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<v Speaker 1>All right, y'all. So now that we've gone there, man,

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<v Speaker 1>now it is time for us to hit the top

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<v Speaker 1>five Eddie Murphy performances, at least between you and I. Right, So,

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<v Speaker 1>from the streets of Beverly Hills to the Kingdom of Zamouonda,

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<v Speaker 1>as we break down the top five performances that define

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<v Speaker 1>Eddie Murphy's incredible career. Now we're gonna take a close

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<v Speaker 1>look at the roles that just weren't performances. They were

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<v Speaker 1>pop culture earthquakes, and we're gonna talk about that. So

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<v Speaker 1>we're gonna eat Off and Charles. I'm gonna go in

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<v Speaker 1>reverse order because I know they have these ranked. I

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<v Speaker 1>didn't rank them in any order. But let's start man

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<v Speaker 1>at number five. And what made the top five to

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<v Speaker 1>me was Donkey, now Charles with nothing but his voice,

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<v Speaker 1>because we never see Eddie Murphy do any of this stuff,

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<v Speaker 1>but in his voice he created one of the most

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<v Speaker 1>beloved animated side kicks of all time. Donkey is funny, loyal,

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<v Speaker 1>and wildly endearing, his comic energy balancing shreks gruffness perfectly.

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<v Speaker 1>Murphy's voice work brought the character to the life so

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<v Speaker 1>with so much charm and humor that it earned him

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<v Speaker 1>a bath denomination and see minute Donkey as the pop

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<v Speaker 1>culture icon in his own right. And oh, by the way, Charles,

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<v Speaker 1>they're doing a Donkey spinoff that Eddie Murphy is starring

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<v Speaker 1>in thirty years later. What do you think about Donkey

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<v Speaker 1>as one of the five definitive Eddie Murphy performances.

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<v Speaker 2>This is the one performance which I mean and for

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<v Speaker 2>consistency's sake, we've talked about him performing inside of Troops before,

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<v Speaker 2>where he's with in trading places with with Dana Ensembles. Uh.

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<v Speaker 2>This is one of the He is not the star

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<v Speaker 2>of Shrek and Donkey is is like you said, he's

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<v Speaker 2>a sidekick. I respect and understand how much of an

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<v Speaker 2>icon the performance is and how people love the move

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<v Speaker 2>that role because it was been in several films, But

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<v Speaker 2>I think I would have put this outside the top

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<v Speaker 2>five as an honorable mention and move and put Marcus

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<v Speaker 2>Graham at the number five spot.

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<v Speaker 1>In you to put Marcus Graham over over his.

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<v Speaker 2>Dolomite, Yes, yes, because and here's the reason why. Because

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<v Speaker 2>Dolomite and and the other character we will be speaking

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<v Speaker 2>about soon are really close performances and that they kind

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<v Speaker 2>of of troll the same genre in the themes, so

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<v Speaker 2>you know, it's kind of the same person a little

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<v Speaker 2>bit to me in that in the in those, but

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<v Speaker 2>the Marcus Graham is completely different, kind of original to

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<v Speaker 2>that performance.

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<v Speaker 1>All Right, I got you man. All Right, Well that's

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<v Speaker 1>interesting and and this is good because we should have

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<v Speaker 1>some conversation around this. But coming in at number four,

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<v Speaker 1>Charles Shermy Clump, Murphy's boldest character experiment turned into one

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<v Speaker 1>of his greatest triumphs as the gentle insecure Professor Shermy Clump,

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<v Speaker 1>which was based on what Jerry Lee Jerry Lewis had

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<v Speaker 1>done years earlier in The Nuttie. Professor Murphy brought warmth

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<v Speaker 1>and vulnerability, then turned around and you know, to your point,

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<v Speaker 1>we already put his family in as audible mentions. But

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<v Speaker 1>this role Man earned him universal praise, massive box office success.

