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Speaker 1: You are listening to to Eminah.

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Speaker 2: World Premiere.

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Speaker 3: I'd like to give my condolences to paying to Advisor

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gonna hip out music.

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Speaker 1: You're no longer needed.

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Speaker 3: It's time to bury hip hop's grandchild.

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Speaker 1: Has to do. I was chosen five d rappid here

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now all rock pe.

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Speaker 4: Moment of silence. The funeral was about to transpire. Please,

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but your pretendence it was not requiet.

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Speaker 1: Don't be sad. This could be the greater things new.

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Every has to start this part of the routine. This

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is not a damn fall.

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Speaker 4: See it as a blessing. Hope you get the message,

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Hope you feel the essence. I have to shut the

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game up, bring you some brilliance. Rapped getting a bad

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rep two months eggles. It started all clean in beginning

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of time then so they got a special what's going

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at the time?

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Speaker 1: Now it's going too far. The statement I had to

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make once like.

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Speaker 4: These usually comes from the great first and I said

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hip hop was dead coon after that, Jay made that

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the other tune, now Chris saying, or Peter parent to

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what boxing for another.

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Speaker 1: Icond of time for a rap history or raped? P

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oh okay, okay, how down.

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Speaker 5: The verse one that verse.

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Speaker 1: Two, you said you have sellable.

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Speaker 4: It's a hard thing to a boy.

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Speaker 1: Let's go settle down.

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Speaker 4: Let the child speak and be quiet and listen him

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a speech. Don't overreact, remain calm as a preach. Rap

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still would be fun.

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Speaker 1: You heard it from me. You can still dance, knock your.

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Speaker 4: Head, catch your pie, play it loud with speakers.

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Speaker 1: Yeah, while you pride your beats the hooks her dad,

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I'll keep you satisfied. This isn't the way. They ain't

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talking no to tide yet, but some fantas. What's the

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new genres?

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Speaker 4: When they play old rap songs? Don't bother do songs toxic?

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Rather play or av bread day dancehall jazz or so

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after beats no threa disagree repord two decade that hip

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hop needs me. Now I have the rescue it and

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so long as split his songs it what's time for this?

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Yo'll hand me the shovel. Let's get the barrier or

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o pe all.

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Speaker 6: I would like to thank you or to the you

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know with service.

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Speaker 5: Fixed up yet drinks.

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Speaker 1: Music A lot of beetless followed, like.

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Speaker 6: The burial service.

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Speaker 7: To a father.

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Speaker 6: This is eleanor Langthorne from Vices Inc. And you're listening

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to Matt Connorton Unleashed on ninety five point three w

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m n H.

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Speaker 8: You are listening to w M and H.

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Speaker 6: Get Commander, don't get Supreme Leada, Matxell Coving. Welcome everybody,

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Here we go. It is that time again, Matt Connorton

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Unleashed and we are live from the studios of w

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m n H ninety five point three FM and Glorious Manchester,

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New Hampshire. Although it's a bit wet and rainy out,

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but at least it's spring. Today is, of course, Saturday,

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April twenty six, two thousand twenty five, and I am

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not alone.

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Speaker 9: Jenny darn best friend.

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Speaker 6: Jenny is here at the news table. Good mornings, Good morning, Yes, yes,

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so uh yeah. It's very very wet outside. I think

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it's supposed to rain all day. Yesterday was beautiful. We

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had a couple of really nice days. Yes, for a

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lot more for those of you listening live on Saturday.

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Of course, if you're hearing a replay during the week,

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for all we know, there's been snow, you know, stop it?

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Who knows, don't you swear? Certainly hope, I certainly hope.

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We don't have that, but but you just never know.

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We had a couple of interesting Saturdays, right because we

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had one Saturday we woke up and it was a

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winter wonderland outside in the middle of April, and then

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the next Saturday was like seventy five degrees and sunny.

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So welcome to Just wait a minute. If you don't

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like the one, you just never know. You just never know.

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But we also have we have a great guest in

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studio with us here, Nikolai Caine, and he is here

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to talk about his project No Siva. Good morning, Good morning,

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welcome to the program.

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Speaker 10: Thank you for having me.

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Speaker 6: Me put that camera on you there.

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Speaker 11: I like you.

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Speaker 6: I love your boots, by the way, thank you. Those

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are really cool. It was really cool, and we're gonna

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be this is by the way, so you were telling

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us off here. So this is your first radio appearance, correct,

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So we're very honored that you are. You were here

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doing this with us this morning, especially on a rainy

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Saturday morning.

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Speaker 10: I really appreciate you having.

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Speaker 6: Me absolutely absolutely so in a in a couple of minutes,

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So we're gonna play You've Got Is this the first

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single for this project? No Siva? Yes, the very first

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thing you've you've done now you've I assume you've made

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other music though, prior to this, with other projects, Is

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that correct?

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Speaker 10: Or Yeah?

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Speaker 12: I've been a musicians most of my life since I

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was about fifteen years old, so okay, pretty much half

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my life.

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Speaker 6: Yeah. Yeah, so you've been added a while. Very good. Now,

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why uh why this project is this? Is this all you?

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Speaker 13: Is this?

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Speaker 6: Do you have any other collaborators on this?

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Speaker 5: Uh?

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Speaker 6: Like this track that we're about to play or did

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you create this all yourself?

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Speaker 14: So?

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Speaker 12: I met a guy a couple of years ago through

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social media, and his name is Jonah Hernandez. He's in Texas.

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He's in a band. It's a little bit different than

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something I would normally listen to, but I liked a

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lot of the stuff that he did when he was younger.

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He did a couple of industrial bands with some people

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that I was friends with. Yeah, and I really liked

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what he was doing. So I reached out to him

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and we kind of go wrote a track together, and

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then I just told him exactly what I wanted to

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do and how I wanted to do it, and we

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just wrote it together.

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Speaker 6: Yeah, it's cool too that you connected with somebody in Texas.

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I don't know if you know this, but we have

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a you know, we interview a lot of artists from

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the area, but we also talked to musicians from other

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parts of the country and even other even other continents.

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But we talked to a lot of musicians from Texas.

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There's a lot of great music coming out of there,

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and uh so many talented people. And it's it's cool

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too that we live in a time where, uh, it's

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it's easier than ever to collaborate with people from other areas,

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and that you can connect with somebody from from Texas

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and and do something together. You know, I'm old enough

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to remember when that didn't happen a whole lot, you know,

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we when we didn't have easy things like Dropbox and

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Googled I've, for example, to send files back and forth

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and all that. So so that's really cool.

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Speaker 10: So so it's you and he what's his name again,

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Jonah Hernandez.

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Speaker 6: Jonah Hernandez. And what would we know him from?

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Speaker 5: You?

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Speaker 6: You mentioned he's in a he's in a band that's

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pretty big er.

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Speaker 12: Uh, yeah, he's he's in a band. He's in a

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couple of different bands. Oh, Okay, I couldn't tell you

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the top of my head.

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Speaker 6: It's okay if you don't know offhand, but uh no,

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something to keep in mind for future guests, because, like

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I said, we love talking to the musicians from Texas.

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But so you and he, now, are you working on

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other music with Jonah or are you just kind of

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focused on this one song for a nowur.

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Speaker 12: So, when I originally reached out to him and told

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him what I wanted to do, I had an entire

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album concept, all the songs that I wanted to do

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and how I wanted it to sound. Yeah, so he

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kind of pointed me in the right direction and helped

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me ghost write this first one. Cool, and then I've

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just kind of been doing it more on my own.

