yeah, I can imagine, scarious. What

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are you gonna play for us next?

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Speaker 12: I'm gonna do so, I'm actually gonna do a cover

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for you. This is a rail of Montane's empty.

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Speaker 11: Nice nice.

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Speaker 7: Sless screwed up two knees walks through the garden rooms,

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whether bedfielder thing.

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Speaker 4: Never learned to come up.

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Speaker 18: This sings choosing state to twin in Mars.

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Speaker 7: Walk on down the hill through the grasscons all in round,

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still in st some mount to.

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Speaker 15: Let go of my babe.

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Speaker 20: I'm best busty back then holding rusty.

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Speaker 12: Gotta like that.

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Speaker 18: Sinkson to this Confield's collecting ray.

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Speaker 10: Willow ways feel that way.

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Speaker 21: So let's see so west strange.

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Speaker 7: Enough, these got thort busted sunsets, these cold and damn

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biden mornings.

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Speaker 4: I used gone and field.

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Speaker 7: Do market and dusty, I'm still leaves. That's both these

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words are loud.

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Speaker 2: No one hear me.

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Speaker 7: Veel blouse across the chair and bid four flowers from

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your hair and gets me with a country mouth sore

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plain mats out the rain and stepping on leaves. To me,

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it sounds like they're blooding us quite love with me?

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Speaker 21: Will ways feel this way, soty, so wiss strange.

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Speaker 7: Well love looks my team means in the slip in

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my chest said to your best to destroy me. You see,

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I've been in the hell lay back so many times,

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but steading met kind of poor me. There's a lot

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of things I can give them, and there's a lot

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of ways to die. Yes, since I'm ready there to

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walk sid me, and there's a lot of things I

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don't understand why so many people lie.

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Speaker 18: Let's hurt you donfuse the fir inside.

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Speaker 10: Me will always feel this way.

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Speaker 16: So see So quss.

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Speaker 11: Changed Steven Deckure here with us live in studio. That

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was that was amazing. That was a ray Lemming I

246
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can't say his name either. Song that was gorgeous. Yeah,

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that was a beautiful That was really good. That was

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really good. So much is is there anyone that you

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covered that you found challenging to do, like vocally.

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Speaker 12: Or Steely Dan Amy Winehouse really yeh yeah. Vocally they're

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pretty challenging. I mean some of the new Benson Boone

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songs that I've been working on challenging as well.

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Speaker 11: Now, what is it about so somebody like I'm curious

254
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that somebody like Seely Dan for example, What what is

255
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it that's that's challenging about that?

256
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Speaker 12: Oh my god, they are such nerds when I comes

257
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to the musicality of it. Yeah, pronunciation of when when

258
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you know you're singing, And I mean Michael McDonald did

259
00:21:08,720 --> 00:21:11,200
an interview about how when he was recording PEG with

260
00:21:11,319 --> 00:21:16,279
Donald Fagan, Yeah, and how he was very so what

261
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I'm looking for. He wanted it perfectly. He wanted it

262
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perfectly every single time. So this pronunciation with his words,

263
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how he was pronunciating it, I was singing it everything.

264
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It took him like seventeen to eighteen takes non do

265
00:21:28,960 --> 00:21:30,920
the harmonies on PEG or whatever he goes. It was

266
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one of the hardest things I've ever read to do.

267
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Speaker 10: Oh wow wow.

268
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Speaker 12: Yeah.

269
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Speaker 11: Is it important to you when when you do these covers?

270
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Is it important to you to sing them as closely

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as possible to the original.

272
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Speaker 12: I like to bring a justice but also make it

273
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my own. Yeah, give it my own twist on it

274
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in a way, so it's not oh hey, he's just

275
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you know, like the other everybody else the run of

276
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the mill, right right, Yeah, stand out a little bit.

277
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Speaker 11: So yeah, no doubt, no doubt. What are do you

278
00:21:55,759 --> 00:21:57,240
have a favorite? Like, do you have a favorite cover

279
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that you do? Is there one that really kind of

280
00:22:00,079 --> 00:22:01,960
stands out of something to every show?

281
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Speaker 12: I just I went over this, I get this question,

282
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actually asked a lot. Yeah, it's hard to say. I

283
00:22:08,440 --> 00:22:10,599
have like almost two hundred songs that I play off

284
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to on my head, so yeah, it's hard to like

285
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pick and choose. It's usually ones that like I'm like

286
00:22:15,240 --> 00:22:17,240
just learning or you know what i mean, just getting

287
00:22:17,279 --> 00:22:20,039
out there to play. Yeah, as of lately, it's been

288
00:22:20,160 --> 00:22:24,160
NOA Kn's Dial Drunk. I really enjoying playing that one

289
00:22:24,200 --> 00:22:24,759
out lately.

290
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Speaker 10: Yeah.

291
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Speaker 12: Yeah, it kind of always fluctuates for me.

292
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Speaker 19: Yeah.

293
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Speaker 22: Yeah.

294
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Speaker 11: What's the longest show you've done?

295
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Speaker 7: Oh?

296
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Speaker 12: Man, the longest show I've done I think was like

297
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seven and a half hours.

298
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Speaker 11: Oh my god. Okay, tell me about a way seven

299
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and a half hours.

