WEBVTT

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<v Speaker 1>Two weeks from tonight, October fifth, You Bet Your Life

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<v Speaker 1>starring Groucho Marx, will be heard at this time over

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<v Speaker 1>most of these same CBS stations, we offer you Escape,

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<v Speaker 1>starring Victor Mature. Escape designed to free you from the

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<v Speaker 1>four walls of to day for a half hour of

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<v Speaker 1>high adventure.

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<v Speaker 2>You were camped in the dry mountains of Mexico, a

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<v Speaker 2>hundred yards from a treasure and buried gold. A beautiful

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<v Speaker 2>girl is sitting across the fire with a gun, and

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<v Speaker 2>somewhere out in the night, a horseman waits like the

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<v Speaker 2>girl for you to make just one mistake.

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<v Speaker 1>Tonight, with Victor Mature as Toby Manning, we escaped to

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<v Speaker 1>Mexico with a story of conflict between love and the

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<v Speaker 1>lust for gold, as Jeffrey Household told it him the

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<v Speaker 1>Fortune of Bargas from his exciting novel The Third Hour.

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<v Speaker 3>It was dark and hot. The tropic night air was

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<v Speaker 3>like warm steam. Night's sounds drifted over from the docks

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<v Speaker 3>and from the native quarter of Panama City. I stood

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<v Speaker 3>outside the hotel entrance and looked up at the lighted

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<v Speaker 3>window on the third floor where Baguely was waiting. After

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<v Speaker 3>the night, I hoped I'd never see his ugly face again. Somewhere, somehow,

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<v Speaker 3>I had to make the break.

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<v Speaker 4>Okay, Okay, you can have your three weeks off, but

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<v Speaker 4>you'll never do it.

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<v Speaker 3>You haven't got the guts to break away. Fatly, it

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<v Speaker 3>doesn't take guts to break away from a lousy job

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<v Speaker 3>peddaling mining machinery in Latin America.

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<v Speaker 4>I'll look, Toby, you could be South American manager in

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<v Speaker 4>ten years if you'd settled down and work at it

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<v Speaker 4>and stop beating your head against the wall.

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<v Speaker 3>Yeah. Yeah, maybe in twenty five years I could retire

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<v Speaker 3>and drop dead. Look, all I need is one right break,

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<v Speaker 3>and I'll take it from there. Any kind of a

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<v Speaker 3>break you need more than a break, Toby, If one

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<v Speaker 3>fell right in your lap, you'd play it just so far,

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<v Speaker 3>and then you'd start doubting yourself or somebody else, and

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<v Speaker 3>that's what would beat you. Maybe so, But I've got

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<v Speaker 3>the next three weeks now.

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<v Speaker 4>Look, every time I come to Panama, you say you're

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<v Speaker 4>gonna quit. Every time you tell me a big chance

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<v Speaker 4>for real money is just around the corner. Why don't

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<v Speaker 4>think it wise to you? All right, all right, lay

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<v Speaker 4>off of me, will you Bakeley Report to me in

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<v Speaker 4>New York on the twenty ninth. I'll lay out your

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<v Speaker 4>new schedule for you.

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<v Speaker 3>Don't count on it. You'll be there, all right. I'll

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<v Speaker 3>give you odds on it.

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<v Speaker 4>I'll bet you don't do a thing except sit in

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<v Speaker 4>the sun for the next three.

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<v Speaker 3>Weeks setting the sun for three weeks. That would suit

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<v Speaker 3>bagly fine to see me come crawling back again. Well,

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<v Speaker 3>I didn't have a definite plan, but I knew i'd

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<v Speaker 3>keep on the move. I was so fed up with

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<v Speaker 3>Batley the job mining machinery, I'd have jumped at anything.

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<v Speaker 3>A guy in a mood like that can get into

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<v Speaker 3>plenty of trouble. And three days later I found it.

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<v Speaker 2>Do you have any of the senior manding? Welcome back

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<v Speaker 2>to Colonna, to the Cari.

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<v Speaker 3>Hi, Evanuel, what's new?

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<v Speaker 2>You waste not, amigo? The world grows older, but that

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<v Speaker 2>is not new?

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<v Speaker 3>He sit down? Thanks? How's business? Say? Place is empty?

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<v Speaker 2>We see sometimes good, sometimes baddens, never is interesting or

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<v Speaker 2>in fact, I have said to myself, with a life

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<v Speaker 2>of this kind, I am how do you call it up? Hey?