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And then when I decide, okay, I'm good with this,

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I'm going to send this to him and have him

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do his portion. Yeah yeah, and then he'll just bounce

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it back to me through an email or a message

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and I will do my portion and just back and

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forth working on it until it's done, mix and master it,

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and when I feel it's ready, I'll release it.

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Speaker 6: When you collaborate with somebody in this way, are you

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like were there any surprises, And over the course of

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collaborating with Jonah, did any of this come out differently

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than what you had first envisioned or any Oh?

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Speaker 12: Absolutely, yeah, yeah, way way more on the positive note

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than I was expecting. Oh good, mainly because you know,

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most musicians are their own worst critics. I definitely amy,

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But the idea that I had was loosely, you know,

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what I wanted, and I sent it to him, and

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over the course of I think a month or so,

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we worked on this together and then one day he

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sent me basically like a rough draft and He's like,

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what do you think of this? And I'm like, yeah,

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that's what I want.

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Speaker 6: Oh cool.

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Speaker 12: So we did that, and then when it came time

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for me to track the vocals, I was really nervous.

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I was trying to do something that I had always

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wanted to do, but I had never thought that I

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had the capability to do, mainly because people told me

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I couldn't. But all of those vocals are completely unedited,

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just me in my room. And then I sent everything

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to him and he just makes some masters everything.

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Speaker 6: Oh very cool, very cool. And the track is called

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The Eternal Serpent's Scream correct and Uh, what can you

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tell us about it in terms of what, like, what

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is this about? Is it?

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Speaker 12: Is it just kind of a dark So basically what

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this is about is there is a lot of Carl

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Jung h esotericism. Life is all about duality, life, death,

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up down, you know all of that. And I came

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from a very dark past where a lot of abuse

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and anger kind of was the thing. That stuff will

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haunt people. You can either let that destroy you or

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you can use that anger in a positive form. Yeah,

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So that is exactly what Carl Jung teaches, is that

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in order to get to heaven, you have to go

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through hell first, and that that is a part of

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the lyrics.

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Speaker 10: No tree, it is second grow to heaven unless it's

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root treats down the hell.

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Speaker 12: So it is entirely all about I went through all

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of this, I'm still alive. I'm going to use this

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to my advantage to better myself and become stronger than

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ever before.

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Speaker 6: I love this too for a couple of reasons on

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a couple levels. One is, you know, I just love

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the whole concept and and it's cool that well on

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a few different levels actually, because not only do I

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love the concept, but It's always interesting when you can

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create something that sounds, you know, if you're just listening

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to the track without knowing the context, it sounds you

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know obviously, and people will hear it in a moment,

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will give it a spin, but you know, it sounds

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very dark and absolutely and so you might not, you know,

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out of context, you might not realize that it's actually

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a very positive message underneath that, but just expressed and well, again,

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people will hear it, but expressed in a certain way.

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But the other thing, too, is a subject that comes

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up a lot on the show that has over the

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past few years, especially coming out of the pandemic too,

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is you know, anytime you take something traumatic and anything negative,

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negative experiences. You know, a lot of people had challenging

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childhoods et cetera, or just anything traumatic that's happened to you,

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whether it be a specific incident or over time or

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the pandemic which affected a lot of people in terrible ways,

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when you can take something negative and create something out

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of it and use that to make art, whether it

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be music or visual art or you know, like Jenny

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she's a painter, you know, or any anything anything that

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brings joy and comfort to other people that you're able

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to create out of something negative that happened to you.

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That's I mean, what better therapy is than that, you know,

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than being able to create art from something that has

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bothered you.

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Speaker 12: Absolutely, and a lot of the imagery, obviously, the title being,

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you know, Eternal surfent Scream, the logo that I've been

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currently using, or boris, which is just you know, the

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serpent that eats its own tail represents life, death, continuation, transformation.

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Snakes themselves metaphorically represent all of those things as well. Yeah,

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and we happen to be in the year twenty twenty five,

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the Year of the Snake. Okay, so a lot of weird,

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interesting transformations have happened before this, you know song came out,

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and it wasn't necessarily planned that I did it when

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it was the year of the Snake. It just coincidental,

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I guess.

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Speaker 1: Yeah.

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Speaker 6: Yeah, well, let's give this a spin. And this is

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going to be and we should mention too, this is

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a world radio premiere, so we'll give it the uh,

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we'll give it the world premiere treatment. This is already

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out on the streaming platforms and everything, right, yes, but

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this will be the first time that this track has

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been featured on FM radio, and so everybody listened carefully.

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This is called Eternal Serpent Scream and the project is

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No Siva and this is really cool. And then we'll

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come back and we'll talk a little bit more.

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Speaker 1: You are listening to WU M.

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Speaker 13: And H.

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Speaker 2: World Premiere.

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Speaker 15: Bake four Fast three.

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Speaker 5: S S something.

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Speaker 1: So I too.

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Speaker 16: Said that ninety nine.

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Speaker 5: Ninety nine years joy sorry s S S S S

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S j S, don't.

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Speaker 15: Sat place at.

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Speaker 9: N N.

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Speaker 11: N man man I went in the houses down you playry,

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I swear and nine will.

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Speaker 5: Never say the housing down.

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Speaker 15: The Lamius swear ns.

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Speaker 6: Well, that's so cool. I didn't even want to talk

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over the end of it. I love that, I love

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I love everything about that. That is so so good.

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That is brand new from No Siva. That is Eternal

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Serpent Scream and we have Nikolai came from No Siva

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here with us a live in studio and that that

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is so good. Dude, that is so good.

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Speaker 10: I really appreciate that.

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Speaker 6: Absolutely. We haven't we haven't had an opportunity to play

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something like that on the show in a long time,

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come to think of it. And it's just it's dark

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it's intense. It's uh, it's so yeah, it's so good.

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Speaker 12: That was that was genuinely my main concern when I

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had reached out to you guys, like, are they going

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to want to play something like this?

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Speaker 17: Oh?

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Speaker 6: Hell yeah, you kidding? I want, I want oh my god, Yeah,

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I want you to record a full album and we'll

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play the whole thing. I'm waiting for you.

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Speaker 10: Yeah, you got to come back on that. I'll hold

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you to that, absolutely, dude.

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Speaker 6: No contact. Yeah, that is that is really really cool.

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That is really really cool. And that's so as we

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mentioned too, that's currently on all the streaming platforms. People

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can find it.

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Speaker 10: Uh yeah, everywhere wherever.

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Speaker 6: They get their music. Excellent, excellent. Uh yeah. So if

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you are just joining us on the Saturday morning, Nikola

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I from No Siva is here with us in studio.

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And now, what's kind of the the trajectory for because

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you are working on more stuff right, is is there

315
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a plan to have an EP or an album or

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just release singles or have you thought that far ahead yet.

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Speaker 12: Or I've kind of bounced back and forth. I would

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like to just release an entire album. Yeah, I mean

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this song alone took two years to do, so there's

320
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no time frame. I don't want to rush something, you know. Yeah,

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when I originally was doing this, I was rushing it,

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and then the more that I rushed it, the the

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worst the lyrics were coming out. And I'm usually someone

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who takes my time, especially when it comes to lyrics,

325
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and I had never written lyrically like this before. Really,

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I was just doing a lot of a lot of meditation,

327
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a lot of research, boning up on a lot of

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like Carl Jung philosophy, and it just kind of hit

329
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me one day and I'm like, oh, I could totally

330
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write all of this, and I, you know, just took

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stuff from my own personal life and traumatic past and

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I used it in a positive way, with a very

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you know, dark gloomy imagery and sound.

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Speaker 6: Yeah. No, it's It's fantastic. I'm curious, has anyone from

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your past who is aware of what you went through

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or perhaps involved in some way. Have has anyone from

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your past heard the track or do you know if

338
00:22:20,920 --> 00:22:22,799
they've heard it or have you shared it with anyone who?

