1
00:00:00,240 --> 00:00:05,519
Speaker 1: Hi, This is Bobby Brown, and welcome to another fucking podcast.

2
00:00:06,120 --> 00:00:10,000
Speaker 2: Troy a sight, don't be a a oh man bab

3
00:00:10,800 --> 00:00:17,399
not once great champ now sunny and mopishness no longer

4
00:00:17,640 --> 00:00:21,760
the factory hungry still wait right, so many times payful

5
00:00:22,359 --> 00:00:27,000
by a pathetic wash up age ax Champion.

6
00:00:27,120 --> 00:00:32,600
Speaker 1: All right, let's go. I think you know the guy,

7
00:00:32,920 --> 00:00:35,039
and I think you know what, pretty dear? WHOA?

8
00:00:36,000 --> 00:00:36,560
Speaker 2: His name?

9
00:00:37,520 --> 00:00:41,240
Speaker 1: Is he Presley? He Press?

10
00:00:41,799 --> 00:00:44,159
Speaker 2: Presley? What's my name?

11
00:00:44,679 --> 00:00:45,600
Speaker 1: Say my name? Bitch?

12
00:00:45,759 --> 00:00:46,359
Speaker 2: My good friend?

13
00:00:46,600 --> 00:00:51,679
Speaker 1: Is he Presley? Is he Presley? Is Presley Couch? Is

14
00:00:51,719 --> 00:00:52,240
he Presley?

15
00:00:52,240 --> 00:00:52,439
Speaker 2: WHOA?

16
00:00:52,479 --> 00:00:54,079
Speaker 1: That sounds a little weird? Is he President?

17
00:00:54,359 --> 00:00:55,000
Speaker 2: Is he Presley?

18
00:00:55,079 --> 00:00:55,799
Speaker 1: Is he Presley?

19
00:00:56,200 --> 00:00:58,799
Speaker 2: The heaviest, gurthiest rocky j around?

20
00:00:59,039 --> 00:01:02,600
Speaker 1: Hey, this is Jeffer. You listen to Izzy Presley. Those

21
00:01:02,679 --> 00:01:04,959
aren't pillows. And I would like to presume that all

22
00:01:05,000 --> 00:01:09,480
you creating is humanolids sitting out there. I think Nick

23
00:01:09,519 --> 00:01:14,200
Bockwinkle said it best. Hello, Las Vegas, Hello world, Hello,

24
00:01:14,280 --> 00:01:15,840
my loyal minions. It is good to see what It's

25
00:01:15,840 --> 00:01:18,879
always good to be seen. It is Tuesday, March seventeenth,

26
00:01:19,760 --> 00:01:24,280
nine thirty seven pm here in beautiful, fabulous Las Vegas, Nevada.

27
00:01:24,400 --> 00:01:29,519
It is Saint Patrick's Day and I'm about to partake

28
00:01:29,560 --> 00:01:33,920
in a goddamn beer. Didn't get to a show last night,

29
00:01:34,000 --> 00:01:38,040
Well we recorded, you got this week's show. You got

30
00:01:38,079 --> 00:01:41,959
the national show already, and you'll get the video probably tonight.

31
00:01:43,760 --> 00:01:47,439
I mean, why not, it's what you pay for.

32
00:01:50,000 --> 00:01:50,599
Speaker 2: This is uh.

33
00:01:50,920 --> 00:01:55,760
Speaker 1: I am going to make this one free. I said

34
00:01:55,799 --> 00:01:58,519
I should do one of these for free every week

35
00:02:00,079 --> 00:02:07,319
that the world can hear and get an idea. Maybe

36
00:02:07,439 --> 00:02:10,520
I put it you know what, instead of just opening

37
00:02:10,560 --> 00:02:16,159
it up for free, because then I'll forget to change

38
00:02:16,240 --> 00:02:23,280
the setting back to paid. Maybe just maybe hear me out.

