1 00:00:00,760 --> 00:00:04,160 Speaker 1: I'll get the blood pumping on a cold Saturday morning, 2 00:00:04,360 --> 00:00:05,559 on a cold winter's morning. 3 00:00:05,719 --> 00:00:06,960 Speaker 2: Welcome everybody, Here we go. 4 00:00:07,080 --> 00:00:09,720 Speaker 1: We are into our number two New Marrow dose of 5 00:00:09,759 --> 00:00:13,240 Matt Connorton unleashed, our first show of twenty twenty five. 6 00:00:13,320 --> 00:00:18,640 Today is Saturday, January fourth, twenty twenty five. Jenny is 7 00:00:18,679 --> 00:00:21,440 here as well, of course, at the news table, president 8 00:00:21,480 --> 00:00:23,399 and account of for and we have joining us a 9 00:00:23,440 --> 00:00:25,839 live in studio. And again, if you are just joining us, 10 00:00:25,879 --> 00:00:29,640 forgive my voice. I'm still recovering from my recent sound kit. 11 00:00:30,399 --> 00:00:32,920 I don't think it does. I'm very frustrated to my 12 00:00:32,960 --> 00:00:37,280 cracking voice, but still recovering again, still recovering from my 13 00:00:37,359 --> 00:00:41,479 recent asthma incident. But we have joining us alive in studio. 14 00:00:41,560 --> 00:00:44,079 The guys from Scarecrow Hill are here. 15 00:00:44,159 --> 00:00:44,799 Speaker 3: How are you guys? 16 00:00:44,840 --> 00:00:47,600 Speaker 4: Welcome, Hello, hello, hello, Thank you for having us. 17 00:00:47,640 --> 00:00:49,960 Speaker 1: Absolutely I'm excited to talk to you. I really love 18 00:00:49,960 --> 00:00:51,880 your sound. As we were talking off air, and that 19 00:00:52,000 --> 00:00:53,640 track is great? Is that the uh? 20 00:00:53,799 --> 00:00:55,880 Speaker 3: Now that's from the new album of course at Death 21 00:00:55,880 --> 00:00:59,159 in the Family. Yes, excellent, So why don't we We'll start. 22 00:00:59,000 --> 00:01:00,280 Speaker 1: In the corner here and if we could just go 23 00:01:00,320 --> 00:01:02,039 around the room and you can each tell us who 24 00:01:02,079 --> 00:01:04,280 you are, what you do in the band, and any 25 00:01:04,319 --> 00:01:05,680 other pertinent information. 26 00:01:06,799 --> 00:01:10,879 Speaker 4: Tyler A Sting Okay, Joe, lead guitar player. 27 00:01:10,640 --> 00:01:12,519 Speaker 3: Okay, I am Brendan, and I am the drummer. 28 00:01:12,599 --> 00:01:13,640 Speaker 4: Okay, I'm Joe. 29 00:01:13,640 --> 00:01:16,040 Speaker 3: I'm the bass player. Okay. And is it just the 30 00:01:16,079 --> 00:01:16,480 four of you? 31 00:01:16,920 --> 00:01:20,799 Speaker 5: No, we actually dominate our rhythm. Guitar player couldn't be with. 32 00:01:20,799 --> 00:01:24,359 Speaker 1: Us, okay, Okay, gotcha, gotcha. Yeah, you guys have a 33 00:01:24,359 --> 00:01:24,799 big sound. 34 00:01:24,840 --> 00:01:28,959 Speaker 3: You know what I like about that track too, Like 35 00:01:30,239 --> 00:01:31,680 you're not in any hurry to get to the end 36 00:01:31,719 --> 00:01:34,400 of it, you know what I mean, Like like that 37 00:01:34,560 --> 00:01:37,519 riff just keeps going for a while. And I think 38 00:01:37,560 --> 00:01:39,719 that because I think that's kind of a lost. 39 00:01:39,920 --> 00:01:42,560 Speaker 1: Thing, like I don't hear a lot of I feel 40 00:01:42,560 --> 00:01:43,719 like we live in a time where a lot of 41 00:01:43,719 --> 00:01:45,680 bands it's like, you know, I don't know if it's 42 00:01:45,680 --> 00:01:48,280 because everybody thinks that people have short attention spans or whatever, 43 00:01:48,280 --> 00:01:50,959 but it's like, Okay, a couple of choruses and we'll 44 00:01:51,040 --> 00:01:53,079 end it or we'll fade it out, but you guys 45 00:01:53,159 --> 00:01:54,920 kind of take your time with it and groove on 46 00:01:55,000 --> 00:01:56,799 that for a while. And I just think that's really cool. 47 00:01:57,359 --> 00:01:59,439 Speaker 5: We had had a lot of fun coming up with 48 00:01:59,480 --> 00:02:02,040 that ending. Yeah, we loved the riffs that they did, 49 00:02:02,079 --> 00:02:02,879 so we wanted to kind of. 50 00:02:02,840 --> 00:02:03,519 Speaker 4: Stretch that out. 51 00:02:03,680 --> 00:02:06,840 Speaker 3: Yeah, yeah, no, that's really cool. How long has Scarecrow 52 00:02:06,920 --> 00:02:08,759 Hill Scarecrow Hill been around? 53 00:02:09,680 --> 00:02:14,360 Speaker 5: Oh gosh, is three for what matters? Since twenty eighteen? 54 00:02:14,840 --> 00:02:20,879 Speaker 3: Okay, okay, But there was a version of the band 55 00:02:20,879 --> 00:02:21,840 that existed before that. 56 00:02:21,879 --> 00:02:23,919 Speaker 5: There was Joel and I started the band in two 57 00:02:23,919 --> 00:02:27,879 thousand and three, okay, okay. We went till about twenty fourteen, 58 00:02:28,719 --> 00:02:31,560 and then we had split up, and then at the 59 00:02:31,719 --> 00:02:34,280 end of twenty eighteen beginning of twenty nineteen, we got 60 00:02:34,319 --> 00:02:35,400 back together with these guys. 61 00:02:35,520 --> 00:02:39,599 Speaker 3: Oh okay, now what caused the return. 62 00:02:40,240 --> 00:02:44,039 Speaker 5: Brendan and Joe Okay, we met them and the way 63 00:02:44,120 --> 00:02:45,919 they played the music, we were just like, we need 64 00:02:45,960 --> 00:02:46,919 to do this again. 65 00:02:47,360 --> 00:02:50,680 Speaker 1: When when the band ended the first time, after you said, 66 00:02:50,800 --> 00:02:51,840 what about a ten year run? 67 00:02:51,919 --> 00:02:52,599 Speaker 4: Yeah, the first time? 68 00:02:53,400 --> 00:02:55,680 Speaker 3: Did you did you always kind of know that it 69 00:02:55,719 --> 00:02:58,199 would be back some day or was it like, no, 70 00:02:58,360 --> 00:02:58,680 that's it. 71 00:02:59,039 --> 00:03:02,840 Speaker 5: I think we secretly hoped, yeah, but we didn't really 72 00:03:02,879 --> 00:03:04,400 know what was going to happen either ways. 73 00:03:04,520 --> 00:03:07,960 Speaker 1: Okay, okay, So the so everything on the new album 74 00:03:08,039 --> 00:03:10,159 is the current lineup, the five of of you. 75 00:03:10,400 --> 00:03:11,879 Speaker 3: Yeah, excellent, excellent. 76 00:03:13,039 --> 00:03:16,240 Speaker 1: Yeah, because I was pretty sure because when when Jenny, 77 00:03:16,360 --> 00:03:17,919 you know, Jenny does all the booking for the show, 78 00:03:17,960 --> 00:03:20,520 and when she mentioned Scarecrow Hill, I was like, that's 79 00:03:20,560 --> 00:03:23,199 a familiar name from like I think, back when I 80 00:03:23,280 --> 00:03:27,360 was still playing. But but I wasn't one hundred percent sure. 81 00:03:27,400 --> 00:03:29,319 And then when I saw online it looked, you know, 82 00:03:29,639 --> 00:03:31,919 I saw the new album, and then I I didn't, like, 83 00:03:31,960 --> 00:03:32,800 I didn't find. 84 00:03:33,319 --> 00:03:36,400 Speaker 3: Does the old material does that survive? Like does or 85 00:03:36,520 --> 00:03:38,639 have you left that kind of in that other era. 86 00:03:38,840 --> 00:03:40,319 Speaker 4: We've tried pretty hard to get rid of that. 87 00:03:41,080 --> 00:03:43,919 Speaker 5: Yeah, yeah, there's a there's still one record out there 88 00:03:43,960 --> 00:03:45,159 from like twenty twelve. 89 00:03:46,280 --> 00:03:48,080 Speaker 4: We're pretty alright with that still being around. 90 00:03:48,080 --> 00:03:49,319 Speaker 3: But oh okay, yeah. 91 00:03:49,400 --> 00:03:52,800 Speaker 5: Everything else I've worked pretty hard to it's quiet as 92 00:03:52,879 --> 00:03:53,879 much as possible. 93 00:03:53,560 --> 00:03:56,479 Speaker 3: No kidding, so like actively suppressive, like you don't even 94 00:03:56,479 --> 00:03:57,319 want oh no kidding? 95 00:03:57,840 --> 00:04:00,439 Speaker 1: Interesting, Why is that? Like you just feel that the 96 00:04:00,479 --> 00:04:02,080 sound has evolved so much, and. 97 00:04:02,000 --> 00:04:04,520 Speaker 5: Yeah, just everything about the band, like I, like I said, 98 00:04:04,560 --> 00:04:06,840 it's when Joel and Dom and I came back to 99 00:04:06,879 --> 00:04:10,199 the band and we hooked up with Joe and Brendan 100 00:04:10,240 --> 00:04:13,280 here it was just like we didn't care about the 101 00:04:13,319 --> 00:04:14,039 past anymore. 