300
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Speaker 12: Yeah, it was a private pool party.

301
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Speaker 11: Because usually when I ask people this question, I'll get like, oh,

302
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you know, we did a five hours, like seven and

303
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a half.

304
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Speaker 12: Yeah, yeah yeah. So so like I did like a

305
00:22:47,440 --> 00:22:49,920
lot of like the shows like l Street Tavern last year,

306
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and yeah, there was a couple of times like that.

307
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I had to do both of the shows because one

308
00:22:56,559 --> 00:22:58,839
of the guys canceled. Yeah, so I had to go

309
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in there early, play from like three to three thirty

310
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to seven thirty, then play seven thirty to midnight or wow,

311
00:23:04,960 --> 00:23:08,720
yeah it's rough. It's rough. Yeah, yeah, but why we

312
00:23:08,839 --> 00:23:09,559
do it? You know what I mean?

313
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Speaker 11: When you do something like that? Do you do anything

314
00:23:11,839 --> 00:23:13,039
special for your voice too?

315
00:23:13,279 --> 00:23:15,920
Speaker 12: Like I really just drink tea and lemons. Oh that's

316
00:23:15,960 --> 00:23:18,279
really all I do unesportually. I didn't drink any today.

317
00:23:18,359 --> 00:23:19,680
I was running late this week.

318
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Speaker 11: Oh you sound great? Now, you sound great? And yeah,

319
00:23:23,799 --> 00:23:26,079
but pretty unusual to sing this early, probably right, it

320
00:23:26,200 --> 00:23:27,519
is for me.

321
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Speaker 12: Usually usually I'm waking up at like three really yeah yeah,

322
00:23:31,319 --> 00:23:32,799
getting ready to go to work at six.

323
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Speaker 11: Yeah, there you go, there you go.

324
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Speaker 19: Yep.

325
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Speaker 11: So and as far as playing, I mean, obviously, with

326
00:23:39,400 --> 00:23:41,960
what you do you're able to play, you know, you

327
00:23:42,039 --> 00:23:45,039
can play just about anywhere, but just about like do

328
00:23:45,119 --> 00:23:46,400
you get out of do you get out of New

329
00:23:46,440 --> 00:23:46,960
England much?

330
00:23:47,039 --> 00:23:49,359
Speaker 12: Or do you kind of stick to I Actually I

331
00:23:49,480 --> 00:23:52,839
haven't played. I play in Massachusetts a lot. Yeah, do

332
00:23:53,000 --> 00:24:00,200
like Brownies Pub. I usually do Muddy Waters. Is that

333
00:24:00,599 --> 00:24:03,559
that's in Methune as well. Oh okay, yeah, and then

334
00:24:04,000 --> 00:24:06,880
a few other places that I've played, But other than that,

335
00:24:06,960 --> 00:24:08,680
I usually stay in New Hampshire.

336
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Speaker 11: No kidding. Yeah, yeah, well, yeah, I mean it's remarkable

337
00:24:11,279 --> 00:24:13,000
with you do a lot of breweries. I assume I

338
00:24:13,119 --> 00:24:14,000
do a lot of breweries.

339
00:24:14,160 --> 00:24:16,440
Speaker 12: I do, So I work with not so costly productions.

340
00:24:16,519 --> 00:24:20,240
Speaker 11: Oh excellent, Dmitri, no wonder you're so busy. Yeah, yeah, yeah,

341
00:24:20,880 --> 00:24:21,759
they do a great job.

342
00:24:21,880 --> 00:24:23,920
Speaker 12: Yeah, so I work with them. I've been working with

343
00:24:23,960 --> 00:24:29,160
Paul Costley and Dmitri for over god, probably about eight

344
00:24:29,240 --> 00:24:29,720
years now.

345
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Speaker 11: No kidding.

346
00:24:30,240 --> 00:24:31,640
Speaker 12: Yeah, I'm working with them for a long time.

347
00:24:31,799 --> 00:24:32,440
Speaker 11: Outstanding.

348
00:24:32,519 --> 00:24:34,599
Speaker 12: Yeah, They've been nothing but good to me, and they

349
00:24:34,680 --> 00:24:37,160
helped me out with shows and you know, and then

350
00:24:37,160 --> 00:24:39,880
I booked myself as well, and some other people or

351
00:24:39,920 --> 00:24:41,680
whatever that I know through the industry.

352
00:24:41,839 --> 00:24:44,799
Speaker 11: Yeah, yeah, it keeps me busy. Yeah, no, that's fantastic.

353
00:24:44,880 --> 00:24:47,119
Speaker 12: Out of Trouble, Yeah yeah, yeah.

354
00:24:47,799 --> 00:24:49,039
Speaker 11: Do you want to play another one for us?

355
00:24:49,400 --> 00:24:49,640
Speaker 12: Yeah?

356
00:24:49,720 --> 00:24:52,319
Speaker 11: Of course, trying to hear you play another one selfishly.

357
00:24:52,839 --> 00:24:54,559
If you're just joining us, we have Steven to cure

358
00:24:54,599 --> 00:25:00,839
here and he sounds sounds amazing. Yeah, up on that guitar.

