WEBVTT

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<v Speaker 1>You just developed that secondhand you know thing. He would

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<v Speaker 1>do chords like that. You showed me how to do it.

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<v Speaker 1>I thought, well, that's cool, but I didn't think nothing

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<v Speaker 1>of it. I thought, of course, if you put your

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<v Speaker 1>finger down, how it's gonna make nooy right? And I thought,

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<v Speaker 1>I watch a good trick. I use it for like,

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<v Speaker 1>you know, stupid little things. But Ed picked up on it.

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<v Speaker 1>With the venues were totally rock and roll. I mean,

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<v Speaker 1>I'll leave you you're reading.

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<v Speaker 2>Little hands this, It's time to rock and roll roll.

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<v Speaker 1>I totally booked.

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<v Speaker 3>Welcome back to Booked on Rock conversations with authors, musicians

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<v Speaker 3>and insiders revealing the stories behind classic rocks, greatest songs, albums,

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<v Speaker 3>and artists. If you're enjoying the show you'd like to

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<v Speaker 3>support it, you can sign up for the Booked on

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<v Speaker 3>Rock Backstage Pass on Patreon for just five dollars a month,

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<v Speaker 3>get every episode commercial free and before everyone else. You

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<v Speaker 3>can use the link in the show notes or visit

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<v Speaker 3>Booked on Rock dot com. Now onto our guest. I'm

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<v Speaker 3>very excited about this. I'm joined by legendary guitarist Terry Kilgore,

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<v Speaker 3>a long time mixture of Southern California's rock scene, whose

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<v Speaker 3>remarkable careers included close friendships with Eddie Van Halen and

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<v Speaker 3>David Lee Roth, along with acclaimed guitar and songwriting work

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<v Speaker 3>on Roth's solo albums. After surviving the devastating ETN fire

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<v Speaker 3>that destroyed his home, studio and treasured guitar collection, Terry

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<v Speaker 3>is making an inspiring comeback with his brand new album,

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<v Speaker 3>The Devil's and the Details, and he is here to

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<v Speaker 3>share the incredible stories behind the music and the journey. Terry,

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<v Speaker 3>thank you so much for coming on the show, and

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<v Speaker 3>we also have to be here. Christy's with you as well. Christy,

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<v Speaker 3>you are singing on this upcoming album.

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<v Speaker 1>Right Yet the lyrics we're going to bang up job

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<v Speaker 1>very different.

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<v Speaker 2>Singing then we produced together. I go on the studio

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<v Speaker 2>sometimes sometimes we go together, and for the production.

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<v Speaker 1>They're not much coming out different than anything I've ever done.

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<v Speaker 1>But you know, that's what I want to do. When

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<v Speaker 1>you want to do things that you haven't done, you

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<v Speaker 1>have to do things that you don't do, you know.

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<v Speaker 3>Get that couple and the stage name is Corpus CHRISTI right, I.

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<v Speaker 4>Love that that's my stage name.

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<v Speaker 1>Yet that's cool, he played out live more than I do.

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<v Speaker 1>I mean, really, you know, it's I'm desperately trying to

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<v Speaker 1>make sense of a studio that's inside of an RV,

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<v Speaker 1>and it's different, you know, the gears up the snuff.

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<v Speaker 1>It's better than it ever been. But you know, it's

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<v Speaker 1>like when you when the fire hit. I mean I

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<v Speaker 1>wasn't thinking, obviously I'd take a six hundred guitar, six

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<v Speaker 1>hundred dollars guitar and leave the thirty thousand dollars burn.

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<v Speaker 4>It was like, well, you had a fire all coming

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<v Speaker 4>at you, so you weren't thinking.

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<v Speaker 1>I've never seen the like of it. Nobody ever has,

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<v Speaker 1>I don't think. And then you know, the bower off

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<v Speaker 1>at six o'clock and then they shut the water up

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<v Speaker 1>at about three in the morning, and we just couldn't

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<v Speaker 1>couldn't get wet enough. It was age redwood. My place

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<v Speaker 1>was one hundred and forty years old and never had

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<v Speaker 1>a not a hitch. And then they tried to say

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<v Speaker 1>it was you know, homeless people up there smoking cigarettes

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<v Speaker 1>up in two thousand feet up in a power tower.

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<v Speaker 1>Then we come to fly that all twenty six towers

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<v Speaker 1>that lead up to Sohmar are all faulty. Because they

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<v Speaker 1>didn't want to upset their shareholders, so they burnt nine

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<v Speaker 1>thousand structures and their CEO got a sixteen million dollar bonus.

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<v Speaker 3>Unbelievable. That was almost exactly a year ago, wasn't.

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<v Speaker 1>It a year and a half ago? In the r

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<v Speaker 1>for a long all these years. Let me tell you

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<v Speaker 1>something might be fun on camping trip, but you don't

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<v Speaker 1>want to live in the morning.

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<v Speaker 4>Yeah, it was too long.

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<v Speaker 1>With all the amenities, it's still opinion. You ask because

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<v Speaker 1>you're you're in basically get a fiberglass kiln and do

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<v Speaker 1>work in there. You have to have wind blowing on

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<v Speaker 1>you all the time, you know, so it stretches the opinion.

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<v Speaker 2>Yeah, so we spend time in the studio, we spend

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<v Speaker 2>time playing here, and then.

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<v Speaker 4>He doesn't get out. You play out a little.

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<v Speaker 1>Bit, but more it's like, you know, well, you've played

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<v Speaker 1>in front of a lot of people and you're doing whatever.

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<v Speaker 1>It's not much fun to play in front of ten

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<v Speaker 1>twelve people in these clubs. It's really gotten small out here,

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<v Speaker 1>that team. It's small. I mean if you go into

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<v Speaker 1>the only places that we know they're really doing business,

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<v Speaker 1>or like beer bars and regular drinking bars that maybe

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<v Speaker 1>you have enough rooms, set a band up that has

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<v Speaker 1>to stand amongst the audience, just like they're part of

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<v Speaker 1>the you know, the the clientele. So it doesn't have

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<v Speaker 1>a stage feel to it.

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<v Speaker 4>And for me, I'm fine with anything.

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<v Speaker 2>I don't play anywhere anyone asked me, and so we

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<v Speaker 2>play a house of Blues quite a bit.

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<v Speaker 1>He's got a good out the cuff thing. She can

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<v Speaker 1>adapt quick. I can adapt. But it's just like you

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<v Speaker 1>get used to. I have a certain idea about how

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<v Speaker 1>I want to be projected and I haven't gotten to

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<v Speaker 1>it yet because it does a lot of work.

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<v Speaker 4>You've been in a r V doing your life.

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<v Speaker 2>I mean, so I think that you just need to

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<v Speaker 2>give yourself a little bit of time again.

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<v Speaker 1>So well you take ship for granted, because you know,

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<v Speaker 1>I had a beautiful studio and I'm thinking I go

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<v Speaker 1>in there and record anytime. I'll wait. Now it's work.

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<v Speaker 2>He's got a bit of a life adjustment until his

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<v Speaker 2>everything sorts out and he gets his house back. You know,

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<v Speaker 2>once he gets a house back, it will change. But

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<v Speaker 2>right now he's been uprooted, so yeah, he's not playing

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<v Speaker 2>out like you used to.

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<v Speaker 4>But that'll change.

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<v Speaker 1>Well, you know, I would play off. But you know,

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<v Speaker 1>I don't want to play standards. I mean, I'm going

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<v Speaker 1>to play that funky music, white boy fas I came from.

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<v Speaker 4>You're going to play your originals.

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<v Speaker 1>I I think the guys would do that. They relegate

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<v Speaker 1>themselves to that life. Yeah, if you play that kind

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<v Speaker 1>of ship, people will devaluate the value the department. We

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<v Speaker 1>don't make any money at all.

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<v Speaker 4>I don't find funky music right by.

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<v Speaker 1>But he's just like paid to do this ship, you know,

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<v Speaker 1>And I was better when I got paid.

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<v Speaker 3>I think a belated birthday is in order, right.

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<v Speaker 1>Yeah, that's good.

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<v Speaker 4>You're so good.

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<v Speaker 3>I was gonna say, seventy one years young.

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<v Speaker 1>Yes, yeah, I'm in a better shape than some of them.

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<v Speaker 1>But you know, I don't I don't know what Dave

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<v Speaker 1>did him so, but he looks bad and he was strong.

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<v Speaker 1>Believe me, when I worked with that guy, You've never

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<v Speaker 1>seen stronger fingers. He could take his middle fingers and

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<v Speaker 1>put him out of door jam and take his whole

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<v Speaker 1>weight up down with it several times those from binding

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<v Speaker 1>and stuff.

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<v Speaker 3>So yeah, he's always been an amazing shape. I think

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<v Speaker 3>he's the same.

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<v Speaker 1>He would have been a great gym coach.

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<v Speaker 3>Right, or a game show for teacher can.

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<v Speaker 1>Get stuimes that backfires out sword fighting? You remember on

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<v Speaker 1>Jimmy Kimmel's kind of backfire. Oh yeah, he knocked about knocked.

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<v Speaker 3>His beak off, exactly did you see that?

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<v Speaker 1>With your own story, you got to look at that like, hey,

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<v Speaker 1>if that was a blade, you'd be missing your snobs now.

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<v Speaker 3>Yeah, you grew up in a very musical family right

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<v Speaker 3>in Altadina. Talk about that. Your father had a love

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<v Speaker 3>of rock and roll and your mother was a Flamenco

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<v Speaker 3>guitar player.

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<v Speaker 1>Yeah, well I learned basically, I picked up the guitar.

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<v Speaker 1>She played Flamenco. But it was a craze in nineteen

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<v Speaker 1>sixty there was a big Flamenco craze and all the

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<v Speaker 1>housewives will get guitars and learning Flamenco. And she got

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<v Speaker 1>to serve. My uncle's taught her, and I mean real Flamenco.

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<v Speaker 1>You work on compos your right hand for a year

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<v Speaker 1>before you've ever touched anything over here. So it's like

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<v Speaker 1>being a heart player that you have to learn all

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<v Speaker 1>those techniques and be able to play them in time.

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<v Speaker 1>So my mom was a harsh judge. You know what,

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<v Speaker 1>I mean, my progress is slow. You as you suck,

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<v Speaker 1>you get to do that. And you know, she had

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<v Speaker 1>a a Flamenco guitar that had action about that tall,

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<v Speaker 1>so it was not comfortable to play. And then finally

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<v Speaker 1>I got, you know, my first I think it was

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<v Speaker 1>a nineteenth Strand who in the sixty seven or eight telecaster,

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<v Speaker 1>and after beating it up for a couple of years,

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<v Speaker 1>I got an SG and then everything. That's when the

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<v Speaker 1>Golden Era started, with the cool amps, you know, fifty

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<v Speaker 1>old fifty watt marshals and the uh you know Goodman

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<v Speaker 1>audience speakers that were in high watching. We've got a

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<v Speaker 1>really exotic, clandestine sound out of these things back then.

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<v Speaker 1>And Ed had that ed super lead was the same

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<v Speaker 1>one that they used at the Rose Fils for Reynolds

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<v Speaker 1>at sixty eight Fletchy that John Zata bought. He played

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<v Speaker 1>that thing to where I remember it was in fifty

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<v Speaker 1>one fifty always left with the chassis. The box was gone. Yeah,

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<v Speaker 1>a rearstat, a big rearstat, right, So Don Landy really

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<v Speaker 1>got to give Don Landy a lot of credit for

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<v Speaker 1>that Van Halen sounds.

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<v Speaker 3>Rest in Peace just passed away.

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<v Speaker 1>Well that's what's don with that. You know, eleven seventy

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<v Speaker 1>sixth compression like on drop Dead Legs where the chord

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<v Speaker 1>comes in a home. That's like really ingenious pracket. So

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<v Speaker 1>he used some good, good devices and don't don't forget

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<v Speaker 1>to Evan legendary Evan died nine ten, which was on

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<v Speaker 1>all Van Halen records and all Ozzy stuff because it's

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<v Speaker 1>got you know, it had a really organic quality.

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<v Speaker 4>Is that what we're trying to get?

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<v Speaker 1>Yeah, I had one.

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<v Speaker 4>I burned it up, had everything burned up.

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<v Speaker 1>You find him in special effects companies do folly and

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<v Speaker 1>stuff like that because it has a keyboard. Players are

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<v Speaker 1>crazy about it because the godlike quality, because it's got

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<v Speaker 1>limits and it keys up on certain keys to define

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<v Speaker 1>the mix. But you know, if you listen to what

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<v Speaker 1>their progress was the ones, he was very frank to

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<v Speaker 1>be about it. So which one did you like? Is

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<v Speaker 1>Giver Down? I hated? So it's the worst record we ever.

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<v Speaker 3>He's talked about that because too many covers.

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<v Speaker 1>He didn't like fare Warning either. He it was hostile.

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<v Speaker 1>It was a hostile period because they got to the

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<v Speaker 1>point at Becordia. Rudy Laren, who was AD's guitar tech

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<v Speaker 1>all those years and Greg Emerson who kills himself a

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<v Speaker 1>suicide us. A lot of the guys that we worked

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<v Speaker 1>with did just that. I mean Doug Birch we've turned with.

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<v Speaker 1>He was decapitated of his way to the gorge. Do

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<v Speaker 1>sound for a concerto from the Day and a half

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<v Speaker 1>to find his head?

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<v Speaker 3>Oh my god? Was Greg Emerson the one that they

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<v Speaker 3>wrote the song uh for? It was the A bonus

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<v Speaker 3>track on balance crossing Over?

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<v Speaker 1>I think so yeah, it's it was I think something

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<v Speaker 1>ed conveyed, but Sammy did the vocals and you know

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<v Speaker 1>it's going to be his own viewpoint. But they needed

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<v Speaker 1>somebody like Samy with the personality because Van Hall was

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<v Speaker 1>pretty snotty when they had Dave. I mean they made

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<v Speaker 1>people get those brown am and picked the brown m

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<v Speaker 1>and ms out of stuck and they thought that would

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<v Speaker 1>make them much more attentive to the She didn't want

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<v Speaker 1>to get the bad end of those guys, because you

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<v Speaker 1>know it with Sterling Ball and Edwards like this. They

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<v Speaker 1>they had houses in Sagas that had the golf course

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<v Speaker 1>right in between him meet on the golf course. They

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<v Speaker 1>had a falling out over how much money I was

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<v Speaker 1>getting off the music man guitars or whatever. So that

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<v Speaker 1>went out there. You know, everybody that's dealt with them

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<v Speaker 1>had to. They wanted more money. They were they're very

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<v Speaker 1>European family. They they kept there to themselves financially and

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<v Speaker 1>didn't let anybody in their deal, you know. And Dave

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<v Speaker 1>was like ruthless. I mean, he just told me, guys,

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<v Speaker 1>when he was first with van Halen, they were wearing

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<v Speaker 1>you know, Crota sackers and Penalton and stuff, and that's

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<v Speaker 1>what they did. And he said, you got to got

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<v Speaker 1>to flash up a little bit, start dressing ed, you know,

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<v Speaker 1>telling them what to dress did. They were resentful at first,

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<v Speaker 1>but right of mine has We went to the Freakball,

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<v Speaker 1>the annual Freakball at Lax and this was liketeen seventy

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<v Speaker 1>three or four and a bunch of name acts. Van

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<v Speaker 1>Halen got a spot there and I wish I could

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<v Speaker 1>pull the pictures for that. Friend of mine has probably

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<v Speaker 1>three hundred pictures no one's ever seen, all thirty five millimeters,

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<v Speaker 1>you know, done on a like M five black and white,

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<v Speaker 1>very cool stuff.

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<v Speaker 3>Alex wrote the book Brothers, and he doesn't write about

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<v Speaker 3>the time with Sammy at all. And he doesn't mention

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<v Speaker 3>Sammy that they don't talk like Sammy wants to talk

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<v Speaker 3>with Alex, but Alex is not talking with that.

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<v Speaker 1>He didn't. Apparently Sammy became persona on Gradvy and they

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<v Speaker 1>were completely oppose that they were so thrilled to have him,

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<v Speaker 1>and I ted to tell you what, with all due respect,

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<v Speaker 1>I mean, at their top when they really started making

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<v Speaker 1>money from Ed Leffler. It was Sammy's. Sammy's manager was

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<v Speaker 1>Ed Leffler, and he made them a lot of money.

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<v Speaker 1>When he died, the whole thing got to where every

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<v Speaker 1>why aren't you running this business? Everyone was not a businessman.

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<v Speaker 1>He want to play guitar, so he wasn't handling it.

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<v Speaker 1>Sammy was way experienced that it had made a lot

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<v Speaker 1>of money for him, and he took over and they said,

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<v Speaker 1>they said, who's going to run this thing? Alex?

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<v Speaker 3>And then Ray Daniels stepped in.

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<v Speaker 1>Ray Daniels, well, Sammy just kind of had his management

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<v Speaker 1>and he want trying to find another manager, and they said,

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<v Speaker 1>he You're going to let Sammy run this. You know,

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<v Speaker 1>people got in between us, just hard to handle. Management

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<v Speaker 1>got between me and Dave. Dave went off one night

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<v Speaker 1>and I called him out on it because I went

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<v Speaker 1>to school with I was saying, fuck, you're not going

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<v Speaker 1>to do this to me, yell out the whole band,

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<v Speaker 1>and we were so well rehearsed on me. But it

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<v Speaker 1>was a very all of a sudden became apparent that

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<v Speaker 1>this is going to be a Van Halen Top forty tour.

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<v Speaker 1>And I was a friend with Everage, so it was

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<v Speaker 1>an insult to me to have to play his shit.

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<v Speaker 1>He didn't want to play it, but when you were

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<v Speaker 1>a dave, you're going to be stuck with that for

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<v Speaker 1>at the end of time. That's his that was his thing.

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<v Speaker 1>I understand that, but I just soon got out of

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<v Speaker 1>it because I was getting paid for the publishing and

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<v Speaker 1>mechanical roads. These aren't that great out on the road

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<v Speaker 1>these days, in fact, that people aren't even averaging two

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<v Speaker 1>thousand dollars a week.

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<v Speaker 3>Is it publishing for the songs on your Filthy Little

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<v Speaker 3>Mouth or is it?

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<v Speaker 1>Well, I had half that record. I mean, there's a

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<v Speaker 1>five forty five percent of the publishing of that record,

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<v Speaker 1>and it just wet Plattum about a year ago, after

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<v Speaker 1>what twenty something years, Because all of his stuff sells generally,

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<v Speaker 1>it's on the Van Handlin catalog withst So. But I

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<v Speaker 1>haven't seen a whole lot of money of it. I

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<v Speaker 1>mean there's one incident where I asked for money and

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<v Speaker 1>got it because he was holding my checks and she's

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<v Speaker 1>Christy go for the Diamond Dave Enterprises.

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<v Speaker 4>And right now the time that you could use the money.

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<v Speaker 1>Yeah, well, so it's like more in this w They knows.

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<v Speaker 1>I'm many jam. I don't expect anything. I didn't expect

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<v Speaker 1>anything from Edward. I mean, Everard said he's gonna help

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<v Speaker 1>get a record done in nineteen eighty seven. We worked

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<v Speaker 1>on it real hard, but he had to go to

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<v Speaker 1>Betty Ford so many times that year that that he

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<v Speaker 1>just he could attention. It couldn't be given to it.

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<v Speaker 4>And you had your you got your income.

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<v Speaker 1>Relacious motorcycle action, I told him, I said, ed I've

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<v Speaker 1>been driving motorcycles for thirty years. You should not be

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<v Speaker 1>driving one. There's some guys that should drive them.

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<v Speaker 3>So right now you're owed money from from the your

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<v Speaker 3>filthy little mouse.

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<v Speaker 1>I'm certain that a lot of sources only money I'm

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<v Speaker 1>seen to Donald.

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<v Speaker 3>And where where does that stay? Have you spoken with attorneys?

305
00:13:50.440 --> 00:13:52.799
<v Speaker 1>Twenty two songs published out there that I'm not making

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<v Speaker 1>money on it.

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<v Speaker 2>He speaks with attorneys for Edison, but right now, like

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00:13:56.080 --> 00:13:58.320
<v Speaker 2>his studio burns, so that was a source of income.

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<v Speaker 4>His rental property for literally.

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<v Speaker 1>Took my whole. I mean, my mom's ashes, my brother's actions,

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<v Speaker 1>my step everything's gone.

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<v Speaker 3>Yeah, I'm so sorry to hear that.

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<v Speaker 1>I mean, nothing, nothing left. And I didn't wasn't thinking,

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<v Speaker 1>you know, I'm I was sitting there with a Jamie

315
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<v Speaker 1>hunting out on the lawn chair, it out in the front.

316
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<v Speaker 1>I said, you know what, I get pretty well, only

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<v Speaker 1>if a firestorm could take me up. Right.

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<v Speaker 3>There was a gofund me and I know it was

319
00:14:21.399 --> 00:14:23.000
<v Speaker 3>posted on the Van Helen news desk too.

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<v Speaker 1>Oh my daughter raised forty five thousand dollars for me. Yeah,

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<v Speaker 1>thank you, and I paid. I gave her a lot

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<v Speaker 1>for her college, and she helped her mother and got

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<v Speaker 1>her a car because we were gone.

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<v Speaker 4>So it definitely helped.

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<v Speaker 1>It definitely helped. Thank you to anybody. A lot of

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<v Speaker 1>my cousins and a lot of my friends came forward.

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<v Speaker 1>I'm breakless hell, but you know what it's at this

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<v Speaker 1>day and age, he's got to make a lot of

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00:14:45.639 --> 00:14:47.000
<v Speaker 1>money just to live. I mean, it's got to be

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<v Speaker 1>tough with Connecticut, the taxes, a property taxes.

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<v Speaker 3>Durer, Trust me, I have a day job that I

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00:14:52.000 --> 00:14:54.559
<v Speaker 3>don't necessarily love, but I got to make a living

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00:14:55.000 --> 00:14:56.440
<v Speaker 3>and then I come home, and then I come home

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00:14:56.480 --> 00:14:58.039
<v Speaker 3>and I do this stuff and I love talking to

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00:14:58.039 --> 00:14:58.879
<v Speaker 3>people like that in the.

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<v Speaker 1>Vacuum tube business and retired. I finally retired. I did

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00:15:01.759 --> 00:15:05.360
<v Speaker 1>business over the front of mine and I still get

338
00:15:05.360 --> 00:15:07.759
<v Speaker 1>residual from it. But I'll tell you what, that was

339
00:15:07.759 --> 00:15:10.240
<v Speaker 1>a damn good business. Compared to the music business in

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00:15:10.279 --> 00:15:13.120
<v Speaker 1>the last twenty years, it's been horrible. I mean, really,

341
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<v Speaker 1>nobody signed a deal if you if you had to,

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<v Speaker 1>if you're an act that was established, like even Steve Pearcy,

343
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<v Speaker 1>and you know, they struggle. Warren doesn't struggle though, but

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<v Speaker 1>you know Pearcy's out there playing a lot. We're killing him.

345
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<v Speaker 1>They basically killing himself. It's tough to go and tour

346
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<v Speaker 1>around the country. The first thing you're going to get

347
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<v Speaker 1>if you go out in the spring and winter time,

348
00:15:33.480 --> 00:15:36.840
<v Speaker 1>you're going to get pneumonia in within five weeks because

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<v Speaker 1>they don't let you sleep.

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<v Speaker 4>Well, that was the two you were on.

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<v Speaker 1>Yeah, they didn't make it when you go out with

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<v Speaker 1>Dave was not like fun and games. Yeah, gets he

353
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<v Speaker 1>gets mad at everybody, and you don't want to be

354
00:15:46.960 --> 00:15:49.200
<v Speaker 1>a guitar player, sound or a drama with that guy.

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<v Speaker 1>He just now he doesn't say anything, But before it

356
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<v Speaker 1>was like I was so important. It ruined a lot

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<v Speaker 1>of fun times. We had great shows. But man, he

358
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<v Speaker 1>was always so just and was it?

359
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<v Speaker 3>Raylu Zero said he was on the receiving end of

360
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<v Speaker 3>one of those.

361
00:16:04.399 --> 00:16:08.039
<v Speaker 1>Yeah. Ron Wicksow and Matt Businette was not real wild

362
00:16:08.080 --> 00:16:10.720
<v Speaker 1>about him either. They went at it quite a bit

363
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<v Speaker 1>because you know, when Greg's could get along with anybody,

364
00:16:12.960 --> 00:16:14.879
<v Speaker 1>you have to be kind of a I don't know,

365
00:16:15.080 --> 00:16:18.120
<v Speaker 1>gregarious type person to be around him and put up

366
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<v Speaker 1>with it, because if you get on his inner circle,

367
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<v Speaker 1>he's going to start picking at you. It's a he's

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<v Speaker 1>a different guy. He's been that way since he was fourteen.

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<v Speaker 4>I have family members like that.

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<v Speaker 1>You know, he's got a thing that his parents may

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<v Speaker 1>have go to some juvenile delinquent class, and he never

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<v Speaker 1>forgave before it.

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<v Speaker 3>That's the question. What people always have, like, is the

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<v Speaker 3>Dave that we see on camera on stage, is that

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<v Speaker 3>the Dave that's you know, when the cameras are off.

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<v Speaker 3>Is he the same way?

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<v Speaker 1>It's not the same, And wherever you go it's different.

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<v Speaker 1>You go, well, we're gonna get this, We're going to

379
00:16:53.879 --> 00:16:56.600
<v Speaker 1>get this today. Or he's exceptric and he's funny, but

380
00:16:56.639 --> 00:16:58.919
<v Speaker 1>you know he plays weird games. I mean, Robin Ford

381
00:16:58.960 --> 00:17:02.600
<v Speaker 1>got mangled up by his weiler's estra Clara. He gave

382
00:17:02.720 --> 00:17:05.079
<v Speaker 1>up his aunts. Right. He'd make me walk by the

383
00:17:05.119 --> 00:17:07.119
<v Speaker 1>cave you sit the dog to bite my genitals up.

384
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<v Speaker 1>I'm going where near you. Yeah, they were like little boys.

385
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<v Speaker 1>They lived in the in the rooms of the mansion

386
00:17:14.799 --> 00:17:16.880
<v Speaker 1>with my masters. That's all pour up, you know, it's

387
00:17:16.880 --> 00:17:19.720
<v Speaker 1>like just the dogs rooms. He had a big place.

388
00:17:19.960 --> 00:17:24.240
<v Speaker 1>His place was owned by originally owned by J. P. Doherty.

389
00:17:24.799 --> 00:17:26.599
<v Speaker 1>Dougherty was like one of the guys that was sitting

390
00:17:26.640 --> 00:17:29.160
<v Speaker 1>on the board of directors with Rocket Brother when Keeddy

391
00:17:29.200 --> 00:17:30.720
<v Speaker 1>Roll made him split the world up.

392
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<v Speaker 3>Oh you talk about the mansion that day lives in now.

393
00:17:35.039 --> 00:17:37.759
<v Speaker 1>Yeah, it was Orange Groves, yes, and that was his

394
00:17:37.799 --> 00:17:40.839
<v Speaker 1>summer homeies. He's really his winter homes in Pennsylvania where

395
00:17:40.880 --> 00:17:43.519
<v Speaker 1>the oil was, of course, but it was a beautiful

396
00:17:43.519 --> 00:17:45.839
<v Speaker 1>place that I mean, it goes but he's still all

397
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<v Speaker 1>the way down that.

398
00:17:49.920 --> 00:17:50.799
<v Speaker 4>Weddings, doesn't he.

399
00:17:50.920 --> 00:17:53.319
<v Speaker 1>But yeah, well he did for a while because it's

400
00:17:53.319 --> 00:17:56.200
<v Speaker 1>not really financially solid. Well yeah, and then he sold

401
00:17:56.200 --> 00:17:58.400
<v Speaker 1>his publishing. And that's my question, is word of my

402
00:17:58.559 --> 00:18:00.680
<v Speaker 1>end of that publishing gets sold? I want something to

403
00:18:00.880 --> 00:18:04.119
<v Speaker 1>I heard him talk about that. But you know, Dave

404
00:18:04.240 --> 00:18:06.240
<v Speaker 1>was never a big on promoted when ever since Steve

405
00:18:06.279 --> 00:18:09.559
<v Speaker 1>I really got a hand up from Dave. He really did.

406
00:18:09.599 --> 00:18:12.119
<v Speaker 1>I mean, Steve sold more record than Dave did on

407
00:18:12.160 --> 00:18:15.799
<v Speaker 1>the next record that he was away from him, And uh,

408
00:18:15.839 --> 00:18:17.920
<v Speaker 1>he didn't ever forget that he was about to help

409
00:18:17.960 --> 00:18:21.000
<v Speaker 1>anybody else. Really here, I'm going to put you forward.

410
00:18:21.039 --> 00:18:23.240
<v Speaker 1>He would. He got mad at me. He took away

411
00:18:23.279 --> 00:18:26.200
<v Speaker 1>all my interviews, all the magazine stuff. So I was

412
00:18:26.240 --> 00:18:29.480
<v Speaker 1>basically an unknown, as unknown as I was when I

413
00:18:29.519 --> 00:18:31.880
<v Speaker 1>went in. I went out only the people that knew me,

414
00:18:32.480 --> 00:18:34.160
<v Speaker 1>the people I knew in the business in New York,

415
00:18:34.839 --> 00:18:37.119
<v Speaker 1>which is better than the la which I was at

416
00:18:37.160 --> 00:18:39.680
<v Speaker 1>eight O two of local work. Seven didn't you ship

417
00:18:39.759 --> 00:18:42.720
<v Speaker 1>for me? Uh? Eight O two got the jobs.

418
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<v Speaker 3>You had to have thought. You know, when you're chosen

419
00:18:46.000 --> 00:18:48.519
<v Speaker 3>to be the guitars for Dave's album, you had to

420
00:18:48.559 --> 00:18:50.960
<v Speaker 3>have thought. You saw what it did for the careers

421
00:18:51.000 --> 00:18:52.519
<v Speaker 3>of Vibe.

422
00:18:52.599 --> 00:18:54.000
<v Speaker 1>I figured out I was going to go up a

423
00:18:54.039 --> 00:18:56.359
<v Speaker 1>couple of wrongs, but then it looked at the Jason Becker.

424
00:18:57.200 --> 00:18:59.599
<v Speaker 1>I felt bad about picking up where he because he

425
00:18:59.680 --> 00:19:02.440
<v Speaker 1>was done. Because als is like you said, he went

426
00:19:02.480 --> 00:19:05.880
<v Speaker 1>across the street, he just stopped, couldn't move, couldn't take

427
00:19:05.880 --> 00:19:08.359
<v Speaker 1>another step. And you know, he's lived longer anybody I've

428
00:19:08.359 --> 00:19:08.960
<v Speaker 1>ever heard of with that.

429
00:19:09.119 --> 00:19:12.759
<v Speaker 3>Isn't that amazing? Yeah, he's uh, how old is he now?

430
00:19:12.880 --> 00:19:13.880
<v Speaker 1>You only move his eyes.

431
00:19:14.240 --> 00:19:17.160
<v Speaker 3>Yeah. They gave him a limited time and he is

432
00:19:17.279 --> 00:19:20.720
<v Speaker 3>still going. A friend of his I've been in contact

433
00:19:20.759 --> 00:19:22.480
<v Speaker 3>with and interviewed him, and he said, he's such an

434
00:19:22.480 --> 00:19:23.640
<v Speaker 3>inspiration and he's just.

435
00:19:24.680 --> 00:19:26.960
<v Speaker 1>Well, he's got a great musical mind. And the thing

436
00:19:27.079 --> 00:19:33.920
<v Speaker 1>is he balanced the trickery with the musicality where sometimes

437
00:19:33.960 --> 00:19:36.000
<v Speaker 1>you know, like George Lynch's good buddy of mine, and

438
00:19:36.039 --> 00:19:38.160
<v Speaker 1>I kind of helped him in the beginning learn how

439
00:19:38.160 --> 00:19:42.039
<v Speaker 1>to pendulum pick. Georgia. You had to double pick the guitar.

440
00:19:42.720 --> 00:19:46.240
<v Speaker 1>This is forty five years ago, and I said, try this.

441
00:19:46.319 --> 00:19:48.720
<v Speaker 1>He was wow, that's you know, back and forth with

442
00:19:48.839 --> 00:19:50.640
<v Speaker 1>something that somebody showed me, you know, when I was

443
00:19:50.680 --> 00:19:53.799
<v Speaker 1>a kid, and he's always George has always touted me,

444
00:19:53.839 --> 00:19:57.039
<v Speaker 1>and he's a great technician, much better technician than I am.

445
00:19:57.119 --> 00:20:01.240
<v Speaker 1>But the musicality gets a little bit out there, you know,

446
00:20:01.319 --> 00:20:04.440
<v Speaker 1>the scary stuff. I mean, it's like it's got good totality,

447
00:20:04.519 --> 00:20:07.480
<v Speaker 1>but the royal.

448
00:20:07.200 --> 00:20:12.440
<v Speaker 3>Ear on your filthy little mouth. I I want to

449
00:20:12.440 --> 00:20:15.079
<v Speaker 3>ask you about that because you have such a feel

450
00:20:15.319 --> 00:20:17.599
<v Speaker 3>on the guitar and when I listened, I was listening

451
00:20:17.599 --> 00:20:20.079
<v Speaker 3>to that album just today before this interview, just to

452
00:20:20.559 --> 00:20:22.359
<v Speaker 3>to listen to all the songs that I love, which

453
00:20:22.359 --> 00:20:28.039
<v Speaker 3>are uh, She's My Machine, Big Train Experience, the title track,

454
00:20:28.440 --> 00:20:32.960
<v Speaker 3>Land's Edge. You have such a great feel, right, and

455
00:20:33.000 --> 00:20:35.920
<v Speaker 3>that album is so interesting because it's got like country,

456
00:20:35.960 --> 00:20:40.880
<v Speaker 3>it's got reggae, it's got jazz, it's got blues country.

457
00:20:41.240 --> 00:20:43.839
<v Speaker 3>So yeah, what what when you when you sat down

458
00:20:43.880 --> 00:20:46.000
<v Speaker 3>with him to go over the game plan on that

459
00:20:46.160 --> 00:20:47.960
<v Speaker 3>What was he saying to you like, here's what we

460
00:20:48.000 --> 00:20:51.599
<v Speaker 3>want to do because we brought in for the producer

461
00:20:51.839 --> 00:20:55.720
<v Speaker 3>was right, So what was he saying to you like,

462
00:20:55.759 --> 00:20:59.119
<v Speaker 3>here's what I'm looking for because your style is so unique,

463
00:20:59.160 --> 00:21:01.079
<v Speaker 3>it's not like anything else.

464
00:21:01.119 --> 00:21:02.960
<v Speaker 1>Went back out there with Steve Hunter and did a

465
00:21:02.960 --> 00:21:05.880
<v Speaker 1>little bit of luck. But Steve, you know, with Mitch

466
00:21:05.960 --> 00:21:08.839
<v Speaker 1>Ryer to Detroit wiel that he knew that that whole genre.

467
00:21:09.559 --> 00:21:11.519
<v Speaker 1>And I put a guitar track on top of it

468
00:21:11.559 --> 00:21:14.279
<v Speaker 1>and did well. But it was a move he was

469
00:21:14.279 --> 00:21:16.279
<v Speaker 1>trying to get. It was like his art project. And

470
00:21:16.319 --> 00:21:19.119
<v Speaker 1>I thought, you know, I like the hard rock stuff

471
00:21:19.119 --> 00:21:21.839
<v Speaker 1>and we but in New York it's not really the

472
00:21:21.920 --> 00:21:25.000
<v Speaker 1>mecca for hard rock and roll. Recording it good, you

473
00:21:25.039 --> 00:21:28.599
<v Speaker 1>could do it, but the Hit Factory was like, you know,

474
00:21:29.519 --> 00:21:31.519
<v Speaker 1>we were were going through a transition. They built that

475
00:21:31.599 --> 00:21:34.880
<v Speaker 1>second factory down on fifty fourth. Remember when the blimp

476
00:21:35.000 --> 00:21:37.079
<v Speaker 1>fell over the building. A look a propol lock they

477
00:21:37.160 --> 00:21:41.359
<v Speaker 1>hang off the skyscraper there. It was funny. But with

478
00:21:41.480 --> 00:21:44.160
<v Speaker 1>Dave's he would get in these moods when said, you know,

479
00:21:44.319 --> 00:21:45.640
<v Speaker 1>we're going to do this and do that and then

480
00:21:45.759 --> 00:21:49.839
<v Speaker 1>take it this way. And the whole process was fun.

481
00:21:49.920 --> 00:21:52.920
<v Speaker 1>But then all of a sudden writing songs for Travis Trigger.

482
00:21:52.920 --> 00:21:54.640
<v Speaker 1>I mean there was one weekend I went to New

483
00:21:54.720 --> 00:21:57.960
<v Speaker 1>York from California three times in the weekend, so do

484
00:21:58.039 --> 00:22:01.440
<v Speaker 1>one guitar correction. That's how extravagant it got. I mean

485
00:22:01.799 --> 00:22:04.240
<v Speaker 1>the budget was. This is back in ninety three, you know,

486
00:22:04.279 --> 00:22:07.319
<v Speaker 1>when it was not the music business was getting ready

487
00:22:07.319 --> 00:22:08.000
<v Speaker 1>to implode.

488
00:22:08.759 --> 00:22:11.920
<v Speaker 3>You know, it was a risky move on Day's part

489
00:22:11.920 --> 00:22:15.200
<v Speaker 3>because we're talking about the climate of music at that time.

490
00:22:15.240 --> 00:22:17.759
<v Speaker 3>It was grungey arrow, right, you know. So I always wondered.

491
00:22:18.079 --> 00:22:20.799
<v Speaker 3>I thought maybe he was trying to try different styles

492
00:22:20.839 --> 00:22:22.559
<v Speaker 3>to see what's going to stick and where he wants

493
00:22:22.599 --> 00:22:23.200
<v Speaker 3>to go from there.

494
00:22:23.519 --> 00:22:26.160
<v Speaker 1>You know, downtown, I remember it'suns that boulevard. In those days,

495
00:22:26.240 --> 00:22:28.440
<v Speaker 1>you couldn't put a flyer on a pole because there

496
00:22:28.440 --> 00:22:31.160
<v Speaker 1>were so many staples and so many flyers that you

497
00:22:31.279 --> 00:22:33.680
<v Speaker 1>literally couldn't put anything on a pole that you couldn't

498
00:22:33.759 --> 00:22:36.200
<v Speaker 1>post handbills, and you were getting in trouble for it.

499
00:22:36.240 --> 00:22:39.400
<v Speaker 1>I mean they passed the fleet, took me to jail. Yeah,

500
00:22:39.400 --> 00:22:40.759
<v Speaker 1>they took me to jail, and I had to paint

501
00:22:40.799 --> 00:22:42.680
<v Speaker 1>off the I had to clean off all the all

502
00:22:42.680 --> 00:22:45.759
<v Speaker 1>the we were using sticky glue to put our ads

503
00:22:45.880 --> 00:22:48.279
<v Speaker 1>up for the weekend gags. If you didn't do that,

504
00:22:48.839 --> 00:22:51.960
<v Speaker 1>if they don't know, they're not going This is pre internet, right,

505
00:22:52.079 --> 00:22:53.680
<v Speaker 1>But it was a lot of you know, you did

506
00:22:53.680 --> 00:22:56.200
<v Speaker 1>a lot of canvassing and stuff like that, and Van

507
00:22:56.279 --> 00:22:58.559
<v Speaker 1>Hallen had all kinds of people doing it for them.

508
00:22:58.880 --> 00:23:02.319
<v Speaker 1>What made them what they were was Steve Torremanti and

509
00:23:02.759 --> 00:23:06.640
<v Speaker 1>Bob Ailey's whatever. Torremazi had worked at the Civic Auditorium

510
00:23:06.680 --> 00:23:09.200
<v Speaker 1>in Pasadena, so he had an inn and they made

511
00:23:09.240 --> 00:23:11.599
<v Speaker 1>a fortune on Van Helen and they had him there,

512
00:23:11.599 --> 00:23:13.160
<v Speaker 1>and more ros is looking and going, wait a minute,

513
00:23:13.200 --> 00:23:14.839
<v Speaker 1>these guys are filling the path of the Pacific and

514
00:23:14.839 --> 00:23:18.079
<v Speaker 1>are signed acts. Aren't filling up Santa Monica Civic. This

515
00:23:18.200 --> 00:23:22.359
<v Speaker 1>what garnered the attention. Then Milton Burrow sent his nephew

516
00:23:22.400 --> 00:23:25.359
<v Speaker 1>and his crooked nephew in there, took all the money

517
00:23:25.400 --> 00:23:29.079
<v Speaker 1>for the first grant. They came apart. I remember those guys,

518
00:23:29.559 --> 00:23:32.279
<v Speaker 1>I would say they sacrificed a third of their life.

519
00:23:32.200 --> 00:23:37.160
<v Speaker 1>Ye sure, it was alis. They did three three hundred

520
00:23:37.200 --> 00:23:40.400
<v Speaker 1>day tours and three years in a row. So he

521
00:23:40.440 --> 00:23:42.759
<v Speaker 1>would come home until he had slept in two months,

522
00:23:42.799 --> 00:23:45.400
<v Speaker 1>I mean, and he every time he got back he

523
00:23:45.480 --> 00:23:47.359
<v Speaker 1>was even more voracious cocadict, I.

