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<v Speaker 1>Who knows what evil lurks in the hearts of men?

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<v Speaker 1>The shadow knows.

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<v Speaker 2>Ha, ha, ha, ha, ha, ha.

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<v Speaker 3>The Shadow, mysterious character who aids the forces of law

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<v Speaker 3>and order, is in reality Lamont Cranston, wealthy young man

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<v Speaker 3>about town. The Shadow uses his hypnotic power to cloud

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<v Speaker 3>men's minds so that they cannot see him. Cranston's friend

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<v Speaker 3>and companion, the lovely Margo Lane, is the only person

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<v Speaker 3>who knows to whom the unseen voice of the Shadow belongs.

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<v Speaker 3>Today's story, Sandhog Murders. Deep under the river, knee-deep in

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<v Speaker 3>glacial muck and slime, you'll find them, the sandhogs, working

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<v Speaker 3>under terrible pressure, pressure beating against their eardrums, pressure forcing

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<v Speaker 3>little nitrogen bubbles into their bloodstreams, pressure that causes death,

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<v Speaker 3>pressure that keeps the river out of the tunnel that

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<v Speaker 3>men are building under the river, 100 feet.

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<v Speaker 2>Under the river. How far did we go on that

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<v Speaker 2>last shot?

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<v Speaker 1>Twenty-seven inches, boss.

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<v Speaker 2>Tighten those jacks next to the shield.

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<v Speaker 1>Okay, boss.

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<v Speaker 2>Here, Rodsky speaking.

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<v Speaker 3>Time?

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<v Speaker 2>Okay. All right, men, that's all for today. Let's go. Hey, hey, Mr. Pine.

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<v Speaker 2>Want to get left down here? You better come along

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<v Speaker 2>and get in the decompression chamber.

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<v Speaker 1>Say, I.

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<v Speaker 4>I hate to admit this, but when I feel sick,

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<v Speaker 4>I can hardly move my hand.

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<v Speaker 2>That's the same complaint from all visitors to our little

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<v Speaker 2>rabbit hole. Just give me your arm.

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<v Speaker 4>Thank you.

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<v Speaker 2>There we are. Come on, come on. Into the decompression chamber.

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<v Speaker 2>Get the move on, all of you.

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<v Speaker 4>This shift is over with.

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<v Speaker 2>Quit your beefing.

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<v Speaker 4>You get your pay regular, don't you?

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<v Speaker 2>Yeah, what do you think? Okay. Decompress. Decompressing. Mr.

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<v Speaker 1>Fines.

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<v Speaker 2>You know what could happen to you if you got

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<v Speaker 2>left behind? No.

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<v Speaker 1>Ever been in a pressure tunnel before?

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<v Speaker 4>No, I haven't.

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<v Speaker 2>Well, it ain't no picnic ground, mister. Ever hear of

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<v Speaker 2>the bends?

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<v Speaker 4>Some kind of sickness, isn't it?

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<v Speaker 2>It ain't no reducing exercise.

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<v Speaker 1>I'll tell the world it's sickness. You see, working in

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<v Speaker 1>these pressure tunnels pumps you full of nitrogen bubbles. And

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<v Speaker 1>if you was to come out of the pressure too fast,

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<v Speaker 1>those bubbles would stop.

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<v Speaker 2>Your heart quicker than a dollar watch.

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<v Speaker 4>Yeah, you gotta have the right kind of stomach to

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<v Speaker 4>stand it.

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<v Speaker 2>You know what would happen if we opened that door now?

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<v Speaker 4>Now what?

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<v Speaker 1>We'd all pop like punctured balloons. The pressures got to

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<v Speaker 1>go down slow like. Just now we are working under...

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<v Speaker 1>39 pounds of pressure, push, Quarry. Say, are you trying

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<v Speaker 1>to scare me? Lay off him, Jack. Have you had

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<v Speaker 1>enough trouble lately?

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<v Speaker 2>Hey, hey. I'll tell you why. The pressure's dropping too fast.

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<v Speaker 5>Oh, he killed me.

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<v Speaker 2>Tell him. Tell him to increase the pressure. Too late.

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<v Speaker 2>Too late. We're done. Help.

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<v Speaker 6>Lamont, did you read the comic strips this morning?

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<v Speaker 4>Uh-huh.

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<v Speaker 5>They were very humorous.

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<v Speaker 6>Winnie Winkles in the hospital, Little Orphan Annie's house burned down,

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<v Speaker 6>and Andy Gump was hit by a truck.

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<v Speaker 4>Uh-huh.

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<v Speaker 5>Lamont, I wonder why they call them funny papers. Hey,

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<v Speaker 5>are you listening to me?

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<v Speaker 2>Uh-huh.

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<v Speaker 5>Listen, Mr.

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<v Speaker 6>Cranston, you haven't paid the slightest bit of attention to

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<v Speaker 6>anything I've said to you for the last hour.

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<v Speaker 1>I'm sorry, Margo, but that horrible business in the new

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<v Speaker 1>intercity tunnel has been on my mind.

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<v Speaker 5>What business?

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<v Speaker 4>Eight men were killed in the decompression chamber yesterday.

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<v Speaker 5>Decompression chamber?

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<v Speaker 4>Something evidently went wrong.

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<v Speaker 1>Pressure was lowered too suddenly and they all died terrible deaths.

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<v Speaker 5>Well, how did it happen, Lamont?

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<v Speaker 2>They don't know.

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<v Speaker 4>It looks pretty funny.

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<v Speaker 1>According to the newspaper reports, the men working at the

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<v Speaker 1>tunnel had been expecting something to happen... There'd been several

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<v Speaker 1>near accidents, and the men were pretty jittery.

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<v Speaker 2>Hmm.

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<v Speaker 5>Well, you don't suppose that.

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<v Speaker 6>Oh, Lamont, I know that look in your eye, that

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<v Speaker 6>old crime detector look.