359
00:25:02,480 --> 00:25:03,920
Speaker 12: What would you like to hear another cover?

360
00:25:05,000 --> 00:25:07,359
Speaker 11: I'm gonna leave that up to you. Okay, I'll leave

361
00:25:07,400 --> 00:25:08,200
that totally up to you.

362
00:25:09,279 --> 00:25:13,920
Speaker 12: Let's do another original, all right? So this is this

363
00:25:14,039 --> 00:25:16,720
is the first single that I released off the EP,

364
00:25:17,559 --> 00:25:19,359
and I got it released on ninety two point five

365
00:25:19,440 --> 00:25:20,279
the River in Boston.

366
00:25:20,400 --> 00:25:21,920
Speaker 11: Oh congratulations, yeah to me.

367
00:25:21,960 --> 00:25:24,200
Speaker 12: I was very excited about that. And it's called Towards

368
00:25:24,240 --> 00:25:24,720
the Sun Goes.

369
00:25:24,759 --> 00:25:25,400
Speaker 11: I guess all right.

370
00:25:50,200 --> 00:25:51,680
Speaker 15: It's so fill.

371
00:25:56,720 --> 00:25:57,799
Speaker 20: We talk for.

372
00:25:59,519 --> 00:26:01,960
Speaker 2: See and nothing else.

373
00:26:06,839 --> 00:26:20,519
Speaker 7: In the stock sweety me zacking bound boo things.

374
00:26:20,279 --> 00:26:21,759
Speaker 18: Sweet fers.

375
00:26:27,200 --> 00:26:31,079
Speaker 9: Sit in non nacking ship.

376
00:26:37,240 --> 00:26:51,319
Speaker 7: Shipping staff from a cool Blass show. Saga Wanna OpenSS

377
00:26:51,359 --> 00:27:02,279
of Sun, Sag wanna open bottom fern.

378
00:27:22,480 --> 00:27:34,400
Speaker 20: And live free time that we fall not will shoe

379
00:27:34,960 --> 00:27:35,839
a hand?

380
00:27:36,079 --> 00:27:37,039
Speaker 2: New car?

381
00:27:42,720 --> 00:27:47,759
Speaker 9: You talk through Slap Street two mouth face.

382
00:27:53,279 --> 00:27:56,000
Speaker 4: Nine at nine another.

383
00:27:55,680 --> 00:27:57,720
Speaker 16: Slap in the face.

384
00:28:02,960 --> 00:28:13,640
Speaker 7: And now we stand believe in your please, I said,

385
00:28:13,960 --> 00:28:24,200
he don't write his song in Paine. Cauz sack gown

386
00:28:24,400 --> 00:28:34,799
wanna open it's sorts of Sun. Cuz back gown wanna

387
00:28:35,240 --> 00:28:48,000
open awesome fun cause I own wanna ob sort the Sun.

388
00:28:53,519 --> 00:29:24,160
Cauzack gown wanna open it's sorts of sound cause I

389
00:29:24,440 --> 00:29:35,319
own wanna orpen sorts of Sun cause I own wanna

390
00:29:35,759 --> 00:29:47,640
open bottom fun cause I go wanna old bye. It's

391
00:29:47,640 --> 00:29:58,960
sort of sign cause I gown wanna open Sorts of Sun.

392
00:30:03,640 --> 00:30:09,119
Speaker 11: Towards the Sun by Stephen dick Heure Live in Studio. Fantastic, fantastic.

393
00:30:10,039 --> 00:30:10,319
Speaker 4: What do you?

394
00:30:10,880 --> 00:30:13,960
Speaker 11: I feel like I feel like your songs are pretty upbeat,

395
00:30:14,039 --> 00:30:15,920
Like what do you What do you like to write about?

396
00:30:16,440 --> 00:30:16,559
Speaker 19: Uh?

397
00:30:16,920 --> 00:30:19,000
Speaker 12: You know, I really like to write about, you know,

398
00:30:19,319 --> 00:30:22,000
things that people can relate to. Yeah, and they can

399
00:30:22,200 --> 00:30:24,519
you know, take from their own lives and you know,

400
00:30:25,480 --> 00:30:27,720
either use it to help them with whatever they have

401
00:30:27,839 --> 00:30:32,000
going on. I mean Towards the Sun for instances essentially

402
00:30:32,079 --> 00:30:34,000
about you know, no matter where you are in your life,

403
00:30:34,559 --> 00:30:38,079
you're happy, down, sad, you know, depressed, whatever it is,

404
00:30:38,279 --> 00:30:40,480
there's always you know, look one eye towards the song

405
00:30:40,559 --> 00:30:42,599
There's always something better no matter where you are, if

406
00:30:42,599 --> 00:30:44,839
you're in a good spot, you can always be doing better.

407
00:30:45,000 --> 00:30:47,519
Yeah you know what I mean. Just try and stay positive.

408
00:30:47,680 --> 00:30:49,480
Speaker 11: Yeah, yeah, you know, yeah, very good.

409
00:30:49,599 --> 00:30:50,920
Speaker 12: Try and send out a positive vibe.