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<v Speaker 2>See see?

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<v Speaker 3>Yes, Oh my look, why don't we team up and

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<v Speaker 3>start a revolution somewhere?

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<v Speaker 2>Karamba. I was in one. Once in Mexico, I was

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<v Speaker 2>a capitan with the General Lara.

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<v Speaker 3>We were defeated. Lara Lara was ambushed somewhere around Torreon.

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<v Speaker 3>Wasn't he he? Here mego?

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<v Speaker 2>We were outnumbered and he was killed. But I was

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<v Speaker 2>more lucky. I walked three hundred kilometers to the sea

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<v Speaker 2>coast escape on a Dutch for its ship. Hey, Carama,

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<v Speaker 2>I hope I will never do that again.

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<v Speaker 3>So too, you know there's not much profit and revolution.

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<v Speaker 3>All right, let me have a wrong man.

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<v Speaker 2>You well see here you are in your You were

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<v Speaker 2>wrong about the revolutions. In your marning in Mexico with

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<v Speaker 2>General Lara, I made a fortune like a man never dreams.

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<v Speaker 3>About enough to open this cafe. Like, I don't call

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<v Speaker 3>that a fortune.

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<v Speaker 2>Then your mannay in Mexico is one half million dollars

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<v Speaker 2>in goal which belonged to.

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<v Speaker 3>Me half a million bucks. Yeah, yeah, yeah, sure it

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<v Speaker 3>is true. I may go. I swear it.

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<v Speaker 2>You will would take a little chance for that much?

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<v Speaker 3>Perhaps? Perhaps? Why?

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<v Speaker 2>Why then we are going to have talked tonight. I

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<v Speaker 2>have already decided that before you come here this time.

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<v Speaker 3>I don't get it. What do you mean why.

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<v Speaker 2>You think I ask questions from you always when you

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<v Speaker 2>come here you tell me, because I wish to find

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<v Speaker 2>out if you are a right man for the plan

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<v Speaker 2>I have. I have decaid that you are boying. Well,

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<v Speaker 2>let's talk tonight at my castle.

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<v Speaker 3>Why not?

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<v Speaker 2>Now you think there is no danger for one who

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<v Speaker 2>knows the secret to a fortune, one must be careful.

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<v Speaker 3>A fortune the big chance. Come on, Manuel, Let's get

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<v Speaker 3>over to your cassa and start dealing the cards.

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<v Speaker 2>So, as I tell you, Senor Manning, everything works according

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<v Speaker 2>to the plan which Hanner Alara has made. The dynamite

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<v Speaker 2>explodes and the train is wrecked. Our men break open

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<v Speaker 2>the freight cars and load the pack horses and ride

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<v Speaker 2>for the roundezvus at Torreon.

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<v Speaker 3>Everybody except to you in general law it was at it.

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<v Speaker 3>We are the.

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<v Speaker 2>Only ones who know the shipment of gold which is

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<v Speaker 2>secretly on board. We find it, of course, Laura horses

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<v Speaker 2>and head north to the hills, with the Federalists close

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<v Speaker 2>behind us. At nightfall, we bury the gold ride for Torreon.

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<v Speaker 2>I have four days later, and that Alara is killed

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<v Speaker 2>and I escape as I tell you, and the gold

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<v Speaker 2>is still there, a half a million dollars worth, Sisor,

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<v Speaker 2>and I am the only man who knows where to

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<v Speaker 2>find it. But if I inenter Mexico, I will be

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<v Speaker 2>executed within twenty four hours. That is why I need

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<v Speaker 2>a partner. You've got one, only one thing.

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<v Speaker 3>I may go.

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<v Speaker 2>Do not think that there will be no danger in

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<v Speaker 2>mehe co or thousands of bandidos who we'll cut your

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<v Speaker 2>throat for one tenth as much money.

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<v Speaker 3>And on the other hand, a half a share and

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<v Speaker 3>a fortune a quarter of a million dollars. I'd shoot

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<v Speaker 3>the works for a whole lot less than that. Boy.

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<v Speaker 2>Then I will explain to you have to find it.

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<v Speaker 3>But what is qudapo?

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<v Speaker 2>Here's somebody move outside the window.

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<v Speaker 3>Mamasaf here, careful, Manuel, Manuel, waste from that door here?