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<v Speaker 5>You think that someone had something to do with that accident.

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<v Speaker 1>I don't know anything about that, Margo. The reason I'm

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<v Speaker 1>upset is that Pete Stockton is an old friend of mine.

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<v Speaker 1>I know just how he must feel to have eight

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<v Speaker 1>of his men killed working on his tunnel.

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<v Speaker 5>Pete Stockton?

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<v Speaker 1>Yes, the contractor. We went to school together. This inner

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<v Speaker 1>city tunnel is the first big job he's handled alone

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<v Speaker 1>since his father died about.

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<v Speaker 4>A year ago.

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<v Speaker 5>Oh, I see. And you'd like to see him, wouldn't you?

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<v Speaker 4>No, Margo, not today. We have a date. I wouldn't

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<v Speaker 4>think of it.

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<v Speaker 5>Oh, it's just the trouble you do think of it.

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<v Speaker 6>So I guess we might just as well see this

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<v Speaker 6>old schoolmate of yours.

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<v Speaker 4>Margo, you're wonderful. THE END.

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<v Speaker 1>But about those men who died in the decompression chamber, Pete,

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<v Speaker 1>how do you explain that?

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<v Speaker 2>I can't explain it, Lamont.

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<v Speaker 7>There's been so much trouble around here on this job,

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<v Speaker 7>and then to have this terrible thing happen.

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<v Speaker 4>Well, it'll never happen to me again. What do you mean?

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<v Speaker 4>I'm quitting.

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<v Speaker 7>I never wanted this tunnel work. I was just doing

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<v Speaker 7>it for Dad's sake. Well, he's dead now. Joe Brandy

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<v Speaker 7>and other contractors agreed to take the whole thing off

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<v Speaker 7>my hands.

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<v Speaker 4>Quitting?

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<v Speaker 2>Yes.

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<v Speaker 4>I couldn't stand another experience like this one. All those

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<v Speaker 4>men left. Wives, sweethearts, mothers.

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<v Speaker 2>How can I ever repay them? Make up to them

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<v Speaker 2>for their loss? Hey, Pete. The men want to talk

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<v Speaker 2>to you.

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<v Speaker 8>They want to go.

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<v Speaker 2>Back to work. What, did you tell them that Brandy

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<v Speaker 2>was taking over Mundy?

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<v Speaker 4>I told them, but they want to work for you,

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<v Speaker 4>not Brantley. Well, I guess I'll have to tell them myself. Oh,

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<v Speaker 4>by the way, this is Pop Berkey.

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<v Speaker 2>Miss Lane.

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<v Speaker 4>How do you do?

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<v Speaker 2>Mr.

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<v Speaker 4>Cranston. How do you do?

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<v Speaker 7>Pop's an old-timer. He and my dad broke into the

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<v Speaker 7>business together. Well, ask him anything you want to know

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<v Speaker 7>about sand hogging.

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<v Speaker 4>I'll be back in a few minutes.

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<v Speaker 5>He's taking the whole thing pretty hard, isn't he?

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<v Speaker 2>Yes.

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<v Speaker 4>I'd like to help him, Margo. He's a swell guy.

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<v Speaker 4>First time you two have been around the tunnel in

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<v Speaker 4>the making?

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<v Speaker 5>What?

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<v Speaker 6>Oh, yes, it's very interesting, isn't it? But is it

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<v Speaker 6>necessary to keep everything so greasy?

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<v Speaker 5>Mr.

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<v Speaker 4>Berkey, what caused the accident in the decompression chamber? Are

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<v Speaker 4>you asking me what or who?

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<v Speaker 1>So you think that the accident wasn't exactly an accident?

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<v Speaker 1>I got my own ideas, but I'm not saying.

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<v Speaker 4>If you know anything, Mr. Berkey, you've got to tell me.

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<v Speaker 1>Well, now, supposing you were in the contracting business and

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<v Speaker 1>another contractor beat you out on a big job, an

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<v Speaker 1>important job. Wouldn't you try a couple of little things

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<v Speaker 1>to get the job back? You call the murder of

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<v Speaker 1>eight men little things? Maybe you didn't want to kill

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<v Speaker 1>the men in the decompression chamber. Maybe you just wanted

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<v Speaker 1>to scare them so they'd be afraid to work for

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<v Speaker 1>your rifle.

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<v Speaker 5>But to take a chance with men's lives.

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<v Speaker 2>Lady, you don't know Joe Brandly.

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<v Speaker 4>Joe Brandly?

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<v Speaker 2>The man who's taking over the contract from Stockton? Yeah.

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<v Speaker 4>And a dirtier man would be impossible to find. He

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<v Speaker 4>wouldn't stop at anything.

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<v Speaker 1>Looks like he won out pretty easy, don't it? Pete's

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<v Speaker 1>turning the contract over to him Monday.

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<v Speaker 2>Well, he hasn't won yet.

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<v Speaker 1>Pop Brookie, if you see anything suspicious happening around here,

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<v Speaker 1>I want you to call me immediately.

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<v Speaker 4>You understand? Right. Come along, Margo.

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<v Speaker 2>We'll stop that fellow, Brantley. Margo?

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<v Speaker 4>I think the Shadow is going to pay a call

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<v Speaker 4>on a certain Mr. Brindley.

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<v Speaker 8>No.

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<v Speaker 2>Why should I be afraid? What?

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<v Speaker 4>Stockton is turning the job over to me?

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<v Speaker 1>What?

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<v Speaker 4>At the tunnel.

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<v Speaker 2>When? Tonight.

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<v Speaker 4>Yeah, well, let him try it.

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<v Speaker 1>I'll be at that tunnel and settle this thing once

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<v Speaker 1>and for all.

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<v Speaker 2>Yeah. Yeah. Thanks for the information.

