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<v Speaker 1>What's up everybody. Welcome to That's not Mettal. We are

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<v Speaker 1>your weekly rock and heavy music podcast, and welcome here.

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<v Speaker 1>Every Friday, we are here with you for an edition

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<v Speaker 1>of Hyperblasts, which is our shorter form news and release

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<v Speaker 1>round up show where we let you know everything that

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<v Speaker 1>you need to know that's happened in the last seven

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<v Speaker 1>days or so. On that front. A few years ago,

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<v Speaker 1>we have the Turnstile pitpooper. He's struck again. He seems

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<v Speaker 1>to have moved to New Zealand this time, but there

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<v Speaker 1>is pit pooping still a foot out there in this terrible,

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<v Speaker 1>terrible world of ours, isn't that right? Sam?

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<v Speaker 2>The size of a.

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<v Speaker 3>Shre Apparently, like other reports that it was like it

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<v Speaker 3>was like big poop this time, and people were throwing

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<v Speaker 3>up and it feels like this was like a real

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<v Speaker 3>like nightmare scenario for everyone involved.

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<v Speaker 1>But yeah, how do you how do you go on?

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<v Speaker 1>You know, like, how do you as the person who's

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<v Speaker 1>done the pit poop? How do you pick yourself up

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<v Speaker 1>and move forward from that?

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<v Speaker 2>Again? Like was it one way?

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<v Speaker 3>He was like you know what, like I'm just gonna

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<v Speaker 3>poop for laugh? Or like was it like a oh shit,

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<v Speaker 3>I'm not going to make it to the toilet. Oh no,

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<v Speaker 3>oh no, oh no, here it goes.

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<v Speaker 1>I have to imagine it's the latter. And if that

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<v Speaker 1>is true, then that's a terrible scenario to be in. Again,

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<v Speaker 1>I don't know how you come back from it.

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<v Speaker 2>Yeah, like there's.

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<v Speaker 3>Gotta be Warner says, you must know your stomach feeling

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<v Speaker 3>a bit funky and you need to get out of there.

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<v Speaker 2>But like, if the gig's that good, I like, you're

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<v Speaker 2>going to make the sacrifice.

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<v Speaker 1>Yeah, that didn't even happen where I was at the weekend,

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<v Speaker 1>which you'd think were given the name the prime environment

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<v Speaker 1>for it. I'm gonna talk out that in just a moment.

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<v Speaker 1>My name is parent. Here that Sam ticking on. You

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<v Speaker 1>can hear a cross from me, Like I said, this

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<v Speaker 1>is hyperblast. Let's get into all of this, and I'm

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<v Speaker 1>going to start off by talking about I want to

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<v Speaker 1>speak a little bit about where I was at the weekend.

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<v Speaker 1>There was no pit pooping around. I was at a

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<v Speaker 1>little festival that's appeared in Manchester here in the UK

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<v Speaker 1>in the last few years called Awful Fest. And we

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<v Speaker 1>have I don't know we've I think we might have

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<v Speaker 1>jokingly referred to it a handful of times just because

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<v Speaker 1>the name of the place right it paints such a

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<v Speaker 1>vivid picture. Doesn't it like they have done an absolute

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<v Speaker 1>worldy of a marketing job in terms of like subbing

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<v Speaker 1>up what the musical vibe of their event is with

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<v Speaker 1>you know, a name like awful Fest where if you

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<v Speaker 1>can picture the most diabolically nasty, dingy you know, death

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<v Speaker 1>metal festival, you could imagine you could call it something

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<v Speaker 1>like aful Fest.

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<v Speaker 2>It could only be a post where you can't read

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<v Speaker 2>the band names.

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<v Speaker 1>Yeah, like that.

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<v Speaker 3>If you've got an awful Fest, if you like, if

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<v Speaker 3>I can read more than half the band names on

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<v Speaker 3>that line up poster, you've you've failed at your booking

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<v Speaker 3>awful Fest right there?

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<v Speaker 1>Yeah, And I can tell you right now they have

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<v Speaker 1>never failed in that, like, they have absolutely lived up

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<v Speaker 1>to what that is. This is the fourth year this

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<v Speaker 1>festival has run, so the first one. Mathematically that works

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<v Speaker 1>out to twenty twenty two or three, doesn't it. I

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<v Speaker 1>can't even do my mast straight off the top my

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<v Speaker 1>head there, but I have you know again, it's in

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<v Speaker 1>a city that is, you know, somewhat adjacent in the

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<v Speaker 1>region of the country. Where I live. So I remember,

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<v Speaker 1>I think the first year it popped up, I saw

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<v Speaker 1>the poster and I did exactly what we just did, right.

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<v Speaker 1>I laughed at the name. I saw a poster full

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<v Speaker 1>of just like what could only be you know, slam

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<v Speaker 1>and brittle death metal bands, right, And I don't know

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<v Speaker 1>if it was the very first one that had guttural

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<v Speaker 1>slug headlining who I would talk about a little bit

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<v Speaker 1>more later on, but I took notice of a couple

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<v Speaker 1>names that are on there, and I was like, oh cool,

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<v Speaker 1>you know, a brutal death metal all day a thing

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<v Speaker 1>popping up in It was originally in Rebellion in Manchester,

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<v Speaker 1>which is the exact venue basical the way you'd imagine

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<v Speaker 1>like something like that would exist, right. I think Rebellion

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<v Speaker 1>is something like three hundred cap It's where I go

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<v Speaker 1>to a lot of my you know, small underground type

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<v Speaker 1>shows in Manchester, and I kind of I've watched it

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<v Speaker 1>from afar the last few years, and something that's happened

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<v Speaker 1>with it where I had to really start checking in

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<v Speaker 1>and paying attention because in a pretty small amount of time,

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<v Speaker 1>right again, the fourth year of the event running this year,

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<v Speaker 1>it has grown far far more than I think you

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<v Speaker 1>would have put money on a small startup brutal death

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<v Speaker 1>metal event based in Manchester would do right. So I

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<v Speaker 1>got invited to attend this year and I was like, again,

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<v Speaker 1>I've been watching this from afar. I am genuinely curious

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<v Speaker 1>and impressed by what they're starting to build over there.

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<v Speaker 1>So I came along. It's now in a venue I

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<v Speaker 1>think it was upgraded. It was so I was like

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<v Speaker 1>I said, started in Rebellion, then it was going to

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<v Speaker 1>move to the Breadshed. It's ended up going in a

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<v Speaker 1>venue which I'd never been to in my life before,

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<v Speaker 1>but a ven you called Boundary in Manchester, which I

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<v Speaker 1>believe if anyone has been to the Manchester Punk Festival

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<v Speaker 1>that I know bands like Mensingers and so and have

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<v Speaker 1>played that event in the part. Again, I've never been there,

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<v Speaker 1>but I was told that it's the same venue where

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<v Speaker 1>that takes place, which I went in and I was like, yeah,

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<v Speaker 1>I could imagine Manchester Punk Festival taken here for a

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<v Speaker 1>brutal death metal event, which is this is what awful

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<v Speaker 1>Fest is, right, alfle Fest is. It doesn't even summit

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<v Speaker 1>up to say it's a death metal festival because it's

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<v Speaker 1>not a death metal festival where you're getting Cannibal Corpse

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<v Speaker 1>and Obituary and you know, newer bands like Blood Incantation

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<v Speaker 1>or two Mold or whatever to that playing. This is

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<v Speaker 1>specifically brutal death metal and slam event, like we said,

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<v Speaker 1>one of those events where every band's name ends in

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<v Speaker 1>ectomy or toe me Me or idity like something like that,

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<v Speaker 1>and they all have you know, again that style, you know,

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<v Speaker 1>slam logo that we're we're talking about. This is a

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<v Speaker 1>niche within a niche within a niche, you know. Yeah,

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<v Speaker 1>And that is what made it so impressive to me

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<v Speaker 1>that they actually do seem to be building something and

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<v Speaker 1>having gone and attended it, that's genuinely the vibe I

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<v Speaker 1>picked up. It's the venue again, I'm not sure of

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<v Speaker 1>the exact capacity, but it's somewhere in the region of

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<v Speaker 1>perhaps a thousand or a bit under now boundary, which

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<v Speaker 1>four a full on like the absolute that. I'll tell

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<v Speaker 1>you the headliners of the festival. One of them was

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<v Speaker 1>meant to be Development, who unfortunately had to pull out,

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<v Speaker 1>which I'll talk about in a little bit, but one

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<v Speaker 1>of them is meant to Development. The other day was

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<v Speaker 1>I think a co headline between a band called Regurgitation

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<v Speaker 1>and another band who people may have heard of if

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<v Speaker 1>they're just outside of that niche as a band called Faultcy.

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<v Speaker 1>And again those are like the peak of the what

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<v Speaker 1>this vent, what this festival has currently been able to

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<v Speaker 1>you know, book in a like in a pipe dream world.

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<v Speaker 1>Basically the absolute biggest band in the specific style of

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<v Speaker 1>death metal that they you know, function in would be

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<v Speaker 1>if they booked Suffocation or Dying Fetus or perhaps perhaps

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<v Speaker 1>of Catalty Capitation or something like that they have like

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<v Speaker 1>Skinless last Yeah, skin Skinless have headlined it in the past, right,

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<v Speaker 1>So again the biggest bands that you can pull from

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<v Speaker 1>the specifically brutal death metal you know, sub category and

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<v Speaker 1>subniche of it. So like I'm saying, a niche within

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<v Speaker 1>a niche, but getting that to a point where it's

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<v Speaker 1>now in a you know, approaching something like a thousand

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<v Speaker 1>capacity venue is pretty crazy. I don't know if it's

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<v Speaker 1>been done before, at least in this country in terms

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<v Speaker 1>of again catering this specific kind of music to something

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<v Speaker 1>like that, and it is starting to Like I said,

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<v Speaker 1>when it's first started up, it was like a you know,

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<v Speaker 1>an all day thing in Manchester. Now it has grown

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<v Speaker 1>to I guess technically three days. I went along for

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<v Speaker 1>the Saturday and Sunday because the Friday we were sort

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<v Speaker 1>of like you know, labeled as like a pre show

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<v Speaker 1>type day. But it's still a three day event really,

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<v Speaker 1>and people are you know, traveling in from at least

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<v Speaker 1>across the country for it, and it's starting to position

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<v Speaker 1>itself as like, yeah, if you if this is your niche,

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<v Speaker 1>then this is the event that you're upon hear, that

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<v Speaker 1>you're gonna be wanting to go into. So I'm fascinated

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<v Speaker 1>and like thoroughly impressed really, Like I'm always impressed by that.

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<v Speaker 1>I've said that's about events like Fortress at anytime, you know,

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<v Speaker 1>an event starts up catering to something that no one

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<v Speaker 1>would tell you is commercially viable, and they succeeds with

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<v Speaker 1>it and they managed to make it work and they

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<v Speaker 1>do it the right way, which again you know, community

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<v Speaker 1>organized and all this kind of stuff, Like I am,

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<v Speaker 1>I'm always like buoyed by that. So I guess I

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<v Speaker 1>wanted to again just talk a little bit about this

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<v Speaker 1>sort of thing appearing that has been going around, you know,

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<v Speaker 1>long enough at this point to start saying like you're like, yeah,

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<v Speaker 1>this is a legitimate staple in the calendar at this

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<v Speaker 1>point in time if that is your niche. And again

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<v Speaker 1>if you are observing from kind of outside it and

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<v Speaker 1>you didn't realize how large a draw because again basically,

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<v Speaker 1>all the bands on this festival, a couple of them aside,

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<v Speaker 1>aren't bands that we've ever spoken about in a you know,

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<v Speaker 1>reviewing capacity or you know, in our clerbal or anything

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<v Speaker 1>like that. So if you were to look at this

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<v Speaker 1>festival poster and you're not in that niche, you wouldn't

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<v Speaker 1>know anyone. So to go, this is like again actually

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<v Speaker 1>like pulling into numbers, right, I think is again a

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<v Speaker 1>great testament to what it's doing. And again immersing myself

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<v Speaker 1>in the the vibe of awful fest For the weekend,

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<v Speaker 1>they had you know, their their own festival brewed original beer,

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<v Speaker 1>right as many festivals do, the kind of you know,

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<v Speaker 1>partnership thing. It was called cavity fluid, and I was

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<v Speaker 1>drinking a couple of pips of that stuff going around

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<v Speaker 1>and just again fully immersing myself in the you know,

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<v Speaker 1>the specific again niche brutal death metal culture. I love

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<v Speaker 1>observing things like at any again kind of boutique festival

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<v Speaker 1>that I go to, whether it be the black metal

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<v Speaker 1>side like a Fortress, or you know, the hardcore side

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<v Speaker 1>like an Outbreak, even a straight up more old school

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<v Speaker 1>classic death metal festival, I would be expecting to see

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<v Speaker 1>vinyl everywhere. Slam and brutal death metal is not a

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<v Speaker 1>vinyl culture. I saw maybe one for sale the entire weekend. Instead,

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<v Speaker 1>ced bins everywhere, mounds and mounds and mounds of brutal

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<v Speaker 1>death metal and slam CDs, like that's the medium for

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<v Speaker 1>that specific thing, and everyone's like going buy your CDs.

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<v Speaker 1>It's like it's the genuine again, the medium of choice

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<v Speaker 1>for this specific subculture. And when I was looking around

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<v Speaker 1>again the area it did feel like this, you know,

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<v Speaker 1>built by brutal death metal people for brutal death metal people,

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<v Speaker 1>their own sort of mini you know city, if you like,

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<v Speaker 1>of a mecha of all of this kind of stuff.

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<v Speaker 1>I'm not going to go through and review every single

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<v Speaker 1>band I saw, because with something like off the Fest,

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<v Speaker 1>it is it is a musically monotonous festival, Like you

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<v Speaker 1>have to very much get that in mind. We are

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<v Speaker 1>talking such a specific subcategory of brittle death metal that

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<v Speaker 1>obviously people who are going to this love that thing

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<v Speaker 1>and lap it up and are very excited about all

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<v Speaker 1>these different bands who are playing. But to describe again

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<v Speaker 1>how every single band kind of played, it's a real,

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<v Speaker 1>I don't want to say, an endurance test, but it's

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<v Speaker 1>like you have to put yourself in the mindset of,

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<v Speaker 1>you know, appreciating just gutta or blasting violence for you know,

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<v Speaker 1>two to three days straight.

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<v Speaker 3>No. Yeah, it's a more extreme version when I go

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<v Speaker 3>to like my pure hardcore festivals and it's like, yeah,

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<v Speaker 3>that's a hardcore band.

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<v Speaker 2>That's a hard band, that's a hog band.

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<v Speaker 3>But this is like draining version of that, because you

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<v Speaker 3>are just going to be like ahead by just the

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<v Speaker 3>most relentless blasts and like toilet vocals.

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<v Speaker 1>Yeah, but you know if you're if you like relentless

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<v Speaker 1>blast and toilet vocals, then there was certainly more than

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<v Speaker 1>a healthy yeah, more than a healthy healthy of them.

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<v Speaker 1>And you know, the majority of the bands that I

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<v Speaker 1>saw were you know, pretty pretty great and pretty reliable

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<v Speaker 1>you know, providing that thing. The very first band I

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<v Speaker 1>saw all weekend was a band called strangle Wire, and

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<v Speaker 1>they were actually maybe one of the more slightly classic

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<v Speaker 1>death metal leaning out of all the bands who were

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<v Speaker 1>on the bill, and from there it just got again

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<v Speaker 1>like more, more and more blasty and gutta role and

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<v Speaker 1>you know, sloppy and all that kind of stuff. Lots

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<v Speaker 1>and lots of like this song's from an EP called

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<v Speaker 1>repeatedly over the weekend. It's like, yeah, cool, I'll look

243
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<v Speaker 1>that one up later, I'll check it out. But it

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<v Speaker 1>was a really really fun time again being there the

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<v Speaker 1>whole weekend, whole environment. I saw some of the bandshe

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<v Speaker 1>I do want to kind of specifically call out my

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<v Speaker 1>favorite band on the Saturday. So the first day that

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<v Speaker 1>I was there was a band called Butcher EBC who

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<v Speaker 1>were a gorgrind band who had come over from Japan

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<v Speaker 1>for it, which is the other thing, like they're not

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<v Speaker 1>just booking local bands, they're flying bands in right and there.

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<v Speaker 1>I think there was at least two or three bands

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<v Speaker 1>coming from Asia and Butcher ABC coming from Japan. Having

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<v Speaker 1>that gor grind edge there again, they were surrounded by

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<v Speaker 1>a lot of like you know, brutal death metal bands

256
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<v Speaker 1>who were pretty relentlessly you know, blasting that kind of affair,

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<v Speaker 1>having that gorgrind edge where there's a little bit of

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<v Speaker 1>punk and a little bit of crust it like it

259
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<v Speaker 1>gave their riffing like a different kind of feel. I

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<v Speaker 1>particularly want to point out that, you know that a

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<v Speaker 1>Japanese gorgrind band, the Japanese, they're gonna they're gonna put

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<v Speaker 1>some effort in to a little bit crazy with it,

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<v Speaker 1>you know what I mean, And they're just going to

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<v Speaker 1>have this like, you know, fucking maniac vibe coming off

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<v Speaker 1>of it. And a band called Butcher ABC is absolutely

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<v Speaker 1>the band that you would go to see with that

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<v Speaker 1>and the front man he had a gas mask on.

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<v Speaker 2>That was this band.

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<v Speaker 1>One of the sickest things. They had a gas mask on.

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<v Speaker 1>But if you imagine the sort of you know, the

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<v Speaker 1>mouth whole vent thing that you have on a gas mask,

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<v Speaker 1>this guy's microphone he didn't have a mic stand. His

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<v Speaker 1>microphone was just connected plugged directly into the mouthpiece of

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<v Speaker 1>the gas mark. So as he was walking around, he

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<v Speaker 1>just had his his mic permanently attached to the front

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<v Speaker 1>of his face. And this is crazy work. This is

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<v Speaker 1>unbelievable that such a sitting visual. It was awesome. And

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<v Speaker 1>he also he was wearing a bloody like Butcher's apron

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<v Speaker 1>as obviously Butcher ABC is going to do and on

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<v Speaker 1>his blood the butcher's apron. He had the slayer shon

281
00:14:03.519 --> 00:14:07.720
<v Speaker 1>o mercy goat sewn into his apron. This is this

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<v Speaker 1>is exemplary form.

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<v Speaker 4>Like, this is exactly how its to be done. This

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00:14:11.840 --> 00:14:15.080
<v Speaker 4>is perfect the Butcher's like apron. And the gust was

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00:14:15.080 --> 00:14:17.960
<v Speaker 4>that that's so like Japanese splatterpunk and all. Yeah thing

286
00:14:18.120 --> 00:14:20.080
<v Speaker 4>it's given that exact vibe. I mean, that's really cool.

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<v Speaker 1>So they were wicked Ford and Again my favorite band

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00:14:22.519 --> 00:14:24.559
<v Speaker 1>I saw on the first day. The first day was

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00:14:24.600 --> 00:14:27.360
<v Speaker 1>the day that Development were meant to headline, who were

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00:14:27.399 --> 00:14:28.960
<v Speaker 1>certainly the band who I most wanted to see because

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00:14:29.000 --> 00:14:31.799
<v Speaker 1>development of the again, the niche and the type of

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00:14:31.840 --> 00:14:34.159
<v Speaker 1>death metal, the offul first book. Development are one.

293
00:14:34.039 --> 00:14:35.039
<v Speaker 2>Of the transcended.

294
00:14:35.600 --> 00:14:37.360
<v Speaker 1>Yeah, well, they're one of the pioneers. They're, you know,

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00:14:38.159 --> 00:14:40.559
<v Speaker 1>arguably the pioneering band of like slam there's like a

296
00:14:40.600 --> 00:14:42.679
<v Speaker 1>sub sub you know, niche genre. They're one of the

297
00:14:43.039 --> 00:14:44.840
<v Speaker 1>most legendary bands, and they just put out that EP

298
00:14:45.279 --> 00:14:48.039
<v Speaker 1>a couple of weeks ago, which is fucking sick as anything.