339
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Speaker 12: A lot of people that I'm ei they're friends with,

340
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or some of my own family. I don't really talk

341
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to a lot of my family, but the family that

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I do keep, they have all heard of that. And

343
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you know, my friends, for example, they they love this

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for me because they're like, oh, you know, this is

345
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what we always thought you would do, but this is

346
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much darker than what we were expecting you were going

347
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to do. And then my family kind of is just

348
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like they're supportive, but they're like, I don't get it.

349
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Speaker 6: Sure, sure, yeah, but it's cool though that they're still supportive.

350
00:23:00,039 --> 00:23:03,680
You know. That's right, That's that's really good. That's really good. Now,

351
00:23:03,759 --> 00:23:05,960
prior to this, what did you do? Because you've been

352
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making music, like you said, most of your life. I mean,

353
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what what what did you do prior to this? Did

354
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you were you in bands? Did you do other kinds

355
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of solid material?

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Speaker 12: I've I've played in bands on and off since I

357
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was fifteen sixteen years old. Yeah, I've been in a

358
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couple of local bands from around here that didn't really

359
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go anywhere.

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Speaker 6: Yeah.

361
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Speaker 12: Usually the problem is is nobody wants to do it.

362
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People can't get along, sure, travel, money, whatever the reason. Yeah,

363
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but I do make other projects on the side, Like

364
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I have a entirely different project that I do that's

365
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more electronics synth wave dark wave, and they have another

366
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project where I just write, you know, acoustic folky type

367
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of stuff, very very inspired by like Donovan and Neil Young,

368
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specifically Neil Young era from like.

369
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Speaker 10: What what what is that?

370
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Speaker 12: The autumn album? Oh okay, Yeah, I'm trying to think

371
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of what that is. It's it's got like old Man

372
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and part of Gold. It's like one of his best Yeah.

373
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Speaker 6: Yeah, yeah, I know that. I know that it's funny too.

374
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I can picture I can actually.

375
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Speaker 10: Picture it if I didn't stay up so late last night.

376
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Speaker 6: I remember I can picture the cover, but just not

377
00:24:25,599 --> 00:24:27,400
the title. Yeah, I know what you mean. Yeah, No,

378
00:24:27,599 --> 00:24:30,200
that's that's really cool. Yeah, so you do. So do

379
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you have do you have kind of a favorite thing

380
00:24:34,000 --> 00:24:36,119
as far as these different projects that you do. Is

381
00:24:36,160 --> 00:24:40,119
there something that is more compelling to you to work

382
00:24:40,160 --> 00:24:41,920
on than the others or do you kind of love

383
00:24:42,000 --> 00:24:45,720
them all equally because it's all creating music.

384
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Speaker 12: I just in general really love to make music. Yeah,

385
00:24:48,960 --> 00:24:53,319
it's more of like a emotion in the moment type

386
00:24:53,359 --> 00:24:57,519
of thing. So sometimes if I'm feeling sad or sappy,

387
00:24:58,079 --> 00:25:00,759
I'll pick up my acoustic and I'll write it sad, sappy,

388
00:25:01,000 --> 00:25:02,640
you know, folk type of song.

389
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Speaker 6: Yeah.

390
00:25:03,480 --> 00:25:07,799
Speaker 12: If I'm feeling more angry or rebellious and I just

391
00:25:08,039 --> 00:25:11,440
want to write that type of stuff, I'll do the

392
00:25:11,559 --> 00:25:14,160
No Siva stuff. If I want to do something that's

393
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more I don't know, dark, romanticism or just fun, I'll

394
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do the more electronic product.

395
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Speaker 6: Yeah.

396
00:25:23,039 --> 00:25:23,720
Speaker 10: Yeah, project.

397
00:25:23,880 --> 00:25:27,200
Speaker 6: What's the electronic project? What's the name of that. I'm

398
00:25:27,200 --> 00:25:27,920
curious to look it up.

399
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Speaker 12: It's called ghoul King, Okay, because I have one song

400
00:25:32,599 --> 00:25:36,680
that's also out. Oh but you know, I mainly came

401
00:25:36,720 --> 00:25:38,319
on here today to talk about No Siva.

402
00:25:38,480 --> 00:25:40,960
Speaker 6: Oh yeah, yeah, No. I love that kind of stuff though, too.

403
00:25:41,000 --> 00:25:43,759
Any any kind of electronic music I think is well,

404
00:25:43,839 --> 00:25:45,079
you know what, let me ask you this because I'm

405
00:25:45,119 --> 00:25:48,319
really curious too about influences when it comes to electronic music.

406
00:25:48,640 --> 00:25:50,400
I mean, I assume Nine Inch Nails is in there.

407
00:25:51,240 --> 00:25:53,759
Speaker 12: Nine Inch Nails is more so, I would say in

408
00:25:53,880 --> 00:25:56,079
a lot of like the No Siva type of stuff.

409
00:25:56,640 --> 00:25:59,599
But some of the electronic songs that I have written,

410
00:26:00,200 --> 00:26:03,759
whether they're finished or not, definitely Nine Inch Nails, Ministry,

411
00:26:04,000 --> 00:26:09,880
Skinny Puppy, like all the original greats. I've also been

412
00:26:09,880 --> 00:26:14,240
a lot highly inspired over the years by the original

413
00:26:14,319 --> 00:26:15,880
keyboard player from Marilyn Manson.

414
00:26:17,079 --> 00:26:18,519
Speaker 6: I forget. I don't remember his name.

415
00:26:18,720 --> 00:26:22,160
Speaker 12: His real name is Stephen Beer. He was Pogo and

416
00:26:22,240 --> 00:26:24,119
then he was also like mc dona Wayne Gacy, they

417
00:26:24,319 --> 00:26:27,880
take his name. I became friends with him on social

418
00:26:27,960 --> 00:26:32,039
media way back in like MySpace, and I've had him

419
00:26:32,759 --> 00:26:35,799
on Instagram, I don't know, over ten years now at

420
00:26:35,799 --> 00:26:39,000
this point, and every once in a while, like I'll

421
00:26:39,799 --> 00:26:41,279
reach out to him be like, hey, you know I

422
00:26:41,440 --> 00:26:43,519
was looking at wanting to get this, do you know

423
00:26:43,680 --> 00:26:46,000
anything about it? Or if I wanted to learn to

424
00:26:46,079 --> 00:26:48,720
do this, how can I do this? And he's been

425
00:26:48,799 --> 00:26:51,119
cool enough to kind of point me in the right direction,

426
00:26:51,440 --> 00:26:53,240
but flat out being like I'm not going to tell

427
00:26:53,279 --> 00:26:54,720
you how to do this because then you're going to

428
00:26:54,799 --> 00:26:58,160
take my secrets. That makes me unique, sure, because he

429
00:26:58,279 --> 00:27:02,119
was very unique in that band, as absolutely, But from

430
00:27:02,200 --> 00:27:04,960
what I have learned over the years from him, like

431
00:27:05,079 --> 00:27:08,519
he's kind of like just loosely guiding my hand, being like, well,

432
00:27:08,720 --> 00:27:11,480
you could try this, and then figuring it out on

433
00:27:11,559 --> 00:27:15,400
my own. I've learned how to do a handful of

434
00:27:15,519 --> 00:27:18,680
things that he could do, and no, not really anybody

435
00:27:18,720 --> 00:27:19,240
else could do this.

436
00:27:19,599 --> 00:27:22,440
Speaker 6: Yeah, that's really cool too, to have a mentor, right.

