WEBVTT

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<v Speaker 1>Suspense, which is usually heard at this hour on Thursday nights,

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<v Speaker 1>is taking its customary summer holiday. Suspense returns to the

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<v Speaker 1>air six weeks from tonight on Thursday September.

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<v Speaker 2>First, you are hanging by your fingertips on the sheer

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<v Speaker 2>face of an icy cliff, suspended one thousand feet above

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<v Speaker 2>instant death, with your strength running out and with no

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<v Speaker 2>chance for escape.

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<v Speaker 1>We offer you escape designed to free you from the

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<v Speaker 1>four walls of today, for a half hour of high adventure. Tonight,

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<v Speaker 1>we escape to the cold, loneliness of a glacier high

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<v Speaker 1>in the Swiss Alps, and to a man who learned

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<v Speaker 1>much about death.

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<v Speaker 3>As C. E.

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<v Speaker 1>Montague tells it in his famous story Action.

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<v Speaker 4>High in the Swiss Alps, well above twelve thousand feet,

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<v Speaker 4>a man clings with desperation to the frozen glass wall

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<v Speaker 4>of the Shalliacht Glacier, hands and feet jammed in the

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<v Speaker 4>shallow steps chopped in the iron hard ice. A cold

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<v Speaker 4>wind drives a spray of dusty sleet along the overhanging wall,

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<v Speaker 4>and the sun has fallen away among the crags to

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<v Speaker 4>the west. Darkness lies one hour ahey, the man has

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<v Speaker 4>climed and with painful care a thousand feet up the

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<v Speaker 4>glacier's face from the broken moraine at the foot, and

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<v Speaker 4>has moved now on the underside of a great bulge

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<v Speaker 4>in the ice, a part of the wall which breaks

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<v Speaker 4>out beyond the perpendicular, and the man is forced to

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<v Speaker 4>hang from slots cut by his axe, such as a

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<v Speaker 4>slough hangs from a tree branch. Twelve more feet lie

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<v Speaker 4>between him and the brow of the overhang, six more

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<v Speaker 4>steps to be chopped out with the axe, and a

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<v Speaker 4>thousand feet of void space waits beneath him. The man

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<v Speaker 4>is unable to lift his heavy axe for even one

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<v Speaker 4>more stroke. He is tired, and he is fifty two

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<v Speaker 4>years old. No experienced mountaineer would ever attempt the west

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<v Speaker 4>face of the Chali Up Glacier. And yet this man

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<v Speaker 4>is an experienced mountain near And why why? What strange

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<v Speaker 4>events have conspired to bring him along the path of

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<v Speaker 4>his life and leave him hanging now in peril on

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<v Speaker 4>the brink of eternity? Through What shadows has that path

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<v Speaker 4>led him? And where are those who saw him pass?

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<v Speaker 4>Can we ourselves move along it, move back, step by

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<v Speaker 4>step against the river of time, move backward along the

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<v Speaker 4>life path of Christopher Bell.

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<v Speaker 5>My name is Jean Valjeules. I'm a guide for all

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<v Speaker 5>the mountain trails on the Vice Horn and the Chalihorn.

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<v Speaker 5>I talked with mister Bell this morning as he was

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<v Speaker 5>leaving the village. The course, at the time, I did

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<v Speaker 5>not know that was his name. The season is over

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<v Speaker 5>here on the winter will come in another week or two,

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<v Speaker 5>and most all the visitors are gone, So you see,

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<v Speaker 5>I was very surprised to hear a stranger call out

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<v Speaker 5>to me in English.

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<v Speaker 6>Hello, Ah, Which of these paths takes me to the

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<v Speaker 6>foot of the Challio.

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<v Speaker 5>The one on the left. But you will find no

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<v Speaker 5>chimney there, sir. One arrives very soon at the glacier

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<v Speaker 5>and can go no farther, except of course, to climb

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<v Speaker 5>up it the glacier. But that is unperceived. It has

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<v Speaker 5>never been done, of course not, it's never been tried.

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<v Speaker 5>There is not anyone who would be so foolish.

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<v Speaker 7>Messiet No doesn't that.

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<v Speaker 6>There are plenty of foolish people in the world, but

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<v Speaker 6>even they hold on to their marginal safety. Margin of safety,

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<v Speaker 6>the difference between the point where a man thinks he's

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<v Speaker 6>reached his limit point where that limit really is.

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<v Speaker 5>I am afraid. I do not understand this, all right.

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<v Speaker 6>Take a mountaineer such as yourself, huh. You look at

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<v Speaker 6>a slope and you estimate the effort needed to climb. Yes,

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<v Speaker 6>then you estimate your own endurance and there isn't a

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<v Speaker 6>good size safety factor.

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<v Speaker 7>Just don't make the climb.

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<v Speaker 5>But it would be foolish not to do so.

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<v Speaker 6>I dare say, Oh, it's so tied up on a

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<v Speaker 6>fear of death, and take that out of a man

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<v Speaker 6>for one instant. There's no telling what he might be

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<v Speaker 6>able to do or what limit he might reach.

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<v Speaker 5>And how should a man lose that fear?

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<v Speaker 4>You can't.

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<v Speaker 7>You can't lose.

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<v Speaker 6>It has to be done for him. My things outside.