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<v Speaker 3>Let me get the lights off there. Did you see

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<v Speaker 3>who it was? No?

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<v Speaker 2>I think these shots come from the bushes across from

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<v Speaker 2>the door.

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<v Speaker 3>Well maybe we better take a look. Let's get to

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<v Speaker 3>the door, passed and step to the side. You got

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<v Speaker 3>your gun, see, Senor, Okay, let's go. I do not

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<v Speaker 3>hear anything, Senor. No, and it's as black as a hat.

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<v Speaker 3>I'm going across.

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<v Speaker 5>Manuel, keep me covered, Boeno, there is.

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<v Speaker 2>Nobody there on me.

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<v Speaker 3>Go. No, whoever it was must have run down the

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<v Speaker 3>alley there as soon as they fired. Say you've got

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<v Speaker 3>any ideas, there's no, amigo. Look Manuel, if nobody but

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<v Speaker 3>you and Laurel knew about this gold and Laura is dead,

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<v Speaker 3>then how come the shot? And why have you been

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<v Speaker 3>packing a gun?

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<v Speaker 2>Senor Mandy? And there he said, treasure so big as this,

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<v Speaker 2>it is possible that even the coyotes can smell it.

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<v Speaker 3>You still wish to go on? Yeah, I still wish

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<v Speaker 3>to go on. Three days later, on the train between

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<v Speaker 3>Mexico City and Durango, I got a few of the answers,

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<v Speaker 3>or thought I did. The coach had been empty most

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<v Speaker 3>of the way, except for a couple of soldiers up

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<v Speaker 3>ahead and a few Indians near the back. I was

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<v Speaker 3>busy watching for some of the landmarks Barga had given me,

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<v Speaker 3>so I didn't pay much attention to the Mexican girl

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<v Speaker 3>who came in and sat down the seat. Ops. That

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<v Speaker 3>is not until she spoke.

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<v Speaker 6>Then you're you're wasting your time. This three kilometers farther yet?

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<v Speaker 6>What the place where the train was read? I said,

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<v Speaker 6>we're not there yet, honey.

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<v Speaker 3>I don't think I know what you're talking about.

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<v Speaker 2>You're lying.

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<v Speaker 6>You know well enough, and do not call me honey.

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<v Speaker 6>Then your my name is Conzuela Cantuela.

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<v Speaker 3>That's a pretty name, honey.

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<v Speaker 6>Do not play the pool with me. Manuel Vargas tell

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<v Speaker 6>you where he hide the goal, So do not lie

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<v Speaker 6>to me.

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<v Speaker 3>Oh so it was you out there and the bushes

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<v Speaker 3>with the gun that night. You know you're a bum shot.

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<v Speaker 6>I do not try to hit somebody. I only should

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<v Speaker 6>to have the chance to get away. You're a fool

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<v Speaker 6>if you think because I am a woman, I am weak.

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<v Speaker 6>I know all the tricks of men. They are perils dogs,

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<v Speaker 6>all of them, and I would not trust one that far.

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<v Speaker 3>Okay, honey, take it easy, Take it easy.

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<v Speaker 6>I spend a long time to find Manuel in Bologne.

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<v Speaker 6>I watch, but I learned nothing until you come. And

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<v Speaker 6>now I am here for my one half share of

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<v Speaker 6>the gold. What do you mean you're hair Hanna Alara

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<v Speaker 6>was my father.

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<v Speaker 3>So that's right. Well you have to work that with Voga.

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<v Speaker 3>I don't know anything about I.

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<v Speaker 7>Am telling you now.

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<v Speaker 6>You still think I'm a silly girl who can do nothing?

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<v Speaker 3>Eh? Look, senors, all right, look it's a nice guy.

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<v Speaker 3>You better put it back now, you see, honey, if

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<v Speaker 3>you shoot me, you'd have no one to lead you

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<v Speaker 3>to the gold. I know where it is, you don't, so.

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<v Speaker 6>You lead me to it, and don't forget I'm very

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<v Speaker 6>good at shooting.

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<v Speaker 3>Okay, honey for the time being, count yourself in, but.

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<v Speaker 6>Have no mistakes on your I shall take my share

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<v Speaker 6>of this gold, even if I must kill you to

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<v Speaker 6>get it.

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<v Speaker 3>You understand, I understand. We'll argue about that later.