524
00:23:47.279 --> 00:23:52.160
<v Speaker 3>Mean racious dead. Yeah.

525
00:23:54.880 --> 00:23:58.720
<v Speaker 1>I think that they went experimented beyond the Derek where

526
00:23:58.720 --> 00:24:02.200
<v Speaker 1>they actually were tired of it, you know, yeah, wow,

527
00:24:02.240 --> 00:24:04.319
<v Speaker 1>Because I remember it really messed at him in Valerie

528
00:24:04.359 --> 00:24:07.640
<v Speaker 1>up they just did not get along because d would hide,

529
00:24:07.680 --> 00:24:10.599
<v Speaker 1>you know. And I remember going up there many times

530
00:24:10.640 --> 00:24:12.920
<v Speaker 1>going did you sleep last night? You wear the same clothes,

531
00:24:12.960 --> 00:24:15.839
<v Speaker 1>and it just got you start to deteriorate on the

532
00:24:15.920 --> 00:24:18.200
<v Speaker 1>drug itself. And but I'll tell you what, it never

533
00:24:18.240 --> 00:24:21.960
<v Speaker 1>really affected his creativity and his guitar plank. It didn't

534
00:24:22.000 --> 00:24:24.359
<v Speaker 1>it all the time. And he had a you know,

535
00:24:24.400 --> 00:24:27.000
<v Speaker 1>he had that beautiful board from the one that they

536
00:24:27.039 --> 00:24:31.960
<v Speaker 1>recorded Ben Huron. Yes, the first night Artist Jury console

537
00:24:32.000 --> 00:24:34.160
<v Speaker 1>that Don rewired it. You had the big knobs, you know.

538
00:24:35.119 --> 00:24:37.400
<v Speaker 1>That thing had toned up the butt. You didn't have

539
00:24:37.440 --> 00:24:39.160
<v Speaker 1>to do anything, just turn it on and go through

540
00:24:39.160 --> 00:24:40.359
<v Speaker 1>it like magic.

541
00:24:40.880 --> 00:24:42.839
<v Speaker 3>When was the last time you spoke with Eddie?

542
00:24:43.200 --> 00:24:45.480
<v Speaker 1>Well, he sent me a bunch of amplifiers for that tour,

543
00:24:46.680 --> 00:24:49.039
<v Speaker 1>what four fifty one fifty stacks? I think he was

544
00:24:49.039 --> 00:24:52.720
<v Speaker 1>trying to thumb Dave going here. And I used him

545
00:24:53.440 --> 00:24:55.680
<v Speaker 1>during the tour and afterwards I wanted to thank him,

546
00:24:55.680 --> 00:24:57.519
<v Speaker 1>you know, I told him we kind of made amends

547
00:24:57.519 --> 00:25:00.319
<v Speaker 1>because we had a falling out over certain financial thing

548
00:25:00.559 --> 00:25:02.960
<v Speaker 1>that I had to have handled and it wasn't being

549
00:25:03.000 --> 00:25:05.640
<v Speaker 1>handled so you know, it was stupid shit. I mean

550
00:25:05.720 --> 00:25:08.440
<v Speaker 1>at the time it seemed big. But I saw him

551
00:25:08.440 --> 00:25:10.680
<v Speaker 1>at the montras the Rock and we talked for about

552
00:25:10.680 --> 00:25:13.319
<v Speaker 1>half an hour, and he just seemed like he was

553
00:25:13.359 --> 00:25:15.599
<v Speaker 1>distant here. I mean like he moved on from his

554
00:25:15.680 --> 00:25:18.440
<v Speaker 1>old friends at Pasadena. There's really nothing that we could

555
00:25:18.440 --> 00:25:20.200
<v Speaker 1>share that was any more than a laugh. You know,

556
00:25:21.000 --> 00:25:23.319
<v Speaker 1>they ran different people. I mean, he was in a

557
00:25:23.359 --> 00:25:27.480
<v Speaker 1>different old boat of you know. I actually I feel

558
00:25:27.480 --> 00:25:29.559
<v Speaker 1>privileged because I was one of his real friends from

559
00:25:29.559 --> 00:25:30.279
<v Speaker 1>the old days.

560
00:25:30.440 --> 00:25:32.759
<v Speaker 3>Yeah, when did you first meet him? I'm curious to

561
00:25:32.759 --> 00:25:34.680
<v Speaker 3>know when you first met him and what was your

562
00:25:34.720 --> 00:25:36.640
<v Speaker 3>impression of him. He's quiet right in.

563
00:25:36.680 --> 00:25:40.359
<v Speaker 1>A place called Barry Grassnek when I was thirteen, and

564
00:25:40.680 --> 00:25:43.279
<v Speaker 1>I knew about him because we came. We played the

565
00:25:43.279 --> 00:25:45.920
<v Speaker 1>first gig together. My band opened up for his band

566
00:25:46.599 --> 00:25:47.680
<v Speaker 1>over on Allen Street.

567
00:25:48.960 --> 00:25:52.559
<v Speaker 3>Ready kill At. It wasn't Ready kill a lot.

568
00:25:53.000 --> 00:25:56.880
<v Speaker 1>Pre This is when Van Handle was called Trojan Rubber Company. Yeah,

569
00:25:58.640 --> 00:26:00.839
<v Speaker 1>soon on days who couldn't play the ship And then

570
00:26:01.319 --> 00:26:03.039
<v Speaker 1>I had two guys that I played with him and

571
00:26:03.359 --> 00:26:05.880
<v Speaker 1>the guys that played drums. That night, sister threw an

572
00:26:05.880 --> 00:26:07.880
<v Speaker 1>iron at his face and knocked over his front page

573
00:26:07.960 --> 00:26:09.799
<v Speaker 1>right out of the Oh my god, and he came

574
00:26:09.880 --> 00:26:13.359
<v Speaker 1>in smiling like that. We're lapping door and uh he

575
00:26:13.440 --> 00:26:15.720
<v Speaker 1>We played kind of a funk rock and roll beats

576
00:26:15.720 --> 00:26:18.079
<v Speaker 1>the who you know. It was like something I wanted

577
00:26:18.119 --> 00:26:21.079
<v Speaker 1>to put together and play to some standards. But they

578
00:26:21.119 --> 00:26:24.319
<v Speaker 1>played all cream stuff and only cream. But they did

579
00:26:24.319 --> 00:26:28.240
<v Speaker 1>it exactly like the record, but the vocals, you know,

580
00:26:28.440 --> 00:26:30.960
<v Speaker 1>this is we're high school, you know. Then I saw

581
00:26:31.000 --> 00:26:33.240
<v Speaker 1>him again another gig. We started hanging out and he

582
00:26:33.319 --> 00:26:36.440
<v Speaker 1>had a Bobul fifty nine vobile one sixty, remember those

583
00:26:37.039 --> 00:26:39.720
<v Speaker 1>he had like an old tel. They get a cockroach

584
00:26:39.839 --> 00:26:42.119
<v Speaker 1>back on him, you know, is.

585
00:26:42.079 --> 00:26:43.720
<v Speaker 3>That the one that he had to tie He had

586
00:26:43.759 --> 00:26:45.559
<v Speaker 3>to use guitar strings to.

587
00:26:45.480 --> 00:26:47.759
<v Speaker 1>Car drings to the door. Yeah. I remember driving with

588
00:26:47.839 --> 00:26:49.920
<v Speaker 1>him down Orange Grove and his girlfriend's in the front seat.

589
00:26:49.960 --> 00:26:51.720
<v Speaker 1>She gave him a bunch of ship and he stopped

590
00:26:51.759 --> 00:26:54.240
<v Speaker 1>the car Onwinees to spring on this side both over

591
00:26:54.400 --> 00:26:57.279
<v Speaker 1>unwind and spring on yanked her out of the street,

592
00:26:57.559 --> 00:27:00.480
<v Speaker 1>struck the door, gets back and kicked off. Me and

593
00:27:00.519 --> 00:27:02.279
<v Speaker 1>Alix were sitting in the back seat going, well, you

594
00:27:02.359 --> 00:27:05.200
<v Speaker 1>better turn around and pick her up, and he goes, yeah,

595
00:27:06.039 --> 00:27:09.000
<v Speaker 1>funny about everything was like this, even when he was

596
00:27:09.039 --> 00:27:14.119
<v Speaker 1>a multi millionaire, se got a smoke. Everything was fuck.

597
00:27:14.720 --> 00:27:17.680
<v Speaker 1>And he even had a Ford mma that fuck you

598
00:27:17.680 --> 00:27:19.920
<v Speaker 1>know it's for the Ford elbum. He just that was

599
00:27:19.960 --> 00:27:22.359
<v Speaker 1>his word. He tried to explain people that what you

600
00:27:22.400 --> 00:27:24.640
<v Speaker 1>have to go through to deal with them. I mean

601
00:27:25.119 --> 00:27:29.079
<v Speaker 1>they dreaded the record. People dreaded him because you know,

602
00:27:30.039 --> 00:27:32.920
<v Speaker 1>I talked to Tucker Carlton and we went off with

603
00:27:33.079 --> 00:27:35.440
<v Speaker 1>Dave's record went off at four hundred and thirty ADS,

604
00:27:35.440 --> 00:27:37.920
<v Speaker 1>which is like, man, you're going to be rich. And

605
00:27:37.960 --> 00:27:39.799
<v Speaker 1>I was like, yeah, we're gonna make some money. Act right.

606
00:27:40.960 --> 00:27:44.079
<v Speaker 1>And by the time we got to Kansas City, we've

607
00:27:44.119 --> 00:27:46.839
<v Speaker 1>done about eleven gigs back East and we're coming back

608
00:27:46.880 --> 00:27:51.119
<v Speaker 1>in mid Midwest and then going south. Tucker goes, we're

609
00:27:51.160 --> 00:27:53.519
<v Speaker 1>in trouble underwater here he only got one hundred ADS left.

610
00:27:53.519 --> 00:27:55.960
<v Speaker 1>I thought, oh fuck. I said, so I'm going to

611
00:27:56.000 --> 00:27:58.119
<v Speaker 1>be living in a dog kennel instead of owning it. Right.

612
00:27:58.359 --> 00:28:00.720
<v Speaker 1>He goes, pretty much, well, we know what we were

613
00:28:00.720 --> 00:28:00.960
<v Speaker 1>in for.

614
00:28:01.160 --> 00:28:03.200
<v Speaker 3>But well, I remember that tour in the beginning there

615
00:28:03.240 --> 00:28:04.400
<v Speaker 3>was on the audience.

616
00:28:05.240 --> 00:28:07.440
<v Speaker 1>Did he yeah, he took it out on the audience.

617
00:28:07.480 --> 00:28:09.759
<v Speaker 1>And they fucking pelt at us. I mean, Jesus Ri

618
00:28:10.880 --> 00:28:12.880
<v Speaker 1>Jamie got a lighter in the face, I got a

619
00:28:12.960 --> 00:28:15.000
<v Speaker 1>shoe on the side of my People were taking her

620
00:28:15.039 --> 00:28:17.400
<v Speaker 1>clothes off and throwing that. And not because we're popular.

621
00:28:18.160 --> 00:28:20.039
<v Speaker 1>They have one of those baseball diamond things, you know,

622
00:28:20.079 --> 00:28:22.680
<v Speaker 1>we're like that I did in that Blues Brother. They

623
00:28:22.720 --> 00:28:26.400
<v Speaker 1>beat the hell out of it.

624
00:28:26.400 --> 00:28:28.440
<v Speaker 3>It was quite a risk, though, with the music that

625
00:28:28.559 --> 00:28:31.680
<v Speaker 3>he recorded on that album, because it wasn't of the time, right,

626
00:28:32.079 --> 00:28:34.400
<v Speaker 3>and now if you listen to it now, it's it's

627
00:28:34.519 --> 00:28:37.160
<v Speaker 3>I really urged those who listened to the album back

628
00:28:37.200 --> 00:28:38.960
<v Speaker 3>then and may have given up on it, listen to

629
00:28:39.039 --> 00:28:43.359
<v Speaker 3>it now, right, Yeah, without the context of the scene

630
00:28:43.359 --> 00:28:45.319
<v Speaker 3>of the music at the time, which was grunge, and

631
00:28:45.359 --> 00:28:48.960
<v Speaker 3>without the expectations of what we were expecting from a

632
00:28:49.000 --> 00:28:51.240
<v Speaker 3>day of album. Just listened to it as an individual

633
00:28:51.319 --> 00:28:53.559
<v Speaker 3>piece of work, and it's a real good.

634
00:28:53.680 --> 00:28:55.880
<v Speaker 1>And that's a good thing to say, because everybody said

635
00:28:55.920 --> 00:28:58.640
<v Speaker 1>the same thing what I had When I write songs,

636
00:28:58.640 --> 00:29:00.319
<v Speaker 1>I mean, when I write something on the good I

637
00:29:00.319 --> 00:29:02.240
<v Speaker 1>tried to make it was like, it wouldn't matter what

638
00:29:02.359 --> 00:29:04.799
<v Speaker 1>year came out, I'm going to remember something about it.

639
00:29:04.839 --> 00:29:07.119
<v Speaker 1>If you don't. How can I distinguish myself if I

640
00:29:07.200 --> 00:29:10.039
<v Speaker 1>was Ever's best friend and I played just like him.

641
00:29:10.480 --> 00:29:14.440
<v Speaker 3>Yeah no, you played your own style, man. And I'm

642
00:29:14.440 --> 00:29:16.680
<v Speaker 3>going to tell you this, Jarre, I I really think

643
00:29:17.839 --> 00:29:21.160
<v Speaker 3>now he did a great job producing it, but I

644
00:29:21.200 --> 00:29:22.519
<v Speaker 3>wanted you up in the mix more.

645
00:29:22.799 --> 00:29:25.000
<v Speaker 1>They kept burying me and it was like you had it.

646
00:29:25.160 --> 00:29:27.480
<v Speaker 1>Garry Taull was a good big guy, but John Goldberger

647
00:29:27.559 --> 00:29:30.160
<v Speaker 1>was shipping. And these are New York guys. I said,

648
00:29:30.160 --> 00:29:33.599
<v Speaker 1>look at my demos were better than that record. I mean,

649
00:29:33.640 --> 00:29:35.960
<v Speaker 1>as far as the vibe, you have to create this

650
00:29:36.119 --> 00:29:39.279
<v Speaker 1>mundy vibey. Yeah, I ad this and make it into something.

651
00:29:39.720 --> 00:29:42.119
<v Speaker 1>And that's what Nile Rogers told me. Goes, that's what

652
00:29:42.160 --> 00:29:44.400
<v Speaker 1>you've got this gig for. Because you could set that

653
00:29:44.480 --> 00:29:46.799
<v Speaker 1>picture up and then Dave looked like he looked at

654
00:29:46.839 --> 00:29:49.720
<v Speaker 1>like this, look at I want this. I know exactly

655
00:29:49.799 --> 00:29:52.640
<v Speaker 1>what he's talking about. I know exactly what he's talking about.

656
00:29:52.839 --> 00:29:56.519
<v Speaker 1>So I do that. I know allays you was. I

657
00:29:56.519 --> 00:29:58.720
<v Speaker 1>wanted to go. So here comes the cloud to cover

658
00:29:58.799 --> 00:30:00.359
<v Speaker 1>the side, and I couldn't, and then the sun comes

659
00:30:00.400 --> 00:30:02.160
<v Speaker 1>back out. It's like a no big thing.

660
00:30:03.119 --> 00:30:06.400
<v Speaker 3>It likes like that I'm gonna say, I like that song.

661
00:30:06.440 --> 00:30:09.920
<v Speaker 3>I have a friend who doesn't. I love no but

662
00:30:10.039 --> 00:30:10.680
<v Speaker 3>a friend of mine.

663
00:30:10.720 --> 00:30:14.759
<v Speaker 1>All the classic reggae dropped corrections and stot stuff, and

664
00:30:14.799 --> 00:30:16.759
<v Speaker 1>it was done well. But you know, and he sings

665
00:30:16.799 --> 00:30:20.359
<v Speaker 1>it actually pretty good. I mean he's talking about he

666
00:30:20.400 --> 00:30:22.599
<v Speaker 1>has he's a good lyricist. I'd say some of his

667
00:30:22.759 --> 00:30:23.519
<v Speaker 1>lyrics are great.

668
00:30:24.279 --> 00:30:28.160
<v Speaker 3>Well, he was, he was changing his approach lyrically and

669
00:30:28.240 --> 00:30:32.240
<v Speaker 3>also vocally. He had used a different approach, like he'd

670
00:30:32.519 --> 00:30:34.039
<v Speaker 3>reached a different octavity.

671
00:30:34.200 --> 00:30:36.160
<v Speaker 1>Like Michael Franks and Bonnie ray and stuff like that.

672
00:30:36.160 --> 00:30:38.960
<v Speaker 1>I said, I know exactly where you're going. You want

673
00:30:39.000 --> 00:30:40.400
<v Speaker 1>me to get you there? You gotta get and he

674
00:30:40.440 --> 00:30:42.519
<v Speaker 1>get mad. I said, look at if you could Grant

675
00:30:42.559 --> 00:30:43.839
<v Speaker 1>and ray Ball and you want, it's going to take

676
00:30:43.880 --> 00:30:46.920
<v Speaker 1>ten days to squeeze the thing out to lay this egg.

677
00:30:47.480 --> 00:30:49.160
<v Speaker 1>While you're done yet, I said, I didn't even started

678
00:30:49.160 --> 00:30:51.640
<v Speaker 1>the progression yet. I mean, just don't you find something

679
00:30:51.680 --> 00:30:53.839
<v Speaker 1>he likes that he'd give you. You got to pay it,

680
00:30:53.920 --> 00:30:57.559
<v Speaker 1>like uh, everybody, every Vin Halen song had a street

681
00:30:57.599 --> 00:31:00.640
<v Speaker 1>fight man beat to it. The popular that's that's where

682
00:31:00.640 --> 00:31:02.240
<v Speaker 1>they picked it up. And then al turned kind of

683
00:31:02.240 --> 00:31:04.799
<v Speaker 1>hot Rod to shuffle on it. You know, I listened

684
00:31:04.799 --> 00:31:08.160
<v Speaker 1>to Jeff Lacaro Pacarl was brilliant shuffle man. That one

685
00:31:08.200 --> 00:31:10.599
<v Speaker 1>that he picked up. He took him from his dad

686
00:31:10.640 --> 00:31:13.480
<v Speaker 1>and John Bonham. He just had that they make it.

687
00:31:13.880 --> 00:31:15.400
<v Speaker 1>It swung out sown. You mean, it was like a

688
00:31:15.599 --> 00:31:18.960
<v Speaker 1>like a perfectly firing engine. That's time, the valves are

689
00:31:18.960 --> 00:31:22.319
<v Speaker 1>working right, you know, it just synchronized. And I thought

690
00:31:22.319 --> 00:31:24.559
<v Speaker 1>that we had that, uh, But Dave, we had a

691
00:31:24.599 --> 00:31:26.599
<v Speaker 1>lot of trouble drummers on that record. We had Larry

692
00:31:26.680 --> 00:31:30.440
<v Speaker 1>Abraman who was the Eastman grad uh he was way

693
00:31:30.440 --> 00:31:36.480
<v Speaker 1>too stiff, Ray Brinker from uh Pat Banatar's outfit, and

694
00:31:36.480 --> 00:31:39.680
<v Speaker 1>then Ron Wickso Wixso was probably the most fearless of

695
00:31:39.720 --> 00:31:41.759
<v Speaker 1>all of them, but he was by no means the

696
00:31:41.799 --> 00:31:44.640
<v Speaker 1>best one. We had Bob Burch coming on bank. You know,

697
00:31:44.720 --> 00:31:47.079
<v Speaker 1>Bob chilled himself Elton John De bass player.

698
00:31:47.559 --> 00:31:50.400
<v Speaker 3>Oh, and he does a fantastic job, Bob.

699
00:31:50.319 --> 00:31:52.160
<v Speaker 1>David, what do you like? And I told him, Oh,

700
00:31:52.200 --> 00:31:53.559
<v Speaker 1>why did they always have to be that way?

701
00:31:54.720 --> 00:31:58.079
<v Speaker 3>And the drums, I mean, everything was it was pristine.

702
00:31:57.640 --> 00:32:01.240
<v Speaker 1>Production, really great. I missed him, you know you know

703
00:32:01.279 --> 00:32:04.880
<v Speaker 1>about John right, he was up in Poughkeepsie. That's where

704
00:32:04.880 --> 00:32:07.240
<v Speaker 1>he was from. Where they go. What's the name of

705
00:32:07.240 --> 00:32:07.880
<v Speaker 1>that town.

706
00:32:07.720 --> 00:32:11.160
<v Speaker 3>Up there, peepsie New York, you're talking your.

707
00:32:11.079 --> 00:32:12.920
<v Speaker 1>Fallow and they lived. He come down in New York.

708
00:32:12.920 --> 00:32:14.319
<v Speaker 1>But he did a lot of records. He worked for

709
00:32:14.319 --> 00:32:15.720
<v Speaker 1>Pete Raptor for years.

710
00:32:16.039 --> 00:32:19.240
<v Speaker 3>Right, And wasn't he on Aces in Acest's band?

711
00:32:19.440 --> 00:32:21.240
<v Speaker 1>Like all the bass on the record, I know that much.

712
00:32:21.559 --> 00:32:24.240
<v Speaker 3>Yeah, Yeah, Steve Hunter rhythm guitar on one track. John

713
00:32:24.240 --> 00:32:28.000
<v Speaker 3>Reagana passed away. Tony was living in Old Redwish, Connecticut.

714
00:32:28.400 --> 00:32:31.279
<v Speaker 1>Okay, Yeah, he was the one song at chevro Lke

715
00:32:31.279 --> 00:32:34.119
<v Speaker 1>commercial back in the early nineties. Oh wow, didn't drive

716
00:32:34.200 --> 00:32:35.119
<v Speaker 1>worth ship like.

717
00:32:36.720 --> 00:32:41.920
<v Speaker 3>Rogers, Yeah, John. John Reagan was an ace Fahilei's band. Yeah,

718
00:32:41.960 --> 00:32:43.160
<v Speaker 3>aast Phillies comment eighty.

719
00:32:44.480 --> 00:32:46.640
<v Speaker 1>Yeah, John was a crimch of a guy.

720
00:32:47.079 --> 00:32:50.000
<v Speaker 3>But getting back to like, yeah, I thought I would

721
00:32:50.000 --> 00:32:53.599
<v Speaker 3>have loved to hear your in some spots your your

722
00:32:53.640 --> 00:32:56.400
<v Speaker 3>guitars up in the mix, but you know, and others

723
00:32:56.519 --> 00:32:59.680
<v Speaker 3>it's it's buried more like a pop record, I guess,

724
00:32:59.839 --> 00:33:04.599
<v Speaker 3>But your guitar was driving those songs. And then the

725
00:33:04.640 --> 00:33:06.880
<v Speaker 3>other one I forgot to mention is every Everybody's Got

726
00:33:06.880 --> 00:33:08.839
<v Speaker 3>the Monkey would have been a single. I thought Ilway

727
00:33:08.839 --> 00:33:10.119
<v Speaker 3>thought that it would have been a great.

728
00:33:10.240 --> 00:33:13.640
<v Speaker 1>Well that was Frank Simoner's tune, and I thought it

729
00:33:13.680 --> 00:33:16.640
<v Speaker 1>was a worthy song. But he just didn't it. He

730
00:33:16.759 --> 00:33:19.160
<v Speaker 1>was emphasizing trying to sell filthy. You know that that

731
00:33:19.200 --> 00:33:22.200
<v Speaker 1>one line the title track, right, and then you never

732
00:33:22.319 --> 00:33:25.119
<v Speaker 1>know which is like a Robert Johnson thing I put together.

733
00:33:25.160 --> 00:33:27.720
<v Speaker 1>I just had that. He said, mentioned Bonnie Rakers and said,

734
00:33:27.720 --> 00:33:30.359
<v Speaker 1>I'll give you something that Bonnie rate would do. And

735
00:33:30.400 --> 00:33:32.640
<v Speaker 1>that was my talent, was I I could lean into that.

736
00:33:32.759 --> 00:33:35.160
<v Speaker 1>You know, she's more of a country thing, so I'm

737
00:33:35.240 --> 00:33:38.160
<v Speaker 1>leaning kind of country into it, and it's made a

738
00:33:38.160 --> 00:33:41.319
<v Speaker 1>different it's giving us a different effect because she comes

739
00:33:41.319 --> 00:33:43.039
<v Speaker 1>from a whole different place. And that's kind of what

740
00:33:43.079 --> 00:33:46.039
<v Speaker 1>I wanted. Yeah, because you can't control it, learned from

741
00:33:46.240 --> 00:33:49.160
<v Speaker 1>you can't control everything, and that's what he has. His

742
00:33:49.200 --> 00:33:51.240
<v Speaker 1>problem is that he has the control freak and ever

743
00:33:51.400 --> 00:33:55.000
<v Speaker 1>turned into a control freak. They wanted this, and you know,

744
00:33:55.119 --> 00:33:57.240
<v Speaker 1>if you look at Samuel with all due respect, when

745
00:33:57.480 --> 00:33:59.720
<v Speaker 1>Dave's dad called Ben handle up and said, listen, we

746
00:33:59.759 --> 00:34:01.960
<v Speaker 1>want get back with you guys. You can make real

747
00:34:01.960 --> 00:34:04.519
<v Speaker 1>money Alex said, with all due respect, we have twelve

748
00:34:04.599 --> 00:34:08.000
<v Speaker 1>top ten hits with this guy. They went from twenty

749
00:34:08.039 --> 00:34:12.119
<v Speaker 1>million to seventy million, so there's no disputing it.

750
00:34:12.360 --> 00:34:15.760
<v Speaker 3>I thought that Dave probably expected to be back before

751
00:34:15.800 --> 00:34:17.760
<v Speaker 3>the end of the eighties. I don't think he expected

752
00:34:17.800 --> 00:34:18.679
<v Speaker 3>Sammy to success.

753
00:34:18.800 --> 00:34:20.840
<v Speaker 1>He did, but when he you know, as you said

754
00:34:20.840 --> 00:34:22.840
<v Speaker 1>that on stage when they were when Beck was on

755
00:34:22.880 --> 00:34:24.280
<v Speaker 1>the stage, you know that.

756
00:34:24.079 --> 00:34:27.639
<v Speaker 3>The artists bade six ninety six mtvv D.

757
00:34:27.840 --> 00:34:29.159
<v Speaker 1>That's a lot of time. I talked Daddy. He said,

758
00:34:29.199 --> 00:34:31.239
<v Speaker 1>I want to kick his balls up around his head

759
00:34:31.920 --> 00:34:36.880
<v Speaker 1>because you know ed him always had. They never got along, no, never,

760
00:34:37.440 --> 00:34:39.400
<v Speaker 1>and he would listen to him and they but they

761
00:34:39.440 --> 00:34:42.400
<v Speaker 1>were not after that second tour. Rudy said that by

762
00:34:42.440 --> 00:34:44.360
<v Speaker 1>the time that nineteen eighty four came out, He said,

763
00:34:44.360 --> 00:34:46.639
<v Speaker 1>they were all in separate buffets. They didn't speak to

764
00:34:46.679 --> 00:34:47.400
<v Speaker 1>each other, even.

765
00:34:47.239 --> 00:34:49.800
<v Speaker 3>The brothers, and who knew right and who knew you know,

766
00:34:49.880 --> 00:34:52.559
<v Speaker 3>on the outside, all the fans were just thinking, man,

767
00:34:52.599 --> 00:34:54.000
<v Speaker 3>they must be all happy.

768
00:34:54.079 --> 00:34:57.280
<v Speaker 1>Is everybody had their own entourage and it's the people

769
00:34:57.280 --> 00:34:58.800
<v Speaker 1>they could stand to be around on the road. They

770
00:34:58.840 --> 00:35:02.360
<v Speaker 1>had control off because when you have all that conflicts

771
00:35:02.400 --> 00:35:04.920
<v Speaker 1>like when we got off, we did Lewis Muno Stadium

772
00:35:04.960 --> 00:35:08.400
<v Speaker 1>as a kickoff in sam Juan, Puerto Rico. Flew over

773
00:35:08.440 --> 00:35:11.639
<v Speaker 1>to Miami and here the buses are waiting for us. Well,

774
00:35:13.119 --> 00:35:15.440
<v Speaker 1>there's an old American Eagle that's got three hundred thousand

775
00:35:15.519 --> 00:35:17.440
<v Speaker 1>miles on it with you know, tipic bearings that make

776
00:35:17.480 --> 00:35:19.880
<v Speaker 1>more noise in our waking machine, an old walking machine.

777
00:35:20.159 --> 00:35:21.920
<v Speaker 1>And then you have the brand new prevow guests who

778
00:35:21.920 --> 00:35:25.880
<v Speaker 1>gets the prevow to crew in totals But wait, wait

779
00:35:25.880 --> 00:35:27.960
<v Speaker 1>a minute, that's our feal. So we had to ride

780
00:35:28.000 --> 00:35:30.159
<v Speaker 1>in the American Eagle and it was like we were

781
00:35:30.239 --> 00:35:33.239
<v Speaker 1>kind of like the roadings were much better revered than

782
00:35:33.280 --> 00:35:35.719
<v Speaker 1>we were, you know, theirst season. I mean, this is

783
00:35:35.760 --> 00:35:38.679
<v Speaker 1>my first tour around the country. I knew what to expect,

784
00:35:38.679 --> 00:35:41.400
<v Speaker 1>but it's like, my god, it was so cold that

785
00:35:41.519 --> 00:35:44.039
<v Speaker 1>we had left outside those vestibules up to the gig

786
00:35:44.079 --> 00:35:45.920
<v Speaker 1>and Dave would be talking to somebody on the bus

787
00:35:45.960 --> 00:35:49.800
<v Speaker 1>and let us on or something going on like that.

788
00:35:49.880 --> 00:35:52.239
<v Speaker 1>And me and James who came down with pneumonia like

789
00:35:52.400 --> 00:35:53.800
<v Speaker 1>the first three weeks in that tour and I had

790
00:35:53.800 --> 00:35:57.159
<v Speaker 1>about five and a half months. You know, because you

791
00:35:57.159 --> 00:36:00.280
<v Speaker 1>travel it chills, all the watermen seeing you and you

792
00:36:00.360 --> 00:36:02.639
<v Speaker 1>got to take We were running for those beach twelve shots.

793
00:36:02.719 --> 00:36:05.000
<v Speaker 1>I mean, we couldn't get your pants off fast enough,

794
00:36:05.039 --> 00:36:05.239
<v Speaker 1>you know.

795
00:36:05.480 --> 00:36:08.239
<v Speaker 3>Yeah, I told you before we before we started recording,

796
00:36:08.280 --> 00:36:10.119
<v Speaker 3>I saw you at the Sting in New Britain, which

797
00:36:10.159 --> 00:36:12.320
<v Speaker 3>is no longer there, the Sting in New Britain, Connecticut.

798
00:36:12.599 --> 00:36:16.159
<v Speaker 3>That was October of ninety four. I believe I just

799
00:36:16.239 --> 00:36:19.199
<v Speaker 3>graduated from college. Green Day's Duchie was the big thing,

800
00:36:19.320 --> 00:36:21.719
<v Speaker 3>and and I just remember my brother and I went

801
00:36:21.760 --> 00:36:24.880
<v Speaker 3>to see you play there and that that is now

802
00:36:24.920 --> 00:36:27.880
<v Speaker 3>I think a CVS something.

803
00:36:28.639 --> 00:36:30.519
<v Speaker 1>Yeah, I remember that, you know. I'll tell you another thing.

804
00:36:30.800 --> 00:36:33.239
<v Speaker 1>There's the funniest thing we started seeing with that on

805
00:36:33.320 --> 00:36:36.079
<v Speaker 1>the second leg before I quit, there was half the

806
00:36:36.119 --> 00:36:37.800
<v Speaker 1>crowd there worth it. On the first leg, it just

807
00:36:37.920 --> 00:36:40.320
<v Speaker 1>wasn't the sales it was. I don't think it was

808
00:36:40.360 --> 00:36:43.199
<v Speaker 1>his fault. Motley felt Van Halen record fell in the dirt.

809
00:36:43.519 --> 00:36:45.719
<v Speaker 3>It was a difficult time to be a rock and

810
00:36:45.800 --> 00:36:47.960
<v Speaker 3>roll band that came out of the seventies or eighties.

811
00:36:48.000 --> 00:36:49.960
<v Speaker 1>It was like, well, the fun part was when I

812
00:36:50.000 --> 00:36:51.800
<v Speaker 1>was we never went to a lot of plays. I

813
00:36:51.920 --> 00:36:55.039
<v Speaker 1>went to ninety they played Gazaaris ninety four times. I

814
00:36:55.079 --> 00:36:57.880
<v Speaker 1>was there at least sixty five times for that nothing

815
00:36:57.880 --> 00:36:59.559
<v Speaker 1>to do as a kid. Further, Die would go out

816
00:37:00.119 --> 00:37:03.280
<v Speaker 1>to Fribady, go down there, and I watched them do

817
00:37:03.400 --> 00:37:06.079
<v Speaker 1>what they had to do, and it was like they

818
00:37:06.079 --> 00:37:07.960
<v Speaker 1>worked really hard and they were really poor.

819
00:37:08.239 --> 00:37:11.159
<v Speaker 3>Yeah, you had to have known obviously seeing Eddie play, like, yeah,

820
00:37:11.159 --> 00:37:13.679
<v Speaker 3>this guy's going somewhere. But also David, I know what

821
00:37:13.760 --> 00:37:14.000
<v Speaker 3>he was.

822
00:37:13.920 --> 00:37:15.679
<v Speaker 1>Twelve years old. I though him, She's I got some

823
00:37:15.760 --> 00:37:18.480
<v Speaker 1>work to do, right, And I was more than fair hand.

824
00:37:18.639 --> 00:37:21.840
<v Speaker 1>I mean because I had guitar experience up the yet end.

825
00:37:21.920 --> 00:37:25.639
<v Speaker 1>In fact, what's broader than ever ever very but he

826
00:37:25.719 --> 00:37:28.880
<v Speaker 1>knew what was good back in those days. Listen nineteen

827
00:37:28.920 --> 00:37:33.440
<v Speaker 1>seventy eight, seven, eight and nine. Guitar was a black art.

828
00:37:33.719 --> 00:37:35.360
<v Speaker 1>Where's guys that could play it, But we didn't know

829
00:37:35.400 --> 00:37:38.280
<v Speaker 1>what the hell we were doing. You know, you got

830
00:37:38.360 --> 00:37:41.000
<v Speaker 1>chromatic scales comminised and all that, and start combining him

831
00:37:41.000 --> 00:37:43.079
<v Speaker 1>and sliding out of him in and raising the fifth

832
00:37:43.079 --> 00:37:46.119
<v Speaker 1>and doing whatever. And I just wasn't afraid with ever.

833
00:37:46.199 --> 00:37:48.079
<v Speaker 1>You had to go balls out even to get close

834
00:37:48.119 --> 00:37:50.320
<v Speaker 1>to what he was doing. They were a force to

835
00:37:50.360 --> 00:37:52.559
<v Speaker 1>be reckoned. With and they didn't even know it, you know,

836
00:37:53.480 --> 00:37:56.199
<v Speaker 1>like they couldn't rehearse at their place loud when they

837
00:37:56.239 --> 00:37:57.880
<v Speaker 1>got Mike. When Mike got in the band ever to

838
00:37:57.920 --> 00:38:00.480
<v Speaker 1>mark Stone, there was a studings got you in the

839
00:38:00.519 --> 00:38:02.719
<v Speaker 1>Hankies and they got jealous and every went out drove

840
00:38:02.800 --> 00:38:06.320
<v Speaker 1>his cards with their garden and did donuts and the

841
00:38:06.400 --> 00:38:10.480
<v Speaker 1>link but you know ed was when they played the

842
00:38:10.480 --> 00:38:13.440
<v Speaker 1>Emler's House. I mean, god, they were bringing two thousand

843
00:38:13.440 --> 00:38:16.440
<v Speaker 1>people in backyards back then. It was a place, I

844
00:38:16.440 --> 00:38:19.000
<v Speaker 1>mean huge yard. And when they signed it was like

845
00:38:19.079 --> 00:38:21.519
<v Speaker 1>I had a free ticket then because they were gone

846
00:38:21.639 --> 00:38:23.960
<v Speaker 1>and we still have that kind of audience. So we

847
00:38:24.119 --> 00:38:27.039
<v Speaker 1>we got we reverbed off that for about five years.

848
00:38:27.039 --> 00:38:28.880
<v Speaker 1>Then we had to go up to find another crowd.

849
00:38:29.559 --> 00:38:31.960
<v Speaker 1>You know, they were playing Madam Wongs and you know

850
00:38:32.159 --> 00:38:35.360
<v Speaker 1>with Susie and the Badgies and Dwight Yoakam and a

851
00:38:35.360 --> 00:38:38.039
<v Speaker 1>lot of people were out there playing for very little money.

852
00:38:38.360 --> 00:38:40.599
<v Speaker 3>What was your opinion of Michael Anthony. We haven't talked

853
00:38:40.599 --> 00:38:42.159
<v Speaker 3>about him yet. It seems like a great guy.

854
00:38:42.320 --> 00:38:44.119
<v Speaker 1>It's the nicest guy in the world. I think Mike

855
00:38:44.199 --> 00:38:46.559
<v Speaker 1>I stood next to him in one of those Uh

856
00:38:47.440 --> 00:38:51.400
<v Speaker 1>what is this the like the OLiS like you know,

857
00:38:51.480 --> 00:38:55.119
<v Speaker 1>the Ace Garden Center. He was buying a hose. I'm

858
00:38:55.119 --> 00:38:56.880
<v Speaker 1>looking like this. I didn't say nothing to him because

859
00:38:56.880 --> 00:38:58.719
<v Speaker 1>I've known him so well for some I remember when

860
00:38:58.760 --> 00:39:01.840
<v Speaker 1>he came in seven late seven too. He was had

861
00:39:01.840 --> 00:39:04.039
<v Speaker 1>the nice kiss gear was nice. He had a Chevrolet

862
00:39:04.119 --> 00:39:07.159
<v Speaker 1>Kingswood wagon. You're never now Dragno's vocal cadets.

863
00:39:07.199 --> 00:39:08.880
<v Speaker 3>Oh my god, the cadet.

864
00:39:09.159 --> 00:39:12.079
<v Speaker 1>He got an opal Cadet wagon that was like. He

865
00:39:12.119 --> 00:39:14.039
<v Speaker 1>has that mounted on the wall at his house now

866
00:39:14.239 --> 00:39:18.639
<v Speaker 1>with a deer. He's crazy, you know. And when you

867
00:39:18.679 --> 00:39:21.840
<v Speaker 1>go up the stairway, you go up the spiral staircase,

868
00:39:21.880 --> 00:39:24.440
<v Speaker 1>you start walking down the hall to his bedroom. He's

869
00:39:24.480 --> 00:39:27.079
<v Speaker 1>got at least one hundred platinum records up there. Right.

870
00:39:27.559 --> 00:39:29.199
<v Speaker 1>He turns around, looked at me and goes cuts down

871
00:39:29.199 --> 00:39:35.079
<v Speaker 1>on the foreplay. But he was actual first I've ever

872
00:39:35.079 --> 00:39:37.320
<v Speaker 1>seen he never ever was with a woman. I remember

873
00:39:37.360 --> 00:39:41.800
<v Speaker 1>him seeing him. Wow, he'd hang out with him, but

874
00:39:42.159 --> 00:39:44.639
<v Speaker 1>no girl, no woman to possession of that place. She

875
00:39:44.800 --> 00:39:48.039
<v Speaker 1>had no girlfriend. In fact, I know a girl was

876
00:39:48.039 --> 00:39:49.840
<v Speaker 1>crazy about him, and I said, don't do what I think

877
00:39:49.880 --> 00:39:52.239
<v Speaker 1>you're going to do. She followed him in to the gate.

878
00:39:52.280 --> 00:39:53.960
<v Speaker 1>When the gate opened up, she came in the hard

879
00:39:54.039 --> 00:39:57.599
<v Speaker 1>behind him. She got chewed out mad for that. Wow,

880
00:39:57.920 --> 00:39:59.280
<v Speaker 1>I mean, he's just like one of those guys he

881
00:39:59.400 --> 00:40:00.880
<v Speaker 1>called me about. You've got to get down here. I

882
00:40:01.000 --> 00:40:03.119
<v Speaker 1>be down waiting in the front. He goes, you're the

883
00:40:03.719 --> 00:40:06.599
<v Speaker 1>inter cones. What are you doing jamping out over there? Look,

884
00:40:06.719 --> 00:40:08.559
<v Speaker 1>you told me to be here. I rang the bell.

885
00:40:09.400 --> 00:40:12.440
<v Speaker 3>He's got a room that's dedicated strictly to all of

886
00:40:12.480 --> 00:40:17.679
<v Speaker 3>his outfits on stage and sunglasses long when he's irritated.

887
00:40:17.679 --> 00:40:19.159
<v Speaker 1>If he doesn't get his nap, he doesn't get his

888
00:40:19.199 --> 00:40:22.519
<v Speaker 1>coconut soup in the morning, look out ed Anderson, who

889
00:40:22.960 --> 00:40:27.079
<v Speaker 1>is liaison. Oh my god, Ed got caught showing his

890
00:40:27.199 --> 00:40:30.760
<v Speaker 1>underwear on EBD. That was the end of that. And

891
00:40:30.880 --> 00:40:34.079
<v Speaker 1>Karen mccellen and Migliolti, the guys that were putting together

892
00:40:34.159 --> 00:40:37.280
<v Speaker 1>his Dave TV or whatever they got, they got him

893
00:40:37.320 --> 00:40:41.119
<v Speaker 1>for like age discrimination, and I was gonna work with him.