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<v Speaker 4>Goodbye. Thank you for the information, Mr.

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<v Speaker 1>Brantley. What?

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<v Speaker 2>Who spoke?

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<v Speaker 4>I did, Mr.

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<v Speaker 1>Brantley.

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<v Speaker 4>Who are you?

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<v Speaker 2>I am called the Shadow. Where are you? I can't

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<v Speaker 2>see you.

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<v Speaker 1>I have wielded that you won't see me, Brantley. I've

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<v Speaker 1>cast a mist over your mind that makes me invisible

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<v Speaker 1>to your eyes.

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<v Speaker 4>What do you want of me?

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<v Speaker 1>I would like to know more about that phone conversation

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<v Speaker 1>you just had. I believe it was concerned with the

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<v Speaker 1>murders in the new intercity tunnel. Murders?

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<v Speaker 2>Those men were supposed to die by accident.

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<v Speaker 4>Did you have anything to do with that accident, Mr. Brantley?

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<v Speaker 4>What are you talking about?

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<v Speaker 2>I'm asking you, did you have anything to do with

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<v Speaker 2>those murders? No, nothing.

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<v Speaker 4>Then who were you speaking to on the telephone?

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<v Speaker 2>Why should I tell you? You'd better talk, Mr.

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<v Speaker 4>Brantley.

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<v Speaker 2>You haven't got anything on me.

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<v Speaker 4>That's true. I can't pin anything on you just now.

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<v Speaker 4>But let me warn you, Mr.

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<v Speaker 2>Brantley.

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<v Speaker 1>The Shadow intends to prevent anyone from destroying the intercity tunnel.

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<v Speaker 4>Who's there?

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<v Speaker 2>Oh, it's you, Mr. Cranston.

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<v Speaker 4>I couldn't see you in the dark. Yes, Pop Berkey.

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<v Speaker 5>Oh, Lamont, thank heaven you've come.

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<v Speaker 4>Margo, what are you doing here at the tunnel?

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<v Speaker 5>Well, I was waiting for you at your apartment, Lamont,

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<v Speaker 5>when Mr. Berkey called.

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<v Speaker 4>You asked me to call you if anything suspicious was

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<v Speaker 4>going on here.

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<v Speaker 5>And something suspicious is going on here.

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<v Speaker 4>There's someone down in the tunnel, Mr.

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<v Speaker 2>Cranston.

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<v Speaker 4>Yes, I know. I expected the killer would make his

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00:10:09.179 --> 00:10:11.379
<v Speaker 4>move tonight with the tunnel deserted. But what are you

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<v Speaker 4>doing here, Margo?

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<v Speaker 6>Well, I don't know, but I didn't know how to

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<v Speaker 6>get in touch with you, so I thought I'd see

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<v Speaker 6>what I could do in your absence.

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<v Speaker 5>I left a note for you at your apartment, Lamont. Oh,

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<v Speaker 5>am I glad you've come.

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<v Speaker 6>The very idea of going down into that empty tunnel

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00:10:23.240 --> 00:10:24.259
<v Speaker 6>gives me the cold chills.

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<v Speaker 4>Now, wait a minute, Margo. What were you expecting to

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00:10:26.889 --> 00:10:27.710
<v Speaker 4>do down in the tunnel?

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<v Speaker 5>What was I expecting to do?

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00:10:29.570 --> 00:10:29.970
<v Speaker 4>Why, I was.

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00:10:31.029 --> 00:10:34.090
<v Speaker 5>Well, now that you mention it, what was I expecting

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<v Speaker 5>to do?

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00:10:34.950 --> 00:10:39.039
<v Speaker 1>Margo, we're dealing with a desperate man. Do you realize

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<v Speaker 1>what might be waiting for you down there?

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<v Speaker 2>Mr.

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<v Speaker 1>Cranston is down in the tunnel, all right? The elevator

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00:10:43.490 --> 00:10:45.110
<v Speaker 1>was at the bottom of the shaft when I came

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00:10:45.149 --> 00:10:45.690
<v Speaker 1>back from dinner.

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<v Speaker 4>Berkey, what can he do to the tunnel? He could

253
00:10:48.470 --> 00:10:50.309
<v Speaker 4>set a time bomb and blow it to pieces. Well,

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<v Speaker 4>let's go.

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00:10:50.750 --> 00:10:51.090
<v Speaker 2>Where?

256
00:10:51.309 --> 00:10:53.330
<v Speaker 4>We're going down into the tunnel, Margot, on a manhunt.

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00:10:53.789 --> 00:10:54.389
<v Speaker 4>You better wait here.

258
00:10:54.570 --> 00:10:55.149
<v Speaker 2>All alone?

259
00:10:55.250 --> 00:10:55.960
<v Speaker 4>We won't be going long.

260
00:10:55.980 --> 00:10:58.019
<v Speaker 5>Uh-uh, not me. I'd rather go down the tunnel.

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00:10:58.179 --> 00:11:00.559
<v Speaker 4>All right, then, let's go. Where's the elevator, Berkey? Over

262
00:11:00.620 --> 00:11:02.299
<v Speaker 4>this way. I have some boots for you to wear.

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00:11:02.320 --> 00:11:06.460
<v Speaker 4>There's a little muddy down below. All right. Here, step in, Margot.

264
00:11:07.539 --> 00:11:09.080
<v Speaker 5>We're going down into a coal mine, isn't it?

265
00:11:11.139 --> 00:11:13.759
<v Speaker 4>Margo, have you ever been down in a coal mine?

266
00:11:14.100 --> 00:11:16.480
<v Speaker 5>No, but this is the way I imagine it would be.

267
00:11:19.340 --> 00:11:20.320
<v Speaker 5>How deep is this?

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00:11:20.539 --> 00:11:20.779
<v Speaker 1>What?