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<v Speaker 5>He turned and left me. Then this mister bell and

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<v Speaker 5>walked up the path towards the glacier. That was early

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<v Speaker 5>this morning, and I did not see him again. His

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<v Speaker 5>talk with me made no sense, and I could not

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<v Speaker 5>understand what he meant to do or why he was

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<v Speaker 5>going to do it. I remember thinking, what a strange man.

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<v Speaker 5>But I really know nothing more about you. I believe

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<v Speaker 5>he arrived in the village only last night and took

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<v Speaker 5>her home in the zinal Inn.

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<v Speaker 8>My name is great at the Gaspar and I am

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<v Speaker 8>staying out the weekie and see how to close up

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<v Speaker 8>the inn for the winter.

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<v Speaker 9>I have known mister.

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<v Speaker 8>Bell for the last thirty years, alway before he came

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<v Speaker 8>in the summer season for the climbing, and I was most.

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<v Speaker 9>Surprised when he arrived last night.

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<v Speaker 8>I opened one of the rooms and I found something

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<v Speaker 8>for him to eat, and then later we sat and

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<v Speaker 8>talked in front of the fire in the big empty lounge.

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<v Speaker 7>This is very good coffee, Madame Gaspar.

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<v Speaker 9>Thank you, mister Bell.

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<v Speaker 8>Had you let me know you were coming, I would

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<v Speaker 8>have had everything ready for you, just like all the times.

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<v Speaker 6>I call the other times, this one's a little different,

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<v Speaker 6>Madame Gaspar. You might call it a special visit.

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<v Speaker 8>Oh, it is all so different now from the old days.

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<v Speaker 8>Then it was you and your Madame would come here,

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<v Speaker 8>and it was Gaspar and I and the summers seemed

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<v Speaker 8>to last forever.

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<v Speaker 6>I thought everything would last forever when she was alive.

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<v Speaker 7>Now I'm really alone in the world.

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<v Speaker 8>As am I, and it is not good to be alone.

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<v Speaker 8>It gives one no reason for living.

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<v Speaker 6>But there may be stronger reasons for not wanting to live.

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<v Speaker 9>Is there something happening to you, mister Bell.

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<v Speaker 7>No, no, not now. There may have been, but not now.

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<v Speaker 6>I shall be leaving quite early in the morning for

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<v Speaker 6>a climb, so I think I'll go on to bed.

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<v Speaker 7>Good night, Madame Gosmar.

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<v Speaker 8>Mister Bell left the inn this morning before I wakened,

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<v Speaker 8>and I have not seen him again. I have never

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<v Speaker 8>known him to act so strange before. I have no

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<v Speaker 8>idea what the reason is or what he may be

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<v Speaker 8>planning to do, but I am sure something is troubling him.

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<v Speaker 8>Perhaps it may be something connected with his business in London.

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<v Speaker 10>My name is Matthew Gruff. I have been chief clerk

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<v Speaker 10>and mister Bell's London office over the past twenty five years.

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<v Speaker 10>I've always found him to be considerate, independable employer. I've

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<v Speaker 10>never noticed anything about call unusual about him until one day,

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<v Speaker 10>about three weeks ago. Mister Bell entered the establishment a

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<v Speaker 10>bit later as I recall, and passed immediately into his

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<v Speaker 10>own office without acknowledging my customary agreep. A little while afterward,

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<v Speaker 10>he said for.

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<v Speaker 7>Me, Matthew, where do we go from here?

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<v Speaker 10>I can't say that I follow you, mister Bell.

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<v Speaker 6>I mean the company is on a steady footing, so

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<v Speaker 6>if we use our heads at all, we don't stand

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<v Speaker 6>much chance of losing anything.

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<v Speaker 7>Yes, our position is quite secure.

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<v Speaker 6>On the other hand, we can't expect to do any

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<v Speaker 6>more growing through expanding now on, it's merely a matter

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<v Speaker 6>of operation.

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<v Speaker 10>Most enviable conditions.

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<v Speaker 6>Is it? There's nothing more to look forward to, nothing

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<v Speaker 6>more to work for. So where do we go from here? Matthew,

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<v Speaker 6>I'm putting you in charge of the business, turning it

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<v Speaker 6>over to you effective this week.

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<v Speaker 10>Mister Bell, you can't possibly mean now.

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<v Speaker 7>Yes, yes, I've just decided.

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<v Speaker 5>But what are you going to do, sir?

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<v Speaker 6>I'm taking a trip. I'm going to Switzerland. Maybe do

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<v Speaker 6>a little mountain climbing.

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<v Speaker 10>Oh well, then at least it's only temporary, just for

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<v Speaker 10>whatever time you're gone.

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<v Speaker 6>Yes, that's right, for whatever time I'm gone, Just for

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<v Speaker 6>whatever time I'm gone.

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<v Speaker 10>Before the end of the week, he had arranged all

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<v Speaker 10>the necessary papers and had left London. I haven't heard

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<v Speaker 10>a word from him since his law.

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<v Speaker 3>I presume me.

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<v Speaker 10>Somewhere in Switzerland. Actually, however, I haven't the faintest idea

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<v Speaker 10>where mister Bell may be. Right at this.