299
00:14:48.080 --> 00:14:50.159
<v Speaker 1>So I was really excited to see them. Unfortunately, like

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00:14:50.559 --> 00:14:53.919
<v Speaker 1>maybe twenty four hours before the Friday, the first day

301
00:14:53.960 --> 00:14:55.919
<v Speaker 1>of the event. They had to pull out because they

302
00:14:55.960 --> 00:14:59.279
<v Speaker 1>had like visa rejection stuff, which was a real shame.

303
00:14:59.320 --> 00:15:00.600
<v Speaker 1>And they have said that going to try and get

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00:15:00.600 --> 00:15:03.320
<v Speaker 1>development back for next year, which would be great, but

305
00:15:04.200 --> 00:15:06.519
<v Speaker 1>just in terms of again giving the festival, it's props

306
00:15:07.120 --> 00:15:10.440
<v Speaker 1>any scenario like that were suddenly organizers having lost the

307
00:15:10.480 --> 00:15:13.279
<v Speaker 1>biggest band on their lineup twenty four hours where it's

308
00:15:13.279 --> 00:15:16.480
<v Speaker 1>meant to begin, have to like you know, pull something

309
00:15:16.519 --> 00:15:18.320
<v Speaker 1>out of the bag. I have massive respect for that.

310
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<v Speaker 1>And they ended up I know that they you know,

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00:15:20.080 --> 00:15:22.080
<v Speaker 1>they said that they have like went around and asked

312
00:15:22.559 --> 00:15:24.559
<v Speaker 1>various bands if they could do be a replacement headline

313
00:15:24.600 --> 00:15:26.200
<v Speaker 1>at this kind of thing, you know, twenty four hours.

314
00:15:26.200 --> 00:15:27.759
<v Speaker 1>No one was really available to them to do it.

315
00:15:27.799 --> 00:15:30.080
<v Speaker 1>But they end up getting Regurgitation, who, like I said,

316
00:15:30.120 --> 00:15:32.440
<v Speaker 1>were I think, you know, they're a band from America,

317
00:15:32.600 --> 00:15:35.039
<v Speaker 1>so they'd flown in. They're also one of the older

318
00:15:35.080 --> 00:15:37.279
<v Speaker 1>bands on the lineup like that. Their first record is

319
00:15:37.320 --> 00:15:38.799
<v Speaker 1>in like the late nineties, so they are more of

320
00:15:38.799 --> 00:15:42.360
<v Speaker 1>a heritage band compared to you know, newer upstarts. But

321
00:15:42.399 --> 00:15:44.679
<v Speaker 1>they were playing on the Sunday. They basically got them

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00:15:44.720 --> 00:15:47.000
<v Speaker 1>to play sets on both days, so they were around

323
00:15:47.039 --> 00:15:50.120
<v Speaker 1>and they filled in playing on the Saturday as well,

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00:15:50.159 --> 00:15:52.399
<v Speaker 1>And like I said, just you know, any scenario like

325
00:15:52.480 --> 00:15:55.440
<v Speaker 1>that where you have to go to you know, panic stations,

326
00:15:55.799 --> 00:15:58.799
<v Speaker 1>I'm always you know impressed, and I think it's worthy of,

327
00:15:58.840 --> 00:16:00.840
<v Speaker 1>you know, tipping the hat for when something like that

328
00:16:00.919 --> 00:16:03.960
<v Speaker 1>is produced. So and you know, fair play of Regurgitation

329
00:16:04.039 --> 00:16:08.799
<v Speaker 1>as well for playing double sets on both days. Again.

330
00:16:08.840 --> 00:16:13.360
<v Speaker 1>Their album is called Tales of Necrophilia from the late nineties,

331
00:16:13.360 --> 00:16:15.840
<v Speaker 1>and it's got this proper like I always like when

332
00:16:16.240 --> 00:16:18.159
<v Speaker 1>you look at a brutal death miericle from that era,

333
00:16:18.200 --> 00:16:21.159
<v Speaker 1>and it's got some really grotty hand drawn cover art

334
00:16:21.399 --> 00:16:24.519
<v Speaker 1>as opposed to like the more digitally painted sort of

335
00:16:24.559 --> 00:16:26.320
<v Speaker 1>stuff you get in the twenty first century. I think

336
00:16:26.320 --> 00:16:29.120
<v Speaker 1>it looks cooler, and they've got one of those. Bizarrely,

337
00:16:29.120 --> 00:16:30.840
<v Speaker 1>I thought they were gonna do they have a Suffocation

338
00:16:31.039 --> 00:16:33.600
<v Speaker 1>cover on one of their one of their releases, and

339
00:16:33.639 --> 00:16:35.399
<v Speaker 1>I thought they might do that. Instead they went nowhere

340
00:16:35.440 --> 00:16:38.480
<v Speaker 1>in England, we're gonna cover Black Sabbath for you, and

341
00:16:38.519 --> 00:16:40.679
<v Speaker 1>they ended their set with a cover of Into the Void,

342
00:16:40.919 --> 00:16:43.759
<v Speaker 1>but I cannot tell you which obviously, I mean, that's

343
00:16:43.759 --> 00:16:45.600
<v Speaker 1>my favorite Sabath song. I'm having a good time to it.

344
00:16:45.720 --> 00:16:49.480
<v Speaker 1>But I always find specifically brutal death metal bands covering

345
00:16:49.519 --> 00:16:51.759
<v Speaker 1>something like Sabbath or even you know Priest or anything

346
00:16:51.759 --> 00:16:54.600
<v Speaker 1>old like that is such a hilarious switch of their

347
00:16:54.679 --> 00:16:59.039
<v Speaker 1>vibe because they don't swing in the way that bill

348
00:16:59.080 --> 00:17:01.919
<v Speaker 1>Ward swings. I mean, so you suddenly again you've got

349
00:17:02.399 --> 00:17:05.319
<v Speaker 1>non stop, relentless blasting and Gutta Rules and then you've

350
00:17:05.319 --> 00:17:11.160
<v Speaker 1>got that band going. But you know, sure it was

351
00:17:11.160 --> 00:17:14.880
<v Speaker 1>a fun way to in the first day. The second

352
00:17:14.920 --> 00:17:19.799
<v Speaker 1>day had a good handful of you know worthy bands.

353
00:17:20.160 --> 00:17:22.839
<v Speaker 1>I want to mention gutter All Slug, who, like I said,

354
00:17:23.119 --> 00:17:26.000
<v Speaker 1>were one of the headliners of one of the first

355
00:17:26.079 --> 00:17:28.240
<v Speaker 1>like either the first year or the second year of

356
00:17:28.480 --> 00:17:30.400
<v Speaker 1>Awful Fest. And that was the thirstie that I paid

357
00:17:30.400 --> 00:17:32.880
<v Speaker 1>attention to because Gutta All Slug. Myke like this again

358
00:17:33.119 --> 00:17:35.720
<v Speaker 1>the slam scene and this kind of again really undergradar

359
00:17:35.720 --> 00:17:38.839
<v Speaker 1>aple death metal scene. It is something that I enjoy.

360
00:17:38.960 --> 00:17:40.759
<v Speaker 1>I like it the best bands in the genre. I

361
00:17:40.759 --> 00:17:44.240
<v Speaker 1>will always have a place for my time of like again,

362
00:17:44.359 --> 00:17:46.559
<v Speaker 1>listening to every single new band I came across in

363
00:17:46.599 --> 00:17:48.519
<v Speaker 1>this kind of style, I sort of really peaked with

364
00:17:48.559 --> 00:17:53.039
<v Speaker 1>it around like twenty thirteen ish, and then again I

365
00:17:53.079 --> 00:17:55.720
<v Speaker 1>went and found more like, you know, the more the

366
00:17:55.759 --> 00:17:57.920
<v Speaker 1>other side of underground death metal. That's maybe more where

367
00:17:57.920 --> 00:18:02.279
<v Speaker 1>I live, you know today. But around that point in time,

368
00:18:02.400 --> 00:18:05.000
<v Speaker 1>around twenty thirteen ish, there was a handful of albums

369
00:18:05.039 --> 00:18:08.400
<v Speaker 1>that came out that have kind of gone on to

370
00:18:08.480 --> 00:18:10.279
<v Speaker 1>be like some of the you know, kind of scene

371
00:18:10.559 --> 00:18:14.079
<v Speaker 1>cult classics. So you had like the the Abominable Putridity

372
00:18:14.160 --> 00:18:15.599
<v Speaker 1>album that came out around there, and you had like

373
00:18:15.599 --> 00:18:20.160
<v Speaker 1>the first Catalepsy album, and you had Megalodon by Guttural Slug,

374
00:18:20.400 --> 00:18:24.839
<v Speaker 1>which is a nineteen minute it's like this label as

375
00:18:24.839 --> 00:18:26.920
<v Speaker 1>an album, but it's nineteen minutes long, and one of

376
00:18:26.920 --> 00:18:28.680
<v Speaker 1>the songs on it is a cover, so it's basically

377
00:18:28.720 --> 00:18:31.720
<v Speaker 1>like a you know, a mini album EP type thing.

378
00:18:31.960 --> 00:18:34.279
<v Speaker 1>But when I was again sort of you know, sixteen

379
00:18:34.319 --> 00:18:35.839
<v Speaker 1>seventeen years old and I was this his bands, that

380
00:18:35.880 --> 00:18:37.440
<v Speaker 1>was one of the things that you know, came out

381
00:18:37.440 --> 00:18:40.279
<v Speaker 1>around that time, and it made its mark with me,

382
00:18:40.319 --> 00:18:43.799
<v Speaker 1>and I used to listen to this like again utterly putrid,

383
00:18:44.480 --> 00:18:49.400
<v Speaker 1>stinky but vocal slam record that's again it's like nineteen

384
00:18:49.400 --> 00:18:50.680
<v Speaker 1>minutes long, so you can play it all the time.

385
00:18:50.720 --> 00:18:53.039
<v Speaker 1>I used this dot a lot, and when I saw

386
00:18:53.039 --> 00:18:55.160
<v Speaker 1>that gutural slug we're headlining one of those early editions

387
00:18:55.160 --> 00:18:57.799
<v Speaker 1>of off of Fest, I couldn't believe it because A,

388
00:18:58.279 --> 00:19:01.160
<v Speaker 1>I'm pretty sure that whatever that show was was their

389
00:19:01.279 --> 00:19:05.160
<v Speaker 1>live debut, like basically like ten years part of a

390
00:19:05.160 --> 00:19:08.519
<v Speaker 1>real galibrat situation, right, like basically ten years past the

391
00:19:08.599 --> 00:19:12.400
<v Speaker 1>Megalodon record coming out. I was like, ten years later,

392
00:19:12.599 --> 00:19:15.200
<v Speaker 1>what do you mean there's so much demand and love

393
00:19:15.599 --> 00:19:17.920
<v Speaker 1>for that ratty ass album that I used to listen

394
00:19:17.960 --> 00:19:21.799
<v Speaker 1>to that you're coming back and you know, making your

395
00:19:21.839 --> 00:19:26.200
<v Speaker 1>live debut headlining again like a slam all day type

396
00:19:26.200 --> 00:19:27.960
<v Speaker 1>of event. I was like, this is awesome, Like I

397
00:19:28.039 --> 00:19:30.039
<v Speaker 1>love that they're still around and people have, you know,

398
00:19:30.039 --> 00:19:31.960
<v Speaker 1>you still like you know, have a place in their

399
00:19:32.000 --> 00:19:34.079
<v Speaker 1>heart for this and that, and then you know, coming

400
00:19:34.119 --> 00:19:37.559
<v Speaker 1>back again for this one. They had some tech issues

401
00:19:37.599 --> 00:19:38.759
<v Speaker 1>and stuff, so they only got to play like a

402
00:19:38.759 --> 00:19:42.519
<v Speaker 1>twenty five minute set, but they were fucking great because

403
00:19:42.559 --> 00:19:45.640
<v Speaker 1>they gen I'm gonna say they had like riz compared

404
00:19:45.680 --> 00:19:47.599
<v Speaker 1>to most of the bands who were playing, Like the

405
00:19:47.759 --> 00:19:51.880
<v Speaker 1>stage presence of these guys, YEA, you know it's not

406
00:19:51.960 --> 00:19:55.319
<v Speaker 1>fucking David Lee Roth, right, but like you know, they

407
00:19:55.400 --> 00:19:58.759
<v Speaker 1>were you know, throwing themselves around and getting people to move,

408
00:19:58.799 --> 00:20:00.400
<v Speaker 1>and the singer was getting people to you know, bouncing

409
00:20:00.400 --> 00:20:05.119
<v Speaker 1>all this kind of stuff. And when they played one

410
00:20:05.160 --> 00:20:07.000
<v Speaker 1>of the songs, they played Hack Saw Surgery, which is

411
00:20:07.000 --> 00:20:09.799
<v Speaker 1>one of the songs from the Megalodon EP. I don't

412
00:20:09.839 --> 00:20:12.359
<v Speaker 1>know if these were band provided.

413
00:20:12.519 --> 00:20:14.160
<v Speaker 2>I want to ask about this when I saw the

414
00:20:14.200 --> 00:20:14.759
<v Speaker 2>video as well.

415
00:20:14.839 --> 00:20:17.200
<v Speaker 1>Yeah, I don't know if these were band provided, like

416
00:20:17.279 --> 00:20:20.680
<v Speaker 1>I know, hate Breeds balls or whatever, or if people

417
00:20:20.839 --> 00:20:22.559
<v Speaker 1>or people have brought them specially for it. But as

418
00:20:22.599 --> 00:20:24.880
<v Speaker 1>soon as they started playing a song for the Megalodon record,

419
00:20:25.480 --> 00:20:30.880
<v Speaker 1>all over the crowd, these inflatable sharks started getting thrown

420
00:20:31.359 --> 00:20:34.240
<v Speaker 1>and flying around, and like, either way, I I hope,

421
00:20:34.440 --> 00:20:35.920
<v Speaker 1>you know, it's fun either way, but I do hope

422
00:20:35.920 --> 00:20:38.039
<v Speaker 1>that the people just brought it because if it's again,

423
00:20:38.240 --> 00:20:42.000
<v Speaker 1>the idea that the Megalodon record has in this like

424
00:20:42.440 --> 00:20:46.160
<v Speaker 1>cult cult scene garnered such a beloved and there were

425
00:20:46.160 --> 00:20:49.319
<v Speaker 1>people singing along to fucking Hack Saw Surgery around me.

426
00:20:49.359 --> 00:20:51.839
<v Speaker 1>The idea is garnered such a reputation that people know

427
00:20:51.920 --> 00:20:55.079
<v Speaker 1>when to whip out the inflatable plastic sharks for where

428
00:20:55.079 --> 00:20:57.359
<v Speaker 1>they're playing it and they had like Megalodon hot sauce

429
00:20:57.839 --> 00:21:01.839
<v Speaker 1>at their merchstad as well. This is amazing, this is

430
00:21:01.880 --> 00:21:06.359
<v Speaker 1>so great. I'm annoy This guy played a little bit

431
00:21:06.359 --> 00:21:08.200
<v Speaker 1>earlier before I managed to get there, but I wanted

432
00:21:08.200 --> 00:21:13.319
<v Speaker 1>to see as well. There was an artist called Lympho Edema,

433
00:21:13.400 --> 00:21:18.319
<v Speaker 1>which is a one man Irish gore noise project, so

434
00:21:18.519 --> 00:21:21.200
<v Speaker 1>literally one bloke on stage, not playing an instrument, just

435
00:21:21.319 --> 00:21:24.640
<v Speaker 1>you know, jumping around doing doing gurgly toilet vocals with

436
00:21:25.039 --> 00:21:28.759
<v Speaker 1>a really fucking noisy, you know, musical backing trap thing

437
00:21:28.839 --> 00:21:30.759
<v Speaker 1>going on. And I saw some videos of him and

438
00:21:30.880 --> 00:21:35.519
<v Speaker 1>he had like a severed foot on a chain that

439
00:21:35.599 --> 00:21:40.000
<v Speaker 1>he was just dragging around the stage, swinging around his head.

440
00:21:40.079 --> 00:21:46.759
<v Speaker 1>Apparently he covered break stuff as well. Would have been

441
00:21:46.759 --> 00:21:47.079
<v Speaker 1>a lot of.

442
00:21:47.200 --> 00:21:50.920
<v Speaker 3>Songs you could have pulled out.

443
00:21:51.480 --> 00:21:53.759
<v Speaker 1>I wish i'd have seen that. That sounds like a

444
00:21:53.759 --> 00:21:55.920
<v Speaker 1>lot of fun. But I was talking to one of

445
00:21:55.960 --> 00:21:58.960
<v Speaker 1>the organizers at the festival afterwards and they said like,

446
00:21:59.039 --> 00:22:03.240
<v Speaker 1>apparently that's the largest venue a gore noise artist has

447
00:22:03.359 --> 00:22:05.839
<v Speaker 1>ever played in, and I was like, you know what, again,

448
00:22:05.920 --> 00:22:08.160
<v Speaker 1>it's not it's not Wembley Arena, but I can believe it,

449
00:22:08.200 --> 00:22:10.240
<v Speaker 1>and that's pretty incredible that like, you know, something like

450
00:22:10.279 --> 00:22:14.279
<v Speaker 1>that that is the most again like silly, obscene, extreme

451
00:22:14.400 --> 00:22:16.920
<v Speaker 1>kind of vibes. You can imagine it's been able to

452
00:22:17.279 --> 00:22:20.200
<v Speaker 1>brought forward to this. I mean like similarly, during Gutterall Slug,

453
00:22:20.720 --> 00:22:22.400
<v Speaker 1>there was a in sort of you know the other

454
00:22:22.400 --> 00:22:23.720
<v Speaker 1>front of the stage where there's like a sort of

455
00:22:23.720 --> 00:22:25.839
<v Speaker 1>disabled you know, there are a beep of people with

456
00:22:26.000 --> 00:22:28.559
<v Speaker 1>a wheelchairs quatching from the side. It was a great

457
00:22:28.599 --> 00:22:31.799
<v Speaker 1>bit when an amputee was just waving his prosthetic leg

458
00:22:31.839 --> 00:22:34.680
<v Speaker 1>around during during Gutterall Slug. I was like, these people

459
00:22:34.960 --> 00:22:37.519
<v Speaker 1>they know have to to you know what I mean,

460
00:22:37.599 --> 00:22:42.160
<v Speaker 1>like they know that the occasion demands. There was a

461
00:22:42.400 --> 00:22:46.240
<v Speaker 1>brittle up a band called Epicardiectomy. There. Singer had one

462
00:22:46.279 --> 00:22:48.960
<v Speaker 1>of the craziest mullets I've ever seen, but again full on,

463
00:22:49.000 --> 00:22:51.319
<v Speaker 1>full of mullets, lamb vibes. He looked like an electric

464
00:22:51.400 --> 00:22:53.599
<v Speaker 1>core boy. But if he wasn't wearing a wig, you know,

465
00:22:53.680 --> 00:22:55.559
<v Speaker 1>like that's the exact picture that was that was going

466
00:22:55.599 --> 00:22:58.039
<v Speaker 1>on there. But I also want to mention, of course

467
00:22:58.480 --> 00:23:00.480
<v Speaker 1>the bandy closed the festival. The head line they're on

468
00:23:00.519 --> 00:23:05.160
<v Speaker 1>the Sunday it was Faultchy who are I'm going to say,

469
00:23:05.160 --> 00:23:07.200
<v Speaker 1>of all the bands I've just listed, maybe the band

470
00:23:07.200 --> 00:23:09.079
<v Speaker 1>who if you have a casual interest in death metal,

471
00:23:09.400 --> 00:23:13.000
<v Speaker 1>you might recognize that name somewhere around there, and not

472
00:23:13.119 --> 00:23:16.240
<v Speaker 1>just because it is also the name of Italian horror

473
00:23:16.279 --> 00:23:19.000
<v Speaker 1>film director. Of course, all of their you know, songs

474
00:23:19.000 --> 00:23:22.079
<v Speaker 1>in subject matter is all based around that kind of realm.

475
00:23:22.079 --> 00:23:23.839
<v Speaker 1>They are Italian and they have like I don't think

476
00:23:23.880 --> 00:23:26.599
<v Speaker 1>we've spoken about them on the show, weirdly, but they've

477
00:23:26.599 --> 00:23:30.480
<v Speaker 1>become like pretty popular. They're probably the most like the

478
00:23:30.599 --> 00:23:32.839
<v Speaker 1>breakout brutal death metal band.

479
00:23:33.079 --> 00:23:36.480
<v Speaker 2>They've crossed over to my like again, even beyond me being.