894
00:40:41.159 --> 00:40:42.960
<v Speaker 1>He want to do ten more songs of me, I said, listen,

895
00:40:43.000 --> 00:40:45.599
<v Speaker 1>with all due respect. After the DLR bend, I'm not

896
00:40:45.639 --> 00:40:48.199
<v Speaker 1>really in a hurry to give my music away for nothing.

897
00:40:48.440 --> 00:40:50.000
<v Speaker 4>Now you have one song you want to put on

898
00:40:50.039 --> 00:40:50.480
<v Speaker 4>our album.

899
00:40:50.559 --> 00:40:52.320
<v Speaker 1>Right, yeah, it was a song called dirty Work. He

900
00:40:52.400 --> 00:40:53.840
<v Speaker 1>loved it. I thought, Yo, I'll give it to you,

901
00:40:53.880 --> 00:40:55.800
<v Speaker 1>but you got to give me ten grand for it,

902
00:40:56.480 --> 00:40:57.880
<v Speaker 1>and you can put your name on. I don't care

903
00:40:57.880 --> 00:41:00.800
<v Speaker 1>if you mentioned me, because he's not real good at

904
00:41:00.800 --> 00:41:04.280
<v Speaker 1>promoting his friends. I mean, ever since Steve. Why he's

905
00:41:04.320 --> 00:41:06.199
<v Speaker 1>got there's a little ego thing in there. You know,

906
00:41:06.199 --> 00:41:09.039
<v Speaker 1>a little bit of narcism. All lead singers have it.

907
00:41:09.039 --> 00:41:13.239
<v Speaker 1>It's called LSD. Lead Singers Disease. No but.

908
00:41:15.119 --> 00:41:16.920
<v Speaker 3>Present company.

909
00:41:17.599 --> 00:41:19.639
<v Speaker 1>I think Mike was really short changed by man Hale

910
00:41:19.679 --> 00:41:21.239
<v Speaker 1>and they turned him into an employee. That was the

911
00:41:21.320 --> 00:41:24.239
<v Speaker 1>last straw that showed me that, Okay, this guy's gonna

912
00:41:24.239 --> 00:41:27.440
<v Speaker 1>been with him since the very beginning. He was the

913
00:41:27.480 --> 00:41:31.079
<v Speaker 1>backbone of their backing vocal squad. You take Mike Anthony

914
00:41:31.079 --> 00:41:32.840
<v Speaker 1>out there, you ain't got no backing vocals in there.

915
00:41:32.880 --> 00:41:35.360
<v Speaker 1>He was a great I don't know what you call

916
00:41:35.440 --> 00:41:37.679
<v Speaker 1>him a tenor, but he the guy could hit the

917
00:41:37.719 --> 00:41:41.239
<v Speaker 1>notes and he had that pipe like voice. I don't

918
00:41:41.239 --> 00:41:43.679
<v Speaker 1>think it was really a lead singer's voice. He sang lead,

919
00:41:44.639 --> 00:41:48.440
<v Speaker 1>but just he complimented Don. Don was no ted Templeman

920
00:41:49.039 --> 00:41:51.480
<v Speaker 1>saw the what was what their deal was the only

921
00:41:51.519 --> 00:41:52.920
<v Speaker 1>way and they got away with all that is that

922
00:41:53.000 --> 00:41:59.199
<v Speaker 1>Letterman style Brooklyn Bridge backing vocals right, Dave put Dave

923
00:41:59.559 --> 00:42:03.360
<v Speaker 1>could sing along with him, but Ed was Ed's voice

924
00:42:03.440 --> 00:42:07.440
<v Speaker 1>was plain in tune but plain. You know, you wouldn't

925
00:42:07.440 --> 00:42:10.519
<v Speaker 1>look at it like it was a lead vocal. And

926
00:42:10.559 --> 00:42:12.559
<v Speaker 1>I had a lead quality vocal. But I hate singing,

927
00:42:14.079 --> 00:42:16.519
<v Speaker 1>never liked it. The joy of it means I've got

928
00:42:16.559 --> 00:42:18.039
<v Speaker 1>to do two jobs. You get paid once.

929
00:42:19.239 --> 00:42:21.519
<v Speaker 4>Yeah, because he's gonna on one of the songs.

930
00:42:21.840 --> 00:42:24.719
<v Speaker 1>When I started singing, we did all the trio stuffs

931
00:42:24.760 --> 00:42:28.880
<v Speaker 1>you need, chop stuff. After singing, I'd be so inspectorate, exasperate.

932
00:42:28.920 --> 00:42:30.440
<v Speaker 1>I couldn't figure out what solar I wanted to do.

933
00:42:30.480 --> 00:42:31.719
<v Speaker 1>It took a long time to get used to do.

934
00:42:33.199 --> 00:42:35.119
<v Speaker 1>Then you just cut if we didn't know what the

935
00:42:35.119 --> 00:42:37.760
<v Speaker 1>hell we were doing. But in doing that you learn

936
00:42:37.800 --> 00:42:39.480
<v Speaker 1>how to improvise. I mean, you had a guy come

937
00:42:39.480 --> 00:42:41.480
<v Speaker 1>over to my house, a black guy that was a

938
00:42:41.519 --> 00:42:44.920
<v Speaker 1>base at a bass player, ate up all my spaghetti

939
00:42:44.920 --> 00:42:47.159
<v Speaker 1>and meatballs, book of all the weed, took all my

940
00:42:47.239 --> 00:42:51.199
<v Speaker 1>money and then show you how to improvise. And he said,

941
00:42:51.320 --> 00:42:53.599
<v Speaker 1>you know you're too white. You just stepped off the meat.

942
00:42:53.639 --> 00:42:55.519
<v Speaker 1>And you know, after about eight hours of beating the

943
00:42:55.599 --> 00:42:57.719
<v Speaker 1>ship out of me, I kind of picked up on it.

944
00:42:58.400 --> 00:42:59.920
<v Speaker 1>I was better at you know, on the on the

945
00:43:00.480 --> 00:43:01.840
<v Speaker 1>and I have a good memory. So if I did

946
00:43:01.840 --> 00:43:03.719
<v Speaker 1>something on the fly that I remember, let's do that.

947
00:43:04.440 --> 00:43:06.280
<v Speaker 1>But there were bits and pieces back then. You know

948
00:43:06.360 --> 00:43:08.280
<v Speaker 1>you had to do is get a riff. You were

949
00:43:08.360 --> 00:43:11.440
<v Speaker 1>bad as I had. There was a lot of gigs,

950
00:43:11.440 --> 00:43:13.559
<v Speaker 1>a lot of opportunities. Van Hanlins weren't around anymore. If

951
00:43:13.559 --> 00:43:16.639
<v Speaker 1>you want to get anybody that could play cohesively, you're

952
00:43:16.679 --> 00:43:19.800
<v Speaker 1>going to get my group or Smile or Snow one

953
00:43:19.800 --> 00:43:20.440
<v Speaker 1>of those guys.

954
00:43:20.760 --> 00:43:22.239
<v Speaker 3>When did you form Ready to kill a lot?

955
00:43:22.559 --> 00:43:26.760
<v Speaker 1>Seventy seven seventy six? Yeah, the drummers he passed away.

956
00:43:26.840 --> 00:43:29.880
<v Speaker 1>I hate that really got to me because he had

957
00:43:29.920 --> 00:43:31.840
<v Speaker 1>a lot of It was the same thing. He wasn't

958
00:43:31.840 --> 00:43:33.360
<v Speaker 1>a very good drummer when it came down to it.

959
00:43:33.440 --> 00:43:37.360
<v Speaker 1>But in those days, we pushed it so hard that

960
00:43:37.440 --> 00:43:39.840
<v Speaker 1>we were actually kind of lame good. You know, if

961
00:43:39.880 --> 00:43:41.400
<v Speaker 1>you came to see if you know what you're going

962
00:43:41.480 --> 00:43:43.639
<v Speaker 1>to get, you're gonna get some good chops. And the

963
00:43:43.719 --> 00:43:45.599
<v Speaker 1>tone was right, you know it, Ha'd be just so,

964
00:43:46.599 --> 00:43:48.440
<v Speaker 1>but we really don't what we were doing. I mean

965
00:43:48.480 --> 00:43:50.599
<v Speaker 1>there was a band of Uncle Sam that played all

966
00:43:50.639 --> 00:43:53.320
<v Speaker 1>the standards like the led Zeppelin to the Bone and

967
00:43:53.440 --> 00:43:56.320
<v Speaker 1>Mick uh, you know, Mick Mars. Mick was MC deal.

968
00:43:57.320 --> 00:43:59.400
<v Speaker 1>He was an a band called White Horse and they

969
00:43:59.440 --> 00:44:02.280
<v Speaker 1>played Gizar along with Van Allen and they did exact

970
00:44:02.320 --> 00:44:05.920
<v Speaker 1>copies dancing days, you know, off the you know, they

971
00:44:05.920 --> 00:44:09.760
<v Speaker 1>did Zepp very well. Mick was a great player, a

972
00:44:09.920 --> 00:44:13.719
<v Speaker 1>very nice guy. You know, he didn't get happy. You know,

973
00:44:13.880 --> 00:44:15.880
<v Speaker 1>I asked him, really what it did growth growth girls,

974
00:44:15.880 --> 00:44:17.599
<v Speaker 1>how much money you made with Motley so far? It

975
00:44:17.639 --> 00:44:20.840
<v Speaker 1>was about six hundred thousand dollars. I thought, six hundred

976
00:44:20.880 --> 00:44:24.519
<v Speaker 1>thousand dollars. They gave you grocery money compared to what

977
00:44:24.559 --> 00:44:27.840
<v Speaker 1>they took, you know. I mean, it's like that's what

978
00:44:27.880 --> 00:44:29.239
<v Speaker 1>they did to Michael. I mean, how did you feel

979
00:44:29.280 --> 00:44:31.639
<v Speaker 1>like you were a quarter partner and then they changed

980
00:44:31.639 --> 00:44:33.440
<v Speaker 1>the deal like three shuffle of deck, go you're an

981
00:44:33.440 --> 00:44:36.679
<v Speaker 1>employee now, and he shut his mouth and took it.

982
00:44:36.840 --> 00:44:42.920
<v Speaker 1>You know, that's like sad it is it is they

983
00:44:42.920 --> 00:44:44.840
<v Speaker 1>did that to him, They go to anybody. I thought, man,

984
00:44:44.840 --> 00:44:47.320
<v Speaker 1>these guys have changed, and a lot of people that't

985
00:44:47.320 --> 00:44:48.559
<v Speaker 1>mad about it. A lot of people that were in

986
00:44:48.559 --> 00:44:53.239
<v Speaker 1>Pasadena that were they're good friends. They just bomb boy eyes.

987
00:44:53.280 --> 00:44:54.159
<v Speaker 1>We don't see you no more.

988
00:44:56.800 --> 00:44:58.320
<v Speaker 3>Why do you think they got rid of Nola Monk

989
00:44:58.679 --> 00:44:59.519
<v Speaker 3>as their manager?

990
00:45:00.400 --> 00:45:03.840
<v Speaker 1>No, it had it. Noah was a sex pistoles manager.

991
00:45:05.039 --> 00:45:06.960
<v Speaker 1>That's where he came from because the sex Pickles were

992
00:45:06.960 --> 00:45:09.039
<v Speaker 1>a bunch of fuck ups and they got all the

993
00:45:09.079 --> 00:45:12.599
<v Speaker 1>promotional money to take off. When Marshall Borough stole all

994
00:45:12.599 --> 00:45:14.920
<v Speaker 1>the Van Hale's money, they crawled in under the door,

995
00:45:14.960 --> 00:45:16.840
<v Speaker 1>according to every he said. Then we had to work.

996
00:45:17.719 --> 00:45:20.039
<v Speaker 1>And Brick Deringer's wife, Liz Deringer used to write for

997
00:45:20.159 --> 00:45:21.840
<v Speaker 1>Rolling Stone or something. She said, you guys are going

998
00:45:21.960 --> 00:45:24.119
<v Speaker 1>down the road wrest her life, and she was right.

999
00:45:24.679 --> 00:45:29.280
<v Speaker 1>They did, like eighteen fifteen hundred days out there. All

1000
00:45:29.360 --> 00:45:31.559
<v Speaker 1>four records were toured the same. I mean they did

1001
00:45:31.719 --> 00:45:35.599
<v Speaker 1>every possible git they could do well, you do you

1002
00:45:35.639 --> 00:45:39.079
<v Speaker 1>know sometimes two shows a night and then Alex at

1003
00:45:39.159 --> 00:45:42.480
<v Speaker 1>light Trust help Lamna's head to Italy. Bember killed him.

1004
00:45:42.880 --> 00:45:44.360
<v Speaker 1>If you had to be wearing that neck bridge his

1005
00:45:44.440 --> 00:45:47.519
<v Speaker 1>habit of falling off, you know. Dave injured himself. Everard

1006
00:45:47.559 --> 00:45:49.079
<v Speaker 1>broke both of his wrists.

1007
00:45:48.880 --> 00:45:50.960
<v Speaker 3>Dave did a splitting his head on the on the

1008
00:45:51.000 --> 00:45:51.679
<v Speaker 3>disco ball.

1009
00:45:53.800 --> 00:45:56.679
<v Speaker 1>Yeah, we had dangerous, a dangerous trade when you look

1010
00:45:56.719 --> 00:45:58.360
<v Speaker 1>at it like that. They were rough and tumble with

1011
00:45:58.400 --> 00:46:00.679
<v Speaker 1>you know. But when you reach that point where you

1012
00:46:00.679 --> 00:46:02.599
<v Speaker 1>still think you're a kid, but you're forty years old,

1013
00:46:02.639 --> 00:46:05.039
<v Speaker 1>forty two years old, you go about a roller record.

1014
00:46:05.039 --> 00:46:07.079
<v Speaker 1>I was saying, you bite the you bite the rail.

1015
00:46:07.159 --> 00:46:07.360
<v Speaker 4>You know.

1016
00:46:07.400 --> 00:46:10.039
<v Speaker 1>It's I don't see how they possibly had the energy.

1017
00:46:10.519 --> 00:46:12.039
<v Speaker 1>It's a different world now, you know.

1018
00:46:12.280 --> 00:46:14.880
<v Speaker 3>Sure, Dave was doing the splits right up until like

1019
00:46:15.280 --> 00:46:16.079
<v Speaker 3>two oh three.

1020
00:46:16.400 --> 00:46:19.119
<v Speaker 1>Oh yeah, he did it all the way through our situation.

1021
00:46:19.280 --> 00:46:22.519
<v Speaker 1>But I remember that he was paying out about eighteen

1022
00:46:22.559 --> 00:46:25.519
<v Speaker 1>thousand dollars a week for those buses and the crew,

1023
00:46:25.559 --> 00:46:28.519
<v Speaker 1>and it's like, geez, I mean, you better be making

1024
00:46:28.519 --> 00:46:31.199
<v Speaker 1>some money out there, because I see him. Premier talent

1025
00:46:31.280 --> 00:46:35.920
<v Speaker 1>don't exist anymore. There's no map. Pete was with Dave

1026
00:46:35.960 --> 00:46:39.280
<v Speaker 1>all those years at the Picasso Brothers, right, yeah. Yeah.

1027
00:46:40.239 --> 00:46:44.119
<v Speaker 1>Heete owns the Black Crows, he's their manager. So he

1028
00:46:44.239 --> 00:46:46.880
<v Speaker 1>had the map and he and he heard the record filthy,

1029
00:46:46.920 --> 00:46:48.719
<v Speaker 1>and he didn't mind me to do with it. I

1030
00:46:48.760 --> 00:46:51.039
<v Speaker 1>was kind of offended. I thought, hey, I did well

1031
00:46:51.079 --> 00:46:54.199
<v Speaker 1>on that. I wrote good songs. It wasn't that. He

1032
00:46:54.280 --> 00:46:56.199
<v Speaker 1>just saw that. David was losing his mind because he said,

1033
00:46:56.199 --> 00:46:59.440
<v Speaker 1>look at you can't portray the stinging kind of a thing.

1034
00:47:00.159 --> 00:47:02.480
<v Speaker 1>You don't have account that Sting does. I mean, it's

1035
00:47:02.480 --> 00:47:03.960
<v Speaker 1>not going to be the same cut of thing that

1036
00:47:04.119 --> 00:47:05.079
<v Speaker 1>Sting would put together.

1037
00:47:05.559 --> 00:47:08.360
<v Speaker 3>He cut his hair, looked like, yeah, had that.

1038
00:47:08.760 --> 00:47:09.039
<v Speaker 4>I like.

1039
00:47:09.119 --> 00:47:11.519
<v Speaker 1>What I liked Jay did was his blues. He's great blues,

1040
00:47:11.559 --> 00:47:13.320
<v Speaker 1>but he could have been a great blue singer.

1041
00:47:13.599 --> 00:47:14.079
<v Speaker 3>Hell yeah.

1042
00:47:14.119 --> 00:47:16.199
<v Speaker 1>The cover of the best that he didn't like to

1043
00:47:16.239 --> 00:47:16.880
<v Speaker 1>do at all.

1044
00:47:17.079 --> 00:47:19.320
<v Speaker 3>The cover of Nightlife, Willie Nelson's Knight.

1045
00:47:19.480 --> 00:47:21.639
<v Speaker 1>He did a great job on that, as did you

1046
00:47:22.519 --> 00:47:25.599
<v Speaker 1>and Steve Steve. Steve Hunter was the inspiration for that.

1047
00:47:25.639 --> 00:47:27.960
<v Speaker 1>He goes, uh, I don't know who did the I

1048
00:47:27.960 --> 00:47:30.519
<v Speaker 1>think the solo was done by It was a piano

1049
00:47:30.559 --> 00:47:34.079
<v Speaker 1>solo by champion Jack Dupree, and I transposed it and

1050
00:47:34.119 --> 00:47:36.840
<v Speaker 1>it just had that emotional But there was only a

1051
00:47:36.840 --> 00:47:39.000
<v Speaker 1>few deal a day. You got a few little emotions.

1052
00:47:39.000 --> 00:47:41.239
<v Speaker 1>It was like a circus act. Okay, here's the bunckey.

1053
00:47:41.280 --> 00:47:43.199
<v Speaker 1>You eat these pants now and then binger flip and

1054
00:47:43.199 --> 00:47:44.239
<v Speaker 1>get the poodles.

1055
00:47:43.840 --> 00:47:48.119
<v Speaker 3>Of covering right, Well, does he need somebody like what

1056
00:47:48.199 --> 00:47:49.800
<v Speaker 3>he was with Van Hallen to kind of keep him

1057
00:47:49.840 --> 00:47:50.239
<v Speaker 3>on track?

1058
00:47:51.360 --> 00:47:55.239
<v Speaker 1>Yeah, well he got his own advert, but it's.

1059
00:47:55.239 --> 00:47:56.480
<v Speaker 3>Very restless creatively.

1060
00:47:56.760 --> 00:47:56.920
<v Speaker 2>You know.

1061
00:47:57.079 --> 00:47:59.039
<v Speaker 1>I'm sitting there with Tuggle and Jamie and me, and

1062
00:47:59.079 --> 00:48:00.599
<v Speaker 1>we're sitting there and we're the of the core of

1063
00:48:00.599 --> 00:48:03.440
<v Speaker 1>the group, the bass player, guitar player, keyboard player, and

1064
00:48:03.480 --> 00:48:05.719
<v Speaker 1>we're sitting like this. And if the tour the tour

1065
00:48:06.599 --> 00:48:08.480
<v Speaker 1>catalog came out, I said, oh good, they're gonna have

1066
00:48:08.480 --> 00:48:11.840
<v Speaker 1>pictures of us. There wasn't one nothing. There wasn't one

1067
00:48:11.880 --> 00:48:14.039
<v Speaker 1>of us, one of Jamie. You can barely make it

1068
00:48:14.039 --> 00:48:15.920
<v Speaker 1>my way down at the end of the stage and

1069
00:48:15.920 --> 00:48:18.719
<v Speaker 1>it says musicians and the names are like, look at

1070
00:48:18.800 --> 00:48:20.880
<v Speaker 1>I got to put my bivocal dogs. I can see

1071
00:48:20.920 --> 00:48:24.400
<v Speaker 1>what who these people are. Anderson said, what do you

1072
00:48:24.440 --> 00:48:27.920
<v Speaker 1>think of it? I threw it at him, But you

1073
00:48:27.960 --> 00:48:29.639
<v Speaker 1>know we're part of this group, you know.

1074
00:48:30.199 --> 00:48:30.400
<v Speaker 4>Yeah.

1075
00:48:31.079 --> 00:48:33.400
<v Speaker 1>I had a phobia for playing average stuff. I had

1076
00:48:33.440 --> 00:48:35.960
<v Speaker 1>to have really have. Jamie's brothers showed me how to

1077
00:48:35.960 --> 00:48:39.000
<v Speaker 1>play jump because like psychological block, I did not want

1078
00:48:39.000 --> 00:48:41.559
<v Speaker 1>to learn his stuff. The magic to me was when

1079
00:48:41.679 --> 00:48:43.480
<v Speaker 1>you know, when I learn Jimmy Henders stuff. I thought,

1080
00:48:43.559 --> 00:48:46.599
<v Speaker 1>that's all it is. It's what you got to put

1081
00:48:46.639 --> 00:48:49.280
<v Speaker 1>the you know, the mojo on it. And that's what

1082
00:48:49.360 --> 00:48:51.079
<v Speaker 1>we had in the old days. We don't have that now.

1083
00:48:51.119 --> 00:48:52.440
<v Speaker 1>I mean I still have a little bit of it,

1084
00:48:52.480 --> 00:48:54.880
<v Speaker 1>but you know, the mojo we can put the like.

1085
00:48:55.000 --> 00:48:57.039
<v Speaker 1>Warren was the same way. He told me, this is

1086
00:48:57.039 --> 00:49:00.800
<v Speaker 1>Warren's philosophy about the music and this. He said, take

1087
00:49:00.800 --> 00:49:03.079
<v Speaker 1>all your money to get cash it out everything cars,

1088
00:49:03.119 --> 00:49:04.679
<v Speaker 1>to hold the old all your instruments, he said, go

1089
00:49:04.800 --> 00:49:07.039
<v Speaker 1>to Las Vegas and wrapped. He said, you had a

1090
00:49:07.079 --> 00:49:11.000
<v Speaker 1>lot better chance of making them in the music pits

1091
00:49:11.199 --> 00:49:14.440
<v Speaker 1>because they also had Marshall Burrow, you know, so they

1092
00:49:14.480 --> 00:49:17.280
<v Speaker 1>took a hit too. But Warren didn't have to worry

1093
00:49:17.320 --> 00:49:18.840
<v Speaker 1>about that because he's one of the heirs of the

1094
00:49:18.880 --> 00:49:21.719
<v Speaker 1>Morris candy forks even do anything to worry about.

1095
00:49:21.880 --> 00:49:24.000
<v Speaker 3>Yeah, he heard about that man and he's a great player.

1096
00:49:24.599 --> 00:49:26.400
<v Speaker 1>Milton and Martin. I don't know his dad was Milton

1097
00:49:26.480 --> 00:49:31.199
<v Speaker 1>or Martin, but he's always handled his money. Well it wasn't.

1098
00:49:31.199 --> 00:49:32.599
<v Speaker 1>Mormon was the guy that first got to give me

1099
00:49:32.639 --> 00:49:34.840
<v Speaker 1>a break. I got royalty, my first royalty money from

1100
00:49:34.840 --> 00:49:36.559
<v Speaker 1>a rat Detonator album.

1101
00:49:36.679 --> 00:49:40.119
<v Speaker 3>They which son which all or nothing?

1102
00:49:40.800 --> 00:49:40.920
<v Speaker 1>Oh?

1103
00:49:41.079 --> 00:49:43.760
<v Speaker 3>Nothing? Oh okay, that's my rip.

1104
00:49:44.880 --> 00:49:47.559
<v Speaker 1>He you know Warrimons. He mentioned me in magazines all

1105
00:49:47.599 --> 00:49:50.000
<v Speaker 1>the time. He's a very generous guy, and I've been

1106
00:49:50.039 --> 00:49:52.039
<v Speaker 1>to his house many times. You know, his kids are

1107
00:49:52.039 --> 00:49:54.199
<v Speaker 1>all grown now, but I remember when they first moved

1108
00:49:54.239 --> 00:49:57.159
<v Speaker 1>up on Laurel. He was very nice. You know, he's

1109
00:49:57.159 --> 00:50:00.159
<v Speaker 1>been with the same woman for years. She he was

1110
00:50:00.159 --> 00:50:04.159
<v Speaker 1>a rock and roll photographer. And he's a very even temperate,

1111
00:50:04.360 --> 00:50:07.199
<v Speaker 1>nice guy. You know, he really is. He helped people,

1112
00:50:08.320 --> 00:50:10.519
<v Speaker 1>you know, he financed a lot of my recordings back then.

1113
00:50:10.639 --> 00:50:14.519
<v Speaker 1>A Silver Clown Joe Floyd the Warrior Band. He was

1114
00:50:14.559 --> 00:50:16.719
<v Speaker 1>also a great player. Joe was a great mix Maan.

1115
00:50:17.400 --> 00:50:19.280
<v Speaker 1>You know, you learned to pick up stuff all the

1116
00:50:19.320 --> 00:50:22.079
<v Speaker 1>way along. I used to go like people to walk

1117
00:50:22.079 --> 00:50:23.679
<v Speaker 1>come in and get any compressors because I don't know

1118
00:50:23.719 --> 00:50:27.280
<v Speaker 1>how to use one. Can learn. It's fun, you know,

1119
00:50:28.360 --> 00:50:29.960
<v Speaker 1>That's what I'm thinking. What the hell I grabbed that

1120
00:50:29.960 --> 00:50:31.679
<v Speaker 1>two hundred dollars guitar for and I didn't pull by

1121
00:50:31.800 --> 00:50:35.559
<v Speaker 1>eight thousand dollars focus right, didn't get the hell out

1122
00:50:35.599 --> 00:50:36.760
<v Speaker 1>of that rack and take it and put it in

1123
00:50:36.840 --> 00:50:39.360
<v Speaker 1>the trunk. You don't think of that when alse burned down?

1124
00:50:39.800 --> 00:50:42.480
<v Speaker 3>Did you show Eddie finger tapping or that was that?

1125
00:50:42.880 --> 00:50:46.800
<v Speaker 1>Well? Chris Holmes a wasp, actually was responsible for it

1126
00:50:46.840 --> 00:50:49.519
<v Speaker 1>because I was giving Chris lessons at a music store

1127
00:50:49.599 --> 00:50:54.079
<v Speaker 1>right here, at discount here Madre and Chris saw me

1128
00:50:54.320 --> 00:50:57.000
<v Speaker 1>getting the beef of the guy. I traded him less

1129
00:50:57.039 --> 00:51:00.639
<v Speaker 1>Paul for a sixty five number five fire, which I

1130
00:51:00.719 --> 00:51:02.360
<v Speaker 1>wasn't about the track. You wanted it back, I said,

1131
00:51:02.400 --> 00:51:04.280
<v Speaker 1>now you're going to box for it. Beat the shit

1132
00:51:04.320 --> 00:51:06.199
<v Speaker 1>out of the guy. Drip goes man, you know how

1133
00:51:06.199 --> 00:51:09.559
<v Speaker 1>to fight? I said, both guys are? They were school kids,

1134
00:51:10.119 --> 00:51:12.840
<v Speaker 1>and he goes, uh, you know, my friend Don Ivers

1135
00:51:12.840 --> 00:51:16.599
<v Speaker 1>got to fight with Harvey Mandel's son at a school.

1136
00:51:16.599 --> 00:51:18.159
<v Speaker 1>I thought, well, why are you telling me? He because

1137
00:51:18.199 --> 00:51:20.639
<v Speaker 1>I know where he lives, and I worshiped hard of me.

1138
00:51:20.679 --> 00:51:22.320
<v Speaker 1>I thought he was one of the greatest players of

1139
00:51:22.360 --> 00:51:25.519
<v Speaker 1>the early seventies. You know he had he just developed

1140
00:51:25.519 --> 00:51:27.440
<v Speaker 1>that second hand you know thing he would do. He

1141
00:51:27.440 --> 00:51:29.840
<v Speaker 1>would do chords like that and he got that kind

1142
00:51:29.840 --> 00:51:32.039
<v Speaker 1>of a freestyle. Didn't but he didn't take it where

1143
00:51:32.119 --> 00:51:34.679
<v Speaker 1>edd took it, but he looked. He showed me how

1144
00:51:34.719 --> 00:51:36.039
<v Speaker 1>to do it. I said, well, that's cool, but I

1145
00:51:36.079 --> 00:51:39.159
<v Speaker 1>didn't think nothing of it. I thought of first, if

1146
00:51:39.199 --> 00:51:41.239
<v Speaker 1>you put your fingers down, I's going to make knowing right.

1147
00:51:42.039 --> 00:51:44.159
<v Speaker 1>And I thought, what's a good trick. I use it for, like,

1148
00:51:44.239 --> 00:51:47.400
<v Speaker 1>you know, stupid little things. But Ed picked up on

1149
00:51:47.440 --> 00:51:50.159
<v Speaker 1>it with a vengeance, and he hated two things. He

1150
00:51:50.199 --> 00:51:53.360
<v Speaker 1>didn't like doing that, and he didn't like playing stratocasters,

1151
00:51:54.039 --> 00:51:56.880
<v Speaker 1>so he reparated everything with you know, that's the second

1152
00:51:56.880 --> 00:52:00.440
<v Speaker 1>hand thing where he really extrapolated. You know, but it's

1153
00:52:00.480 --> 00:52:03.559
<v Speaker 1>so used now that I wouldn't dare do it. When

1154
00:52:03.559 --> 00:52:05.280
<v Speaker 1>he went to Tremlo bar I used to play a

1155
00:52:05.320 --> 00:52:07.039
<v Speaker 1>strat he went to a Tremolo bar I went back

1156
00:52:07.079 --> 00:52:10.280
<v Speaker 1>to left Paul because you know, I had a responsibility.

1157
00:52:10.320 --> 00:52:12.119
<v Speaker 1>I was his friend. I didn't want to be identified

1158
00:52:12.159 --> 00:52:14.800
<v Speaker 1>like some little clone total that, you know, you know

1159
00:52:14.800 --> 00:52:15.280
<v Speaker 1>what I'm saying.

1160
00:52:15.519 --> 00:52:16.920
<v Speaker 3>Sure you want to be you know.

1161
00:52:17.840 --> 00:52:21.760
<v Speaker 1>However, goofy that was, and I would rather have mine

1162
00:52:21.840 --> 00:52:24.719
<v Speaker 1>than somebody else's, you know, Like I told Davis, I

1163
00:52:24.800 --> 00:52:26.559
<v Speaker 1>rather did tap it in my own rowboat. That'd be

1164
00:52:26.599 --> 00:52:30.599
<v Speaker 1>a first mate on your on your battleship. Sure you

1165
00:52:30.599 --> 00:52:32.320
<v Speaker 1>know he doesn't have the same kind of vibe as

1166
00:52:32.320 --> 00:52:36.000
<v Speaker 1>a guitar player, no guitar. I gave him the classical

1167
00:52:36.159 --> 00:52:39.079
<v Speaker 1>single one thirty two that he uses on stage. But

1168
00:52:39.159 --> 00:52:42.920
<v Speaker 1>I can't figure out why he doesn't stretch out a

1169
00:52:42.960 --> 00:52:45.360
<v Speaker 1>little bit and do something different, you know, because the

1170
00:52:45.440 --> 00:52:47.199
<v Speaker 1>Van Halen thing is that that's all you're gonna be

1171
00:52:47.239 --> 00:52:48.920
<v Speaker 1>known for. I would not want to play that zep

1172
00:52:49.079 --> 00:52:52.440
<v Speaker 1>into eternity. Songs are great, but you know it just

1173
00:52:52.519 --> 00:52:55.320
<v Speaker 1>I didn't feel like I could really camp up, jump

1174
00:52:56.320 --> 00:52:58.000
<v Speaker 1>and go through all that big deal, you know. So

1175
00:52:58.039 --> 00:53:01.000
<v Speaker 1>I just played at real stock like alplays it and

1176
00:53:02.000 --> 00:53:04.159
<v Speaker 1>those guys got a gravey gig. We had a hard gig.

1177
00:53:04.760 --> 00:53:06.199
<v Speaker 1>It was a lot of more emoltual stress.

1178
00:53:06.239 --> 00:53:08.639
<v Speaker 3>You I mean, oh, I would think, because that was

1179
00:53:08.679 --> 00:53:11.079
<v Speaker 3>a difficult tour. As you said, it's.

1180
00:53:10.960 --> 00:53:12.719
<v Speaker 1>My business class one way and then go on a

1181
00:53:12.760 --> 00:53:14.519
<v Speaker 1>tallecar the way out.

1182
00:53:15.320 --> 00:53:17.320
<v Speaker 3>But you have your own tone. How would you describe

1183
00:53:17.320 --> 00:53:19.800
<v Speaker 3>your tone? It's got a really cool feel to it.

1184
00:53:20.079 --> 00:53:22.360
<v Speaker 1>Ed used one hundred Watch, and I didn't only like

1185
00:53:22.440 --> 00:53:25.440
<v Speaker 1>the Marshals like I liked the high Watch script logos.

1186
00:53:25.480 --> 00:53:28.159
<v Speaker 1>You know. The fifties real hard to find, and we

1187
00:53:28.239 --> 00:53:30.440
<v Speaker 1>used to go to Nadine's music store. It a big

1188
00:53:30.480 --> 00:53:32.639
<v Speaker 1>fat guy there that played guitar, and I liked it.

1189
00:53:32.679 --> 00:53:34.920
<v Speaker 1>Give eat stuff a flying V down into his pocket

1190
00:53:34.960 --> 00:53:36.480
<v Speaker 1>to go this is I got to play one of these,

1191
00:53:37.079 --> 00:53:38.800
<v Speaker 1>and I said, I like that market because you got

1192
00:53:38.880 --> 00:53:41.480
<v Speaker 1>to hear the script logo. And I was fifty dollars

1193
00:53:41.519 --> 00:53:43.440
<v Speaker 1>short of getting it, so I went way out of

1194
00:53:43.440 --> 00:53:47.400
<v Speaker 1>the limb getting fifty bucks to buy the Marshall's four hundred.

1195
00:53:47.440 --> 00:53:49.719
<v Speaker 1>I got that one, and I strake another four to

1196
00:53:49.719 --> 00:53:51.320
<v Speaker 1>fifty up for the high Watch. The tone I have

1197
00:53:51.519 --> 00:53:56.039
<v Speaker 1>was undeniably good, and Harmony had given me an EP

1198
00:53:56.199 --> 00:53:59.559
<v Speaker 1>one at two echo Plex, which was a big part

1199
00:53:59.559 --> 00:54:02.920
<v Speaker 1>of that because preampt the amps and then uh then

1200
00:54:02.920 --> 00:54:05.360
<v Speaker 1>we started using advantide. That was like, wow, I've got

1201
00:54:05.360 --> 00:54:09.119
<v Speaker 1>this godlike tone. It was fun for backyards. It worked

1202
00:54:09.119 --> 00:54:11.039
<v Speaker 1>a lot of places, but then the bigger the places

1203
00:54:11.079 --> 00:54:13.960
<v Speaker 1>were the rest it would work because you got these

1204
00:54:14.000 --> 00:54:16.320
<v Speaker 1>big rooms, you know we've got. We played some horrible

1205
00:54:16.400 --> 00:54:20.400
<v Speaker 1>rooms to gymnasiums, they said, gigs up everywhere. The best

1206
00:54:20.400 --> 00:54:22.480
<v Speaker 1>places to play really were outdoors, which you could play

1207
00:54:22.480 --> 00:54:25.559
<v Speaker 1>so fucking loud and get a mix of some sort.

1208
00:54:25.599 --> 00:54:28.320
<v Speaker 1>And everybody struggled with PA system somebody could get a

1209
00:54:28.559 --> 00:54:31.320
<v Speaker 1>more powerful That's why Van Helen got Dave, because he

1210
00:54:31.360 --> 00:54:34.679
<v Speaker 1>had an eight to fifty acoustic type and then they

1211
00:54:34.800 --> 00:54:37.639
<v Speaker 1>upgraded it to what were those out the out the

1212
00:54:38.159 --> 00:54:42.480
<v Speaker 1>alt tech twelve forties or wherever they were was the theaters. Yeah,

1213
00:54:43.360 --> 00:54:45.559
<v Speaker 1>we're so desperate that we went to Blair High School.

1214
00:54:45.679 --> 00:54:49.000
<v Speaker 1>But got my manager and we crawled up the sports

1215
00:54:49.039 --> 00:54:51.880
<v Speaker 1>towers and took the radiator slots of Big JBOL radio

1216
00:54:51.920 --> 00:54:54.119
<v Speaker 1>slots out of the out of the public address for

1217
00:54:54.199 --> 00:54:58.239
<v Speaker 1>the games. Well wrote them down and built the cabinet

1218
00:54:58.400 --> 00:55:02.760
<v Speaker 1>form down. You don't we use it for a head.

1219
00:55:02.800 --> 00:55:04.840
<v Speaker 1>I used one hundred and twenty what Matt app.

1220
00:55:05.760 --> 00:55:07.920
<v Speaker 3>But I hear what I listened to Ready Kill Awtt.

1221
00:55:07.960 --> 00:55:10.039
<v Speaker 3>Just the one song is available online Liquid Lady, and

1222
00:55:10.119 --> 00:55:12.599
<v Speaker 3>I listened to you Filthy Little Mouth or your songs

1223
00:55:12.639 --> 00:55:15.360
<v Speaker 3>on de l R band. It's pretty pretty similar, right,

1224
00:55:15.360 --> 00:55:16.480
<v Speaker 3>I mean it's pretty consistent.

1225
00:55:16.880 --> 00:55:19.119
<v Speaker 1>Well, I always choose, like you know with Nile Rodgers,

1226
00:55:19.280 --> 00:55:23.880
<v Speaker 1>Nile Ahead so much money, I mean sick, I said,

1227
00:55:23.920 --> 00:55:26.559
<v Speaker 1>I need a telecaster for everybody's got the monkeys. That's

1228
00:55:26.599 --> 00:55:28.440
<v Speaker 1>what I felt that that would be the best, best

1229
00:55:28.480 --> 00:55:31.519
<v Speaker 1>sounding thing because Dave wasn't let me use my ordance,

1230
00:55:31.559 --> 00:55:33.599
<v Speaker 1>and they brought a Neve Kelso in which I said,

1231
00:55:33.639 --> 00:55:35.719
<v Speaker 1>anything you could fart to one of those things. They

1232
00:55:35.800 --> 00:55:39.559
<v Speaker 1>sound great, but I played it. I said, well, I

1233
00:55:39.559 --> 00:55:42.280
<v Speaker 1>want a telecast because what year you want? What do

1234
00:55:42.280 --> 00:55:43.599
<v Speaker 1>you mean? Because I got all the years, I mean

1235
00:55:43.679 --> 00:55:46.920
<v Speaker 1>for nineteen fifty one broadcaster, all the way down to

1236
00:55:46.960 --> 00:55:48.840
<v Speaker 1>a sixty five. I said, give me a fifty eight.

1237
00:55:48.880 --> 00:55:51.559
<v Speaker 1>He goes, and you go get into fifty eight. Comes out.

1238
00:55:51.679 --> 00:55:54.719
<v Speaker 1>It's a beautiful blonde fifty eight so powerful, I mean,

1239
00:55:54.840 --> 00:55:59.079
<v Speaker 1>ten times more gain than a regular telecaster. And I

1240
00:55:59.159 --> 00:56:01.400
<v Speaker 1>dailed it. You know, it was an easy thing, he said,

1241
00:56:02.000 --> 00:56:04.480
<v Speaker 1>he goes, it's a van healing song. Basically, Frank built

1242
00:56:04.480 --> 00:56:08.960
<v Speaker 1>it like a van healing song, right, that interesting timing,

1243
00:56:09.880 --> 00:56:13.519
<v Speaker 1>But for some reason it didn't fly. Kept trying to

1244
00:56:13.559 --> 00:56:15.679
<v Speaker 1>get you'd never know to do it, and I thought

1245
00:56:16.440 --> 00:56:18.920
<v Speaker 1>it was a little left to center, you know, I'll

1246
00:56:18.960 --> 00:56:21.360
<v Speaker 1>tell you what. They loved that record. A lot of

1247
00:56:21.400 --> 00:56:23.719
<v Speaker 1>people really liked it, and I liked it, but it

1248
00:56:23.760 --> 00:56:26.159
<v Speaker 1>was we had a hell of a time playing some

1249
00:56:26.239 --> 00:56:29.480
<v Speaker 1>of them, like you're breathing. It was, you're bringing us

1250
00:56:29.519 --> 00:56:31.840
<v Speaker 1>a brilliant thing. We turned into a rap song. I thought,

1251
00:56:31.880 --> 00:56:34.239
<v Speaker 1>this is not working for me. You know, it was

1252
00:56:34.280 --> 00:56:36.840
<v Speaker 1>its own preference. It couldn't deal. But you know I

1253
00:56:36.920 --> 00:56:38.960
<v Speaker 1>did that record four months and it took it three

1254
00:56:39.000 --> 00:56:42.239
<v Speaker 1>years to finish it. I just sat around on payroll,

1255
00:56:42.440 --> 00:56:45.840
<v Speaker 1>you know, just going well. Some day they get ste.