410
00:30:51,079 --> 00:30:53,359
Speaker 11: I just noticed your shirt too. I didn't notice it first,

411
00:30:53,400 --> 00:30:57,759
Annie DiFranco. Yeah, I met her probably, Oh my god,

412
00:30:57,799 --> 00:30:59,480
it's more than twenty years ago now. She was playing

413
00:30:59,480 --> 00:31:02,119
at a show and Providence, okay. And at the time,

414
00:31:02,160 --> 00:31:04,240
I was working for a promoter, Joe Fletcher, who's he's

415
00:31:04,279 --> 00:31:06,519
not here. He's on the West Coast now, but he

416
00:31:06,640 --> 00:31:08,599
used to. He used to have big world productions here

417
00:31:08,640 --> 00:31:11,680
in New Hampshire and so he was he was putting

418
00:31:11,720 --> 00:31:13,880
on shows around New England and he did a bunch

419
00:31:13,920 --> 00:31:15,680
of shows with her. But yeah, that's that's how I

420
00:31:15,759 --> 00:31:18,279
met her. And yeah, she was fantastic.

421
00:31:18,559 --> 00:31:21,160
Speaker 12: She's absolutely incredible. So I just went and saw her,

422
00:31:22,319 --> 00:31:23,960
first time I've ever seen her. I used to watch

423
00:31:23,960 --> 00:31:26,079
her show videos all the time. My mom got me

424
00:31:26,160 --> 00:31:29,240
into her. Yeah, I had front row seats with her

425
00:31:29,920 --> 00:31:33,519
and I called out. I yelled out, shame play, shameless

426
00:31:33,640 --> 00:31:36,279
her And it happened to be the last song that

427
00:31:36,319 --> 00:31:38,079
she was going to play that nw Oh wow, she goes, Oh,

428
00:31:38,119 --> 00:31:39,920
you got lucky, I have I have a video of it.

429
00:31:39,960 --> 00:31:41,920
She had handed me the set list. Oh okay, yeah,

430
00:31:41,920 --> 00:31:42,480
it was really cool.

431
00:31:42,599 --> 00:31:43,359
Speaker 11: Oh, very nice.

432
00:31:43,480 --> 00:31:45,960
Speaker 12: Definitely awesome. She's incredible. Ye, my favorites?

433
00:31:46,119 --> 00:31:49,599
Speaker 11: Yeah absolutely, Yeah, was that recent or very recent?

434
00:31:49,680 --> 00:31:52,799
Speaker 12: It was at the oh she's it was? It was

435
00:31:52,880 --> 00:31:56,200
in April nineteenth, Yeah, April nineteenth, I believe it was.

436
00:31:56,359 --> 00:31:57,480
Speaker 11: Okay, where did you see her.

437
00:31:59,039 --> 00:32:00,000
Speaker 12: In Summerville?

438
00:32:00,200 --> 00:32:03,839
Speaker 11: Summerville the Yeah, I haven't. I haven't kept up with

439
00:32:03,920 --> 00:32:06,240
her unfortunately, so, but I assume she's still putting out.

440
00:32:06,480 --> 00:32:09,000
Uh does she still have her labeled? You know, Righteous Babe?

441
00:32:09,079 --> 00:32:10,200
Speaker 16: Is that still yeah?

442
00:32:10,319 --> 00:32:11,119
Speaker 12: Righteous Babe Records?

443
00:32:11,160 --> 00:32:13,559
Speaker 11: Okay, yeah, yeah, yeah. That's one of the cool things

444
00:32:13,559 --> 00:32:16,279
about her too, is you know, not only uh did

445
00:32:16,319 --> 00:32:19,920
I always love her music? But I shouldn't say past

446
00:32:19,960 --> 00:32:23,519
tense because she's obviously still active. But but I always

447
00:32:23,519 --> 00:32:26,039
thought it was cool that, you know, she she started

448
00:32:26,119 --> 00:32:28,440
her own label. She started that indie label at a

449
00:32:28,519 --> 00:32:31,599
time where like like today, it's not even a big deal,

450
00:32:31,720 --> 00:32:34,680
right because of the Internet, anybody can can start a lab,

451
00:32:35,119 --> 00:32:38,200
you know, ut right, But she but she did it

452
00:32:38,319 --> 00:32:42,039
at a time when it was unusual, and you know,

453
00:32:42,200 --> 00:32:44,799
I I know she's talked in interviews about how, you know,

454
00:32:44,880 --> 00:32:47,440
she faced a lot of headwinds doing that. People didn't

455
00:32:47,759 --> 00:32:49,559
necessarily believe in her, give her a chance.

456
00:32:49,680 --> 00:32:51,759
Speaker 12: They were like, I think she's done a lot for

457
00:32:51,839 --> 00:32:53,359
the women of the you know.

458
00:32:53,720 --> 00:32:57,200
Speaker 11: Yeah, oh totally absolutely, Yeah, yeah, because I remember one

459
00:32:57,279 --> 00:32:58,880
interview I read with her, she was saying, like, you know,

460
00:32:58,960 --> 00:33:01,359
people just looked at her like, who is this chick

461
00:33:02,039 --> 00:33:03,079
who thinks she can do this?

462
00:33:03,319 --> 00:33:03,480
Speaker 13: You know?

463
00:33:03,599 --> 00:33:05,359
Speaker 11: But but she was determined to do it, and she

464
00:33:05,480 --> 00:33:05,680
did it.