39
00:02:26,039 --> 00:02:34,280
Maybe I put it up where podcasts are heard. They

40
00:02:34,319 --> 00:02:37,840
can get an idea what the patreon is all about,

41
00:02:40,520 --> 00:02:42,319
and then come here and listen to an ad free

42
00:02:44,120 --> 00:02:46,000
three or four nights a week. I think that might

43
00:02:46,080 --> 00:02:48,080
be the best idea I've ever had. So that way,

44
00:02:48,080 --> 00:02:50,039
I'm not opening the show up for free. They still

45
00:02:50,080 --> 00:02:51,479
have to hear the ads. Unless they don't want to

46
00:02:51,520 --> 00:02:53,919
hear the ads. They can come here and not hear

47
00:02:53,960 --> 00:02:57,520
the ads. It's not hard. It's only five dollars a month.

48
00:02:57,800 --> 00:03:00,919
So all of you, all of you freebies out there,

49
00:03:02,039 --> 00:03:04,759
listening to the ads during this show and all the

50
00:03:04,800 --> 00:03:07,560
other shows. You can come over to the Patreon join

51
00:03:07,639 --> 00:03:10,439
the Miniondom for only five dollars a month. That's only

52
00:03:10,520 --> 00:03:12,680
five dollars a month. That is nothing. That is less

53
00:03:12,680 --> 00:03:17,120
than you spend at Starbucks every single day. You're helping

54
00:03:17,199 --> 00:03:26,159
out and supporting doing what good people do. Ah, Izzy,

55
00:03:26,280 --> 00:03:28,840
I don't want to fucking pay five dollars a month? Okay,

56
00:03:28,919 --> 00:03:33,039
then just send me money real, Izzy Presley Twitter, Instagram, Facebook,

57
00:03:33,400 --> 00:03:36,639
and Venmo dollars signed Izzy Presley on on the on

58
00:03:36,719 --> 00:03:40,840
the Cash app. It's easy. I really like what you do.

59
00:03:41,000 --> 00:03:42,960
I don't want to sign up though, Okay, that's fine.

60
00:03:43,120 --> 00:03:50,639
You can. You can still contribute. I mean, it's not

61
00:03:52,280 --> 00:03:56,280
unheard of. I need to bring back that Arms of

62
00:03:56,319 --> 00:03:59,120
an Angel that I did. That was that was good.

63
00:04:00,080 --> 00:04:00,560
Speaker 2: That was good.

64
00:04:01,520 --> 00:04:05,680
Speaker 1: Get you all sad and go maybe I will. That's fine,

65
00:04:05,759 --> 00:04:06,479
it is what it is.

66
00:04:08,120 --> 00:04:08,280
Speaker 2: Hey.

67
00:04:08,360 --> 00:04:10,319
Speaker 1: Yeah, before we get into everything, I am going to

68
00:04:10,439 --> 00:04:17,040
be diving into the Vinnie Vincent album story and deciding

69
00:04:17,360 --> 00:04:19,800
on the air not live. I wish it was live.

70
00:04:22,360 --> 00:04:28,240
If Vinny Vincent is insane or if he is an

71
00:04:28,240 --> 00:04:36,360
evil genius evil, you might say evil we'll see, we'll

72
00:04:36,399 --> 00:04:41,240
get into that. Uh what else, folks, Cruise of the

73
00:04:41,319 --> 00:04:43,639
Edge we didn't really touch on. Cruise of the Edge

74
00:04:45,160 --> 00:04:47,720
had a great time. I touched on it on the Patreon,

75
00:04:50,279 --> 00:04:52,279
had a great time. It's a blast. It's always a blast.

76
00:04:52,519 --> 00:04:54,560
There is some some of my saving because I'm not

77
00:04:54,680 --> 00:04:57,360
a prog guy, but I still have a goddamn blast

78
00:04:57,439 --> 00:05:01,800
on that cruise. Queen's Reich was on there, so it

79
00:05:01,920 --> 00:05:06,879
was a saving grace. Red Beach was on there from

80
00:05:06,920 --> 00:05:12,560
Winger doing his fusion thing with Greg Smith and Paul.

81
00:05:14,720 --> 00:05:19,720
Paul Taylor was hanging out. The drummer from Winger was

82
00:05:20,639 --> 00:05:24,040
Rob Morgenstein was there just hanging out. So I had

83
00:05:24,120 --> 00:05:25,680
some saving graces in there. It was good.