437
00:27:22,680 --> 00:27:25,480
Speaker 12: I mean, you know I've told him so many times,

438
00:27:25,680 --> 00:27:28,599
like you're the reason I picked up a keyboard, No kidding,

439
00:27:28,640 --> 00:27:30,160
which is accurate.

440
00:27:30,319 --> 00:27:33,400
Speaker 6: Oh, very cool. Well, is he still active in uh?

441
00:27:34,079 --> 00:27:34,359
I mean what?

442
00:27:34,480 --> 00:27:34,519
Speaker 13: What?

443
00:27:34,680 --> 00:27:36,640
Speaker 6: What is he doing? Does he have a current project?

444
00:27:36,720 --> 00:27:36,839
Speaker 10: Now?

445
00:27:36,960 --> 00:27:42,240
Speaker 12: He's he's not been in the band for over twenty years.

446
00:27:42,279 --> 00:27:45,160
I think, Yeah, he's married, he has a kid. I

447
00:27:45,240 --> 00:27:48,319
believe he lives in Jersey. But he posts a lot

448
00:27:48,400 --> 00:27:52,079
of he posts a lot of videos on his Instagram,

449
00:27:52,200 --> 00:27:54,880
like multiple times a day of him just kind of

450
00:27:54,960 --> 00:27:59,440
messing around with synthesizers and noise machines and just you know,

451
00:27:59,680 --> 00:28:01,480
just chow people what he can do, and just a

452
00:28:01,519 --> 00:28:03,519
lot of people comments and don't really love what he does.

453
00:28:03,720 --> 00:28:08,559
Speaker 6: Yeah, oh that's cool. Is it liberating for you to

454
00:28:08,680 --> 00:28:11,920
be able to do to do these projects instead of

455
00:28:12,039 --> 00:28:13,519
being in you know, because I know from my own

456
00:28:13,559 --> 00:28:15,680
experience in bands, I could relate to what you were

457
00:28:15,720 --> 00:28:19,400
saying about. You know, sometimes like those varying levels of commitment.

458
00:28:19,519 --> 00:28:20,839
You know, if you're in a band with a bunch

459
00:28:20,880 --> 00:28:23,359
of people and sometimes not everyone's moving in the same direction,

460
00:28:23,599 --> 00:28:26,519
and then you've got scheduling and all that, And is

461
00:28:26,599 --> 00:28:29,160
it liberating to kind of be able to leave that

462
00:28:29,319 --> 00:28:30,680
behind and do what you're doing now.

463
00:28:31,279 --> 00:28:33,079
Speaker 12: It's liberating in the fact that I can kind of

464
00:28:33,160 --> 00:28:36,319
step away from the drama aspect of those things. Yeah,

465
00:28:36,759 --> 00:28:39,359
and just kind of do whatever I want in my

466
00:28:39,519 --> 00:28:41,559
own way, and no one's gonna be like, oh, I

467
00:28:41,599 --> 00:28:42,119
don't like that.

468
00:28:42,559 --> 00:28:42,799
Speaker 6: Yeah.

469
00:28:43,279 --> 00:28:47,799
Speaker 12: What I don't like is not having the camaraderie of

470
00:28:48,119 --> 00:28:51,359
you know, brotherhood. That's a big thing for me. And

471
00:28:52,680 --> 00:28:56,160
there's also like being in a room where you're physically

472
00:28:56,279 --> 00:29:00,200
hearing the music, you're feeling that vibe it's creating, you know,

473
00:29:00,440 --> 00:29:04,079
that serotonin boost and the adrenaline kicks in and you

474
00:29:04,279 --> 00:29:05,759
just you just go all for it.

475
00:29:05,920 --> 00:29:09,319
Speaker 10: Yeah, that's what I don't have. That's what I miss.

476
00:29:10,400 --> 00:29:13,240
Speaker 12: So if I could be in a room physically doing

477
00:29:13,319 --> 00:29:18,119
this with people, absolutely. The problem is in my current situation,

478
00:29:20,240 --> 00:29:23,519
I don't have a vehicle, which is unfortunate went out

479
00:29:23,519 --> 00:29:27,240
in December. But you know, you can find ways around that.

480
00:29:27,400 --> 00:29:32,039
There's buses, there's whatever, you do whatever. And if I

481
00:29:32,200 --> 00:29:34,519
were to meet the right people who were actually interested,

482
00:29:34,640 --> 00:29:36,599
you know, I would be willing to do that. But

483
00:29:37,359 --> 00:29:39,279
that is one of the goals is to try and

484
00:29:39,400 --> 00:29:41,960
find live members for this, to actually make this a

485
00:29:42,039 --> 00:29:45,400
thing once an actual you know, a handful of more

486
00:29:45,480 --> 00:29:48,680
songs is done, released enough to go out and actually

487
00:29:48,720 --> 00:29:49,119
play them.

488
00:29:49,279 --> 00:29:52,640
Speaker 6: Yeah, oh that would be fantastic. Yeah. Yeah, Have you

489
00:29:52,720 --> 00:29:55,480
made a video for this or you have you? Have

490
00:29:55,599 --> 00:29:56,920
you thought about it? Oh?

491
00:29:56,960 --> 00:29:59,240
Speaker 12: I absolutely have an idea, and I already have somebody

492
00:29:59,759 --> 00:30:03,640
that I been talking to in mind for the video

493
00:30:03,720 --> 00:30:09,039
and the concept of everything. And there's been the idea

494
00:30:09,119 --> 00:30:12,799
tossed around by my girlfriend actually knowing that I don't

495
00:30:12,880 --> 00:30:17,759
really like snakes, I'm cool with them, but she recommended

496
00:30:17,799 --> 00:30:23,160
that I do some kind of creepy warehouse, abandoned hospital

497
00:30:23,759 --> 00:30:28,000
whatever with snakes involved, obviously because it's the name of

498
00:30:28,039 --> 00:30:30,279
the song and what it's about. But yeah, I mean

499
00:30:30,319 --> 00:30:33,279
I would be fine with, you know, filming something holding

500
00:30:33,279 --> 00:30:34,079
a snake or whatever.

501
00:30:34,359 --> 00:30:37,839
Speaker 6: Yeah, as long as this snake isn't going to kill you, right,

502
00:30:40,960 --> 00:30:42,279
I would That would freak me out.

503
00:30:43,000 --> 00:30:43,960
Speaker 8: No, no, thank you.

504
00:30:44,359 --> 00:30:46,039
Speaker 10: I will be on the other side of the planet.

505
00:30:46,160 --> 00:30:49,920
Speaker 6: Yeah, call call us Indiana Jones. We don't, we don't,

506
00:30:49,920 --> 00:30:52,839
we don't, we don't need any snakes. Yeah no, no,

507
00:30:53,599 --> 00:30:55,400
but uh no, That's cool though, that you're going to

508
00:30:55,480 --> 00:30:58,519
do something because that that song, Yeah, it needs a video, absolutely,

509
00:30:58,519 --> 00:31:00,759
that would be That would be amazing. That would be amazing.

510
00:31:02,079 --> 00:31:03,519
Do you get to play out it all these days,

511
00:31:03,599 --> 00:31:06,839
like doing the acoustic stuff or anything. Do do you

512
00:31:06,920 --> 00:31:09,279
have any opportunities to perform live? Or have you just

513
00:31:09,359 --> 00:31:10,480
been focused on the studio.