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<v Speaker 4>Moment on the glacier, minutes pass and the shadows grow

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<v Speaker 4>longer from the jagged peaks to the west of a

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<v Speaker 4>Shaliach and reach out with dark fingers toward the man

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<v Speaker 4>who clings to the icy wall. The man's thoughts have

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<v Speaker 4>grown as unwilly as the heavy ice axe gripped in

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<v Speaker 4>his hand. He keeps trying to remember that he is

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<v Speaker 4>Christopher Bell, a human being, and not a part of

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<v Speaker 4>this free and empty space, for he knows if he

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<v Speaker 4>stops remembering that he may forget or else too, and

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<v Speaker 4>then let go.

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<v Speaker 10>There's been no reason for trying to locate mister Bell,

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<v Speaker 10>since nothing of very importance has occurred during these three weeks.

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<v Speaker 10>I'm sure he's quite all right. Only one thing still

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<v Speaker 10>puzzles me a bit, the remarkable change in him on

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<v Speaker 10>that morning three weeks ago. I'd never heard him talk

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<v Speaker 10>like that before, and whatever the reason for it, I'm

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<v Speaker 10>quite sure it was something that happened that morning before

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<v Speaker 10>he came to the office.

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<v Speaker 5>My name is John Oxford. I've been a conductor on

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<v Speaker 5>the Westminster route for some fourteen years, nah, and during

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<v Speaker 5>all that time, mister Bell has been a daily passenger

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<v Speaker 5>of mine on the early morning inbound run. As I

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<v Speaker 5>recall it, the first time anything you might say, whoa added.

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<v Speaker 5>The way ever happened between us was one morning, about

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<v Speaker 5>three weeks ago. I saw mister Bell waiting at the

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<v Speaker 5>usual place, so I signaled the driver to a stop.

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<v Speaker 5>Good morning, Good morning, mister Bell.

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<v Speaker 7>I'll be right.

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<v Speaker 5>Yeah, let me come down and help you up, sir, and.

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<v Speaker 11>I make it if you'll just take my arm as

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<v Speaker 11>touched my arm please.

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<v Speaker 5>But I have taken it, mister Bell.

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<v Speaker 7>Oh, yes, of course I've signed.

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<v Speaker 5>We go here, we answer, thank you.

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<v Speaker 11>I had a bit of a shock this morning.

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<v Speaker 7>I'm cut all right now.

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<v Speaker 5>Well, if it's all right now, then it's fine. I'd

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<v Speaker 5>say you take hold of that strap there.

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<v Speaker 6>Oh, yes, of course, just a moment. I have the

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<v Speaker 6>fair hair somewhere. Oh, yes, here you are, Thank you, sir. No, no,

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<v Speaker 6>thank you, will I I don't quite understand what you mean, sir.

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<v Speaker 6>Mister Huxford, have you ever had anyone take your arm

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<v Speaker 6>and help you up a flight of steps?

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<v Speaker 5>No, and I might say, yo, the day never comes

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<v Speaker 5>when I well, uh, oh, I'm sun.

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<v Speaker 7>Not at all.

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<v Speaker 11>Thank you, mister Hoxford, Thank you very much.

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<v Speaker 5>I don't rightly know what was wrong with him, though

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<v Speaker 5>it's certain that something was because I haven't seen him

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<v Speaker 5>for nearly three weeks. Huh. I can't imagine what it

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<v Speaker 5>might have been that happened to him that morning before

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<v Speaker 5>he got on the bus.

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<v Speaker 12>My name is Jenkins, and I've been mister Bell's personal

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<v Speaker 12>valet for the past twelve years and seven months. The

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00:13:50.279 --> 00:13:53.000
<v Speaker 12>Master is traveling somewhere on the content of just at

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00:13:53.039 --> 00:13:57.720
<v Speaker 12>present being gone something over two weeks now decided rather suddenly,

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00:13:57.799 --> 00:14:01.559
<v Speaker 12>I believe. In fact, I I think something happened one

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00:14:01.600 --> 00:14:04.240
<v Speaker 12>morning about three weeks ago that caused him to make

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00:14:04.320 --> 00:14:07.440
<v Speaker 12>up his mind. Though I rarely haven't the faintest idea

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00:14:07.440 --> 00:14:10.879
<v Speaker 12>of what it might have been. I can remember noticing

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00:14:10.919 --> 00:14:12.960
<v Speaker 12>a very strange look on his face when he came

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00:14:13.000 --> 00:14:15.840
<v Speaker 12>down to breakfast that morning, but I thought nothing of

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<v Speaker 12>it at the time.

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<v Speaker 11>Good Good morning, Jenkins, Good morning, sir.

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<v Speaker 12>I trust you had a pleasant night's rest.

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00:14:23.759 --> 00:14:25.759
<v Speaker 7>Yes, yes I did, Thanks Jenkins.

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00:14:25.960 --> 00:14:28.960
<v Speaker 12>You'll be having the usual orange juice toasts.

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<v Speaker 11>No, no, no, no, I want nothing except for coffee.

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00:14:31.679 --> 00:14:33.440
<v Speaker 12>Very well, sir, I'll bring it right away.

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<v Speaker 11>I can't let him find out. I can't let anyone

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<v Speaker 11>find out about it. Maybe it's a little better now,

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00:14:41.600 --> 00:14:44.879
<v Speaker 11>Maybe it's going away. Maybe I'm giving it too much importance.