269
00:11:21.230 --> 00:11:22.399
<v Speaker 5>This elevator shaft.

270
00:11:22.610 --> 00:11:25.230
<v Speaker 4>About a hundred feet or so. It isn't very deep.

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00:11:25.409 --> 00:11:26.629
<v Speaker 5>It's deep enough for me, thanks.

272
00:11:26.889 --> 00:11:28.370
<v Speaker 4>This will take us down to the tunnel.

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00:11:30.309 --> 00:11:30.889
<v Speaker 5>What happened?

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<v Speaker 2>We've arrived, Margo.

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<v Speaker 4>That's all.

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00:11:32.909 --> 00:11:33.549
<v Speaker 5>That's enough.

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00:11:34.919 --> 00:11:37.659
<v Speaker 4>All right, step out. Look out for the mud and water.

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00:11:38.159 --> 00:11:41.559
<v Speaker 4>Better walk on the planks. Wait a minute. Flash your

279
00:11:41.580 --> 00:11:44.879
<v Speaker 4>light around, Berkey. Well, no one here.

280
00:11:45.820 --> 00:11:46.639
<v Speaker 2>All right, lead on, Berkey.

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00:11:49.470 --> 00:11:53.309
<v Speaker 5>It's a gloomy-looking place, isn't it? Sort of scary, too.

282
00:11:53.690 --> 00:11:58.629
<v Speaker 4>You're just outside the tunnel now. All right, step in, Marlowe.

283
00:11:59.120 --> 00:11:59.809
<v Speaker 5>Is this the tunnel?

284
00:12:00.049 --> 00:12:00.789
<v Speaker 2>Not yet, lady.

285
00:12:01.210 --> 00:12:02.549
<v Speaker 4>This is the decompression chamber.

286
00:12:02.870 --> 00:12:05.350
<v Speaker 5>Oh, yes, the decomp... The what? I'm not going in

287
00:12:05.370 --> 00:12:05.909
<v Speaker 5>that thing.

288
00:12:05.929 --> 00:12:07.850
<v Speaker 2>It's the only way we can get into the tunnel, Margo.

289
00:12:07.870 --> 00:12:10.429
<v Speaker 5>Well, isn't that the place where those men were... Say,

290
00:12:10.470 --> 00:12:11.740
<v Speaker 5>I don't think I'm going to like this.

291
00:12:11.769 --> 00:12:13.539
<v Speaker 4>Come on, Margo. It's too late to back out now.

292
00:12:13.940 --> 00:12:16.539
<v Speaker 5>Well, I'll get in, but it's under protest.

293
00:12:17.059 --> 00:12:17.539
<v Speaker 2>Okay, Berkey.

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<v Speaker 4>Shut the door.

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00:12:23.009 --> 00:12:25.509
<v Speaker 1>That means that air is being pumped into this chamber.

296
00:12:25.950 --> 00:12:26.950
<v Speaker 1>We're going under pressure.

297
00:12:27.009 --> 00:12:27.909
<v Speaker 5>No, I don't like it.

298
00:12:28.309 --> 00:12:31.129
<v Speaker 4>Your ears hurt, huh? It's the pressure. You'll get used

299
00:12:31.149 --> 00:12:31.360
<v Speaker 4>to it.

300
00:12:31.490 --> 00:12:32.830
<v Speaker 5>I don't intend to get used to it.

301
00:12:33.009 --> 00:12:34.309
<v Speaker 4>It's necessary, Margot.

302
00:12:34.970 --> 00:12:36.700
<v Speaker 1>You see, we've got to adjust the pressure in our

303
00:12:36.740 --> 00:12:38.980
<v Speaker 1>bodies to the pressure in the tunnel before we can

304
00:12:39.019 --> 00:12:44.879
<v Speaker 1>enter it. Well, pressure's even now. Ah, this is the tunnel.

305
00:12:45.399 --> 00:12:47.039
<v Speaker 1>The river's right overhead, lady.

306
00:12:47.460 --> 00:12:48.440
<v Speaker 5>Oh, it's so dark.

307
00:12:48.899 --> 00:12:51.029
<v Speaker 4>Can you give us some light, Brookie? I wouldn't want

308
00:12:51.070 --> 00:12:54.350
<v Speaker 4>someone sneaking up behind me in the dark. Yeah, that's better.

309
00:12:55.210 --> 00:12:56.429
<v Speaker 5>Goodness, it's muddy down here.

310
00:12:57.490 --> 00:12:57.970
<v Speaker 4>Now what, Mr.

311
00:12:58.009 --> 00:12:58.269
<v Speaker 2>Berkey?

312
00:12:58.710 --> 00:13:00.190
<v Speaker 4>Now we'll take a look around.

313
00:13:02.000 --> 00:13:04.899
<v Speaker 5>Knowing you, Lamont, certainly gets me into the dauntless places.

314
00:13:04.919 --> 00:13:06.179
<v Speaker 4>You're not sorry, are you?

315
00:13:06.519 --> 00:13:07.779
<v Speaker 5>No, but I do wish that.

316
00:13:07.799 --> 00:13:08.019
<v Speaker 2>Hey, look.

317
00:13:08.899 --> 00:13:11.440
<v Speaker 1>I'm going back to the decompression chamber to see that

318
00:13:11.460 --> 00:13:13.750
<v Speaker 1>whoever it is don't try to slip out while you're

319
00:13:13.769 --> 00:13:15.049
<v Speaker 1>looking toward the center of the tunnel.

320
00:13:15.210 --> 00:13:15.909
<v Speaker 4>That's a good idea.

321
00:13:16.649 --> 00:13:17.289
<v Speaker 2>We'll go on ahead.

322
00:13:18.450 --> 00:13:18.889
<v Speaker 4>Come on, Margot.

323
00:13:21.169 --> 00:13:23.509
<v Speaker 5>Lamont, do you think that was such a good idea?