514
00:31:10,880 --> 00:31:13,279
Speaker 12: It's work mostly focused on the studio work. I mean

515
00:31:13,720 --> 00:31:16,279
the last handful of years, with the pandemic and everything,

516
00:31:16,319 --> 00:31:18,440
it kind of made it that I didn't really want

517
00:31:18,480 --> 00:31:22,440
to go out as much. Yeah, And oddly enough, the

518
00:31:22,519 --> 00:31:26,079
pandemic is actually what kind of lit this fire for

519
00:31:26,319 --> 00:31:29,759
me because I had nothing else to do, and I

520
00:31:29,839 --> 00:31:32,440
had a room full of instruments yep, enough to do

521
00:31:32,599 --> 00:31:33,240
an entire.

522
00:31:33,160 --> 00:31:36,119
Speaker 10: Band, and I'm like, well, now's now's the time.

523
00:31:37,119 --> 00:31:40,920
Speaker 12: So that's how I started the electronic project and then

524
00:31:40,960 --> 00:31:42,960
from there, that's how I came up with the idea

525
00:31:43,000 --> 00:31:45,720
and concept of no Ceva, And that's how I met

526
00:31:45,799 --> 00:31:50,000
Jonah and just kind of put everything together. And yeah,

527
00:31:50,119 --> 00:31:52,279
but I mean as far as like at least the

528
00:31:52,359 --> 00:31:54,559
band name no Siva that came from my best friend

529
00:31:54,640 --> 00:31:57,920
of twenty two years from high school. We were talking

530
00:31:58,000 --> 00:31:59,359
one day, and I was like, this is what I

531
00:31:59,440 --> 00:32:01,759
want to do, and he was just like, why don't

532
00:32:01,799 --> 00:32:04,559
you just use no Ceva? I'm like, what does that

533
00:32:04,640 --> 00:32:07,079
even mean? He's like, oh, it was a name that

534
00:32:07,160 --> 00:32:10,160
I used like for two shows and nobody liked it

535
00:32:11,119 --> 00:32:14,079
and when we were in a band together, and I'm like, okay,

536
00:32:14,839 --> 00:32:19,480
I didn't know that you ever did that. But I

537
00:32:19,640 --> 00:32:21,119
was like, well, what does it mean? He's like, oh,

538
00:32:21,200 --> 00:32:24,359
it means g nosis of Siva or knowledge of Shiva.

539
00:32:24,880 --> 00:32:27,640
And I started, like, you know, doing more research, and

540
00:32:27,640 --> 00:32:29,200
I'm like, okay, well, if I'm gonna use a name

541
00:32:29,319 --> 00:32:31,359
like that, what does Siva represent?

542
00:32:31,480 --> 00:32:31,599
Speaker 10: Well?

543
00:32:31,720 --> 00:32:34,920
Speaker 12: She happened to also represent all of the things that

544
00:32:35,000 --> 00:32:38,400
I'm talking about, and just so happens to have a

545
00:32:38,599 --> 00:32:42,599
snake and light and dark and it just all the

546
00:32:42,680 --> 00:32:45,720
same things. And they just started falling into place more

547
00:32:45,720 --> 00:32:52,359
and more in this weird way that it was like destiny,

548
00:32:52,759 --> 00:32:56,599
you know, oh, very cool, very cool?

549
00:32:59,680 --> 00:32:59,839
Speaker 9: Yeah?

550
00:33:00,559 --> 00:33:03,200
Speaker 6: Is it a is it a common conversation? Like we

551
00:33:03,519 --> 00:33:05,119
talked earlier about, I asked you, am I saying the

552
00:33:05,200 --> 00:33:07,359
name correctly? And it turned out I was do you

553
00:33:07,480 --> 00:33:09,240
do you often have to tell people how to pronounce it?

554
00:33:09,880 --> 00:33:12,160
Speaker 12: People can't even remember how to say Nichol. I have

555
00:33:12,319 --> 00:33:14,599
the time, Like I've had people call me Nicholas. I've

556
00:33:14,839 --> 00:33:20,559
people call me, uh like just the weirdest name. Like

557
00:33:21,119 --> 00:33:23,359
I met somebody once and he's like Eric, right, and

558
00:33:23,440 --> 00:33:27,640
I'm like, no, Eric, I don't know.

559
00:33:27,799 --> 00:33:28,480
Speaker 6: Oh that's funny.

560
00:33:28,920 --> 00:33:31,400
Speaker 12: People cannot spell it to save their life either. It's

561
00:33:31,480 --> 00:33:34,359
just I don't understand how it's so difficult. But yeah,

562
00:33:34,759 --> 00:33:36,640
I had a dollar for you know every time.

563
00:33:36,880 --> 00:33:38,640
Speaker 6: Well, I have seen Nichola I spelled a few different

564
00:33:38,640 --> 00:33:42,599
ways over the years. But but I also it's not

565
00:33:42,680 --> 00:33:45,319
a name I've seen spelled a lot. It's not a

566
00:33:45,400 --> 00:33:47,200
name you encounter a lot, at least not in this

567
00:33:47,319 --> 00:33:49,079
part of the in this part of the world.

568
00:33:49,240 --> 00:33:49,440
Speaker 10: True.

569
00:33:49,559 --> 00:33:52,519
Speaker 6: Yeah, yeah, And by the way too, we were also

570
00:33:52,559 --> 00:33:54,759
talking off here. So you grew up in the Midwest, Yes,

571
00:33:55,039 --> 00:33:55,799
in Indiana.

572
00:33:56,000 --> 00:33:56,160
Speaker 10: Yes.

573
00:33:56,359 --> 00:33:57,400
Speaker 6: And what brought you up here?

574
00:33:58,240 --> 00:34:01,799
Speaker 12: Long story short was a woman okay, that I'm not

575
00:34:01,960 --> 00:34:05,880
with anymore, And by chance I actually ended up meeting

576
00:34:05,920 --> 00:34:07,599
the love of my life who I've been with for

577
00:34:07,839 --> 00:34:14,679
seven years now. Oh good, So I met her during

578
00:34:14,840 --> 00:34:18,079
the breakup portion, like within the first year or whatever.

579
00:34:18,639 --> 00:34:22,360
I was actually seeing somebody else. And then a friend

580
00:34:22,400 --> 00:34:25,199
of mine was like, Hey, I'm going to this birthday party.

581
00:34:25,599 --> 00:34:28,199
You should come, And I went and I saw her,

582
00:34:28,320 --> 00:34:30,559
and I just I was like, oh, I remember her.

583
00:34:30,639 --> 00:34:33,599
I met her randomly at a party, like in twenty fourteen.

584
00:34:33,679 --> 00:34:39,679
I moved here in thirteen. So when I first moved here,

585
00:34:39,719 --> 00:34:43,519
I was living out in like Hillsboro, and I was

586
00:34:43,559 --> 00:34:48,239
with that other person and I met my now partner

587
00:34:49,039 --> 00:34:52,800
seven years excellent. So like a random party, and then

588
00:34:52,840 --> 00:34:57,119
I went to her birthday party years later and reconnected

589
00:34:57,239 --> 00:35:00,440
and just started talking and spending time together. And yeah,

590
00:35:00,480 --> 00:35:01,480
one thing led to another.

591
00:35:02,039 --> 00:35:04,719
Speaker 6: Excellent. That's awesome. Is she a musician at all?

592
00:35:04,800 --> 00:35:05,360
Speaker 10: Or she's not.

593
00:35:06,360 --> 00:35:09,440
Speaker 12: She's a photographer. She's a pretty pretty brilliant photographer.

594
00:35:09,639 --> 00:35:10,039
Speaker 6: Excellent.

595
00:35:10,159 --> 00:35:12,760
Speaker 12: I wish that she would pick it back up. She's

596
00:35:12,800 --> 00:35:17,920
also artistics. She can draw really well. Yeah, one of

597
00:35:17,960 --> 00:35:22,960
the most beautifully minded people I've ever met in my life.