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00:14:46.039 --> 00:14:50.000
<v Speaker 6>No, it's still there, that same lack of feeling clear

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00:14:50.120 --> 00:14:51.759
<v Speaker 6>down the whole right side of my body.

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00:14:52.639 --> 00:14:55.519
<v Speaker 11>There. I can move my arms, my leg all right,

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00:14:56.200 --> 00:15:01.000
<v Speaker 11>there's no feeling in them. They're numb. Simply that, at

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00:15:01.080 --> 00:15:04.360
<v Speaker 11>fifty two years of age, I've had a light stroke.

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00:15:06.799 --> 00:15:10.480
<v Speaker 12>You're coffee, sir, Oh, thank you. Would you care for

241
00:15:10.519 --> 00:15:11.399
<v Speaker 12>something more, sir?

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00:15:11.600 --> 00:15:14.559
<v Speaker 7>No, no, that's all, If you.

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<v Speaker 12>Pardon me, sir. You don't seem quite yourself this morning.

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00:15:17.759 --> 00:15:19.000
<v Speaker 12>I do hope you're not ill.

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00:15:19.080 --> 00:15:20.720
<v Speaker 7>Oh no, no, I'm quite all right, tickets.

246
00:15:21.039 --> 00:15:23.840
<v Speaker 12>I hope you won't mind my saying this, mister Bell,

247
00:15:24.000 --> 00:15:27.039
<v Speaker 12>but you don't take very good care of yourself anymore.

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00:15:27.840 --> 00:15:30.279
<v Speaker 12>Been years now since you had a check up, sir,

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00:15:30.679 --> 00:15:32.480
<v Speaker 12>not since the mistress passed away.

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00:15:32.519 --> 00:15:35.600
<v Speaker 6>In fact, I'm quite all right, Jenkins, I'm quite all right.

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00:15:35.960 --> 00:15:40.440
<v Speaker 12>Then. I'm relieved to hear it, sir. I'll bring your paper.

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00:15:40.159 --> 00:15:42.840
<v Speaker 7>Now, Good lord.

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<v Speaker 6>Is this what a man slaves his life away for?

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00:15:46.039 --> 00:15:50.200
<v Speaker 6>To end up helpless, dependent upon others, to be wheeled about,

255
00:15:50.600 --> 00:15:54.279
<v Speaker 6>put out in the sun, taken in like some great

256
00:15:54.440 --> 00:16:01.679
<v Speaker 6>fat larva. It was disgusting, But to face it, this

257
00:16:01.759 --> 00:16:04.519
<v Speaker 6>stroke is the first warning. And there'll be others, worse ones,

258
00:16:05.320 --> 00:16:07.279
<v Speaker 6>and in a short time I'll be helpless.

259
00:16:08.039 --> 00:16:13.080
<v Speaker 11>Oh there must be some way out. Not suicide, but

260
00:16:13.240 --> 00:16:24.240
<v Speaker 11>some way. There's got to be some way.

261
00:16:24.600 --> 00:16:29.279
<v Speaker 4>The icy wall hardens in the cold, vitreous steel, as

262
00:16:29.279 --> 00:16:33.440
<v Speaker 4>the dust born shadows chill its surface. The merciless ice

263
00:16:33.519 --> 00:16:36.000
<v Speaker 4>is beginning to freeze the cramped joints of the man's

264
00:16:36.039 --> 00:16:40.879
<v Speaker 4>fingers now, and the heavy act swings idly at his belt,

265
00:16:41.240 --> 00:16:44.960
<v Speaker 4>tracing a fumbling pattern on the thin air of the void.

266
00:16:46.399 --> 00:16:49.399
<v Speaker 4>How much longer now can he cling to those slots

267
00:16:49.399 --> 00:16:53.639
<v Speaker 4>in the glacier's face? How much longer does he have

268
00:16:53.759 --> 00:17:01.000
<v Speaker 4>to live? Thirty seconds a minute? Wat's the margin of safety?

269
00:17:01.120 --> 00:17:01.480
<v Speaker 7>Now?

270
00:17:02.559 --> 00:17:05.960
<v Speaker 4>And what does a man think of while his pulse

271
00:17:06.920 --> 00:17:10.799
<v Speaker 4>beats slower and he waits?

272
00:17:11.319 --> 00:17:12.240
<v Speaker 7>Do die?

273
00:17:16.880 --> 00:17:17.480
<v Speaker 10>Strange?

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00:17:17.640 --> 00:17:19.960
<v Speaker 6>How I am able to go on hanging to this slope,

275
00:17:20.559 --> 00:17:23.880
<v Speaker 6>clinging on to life when I can't feel another ounce

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<v Speaker 6>of strength.

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00:17:24.480 --> 00:17:24.920
<v Speaker 5>Left in me?

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00:17:26.279 --> 00:17:29.759
<v Speaker 6>I's right, Dying isn't so bad, really, not when it's

279
00:17:29.880 --> 00:17:31.319
<v Speaker 6>like this rather pleasant.

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00:17:31.319 --> 00:17:35.519
<v Speaker 11>In fact, look so soft down there, the shadows and.

281
00:17:35.559 --> 00:17:38.000
<v Speaker 7>The snow and the wind.