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<v Speaker 6>And something else. Send your yes, do not call me, honey?

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<v Speaker 8>Why not?

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<v Speaker 9>Senor?

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<v Speaker 3>Yeah, I guess we're ready to pull out. How about it? Cants,

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<v Speaker 3>well you wish well, thanks a lot for your trouble

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<v Speaker 3>seeing pascualas say, you know, it looks like you've runned

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<v Speaker 3>us five of the best horses into riding.

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<v Speaker 9>Yes, naha, he's very bad country herd your god, Senor,

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<v Speaker 9>Perhaps you would like to hire a guide.

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<v Speaker 3>No, thanks, I know that country pretty well.

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<v Speaker 9>But of course, and you're going to call it the mine,

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<v Speaker 9>do you under Senor? Retame sell machinery Verdad?

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<v Speaker 3>Yeah, yeah, that's right.

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<v Speaker 9>I think you need a guide, singer. Some of the

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<v Speaker 9>mines are very hard to find, especially the gold mines.

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<v Speaker 3>Gold mines, Oh, well as uh far as I know.

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<v Speaker 3>It's all lead and silver country up there.

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<v Speaker 9>We see mostly this, but there is an old saying

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<v Speaker 9>gold is where do you find it?

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<v Speaker 3>Senor?

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<v Speaker 7>Wasting time? This man would be no help to us.

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<v Speaker 3>How do you know? Ever seen him before? Of course not,

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<v Speaker 3>you ask, just wondered.

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<v Speaker 7>I've never seen him before.

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<v Speaker 3>Okay, are you singer? Amos?

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<v Speaker 8>Good by? My shielder?

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<v Speaker 3>Oh he Vancito? Have my horse ready to live up once?

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<v Speaker 3>I'm going to take a little train. You are listening

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<v Speaker 3>to Escape, starring Victor Mature.

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<v Speaker 1>Tonight's a big night on CBS or the welcome Matt

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<v Speaker 1>is out for two of radio's greatest shows, The Bing

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<v Speaker 1>Crosby Show and the return of Burns and Allen In

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<v Speaker 1>just a little while over many of these same stations,

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<v Speaker 1>der Bingal will be on hand with his songs as

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<v Speaker 1>humor and his guests comedian Abe Burroughs and Peggy Lee.

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<v Speaker 1>Right after Bing's housewarming, George and Gracie will keep the

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<v Speaker 1>celebration going with the first of their new series. So

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<v Speaker 1>stay with us tonight for Bing Crosby and for Burns

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<v Speaker 1>and Allen and their opening shows on CBS.

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<v Speaker 3>Where this fall you hear them all tune in this

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<v Speaker 3>ball for the shows that you love best of all,

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<v Speaker 3>and listen carefully.

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<v Speaker 7>Here's me yet, It's ee.

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<v Speaker 3>See me yet? And now back to Escape, starring Victor Mature.

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<v Speaker 3>We camped to dusk, about a quarter of a mile

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<v Speaker 3>from the spot where the train had been dynamited. Vargas

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<v Speaker 3>had given me directions starting from there. After we eight,

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<v Speaker 3>I let a cigarette roll up my blanket and watched

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<v Speaker 3>Consuela across the fire. She was worth watching. I kept

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<v Speaker 3>wondering about several things, but mostly who the horseman was.

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<v Speaker 3>Who has been following us all day? I'd seen the

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<v Speaker 3>dust cloud hanging back a hour or so behind us

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<v Speaker 3>ever since we left o Wrangle. I didn't say anything

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<v Speaker 3>about it to Consuella. I still hadn't decided what I

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<v Speaker 3>was going to do about her. I think I was

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<v Speaker 3>fairly safe from her or from anybody else until the

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<v Speaker 3>minute I tipped off the location of the gold, and

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<v Speaker 3>right then when the picture would change and change plenty.

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<v Speaker 6>Send your money. Why are you staring at me?

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<v Speaker 3>Likely just wondering some things things.

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<v Speaker 7>What thinks mmm?

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<v Speaker 3>With a girl like you would really kill me just

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<v Speaker 3>for gold? I do not trust anybody, Senor All right,

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<v Speaker 3>But let's drop the senior make it Toby.

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<v Speaker 7>You wish he's hope. No matter to me, Toby.