598
00:35:23,119 --> 00:35:26,679
Just a go get her all about living life in

599
00:35:26,760 --> 00:35:32,280
the moment, spontaneous. But she's also one of the best

600
00:35:33,599 --> 00:35:36,760
poets I've ever read. Anything from the way that she

601
00:35:36,960 --> 00:35:40,360
writes has actually inspired me and a lot of the

602
00:35:40,400 --> 00:35:42,920
stuff that I've been doing recently, and that was kind

603
00:35:42,960 --> 00:35:46,079
of the same thing with this song is that I

604
00:35:46,280 --> 00:35:53,079
was taking too much too seriously basically, and I would

605
00:35:53,119 --> 00:35:54,679
I was sitting and I was looking at a lot

606
00:35:54,719 --> 00:35:56,519
of her poetry, and I was like, how do you

607
00:35:56,639 --> 00:35:59,719
write like this? Thinking that to myself, and then I

608
00:36:00,360 --> 00:36:03,760
started trying, and over the course of two years, I'm like, okay,

609
00:36:03,800 --> 00:36:06,840
I think I got this, and I wrote something from

610
00:36:06,960 --> 00:36:10,119
that viewpoint, okay. And I explained that to her and

611
00:36:10,159 --> 00:36:13,199
I'm like, I'm not taking anything of yours. I'm just

612
00:36:13,280 --> 00:36:17,159
taking the way that you you do this because it's

613
00:36:17,199 --> 00:36:19,679
different than how I normally would write. And because I've

614
00:36:19,760 --> 00:36:22,199
done that, I've been able to come up with so

615
00:36:22,280 --> 00:36:25,960
many more interesting things than I've ever done before. Because

616
00:36:25,960 --> 00:36:27,880
of the way I used to write is just it's

617
00:36:27,960 --> 00:36:29,840
just not the same anymore. It's gotten better.

618
00:36:30,000 --> 00:36:34,119
Speaker 6: Yeah. Cool, Oh, that's very cool. That's very cool. Do

619
00:36:34,199 --> 00:36:36,679
you have any idea when you might have another No

620
00:36:36,840 --> 00:36:40,559
Siva track? Any any I know you don't want to

621
00:36:40,599 --> 00:36:42,840
put a timetable on it, but do you think in

622
00:36:42,880 --> 00:36:44,440
the next year you might have something or I'm just

623
00:36:44,519 --> 00:36:46,400
dying here more. I just love that song.

624
00:36:46,480 --> 00:36:51,559
Speaker 12: I absolutely I'd absolutely want to release another one within

625
00:36:51,639 --> 00:36:51,920
the year.

626
00:36:52,239 --> 00:36:54,880
Speaker 10: If not sooner, it's just a matter of time.

627
00:36:55,360 --> 00:36:57,159
Speaker 6: And will will you continue to work with Jonah?

628
00:36:57,360 --> 00:36:58,280
Speaker 10: Oh yeah, absolutely.

629
00:36:59,360 --> 00:37:02,199
Speaker 12: Jonah and I don't know each other incredibly well, but

630
00:37:02,400 --> 00:37:04,840
like the times that I've worked with him and talked

631
00:37:04,880 --> 00:37:08,840
to him, you know, like he's like a brother already,

632
00:37:09,119 --> 00:37:12,400
you know, like we shoot each other text messages or

633
00:37:12,800 --> 00:37:16,039
send each other memes and you know, TikTok videos and stuff.

634
00:37:16,039 --> 00:37:19,000
So like I look at him at this point like okay,

635
00:37:19,119 --> 00:37:22,159
like we're locked in. I like what this guy does.

636
00:37:23,039 --> 00:37:25,000
He was also one of the first people to tell me,

637
00:37:25,320 --> 00:37:28,159
you know, like, you know, don't don't think so lowly

638
00:37:28,280 --> 00:37:30,559
of yourself, because when I sent him my vocals, I'm like,

639
00:37:30,920 --> 00:37:33,480
you know, he's probably going to be bad because I've

640
00:37:33,760 --> 00:37:36,599
never taken lessons for this. Oh And he was just like, dude,

641
00:37:36,599 --> 00:37:40,239
I've been doing this stuff for like years, and you're

642
00:37:40,280 --> 00:37:41,960
telling me that you only learn how to do this

643
00:37:42,119 --> 00:37:47,039
within like under two years. That's pretty impressive. And I'm like, Okay,

644
00:37:47,159 --> 00:37:49,800
well maybe I can naturally just you know, do this.

645
00:37:50,719 --> 00:37:55,000
So he believes in me, and that's why he also

646
00:37:55,079 --> 00:37:58,239
wanted to work with me, because when I reached out

647
00:37:58,239 --> 00:38:00,079
to him originally and said this is the idea I

648
00:38:00,199 --> 00:38:02,840
have immediately locked in and was like, yes, I want

649
00:38:02,880 --> 00:38:04,639
to work with you. Yeah, and he won't just work

650
00:38:04,679 --> 00:38:05,239
with anybody.

651
00:38:05,400 --> 00:38:09,119
Speaker 6: Yeah, so that's really cool. And there's something about, uh,

652
00:38:09,440 --> 00:38:12,599
there's something about creativity that bonds people, you know, and

653
00:38:12,960 --> 00:38:15,199
you can you know, like you said, you've never met him,

654
00:38:15,239 --> 00:38:17,880
you know, you've only you've you've just worked with him

655
00:38:17,920 --> 00:38:19,599
on the music, but you've never met him in person.

656
00:38:19,719 --> 00:38:24,519
But it's like, uh, when when it's when it creating,

657
00:38:24,639 --> 00:38:27,840
something is involved. It's like there's a bond that forms,

658
00:38:27,880 --> 00:38:32,039
it kind of transcends actually meeting the person, you know

659
00:38:32,079 --> 00:38:35,239
what I mean. I don't know if i'm I think

660
00:38:35,280 --> 00:38:37,320
you know what I mean. I'm not really articulating it

661
00:38:37,480 --> 00:38:37,920
very well.

662
00:38:37,840 --> 00:38:39,920
Speaker 10: But I know exactly what you mean. Yeah, I mean

663
00:38:39,960 --> 00:38:42,440
I've I've like video chatted with him a handful of times.

664
00:38:42,559 --> 00:38:45,320
Speaker 6: Okay, yeah, so you've you've seen each other. Yeah.

665
00:38:45,440 --> 00:38:46,840
Speaker 10: He's actually younger than.

666
00:38:46,800 --> 00:38:47,239
Speaker 11: Me, is he?

667
00:38:47,400 --> 00:38:51,960
Speaker 6: Yeah? Yeah, yeah, I'll have to. I'm curious to look

668
00:38:52,039 --> 00:38:54,000
him up now. I'd like to see what what bands

669
00:38:54,000 --> 00:38:55,760
he's in, because he sounds like a like a pretty

670
00:38:55,800 --> 00:39:00,719
interesting guy and obviously he's doing great stuff. So uh, plus,

671
00:39:00,800 --> 00:39:03,679
we love those musicians from Texas. A lot of a

672
00:39:03,719 --> 00:39:04,719
lot of great stuff coming.

673
00:39:04,559 --> 00:39:07,480
Speaker 12: Out the Corpus Christie. Texas is actually I think the

674
00:39:07,679 --> 00:39:10,199
metal capital of the US, is it. Yeah, it's like

675
00:39:10,360 --> 00:39:12,280
some of the greatest metal bands out there.

676
00:39:12,360 --> 00:39:14,760
Speaker 6: Is that where Pantera's from. I know, obviously, I know

677
00:39:14,800 --> 00:39:17,039
they're from Texas. I don't remember what city.