282
00:17:38.359 --> 00:17:40.119
<v Speaker 6>Perhaps I could let go and float out in the

283
00:17:40.119 --> 00:17:42.559
<v Speaker 6>wind like an eagle, be blown along by it, like

284
00:17:42.640 --> 00:17:43.440
<v Speaker 6>drifting snow.

285
00:17:45.359 --> 00:17:49.720
<v Speaker 11>Oh, the sun's gone now full dark in a few minutes.

286
00:17:50.319 --> 00:17:53.400
<v Speaker 11>Maybe I can hold on that long till everything is dark,

287
00:17:53.559 --> 00:17:54.759
<v Speaker 11>even the snow in the ice.

288
00:17:55.480 --> 00:17:56.039
<v Speaker 7>Who knows.

289
00:17:57.319 --> 00:18:00.240
<v Speaker 11>Perhaps I'll watch the sunrise tomorrow and set again.

290
00:18:00.839 --> 00:18:01.880
<v Speaker 7>And even beyond it.

291
00:18:02.640 --> 00:18:07.160
<v Speaker 11>Oh no, no, I can't last even one full minute longer.

292
00:18:07.799 --> 00:18:08.319
<v Speaker 11>I'm through.

293
00:18:08.400 --> 00:18:09.119
<v Speaker 7>I've finished.

294
00:18:09.160 --> 00:18:10.720
<v Speaker 11>I can't even the mast a half.

295
00:18:10.559 --> 00:18:11.960
<v Speaker 5>A minute mm hmm.

296
00:18:13.559 --> 00:18:16.759
<v Speaker 6>Chips of ice sliding over the edge. Funny how a

297
00:18:16.799 --> 00:18:20.200
<v Speaker 6>glacier sheds off that way? And I suppose the difference

298
00:18:20.240 --> 00:18:24.119
<v Speaker 6>in temperature between day and ray.

299
00:18:25.279 --> 00:18:26.400
<v Speaker 11>An ice axe.

300
00:18:26.839 --> 00:18:29.319
<v Speaker 6>That was an axe, no other sound in the world

301
00:18:29.359 --> 00:18:32.960
<v Speaker 6>like it fell from up above the overhang there. There

302
00:18:33.039 --> 00:18:35.519
<v Speaker 6>must be somebody up there on the slopes coming down

303
00:18:35.519 --> 00:18:36.480
<v Speaker 6>from the top.

304
00:18:39.519 --> 00:18:39.960
<v Speaker 12>There is.

305
00:18:41.680 --> 00:18:50.000
<v Speaker 11>Wait, that's five, six, seven, eight, nine, ten.

306
00:18:54.200 --> 00:18:56.839
<v Speaker 6>That's a mountaineers call for help. Someone dropped his axe

307
00:18:56.839 --> 00:18:57.720
<v Speaker 6>and he's in trouble up there.

308
00:18:58.240 --> 00:18:59.480
<v Speaker 11>It's right above his bulge.

309
00:19:00.119 --> 00:19:01.079
<v Speaker 7>If I can only.

310
00:19:03.480 --> 00:19:09.680
<v Speaker 11>No notes too dry? Well, six small steps to cut

311
00:19:09.720 --> 00:19:11.839
<v Speaker 11>to reach the edge there, all right?

312
00:19:12.880 --> 00:19:20.599
<v Speaker 7>Six steps? No, five.

313
00:19:22.279 --> 00:19:35.400
<v Speaker 13>Step just about doesn't the last step.

314
00:19:36.839 --> 00:19:37.559
<v Speaker 3>Cut off?

315
00:19:38.119 --> 00:19:40.839
<v Speaker 9>And let me go there's no use.

316
00:19:44.279 --> 00:19:44.839
<v Speaker 7>It's a woman.

317
00:19:46.440 --> 00:19:49.039
<v Speaker 11>Hold on there, happy with you in a minute.

318
00:19:51.400 --> 00:19:52.799
<v Speaker 9>Somebody timing.

319
00:19:55.359 --> 00:19:55.599
<v Speaker 11>Here?

320
00:19:57.480 --> 00:20:05.000
<v Speaker 13>Oh the edge, Take it easy there, everything's going to

321
00:20:05.000 --> 00:20:05.480
<v Speaker 13>be all right.

322
00:20:06.160 --> 00:20:06.359
<v Speaker 11>Oh.

323
00:20:08.039 --> 00:20:12.680
<v Speaker 9>I don't know where you came from. Thank Heaven, you're here.

324
00:20:13.400 --> 00:20:14.000
<v Speaker 5>Easy enough.

325
00:20:14.480 --> 00:20:16.200
<v Speaker 11>Let's get to step out for your feet here.

326
00:20:17.240 --> 00:20:19.599
<v Speaker 5>I was just below the overhang there.

327
00:20:20.119 --> 00:20:21.160
<v Speaker 7>Heard the follow up above.

328
00:20:21.240 --> 00:20:23.440
<v Speaker 5>Call out. He's got quite a voice on him.

329
00:20:23.599 --> 00:20:24.960
<v Speaker 9>It's my husband.

330
00:20:25.400 --> 00:20:27.160
<v Speaker 5>Oh please hurry easy enough.

331
00:20:27.680 --> 00:20:29.880
<v Speaker 7>I'm gonna step out here in a second. You can

332
00:20:29.920 --> 00:20:30.880
<v Speaker 7>put your feet on it.