1256
00:56:45.639 --> 00:56:48.519
<v Speaker 3>And think about how much music had changed from ninety

1257
00:56:48.559 --> 00:56:49.440
<v Speaker 3>one to ninety four.

1258
00:56:49.599 --> 00:56:52.920
<v Speaker 1>Yeah, I mean, you know that's the thing. By time

1259
00:56:52.960 --> 00:56:54.719
<v Speaker 1>to get taught up. I understood the business en it

1260
00:56:54.760 --> 00:56:58.239
<v Speaker 1>was ICM. William wore ICM premiere. They'll put you on

1261
00:56:58.280 --> 00:57:00.119
<v Speaker 1>the map, they'll take you out. You don't even the

1262
00:57:00.119 --> 00:57:02.079
<v Speaker 1>companies leaving loaning the money to go on these tours,

1263
00:57:02.960 --> 00:57:04.519
<v Speaker 1>but you got to pay it back. And if you

1264
00:57:04.519 --> 00:57:08.039
<v Speaker 1>have got poor you know response, and you don't have

1265
00:57:08.079 --> 00:57:10.719
<v Speaker 1>people out there canvassing that ship out of it, which

1266
00:57:10.760 --> 00:57:13.960
<v Speaker 1>think were doing. When the Segrums did that buy out,

1267
00:57:14.000 --> 00:57:15.360
<v Speaker 1>it was like it was over right there. I had

1268
00:57:15.360 --> 00:57:17.280
<v Speaker 1>a deal lined up with David Geffen and it was

1269
00:57:17.400 --> 00:57:19.360
<v Speaker 1>just when dead flat that day, it was over.

1270
00:57:19.800 --> 00:57:21.280
<v Speaker 3>Wow, Geffen.

1271
00:57:21.880 --> 00:57:23.880
<v Speaker 1>I had to grow another group together that was pretty good.

1272
00:57:23.880 --> 00:57:28.039
<v Speaker 1>I'm Chris Iman on Base and Mike Sodo and Drugs

1273
00:57:28.079 --> 00:57:30.199
<v Speaker 1>that we were tight. We had a really cool sound.

1274
00:57:30.280 --> 00:57:32.239
<v Speaker 1>But you know, it was getting the point where it's like,

1275
00:57:32.280 --> 00:57:34.199
<v Speaker 1>she how long am I to keep selling the snake oil.

1276
00:57:35.039 --> 00:57:36.599
<v Speaker 1>It wasn't like the old days. We played ready to

1277
00:57:36.639 --> 00:57:39.320
<v Speaker 1>Kill a watch we ape shit. You know, I played

1278
00:57:39.320 --> 00:57:40.920
<v Speaker 1>a solo. I just rolled by the back of my

1279
00:57:40.960 --> 00:57:43.199
<v Speaker 1>head like a great white shark and start biting. You

1280
00:57:43.239 --> 00:57:45.519
<v Speaker 1>know what I mean? You do it. People thought it

1281
00:57:45.559 --> 00:57:48.320
<v Speaker 1>was brilliant because it really was. You hadn't tried to

1282
00:57:48.320 --> 00:57:51.559
<v Speaker 1>make it sound good. You know, I participated more in

1283
00:57:51.599 --> 00:57:54.320
<v Speaker 1>my own style that I do now. You know, because

1284
00:57:54.599 --> 00:57:56.719
<v Speaker 1>you get wider, you have to be virtual. With Dave,

1285
00:57:56.800 --> 00:57:59.320
<v Speaker 1>You've got to be really virtual to get anything out

1286
00:57:59.320 --> 00:58:01.800
<v Speaker 1>of it because he has good background in music.

1287
00:58:01.960 --> 00:58:04.519
<v Speaker 3>He really does. Man, Yeah, he's got an appreciation.

1288
00:58:05.199 --> 00:58:06.559
<v Speaker 1>He said, I want you to listen to this record.

1289
00:58:06.559 --> 00:58:08.719
<v Speaker 1>Just I knew what he was doing, you know. Yes,

1290
00:58:09.199 --> 00:58:11.519
<v Speaker 1>I'd always admired Angus Young. He said he's the best

1291
00:58:11.599 --> 00:58:14.679
<v Speaker 1>of the best, because how can you beat a c

1292
00:58:14.840 --> 00:58:15.760
<v Speaker 1>DC right?

1293
00:58:15.920 --> 00:58:18.840
<v Speaker 3>Him and Wolfgang always listened to power Age.

1294
00:58:18.920 --> 00:58:21.360
<v Speaker 1>I think that was the I thought Motley Crue many

1295
00:58:21.400 --> 00:58:23.840
<v Speaker 1>times because I Rudy toured with him and I know

1296
00:58:23.920 --> 00:58:27.639
<v Speaker 1>him bick real well. I sold him the sixty seven

1297
00:58:27.679 --> 00:58:30.519
<v Speaker 1>flex he used on girls, Girls Girls. I hated it

1298
00:58:30.559 --> 00:58:33.199
<v Speaker 1>and he looked because it's the Jose bod right, and

1299
00:58:33.280 --> 00:58:35.800
<v Speaker 1>Jose was like his moods were like radio shack, but

1300
00:58:35.840 --> 00:58:38.960
<v Speaker 1>they were brilliant. You remote standby. I mean, I'm gonna

1301
00:58:38.960 --> 00:58:42.559
<v Speaker 1>need that for a garage band. So Mick flaying and

1302
00:58:42.599 --> 00:58:44.719
<v Speaker 1>that's not a lot of times. Mortley Crue was way

1303
00:58:44.719 --> 00:58:47.280
<v Speaker 1>better than Ben Hill and life way better, much better,

1304
00:58:47.360 --> 00:58:51.519
<v Speaker 1>show better because Van Haim was so fucking loud. I

1305
00:58:51.559 --> 00:58:55.039
<v Speaker 1>mean we played the decimal beater night. It was one

1306
00:58:55.119 --> 00:58:58.400
<v Speaker 1>hundred and thirty two. That's like sticking her head into

1307
00:58:58.400 --> 00:59:02.960
<v Speaker 1>a terrible fan motor on takeoff. You know, it makes

1308
00:59:03.000 --> 00:59:05.760
<v Speaker 1>you hurt. And it was like a gunfight every night

1309
00:59:05.800 --> 00:59:08.760
<v Speaker 1>to come out there and just go god, it was

1310
00:59:08.800 --> 00:59:10.480
<v Speaker 1>it was a it was a trial in it, you know.

1311
00:59:11.159 --> 00:59:13.480
<v Speaker 1>And they could see. I wasn't happy because just like

1312
00:59:14.800 --> 00:59:16.840
<v Speaker 1>do we have to play beautiful girls? And like we

1313
00:59:17.000 --> 00:59:19.800
<v Speaker 1>have to play one of the devil? I mean, it wasn't.

1314
00:59:19.880 --> 00:59:21.880
<v Speaker 1>I felt like, I'm just we're playing a top forty

1315
00:59:21.920 --> 00:59:25.480
<v Speaker 1>set and then Tuggled was that's exactly what this is.

1316
00:59:25.559 --> 00:59:27.119
<v Speaker 1>I thought, Well, I didn't sign up for that ship

1317
00:59:27.480 --> 00:59:30.480
<v Speaker 1>but want that. Yeah, but it was went to Japan,

1318
00:59:30.800 --> 00:59:33.119
<v Speaker 1>we get a record. We played one gig and a

1319
00:59:33.119 --> 00:59:36.440
<v Speaker 1>half earlier the record available. They had a record that

1320
00:59:36.559 --> 00:59:39.880
<v Speaker 1>made that's amazing. They were selling our records, live records.

1321
00:59:40.239 --> 00:59:43.239
<v Speaker 3>They were selling Oh wait, I think I heard I

1322
00:59:43.280 --> 00:59:44.599
<v Speaker 3>think that surface down line.

1323
00:59:45.800 --> 00:59:51.119
<v Speaker 1>Wow that mister Udo was not happy with the ticket sales.

1324
00:59:51.119 --> 00:59:53.119
<v Speaker 1>And mister Udo, if you don't know mister Hudo, you

1325
00:59:53.119 --> 00:59:56.320
<v Speaker 1>don't play in Japan at all. He's Jackos. I mean

1326
00:59:56.320 --> 00:59:59.199
<v Speaker 1>he runs that racket and all the coke and secret

1327
00:59:59.199 --> 01:00:02.519
<v Speaker 1>hauls are ident goal. We played Hanshu Kiashu and we

1328
01:00:02.519 --> 01:00:05.800
<v Speaker 1>were down in Hiroshima, all the way up into the

1329
01:00:06.119 --> 01:00:09.199
<v Speaker 1>Order provinces, and you could not tell the difference between

1330
01:00:09.199 --> 01:00:11.960
<v Speaker 1>one hall and the next. Exactly the same bathrooms with

1331
01:00:12.000 --> 01:00:14.400
<v Speaker 1>the wow journals that are in the ground that are

1332
01:00:15.119 --> 01:00:16.559
<v Speaker 1>a little different thing.

1333
01:00:18.639 --> 01:00:22.639
<v Speaker 3>Hey, before I forget Mississippi Power, that is a B side.

1334
01:00:23.000 --> 01:00:27.159
<v Speaker 3>You're on that one, right, Yeah, Okay, that was not wrote.

1335
01:00:27.199 --> 01:00:30.880
<v Speaker 1>That was Preston Sturgis, the director you know from Travels

1336
01:00:30.880 --> 01:00:33.920
<v Speaker 1>and she was a famous thirty forties director.

1337
01:00:34.360 --> 01:00:36.440
<v Speaker 3>That would have been a great addition to the album.

1338
01:00:36.800 --> 01:00:38.400
<v Speaker 1>Preston Junior wrote that song.

1339
01:00:38.679 --> 01:00:39.280
<v Speaker 3>How about that.

1340
01:00:39.840 --> 01:00:42.400
<v Speaker 1>It was originally called Lighting Strikes by Buick.

1341
01:00:43.480 --> 01:00:46.480
<v Speaker 3>Wow, Tippy, do you think it should have been on

1342
01:00:46.480 --> 01:00:46.880
<v Speaker 3>the album?

1343
01:00:47.159 --> 01:00:49.119
<v Speaker 1>It was? I thought it was. We played it right

1344
01:00:49.159 --> 01:00:50.559
<v Speaker 1>along with the rest of the roster. I mean, we

1345
01:00:50.559 --> 01:00:52.920
<v Speaker 1>had all fourteen up and I did it. Stephen Connor

1346
01:00:52.960 --> 01:00:54.599
<v Speaker 1>came in with wanting me and Frank came back to

1347
01:00:54.639 --> 01:00:57.599
<v Speaker 1>another way. It was cruel. Obsession didn't make it. And

1348
01:00:57.639 --> 01:00:59.119
<v Speaker 1>I even see the stuff that I did with the

1349
01:00:59.119 --> 01:01:02.880
<v Speaker 1>business that's getting records out there. It's got I'm going

1350
01:01:02.960 --> 01:01:04.400
<v Speaker 1>to kill the guy in the car in front of

1351
01:01:04.440 --> 01:01:08.079
<v Speaker 1>me and what was it called? There were there's a

1352
01:01:08.119 --> 01:01:11.559
<v Speaker 1>set of tunes that I give with them. Uh, actually

1353
01:01:11.760 --> 01:01:15.199
<v Speaker 1>John Lowry record, I'd be about Topega. And that's where

1354
01:01:15.239 --> 01:01:16.960
<v Speaker 1>Dave went and did his demos. You know, there were

1355
01:01:17.000 --> 01:01:19.840
<v Speaker 1>twenty four track demos, but he did. I said, why

1356
01:01:19.880 --> 01:01:21.639
<v Speaker 1>why don't we use the visitants for the rhythm section?

1357
01:01:21.719 --> 01:01:25.559
<v Speaker 1>He goes, Now, they're too clinical? The hell does that mean?

1358
01:01:25.599 --> 01:01:27.719
<v Speaker 1>Because you know we're going to New York and not

1359
01:01:27.760 --> 01:01:29.840
<v Speaker 1>even know who but Bayslaer and Bumba I'm gonna play

1360
01:01:29.880 --> 01:01:32.840
<v Speaker 1>with the day I met him, we got the first tracks,

1361
01:01:32.920 --> 01:01:34.840
<v Speaker 1>I thought, this is not very organic.

1362
01:01:34.960 --> 01:01:39.960
<v Speaker 3>You know, yeah, you would preferred to play some gigs

1363
01:01:39.960 --> 01:01:41.920
<v Speaker 3>with him, at least a few, right, so.

1364
01:01:41.840 --> 01:01:43.960
<v Speaker 1>Many drummers that would be and James were absolutely burned

1365
01:01:43.960 --> 01:01:46.760
<v Speaker 1>out by the time, of course storage because we had

1366
01:01:46.920 --> 01:01:49.760
<v Speaker 1>we had rehearsed every drummer. He fired one and fire another.

1367
01:01:49.840 --> 01:01:52.840
<v Speaker 1>We got four drummers, so it was like we had

1368
01:01:52.880 --> 01:01:54.639
<v Speaker 1>to go through a whole roster. And he wanted us

1369
01:01:54.679 --> 01:01:56.639
<v Speaker 1>to rehearse twelve hours a day. I said, you could

1370
01:01:56.639 --> 01:01:58.559
<v Speaker 1>get me in there for twelve hours, but I'm gone

1371
01:01:58.639 --> 01:02:01.840
<v Speaker 1>in three. You just don't have the head room that

1372
01:02:01.880 --> 01:02:02.679
<v Speaker 1>kind of stuff. You know.

1373
01:02:02.880 --> 01:02:06.559
<v Speaker 3>What's your opinion of Dave's vocals live? There is always

1374
01:02:06.559 --> 01:02:09.559
<v Speaker 3>this idea that fans will say, well, let me put

1375
01:02:09.559 --> 01:02:12.639
<v Speaker 3>it this way. When he when he came back in

1376
01:02:13.039 --> 01:02:16.599
<v Speaker 3>seven to Van Halen that tour, his voice sounded really,

1377
01:02:16.639 --> 01:02:18.599
<v Speaker 3>really good, like it almost sound like he was doing

1378
01:02:18.679 --> 01:02:23.000
<v Speaker 3>something you want smoking so much bot okay, because but then,

1379
01:02:23.039 --> 01:02:24.360
<v Speaker 3>but when you go back to the.

1380
01:02:24.400 --> 01:02:27.239
<v Speaker 1>Last juice of his youth, because he did not do

1381
01:02:27.320 --> 01:02:28.840
<v Speaker 1>that well with us on the d l R, I

1382
01:02:28.840 --> 01:02:31.599
<v Speaker 1>mean a d l R man. I didn't feel that

1383
01:02:32.199 --> 01:02:34.480
<v Speaker 1>his live performances were really up to snuff. He had

1384
01:02:34.519 --> 01:02:40.519
<v Speaker 1>some bad times with their bomb factory and the bomb factory,

1385
01:02:40.719 --> 01:02:44.320
<v Speaker 1>the bomb factory in Dallas was horrible. It's like, you

1386
01:02:44.320 --> 01:02:48.199
<v Speaker 1>know what, it's like Glorious Swanson when she finally gets

1387
01:02:48.239 --> 01:02:50.119
<v Speaker 1>in front of the camera. You know when Cecil b.

1388
01:02:50.239 --> 01:02:54.960
<v Speaker 1>Demillgo's action. You know, it's like she wants to do

1389
01:02:55.199 --> 01:02:59.280
<v Speaker 1>a player Salomi, but she wants to be in every scene. Dormy,

1390
01:02:59.360 --> 01:03:00.639
<v Speaker 1>it can't be in every to you, why not?

1391
01:03:01.519 --> 01:03:01.719
<v Speaker 3>Right?

1392
01:03:02.400 --> 01:03:04.239
<v Speaker 1>You know, It's like I think it's kind of a

1393
01:03:04.280 --> 01:03:06.920
<v Speaker 1>privilege of the rich. I have oil wells pumping and pumping.

1394
01:03:06.880 --> 01:03:08.719
<v Speaker 1>It wouldn't it for but money for all of us,

1395
01:03:08.880 --> 01:03:12.840
<v Speaker 1>you know. And Dave was never really a really generous guy.

1396
01:03:12.880 --> 01:03:16.840
<v Speaker 1>I mean we'd be driving down Melroad to go through

1397
01:03:16.880 --> 01:03:19.079
<v Speaker 1>a fashion disaster. I said, Okay, what do you want

1398
01:03:19.119 --> 01:03:21.760
<v Speaker 1>me to do? Pull over one of those slanky joints

1399
01:03:21.760 --> 01:03:23.920
<v Speaker 1>on Melrods that's got like ten shirts in there and

1400
01:03:23.960 --> 01:03:27.599
<v Speaker 1>all eight hundred dollars apiece. He closed his door and

1401
01:03:27.639 --> 01:03:30.280
<v Speaker 1>I got a big yellow blue house shirt going. I

1402
01:03:30.320 --> 01:03:32.119
<v Speaker 1>wouldn't wear this to a dog fight if I was

1403
01:03:32.159 --> 01:03:32.840
<v Speaker 1>a state.

1404
01:03:32.719 --> 01:03:36.639
<v Speaker 3>Cham Yeah, he wears some crazy outfit like.

1405
01:03:36.559 --> 01:03:38.440
<v Speaker 1>The way I dressed, and like the way Jamie dressed

1406
01:03:38.440 --> 01:03:41.039
<v Speaker 1>because we didn't. There was a theater touch. If you're

1407
01:03:41.280 --> 01:03:42.760
<v Speaker 1>dressed like a rock star, you would have wear that

1408
01:03:42.760 --> 01:03:46.800
<v Speaker 1>when you have breakfast. It's just to wait rest. But

1409
01:03:46.920 --> 01:03:49.599
<v Speaker 1>it was so confusing because we had gone through the eighties.

1410
01:03:50.119 --> 01:03:56.400
<v Speaker 1>Everybody had poofy hair and Jaguar pants and light shirts,

1411
01:03:56.440 --> 01:03:59.079
<v Speaker 1>and we starved, so we looked like we were coming

1412
01:03:59.079 --> 01:04:02.280
<v Speaker 1>out of concentration. Can't and that was the look. And

1413
01:04:02.280 --> 01:04:05.519
<v Speaker 1>then I'm plenty of cocaine and stuff, screw up your music.

1414
01:04:06.119 --> 01:04:08.559
<v Speaker 1>So everybody was waiting for the after party. Nobody gave

1415
01:04:08.599 --> 01:04:11.679
<v Speaker 1>a shit about the gig anymore. That's what that happened.

1416
01:04:11.719 --> 01:04:15.440
<v Speaker 1>I mean, Mantra to Rock dangerously close to dying because

1417
01:04:15.440 --> 01:04:18.800
<v Speaker 1>they were just doing so much, so much, and you

1418
01:04:18.800 --> 01:04:20.960
<v Speaker 1>know the people said they weren't doing They were doing

1419
01:04:20.960 --> 01:04:24.159
<v Speaker 1>more than anybody and I you know, regular civilians, we

1420
01:04:24.159 --> 01:04:26.360
<v Speaker 1>couldn't afford to do it. Those guys didn't, thank god.

1421
01:04:27.280 --> 01:04:29.159
<v Speaker 1>So you feel kind of left out as your friends

1422
01:04:29.199 --> 01:04:31.280
<v Speaker 1>move on, and but you know, and would come over

1423
01:04:31.360 --> 01:04:34.239
<v Speaker 1>and he goes once you got me driving his Lamborghini

1424
01:04:34.320 --> 01:04:37.559
<v Speaker 1>want like you know, I got in it and the

1425
01:04:37.559 --> 01:04:39.679
<v Speaker 1>top of the things first, crushing my head down like

1426
01:04:40.159 --> 01:04:42.000
<v Speaker 1>what you could tell the things that Talian is the

1427
01:04:42.079 --> 01:04:44.679
<v Speaker 1>legs are real short, and the wheels about ten feet away.

1428
01:04:45.639 --> 01:04:48.840
<v Speaker 1>That gorilla could drive it really good. You know, he

1429
01:04:48.920 --> 01:04:51.840
<v Speaker 1>had a lot of nice stuff that I appreciate it,

1430
01:04:51.920 --> 01:04:54.920
<v Speaker 1>but I mean material stuff only goes so far. Sure.

1431
01:04:55.280 --> 01:04:58.360
<v Speaker 3>Yeah, the cooch will destroy a singer's voice.

1432
01:04:58.880 --> 01:05:01.679
<v Speaker 1>Right, oh, to say the least. And that I wasn't

1433
01:05:01.719 --> 01:05:04.559
<v Speaker 1>just cocing a lot of alcohol too, and alcohol does

1434
01:05:04.599 --> 01:05:08.039
<v Speaker 1>not improve your beauty. Plus a cigarettes yeah yeah, yeah.

1435
01:05:08.679 --> 01:05:13.280
<v Speaker 1>Ed was basically living on. His food was McDonald's classic cheeseburgers,

1436
01:05:13.320 --> 01:05:16.320
<v Speaker 1>orange label bos and they were all over the lounge

1437
01:05:16.320 --> 01:05:17.800
<v Speaker 1>all the time. I just thought, man, how do you

1438
01:05:17.800 --> 01:05:21.559
<v Speaker 1>eat that shit? I couldn't eat McDonald's after nineteen seventy five.

1439
01:05:21.639 --> 01:05:25.159
<v Speaker 1>It's like I thought it was like sheep dip. It

1440
01:05:25.360 --> 01:05:27.679
<v Speaker 1>did taste right to me. You know. It turns out

1441
01:05:27.679 --> 01:05:30.239
<v Speaker 1>that twenty one percent of their product is paraffin wax.

1442
01:05:30.320 --> 01:05:32.840
<v Speaker 1>So if you want to make the candle on yourself

1443
01:05:32.880 --> 01:05:34.280
<v Speaker 1>and just took a wick up here, I think you

1444
01:05:34.440 --> 01:05:37.880
<v Speaker 1>meet McDonald turn into a candle. But you know he

1445
01:05:37.920 --> 01:05:41.320
<v Speaker 1>didn't didn't take care of himself. It hijr teeth fell

1446
01:05:41.360 --> 01:05:43.840
<v Speaker 1>out you know a lot of the stuff that goes

1447
01:05:43.880 --> 01:05:44.840
<v Speaker 1>to being a junkie.

1448
01:05:44.840 --> 01:05:48.199
<v Speaker 3>Basically, yeah, very sad. It was good though. He got

1449
01:05:48.199 --> 01:05:51.320
<v Speaker 3>his leg, he got his hes, got himself together by

1450
01:05:51.360 --> 01:05:52.000
<v Speaker 3>the end there.

1451
01:05:52.119 --> 01:05:53.599
<v Speaker 1>But you know, he made a joke out of it.

1452
01:05:53.639 --> 01:05:55.360
<v Speaker 1>Back then, my bass layer said, we had a song

1453
01:05:55.360 --> 01:05:58.320
<v Speaker 1>called I knew a guy named Ed. The son goes up,

1454
01:05:58.360 --> 01:06:00.559
<v Speaker 1>Folly go to bad. He dipped the crypt. He got

1455
01:06:00.559 --> 01:06:03.679
<v Speaker 1>a little studio called fifty one fifty. We're doing a wrap.

1456
01:06:03.760 --> 01:06:03.960
<v Speaker 2>Fuck.

1457
01:06:04.480 --> 01:06:06.760
<v Speaker 1>He was doing that. Look look what's coming in from

1458
01:06:06.760 --> 01:06:10.480
<v Speaker 1>the inside. You know that what on this next? Man? Helen? Oh,

1459
01:06:10.519 --> 01:06:12.320
<v Speaker 1>you ate one too. Had a lot of my influence

1460
01:06:12.360 --> 01:06:16.840
<v Speaker 1>on him, really that that was one of my tunes

1461
01:06:16.880 --> 01:06:20.239
<v Speaker 1>and he just he bagged it and get out. He

1462
01:06:20.360 --> 01:06:22.599
<v Speaker 1>never mastered, He never used a master. He recorded my

1463
01:06:22.639 --> 01:06:25.960
<v Speaker 1>master's on a cassette tape and it got lost because

1464
01:06:25.960 --> 01:06:28.400
<v Speaker 1>it was on one of his motorcycles. I thought, my god,

1465
01:06:29.000 --> 01:06:30.480
<v Speaker 1>where my life's worked?

1466
01:06:31.519 --> 01:06:33.719
<v Speaker 3>Wow? You know you couldn't put so black and blue

1467
01:06:33.880 --> 01:06:34.400
<v Speaker 3>was your rests?

1468
01:06:35.159 --> 01:06:40.920
<v Speaker 1>Yeah? Remember yeah, the Angels? Remember Angels? That band? Yes, okay,

1469
01:06:41.079 --> 01:06:44.760
<v Speaker 1>Barry the drummer. Ed wanted to hire me. Everyvery goes

1470
01:06:44.800 --> 01:06:47.199
<v Speaker 1>fuck you, I know, you are your sheeps getting he

1471
01:06:47.360 --> 01:06:50.719
<v Speaker 1>refused to work for him. Walt Woodbard, from a Marcaid

1472
01:06:50.880 --> 01:06:52.880
<v Speaker 1>and bat down in New Jersey, was a good friend

1473
01:06:52.920 --> 01:06:54.880
<v Speaker 1>of mine. He said, I'm not working for him, but

1474
01:06:54.880 --> 01:06:58.880
<v Speaker 1>he yells at everybody. Because he came to visit me

1475
01:06:58.880 --> 01:07:02.400
<v Speaker 1>at the Hit Factor. You wouldn't let hi in and

1476
01:07:02.480 --> 01:07:04.599
<v Speaker 1>I I was married at the time. My wife went

1477
01:07:04.639 --> 01:07:07.400
<v Speaker 1>down there wearing this georgia and never smelled good on her.

1478
01:07:07.760 --> 01:07:11.039
<v Speaker 1>He threw a right fuck out of the studio. She

1479
01:07:11.119 --> 01:07:14.000
<v Speaker 1>had to go bathe and change. Did not put that

1480
01:07:14.079 --> 01:07:18.800
<v Speaker 1>georgia on get back in here. He didn't have Dave

1481
01:07:18.880 --> 01:07:22.119
<v Speaker 1>did not spare the mustard on anybody. I'd been being

1482
01:07:22.199 --> 01:07:24.559
<v Speaker 1>a restaurant with him and somebody up something, I'd just

1483
01:07:24.559 --> 01:07:28.280
<v Speaker 1>be like, oh, the poor person, and the whole live.

1484
01:07:28.320 --> 01:07:30.119
<v Speaker 1>We used to go to burg Continental and all the

1485
01:07:30.119 --> 01:07:34.480
<v Speaker 1>places around town, and they're all gone. Now it's funny.

1486
01:07:34.480 --> 01:07:36.519
<v Speaker 1>I see him now and again. He takes a bicycle

1487
01:07:36.599 --> 01:07:39.320
<v Speaker 1>riding few pedals, real slow, like an old man got

1488
01:07:39.519 --> 01:07:42.639
<v Speaker 1>farm crow. And one day we had a little dispute

1489
01:07:42.679 --> 01:07:45.400
<v Speaker 1>over a check and he heard me screech up. The

1490
01:07:45.400 --> 01:07:48.719
<v Speaker 1>inter comes on and I said, Dave. He goes yeah,

1491
01:07:48.760 --> 01:07:52.599
<v Speaker 1>I said, I took her off and there was checks

1492
01:07:52.599 --> 01:07:56.320
<v Speaker 1>in my veil box the next day. He almost, you

1493
01:07:56.400 --> 01:07:59.760
<v Speaker 1>were a boy. So it's like they're not really concerned

1494
01:07:59.760 --> 01:08:01.960
<v Speaker 1>about We're not trying to get you your money. It's like,

1495
01:08:02.800 --> 01:08:06.199
<v Speaker 1>but the point you saved me is that Jay Mortgagestern,

1496
01:08:06.280 --> 01:08:08.719
<v Speaker 1>who was affiliate all the way back to the Tiffany

1497
01:08:08.760 --> 01:08:12.800
<v Speaker 1>label Columbia. He ran a company that would track your

1498
01:08:12.800 --> 01:08:15.440
<v Speaker 1>money for you, and we give really well at Black Finland,

1499
01:08:15.440 --> 01:08:19.039
<v Speaker 1>black Box and uh, you know the Benelux Country and stuff.

1500
01:08:19.880 --> 01:08:22.279
<v Speaker 1>One guy had one seven percent of the song goes, well,

1501
01:08:22.279 --> 01:08:24.119
<v Speaker 1>I'm going to track my mind. So he said, well

1502
01:08:24.159 --> 01:08:26.079
<v Speaker 1>you can call the Benelex Country. They put you on

1503
01:08:26.119 --> 01:08:28.520
<v Speaker 1>a hold. They think how many records and soul not

1504
01:08:28.600 --> 01:08:31.680
<v Speaker 1>a very efficient way to collect money. And he wanted

1505
01:08:32.039 --> 01:08:33.840
<v Speaker 1>ten thousand dollars to do this for me. And I

1506
01:08:33.880 --> 01:08:36.840
<v Speaker 1>had ten grand left in the bank and I had

1507
01:08:36.880 --> 01:08:38.640
<v Speaker 1>still a bought a house, and I thought, man, it's

1508
01:08:38.680 --> 01:08:40.840
<v Speaker 1>a leap of faith, like you don't believe. It ended

1509
01:08:40.920 --> 01:08:42.840
<v Speaker 1>up yielding like eighty five thousand dollars out of it.

1510
01:08:42.920 --> 01:08:45.720
<v Speaker 1>So I was lucky. You have somebody tracked your money

1511
01:08:45.760 --> 01:08:46.920
<v Speaker 1>for you in Europe.

1512
01:08:47.319 --> 01:08:51.960
<v Speaker 3>Yeah, you said on the TV CBS that did this

1513
01:08:52.960 --> 01:08:54.880
<v Speaker 3>segment on you that if it wasn't for Dave, you

1514
01:08:54.920 --> 01:08:56.359
<v Speaker 3>wouldn't have had that home in Altadena.

1515
01:08:56.600 --> 01:09:00.000
<v Speaker 1>Probably not, because it gave me of lucidity to buy

1516
01:09:00.600 --> 01:09:02.399
<v Speaker 1>really basically for cash and do not have a big

1517
01:09:02.439 --> 01:09:04.600
<v Speaker 1>mortgage fing because I could get time to get up,

1518
01:09:04.640 --> 01:09:07.119
<v Speaker 1>which they did. You know, there was a whole lot

1519
01:09:07.119 --> 01:09:09.279
<v Speaker 1>of music money and music pis. You could make a

1520
01:09:09.319 --> 01:09:12.640
<v Speaker 1>thousand dollars a month gigging, and I had a kid,

1521
01:09:12.640 --> 01:09:14.880
<v Speaker 1>little girl. I had to do something. So the way

1522
01:09:14.920 --> 01:09:16.840
<v Speaker 1>I look at it is like it was providence that

1523
01:09:16.920 --> 01:09:20.439
<v Speaker 1>did it. And basically how he learned about Dave talking

1524
01:09:20.479 --> 01:09:25.880
<v Speaker 1>about AAR record CHR two different animals. CHR is elephant bucks,

1525
01:09:26.039 --> 01:09:29.920
<v Speaker 1>that's uh, Barry Manilow, that's really now and that kind

1526
01:09:29.960 --> 01:09:33.279
<v Speaker 1>of thing. And Ar's album oriented deep tracks and stuff,

1527
01:09:33.319 --> 01:09:36.159
<v Speaker 1>which is I don't trust my own judgment if I

1528
01:09:36.279 --> 01:09:38.479
<v Speaker 1>like a song, and probably best to steer away from

1529
01:09:38.520 --> 01:09:41.000
<v Speaker 1>it because it's going to be a deep track, you know,

1530
01:09:41.880 --> 01:09:44.920
<v Speaker 1>like those are my oh, def Leppard. I listened to

1531
01:09:44.960 --> 01:09:48.600
<v Speaker 1>Billy Got a gudget, Like the way the guitar me

1532
01:09:48.800 --> 01:09:53.000
<v Speaker 1>is better than Piromania, I mean title track, and I

1533
01:09:53.079 --> 01:09:54.880
<v Speaker 1>get stuck down there a lot times. Those are the

1534
01:09:54.960 --> 01:09:58.880
<v Speaker 1>very deep stuff, you know, the cap beyond uh You're.

1535
01:09:58.920 --> 01:10:05.239
<v Speaker 3>God Captain with uh yeah with Rod Uh. Wow, that's

1536
01:10:05.239 --> 01:10:08.319
<v Speaker 3>so cool you mentioned that. Yeah, Rod Evans from from

1537
01:10:08.560 --> 01:10:12.079
<v Speaker 3>Deep Purple, whose things on Hush the Prost.

1538
01:10:12.159 --> 01:10:15.039
<v Speaker 1>The Doctor where glennielga Venist about ten miles from yere.

1539
01:10:15.880 --> 01:10:18.920
<v Speaker 3>Wow, that's such a great album. They only made one album,

1540
01:10:19.359 --> 01:10:22.239
<v Speaker 3>I think, but oh they did to.

1541
01:10:22.880 --> 01:10:23.319
<v Speaker 1>The first one.

1542
01:10:23.720 --> 01:10:25.239
<v Speaker 3>Yeah, that first one is.

1543
01:10:25.479 --> 01:10:27.399
<v Speaker 1>A bunch of guys that got together and smoked pot.

1544
01:10:27.479 --> 01:10:30.119
<v Speaker 1>It was Mike Pinera and Ryango on guitars, but he

1545
01:10:30.199 --> 01:10:32.039
<v Speaker 1>used the telecat to the Marshalls and he crimped it

1546
01:10:32.079 --> 01:10:35.680
<v Speaker 1>way up. Had a really neat staccato, kind of a

1547
01:10:35.720 --> 01:10:38.760
<v Speaker 1>weird sound. I never heard Telly get All. Little tricks

1548
01:10:38.800 --> 01:10:41.960
<v Speaker 1>like that should not be used. Those big Thori amps incredible.

1549
01:10:42.560 --> 01:10:45.920
<v Speaker 3>What was the talk around ton about Montrose that first album?

1550
01:10:46.199 --> 01:10:48.800
<v Speaker 1>That was an impactuous record. I mean, Monny Montrose was

1551
01:10:49.439 --> 01:10:51.680
<v Speaker 1>RNI would do. He was a very sparse player, but

1552
01:10:53.399 --> 01:10:56.159
<v Speaker 1>that was a goddamn good record. Everybody loved it. It

1553
01:10:56.199 --> 01:10:57.760
<v Speaker 1>was really the closest thing to rock and roll you

1554
01:10:57.760 --> 01:11:01.319
<v Speaker 1>could get at seventy five and where they only come

1555
01:11:01.359 --> 01:11:05.239
<v Speaker 1>out at night. Remember, yep, Wrecked Eringer just do a

1556
01:11:05.239 --> 01:11:07.760
<v Speaker 1>lot of credit. He Derenger is one of the best

1557
01:11:07.760 --> 01:11:10.520
<v Speaker 1>guitar players out there for a time because he went

1558
01:11:10.520 --> 01:11:13.680
<v Speaker 1>through South Salvador single string studies he had. They're legitimate

1559
01:11:13.760 --> 01:11:17.760
<v Speaker 1>chops and uh he doesn't look like that ever. Really

1560
01:11:17.800 --> 01:11:20.479
<v Speaker 1>burned him down. But we all played Rick Deringer stuff.

1561
01:11:20.520 --> 01:11:22.880
<v Speaker 1>He was to be respected. I thought it was great.

1562
01:11:23.319 --> 01:11:25.439
<v Speaker 3>Yeah, the Lee van Millen did rock and roll, Hucci

1563
01:11:25.520 --> 01:11:26.800
<v Speaker 3>cou in the clubs.

1564
01:11:28.279 --> 01:11:30.520
<v Speaker 1>Johnny was really the fascination, you know he was. He

1565
01:11:30.520 --> 01:11:32.560
<v Speaker 1>would sign the biggest record contract of all the time.

1566
01:11:32.600 --> 01:11:34.159
<v Speaker 1>But they have to keep putting this tool live and

1567
01:11:34.199 --> 01:11:35.960
<v Speaker 1>well and rock and roll. WoT you cool? On every

1568
01:11:35.960 --> 01:11:37.079
<v Speaker 1>record he did?

1569
01:11:37.840 --> 01:11:38.760
<v Speaker 3>Still living great?

1570
01:11:38.800 --> 01:11:40.960
<v Speaker 1>John Datson Winner was a great record that I could play.

1571
01:11:41.359 --> 01:11:45.560
<v Speaker 1>And he lived in Connecticut, really but he passed away.

1572
01:11:45.640 --> 01:11:47.039
<v Speaker 3>Yeah, oh I didn't know that.

1573
01:11:47.119 --> 01:11:50.039
<v Speaker 1>Okay, in front of mine. They live in Fairfield County,

1574
01:11:50.800 --> 01:11:53.399
<v Speaker 1>which is right across you know, just right next door

1575
01:11:53.399 --> 01:11:55.800
<v Speaker 1>to New York. Yeah, yeah, right, Connecticut.

1576
01:11:56.039 --> 01:11:56.439
<v Speaker 3>Yeah.

1577
01:11:56.880 --> 01:11:58.720
<v Speaker 1>The dad was a public defender and he said, man,

1578
01:11:58.720 --> 01:12:00.640
<v Speaker 1>he goes Johnny Winner lived alloy.

1579
01:12:01.039 --> 01:12:05.640
<v Speaker 3>Oh okay, and you hook? Oh my god, yeah, yeah,

1580
01:12:05.680 --> 01:12:07.520
<v Speaker 3>that's right near where I worked at the radio station

1581
01:12:07.600 --> 01:12:10.039
<v Speaker 3>nine ninety five was in Danbury. I've worked there for

1582
01:12:10.039 --> 01:12:10.560
<v Speaker 3>many years.

1583
01:12:10.960 --> 01:12:13.680
<v Speaker 1>German, Irish or Italian? Who me?

1584
01:12:14.640 --> 01:12:19.880
<v Speaker 3>Yeah, oh, I'm I would be Senach is part Ukrainian,

1585
01:12:20.319 --> 01:12:23.720
<v Speaker 3>Irish and Italian. My mother's maiden name is Mango.

1586
01:12:24.760 --> 01:12:26.039
<v Speaker 1>I mean Sugard as much.

1587
01:12:26.960 --> 01:12:27.279
<v Speaker 3>Okay.

1588
01:12:27.439 --> 01:12:30.520
<v Speaker 1>My mom's name was Capelletti and they were My dad

1589
01:12:30.600 --> 01:12:33.560
<v Speaker 1>was Southern Baptist, so there we had a wild ausehold.

1590
01:12:33.560 --> 01:12:36.880
<v Speaker 1>But they all were Italians that came. My grandpa came

1591
01:12:36.880 --> 01:12:39.600
<v Speaker 1>over twenty three, so I'm only two generations out of

1592
01:12:39.680 --> 01:12:43.720
<v Speaker 1>that could get European citizenship because my grandpa came over

1593
01:12:43.760 --> 01:12:46.680
<v Speaker 1>on the sat at Ellis Island for a couple of months.

1594
01:12:46.680 --> 01:12:48.920
<v Speaker 1>He was a Matthew musician. He was a woodwind player.

1595
01:12:49.520 --> 01:12:52.279
<v Speaker 1>He played the or film all the time. Reminded me

1596
01:12:52.319 --> 01:12:54.479
<v Speaker 1>we were day. The most violent gig I ever played

1597
01:12:54.520 --> 01:12:58.520
<v Speaker 1>was at the Avalon in Boston. Oh yeah, count those

1598
01:12:58.520 --> 01:13:02.000
<v Speaker 1>people at Boston p Rock so he beat the shit

1599
01:13:02.039 --> 01:13:03.680
<v Speaker 1>out of each other. It was about seven girls and

1600
01:13:03.800 --> 01:13:06.840
<v Speaker 1>three thousand guys or something. It wasn't a pretty sight.

1601
01:13:07.159 --> 01:13:09.239
<v Speaker 3>And don't wear a New York Yankees hat in Boston.

1602
01:13:09.359 --> 01:13:12.960
<v Speaker 1>Yeah, so Winter a young gang. I mean they were

1603
01:13:12.960 --> 01:13:14.560
<v Speaker 1>all wearing a leather and it's like it was like

1604
01:13:14.640 --> 01:13:17.279
<v Speaker 1>we went back in time and we played the Theater

1605
01:13:17.359 --> 01:13:19.680
<v Speaker 1>of Living Arts in Pennsylvania, which was kind of cool.

1606
01:13:20.560 --> 01:13:24.319
<v Speaker 1>But uh, most of the gigs we played were like

1607
01:13:25.199 --> 01:13:29.319
<v Speaker 1>jads and movie theaters and Bowling Alley. That's where where

1608
01:13:29.319 --> 01:13:31.640
<v Speaker 1>it was going in ninety four. And I think that

1609
01:13:31.760 --> 01:13:34.680
<v Speaker 1>Motley Crue when they had John Krabbie. I know John well,

1610
01:13:34.760 --> 01:13:37.359
<v Speaker 1>he said it just wasn't working on tour. They would

1611
01:13:37.359 --> 01:13:38.399
<v Speaker 1>looking at the numbers.