480
00:23:36.319 --> 00:23:39.680
<v Speaker 3>A fan of Faulty's movies, Like they kind of came

481
00:23:39.680 --> 00:23:40.880
<v Speaker 3>onto my raid and I was like, oh.

482
00:23:40.839 --> 00:23:44.480
<v Speaker 1>This is cool death metal. I like, yeah. I think

483
00:23:44.519 --> 00:23:48.079
<v Speaker 1>that they're more on the level of bands like, you know,

484
00:23:48.119 --> 00:23:50.319
<v Speaker 1>the Maggot Stump bands like two hundred, Stab Wounds and

485
00:23:50.680 --> 00:23:52.359
<v Speaker 1>Frozen Soul and these kind of bands who are kind

486
00:23:52.400 --> 00:23:55.400
<v Speaker 1>of yeah yeah, and they do have a bit more

487
00:23:55.440 --> 00:23:57.559
<v Speaker 1>in common with that sonically as well. Which again, after

488
00:23:57.640 --> 00:24:01.559
<v Speaker 1>a weekend of like full on again real brutal death metal,

489
00:24:01.759 --> 00:24:03.799
<v Speaker 1>it was cool hearing a band like go a little

490
00:24:03.799 --> 00:24:05.759
<v Speaker 1>bit more mid pace a little bit more stompy, getting

491
00:24:05.759 --> 00:24:07.480
<v Speaker 1>a bit more groove in it, you know what I mean.

492
00:24:08.319 --> 00:24:10.759
<v Speaker 1>But they were also the band who having you know,

493
00:24:10.839 --> 00:24:13.559
<v Speaker 1>played some larger tours and stuff like that. You could

494
00:24:13.599 --> 00:24:15.680
<v Speaker 1>tell that was a bit more going on with like

495
00:24:15.720 --> 00:24:18.559
<v Speaker 1>the stage presentation and stuff like that because they intro

496
00:24:18.720 --> 00:24:21.880
<v Speaker 1>their set with a I think they have some kind

497
00:24:21.960 --> 00:24:25.160
<v Speaker 1>of like short film or something that's been produced like

498
00:24:25.240 --> 00:24:29.079
<v Speaker 1>for them, which is basically an original like faultchy style

499
00:24:29.400 --> 00:24:32.480
<v Speaker 1>horror movie. Like it's like it's it's you know, made

500
00:24:32.559 --> 00:24:35.599
<v Speaker 1>and released now, but like visually and I was watching

501
00:24:35.640 --> 00:24:37.279
<v Speaker 1>it and I was like, all the hallmarks there. You've

502
00:24:37.279 --> 00:24:40.480
<v Speaker 1>got like the CPR toned flashback at the beginning with

503
00:24:40.640 --> 00:24:42.759
<v Speaker 1>people like knocking a hole in a wall and looking

504
00:24:42.839 --> 00:24:45.759
<v Speaker 1>at what like horrible putrid things being you know, found

505
00:24:45.759 --> 00:24:49.559
<v Speaker 1>behind it. You've got like the the eyebel gore and

506
00:24:49.599 --> 00:24:51.279
<v Speaker 1>all these kind of like you know, the kind of

507
00:24:51.359 --> 00:24:53.119
<v Speaker 1>you know, the film stock that it's that it's done on.

508
00:24:54.000 --> 00:24:55.400
<v Speaker 1>It made me smile a lot, and this was the

509
00:24:55.400 --> 00:24:59.799
<v Speaker 1>set that you know, as a like a huge fan

510
00:25:00.079 --> 00:25:03.319
<v Speaker 1>of both death metal and not just horror movies, but

511
00:25:03.400 --> 00:25:08.559
<v Speaker 1>specifically like, Yeah, is one of my favorite directors It's

512
00:25:08.599 --> 00:25:11.640
<v Speaker 1>a perfect cross breeding of my you know, my interests,

513
00:25:11.759 --> 00:25:12.960
<v Speaker 1>and this was the set that, at the very end

514
00:25:12.960 --> 00:25:15.759
<v Speaker 1>the weekend just had me going like I love this shit.

515
00:25:15.880 --> 00:25:19.160
<v Speaker 1>I love death metal, I love horror, I love seeing

516
00:25:19.160 --> 00:25:23.119
<v Speaker 1>a band do. They've released a record called duck Face Killings,

517
00:25:23.119 --> 00:25:26.240
<v Speaker 1>which is all based around the New York Ripper movie.

518
00:25:26.359 --> 00:25:28.319
<v Speaker 1>I like again on the screens the video showing like

519
00:25:28.640 --> 00:25:30.880
<v Speaker 1>really nasty scenes from the New York Ripper, which is

520
00:25:30.920 --> 00:25:34.119
<v Speaker 1>like one of the again most upsetting, fulchy movies, but

521
00:25:34.480 --> 00:25:36.359
<v Speaker 1>doing that with like fucking lyrics coming up on the

522
00:25:36.400 --> 00:25:42.920
<v Speaker 1>screen as well, and doing like really uh heavy, sadistic

523
00:25:43.000 --> 00:25:45.279
<v Speaker 1>kind of death metal with this. It all worked together

524
00:25:45.400 --> 00:25:48.480
<v Speaker 1>and they were a very fine end to the occasion.

525
00:25:48.599 --> 00:25:50.759
<v Speaker 1>So a really good time off of first and like

526
00:25:50.799 --> 00:25:54.160
<v Speaker 1>I said, I mainly come away impressed with They announced

527
00:25:54.160 --> 00:25:56.960
<v Speaker 1>a whole lot of bands for next year's event as well.

528
00:25:56.960 --> 00:25:58.559
<v Speaker 1>I haven't got the full list of them in front

529
00:25:58.559 --> 00:25:59.480
<v Speaker 1>of me, but it was like a full on you know,

530
00:25:59.519 --> 00:26:01.319
<v Speaker 1>like when you go Toloodstock or Fortress or something and

531
00:26:01.319 --> 00:26:03.240
<v Speaker 1>they have the video screen where they're like after a

532
00:26:03.279 --> 00:26:06.279
<v Speaker 1>certain band. They announced loads of things for next year

533
00:26:06.279 --> 00:26:07.720
<v Speaker 1>and that's like, you know, ten or twelve bands or

534
00:26:07.720 --> 00:26:11.440
<v Speaker 1>something like that, and there is a level of I

535
00:26:11.440 --> 00:26:13.559
<v Speaker 1>imagine compared to when you know, the first of this ran,

536
00:26:13.759 --> 00:26:15.759
<v Speaker 1>there was a level of sort of professionalism to how

537
00:26:15.799 --> 00:26:19.160
<v Speaker 1>this you know ran and appeared and everything that I watched,

538
00:26:19.160 --> 00:26:20.599
<v Speaker 1>The thought, you know, fucking good for you, Like, you're

539
00:26:20.599 --> 00:26:22.759
<v Speaker 1>making a really good go of this, of turning this

540
00:26:23.160 --> 00:26:27.319
<v Speaker 1>like very niche, extreme substyle of music into like a

541
00:26:27.400 --> 00:26:31.039
<v Speaker 1>gathering for people, you know. And I came away impressed

542
00:26:31.079 --> 00:26:33.160
<v Speaker 1>with the again the sort of the scale of what

543
00:26:33.200 --> 00:26:37.359
<v Speaker 1>they're doing, how it's being run and carving out that

544
00:26:37.440 --> 00:26:39.839
<v Speaker 1>niche for themselves. So obviously it won't be for anyone,

545
00:26:39.880 --> 00:26:42.359
<v Speaker 1>but if you are at all interested in, you know,

546
00:26:42.440 --> 00:26:48.240
<v Speaker 1>the world of the absolute sloppiest toilet slam that you

547
00:26:48.279 --> 00:26:52.839
<v Speaker 1>could want to want to hear, the novelfess is becoming

548
00:26:52.920 --> 00:26:56.039
<v Speaker 1>you know, a real like hub of it. And I

549
00:26:56.519 --> 00:26:58.400
<v Speaker 1>think it's a very good thing that we've got something

550
00:26:58.440 --> 00:27:00.319
<v Speaker 1>like that. It's always good when again, a niche like that,

551
00:27:00.359 --> 00:27:02.960
<v Speaker 1>whatever the niche is, is having something of you know

552
00:27:03.039 --> 00:27:05.279
<v Speaker 1>that again level of professionalism kind of catering to it.

553
00:27:05.359 --> 00:27:08.240
<v Speaker 1>So perhaps off to him. Good stuff. Let us go

554
00:27:08.480 --> 00:27:11.400
<v Speaker 1>into the news for the rest of this show now,

555
00:27:12.079 --> 00:27:16.119
<v Speaker 1>and we have to obviously shift hones quite drastically because

556
00:27:16.839 --> 00:27:21.200
<v Speaker 1>last Friday, as last week's shows UH went out, we

557
00:27:21.359 --> 00:27:25.000
<v Speaker 1>got hit with a piece of news that I think

558
00:27:26.039 --> 00:27:28.640
<v Speaker 1>all of us were hoping we wouldn't have to get

559
00:27:29.359 --> 00:27:32.799
<v Speaker 1>this soon, because we obviously knew that Luke Colla from

560
00:27:32.839 --> 00:27:35.400
<v Speaker 1>Sick of it All was ill and he had been

561
00:27:35.480 --> 00:27:38.200
<v Speaker 1>for you know, a year, eighteen months something like that.

562
00:27:39.039 --> 00:27:41.240
<v Speaker 1>But I'm sure I speak for everyone when I say

563
00:27:41.240 --> 00:27:43.559
<v Speaker 1>that we were so hoping that he would pull through

564
00:27:44.240 --> 00:27:46.359
<v Speaker 1>and that he would would would beat the cancer that

565
00:27:46.440 --> 00:27:50.039
<v Speaker 1>he was suffering with. But last Friday we got the

566
00:27:50.079 --> 00:27:54.440
<v Speaker 1>news that he had passed away. And this is the

567
00:27:54.720 --> 00:28:00.920
<v Speaker 1>loss of a truly global icon for the world of

568
00:28:01.480 --> 00:28:03.279
<v Speaker 1>hardcore and even beyond that.

569
00:28:04.279 --> 00:28:06.920
<v Speaker 3>Yeah, what's Sick of it All did to put hardcore

570
00:28:06.920 --> 00:28:12.000
<v Speaker 3>on the map in the nineties, like like cannot be overstated.

571
00:28:12.960 --> 00:28:16.279
<v Speaker 3>And Lou Colla just I said, like the discord when

572
00:28:16.359 --> 00:28:19.400
<v Speaker 3>this happened, like maybe the greatest hardcore from man ever,

573
00:28:19.720 --> 00:28:23.000
<v Speaker 3>Like what like everything you would want the guy front

574
00:28:23.000 --> 00:28:25.240
<v Speaker 3>of a hard fan to be Lou Colla was that

575
00:28:25.359 --> 00:28:28.240
<v Speaker 3>I saw sick for a few times and always just

576
00:28:29.000 --> 00:28:32.799
<v Speaker 3>untouchable lives bringing the best vibes but just sounding so

577
00:28:33.960 --> 00:28:38.599
<v Speaker 3>intense and like like like hardcore sort of like swagger

578
00:28:38.640 --> 00:28:42.319
<v Speaker 3>and aggression, but positive vibes. And and I said, like, yeah,

579
00:28:42.440 --> 00:28:45.880
<v Speaker 3>when we were all hoping, you know, Paul through and

580
00:28:45.880 --> 00:28:47.319
<v Speaker 3>all that, and when it when the news sort here,

581
00:28:47.400 --> 00:28:51.839
<v Speaker 3>I was just like this one, this one crushes, Like really,

582
00:28:51.839 --> 00:28:55.000
<v Speaker 3>this one really hurts because just when the guys and

583
00:28:55.039 --> 00:28:58.119
<v Speaker 3>again you see all the outpoms of tributes and everyone

584
00:28:58.880 --> 00:29:01.559
<v Speaker 3>has a good story to tell about Luke, and again

585
00:29:01.559 --> 00:29:03.720
<v Speaker 3>it's so it's something we have to do this again

586
00:29:03.720 --> 00:29:05.920
<v Speaker 3>when we talk about these these legends that were just

587
00:29:06.000 --> 00:29:09.480
<v Speaker 3>so beloved that everyone has some story about how.

588
00:29:09.400 --> 00:29:12.960
<v Speaker 1>You haven't heard a bad word about Luke Colla ever, Yeah.

589
00:29:12.640 --> 00:29:14.559
<v Speaker 3>But everyone has got their story about how Luke Colla

590
00:29:14.720 --> 00:29:17.680
<v Speaker 3>basically gave their band a leg up and put and

591
00:29:17.759 --> 00:29:20.839
<v Speaker 3>helped establish them and he was just sort of advocate

592
00:29:20.880 --> 00:29:22.160
<v Speaker 3>for everything I love.

593
00:29:22.039 --> 00:29:24.559
<v Speaker 2>About hardcore and the community around it.

594
00:29:24.599 --> 00:29:27.400
<v Speaker 3>I mean again, like the step Down music video and

595
00:29:27.680 --> 00:29:29.319
<v Speaker 3>how that changed the game and how that kind of

596
00:29:29.759 --> 00:29:32.119
<v Speaker 3>opened the world of mo washing to so many people,

597
00:29:32.119 --> 00:29:36.240
<v Speaker 3>where you had this video highlighting these specific hardcore nis

598
00:29:36.240 --> 00:29:39.359
<v Speaker 3>and washing, but it actually like got people going, oh shit,

599
00:29:39.680 --> 00:29:42.839
<v Speaker 3>that's what this is it And I say it changed

600
00:29:42.880 --> 00:29:44.000
<v Speaker 3>the profile of hardcore.

601
00:29:44.359 --> 00:29:46.039
<v Speaker 1>Yeah, I mean like we we love sick of it

602
00:29:46.079 --> 00:29:48.920
<v Speaker 1>all right, Like we were speaking earlier this year on

603
00:29:48.920 --> 00:29:50.880
<v Speaker 1>the nine in ninety seven special we did about Built

604
00:29:50.920 --> 00:29:53.680
<v Speaker 1>to Last, What a great what a great record that

605
00:29:53.880 --> 00:29:58.079
<v Speaker 1>is like their first you know, four at least albums

606
00:29:58.079 --> 00:30:02.519
<v Speaker 1>are all time classics of hardcore punk. You have Built

607
00:30:02.519 --> 00:30:04.440
<v Speaker 1>the Last that we said that we have Scratched the Surface,

608
00:30:04.519 --> 00:30:08.559
<v Speaker 1>which is their you know, biggest breakthrough moment before that,

609
00:30:08.640 --> 00:30:10.440
<v Speaker 1>you have just look around and you know, Blood, Sweat

610
00:30:10.440 --> 00:30:15.759
<v Speaker 1>and Notice, which is the one of the finest hardcore

611
00:30:15.759 --> 00:30:18.680
<v Speaker 1>albums of the late eighties, one of the defining albums

612
00:30:18.759 --> 00:30:22.720
<v Speaker 1>of New York hardcore as a movement, you know, and

613
00:30:22.759 --> 00:30:25.799
<v Speaker 1>then again they make several more on top of that.

614
00:30:25.880 --> 00:30:28.799
<v Speaker 1>And this is the extent that you know, when when

615
00:30:28.880 --> 00:30:31.440
<v Speaker 1>Luke Cola was first you know, announced that he was sick,

616
00:30:32.119 --> 00:30:34.079
<v Speaker 1>they pulled off of the Damnation lineup that they were

617
00:30:34.079 --> 00:30:35.000
<v Speaker 1>going to be on and they were going to be

618
00:30:35.000 --> 00:30:37.400
<v Speaker 1>performing you know, the thirtith anniversary of Scratch the Surface,

619
00:30:37.920 --> 00:30:40.319
<v Speaker 1>and we got Discharge in that slot instead, and we

620
00:30:40.359 --> 00:30:42.640
<v Speaker 1>do our like Damnation kind of album club thing often

621
00:30:42.720 --> 00:30:46.759
<v Speaker 1>before Damnation's rolling around, and I had ear marked Scratch

622
00:30:46.839 --> 00:30:49.000
<v Speaker 1>the Surface, like I'd held off on Scratch the Surface

623
00:30:49.039 --> 00:30:51.839
<v Speaker 1>for two years past that point because we were so

624
00:30:51.960 --> 00:30:54.640
<v Speaker 1>hoping that we could get that return show of them,

625
00:30:55.720 --> 00:30:58.480
<v Speaker 1>you know, once he's better coming and filling that slot

626
00:30:58.480 --> 00:31:00.359
<v Speaker 1>that they were meant to do and giving us set

627
00:31:00.400 --> 00:31:03.119
<v Speaker 1>like that, And you know, I'd reserved to Scratch the

628
00:31:03.160 --> 00:31:05.960
<v Speaker 1>Surface album club for when Sick of it All were

629
00:31:06.880 --> 00:31:09.799
<v Speaker 1>able to return to the stages where they belong. And

630
00:31:10.960 --> 00:31:13.400
<v Speaker 1>it fucking sucks so bad that, you know, we've not

631
00:31:13.400 --> 00:31:16.480
<v Speaker 1>been able to do that in that way, But I

632
00:31:16.759 --> 00:31:21.960
<v Speaker 1>would argue that, or at least imagine that throughout the

633
00:31:22.000 --> 00:31:28.039
<v Speaker 1>decade of the nineties, no band and no one person

634
00:31:28.039 --> 00:31:31.680
<v Speaker 1>as the voice of that band introduced more people to

635
00:31:31.839 --> 00:31:35.599
<v Speaker 1>hardcore than Lou Collar and Sick of it All, whether

636
00:31:35.640 --> 00:31:39.519
<v Speaker 1>that is being arguably the first, certainly the most to

637
00:31:39.599 --> 00:31:44.799
<v Speaker 1>that degree hardcore band riding out outside of just their

638
00:31:44.839 --> 00:31:48.559
<v Speaker 1>local clubs and their local niche to fly the flag

639
00:31:48.599 --> 00:31:51.279
<v Speaker 1>for that music on the biggest stages that they feasibly could,

640
00:31:51.319 --> 00:31:53.640
<v Speaker 1>like being one of the first hardcore bands to play

641
00:31:54.359 --> 00:31:57.799
<v Speaker 1>major rock festivals, and you hear like stories.

642
00:31:57.519 --> 00:32:00.039
<v Speaker 2>Of their like legendary reading like nice.

643
00:32:00.480 --> 00:32:03.920
<v Speaker 1>Yeah, they played it a load of times. Yeah, but like.

644
00:32:03.880 --> 00:32:06.039
<v Speaker 2>Then a real legendary on work, and they were like replaced.

645
00:32:06.039 --> 00:32:08.319
<v Speaker 3>They were like stepping in because limb Biscuit pulled out

646
00:32:08.359 --> 00:32:09.200
<v Speaker 3>or something, and it like.

647
00:32:10.799 --> 00:32:12.599
<v Speaker 2>That, holy shit, this band.

648
00:32:15.119 --> 00:32:18.799
<v Speaker 1>And you can there are There's no better way in

649
00:32:18.880 --> 00:32:21.640
<v Speaker 1>that moment in time, in that era to be to

650
00:32:21.640 --> 00:32:23.519
<v Speaker 1>have your eyes open to the world of hardcore than

651
00:32:23.559 --> 00:32:25.960
<v Speaker 1>by seeing a sick of it all set right who

652
00:32:26.079 --> 00:32:31.519
<v Speaker 1>all throughout their entire career were a legendarily brilliant live band.

653
00:32:32.359 --> 00:32:34.000
<v Speaker 1>And then of course there are you know again things

654
00:32:34.039 --> 00:32:36.519
<v Speaker 1>like you're saying, like the step Down video and they're

655
00:32:36.680 --> 00:32:40.559
<v Speaker 1>punching through into you know, like again mainstream media to

656
00:32:40.680 --> 00:32:42.720
<v Speaker 1>some degree. And one of the things that I love

657
00:32:42.759 --> 00:32:44.680
<v Speaker 1>about step Down as that kind of again as their

658
00:32:44.680 --> 00:32:46.200
<v Speaker 1>biggest song, it's like you say, it's got the video

659
00:32:46.319 --> 00:32:49.960
<v Speaker 1>that is for many people basically their first introduction to

660
00:32:50.039 --> 00:32:52.960
<v Speaker 1>what a hardcore show looks like, yeah, and what are

661
00:32:53.000 --> 00:32:55.240
<v Speaker 1>the practice of a show like that? But also it's

662
00:32:55.279 --> 00:32:58.160
<v Speaker 1>their biggest song, it's their breakthrough into the mainstream media.