84
00:05:25,720 --> 00:05:25,959
Speaker 2: And the.

85
00:05:27,600 --> 00:05:33,519
Speaker 1: Jason Bieler and the Baron von Bielsky Orchestra played their

86
00:05:33,720 --> 00:05:35,560
first show in the history of that band at the

87
00:05:35,600 --> 00:05:37,680
pre party. I got to intro them and it was great.

88
00:05:38,879 --> 00:05:40,639
The band, I mean not I mean the intro is

89
00:05:40,639 --> 00:05:44,480
great too, because it's what I do. I'm good. I'm

90
00:05:44,680 --> 00:05:49,120
goddamn good at it. I'm good at a lot of things.

91
00:05:49,680 --> 00:05:53,480
Some people say not at this, but well, you know,

92
00:05:54,639 --> 00:06:01,399
thirteen years strong, what can you say? About it. Before

93
00:06:01,439 --> 00:06:03,560
we get into that, there was a question on the

94
00:06:03,639 --> 00:06:10,680
Patreon from Keith Robert Warr, who is a guitar player extraordinaire.

95
00:06:12,600 --> 00:06:15,279
He's worked he was on this show. He's worked with

96
00:06:15,480 --> 00:06:21,319
Twisted Sister, played with Twisted Sister, and he's a member

97
00:06:21,360 --> 00:06:24,879
of Act attributaist Freely and a couple of Kiss tributes

98
00:06:24,959 --> 00:06:29,319
like One Last Kiss and Doctor Love Phenomenal. He's Vegas

99
00:06:29,360 --> 00:06:34,279
Ace and I was talking about on the last show

100
00:06:34,399 --> 00:06:42,360
about vinyl and how, yes, we all know CDs digitally

101
00:06:42,560 --> 00:06:45,639
sound better. I get that, I understand, but they don't

102
00:06:45,720 --> 00:06:56,120
sound the same obviously, and about how there's a how

103
00:06:56,240 --> 00:06:59,279
vinyl just hits different, not the new vinyl, a new

104
00:06:59,360 --> 00:07:04,439
vinyl that it doesn't it doesn't have that. It's the

105
00:07:04,519 --> 00:07:06,680
last Black Crows record came out two years ago. I

106
00:07:06,759 --> 00:07:09,279
bought the CD and the vinyl. I a beat it

107
00:07:09,360 --> 00:07:14,399
It sound the same, it's it was the same, but

108
00:07:14,519 --> 00:07:16,040
you still have I think you still have a better

109
00:07:16,120 --> 00:07:20,800
relationship with the vinyl. You have the artwork and the

110
00:07:24,519 --> 00:07:28,240
vinyl is like appointment viewing, and I love appointment viewing.

111
00:07:28,279 --> 00:07:30,800
That's why I'm so happy that Scrubs is on every

112
00:07:30,920 --> 00:07:33,439
week and they didn't just give you the whole goddamn

113
00:07:33,519 --> 00:07:42,360
season right away. You listen to the whole record. You

114
00:07:42,519 --> 00:07:44,319
sit down and you listen to the whole record. And

115
00:07:44,399 --> 00:07:46,120
that's one of the things that I love about Vinyl

116
00:07:46,120 --> 00:07:51,120
and I talk about there's a feeling, there's an experience,

117
00:07:51,439 --> 00:07:57,560
and how it just hits you different. And I always

118
00:07:57,680 --> 00:08:02,040
use the example of Meet the Beatles. Now Keith Robert

119
00:08:02,079 --> 00:08:05,920
wore close personal friend. Oh my god, I almost forgot

120
00:08:06,959 --> 00:08:13,360
ladies and gentlemen, it is Saint Patrick's day. Yesterday was

121
00:08:13,600 --> 00:08:21,439
three sixteen which were recorded with Daniel Buckspin about his

122
00:08:21,600 --> 00:08:23,800
brand new record or his a brand new book called

123
00:08:24,279 --> 00:08:27,279
Rush and twenty one twelve fifty years is available now

124
00:08:28,560 --> 00:08:33,320
and that episode is already up on the Patreon and

125
00:08:33,480 --> 00:08:36,279
it will be up for the world if you're not

126
00:08:36,480 --> 00:08:45,120
on the Patreon on Friday and video on Saturday, which

127
00:08:45,159 --> 00:08:48,480
should be on the Patreon tonight. But and this is

128
00:08:48,519 --> 00:08:50,879
already on the Patreon tonight. If you're hearing this not

129
00:08:51,440 --> 00:08:56,240
on the Patreon, this is coming out tomorrow or tonight

130
00:08:56,360 --> 00:09:03,240
ad free anyways, regardless. He says, what's up with you?