102 00:04:14,039 --> 00:04:15,560 Speaker 4: It's this, this is our band. 103 00:04:15,759 --> 00:04:19,399 Speaker 1: Yeah, yeah, when you I've been in situations like I 104 00:04:19,399 --> 00:04:20,920 don't play anymore. I used to be in a bunch 105 00:04:20,920 --> 00:04:24,319 of bands, and I've been in situations where, you know, 106 00:04:24,360 --> 00:04:26,680 maybe there'd been some sort of a transformation and an evolution, 107 00:04:26,800 --> 00:04:29,519 and then there's that that inevitable conversation about do we 108 00:04:29,600 --> 00:04:33,000 change the name or and and I. 109 00:04:32,920 --> 00:04:34,879 Speaker 3: Always I remember I was in a specific band. I 110 00:04:34,879 --> 00:04:36,279 was in a band called My Life Crisis, and I 111 00:04:36,360 --> 00:04:38,800 remember actually having that argument with you know, when we 112 00:04:38,839 --> 00:04:42,160 had a big shift in personnel and the guys kind 113 00:04:42,160 --> 00:04:43,800 of wanted to, oh, let's you know, our sound kind 114 00:04:43,839 --> 00:04:45,519 of change, let's change the name. And I fought for 115 00:04:45,680 --> 00:04:48,000 keeping the name because I was like, well, look, people 116 00:04:48,040 --> 00:04:50,079 know us as this. I understand it's a different band 117 00:04:50,519 --> 00:04:53,759 kind of, but we've built up this name. Not you know, 118 00:04:53,839 --> 00:04:55,560 not that we ever got anywhere big or anything, but 119 00:04:55,600 --> 00:04:57,319 I but I felt there was value in our name. 120 00:04:57,560 --> 00:05:00,560 Speaker 1: Like that was that a conversation amongst you do we 121 00:05:00,800 --> 00:05:03,079 do we be scarecrow Hill, or or do we do 122 00:05:03,160 --> 00:05:04,800 something or do we be something new. 123 00:05:05,040 --> 00:05:07,920 Speaker 4: I don't think we have even discussed it really really yeah. 124 00:05:08,000 --> 00:05:12,160 Speaker 2: Yeah, yeah, Scarecrow Hill was kind of like such a 125 00:05:12,199 --> 00:05:17,639 long standing name and entity for for Tye. Yeah, and 126 00:05:17,959 --> 00:05:22,480 Tye being kind of our fearless leader. That's like we 127 00:05:22,480 --> 00:05:23,439 we go as he goes. 128 00:05:23,759 --> 00:05:25,920 Speaker 3: Yeah. No, And that makes sense. I mean, you've got 129 00:05:26,120 --> 00:05:28,160 you know, you've got equity in that, you know, So, 130 00:05:28,800 --> 00:05:30,800 like I said, I I remembered it. It was familiar 131 00:05:30,800 --> 00:05:33,240 to me when Jenny mentioned, I thought you guys had 132 00:05:33,240 --> 00:05:34,000 been around for a while. 133 00:05:34,040 --> 00:05:38,279 Speaker 1: So as I think that makes sense, we're gonna We're 134 00:05:38,279 --> 00:05:43,079 gonna play something a little bit later. That's really really 135 00:05:43,120 --> 00:05:45,480 interesting in terms of there's there's a bit of a surprise, 136 00:05:45,519 --> 00:05:47,600 well a couple of surprises on the track. But I'm 137 00:05:47,600 --> 00:05:50,600 curious about how you describe your sound because you're I mean, obviously, 138 00:05:50,680 --> 00:05:53,560 you know, you kind of fit in the metal genre broadly, 139 00:05:53,600 --> 00:05:55,519 but of course you have all these subgenres and whatnot. 140 00:05:55,600 --> 00:05:58,279 But but your your approach, especially from what I was 141 00:05:58,319 --> 00:06:00,480 reading online, your your approach is a little bit different 142 00:06:00,480 --> 00:06:02,800 in terms of You're not My impression is you're not 143 00:06:02,879 --> 00:06:05,480 trying to You're not You're not trying to be one 144 00:06:05,519 --> 00:06:06,319 specific thing. 145 00:06:06,959 --> 00:06:08,399 Speaker 4: You know, you're you're you're boring. 146 00:06:08,720 --> 00:06:12,120 Speaker 1: Yeah, exactly, exactly, you know, because most metal bands do 147 00:06:12,240 --> 00:06:14,480 try to be one specific thing. But has that always 148 00:06:14,519 --> 00:06:19,839 been your approach to kind of be open to different influences. 149 00:06:19,120 --> 00:06:22,720 Speaker 5: And yeah, I think, I think absolutely, because when you've 150 00:06:22,759 --> 00:06:26,399 got you know, five personalities and five sets of influences 151 00:06:26,439 --> 00:06:29,079 and five musical directions that everybody wants to go, I 152 00:06:29,079 --> 00:06:32,079 think you kind of have to have the open air 153 00:06:32,199 --> 00:06:33,000 for that to happen. 154 00:06:33,040 --> 00:06:36,000 Speaker 4: And yeah, I'm I'm like the least. 155 00:06:35,800 --> 00:06:37,959 Speaker 5: Metal guy in the world, man, I I like the 156 00:06:38,000 --> 00:06:39,959 Beatles and Tech nine, you know what I mean. Like 157 00:06:40,000 --> 00:06:43,040 that's so these guys like teach me a lot about 158 00:06:43,199 --> 00:06:46,720 the metal genre and the metal community, and. 159 00:06:46,639 --> 00:06:48,040 Speaker 4: We've all kind of had to work together. 160 00:06:48,079 --> 00:06:50,519 Speaker 5: And it just makes it so that, you know, when 161 00:06:50,600 --> 00:06:53,839 Joe puts his stamp on something and then Dominic comes 162 00:06:53,839 --> 00:06:57,519 in and Joe and it just it is so many sounds. 163 00:06:57,720 --> 00:06:59,600 Speaker 4: Yeah, it makes it cool for us. 164 00:07:00,360 --> 00:07:01,040 Speaker 3: Does that happen? 165 00:07:01,240 --> 00:07:03,720 Speaker 1: I assume that happens kind of organically, right, It sounds 166 00:07:03,759 --> 00:07:06,079 like it like you don't like, you don't say, you know, 167 00:07:06,120 --> 00:07:08,800 we need to try to shove this other influence into 168 00:07:08,800 --> 00:07:10,279 this song, but it just kind of happens. 169 00:07:10,439 --> 00:07:13,000 Speaker 2: Yeah, I think it kind of depends, like the way 170 00:07:13,079 --> 00:07:15,000 when I'm writing. A lot of the time, I'll be 171 00:07:15,079 --> 00:07:18,360 inspired by like a particular song or like an idea 172 00:07:19,079 --> 00:07:21,639 that exists in a song. Yeah, so sometimes I'll take 173 00:07:21,680 --> 00:07:24,000 that as a starting point and kind of like build 174 00:07:24,000 --> 00:07:27,720 a demo around that idea. But like the inspiration comes 175 00:07:27,720 --> 00:07:30,680 from so many different directions sometimes that like to not 176 00:07:30,839 --> 00:07:33,639 have to pigeonhole into like we have to sound like 177 00:07:34,519 --> 00:07:37,839 such and such, It's it's kind of freeing in terms 178 00:07:37,879 --> 00:07:40,319 of inspirational direction. 179 00:07:40,639 --> 00:07:42,000 Speaker 3: Yeah, yeah, that makes sense. 180 00:07:43,240 --> 00:07:45,720 Speaker 1: Your live show too, I would imagine it's pretty energetic, 181 00:07:45,839 --> 00:07:47,040 you know, to match. 182 00:07:46,800 --> 00:07:56,000 Speaker 2: Your Yeah, it's a lot of fun, you know. It's yeah, 183 00:07:56,560 --> 00:07:58,399 I'll just leave it at that, trying to keep it 184 00:07:58,519 --> 00:08:02,319 radio friendly, but yeah, we have a lot of fun, 185 00:08:02,319 --> 00:08:03,920 and we try to keep it very high energy. 186 00:08:04,040 --> 00:08:04,639 Speaker 3: Yeah. Yeah. 187 00:08:04,839 --> 00:08:08,399 Speaker 5: The live show too, I think is very very organic. Yeah, 188 00:08:08,399 --> 00:08:11,600 like it's we don't there's no choreograph or anything like that. 189 00:08:11,639 --> 00:08:13,720 We just kind of go into it knowing that we 190 00:08:13,759 --> 00:08:16,879 were with our team, like we just see what happens. Yeah, 191 00:08:17,120 --> 00:08:18,680 start to rock out, man, like a little bit of 192 00:08:18,680 --> 00:08:19,839 old school in the new school. 193 00:08:20,040 --> 00:08:20,279 Speaker 3: Yeah. 194 00:08:20,399 --> 00:08:24,759 Speaker 1: Yeah, when you guys play out, do you have opportunities 195 00:08:24,759 --> 00:08:26,800 to play with bands that you played with like way 196 00:08:26,839 --> 00:08:27,879 back in the day. 197 00:08:27,680 --> 00:08:32,159 Speaker 6: Or shockingly yes, I suspected as much because I can 198 00:08:32,159 --> 00:08:35,879 tell you just doing this, I'll while we've had guests 199 00:08:35,960 --> 00:08:38,559 on the show or talk to people about coming on 200 00:08:38,600 --> 00:08:39,759 to I'm like, I didn't even know. 201 00:08:40,159 --> 00:08:42,120 Speaker 4: Wow, Like I remember doing. 202 00:08:41,919 --> 00:08:44,399 Speaker 3: Shows with them like twenty years ago, and they're back. 203 00:08:44,440 --> 00:08:45,159 That's really cool. 204 00:08:45,320 --> 00:08:47,360 Speaker 1: Like who are some of the bands that you guys 205 00:08:47,480 --> 00:08:49,159 get to play with that you played. 206 00:08:48,879 --> 00:08:49,440 Speaker 3: With back then. 207 00:08:49,679 --> 00:08:51,600 Speaker 5: So a lot of times it might not even be 208 00:08:51,679 --> 00:08:54,399 necessarily be a whole band. But like even just last night, 209 00:08:54,759 --> 00:08:57,519 we got to play over here at the Shaskiing, which 210 00:08:57,759 --> 00:08:58,639 what a great little room. 211 00:08:58,639 --> 00:08:59,399 Speaker 4: That was all fun. 212 00:08:59,440 --> 00:09:01,279 Speaker 3: Oh yeah I love them. 213 00:09:01,120 --> 00:09:02,840 Speaker 4: Yeah oh yeah, what a great place. 214 00:09:03,039 --> 00:09:07,360 Speaker 5: And but so Rags to Stitches shout out to our 215 00:09:07,360 --> 00:09:08,440 boys from New Hampshire. 216 00:09:08,919 --> 00:09:10,840 Speaker 4: Uh, they had put the show. 217 00:09:10,679 --> 00:09:14,919 Speaker 5: On nice and their their bass player is a guy 218 00:09:14,960 --> 00:09:17,080 that we have been playing with in different bands. 219 00:09:17,320 --> 00:09:18,120 Speaker 4: I mean since me and. 220 00:09:18,159 --> 00:09:21,080 Speaker 5: Joel were kids, like we we grew up playing shows 221 00:09:21,080 --> 00:09:23,120 with this guy. And yeah he's still out there doing 222 00:09:23,159 --> 00:09:25,200 a whistle out. They're doing it twenty years later, so 223 00:09:25,240 --> 00:09:27,679 like it's there's a lot of that. A lot of 224 00:09:27,720 --> 00:09:30,840 bands unfortunately don't stay around as long, but right the 225 00:09:30,960 --> 00:09:33,679 musicians do, and we'll we'll get out there and get 226 00:09:33,720 --> 00:09:35,360 to see this guy. Oh he used to be in 227 00:09:35,360 --> 00:09:37,960 this band that we toured with and that that stuff's 228 00:09:37,960 --> 00:09:38,399 a lot of fun. 229 00:09:38,399 --> 00:09:39,000 Speaker 4: It's really cool. 230 00:09:39,039 --> 00:09:41,879 Speaker 3: Oh, that's really cool. Did we have U rags of stitches? 