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<v Speaker 1>Eddie Murphy Man showed that that sketch comedy work he

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<v Speaker 1>did years early on SNL, he was able to take

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<v Speaker 1>that translated into multiple films man where he was able

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<v Speaker 1>to make us laugh and didn't make us laugh with

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<v Speaker 1>different perspectives. But we'll concentrate on Sherman Klump and what

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<v Speaker 1>he does in this film, and then it becomes even funnier,

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<v Speaker 1>I think in the sequel when he has to play

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<v Speaker 1>the oversize Sherman Clump, and then I think it's the

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<v Speaker 1>young Buddy Love is all to ego, right right? Yeah, man,

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<v Speaker 1>So thoughts on Sherman Clump Man at number four.

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<v Speaker 2>I like this pick, I really do, because again, Eddie

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<v Speaker 2>Murphy is all over this film, the nuety Professor, Sherman

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<v Speaker 2>Clump and Buddy Love and all his family and he's

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<v Speaker 2>really the heart of this movie. And just to see

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<v Speaker 2>him doing different things, being having to put on those

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<v Speaker 2>pathetics to play Sherman and it was really it was

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<v Speaker 2>really groundbreaking for Eddie Murphy and who he was and

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<v Speaker 2>what kind of the style of comedy he had done

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<v Speaker 2>in the past. He just really stepped out again and

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<v Speaker 2>broke boundaries for himself. And I really I was one

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<v Speaker 2>of the people was like, how is it, Why is

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<v Speaker 2>he going to do that old Jerry Lewis thing? Why

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<v Speaker 2>is he gonna do that? But he really made it

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<v Speaker 2>his own and it was special.

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<v Speaker 1>Yeah all right, man, Now we get into the top three,

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<v Speaker 1>and this gets us back to the conversation about the dramas,

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<v Speaker 1>right and I felt that of all the dramatic roles

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<v Speaker 1>he's had. You talked about Marcus Graham, you talked about

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<v Speaker 1>him playing Rudy Ray Moore. I thought James thunder Early

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<v Speaker 1>and dream Girls was something special for Murphy. Man. To

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<v Speaker 1>your point, Charles, he is a member of an ensemble,

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<v Speaker 1>but this is a performance that blended soul, legend, charisma

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<v Speaker 1>and personal tragedy. Murphy delivers one the most dramatic terms

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<v Speaker 1>of his career as the explosive, heartbroken James thunder Early.

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<v Speaker 1>Murphy brought the house down with his vocals and vulnerability.

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<v Speaker 1>The role won him a Golden Globe, earned him an

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<v Speaker 1>Oscar nomination, should have earned him an Oscar win. For

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<v Speaker 1>the reason we talked about earlier. Proven see I won't

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<v Speaker 1>gonna say it once all that he could bring just

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<v Speaker 1>as much weight to a tragic downfall as a punchline.

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<v Speaker 1>Now this is just me and I'll let you speak

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<v Speaker 1>in a second. I loved this performance and dream Girls.

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<v Speaker 1>I thought that with Jamie Fox and Jennifer Hudson, who

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<v Speaker 1>wins the Oscar and the soundtrack and the screenplay and

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<v Speaker 1>the production design, everything that works, Murphy stands alone to me,

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<v Speaker 1>Despite the fact that he didn't win. He's the tragic

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<v Speaker 1>heart and soul, the tragic figure out of him and Fie.

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<v Speaker 1>Fie is really the true dramatic figure. But if there's

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<v Speaker 1>a dramatic figure A or B, he's got to be

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<v Speaker 1>B next to Fie and the way he plays it,

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<v Speaker 1>it's just heartbreaking.

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<v Speaker 2>The watch fan. We joke about Norbit a lot about

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<v Speaker 2>how it was responsible for but there's really no there's

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<v Speaker 2>really no explanation as to why they really didn't give

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<v Speaker 2>him the award that year for the Oscar that year,

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<v Speaker 2>because despite whatever anything else he does, this was his

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<v Speaker 2>and I was close to making this his number one

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<v Speaker 2>performance because of the recognition that he received just globally

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<v Speaker 2>for what he did in this film. Like you mentioned,

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<v Speaker 2>he won the Golden Globe, he was nominated, he really

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<v Speaker 2>should have won, and a lot of people this was

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<v Speaker 2>almost before Chadwick Boseman was shocked, was shocked, you know,

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<v Speaker 2>when he didn't get that award. So and people want

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<v Speaker 2>to use Norbit as the explanation, but there really is

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<v Speaker 2>no really good explanation as to why he didn't win

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<v Speaker 2>for that, for that Oscar.