663
00:32:58.200 --> 00:33:01.720
<v Speaker 1>And the chorus is in the ununderground integrity lies within,

664
00:33:02.920 --> 00:33:07.240
<v Speaker 1>like it's just it's it's an anthem for the scene

665
00:33:07.279 --> 00:33:11.039
<v Speaker 1>where they've came from, and for not courting the mainstream

666
00:33:11.200 --> 00:33:13.279
<v Speaker 1>in any way that would at least be you know,

667
00:33:13.400 --> 00:33:16.480
<v Speaker 1>trading your own values, you know, like you only go

668
00:33:16.640 --> 00:33:18.720
<v Speaker 1>there if you can be the you that you always

669
00:33:18.799 --> 00:33:25.599
<v Speaker 1>would be anyway. And there is something so brilliantly, you know,

670
00:33:25.720 --> 00:33:30.480
<v Speaker 1>empowering and truthful about those kind of lyrics, and that's

671
00:33:30.480 --> 00:33:33.319
<v Speaker 1>true for basically every song Luke Collar ever wrote lyrics for,

672
00:33:33.680 --> 00:33:37.240
<v Speaker 1>you know, those lyrics of unity and community, and you know,

673
00:33:37.319 --> 00:33:39.880
<v Speaker 1>all those things were him for him, were true because

674
00:33:39.880 --> 00:33:43.200
<v Speaker 1>he lived it right again, these these ideas of treating

675
00:33:43.200 --> 00:33:46.559
<v Speaker 1>everyone respectfully, of uplifting your community, all these kind of things,

676
00:33:46.599 --> 00:33:48.400
<v Speaker 1>these are all the things that come through in every

677
00:33:48.440 --> 00:33:51.440
<v Speaker 1>story that we've heard about Blue Collar for the last week,

678
00:33:51.480 --> 00:33:54.640
<v Speaker 1>and certainly you know before that as well. So none

679
00:33:54.640 --> 00:33:57.839
<v Speaker 1>of that you know idea in the lyrics when you

680
00:33:57.880 --> 00:34:01.960
<v Speaker 1>hear them, is in any way inauthentic, right, Like, it's

681
00:34:02.000 --> 00:34:06.079
<v Speaker 1>it's absolutely true to who he was and who they

682
00:34:06.119 --> 00:34:10.239
<v Speaker 1>were as a band, and you because of that, on

683
00:34:10.320 --> 00:34:12.119
<v Speaker 1>top of the quality of the music they made, you

684
00:34:12.679 --> 00:34:19.840
<v Speaker 1>could not ask for a better band to be the

685
00:34:20.079 --> 00:34:23.159
<v Speaker 1>get the head of the battering ram for hardcore and

686
00:34:23.199 --> 00:34:26.239
<v Speaker 1>that the representatives for that entire subculture.

687
00:34:26.719 --> 00:34:27.400
<v Speaker 2>No, not at all.

688
00:34:27.639 --> 00:34:30.360
<v Speaker 3>Again, it was just like it's that whole thing like

689
00:34:30.840 --> 00:34:32.639
<v Speaker 3>being as real as it gets from the culture but

690
00:34:32.960 --> 00:34:35.480
<v Speaker 3>avoiding the kind of like negative sort of things that

691
00:34:35.519 --> 00:34:38.159
<v Speaker 3>come with thatt as well, and always kind of uplifted

692
00:34:38.199 --> 00:34:42.960
<v Speaker 3>despite being true to the underground of ideals of hardcore.

693
00:34:43.000 --> 00:34:45.639
<v Speaker 3>And it just like meant like whenever you saw like

694
00:34:45.679 --> 00:34:47.880
<v Speaker 3>civil there was no elitism, there was none of that

695
00:34:47.960 --> 00:34:49.400
<v Speaker 3>kind of vibe to them, but it was just kind

696
00:34:49.400 --> 00:34:51.440
<v Speaker 3>of like, we're all in this together, let's.

697
00:34:51.199 --> 00:34:52.519
<v Speaker 2>Fucking take on the world.

698
00:34:52.880 --> 00:34:55.559
<v Speaker 3>And it just meant it was just such a like

699
00:34:55.880 --> 00:34:57.480
<v Speaker 3>joyous sort of thing, like Sick of All shows like

700
00:34:57.679 --> 00:34:58.840
<v Speaker 3>the Times of Some was just some of the most

701
00:34:58.920 --> 00:35:01.159
<v Speaker 3>joyous hardcore shows to go to because it was just

702
00:35:01.599 --> 00:35:04.480
<v Speaker 3>everyone going absolutely mental, jumping on each other's head, swinging

703
00:35:04.519 --> 00:35:06.760
<v Speaker 3>fists like well like when when when they drop its

704
00:35:06.760 --> 00:35:09.719
<v Speaker 3>clobbering time. The fists are flying, but it's still all

705
00:35:09.719 --> 00:35:12.119
<v Speaker 3>in unity and that's what I love a hardcore and

706
00:35:12.159 --> 00:35:14.559
<v Speaker 3>Sick of All well just the best at showing that

707
00:35:14.679 --> 00:35:17.519
<v Speaker 3>no matter what venue size they were playing, where they were,

708
00:35:18.199 --> 00:35:19.920
<v Speaker 3>it was always just the coolest thing.

709
00:35:20.239 --> 00:35:24.039
<v Speaker 1>Yeah, I saw Sick of it All a few months

710
00:35:24.079 --> 00:35:27.800
<v Speaker 1>before Lou Colla announced that he was sick and came

711
00:35:27.840 --> 00:35:30.079
<v Speaker 1>off the road, right. This was that sort of May

712
00:35:30.400 --> 00:35:33.039
<v Speaker 1>ish of twenty twenty four, And by the end of

713
00:35:33.039 --> 00:35:35.679
<v Speaker 1>that year they again they were not on the road,

714
00:35:37.039 --> 00:35:39.079
<v Speaker 1>and I had not seen Sick of it All at

715
00:35:39.119 --> 00:35:41.760
<v Speaker 1>that point in time. And it was the the thirtieth

716
00:35:41.719 --> 00:35:44.239
<v Speaker 1>anniversary Scratch the Surface tour. They played you know, most

717
00:35:44.239 --> 00:35:47.159
<v Speaker 1>of that record and then a bunch of other songs

718
00:35:47.199 --> 00:35:50.840
<v Speaker 1>as well, and they were fucking fantastic, as I'm sure

719
00:35:50.880 --> 00:35:52.960
<v Speaker 1>they were at every single show they played, you know,

720
00:35:53.039 --> 00:35:56.000
<v Speaker 1>prior to that date. This was just my chance to be, like,

721
00:35:56.039 --> 00:36:01.000
<v Speaker 1>they're there in my vicinity, I'll do it. And I

722
00:36:01.519 --> 00:36:05.639
<v Speaker 1>feel so so happy that I did, right, that I

723
00:36:05.760 --> 00:36:08.320
<v Speaker 1>took that opportunity when they were near me to go

724
00:36:08.360 --> 00:36:11.840
<v Speaker 1>and see them, because that was the last opportunity that

725
00:36:11.920 --> 00:36:14.719
<v Speaker 1>I was going to get to see Sick of it All.

726
00:36:14.760 --> 00:36:16.599
<v Speaker 1>And I think, you know, there's a lesson there when

727
00:36:16.639 --> 00:36:19.320
<v Speaker 1>you see some of these bands who are you know

728
00:36:19.480 --> 00:36:21.639
<v Speaker 1>that maybe their bands who even if you've not seen

729
00:36:21.639 --> 00:36:23.840
<v Speaker 1>them before, they might always seem to be around, right,

730
00:36:23.960 --> 00:36:25.760
<v Speaker 1>So you go, oh, I miss them this time, I'll

731
00:36:25.760 --> 00:36:28.360
<v Speaker 1>catch them the time after. Sometimes you're not going to

732
00:36:28.400 --> 00:36:30.000
<v Speaker 1>be able to. And if I had passed up on

733
00:36:30.000 --> 00:36:31.320
<v Speaker 1>that Sick of it All show, then I would be

734
00:36:31.320 --> 00:36:32.880
<v Speaker 1>here right now saying, oh I never got to see

735
00:36:32.920 --> 00:36:35.360
<v Speaker 1>Sick of All. I wish I had, And I will

736
00:36:35.360 --> 00:36:37.760
<v Speaker 1>hold onto that one show that I got at the

737
00:36:38.360 --> 00:36:41.159
<v Speaker 1>last possible moment where it was available to me as

738
00:36:42.079 --> 00:36:45.159
<v Speaker 1>just a brilliant testament to not only Sick of It

739
00:36:45.199 --> 00:36:47.480
<v Speaker 1>All's powers, but just that idea, you know, in theory,

740
00:36:47.519 --> 00:36:50.079
<v Speaker 1>you know that you should shouldn't take these bands for granted,

741
00:36:50.119 --> 00:36:53.079
<v Speaker 1>that you should go out and see these artists when

742
00:36:53.119 --> 00:36:56.519
<v Speaker 1>you know, are able to. Because I'm so so glad

743
00:36:56.519 --> 00:36:59.599
<v Speaker 1>that I did. But yeah, I tremendous loss to the

744
00:37:00.119 --> 00:37:05.679
<v Speaker 1>heavy music community and Blue Collar a legend, absolutely like

745
00:37:05.920 --> 00:37:08.519
<v Speaker 1>one of the not just a hardcore legend, but I

746
00:37:08.519 --> 00:37:10.239
<v Speaker 1>think because of the way Sick of it All we're

747
00:37:10.239 --> 00:37:14.079
<v Speaker 1>able to bring that to so many people an all round,

748
00:37:14.440 --> 00:37:19.639
<v Speaker 1>you know. Yeah, TNM, tapestry, heavy music, guitar music, whatever

749
00:37:19.679 --> 00:37:22.159
<v Speaker 1>you want to call it, one of the one of

750
00:37:22.199 --> 00:37:26.039
<v Speaker 1>the greats. So rest in peace, Luke Collar, an absolute

751
00:37:26.119 --> 00:37:27.159
<v Speaker 1>hero for and through.

752
00:37:28.239 --> 00:37:31.239
<v Speaker 3>Yeah, I can't really adny More that that just sums

753
00:37:31.320 --> 00:37:33.360
<v Speaker 3>up and is just a huge loss of Yeah, rest

754
00:37:33.360 --> 00:37:33.719
<v Speaker 3>in peace.

755
00:37:33.840 --> 00:37:36.280
<v Speaker 1>Yeah absolutely, And if you don't know sick of it

756
00:37:36.320 --> 00:37:39.280
<v Speaker 1>all and you've never heard those records any of that,

757
00:37:39.400 --> 00:37:41.840
<v Speaker 1>like again that that run of records they made from

758
00:37:41.840 --> 00:37:42.360
<v Speaker 1>the ladies and.

759
00:37:42.800 --> 00:37:46.480
<v Speaker 3>Going to the mid noughties, Death to Tyrants. That is

760
00:37:46.599 --> 00:37:48.840
<v Speaker 3>such a good naughties hardcore record, Take the Night Off.

761
00:37:48.840 --> 00:37:50.320
<v Speaker 3>It's one of my favorite sick of All songs.

762
00:37:50.719 --> 00:37:52.760
<v Speaker 2>Like that song has got fucking tracks on it.

763
00:37:53.480 --> 00:37:56.440
<v Speaker 1>Yeah, great band, great guy, lu collar, Rest in peace.

764
00:37:57.119 --> 00:37:59.159
<v Speaker 1>This should raise our spirits at the very least, we're

765
00:37:59.159 --> 00:38:01.559
<v Speaker 1>gonna be on to new mus and what can we

766
00:38:01.599 --> 00:38:04.840
<v Speaker 1>do to do that? We can talk about Ben Sevenfold,

767
00:38:05.360 --> 00:38:12.599
<v Speaker 1>who surprise dropped an EP this week called statica following

768
00:38:12.679 --> 00:38:15.480
<v Speaker 1>up of course, the Life Is But a Dream album

769
00:38:15.800 --> 00:38:18.440
<v Speaker 1>released three years ago in twenty twenty three.

770
00:38:18.639 --> 00:38:20.719
<v Speaker 2>Eight only been three years.

771
00:38:21.320 --> 00:38:26.400
<v Speaker 1>A four track EP, it's about eighteen minutes long. This

772
00:38:26.440 --> 00:38:31.039
<v Speaker 1>band have lost the fucking plot. This is unbelievable.

773
00:38:33.239 --> 00:38:36.639
<v Speaker 3>This is like I mean, like I was a hater

774
00:38:36.840 --> 00:38:39.760
<v Speaker 3>of Life Is But a Dream, So I like at

775
00:38:39.760 --> 00:38:43.159
<v Speaker 3>this stage, you know, I've not liked an Avenged Sevenfold record,

776
00:38:43.840 --> 00:38:46.360
<v Speaker 3>not loved one since like the early twenty tens, I've

777
00:38:46.360 --> 00:38:49.599
<v Speaker 3>not liked like housinging is decent, but I've been off

778
00:38:49.599 --> 00:38:52.440
<v Speaker 3>on Avenge for a good while, and so I'm kind of,

779
00:38:52.519 --> 00:38:55.639
<v Speaker 3>I guess a bit predisposed to be more negative to

780
00:38:55.639 --> 00:38:56.159
<v Speaker 3>what they do.

781
00:38:56.280 --> 00:38:56.519
<v Speaker 2>Now.

782
00:38:57.400 --> 00:38:59.800
<v Speaker 3>I think this might be the worst thing they've ever done.

783
00:38:59.880 --> 00:39:03.559
<v Speaker 3>I think this is abysmal in so many ways. And like,

784
00:39:03.880 --> 00:39:05.960
<v Speaker 3>here's the thing, right, I'm gonna go off on a tangent,

785
00:39:06.000 --> 00:39:07.840
<v Speaker 3>but I've seen no some of the defense of this

786
00:39:07.920 --> 00:39:10.960
<v Speaker 3>record is like, oh, it's experimental, Oh it's different, all that,

787
00:39:11.000 --> 00:39:14.199
<v Speaker 3>And I'm like, we've got to have higher standards because

788
00:39:14.239 --> 00:39:16.679
<v Speaker 3>for a lot of mil bands, being experimental is doing

789
00:39:17.360 --> 00:39:21.039
<v Speaker 3>electronical pop music terribly and then they get praised for it,

790
00:39:21.239 --> 00:39:23.280
<v Speaker 3>and it's like, you've got if.

791
00:39:23.159 --> 00:39:26.320
<v Speaker 2>You've gotta do it, do it well, like completely, Like.

792
00:39:26.280 --> 00:39:28.599
<v Speaker 3>The Charlie XCX album that came out the same day, right,

793
00:39:28.840 --> 00:39:31.239
<v Speaker 3>that's her doing something a bit different for her. It's

794
00:39:31.239 --> 00:39:34.440
<v Speaker 3>her experimenting, but she's doing it well, and I'm like

795
00:39:34.480 --> 00:39:37.760
<v Speaker 3>that should be praised. We shouldn't just praise bands experimenting

796
00:39:37.800 --> 00:39:41.119
<v Speaker 3>when they're rubbish at it. We've got to have higher standards.

797
00:39:41.159 --> 00:39:43.199
<v Speaker 3>I'm sorry, I can't get on board with some of

798
00:39:43.239 --> 00:39:45.280
<v Speaker 3>the defenses I've seen thrown out.

799
00:39:45.159 --> 00:39:48.159
<v Speaker 2>For this EP. I think it is unlistenable.

800
00:39:48.199 --> 00:39:51.760
<v Speaker 3>I mean, like again X compaisons act because they both

801
00:39:51.840 --> 00:39:53.079
<v Speaker 3>like drowned in auto tune.

802
00:39:53.519 --> 00:39:56.280
<v Speaker 1>But I was thinking more about the strokes, So we're

803
00:39:56.280 --> 00:39:57.679
<v Speaker 1>not a bad I care about at all. But I've

804
00:39:57.719 --> 00:39:59.840
<v Speaker 1>just observed some discourse at the strokes of RS's reason,

805
00:40:00.440 --> 00:40:03.599
<v Speaker 1>and everyone's complaining that Julne Casablancas basically sings the entire

806
00:40:03.639 --> 00:40:06.400
<v Speaker 1>thing with like warbly autotune on. It's just a bizarre

807
00:40:07.119 --> 00:40:09.559
<v Speaker 1>sensations going around, And for me with avenge Is, I

808
00:40:10.800 --> 00:40:13.920
<v Speaker 1>to a degree, like a part of me finds immense

809
00:40:14.000 --> 00:40:16.599
<v Speaker 1>joy that this is what they're doing because it's so funny,

810
00:40:16.800 --> 00:40:17.719
<v Speaker 1>like this ep.

811
00:40:18.039 --> 00:40:18.559
<v Speaker 2>It is funny.

812
00:40:18.559 --> 00:40:20.280
<v Speaker 3>There are things about this I have found hilarious and

813
00:40:20.480 --> 00:40:22.639
<v Speaker 3>kind of like I can get behind that for a laugh,

814
00:40:22.679 --> 00:40:24.400
<v Speaker 3>like some of the things we're gonna get onto and

815
00:40:24.440 --> 00:40:25.239
<v Speaker 3>the sort of follow.

816
00:40:25.039 --> 00:40:30.039
<v Speaker 1>Up this ep made me howl at various points. Matt

817
00:40:30.280 --> 00:40:34.599
<v Speaker 1>is fucking terrible throughout the entirety of this, and you

818
00:40:34.639 --> 00:40:36.599
<v Speaker 1>can't tell if that's even you know, because of his

819
00:40:36.679 --> 00:40:39.079
<v Speaker 1>vocals or just what you know it's it's coming through,

820
00:40:39.239 --> 00:40:43.199
<v Speaker 1>but Matt being autotuned for the entirety of this basically

821
00:40:43.599 --> 00:40:47.639
<v Speaker 1>is so funny. And there's a it's the third song Rejoice,

822
00:40:48.119 --> 00:40:51.239
<v Speaker 1>which has got this. I'll give them this one. That

823
00:40:51.320 --> 00:40:54.639
<v Speaker 1>song is catchy because it's so funny. This all around

824
00:40:54.639 --> 00:40:57.639
<v Speaker 1>our people of the world, you drawers with this awful

825
00:40:57.800 --> 00:41:01.000
<v Speaker 1>like kind of you know, curmudgeingly rock griff going on,

826
00:41:01.320 --> 00:41:06.960
<v Speaker 1>with this auto tune balling going on. Is like, that's

827
00:41:07.000 --> 00:41:08.599
<v Speaker 1>the song on the EP that's trying to at least

828
00:41:08.599 --> 00:41:10.199
<v Speaker 1>be kind of funky and danceable compared to the rest,

829
00:41:10.239 --> 00:41:11.960
<v Speaker 1>which I don't know what they're trying to do, but

830
00:41:12.320 --> 00:41:15.559
<v Speaker 1>it's so funny to me, it's so rubbish. It's like

831
00:41:15.599 --> 00:41:19.559
<v Speaker 1>when you hear the absolute worst of the worst Megadeth song,

832
00:41:19.639 --> 00:41:23.119
<v Speaker 1>for example, and you're howling at a song like super

833
00:41:23.119 --> 00:41:24.400
<v Speaker 1>Collider or whatever because it.

834
00:41:24.880 --> 00:41:27.840
<v Speaker 2>Super Clyder sounds like good compared to this.

835
00:41:28.159 --> 00:41:30.719
<v Speaker 1>Yeah, but just that at least that one song. Maybe

836
00:41:30.719 --> 00:41:32.400
<v Speaker 1>there's some kind of ironic appreciation of me because it

837
00:41:32.440 --> 00:41:36.440
<v Speaker 1>just it makes me laugh so much. But this is

838
00:41:36.480 --> 00:41:40.559
<v Speaker 1>a calamity of an EP that even you know, life

839
00:41:40.559 --> 00:41:43.800
<v Speaker 1>is but a dream. I know, obviously, a very divisive record.