131
00:09:03,480 --> 00:09:10,480
And Meet the Beatles. But before I get into that,

132
00:09:11,879 --> 00:09:18,879
in honor of Saint Patrick's Day and three sixteen goddamn

133
00:09:18,919 --> 00:09:22,200
three sixteen got a crack one for the working man

134
00:09:25,639 --> 00:09:33,240
and tip one back for the working man. My god,

135
00:09:33,320 --> 00:09:35,039
do I love beer. That is a Natty Light. I

136
00:09:35,120 --> 00:09:39,600
have five Mick Golden's left, three cans, two bottles, and

137
00:09:39,639 --> 00:09:42,279
I have to ration those very, very very easily, because

138
00:09:43,799 --> 00:09:48,120
very strictly, I should say, because that is my favorite

139
00:09:48,159 --> 00:09:49,679
beer and I can't get it here in Las Vegas.

140
00:09:50,399 --> 00:09:55,559
It is what it is. So back to what we

141
00:09:55,639 --> 00:10:02,799
were talking about, Meet the Beatles. I have never owned

142
00:10:05,919 --> 00:10:10,759
a Beatles record. I've had Beatles CDs. I have Beatle CDs.

143
00:10:10,799 --> 00:10:16,039
I've listened to Beatles CDs and they sound fine, they're

144
00:10:16,080 --> 00:10:22,559
cleaning their crisp. But one day, it was like a

145
00:10:22,679 --> 00:10:26,279
year ago or two years ago, I hit a mother

146
00:10:26,399 --> 00:10:36,639
load a vinyl at Goodwill, and I always say, going

147
00:10:36,679 --> 00:10:38,320
in there because I always go. I always go there

148
00:10:38,320 --> 00:10:39,759
and I check the vinyl because you never know you

149
00:10:39,840 --> 00:10:44,159
might find something decent. You know, it's pretty rare you

150
00:10:44,240 --> 00:10:48,159
find all decent collection. I hit a decent collection. I

151
00:10:48,320 --> 00:10:55,360
bought twenty eight records, and I always said, I mean, look,

152
00:10:55,600 --> 00:10:58,679
you're never gonna find Meet the fucking Beatles. I found

153
00:10:58,759 --> 00:11:02,559
Meet the Beatles and two other Beatles records. One of

154
00:11:02,600 --> 00:11:08,200
them is in terrible shape. The other one it's about

155
00:11:08,200 --> 00:11:11,480
the same shape as Meet the Beatles. Not great, but

156
00:11:11,639 --> 00:11:17,120
it doesn't matter. There's only one skip in it. But

157
00:11:17,240 --> 00:11:22,600
when I dropped the needle on Meet the Beetles for

158
00:11:22,720 --> 00:11:25,960
the very first time, I felt like I went back

159
00:11:26,039 --> 00:11:31,159
in time. The crackles, the pops, the sounds, the feel.

160
00:11:32,600 --> 00:11:39,279
I felt like a teenager in nineteen sixty four, if

161
00:11:39,320 --> 00:11:44,159
that's when that record came out. Dropping the needle on

162
00:11:44,240 --> 00:11:50,039
that for the very first time, it took me to

163
00:11:50,159 --> 00:11:52,320
a different time. It took me to a different place.

164
00:11:55,120 --> 00:12:03,960
I got a weird feeling, a weird good feeling, like whoa,

165
00:12:07,879 --> 00:12:11,159
this must be what it was like hearing this for

166
00:12:11,279 --> 00:12:14,919
the first time, because I've never heard it like this.