1612
01:13:38.199 --> 01:13:42.199
<v Speaker 3>The math was and that's a great album that we

1613
01:13:42.399 --> 01:13:43.560
<v Speaker 3>did with Mortley Crue.

1614
01:13:44.239 --> 01:13:47.760
<v Speaker 1>Everybody had a failing record that year. We got defaulted

1615
01:13:47.800 --> 01:13:49.760
<v Speaker 1>for it because we got bumped from Warner Brothers down

1616
01:13:49.760 --> 01:13:53.199
<v Speaker 1>to the Atlantic at the tith of death for sure.

1617
01:13:53.600 --> 01:13:55.880
<v Speaker 3>Yeah, I thought it was was it Warner Reprise?

1618
01:13:56.039 --> 01:13:56.199
<v Speaker 1>Right?

1619
01:13:56.359 --> 01:13:57.960
<v Speaker 3>Was that what it was? The label.

1620
01:13:59.520 --> 01:14:02.800
<v Speaker 1>Was on it when when Ergon had it, But we

1621
01:14:03.159 --> 01:14:07.000
<v Speaker 1>got would put in a Snaptraus company with Touchwood and

1622
01:14:07.079 --> 01:14:09.600
<v Speaker 1>the distribution company ched the ship out of We're getting

1623
01:14:09.640 --> 01:14:12.159
<v Speaker 1>money out of it all. It's just it's a music vinds.

1624
01:14:12.199 --> 01:14:13.840
<v Speaker 1>You can't I don wouldn't get upset about it. I

1625
01:14:13.880 --> 01:14:16.119
<v Speaker 1>mean I remember walking around being all bitter than that.

1626
01:14:16.119 --> 01:14:18.640
<v Speaker 1>I thought, I'm gonna let this get to me. Everybody

1627
01:14:18.640 --> 01:14:23.359
<v Speaker 1>gets ripped off. I think Jean Fogerty, they really got

1628
01:14:23.359 --> 01:14:26.399
<v Speaker 1>his head. That's where Advance can't dance. But it's still

1629
01:14:26.399 --> 01:14:27.359
<v Speaker 1>your mon. Remember that one.

1630
01:14:27.319 --> 01:14:31.279
<v Speaker 3>Oh yeah, you said you stole your own song? Yeah,

1631
01:14:31.319 --> 01:14:34.039
<v Speaker 3>that was Salt sal Zantce.

1632
01:14:34.359 --> 01:14:36.800
<v Speaker 1>I was most impressed with Dave's work on D L R. Band.

1633
01:14:36.840 --> 01:14:40.039
<v Speaker 3>I really was never what you Yeah, let's talk about

1634
01:14:40.079 --> 01:14:43.640
<v Speaker 3>that he did. And I'm going to tell you one

1635
01:14:43.640 --> 01:14:45.840
<v Speaker 3>of my favorite, maybe my favorite songs that you did

1636
01:14:45.880 --> 01:14:49.079
<v Speaker 3>with Davis black sand What do you know? What can

1637
01:14:49.119 --> 01:14:51.640
<v Speaker 3>you tell us about that song? How did that come up?

1638
01:14:51.800 --> 01:14:54.399
<v Speaker 1>Well? That was Erwin Muster's production. She got Urwin, who

1639
01:14:54.560 --> 01:14:59.159
<v Speaker 1>just did Van Hallen. Erman's done Paco Dalasia. He's done

1640
01:14:59.199 --> 01:15:02.359
<v Speaker 1>the Scorpions from one record to the first to last.

1641
01:15:03.159 --> 01:15:06.880
<v Speaker 1>And he came in and he was a German, very German.

1642
01:15:06.960 --> 01:15:09.560
<v Speaker 1>So all the fifty seven serman De said, I are

1643
01:15:09.680 --> 01:15:12.960
<v Speaker 1>four twenty one. It was a really industrial down. We

1644
01:15:13.039 --> 01:15:15.000
<v Speaker 1>had Ray Luzier on drums, who was.

1645
01:15:17.079 --> 01:15:17.880
<v Speaker 3>Great, phenomenal.

1646
01:15:18.000 --> 01:15:20.119
<v Speaker 1>Yeah he was this is backer. He's a skinny the

1647
01:15:20.119 --> 01:15:22.279
<v Speaker 1>little guy. I said, where'd you come fan? He goes, well,

1648
01:15:22.279 --> 01:15:23.920
<v Speaker 1>my dad's a farmer. He said, I wasn't any good

1649
01:15:23.960 --> 01:15:26.960
<v Speaker 1>at farming, So play the drums and he got right

1650
01:15:27.000 --> 01:15:28.840
<v Speaker 1>as soon as the herb. He said, get this guy.

1651
01:15:29.399 --> 01:15:31.359
<v Speaker 1>And John Lowry played on it too. I was he

1652
01:15:31.439 --> 01:15:34.399
<v Speaker 1>was in the studio when I was there. Uh, And

1653
01:15:34.560 --> 01:15:37.159
<v Speaker 1>John had like fifty one telecatchers and I left my

1654
01:15:37.199 --> 01:15:38.960
<v Speaker 1>fifty three in there and he ended up using it.

1655
01:15:39.000 --> 01:15:41.039
<v Speaker 1>He kissed me off. But you got fifty telegu you

1656
01:15:41.039 --> 01:15:43.520
<v Speaker 1>got to use mine, I said, Dave, I told you

1657
01:15:43.479 --> 01:15:46.720
<v Speaker 1>touch my guitars. I let it go. But it was

1658
01:15:46.800 --> 01:15:49.479
<v Speaker 1>interesting because David was trying to intervene on the solo.

1659
01:15:49.560 --> 01:15:53.359
<v Speaker 1>And remember Muster goes, look, he goes, you bade me

1660
01:15:53.439 --> 01:15:58.600
<v Speaker 1>to produce a record? Get out? And Terry said, you know,

1661
01:15:58.640 --> 01:16:00.079
<v Speaker 1>we got a guy here. He's got a bash to

1662
01:16:00.159 --> 01:16:03.119
<v Speaker 1>read harmony. Why don't we use him? That would be me.

1663
01:16:04.479 --> 01:16:07.119
<v Speaker 1>I got some cal arts, so Urban got with me,

1664
01:16:07.159 --> 01:16:10.039
<v Speaker 1>and that's the first song I ever felt that anybody

1665
01:16:10.439 --> 01:16:13.760
<v Speaker 1>produced correctly. He completely changed the whole song. All the

1666
01:16:13.840 --> 01:16:17.000
<v Speaker 1>changes there, all the parts were there, but he rearranged it,

1667
01:16:17.079 --> 01:16:19.159
<v Speaker 1>kind of tacked it together. Should go Home, learn this.

1668
01:16:19.920 --> 01:16:21.319
<v Speaker 1>I thought, I gotta do a good solo for this,

1669
01:16:21.439 --> 01:16:24.319
<v Speaker 1>and the solo was good, but if I didn't know

1670
01:16:24.359 --> 01:16:26.399
<v Speaker 1>what he was listening to it, what I liked about it, it

1671
01:16:26.199 --> 01:16:30.479
<v Speaker 1>was just scant my toes on the nose, a bunch

1672
01:16:30.479 --> 01:16:33.800
<v Speaker 1>of bullshit. You really vindicated himself in that first record,

1673
01:16:33.880 --> 01:16:36.880
<v Speaker 1>Going Places very good too. We get that ocean and

1674
01:16:36.920 --> 01:16:40.079
<v Speaker 1>we get it at Royal and the twelve string guitar ship.

1675
01:16:40.439 --> 01:16:42.319
<v Speaker 1>What makes me manage that? John five got all the

1676
01:16:42.359 --> 01:16:44.319
<v Speaker 1>credit for the hard flying. You know I did all

1677
01:16:44.359 --> 01:16:49.119
<v Speaker 1>the hard stuff like that's the end was a strip

1678
01:16:49.159 --> 01:16:50.159
<v Speaker 1>clubs to this day.

1679
01:16:50.520 --> 01:16:53.880
<v Speaker 3>You read my mind. Lose the dress, keep the shoes, Yeah,

1680
01:16:54.039 --> 01:16:55.960
<v Speaker 3>lose the dress, keep the shoes. Man great too.

1681
01:16:56.920 --> 01:17:00.399
<v Speaker 1>Well the song the original Devil. That thing is badass. Yeah,

1682
01:17:00.479 --> 01:17:02.920
<v Speaker 1>David loved it. I thought, okay, we got that one down,

1683
01:17:03.520 --> 01:17:05.079
<v Speaker 1>and yeah, I had a bunch of other songs. We

1684
01:17:05.199 --> 01:17:08.079
<v Speaker 1>got to five of them. John did seven and I did.

1685
01:17:08.119 --> 01:17:10.640
<v Speaker 1>I gugged in on weekend with the babysitter and fixed

1686
01:17:10.640 --> 01:17:13.520
<v Speaker 1>that form. Yes, before we get that little whispering party.

1687
01:17:13.720 --> 01:17:17.439
<v Speaker 1>The dynamics are cool. John's a great player, but he

1688
01:17:17.560 --> 01:17:23.520
<v Speaker 1>doesn't have forty years of marination. Basically, I didn't marinate

1689
01:17:23.600 --> 01:17:26.720
<v Speaker 1>a long time, but you know I put it in

1690
01:17:26.720 --> 01:17:28.199
<v Speaker 1>the right place, I said, I'm most proud of that.

1691
01:17:28.239 --> 01:17:30.680
<v Speaker 1>As far as recording with Dave Black, Sam's.

1692
01:17:30.359 --> 01:17:32.439
<v Speaker 3>Out of Doubt, Oh what a song man.

1693
01:17:32.880 --> 01:17:35.720
<v Speaker 1>What I wrote when I was sixteen, go and.

1694
01:17:35.600 --> 01:17:38.800
<v Speaker 3>Put wow, okay, go in places.

1695
01:17:38.600 --> 01:17:40.600
<v Speaker 1>The cargoes into like a leeds up, you know, like

1696
01:17:40.680 --> 01:17:43.760
<v Speaker 1>a tramp underfoot. Like sounds like something out of physical

1697
01:17:43.760 --> 01:17:47.319
<v Speaker 1>graffiti or something. It's just an obvious uh you know, uh,

1698
01:17:48.119 --> 01:17:51.800
<v Speaker 1>raise fifth, seventh down whatever. I understood music fairer than

1699
01:17:51.800 --> 01:17:53.279
<v Speaker 1>a lot of guys back then, but I didn't know

1700
01:17:53.319 --> 01:17:55.680
<v Speaker 1>what the hell I was doing. All I knew is

1701
01:17:55.680 --> 01:17:58.239
<v Speaker 1>that major major scales sound better, and there in other

1702
01:17:58.319 --> 01:18:00.439
<v Speaker 1>keys than the keys they're supothed to be in the right.

1703
01:18:01.199 --> 01:18:05.279
<v Speaker 1>You play at a major scale and g G major scale,

1704
01:18:05.279 --> 01:18:07.279
<v Speaker 1>and you do it against ay, then you got something

1705
01:18:08.039 --> 01:18:11.520
<v Speaker 1>in a It sounds like this guy's doing scales. Practicing

1706
01:18:11.600 --> 01:18:15.119
<v Speaker 1>is major scale, you know. But it's also stardy. I

1707
01:18:15.119 --> 01:18:16.840
<v Speaker 1>mean a lot of it. My cousin was very good

1708
01:18:16.840 --> 01:18:19.399
<v Speaker 1>players to carry. It's all parlor tricks. It's all partler.

1709
01:18:20.439 --> 01:18:22.039
<v Speaker 1>To me. It was that the parlor trick was like

1710
01:18:22.079 --> 01:18:25.239
<v Speaker 1>trying to get that lightning every time you play you

1711
01:18:25.279 --> 01:18:26.560
<v Speaker 1>know what I mean, trying to get you know, like

1712
01:18:26.640 --> 01:18:29.079
<v Speaker 1>you do when you play good Night's Bad Nights that

1713
01:18:29.159 --> 01:18:31.399
<v Speaker 1>she feels like she's on you control of it. You

1714
01:18:31.439 --> 01:18:32.920
<v Speaker 1>have a fall out of you got control of.

1715
01:18:32.920 --> 01:18:35.279
<v Speaker 3>It, and there's no explanation behind it, right, it's just

1716
01:18:35.319 --> 01:18:36.479
<v Speaker 3>when you're on, you're on, you don't.

1717
01:18:36.880 --> 01:18:40.039
<v Speaker 1>It's like talking about what do you do? I mean,

1718
01:18:40.079 --> 01:18:42.039
<v Speaker 1>if you would you do it for a trade so automatic,

1719
01:18:42.119 --> 01:18:44.880
<v Speaker 1>you do it so well, you put somebody else in

1720
01:18:44.880 --> 01:18:47.079
<v Speaker 1>that position, they're gonna be very uncomfortable, right.

1721
01:18:47.520 --> 01:18:50.039
<v Speaker 3>But but also I have I'll have I'll have interviews

1722
01:18:50.039 --> 01:18:51.760
<v Speaker 3>where I just feel like I'm in a groove, you know,

1723
01:18:51.800 --> 01:18:54.680
<v Speaker 3>like right now, everything's just locked in. Sometimes I'll do

1724
01:18:54.720 --> 01:18:56.760
<v Speaker 3>an interview and it's just not like you're trying to

1725
01:18:56.800 --> 01:18:57.319
<v Speaker 3>get money.

1726
01:18:57.319 --> 01:18:59.720
<v Speaker 1>Better understanding of what's happening now in music is where

1727
01:18:59.720 --> 01:19:02.880
<v Speaker 1>some guy that Googie's podcast think that there's an industry

1728
01:19:02.880 --> 01:19:05.079
<v Speaker 1>out there, And it blows my mind because everybody raises

1729
01:19:05.119 --> 01:19:07.399
<v Speaker 1>this pick Stuss about the Nam Show, and you go

1730
01:19:07.439 --> 01:19:08.920
<v Speaker 1>down there and see a bunch of shit you can't

1731
01:19:08.960 --> 01:19:11.720
<v Speaker 1>afford to buy all that nice mercury stuff and all

1732
01:19:11.760 --> 01:19:15.439
<v Speaker 1>the recording here, and it's a cottage industry on an

1733
01:19:15.439 --> 01:19:19.399
<v Speaker 1>industry that doesn't exist anymore. There's really no way to

1734
01:19:19.399 --> 01:19:21.479
<v Speaker 1>make any money at it anymore. But the companies are

1735
01:19:21.520 --> 01:19:23.520
<v Speaker 1>not going to like Zappa said, the old days, you

1736
01:19:23.600 --> 01:19:25.880
<v Speaker 1>got the old Jews. Theyre smoking at the guards and

1737
01:19:25.960 --> 01:19:30.399
<v Speaker 1>they said, mother's cooking just foot three hundred thousand dollars

1738
01:19:30.479 --> 01:19:33.000
<v Speaker 1>on sticks to the wall. That's where you got the

1739
01:19:33.039 --> 01:19:36.279
<v Speaker 1>mothers of the bench. Uh, you know all the Avot

1740
01:19:36.319 --> 01:19:37.800
<v Speaker 1>Guard stuff that was out there. You know.

1741
01:19:40.399 --> 01:19:44.159
<v Speaker 3>Now record labels have a piece in the touring industry

1742
01:19:44.159 --> 01:19:45.960
<v Speaker 3>because that's the way they're going to make money unless

1743
01:19:46.039 --> 01:19:49.279
<v Speaker 3>unless it's like the Stones are bigger than they have

1744
01:19:49.359 --> 01:19:54.720
<v Speaker 3>their own touring company. But basically record labels that they're thinking,

1745
01:19:54.760 --> 01:19:56.439
<v Speaker 3>I'm not going to make money off of albums, so

1746
01:19:56.479 --> 01:19:57.960
<v Speaker 3>we got to get a piece of the tour.

1747
01:19:58.920 --> 01:20:00.880
<v Speaker 1>They turned to smart which is what they did.

1748
01:20:01.079 --> 01:20:02.560
<v Speaker 3>Yeah, that was interesting.

1749
01:20:02.600 --> 01:20:04.319
<v Speaker 1>They don't put their girls out on the street anymore.

1750
01:20:04.359 --> 01:20:06.279
<v Speaker 1>They say, we could just like Walmart. We can get

1751
01:20:06.319 --> 01:20:08.079
<v Speaker 1>it for you if you need it, right.

1752
01:20:08.640 --> 01:20:10.880
<v Speaker 3>But don't do you get do you get a little

1753
01:20:11.560 --> 01:20:16.560
<v Speaker 3>piston musicians? Where for me, as a music. Fan musicians

1754
01:20:16.600 --> 01:20:19.319
<v Speaker 3>make music, and some some musicians won't make an album

1755
01:20:19.359 --> 01:20:20.920
<v Speaker 3>because it's like, well, why bother, I'm not going to

1756
01:20:20.960 --> 01:20:23.079
<v Speaker 3>make money off of it. But but the fans.

1757
01:20:23.760 --> 01:20:25.720
<v Speaker 1>They doesn't even care about money, you know what. With me,

1758
01:20:25.960 --> 01:20:29.800
<v Speaker 1>it's like they have an old gold miner that's you know, yellow,

1759
01:20:29.880 --> 01:20:31.680
<v Speaker 1>never gets any water. He's out in the desert, want

1760
01:20:31.720 --> 01:20:33.479
<v Speaker 1>around and goes, hey, make it a living. It never

1761
01:20:33.640 --> 01:20:36.560
<v Speaker 1>entered into this. It's just what you could get, that magic,

1762
01:20:36.600 --> 01:20:38.479
<v Speaker 1>that lightning going out in front of people and have

1763
01:20:38.520 --> 01:20:41.520
<v Speaker 1>fun playing. You don't need any money. That's just satisfact.

1764
01:20:41.520 --> 01:20:44.079
<v Speaker 1>That's what people want now. I mean, that's why they

1765
01:20:44.319 --> 01:20:46.359
<v Speaker 1>the stones still go. I don't need the money they

1766
01:20:46.439 --> 01:20:48.920
<v Speaker 1>do because they love it and I love it. But

1767
01:20:48.960 --> 01:20:51.079
<v Speaker 1>I guess they made it's such a gauntlet to go

1768
01:20:51.159 --> 01:20:53.199
<v Speaker 1>through and they start pay to play and all that shit.

1769
01:20:53.840 --> 01:20:57.479
<v Speaker 1>They lost a lot of patrons like that. Well that's

1770
01:20:57.520 --> 01:20:59.560
<v Speaker 1>back in the garage's you know, good oil.

1771
01:20:59.399 --> 01:21:02.680
<v Speaker 3>Changes right, Well, the radio business changed so much. I

1772
01:21:02.680 --> 01:21:04.680
<v Speaker 3>had to get out. And I loved the radio. I

1773
01:21:04.760 --> 01:21:08.279
<v Speaker 3>dreamt of radio. I got an FM radio tattoo, right,

1774
01:21:08.880 --> 01:21:11.800
<v Speaker 3>and but I had to leave the business because I

1775
01:21:11.840 --> 01:21:15.399
<v Speaker 3>couldn't make a living. Yeah, that kissed me off. Kissed

1776
01:21:15.399 --> 01:21:17.119
<v Speaker 3>me off. I still to this day I hate that.

1777
01:21:17.319 --> 01:21:18.439
<v Speaker 3>I got to go to a nine to five.

1778
01:21:18.720 --> 01:21:23.680
<v Speaker 1>My my weach Stone sp six from a religious station

1779
01:21:24.439 --> 01:21:26.239
<v Speaker 1>and you gotta goes, look it goes. You know God

1780
01:21:26.319 --> 01:21:29.039
<v Speaker 1>has money problems. We know that He's just always have

1781
01:21:29.119 --> 01:21:32.039
<v Speaker 1>money problem. He said, I can't make a living anymore.

1782
01:21:32.079 --> 01:21:34.560
<v Speaker 1>He had a huge congregation and I had to shifted

1783
01:21:34.560 --> 01:21:37.359
<v Speaker 1>out here from New Jersey and I love that. I

1784
01:21:37.399 --> 01:21:39.600
<v Speaker 1>mean it was like it was so so perfect for

1785
01:21:39.840 --> 01:21:43.239
<v Speaker 1>my use and and everybody's going pro tools. They said,

1786
01:21:43.239 --> 01:21:45.039
<v Speaker 1>you know we could do all that approaches. It never

1787
01:21:45.239 --> 01:21:48.319
<v Speaker 1>impressed me. No, I like that take.

1788
01:21:48.960 --> 01:21:52.279
<v Speaker 3>They they have now in the radio business AI voices,

1789
01:21:52.640 --> 01:21:57.079
<v Speaker 3>voice tracking, shifts, complete shifts and nobody would know the difference,

1790
01:21:57.239 --> 01:21:58.479
<v Speaker 3>which is depressing to me.

1791
01:21:59.039 --> 01:22:01.079
<v Speaker 1>Well yeah, but it was like Eward had that United

1792
01:22:01.159 --> 01:22:04.199
<v Speaker 1>Ris Nury board. Don Landy retired and he died recently.

1793
01:22:04.720 --> 01:22:06.840
<v Speaker 1>Landy was a genius. I mean he could get tone

1794
01:22:06.880 --> 01:22:09.760
<v Speaker 1>out of a toilet and he re wired that. He

1795
01:22:09.840 --> 01:22:11.800
<v Speaker 1>used to work for the phone company. Well what happened

1796
01:22:12.560 --> 01:22:15.199
<v Speaker 1>is that that was Van Helen sound Don Landy was it?

1797
01:22:15.960 --> 01:22:18.399
<v Speaker 1>If you take Don Landy out of that equation, they'll

1798
01:22:18.399 --> 01:22:19.079
<v Speaker 1>never sound the.

1799
01:22:19.039 --> 01:22:24.399
<v Speaker 3>Same, and little sea and doobies right, and.

1800
01:22:24.319 --> 01:22:26.279
<v Speaker 1>Then they then he went got rid of I saw

1801
01:22:26.319 --> 01:22:27.640
<v Speaker 1>it laying on the side of that. I said, what

1802
01:22:27.640 --> 01:22:29.000
<v Speaker 1>do you got it over here for? Because we're going

1803
01:22:29.039 --> 01:22:31.039
<v Speaker 1>to put an SSL logic and I said, oh, don't

1804
01:22:31.079 --> 01:22:34.680
<v Speaker 1>do that. They put a nine thousand in there and

1805
01:22:34.720 --> 01:22:37.680
<v Speaker 1>it never was the saying, And they threw out all

1806
01:22:37.680 --> 01:22:40.039
<v Speaker 1>the microvolts that they thought they were all went bad.

1807
01:22:41.199 --> 01:22:43.479
<v Speaker 1>Did you read the part about the forty eight volte

1808
01:22:43.520 --> 01:22:46.399
<v Speaker 1>thing to slick to turn on? You want those mics

1809
01:22:46.439 --> 01:22:46.800
<v Speaker 1>to work?

1810
01:22:47.279 --> 01:22:49.000
<v Speaker 4>Yeah, we recorded, threw away.

1811
01:22:48.840 --> 01:22:51.520
<v Speaker 1>Some huge r c A forty five and stuff. They

1812
01:22:51.520 --> 01:22:52.680
<v Speaker 1>had to have a power source.

1813
01:22:52.920 --> 01:22:54.960
<v Speaker 4>But you and I recorded an analog.

1814
01:22:54.800 --> 01:22:55.199
<v Speaker 1>What is it?

1815
01:22:57.800 --> 01:23:00.600
<v Speaker 3>I was about to record analog machine now.

1816
01:23:01.640 --> 01:23:03.880
<v Speaker 1>But you have to be an egghead, you know, because.

1817
01:23:03.680 --> 01:23:06.159
<v Speaker 2>Both of us have that same taste when it comes

1818
01:23:06.159 --> 01:23:06.720
<v Speaker 2>to recording.

1819
01:23:06.760 --> 01:23:08.399
<v Speaker 1>We don't like you could hear it. I mean, I'm

1820
01:23:08.439 --> 01:23:10.520
<v Speaker 1>just here to take it's the What it is is

1821
01:23:10.560 --> 01:23:12.680
<v Speaker 1>that everything is an etching. Those little chips that make

1822
01:23:12.720 --> 01:23:16.880
<v Speaker 1>the sound cards up, they're etchings, very mild like this

1823
01:23:16.960 --> 01:23:19.600
<v Speaker 1>is the tl OSW two is probably the most famous

1824
01:23:19.600 --> 01:23:23.319
<v Speaker 1>etching right, it's an etching. I mean with with tape,

1825
01:23:23.359 --> 01:23:26.439
<v Speaker 1>you've got a heads that scrape you know, oxide off

1826
01:23:26.960 --> 01:23:29.279
<v Speaker 1>and make a real big footprint. And that that goes

1827
01:23:29.319 --> 01:23:31.840
<v Speaker 1>to say a lot like you know, towns of just

1828
01:23:32.000 --> 01:23:34.159
<v Speaker 1>ordered those Mara machines. He means he's got a two

1829
01:23:34.199 --> 01:23:37.640
<v Speaker 1>inch eight track, so every track has a quarter of

1830
01:23:37.680 --> 01:23:40.239
<v Speaker 1>an inch of you nuts, you know.

1831
01:23:40.760 --> 01:23:43.159
<v Speaker 3>Yeah, yeah, everything's changed so much.

1832
01:23:43.840 --> 01:23:45.239
<v Speaker 1>It has you have to have a lot of money

1833
01:23:45.239 --> 01:23:46.920
<v Speaker 1>to play buck Rogers and this. And you see the

1834
01:23:47.000 --> 01:23:49.439
<v Speaker 1>labs they have. My friend work said, oh my god,

1835
01:23:50.159 --> 01:23:53.199
<v Speaker 1>they've got six hundred thousand dollars worth of microphones. Yeah.

1836
01:23:53.199 --> 01:23:56.279
<v Speaker 2>But everybody that I like, they're all doing it on

1837
01:23:56.399 --> 01:23:57.119
<v Speaker 2>pure analog.

1838
01:23:57.359 --> 01:23:59.960
<v Speaker 1>Yeah. Well there's people out there, these kids that you know,

1839
01:24:00.439 --> 01:24:04.199
<v Speaker 1>record records out of that one apagy thing. I can't

1840
01:24:04.199 --> 01:24:06.800
<v Speaker 1>do that. I just have to get it in line

1841
01:24:06.840 --> 01:24:08.560
<v Speaker 1>and get if you got something going. If you don't

1842
01:24:08.560 --> 01:24:10.880
<v Speaker 1>start a fire with one guitar line and a bass drum,

1843
01:24:10.960 --> 01:24:12.479
<v Speaker 1>d ain't got nothing to start anyhow.

1844
01:24:13.279 --> 01:24:15.359
<v Speaker 3>The new song Kilgore's Love Song tell us about that,

1845
01:24:15.359 --> 01:24:17.279
<v Speaker 3>because there's a great story behind that. How did it

1846
01:24:17.319 --> 01:24:19.760
<v Speaker 3>finally come together after it was unfinished for many years?

1847
01:24:20.079 --> 01:24:23.840
<v Speaker 1>It's a red herring. It's really I had a nineteen

1848
01:24:23.880 --> 01:24:27.319
<v Speaker 1>oh four Marler guitar that just was magical. I never

1849
01:24:27.319 --> 01:24:29.159
<v Speaker 1>got out of the fire, but it was. It was

1850
01:24:29.560 --> 01:24:32.960
<v Speaker 1>really a Columbia parlor that had stood the one hundred

1851
01:24:32.960 --> 01:24:37.079
<v Speaker 1>and twenty two years without being crushed. And the guy

1852
01:24:37.079 --> 01:24:38.840
<v Speaker 1>had steal stranger. I said, there's no way this just

1853
01:24:38.920 --> 01:24:41.359
<v Speaker 1>had cat got string at nineteen twenty four. So I

1854
01:24:41.359 --> 01:24:43.960
<v Speaker 1>put eyelogs on it and it just got this celt sound.

1855
01:24:44.399 --> 01:24:47.680
<v Speaker 1>I started recording on my telephone. I came Forul this

1856
01:24:47.680 --> 01:24:49.159
<v Speaker 1>little thing. I said, I tried this, and she did

1857
01:24:49.239 --> 01:24:52.840
<v Speaker 1>jump into it, and I thought, interesting, have everything quite

1858
01:24:53.039 --> 01:24:54.960
<v Speaker 1>like that school.

1859
01:24:54.840 --> 01:25:25.600
<v Speaker 5>The inside on me.

1860
01:25:26.039 --> 01:25:28.319
<v Speaker 3>Yeah, that was around for quite a while, that song,

1861
01:25:28.720 --> 01:25:29.680
<v Speaker 3>that song, the.

1862
01:25:29.720 --> 01:25:32.000
<v Speaker 4>Music with no lyrics for years.

1863
01:25:32.119 --> 01:25:33.399
<v Speaker 1>I don't know what the hell it was I played.

1864
01:25:33.399 --> 01:25:35.439
<v Speaker 1>I said, that's kind of interesting thing. You go, well,

1865
01:25:35.479 --> 01:25:37.640
<v Speaker 1>you like I like to. I was playing a lot

1866
01:25:37.640 --> 01:25:40.079
<v Speaker 1>of celt music. I started doing that like seven or

1867
01:25:40.079 --> 01:25:41.920
<v Speaker 1>eight years ago, and I've got quite a few songs

1868
01:25:41.920 --> 01:25:44.520
<v Speaker 1>that are rock, but they have a Celtic Yeah, not

1869
01:25:44.640 --> 01:25:46.800
<v Speaker 1>like Blackmore, but you know it's got a little bit

1870
01:25:46.840 --> 01:25:52.359
<v Speaker 1>more storyline, you know, something that textures. I don't know

1871
01:25:52.560 --> 01:25:56.000
<v Speaker 1>something that invokes. If it invokes something and make somebody

1872
01:25:56.039 --> 01:25:57.640
<v Speaker 1>want to sten to it, they're going to try something.

1873
01:25:57.720 --> 01:26:00.359
<v Speaker 1>That's why not try something good story? You know, it's

1874
01:26:00.399 --> 01:26:05.279
<v Speaker 1>it's almost like a musical journalism. Yeah, and he.

1875
01:26:05.640 --> 01:26:09.119
<v Speaker 2>Was basically said, take whatever song you like and put

1876
01:26:09.159 --> 01:26:09.760
<v Speaker 2>something down.

1877
01:26:10.960 --> 01:26:12.720
<v Speaker 1>You get a singer and you start talking to them.

1878
01:26:12.720 --> 01:26:14.600
<v Speaker 1>And yet I want you to do that. I won't

1879
01:26:14.680 --> 01:26:17.079
<v Speaker 1>you do that. You turn them into a chimpanzee.

1880
01:26:17.239 --> 01:26:20.399
<v Speaker 2>Well it's funny because he messaged me on Facebook and then

1881
01:26:20.359 --> 01:26:24.159
<v Speaker 2>he goes, I need a songwriter, and you asked our friend,

1882
01:26:24.159 --> 01:26:25.640
<v Speaker 2>Gary Putman, our mutual friend.

1883
01:26:25.640 --> 01:26:27.439
<v Speaker 4>But we never knew each other and we hung on

1884
01:26:27.479 --> 01:26:28.000
<v Speaker 4>the same sirt.

1885
01:26:28.079 --> 01:26:31.560
<v Speaker 1>Gary was in a dread Zeppelin. Yeah, Gary's all.

1886
01:26:31.960 --> 01:26:35.319
<v Speaker 2>Gary's on like eighty five percent of both of my albums,

1887
01:26:35.520 --> 01:26:37.279
<v Speaker 2>Funnyully plays.

1888
01:26:37.720 --> 01:26:40.319
<v Speaker 4>He was so good to me, playing on everything, gigging

1889
01:26:40.399 --> 01:26:40.880
<v Speaker 4>with We.

1890
01:26:40.760 --> 01:26:43.079
<v Speaker 1>Played at Me and Gary and Mike Shadow played at

1891
01:26:43.119 --> 01:26:46.760
<v Speaker 1>the Van Halen, the book party that Greg Renoff threw right, Yeah,

1892
01:26:47.399 --> 01:26:49.680
<v Speaker 1>and then Gary jumped out on that. He jumped on

1893
01:26:49.720 --> 01:26:52.000
<v Speaker 1>the dance floor to pages here and go. Yeah.

1894
01:26:53.600 --> 01:26:56.000
<v Speaker 4>Me being in a studio with him, he was He

1895
01:26:56.000 --> 01:26:56.880
<v Speaker 4>didn't go wild, you.

1896
01:26:56.920 --> 01:26:59.000
<v Speaker 2>Know, because Gary will go off on a tangent playing

1897
01:26:59.000 --> 01:27:01.319
<v Speaker 2>guitar and you're just like, yep, there he goes, you know,

1898
01:27:01.359 --> 01:27:02.560
<v Speaker 2>like Terry saying.

1899
01:27:02.359 --> 01:27:04.439
<v Speaker 1>By you know, I can't play the clubs he plays.

1900
01:27:04.439 --> 01:27:08.600
<v Speaker 1>He plays these god clubs are of people plays. He

1901
01:27:08.640 --> 01:27:10.479
<v Speaker 1>played a lot of gigs. But the more gigs you play,

1902
01:27:10.640 --> 01:27:13.520
<v Speaker 1>the less people are going to start to loose. And

1903
01:27:13.560 --> 01:27:15.880
<v Speaker 1>the other thing, you can play yourself in this town.

1904
01:27:15.920 --> 01:27:18.239
<v Speaker 2>But really the other thought is that he's keeping his

1905
01:27:18.399 --> 01:27:19.439
<v Speaker 2>chops up, you know.

1906
01:27:19.920 --> 01:27:22.359
<v Speaker 4>So that's how I see it, because all who go.

1907
01:27:22.479 --> 01:27:25.319
<v Speaker 2>Downtown sere Monderie and then I pop in the local

1908
01:27:25.359 --> 01:27:26.560
<v Speaker 2>bar because I'm a runner.

1909
01:27:27.239 --> 01:27:29.079
<v Speaker 1>That's where you that's where all the players are now,

1910
01:27:29.600 --> 01:27:32.720
<v Speaker 1>local bar. But it used to be, like you was

1911
01:27:33.000 --> 01:27:37.199
<v Speaker 1>a gathering place like FM station, Freddie Mcnatthey's Joint or

1912
01:27:37.359 --> 01:27:40.279
<v Speaker 1>the Viper Room, and it just slowly got phased out.

1913
01:27:40.319 --> 01:27:43.279
<v Speaker 1>It was just too much. A lucky strike come back around.

1914
01:27:43.800 --> 01:27:45.600
<v Speaker 1>A lot of bands played a lucky strike and now

1915
01:27:45.640 --> 01:27:48.039
<v Speaker 1>they're playing down at Mozam Beacon. You know, in that

1916
01:27:48.359 --> 01:27:51.279
<v Speaker 1>there's a lot more work in Arms County, but it's

1917
01:27:51.359 --> 01:27:53.079
<v Speaker 1>it's machine, it's factory work.

1918
01:27:53.199 --> 01:27:56.079
<v Speaker 4>Basically, I feel like everything's cyclical, you.

1919
01:27:56.039 --> 01:27:58.680
<v Speaker 1>Know, and it'll come back receiving a Tributeyet I never

1920
01:27:58.760 --> 01:27:59.000
<v Speaker 1>do it.

1921
01:27:59.199 --> 01:28:00.520
<v Speaker 4>Well, you're not going to be because.

1922
01:28:00.680 --> 01:28:04.159
<v Speaker 1>I'm saying I couldn't do that thing. Yeah, people like

1923
01:28:04.199 --> 01:28:05.640
<v Speaker 1>playing a Richard music out there.

1924
01:28:05.680 --> 01:28:08.840
<v Speaker 4>And my friend already so off. He's in the Fab four.

1925
01:28:08.960 --> 01:28:10.840
<v Speaker 2>So when I asked him to do back up on

1926
01:28:10.920 --> 01:28:13.520
<v Speaker 2>my second second album, I think it was my first

1927
01:28:13.560 --> 01:28:14.159
<v Speaker 2>album too.

1928
01:28:14.640 --> 01:28:16.920
<v Speaker 4>Is like having Paul McCartney on the album, and so

1929
01:28:17.000 --> 01:28:17.399
<v Speaker 4>I'm like.

1930
01:28:19.479 --> 01:28:23.760
<v Speaker 1>Making players run here. They don't the world Well, I

1931
01:28:23.800 --> 01:28:24.279
<v Speaker 1>don't know.

1932
01:28:24.439 --> 01:28:26.199
<v Speaker 4>I mean I think some of them choose.

1933
01:28:26.279 --> 01:28:28.399
<v Speaker 1>Well, when you go out and tour like that, he realized.

1934
01:28:28.439 --> 01:28:30.000
<v Speaker 1>I went out tour my own group for a couple

1935
01:28:30.039 --> 01:28:33.319
<v Speaker 1>of years. I thought you could get locking Automobile Wilders

1936
01:28:33.319 --> 01:28:34.880
<v Speaker 1>for North America and never come back.

1937
01:28:35.039 --> 01:28:36.880
<v Speaker 4>But you know, I asked one time, I said.

1938
01:28:36.720 --> 01:28:39.199
<v Speaker 1>I locked that door. You're not going to come back

1939
01:28:39.279 --> 01:28:40.880
<v Speaker 1>on money, but you may be able to dig all

1940
01:28:40.920 --> 01:28:41.479
<v Speaker 1>the way through it.

1941
01:28:41.520 --> 01:28:44.359
<v Speaker 2>But I said to Artie, do you like playing, you know,

1942
01:28:44.520 --> 01:28:45.479
<v Speaker 2>in the tribute band?

1943
01:28:45.640 --> 01:28:50.199
<v Speaker 4>And he goes, yeah, could he get sick of it?

1944
01:28:50.239 --> 01:28:53.079
<v Speaker 2>And he goes until I think of having a desk

1945
01:28:53.239 --> 01:28:55.760
<v Speaker 2>job that I don't like you know, not no nothing

1946
01:28:55.800 --> 01:28:58.439
<v Speaker 2>against desk jobs. I have one to yell for years,

1947
01:28:58.439 --> 01:29:00.920
<v Speaker 2>but but he's I figure, you know that that would

1948
01:29:00.960 --> 01:29:01.560
<v Speaker 2>be something.

1949
01:29:01.600 --> 01:29:03.359
<v Speaker 1>There aren't guys like you know, the guys I've been

1950
01:29:03.359 --> 01:29:05.439
<v Speaker 1>looked at you. I love Joe bona match because he's

1951
01:29:05.439 --> 01:29:08.640
<v Speaker 1>got the right psychology. And he got real pissed off

1952
01:29:08.640 --> 01:29:09.920
<v Speaker 1>at me because I was I go to the same

1953
01:29:10.000 --> 01:29:12.000
<v Speaker 1>guitar check and I didn't recognize him. He looks like

1954
01:29:12.079 --> 01:29:14.800
<v Speaker 1>the right I don't know who hell he was, but

1955
01:29:14.880 --> 01:29:16.840
<v Speaker 1>I have a lot of respect Rymond Eric Gales. I

1956
01:29:16.880 --> 01:29:18.720
<v Speaker 1>love the way he plays. I mean, he's just got

1957
01:29:18.720 --> 01:29:23.359
<v Speaker 1>that kind of a spiritual then quality of the magic,

1958
01:29:23.399 --> 01:29:23.960
<v Speaker 1>you know what I mean?

1959
01:29:24.119 --> 01:29:26.920
<v Speaker 2>Yeah, And when you and I are finishing the album, though,

1960
01:29:27.079 --> 01:29:29.680
<v Speaker 2>there's gonna be a lot like that love song is

1961
01:29:29.680 --> 01:29:31.680
<v Speaker 2>is one unique song.

1962
01:29:31.520 --> 01:29:32.600
<v Speaker 4>And that I just liked her.

1963
01:29:32.640 --> 01:29:34.399
<v Speaker 1>I couldn't play it. Yeah, yeah, I don't know how

1964
01:29:34.479 --> 01:29:36.840
<v Speaker 1>what the hell I didn't figure out the stage.

1965
01:29:37.199 --> 01:29:38.199
<v Speaker 4>That I picked that song?

1966
01:29:38.239 --> 01:29:40.319
<v Speaker 2>You go, of all the songs that gave you, you picked

1967
01:29:40.319 --> 01:29:42.239
<v Speaker 2>the one that I never thought anybody would write a

1968
01:29:42.319 --> 01:29:43.239
<v Speaker 2>lyric to, you know.

1969
01:29:43.239 --> 01:29:45.079
<v Speaker 1>And I the thing that's why I want to get

1970
01:29:45.119 --> 01:29:47.720
<v Speaker 1>other people on this thing. Because the way they think,

1971
01:29:47.800 --> 01:29:48.079
<v Speaker 1>you know.

1972
01:29:48.199 --> 01:29:51.199
<v Speaker 2>Yeah, and I actually did sing that one in the bathtub.

1973
01:29:51.600 --> 01:30:04.439
<v Speaker 4>I write lyrics real quick to them at the top

1974
01:30:04.520 --> 01:30:05.680
<v Speaker 4>of the easel.

1975
01:30:08.199 --> 01:30:13.479
<v Speaker 2>Number, do them mad.