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<v Speaker 1>I'm still I'm still burnt up about him not winning

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<v Speaker 1>and which gets me to number two. And Charles, we

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<v Speaker 1>talked about this film earlier, Coming to America, his Prince IQM.

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<v Speaker 1>In what many consider his sweetest and most universally adored role,

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<v Speaker 1>Murphy became Prince I Kim of Zamunda thirty years before

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<v Speaker 1>Black Panther hit the screen, a noble royal in search

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<v Speaker 1>of love, navigating Queens, New York with wide ey wonder

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<v Speaker 1>and humility now beyond his heart. Murphy's tored the force

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<v Speaker 1>of multiple characters, which we already talked about. Trans showed

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<v Speaker 1>his range, transforming Coming to America into a cultural cornerstone

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<v Speaker 1>that remains as quotable and loved decades later. And Charles,

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<v Speaker 1>before I throw it to you as a point, I

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<v Speaker 1>remember almost twenty years ago, one day we were at beet.

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<v Speaker 1>I was working at bet dot com, and the whole

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<v Speaker 1>office set around for at least half hour to forty

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<v Speaker 1>five minutes with everybody throwing out their favorite lines from

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<v Speaker 1>Coming to America.

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<v Speaker 2>And you probably went thirty minutes before somebody repeated the line,

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<v Speaker 2>because there was there that many lines in that film. Look,

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<v Speaker 2>I still use that one every now and then I'll

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<v Speaker 2>be like good.

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<v Speaker 1>He all right, good and terrible. I loved this film. Man.

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<v Speaker 1>What do you have to say about Coming to America? Man?

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<v Speaker 2>You know, I can't complain. I believe that that film

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<v Speaker 2>is one of the top black movies ever made. Coming

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<v Speaker 2>to America. I mean people have I mean you just

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<v Speaker 2>said it. Before there was Black Panther, there were there

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<v Speaker 2>was Prince Akim, and people looked up to Prince Akim

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<v Speaker 2>and respected that role in all of his fallacies and foibles,

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<v Speaker 2>but he was fantastic and he was an inspiration. Love

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<v Speaker 2>and loved Ruthy Carter's work.

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<v Speaker 1>Costume, yeah, Ruthy, Yeah, the costumes and Coming to America.

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<v Speaker 1>The only one every time I think about this movie

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<v Speaker 1>that really stands out is when James Earl Jones came

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<v Speaker 1>to New York and they were at the Waldorfer Story

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<v Speaker 1>and he jumped out of that that limousine with that

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<v Speaker 1>lion's head, was like, look, we're not worthy. Ruthie Carter

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<v Speaker 1>is a She's a beast, man. I mean, and I

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<v Speaker 1>say that with all the love and respect. I loved

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<v Speaker 1>me from Ruthie Carter. All right, man, So let's get

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<v Speaker 1>the number one man, and number one this one, this movie.

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<v Speaker 1>When you talk about him becoming a phenomenon ac so

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<v Speaker 1>Foley in Beverly Hills Cop. Charles. The easiest way to

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<v Speaker 1>really think about this just being I think his third movie,

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<v Speaker 1>because he had done forty eight hours trading places and

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<v Speaker 1>then he exploded in Beverly Hills Cop. This movie, made

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<v Speaker 1>in nineteen eighty four, made three hundred and sixteen million

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<v Speaker 1>dollars worldwide. If we adjust that for today's dollars, imagine

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<v Speaker 1>an actor who came out of a show like SNL

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<v Speaker 1>Sketch Comedy, he had two smaller films. In his third

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<v Speaker 1>film made seven hundred and thirty three million dollars, he

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<v Speaker 1>would be celebrated the way Eddie Murphy was celebrated forty

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<v Speaker 1>years ago. Huge. It just changed everything for Murphy. It

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<v Speaker 1>changed everything for black characters because people were like, Wow,

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<v Speaker 1>who is this kid? What was he like wanted twenty

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<v Speaker 1>two when it.