840
00:41:43.800 --> 00:41:46.920
<v Speaker 1>There are people who love that record, we certainly know

841
00:41:46.960 --> 00:41:48.199
<v Speaker 1>at least one of them. But there are there are

842
00:41:48.239 --> 00:41:51.559
<v Speaker 1>people who love that record just as strongly as the

843
00:41:51.599 --> 00:41:55.280
<v Speaker 1>people who don't love it, you know, dislike it. But

844
00:41:55.360 --> 00:41:57.119
<v Speaker 1>I think even those people are struggling to come up

845
00:41:57.159 --> 00:41:58.599
<v Speaker 1>with the defense for this. Because Life's But a Dream.

846
00:41:58.639 --> 00:42:03.320
<v Speaker 1>I can at least vaguely appreciate the the tapestry of

847
00:42:03.360 --> 00:42:05.119
<v Speaker 1>it and what they're trying to go for this. And

848
00:42:05.519 --> 00:42:06.800
<v Speaker 1>one of the things that I, you know, didn't like

849
00:42:06.840 --> 00:42:12.960
<v Speaker 1>about that record is the idea that events unfold. They

850
00:42:13.039 --> 00:42:16.079
<v Speaker 1>seem absolutely fucking fixated for some reason or like they

851
00:42:16.079 --> 00:42:18.519
<v Speaker 1>want to be daft punk so bad, like of all

852
00:42:18.559 --> 00:42:20.719
<v Speaker 1>the experiments that are on Life Is But a Dream

853
00:42:20.719 --> 00:42:23.679
<v Speaker 1>that to me sounded really fucking like, you know, already

854
00:42:23.719 --> 00:42:26.320
<v Speaker 1>out of date and hackneyed. Was some of the you know,

855
00:42:26.480 --> 00:42:29.960
<v Speaker 1>auto tuned, fucking French house like dart punk impersonation stuff.

856
00:42:30.880 --> 00:42:33.119
<v Speaker 1>The fact that that's the thing that they have like

857
00:42:33.199 --> 00:42:36.639
<v Speaker 1>decided to continue chasing right on the follow up EP

858
00:42:36.800 --> 00:42:41.000
<v Speaker 1>and go even further with it's so rubbish and it's

859
00:42:41.079 --> 00:42:45.280
<v Speaker 1>so rubbish at it, But the idea that they have

860
00:42:45.480 --> 00:42:47.960
<v Speaker 1>of like this is how they you know, write the

861
00:42:48.000 --> 00:42:51.639
<v Speaker 1>future right like by by chasing that particular rabbit hole.

862
00:42:52.480 --> 00:42:54.400
<v Speaker 1>As funny as I find this ep, and I do

863
00:42:54.440 --> 00:42:58.880
<v Speaker 1>find it to be funny, and as a continuation of

864
00:42:58.960 --> 00:43:00.920
<v Speaker 1>Vice But a Dream, you can tell that, you know,

865
00:43:01.320 --> 00:43:05.119
<v Speaker 1>in some sense I do. I can applaud how little

866
00:43:05.119 --> 00:43:08.679
<v Speaker 1>shits they give about what people are wanting them to do. Right.

867
00:43:09.039 --> 00:43:14.519
<v Speaker 1>But it has been considering there was so many years

868
00:43:14.519 --> 00:43:16.719
<v Speaker 1>before Life's But a Dream where they were working on music.

869
00:43:16.800 --> 00:43:18.679
<v Speaker 1>That record took a long time to arrive. Right. The

870
00:43:18.760 --> 00:43:21.599
<v Speaker 1>Stage turns ten years old this year, as we discussed

871
00:43:21.599 --> 00:43:24.079
<v Speaker 1>one episode not long ago, and I do like the

872
00:43:24.079 --> 00:43:27.239
<v Speaker 1>Stage obviously, that is the proggiest of their records that

873
00:43:27.280 --> 00:43:28.920
<v Speaker 1>they had made up to that point. So they were

874
00:43:28.960 --> 00:43:32.360
<v Speaker 1>already moving away from balls to the wall hard rock

875
00:43:32.400 --> 00:43:35.599
<v Speaker 1>heavy metal, right it's still got like songs, Yeah, well

876
00:43:35.960 --> 00:43:38.000
<v Speaker 1>there are moments on that like songs like Goddamn and

877
00:43:38.000 --> 00:43:41.079
<v Speaker 1>stuff where they are Those were essentially the last time

878
00:43:41.440 --> 00:43:48.119
<v Speaker 1>that Avenged wrote rock songs. And it being ten years

879
00:43:48.559 --> 00:43:53.719
<v Speaker 1>since Avenged have written a song that is at least

880
00:43:53.840 --> 00:43:59.480
<v Speaker 1>id identifiable as being you know, classic Avenge sevenfold. I

881
00:43:59.519 --> 00:44:01.320
<v Speaker 1>think the song Nobody from Life Buttuy and that was

882
00:44:01.320 --> 00:44:02.880
<v Speaker 1>the only song I liked on that record because it, again,

883
00:44:02.920 --> 00:44:04.840
<v Speaker 1>it sounded like Avenge To me, it sounded like a

884
00:44:04.920 --> 00:44:09.079
<v Speaker 1>continuation of the stage. But it been ten years since

885
00:44:09.079 --> 00:44:12.639
<v Speaker 1>they've essentially been a rock band like this. They to

886
00:44:12.800 --> 00:44:19.440
<v Speaker 1>me sound like they are so bored of being rock

887
00:44:19.480 --> 00:44:22.800
<v Speaker 1>band of N sevenfold, right, And on one hand, you

888
00:44:22.800 --> 00:44:24.840
<v Speaker 1>could maybe applaud that of being like, yeah, you know,

889
00:44:24.880 --> 00:44:27.880
<v Speaker 1>they're not doing something just because that's what they are

890
00:44:27.920 --> 00:44:30.719
<v Speaker 1>expected to do. They're following their creative passions or whatever.

891
00:44:30.840 --> 00:44:32.239
<v Speaker 1>But I think there also comes a point where it's like,

892
00:44:32.239 --> 00:44:36.119
<v Speaker 1>if you are, you know, multimillionaire rock band of N Sevenfold,

893
00:44:36.280 --> 00:44:38.039
<v Speaker 1>and you are one of the biggest metal bands of

894
00:44:38.039 --> 00:44:40.719
<v Speaker 1>your generation, your festival headliners to all of your rock

895
00:44:40.760 --> 00:44:45.000
<v Speaker 1>fans and stuff, and you sound like you would rather

896
00:44:45.079 --> 00:44:49.320
<v Speaker 1>be anywhere else but playing rock music to rock fans.

897
00:44:49.679 --> 00:44:52.960
<v Speaker 1>It's like they what they've done with this is they've

898
00:44:52.960 --> 00:44:55.400
<v Speaker 1>already they're on a tour right now with Good Charlotte

899
00:44:56.239 --> 00:44:58.679
<v Speaker 1>co headlining, which I don't know how the fuck that again,

900
00:44:58.840 --> 00:45:01.119
<v Speaker 1>considering what I've just said, how is that a match?

901
00:45:01.400 --> 00:45:03.079
<v Speaker 1>This was already funny when it was just that they

902
00:45:03.079 --> 00:45:05.039
<v Speaker 1>were touring. Life is but a dream they were playing

903
00:45:05.079 --> 00:45:06.480
<v Speaker 1>with Good Charlotte.

904
00:45:06.639 --> 00:45:08.639
<v Speaker 2>But they've got that one song together that's a banger.

905
00:45:09.000 --> 00:45:12.320
<v Speaker 1>Sure, yeah, but they have also now on this on

906
00:45:12.360 --> 00:45:15.440
<v Speaker 1>this tour, they've come out and done opening set for

907
00:45:15.480 --> 00:45:18.360
<v Speaker 1>themselves as STATICA, And.

908
00:45:18.400 --> 00:45:19.199
<v Speaker 2>I quite like this.

909
00:45:19.480 --> 00:45:21.159
<v Speaker 3>I think this is like the one highlight I can

910
00:45:21.239 --> 00:45:24.039
<v Speaker 3>draw from this whole thing is making Good Charlotte fans

911
00:45:24.639 --> 00:45:25.559
<v Speaker 3>watch this live.

912
00:45:25.840 --> 00:45:27.519
<v Speaker 2>Is genuinely quite funny.

913
00:45:27.599 --> 00:45:29.360
<v Speaker 1>It is funny because you know, the Good Charlotte fans

914
00:45:29.360 --> 00:45:31.079
<v Speaker 1>don't want to hear that. The event seven Fall fans

915
00:45:31.119 --> 00:45:34.000
<v Speaker 1>don't want to hear that alone, the Good Charlotte ones.

916
00:45:34.280 --> 00:45:38.559
<v Speaker 1>But I just I don't know why they're there in

917
00:45:38.599 --> 00:45:42.239
<v Speaker 1>the first place. Like if it has been ten years

918
00:45:42.840 --> 00:45:47.239
<v Speaker 1>since you have been interested in releasing a record that

919
00:45:48.159 --> 00:45:51.880
<v Speaker 1>plays with at least the you know, the attitude and

920
00:45:51.920 --> 00:45:55.400
<v Speaker 1>the groove of a rock band, and you would rather

921
00:45:55.440 --> 00:45:57.199
<v Speaker 1>be doing anything else to the point that you are

922
00:45:57.239 --> 00:46:03.199
<v Speaker 1>releasing fucking god awful sort of again house inspired, I

923
00:46:03.239 --> 00:46:07.320
<v Speaker 1>don't know, prog electronics or whatever, instead of being a

924
00:46:07.400 --> 00:46:10.679
<v Speaker 1>rock band. Why are you even like you go and

925
00:46:10.719 --> 00:46:13.199
<v Speaker 1>do this as Statica. You know, like it sounds like

926
00:46:13.239 --> 00:46:19.840
<v Speaker 1>they are so done with the functions of right riff

927
00:46:19.880 --> 00:46:22.280
<v Speaker 1>based guitar music whatever you might want to call that,

928
00:46:23.239 --> 00:46:25.960
<v Speaker 1>And it just sounds to me like, I don't know,

929
00:46:26.039 --> 00:46:29.599
<v Speaker 1>there's a weird fine line between like following your inhibitions

930
00:46:29.639 --> 00:46:32.159
<v Speaker 1>and being a faith no more or someone and you know,

931
00:46:32.280 --> 00:46:36.519
<v Speaker 1>like breaking open the boundaries and then also just sounding

932
00:46:36.599 --> 00:46:40.079
<v Speaker 1>like you're fucking fed up with like and tired of

933
00:46:40.119 --> 00:46:44.159
<v Speaker 1>having to do anything like that and somehow avenged to

934
00:46:44.199 --> 00:46:50.599
<v Speaker 1>meet They sound so tired of having to be anything

935
00:46:51.119 --> 00:46:53.320
<v Speaker 1>but whatever the fuck they decided to do.

936
00:46:53.400 --> 00:46:55.760
<v Speaker 3>Now I sort agree that the most, Like I don't

937
00:46:55.800 --> 00:46:58.119
<v Speaker 3>understand how certain members of evenge can actually kind of

938
00:46:58.159 --> 00:47:01.960
<v Speaker 3>be enjoying this creator as well, because like musically, for

939
00:47:02.639 --> 00:47:04.719
<v Speaker 3>like you have a guitar vertress one like the sort

940
00:47:04.760 --> 00:47:08.280
<v Speaker 3>of modern legendary guitar players since the Gates, and he

941
00:47:08.440 --> 00:47:12.280
<v Speaker 3>is completely just like wasted on these z pieces and

942
00:47:12.280 --> 00:47:14.760
<v Speaker 3>maybe he is just fed up off, you know, ripping

943
00:47:14.800 --> 00:47:17.639
<v Speaker 3>out these like insane solos all like that. But like,

944
00:47:17.920 --> 00:47:20.400
<v Speaker 3>I don't understand how like the rest ofman can kind

945
00:47:20.400 --> 00:47:24.159
<v Speaker 3>of be creatively satisfied like like this to me feels

946
00:47:24.159 --> 00:47:26.519
<v Speaker 3>like Match is his like brain child. He is like

947
00:47:26.599 --> 00:47:29.719
<v Speaker 3>the what like the mad scientists behind this or like,

948
00:47:29.800 --> 00:47:32.039
<v Speaker 3>and again I could be wrong, the whole band could

949
00:47:32.039 --> 00:47:32.840
<v Speaker 3>be all in on this.

950
00:47:32.840 --> 00:47:34.679
<v Speaker 2>Together, but again I just wonder.

951
00:47:34.719 --> 00:47:37.880
<v Speaker 3>I was like, what do you get sort of creatively

952
00:47:37.880 --> 00:47:39.159
<v Speaker 3>fulfilled from doing this at the.

953
00:47:39.159 --> 00:47:42.800
<v Speaker 2>Same time, because musically it's not like interesting electronics.

954
00:47:42.840 --> 00:47:45.440
<v Speaker 3>The the small sort of shreds of like rock bands

955
00:47:45.480 --> 00:47:47.360
<v Speaker 3>ort of DNA still haven't there. The riffs are really

956
00:47:47.440 --> 00:47:51.800
<v Speaker 3>lumpen and like kind of like static and not interesting.

957
00:47:52.519 --> 00:47:55.039
<v Speaker 1>That Rejoice riff is hilariously crap.

958
00:47:55.280 --> 00:47:57.320
<v Speaker 3>Like and they don't gel with the electronics side of

959
00:47:57.320 --> 00:47:59.280
<v Speaker 3>things at all. So I'm like, do you are you

960
00:47:59.360 --> 00:48:01.559
<v Speaker 3>doing this because you just want to do different? Or like,

961
00:48:01.800 --> 00:48:03.360
<v Speaker 3>are you happy that you are like one of the

962
00:48:03.400 --> 00:48:04.960
<v Speaker 3>like sort of the one great guitar players who can

963
00:48:04.960 --> 00:48:08.039
<v Speaker 3>be just completely phoning it in on some of the

964
00:48:08.079 --> 00:48:09.400
<v Speaker 3>worst rifts you're gonna hear this year.

965
00:48:09.639 --> 00:48:11.000
<v Speaker 2>The whole thing just confused me.

966
00:48:11.000 --> 00:48:13.239
<v Speaker 3>And again I do think there is there is fun

967
00:48:13.239 --> 00:48:15.639
<v Speaker 3>to be had with like the idea of them playing. Also,

968
00:48:15.679 --> 00:48:18.480
<v Speaker 3>they're behind a screen so you can't properly see them,

969
00:48:18.599 --> 00:48:21.519
<v Speaker 3>and it's kind of like trying to be like weird

970
00:48:21.960 --> 00:48:24.599
<v Speaker 3>and that being in front of like a good tile

971
00:48:24.599 --> 00:48:27.280
<v Speaker 3>at Evention World co headline that that's just a funny image.

972
00:48:27.679 --> 00:48:29.960
<v Speaker 3>But at the same time, I think it's such a

973
00:48:29.960 --> 00:48:32.199
<v Speaker 3>one and done, like you've heard it now and like

974
00:48:32.639 --> 00:48:34.480
<v Speaker 3>I've listened to the CV twice and on second now

975
00:48:34.519 --> 00:48:36.880
<v Speaker 3>because I get nothing from going back to this. It

976
00:48:37.039 --> 00:48:40.280
<v Speaker 3>like the novelty wears off before you finish your first listen.

977
00:48:40.320 --> 00:48:41.960
<v Speaker 3>And again that's why I just think this defense of

978
00:48:42.400 --> 00:48:45.559
<v Speaker 3>it's experimental just it just doesn't hold hold hold any

979
00:48:45.559 --> 00:48:48.199
<v Speaker 3>war to me, it's one of the worst things I've

980
00:48:48.239 --> 00:48:51.480
<v Speaker 3>heard here, maybe the worst it, like I think is abysmal.

981
00:48:51.840 --> 00:48:54.400
<v Speaker 1>Yeah, but it's it's one of those amazing things that

982
00:48:54.599 --> 00:48:56.320
<v Speaker 1>when you say, you know, multiple members of the band

983
00:48:56.320 --> 00:48:59.159
<v Speaker 1>to evolve with this, it amazes me that they all

984
00:48:59.760 --> 00:49:02.159
<v Speaker 1>left to get out in this state, I suppose, because

985
00:49:02.199 --> 00:49:07.480
<v Speaker 1>you would think at least one person in this very talented,

986
00:49:08.079 --> 00:49:12.599
<v Speaker 1>you know, professionally seasoned group of studio musicians would go,

987
00:49:13.239 --> 00:49:16.159
<v Speaker 1>are we sure about this? This sounds like bollocks exactly,

988
00:49:16.199 --> 00:49:19.320
<v Speaker 1>like are we sure we're going to put that autoto

989
00:49:19.480 --> 00:49:23.639
<v Speaker 1>vocal out there? And this production mess and all of this,

990
00:49:24.519 --> 00:49:28.000
<v Speaker 1>and it's it staggers me the again, the lowering of

991
00:49:28.039 --> 00:49:30.800
<v Speaker 1>the standards that seem to have happened at the same

992
00:49:30.920 --> 00:49:34.800
<v Speaker 1>time that the you know, the freethinking this or whatever

993
00:49:34.840 --> 00:49:36.320
<v Speaker 1>you want to call it in the music that's being

994
00:49:36.320 --> 00:49:38.880
<v Speaker 1>made has kind of, you know, gone the other way.

995
00:49:39.119 --> 00:49:44.000
<v Speaker 1>But I, like I said, it's all well and good

996
00:49:44.119 --> 00:49:47.159
<v Speaker 1>to be, you know, chasing your creative dream and doing

997
00:49:47.159 --> 00:49:49.800
<v Speaker 1>whatever you want. And I would never say not to

998
00:49:49.880 --> 00:49:52.039
<v Speaker 1>do that, but I think it has reached a state

999
00:49:52.280 --> 00:49:57.280
<v Speaker 1>other end where they so clearly do not care about

1000
00:49:57.400 --> 00:50:02.199
<v Speaker 1>us as rock fans and as a rock community. I

1001
00:50:02.239 --> 00:50:04.360
<v Speaker 1>suppose because they're not interested in making that kind of

1002
00:50:04.400 --> 00:50:08.480
<v Speaker 1>music that why should we especially care about them? Right?

1003
00:50:08.519 --> 00:50:10.760
<v Speaker 1>I'm just saying that that two way relationship of them

1004
00:50:10.920 --> 00:50:14.840
<v Speaker 1>having gotten bored with us and severed the ties, I

1005
00:50:15.639 --> 00:50:17.679
<v Speaker 1>salute them, and I laugh at what they're doing and

1006
00:50:17.719 --> 00:50:20.039
<v Speaker 1>go you. Mainly, I listened to Trashed and Scattered the

1007
00:50:20.079 --> 00:50:21.599
<v Speaker 1>other day because it just came on and I was like,

1008
00:50:21.639 --> 00:50:24.079
<v Speaker 1>fucking hell, what an amazing song. This band used to

1009
00:50:24.119 --> 00:50:28.000
<v Speaker 1>be so great. And the idea that like the biggest

1010
00:50:28.000 --> 00:50:30.800
<v Speaker 1>metal band of their era basically has ended up at

1011
00:50:30.800 --> 00:50:34.639
<v Speaker 1>this state utterly adrift where only the most mental people

1012
00:50:34.639 --> 00:50:38.760
<v Speaker 1>in their family still like them is you could never

1013
00:50:38.800 --> 00:50:41.480
<v Speaker 1>have written it like it, truly has surprised us all.

1014
00:50:42.519 --> 00:50:47.480
<v Speaker 1>But like I said, if they care so little about

1015
00:50:47.599 --> 00:50:51.480
<v Speaker 1>appealing to what we think, right, that's fine, But also

1016
00:50:51.800 --> 00:50:54.920
<v Speaker 1>why should I care to follow them? Right? So that's

1017
00:50:55.000 --> 00:50:57.519
<v Speaker 1>I think with this, maybe they'll fucking shut me up

1018
00:50:57.559 --> 00:50:59.440
<v Speaker 1>next time, and I sure hope they do. But with

1019
00:50:59.519 --> 00:51:01.440
<v Speaker 1>this following the last album, that's kind of where I'm

1020
00:51:01.480 --> 00:51:04.480
<v Speaker 1>at with Avenge. So there you go, other new music.