231 00:09:41,919 --> 00:09:44,440 Did we have them on you remember? I feel like 232 00:09:44,480 --> 00:09:44,840 we did. 233 00:09:45,080 --> 00:09:45,919 Speaker 4: I'm not positive. 234 00:09:45,960 --> 00:09:47,360 Speaker 3: I'd have to go back and look. I think we 235 00:09:47,440 --> 00:09:47,679 might have. 236 00:09:47,799 --> 00:09:50,600 Speaker 2: Yeah, if not, you should, yeah, definitely if you haven't, or. 237 00:09:50,799 --> 00:09:52,600 Speaker 1: Or the name has come up on this maybe that 238 00:09:52,679 --> 00:09:54,440 might be the name might have come up on the 239 00:09:54,480 --> 00:09:55,000 show before. 240 00:09:55,159 --> 00:09:57,879 Speaker 3: Yeah, are you guys playing out a lot? 241 00:09:58,080 --> 00:10:03,240 Speaker 4: Or yeah? Yeah, we've been very very busy, good, very good, excellent, excellent. 242 00:10:04,360 --> 00:10:06,159 Speaker 3: And how long has this album been out? This is 243 00:10:06,200 --> 00:10:07,480 this is pretty new right? 244 00:10:07,559 --> 00:10:09,840 Speaker 4: Uh yeah, July August. 245 00:10:09,639 --> 00:10:12,600 Speaker 2: Something like that, less than a year, more than a month? 246 00:10:12,759 --> 00:10:15,799 Speaker 3: Okay, okay, cool? Where do you record? 247 00:10:16,240 --> 00:10:16,639 Speaker 4: We do it? 248 00:10:16,679 --> 00:10:20,960 Speaker 1: You know, that's awesome because it sounds like I'm always curious, 249 00:10:21,039 --> 00:10:23,559 you know, because we live in a time where you've 250 00:10:23,600 --> 00:10:25,919 got so many different options in terms of how you record, 251 00:10:26,000 --> 00:10:28,440 and there's so many great studios around, but you can 252 00:10:28,440 --> 00:10:32,120 also do it yourself and it sounds like it was 253 00:10:32,399 --> 00:10:35,159 recorded in a million dollar studio, you know. Thanks, So 254 00:10:35,440 --> 00:10:40,159 it's really impressive. Like, like, do you have a home studio? 255 00:10:40,200 --> 00:10:41,720 Does one of you have a home studio set up 256 00:10:41,799 --> 00:10:43,080 or what's what's the approach? 257 00:10:43,279 --> 00:10:46,159 Speaker 2: We kind of each of us has our own little 258 00:10:46,159 --> 00:10:48,799 setup at home where well, we'll do some demos, but 259 00:10:48,840 --> 00:10:51,960 when it comes time to like actually cut the final thing. Uh, 260 00:10:52,559 --> 00:10:55,320 we have a decent setup at the band, like our 261 00:10:55,360 --> 00:11:01,320 practice space where we track everything in and then once 262 00:11:01,360 --> 00:11:04,200 that's all done, we take it to our guy Joe 263 00:11:04,200 --> 00:11:07,919 Clapp who's got like a really nice professional studio and 264 00:11:07,960 --> 00:11:09,519 he mixes it and masters it for us. 265 00:11:09,600 --> 00:11:13,480 Speaker 1: Oh fantastic, Okay, yeah, so it's cool that that you're 266 00:11:13,480 --> 00:11:17,200 able to do it that way. You know, I'm old 267 00:11:17,320 --> 00:11:21,000 enough to remember, and some of you might be when 268 00:11:21,200 --> 00:11:23,120 you know your only options were really you know, like 269 00:11:23,159 --> 00:11:25,399 you could, yeah, you could record demos at home on 270 00:11:25,480 --> 00:11:28,879 your task and you know, and then but then yeh, 271 00:11:29,200 --> 00:11:30,240 then go spend. 272 00:11:30,360 --> 00:11:32,559 Speaker 3: A ton of money in a studio to do everything there. 273 00:11:32,600 --> 00:11:34,559 Speaker 2: And me and Brennan were joking on the way over 274 00:11:34,600 --> 00:11:37,159 here because we rode together and we're a couple of 275 00:11:37,200 --> 00:11:39,919 years younger than the rest of the guys in the band. Yeah, 276 00:11:39,960 --> 00:11:42,840 we were joking about I. I had mentioned before how 277 00:11:42,960 --> 00:11:45,879 one of the early Scarecrow Hill demos was done on 278 00:11:46,120 --> 00:11:51,120 an answering machine, and how how far it's come in 279 00:11:51,159 --> 00:11:54,000 the way that you can get like really high quality 280 00:11:54,039 --> 00:11:58,679 recordings at home for like a pretty relatively affordable price 281 00:11:58,759 --> 00:12:02,720 compared to even like five or ten years ago, where 282 00:12:03,039 --> 00:12:05,759 it was the barrier to entry was so high. 283 00:12:05,960 --> 00:12:10,000 Speaker 1: Yeah, yeah, absolutely, Oh that's funny though, the answering machine. 284 00:12:10,080 --> 00:12:11,000 Speaker 4: Yeah, yeah, that. 285 00:12:10,960 --> 00:12:14,240 Speaker 5: Makes sense though, going to the public library and running 286 00:12:14,240 --> 00:12:18,320 off covers for the cassette tapes for Dublin, No kidding, 287 00:12:18,720 --> 00:12:20,879 it was you know, there wasn't no distribution around here 288 00:12:20,919 --> 00:12:22,080 that anybody could afford. 289 00:12:21,879 --> 00:12:24,120 Speaker 3: Or anything back, right exactly exactly. 290 00:12:24,159 --> 00:12:26,039 Speaker 4: If you knew a band that had CDs, they were 291 00:12:26,039 --> 00:12:26,799 like big times. 292 00:12:27,399 --> 00:12:31,120 Speaker 1: Yeah, even over the course of the years just. 293 00:12:32,960 --> 00:12:35,559 Speaker 3: Doing this. Well, I've I've been at wmn. 294 00:12:35,320 --> 00:12:37,840 Speaker 1: H for it'll be eight years in April, but I've 295 00:12:37,879 --> 00:12:40,879 been interviewing bands for a lot longer. And we were 296 00:12:40,879 --> 00:12:43,759 talking talking to somebody last week on the show about 297 00:12:43,759 --> 00:12:46,559 how when I first started doing this, like bands would 298 00:12:46,600 --> 00:12:48,840 usually show up with a CD. You know, now, of 299 00:12:48,840 --> 00:12:51,159 course you can just email everything, but and the move 300 00:12:51,320 --> 00:12:53,320 was was very often it would be, you know, just 301 00:12:53,879 --> 00:12:56,480 like a CDR with sharpie written on it. You know, 302 00:12:56,559 --> 00:12:58,840 these are the songs we want to feature on the show, 303 00:12:58,879 --> 00:13:01,039 and they'd handed to me on their finger. It wouldn't 304 00:13:01,039 --> 00:13:04,919 even be in a case. Yeah, those were those were 305 00:13:04,960 --> 00:13:05,360 the days. 306 00:13:05,440 --> 00:13:08,559 Speaker 3: Yeah, we actually have I don't use it, but we 307 00:13:08,559 --> 00:13:10,519 we do have a functioning CD player here. 308 00:13:10,720 --> 00:13:11,440 Speaker 4: That's awesome. 309 00:13:11,519 --> 00:13:13,919 Speaker 3: Yeah, I love that. One of the guys, Rob, I 310 00:13:13,919 --> 00:13:15,120 don't know if you know Rob as a vido. 311 00:13:15,159 --> 00:13:16,879 Speaker 1: He owes a show here called Granted State of Mind 312 00:13:16,879 --> 00:13:18,559 and he uses occasionally. 313 00:13:18,600 --> 00:13:20,320 Speaker 3: But but he's kind of old school with that. 314 00:13:20,440 --> 00:13:23,320 Speaker 1: But the new album is it available on CD or 315 00:13:23,360 --> 00:13:24,799 is it only on streaming platforms? 316 00:13:24,799 --> 00:13:26,960 Speaker 4: This one is only on streaming platforms. 317 00:13:27,000 --> 00:13:30,320 Speaker 5: We have three other records that we take physical copies 318 00:13:30,320 --> 00:13:31,639 out on the road with us, but this is the 319 00:13:31,759 --> 00:13:34,519 one we wanted to try just just to see first. 320 00:13:34,799 --> 00:13:35,080 Speaker 7: Yeah. 321 00:13:35,200 --> 00:13:38,000 Speaker 5: I it did his digital only and figured maybe if 322 00:13:38,159 --> 00:13:40,200 if it keeps doing as well as it's doing, we'll 323 00:13:40,200 --> 00:13:41,919 probably end up doing some physical copies. 324 00:13:42,039 --> 00:13:46,399 Speaker 1: Yeah, yeah, I want to play So I surprise you 325 00:13:46,440 --> 00:13:49,120 guys with this. I made a radio edit of this 326 00:13:49,279 --> 00:13:55,879 track that Little Voice featuring Adam Ramie partly well. So 327 00:13:55,960 --> 00:13:59,080 a couple things about it that that really grabbed me. 328 00:13:59,120 --> 00:14:02,240 One is I just find I'm the subject very relatable, 329 00:14:03,639 --> 00:14:05,639 you know, talking about that that little voice that so 330 00:14:05,679 --> 00:14:07,440 many of us have in our heads that tries to 331 00:14:07,480 --> 00:14:09,000 kind of drag us down and tell us a lot 332 00:14:09,000 --> 00:14:11,679 of negative things, negative self talk and all that. So 333 00:14:12,320 --> 00:14:14,320 I think a lot of people can really relate to 334 00:14:14,360 --> 00:14:17,120 the lyrics. The other thing that's really interesting to me 335 00:14:17,240 --> 00:14:21,120 is what's going on in the chorus, which is very 336 00:14:21,159 --> 00:14:24,320 unusual and it's it's cool. I was like, what, Oh, 337 00:14:24,440 --> 00:14:28,240 that's interesting and it's got and and tell me about 338 00:14:28,320 --> 00:14:30,320 uh but we'll talk about that part after we play it. 339 00:14:31,120 --> 00:14:33,159 But tell me tell me too about Adam Raymie. 