324
00:13:23.789 --> 00:13:24.000
<v Speaker 4>What?

325
00:13:24.580 --> 00:13:27.440
<v Speaker 6>Sending him back to guard the exit. Suppose whoever it

326
00:13:27.500 --> 00:13:29.720
<v Speaker 6>is down here overpowers him and locks us in.

327
00:13:31.120 --> 00:13:33.480
<v Speaker 4>Don't be silly, Margo. That couldn't happen. Berkey's no.

328
00:13:34.340 --> 00:13:35.360
<v Speaker 5>The lights! They've gone out!

329
00:13:35.399 --> 00:13:35.700
<v Speaker 3>Berkey!

330
00:13:36.360 --> 00:13:36.980
<v Speaker 1>Berkey, what's wrong?

331
00:13:37.980 --> 00:13:39.659
<v Speaker 2>Berkey! Come on, Margo.

332
00:13:40.340 --> 00:13:41.070
<v Speaker 4>We've got to get out of here.

333
00:13:41.299 --> 00:13:43.250
<v Speaker 5>I can't see anything, Lamont. I can't run in the dark.

334
00:13:43.309 --> 00:13:43.970
<v Speaker 2>Over this way, Margo.

335
00:13:44.590 --> 00:13:45.070
<v Speaker 4>Give me a hand.

336
00:13:45.090 --> 00:13:47.370
<v Speaker 2>All right. Here's the door.

337
00:13:48.659 --> 00:13:49.279
<v Speaker 1>Get us out of here!

338
00:13:49.820 --> 00:13:50.419
<v Speaker 4>Sparky!

339
00:13:51.080 --> 00:13:52.000
<v Speaker 2>Sparky!

340
00:13:54.059 --> 00:13:57.240
<v Speaker 5>I don't think he can help us now. Well, what

341
00:13:57.259 --> 00:13:57.820
<v Speaker 5>are we going to do?

342
00:13:58.559 --> 00:14:01.080
<v Speaker 4>I guess we'll have to wait until someone comes and

343
00:14:01.120 --> 00:14:01.620
<v Speaker 4>lets us out.

344
00:14:01.950 --> 00:14:04.929
<v Speaker 5>That's a pleasant thought. Not really spending a night in

345
00:14:04.970 --> 00:14:08.269
<v Speaker 5>this place. What's that?

346
00:14:08.289 --> 00:14:09.230
<v Speaker 2>It sounds like a phone.

347
00:14:09.629 --> 00:14:10.250
<v Speaker 5>Down here?

348
00:14:10.269 --> 00:14:12.830
<v Speaker 4>Yeah, a foreman probably uses it to speak to his

349
00:14:12.850 --> 00:14:13.690
<v Speaker 4>boss above ground.

350
00:14:14.250 --> 00:14:15.009
<v Speaker 5>Well, where is it?

351
00:14:15.509 --> 00:14:18.110
<v Speaker 4>Well, the sound came from... Oh, there it is.

352
00:14:19.960 --> 00:14:20.259
<v Speaker 5>Hello?

353
00:14:20.879 --> 00:14:21.419
<v Speaker 4>Well, Mr.

354
00:14:21.460 --> 00:14:23.809
<v Speaker 1>Cranston, I guess this will teach you not to poke

355
00:14:23.830 --> 00:14:25.590
<v Speaker 1>your nose into something that doesn't concern you.

356
00:14:25.769 --> 00:14:28.950
<v Speaker 2>Who is this? Makes no difference now, Mr. Cranston. You're

357
00:14:28.990 --> 00:14:29.750
<v Speaker 2>gonna die.

358
00:14:29.769 --> 00:14:30.909
<v Speaker 1>You hear me?

359
00:14:31.590 --> 00:14:33.230
<v Speaker 2>Die. Brantley, listen to me.

360
00:14:34.169 --> 00:14:36.519
<v Speaker 4>I don't care about myself. But surely you won't do

361
00:14:36.539 --> 00:14:38.720
<v Speaker 4>this to a woman. Sorry, I can't oblige you, but

362
00:14:38.779 --> 00:14:41.940
<v Speaker 4>she's got to go, too. Now I'm gonna step up

363
00:14:41.980 --> 00:14:44.919
<v Speaker 4>the pressure in the tunnel till your eardrums crack.

364
00:14:46.769 --> 00:14:49.149
<v Speaker 3>It'll go until the whole tunnel will explode just like

365
00:14:49.190 --> 00:14:50.090
<v Speaker 3>a punctured balloon.

366
00:14:50.610 --> 00:14:51.970
<v Speaker 2>The river will rush in and.

367
00:14:51.950 --> 00:14:54.190
<v Speaker 1>You'll be drowned like rats in a trap.

368
00:14:54.889 --> 00:14:56.490
<v Speaker 2>Hello? Hello?

369
00:14:57.610 --> 00:14:58.350
<v Speaker 4>Oh, he's hung up.

370
00:14:58.389 --> 00:15:00.690
<v Speaker 5>What is it, Lamont? Oh, the lights. The lights are

371
00:15:00.750 --> 00:15:01.149
<v Speaker 5>on again.

372
00:15:01.570 --> 00:15:05.009
<v Speaker 4>Margot, I've got something to say to you, and it's

373
00:15:05.029 --> 00:15:05.799
<v Speaker 4>not going to be easy.

374
00:15:06.440 --> 00:15:06.960
<v Speaker 2>Yes, Lamont?

375
00:15:07.659 --> 00:15:10.840
<v Speaker 4>This is the end for us. We're going to die

376
00:15:11.440 --> 00:15:12.460
<v Speaker 4>here in this hole, Margot.

377
00:15:13.500 --> 00:15:15.809
<v Speaker 5>Lamont... I'm not afraid to die.

378
00:15:16.929 --> 00:15:17.289
<v Speaker 4>Margot.