333
00:20:31.279 --> 00:20:34.279
<v Speaker 6>You get your breath, then we'll tackle the slope and

334
00:20:35.680 --> 00:20:36.599
<v Speaker 6>I'll just scraped through.

335
00:20:36.480 --> 00:20:37.359
<v Speaker 7>His ice away.

336
00:20:38.640 --> 00:20:38.920
<v Speaker 11>Easy.

337
00:20:39.960 --> 00:20:40.759
<v Speaker 7>Oh that's better.

338
00:20:41.480 --> 00:20:45.839
<v Speaker 6>Yes, Oh, you're all right now. You just lean there

339
00:20:46.279 --> 00:20:48.000
<v Speaker 6>and when you feel like it will go on up.

340
00:20:48.440 --> 00:20:51.279
<v Speaker 6>Oh my name is Christopher Belt, by the way.

341
00:20:51.960 --> 00:20:56.960
<v Speaker 9>I'm and a god. Oh thank you. I thought we

342
00:20:56.960 --> 00:20:57.359
<v Speaker 9>were done.

343
00:20:58.079 --> 00:21:00.160
<v Speaker 8>I was cutting steps down ahead in the slope and

344
00:21:01.079 --> 00:21:04.079
<v Speaker 8>I slipped and dropped my axe.

345
00:21:04.920 --> 00:21:06.319
<v Speaker 9>Neither of us dared to move.

346
00:21:07.119 --> 00:21:09.799
<v Speaker 6>You're all right now. Soon as you rest a minute,

347
00:21:09.839 --> 00:21:12.839
<v Speaker 6>we'll cut some more steps back up the slope. No,

348
00:21:12.960 --> 00:21:15.680
<v Speaker 6>you shouldn't have started down this way. You'd never have

349
00:21:15.720 --> 00:21:17.359
<v Speaker 6>been able to pass that bowl.

350
00:21:17.839 --> 00:21:19.799
<v Speaker 9>Yes, I can see that now.

351
00:21:20.680 --> 00:21:23.279
<v Speaker 8>Of course, it's it's harder to tell when you're moving

352
00:21:23.359 --> 00:21:24.200
<v Speaker 8>down slope.

353
00:21:24.319 --> 00:21:25.480
<v Speaker 7>Yes, I suppose it is.

354
00:21:27.000 --> 00:21:29.839
<v Speaker 9>You. You were coming up the slope, weren't you.

355
00:21:30.119 --> 00:21:33.680
<v Speaker 7>Yes, I came up from the foot alone.

356
00:21:33.240 --> 00:21:38.680
<v Speaker 8>And without a rope, and you deliberately climb onto the

357
00:21:38.759 --> 00:21:41.079
<v Speaker 8>underside of an overhanging wall.

358
00:21:42.359 --> 00:21:44.440
<v Speaker 7>Let's just say we're both fool hard.

359
00:21:45.720 --> 00:21:46.720
<v Speaker 9>Is that what you call it?

360
00:21:47.839 --> 00:21:52.480
<v Speaker 6>Well, if you've got your breath back, now, suppose we

361
00:21:52.680 --> 00:22:00.240
<v Speaker 6>start up the slope.

362
00:22:03.720 --> 00:22:06.200
<v Speaker 3>My name is Theodore Gullen, and I am the husband

363
00:22:06.200 --> 00:22:07.720
<v Speaker 3>of the woman who slipped and fell on the wall

364
00:22:07.720 --> 00:22:11.960
<v Speaker 3>of the glacier. I'm a physician, formerly of Harley Street, London.

365
00:22:12.559 --> 00:22:14.680
<v Speaker 5>I've practiced in Paris for several years now.

366
00:22:15.839 --> 00:22:17.960
<v Speaker 3>I met mister Bell when he and my wife.

367
00:22:17.799 --> 00:22:19.559
<v Speaker 7>Reached the ice ledge where I stood.

368
00:22:19.319 --> 00:22:20.920
<v Speaker 11>Waiting about them.

369
00:22:21.559 --> 00:22:24.480
<v Speaker 3>I was not immediately aware of his trouble, but found

370
00:22:24.480 --> 00:22:26.960
<v Speaker 3>out about it a short time later when we reached

371
00:22:26.960 --> 00:22:29.640
<v Speaker 3>the rest had at the top of the ridge. While

372
00:22:29.680 --> 00:22:31.759
<v Speaker 3>my wife heated water for tea at the far side

373
00:22:31.799 --> 00:22:34.400
<v Speaker 3>of the room, Bell and I fell into a much

374
00:22:34.440 --> 00:22:39.599
<v Speaker 3>more personal conversation than strangers normally do. This sometimes happens

375
00:22:39.640 --> 00:22:41.759
<v Speaker 3>when people have been very close to death.

376
00:22:48.920 --> 00:22:52.319
<v Speaker 6>At any rate, Doctor Gollan, you can see ours. A

377
00:22:52.440 --> 00:22:55.000
<v Speaker 6>life of an invalid doesn't seem very appealing to me.