1021
00:51:04.519 --> 00:51:06.920
<v Speaker 1>I guess you could be excited by a Tuniaomi solo

1022
00:51:06.960 --> 00:51:09.920
<v Speaker 1>album if you're not interested in whatever the hell Avenger

1023
00:51:09.920 --> 00:51:12.800
<v Speaker 1>they're doing. He has got it's his first solo album

1024
00:51:12.920 --> 00:51:15.159
<v Speaker 1>in like twenty years. Right, We've had a you know,

1025
00:51:15.159 --> 00:51:17.880
<v Speaker 1>Black Sabbath albums in that time, two of them if

1026
00:51:17.880 --> 00:51:19.480
<v Speaker 1>you count the Heaven and Hell record as a Black

1027
00:51:19.480 --> 00:51:21.800
<v Speaker 1>Sabbath album. His last one's in two thousand and five.

1028
00:51:22.360 --> 00:51:25.480
<v Speaker 1>This one is called from the Dark and it is

1029
00:51:25.519 --> 00:51:28.519
<v Speaker 1>going to be coming out later this year October the

1030
00:51:28.519 --> 00:51:30.559
<v Speaker 1>twenty third. There's a song out from it as well,

1031
00:51:30.559 --> 00:51:32.280
<v Speaker 1>called World Alone. And I will say this song where

1032
00:51:32.320 --> 00:51:35.960
<v Speaker 1>obviously it's a you know, it's an aging, you know,

1033
00:51:36.320 --> 00:51:41.159
<v Speaker 1>solo you know rock record from you know, a star

1034
00:51:41.280 --> 00:51:43.679
<v Speaker 1>of Obviously, obviously we're never going to be not interested

1035
00:51:43.679 --> 00:51:46.159
<v Speaker 1>in not applaud Tony Iomi. But you know what I mean, right,

1036
00:51:46.199 --> 00:51:48.360
<v Speaker 1>this isn't you know it's a It's a solo record,

1037
00:51:48.480 --> 00:51:51.079
<v Speaker 1>is what it is. Yeah, I will say this song

1038
00:51:51.239 --> 00:51:53.800
<v Speaker 1>is better than some of the ones that I checked

1039
00:51:53.800 --> 00:51:57.519
<v Speaker 1>out when we did our Sabbath special and you'll be

1040
00:51:57.559 --> 00:51:59.960
<v Speaker 1>doing like weird post grunge records with Glenn Hughes and stuff.

1041
00:52:00.079 --> 00:52:02.280
<v Speaker 1>This song is better than that. But the lineup on

1042
00:52:02.360 --> 00:52:05.360
<v Speaker 1>this he's joined by across the album the Norwegian vocalist

1043
00:52:05.440 --> 00:52:08.800
<v Speaker 1>Yan Lander, who is one of those guys who he

1044
00:52:08.960 --> 00:52:13.280
<v Speaker 1>sings on everything like he's never There's no album that

1045
00:52:13.280 --> 00:52:15.639
<v Speaker 1>I could name or even a project where I go like, yeah,

1046
00:52:15.639 --> 00:52:18.039
<v Speaker 1>I'm a fan of that with Yorn Lander on it,

1047
00:52:18.599 --> 00:52:20.559
<v Speaker 1>but he's just everywhere, Like he's one of those like

1048
00:52:20.679 --> 00:52:23.599
<v Speaker 1>for higher rock guys who's just always around. Yeah, but

1049
00:52:23.679 --> 00:52:25.920
<v Speaker 1>he suits it well enough, so he's the singer on it.

1050
00:52:26.559 --> 00:52:30.599
<v Speaker 1>There's also Becky Baldwin on the bass, who has been

1051
00:52:30.719 --> 00:52:33.679
<v Speaker 1>playing with the you know, the most recent touring incarnation

1052
00:52:33.800 --> 00:52:36.519
<v Speaker 1>of Merciful Fate. Right, she's a younger, younger player, but

1053
00:52:36.760 --> 00:52:41.519
<v Speaker 1>she's been Merciful Fates recent bassist and a drummer called

1054
00:52:41.679 --> 00:52:48.679
<v Speaker 1>Carl Brazil who was played with Feeder, James Blunt and

1055
00:52:48.760 --> 00:52:53.559
<v Speaker 1>Robbie Williams. Tony Iomi has gotten the first procedurally generated

1056
00:52:53.639 --> 00:52:57.760
<v Speaker 1>album lineup. How do we get those people the game?

1057
00:52:57.840 --> 00:52:59.440
<v Speaker 3>Can he hooks up with that drummer when he did

1058
00:52:59.480 --> 00:53:03.119
<v Speaker 3>the thing.

1059
00:53:03.039 --> 00:53:07.840
<v Speaker 2>That I didn't imagine that you imagine that song.

1060
00:53:08.320 --> 00:53:10.159
<v Speaker 1>He was a song with Robbi Williams, You having a

1061
00:53:10.239 --> 00:53:11.440
<v Speaker 1>Mayde hit the nail on the head. That that is

1062
00:53:11.440 --> 00:53:13.840
<v Speaker 1>a good shout. And Becky Baldwin is you know, again

1063
00:53:13.880 --> 00:53:16.760
<v Speaker 1>a talented metal for higher player who can be evolved

1064
00:53:16.800 --> 00:53:19.360
<v Speaker 1>with this kind of stuff. But there is now one

1065
00:53:19.360 --> 00:53:22.800
<v Speaker 1>degree of separation between the Robbie Williams band in Merciful Fate.

1066
00:53:22.920 --> 00:53:26.760
<v Speaker 1>Somehow through this, like I said, the first randomly generated

1067
00:53:27.000 --> 00:53:28.800
<v Speaker 1>album line up of players, and one of them is

1068
00:53:28.800 --> 00:53:29.800
<v Speaker 1>called Carl Brazil.

1069
00:53:30.920 --> 00:53:31.440
<v Speaker 2>What a name.

1070
00:53:32.639 --> 00:53:36.960
<v Speaker 3>Unbelievable, but yeah fits as well though just having this

1071
00:53:37.320 --> 00:53:38.880
<v Speaker 3>when when we do through the store of those save

1072
00:53:38.920 --> 00:53:41.119
<v Speaker 3>of lineups and yeah, that special.

1073
00:53:41.400 --> 00:53:42.599
<v Speaker 2>This just feels so unbrand.

1074
00:53:42.599 --> 00:53:45.280
<v Speaker 1>At the same time, Bev Bevan will have some symbol

1075
00:53:45.320 --> 00:53:48.639
<v Speaker 1>overdubs somewhere on this record. I can guarantee that. And

1076
00:53:48.679 --> 00:53:50.280
<v Speaker 1>there was also on the US it front, What a

1077
00:53:50.280 --> 00:53:54.079
<v Speaker 1>week for it? A debut single released by one Sherry

1078
00:53:54.119 --> 00:53:58.400
<v Speaker 1>Moon Zombie, wife of Rob Zombie, met because she was

1079
00:53:58.639 --> 00:54:01.360
<v Speaker 1>a dancer in you know his you know stage show

1080
00:54:01.440 --> 00:54:05.039
<v Speaker 1>in the late nineties. Most commonly known to Rob Zombie

1081
00:54:05.079 --> 00:54:09.760
<v Speaker 1>fans through his movies because she has starred in some

1082
00:54:09.840 --> 00:54:12.800
<v Speaker 1>role or another in basically every movie he's ever made.

1083
00:54:13.079 --> 00:54:16.400
<v Speaker 1>And I can speak as against someone who has seen

1084
00:54:16.679 --> 00:54:19.119
<v Speaker 1>the majority of Rob Zombies' movies, if not all of them,

1085
00:54:19.400 --> 00:54:22.199
<v Speaker 1>and follows that again that kind of horror culture and everything.

1086
00:54:22.840 --> 00:54:26.760
<v Speaker 1>A lot of people fucking hate Sherry Moon Zombie like

1087
00:54:27.119 --> 00:54:31.000
<v Speaker 1>they treat her like NEPO wife essentially, right. You know,

1088
00:54:31.119 --> 00:54:32.400
<v Speaker 1>Rob Zombie loves his wife.

1089
00:54:32.679 --> 00:54:33.440
<v Speaker 2>He's a wife guy.

1090
00:54:33.639 --> 00:54:37.039
<v Speaker 1>He is sure that he puts his wife in everything

1091
00:54:37.039 --> 00:54:40.920
<v Speaker 1>he's ever made. And people go, oh, she's absolutely talentles

1092
00:54:41.039 --> 00:54:42.960
<v Speaker 1>she's a terrible actor. I can't believe I have to

1093
00:54:42.960 --> 00:54:45.679
<v Speaker 1>watch Scherry Moon Zombie and another Rob Zombie film whatever,

1094
00:54:45.800 --> 00:54:49.280
<v Speaker 1>and there's always, you know, some trace of misogyny going

1095
00:54:49.320 --> 00:54:52.079
<v Speaker 1>on with that, I find. But I can just imagine

1096
00:54:52.079 --> 00:54:54.159
<v Speaker 1>what those people are saying or thinking when they saw

1097
00:54:54.199 --> 00:54:57.079
<v Speaker 1>this headline of Shery Moon Zombie's song. I am always

1098
00:54:57.119 --> 00:55:00.800
<v Speaker 1>quite endeared to Sherry Moon Zombie because I mean, I

1099
00:55:00.800 --> 00:55:04.000
<v Speaker 1>think she's genuinely good in the Lords of Salem. I

1100
00:55:04.119 --> 00:55:05.880
<v Speaker 1>think that in you know, I like her in the

1101
00:55:05.880 --> 00:55:10.679
<v Speaker 1>Firefly Family movies, where again, her mad kind of cackling

1102
00:55:10.719 --> 00:55:12.440
<v Speaker 1>demeanor that she brings. That is one of the things

1103
00:55:12.480 --> 00:55:15.800
<v Speaker 1>about those movies that has become iconic and you wouldn't

1104
00:55:15.800 --> 00:55:18.920
<v Speaker 1>imagine it without them. Is she always good in everything? No?

1105
00:55:19.000 --> 00:55:21.039
<v Speaker 1>Not really, but again, you're signing up for a rob

1106
00:55:21.119 --> 00:55:24.159
<v Speaker 1>Zombie movie. You're signing up with the whole cast of

1107
00:55:24.280 --> 00:55:26.880
<v Speaker 1>characters in the family right that you go into. So

1108
00:55:26.880 --> 00:55:29.400
<v Speaker 1>I'm always again and I like that they just are

1109
00:55:29.480 --> 00:55:31.280
<v Speaker 1>creative partners in this way, like it. So I think

1110
00:55:31.280 --> 00:55:34.760
<v Speaker 1>it's just very wholesome and very endearing. But this song

1111
00:55:35.400 --> 00:55:37.920
<v Speaker 1>I called I Love My My Zombie. No, sorry, I

1112
00:55:37.960 --> 00:55:39.960
<v Speaker 1>Love my Robot. Yeah, I have just put zombiere because

1113
00:55:39.960 --> 00:55:41.199
<v Speaker 1>he name Zombe, isn't it. But no, I Love My

1114
00:55:41.320 --> 00:55:46.280
<v Speaker 1>Robot is a It's an anti AI song. The chorus

1115
00:55:46.400 --> 00:55:48.840
<v Speaker 1>is like, a I don't need that wherever the fuck

1116
00:55:48.920 --> 00:55:50.559
<v Speaker 1>she says, and it's all about her being like I

1117
00:55:50.599 --> 00:55:52.719
<v Speaker 1>write my own lyrics all this kind of stuff, and

1118
00:55:53.000 --> 00:55:55.119
<v Speaker 1>I support the sentiment. I don't know if this song

1119
00:55:55.239 --> 00:56:00.960
<v Speaker 1>is a good argument in favor of human creativity. The

1120
00:56:01.000 --> 00:56:05.239
<v Speaker 1>song to really put it to the robots how much

1121
00:56:05.719 --> 00:56:06.239
<v Speaker 1>he can do.

1122
00:56:09.360 --> 00:56:13.239
<v Speaker 2>Yeah, like I am sympathetic, like and I get behind

1123
00:56:13.280 --> 00:56:13.760
<v Speaker 2>the sentiment.

1124
00:56:13.960 --> 00:56:15.880
<v Speaker 3>I mean, you know, like the idea of like this

1125
00:56:15.920 --> 00:56:18.519
<v Speaker 3>can like kitchy, Like that's a thing with the chill

1126
00:56:18.599 --> 00:56:22.039
<v Speaker 3>in the channel that they're hitting with what like robs

1127
00:56:22.039 --> 00:56:23.159
<v Speaker 3>On shiming somebody's.

1128
00:56:22.880 --> 00:56:24.480
<v Speaker 2>Kind of whole brand is so I can I can

1129
00:56:24.519 --> 00:56:29.280
<v Speaker 2>get behind that. It just is really bad. It's not good,

1130
00:56:29.920 --> 00:56:33.480
<v Speaker 2>like that's for trying. Like it's clear that like be

1131
00:56:33.599 --> 00:56:35.559
<v Speaker 2>that again. I think there is that there is like

1132
00:56:35.719 --> 00:56:37.239
<v Speaker 2>passion as going into this.

1133
00:56:37.320 --> 00:56:39.760
<v Speaker 3>I don't think this is kind of like a throne

1134
00:56:39.760 --> 00:56:42.239
<v Speaker 3>to thing that that they're just doing it like that

1135
00:56:42.239 --> 00:56:44.599
<v Speaker 3>they like she clearly wants to have a music cred

1136
00:56:44.639 --> 00:56:46.800
<v Speaker 3>to go along with some like he think he shot

1137
00:56:46.800 --> 00:56:47.880
<v Speaker 3>the video and for her and all.

1138
00:56:47.800 --> 00:56:50.920
<v Speaker 2>That like fair enough, Like there is a definitely cleverative effort.

1139
00:56:51.280 --> 00:56:54.119
<v Speaker 3>Sometimes you just gotta, you know, say, when something is terrible,

1140
00:56:54.159 --> 00:56:56.400
<v Speaker 3>and this song is terrible.

1141
00:56:56.360 --> 00:56:58.719
<v Speaker 1>And sometimes you just have to have a laugh at

1142
00:56:58.719 --> 00:57:01.440
<v Speaker 1>a very silly piece of a beauty which is what

1143
00:57:01.480 --> 00:57:04.079
<v Speaker 1>we are doing here, not so sillily. Let's get onto

1144
00:57:04.079 --> 00:57:08.159
<v Speaker 1>something a little bit more serious. Neurosis their first show

1145
00:57:08.280 --> 00:57:12.800
<v Speaker 1>back since their entire you know, sort of re getting together,

1146
00:57:13.519 --> 00:57:15.840
<v Speaker 1>you know story that they've gone on this year. Fire

1147
00:57:15.880 --> 00:57:18.840
<v Speaker 1>in the Mountains Festival was this past weekend, which included

1148
00:57:18.880 --> 00:57:23.519
<v Speaker 1>the live debut of the New Look Neurosis. I watched

1149
00:57:23.880 --> 00:57:26.000
<v Speaker 1>you know, someone had filmed the whole set and they

1150
00:57:26.000 --> 00:57:29.400
<v Speaker 1>looked fucking great, like Aaron bringing this, He brings this

1151
00:57:29.639 --> 00:57:34.480
<v Speaker 1>really violent physical presence into the center of the stage,

1152
00:57:34.480 --> 00:57:36.639
<v Speaker 1>which I think is, you know, something that they needed

1153
00:57:36.639 --> 00:57:38.960
<v Speaker 1>to have. It's you know, someone bringing that in the

1154
00:57:39.000 --> 00:57:41.760
<v Speaker 1>band in this incarnation, and it looks fucking brilliant. They

1155
00:57:41.760 --> 00:57:46.320
<v Speaker 1>played the setless consisting of most of the new album

1156
00:57:46.559 --> 00:57:49.800
<v Speaker 1>and also the Tide from a Sun That Never Sets

1157
00:57:50.159 --> 00:57:53.719
<v Speaker 1>Lost from Enemy of the Sun, Distill watching the Swarm

1158
00:57:53.880 --> 00:57:56.639
<v Speaker 1>from Given to the Rizon and Ends of the Harvest

1159
00:57:56.719 --> 00:58:00.760
<v Speaker 1>and Times of Grace both from the Times of Grace album.

1160
00:58:00.960 --> 00:58:04.880
<v Speaker 1>Fucking great show looked like from again the New Look Neurosis.

1161
00:58:04.960 --> 00:58:07.360
<v Speaker 1>So we can only dream that they will know they

1162
00:58:07.400 --> 00:58:09.320
<v Speaker 1>have announce obviously a couple more shows in the US,

1163
00:58:09.360 --> 00:58:12.119
<v Speaker 1>but we can continue to dream that they will spread

1164
00:58:12.159 --> 00:58:14.119
<v Speaker 1>their black wings across the rest of the planet. But

1165
00:58:14.159 --> 00:58:18.360
<v Speaker 1>they go Neurosis have fully fully arrived into gear. Faith

1166
00:58:18.480 --> 00:58:21.599
<v Speaker 1>No More's first showbacks have been announced. They are going

1167
00:58:21.679 --> 00:58:26.239
<v Speaker 1>to be happening in Australia alongside System of a Down,

1168
00:58:26.280 --> 00:58:28.320
<v Speaker 1>which is a bit strange because I can't imagine the

1169
00:58:28.320 --> 00:58:31.199
<v Speaker 1>faith they More, even in their returning form, are as

1170
00:58:31.239 --> 00:58:33.519
<v Speaker 1>big as System of Down, because System of Down are

1171
00:58:34.000 --> 00:58:36.440
<v Speaker 1>one of like the genuine mega superstars of like you know,

1172
00:58:36.519 --> 00:58:39.840
<v Speaker 1>they play stadiums wherever they go. Right again here in

1173
00:58:39.880 --> 00:58:42.159
<v Speaker 1>the UK, they brought out Queens of the Stone Age

1174
00:58:43.159 --> 00:58:46.760
<v Speaker 1>download festival head binding band themselves as their hour set

1175
00:58:46.960 --> 00:58:51.480
<v Speaker 1>support band. You know, so I maybe they're gonna out

1176
00:58:51.480 --> 00:58:54.880
<v Speaker 1>of pure reverence and you know, probably a topic of

1177
00:58:55.440 --> 00:58:58.039
<v Speaker 1>the hat for again, what faith they More did to

1178
00:58:58.719 --> 00:59:01.199
<v Speaker 1>maybe allow a band that System Down and you know,

1179
00:59:01.920 --> 00:59:05.559
<v Speaker 1>noting the significance of their return everything, maybe it will

1180
00:59:05.599 --> 00:59:09.320
<v Speaker 1>be Builds the co headline, but in actual pure number ways,

1181
00:59:10.400 --> 00:59:13.119
<v Speaker 1>it's hard to imagine this being an equal co headline.

1182
00:59:13.119 --> 00:59:15.039
<v Speaker 1>But there you go. In January and February they are

1183
00:59:15.079 --> 00:59:17.679
<v Speaker 1>playing four dates Faith in Them All with System of

1184
00:59:17.679 --> 00:59:19.480
<v Speaker 1>a Down And just as I said, for neurosis. We

1185
00:59:19.760 --> 00:59:22.239
<v Speaker 1>keep our eyes peel to see where they will go next.

1186
00:59:22.639 --> 00:59:26.719
<v Speaker 1>Across the world. Ministry are winding down. They are doing

1187
00:59:26.960 --> 00:59:30.360
<v Speaker 1>one last album called Hate to Go, Takeout or Delivery,

1188
00:59:30.800 --> 00:59:34.599
<v Speaker 1>and a farewell tour that has included some UK dates

1189
00:59:34.880 --> 00:59:39.000
<v Speaker 1>announced as well in April of twenty twenty seven. So

1190
00:59:39.039 --> 00:59:41.039
<v Speaker 1>if you've not yet seen Ministry, I saw them at

1191
00:59:41.039 --> 00:59:43.280
<v Speaker 1>a bloodstock last year and I think that's probably my

1192
00:59:43.360 --> 00:59:47.400
<v Speaker 1>Ministry fixed. I don't necessarily feel grand need after that

1193
00:59:47.519 --> 00:59:50.760
<v Speaker 1>to go out and you know, see more. But if

1194
00:59:50.760 --> 00:59:52.679
<v Speaker 1>you haven't yet had that fix, just one fix, which

1195
00:59:52.719 --> 00:59:56.039
<v Speaker 1>I would recommend, lease you do it once, then April

1196
00:59:56.159 --> 01:00:00.199
<v Speaker 1>is the time to do it. Nails they say this

1197
01:00:00.320 --> 01:00:02.039
<v Speaker 1>year when they were trying Creator, they said we're going

1198
01:00:02.119 --> 01:00:03.920
<v Speaker 1>to be back later in the year, and they are

1199
01:00:03.960 --> 01:00:07.280
<v Speaker 1>back in the UK. They are doing a October tour,

1200
01:00:07.559 --> 01:00:11.920
<v Speaker 1>bringing Rotten Sound and Invunch with them, and they are

1201
01:00:12.039 --> 01:00:15.239
<v Speaker 1>playing in the UK two dates in London. The first

1202
01:00:15.239 --> 01:00:18.760
<v Speaker 1>one in the New Cross Inn is already long sold out,

1203
01:00:18.920 --> 01:00:21.719
<v Speaker 1>but there is so quickly yeah, but there is now

1204
01:00:21.960 --> 01:00:25.000
<v Speaker 1>another London date added in the larger venue of the Scala.