340 00:14:33,600 --> 00:14:34,960 Speaker 4: Adam. Adam is amazing. 341 00:14:35,559 --> 00:14:38,480 Speaker 5: So Adam is one of the vocalists for the band 342 00:14:38,519 --> 00:14:42,159 Dropout Kings, Okay, and he's at the range that this 343 00:14:42,240 --> 00:14:44,679 man has where he can you know, he does the 344 00:14:44,679 --> 00:14:49,039 dirty vocals, screaming stuff. He does these absolutely beautiful, powerful 345 00:14:49,120 --> 00:14:52,519 lead vocals. And then we had We've done a few 346 00:14:52,519 --> 00:14:54,679 shows together over the years, and we had talked a 347 00:14:54,679 --> 00:14:56,679 few times about doing a track. So when I sent 348 00:14:56,799 --> 00:14:58,919 him this, he said, well, you know, what are you 349 00:14:58,919 --> 00:15:01,200 going to do with it? I said, we trust you. 350 00:15:01,200 --> 00:15:04,039 You know your your range is ridiculous, and this was 351 00:15:04,080 --> 00:15:06,240 the last thing we were expecting. Yeah, he said. We 352 00:15:06,240 --> 00:15:08,639 were like, wow, this is all right, Like he went 353 00:15:08,799 --> 00:15:10,919 different with this and we were super excited about it. 354 00:15:12,080 --> 00:15:13,759 But he's he's just one of those guys that he 355 00:15:13,799 --> 00:15:16,440 can do anything, and he's so much fun to work 356 00:15:16,480 --> 00:15:16,879 with on this. 357 00:15:17,159 --> 00:15:18,480 Speaker 3: Yeah, yeah, very cool. 358 00:15:18,519 --> 00:15:20,000 Speaker 1: So this is of course from the new album, but 359 00:15:20,080 --> 00:15:22,320 Death of the Family will give this to spend uh. 360 00:15:22,360 --> 00:15:25,080 This is called that Little Voice featuring Adam Raby. This 361 00:15:25,240 --> 00:15:38,120 is Scarecrow Hills. 362 00:15:39,879 --> 00:15:41,519 Speaker 8: I got this voice up inside of my head side 363 00:15:41,559 --> 00:15:43,120 of me. I should beat my bloody I'm one. I 364 00:15:43,159 --> 00:15:45,399 should never Recladdy. Who's ever readon call to take him? 365 00:15:45,399 --> 00:15:45,840 Speaker 7: Another thing? 366 00:15:45,840 --> 00:15:46,200 Speaker 4: Problem me? 367 00:15:46,240 --> 00:15:47,840 Speaker 7: You just can't just stand on the plattlefield. But I 368 00:15:47,879 --> 00:15:49,559 keep telling you want of my boots have been money. 369 00:15:49,559 --> 00:15:51,639 Speaker 8: The biggest surprise of my entire life is still that 370 00:15:51,679 --> 00:15:53,840 I managed you on the my twenties. No matter how 371 00:15:53,879 --> 00:15:55,559 hard that I'm working no matter how much I have 372 00:15:55,679 --> 00:15:57,879 rissen aplaw. Why he he's whistles all taking my hand, 373 00:15:57,919 --> 00:15:59,799 telling me that my best is so lucky enough. So 374 00:16:00,000 --> 00:16:02,080 I keep pushing and fighting them, sucking this home. Everybody 375 00:16:02,120 --> 00:16:04,919 should drop my dog. Then these things other voices they 376 00:16:04,960 --> 00:16:06,960 tell me that I should just couldn't get Bob. I 377 00:16:07,000 --> 00:16:08,799 swear to God sometimes in my head all I hate 378 00:16:08,840 --> 00:16:09,559 where the ghost. 379 00:16:09,360 --> 00:16:09,879 Speaker 7: On my past. 380 00:16:09,960 --> 00:16:11,440 Speaker 8: I hate to tell you if there's no reason why 381 00:16:11,600 --> 00:16:13,799 it doesn't exist when your heart, if I die every day, my. 382 00:16:13,840 --> 00:16:14,960 Speaker 7: Bread keep telling to me that everyone. 383 00:16:15,000 --> 00:16:16,559 Speaker 3: My mum on Sunday stopped me in the back. 384 00:16:16,679 --> 00:16:18,639 Speaker 9: I said, my I'm just bring in this circles because 385 00:16:18,639 --> 00:16:24,799 in my three ready, when they hurt sh Charles hurt shoes, 386 00:16:25,320 --> 00:16:34,399 it's flash sense, char. 387 00:16:37,960 --> 00:16:38,320 Speaker 7: Sues. 388 00:16:38,799 --> 00:16:39,679 Speaker 2: That's whe. 389 00:16:54,279 --> 00:16:56,039 Speaker 8: I got these voices inside of my head telling me 390 00:16:56,159 --> 00:16:58,000 I can never be saved. And if I keep tightening, 391 00:16:58,039 --> 00:16:59,799 and if I keep trying, I'm gonna find myself and. 392 00:16:59,759 --> 00:17:00,519 Speaker 7: Then of the grave. 393 00:17:00,639 --> 00:17:02,720 Speaker 8: But that's okay, because I got another one telling me 394 00:17:02,799 --> 00:17:04,759 nobody cares any weighing apart of the world. 395 00:17:04,759 --> 00:17:06,839 Speaker 7: They will bring no sorrow. No one will even remember 396 00:17:06,920 --> 00:17:08,359 my name. I ever thought. 397 00:17:08,440 --> 00:17:09,920 Speaker 8: This is side of me that I have never been 398 00:17:09,960 --> 00:17:11,880 able to fight, and he keeps telling me, yet does 399 00:17:11,960 --> 00:17:12,240 a matter? 400 00:17:12,319 --> 00:17:14,000 Speaker 7: There's nothing that I ever do will be right. 401 00:17:14,559 --> 00:17:15,319 Speaker 3: I hear her voices. 402 00:17:15,400 --> 00:17:17,119 Speaker 8: I'm telling me I don't deserve I begins of my 403 00:17:17,200 --> 00:17:19,119 largess I personal reave allowed him with the world, and 404 00:17:19,160 --> 00:17:20,240 it's making your rhindo. 405 00:17:20,079 --> 00:17:22,160 Speaker 7: Of living the lone. I got this voice in the 406 00:17:22,200 --> 00:17:24,000 back of my mind telling me that I'll never rea. 407 00:17:24,759 --> 00:17:26,240 Speaker 8: I got the voice in the back of my mind, 408 00:17:26,240 --> 00:17:28,599 and I had got some of them pre j my mind. 409 00:17:28,519 --> 00:17:30,559 Speaker 7: Keep telling me everything out. I was barely hanging by 410 00:17:30,599 --> 00:17:30,960 a stitch. 411 00:17:31,039 --> 00:17:32,519 Speaker 8: I spent my whole I just feel in this art 412 00:17:32,559 --> 00:17:33,720 because trying to catching one. 413 00:17:33,640 --> 00:17:50,759 Speaker 7: Of two sis. So man sense choice, so. 414 00:17:52,359 --> 00:17:54,160 Speaker 9: True, the man. 415 00:17:58,119 --> 00:18:10,359 Speaker 10: Who these little voices are screaming to me that I'm 416 00:18:10,400 --> 00:18:11,559 not the one you really blaunch. 417 00:18:11,759 --> 00:18:14,039 Speaker 7: I remember the way that you wished me in the beginning. 418 00:18:14,079 --> 00:18:16,119 I hate that it's gone. The truth of the matter 419 00:18:16,240 --> 00:18:18,400 is this hoporable situation is going on too wrong. I 420 00:18:18,440 --> 00:18:18,799 wish that. 421 00:18:18,839 --> 00:18:20,519 Speaker 8: Somebody had to make or told me I was losing 422 00:18:20,599 --> 00:18:22,920 myself before I was lost. I got just voice in 423 00:18:22,960 --> 00:18:25,079 my head telling me that the shadows I'm seeing orail. 424 00:18:25,559 --> 00:18:27,319 My brain is almost by you in my heart. Because 425 00:18:27,319 --> 00:18:28,039 I cannot. 426 00:18:27,720 --> 00:18:28,480 Speaker 7: Trust what I feel. 427 00:18:28,559 --> 00:18:30,240 Speaker 8: I keep the weight on my shoulders to myself, the 428 00:18:30,279 --> 00:18:31,079 same way the weight on my. 429 00:18:31,119 --> 00:18:31,839 Speaker 4: Hippos con seal. 430 00:18:31,960 --> 00:18:33,480 Speaker 8: Sometimes I get in the booth and I met it 431 00:18:33,559 --> 00:18:35,759 all all, but you know I'm shrinking the seal. I 432 00:18:35,839 --> 00:18:37,279 get the voice in the back of my mind and 433 00:18:37,319 --> 00:18:38,160 we're trying to kill it. 434 00:18:38,279 --> 00:18:40,559 Speaker 7: Shot. I got the voice in the back of my mind, 435 00:18:40,599 --> 00:18:42,759 and I hate my mother. I creak game my brain. 436 00:18:42,839 --> 00:18:44,559 You're telling me all that I have to look forward to. 437 00:18:44,640 --> 00:18:45,400 It's warm dress. 438 00:18:45,440 --> 00:18:46,079 Speaker 3: I said, I'm a whole. 439 00:18:46,119 --> 00:18:47,599 Speaker 7: I just feel in the turk because because I can't 440 00:18:47,640 --> 00:18:50,359 give the couse out of my ship truss my. 441 00:18:54,240 --> 00:19:10,880 Speaker 11: Flashing sensors. 442 00:19:06,000 --> 00:19:26,000 Speaker 7: Spot this man and st I hate a lot up 443 00:19:27,759 --> 00:19:28,400 in my egg. 444 00:19:28,559 --> 00:19:33,920 Speaker 3: I do got a nice ship that dry. Don't even 445 00:19:34,039 --> 00:19:35,400 recognize this man from. 446 00:19:35,279 --> 00:19:39,279 Speaker 7: Tough Guy had his fag shot. I had a lot 447 00:19:39,440 --> 00:19:42,680 up y voices in my head. It's not a guy 448 00:19:42,720 --> 00:19:49,599 that would shut up. Don't COTTO try by this. 449 00:19:49,759 --> 00:19:54,240 Speaker 1: Guy that is that little voice featuring Adam Raymie and 450 00:19:54,319 --> 00:19:57,319 the band is a Scarecrow Hill with us in the 451 00:19:57,359 --> 00:20:00,720 studio this morning. Yeah, so tell me about that, Guys, 452 00:20:00,799 --> 00:20:03,960 tell me about that chorus, like, because that was was 453 00:20:04,000 --> 00:20:05,039 that something Adam did? 454 00:20:05,200 --> 00:20:05,400 Speaker 4: Yeah? 455 00:20:05,519 --> 00:20:07,960 Speaker 5: Yeah, we did that, Yeah, we did. We had sent 456 00:20:08,079 --> 00:20:10,640 him the basic demo at the track and I hadn't 457 00:20:10,640 --> 00:20:14,359 even laid my vocals yet. Yeah, like he had just 458 00:20:14,519 --> 00:20:15,759 you know, what do you want to do? So well, 459 00:20:15,799 --> 00:20:18,079 we trust you, man, like obviously we're fans and we 460 00:20:18,599 --> 00:20:21,240 know the things you're capable of. And yeah, he sent 461 00:20:21,359 --> 00:20:22,920 that back and he was like, you know, I hope 462 00:20:22,960 --> 00:20:25,079 you dig it. He was like, because I love this. 463 00:20:25,240 --> 00:20:26,640 He's like, I think it's one of one of my 464 00:20:26,680 --> 00:20:30,839 favorite features I've done. And I was so taken back 465 00:20:30,880 --> 00:20:32,319 by it. I was like, wow, I'm going to rewrite 466 00:20:32,359 --> 00:20:34,200 everything I had because like I need my stuff to 467 00:20:34,240 --> 00:20:34,640 be cooler. 