378
00:22:55.759 --> 00:22:58.720
<v Speaker 3>He tear me something. Mister Bell, I gather you were

379
00:22:58.759 --> 00:23:00.480
<v Speaker 3>pretty well done in when I call out that in

380
00:23:00.480 --> 00:23:04.599
<v Speaker 3>a glacier couldn't have to hand. Then how do you

381
00:23:04.640 --> 00:23:07.200
<v Speaker 3>account for being able to chop six steps into that

382
00:23:07.279 --> 00:23:09.759
<v Speaker 3>ice in a matter of some five minutes.

383
00:23:11.160 --> 00:23:13.880
<v Speaker 7>I don't know exactly I was through.

384
00:23:14.359 --> 00:23:17.000
<v Speaker 6>I couldn't have lasted thirty seconds or more. But when

385
00:23:17.000 --> 00:23:19.519
<v Speaker 6>I realized somebody was in danger, I forgot about it.

386
00:23:19.720 --> 00:23:22.640
<v Speaker 3>And this numbness, this lack of feeling in your right side,

387
00:23:23.119 --> 00:23:23.960
<v Speaker 3>didn't bother you.

388
00:23:24.000 --> 00:23:25.440
<v Speaker 7>No, I didn't notice.

389
00:23:26.039 --> 00:23:27.960
<v Speaker 11>It isn't quite so bad even now.

390
00:23:28.839 --> 00:23:30.200
<v Speaker 3>Here's your answer, mister Bell.

391
00:23:30.880 --> 00:23:32.759
<v Speaker 7>I don't believe I follow you action.

392
00:23:33.759 --> 00:23:36.759
<v Speaker 3>When you were in action, working because you had a reason,

393
00:23:37.400 --> 00:23:41.119
<v Speaker 3>living because you had to, because somebody was depending on you.

394
00:23:41.920 --> 00:23:44.799
<v Speaker 3>Then you were all right. Everything was back in its

395
00:23:44.799 --> 00:23:45.359
<v Speaker 3>place again.

396
00:23:45.720 --> 00:23:48.759
<v Speaker 6>Perhaps, but a man can't spend all his time timbing

397
00:23:48.839 --> 00:23:49.400
<v Speaker 6>up a mountain.

398
00:23:49.559 --> 00:23:51.680
<v Speaker 7>Oh, I don't mean physical action.

399
00:23:52.200 --> 00:23:55.640
<v Speaker 3>Movement got it incentive if you like, Maybe that's a

400
00:23:55.640 --> 00:23:56.519
<v Speaker 3>better way to put it.

401
00:23:56.519 --> 00:23:57.119
<v Speaker 7>Incentive.

402
00:23:57.920 --> 00:24:01.359
<v Speaker 3>It's the one top pressure that it keeps life moving

403
00:24:01.720 --> 00:24:04.279
<v Speaker 3>and growing, and it's what you need.

404
00:24:04.720 --> 00:24:09.400
<v Speaker 6>Well, it's an interesting theory, doctor, it's only a theory.

405
00:24:09.839 --> 00:24:13.160
<v Speaker 8>I'll haven't he ready in the moment, anybody, I am,

406
00:24:13.200 --> 00:24:14.640
<v Speaker 8>my dear, that can be brought it.

407
00:24:14.839 --> 00:24:18.039
<v Speaker 11>If no one minds, I believe I'll have a turn outside.

408
00:24:17.680 --> 00:24:18.359
<v Speaker 7>While we're waiting.

409
00:24:18.960 --> 00:24:20.240
<v Speaker 3>Be careful out there in the dark.

410
00:24:20.359 --> 00:24:25.680
<v Speaker 7>The ridge breaks off, British sharply. I'll be careful, doctor Gollan.

411
00:24:26.799 --> 00:24:30.000
<v Speaker 6>If things were turned around, I wonder if it'd be

412
00:24:30.039 --> 00:24:47.079
<v Speaker 6>any more than just a theory to you, mister Bell.

413
00:24:48.720 --> 00:24:50.160
<v Speaker 7>I'm over here, missus Garland.

414
00:24:51.279 --> 00:24:55.799
<v Speaker 9>Beautiful, isn't it with the stars so clear and bright?

415
00:24:56.039 --> 00:24:59.319
<v Speaker 6>Yes, well, there won't be many more clear nights before

416
00:24:59.359 --> 00:25:00.000
<v Speaker 6>the winter stops.

417
00:25:01.519 --> 00:25:03.440
<v Speaker 9>It would be a shame to give it up. You

418
00:25:03.519 --> 00:25:05.160
<v Speaker 9>and I.

419
00:25:05.319 --> 00:25:09.160
<v Speaker 8>You're mean, I've got to say this quickly. We are

420
00:25:09.200 --> 00:25:10.720
<v Speaker 8>not the kind to commit suicide.

421
00:25:10.799 --> 00:25:11.319
<v Speaker 9>You and I.

422
00:25:11.559 --> 00:25:12.000
<v Speaker 4>Ah.