678
00:39:17,440 --> 00:39:19,760
Speaker 12: I don't know if they're from the same city. But

679
00:39:20,360 --> 00:39:23,360
bands like I'm pretty sure, like job for Cowboys from

680
00:39:23,440 --> 00:39:24,519
Corpus Christie.

681
00:39:24,239 --> 00:39:25,519
Speaker 6: I believe so. Yeah, and then.

682
00:39:28,239 --> 00:39:31,920
Speaker 12: They're like so many of these new like slam death,

683
00:39:32,039 --> 00:39:36,079
grindcore bands are all coming from Texas for whatever reason.

684
00:39:36,280 --> 00:39:38,960
Speaker 6: Oh, there's so much good stuff. Yeah, because we've interviewed

685
00:39:38,960 --> 00:39:41,480
a lot of guests from Texas. Some of the best

686
00:39:41,639 --> 00:39:45,000
metal bands. Oh yeah, Oh my gosh. Yeah. It's funny

687
00:39:45,039 --> 00:39:46,960
too because people who don't know they think of like,

688
00:39:47,360 --> 00:39:49,159
you know, Texas, I think of country music.

689
00:39:49,559 --> 00:39:49,960
Speaker 8: That was me.

690
00:39:50,239 --> 00:39:51,239
Speaker 10: I did too, that was me.

691
00:39:51,639 --> 00:39:52,719
Speaker 6: That was absolutely me.

692
00:39:52,800 --> 00:39:55,039
Speaker 18: And then all of a sudden, I'm getting metal after

693
00:39:55,159 --> 00:39:55,719
metal after me.

694
00:39:55,960 --> 00:39:59,280
Speaker 6: I'm like, these guys are amazing. Yeah, it's yea, there's

695
00:39:59,280 --> 00:40:00,599
a lot of town in Texas.

696
00:40:00,639 --> 00:40:01,920
Speaker 18: We had Warhog on last week.

697
00:40:02,000 --> 00:40:02,199
Speaker 6: Yeah.

698
00:40:02,239 --> 00:40:03,400
Speaker 10: Oh yeah, and they're from Texas.

699
00:40:03,599 --> 00:40:06,920
Speaker 6: Yeah, Warhog is fantastic. Yeah, they're from Dallas and just

700
00:40:07,159 --> 00:40:10,239
just great, great band. Yeah, so good, so good.

701
00:40:10,360 --> 00:40:11,119
Speaker 10: You're getting some love.

702
00:40:11,199 --> 00:40:14,440
Speaker 18: Nathan Hill says, awesome. Oh, and he's waiting for you

703
00:40:14,519 --> 00:40:17,679
to spin it. Good morning from him. Good morning to Isaac,

704
00:40:17,760 --> 00:40:20,280
Good morning to Cheryl. I see you in there my

705
00:40:20,559 --> 00:40:22,480
so many choices dot com lady.

706
00:40:23,440 --> 00:40:26,199
Speaker 6: Oh yes, and I see Bee Pinard in there too. Yes,

707
00:40:26,239 --> 00:40:27,840
she's a big supporter of the show. And in the

708
00:40:27,840 --> 00:40:31,119
morning morning haul, w M and H. Yeah, welcome everybody, welcome.

709
00:40:31,480 --> 00:40:32,800
Uh yeah, if you missed it, we are going to

710
00:40:32,840 --> 00:40:34,679
play the track again and in just a couple of

711
00:40:34,719 --> 00:40:37,039
minutes to close out the segment. But yeah, it is.

712
00:40:37,360 --> 00:40:40,199
It is so good. And as we mentioned too, it's

713
00:40:40,239 --> 00:40:43,960
on all the streaming platforms and uh no, Seva is spelled.

714
00:40:44,039 --> 00:40:46,039
Let me see if I can remember K N O

715
00:40:46,519 --> 00:40:49,559
S I V A. Yes, okay, well done. I think

716
00:40:49,599 --> 00:40:50,760
I can even spell Nicola.

717
00:40:51,039 --> 00:40:54,159
Speaker 10: Is it n I C O L A I yes,

718
00:40:54,880 --> 00:40:57,639
I did it, and I spoke the last part kine yeah,

719
00:40:58,000 --> 00:41:00,559
C A I N E. Yes. Most people spell it

720
00:41:00,639 --> 00:41:01,079
without the e.

721
00:41:01,480 --> 00:41:03,519
Speaker 6: Oh no kidding. Yeah, I'm a pretty good spell Like

722
00:41:03,559 --> 00:41:05,719
if I see a name, I can usually I can

723
00:41:05,800 --> 00:41:09,840
usually spell it. But yeah, but uh no, it's it's funny,

724
00:41:10,079 --> 00:41:14,239
like somebody called you Eric, It's like, yeah, how do

725
00:41:14,280 --> 00:41:17,599
you get that? From Nikola? Anything else? Listeners should know

726
00:41:17,599 --> 00:41:19,239
about where to find you online if they want to

727
00:41:19,559 --> 00:41:21,760
follow what you're doing. Obviously too, you have other musical

728
00:41:21,800 --> 00:41:23,760
projects too, so if people want to want to check

729
00:41:23,800 --> 00:41:25,320
out everything that you're doing, where should they go?

730
00:41:25,920 --> 00:41:29,000
Speaker 12: So currently, for the No Siva project, I have a

731
00:41:29,199 --> 00:41:31,360
Facebook page which is just no Siva.

732
00:41:32,840 --> 00:41:34,320
Speaker 10: You can find me on there follow me.

733
00:41:34,519 --> 00:41:36,880
Speaker 12: I think I currently have like one hundred and thirty followers,

734
00:41:36,880 --> 00:41:39,679
which is not much, but like that literally jumped within

735
00:41:39,800 --> 00:41:42,760
like two maybe three weeks of me making that page.

736
00:41:42,840 --> 00:41:46,280
Oh cool, so you can find me on there. You

737
00:41:46,360 --> 00:41:50,400
can also just find me on on Facebook in general

738
00:41:50,400 --> 00:41:53,199
as nikolay Kine. Yeah, send me a friend request, whatever.

739
00:41:53,440 --> 00:41:55,519
But if you want to follow the stuff that I'm doing,

740
00:41:56,719 --> 00:41:59,760
follow me on the No Siva page and then basically

741
00:42:00,119 --> 00:42:02,199
from there, I'm just gonna keep doing what I'm doing.

742
00:42:02,280 --> 00:42:04,480
And like I said, it's only a single for now,

743
00:42:04,599 --> 00:42:07,400
but if people really want it, you know, then I'll

744
00:42:07,480 --> 00:42:08,079
keep making.

745
00:42:07,920 --> 00:42:12,119
Speaker 6: It awesome, excellent. Well, Nicola, I can thank you so much.

746
00:42:12,559 --> 00:42:12,960
Speaker 10: I love you.

747
00:42:13,079 --> 00:42:15,639
Speaker 6: I love this project, No Siva. We're gonna give the

748
00:42:15,719 --> 00:42:17,559
single another spin. If you haven't heard it yet, if

749
00:42:17,559 --> 00:42:19,280
you missed it earlier, we're going to play it in

750
00:42:19,400 --> 00:42:21,360
just a moment. And if you are listening live on

751
00:42:21,440 --> 00:42:24,360
Saturday morning, we've got Space Casino coming up next, and

752
00:42:24,440 --> 00:42:27,519
then in the third hour today Echo Ray returns with

753
00:42:27,960 --> 00:42:30,639
Lone Wolf James. So we've got a lot of show

754
00:42:30,760 --> 00:42:33,519
ahead of us and we're gonna give this another listen again.