1976
01:30:17.640 --> 01:30:18.119
<v Speaker 1>To them?

1977
01:30:19.119 --> 01:30:21.199
<v Speaker 4>That's the tumple. The isle.

1978
01:30:44.600 --> 01:30:47.039
<v Speaker 3>Was the plan I longed to put together whole album

1979
01:30:47.159 --> 01:30:48.560
<v Speaker 3>or did that one a song kind of?

1980
01:30:49.600 --> 01:30:51.800
<v Speaker 1>I have an album for Maturial, but you know what,

1981
01:30:51.800 --> 01:30:53.560
<v Speaker 1>you're not, so I'm going to do a solo style

1982
01:30:53.640 --> 01:30:56.119
<v Speaker 1>record or guitar record. I expect him guitar on there

1983
01:30:56.319 --> 01:30:59.479
<v Speaker 1>and lyrics. And given the situation as it was to

1984
01:30:59.520 --> 01:31:01.640
<v Speaker 1>get I just now acquired all the gear that I

1985
01:31:01.640 --> 01:31:04.800
<v Speaker 1>could pull that off with because remember I lost my

1986
01:31:05.000 --> 01:31:08.079
<v Speaker 1>whole all my pre app follow stuff that I was

1987
01:31:08.119 --> 01:31:11.119
<v Speaker 1>accustomed of using. And it's it's a hell of a

1988
01:31:11.199 --> 01:31:13.399
<v Speaker 1>far back away when you have a ten seventy three

1989
01:31:13.800 --> 01:31:17.159
<v Speaker 1>Brett Admirals and they're gone and you're trying to do

1990
01:31:17.720 --> 01:31:19.920
<v Speaker 1>something with the art pree app. I mean, it's just

1991
01:31:20.000 --> 01:31:23.039
<v Speaker 1>you have to you have to rely on other other factors,

1992
01:31:23.079 --> 01:31:27.039
<v Speaker 1>you know what I mean. There's a show beautiful hardware,

1993
01:31:27.119 --> 01:31:30.960
<v Speaker 1>but you can't play work ship and you have to

1994
01:31:31.000 --> 01:31:32.880
<v Speaker 1>have everything going at once. And a lot of the

1995
01:31:32.920 --> 01:31:35.880
<v Speaker 1>people that have money would rather have somebody else recorded,

1996
01:31:35.960 --> 01:31:37.640
<v Speaker 1>And I go, if you have money and the luxury

1997
01:31:37.680 --> 01:31:40.000
<v Speaker 1>of time, I'm going to do it, yeah, and then

1998
01:31:40.039 --> 01:31:41.680
<v Speaker 1>you can get at it, you know when I do.

1999
01:31:41.600 --> 01:31:44.039
<v Speaker 4>A mix, So we'll do recordings in the house.

2000
01:31:44.479 --> 01:31:47.039
<v Speaker 2>The love song, I was practicing the song and I

2001
01:31:47.119 --> 01:31:48.960
<v Speaker 2>ended up just doing a sample.

2002
01:31:49.359 --> 01:31:50.319
<v Speaker 4>I was in the path.

2003
01:31:51.680 --> 01:31:53.680
<v Speaker 1>That stuff out, brought into SiO.

2004
01:31:53.399 --> 01:31:57.039
<v Speaker 2>And used that vocal, and then I doubled it a

2005
01:31:57.079 --> 01:32:00.840
<v Speaker 2>little bit in certain spots because to clean it up,

2006
01:32:00.880 --> 01:32:04.000
<v Speaker 2>because you know, when you have the track with the music.

2007
01:32:03.720 --> 01:32:05.840
<v Speaker 4>On it, you can't separate, and sometimes you need the

2008
01:32:05.920 --> 01:32:07.399
<v Speaker 4>vocals up, you know what I mean.

2009
01:32:07.520 --> 01:32:09.960
<v Speaker 2>So if it wasn't working, then I would double it

2010
01:32:10.039 --> 01:32:13.279
<v Speaker 2>and then we use kind of a mix of both interchange.

2011
01:32:13.279 --> 01:32:16.720
<v Speaker 4>But ninety song is done in the bouttime.

2012
01:32:17.039 --> 01:32:20.560
<v Speaker 1>Cobt said it poetically. A Capital Records goes, You're like

2013
01:32:20.600 --> 01:32:23.720
<v Speaker 1>a missing link or something we should have heard that

2014
01:32:23.760 --> 01:32:26.199
<v Speaker 1>we didn't hear a long time ago, that you fill

2015
01:32:26.199 --> 01:32:30.079
<v Speaker 1>a hole that nobody I've heard filth like that, And

2016
01:32:30.119 --> 01:32:34.399
<v Speaker 1>that's how it was cryptic. It's not like intentionally done.

2017
01:32:34.720 --> 01:32:36.880
<v Speaker 1>It's like I remember this vibe from when I was

2018
01:32:36.920 --> 01:32:39.520
<v Speaker 1>a kid. I wrote a song about you know, I

2019
01:32:39.640 --> 01:32:42.880
<v Speaker 1>like repetitive lines, like if you're gonna do a guitar line,

2020
01:32:42.920 --> 01:32:45.840
<v Speaker 1>I like one that that reciprocates of one that modulates

2021
01:32:45.880 --> 01:32:49.159
<v Speaker 1>around it. Because of my education, I had an education harmony.

2022
01:32:49.159 --> 01:32:52.199
<v Speaker 1>I understand how to use it. But really, I think

2023
01:32:52.199 --> 01:32:54.199
<v Speaker 1>that people come out of a dead stock with no

2024
01:32:54.399 --> 01:32:56.239
<v Speaker 1>schooling at all and come up with the same kind

2025
01:32:56.279 --> 01:32:57.199
<v Speaker 1>of shit all the time.

2026
01:32:57.520 --> 01:32:59.199
<v Speaker 4>I didn't. I'm not trained either.

2027
01:32:59.239 --> 01:33:00.720
<v Speaker 1>As I had a guy come to me when I

2028
01:33:00.760 --> 01:33:03.039
<v Speaker 1>was giving guitar losters that he had one hundred songs

2029
01:33:03.039 --> 01:33:05.640
<v Speaker 1>to put together out of the seven chords that he knew,

2030
01:33:06.000 --> 01:33:08.079
<v Speaker 1>and none of it was bad. You just go, Wow,

2031
01:33:08.119 --> 01:33:09.199
<v Speaker 1>this guy's got talent.

2032
01:33:09.319 --> 01:33:11.880
<v Speaker 4>But what I you it was your sound. Because I

2033
01:33:11.880 --> 01:33:13.079
<v Speaker 4>didn't really know who he was.

2034
01:33:13.199 --> 01:33:16.479
<v Speaker 1>I feel, you know, nobody knows who I am. I'm blucky.

2035
01:33:17.079 --> 01:33:19.039
<v Speaker 3>I don't know I know who he is.

2036
01:33:19.720 --> 01:33:22.760
<v Speaker 1>Gary down to have a lot of friends back east too.

2037
01:33:23.039 --> 01:33:25.800
<v Speaker 2>Yeah, And Gary invited me down to the local bar

2038
01:33:26.079 --> 01:33:28.199
<v Speaker 2>and I brought my son and then he was playing

2039
01:33:28.239 --> 01:33:31.119
<v Speaker 2>and that's how we met. And then but but when

2040
01:33:31.119 --> 01:33:34.159
<v Speaker 2>I heard his swampy slide to.

2041
01:33:34.199 --> 01:33:37.560
<v Speaker 1>Chalie, when I looked at you anywhere near Federal Hill,

2042
01:33:38.720 --> 01:33:41.479
<v Speaker 1>I mean it's funny because, uh, John Reagan told me

2043
01:33:41.520 --> 01:33:43.600
<v Speaker 1>that they changed their dango and Irish nanka is. The

2044
01:33:43.840 --> 01:33:45.880
<v Speaker 1>Irish cops were beating the ship out of his dad

2045
01:33:45.920 --> 01:33:50.760
<v Speaker 1>all the time, really galaning, you know, and my grandma.

2046
01:33:50.960 --> 01:33:52.760
<v Speaker 1>There's so many of my roatives back east, and a

2047
01:33:52.800 --> 01:33:57.119
<v Speaker 1>lot of them were not the Morolos are like the

2048
01:33:57.199 --> 01:33:58.640
<v Speaker 1>horrible Jenis.

2049
01:33:58.159 --> 01:34:02.159
<v Speaker 3>Out at Chicoo mess with. Yeah, well, I mean just

2050
01:34:02.640 --> 01:34:04.319
<v Speaker 3>that kind of thing, you know. As a huge David

2051
01:34:04.399 --> 01:34:06.920
<v Speaker 3>Lee fan, I sure know who you are. I went

2052
01:34:06.920 --> 01:34:09.079
<v Speaker 3>out and bought the album the CD when I was

2053
01:34:09.119 --> 01:34:11.439
<v Speaker 3>in my senior year in college, went to the nearest

2054
01:34:11.479 --> 01:34:13.479
<v Speaker 3>record store, and so the girl.

2055
01:34:13.319 --> 01:34:15.920
<v Speaker 1>Down the street goes, my brother a big fan of yours,

2056
01:34:15.960 --> 01:34:20.039
<v Speaker 1>And I'm thinking I have a lot of popular people

2057
01:34:20.079 --> 01:34:22.199
<v Speaker 1>back ds that like me, and I think it was

2058
01:34:22.239 --> 01:34:24.359
<v Speaker 1>more like the embrace Me because I was like one

2059
01:34:24.399 --> 01:34:26.840
<v Speaker 1>of them. I walked through Red Light to New York.

2060
01:34:26.880 --> 01:34:32.439
<v Speaker 3>I go, I don't stop, what's the Waylon Jennings covering?

2061
01:34:33.680 --> 01:34:38.119
<v Speaker 2>So I being nineteen seven about this? For yeah, I

2062
01:34:38.159 --> 01:34:40.840
<v Speaker 2>talk about it all the time. So I as soon

2063
01:34:40.880 --> 01:34:42.319
<v Speaker 2>as I met him, I'm like, oh, he kind of

2064
01:34:42.359 --> 01:34:43.600
<v Speaker 2>right whaling Jennings.

2065
01:34:43.840 --> 01:34:46.680
<v Speaker 3>He looks yeah, yeah, you're right, and his voice is.

2066
01:34:46.680 --> 01:34:52.359
<v Speaker 1>Just not that much of a philanderer. Well, it was

2067
01:34:52.520 --> 01:34:54.720
<v Speaker 1>bad from the very beginning. I mean, when you get

2068
01:34:54.800 --> 01:34:56.359
<v Speaker 1>cooked at buddy all, I goes, I hope the guy's

2069
01:34:56.359 --> 01:34:59.279
<v Speaker 1>cracked that I did.

2070
01:35:00.079 --> 01:35:03.039
<v Speaker 3>That's the story. Yeahs terrible about that.

2071
01:35:03.319 --> 01:35:04.039
<v Speaker 4>Felt terrible.

2072
01:35:04.239 --> 01:35:06.560
<v Speaker 1>But the point is, yeah, so I alslew that same

2073
01:35:06.600 --> 01:35:08.159
<v Speaker 1>Bonanda that killed all those people.

2074
01:35:08.239 --> 01:35:10.079
<v Speaker 4>But there's a song called so good.

2075
01:35:10.000 --> 01:35:10.920
<v Speaker 1>I killed everybody.

2076
01:35:11.319 --> 01:35:14.359
<v Speaker 2>Yeah, and I so I made it a duet, so

2077
01:35:14.479 --> 01:35:18.800
<v Speaker 2>I inserted my voice and then I'm hoping that Terry

2078
01:35:18.840 --> 01:35:20.159
<v Speaker 2>will sing it and play on it.

2079
01:35:20.359 --> 01:35:24.520
<v Speaker 1>And I'd love for you to play a duet. The

2080
01:35:24.640 --> 01:35:29.199
<v Speaker 1>thing is, I know all this the Carney music stuffy,

2081
01:35:29.279 --> 01:35:32.520
<v Speaker 1>but he does you know, bony fingers. It's only seventies

2082
01:35:32.520 --> 01:35:36.319
<v Speaker 1>country galctic music. But then you know the new coal.

2083
01:35:36.720 --> 01:35:40.279
<v Speaker 1>I love Danny Gatton stuff. I love. You know, they're

2084
01:35:40.319 --> 01:35:41.520
<v Speaker 1>all great players, you.

2085
01:35:41.520 --> 01:35:43.920
<v Speaker 4>Know, I like Old Schott, like George Jones.

2086
01:35:43.880 --> 01:35:46.720
<v Speaker 1>Wriscovered god, Jerry reed Back, I thought, my god, I

2087
01:35:46.880 --> 01:35:49.960
<v Speaker 1>know guy was a great guitar player, fabulous, the most

2088
01:35:50.520 --> 01:35:53.560
<v Speaker 1>economic hands you've ever seen, just just the bare minimum

2089
01:35:53.600 --> 01:35:57.279
<v Speaker 1>to get the sound and the controls like fuck, unbelievable.

2090
01:35:57.319 --> 01:36:00.439
<v Speaker 4>So if that song is on the album, it's already tracked.

2091
01:36:00.640 --> 01:36:02.760
<v Speaker 2>But if Terry ends up playing on it, which I'm

2092
01:36:02.800 --> 01:36:06.119
<v Speaker 2>hoping because we get busy, you know, that would be

2093
01:36:06.159 --> 01:36:06.800
<v Speaker 2>a gift to me.

2094
01:36:09.520 --> 01:36:11.239
<v Speaker 3>Do you know when the album will be out? Isn't

2095
01:36:11.279 --> 01:36:13.439
<v Speaker 3>it September? I thought that.

2096
01:36:15.039 --> 01:36:16.880
<v Speaker 4>Maybe we'll see I'm going to New York.

2097
01:36:17.439 --> 01:36:19.000
<v Speaker 1>I can't let it out if I don't like what

2098
01:36:19.039 --> 01:36:22.239
<v Speaker 1>I hear, and I'll go anyway I do.

2099
01:36:22.279 --> 01:36:24.359
<v Speaker 2>If I go in myself, I bring to home, I

2100
01:36:24.399 --> 01:36:25.800
<v Speaker 2>bring home and then I send it to him.

2101
01:36:25.880 --> 01:36:29.000
<v Speaker 1>Well, you know, I've aged enough songs for when I

2102
01:36:29.000 --> 01:36:30.960
<v Speaker 1>know that, because this thing stands up and it's four

2103
01:36:31.039 --> 01:36:32.479
<v Speaker 1>years old, I'll do it.

2104
01:36:32.640 --> 01:36:35.960
<v Speaker 2>Yeah, But I would love for him to take the

2105
01:36:36.359 --> 01:36:37.239
<v Speaker 2>last one we did.

2106
01:36:38.359 --> 01:36:40.520
<v Speaker 4>What was it called the last one we did?

2107
01:36:41.159 --> 01:36:44.039
<v Speaker 2>I don't know what we were just working on, not

2108
01:36:44.119 --> 01:36:46.199
<v Speaker 2>back to eat crime Shame.

2109
01:36:46.680 --> 01:36:49.720
<v Speaker 4>Maybe you could be the one to release it for us.

2110
01:36:50.039 --> 01:36:52.760
<v Speaker 3>Well, I you know I want to play that. I

2111
01:36:52.800 --> 01:36:55.000
<v Speaker 3>would be happy to do that and kill Gore's love song,

2112
01:36:55.079 --> 01:36:56.920
<v Speaker 3>play a clip of it and hopefully they don't pull

2113
01:36:56.960 --> 01:37:01.760
<v Speaker 3>it down on YouTube, and that drives me and saying

2114
01:37:01.560 --> 01:37:03.680
<v Speaker 3>that if they do, I'll let you know and we'll

2115
01:37:03.720 --> 01:37:04.560
<v Speaker 3>and I'll dispute it.

2116
01:37:04.880 --> 01:37:08.119
<v Speaker 4>There's no way they did, because that's nobody owns the

2117
01:37:08.199 --> 01:37:08.600
<v Speaker 4>very frost.

2118
01:37:08.600 --> 01:37:10.560
<v Speaker 1>The way I look at it, if somebody steals something

2119
01:37:10.600 --> 01:37:15.439
<v Speaker 1>and they liked it that much and they're playing it right,

2120
01:37:15.279 --> 01:37:18.079
<v Speaker 1>I can exploit it till you get to a certain point.

2121
01:37:18.119 --> 01:37:19.880
<v Speaker 4>I mean they can't play it, but we're certainly.

2122
01:37:20.600 --> 01:37:23.239
<v Speaker 1>Music's a gift. I mean, like, look at how long

2123
01:37:23.319 --> 01:37:25.319
<v Speaker 1>I be around, how long I want to want to

2124
01:37:25.319 --> 01:37:28.319
<v Speaker 1>have the same energy because you get like, look at

2125
01:37:28.319 --> 01:37:30.600
<v Speaker 1>if it's not working like stuff. He's was one of

2126
01:37:30.640 --> 01:37:32.159
<v Speaker 1>my favorite guitar players in the world. He said it

2127
01:37:32.319 --> 01:37:34.960
<v Speaker 1>just wasn't making any money. He had to go to

2128
01:37:35.119 --> 01:37:38.239
<v Speaker 1>doing film. But he still plays the guy who's doing

2129
01:37:38.239 --> 01:37:41.119
<v Speaker 1>shit in nineteen seventy three. They still are now catching

2130
01:37:41.199 --> 01:37:42.039
<v Speaker 1>up with Yeah.

2131
01:37:41.880 --> 01:37:44.399
<v Speaker 2>And see me, I've never made any money playing music,

2132
01:37:44.439 --> 01:37:46.560
<v Speaker 2>and I've and I'm okay though.

2133
01:37:46.439 --> 01:37:48.960
<v Speaker 1>Because you know, that's how everybody is before they make

2134
01:37:49.000 --> 01:37:52.640
<v Speaker 1>anything into business. And I'd rather be like, like, you know,

2135
01:37:52.800 --> 01:37:55.079
<v Speaker 1>I would have much rather have gone to work for

2136
01:37:55.159 --> 01:37:57.279
<v Speaker 1>John Waite than David Lee rob because he's more of

2137
01:37:57.279 --> 01:38:00.520
<v Speaker 1>a looking for songs, but the guy an aim for

2138
01:38:00.560 --> 01:38:04.600
<v Speaker 1>those skits like that. It's it's a shooting gallery, you

2139
01:38:04.640 --> 01:38:07.079
<v Speaker 1>know what I mean. It's like Graham Bondy's the shooting gallery.

2140
01:38:07.079 --> 01:38:08.880
<v Speaker 3>You're gonna be doing moving target.

2141
01:38:09.960 --> 01:38:14.560
<v Speaker 1>Yes, everybody's ears are moving targets. I mean it's like, Oh,

2142
01:38:14.600 --> 01:38:16.399
<v Speaker 1>that's the best downing amp I've ever heard. Next week

2143
01:38:16.399 --> 01:38:18.920
<v Speaker 1>they put this is the beast down amp I've ever heard.

2144
01:38:19.239 --> 01:38:22.000
<v Speaker 2>It's funny to see what you play on now because

2145
01:38:22.000 --> 01:38:24.680
<v Speaker 2>in comparison to what you grew up on, the Marshalls

2146
01:38:24.680 --> 01:38:25.439
<v Speaker 2>and all that, now.

2147
01:38:25.319 --> 01:38:27.399
<v Speaker 1>You're playing, Well, the thing we don't know everything that

2148
01:38:27.520 --> 01:38:29.439
<v Speaker 1>I can build you a super league now. But what

2149
01:38:29.479 --> 01:38:31.520
<v Speaker 1>we knew everything about him? We didn't know shit about them.

2150
01:38:31.800 --> 01:38:34.239
<v Speaker 1>He built my son a guitar, which is so we

2151
01:38:34.239 --> 01:38:37.560
<v Speaker 1>didn't know anything about at all. You know, ed had

2152
01:38:37.560 --> 01:38:40.760
<v Speaker 1>their bicycle paint and that one hundred and forty dollars

2153
01:38:40.800 --> 01:38:43.880
<v Speaker 1>sarvel and that thing changed and a lot of guys

2154
01:38:43.880 --> 01:38:46.960
<v Speaker 1>were putting combuckis and strata casters and telecasters back then.

2155
01:38:47.439 --> 01:38:49.079
<v Speaker 3>Did you go to that house that he lived in,

2156
01:38:49.079 --> 01:38:50.359
<v Speaker 3>that little house that's still.

2157
01:38:50.199 --> 01:38:55.640
<v Speaker 2>There, Yeah, apparently it looks exactly the same exactly.

2158
01:38:56.159 --> 01:38:58.720
<v Speaker 1>I could drop an alley way off of Las lunas,

2159
01:38:58.720 --> 01:39:04.079
<v Speaker 1>which is like or middle class. It was all came

2160
01:39:04.119 --> 01:39:06.960
<v Speaker 1>for more money than that. I was broke. We lived

2161
01:39:07.000 --> 01:39:10.760
<v Speaker 1>to eaton canyon. But you know, but we were monitoring

2162
01:39:10.760 --> 01:39:13.720
<v Speaker 1>each other constantly because he was I kept him on

2163
01:39:13.760 --> 01:39:17.039
<v Speaker 1>his shoes and he really kept me online. Are hard

2164
01:39:17.039 --> 01:39:19.880
<v Speaker 1>guy to beat paint. They were always in charge. But

2165
01:39:19.960 --> 01:39:22.720
<v Speaker 1>you know, there was a room enough for other people

2166
01:39:22.800 --> 01:39:25.399
<v Speaker 1>as long as you didn't play like him. You had

2167
01:39:25.439 --> 01:39:27.000
<v Speaker 1>to play kind of like it, you know, they think

2168
01:39:27.039 --> 01:39:28.880
<v Speaker 1>kind of. But there are a lot of guitar players

2169
01:39:28.880 --> 01:39:33.439
<v Speaker 1>were developing styles, Gary, Carl Hassett, They all were good players,

2170
01:39:33.439 --> 01:39:35.520
<v Speaker 1>and we were all kind of came into the same thing.

2171
01:39:35.560 --> 01:39:37.800
<v Speaker 1>We listened to the English guys and played blues licks.

2172
01:39:38.439 --> 01:39:41.600
<v Speaker 1>Then we heard Jimmy Page and Jeff Beck and blow

2173
01:39:41.640 --> 01:39:44.439
<v Speaker 1>by Blow changed me. I thought, well, I'm instrumental stuff,

2174
01:39:44.479 --> 01:39:47.479
<v Speaker 1>you know what I mean, Ye, Jeff could pull that off.

2175
01:39:47.600 --> 01:39:50.119
<v Speaker 3>I just interviewed Brad Tlinsky and Chris Gill who wrote

2176
01:39:50.119 --> 01:39:51.680
<v Speaker 3>that great book on Eddie, and they just wrote a

2177
01:39:51.680 --> 01:39:54.880
<v Speaker 3>book on Jeff Beck, and it's fabulous books.

2178
01:39:54.880 --> 01:39:58.239
<v Speaker 1>And you know, like Rob Grange and Derrick st. Holmes,

2179
01:39:59.199 --> 01:39:59.920
<v Speaker 1>ed bus Man.

2180
01:39:59.880 --> 01:40:01.520
<v Speaker 3>Right stranglehold these things out.

2181
01:40:01.600 --> 01:40:04.840
<v Speaker 1>They went to the same ship I mean with Derek

2182
01:40:04.880 --> 01:40:06.520
<v Speaker 1>Sae Holmes and oh the god they haven't working there.

2183
01:40:06.960 --> 01:40:10.640
<v Speaker 1>Ted just took off. That'specically what happened. And so you

2184
01:40:10.680 --> 01:40:13.079
<v Speaker 1>know those guys, I call right with them for Brad

2185
01:40:13.079 --> 01:40:16.439
<v Speaker 1>Whitford Aerosmith Bunch when they have the wrong place.

2186
01:40:17.039 --> 01:40:21.039
<v Speaker 3>Whitford Holmes I think was uh Derek was in that band.

2187
01:40:21.560 --> 01:40:23.880
<v Speaker 1>Yeah, they had a cool stop. They used one of

2188
01:40:23.880 --> 01:40:28.039
<v Speaker 1>my tunes. Yeah some good. If I hear something somebody's

2189
01:40:28.039 --> 01:40:30.239
<v Speaker 1>playing to go, okay, I'll bring to do something like

2190
01:40:30.279 --> 01:40:32.159
<v Speaker 1>that too, but I'll do it a little tip, you know.

2191
01:40:33.119 --> 01:40:35.439
<v Speaker 1>And that was what it was fun to go see

2192
01:40:35.439 --> 01:40:37.359
<v Speaker 1>what we would come up with. But real quiet, you

2193
01:40:37.399 --> 01:40:39.199
<v Speaker 1>wouldn't hear me from me in a week and I'd

2194
01:40:39.239 --> 01:40:41.279
<v Speaker 1>be playing its going where'd you pick that? How did

2195
01:40:41.319 --> 01:40:44.680
<v Speaker 1>you pick that up? Competitive?

2196
01:40:44.720 --> 01:40:46.880
<v Speaker 3>But it was a friendly way, you know, just as

2197
01:40:46.920 --> 01:40:50.399
<v Speaker 3>a fan that I just I miss And when he passed,

2198
01:40:50.439 --> 01:40:53.239
<v Speaker 3>it was like that's it. There's no more hope and

2199
01:40:53.319 --> 01:40:54.920
<v Speaker 3>possibility that than another van Hileen.

2200
01:40:56.000 --> 01:40:57.960
<v Speaker 1>Remember all the good time that we had, how close

2201
01:40:58.039 --> 01:41:01.479
<v Speaker 1>we were. I'm sure that ever him his son said

2202
01:41:01.720 --> 01:41:04.880
<v Speaker 1>when he I always told him, Ed, don't drive motorcycles.

2203
01:41:05.119 --> 01:41:07.399
<v Speaker 1>You haven't got the temperament for it. You will die.

2204
01:41:07.439 --> 01:41:09.159
<v Speaker 1>You gotta drive motorcycle and drive a car. He will

2205
01:41:09.159 --> 01:41:11.720
<v Speaker 1>be all right. Drove them like he drove the motorcycle.

2206
01:41:11.760 --> 01:41:13.840
<v Speaker 1>And when he cracked his head open, they looked like

2207
01:41:13.920 --> 01:41:16.079
<v Speaker 1>they a catskin and saw that tumor and side about

2208
01:41:16.159 --> 01:41:19.520
<v Speaker 1>lemon and he said he got his spine. He it was.

2209
01:41:19.680 --> 01:41:20.960
<v Speaker 1>He died very painfully.

2210
01:41:21.640 --> 01:41:24.399
<v Speaker 3>No I heard, that's what Ted Templeman said.

2211
01:41:25.439 --> 01:41:27.000
<v Speaker 1>Well, I saw him, you know, and when you grow

2212
01:41:27.039 --> 01:41:29.319
<v Speaker 1>up with something like that, you see him and they're

2213
01:41:29.359 --> 01:41:32.840
<v Speaker 1>young and they're strong. I mean he pushed the outside

2214
01:41:32.840 --> 01:41:35.119
<v Speaker 1>of the envelope a little harder than he thought. I

2215
01:41:35.239 --> 01:41:37.119
<v Speaker 1>was the heavier drinker. I thought, hell no, I just

2216
01:41:37.159 --> 01:41:39.800
<v Speaker 1>don't drink all that beer I got hold of. But

2217
01:41:39.840 --> 01:41:42.239
<v Speaker 1>then he went, you know, shrake to vodka, and it

2218
01:41:42.399 --> 01:41:45.760
<v Speaker 1>just the addictions are progressive and they get the better

2219
01:41:45.800 --> 01:41:48.279
<v Speaker 1>of you. He was, you know, getting He looked like

2220
01:41:48.359 --> 01:41:53.000
<v Speaker 1>Gollum for a while. He might really out of his

2221
01:41:53.439 --> 01:41:54.600
<v Speaker 1>kind of out of his tree.

2222
01:41:55.119 --> 01:41:58.520
<v Speaker 3>Yeah, yeah, that that was a wild It was a

2223
01:41:58.600 --> 01:41:59.079
<v Speaker 3>dark time.

2224
01:41:59.760 --> 01:42:01.520
<v Speaker 1>Get Marshall, AFP. You had a Marshall. A couple of

2225
01:42:01.520 --> 01:42:03.000
<v Speaker 1>little effects that had a great and he alway a

2226
01:42:03.000 --> 01:42:05.119
<v Speaker 1>sudden you had this bradshar regular was as big as

2227
01:42:05.840 --> 01:42:09.960
<v Speaker 1>a sub zero refrigerator. Then twenty six Racks. I don't

2228
01:42:09.960 --> 01:42:13.840
<v Speaker 1>know what the hell it was. The guitarians a big monster.

2229
01:42:14.800 --> 01:42:18.159
<v Speaker 3>Yeah, the sound of his guitar. Nothing fills me up

2230
01:42:18.560 --> 01:42:21.079
<v Speaker 3>more man, It's like, just might people.

2231
01:42:20.920 --> 01:42:22.279
<v Speaker 1>Know what I went when I got rid of my

2232
01:42:22.319 --> 01:42:25.600
<v Speaker 1>fifty my black flags, I had two black flag fifty

2233
01:42:25.640 --> 01:42:29.319
<v Speaker 1>wats and black flags were like before Jim Marshall and

2234
01:42:29.399 --> 01:42:32.760
<v Speaker 1>Theresa were divorced, it was Jim and Theresa Marshall Well,

2235
01:42:32.760 --> 01:42:34.800
<v Speaker 1>he wanted her out and they went to j MP

2236
01:42:35.000 --> 01:42:39.079
<v Speaker 1>Jim Marshall Productions. But the black flags were special lamp fires.

2237
01:42:39.119 --> 01:42:41.840
<v Speaker 1>I worked about ten thousand dollars piece. I sold them

2238
01:42:41.840 --> 01:42:43.800
<v Speaker 1>off because they got sick of the sound, and Mike

2239
01:42:44.039 --> 01:42:47.159
<v Speaker 1>Mike Mike Fans told me, you don't have the same

2240
01:42:47.239 --> 01:42:50.640
<v Speaker 1>Jime used to have for a faggot, and then I

2241
01:42:50.680 --> 01:42:52.720
<v Speaker 1>got it back on Brandles. I'll get pan Terra. We

2242
01:42:52.840 --> 01:42:55.560
<v Speaker 1>started using the Randall stuff because I was touring the

2243
01:42:55.600 --> 01:42:57.840
<v Speaker 1>South seats and you couldn't use the tube. I couldn't

2244
01:42:57.840 --> 01:43:00.600
<v Speaker 1>have the budget to run tube bats twelve hours a

2245
01:43:00.680 --> 01:43:04.079
<v Speaker 1>day because couldn't do it. We played Singapore all the

2246
01:43:04.119 --> 01:43:05.960
<v Speaker 1>military basis. That was the only thing you could get.

2247
01:43:06.000 --> 01:43:08.640
<v Speaker 1>It paid fifty hundred dollars a week, and man it

2248
01:43:08.720 --> 01:43:12.119
<v Speaker 1>was tough. That was rough, tough. You go those islands

2249
01:43:12.159 --> 01:43:14.600
<v Speaker 1>and you know where the military is. Everything rough. In

2250
01:43:14.720 --> 01:43:17.680
<v Speaker 1>one day, there's a big pile of bicycles are all

2251
01:43:17.720 --> 01:43:21.560
<v Speaker 1>covering front of everybody being bicycles. We've been on tire

2252
01:43:21.600 --> 01:43:24.560
<v Speaker 1>of body. I mean, I've been on all the Gilbert Islands,

2253
01:43:24.600 --> 01:43:29.079
<v Speaker 1>the Solomons, because we still have bases out there everywhere.

2254
01:43:29.159 --> 01:43:32.319
<v Speaker 1>Their aw reservation. So the guys that go there, they

2255
01:43:32.359 --> 01:43:34.079
<v Speaker 1>go in for a six month's day and they're going, oh,

2256
01:43:34.079 --> 01:43:36.600
<v Speaker 1>we're going to be here. It's a toll that's maybe

2257
01:43:36.600 --> 01:43:39.840
<v Speaker 1>a mile long and nine hundred yards wide or something,

2258
01:43:40.560 --> 01:43:43.399
<v Speaker 1>and a half a million people live on it. You know.

2259
01:43:43.439 --> 01:43:46.119
<v Speaker 1>It's that's what the South Seas tours are about. But

2260
01:43:46.199 --> 01:43:47.960
<v Speaker 1>that's the only money we could make. In the eighties,

2261
01:43:48.399 --> 01:43:51.560
<v Speaker 1>everybody had everything locked up. Every band looked the same.

2262
01:43:51.640 --> 01:43:56.000
<v Speaker 3>They all was like poisoned or oh god, yeah remember that, yeah, yeah,

2263
01:43:56.119 --> 01:43:59.920
<v Speaker 3>sure do. It was in high school. Yeah, man, Warrant Winger.

2264
01:43:59.640 --> 01:44:01.560
<v Speaker 1>I got from what I said, you guys are going

2265
01:44:01.600 --> 01:44:03.720
<v Speaker 1>to be back in Pomona doing oil champions by the

2266
01:44:03.960 --> 01:44:06.640
<v Speaker 1>by the nineties. And I was right because it was

2267
01:44:06.680 --> 01:44:09.399
<v Speaker 1>really I got picked up because I dressed in a

2268
01:44:09.439 --> 01:44:13.560
<v Speaker 1>black soup with no collars, like a starving blues musician,

2269
01:44:13.640 --> 01:44:15.239
<v Speaker 1>because that's what I was basically.

2270
01:44:15.359 --> 01:44:17.680
<v Speaker 3>And Eddie used to say, don't blame me because everybody

2271
01:44:17.760 --> 01:44:20.560
<v Speaker 3>was like, oh, you know you inspired all these bands,

2272
01:44:20.600 --> 01:44:23.279
<v Speaker 3>these copycat bands. He's like, I didn't do it on purpose.

2273
01:44:23.560 --> 01:44:26.720
<v Speaker 3>Let's just play just playing the.

2274
01:44:27.359 --> 01:44:30.680
<v Speaker 1>Money in the Van Halen trippute bands. I just couldn't

2275
01:44:30.680 --> 01:44:34.079
<v Speaker 1>imagine their set because it's like, you know, I wasn't

2276
01:44:34.079 --> 01:44:35.560
<v Speaker 1>a big fan of our music because I hadn't heard

2277
01:44:35.560 --> 01:44:38.319
<v Speaker 1>it so many times. I mean I could, I could.

2278
01:44:38.520 --> 01:44:40.279
<v Speaker 1>I could listen to the record and see what he's flying.

2279
01:44:40.319 --> 01:44:42.479
<v Speaker 1>I know exactly how I played. We just to laugh

2280
01:44:42.479 --> 01:44:45.119
<v Speaker 1>because I played up like this because I had a

2281
01:44:45.359 --> 01:44:47.760
<v Speaker 1>feel plate in my arm, so I kind of go

2282
01:44:47.800 --> 01:44:49.720
<v Speaker 1>out of differently. When I up picked for Don Eperson,

2283
01:44:49.920 --> 01:44:58.840
<v Speaker 1>Ed played like this right exactly. But he was you know,

2284
01:44:58.920 --> 01:45:02.439
<v Speaker 1>I think that he was just a concert musician. Alt

2285
01:45:02.520 --> 01:45:04.199
<v Speaker 1>when Al talked of it, he said, you know, Ed

2286
01:45:04.520 --> 01:45:08.520
<v Speaker 1>is definitely the cornerstone of that group. I mean, and

2287
01:45:08.840 --> 01:45:10.479
<v Speaker 1>Day wanted in on that. You know, that was the

2288
01:45:10.560 --> 01:45:12.920
<v Speaker 1>only money going out of town because there was other bands.

2289
01:45:13.399 --> 01:45:16.880
<v Speaker 1>But Ed just beat him down bad because they had

2290
01:45:16.920 --> 01:45:19.760
<v Speaker 1>the work ethic. Alex was instrumental in that because he

2291
01:45:19.840 --> 01:45:22.720
<v Speaker 1>was the oldest and he was the biggest. And to

2292
01:45:22.800 --> 01:45:24.199
<v Speaker 1>argue with how he beat the shit out of you,

2293
01:45:24.399 --> 01:45:26.159
<v Speaker 1>He's gonna get his way. I mean, he ran that

2294
01:45:26.920 --> 01:45:27.560
<v Speaker 1>and you.

2295
01:45:27.520 --> 01:45:31.039
<v Speaker 3>Know that's all. They didn't didn't rely on talent. They

2296
01:45:31.159 --> 01:45:33.159
<v Speaker 3>just worked their ass off, you know, they didn't just

2297
01:45:33.239 --> 01:45:34.960
<v Speaker 3>expect things to come to them because that he was

2298
01:45:35.039 --> 01:45:35.520
<v Speaker 3>saving their.

2299
01:45:35.479 --> 01:45:37.840
<v Speaker 1>Money like that. I mean, it was like they he

2300
01:45:37.960 --> 01:45:40.680
<v Speaker 1>utilized every They were made about one hundred bucks a week,

2301
01:45:41.439 --> 01:45:43.800
<v Speaker 1>which in those days was as much as the kid

2302
01:45:43.800 --> 01:45:47.560
<v Speaker 1>could make. And any job as you got paid. If

2303
01:45:47.600 --> 01:45:49.560
<v Speaker 1>my dad was a police charger got paid one thousand

2304
01:45:49.600 --> 01:45:52.159
<v Speaker 1>dollars a month. Now they get paid one hundred and

2305
01:45:52.159 --> 01:45:54.359
<v Speaker 1>thirty five. Into the different world, man, it really is.

2306
01:45:55.600 --> 01:45:58.520
<v Speaker 1>We're growing up in the twenties economic system, watching it

2307
01:46:00.119 --> 01:46:02.399
<v Speaker 1>the ceiling six times. I mean, my parents were alive,

2308
01:46:02.439 --> 01:46:05.680
<v Speaker 1>they'd just go what that hell? Hell? Or what?

2309
01:46:06.239 --> 01:46:08.880
<v Speaker 2>And Terry got a plate in his arm because it

2310
01:46:09.000 --> 01:46:10.439
<v Speaker 2>was in an auto accident.

2311
01:46:11.680 --> 01:46:12.359
<v Speaker 3>When you were a kid.

2312
01:46:12.399 --> 01:46:15.479
<v Speaker 1>Okay, top ound fracture, the humors. Yeah, we were driving

2313
01:46:15.600 --> 01:46:18.239
<v Speaker 1>in uh only about two bunchs of the technology. They

2314
01:46:18.239 --> 01:46:20.640
<v Speaker 1>had to fuse bone again. Yeah, because they couldn't do it.

2315
01:46:20.680 --> 01:46:23.039
<v Speaker 2>And I'm driving with him and he goes, oh, there's

2316
01:46:23.039 --> 01:46:25.520
<v Speaker 2>see that tree right there, that big gouge in the tree.

2317
01:46:26.079 --> 01:46:29.159
<v Speaker 4>So I did that. We weren't. I knew he was

2318
01:46:29.159 --> 01:46:29.800
<v Speaker 4>in the accident.

2319
01:46:30.439 --> 01:46:33.600
<v Speaker 1>It was right there. The scourge of World War two ostiomyolagnis,

2320
01:46:33.640 --> 01:46:35.520
<v Speaker 1>which means if you got a shot through a bone,

2321
01:46:36.279 --> 01:46:39.239
<v Speaker 1>they couldn't use the marrow together, it'll kill you. If

2322
01:46:39.239 --> 01:46:41.960
<v Speaker 1>the marrow touch got outside that we're the firsteine part

2323
01:46:42.000 --> 01:46:45.399
<v Speaker 1>of your flesh is you'd lose the arm. So I

2324
01:46:45.439 --> 01:46:46.279
<v Speaker 1>almost lost the arm.

2325
01:46:46.399 --> 01:46:48.319
<v Speaker 3>I was just say, you almost had like a like

2326
01:46:48.359 --> 01:46:49.720
<v Speaker 3>a Rick Allen situation.

2327
01:46:50.079 --> 01:46:53.399
<v Speaker 2>And his dad was a police officer, like you said,

2328
01:46:53.439 --> 01:46:55.359
<v Speaker 2>and his dad didn't you say his.

2329
01:46:55.319 --> 01:46:56.920
<v Speaker 1>Car and we were in My aunt was trying and

2330
01:46:56.960 --> 01:46:59.000
<v Speaker 1>you didn't know it was his own kids landing his own.

2331
01:46:59.199 --> 01:47:02.439
<v Speaker 4>He comes to the as to his father, and there.

2332
01:47:01.720 --> 01:47:03.880
<v Speaker 1>Was the bad because he's got the spring in the

2333
01:47:03.920 --> 01:47:06.920
<v Speaker 1>seat cut news, He've got my cousin nineties stchens. I

2334
01:47:07.039 --> 01:47:08.880
<v Speaker 1>was thrown out of the car and we were all

2335
01:47:08.920 --> 01:47:11.319
<v Speaker 1>stripped naked down their naked. He ripped our shoes off.

2336
01:47:11.439 --> 01:47:13.560
<v Speaker 1>Yeah one one lady was the real bad I thought

2337
01:47:13.560 --> 01:47:14.920
<v Speaker 1>that happened, that riped your clothes on us.

2338
01:47:15.079 --> 01:47:16.920
<v Speaker 4>Lady was at a bus stop and her.