423
00:25:12.839 --> 00:25:15.759
<v Speaker 8>You deliberately climbed into a dead end out on that glacier,

424
00:25:16.559 --> 00:25:20.759
<v Speaker 8>and I did the same thing. I went ahead and

425
00:25:20.920 --> 00:25:24.039
<v Speaker 8>I picked the root down that slope. No wait wait,

426
00:25:24.880 --> 00:25:27.079
<v Speaker 8>in thirty seconds, I would have cut myself loose from

427
00:25:27.079 --> 00:25:31.440
<v Speaker 8>that rope. Oh, we went to an awful lot of trouble,

428
00:25:31.519 --> 00:25:36.319
<v Speaker 8>so we wouldn't have to call it suicide. You why,

429
00:25:37.000 --> 00:25:39.799
<v Speaker 8>I have a brain condition. There's no point in going

430
00:25:39.799 --> 00:25:44.599
<v Speaker 8>into it. But it's incurable. Sooner or later, at any moment,

431
00:25:45.359 --> 00:25:46.200
<v Speaker 8>I shall go blind.

432
00:25:46.400 --> 00:25:46.640
<v Speaker 4>Ah.

433
00:25:46.720 --> 00:25:49.279
<v Speaker 8>No, my husband doesn't know about it, and I don't

434
00:25:49.279 --> 00:25:52.440
<v Speaker 8>want him to know. I'll make a bargain with you.

435
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<v Speaker 7>What sort of bargain.

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<v Speaker 9>I'm not brave really to go on living.

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00:25:59.400 --> 00:26:02.160
<v Speaker 8>I need some thing to cling to. I need to

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<v Speaker 8>know all the time that there's someone else with courage too,

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<v Speaker 8>mister Bell, I'll go on living.

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<v Speaker 11>If you were, I'd say you're amazingly brave.

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<v Speaker 8>If I were, I could do it alone without having

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<v Speaker 8>to make myself dependent on you and on your courage.

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<v Speaker 6>That sort of thing would work both ways. I wouldn't

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00:26:26.079 --> 00:26:26.839
<v Speaker 6>dare let you.

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00:26:26.839 --> 00:26:31.319
<v Speaker 8>Down, nor could I. You do you want to make

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00:26:31.359 --> 00:26:35.160
<v Speaker 8>that bargain? Shall we go on living, mister Bell?

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00:26:38.640 --> 00:26:42.720
<v Speaker 3>As I said before, I am doctor tedder Gullen. I

448
00:26:42.839 --> 00:26:44.680
<v Speaker 3>met mister Bell some three hours ago.

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00:26:44.759 --> 00:26:45.960
<v Speaker 7>I'm the chalet of Glacier.

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00:26:47.119 --> 00:26:49.240
<v Speaker 3>At the moment, he's outside the hut a few yards

451
00:26:49.279 --> 00:26:52.720
<v Speaker 3>away talking to my wife. I can hear the sound

452
00:26:52.759 --> 00:26:56.240
<v Speaker 3>of their vices, but I can't make out the words. However,

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00:26:56.920 --> 00:26:59.319
<v Speaker 3>I know what they're talking about and what his answer

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00:26:59.400 --> 00:27:02.480
<v Speaker 3>would be. My wife and I discussed that before she

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<v Speaker 3>went to join him. You may have heard of my

456
00:27:05.720 --> 00:27:08.519
<v Speaker 3>wife incidentally, but it would likely have been under the

457
00:27:08.599 --> 00:27:12.079
<v Speaker 3>stage name she uses in the Paris theater. You see,

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00:27:12.160 --> 00:27:16.359
<v Speaker 3>She's She's quite a talented actress.

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<v Speaker 1>Escape is produced and directed by Norman MacDonald. Tonight we

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00:27:40.839 --> 00:27:44.279
<v Speaker 1>have presented action by C. E. Montague, adapted for radio

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00:27:44.359 --> 00:27:47.839
<v Speaker 1>by Les Crutchfield. Featured in the cast were Joseph Kerns

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00:27:47.839 --> 00:27:51.759
<v Speaker 1>as mister Bell, with Maria Palmer, Wilms, Herbert ben Wright,

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00:27:52.039 --> 00:27:56.400
<v Speaker 1>Jeff Corey, Tudor Owen, and Bill Johnstone. Special music arranged

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00:27:56.400 --> 00:27:58.000
<v Speaker 1>and conducted by Wilbur Hatch.

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<v Speaker 3>Next week, you are trapped in the native quarter of Mozambique,

466
00:28:14.720 --> 00:28:17.440
<v Speaker 3>with the police closing in on you, while at your

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00:28:17.480 --> 00:28:21.319
<v Speaker 3>feet like two dead men, and standing beside you as

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00:28:21.359 --> 00:28:24.759
<v Speaker 3>a sultry girl who offers you escape.

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<v Speaker 1>Next week we escape with a gripping story by Percival

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00:28:38.839 --> 00:28:42.680
<v Speaker 1>Gibbon entitled second Class Passenger. Be with us next week

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00:28:42.720 --> 00:28:45.359
<v Speaker 1>at the same time, when once again we offer you

472
00:28:46.400 --> 00:29:01.680
<v Speaker 1>escape and I'll stay tuned for or Casey crime photographer

473
00:29:01.880 --> 00:29:04.559
<v Speaker 1>to hear the story of Durable Dennis. It'll be along

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00:29:04.599 --> 00:29:06.400
<v Speaker 1>in just a few moments on most of these same

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00:29:06.519 --> 00:29:15.599
<v Speaker 1>CBS stations. This is Tip Corning speaking. This is CBS,

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00:29:15.680 --> 00:29:30.880
<v Speaker 1>the Columbia Broadcasting System.