465
00:33:05,799 --> 00:33:07,960
Speaker 12: Give somebody an opportunity if they have the drive in

466
00:33:07,960 --> 00:33:09,440
the hunger, they'll they'll make it happen.

467
00:33:09,599 --> 00:33:14,559
Speaker 11: Yeah, yeah one who So obviously she's a big inspiration

468
00:33:14,680 --> 00:33:14,799
to you.

469
00:33:15,079 --> 00:33:16,319
Speaker 12: Yeah, very big inspiration.

470
00:33:17,039 --> 00:33:17,599
Speaker 11: Like who else?

471
00:33:17,799 --> 00:33:18,200
Speaker 2: Who else?

472
00:33:18,720 --> 00:33:21,720
Speaker 12: Gotta throw the Beatles in there? Yeah, the Beatles are

473
00:33:21,839 --> 00:33:22,640
number one for me.

474
00:33:23,160 --> 00:33:23,319
Speaker 11: Yeah.

475
00:33:23,480 --> 00:33:26,079
Speaker 12: Huge Jim Crochey fan, Are you ye? Huge Jim croach fan.

476
00:33:26,160 --> 00:33:29,640
I just saw his son play Croachy plays Croachy.

477
00:33:29,599 --> 00:33:31,519
Speaker 11: Ohka, see I didn't even know that was the thing.

478
00:33:31,680 --> 00:33:33,400
Speaker 12: Yeah, yeah, he does it at Tupelow.

479
00:33:33,519 --> 00:33:34,319
Speaker 11: What's the son's name?

480
00:33:36,279 --> 00:33:36,400
Speaker 7: Oh?

481
00:33:36,440 --> 00:33:39,519
Speaker 12: Interesting, looks just like it said. Oh yeah, yeah, so

482
00:33:39,880 --> 00:33:42,400
I saw him my front row tickets to that one too.

483
00:33:42,799 --> 00:33:45,680
My friend Liz also Scott does for me. Oh excellent,

484
00:33:45,759 --> 00:33:48,480
very nice to her, very nice her. Yeah, and so

485
00:33:48,559 --> 00:33:50,920
I met him after the show. Okay, talk to him.

486
00:33:50,960 --> 00:33:52,640
I always open up every show I used to do

487
00:33:52,720 --> 00:33:54,079
with don't mess around with Jim.

488
00:33:54,200 --> 00:33:54,799
Speaker 11: Oh really yeah.

489
00:33:55,039 --> 00:33:56,799
Speaker 12: My dad always laughs at me for it. He's like,

490
00:33:56,839 --> 00:33:58,440
you gonna open up a tool, mess around with you

491
00:34:00,079 --> 00:34:02,160
at him and talked to him for a few minutes.

492
00:34:02,720 --> 00:34:05,240
Showed him my tattoo. Yeah as much as dad, you know.

493
00:34:05,279 --> 00:34:07,559
It was a big inspiration to me, and I'm glad

494
00:34:07,559 --> 00:34:08,880
that he's carrying on his legacy.

495
00:34:09,000 --> 00:34:12,599
Speaker 11: Oh yeah, no, that's extremely cool. That's extremely cool. Yeah.

496
00:34:12,639 --> 00:34:16,519
Speaker 12: So you know the Croaches, Steely, Dan Simon and Garfunkle. Yep,

497
00:34:17,199 --> 00:34:19,719
I'm an old soul. I really like the old school,

498
00:34:20,280 --> 00:34:22,719
the classics. Yeah, the music that lives on you know.

499
00:34:22,880 --> 00:34:24,639
Sure that's meaning you know what I mean? Yeah, I

500
00:34:24,679 --> 00:34:26,000
can still relate to it nowadays.

501
00:34:26,239 --> 00:34:30,480
Speaker 11: Yeah, yeah, absolutely absolutely. Do you want to play? Do

502
00:34:30,480 --> 00:34:32,000
you want to play one more? We have time to play.

503
00:34:32,000 --> 00:34:33,880
We will play one more live on you if you're

504
00:34:33,920 --> 00:34:36,239
just joining us. Stephen dea Ciros here with us live

505
00:34:36,320 --> 00:34:40,239
in studio on this Saturday morning, singing much earlier in

506
00:34:40,320 --> 00:34:41,760
the day that he's used to. But he sounds but

507
00:34:41,840 --> 00:34:42,519
he sounds great.

508
00:34:44,280 --> 00:34:45,159
Speaker 12: We'll try this one out.

509
00:34:45,199 --> 00:34:52,840
Speaker 11: This is a cover, right, something's uh, what's doing that?

510
00:34:56,119 --> 00:34:58,280
The cord might have been loose. Yeah, try that again.

511
00:34:59,039 --> 00:35:02,039
It's it's almost like I wonder if your arm was

512
00:35:02,079 --> 00:35:05,199
hitting the cord going into the guitar, it might have

513
00:35:05,239 --> 00:35:08,320
been what it was I was hearing. Yeah, I was

514
00:35:08,360 --> 00:35:17,199
hearing something like a percussion. Yeah that's much better. Yeah cool.

515
00:35:18,679 --> 00:35:19,320
Speaker 12: So goes like this.