468 00:20:34,759 --> 00:20:34,880 Speaker 4: Now. 469 00:20:35,039 --> 00:20:40,480 Speaker 1: Okay, so that that caused you to read your Yeah, absolutely, yeah, yeah. 470 00:20:40,519 --> 00:20:42,359 The chorus is I think we were talking about it 471 00:20:42,440 --> 00:20:44,400 off air. It's like nothing I've ever heard. It's it's 472 00:20:44,480 --> 00:20:48,799 it's it's such a unique sound. And uh now, Joe, 473 00:20:48,880 --> 00:20:51,279 you were saying too, so what do you the genre 474 00:20:51,440 --> 00:20:52,160 that that you call? 475 00:20:52,359 --> 00:20:52,440 Speaker 4: Uh? 476 00:20:52,680 --> 00:20:54,920 Speaker 2: Yeah, So we were talking about genre before. I think 477 00:20:54,920 --> 00:20:57,200 if if for Scarecrow Hill, if you were kind of 478 00:20:57,240 --> 00:20:59,000 to nail it down to something. We kind of used 479 00:20:59,000 --> 00:21:00,720 the tagline hip hop death rock. 480 00:21:00,920 --> 00:21:01,240 Speaker 3: Okay. 481 00:21:01,359 --> 00:21:06,839 Speaker 2: So Tye especially has a lot of like hip hop influences. 482 00:21:07,279 --> 00:21:08,839 So you know, in a song like that, you can 483 00:21:09,000 --> 00:21:11,880 hear the rapping and that. That's a lot of the 484 00:21:11,960 --> 00:21:13,640 songs that we do have a lot of like hip 485 00:21:13,680 --> 00:21:16,319 hop influence to it. So we try to have like, 486 00:21:17,160 --> 00:21:19,119 you know, a groove and a bounce to a lot 487 00:21:19,200 --> 00:21:21,279 of you know, while it might be a heavy riff, 488 00:21:21,880 --> 00:21:23,720 you know, it can be broken down into a groove 489 00:21:23,799 --> 00:21:24,920 that grooves. 490 00:21:25,160 --> 00:21:28,599 Speaker 3: Yeah, yeah, okay, no, well put yeah, no, that makes 491 00:21:28,640 --> 00:21:31,160 sense to me. Now, that's that's a great Do you 492 00:21:31,200 --> 00:21:33,039 play that live or is it hard to do without? 493 00:21:33,200 --> 00:21:34,599 Speaker 4: Uh we we haven't. 494 00:21:34,759 --> 00:21:36,000 Speaker 2: Yeah, we haven't played that one live. 495 00:21:36,640 --> 00:21:42,200 Speaker 1: Yeah, yeah, that's that's really good. Also another track, maybe 496 00:21:42,240 --> 00:21:43,759 we'll play it at the end of if we have time. 497 00:21:43,799 --> 00:21:46,240 But you do a cover on this that I that 498 00:21:46,319 --> 00:21:47,799 I really like on the new album, of course we 499 00:21:47,839 --> 00:21:49,720 should mention again a death in the family. 500 00:21:50,440 --> 00:21:51,440 Speaker 3: We're in this together now. 501 00:21:51,480 --> 00:21:53,079 Speaker 1: And I remember looking at the track list and I 502 00:21:53,160 --> 00:21:54,599 was like, I wonder if that's an original or if 503 00:21:54,640 --> 00:21:58,160 that's a nine inch Nails cover And I listened to it, and, uh, man, 504 00:21:58,279 --> 00:21:59,279 you sing the hell out of that. 505 00:21:59,480 --> 00:21:59,720 Speaker 4: Thank you. 506 00:22:00,119 --> 00:22:04,680 Speaker 1: Yeah, it's really like there's there's an emotion to it. 507 00:22:04,720 --> 00:22:07,759 There's almost like a like a desperation that comes across 508 00:22:07,799 --> 00:22:09,680 in your vocal. I don't know if that's what you're 509 00:22:09,759 --> 00:22:11,039 going for, probably, but. 510 00:22:11,599 --> 00:22:12,680 Speaker 4: I mean it, it happens. 511 00:22:12,759 --> 00:22:16,599 Speaker 5: I've I've actually heard that several times about several songs 512 00:22:16,640 --> 00:22:20,359 that we do, Yeah, which I think is I take 513 00:22:20,440 --> 00:22:23,160 that as as a pretty huge compliment because I don't 514 00:22:24,359 --> 00:22:25,839 I've never been one of those guys that can like 515 00:22:25,960 --> 00:22:27,920 just sing a cover song. Yeah, It's got to be 516 00:22:28,000 --> 00:22:29,920 something that really resonates with me. It's got to be 517 00:22:29,960 --> 00:22:31,400 something that like means something. 518 00:22:31,720 --> 00:22:33,880 Speaker 3: Yeah. No, I was playing it, it was like, wow, 519 00:22:33,960 --> 00:22:36,759 you know I really really feel this, you know, was 520 00:22:36,839 --> 00:22:37,839 that challenging to sing? 521 00:22:39,680 --> 00:22:39,880 Speaker 4: Yeah? 522 00:22:39,920 --> 00:22:43,359 Speaker 5: I mean yes, and no, it's uh yes in the 523 00:22:43,440 --> 00:22:45,640 fact that like it. It's you know, it's pretty up 524 00:22:45,640 --> 00:22:50,440 there and it's a hard song in general. But yeah, personally, 525 00:22:50,559 --> 00:22:52,799 Trent Reznor has been like one of my biggest vocal 526 00:22:52,880 --> 00:22:56,720 influences ever. Yeah, And I've been singing that song for 527 00:22:57,079 --> 00:22:59,319 as long as I can remember. Yeah, when I finally 528 00:22:59,359 --> 00:23:01,160 get to get into the with it, and I was like, wow, 529 00:23:01,160 --> 00:23:03,359 all right, like this is this is gonna be awesome. 530 00:23:03,559 --> 00:23:06,039 Speaker 3: Yeah, yeah, no, it came out great. It came out great. 531 00:23:07,119 --> 00:23:08,599 Speaker 1: Is there any kind of a theme to the album? 532 00:23:08,680 --> 00:23:10,440 I mean, you know, it's got a pretty ominous title 533 00:23:10,480 --> 00:23:12,599 of Death in the Family. I'm curious about does the 534 00:23:12,640 --> 00:23:15,519 title have any meaning specifically and is there a theme 535 00:23:15,640 --> 00:23:15,839 to this? 536 00:23:16,240 --> 00:23:16,880 Speaker 3: To this album? 537 00:23:17,680 --> 00:23:23,359 Speaker 5: We had gone through a small lineup change. We had 538 00:23:23,640 --> 00:23:26,759 so since twenty eighteen, we did a trilogy of records 539 00:23:28,000 --> 00:23:31,200 not Dead Yet, Never Say Die and Until Death, and 540 00:23:31,359 --> 00:23:35,279 that was our It was just kind of about everything 541 00:23:35,319 --> 00:23:37,160 that was going on at the time and as well 542 00:23:37,200 --> 00:23:40,279 as kind of like a not necessarily a promise or 543 00:23:40,319 --> 00:23:41,559 an oath or something, but something. 544 00:23:41,359 --> 00:23:43,240 Speaker 4: That we did for each other, like this, this is it, 545 00:23:43,359 --> 00:23:44,200 this is what we're going to do. 546 00:23:44,440 --> 00:23:49,720 Speaker 5: Yeah, and we for a while we're a six member 547 00:23:49,799 --> 00:23:55,039 band in that fizzled away and that became a Death 548 00:23:55,079 --> 00:23:56,920 in the Family as a way to just kind. 549 00:23:56,759 --> 00:23:58,119 Speaker 4: Of put closure on that chapter. 550 00:23:58,359 --> 00:24:00,680 Speaker 5: Oh okay, and then the thing is that we we 551 00:24:00,759 --> 00:24:03,480 have coming now are moving on to the next chapter. 552 00:24:03,759 --> 00:24:08,799 Speaker 3: Okay, So this band was a six piece at one point. Yeah, wow, 553 00:24:08,920 --> 00:24:10,200 what did the other member. 554 00:24:10,000 --> 00:24:12,839 Speaker 4: Do the little percussion, some backup vocals. 555 00:24:12,880 --> 00:24:16,400 Speaker 5: It's kind of an auxiliary, remember yeah, which which was fun, 556 00:24:16,519 --> 00:24:17,920 It was a it was a great thing to have. 557 00:24:18,119 --> 00:24:22,319 But I think all that really did was just kind 558 00:24:22,359 --> 00:24:25,519 of solidify our five member band and yeah, and approved 559 00:24:25,559 --> 00:24:29,160 to us that we didn't necessarily need anybody else there 560 00:24:29,200 --> 00:24:29,640 with us. 561 00:24:29,720 --> 00:24:34,200 Speaker 3: Right right, Yeah. I mean, I know from my own experience, 562 00:24:34,279 --> 00:24:35,640 it's it's hard. 563 00:24:36,240 --> 00:24:37,799 Speaker 1: It can be hard enough, you know, like with a 564 00:24:37,839 --> 00:24:39,759 five piece or even a four piece, it can be 565 00:24:39,799 --> 00:24:42,079 hard enough trying to work with everyone's schedules and everyone's 566 00:24:42,480 --> 00:24:45,680 you know, everyone's got lives and and you know, and 567 00:24:46,000 --> 00:24:47,839 trying to book shows and everything. So I can only 568 00:24:47,880 --> 00:24:51,680 imagine what a six piece what that was like. Some 569 00:24:51,799 --> 00:24:53,839 of the it's funny, you know, we have a lot 570 00:24:53,880 --> 00:24:57,599 of singer songwriters on the show, and very often there 571 00:24:57,640 --> 00:25:00,640 are people who used to play in bands who you know, 572 00:25:00,880 --> 00:25:03,759 got they get to a point where it's it's it 573 00:25:03,920 --> 00:25:05,920 just becomes too much to manage. So then they decide 574 00:25:05,960 --> 00:25:08,319 to do their own thing, you know, and and just 575 00:25:09,480 --> 00:25:12,119 and not have to deal with all the Somebody somebody 576 00:25:12,160 --> 00:25:13,960 said to me, I forget who it was who said it. 577 00:25:14,039 --> 00:25:16,319 On the show that being in a band with four 578 00:25:16,359 --> 00:25:20,759 other people is like being in four relationships. It's like 579 00:25:20,839 --> 00:25:22,440 it is like or is like being in a relationship 580 00:25:22,480 --> 00:25:24,279 with four other people who are all in a relationship 581 00:25:24,359 --> 00:25:25,039 with four other people. 