1205
01:00:25.320 --> 01:00:28.639
<v Speaker 1>They're also playing Glasgow, Leeds, Manchester and Birmingham, and I'm

1206
01:00:29.199 --> 01:00:31.800
<v Speaker 1>annoyed about this because they're playing Manchester and I will go.

1207
01:00:31.920 --> 01:00:34.639
<v Speaker 1>Of course, this is fucking great, but I'm annoyed that

1208
01:00:34.639 --> 01:00:37.199
<v Speaker 1>that extra London date of the Scala has fucking Wolf

1209
01:00:37.199 --> 01:00:39.199
<v Speaker 1>Brigade added onto that bill and none of the rest

1210
01:00:39.239 --> 01:00:41.000
<v Speaker 1>of the UK dates do, because that would be a

1211
01:00:41.079 --> 01:00:43.159
<v Speaker 1>perfect pairing for me. That's ideal.

1212
01:00:43.400 --> 01:00:44.480
<v Speaker 2>Yeah, that's a good time.

1213
01:00:44.519 --> 01:00:46.920
<v Speaker 3>And I'm putting I missed on getting for the Nu

1214
01:00:46.920 --> 01:00:48.760
<v Speaker 3>Cross INChO because he just sold out like I was

1215
01:00:48.760 --> 01:00:51.880
<v Speaker 3>that Fanny thing and then sort of like I'm probably gonna.

1216
01:00:51.679 --> 01:00:53.559
<v Speaker 2>Have to go to that Scala show. But so Wolf

1217
01:00:53.559 --> 01:00:55.000
<v Speaker 2>we gave would be a fun time as well.

1218
01:00:54.920 --> 01:00:57.119
<v Speaker 1>Wolf again and Rotten Sound and Advunch as well.

1219
01:00:58.199 --> 01:00:59.400
<v Speaker 2>That's a good that's a good package.

1220
01:00:59.559 --> 01:01:02.199
<v Speaker 1>That's gnarly time. So I am very jealous of the

1221
01:01:02.239 --> 01:01:05.519
<v Speaker 1>whole Wolf Brigrade thing. But Nail's UK tour come around anyway.

1222
01:01:05.679 --> 01:01:08.280
<v Speaker 1>Good stuff. And we're gonna end off the news with

1223
01:01:08.719 --> 01:01:12.519
<v Speaker 1>two stories of member departures from bands, and I think

1224
01:01:12.559 --> 01:01:15.400
<v Speaker 1>both of them are quite interesting for different reasons. The

1225
01:01:15.400 --> 01:01:19.960
<v Speaker 1>first one is the one that I am more fucking

1226
01:01:20.079 --> 01:01:26.639
<v Speaker 1>disgruntled about. Andy La Roche, the longtime legendary league guitarist

1227
01:01:27.360 --> 01:01:31.320
<v Speaker 1>of King Diamond's band, has played with many many artists

1228
01:01:31.400 --> 01:01:33.159
<v Speaker 1>over the year as well. He is generally one of

1229
01:01:33.159 --> 01:01:37.199
<v Speaker 1>the all time great metal lead guitarists. Like he's one

1230
01:01:37.239 --> 01:01:38.800
<v Speaker 1>of those people where if anyone taps him for a

1231
01:01:38.800 --> 01:01:41.840
<v Speaker 1>guest solo, they fucking sing to the heavens about it

1232
01:01:41.880 --> 01:01:44.039
<v Speaker 1>because it's the perfect thing that you could, you know,

1233
01:01:44.360 --> 01:01:48.400
<v Speaker 1>imagine to nab. He again played on all of the

1234
01:01:48.760 --> 01:01:51.320
<v Speaker 1>classic King Diamond records from you know, the eighties and

1235
01:01:51.360 --> 01:01:55.280
<v Speaker 1>so on. He has announced that he has departed the

1236
01:01:55.400 --> 01:01:57.920
<v Speaker 1>King Diamond band. He is going to be continued playing

1237
01:01:57.960 --> 01:02:02.480
<v Speaker 1>with his other projects that he has, but he is

1238
01:02:02.599 --> 01:02:06.119
<v Speaker 1>no longer in King Diamond's band. He has been replaced

1239
01:02:06.599 --> 01:02:11.960
<v Speaker 1>by an old acquaintance of my mister Gus g former

1240
01:02:12.000 --> 01:02:15.760
<v Speaker 1>guitarist of Ozzy Osbourne's band, also of the power metal

1241
01:02:15.800 --> 01:02:19.840
<v Speaker 1>band fire Wind. He is now in the band with

1242
01:02:19.920 --> 01:02:23.360
<v Speaker 1>King Diamond, which he's a very fine guitarist. But losing

1243
01:02:23.400 --> 01:02:27.800
<v Speaker 1>Andy la Roche. Not only is this momentous in terms

1244
01:02:27.840 --> 01:02:29.480
<v Speaker 1>of like this is generally when you think of the

1245
01:02:29.519 --> 01:02:33.440
<v Speaker 1>classic great you know, frontman and lead guitarist pairings in band,

1246
01:02:33.760 --> 01:02:36.840
<v Speaker 1>obviously it's a very heavy metal equivalent. It's not exactly

1247
01:02:36.880 --> 01:02:39.320
<v Speaker 1>fucking Keith Richards and Mick Jagger, you know what I mean.

1248
01:02:39.480 --> 01:02:41.800
<v Speaker 1>But Angela Rock and King Diamond, who have done all

1249
01:02:41.800 --> 01:02:44.559
<v Speaker 1>those records together, is one of those perfect pairings that

1250
01:02:44.599 --> 01:02:46.280
<v Speaker 1>produced so much great work. And I thought it was

1251
01:02:46.280 --> 01:02:47.440
<v Speaker 1>still a great thing that when you go to see

1252
01:02:47.519 --> 01:02:49.760
<v Speaker 1>King Diamond live, you get to see aler Ope there standing,

1253
01:02:49.880 --> 01:02:54.960
<v Speaker 1>you know, right hand man doing those fantastic lead guitar

1254
01:02:55.000 --> 01:02:57.159
<v Speaker 1>parts that he does on this thing, and I think

1255
01:02:57.159 --> 01:02:59.079
<v Speaker 1>it's sad that that's no longer the case. But the

1256
01:02:59.119 --> 01:03:01.840
<v Speaker 1>thing that really gets my goat about this is the

1257
01:03:01.840 --> 01:03:04.880
<v Speaker 1>fact that that long awaited it has now been at

1258
01:03:04.960 --> 01:03:08.079
<v Speaker 1>least six years or so since it was announced King

1259
01:03:08.159 --> 01:03:13.440
<v Speaker 1>Diamond album has still not surfaced, and it's gone for

1260
01:03:13.519 --> 01:03:15.880
<v Speaker 1>so long that Andy La Roak is now no longer

1261
01:03:15.960 --> 01:03:19.679
<v Speaker 1>in the band. And when they have announced gus Gee's appointment,

1262
01:03:19.920 --> 01:03:21.920
<v Speaker 1>the statement is like, we can't wait to hear you

1263
01:03:21.960 --> 01:03:24.039
<v Speaker 1>know what gus Gie is going to bring creatively to

1264
01:03:24.320 --> 01:03:27.440
<v Speaker 1>new music and all this kind of stuff. And there

1265
01:03:27.440 --> 01:03:29.840
<v Speaker 1>were two songs that have been released King Diamond singles,

1266
01:03:29.960 --> 01:03:32.039
<v Speaker 1>both great songs. Which is annoying about this because I

1267
01:03:32.079 --> 01:03:35.239
<v Speaker 1>wanted to actually hear the fucking album, right. But if

1268
01:03:35.239 --> 01:03:39.079
<v Speaker 1>this album has taken so long, a lot of people

1269
01:03:39.079 --> 01:03:41.159
<v Speaker 1>are theorized maybe Andy's gotten fed and up of you know,

1270
01:03:41.280 --> 01:03:43.280
<v Speaker 1>fucking not actually releasing any music or whatever, so he's

1271
01:03:43.320 --> 01:03:45.880
<v Speaker 1>gone through his projects that do release music. But if

1272
01:03:45.880 --> 01:03:48.199
<v Speaker 1>this album has been so long in the making that

1273
01:03:48.280 --> 01:03:51.800
<v Speaker 1>they end up not even using, it ends up not

1274
01:03:51.840 --> 01:03:55.599
<v Speaker 1>being a fully andula roque, you know, written and performed record.

1275
01:03:55.639 --> 01:03:59.480
<v Speaker 1>It ends up being either entirely overwritten or some weird

1276
01:03:59.519 --> 01:04:01.960
<v Speaker 1>half and half mishmash of like old Angela Ropue material

1277
01:04:02.000 --> 01:04:05.559
<v Speaker 1>and then the new gust g material. I wanted this album,

1278
01:04:05.760 --> 01:04:07.639
<v Speaker 1>and I long accepted by this point because it's been

1279
01:04:07.679 --> 01:04:09.039
<v Speaker 1>a few years. I was like, Okay, when it comes,

1280
01:04:09.119 --> 01:04:12.760
<v Speaker 1>it comes. But now, having lost the legendary guitarist where

1281
01:04:12.719 --> 01:04:15.079
<v Speaker 1>I wanted to be on that fucking album, I'm like,

1282
01:04:15.239 --> 01:04:17.920
<v Speaker 1>why couldn't you put that album out before and left

1283
01:04:17.960 --> 01:04:18.639
<v Speaker 1>the band? You know what I mean?

1284
01:04:18.679 --> 01:04:21.639
<v Speaker 3>Yeah again, I'm not as in depth into the whole

1285
01:04:21.719 --> 01:04:22.280
<v Speaker 3>king diamond.

1286
01:04:23.079 --> 01:04:24.360
<v Speaker 1>I'm more invested in this than you.

1287
01:04:24.760 --> 01:04:25.639
<v Speaker 2>I don't, I know.

1288
01:04:25.679 --> 01:04:27.719
<v Speaker 3>He's obviously been like the iconic tach so long, and

1289
01:04:27.760 --> 01:04:31.239
<v Speaker 3>it is it is frustrating when like this, it feels

1290
01:04:31.239 --> 01:04:33.159
<v Speaker 3>like it might be tied to this album situation, and

1291
01:04:33.159 --> 01:04:35.800
<v Speaker 3>now the createstal prose to the album is even more

1292
01:04:35.840 --> 01:04:37.920
<v Speaker 3>fragmented that you don't know, are you going to get

1293
01:04:37.960 --> 01:04:40.440
<v Speaker 3>the definitive version of what that album was intended to

1294
01:04:40.440 --> 01:04:42.519
<v Speaker 3>be or this like sort of Frank and Sione, I

1295
01:04:42.519 --> 01:04:44.519
<v Speaker 3>can see if you are deepen on the Kingdom of thing.

1296
01:04:44.599 --> 01:04:47.960
<v Speaker 3>This is a real like frustrating, like frustrating kind of

1297
01:04:48.000 --> 01:04:48.880
<v Speaker 3>like twist in the event.

1298
01:04:49.480 --> 01:04:54.400
<v Speaker 1>Yeah, and it presumably postpones the album even further, so

1299
01:04:54.840 --> 01:04:58.000
<v Speaker 1>it's it's probably never going to come out, That's what

1300
01:04:58.079 --> 01:05:02.039
<v Speaker 1>I think, Like, I think it's probably come out. That's

1301
01:05:02.280 --> 01:05:04.639
<v Speaker 1>such a fucking boner killer. But there you go. Andela Roquat,

1302
01:05:04.719 --> 01:05:08.880
<v Speaker 1>King Diamond, Gus gi In and very weirdly, Viaters Murder

1303
01:05:09.639 --> 01:05:13.199
<v Speaker 1>have appeared on stage with another new front man, their

1304
01:05:13.360 --> 01:05:16.719
<v Speaker 1>vocalist of the last three years, Tyler Miller, the guy

1305
01:05:16.920 --> 01:05:19.880
<v Speaker 1>they got to replace c J. McMartin at the end

1306
01:05:20.000 --> 01:05:23.480
<v Speaker 1>of still one of the craziest stories and sagas that

1307
01:05:23.480 --> 01:05:26.719
<v Speaker 1>we've watched unfold during the course of this decade. But

1308
01:05:26.800 --> 01:05:30.119
<v Speaker 1>he has been there for three years now. Unbelievably, I

1309
01:05:30.159 --> 01:05:34.119
<v Speaker 1>saw VIA's Murder live on the Parkway Drive tour that

1310
01:05:34.159 --> 01:05:37.760
<v Speaker 1>they did with him at the front. And while the

1311
01:05:38.480 --> 01:05:41.960
<v Speaker 1>last album got I think completely subsumed really by all

1312
01:05:42.000 --> 01:05:45.559
<v Speaker 1>of the drama that surrounded it. I thought the show

1313
01:05:45.639 --> 01:05:47.320
<v Speaker 1>was good when I saw them with him, right, But

1314
01:05:49.239 --> 01:05:52.840
<v Speaker 1>no statement or anything has been made here. It seems

1315
01:05:52.880 --> 01:05:55.360
<v Speaker 1>to have you know, you can only assume looking at

1316
01:05:55.360 --> 01:05:57.239
<v Speaker 1>some of the behind the scenes stuff and you know,

1317
01:05:57.280 --> 01:05:59.320
<v Speaker 1>people un following people on Instagram, and it was kind

1318
01:05:59.320 --> 01:06:01.559
<v Speaker 1>of shit that people have to you know, drag out

1319
01:06:01.559 --> 01:06:05.400
<v Speaker 1>to make judgments on anything that it doesn't look especially

1320
01:06:05.400 --> 01:06:08.519
<v Speaker 1>friendly right now, but that guy Tyler Miller has not

1321
01:06:08.639 --> 01:06:11.480
<v Speaker 1>appeared with them, and instead they have another new frontman,

1322
01:06:11.719 --> 01:06:16.079
<v Speaker 1>a guy called Jerry Grimefeld, who is an Australian rapper

1323
01:06:16.239 --> 01:06:18.679
<v Speaker 1>as well as a death metal vocalist. I presume that

1324
01:06:18.679 --> 01:06:20.480
<v Speaker 1>he's not going to be rapping so much in in

1325
01:06:20.559 --> 01:06:23.239
<v Speaker 1>Thiot's Murder, although of course rhythmic control at high speed

1326
01:06:23.280 --> 01:06:27.119
<v Speaker 1>is important. But yeah, weird that they have gone through

1327
01:06:27.519 --> 01:06:30.280
<v Speaker 1>another frontman here and Thyat's Murder, and maybe maybe they

1328
01:06:30.280 --> 01:06:32.320
<v Speaker 1>put out a great album at some point that writes everything.

1329
01:06:32.360 --> 01:06:36.360
<v Speaker 1>But as much as we applauded how that entire CJ

1330
01:06:36.480 --> 01:06:38.840
<v Speaker 1>situation kind of went down and how they ended up

1331
01:06:38.880 --> 01:06:40.960
<v Speaker 1>handling like fucking the heist of the century, right, what

1332
01:06:41.039 --> 01:06:43.480
<v Speaker 1>they managed to do it was ununbelievable, and they managed

1333
01:06:43.519 --> 01:06:46.039
<v Speaker 1>to maintain their kind of you know, personal standards while

1334
01:06:46.159 --> 01:06:51.360
<v Speaker 1>while doing so. It does feel like momentum has taken

1335
01:06:51.400 --> 01:06:52.920
<v Speaker 1>a knock, isn't it with this kind of stuff?

1336
01:06:53.360 --> 01:06:55.320
<v Speaker 3>Just I mean, it feels that the deaf core landscape

1337
01:06:55.360 --> 01:06:57.960
<v Speaker 3>has changed so much in the last couple of years

1338
01:06:57.960 --> 01:07:01.440
<v Speaker 3>as well, where that kind of like twenty ten's Guard

1339
01:07:01.519 --> 01:07:04.280
<v Speaker 3>of Bands have kind of like fallen by the way

1340
01:07:04.320 --> 01:07:06.280
<v Speaker 3>so a little bit. And again, mate, like just because

1341
01:07:06.280 --> 01:07:08.480
<v Speaker 3>the kids want the symphonic Death Corps stuff now or

1342
01:07:08.559 --> 01:07:12.719
<v Speaker 3>like the real like myspaces or throwback stuff, Lars Murder

1343
01:07:12.800 --> 01:07:15.159
<v Speaker 3>kind of sitting between, and so I wonder just if,

1344
01:07:15.199 --> 01:07:18.159
<v Speaker 3>like where they actually fit in the kind of current

1345
01:07:18.519 --> 01:07:21.119
<v Speaker 3>landscape of what death core is. And perhaps this is

1346
01:07:21.119 --> 01:07:23.239
<v Speaker 3>just kind of like a good opportunity for them to reset,

1347
01:07:23.320 --> 01:07:26.079
<v Speaker 3>to kind of like draw a line under everything that's

1348
01:07:26.119 --> 01:07:29.400
<v Speaker 3>happened before and be this new bias.

1349
01:07:29.159 --> 01:07:31.159
<v Speaker 2>Murder and they're gonna come back with a really good aldpotentition.

1350
01:07:31.239 --> 01:07:33.440
<v Speaker 3>But is it does just feel like for the last

1351
01:07:33.440 --> 01:07:35.760
<v Speaker 3>couple of years, they've kind of they felt just weirdly

1352
01:07:35.760 --> 01:07:39.840
<v Speaker 3>absent from the sort of like death core discussion and

1353
01:07:40.000 --> 01:07:42.159
<v Speaker 3>general like world of that sort of thing.

1354
01:07:43.159 --> 01:07:45.159
<v Speaker 1>Yes they have done, but there you go. That is

1355
01:07:45.199 --> 01:07:48.920
<v Speaker 1>the week in news. Over on the last Patreon, I

1356
01:07:48.920 --> 01:07:51.960
<v Speaker 1>would just use this opportunity to remind you, as I

1357
01:07:51.960 --> 01:07:55.400
<v Speaker 1>announced on last week's show, this upcoming week, we have

1358
01:07:55.480 --> 01:07:58.960
<v Speaker 1>got our album club pack, where we are going to

1359
01:07:59.039 --> 01:08:01.639
<v Speaker 1>be looking at space of the likes of Faith No

1360
01:08:01.719 --> 01:08:04.519
<v Speaker 1>More and their Angel Dust album. We are going to

1361
01:08:04.639 --> 01:08:08.000
<v Speaker 1>be looking at Social Distortion, We're going to be looking

1362
01:08:08.000 --> 01:08:09.719
<v Speaker 1>at Dead Can Dance, and we are going to be

1363
01:08:09.719 --> 01:08:13.760
<v Speaker 1>looking at a crazy mid noughties record from Ulva as well.

1364
01:08:13.760 --> 01:08:17.760
<v Speaker 1>Blood Inside are really again eclectic, mad cat bunch of

1365
01:08:17.800 --> 01:08:20.600
<v Speaker 1>albums going down in album Club pac Land. So you

1366
01:08:20.600 --> 01:08:23.439
<v Speaker 1>can hear that when that comes out this week over

1367
01:08:23.640 --> 01:08:26.279
<v Speaker 1>on the That's Not Fault Metal Patreon, we will be

1368
01:08:26.319 --> 01:08:28.039
<v Speaker 1>after that bringing you back to and M Does Horror.