516
00:35:22,079 --> 00:35:28,480
Speaker 7: L from the stupako, you know, but it's raining from

517
00:35:28,639 --> 00:35:35,039
cold and drawn my bed and surrounding your perspective of

518
00:35:36,559 --> 00:35:39,039
sweets eeging before.

519
00:35:40,400 --> 00:35:41,440
Speaker 4: My oldience.

520
00:35:41,840 --> 00:35:43,800
Speaker 18: Still my happy man.

521
00:35:44,039 --> 00:35:44,760
Speaker 10: I used to be.

522
00:35:46,280 --> 00:35:50,400
Speaker 20: A doubting forget about it whatever, And it's.

523
00:35:50,320 --> 00:36:01,320
Speaker 9: All the same any ways. And I fall to bunch

524
00:36:01,519 --> 00:36:02,719
that throne.

525
00:36:04,039 --> 00:36:09,280
Speaker 7: In the name of someone long and a fort she

526
00:36:09,760 --> 00:36:15,880
will be young, drunkin lor trap, advancing his shin's being

527
00:36:15,960 --> 00:36:20,039
a radio. And now I don't knock you in they

528
00:36:20,280 --> 00:36:21,639
do me in the corner.

529
00:36:22,960 --> 00:36:24,559
Speaker 4: He even name is my.

530
00:36:24,760 --> 00:36:30,320
Speaker 7: Emergency phone call, honey, ringing, ring, Even the cops at

531
00:36:30,480 --> 00:36:36,719
you rover rainder and now till drunk outside chunk outside

532
00:36:37,320 --> 00:36:42,599
you monteto and from bots to.

533
00:36:42,639 --> 00:36:49,159
Speaker 9: Me and recognize from charming to alarming in seconds, I'll

534
00:36:49,199 --> 00:36:50,840
be betrid and.

535
00:36:51,559 --> 00:36:57,000
Speaker 7: Now at the pain matastasize, but next morning I'll forget it.

536
00:36:58,679 --> 00:36:58,960
Speaker 13: In it.

537
00:37:00,079 --> 00:37:00,719
Speaker 14: It's all.

538
00:37:02,559 --> 00:37:10,960
Speaker 20: Is all ahead, and now you back all the bunches.

539
00:37:10,519 --> 00:37:11,800
Speaker 4: That a throne.

540
00:37:13,000 --> 00:37:18,159
Speaker 7: Win the name of someone Nana lord and a ford

541
00:37:18,239 --> 00:37:21,480
sheam of being young jun game alone.

542
00:37:22,639 --> 00:37:23,719
Speaker 16: Traffic lancing.

543
00:37:23,880 --> 00:37:28,800
Speaker 9: This trends me in to radio. Now don't knock you in.

544
00:37:29,000 --> 00:37:30,679
They do me in the corner.

545
00:37:32,039 --> 00:37:33,079
Speaker 2: I gave your name.

546
00:37:33,360 --> 00:37:38,639
Speaker 7: Is my emergency phone call, honey, ringing ring, even the

547
00:37:38,760 --> 00:37:44,159
cops that you rover raindow and that time Chunk God,

548
00:37:44,320 --> 00:37:46,400
time chunk got time for you.

549
00:37:49,800 --> 00:37:51,679
Speaker 11: And no time feel.

550
00:37:55,480 --> 00:37:56,519
Speaker 16: No big you, sir.

551
00:37:56,719 --> 00:37:59,880
Speaker 7: Just stay the car looking for you my blood alcohol.

552
00:38:00,239 --> 00:38:04,960
I'll ride on with the announcing seal and I'll change

553
00:38:05,000 --> 00:38:07,800
my faith out. Pray it's a flag. It's sweet as Swiss.

554
00:38:07,880 --> 00:38:12,880
Your come back, some of you danger to yourself.

555
00:38:13,800 --> 00:38:15,199
Speaker 18: Help, sir, Just stay in.

556
00:38:15,239 --> 00:38:18,039
Speaker 9: My car to give you my blood I pulled.

557
00:38:18,239 --> 00:38:23,559
Speaker 7: I'll ride on it the announcing seal, and I've changed

558
00:38:23,599 --> 00:38:25,320
my faith out kiss the bags.

559
00:38:25,360 --> 00:38:25,800
Speaker 17: It's sweet.

560
00:38:25,920 --> 00:38:28,519
Speaker 16: I swiss your call me back somebody?

561
00:38:28,599 --> 00:38:33,320
Speaker 20: Do you do this to yourself? And I said, and

562
00:38:33,480 --> 00:38:34,280
now you ain't proud?

563
00:38:34,480 --> 00:38:36,119
Speaker 9: Four two punches.

564
00:38:35,679 --> 00:38:36,719
Speaker 4: Down the fron.

565
00:38:38,199 --> 00:38:43,079
Speaker 7: Win the name of someone now, no, lord, no, for

566
00:38:43,360 --> 00:38:48,280
the shame of being young, junk in alone, drive the

567
00:38:48,320 --> 00:38:50,679
blots in the strains in the video.

568
00:38:52,599 --> 00:38:55,880
Speaker 9: And I don't like you any to me in the corner.