582 00:25:25,160 --> 00:25:25,960 Speaker 4: That is true. 583 00:25:27,559 --> 00:25:29,839 Speaker 1: I wish I could remember who said it so I 584 00:25:29,880 --> 00:25:31,799 could give them credit. But I thought it was a 585 00:25:31,839 --> 00:25:35,039 great I thought it was a great insight. But you 586 00:25:35,119 --> 00:25:36,839 guys have a lot going on with you know, you're 587 00:25:36,920 --> 00:25:39,440 you're playing a lot, and I mean, is it hard 588 00:25:39,480 --> 00:25:41,240 to is it hard to manage all that with with 589 00:25:41,720 --> 00:25:42,759 with a five piece band? 590 00:25:42,920 --> 00:25:46,160 Speaker 5: Or I think it would be more difficult if we 591 00:25:46,279 --> 00:25:50,079 weren't as tight knit. Yeah, But the fact that you know, 592 00:25:50,240 --> 00:25:52,839 like these this is we're a team. Yeah, And we 593 00:25:53,000 --> 00:25:56,519 worked very hard to make sure that you know, maybe 594 00:25:56,599 --> 00:25:59,920 we can't grab every opportunity like today with Dorminic Nabi 595 00:26:00,039 --> 00:26:02,640 able to be here, but Dominic also very much understood 596 00:26:02,680 --> 00:26:04,720 and you know, you know, you guys go do this. 597 00:26:04,839 --> 00:26:06,440 Speaker 4: I have to do some other things right now. 598 00:26:06,640 --> 00:26:09,839 Speaker 5: Yeah, And that's usually the way it always goes, is 599 00:26:10,039 --> 00:26:12,440 we work very hard to make sure that it's amicable 600 00:26:12,559 --> 00:26:16,720 for everyone and that we're amicable to everything. It might 601 00:26:16,799 --> 00:26:19,240 not be a show Joe's crazy about playing, but he 602 00:26:19,400 --> 00:26:21,440 you know, he believes in his band and he's here 603 00:26:21,480 --> 00:26:22,559 for his band, so we can make that. 604 00:26:22,640 --> 00:26:23,519 Speaker 4: Work, right. 605 00:26:23,559 --> 00:26:25,960 Speaker 2: And I think another thing too is that you know, 606 00:26:26,039 --> 00:26:30,359 I've been in bands before where and you know, it's 607 00:26:30,640 --> 00:26:32,519 just like ty said, with a team dynamic on like 608 00:26:32,559 --> 00:26:36,279 a sports team or in a lot of situations, there's 609 00:26:36,920 --> 00:26:40,759 you know, leadership and there's not followers, but like people 610 00:26:40,799 --> 00:26:44,039 who look up to the leader. And Tye being the leader, 611 00:26:44,079 --> 00:26:46,680 he does the booking, he has the majority of the connections, 612 00:26:48,240 --> 00:26:50,000 and he kind of sets the schedule for us. We've 613 00:26:50,039 --> 00:26:53,400 all kind of committed Sunday, you know, Sunday afternoons is 614 00:26:53,519 --> 00:26:55,839 band day. That's when we get together, that's when we practice, 615 00:26:55,880 --> 00:26:58,880 we talk about band business. And then we've got a 616 00:26:58,920 --> 00:27:01,680 group calendar that you know, if there's a date that 617 00:27:02,319 --> 00:27:05,200 anybody can't do something, we put it in the group calendar. 618 00:27:05,599 --> 00:27:09,480 And then other than that, it's basically free reign. Yeah, 619 00:27:10,039 --> 00:27:14,000 and ty knows to you know, he does writ by 620 00:27:14,119 --> 00:27:17,599 us and not booking something that's gonna totally you know, 621 00:27:20,000 --> 00:27:23,519 derail everybody's lives because you know, as much as we'd 622 00:27:23,559 --> 00:27:28,440 all love to be the full time touring bands and everything. 623 00:27:28,519 --> 00:27:30,720 It's it's so hard to get to that level. So yeah, 624 00:27:30,960 --> 00:27:31,799 we get day jobs. 625 00:27:31,880 --> 00:27:33,559 Speaker 3: Yeah, of course, of course. 626 00:27:34,079 --> 00:27:36,240 Speaker 1: Do you guys like, how how far do you go 627 00:27:36,279 --> 00:27:37,839 in terms of when you're playing shows, Like you said, 628 00:27:37,839 --> 00:27:38,480 you're playing a lot. 629 00:27:38,920 --> 00:27:40,680 Speaker 5: You get out of New England, do you go, We'll 630 00:27:40,720 --> 00:27:44,359 go wherever we'll have us. Yeah, we just we want 631 00:27:44,400 --> 00:27:46,200 to get out to as many people as possible. But 632 00:27:46,960 --> 00:27:49,200 we love new venues, we love new bands, we love 633 00:27:49,240 --> 00:27:51,519 all the things that we were very lucky enough to 634 00:27:51,559 --> 00:27:54,160 get to do. So anywhere that we'll have us, we 635 00:27:54,240 --> 00:27:55,119 are we are glad to go. 636 00:27:55,440 --> 00:27:57,799 Speaker 3: Yeah, yeah, excellent. Where does the name come from? By 637 00:27:57,799 --> 00:27:58,920 the way, scarecrow Hill. 638 00:27:59,640 --> 00:28:01,920 Speaker 5: That we have been we have ended this question for 639 00:28:02,000 --> 00:28:06,039 so long, So scarecrow Hill. It was actually when when 640 00:28:06,119 --> 00:28:09,680 we were very first trying to start this band, we 641 00:28:09,759 --> 00:28:12,440 had had a different name and everything, and we had 642 00:28:12,480 --> 00:28:16,880 written kind of like this mission statement. It was like 643 00:28:17,039 --> 00:28:20,799 partial lyrics, partial, just eighteen year old Bravado. And yeah, 644 00:28:21,519 --> 00:28:24,119 we had used the term scarecrow Hill as a metaphor 645 00:28:25,359 --> 00:28:27,119 because you know, scarecrows are. 646 00:28:28,519 --> 00:28:29,519 Speaker 4: They're they're warning. 647 00:28:29,799 --> 00:28:32,000 Speaker 5: It's like to stay away from somewhere, it's to keep 648 00:28:32,039 --> 00:28:35,359 you out of something and hills are like steep and 649 00:28:35,440 --> 00:28:37,720 hard to climb, and so we used scarecrow Hill as 650 00:28:37,759 --> 00:28:41,319 a metaphor of like we need to get past a 651 00:28:41,440 --> 00:28:43,599 scarecrow hill into the music business. 652 00:28:43,799 --> 00:28:45,279 Speaker 3: Yeah, and it's. 653 00:28:45,160 --> 00:28:47,480 Speaker 5: Actually my mom looked at us and was like, that's 654 00:28:47,519 --> 00:28:49,680 your band name, Like, that's that's what your band name 655 00:28:49,720 --> 00:28:50,039 should be. 656 00:28:50,240 --> 00:28:52,279 Speaker 4: Yeah, we're all right, we'll give it a shot. It's different. 657 00:28:53,359 --> 00:28:59,000 Speaker 3: Yeah, right, And it's speaking of moms, Hi, moms, yes, time, moms. 658 00:29:00,839 --> 00:29:02,680 What was what was the do you want to say 659 00:29:02,680 --> 00:29:03,200 what the name was? 660 00:29:03,279 --> 00:29:03,559 Speaker 4: Before? 661 00:29:03,720 --> 00:29:04,039 Speaker 3: You see? 662 00:29:04,319 --> 00:29:05,680 Speaker 4: We were called standing Room. 663 00:29:05,880 --> 00:29:08,039 Speaker 1: Because I love hearing about rejected band names to the 664 00:29:08,079 --> 00:29:11,160 standing room? Why why didn't you? Why didn't you stick 665 00:29:11,200 --> 00:29:11,400 with that? 666 00:29:12,319 --> 00:29:14,680 Speaker 5: Honestly, just like I said when she was like, scarecrow 667 00:29:14,720 --> 00:29:17,640 Hill is a better band name. It does sound kind 668 00:29:17,640 --> 00:29:17,920 of cool. 669 00:29:18,000 --> 00:29:19,920 Speaker 3: Actually yeah, yeah, yeah, I do think it's a better 670 00:29:20,000 --> 00:29:24,319 name than standing Room. Yeah, no doubt. 671 00:29:24,480 --> 00:29:27,119 Speaker 1: Well let's oh boy, my voice is cracking. Let's do this, 672 00:29:27,279 --> 00:29:28,839 which is the perfect time to do this because we 673 00:29:28,920 --> 00:29:31,319 were talking about it. Let's play uh, let's play wearing 674 00:29:31,359 --> 00:29:31,799 this together. 675 00:29:31,880 --> 00:29:32,000 Speaker 7: Now. 676 00:29:32,400 --> 00:29:33,880 Speaker 3: I just I'm so amazed by this. 677 00:29:34,559 --> 00:29:37,400 Speaker 1: Now, who's because obviously this this is not the full 678 00:29:37,440 --> 00:29:39,880 band on this track, So who else is playing? 679 00:29:40,039 --> 00:29:41,240 Speaker 3: Who else is doing what on this. 680 00:29:42,759 --> 00:29:46,240 Speaker 5: Yeah, So myself and our our other producer, Joe Clapp, 681 00:29:46,319 --> 00:29:49,039 did a lot of stuff, and then there was a 682 00:29:50,319 --> 00:29:53,359 lady that we had reached out to a couple of 683 00:29:53,480 --> 00:29:57,200 years back actually to get some of the original piano pieces, 684 00:29:58,119 --> 00:30:00,480 and we just kind of combined every thing, and then 685 00:30:00,519 --> 00:30:02,680 he and I sat in the booth and did a 686 00:30:02,720 --> 00:30:05,720 lot a lot of additional piano and the strings and 687 00:30:05,759 --> 00:30:06,720 all that kind of stuff, and. 688 00:30:07,039 --> 00:30:10,799 Speaker 1: Yeah, now it's really impressive. So I'm eager to play it. 689 00:30:10,920 --> 00:30:13,119 Let's give this a listen if you're just joining us. 690 00:30:13,440 --> 00:30:16,079 Scarecrow Hill is with us here in studio this morning, 691 00:30:16,200 --> 00:30:19,119 and this is their cover of nine Inch Nails. 