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<v Speaker 3>Look, suppose I've made a deal with you. String along

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<v Speaker 3>and don't start any trouble until I get the gold

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<v Speaker 3>of New York. Then if your really law's daughter, I'll

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<v Speaker 3>try to get Vargas to agree on a three way split,

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<v Speaker 3>one third for each of us. What do you say?

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<v Speaker 6>I think?

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<v Speaker 3>I do not like it New York.

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<v Speaker 6>I will be in a strange place here. I'm at

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<v Speaker 6>home here too. I have gone kin save well, think.

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<v Speaker 3>It over anyway, that's your best bet. I'm going to

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<v Speaker 3>turn in now. We'll start early in the morning.

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<v Speaker 9>Wh See, I'm.

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<v Speaker 7>I will think it over.

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<v Speaker 6>But Senor.

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<v Speaker 7>Toby, yeah, Hi, I wish you to know that I

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<v Speaker 7>do not trust you either. Okay, I do not trust anybody.

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<v Speaker 3>You understand that, sure? Sure? I understand? Can I can't swear?

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<v Speaker 3>The second day out of traveling was ten times as rough,

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<v Speaker 3>and all day long, the same dust cloud stayed with us,

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<v Speaker 3>following a mile or so behind. I knew there'd have

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<v Speaker 3>to be a showdown sooner or later, but not yet.

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<v Speaker 3>When we finally made camp at nightfall, I was dripping

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<v Speaker 3>with sweat and dog tied, and Consuello was slump in

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<v Speaker 3>her saddle. All of Manuel's landmarks had checked out during

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<v Speaker 3>the day, and although she didn't know it, the gold

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<v Speaker 3>was supposed to be buried within a hundred yards of

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<v Speaker 3>our camp. This was the night to trim the cat's claws.

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<v Speaker 3>I was counting on one thing that she couldn't stay

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<v Speaker 3>awake two nights in succession, and I was right. By

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<v Speaker 3>two hours after dark, with the full moon barely above

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<v Speaker 3>the horizon, Conzuela was sound asleep. I slid out of

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<v Speaker 3>my bed roll and moved quietly around the fire towards her.

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<v Speaker 3>I knew the gun was under the blanket at her head,

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<v Speaker 3>so I bent over her and slowly gently slipped my

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<v Speaker 3>hand under and found it, eased it out into the

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<v Speaker 3>open inch by inch, and dropped it into my pocket.

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<v Speaker 3>I'd forgotten about her knife until the gunnered in the moonlight.

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<v Speaker 3>She leaped from the ground and came for me.

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<v Speaker 10>While she's struggling, twisted follow like a panther. As small

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<v Speaker 10>as she was, like an hardly hold. I couldn't get

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<v Speaker 10>hold of brother hand. I don't wonder the knife the

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<v Speaker 10>wife might slip looser than any second thought. We fought

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<v Speaker 10>in the moonlight, stumbling and slipping, but staying on our feet.

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<v Speaker 3>I could see only one thing to do. I pulled

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<v Speaker 3>her torn, bend her arm back, and twisted.

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<v Speaker 7>To drop.

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<v Speaker 3>But can't swell.

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<v Speaker 10>Drop that now, drop that knife.

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<v Speaker 3>Sorry, you shouldn't have You should have dropped it. You

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<v Speaker 3>broke my arm better than being cut to ribbons the

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<v Speaker 3>way I have been.

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<v Speaker 7>Why are you time talking? You think I'm afraid to die?

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<v Speaker 3>You're wrong.

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<v Speaker 7>You have the gun, you have my knife.

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<v Speaker 3>Go ahead kill me while you wait? Wait a minute,

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<v Speaker 3>what do you get this idea? I'm going to kill gol?

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<v Speaker 7>Why else you wait for me to sleep and steal

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<v Speaker 7>my gun?

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<v Speaker 8>Oh?

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<v Speaker 3>You silly little fool. Look, I was trying to make

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<v Speaker 3>sure you wouldn't take a shot at me after we

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<v Speaker 3>located at gold tomorrow. You went, of course not. Look.

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<v Speaker 3>Why don't you get smart and find out you can

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<v Speaker 3>trust somebody once in a while. I'll wake up now

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<v Speaker 3>and get some sense in your hair. I'll shake some

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<v Speaker 3>sense and tell you if I have to h Why

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<v Speaker 3>you look like that? You you little devil?

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<v Speaker 7>Oh m are you going to no? H?