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<v Speaker 2>Was I think it was twenty two when he did this,

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<v Speaker 2>when he did this film, and you know he had

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<v Speaker 2>cut he had cut his teeth in SNL. He developing

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<v Speaker 2>characters being I mean, I'm surprised. You know a lot

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<v Speaker 2>of people will say, well, what about delirious and raw

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<v Speaker 2>and all those other things, But those aren't acting performances,

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<v Speaker 2>but I mean Delirious and Raw were also instrumental in

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<v Speaker 2>in this performance. So, I mean when we got Beverly

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<v Speaker 2>Hills Cop, we were like, we've never seen this before

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<v Speaker 2>where a black man is just hilarious, he's got charmed,

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<v Speaker 2>he's he's super smart and he's solving crimes. Yeah, this

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<v Speaker 2>was this was the film to watch. It was. It

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<v Speaker 2>was like you said, it was a moment when this

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<v Speaker 2>film came out. Everybody was like, I want to be

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<v Speaker 2>like alex axl Foley. The music was everywhere, people were

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<v Speaker 2>dressing like him. It was. It was crazy.

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<v Speaker 1>And the other part that I don't think we talk

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<v Speaker 1>about enough, And Eddie Murphy had said, the quiet power,

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<v Speaker 1>the quiet part out loud. He created. He's a part

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<v Speaker 1>of the creation of the action buddy comedy genre that

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<v Speaker 1>we have when he did forty eight Dollars with Nick Nolty.

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<v Speaker 1>Of course later on with Beverly Hills Cop. Like that

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<v Speaker 1>gyre didn't exist, Like we had action films and we

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<v Speaker 1>had buddy comedies, but they weren't buddy action films. Eddie Murphy.

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<v Speaker 1>In our generation, we were the first to see this

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<v Speaker 1>with now we see it all the time, like now,

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<v Speaker 1>which Schwartz nigger, I'll be back. You know, like everybody

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<v Speaker 1>took that formula, Bruce Willis, all of those guys took

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<v Speaker 1>that formula and ran with it. Eddie Murphy truly a trailblazer,

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<v Speaker 1>which is why I'm glad that we were able to

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<v Speaker 1>give Eddie his flowers. Man uh, And we'll give him

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<v Speaker 1>more flowers because we'll talk about his movie and a

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<v Speaker 1>little bit. Man. But any closing thoughts man on the

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<v Speaker 1>top five, and we'll go through that top five one

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<v Speaker 1>more time. Coming in at number five, of course, was

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<v Speaker 1>Donkey from Shrek. Number four was Sherman Klump from The

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<v Speaker 1>Nutty Professor. James thunder Early from Dreamgirls comes in at

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<v Speaker 1>number three, Prince I Keen coming to America coming into

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<v Speaker 1>number two, and from Beverly Hills Cop Act, so Foley

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<v Speaker 1>at the top spot. So yeah, go ahead, Charles. Any

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<v Speaker 1>last thoughts man before we move on and review.

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<v Speaker 2>Well, like I said before, I don't think Donkey would

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<v Speaker 2>have made my top five, but I recognize how it

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<v Speaker 2>brought a new generation to Eddie Murphy then had been before.

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<v Speaker 2>So yeah, I respect it all.

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<v Speaker 1>Right, man. Well, you know, so to read this this list.

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<v Speaker 1>You can go over to the film Gordon dot com.

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<v Speaker 1>The list is there. And again, let us know how

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<v Speaker 1>you feel, man, because sometimes we in the vacuum and

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<v Speaker 1>we doing stuff. Give us some comments, man, Let us

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<v Speaker 1>know if you agree with the list, if you like

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<v Speaker 1>Charles Kirkling. Man, I don't know why you put that

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<v Speaker 1>donkey in there. I would have put Marcus Graham in there. Respect,

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<v Speaker 1>I got you, all right,