692 00:30:19,160 --> 00:30:21,000 Speaker 3: This is called We're in this Together now. 693 00:31:13,279 --> 00:31:31,759 Speaker 7: M hm hm hm ah. Become impossible, holy to win, 694 00:31:32,640 --> 00:31:43,839 where everything seems mad more ViRGE of how you use 695 00:31:44,039 --> 00:31:49,880 all you use and beating up watching face as if 696 00:31:51,680 --> 00:31:55,519 don't knopass we have joked. 697 00:32:00,640 --> 00:32:08,400 Speaker 11: Where at least together and nod. 698 00:32:05,599 --> 00:32:06,839 Speaker 7: They're gonna stop us. 699 00:32:09,440 --> 00:32:11,000 Speaker 4: Wave on the get Jose. 700 00:32:15,160 --> 00:32:23,000 Speaker 11: Yeah, when mad if the wort of breaking child, then 701 00:32:23,200 --> 00:32:29,160 tell the very end of man until the very end 702 00:32:29,240 --> 00:32:39,839 of your who wakes on the sound does appeal about 703 00:32:39,880 --> 00:32:43,960 the skin they pack in their pall, trying to get 704 00:32:44,039 --> 00:32:47,279 the vegers in. Whether they're gonna kill what we found 705 00:32:47,720 --> 00:32:49,799 while they're gonna hate what they fear. 706 00:32:50,039 --> 00:32:52,880 Speaker 7: Well they're gonna make it go away, Well, they gotta 707 00:32:52,960 --> 00:33:00,680 make it disappear. The father of all. I'm just side you, 708 00:33:02,039 --> 00:33:03,519 as lost as I guess. 709 00:33:04,119 --> 00:33:09,559 Speaker 11: I will find you the tea bottle warm don inside 710 00:33:09,759 --> 00:33:13,079 you if you're rather and delor, I. 711 00:33:13,200 --> 00:33:20,359 Speaker 7: Am a part of Joe and May were released to tiln. 712 00:33:22,839 --> 00:33:24,519 Speaker 9: No the can stop us. 713 00:33:24,640 --> 00:33:36,839 Speaker 7: Now we will make get to some man and the 714 00:33:37,039 --> 00:33:46,000 wilch of FREAKINSI than Tili and the man until the 715 00:33:46,400 --> 00:33:55,519 very end of your Oh we were is gone. We 716 00:33:56,079 --> 00:34:04,519 have to fd on all that we were is gone. 717 00:34:04,759 --> 00:34:14,000 We have to hold on we all hobbies gone. We 718 00:34:14,599 --> 00:34:23,280 have to hold on all that we wereris gone. But 719 00:34:23,760 --> 00:34:33,119 we gain all you in May. We're in this together. 720 00:34:36,159 --> 00:34:41,599 Speaker 11: None of them can stop us. Now we will make 721 00:34:41,679 --> 00:34:48,960 it through something chain made. 722 00:34:50,000 --> 00:34:56,639 Speaker 7: He didn't answer everything you don't cleaning on the jack 723 00:34:59,119 --> 00:34:59,880 everything else. 724 00:35:11,960 --> 00:35:39,320 Speaker 3: H H, that's so good. 725 00:35:39,360 --> 00:35:41,440 Speaker 1: I didn't even want to talk over that slow fade. 726 00:35:41,440 --> 00:35:42,679 At the end, I was like, no, I got to 727 00:35:42,719 --> 00:35:44,480 give that a few more seconds. That's intense. 728 00:35:44,880 --> 00:35:45,639 Speaker 3: That is so good. 729 00:35:46,199 --> 00:35:48,519 Speaker 1: Scarecrow Hill is here with us in studio if you 730 00:35:48,599 --> 00:35:51,599 are just joining us, and that is their cover of 731 00:35:52,199 --> 00:35:55,039 We're in This Together Now by Nine Inch Nails and yeah, great, 732 00:35:55,119 --> 00:35:59,360 great job on that. What do you guys, uh, what 733 00:35:59,480 --> 00:36:02,199 do you guys coming up in terms of are you 734 00:36:02,519 --> 00:36:04,639 are you already working on material for I know this 735 00:36:04,760 --> 00:36:07,400 album just came out, but you know, you strike me 736 00:36:07,480 --> 00:36:10,280 as guys who probably have a lot of ideas, who're 737 00:36:10,360 --> 00:36:12,000 probably already working on some new stuff. 738 00:36:12,920 --> 00:36:14,840 Speaker 4: We're pretty much constantly. 739 00:36:16,000 --> 00:36:18,239 Speaker 5: Anytime we put anything out, we'll give it a few 740 00:36:18,320 --> 00:36:22,400 months and really hone in on the live part of 741 00:36:22,440 --> 00:36:24,559 the show and things that we got to do. But 742 00:36:25,239 --> 00:36:28,760 I think genuinely we enjoy writing together so much that 743 00:36:28,880 --> 00:36:31,599 we just we never stopped. It's yeah, we we just 744 00:36:32,000 --> 00:36:35,360 came finished and started polishing a new track a week ago. 745 00:36:36,599 --> 00:36:36,760 Speaker 4: Yeah. 746 00:36:36,880 --> 00:36:40,480 Speaker 12: Well that's like the exciting part because I'm speaking for myself, 747 00:36:40,519 --> 00:36:43,440 I'm kind of the impatient type. But pretty much even 748 00:36:43,519 --> 00:36:47,320 before we put an album out, we're already kind of 749 00:36:47,400 --> 00:36:50,559 looking at the next next new material that we're going 750 00:36:50,599 --> 00:36:54,079 to be writing, and we're looking at ways really, how 751 00:36:55,199 --> 00:37:00,199 one we can improve in two, how we can I 752 00:37:00,239 --> 00:37:02,960 don't just moving forward, what we can do to evolve 753 00:37:03,159 --> 00:37:06,920 our sound, yeah, which you know, I think it's. 754 00:37:06,840 --> 00:37:08,480 Speaker 2: Awesome, And there's a lot of a lot of time. 755 00:37:08,519 --> 00:37:12,039 There's enough time between when you're done writing a batch 756 00:37:12,079 --> 00:37:14,719 of songs for a record and the time that that 757 00:37:14,960 --> 00:37:20,559 comes out, that between that you're already I mean personally, 758 00:37:20,639 --> 00:37:23,199 sometimes I get a little fatigued from like the writing 759 00:37:23,280 --> 00:37:26,440 and recording process. So like to have like maybe even 760 00:37:26,599 --> 00:37:28,400 just like a month to kind of like forget about 761 00:37:28,440 --> 00:37:30,360 it is good. Yeah, But even still, like once we're 762 00:37:30,400 --> 00:37:33,199 done with the writing and recording, even before the next 763 00:37:33,239 --> 00:37:35,199 one comes out, it's a lot of the time it's 764 00:37:35,199 --> 00:37:38,119 already creative juices are flowing for the next thing. 765 00:37:38,280 --> 00:37:40,760 Speaker 3: Yeah, no doubt exactly. And honestly, it comes to the 766 00:37:40,800 --> 00:37:41,840 most random times. 767 00:37:41,840 --> 00:37:45,039 Speaker 12: I always joke around like some of the best ideas 768 00:37:45,119 --> 00:37:48,840 coming to me in the shower evolved. Yeah, And you know, 769 00:37:48,920 --> 00:37:51,480 if that's the case, it could be a day after 770 00:37:51,559 --> 00:37:54,599 we put out the new album and already putting down 771 00:37:54,639 --> 00:37:57,719 new ideas. Sometimes you're listening to the final mix of 772 00:37:57,800 --> 00:38:01,159 the album and you're like, oh, really good idea you 773 00:38:01,199 --> 00:38:04,159 know all right, Yeah, it's always an evolving process. 774 00:38:04,159 --> 00:38:06,039 Speaker 2: And that's the thing I think I love most about it. 775 00:38:06,239 --> 00:38:06,719 Speaker 7: I think we do. 776 00:38:06,800 --> 00:38:09,559 Speaker 3: I shouldn't even speak for myself, we all do. 777 00:38:09,920 --> 00:38:09,960 Speaker 9: Do. 778 00:38:10,079 --> 00:38:11,360 Speaker 1: Any of the songs that you guys are working on, 779 00:38:11,440 --> 00:38:13,880 you end up playing them out live before before they've 780 00:38:13,880 --> 00:38:14,360 been recording. 781 00:38:14,719 --> 00:38:18,760 Speaker 3: Usually the Yeah, not all, but sometimes yeah, yeah. 782 00:38:18,800 --> 00:38:22,400 Speaker 2: There's usually like if we put out a record that 783 00:38:22,480 --> 00:38:24,480 I mean, the first three of the tri that that 784 00:38:24,599 --> 00:38:26,760 trilogy that was that I I was talking about earlier 785 00:38:27,440 --> 00:38:31,000 was the start of that was the beginning of this 786 00:38:31,159 --> 00:38:35,440 iteration of the lineup. So since then, there was always 787 00:38:35,719 --> 00:38:38,159 like one or two or three that were like the 788 00:38:38,320 --> 00:38:40,559 ones that we knew would would go over well live, 789 00:38:40,679 --> 00:38:42,480 and those were always the ones that we took out 790 00:38:42,800 --> 00:38:44,920 and played first before anything came out. 791 00:38:45,079 --> 00:38:47,639 Speaker 3: Okay, yeah that makes sense, that makes sense. 792 00:38:48,719 --> 00:38:52,280 Speaker 1: And then, uh so so even though obviously we're in winter, 793 00:38:52,360 --> 00:38:54,480 a lot of bands kind of slowed down with the 794 00:38:54,559 --> 00:38:56,159 live shows, but it sounds like, are you guys gonna 795 00:38:56,199 --> 00:38:57,840 be continuing to play through the winter. 