755
00:42:33,599 --> 00:42:36,840
This is called Eternal Serpents. Scream is the name of

756
00:42:36,880 --> 00:42:40,679
the track. The project is No Siva and Nicola, I

757
00:42:40,760 --> 00:42:42,039
can thank you again, my friend.

758
00:42:41,920 --> 00:42:42,159
Speaker 10: Thank you.

759
00:43:00,280 --> 00:43:42,440
Speaker 9: Fret make struck great steps so I don't bump bump,

760
00:44:28,199 --> 00:44:29,760
I'm sorry, s.

761
00:44:31,280 --> 00:45:23,320
Speaker 5: S S Straight said, spend R said, I don't know.

762
00:45:47,840 --> 00:46:14,800
Speaker 17: Such stupid families, say Manor and.

763
00:46:18,880 --> 00:47:02,960
Speaker 11: Lady and my body. Thus I wawars wild at least

764
00:47:03,519 --> 00:47:05,239
the last when.

765
00:47:06,480 --> 00:48:11,119
Speaker 3: Well an, I'd like to give my condolences to paying

766
00:48:11,199 --> 00:48:14,960
to Advisor on hip hop music. You're no longer needed.

767
00:48:16,679 --> 00:48:20,400
It's time to bury. Hip hop's grandchild has to do.

768
00:48:22,400 --> 00:48:25,840
I was chosen five d rappid here and.

769
00:48:27,599 --> 00:48:50,719
Speaker 1: All rock key muh moment of silence.

770
00:48:50,800 --> 00:48:54,360
Speaker 4: The funeral was about to transpire, but your pretendence it

771
00:48:54,519 --> 00:48:55,440
was not requiet.

772
00:48:55,719 --> 00:48:58,519
Speaker 1: Don't be sad. This would be the greater things new. Ever,

773
00:48:58,639 --> 00:49:00,760
it has to start this part of new routine. This

774
00:49:00,960 --> 00:49:03,480
is not a damn fall. See it as a blessing.

775
00:49:03,719 --> 00:49:06,239
Hope you get the message, Hope you feel the essence.

776
00:49:06,280 --> 00:49:07,679
I have to shake the game up.

777
00:49:07,760 --> 00:49:10,639
Speaker 4: Bring you some Brillie's wrapped getting a bad rep two

778
00:49:10,800 --> 00:49:14,360
months eggles it started dog cleaning beginning of time. Then

779
00:49:14,480 --> 00:49:16,599
so they got expecial what's going at the time?

780
00:49:16,880 --> 00:49:19,159
Speaker 1: Now, what's going too far? The statement that had to

781
00:49:19,280 --> 00:49:22,320
make once like this usually comes from the great.

782
00:49:22,360 --> 00:49:24,639
Speaker 4: Verse dome I said hip hop was dead cool.

783
00:49:25,000 --> 00:49:27,320
Speaker 1: After that Jay made that the other tune.

784
00:49:27,719 --> 00:49:30,320
Speaker 4: Now Chris saying r P the paring to what boxing

785
00:49:30,440 --> 00:49:32,000
be a the other kind of time.

786
00:49:32,079 --> 00:49:37,519
Speaker 1: For rap history or raped me. Oh okay, okay, so down,

787
00:49:37,639 --> 00:49:42,719
so down gonna be Verse one got Verse two.

788
00:49:44,679 --> 00:49:48,280
Speaker 18: Said sellable.

789
00:49:49,920 --> 00:49:55,880
Speaker 4: It's hard n to a da. Let's go set him down.

790
00:49:56,000 --> 00:49:58,840
Let the child speak and be quiet and listen in

791
00:49:59,039 --> 00:50:02,639
him a speech. The over react remain calm as a preach.

792
00:50:02,760 --> 00:50:04,000
Speaker 1: Rap still would be fun.

793
00:50:04,039 --> 00:50:04,840
Speaker 6: You heard it from me.

794
00:50:05,360 --> 00:50:07,719
Speaker 1: You can still dance, knock your head, catch your pie,

795
00:50:08,079 --> 00:50:09,440
play it loud. We're speakers.

796
00:50:09,599 --> 00:50:12,159
Speaker 4: Yeah, while you pride your beats, the hooks, her Dad'll

797
00:50:12,199 --> 00:50:13,119
keep you satisfied.

798
00:50:13,519 --> 00:50:15,280
Speaker 1: This a new way. They ain't talking no.

799
00:50:15,440 --> 00:50:19,039
Speaker 4: The tides yet, but some fans switch the new genres

800
00:50:19,199 --> 00:50:20,920
when they play old rap songs.

801
00:50:20,960 --> 00:50:23,039
Speaker 1: Don't bother do songs toxic?

802
00:50:23,320 --> 00:50:26,440
Speaker 4: Rather play or av bread, gay dance hall jazz or

803
00:50:26,480 --> 00:50:30,239
so aple beats. Three disagree report two decade that gip

804
00:50:30,360 --> 00:50:32,480
hop needs me. Now I have the rest of it,

805
00:50:32,880 --> 00:50:35,199
and so long as splicing songs, it's time for this.

806
00:50:35,440 --> 00:50:38,559
Speaker 1: Yo'll hand me the shovel. Let's get the burrier or

807
00:50:38,639 --> 00:50:42,360
rape all right. I would like to thank you for this.

808
00:50:42,599 --> 00:50:43,840
Speaker 14: You know, with service.

809
00:50:45,800 --> 00:50:52,639
Speaker 3: Sust up yet drinks music a lot of deps, but

810
00:50:52,960 --> 00:50:54,880
is followed by.

811
00:50:55,599 --> 00:50:56,559
Speaker 6: The very service.

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Speaker 14: In times of crisis, you need a law firm that

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Speaker 2: Of WMNH, Disneys Cafe is the place to put a

832
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smile on your face. Judy and the crew will take

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834
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Speaker 7: Taste buds right.

835
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Speaker 6: Business.

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Speaker 2: Cafe is always a winning choice breakfast, lunch or supper.

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Speaker 13: When it comes to keeping WMNH on the air and

842
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Speaker 17: Seven times out of ten. We listened to our music at.

851
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Speaker 5: Nice Don titled book Business.

852
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Speaker 2: Program Late Night to Light with DJ Byte s raight

853
00:54:00,440 --> 00:54:04,159
here on w NH Manchester because.

854
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Speaker 7: Saturdays and Sunday nights midnight to four am.

855
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Speaker 8: This hour on wm NH is sponsored by CGI Business Solutions,

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located at five Dartmouth Drive in Auburn. They serve all

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862
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Speaker 19: Behold the harmony of airwaves as you immerse yourself in

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the captivating frequencies of w m NHLP, the sonic cardats

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of Manchester, transcending through the ether right ninety five point

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three megahertz frequency modulation. Our transmissions M and E from

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the ZF of one thousand down Streets to enter into

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the heart of our creative realm at one nineteen Canal Stree,

868
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where innovation and sound collide. They're the impro moder of

869
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Manchester Public Television Service in the venerable city of Manchester,

870
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New Hampshire, USA. Enrich your auditory journey with the depth

871
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of our license to wesn't wesspt your missives. Do w

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m n H ninety five three at gmail dot com

873
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or to.

874
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Speaker 8: Reverse the virtual corridors of w m n hradio dot org.

875
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Speaker 19: Engage with our sonic vibrations by communing with us through

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the digital channels or radio beconds, eager to enthrall you

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with its mesmerizing cadence and develop you with a symphony

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of boundless auditories won, Dude, w.

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Speaker 10: M n H rip the novels you're listening to.

880
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Speaker 11: W M and H

881
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Speaker 6: Commander don't supremely Maxill