2339
01:47:16.760 --> 01:47:20.279
<v Speaker 1>Daughter crushed or glossed both of her legs and grandma

2340
01:47:20.399 --> 01:47:22.159
<v Speaker 1>lost her leg rather the spy woke up next to

2341
01:47:22.159 --> 01:47:22.520
<v Speaker 1>her foot.

2342
01:47:22.560 --> 01:47:24.800
<v Speaker 4>I went, man, he was just a little boy.

2343
01:47:25.079 --> 01:47:29.119
<v Speaker 1>I think it was a nineteen sixty three wow wow.

2344
01:47:29.239 --> 01:47:32.479
<v Speaker 1>You know it came back but and and didn't have

2345
01:47:32.560 --> 01:47:36.720
<v Speaker 1>any he never had any. He was probably the fastest

2346
01:47:36.800 --> 01:47:39.079
<v Speaker 1>runner I've ever seen at phs. He had one hundred

2347
01:47:39.159 --> 01:47:41.039
<v Speaker 1>yard dash of like nine and a half seconds.

2348
01:47:41.079 --> 01:47:42.800
<v Speaker 3>He could get really, but.

2349
01:47:42.880 --> 01:47:45.560
<v Speaker 1>His hips from jumping off those the drum risers and

2350
01:47:45.560 --> 01:47:49.199
<v Speaker 1>ship they're a shot. I mean he he had to

2351
01:47:49.239 --> 01:47:52.119
<v Speaker 1>come down in the golf cart last time I saw him.

2352
01:47:52.399 --> 01:47:54.279
<v Speaker 1>And you know, you drive a golf cart down to

2353
01:47:54.319 --> 01:47:56.720
<v Speaker 1>the driveway and cold water gang because it couldn't walk.

2354
01:47:56.760 --> 01:47:58.319
<v Speaker 1>It really couldn't walk that well, you know.

2355
01:47:59.520 --> 01:48:03.680
<v Speaker 3>That was the famous thing Dave told Eddy Eddie at

2356
01:48:03.680 --> 01:48:06.399
<v Speaker 3>the ninety six m TV Video Awards Eddie's like, the

2357
01:48:06.479 --> 01:48:08.319
<v Speaker 3>press is like, what's god, what happened next? You're gonna

2358
01:48:08.319 --> 01:48:09.800
<v Speaker 3>make an album? He'sa liked, Oh I gotta get my

2359
01:48:09.920 --> 01:48:14.119
<v Speaker 3>hip replaced. And apparently Dave was like, tonight's about me.

2360
01:48:14.239 --> 01:48:15.199
<v Speaker 3>That's your fucking hip.

2361
01:48:18.479 --> 01:48:19.760
<v Speaker 1>That's the thing.

2362
01:48:19.920 --> 01:48:22.079
<v Speaker 3>Oh good, you want.

2363
01:48:21.920 --> 01:48:24.960
<v Speaker 1>To rub ever the wrong way? Oh my god. I've

2364
01:48:24.960 --> 01:48:27.319
<v Speaker 1>seen him look like think he's gonna kill him right

2365
01:48:27.359 --> 01:48:29.399
<v Speaker 1>in front of me. He tried to get back in

2366
01:48:29.439 --> 01:48:32.079
<v Speaker 1>the game for years. They said, don't even bother calling here,

2367
01:48:33.239 --> 01:48:36.800
<v Speaker 1>and it was you know, they came follow themselves. I mean,

2368
01:48:37.079 --> 01:48:38.239
<v Speaker 1>the only thing I don't like that. I think it

2369
01:48:38.319 --> 01:48:40.640
<v Speaker 1>was a low character to put Michael into a ploy.

2370
01:48:41.840 --> 01:48:43.640
<v Speaker 1>He was an integral part of that band.

2371
01:48:43.720 --> 01:48:45.520
<v Speaker 3>Well what do you think that brought him back? Was

2372
01:48:45.520 --> 01:48:48.359
<v Speaker 3>it Wolfgang? That ultimately was the reason he Dave came back.

2373
01:48:48.600 --> 01:48:49.279
<v Speaker 3>That's the story.

2374
01:48:49.399 --> 01:48:53.239
<v Speaker 1>Well, he wanted to play with Wolfgang, and Mike understood that.

2375
01:48:53.279 --> 01:48:55.359
<v Speaker 3>But the Wolfgang called David.

2376
01:48:56.000 --> 01:48:57.800
<v Speaker 1>But I wouldn't want to play drums in my group.

2377
01:48:58.199 --> 01:48:59.880
<v Speaker 4>And I played with my son all the time.

2378
01:49:00.319 --> 01:49:03.000
<v Speaker 1>For kids your musical, you know, if you haven't given

2379
01:49:03.079 --> 01:49:03.680
<v Speaker 1>a different thing.

2380
01:49:04.039 --> 01:49:04.600
<v Speaker 4>Yeah, Well, my.

2381
01:49:04.560 --> 01:49:08.199
<v Speaker 2>Son's a songwriter, so he plays with me. Yeah, so

2382
01:49:08.279 --> 01:49:08.960
<v Speaker 2>we can play that.

2383
01:49:09.119 --> 01:49:11.199
<v Speaker 1>We just played Friday like the Calcil.

2384
01:49:11.239 --> 01:49:14.119
<v Speaker 4>Saturday we played a musical, the Music Festival and Big Bear.

2385
01:49:14.680 --> 01:49:17.319
<v Speaker 2>So we're up all the time playing and then I'm

2386
01:49:17.319 --> 01:49:18.479
<v Speaker 2>in the studio constantly.

2387
01:49:18.520 --> 01:49:20.720
<v Speaker 4>Then Sunday we were in the studio. You didn't come

2388
01:49:20.760 --> 01:49:22.880
<v Speaker 4>to that session, No nothing, It's.

2389
01:49:22.800 --> 01:49:27.359
<v Speaker 1>Only two hours. I like to go in and do something. Yeah.

2390
01:49:27.520 --> 01:49:30.359
<v Speaker 2>Well, you know, sometimes he makes it, sometimes he doesn't.

2391
01:49:30.439 --> 01:49:33.359
<v Speaker 2>That's fine, but he always hears everything to make.

2392
01:49:33.199 --> 01:49:34.920
<v Speaker 4>Sure that we're doing well.

2393
01:49:34.960 --> 01:49:36.479
<v Speaker 1>I've kind of let things go the way they are

2394
01:49:36.479 --> 01:49:38.079
<v Speaker 1>because sounds good. Well, I don't want to try to

2395
01:49:38.079 --> 01:49:41.119
<v Speaker 1>put too much of the trust me now, but you don't.

2396
01:49:41.119 --> 01:49:42.800
<v Speaker 1>You don't want to put too much of yourself, even

2397
01:49:42.800 --> 01:49:47.239
<v Speaker 1>in your own recordings, because it gets kind of tunnel vision.

2398
01:49:47.239 --> 01:49:50.399
<v Speaker 1>I don't know, playing with multiple music, I don't think

2399
01:49:50.399 --> 01:49:52.439
<v Speaker 1>i'd like that. Zepp as much of our plant wasn't

2400
01:49:52.439 --> 01:49:55.199
<v Speaker 1>saying any John Paul Jones Wood playing bass, I mean

2401
01:49:55.239 --> 01:49:58.239
<v Speaker 1>either who that was the magic the different the different

2402
01:49:58.239 --> 01:50:01.600
<v Speaker 1>players Now, it's like, you know, the guys I like

2403
01:50:01.680 --> 01:50:04.159
<v Speaker 1>to play with. I spent two years getting James to

2404
01:50:04.199 --> 01:50:07.439
<v Speaker 1>play bass for me, and it's all burned up. Get

2405
01:50:07.479 --> 01:50:09.079
<v Speaker 1>I should have got the hard drives out because that's

2406
01:50:09.079 --> 01:50:12.399
<v Speaker 1>where everything was ark going. Oh that's right, every sucking

2407
01:50:12.479 --> 01:50:16.720
<v Speaker 1>thing I ever did is gone. What happened?

2408
01:50:16.760 --> 01:50:21.039
<v Speaker 3>Like home insurance people are wondering, like they didn't they

2409
01:50:21.039 --> 01:50:21.560
<v Speaker 3>help you out?

2410
01:50:23.039 --> 01:50:25.920
<v Speaker 1>Well, I've got a three million dollar lawsuit going. But

2411
01:50:25.960 --> 01:50:31.439
<v Speaker 1>the thing is you told the companies for historically pay

2412
01:50:31.520 --> 01:50:33.800
<v Speaker 1>less get out of it. The bigger the corporation, the

2413
01:50:33.840 --> 01:50:36.800
<v Speaker 1>more money they have a monopoly that you know. They

2414
01:50:36.960 --> 01:50:40.760
<v Speaker 1>made four point eight billion dollars this last quarter and

2415
01:50:40.800 --> 01:50:43.720
<v Speaker 1>this is all about keeping their stareholders. But they were

2416
01:50:43.720 --> 01:50:46.920
<v Speaker 1>told to move the towers in nineteen seventy one and

2417
01:50:46.920 --> 01:50:50.520
<v Speaker 1>they refuse to do so. So it's negligence which puts me.

2418
01:50:51.319 --> 01:50:53.720
<v Speaker 1>And I lost my insurance three weeks before that because

2419
01:50:53.720 --> 01:50:56.520
<v Speaker 1>a fair plan you haven't Newsom just ran all the

2420
01:50:56.560 --> 01:50:59.960
<v Speaker 1>insurance companies out. Nobody would cover me. All State north

2421
01:51:00.039 --> 01:51:03.199
<v Speaker 1>Brook was my company. They canceled my auto, they canceled everything.

2422
01:51:03.520 --> 01:51:05.199
<v Speaker 1>They put me on a fair plan list. Or here

2423
01:51:05.199 --> 01:51:05.840
<v Speaker 1>I'm going.

2424
01:51:06.039 --> 01:51:10.760
<v Speaker 4>Months before the fire.

2425
01:51:11.319 --> 01:51:12.760
<v Speaker 1>So it's kind of it's the same thing all the

2426
01:51:12.760 --> 01:51:15.359
<v Speaker 1>way up the slope and I was it's so close

2427
01:51:15.359 --> 01:51:17.319
<v Speaker 1>to the mountains, said it turned a fair plan all

2428
01:51:17.359 --> 01:51:17.720
<v Speaker 1>up there.

2429
01:51:17.880 --> 01:51:20.319
<v Speaker 2>Yeah, and Terry and I are probably how far are

2430
01:51:20.359 --> 01:51:25.720
<v Speaker 2>we each other, maybe two miles thick whatever, Yeah.

2431
01:51:25.439 --> 01:51:28.159
<v Speaker 1>And so we're both the fire was here right, this

2432
01:51:28.279 --> 01:51:30.560
<v Speaker 1>place is here it yeah, the wed blew it over

2433
01:51:30.800 --> 01:51:32.119
<v Speaker 1>ninety miles an hour. Yeah.

2434
01:51:32.119 --> 01:51:33.920
<v Speaker 4>So if you look this way, like this is the

2435
01:51:33.920 --> 01:51:35.239
<v Speaker 4>big window right there.

2436
01:51:35.319 --> 01:51:38.840
<v Speaker 2>So out that window the you know, I'm standing with

2437
01:51:38.880 --> 01:51:41.680
<v Speaker 2>my daughter looking at the flames coming our way, and

2438
01:51:41.720 --> 01:51:43.600
<v Speaker 2>I'm like, we got to get all the animals out.

2439
01:51:43.680 --> 01:51:46.720
<v Speaker 4>I started packing up the guitars, putting moving all the cars,

2440
01:51:46.800 --> 01:51:48.319
<v Speaker 4>you know, and lived up there my whole life.

2441
01:51:48.359 --> 01:51:49.479
<v Speaker 1>I've never seen anything like this.

2442
01:51:49.760 --> 01:51:52.640
<v Speaker 2>So the whole time, we have electricity and water. He's

2443
01:51:52.680 --> 01:51:58.000
<v Speaker 2>in Altadenas five miles away. Say the same, I'm closer.

2444
01:51:57.680 --> 01:51:59.359
<v Speaker 4>To the mountain you than you are.

2445
01:51:59.399 --> 01:52:03.640
<v Speaker 2>And then the wind suddenly changed position and went towards

2446
01:52:03.680 --> 01:52:06.600
<v Speaker 2>Alasadena and we said, prayer, I don't know.

2447
01:52:06.520 --> 01:52:09.159
<v Speaker 1>If that was five streets off the National Forest, each

2448
01:52:09.159 --> 01:52:10.640
<v Speaker 1>street would go every ten minutes.

2449
01:52:10.760 --> 01:52:13.119
<v Speaker 2>Yes, And I put two blocks from the mountain and

2450
01:52:13.199 --> 01:52:14.520
<v Speaker 2>he's five streets from it.

2451
01:52:14.920 --> 01:52:18.000
<v Speaker 1>And so when blew right over the Meridium her my neighborhood,

2452
01:52:18.039 --> 01:52:20.199
<v Speaker 1>and that turned around and came due south of eighty

2453
01:52:20.239 --> 01:52:22.960
<v Speaker 1>miles an hour. Yeah, he had fires form. It was

2454
01:52:23.000 --> 01:52:23.800
<v Speaker 1>like being bombed.

2455
01:52:24.000 --> 01:52:25.439
<v Speaker 3>Christy had missed your house.

2456
01:52:25.880 --> 01:52:28.640
<v Speaker 2>It turned away from Sierra Madre and went to But

2457
01:52:28.680 --> 01:52:32.119
<v Speaker 2>the ironic thing is he has no power at six.

2458
01:52:32.000 --> 01:52:34.640
<v Speaker 4>In the evening and then they turn off the water.

2459
01:52:35.239 --> 01:52:37.640
<v Speaker 4>And here I'm at Sierra Madre and I got water

2460
01:52:37.760 --> 01:52:39.279
<v Speaker 4>and power. Why would they shut up?

2461
01:52:39.359 --> 01:52:43.119
<v Speaker 1>We had a recording of the police chief calling Edison, going,

2462
01:52:43.640 --> 01:52:47.119
<v Speaker 1>tell your boss to turn the grid off. So he's

2463
01:52:47.119 --> 01:52:48.920
<v Speaker 1>not going to be in until nine am in the morning.

2464
01:52:49.000 --> 01:52:50.319
<v Speaker 1>Well it was over by then.

2465
01:52:50.560 --> 01:52:53.840
<v Speaker 4>Yeah, I got to notice that my insurance was going

2466
01:52:53.920 --> 01:52:54.439
<v Speaker 4>to be canceled.

2467
01:52:54.520 --> 01:52:56.800
<v Speaker 2>His was already canceled, and so then we have to

2468
01:52:56.800 --> 01:52:59.319
<v Speaker 2>go on the fair plan, which is double the amount

2469
01:52:59.479 --> 01:53:03.319
<v Speaker 2>of money that you're paying or triple the regular insurance company.

2470
01:53:03.359 --> 01:53:05.600
<v Speaker 1>Well, I have wondervranage. My in laws went to school

2471
01:53:05.600 --> 01:53:08.000
<v Speaker 1>with my attornity Michael watching. He's one of the he's

2472
01:53:08.039 --> 01:53:10.680
<v Speaker 1>a guy that got the money out of Lohaina. And

2473
01:53:11.039 --> 01:53:14.680
<v Speaker 1>now they can't they can't delay it much longer, you know, Yeah,

2474
01:53:14.680 --> 01:53:16.279
<v Speaker 1>because what they do is they delay it till so

2475
01:53:16.359 --> 01:53:19.399
<v Speaker 1>many people are dying. And it was an old neighborhood

2476
01:53:19.399 --> 01:53:22.520
<v Speaker 1>that they didn't pay a lot of taxes with grandfather's named.

2477
01:53:22.359 --> 01:53:23.359
<v Speaker 4>Gerald Holmes, you know.

2478
01:53:23.479 --> 01:53:25.920
<v Speaker 1>And it was out.

2479
01:53:26.039 --> 01:53:28.840
<v Speaker 3>You got out around four a m. Right is that I.

2480
01:53:29.000 --> 01:53:31.600
<v Speaker 1>Slept at four twenty one and I was literally covered

2481
01:53:31.840 --> 01:53:34.039
<v Speaker 1>with soot. There was no more oxygen. I couldn't breathe.

2482
01:53:34.319 --> 01:53:37.000
<v Speaker 1>I had to go. I got the last loads in

2483
01:53:37.039 --> 01:53:39.439
<v Speaker 1>the car. I left my most valuable stuff. I couldn't

2484
01:53:39.439 --> 01:53:39.920
<v Speaker 1>get it back in the.

2485
01:53:39.920 --> 01:53:42.680
<v Speaker 2>Ap and I took everything that I could, all my pictures,

2486
01:53:42.720 --> 01:53:45.119
<v Speaker 2>all my guitars, all my animals, and I moved all

2487
01:53:45.159 --> 01:53:49.159
<v Speaker 2>the cars down and because I was thinking something could happen.

2488
01:53:49.239 --> 01:53:51.439
<v Speaker 4>And then I took the r V which we take

2489
01:53:52.199 --> 01:53:53.640
<v Speaker 4>to gigs and.

2490
01:53:53.680 --> 01:53:56.840
<v Speaker 1>We say life. So we evacuated old woman down the Spirit.

2491
01:53:56.880 --> 01:53:59.399
<v Speaker 1>I went down and insisted she get out. Yeah, because

2492
01:53:59.439 --> 01:54:00.920
<v Speaker 1>my cats like to get my cat. They said, the

2493
01:54:00.960 --> 01:54:02.880
<v Speaker 1>hell with your cat. You're not going to live through this.

2494
01:54:03.039 --> 01:54:03.760
<v Speaker 1>It was that bad.

2495
01:54:03.880 --> 01:54:05.880
<v Speaker 4>She had to leave immediately. The house went out.

2496
01:54:05.960 --> 01:54:07.920
<v Speaker 1>She lives in Connecticut now too, what you call me goes.

2497
01:54:07.920 --> 01:54:09.560
<v Speaker 1>Thank you you saved my life.

2498
01:54:09.960 --> 01:54:12.840
<v Speaker 4>Her poor cats died, But yeah, she was out.

2499
01:54:12.880 --> 01:54:16.279
<v Speaker 1>We do here because she's a sixty three playboy centerfold.

2500
01:54:17.039 --> 01:54:21.880
<v Speaker 3>Was okay, forward and she lives in Connecticut. Now she

2501
01:54:21.920 --> 01:54:22.720
<v Speaker 3>lives in Connecticut.

2502
01:54:22.760 --> 01:54:25.600
<v Speaker 1>Now, yeah, she loves it up there.

2503
01:54:25.960 --> 01:54:29.319
<v Speaker 3>So yeah, and then your mom's ashes, right is.

2504
01:54:29.279 --> 01:54:31.880
<v Speaker 1>That to get anything out the studio? It was so funny.

2505
01:54:31.920 --> 01:54:33.960
<v Speaker 1>I mean, I had an old fifties of keeping marriage.

2506
01:54:33.960 --> 01:54:36.199
<v Speaker 1>Still it looked like I'd been sodo mind in prison.

2507
01:54:36.560 --> 01:54:40.039
<v Speaker 1>It was better, right, and all the new appliances were

2508
01:54:40.079 --> 01:54:44.359
<v Speaker 1>all made out of that plactic deposit. They weren't there nothing.

2509
01:54:45.159 --> 01:54:47.680
<v Speaker 1>It was just an empty lot with JPL came up

2510
01:54:47.840 --> 01:54:51.000
<v Speaker 1>because the neighbors a JPL employees. They measured the twenty

2511
01:54:51.039 --> 01:54:51.880
<v Speaker 1>one hundred degrees.

2512
01:54:52.199 --> 01:54:54.800
<v Speaker 2>Yeah, so you have to remember we live right by Natha.

2513
01:54:54.840 --> 01:54:59.039
<v Speaker 2>I used to work there. JPL Jeff proposed didn't burn. Now,

2514
01:54:59.079 --> 01:55:01.319
<v Speaker 2>had it burned, it would have been so toxic.

2515
01:55:01.960 --> 01:55:04.319
<v Speaker 1>No, they'd have been a crater about a mile away there.

2516
01:55:04.920 --> 01:55:07.880
<v Speaker 2>It would have been so detrimental to the whole area.

2517
01:55:07.960 --> 01:55:09.039
<v Speaker 2>But it didn't get touched.

2518
01:55:09.039 --> 01:55:11.479
<v Speaker 4>All that house. They made sure it did got safe.

2519
01:55:11.760 --> 01:55:14.319
<v Speaker 4>And it's ironic, you know what I mean, It's really weird.

2520
01:55:14.520 --> 01:55:17.119
<v Speaker 1>I've never seen a whole city though. When I remember

2521
01:55:17.199 --> 01:55:19.880
<v Speaker 1>the Oakland fire when I was a kid, nothing better

2522
01:55:19.880 --> 01:55:20.880
<v Speaker 1>of this the whole.

2523
01:55:21.800 --> 01:55:25.159
<v Speaker 3>In that video, there's a shot overhead of all the holts.

2524
01:55:25.960 --> 01:55:29.239
<v Speaker 4>Yeah, yeah, don't forget you're talking about the mountains way

2525
01:55:29.319 --> 01:55:32.439
<v Speaker 4>up here, and you got blocks and blocks.

2526
01:55:32.079 --> 01:55:36.560
<v Speaker 2>Way down and Washington Bulow Arc, you know, like, Yeah,

2527
01:55:36.880 --> 01:55:39.600
<v Speaker 2>it was like we have apartments and the tenants were

2528
01:55:39.600 --> 01:55:40.800
<v Speaker 2>calling me saying should we leave it.

2529
01:55:40.800 --> 01:55:42.760
<v Speaker 1>A Michael, It was a quirky thing. You look at

2530
01:55:42.760 --> 01:55:44.479
<v Speaker 1>one house ago, how the hell did this thing survive?

2531
01:55:44.960 --> 01:55:45.680
<v Speaker 1>And everything around?

2532
01:55:46.239 --> 01:55:48.119
<v Speaker 4>But they were right, the tenants they.

2533
01:55:48.000 --> 01:55:49.479
<v Speaker 1>Were bombing run.

2534
01:55:49.600 --> 01:55:51.039
<v Speaker 4>The fire was coming down so far.

2535
01:55:51.279 --> 01:55:53.159
<v Speaker 1>It struck me as like it wouldn't be like a fire.

2536
01:55:53.199 --> 01:55:55.680
<v Speaker 1>It was like a bombing. It was. It was almost

2537
01:55:55.960 --> 01:55:59.279
<v Speaker 1>because I just literally melted everything, the wheels melted on

2538
01:55:59.319 --> 01:55:59.640
<v Speaker 1>the car.

2539
01:56:00.039 --> 01:56:02.319
<v Speaker 4>Yeah. The next day we went driving around and then

2540
01:56:02.359 --> 01:56:03.479
<v Speaker 4>it looked like a movie set.

2541
01:56:03.520 --> 01:56:05.760
<v Speaker 2>There was just fire, like they left all the gas

2542
01:56:05.760 --> 01:56:08.079
<v Speaker 2>on and all the gas was just burning and the.

2543
01:56:08.000 --> 01:56:09.840
<v Speaker 1>Cars and they played the gas cup. They had not

2544
01:56:09.920 --> 01:56:10.439
<v Speaker 1>to do with it.

2545
01:56:10.960 --> 01:56:13.840
<v Speaker 3>It was crazy, Terry, are you just are you in shock?

2546
01:56:13.960 --> 01:56:16.199
<v Speaker 3>Like the next day, I mean, what's mostly.

2547
01:56:17.319 --> 01:56:20.000
<v Speaker 1>Basket page? For about four months my in laws took

2548
01:56:20.039 --> 01:56:21.920
<v Speaker 1>care of me. I think he still gave me a

2549
01:56:22.000 --> 01:56:24.000
<v Speaker 1>room there, and I just kind of recuperated, and then

2550
01:56:24.039 --> 01:56:25.920
<v Speaker 1>all of a sudden things started to click.

2551
01:56:26.279 --> 01:56:26.479
<v Speaker 4>Yeah.

2552
01:56:26.840 --> 01:56:28.119
<v Speaker 1>I figured I got to get out of here. I

2553
01:56:28.119 --> 01:56:31.920
<v Speaker 1>can't live off these people. So the Mormons donated a

2554
01:56:32.399 --> 01:56:34.760
<v Speaker 1>RV to me, not a bad one, and I put

2555
01:56:34.840 --> 01:56:37.760
<v Speaker 1>solar power in it and turned off grid because I'm

2556
01:56:37.760 --> 01:56:39.359
<v Speaker 1>not going to give Edison any more money.

2557
01:56:39.439 --> 01:56:42.039
<v Speaker 4>They wanted him to pay to hook up electricy.

2558
01:56:42.119 --> 01:56:43.640
<v Speaker 1>They want like nine hundred dollars to put a line,

2559
01:56:43.720 --> 01:56:46.239
<v Speaker 1>and I'm going, you guys burned my whole world down

2560
01:56:46.319 --> 01:56:47.680
<v Speaker 1>and you want nine hundred bucks.

2561
01:56:47.840 --> 01:56:50.279
<v Speaker 4>Yeah. And then you and I met what one month

2562
01:56:50.319 --> 01:56:51.399
<v Speaker 4>after the fire.

2563
01:56:52.399 --> 01:56:55.800
<v Speaker 1>Was one month? No, I think it was, yeah, Yeah.

2564
01:56:55.920 --> 01:56:57.880
<v Speaker 2>And then he never would come out of his house

2565
01:56:58.000 --> 01:57:00.600
<v Speaker 2>very often. He was kind of a guy that just yeah.

2566
01:57:00.840 --> 01:57:04.000
<v Speaker 2>And so it was funny that had the fire not come,

2567
01:57:04.159 --> 01:57:05.119
<v Speaker 2>you and I wouldn't have met.

2568
01:57:05.239 --> 01:57:08.319
<v Speaker 1>No, I wouldn't be the clubs I got bored playing again.

2569
01:57:08.720 --> 01:57:11.000
<v Speaker 3>Yeah, that's the feeling, the feeling I get, like, that's

2570
01:57:11.000 --> 01:57:14.399
<v Speaker 3>the vibe, like like Christie, like you you you met

2571
01:57:14.479 --> 01:57:18.479
<v Speaker 3>him like here here that there's a reason that you came.

2572
01:57:18.359 --> 01:57:18.960
<v Speaker 1>Into his life.

2573
01:57:18.960 --> 01:57:22.159
<v Speaker 3>Oh, we both there's something. Yeah, there's something in the

2574
01:57:22.760 --> 01:57:26.720
<v Speaker 3>underlying that. You know it's right, it's true, big picture

2575
01:57:26.760 --> 01:57:28.399
<v Speaker 3>stuff to read any.

2576
01:57:28.279 --> 01:57:29.479
<v Speaker 1>Think it's because we didn't try.

2577
01:57:29.800 --> 01:57:32.479
<v Speaker 4>Yeah, And the funny thing is we're only twelve years

2578
01:57:32.479 --> 01:57:33.800
<v Speaker 4>apart in age. We're not that.

2579
01:57:34.239 --> 01:57:36.760
<v Speaker 1>Like twelve years I'll think I'd like that, but twelve back,

2580
01:57:36.800 --> 01:57:38.319
<v Speaker 1>I'll think that we're not.

2581
01:57:38.600 --> 01:57:39.479
<v Speaker 4>We're off an age.

2582
01:57:39.600 --> 01:57:42.920
<v Speaker 2>But but it's interesting because his generation does feel different,

2583
01:57:43.039 --> 01:57:45.039
<v Speaker 2>but we ran in the same circles more or less.

2584
01:57:45.079 --> 01:57:46.680
<v Speaker 1>You know where I come out of it. You know

2585
01:57:46.720 --> 01:57:50.159
<v Speaker 1>what you do stupid ship, you get stupid prizes, And

2586
01:57:50.239 --> 01:57:53.399
<v Speaker 1>I got tired of stupid pride. I mean, it's like playing.

2587
01:57:53.439 --> 01:57:56.399
<v Speaker 1>It's like you, No, nothing that you get out there

2588
01:57:56.479 --> 01:57:58.880
<v Speaker 1>is going to be permanent. It's going to be this

2589
01:57:59.039 --> 01:58:01.000
<v Speaker 1>is the way it changed horse into this or that.

2590
01:58:01.439 --> 01:58:03.880
<v Speaker 4>But roller can put that out there. It kind of

2591
01:58:04.000 --> 01:58:04.560
<v Speaker 4>is permanent.

2592
01:58:05.159 --> 01:58:06.399
<v Speaker 1>You got to give them something. I think you have

2593
01:58:06.520 --> 01:58:08.399
<v Speaker 1>to give people something that's like they can hang on

2594
01:58:08.479 --> 01:58:12.239
<v Speaker 1>to mentally, something that sticks in their head. Well, I agree,

2595
01:58:12.319 --> 01:58:13.680
<v Speaker 1>that's what I'm trying about.

2596
01:58:13.760 --> 01:58:14.520
<v Speaker 4>He's always looking.

2597
01:58:14.760 --> 01:58:17.119
<v Speaker 2>I love it because he's always looking for the next

2598
01:58:17.279 --> 01:58:18.600
<v Speaker 2>thing that moves him.

2599
01:58:18.800 --> 01:58:21.720
<v Speaker 4>And but he but I never discount the stuff that's

2600
01:58:21.720 --> 01:58:24.239
<v Speaker 4>already there. I'm like, you know what, I'm.

2601
01:58:25.279 --> 01:58:28.000
<v Speaker 1>Right like the deep tracks if you follow my case,

2602
01:58:28.039 --> 01:58:31.000
<v Speaker 1>pretty hey, yeah, you wrote all Joe Burn went around there,

2603
01:58:31.039 --> 01:58:32.199
<v Speaker 1>you went around the bend again.

2604
01:58:32.279 --> 01:58:34.119
<v Speaker 2>Yeah, but you wrote all the tracks that are that

2605
01:58:34.199 --> 01:58:36.880
<v Speaker 2>we're working on, so you're you know, there's not none

2606
01:58:36.920 --> 01:58:37.439
<v Speaker 2>of my A.

2607
01:58:37.439 --> 01:58:39.279
<v Speaker 1>Lot of people write some of the lyrics. I write

2608
01:58:39.560 --> 01:58:41.760
<v Speaker 1>the song's got a movie before the lyrics. Let me too.

2609
01:58:42.479 --> 01:58:44.800
<v Speaker 4>I have the music person, then I put the lyrics.

2610
01:58:44.920 --> 01:58:48.479
<v Speaker 4>But you know my, uh well, I don't remember.

2611
01:58:48.600 --> 01:58:51.239
<v Speaker 1>I think it's all been done so much that we

2612
01:58:51.279 --> 01:58:53.520
<v Speaker 1>have to honest, Like, you know, Alan holwork was a

2613
01:58:53.560 --> 01:58:55.359
<v Speaker 1>big influence on me. He's what it does all the

2614
01:58:55.439 --> 01:58:56.560
<v Speaker 1>John Carpenter movies.

2615
01:58:57.399 --> 01:59:02.520
<v Speaker 3>Yes, oh yeah, man, it's the opening scene to Halloween.

2616
01:59:02.560 --> 01:59:05.319
<v Speaker 3>Four is one of my favorite musical movie moments.

2617
01:59:06.159 --> 01:59:08.359
<v Speaker 1>Ay good. You know he believes in four forty two

2618
01:59:08.359 --> 01:59:10.319
<v Speaker 1>and I do too. I mean, it's just a nicer

2619
01:59:10.880 --> 01:59:13.880
<v Speaker 1>four forty irritates me. If I listened to it a

2620
01:59:13.920 --> 01:59:17.640
<v Speaker 1>long time, it irritates me. I started to go like

2621
01:59:17.680 --> 01:59:20.119
<v Speaker 1>that pitch four forty two is like more than natural

2622
01:59:20.239 --> 01:59:22.960
<v Speaker 1>rhythm of the universe. I can hear it when you're

2623
01:59:23.039 --> 01:59:24.359
<v Speaker 1>just in school, you know what I mean. I went

2624
01:59:24.399 --> 01:59:26.720
<v Speaker 1>to the same school Pev Herbert went, dude, rather.

2625
01:59:27.399 --> 01:59:32.159
<v Speaker 3>Get out where should people go to get the update

2626
01:59:32.199 --> 01:59:33.880
<v Speaker 3>on the album? And they should go to the website?

2627
01:59:33.960 --> 01:59:37.159
<v Speaker 4>Right Well, I'm going to start putting things up on Spotify.

2628
01:59:37.439 --> 01:59:39.600
<v Speaker 2>I've just been so busy doing all the things that

2629
01:59:39.600 --> 01:59:43.159
<v Speaker 2>we're doing, promoting and digging, and in the studio I.

2630
01:59:43.560 --> 01:59:45.279
<v Speaker 1>Talked shit about it. I'd rather put it out let

2631
01:59:45.399 --> 01:59:46.199
<v Speaker 1>speak for itself.

2632
01:59:46.239 --> 01:59:49.079
<v Speaker 4>You know, well, yeah, you got watch where they're going

2633
01:59:49.119 --> 01:59:50.479
<v Speaker 4>to get it, right, Yeah, but you have.

2634
01:59:50.399 --> 01:59:52.680
<v Speaker 3>To have something to give them because I want to help.

2635
01:59:52.800 --> 01:59:54.000
<v Speaker 3>I want to help get the word out.

2636
01:59:54.279 --> 01:59:57.439
<v Speaker 4>Thank you, Thank you so much. Every release that we

2637
01:59:57.479 --> 01:59:59.680
<v Speaker 4>have to dated tube right now is where I.

2638
01:59:59.640 --> 02:00:02.760
<v Speaker 2>Put a up most quickly, but definitely once I get

2639
02:00:02.760 --> 02:00:04.159
<v Speaker 2>it because I work.

2640
02:00:04.039 --> 02:00:07.520
<v Speaker 4>With one company that helps promote it. Websites are places

2641
02:00:07.560 --> 02:00:11.119
<v Speaker 4>that things will be updated. I have a Facebook.

2642
02:00:10.560 --> 02:00:17.199
<v Speaker 2>Page, Instagram that gets updated regularly, and then also the

2643
02:00:17.319 --> 02:00:21.319
<v Speaker 2>channel for YouTube, and then we'll start doing you know,

2644
02:00:21.520 --> 02:00:23.560
<v Speaker 2>Spotify and all that kind of stuff as well.

2645
02:00:23.880 --> 02:00:26.720
<v Speaker 3>So let's wind down with books here, because obviously this

2646
02:00:26.760 --> 02:00:29.039
<v Speaker 3>podcast is it's booked on rock, so we focus on

2647
02:00:29.119 --> 02:00:31.439
<v Speaker 3>rock and roll books. So what any music books that

2648
02:00:31.680 --> 02:00:34.079
<v Speaker 3>have meant a lot to you?

2649
02:00:34.840 --> 02:00:37.079
<v Speaker 1>I read Hammered to Gods. I read me Alice. I

2650
02:00:37.079 --> 02:00:39.840
<v Speaker 1>thought Alice Cooper's one was interesting because he had a

2651
02:00:39.840 --> 02:00:42.600
<v Speaker 1>lot of good narrative in how you know Chef Gordon

2652
02:00:42.640 --> 02:00:44.920
<v Speaker 1>came into the Cheetah Club and they were so bad

2653
02:00:44.960 --> 02:00:47.000
<v Speaker 1>that they cleared the whole club out like ten minutes.

2654
02:00:47.640 --> 02:00:49.079
<v Speaker 1>He came, goes, I want to manage your guys, and

2655
02:00:49.159 --> 02:00:51.560
<v Speaker 1>there was anybody clear out of auditorium quick.

2656
02:00:52.359 --> 02:00:53.560
<v Speaker 3>I think that's how a print down.

2657
02:00:54.279 --> 02:00:55.960
<v Speaker 1>I like up and Down with the Rolling Stones, but

2658
02:00:56.000 --> 02:01:00.880
<v Speaker 1>that was mainly kind of he was down. Yeah, you know,

2659
02:01:01.279 --> 02:01:03.479
<v Speaker 1>Heroin and coke and all that kind of nonsense.

2660
02:01:03.520 --> 02:01:05.479
<v Speaker 4>That was a good book, though, I thought, well.

2661
02:01:05.880 --> 02:01:08.560
<v Speaker 1>It showed you. It showed how Keith Richards was. When

2662
02:01:08.560 --> 02:01:11.479
<v Speaker 1>Bobby Keys is odd, he said, fucking god, am I

2663
02:01:11.520 --> 02:01:13.319
<v Speaker 1>going to give you any of mine? You know?

2664
02:01:13.800 --> 02:01:15.439
<v Speaker 4>And I just got the Keith Richards but but I

2665
02:01:15.479 --> 02:01:16.279
<v Speaker 4>haven't read it yet.

2666
02:01:16.399 --> 02:01:19.119
<v Speaker 1>The Who Who had a good one, but together they're

2667
02:01:19.199 --> 02:01:23.319
<v Speaker 1>so crazy, I mean the one the band. Some of

2668
02:01:23.319 --> 02:01:26.079
<v Speaker 1>the English bands were so flambuollyant. I mean, how the

2669
02:01:26.159 --> 02:01:29.600
<v Speaker 1>hell did The Who survive? And kitt language that if

2670
02:01:29.640 --> 02:01:32.000
<v Speaker 1>they kept destroying gear, they're going to go back. They

2671
02:01:32.039 --> 02:01:35.000
<v Speaker 1>went bank up the first tour they did, and then

2672
02:01:35.039 --> 02:01:39.159
<v Speaker 1>you know, then Roger punched Pete Douc and the vocals

2673
02:01:39.159 --> 02:01:42.039
<v Speaker 1>are loud up on quadraphedia and ship like that. I

2674
02:01:42.079 --> 02:01:44.399
<v Speaker 1>was interestowing all that stuff, but a lot of it

2675
02:01:44.439 --> 02:01:47.720
<v Speaker 1>was whoy You know that was written by the authors

2676
02:01:47.760 --> 02:01:51.000
<v Speaker 1>that either had an antagonistic view of the of the

2677
02:01:51.039 --> 02:01:51.920
<v Speaker 1>players and stuff.

2678
02:01:51.960 --> 02:01:55.000
<v Speaker 3>You know, I mean that well, the Keith Richards book,

2679
02:01:55.000 --> 02:01:57.920
<v Speaker 3>because that that was like that brought on a resurgence

2680
02:01:58.119 --> 02:02:03.239
<v Speaker 3>of rock and roll books memoirs. Now, yeah, so many.

2681
02:02:03.600 --> 02:02:05.720
<v Speaker 3>I read Dave's book, David Lee's book.

2682
02:02:06.520 --> 02:02:10.439
<v Speaker 1>Yeah, that was one time. And my name's a way

2683
02:02:10.479 --> 02:02:12.319
<v Speaker 1>in the back of the index. Alex meant to me

2684
02:02:12.359 --> 02:02:13.479
<v Speaker 1>in his book one time.

2685
02:02:13.680 --> 02:02:14.359
<v Speaker 4>Did you read that?

2686
02:02:15.119 --> 02:02:18.319
<v Speaker 1>Yeah? I read I. I had an autographed copy of it.

2687
02:02:18.520 --> 02:02:22.159
<v Speaker 1>Oh it's more of as I like the mumbers at

2688
02:02:22.159 --> 02:02:23.640
<v Speaker 1>the girl in the tag he goes, my mom really

2689
02:02:23.680 --> 02:02:26.800
<v Speaker 1>don't how to pack of lunch. He'd find some funny ship.

2690
02:02:26.880 --> 02:02:29.199
<v Speaker 1>But I've seen him make such a path of himself,

2691
02:02:29.279 --> 02:02:32.000
<v Speaker 1>like with with Robin Williams and Jay Leno or the

2692
02:02:32.079 --> 02:02:34.920
<v Speaker 1>two best improv guys that business. He really stepped it

2693
02:02:35.000 --> 02:02:35.479
<v Speaker 1>at that night.

2694
02:02:36.800 --> 02:02:38.720
<v Speaker 3>That was surreal. That's ninety five.

2695
02:02:39.239 --> 02:02:41.479
<v Speaker 1>That was he played with me when you do Las

2696
02:02:41.560 --> 02:02:44.359
<v Speaker 1>Vegas and then got fired in Las Vegas. I mean

2697
02:02:44.479 --> 02:02:46.640
<v Speaker 1>it was like he had a residency there and she said,

2698
02:02:46.680 --> 02:02:48.880
<v Speaker 1>we don't want you anymore. Yeah, had a way I

2699
02:02:49.000 --> 02:02:50.359
<v Speaker 1>kind of shooting yourself in the front.

2700
02:02:50.439 --> 02:02:52.760
<v Speaker 4>I think, like, what about that theory of you know,

2701
02:02:53.039 --> 02:02:54.479
<v Speaker 4>there is no bad publicity?

2702
02:02:54.720 --> 02:02:55.600
<v Speaker 1>Did that work for him?

2703
02:02:55.720 --> 02:02:56.199
<v Speaker 3>Such things?

2704
02:02:57.000 --> 02:02:58.119
<v Speaker 1>There's bad publicity?

2705
02:02:58.880 --> 02:03:00.319
<v Speaker 3>Well, you were with him? Are on the time he

2706
02:03:00.399 --> 02:03:03.399
<v Speaker 3>got busted for pot in New York City right with it?