796 00:38:58,320 --> 00:39:00,800 Speaker 5: Uh yeah, So we've got We've got a more this month, 797 00:39:01,000 --> 00:39:05,280 and then we're actually we're taking our first break from 798 00:39:05,320 --> 00:39:09,119 live shows in almost three years. Wow, We're taking the 799 00:39:09,159 --> 00:39:14,360 month of February to kind of go home and reassess 800 00:39:14,440 --> 00:39:17,239 and rehune in on some things and get some things 801 00:39:17,320 --> 00:39:19,920 lined back up. But then I mean, right the first 802 00:39:19,960 --> 00:39:21,800 week in March, we're right back at it. We're back 803 00:39:21,840 --> 00:39:22,239 out of there. 804 00:39:22,440 --> 00:39:23,239 Speaker 3: So excellent. 805 00:39:23,960 --> 00:39:26,000 Speaker 4: Nice to have a little time off, But I'm glad 806 00:39:26,000 --> 00:39:27,079 it's the shortest month. 807 00:39:27,119 --> 00:39:29,840 Speaker 3: Right, yeah, yeah, exactly. 808 00:39:30,000 --> 00:39:31,880 Speaker 1: Well, it seems like you have a lot of momentum 809 00:39:31,960 --> 00:39:34,599 and uh, you know, like I said, the album is great. 810 00:39:36,039 --> 00:39:39,000 And then, by the way, do you guys do any 811 00:39:39,039 --> 00:39:42,440 covers live other than I don't, like, I don't know really, 812 00:39:43,880 --> 00:39:46,119 I'm just all I was curious. I always say you 813 00:39:46,159 --> 00:39:47,639 can kind of tell tell a little bit about a 814 00:39:47,679 --> 00:39:49,559 band's influences by the covers that they do. But you 815 00:39:49,599 --> 00:39:52,960 guys have such an interesting sound and such a disparate 816 00:39:53,320 --> 00:39:57,400 influences anyway, that which I think is really cool. Is 817 00:39:57,440 --> 00:39:58,880 there anybody in the scene, by the way, that you 818 00:39:58,960 --> 00:40:00,559 play a lot of shows with? You know, sometimes it 819 00:40:00,599 --> 00:40:03,800 happens organically, you just end up sort of teaming up 820 00:40:03,920 --> 00:40:05,440 unofficially with bands. 821 00:40:05,119 --> 00:40:08,000 Speaker 3: And like like like who who uh who around here? 822 00:40:08,039 --> 00:40:08,960 Do you guys play a lot with. 823 00:40:09,840 --> 00:40:11,880 Speaker 4: Well, I mean, like, like we said, we get Rags 824 00:40:11,920 --> 00:40:13,320 of Stitches right here in New Hampshire. 825 00:40:13,880 --> 00:40:16,840 Speaker 3: Oh, I finally remembered. Now why Jenny, you know why 826 00:40:16,920 --> 00:40:19,039 that Dave is so familiar. We saw them at a 827 00:40:19,280 --> 00:40:23,400 Spelfy fest. Rags of Stitches was there, That's why. Okay, 828 00:40:23,480 --> 00:40:25,679 so yeah, we will get them on. I'm sorry, I mean, 829 00:40:25,760 --> 00:40:26,360 but yeah. 830 00:40:26,239 --> 00:40:29,480 Speaker 5: So we love this and I mean there's fear of 831 00:40:29,519 --> 00:40:32,199 the Masses out of Connecticut or you know, good Buddies 832 00:40:32,199 --> 00:40:32,599 of ours that. 833 00:40:32,599 --> 00:40:33,320 Speaker 4: We play with a lot. 834 00:40:33,519 --> 00:40:34,320 Speaker 3: That's a name I've heard. 835 00:40:34,400 --> 00:40:36,159 Speaker 4: Yeah, yeah, yeah, they're they're phenomenal. 836 00:40:36,360 --> 00:40:38,239 Speaker 2: The Great Curtain. Shout out the Great Curtain. 837 00:40:38,440 --> 00:40:40,599 Speaker 3: Oh I love we had the Great Curtain on the show. 838 00:40:40,679 --> 00:40:42,079 Great band. Yeah, great band. 839 00:40:42,360 --> 00:40:45,000 Speaker 2: Dennis Layton is great, one of the one of the 840 00:40:45,079 --> 00:40:46,599 greatest humans you will ever meet. 841 00:40:46,679 --> 00:40:47,400 Speaker 3: Oh he's awesome. 842 00:40:47,480 --> 00:40:50,039 Speaker 1: And another guy who too like really tries to do 843 00:40:50,159 --> 00:40:52,920 something different, yes, like really unique. 844 00:40:53,039 --> 00:40:54,400 Speaker 3: Oh love love that band. 845 00:40:54,559 --> 00:40:57,480 Speaker 2: You cannot say that he is not one hundred percent 846 00:40:57,639 --> 00:41:00,320 himself when he's doing what he's doing. He's not trying 847 00:41:00,320 --> 00:41:01,519 to be anything else other than that. 848 00:41:01,800 --> 00:41:02,920 Speaker 3: Yeah, yeah, exactly. 849 00:41:03,320 --> 00:41:06,119 Speaker 5: It's one of the things that we all really seem 850 00:41:06,159 --> 00:41:08,199 to love and enjoy about the New England scene is 851 00:41:10,320 --> 00:41:12,719 there'sn't a whole lot of competition going on like in 852 00:41:13,199 --> 00:41:19,320 some scenes around. It's much more of a teamwork thing 853 00:41:19,400 --> 00:41:21,199 that a lot of bands that are friends, a lot 854 00:41:21,239 --> 00:41:21,800 of bands. 855 00:41:21,639 --> 00:41:23,679 Speaker 2: Yes, yeah, Rising Tide lifts all ships. 856 00:41:23,840 --> 00:41:24,440 Speaker 1: Yeah yeah. 857 00:41:24,679 --> 00:41:27,440 Speaker 5: And we'll go play this show, you know, down in 858 00:41:28,480 --> 00:41:31,280 the middle of nowhere, Connecticut, and there's ten bands on 859 00:41:31,360 --> 00:41:33,639 the bill, and eight of them are bands that we've 860 00:41:33,719 --> 00:41:36,760 played twenty five shows with, yeah, and guys that we're 861 00:41:36,840 --> 00:41:39,880 like genuinely looking forward to seeing, right. It makes it 862 00:41:39,960 --> 00:41:41,199 a lot of fun, It makes it very cool. 863 00:41:41,400 --> 00:41:41,599 Speaker 3: Yeah. 864 00:41:42,039 --> 00:41:46,000 Speaker 1: I always feel like, you know, music is very much 865 00:41:46,280 --> 00:41:48,079 people are supportive of each other. I always kind of 866 00:41:48,119 --> 00:41:51,480 contrast it with stand up comedy because I listen to 867 00:41:51,559 --> 00:41:53,360 some podcasts where, you know, you've got these stand up 868 00:41:53,400 --> 00:41:56,480 comics who talk about about that industry, and my impression 869 00:41:56,599 --> 00:41:59,000 is that in stand up comedy, everyone is very cutthroat 870 00:41:59,039 --> 00:42:01,280 and everyone kind of secretly hates each other. And I 871 00:42:01,320 --> 00:42:04,039 feel like music is the opposite of that. Like in music, 872 00:42:04,119 --> 00:42:04,679 I mean, don't. 873 00:42:04,519 --> 00:42:06,239 Speaker 3: Get me wrong, there are sharks and there are cutthroat 874 00:42:06,239 --> 00:42:08,599 people in the music industry too, obviously, but I think 875 00:42:08,679 --> 00:42:12,480 generally musicians try to really support each other and try 876 00:42:12,519 --> 00:42:14,400 to support each other and uplift everybody. 877 00:42:16,000 --> 00:42:18,199 Speaker 1: So I so I think that's that's really cool. And 878 00:42:18,239 --> 00:42:20,800 then do you guys, what do you guys have coming up? 879 00:42:20,800 --> 00:42:22,800 Do you have any shows this weekend that you're playing 880 00:42:22,840 --> 00:42:23,440 that you want to plug? 881 00:42:23,880 --> 00:42:27,039 Speaker 5: We have so on January fifteenth, we're actually at the 882 00:42:27,119 --> 00:42:31,920 Worcester Palladium with Dropout Kings and The Browning Okay. 883 00:42:31,880 --> 00:42:33,800 Speaker 4: Which we're very much looking forward to. 884 00:42:34,280 --> 00:42:38,639 Speaker 5: Excellent, and then yeah we get gosh on the seventeenth, 885 00:42:38,719 --> 00:42:41,480 we're in our hometown, which is a rare thing but 886 00:42:41,559 --> 00:42:42,159 an awesome thing. 887 00:42:42,239 --> 00:42:43,239 Speaker 4: We love getting to play there. 888 00:42:45,679 --> 00:42:46,079 Speaker 3: Where is that? 889 00:42:46,239 --> 00:42:49,519 Speaker 4: That's at a place called the New World Tavern in Plymouth, 890 00:42:49,639 --> 00:42:50,440 mass Excellent. 891 00:42:50,840 --> 00:42:54,360 Speaker 2: One of the coolest venues in that section of Massachusetts. Yeah, 892 00:42:54,480 --> 00:42:56,840 for sure. Okay, it's like a very like when you 893 00:42:56,880 --> 00:42:59,360 go in the front, it's a very unassuming tavern looking place, 894 00:42:59,400 --> 00:43:01,079 but you go down the little hallway to the back 895 00:43:01,119 --> 00:43:04,159 and there's probably like a two hundred person venue with 896 00:43:04,239 --> 00:43:07,000 a nice stage sound set up. It's it's pretty awesome. 897 00:43:07,119 --> 00:43:08,079 Speaker 4: They treat us very well. 898 00:43:09,400 --> 00:43:12,639 Speaker 3: That's awesome. That's awesome. Well, guys, the time goes so quick. 899 00:43:12,639 --> 00:43:14,639 Speaker 1: We're already approaching the top of the hour, and I 900 00:43:14,719 --> 00:43:17,199 am going to play to end the segment this track 901 00:43:17,320 --> 00:43:20,559 Wasting Time, another great, great song. I really like this 902 00:43:20,639 --> 00:43:22,840 one a lot from the new album of Death in 903 00:43:22,920 --> 00:43:25,920 the Family from Scarecrow Hill. But before we let you 904 00:43:26,000 --> 00:43:28,199 go to what should our listeners know about? Where to 905 00:43:28,239 --> 00:43:30,039 keep up with everything that you're doing online? Where's the 906 00:43:30,440 --> 00:43:31,159 best place to go? 907 00:43:31,480 --> 00:43:33,519 Speaker 5: I mean, just like anybody else man where we have 908 00:43:33,639 --> 00:43:37,000 the Instagram, Facebook, any anywhere there's a band begging for attention, 909 00:43:37,119 --> 00:43:37,360 We're on. 910 00:43:37,440 --> 00:43:41,760 Speaker 3: There you go, there you go? All right, guys, thank 911 00:43:41,800 --> 00:43:42,400 you so much.