167
00:12:18,639 --> 00:12:23,000
I've never I've only heard it on the radio. I've

168
00:12:23,039 --> 00:12:25,120
heard in movies, and i've heard it on CD. I've

169
00:12:25,279 --> 00:12:28,799
never heard it like this. Now. This don't get me wrong,

170
00:12:28,919 --> 00:12:37,639
This isn't an original pressing, but it's still from the sixties,

171
00:12:39,399 --> 00:12:48,000
maybe early seventies at the latest. A feeling came over

172
00:12:48,159 --> 00:12:52,639
me that brought me back, brought me to a different

173
00:12:52,759 --> 00:12:57,840
place at a different time, and that's the experience you

174
00:12:58,159 --> 00:13:05,000
get for me, at least from vinyl. Hell. I listened

175
00:13:05,000 --> 00:13:10,639
to I Hit a Stack about eight records, seven records

176
00:13:11,000 --> 00:13:13,240
just the other day, and one of them was Brian

177
00:13:13,320 --> 00:13:19,559
Adams Reckless Summer sixty nine, Run to You some I

178
00:13:19,960 --> 00:13:23,000
need somebody, Why the mother.

179
00:13:22,919 --> 00:13:23,399
Speaker 2: Are you you?

180
00:13:23,679 --> 00:13:29,440
Speaker 1: But much better. I've only heard that on CD or

181
00:13:29,519 --> 00:13:32,320
cassette or the radio. I've never heard it on vinyl.

182
00:13:32,399 --> 00:13:37,080
And there was a again, I got this feeling. It

183
00:13:37,240 --> 00:13:44,080
was just it felt darker, which I know is weird

184
00:13:44,200 --> 00:13:49,480
to say about a Brian Adams record. It's a great record,

185
00:13:52,080 --> 00:13:56,799
but listening to it like that, it just made it

186
00:13:56,879 --> 00:14:06,759
completely different, totally, completely different, just weird. I don't know

187
00:14:06,799 --> 00:14:08,519
how to Oh, I think I did just explain it,

188
00:14:12,720 --> 00:14:17,200
all right. So there's your answer, Keith. And next time

189
00:14:17,240 --> 00:14:18,759
you come over to have beers, I will put it

190
00:14:18,840 --> 00:14:21,399
on and see if maybe you get that same experience.

191
00:14:21,679 --> 00:14:24,799
I get that look when I put Kiss records on,

192
00:14:25,159 --> 00:14:28,559
but I'm kind of numb to that because I'm a

193
00:14:28,840 --> 00:14:32,639
full blown Kiss TRD. But I don't know, Keith, Next

194
00:14:32,679 --> 00:14:34,840
time you come over to have beers, goddamn drinks of

195
00:14:34,879 --> 00:14:42,159
goddamn beers. We will put on Meet the Beatles, and

196
00:14:42,279 --> 00:14:44,440
I put it on for my mom. When my mom

197
00:14:44,559 --> 00:14:52,000
was here last year for her birthday. I was able

198
00:14:52,039 --> 00:14:56,000
to put that record on for her and it brought

199
00:14:56,080 --> 00:14:58,440
her back to a different place. So there it is.

200
00:14:58,919 --> 00:15:04,759
That's uh, that's your answer, Keith. Now let's get on

201
00:15:04,879 --> 00:15:05,639
to Vinnie Vincent.

202
00:15:05,919 --> 00:15:09,159
Speaker 2: Check out the home decorating savings at Manar. Wow.

203
00:15:09,399 --> 00:15:15,919
Speaker 1: Monard's Guy just fucking came in again. So dumb, but

204
00:15:16,039 --> 00:15:18,120
I love that bit. If you, uh, if you, if

205
00:15:18,159 --> 00:15:20,759
you sign up to the Patreon because of this episode,

206
00:15:20,919 --> 00:15:24,639
please welcome. Go back a couple episodes and you'll, uh,

207
00:15:25,679 --> 00:15:27,879
you'll hear the story of the Menard's Guy and why

208
00:15:27,919 --> 00:15:32,799
I started using that drop. Anyways, So Vinnie Vincent announced,

209
00:15:33,120 --> 00:15:39,879
and we've all heard the story by now we've all

210
00:15:39,960 --> 00:15:42,879
heard the story that Vinnie Vincent is selling his brand

211
00:15:43,000 --> 00:15:50,519
new album, Guitarmageddon for two million dollars to one person.