569
00:38:57,280 --> 00:39:01,440
Speaker 7: I gave your name is my emergency phone. Cool honey,

570
00:39:02,280 --> 00:39:06,079
ring and ring eving the cops thatt you for rain, you.

571
00:39:06,119 --> 00:39:07,800
Speaker 18: Know not time?

572
00:39:08,039 --> 00:39:10,639
Speaker 7: Chunk countdown, chunk countwn.

573
00:39:10,639 --> 00:39:19,480
Speaker 11: For you, hm hmm. Gorgeous, gorgeous, just gorgeous. Thank you,

574
00:39:20,119 --> 00:39:24,559
absolutely very nice, very nice. Stephen Takira here with us,

575
00:39:25,000 --> 00:39:29,840
live in a studio, sounding amazing. We should remind people.

576
00:39:29,920 --> 00:39:32,480
So so the do you know when the EP is

577
00:39:32,519 --> 00:39:32,960
gonna be out?

578
00:39:33,039 --> 00:39:35,199
Speaker 12: So I'm hoping the EP is going to be this July.

579
00:39:35,480 --> 00:39:37,599
That's what I'm hoping for. I go back into the

580
00:39:37,679 --> 00:39:41,519
studio on Father's Day, finish up the last song on there,

581
00:39:42,639 --> 00:39:44,719
and then I just want to add some finishing touches

582
00:39:44,800 --> 00:39:47,119
and mix some master it and get it out to

583
00:39:47,199 --> 00:39:49,840
the people. Man, it'll be a nice big weight off

584
00:39:49,920 --> 00:39:50,440
my shoulders.

585
00:39:50,599 --> 00:39:52,159
Speaker 11: Yeah, no doubt, no doubt about that.

586
00:39:52,360 --> 00:39:52,519
Speaker 19: Huh.

587
00:39:53,159 --> 00:39:55,519
Speaker 11: Very cool. And then where are you playing this weekend?

588
00:39:55,559 --> 00:39:56,840
Do you have anything to plug this weekend?

589
00:39:57,199 --> 00:40:01,639
Speaker 12: Tonight I'll be York Beach, York, Maine, okay, Derek beachin

590
00:40:01,880 --> 00:40:04,239
And then I'll be doing that from seven to ten pm.

591
00:40:04,440 --> 00:40:04,719
Speaker 11: Okay.

592
00:40:04,760 --> 00:40:07,920
Speaker 12: Then tomorrow afternoon I will be at the Portsmouth Gaslight

593
00:40:08,039 --> 00:40:09,480
Deck two to five pm.

594
00:40:09,639 --> 00:40:10,599
Speaker 11: Okay, very good.

595
00:40:10,960 --> 00:40:12,559
Speaker 12: Yeah, and then I have like a couple of days

596
00:40:12,599 --> 00:40:14,599
off and then back at it again.

597
00:40:14,760 --> 00:40:14,960
Speaker 7: Yeah.

598
00:40:16,079 --> 00:40:16,400
Speaker 11: Sweet.

599
00:40:16,800 --> 00:40:16,880
Speaker 13: Uh.

600
00:40:17,000 --> 00:40:19,039
Speaker 11: And where is the best place to go online for

601
00:40:19,079 --> 00:40:20,119
people to keep this book?

602
00:40:20,199 --> 00:40:21,800
Speaker 12: Is the best place to go online? And check me

603
00:40:21,840 --> 00:40:25,679
out Stephen D Kere. You can add my main profile page.

604
00:40:25,719 --> 00:40:27,440
You can add my music page of just Stephen D.

605
00:40:27,519 --> 00:40:28,079
Cure music.

606
00:40:29,159 --> 00:40:31,079
Speaker 11: We should probably tell people how to spell your name too.

607
00:40:31,159 --> 00:40:36,199
Speaker 12: Yes, it's s t E p h e N. My

608
00:40:36,360 --> 00:40:40,559
last name is d E c U I r E Yes. Yes,

609
00:40:40,679 --> 00:40:41,760
and you pronounce it d q.

610
00:40:42,159 --> 00:40:45,639
Speaker 11: D cur yes. Excellent, outstanding, outstanding, I think.

611
00:40:45,760 --> 00:40:46,280
Speaker 19: Uh So.

612
00:40:46,440 --> 00:40:49,039
Speaker 11: Another studio track that you sent us is this Quiet Moments.

613
00:40:49,239 --> 00:40:50,920
Yes that you didn't play this one?

614
00:40:51,000 --> 00:40:51,079
Speaker 13: Right?

615
00:40:51,159 --> 00:40:52,559
Speaker 12: I played that? That was the first one I played.