1369
01:08:28.119 --> 01:08:29.880
<v Speaker 1>We're going to be talking about some of the mad

1370
01:08:29.920 --> 01:08:31.520
<v Speaker 1>shit that's happened in the last few months since we've

1371
01:08:31.560 --> 01:08:33.159
<v Speaker 1>not been doing these A little movie you might have

1372
01:08:33.199 --> 01:08:35.279
<v Speaker 1>heard of Record Obsession. We're going to be talking about

1373
01:08:35.279 --> 01:08:38.000
<v Speaker 1>the the latest Evil Dead movie that came out touching

1374
01:08:38.039 --> 01:08:40.960
<v Speaker 1>based on a couple other things as well, and the

1375
01:08:41.039 --> 01:08:42.920
<v Speaker 1>most recent thing that we have up there. If you

1376
01:08:42.960 --> 01:08:45.439
<v Speaker 1>have not checked out by this stage, why not The

1377
01:08:45.560 --> 01:08:49.159
<v Speaker 1>Corn That Special, The completed four part Corn Band Special,

1378
01:08:49.199 --> 01:08:51.479
<v Speaker 1>one of the single most influential things to happen to

1379
01:08:51.880 --> 01:08:55.279
<v Speaker 1>heavy music ever. We went in depth on all of it,

1380
01:08:55.359 --> 01:08:59.840
<v Speaker 1>every album they ever made, every bizarre collaboration, every impact

1381
01:09:00.079 --> 01:09:02.600
<v Speaker 1>we could think of on pop culture and the world

1382
01:09:02.760 --> 01:09:05.159
<v Speaker 1>around them, all wrapped up in a neat little bow

1383
01:09:05.399 --> 01:09:07.039
<v Speaker 1>at the end of the last episode. So if you

1384
01:09:07.039 --> 01:09:09.560
<v Speaker 1>want to hear that, then you can go and check

1385
01:09:09.600 --> 01:09:12.720
<v Speaker 1>that out over at patron dot com slash That's not

1386
01:09:12.800 --> 01:09:15.439
<v Speaker 1>mal and that is the best way to financially support

1387
01:09:15.439 --> 01:09:17.840
<v Speaker 1>this podcast if you dreamed of doing so as well.

1388
01:09:17.880 --> 01:09:19.359
<v Speaker 1>So thank you to everybody who gets involved with that.

1389
01:09:19.439 --> 01:09:22.359
<v Speaker 1>Let's ent today's show with the release round up two

1390
01:09:22.479 --> 01:09:25.399
<v Speaker 1>weeks worth, because last week was our reviews bag where

1391
01:09:25.399 --> 01:09:28.520
<v Speaker 1>we spoke about the likes of Loathe and the excerpts

1392
01:09:28.520 --> 01:09:33.239
<v Speaker 1>and Muse quite divisive again, you know, interesting to maybe

1393
01:09:33.279 --> 01:09:36.439
<v Speaker 1>dissect some of the places where we're not entirely seeing

1394
01:09:37.279 --> 01:09:39.479
<v Speaker 1>eye to eye with the creative vision. I suppose of

1395
01:09:39.520 --> 01:09:42.039
<v Speaker 1>some of these records. I hope that everyone's taking that. Well,

1396
01:09:42.039 --> 01:09:44.520
<v Speaker 1>maybe some people haven't, But there you go. That is

1397
01:09:44.560 --> 01:09:49.039
<v Speaker 1>all again in last week's episode. But we have some

1398
01:09:49.119 --> 01:09:50.960
<v Speaker 1>releases from last week that we didn't talk about to

1399
01:09:51.039 --> 01:09:54.319
<v Speaker 1>mention here as well. Where would we be if we

1400
01:09:54.319 --> 01:09:57.279
<v Speaker 1>weren't mentioning the fact that Water Parks have a new album,

1401
01:09:57.760 --> 01:10:01.439
<v Speaker 1>Their album Jinx is out of last week we also

1402
01:10:01.520 --> 01:10:04.720
<v Speaker 1>had speaking of I Guess Better pop punk No Pressure.

1403
01:10:06.159 --> 01:10:08.760
<v Speaker 1>That is the more hardcore gess of potpunk band fronted

1404
01:10:08.800 --> 01:10:12.279
<v Speaker 1>by Parker Cannon, isn't it from Yes? Yeah story he's

1405
01:10:12.279 --> 01:10:13.359
<v Speaker 1>a pretty good thing about this record.

1406
01:10:13.640 --> 01:10:15.319
<v Speaker 3>Yeah, I mean like it's one of the few good

1407
01:10:15.359 --> 01:10:17.479
<v Speaker 3>pop punk hams. It was surprise drop, so I like

1408
01:10:17.520 --> 01:10:21.680
<v Speaker 3>it kind of just came out of nowhere. Yeah, it's

1409
01:10:21.720 --> 01:10:23.159
<v Speaker 3>there's a good thing where all the good pop punk

1410
01:10:23.199 --> 01:10:25.479
<v Speaker 3>bands are kind of like hardcore Jason somewhere at the moment,

1411
01:10:25.720 --> 01:10:28.279
<v Speaker 3>and yeah, this is just more actual good pop punk

1412
01:10:28.279 --> 01:10:30.479
<v Speaker 3>and not the wet water Park shite.

1413
01:10:31.199 --> 01:10:34.880
<v Speaker 1>Yes, album is called NP Style. Then there is the

1414
01:10:35.279 --> 01:10:39.199
<v Speaker 1>you know, sort of Mongolian you know, folky metal flash

1415
01:10:39.239 --> 01:10:42.680
<v Speaker 1>rock band The Who. Then an album called hun Mad

1416
01:10:42.720 --> 01:10:45.239
<v Speaker 1>Ball New York hardcore legends. We may have lost sick

1417
01:10:45.239 --> 01:10:46.920
<v Speaker 1>of it all, of course, but there are still some

1418
01:10:46.960 --> 01:10:48.880
<v Speaker 1>of these bands out there, these legendary names, still holding

1419
01:10:48.880 --> 01:10:51.800
<v Speaker 1>it down. The new mad Ball record called Not Your Kingdom.

1420
01:10:52.199 --> 01:10:54.119
<v Speaker 1>I haven't checked out the mad Ball record yet, but

1421
01:10:54.439 --> 01:10:56.720
<v Speaker 1>any good sure like it.

1422
01:10:56.720 --> 01:10:58.960
<v Speaker 2>Is reliably like it's a mad Ball record.

1423
01:10:59.000 --> 01:11:01.720
<v Speaker 3>There's no surprises on but it also it just kind

1424
01:11:01.720 --> 01:11:03.359
<v Speaker 3>of hits the spot exactly how I want a mad

1425
01:11:03.359 --> 01:11:03.840
<v Speaker 3>On record too.

1426
01:11:03.840 --> 01:11:04.600
<v Speaker 2>I had a lot of fun with it.

1427
01:11:05.479 --> 01:11:09.399
<v Speaker 1>Yes. Then in more kind of psychedelic doom territories out

1428
01:11:09.439 --> 01:11:13.279
<v Speaker 1>on Sergent House, I believe there is resin that's ore

1429
01:11:13.399 --> 01:11:16.880
<v Speaker 1>e z n with an album called Cycles in the

1430
01:11:16.920 --> 01:11:24.239
<v Speaker 1>Infinite Dream. Also in mad Scandinavian progue, I suppose there's

1431
01:11:24.239 --> 01:11:29.640
<v Speaker 1>a band called Yord Sioux with Pest Kroniker. Sure Norwegian progue.

1432
01:11:29.720 --> 01:11:32.439
<v Speaker 1>Like I said, there is a band from the underground

1433
01:11:32.520 --> 01:11:36.399
<v Speaker 1>called Sallow Moth who put out a record called Hydrophillis Brood,

1434
01:11:36.520 --> 01:11:39.640
<v Speaker 1>And I would recommend this to fans of, you know,

1435
01:11:39.880 --> 01:11:42.600
<v Speaker 1>progressively minded stuff coming out of the Death Underground. I

1436
01:11:42.640 --> 01:11:45.079
<v Speaker 1>would say, if you are a two mold fan, then

1437
01:11:45.399 --> 01:11:47.760
<v Speaker 1>salow Moth is another name that you might be getting

1438
01:11:47.800 --> 01:11:51.680
<v Speaker 1>something out of and also a kind of surprise dropped EP.

1439
01:11:51.840 --> 01:11:54.399
<v Speaker 1>At some point in the last couple of weeks. Linnea Olsen,

1440
01:11:54.439 --> 01:11:58.000
<v Speaker 1>who is the front woman of the fantastic post metallic

1441
01:11:58.039 --> 01:12:01.239
<v Speaker 1>post punk band Maggot Hut, who we've raved about on

1442
01:12:01.279 --> 01:12:02.920
<v Speaker 1>this show before. Maggot Heart, seemed to be on something

1443
01:12:02.960 --> 01:12:06.000
<v Speaker 1>of a hiatus right now, but she did put out

1444
01:12:06.159 --> 01:12:08.439
<v Speaker 1>a kind of a solo EP under her own name,

1445
01:12:08.520 --> 01:12:11.720
<v Speaker 1>Lennea R. K Olsen called Perfect Wave, which again kind

1446
01:12:11.720 --> 01:12:15.079
<v Speaker 1>of raucous rock basically as how you would look at

1447
01:12:15.119 --> 01:12:18.600
<v Speaker 1>that this week the thirty first, can you believe it sound?

1448
01:12:18.600 --> 01:12:21.399
<v Speaker 1>There's a five Finger Death Punch album out this week

1449
01:12:21.439 --> 01:12:25.239
<v Speaker 1>called Legacy. Once upon a time we could not move.

1450
01:12:25.399 --> 01:12:27.439
<v Speaker 1>When there was a five Finger Death Punch album campaign,

1451
01:12:27.560 --> 01:12:29.880
<v Speaker 1>you would know about it. It's mad that there's a

1452
01:12:29.880 --> 01:12:32.079
<v Speaker 1>five Finger Death Punch album out on Friday and not

1453
01:12:32.199 --> 01:12:33.239
<v Speaker 1>a soul has mentioned it.

1454
01:12:34.039 --> 01:12:36.159
<v Speaker 3>It's just like it's the same thing when they announced

1455
01:12:36.159 --> 01:12:37.880
<v Speaker 3>it doing the O two arena on that too, and

1456
01:12:37.880 --> 01:12:42.319
<v Speaker 3>it's like a are there enough people who not named

1457
01:12:42.399 --> 01:12:44.760
<v Speaker 3>Mark who care about five Finger Death Punch out there

1458
01:12:44.880 --> 01:12:49.119
<v Speaker 3>these days? Yeah, I'm sure I wonder what it will

1459
01:12:49.199 --> 01:12:51.640
<v Speaker 3>sound like. Like, I'm sure will be full of surprises.

1460
01:12:53.079 --> 01:12:53.600
<v Speaker 2>Why bother?

1461
01:12:54.720 --> 01:12:56.399
<v Speaker 1>Yeah, I mean even the fact that it's called Legacy.

1462
01:12:56.399 --> 01:12:58.640
<v Speaker 1>I had to be like, is this like another Greatest Hits?

1463
01:12:58.920 --> 01:13:00.600
<v Speaker 2>It was a great hittering when I saw but like

1464
01:13:00.640 --> 01:13:02.520
<v Speaker 2>it's got be that in it. Oh no, no, this is

1465
01:13:02.520 --> 01:13:03.520
<v Speaker 2>a new album.

1466
01:13:03.640 --> 01:13:04.800
<v Speaker 1>As far as I can tell us a new album.

1467
01:13:04.840 --> 01:13:07.119
<v Speaker 1>They go five finger death punch if you still care

1468
01:13:07.560 --> 01:13:15.319
<v Speaker 1>disfiguring the Goddess in our stupid death core electronically enhanced,

1469
01:13:14.960 --> 01:13:18.399
<v Speaker 1>I put that Bloom is the name of that record.

1470
01:13:18.479 --> 01:13:20.840
<v Speaker 1>More in the death metal underground, I would say that's

1471
01:13:20.840 --> 01:13:22.760
<v Speaker 1>where the stuff that I'm most interested in this week

1472
01:13:22.800 --> 01:13:25.279
<v Speaker 1>comes up from. There is a band called Nothingness who

1473
01:13:25.319 --> 01:13:27.640
<v Speaker 1>released a pretty good album a few years ago, again

1474
01:13:27.720 --> 01:13:30.000
<v Speaker 1>slimy underground death metal. This is the follow up to that.

1475
01:13:30.039 --> 01:13:34.960
<v Speaker 1>It's called god Slaughter. In the really avant garde, dissonant

1476
01:13:35.039 --> 01:13:38.039
<v Speaker 1>kind of end of underground death metal, there's a band

1477
01:13:38.079 --> 01:13:40.319
<v Speaker 1>called Altage, who have you know again really several good

1478
01:13:40.319 --> 01:13:42.880
<v Speaker 1>records in the past. Cogwheel is the name of their

1479
01:13:42.920 --> 01:13:47.039
<v Speaker 1>new one. Lipe Homer, the crazy gorgrind band, who we

1480
01:13:47.039 --> 01:13:49.000
<v Speaker 1>were speaking about just at the end of last year

1481
01:13:49.039 --> 01:13:52.039
<v Speaker 1>because we were speaking around them, Elliott brought them onto

1482
01:13:52.039 --> 01:13:53.960
<v Speaker 1>the whole end of the year season we were doing.

1483
01:13:54.479 --> 01:13:57.319
<v Speaker 1>They work quick, apparently because they have another new album

1484
01:13:57.359 --> 01:14:00.520
<v Speaker 1>out today called Infernal Wounds of Raven Flash. And the

1485
01:14:00.560 --> 01:14:03.560
<v Speaker 1>last live Pomer album that we spoke about was so

1486
01:14:03.880 --> 01:14:07.560
<v Speaker 1>full of fun, creative surprises for a gore grind record.

1487
01:14:07.640 --> 01:14:10.560
<v Speaker 1>I genuinely enjoyed that so much. I will be checking

1488
01:14:10.600 --> 01:14:12.960
<v Speaker 1>out the new one as well. I hope they play

1489
01:14:13.000 --> 01:14:15.920
<v Speaker 1>Awful Fest soon. I think if the any festival around

1490
01:14:16.279 --> 01:14:18.319
<v Speaker 1>was going to book lip Pomer in the UK, I

1491
01:14:18.359 --> 01:14:20.279
<v Speaker 1>saw a few shirts, Awful Festip be the place to

1492
01:14:20.319 --> 01:14:22.760
<v Speaker 1>do it. That would be on my my dream, you know,

1493
01:14:22.760 --> 01:14:24.880
<v Speaker 1>booking wish list for that festival. So there you go,

1494
01:14:24.920 --> 01:14:27.479
<v Speaker 1>book lip Homer. And also in the gore grind world,

1495
01:14:27.560 --> 01:14:29.359
<v Speaker 1>there is a band who I have seen, a band

1496
01:14:29.359 --> 01:14:30.000
<v Speaker 1>called Jigy.

1497
01:14:30.560 --> 01:14:32.920
<v Speaker 2>Have I seen Do we see these at London death

1498
01:14:33.000 --> 01:14:33.399
<v Speaker 2>they played?

1499
01:14:33.600 --> 01:14:34.720
<v Speaker 1>They played the UK death Fest.

1500
01:14:34.800 --> 01:14:38.920
<v Speaker 2>Yeah, I've seen these. I recognize that. Have I seen

1501
01:14:38.920 --> 01:14:40.520
<v Speaker 2>this live? Yeah?

1502
01:14:40.600 --> 01:14:43.279
<v Speaker 1>Daft gorgrind stuff. We did see them together. Their album

1503
01:14:43.359 --> 01:14:46.319
<v Speaker 1>Jigoku is out. From the black metal world, there is

1504
01:14:46.359 --> 01:14:50.880
<v Speaker 1>the long gooing controversial artist Tucker. His new album is

1505
01:14:50.880 --> 01:14:55.920
<v Speaker 1>called enskog av Nidstang. Then two EPs to mention. One

1506
01:14:56.680 --> 01:14:59.479
<v Speaker 1>is a metallic hark or EP from a UK band

1507
01:14:59.479 --> 01:15:03.039
<v Speaker 1>called Long Goodbye, called a whispered promise of Failure. They

1508
01:15:03.039 --> 01:15:05.039
<v Speaker 1>are one of these bands who again, if you looking

1509
01:15:05.039 --> 01:15:08.840
<v Speaker 1>around hardcore bills in the UK, you'll see they're brilliantly

1510
01:15:08.880 --> 01:15:12.640
<v Speaker 1>scrawled early two thousands type metal core logo that screams, hey,

1511
01:15:12.680 --> 01:15:15.199
<v Speaker 1>these guys probably enjoy a bit of normal gy or

1512
01:15:15.239 --> 01:15:17.720
<v Speaker 1>early converge or whatever. I would probably enjoy that as well,

1513
01:15:18.279 --> 01:15:19.640
<v Speaker 1>and you know, listen to a bit of this, I

1514
01:15:19.680 --> 01:15:21.199
<v Speaker 1>can confirm I think they're pretty good at it.

1515
01:15:22.039 --> 01:15:23.479
<v Speaker 2>Yeah, I think they're another one there.

1516
01:15:23.520 --> 01:15:25.399
<v Speaker 3>I put them in sort of the crow Quel level,

1517
01:15:25.479 --> 01:15:27.479
<v Speaker 3>like these are doing the sort of thing that like

1518
01:15:27.920 --> 01:15:29.079
<v Speaker 3>lots of mans are doing it out. But I think

1519
01:15:29.119 --> 01:15:31.680
<v Speaker 3>longer I have a bit more going on in terms

1520
01:15:31.680 --> 01:15:34.439
<v Speaker 3>of like the song capacity that they're supporting like Guilt Trip.

1521
01:15:34.520 --> 01:15:37.159
<v Speaker 3>I think later this year like that that they're definitely

1522
01:15:37.199 --> 01:15:39.520
<v Speaker 3>getting their name out there in terms of these metallic

1523
01:15:39.520 --> 01:15:41.720
<v Speaker 3>carc bands. But yeah, on the UK saw more promising ones.

1524
01:15:42.439 --> 01:15:47.000
<v Speaker 1>Yes, and then also the experimental rock band Shieling, who

1525
01:15:47.000 --> 01:15:49.000
<v Speaker 1>have put out an EP called Don't look at me

1526
01:15:49.159 --> 01:15:50.960
<v Speaker 1>the way a dog might look at your leg.

1527
01:15:51.520 --> 01:15:51.800
<v Speaker 2>Cool.

1528
01:15:52.000 --> 01:15:55.600
<v Speaker 1>That is the release round up for this time. If

1529
01:15:55.600 --> 01:15:57.199
<v Speaker 1>you were one of the other people who was attending

1530
01:15:57.199 --> 01:15:59.359
<v Speaker 1>Awful fift weekend, I hope you had fun and enjoyed yourself,

1531
01:15:59.399 --> 01:16:01.880
<v Speaker 1>as I'm sure sure you did if you did attend.

1532
01:16:02.359 --> 01:16:06.199
<v Speaker 1>We will be back next week with another hyperblast, as

1533
01:16:06.279 --> 01:16:07.880
<v Speaker 1>I said. In the meantime, we'll be having our Arab

1534
01:16:08.039 --> 01:16:10.680
<v Speaker 1>Club pack. We're gonna have Horror coming after that. We

1535
01:16:10.800 --> 01:16:13.760
<v Speaker 1>have all of our specials, so you cannot move for us.

1536
01:16:13.840 --> 01:16:15.399
<v Speaker 1>You do not have to look very hard as to

1537
01:16:15.479 --> 01:16:17.880
<v Speaker 1>find hours and hours and hours of T and M

1538
01:16:17.920 --> 01:16:20.199
<v Speaker 1>content that is out there. But we will be back

1539
01:16:20.199 --> 01:16:23.399
<v Speaker 1>here on your main weekly feed next Friday as ever,

1540
01:16:23.800 --> 01:16:27.720
<v Speaker 1>so cheers for listening. We'll see then. Rest in peace, Loue.

1541
01:16:27.720 --> 01:16:32.279
<v Speaker 1>Collar in the underground. Integrity lies within forever and ever.

1542
01:16:32.640 --> 01:16:33.760
<v Speaker 1>Take that to heart, everyone,