212
00:15:54,399 --> 00:16:02,960
This gives you all the exclusive artwork posters. Yes, I

213
00:16:03,240 --> 00:16:11,240
believe it's the Masters. I think I think you see

214
00:16:11,399 --> 00:16:20,279
I'm looking for uh see. So this this includes ten

215
00:16:20,399 --> 00:16:23,879
songs mixed in Master final product format, all the master

216
00:16:24,000 --> 00:16:26,559
files of the artwork. So you don't get the master

217
00:16:27,360 --> 00:16:35,080
of the actual album. You get the master files of

218
00:16:35,120 --> 00:16:38,200
the artwork, related posters and ten separate vinyl and CD

219
00:16:38,360 --> 00:16:42,799
patrick packaging art for each individual song. Because Vinnie decided

220
00:16:42,840 --> 00:16:45,919
to try to sell the song sell the album song

221
00:16:46,039 --> 00:16:49,039
by song for like two thousand dollars a song. But

222
00:16:49,159 --> 00:16:51,320
now you can buy the intel entire album for a

223
00:16:52,600 --> 00:16:55,279
measley price of two million dollars. But there's the catch.

224
00:16:55,440 --> 00:16:58,360
You are the only one that gets it. You are

225
00:16:58,440 --> 00:17:03,279
the one that gets all this Now and I quote,

226
00:17:03,320 --> 00:17:05,480
the buyer can choose to release the entire album in

227
00:17:05,519 --> 00:17:09,240
any format they desire, final CD, or any other configuration,

228
00:17:09,880 --> 00:17:13,200
in whole or in part, at their discretion. All marketing

229
00:17:13,240 --> 00:17:18,519
plans and ideas require approval by Vinnie Vincent. Now, the

230
00:17:18,720 --> 00:17:24,039
price does not include any right title interest to the

231
00:17:24,200 --> 00:17:29,519
copyrights or trademarks related to Vinnie Vincent or the product itself.

232
00:17:31,960 --> 00:17:42,039
Now does that mean that you don't get Does that

233
00:17:42,160 --> 00:17:44,200
mean that you don't get the rights to the So

234
00:17:44,599 --> 00:17:47,279
let's read this again. The buyer can choose to release

235
00:17:47,400 --> 00:17:51,640
the entire album in any format they desire, Vinyl, CD,

236
00:17:51,839 --> 00:17:54,640
or any other configuration, in whole or in part at

237
00:17:54,680 --> 00:17:58,960
their discretion. All marketing plans and ideas require approval by

238
00:17:59,039 --> 00:18:05,279
Vinnie Vincent. The price does not include any rite, any title, interest,

239
00:18:05,400 --> 00:18:08,480
or copyrights or trademarks related to vinevin Okay.

240
00:18:08,319 --> 00:18:08,400
Speaker 2: So.

241
00:18:11,599 --> 00:18:16,680
Speaker 1: Vinnie Vincent, I am saying this right now. He may

242
00:18:16,839 --> 00:18:23,160
not be all there. Some people may think he is insane.

243
00:18:23,279 --> 00:18:25,480
I do not think he is insane. I think this

244
00:18:25,720 --> 00:18:31,279
is a fucking marketing genius ploy. I think this is

245
00:18:31,400 --> 00:18:42,839
an evil genius move. This is a doctor evil evil move. Yes,

246
00:18:43,079 --> 00:18:47,039
it sounds insane. The announcement of Guitar Again's ten track

247
00:18:47,160 --> 00:18:49,920
release at two million dollars then actually makes write the

248
00:18:50,000 --> 00:18:53,000
serpent field like a real bargain. This is from guitar

249
00:18:53,039 --> 00:18:56,440
world dot com because the element itself looks like up

250
00:18:56,559 --> 00:18:59,119
to a value of two hundred thousand dollars per track.