379
00:15:19.669 --> 00:15:22.309
<v Speaker 4>All I can see is I... I know now that I...

380
00:15:22.250 --> 00:15:24.029
<v Speaker 4>I've been right about you.

381
00:15:24.049 --> 00:15:25.070
<v Speaker 2>Thanks, Lamont.

382
00:15:26.769 --> 00:15:27.389
<v Speaker 5>Is it Brandly?

383
00:15:28.230 --> 00:15:30.100
<v Speaker 4>I don't know, Margot. I... I think so.

384
00:15:30.120 --> 00:15:31.940
<v Speaker 5>Lamont, what's that?

385
00:15:32.899 --> 00:15:36.320
<v Speaker 1>I'm afraid he's going to carry out his threat. He's

386
00:15:36.340 --> 00:15:38.740
<v Speaker 1>going to increase the pressure till it blows this tunnel

387
00:15:38.779 --> 00:15:39.259
<v Speaker 1>to bits.

388
00:15:40.480 --> 00:15:40.740
<v Speaker 8>Well.

389
00:15:41.940 --> 00:15:43.399
<v Speaker 6>If this is to be the last few minutes I'm

390
00:15:43.419 --> 00:15:46.320
<v Speaker 6>going to spend on this, Eric... I'm at least going

391
00:15:46.340 --> 00:15:48.980
<v Speaker 6>to be gay about it. I'm not going out with

392
00:15:49.039 --> 00:15:50.159
<v Speaker 6>a frown on my face.

393
00:15:50.179 --> 00:15:52.620
<v Speaker 4>And a very lovely face it is, too, Margo.

394
00:15:52.840 --> 00:15:56.379
<v Speaker 5>Why, Lamont, do you realize that's practically the first compliment

395
00:15:56.419 --> 00:15:57.120
<v Speaker 5>you've ever paid me?

396
00:15:57.539 --> 00:16:00.659
<v Speaker 4>Well, it just proves what a stuffy guy I've been.

397
00:16:01.120 --> 00:16:04.629
<v Speaker 5>Oh, a pretty swell guy, if anyone should ask. There's

398
00:16:04.649 --> 00:16:06.610
<v Speaker 5>never been a dull moment on our merry-go-round.

399
00:16:07.409 --> 00:16:10.610
<v Speaker 4>We have had great times together, haven't we?

400
00:16:11.149 --> 00:16:15.470
<v Speaker 5>I wouldn't trade them for anything, Lamont. Oh, Lamont... Oh,

401
00:16:15.490 --> 00:16:16.210
<v Speaker 5>my ears hurt.

402
00:16:16.889 --> 00:16:17.620
<v Speaker 2>My head. Yeah.

403
00:16:17.629 --> 00:16:23.700
<v Speaker 4>You know, Margo, pressure's going up very rapidly. I guess

404
00:16:23.720 --> 00:16:25.460
<v Speaker 4>he wants to finish his office in a hurry.

405
00:16:26.399 --> 00:16:29.720
<v Speaker 5>Oh, it's so warm and damp down here.

406
00:16:29.860 --> 00:16:30.080
<v Speaker 2>Yeah.

407
00:16:31.259 --> 00:16:35.009
<v Speaker 4>Pressure must be up pretty high now. We won't have

408
00:16:35.090 --> 00:16:35.730
<v Speaker 4>long to wait.

409
00:16:36.649 --> 00:16:36.990
<v Speaker 6>Yeah.

410
00:16:38.490 --> 00:16:39.629
<v Speaker 5>It's getting so misty.

411
00:16:40.970 --> 00:16:41.309
<v Speaker 1>Margo.

412
00:16:42.610 --> 00:16:43.490
<v Speaker 5>What is it, Lamarck?

413
00:16:45.080 --> 00:16:48.720
<v Speaker 1>Margot, in a minute, that weak part of the tunnel

414
00:16:48.779 --> 00:16:53.139
<v Speaker 1>up there, the part that hasn't been reinforced, is going

415
00:16:53.159 --> 00:16:56.200
<v Speaker 1>to give way. The river's going to rush in. If

416
00:16:57.620 --> 00:17:00.419
<v Speaker 1>we climb up this framework here, we'll be able to

417
00:17:00.490 --> 00:17:01.149
<v Speaker 1>hold out longer.

418
00:17:02.929 --> 00:17:05.269
<v Speaker 5>What difference will that make?

419
00:17:05.609 --> 00:17:09.890
<v Speaker 2>I don't know, Margot, but come on, let's climb. All right, Lamont.

420
00:17:10.869 --> 00:17:12.750
<v Speaker 5>If it'll make you any happier.

421
00:17:12.809 --> 00:17:16.009
<v Speaker 2>Here, give me your hand. I'll help you.

422
00:17:17.329 --> 00:17:28.089
<v Speaker 8>Come on.

423
00:17:28.210 --> 00:17:29.230
<v Speaker 1>Lamont, help!

424
00:17:33.920 --> 00:17:36.359
<v Speaker 7>Well, Commissioner Weston, we've pumped all the water out of

425
00:17:36.380 --> 00:17:40.180
<v Speaker 7>the tunnel. Found no trace of Margot or Lamont's bodies.

426
00:17:41.200 --> 00:17:42.380
<v Speaker 7>They must have been washed into the river.

427
00:17:42.900 --> 00:17:43.140
<v Speaker 2>Yeah.

428
00:17:44.609 --> 00:17:46.529
<v Speaker 4>You know, they were both personal friends of mine, too.

429
00:17:47.009 --> 00:17:48.089
<v Speaker 2>Yes. Yes, I know.

430
00:17:48.670 --> 00:17:50.769
<v Speaker 4>Well, that's the way it goes.