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<v Speaker 2>You kiss me?

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<v Speaker 3>Yeah? Why I don't know.

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<v Speaker 7>I think you're going to kill me then you kiss me.

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<v Speaker 3>Yeah, yeah, there's your knife.

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00:20:11.359 --> 00:20:13.480
<v Speaker 7>I just know you take it away from me.

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<v Speaker 3>I know, I know, I know, but look, you better

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<v Speaker 3>keep it for protection. Never mind, just just take it.

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<v Speaker 6>Oh h.

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<v Speaker 3>Yeah, well, I'm going to turn in now, and look,

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00:20:28.480 --> 00:20:30.279
<v Speaker 3>you'd better get some sleep too. We got a tough

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<v Speaker 3>day to bar and honey, if you decide to cut

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<v Speaker 3>my throat during the night, make a clean job of it.

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<v Speaker 7>Dopey, are you awake?

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<v Speaker 3>Yeah? Winess much. Maybe I was a fool to give

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00:21:12.160 --> 00:21:16.000
<v Speaker 3>her back the knife. Still, if she wanted to kill me,

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00:21:16.119 --> 00:21:18.039
<v Speaker 3>it wouldn't make any difference. She could knock my head

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00:21:18.079 --> 00:21:19.880
<v Speaker 3>in with a rock while I was asleep, just as easy.

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<v Speaker 3>I never known a woman like her. At ten o'clock

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<v Speaker 3>the next morning, we found the gold.

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<v Speaker 7>That is only Toby. There's no more.

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<v Speaker 3>No, it's all on the pack horses. Now. Look, starting

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<v Speaker 3>right now, we're going to ride hard until we hit

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<v Speaker 3>the Nass River. Somebody's been followed this ever since we

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<v Speaker 3>left the wrangle. I don't know who it is or why.

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<v Speaker 3>Maybe you do.

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<v Speaker 7>I how could I know, Toby?

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<v Speaker 2>I swear I do not.

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<v Speaker 3>Okay, okay, here. Now, look, you better take your gun back.

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<v Speaker 3>You may need it in case we get separated.

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<v Speaker 6>I'm going to stay with it.

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<v Speaker 3>Go sure you are, but you better take the gun anyway. Now,

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<v Speaker 3>come on, let's go. Mile after mile we pushed our

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<v Speaker 3>horses on the trail to the north, riding most of

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<v Speaker 3>the day over broken basalt rock to hide our trail.

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<v Speaker 3>There was no dust cloud to show whether anyone followed,

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00:22:20.880 --> 00:22:23.480
<v Speaker 3>but I was sure somebody did. I was hoping to

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<v Speaker 3>reach the Nassis River before the showdown came. I knew

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<v Speaker 3>there was only a rope bridge over the narrow gage,

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00:22:29.359 --> 00:22:31.920
<v Speaker 3>and once across, I would cut the ropes and close

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<v Speaker 3>off any further chance of being followed. So we pushed

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<v Speaker 3>the horses and rode hour after hour. By late afternoon,

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<v Speaker 3>Consuela complained more and more, being tired, wanted to stop

375
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<v Speaker 3>and rest, and I couldn't be sure she wasn't trying

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<v Speaker 3>to slow us down. Two hours after dark, we reached

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<v Speaker 3>the river. Toby, you bache ahead of us. I'm so

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00:23:01.440 --> 00:23:05.319
<v Speaker 3>glad and so should have alone, Honey. Looking, there's the moon.

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<v Speaker 3>This thing's no sense to cross in the dark. He

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00:23:07.519 --> 00:23:10.599
<v Speaker 3>looks very weak. He's only held up by ropes. It's

381
00:23:10.640 --> 00:23:17.000
<v Speaker 3>safe enough. Whoa boy, whoa, whoa h hah yeah, hold

382
00:23:17.039 --> 00:23:19.759
<v Speaker 3>my horse. I'll lead the pack animals across on foot.

383
00:23:19.920 --> 00:23:22.759
<v Speaker 6>To be careful.

384
00:23:24.440 --> 00:23:28.880
<v Speaker 3>Are you worried about me or the gold? Hurry?

385
00:23:28.960 --> 00:23:30.119
<v Speaker 7>Please take them across.