2707
02:03:03.800 --> 02:03:04.840
<v Speaker 3>Spring of ninety.

2708
02:03:04.640 --> 02:03:07.720
<v Speaker 1>Four, got mad at me for getting drunk in Sammy's

2709
02:03:07.760 --> 02:03:09.479
<v Speaker 1>Romainian restaurant, and he goes and gets the butt to

2710
02:03:09.520 --> 02:03:12.279
<v Speaker 1>the next day, I score a joint down in the

2711
02:03:12.600 --> 02:03:16.520
<v Speaker 1>Grammar Street Park. We you know, drive around the city

2712
02:03:16.560 --> 02:03:18.960
<v Speaker 1>on bicycles. Goes, you know what he goes. He hung

2713
02:03:19.039 --> 02:03:21.680
<v Speaker 1>four thousand people on that tree. Said I want to

2714
02:03:21.680 --> 02:03:23.159
<v Speaker 1>wear a guitar. Would sound like if you made it

2715
02:03:23.199 --> 02:03:24.560
<v Speaker 1>from the wood? I said, I don't think it would

2716
02:03:24.560 --> 02:03:30.600
<v Speaker 1>make any difference. He paid a well, well, hu's way

2717
02:03:30.640 --> 02:03:31.760
<v Speaker 1>to go to a record there.

2718
02:03:31.840 --> 02:03:34.680
<v Speaker 3>You know, you should write a book about your I could.

2719
02:03:35.359 --> 02:03:38.000
<v Speaker 1>Yeah, I know more than I should. And I'll tell

2720
02:03:38.039 --> 02:03:41.000
<v Speaker 1>you that I watched. I liked watch watching. You know,

2721
02:03:41.600 --> 02:03:45.159
<v Speaker 1>I remember introducing Edward to Norman Harris. Norman had all

2722
02:03:45.199 --> 02:03:49.159
<v Speaker 1>the guitars right, Norm's rare guitars. Him and George controlled

2723
02:03:49.199 --> 02:03:52.680
<v Speaker 1>the world market, and Norman started out in Florida selling

2724
02:03:53.119 --> 02:03:56.159
<v Speaker 1>Sunburst left balls for four and fifty dollars. And I

2725
02:03:56.479 --> 02:03:58.560
<v Speaker 1>at the point when I got Edward does two fifty

2726
02:03:58.680 --> 02:04:02.520
<v Speaker 1>nine eleven, five hundred for both of them, and then

2727
02:04:02.640 --> 02:04:04.239
<v Speaker 1>he took the pickups out of him and he gave

2728
02:04:04.279 --> 02:04:06.399
<v Speaker 1>him back in Norm about twenty years LATERCS and normals,

2729
02:04:06.399 --> 02:04:08.199
<v Speaker 1>I don't want him because I'd give you a half

2730
02:04:08.239 --> 02:04:10.880
<v Speaker 1>a million for him. You took the pickups out of him,

2731
02:04:12.479 --> 02:04:14.000
<v Speaker 1>so you know that was like you had to do

2732
02:04:14.239 --> 02:04:14.640
<v Speaker 1>the stuff.

2733
02:04:15.560 --> 02:04:17.560
<v Speaker 3>If I can help in any way, I could, you know,

2734
02:04:17.680 --> 02:04:20.600
<v Speaker 3>get you some contacts in the publishing business and you know,

2735
02:04:20.640 --> 02:04:22.479
<v Speaker 3>if you were ever interested in them. Mark Kendall's got

2736
02:04:22.520 --> 02:04:27.439
<v Speaker 3>a book coming out from Yeah, wow, man, it'd be great.

2737
02:04:27.479 --> 02:04:29.319
<v Speaker 3>So you got all the stores from the from from

2738
02:04:29.399 --> 02:04:30.800
<v Speaker 3>the days growing.

2739
02:04:30.680 --> 02:04:32.880
<v Speaker 1>Up Dodge of Funny Ship. We used to go out

2740
02:04:32.880 --> 02:04:34.800
<v Speaker 1>on the Marquee at the Trouba door and put all

2741
02:04:34.880 --> 02:04:36.920
<v Speaker 1>kinds of obscene words out there, and Doug wet to

2742
02:04:36.960 --> 02:04:41.000
<v Speaker 1>get so pissed off. Everard was like they think they

2743
02:04:41.079 --> 02:04:43.960
<v Speaker 1>weren't real popular with with the with the with the

2744
02:04:44.079 --> 02:04:48.319
<v Speaker 1>management class. I mean, like I remember Rod Stewart, which

2745
02:04:48.439 --> 02:04:50.319
<v Speaker 1>we were watching a soccer game with you because I

2746
02:04:50.359 --> 02:04:53.000
<v Speaker 1>knew his hairstylist and I went down to the watch

2747
02:04:53.039 --> 02:04:54.760
<v Speaker 1>him playing, and he goes, hey, this guy knows Van

2748
02:04:54.840 --> 02:04:59.279
<v Speaker 1>Halen and Rod Dribble. They're a bunch of dick Jesus

2749
02:04:59.399 --> 02:05:01.680
<v Speaker 1>correct stuff. Will tell you that he has very short

2750
02:05:01.800 --> 02:05:02.880
<v Speaker 1>arms and long pockets.

2751
02:05:03.479 --> 02:05:07.279
<v Speaker 3>He's been canceling some shows recently. Rod Stewart, Yeah, he's

2752
02:05:07.359 --> 02:05:09.840
<v Speaker 3>just having some issues. On one show he had he

2753
02:05:09.880 --> 02:05:11.760
<v Speaker 3>had to put the thing to get oxygen. In the

2754
02:05:12.119 --> 02:05:14.399
<v Speaker 3>really show, he had to sit down. So I hope

2755
02:05:14.439 --> 02:05:14.880
<v Speaker 3>he's o good.

2756
02:05:16.039 --> 02:05:17.840
<v Speaker 1>That was something that you and I when we met

2757
02:05:18.159 --> 02:05:20.159
<v Speaker 1>that he was one of the best performers out there live.

2758
02:05:20.279 --> 02:05:22.039
<v Speaker 1>He was in his prime nineteen seventy seven.

2759
02:05:22.119 --> 02:05:25.159
<v Speaker 3>They were on them Yes and Faces and working.

2760
02:05:24.960 --> 02:05:26.520
<v Speaker 4>Together were thinking of the faces.

2761
02:05:26.760 --> 02:05:30.920
<v Speaker 1>The sounds like his vocals on it, right, He said,

2762
02:05:31.039 --> 02:05:34.119
<v Speaker 1>how much you do too bad by the faces? Right?

2763
02:05:34.760 --> 02:05:37.079
<v Speaker 1>It's got the big piano intro with Nicky Hopkins. I

2764
02:05:37.159 --> 02:05:39.680
<v Speaker 1>use a guitar senter and assimulating because it's just blocked

2765
02:05:39.720 --> 02:05:43.640
<v Speaker 1>chords and that song. You gotta remember, these guys were

2766
02:05:43.720 --> 02:05:47.239
<v Speaker 1>playing stadiums back in nineteen seventy three. They were a

2767
02:05:47.319 --> 02:05:50.039
<v Speaker 1>stadium band. Ronnie Lade and Hiwak built a four oh

2768
02:05:50.159 --> 02:05:53.159
<v Speaker 1>five FM, a four hundred and five what you know,

2769
02:05:53.880 --> 02:05:57.319
<v Speaker 1>a pad that was just absolutely outside of the envelope.

2770
02:05:57.840 --> 02:06:00.119
<v Speaker 1>I thought he did that because they played stadium if

2771
02:06:00.159 --> 02:06:01.000
<v Speaker 1>they wanted to use one air.

2772
02:06:01.199 --> 02:06:02.279
<v Speaker 4>One of my favorite.

2773
02:06:02.039 --> 02:06:07.960
<v Speaker 3>Fans, well, his his vocals on on Jeff Beck's Truth. Yeah,

2774
02:06:08.359 --> 02:06:10.960
<v Speaker 3>I mean morning do. Oh my god.

2775
02:06:14.000 --> 02:06:16.680
<v Speaker 1>Somebody gave Jeff back a bad time about the Truth

2776
02:06:16.720 --> 02:06:19.000
<v Speaker 1>because the truth is the album. This is the truth

2777
02:06:19.039 --> 02:06:23.079
<v Speaker 1>about this album. Yeah yeah, but I think he was

2778
02:06:23.119 --> 02:06:27.039
<v Speaker 1>most roading a guitar player ever lived. Nobody will ever touch. Yeah,

2779
02:06:27.840 --> 02:06:31.399
<v Speaker 1>he's all by himself then, I mean, he didn't influence

2780
02:06:31.439 --> 02:06:34.880
<v Speaker 1>that many people, but he influenced everybody because you could

2781
02:06:34.920 --> 02:06:36.800
<v Speaker 1>touch the guitar the way he did. It was like

2782
02:06:36.880 --> 02:06:39.720
<v Speaker 1>a goodvining rod for him. I mean he had a

2783
02:06:39.920 --> 02:06:41.479
<v Speaker 1>you know, it sounds like a sad you can make

2784
02:06:41.520 --> 02:06:45.399
<v Speaker 1>it sound like a little sad animal. Yes, he's talking

2785
02:06:45.439 --> 02:06:47.479
<v Speaker 1>to you. You know, he'd play along with little birds

2786
02:06:47.520 --> 02:06:48.039
<v Speaker 1>in his kitchen.

2787
02:06:49.119 --> 02:06:51.760
<v Speaker 3>Yeah, yeah, yeah, he did that on You Had a Coming.

2788
02:06:51.840 --> 02:06:53.520
<v Speaker 3>He's got that one where he's talking to I think

2789
02:06:53.560 --> 02:06:58.319
<v Speaker 3>it's called Blackbird and he's talking to the birds. But

2790
02:06:58.760 --> 02:07:01.359
<v Speaker 3>the other thing I was gonna say is, if you

2791
02:07:01.399 --> 02:07:03.439
<v Speaker 3>get a chance, get that book by Brad and Chris

2792
02:07:03.840 --> 02:07:05.960
<v Speaker 3>blow by Blow. It's it's a really good book.

2793
02:07:06.680 --> 02:07:08.439
<v Speaker 1>Really, I would like to read that. I read that.

2794
02:07:08.600 --> 02:07:12.000
<v Speaker 1>The last one I read that was good was just recently,

2795
02:07:12.119 --> 02:07:15.000
<v Speaker 1>and I wasn't impressed with the writing. I think that

2796
02:07:15.119 --> 02:07:18.960
<v Speaker 1>somebody had a chip on their shoulder about all those books.

2797
02:07:19.439 --> 02:07:21.239
<v Speaker 1>Was not very informative to me. It was kind of

2798
02:07:21.279 --> 02:07:24.119
<v Speaker 1>like closed off. You know. You talked about the people,

2799
02:07:24.159 --> 02:07:26.079
<v Speaker 1>but all the people that really were in their lives

2800
02:07:26.119 --> 02:07:29.119
<v Speaker 1>back then are all dead. They were tightest with the

2801
02:07:29.159 --> 02:07:33.239
<v Speaker 1>Emberson Brobers. They both committed suicide, I mean their own cousins.

2802
02:07:33.840 --> 02:07:36.079
<v Speaker 1>They stole their platinum records. They thought there was real

2803
02:07:36.119 --> 02:07:37.399
<v Speaker 1>platinum in those records.

2804
02:07:37.520 --> 02:07:40.600
<v Speaker 3>I mean, oh yeah, stole them off the wall and

2805
02:07:40.760 --> 02:07:43.079
<v Speaker 3>that the little house there they stole.

2806
02:07:45.640 --> 02:07:48.000
<v Speaker 1>And I got blamed for it. And evergoes he was.

2807
02:07:48.319 --> 02:07:51.439
<v Speaker 1>He was at the forum with me because they invited

2808
02:07:51.479 --> 02:07:54.560
<v Speaker 1>me down to you know, the first couple of tours. Well,

2809
02:07:54.600 --> 02:07:56.960
<v Speaker 1>they said they thought would be I was jealous or something.

2810
02:07:57.039 --> 02:07:59.199
<v Speaker 1>That was no way jealous. I was glad to get

2811
02:07:59.279 --> 02:08:00.920
<v Speaker 1>rid of those fuckers so I could get a gig.

2812
02:08:03.319 --> 02:08:06.159
<v Speaker 1>You got all the good gigs after that, one of

2813
02:08:06.279 --> 02:08:09.600
<v Speaker 1>the last big dog in town. Oh my god, Trouble

2814
02:08:09.760 --> 02:08:12.600
<v Speaker 1>wasn't my My rhythm section was never as good as Alan. Like,

2815
02:08:13.039 --> 02:08:16.880
<v Speaker 1>Al was a great drummer. I stand by. He was

2816
02:08:16.920 --> 02:08:19.119
<v Speaker 1>as much entertainment to watch as ever was because he

2817
02:08:19.239 --> 02:08:22.560
<v Speaker 1>said such attitude, I mean the energy those guys. I

2818
02:08:22.680 --> 02:08:26.800
<v Speaker 1>remember already Agaginian's raceway, you know Askot It was a

2819
02:08:26.840 --> 02:08:29.359
<v Speaker 1>big raceway out here. Already Agagenian would throw parties down

2820
02:08:29.399 --> 02:08:32.119
<v Speaker 1>on Lombard and the huge house that had four acres

2821
02:08:32.159 --> 02:08:35.039
<v Speaker 1>of land, and Al would play, and he jump up

2822
02:08:35.079 --> 02:08:37.880
<v Speaker 1>in those drums and spit and drink, slit them mouth

2823
02:08:37.960 --> 02:08:40.439
<v Speaker 1>and then fight with somebody spared him all night long.

2824
02:08:40.479 --> 02:08:44.159
<v Speaker 1>After the gig. Wow, they did ridiculous ship. I mean

2825
02:08:44.359 --> 02:08:47.560
<v Speaker 1>John Bosco Tech. They said, carry better regret that for

2826
02:08:47.680 --> 02:08:49.239
<v Speaker 1>me and I got over and had a smoke plot

2827
02:08:49.279 --> 02:08:52.000
<v Speaker 1>with about a quarter pound of gunpowder in it. He

2828
02:08:52.119 --> 02:08:53.560
<v Speaker 1>blew me wrap up the stage. I thought it was

2829
02:08:53.600 --> 02:08:56.199
<v Speaker 1>the funniest thing in the rock that you got your asshole.

2830
02:08:57.239 --> 02:08:58.920
<v Speaker 1>And Alex could drive him up next to people on

2831
02:08:58.960 --> 02:09:01.079
<v Speaker 1>the freeway and pull his paint down, Sticky's ants out

2832
02:09:01.119 --> 02:09:04.760
<v Speaker 1>the window and never were driving little secretary driving home

2833
02:09:04.800 --> 02:09:09.439
<v Speaker 1>from work. They like to get a reaction out of people,

2834
02:09:09.520 --> 02:09:09.680
<v Speaker 1>you know.

2835
02:09:10.079 --> 02:09:12.880
<v Speaker 3>But you see, this is this is the book. You've

2836
02:09:13.039 --> 02:09:15.680
<v Speaker 3>got the stories. Man, You gotta look, you gotta definitely

2837
02:09:15.720 --> 02:09:16.199
<v Speaker 3>consider that.

2838
02:09:17.039 --> 02:09:19.920
<v Speaker 1>They played a place called Barnacle Bills and it was

2839
02:09:20.000 --> 02:09:23.720
<v Speaker 1>like something out of the Barbary Coast. I mean, if

2840
02:09:23.760 --> 02:09:26.000
<v Speaker 1>you could get the saliva off the walls and nicotine

2841
02:09:26.039 --> 02:09:28.079
<v Speaker 1>stains on the ceiling where like you could you could

2842
02:09:28.119 --> 02:09:31.479
<v Speaker 1>smoke it right, I'm not a beer that they drank.

2843
02:09:31.560 --> 02:09:34.800
<v Speaker 1>We used to call them edcohol and alcohol because old

2844
02:09:34.800 --> 02:09:36.359
<v Speaker 1>man was all you know, he was. He played down

2845
02:09:36.399 --> 02:09:40.319
<v Speaker 1>at that what is the Dutch to the Danish place

2846
02:09:40.359 --> 02:09:43.520
<v Speaker 1>down in the Hawthorn that's got the uh all the

2847
02:09:43.560 --> 02:09:46.079
<v Speaker 1>European your dad probably went there. All the European people

2848
02:09:46.119 --> 02:09:48.560
<v Speaker 1>went to these pop they played Polka's right, yeah, that's

2849
02:09:48.560 --> 02:09:51.159
<v Speaker 1>where Jan came from. But me and Ev did have

2850
02:09:51.319 --> 02:09:55.520
<v Speaker 1>the edge because we both had grandfathers that were woodwind players.

2851
02:09:56.600 --> 02:09:59.760
<v Speaker 1>And we played John Ackerman, you know, focus, hocus focus,

2852
02:09:59.800 --> 02:10:02.600
<v Speaker 1>cause Akerman was fast and we couldn't figure out what

2853
02:10:02.600 --> 02:10:05.800
<v Speaker 1>he's doing. And Ed's dad goes, it's a backwards diminute scale.

2854
02:10:05.840 --> 02:10:06.720
<v Speaker 1>It's been notated.

2855
02:10:06.760 --> 02:10:09.520
<v Speaker 4>I thought, fuck is that Alpine village?

2856
02:10:09.640 --> 02:10:09.800
<v Speaker 3>Yeah?

2857
02:10:09.840 --> 02:10:13.079
<v Speaker 1>Alpine village. And I was playing in my grandmother's house

2858
02:10:13.119 --> 02:10:15.640
<v Speaker 1>when I was about fourteen, and my grandfather comes in.

2859
02:10:15.840 --> 02:10:18.800
<v Speaker 1>He hadn't played play the Boston orph him and Carnegie

2860
02:10:18.840 --> 02:10:21.680
<v Speaker 1>all for twenty years. What are you playing that Chinese

2861
02:10:21.760 --> 02:10:24.159
<v Speaker 1>music for? You know that Dalian guy that works underworld.

2862
02:10:24.239 --> 02:10:26.479
<v Speaker 1>We have to hear. What do you playing that Chiny

2863
02:10:26.640 --> 02:10:28.960
<v Speaker 1>music for? That's what don't you know what a sharp

2864
02:10:29.000 --> 02:10:32.119
<v Speaker 1>and a flat is? I said, no, Grandpa goes, sit down.

2865
02:10:32.159 --> 02:10:34.079
<v Speaker 1>I'm gonna show yourself. You guys clear. That showed me

2866
02:10:34.359 --> 02:10:37.279
<v Speaker 1>how to do all seven modes. He goes, that's your

2867
02:10:37.319 --> 02:10:39.600
<v Speaker 1>diminished mode. You pay attention to. That's what you guys,

2868
02:10:39.880 --> 02:10:44.000
<v Speaker 1>you hopheads do now call hopheads you know what I mean?

2869
02:10:45.800 --> 02:10:49.119
<v Speaker 1>It was? It was my mom goes, you're not letting

2870
02:10:49.119 --> 02:10:51.319
<v Speaker 1>those men help Alen boys in the house are you

2871
02:10:52.000 --> 02:10:54.000
<v Speaker 1>tell me tet your shoes off when they come in here?

2872
02:10:56.119 --> 02:10:58.399
<v Speaker 1>And I remember going over to Ed's house on a Halloween.

2873
02:10:58.439 --> 02:11:00.640
<v Speaker 1>I was wearing a boiler suit like he used to wear.

2874
02:11:00.720 --> 02:11:03.800
<v Speaker 1>The white Yeah, you were that the other guy. I

2875
02:11:03.880 --> 02:11:05.600
<v Speaker 1>was young. I was yelling at him. I was yelling

2876
02:11:05.640 --> 02:11:09.039
<v Speaker 1>at him, and his mom goos, she's a Dutch Indonesian lady.

2877
02:11:09.079 --> 02:11:10.279
<v Speaker 4>She goes, oh, that's what.

2878
02:11:10.399 --> 02:11:15.000
<v Speaker 1>There's a spook by the fence. And I remember at

2879
02:11:15.079 --> 02:11:17.000
<v Speaker 1>when summer is over the top of the coming house.

2880
02:11:18.319 --> 02:11:23.000
<v Speaker 1>Very much a mama's boy and the girl and Eds

2881
02:11:23.079 --> 02:11:26.800
<v Speaker 1>like and control everything. Matriarchal. Come from a very matriarchal

2882
02:11:26.880 --> 02:11:31.399
<v Speaker 1>European family, and a woman dominates. I mean, mister van

2883
02:11:31.439 --> 02:11:33.760
<v Speaker 1>Haim was always drunk, sitting in his fishing boat out

2884
02:11:33.760 --> 02:11:38.359
<v Speaker 1>in the yard, in the he played at Alpinelle with

2885
02:11:38.439 --> 02:11:39.000
<v Speaker 1>the clarinet.

2886
02:11:41.760 --> 02:11:44.199
<v Speaker 3>Did Ed boil his is it chew? He boiled his

2887
02:11:44.279 --> 02:11:48.680
<v Speaker 3>strings in the uh in his mother's strings.

2888
02:11:48.720 --> 02:11:50.479
<v Speaker 1>You boil all the life out of them. They're dead

2889
02:11:50.520 --> 02:11:51.199
<v Speaker 1>when you put them on.

2890
02:11:52.119 --> 02:11:53.199
<v Speaker 4>I knew another guy that did that.

2891
02:11:53.319 --> 02:11:55.199
<v Speaker 1>We used the Floyd Roses out and you fine tuner,

2892
02:11:55.239 --> 02:11:56.720
<v Speaker 1>So how the hell do you keep that in tune?

2893
02:11:56.920 --> 02:11:58.359
<v Speaker 1>He couldn't keep it in tune.

2894
02:11:58.800 --> 02:12:01.199
<v Speaker 3>And and did he also did he also hang the

2895
02:12:01.239 --> 02:12:04.479
<v Speaker 3>guitars after they were painted on the clothesline. That's the

2896
02:12:04.600 --> 02:12:06.680
<v Speaker 3>stories that he would he would hang his guitar on

2897
02:12:07.159 --> 02:12:07.439
<v Speaker 3>his mom.

2898
02:12:08.000 --> 02:12:09.920
<v Speaker 1>How are you doing with the electrical tape and swim

2899
02:12:10.039 --> 02:12:15.119
<v Speaker 1>bicycle white blacker with black pieces of electrical tape that

2900
02:12:15.159 --> 02:12:17.880
<v Speaker 1>were done in the pattern? Say that's kind of neat.

2901
02:12:18.560 --> 02:12:20.239
<v Speaker 1>Then all of a sudden, it's a it's like a

2902
02:12:20.359 --> 02:12:24.199
<v Speaker 1>Picasso thing. I mean, it's a trademark. But that took

2903
02:12:24.239 --> 02:12:27.359
<v Speaker 1>the years, but he beat those guitars up something fierce.

2904
02:12:27.920 --> 02:12:31.800
<v Speaker 1>But I remember we played the last gig they ever played, Passagina.

2905
02:12:31.840 --> 02:12:34.560
<v Speaker 1>I did an opener and we were actually very good.

2906
02:12:34.640 --> 02:12:38.239
<v Speaker 1>But they ever, they went for broke. I mean they

2907
02:12:38.319 --> 02:12:39.960
<v Speaker 1>played that night like it was the last night they

2908
02:12:40.039 --> 02:12:42.720
<v Speaker 1>ever had to play a non professional gig, and they did.

2909
02:12:43.000 --> 02:12:45.399
<v Speaker 1>I mean, they could have that band could have broke up,

2910
02:12:45.399 --> 02:12:48.199
<v Speaker 1>but they they stuck together and they worked three hundred

2911
02:12:48.279 --> 02:12:51.680
<v Speaker 1>days a year for several years to get back what

2912
02:12:51.840 --> 02:12:54.720
<v Speaker 1>they didn't get from the sex pistols got all the attention.

2913
02:12:55.680 --> 02:12:57.199
<v Speaker 1>They were a bunch of funk ups. I mean, look

2914
02:12:57.239 --> 02:13:01.720
<v Speaker 1>at Siddy, know that moment. I mean they can't for sure, Yeah,

2915
02:13:01.760 --> 02:13:02.119
<v Speaker 1>I mean.

2916
02:13:02.479 --> 02:13:06.960
<v Speaker 3>I have a bootleg of the Pasadena Civic and Dave says,

2917
02:13:07.000 --> 02:13:08.840
<v Speaker 3>this is the last show.

2918
02:13:11.560 --> 02:13:15.439
<v Speaker 1>Because they just signed a boat house uh and Ready

2919
02:13:15.520 --> 02:13:19.319
<v Speaker 1>Kill a Lot and Ben Halen Wow. And it was

2920
02:13:19.439 --> 02:13:22.239
<v Speaker 1>like they were different. I mean like they got popular

2921
02:13:22.359 --> 02:13:25.840
<v Speaker 1>because they had such a draw. I mean they all

2922
02:13:25.920 --> 02:13:29.079
<v Speaker 1>the school's Arcadia High all the way down with people Rivera.

2923
02:13:29.479 --> 02:13:31.560
<v Speaker 1>They had a big promotional thing, people will go out,

2924
02:13:31.800 --> 02:13:35.159
<v Speaker 1>you know, put ten thousand flyers out. And when they played,

2925
02:13:35.159 --> 02:13:36.640
<v Speaker 1>I mean it just all they do is show up.

2926
02:13:37.439 --> 02:13:39.359
<v Speaker 1>They played Guzars all the time, which didn't you know,

2927
02:13:39.399 --> 02:13:41.119
<v Speaker 1>there was a lot of nights there's nobody in there.

2928
02:13:42.319 --> 02:13:44.439
<v Speaker 1>And then there was Knights that Roger Waters and Ricky

2929
02:13:44.640 --> 02:13:46.399
<v Speaker 1>Richie Blackmore came in and I said, what are you

2930
02:13:46.399 --> 02:13:48.640
<v Speaker 1>gonna don't don't don't play out of tune. There was

2931
02:13:48.840 --> 02:13:51.920
<v Speaker 1>like a half step out of tune. They played Firehouse

2932
02:13:52.000 --> 02:13:53.600
<v Speaker 1>by Kiss. I mean it was back then.

2933
02:13:53.640 --> 02:13:55.239
<v Speaker 4>They didn't even have tuonors though, did they.

2934
02:13:55.880 --> 02:13:58.399
<v Speaker 1>No, we hadn't. I mean, just you tune them up

2935
02:13:58.399 --> 02:13:59.600
<v Speaker 1>and you played exactly.

2936
02:13:59.720 --> 02:14:02.039
<v Speaker 4>Yeah. That's why sometimes you listen to old albums and

2937
02:14:02.159 --> 02:14:04.000
<v Speaker 4>you hear there slightly off, you know, and it's kind

2938
02:14:04.039 --> 02:14:04.800
<v Speaker 4>of great.

2939
02:14:05.319 --> 02:14:05.520
<v Speaker 3>Yeah.

2940
02:14:06.960 --> 02:14:09.640
<v Speaker 2>That's one thing I don't like about modern studios is

2941
02:14:09.720 --> 02:14:11.920
<v Speaker 2>all the engineers. They want to take it and make

2942
02:14:12.000 --> 02:14:14.880
<v Speaker 2>everything perfect, and I'm like, I don't want it.

2943
02:14:15.000 --> 02:14:16.880
<v Speaker 1>Don't say we do a song, you like it, you

2944
02:14:16.960 --> 02:14:19.000
<v Speaker 1>play a really good verse, you take that same version,

2945
02:14:19.079 --> 02:14:22.199
<v Speaker 1>you thread it, and all the other verse lots. It

2946
02:14:22.319 --> 02:14:25.039
<v Speaker 1>loses something, doesn't I agree? Yeah? Yeah? And then like

2947
02:14:25.199 --> 02:14:27.640
<v Speaker 1>you never would have a jagger Richard put a stake

2948
02:14:27.720 --> 02:14:29.239
<v Speaker 1>to the teleporter harmony.

2949
02:14:29.520 --> 02:14:32.119
<v Speaker 2>You didn't if you wanted it perfect, like they would

2950
02:14:32.159 --> 02:14:35.159
<v Speaker 2>destroy that, you know, So I always let it, let.

2951
02:14:35.119 --> 02:14:36.840
<v Speaker 1>It be no. But you know, while they recording the

2952
02:14:36.880 --> 02:14:39.920
<v Speaker 1>old days like propo Harum on the home album, they

2953
02:14:40.000 --> 02:14:43.119
<v Speaker 1>did it live. They sang it and played it live.

2954
02:14:43.399 --> 02:14:46.119
<v Speaker 4>Yeah, you don't mess up. But just like back in

2955
02:14:46.199 --> 02:14:47.920
<v Speaker 4>the big band era, too is the same. They had

2956
02:14:47.920 --> 02:14:50.119
<v Speaker 4>a good recond the whole band redo, the whole thing.

2957
02:14:50.359 --> 02:14:52.720
<v Speaker 1>They had outtakes from that home album and they played

2958
02:14:52.760 --> 02:14:57.239
<v Speaker 1>it exactly. Everybody showed up, got in there and performed

2959
02:14:57.279 --> 02:14:59.840
<v Speaker 1>go over drubs, know nothing, and you think, wow, that

2960
02:15:00.039 --> 02:15:00.800
<v Speaker 1>how they used to do it.

2961
02:15:01.119 --> 02:15:03.479
<v Speaker 3>And there was a drummer tell me recently that Charlie

2962
02:15:03.520 --> 02:15:08.920
<v Speaker 3>Watts was technically not perfect, but who better to play

2963
02:15:09.000 --> 02:15:10.000
<v Speaker 3>the stones Charlie.

2964
02:15:10.000 --> 02:15:11.359
<v Speaker 1>You know what you couldn't do with Charlie. You could

2965
02:15:11.359 --> 02:15:15.079
<v Speaker 1>turn a metronomonom He never went off the beat, never, Charlie.

2966
02:15:16.199 --> 02:15:16.800
<v Speaker 3>Charlie Watts.

2967
02:15:16.960 --> 02:15:19.520
<v Speaker 1>I love Ringo. That shopple were you ever seeing where

2968
02:15:19.600 --> 02:15:22.560
<v Speaker 1>Greg Bisnette explained getting all the drummers that explain, Yes,

2969
02:15:22.880 --> 02:15:25.119
<v Speaker 1>the ringo thing, and it's just you know, it was

2970
02:15:25.279 --> 02:15:25.920
<v Speaker 1>his own thing.

2971
02:15:26.640 --> 02:15:28.960
<v Speaker 3>Charlie would do that thing where he would like it

2972
02:15:29.000 --> 02:15:31.439
<v Speaker 3>almost sounds like it's the sound of somebody like diving

2973
02:15:31.479 --> 02:15:34.159
<v Speaker 3>into the water. He'd hit the snare and then snare

2974
02:15:34.199 --> 02:15:41.279
<v Speaker 3>and yeah, it was a really cool effect to that. So, okay,

2975
02:15:41.479 --> 02:15:44.279
<v Speaker 3>this was phenomenal. This is fantastic. We're talking for like

2976
02:15:44.319 --> 02:15:47.000
<v Speaker 3>almost three hours here. This is just so awesome.

2977
02:15:47.359 --> 02:15:51.479
<v Speaker 1>I mean, you know the guy that I really think

2978
02:15:51.520 --> 02:15:53.880
<v Speaker 1>they really need to get some credit here at Harvey Mandel,

2979
02:15:54.640 --> 02:15:58.279
<v Speaker 1>because he was he was like Jeff Beck back in

2980
02:15:58.319 --> 02:16:01.680
<v Speaker 1>Blow by Blow, you're doing instrumental music. His son was

2981
02:16:01.800 --> 02:16:05.359
<v Speaker 1>murdered up by the Oakland police because his kid got

2982
02:16:05.399 --> 02:16:07.720
<v Speaker 1>in some trouble. But Harvey had a hard life, but

2983
02:16:07.760 --> 02:16:09.479
<v Speaker 1>he was a great guitar player. He got kind of

2984
02:16:09.520 --> 02:16:09.960
<v Speaker 1>stepped on.

2985
02:16:11.039 --> 02:16:13.119
<v Speaker 3>Was he doing the finger tapping stuff as well?

2986
02:16:13.439 --> 02:16:15.920
<v Speaker 1>He was on the Rolling Stones album Black what was it?

2987
02:16:16.039 --> 02:16:16.600
<v Speaker 1>Black and Blue?

2988
02:16:16.720 --> 02:16:20.479
<v Speaker 3>Black and Blue? Which song? Oh my god, what a song?

2989
02:16:22.000 --> 02:16:25.039
<v Speaker 1>Don't that? That's harvey vibe is Harvey went all the way?

2990
02:16:25.239 --> 02:16:26.399
<v Speaker 3>Oh okay, another one.

2991
02:16:26.479 --> 02:16:28.840
<v Speaker 1>And then that's when they were thinking about put Harvey

2992
02:16:28.920 --> 02:16:31.880
<v Speaker 1>in the band. And then you know, naturally Ronnie would

2993
02:16:31.920 --> 02:16:33.600
<v Speaker 1>fit in a lot better than Harvey.

2994
02:16:33.440 --> 02:16:37.920
<v Speaker 3>And they thought about Jeff Beck joining the Stones.

2995
02:16:38.280 --> 02:16:43.760
<v Speaker 1>Harvey played with what were they called John Sugarcane Harris

2996
02:16:44.079 --> 02:16:47.840
<v Speaker 1>the junkie dead now the fiddle player, but he would

2997
02:16:47.879 --> 02:16:49.719
<v Speaker 1>play with the Pure Food and Drug act that was

2998
02:16:49.799 --> 02:16:52.319
<v Speaker 1>a big act in La back in nineteen seventy one.

2999
02:16:53.559 --> 02:16:55.879
<v Speaker 1>But he had a neat sound. He had a really organic,

3000
02:16:56.040 --> 02:16:59.399
<v Speaker 1>kind of cool sound. And I knew his family really

3001
02:16:59.440 --> 02:17:02.079
<v Speaker 1>well because that's I took lessons from him, the door,

3002
02:17:02.200 --> 02:17:04.440
<v Speaker 1>the way he played, and he traded me for like

3003
02:17:04.760 --> 02:17:08.360
<v Speaker 1>babyshit my son, Eric and you give me some lesson.

3004
02:17:09.079 --> 02:17:11.360
<v Speaker 3>Terry, Christy, thank you so much. We're gonna I was

3005
02:17:11.639 --> 02:17:13.399
<v Speaker 3>telling Christy to just send me all the links you

3006
02:17:13.440 --> 02:17:14.920
<v Speaker 3>guys want to send me, so people can stay up

3007
02:17:14.920 --> 02:17:16.719
<v Speaker 3>the date on this album when it comes out, and

3008
02:17:16.879 --> 02:17:20.200
<v Speaker 3>then send me some tracks and we can play some

3009
02:17:20.719 --> 02:17:21.000
<v Speaker 3>the best.

3010
02:17:21.120 --> 02:17:24.000
<v Speaker 1>I can try to make some magic. There's a magic

3011
02:17:24.639 --> 02:17:25.559
<v Speaker 1>he's already made.

3012
02:17:25.399 --> 02:17:28.479
<v Speaker 3>It, tell you, And will you be playing some of

3013
02:17:28.520 --> 02:17:29.879
<v Speaker 3>the Dave stuff live?

3014
02:17:30.280 --> 02:17:33.399
<v Speaker 1>If he's like, I really hope that I've got a

3015
02:17:33.440 --> 02:17:35.559
<v Speaker 1>good settlement and I can buy back some of his ship.

3016
02:17:35.680 --> 02:17:39.200
<v Speaker 2>And yeah, I invested in trying to get what he

3017
02:17:39.399 --> 02:17:41.719
<v Speaker 2>needs to record, and so we're definitely are going to

3018
02:17:41.760 --> 02:17:42.200
<v Speaker 2>play live.

3019
02:17:42.280 --> 02:17:45.680
<v Speaker 1>That's not cool, it's all. It's going to end up

3020
02:17:45.719 --> 02:17:47.159
<v Speaker 1>on midget p three anyhow.

3021
02:17:47.559 --> 02:17:51.079
<v Speaker 3>Yeah, are you feeling optimistic about the lawsuit?

3022
02:17:53.120 --> 02:17:55.440
<v Speaker 1>Very because you know what they've proven him that they're

3023
02:17:55.600 --> 02:17:58.760
<v Speaker 1>all twenty six hours were faulty, and the wind blew

3024
02:17:58.840 --> 02:18:02.200
<v Speaker 1>the garrelic tower and molten metal went down the ground.

3025
02:18:02.639 --> 02:18:04.680
<v Speaker 1>They didn't get baiting and think they were supposed to

3026
02:18:04.680 --> 02:18:06.840
<v Speaker 1>clean up. They sucked up all the way around. Harry's

3027
02:18:06.879 --> 02:18:11.360
<v Speaker 1>got so here, I got nineteen billion dollars, got there ready,

3028
02:18:11.440 --> 02:18:12.319
<v Speaker 1>and it's not even there.

3029
02:18:12.239 --> 02:18:14.840
<v Speaker 3>Mony sure is the lawyer telling you to be patient

3030
02:18:14.879 --> 02:18:15.959
<v Speaker 3>because those things to get drunk.

3031
02:18:16.040 --> 02:18:18.319
<v Speaker 1>We were at a meeting and they started talking about

3032
02:18:18.360 --> 02:18:21.120
<v Speaker 1>how their ce yogat a sixteen million dollar bonus for

3033
02:18:21.239 --> 02:18:22.239
<v Speaker 1>burning my house.

3034
02:18:22.120 --> 02:18:22.799
<v Speaker 3>Down, of course.

3035
02:18:23.040 --> 02:18:24.639
<v Speaker 1>Yeah, the same Froggy.

3036
02:18:25.159 --> 02:18:27.920
<v Speaker 4>Yeah, if that's the case, you know, but it's terrible.

3037
02:18:28.360 --> 02:18:30.719
<v Speaker 3>Yeah, all the best of that. I mean whatever whatever

3038
02:18:30.799 --> 02:18:31.959
<v Speaker 3>I could do to help her that man.

3039
02:18:33.040 --> 02:18:36.239
<v Speaker 1>Yeah, yeah for Connecticut. You got from Wapping, from Irish and.

3040
02:18:36.520 --> 02:18:38.959
<v Speaker 3>I can't be made. I'm like denarow, I can't be made.

3041
02:18:39.280 --> 02:18:41.159
<v Speaker 1>I couldn't get made in your best friend, I didn't

3042
02:18:41.200 --> 02:18:43.680
<v Speaker 1>take Believe me if I was back aches that have

3043
02:18:43.760 --> 02:18:45.920
<v Speaker 1>been in the Crew's.

3044
02:18:45.399 --> 02:18:48.440
<v Speaker 3>A small world story. Roberts DeNiro's aunt lived in my hometown.

3045
02:18:48.559 --> 02:18:50.639
<v Speaker 3>She was friends with my mom. She passed. She passed

3046
02:18:50.680 --> 02:18:52.680
<v Speaker 3>only a few years ago. She's like ninety something. But yeah,

3047
02:18:52.719 --> 02:18:55.799
<v Speaker 3>she lived right in town here that he used to come. Yeah,

3048
02:18:55.879 --> 02:18:56.520
<v Speaker 3>he'd come by.

3049
02:18:56.559 --> 02:18:58.559
<v Speaker 1>From the long lineas grow Democrats.

3050
02:19:01.040 --> 02:19:03.399
<v Speaker 3>Man, I'd love to I'd love to meet you someday

3051
02:19:03.399 --> 02:19:06.040
<v Speaker 3>in person. If if you guys are coming around coast.

3052
02:19:05.840 --> 02:19:08.840
<v Speaker 1>I get out that way. She'll be out that way tomorrow. Yeah.

3053
02:19:08.920 --> 02:19:13.040
<v Speaker 3>Oh yeah, yeah, look okay, yeah yeah, get ready.

3054
02:19:12.840 --> 02:19:15.520
<v Speaker 1>For the humidity. My tallest building you kind of go

3055
02:19:15.760 --> 02:19:18.680
<v Speaker 1>far up and you can't see it, and then.

3056
02:19:18.600 --> 02:19:20.719
<v Speaker 2>He's telling me all those places he stayed, and I'm

3057
02:19:20.799 --> 02:19:22.600
<v Speaker 2>like looking them up, I'm like, oh, I won't be

3058
02:19:22.680 --> 02:19:24.280
<v Speaker 2>staying in those places where you tour.

3059
02:19:24.360 --> 02:19:26.559
<v Speaker 1>To date, I think you know very far. My bill

3060
02:19:26.680 --> 02:19:29.000
<v Speaker 1>is like fifty six dollars every month. I said, why

3061
02:19:29.040 --> 02:19:33.159
<v Speaker 1>are we here? Go home seven miles away. I mean,

3062
02:19:33.239 --> 02:19:35.680
<v Speaker 1>ocean is the best room we had there. It's an

3063
02:19:35.680 --> 02:19:37.600
<v Speaker 1>old supermarket. They come into a studio.

3064
02:19:38.520 --> 02:19:41.600
<v Speaker 3>Yeah, well thanks again, guys. This was this was so

3065
02:19:41.840 --> 02:19:43.760
<v Speaker 3>cool man. I'm just so glad we made this happen.

3066
02:19:44.920 --> 02:19:53.319
<v Speaker 1>God man, that's it.

3067
02:19:54.280 --> 02:19:55.040
<v Speaker 3>It's in the books.