431
00:17:51.529 --> 00:17:54.369
<v Speaker 7>Lamont was trying to help me. I was going to

432
00:17:54.390 --> 00:17:56.750
<v Speaker 7>give up the whole job, Commissioner, but now I'm going

433
00:17:56.789 --> 00:17:59.450
<v Speaker 7>ahead with it. If he thought that much of me, I.

434
00:18:00.579 --> 00:18:01.660
<v Speaker 2>Well... Yeah, I understand.

435
00:18:01.680 --> 00:18:04.859
<v Speaker 4>Well, now tell me about this Pop Berkey.

436
00:18:05.140 --> 00:18:08.059
<v Speaker 2>Well, it's simple enough. I found Pop myself. He was

437
00:18:08.099 --> 00:18:10.160
<v Speaker 2>just outside the tunnel, unconscious from a blow on his head.

438
00:18:10.319 --> 00:18:11.140
<v Speaker 4>How long have you known him?

439
00:18:11.859 --> 00:18:14.779
<v Speaker 7>He and my dad broke into sand hogging together. Later,

440
00:18:14.799 --> 00:18:17.339
<v Speaker 7>when a tunnel accident made Berkey unfit for work underground,

441
00:18:17.359 --> 00:18:19.720
<v Speaker 7>my dad always found a job for him up above.

442
00:18:19.940 --> 00:18:22.700
<v Speaker 4>Ah. And, well, I sort of followed in dad's footsteps.

443
00:18:22.910 --> 00:18:23.089
<v Speaker 8>Ah.

444
00:18:23.450 --> 00:18:26.549
<v Speaker 4>Well, this whole business proves one thing. That so-called accident

445
00:18:26.589 --> 00:18:28.109
<v Speaker 4>in the tunnel where the eight men were killed was

446
00:18:28.150 --> 00:18:30.630
<v Speaker 4>no accident. I'll have my men stationed at the tunnel

447
00:18:30.650 --> 00:18:32.529
<v Speaker 4>tomorrow when you go back to work. Oh, I'd appreciate it,

448
00:18:32.529 --> 00:18:36.880
<v Speaker 4>Commissioner Winston. That's all right. You know, I'm going to

449
00:18:36.890 --> 00:18:37.980
<v Speaker 4>miss that fellow Cranston.

450
00:18:38.099 --> 00:18:45.440
<v Speaker 7>The End.

451
00:18:45.000 --> 00:18:46.420
<v Speaker 4>Stockton, do you mind if I stay here a while

452
00:18:46.460 --> 00:18:47.440
<v Speaker 4>and look this room over?

453
00:18:47.460 --> 00:18:49.660
<v Speaker 7>No, not at all, Commissioner Weston. I've got to go

454
00:18:49.680 --> 00:18:51.039
<v Speaker 7>down below in the tunnel and talk to the men.

455
00:18:51.799 --> 00:18:54.029
<v Speaker 7>If anything happens this time... Nothing's going to happen, Mr.

456
00:18:54.049 --> 00:18:54.380
<v Speaker 1>Stockton.

457
00:18:54.549 --> 00:18:56.190
<v Speaker 4>Not while I'm here. Good luck, son.

458
00:18:56.490 --> 00:18:59.190
<v Speaker 2>Good luck. Yeah, thanks.

459
00:19:03.150 --> 00:19:03.970
<v Speaker 4>Commissioner Weston.

460
00:19:04.150 --> 00:19:04.930
<v Speaker 2>Huh? What?

461
00:19:05.230 --> 00:19:08.190
<v Speaker 4>It's the Shadow, Commissioner. The Shadow. Well, my friend, what

462
00:19:08.210 --> 00:19:08.890
<v Speaker 4>are you doing here?

463
00:19:09.309 --> 00:19:10.890
<v Speaker 2>I'm here to help you catch the murderer.

464
00:19:11.509 --> 00:19:12.710
<v Speaker 4>That's what you're here for, isn't it?

465
00:19:12.750 --> 00:19:13.670
<v Speaker 2>Yeah, sure, sure.

466
00:19:13.690 --> 00:19:14.170
<v Speaker 4>But who is he?

467
00:19:14.349 --> 00:19:15.849
<v Speaker 2>Softly, Commissioner, softly.

468
00:19:16.529 --> 00:19:18.809
<v Speaker 1>You wouldn't want to scare our murderer away, would you?

469
00:19:18.950 --> 00:19:19.430
<v Speaker 4>Is he here?

470
00:19:19.589 --> 00:19:22.509
<v Speaker 1>Very close now. In just a moment, he'll come into

471
00:19:22.549 --> 00:19:26.549
<v Speaker 1>this room. This is what he's been waiting for. You see,

472
00:19:26.589 --> 00:19:28.990
<v Speaker 1>the lives of the men in the tunnel depend on

473
00:19:29.009 --> 00:19:33.039
<v Speaker 1>the proper functioning of the pump machinery here. The murderer

474
00:19:33.059 --> 00:19:35.279
<v Speaker 1>will attempt to destroy the pump and kill the men

475
00:19:35.359 --> 00:19:38.619
<v Speaker 1>down in the tunnel. This is to be his final job.

476
00:19:39.589 --> 00:19:44.140
<v Speaker 1>For today, for the first time, Peter Stockton is down below.

477
00:19:44.240 --> 00:19:45.579
<v Speaker 4>Well, he won't get away with it.

478
00:19:45.740 --> 00:19:46.500
<v Speaker 2>Quiet, Commissioner.

479
00:19:47.380 --> 00:19:48.690
<v Speaker 4>I think this is our man now.

480
00:19:49.369 --> 00:19:49.529
<v Speaker 2>Quick.

481
00:19:50.000 --> 00:19:50.819
<v Speaker 1>Hide behind the machinery.

482
00:19:50.839 --> 00:20:08.390
<v Speaker 4>Yeah, right. Here it is. The main induction valve. Now, Mr. Stockton,

483
00:20:08.789 --> 00:20:11.119
<v Speaker 4>you're going to pay for what your father did to me.