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00:23:31.359 --> 00:23:37.200
<v Speaker 8>Wait, I think that will not be necessary. Senor, you

387
00:23:37.240 --> 00:23:39.559
<v Speaker 8>would put up your hands, do no move?

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00:23:40.119 --> 00:23:42.039
<v Speaker 3>Can you see this in the shadow right by the bridge?

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00:23:42.039 --> 00:23:44.759
<v Speaker 3>It's best, Quala said guy in d Wrango. Were you

390
00:23:44.920 --> 00:23:46.359
<v Speaker 3>expecting a swear to.

391
00:23:46.400 --> 00:23:50.759
<v Speaker 8>You that the senor you will drop your pistol on

392
00:23:50.880 --> 00:23:53.039
<v Speaker 8>the ground very slowly?

393
00:23:55.319 --> 00:23:58.640
<v Speaker 3>Eh, glady, that's very kind of.

394
00:23:58.759 --> 00:24:00.519
<v Speaker 8>You to discover the gold for me.

395
00:24:01.720 --> 00:24:03.200
<v Speaker 3>How did you know we were looking for?

396
00:24:04.160 --> 00:24:07.400
<v Speaker 9>I forgot to tell you in the Wrango. I'm Sergenti

397
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<v Speaker 9>Alberto Pasqualis, formally with the fourth Regiment of General Alara

398
00:24:11.200 --> 00:24:11.880
<v Speaker 9>and the Army of the.

399
00:24:11.880 --> 00:24:14.039
<v Speaker 7>Revolution were not my father's soldiers.

400
00:24:14.640 --> 00:24:17.119
<v Speaker 9>For five years I have waited for Capita and Vargas

401
00:24:17.160 --> 00:24:19.480
<v Speaker 9>to come back for the fortune which I knew he

402
00:24:19.559 --> 00:24:27.559
<v Speaker 9>had stolen. Stand out in the moonlight, please, bastante. That's

403
00:24:27.720 --> 00:24:28.279
<v Speaker 9>far enough.

404
00:24:30.240 --> 00:24:30.440
<v Speaker 3>Now.

405
00:24:30.720 --> 00:24:33.279
<v Speaker 9>I lead the horses across the bridge, and then I

406
00:24:33.440 --> 00:24:35.559
<v Speaker 9>cut the rope so that you cannot follow me.

407
00:24:36.559 --> 00:24:38.839
<v Speaker 8>If you move, I will have to kill you.

408
00:24:42.039 --> 00:24:47.119
<v Speaker 3>To be quiet and don't move. No, council, no, no, don't,

409
00:24:47.440 --> 00:24:57.559
<v Speaker 3>don't have to move. The pack horses reared the shots.

410
00:24:57.799 --> 00:24:59.920
<v Speaker 3>I longed to stop them, stumbled at the concueller grab

411
00:25:00.079 --> 00:25:02.599
<v Speaker 3>during hell on hundred people from falling. The half mad

412
00:25:02.640 --> 00:25:05.440
<v Speaker 3>animals carried Pasqualas out under the bridge and drove him

413
00:25:05.440 --> 00:25:07.680
<v Speaker 3>along in front of their pounding hoofs. I heard the

414
00:25:07.799 --> 00:25:10.720
<v Speaker 3>rope supports creaked and groan and then snap with a

415
00:25:10.799 --> 00:25:13.359
<v Speaker 3>loud crack and like slow motion, in the hole end

416
00:25:13.400 --> 00:25:24.720
<v Speaker 3>of the bridge, Pasqualas of the three pack horses loaded

417
00:25:24.799 --> 00:25:27.279
<v Speaker 3>with gold and plunged down into the guards below.

418
00:25:28.400 --> 00:25:35.119
<v Speaker 7>Toby, I'm hurt, very bad, hurt. What do you mean,

419
00:25:37.240 --> 00:25:39.039
<v Speaker 7>I feel the bullet here?

420
00:25:39.279 --> 00:25:42.160
<v Speaker 3>No easy now, Look you're going to be all right alone. Worried.

421
00:25:44.440 --> 00:25:55.599
<v Speaker 7>I'm not afraid to die. Yeah, I like it very much.