616
00:40:52,559 --> 00:40:54,480
Speaker 11: Oh, that was the first one you played, maybe we

617
00:40:54,519 --> 00:40:57,440
should maybe we should replay the one we opened with

618
00:40:57,599 --> 00:41:01,360
that subscribe where yeah, well that's okay. Actually, now we'll

619
00:41:01,400 --> 00:41:04,559
let people hear the studio version of Quiet Moments. Yeah, yeah, yeah,

620
00:41:05,400 --> 00:41:07,280
maybe I'll play the other one again afterward, though, because

621
00:41:07,320 --> 00:41:09,760
I really like that everybody's changing. I really like that

622
00:41:09,800 --> 00:41:13,960
one a lot. That's excellent, outstanding, outstanding. So if you

623
00:41:14,039 --> 00:41:16,360
are listening live, by the way, is Katie here? She

624
00:41:16,480 --> 00:41:18,159
is in the billion Katie Dobbins is coming up in

625
00:41:18,199 --> 00:41:19,679
the third hour, so it'll be nice to see her

626
00:41:20,079 --> 00:41:22,440
and I get to hear her. And did she bring

627
00:41:22,480 --> 00:41:28,559
her guitar? Good? Okay, And we will close out this

628
00:41:28,679 --> 00:41:31,679
segment with this. This is called Quiet Moments. Stephen de

629
00:41:31,760 --> 00:41:34,159
Cure again, thank you so much, Thank you so much.

630
00:41:57,960 --> 00:42:03,440
Speaker 19: Quiet all the long.

631
00:42:09,360 --> 00:42:11,000
Speaker 15: I was riding.

632
00:42:12,519 --> 00:42:14,599
Speaker 2: My fan and Sloan.

633
00:42:20,519 --> 00:42:22,840
Speaker 14: Fill these pages.

634
00:42:23,760 --> 00:42:24,360
Speaker 19: With them.

635
00:42:25,039 --> 00:42:33,639
Speaker 18: In the starries, Rangel your way.

636
00:42:35,400 --> 00:42:37,599
Speaker 15: Sing for me.

637
00:42:42,800 --> 00:42:46,760
Speaker 7: Looking out my window as the sun reads the day,

638
00:42:48,840 --> 00:42:52,880
birds of singing, lean tree to tree.

639
00:42:54,440 --> 00:42:59,440
Speaker 19: Writing songs, come sweetly.

640
00:43:00,159 --> 00:43:00,880
Speaker 15: Rated back me.

641
00:43:01,280 --> 00:43:21,239
Speaker 19: Just beoney, play the skids on.

642
00:43:23,440 --> 00:43:32,800
Speaker 2: Day to night, create that bar hide.

643
00:43:34,360 --> 00:43:36,400
Speaker 19: I know your life.

644
00:43:42,400 --> 00:43:44,760
Speaker 14: Fill these pages.

645
00:43:45,639 --> 00:43:59,440
Speaker 18: With Joe Bootstore Horis Arrange on your way, sing for me.

646
00:44:04,639 --> 00:44:08,599
Looking out my window is the cloudscool of the day.

647
00:44:10,519 --> 00:44:14,480
Speaker 9: The wind is going, ringing songs, dance.

648
00:44:14,239 --> 00:44:23,800
Speaker 2: Way writing, songs come sweez so writing by megeous.

649
00:44:23,440 --> 00:45:17,480
Speaker 22: Beard, quiet moments, Oh houses, sempty.

650
00:45:19,239 --> 00:45:20,920
Speaker 15: Nor once own.

651
00:45:26,880 --> 00:45:29,159
Speaker 14: Fill these pages.

652
00:45:30,079 --> 00:45:41,960
Speaker 13: With long star hurries. Range on your home way, sing

653
00:45:43,199 --> 00:46:29,119
for me, dally.

654
00:46:49,800 --> 00:47:03,159
Speaker 2: Sit in her hair in this chair, thing again, wander

655
00:47:03,400 --> 00:47:17,440
wear hair, this world school socks of wool, horror.

656
00:47:19,639 --> 00:47:21,440
Speaker 16: All the round.

657
00:47:28,280 --> 00:47:43,320
Speaker 3: Watch these buildings grumble to the graha, these.

658
00:47:43,480 --> 00:47:56,599
Speaker 4: Change and chldren this change.

659
00:47:59,119 --> 00:48:03,960
Speaker 5: Why green waiting waiting.

660
00:48:03,760 --> 00:48:19,760
Speaker 4: Waiting, see this he.

661
00:48:21,920 --> 00:48:34,199
Speaker 6: Spreading through the crowd. Affording boots.

662
00:48:34,920 --> 00:48:36,199
Speaker 10: Are a long.

663
00:48:43,960 --> 00:48:50,840
Speaker 3: Two parties, sayest, designed to devi.

664
00:48:57,079 --> 00:49:03,880
Speaker 2: Friends and family, But she owns a high.

665
00:49:10,639 --> 00:49:18,599
Speaker 4: Body. Change the.

666
00:49:22,559 --> 00:49:32,559
Speaker 5: Eldest, the change when way way w.

667
00:50:24,559 --> 00:50:31,280
Speaker 7: Balla test shunts holding all those strings.

668
00:50:37,320 --> 00:50:41,519
Speaker 2: Were just ball bits in this bullet.

669
00:50:42,119 --> 00:50:50,119
Speaker 15: Go rain, lead with.

670
00:50:50,480 --> 00:50:56,159
Speaker 8: Your hall heart loves wear at all big games.

671
00:51:02,320 --> 00:51:04,920
Speaker 2: Let's stand together.

672
00:51:05,639 --> 00:51:07,119
Speaker 10: And learn to love.

673
00:51:07,719 --> 00:51:08,079
Speaker 7: Fuck