484
00:20:11.130 --> 00:20:11.859
<v Speaker 2>Listen, stop it.

485
00:20:12.059 --> 00:20:13.319
<v Speaker 8>I'll get it.

486
00:20:13.599 --> 00:20:16.500
<v Speaker 2>I'll stop you. I'll stop you all right.

487
00:20:18.720 --> 00:20:22.920
<v Speaker 4>Now, let's see who it is. Why, it's Pop Berkey.

488
00:20:23.880 --> 00:20:25.140
<v Speaker 4>I've killed old Pop Berkey.

489
00:20:25.220 --> 00:20:25.900
<v Speaker 2>No, Commissioner.

490
00:20:25.920 --> 00:20:27.039
<v Speaker 4>He lived to.

491
00:20:35.029 --> 00:20:37.430
<v Speaker 2>Hello, Commissioner.

492
00:20:37.690 --> 00:20:38.609
<v Speaker 5>We've come to be witness.

493
00:20:38.650 --> 00:20:39.529
<v Speaker 2>Wait, what?

494
00:20:40.190 --> 00:20:42.650
<v Speaker 4>Cranston and you, Miss Lane, I thought you were... Yes,

495
00:20:42.769 --> 00:20:44.450
<v Speaker 4>I know, Commissioner, but.

496
00:20:44.630 --> 00:20:46.240
<v Speaker 5>Well, aren't you glad to see us?

497
00:20:46.250 --> 00:20:48.319
<v Speaker 4>Oh, of course, of course. But how did you get out?

498
00:20:48.359 --> 00:20:50.460
<v Speaker 4>Where have you been? You were in the tunnel, weren't you?

499
00:20:50.599 --> 00:20:51.980
<v Speaker 4>One question at a time, Commissioner.

500
00:20:52.059 --> 00:20:54.799
<v Speaker 1>We were in the tunnel, all right, but we escaped. Escaped?

501
00:20:54.839 --> 00:20:56.700
<v Speaker 6>Yes, we climbed to the top of the tunnel just

502
00:20:56.740 --> 00:20:57.940
<v Speaker 6>before the blow-off came.

503
00:20:57.960 --> 00:20:58.319
<v Speaker 4>You climbed.

504
00:20:58.579 --> 00:21:01.240
<v Speaker 5>There was an air pocket. A very wonderful air pocket.

505
00:21:01.279 --> 00:21:02.599
<v Speaker 4>Don't forget the details, Margo.

506
00:21:02.680 --> 00:21:05.099
<v Speaker 5>Oh, yes. I ruined a perfectly good pair of stockings.

507
00:21:05.180 --> 00:21:06.839
<v Speaker 4>Oh, that's... But how did you get out?

508
00:21:06.900 --> 00:21:08.000
<v Speaker 2>Through the escape chamber.

509
00:21:08.059 --> 00:21:09.660
<v Speaker 4>Berkey had forgotten all about that.

510
00:21:09.700 --> 00:21:13.259
<v Speaker 6>But Lamont hadn't. He found it, didn't you, Lamont? Right

511
00:21:13.279 --> 00:21:15.839
<v Speaker 6>at the top of the tunnel. Let me tell you something, Commissioner.

512
00:21:15.920 --> 00:21:18.720
<v Speaker 5>If you ever get stuck in a tunnel, have Lamont along.

513
00:21:18.759 --> 00:21:21.420
<v Speaker 4>Well, I still don't understand it. What about Berkey? He

514
00:21:21.440 --> 00:21:24.049
<v Speaker 4>confessed everything last night. It seems he hated Stockton because

515
00:21:24.089 --> 00:21:27.549
<v Speaker 4>he thought Stockton's father was responsible for his accidents. Also,

516
00:21:27.609 --> 00:21:28.970
<v Speaker 4>because Stockton's father.

517
00:21:28.710 --> 00:21:31.390
<v Speaker 1>Married the woman he loved. Couldn't get even with his

518
00:21:31.470 --> 00:21:33.069
<v Speaker 1>old man, so he was going to take it out

519
00:21:33.109 --> 00:21:33.609
<v Speaker 1>on his son.

520
00:21:34.150 --> 00:21:36.690
<v Speaker 4>Then he tried to implicate Brandy to shield himself. Well,

521
00:21:36.789 --> 00:21:38.470
<v Speaker 4>I guess you've got all the evidence you need, Commissioner,

522
00:21:38.509 --> 00:21:40.569
<v Speaker 4>so Margo and I will be running along. Wait a minute.

523
00:21:40.970 --> 00:21:42.869
<v Speaker 4>Wait a minute. I'm not through with you two yet.

524
00:21:43.390 --> 00:21:45.109
<v Speaker 4>Why didn't you let people know that you were safe?

525
00:21:45.509 --> 00:21:48.990
<v Speaker 1>Because, Commissioner, we couldn't resist satisfying a lifelong ambition.

526
00:21:49.150 --> 00:21:51.589
<v Speaker 4>What's that? Reading our own obituaries.

527
00:22:03.569 --> 00:22:05.890
<v Speaker 3>Today's program is based on a story copyrighted by the

528
00:22:05.930 --> 00:22:09.809
<v Speaker 3>Shadow Magazine. The characters, names, places, and plot are fictitious.

529
00:22:10.349 --> 00:22:13.349
<v Speaker 3>Any similarity to persons living or dead is purely coincidental.

530
00:22:14.109 --> 00:22:17.009
<v Speaker 3>The Shadow Magazine is on sale at your local newsstand.

531
00:22:25.539 --> 00:22:32.019
<v Speaker 1>The weed of crime bears bitter fruit. Crime does not

532
00:22:32.140 --> 00:22:35.140
<v Speaker 1>pay you. The shadow knows.