422
00:25:56.960 --> 00:26:02.279
<v Speaker 3>When you call me honey, honey, I'll be calling to

423
00:26:02.359 --> 00:26:14.160
<v Speaker 3>that thousands of times. Well, I'll be Ganzhua Gonzuela. I

424
00:26:14.240 --> 00:26:16.720
<v Speaker 3>knelt there in the moonlight, holding her in my arms,

425
00:26:17.839 --> 00:26:20.240
<v Speaker 3>with the bare brown hills of Mexico around me, and

426
00:26:20.720 --> 00:26:25.799
<v Speaker 3>cursed myself for a fool. The gold was gone, lost

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00:26:25.880 --> 00:26:28.720
<v Speaker 3>in the torrent at the bottom of the garage. But

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00:26:28.839 --> 00:26:31.200
<v Speaker 3>it didn't seem to matter very much. I'd found a

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00:26:31.240 --> 00:26:34.400
<v Speaker 3>greater treasure, and because I had too little faith, that

430
00:26:34.559 --> 00:26:39.079
<v Speaker 3>treasure lay dead in my arms. I lowered her gently

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00:26:39.160 --> 00:26:42.519
<v Speaker 3>and sat there for a long time. Then I picked

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00:26:42.599 --> 00:26:45.839
<v Speaker 3>up the gun, and she died trying to use the

433
00:26:45.960 --> 00:26:49.559
<v Speaker 3>empty gun I had taken the cartridges out of because

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00:26:49.599 --> 00:26:52.799
<v Speaker 3>I didn't trust her, and threw it into the garage.

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00:26:54.000 --> 00:27:02.160
<v Speaker 3>Then I dropped down on the ground and wept. I

436
00:27:02.319 --> 00:27:06.920
<v Speaker 3>remembered Baitley's words. You need more than a break, Toby.

437
00:27:07.440 --> 00:27:09.640
<v Speaker 4>If one fell right in your lap, you'd play it

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00:27:09.839 --> 00:27:13.160
<v Speaker 4>just so far, and then you'd start doubting yourself or

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00:27:13.240 --> 00:27:13.880
<v Speaker 4>somebody else.

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<v Speaker 3>I told you you'd show up, Toby. You even got

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00:27:21.200 --> 00:27:25.160
<v Speaker 3>here a day early. Yeah, I know, Bailey. Well let's

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00:27:25.519 --> 00:27:27.759
<v Speaker 3>settle up my schedule. You must have had yourself quite

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00:27:27.759 --> 00:27:30.319
<v Speaker 3>a vacation. You didn't find the big chance, did you?

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00:27:31.000 --> 00:27:31.039
<v Speaker 9>No?

445
00:27:31.240 --> 00:27:33.519
<v Speaker 3>I didn't find. Well, what'd you do?

446
00:27:33.880 --> 00:27:36.480
<v Speaker 4>Just sit around in the sun for three weeks? Come on,

447
00:27:36.680 --> 00:27:38.480
<v Speaker 4>tell me about it. Didn't anything happen?

448
00:27:38.920 --> 00:27:42.079
<v Speaker 3>That's right, Baisley. You hit it square on the head.

449
00:27:43.079 --> 00:27:45.319
<v Speaker 3>Nothing happened not a Thing.

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00:28:03.400 --> 00:28:06.920
<v Speaker 1>Escape was produced and directed by Gordon T. Hughes, with

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00:28:07.079 --> 00:28:10.200
<v Speaker 1>Victor Mature starring as Toby Manning. Tonight we've presented the

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00:28:10.319 --> 00:28:14.599
<v Speaker 1>Fortune of Vargas, adapted for radio by Less Crutchfield. Victor

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00:28:14.640 --> 00:28:17.119
<v Speaker 1>Mature will soon be seen in the twentieth century Fox

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00:28:17.200 --> 00:28:27.480
<v Speaker 1>Technicolor production Wabash Avenue. Next week we Escape with Van

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00:28:27.559 --> 00:28:33.319
<v Speaker 1>Heflin starring in Joseph Perginsheimer's terrifying story Wild Oranges. Good

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00:28:33.400 --> 00:28:35.880
<v Speaker 1>Night then until the same time next week, when once

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00:28:35.920 --> 00:29:09.000
<v Speaker 1>again will offer you Escape, starring Van Heflin. This is

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00:29:09.160 --> 00:29:12.880
<v Speaker 1>CBS where Bing Crosby can be heard every Wednesday night.

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00:29:13.559 --> 00:29:15.599
<v Speaker 1>The Columbia Broadcasting System

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00:29:17.240 --> 00:29:17.279
<v Speaker 3>H