251
00:19:00,720 --> 00:19:06,240
Oh but wait, there's more. Now, this has been talked

252
00:19:06,279 --> 00:19:12,960
about by anybody and everybody. I'm sure every single kiss

253
00:19:13,079 --> 00:19:16,200
podcast has talked about this. Eddie Trunk has talked about this,

254
00:19:17,240 --> 00:19:25,759
every every single music podcast has dove into this. So

255
00:19:26,000 --> 00:19:31,319
why not throw my fucking name in the way in

256
00:19:31,519 --> 00:19:33,680
the bucket as well, because I mean it is called

257
00:19:33,720 --> 00:19:36,799
another fucking podcast it is called another f and podcast

258
00:19:39,000 --> 00:19:45,240
for thirteen years. Vinnie Vincent is fucking brilliant. This is

259
00:19:45,599 --> 00:19:50,759
the greatest marketing ploy in the history of all music

260
00:19:51,160 --> 00:19:57,200
marketing plays. This might be even more brilliant. In fact,

261
00:19:57,319 --> 00:20:01,279
this is more brilliant than you two getting there frickin'

262
00:20:01,359 --> 00:20:03,599
record on your iPhone and you couldn't get rid of it.

263
00:20:08,400 --> 00:20:11,240
I'm going to read this again, so there is no confusion.

264
00:20:11,319 --> 00:20:14,039
The buyer can choose to release the entire album in

265
00:20:14,200 --> 00:20:18,079
any format they desire, Final CYD or any other figures,

266
00:20:18,279 --> 00:20:21,000
which makes sense because they're getting all of that artwork.

267
00:20:21,839 --> 00:20:26,880
So basically, what Vinnie Vincent is doing is he's selling

268
00:20:27,039 --> 00:20:31,279
the rights to put out the record. To guarantee that

269
00:20:31,359 --> 00:20:34,599
he's going to make two million dollars off of this,

270
00:20:37,200 --> 00:20:41,759
he just has to approve all marketing plans and ideas.

271
00:20:43,400 --> 00:20:50,079
So basically, this is fucking brilliant. This is brilliant. This

272
00:20:50,359 --> 00:20:59,480
is absolutely brilliant. VINNI took this long to record this record.

273
00:21:03,160 --> 00:21:08,400
I know Vinnie has not always been this on track

274
00:21:10,680 --> 00:21:16,000
about releasing his music. Just ask the great Earl Skaegel

275
00:21:17,960 --> 00:21:21,160
still has not received his greatest Hits album. I think

276
00:21:21,240 --> 00:21:33,480
that's what it was. But this is the thing. There

277
00:21:33,599 --> 00:21:37,240
is going to be some kiss TRD that has money

278
00:21:37,319 --> 00:21:39,759
to burn, and we all know kiss trds and have

279
00:21:39,880 --> 00:21:42,480
money to burn, but we're talking about a kiss TRD

280
00:21:42,599 --> 00:21:47,240
on another level, and there are plenty. There is a

281
00:21:47,440 --> 00:21:50,640
kiss TRD out there that doesn't have fuck you money,

282
00:21:51,000 --> 00:21:54,960
he has fucked me money. Even a Kisstard with the

283
00:21:55,000 --> 00:22:00,920
fuck you money could do this. He could buy this thing,

284
00:22:02,279 --> 00:22:08,440
give Vinnie Vincent two million dollars for it to never

285
00:22:08,680 --> 00:22:20,960
come out. Or he could be the guy or gal

286
00:22:22,759 --> 00:22:36,559
that bought this record that saved Vinnie Vincent. Hmmm. You

287
00:22:36,759 --> 00:22:41,400
could do the ultimate fuck you, but it's not really

288
00:22:41,480 --> 00:22:48,039
a fuck you because Vinnie got his money and we

289
00:22:48,200 --> 00:23:01,079
all know, sorry Vinnie, that it's barring, a barring a

290
00:23:01,279 --> 00:23:09,359
miracle bigger than anything that could save me. The album's

291
00:23:09,480 --> 00:23:14,920
not gonna do anything. You'll have your garden variety kiss

292
00:23:14,960 --> 00:23:16,519
cards that jump on it and have to have it.

293
00:23:19,480 --> 00:23:24,119
You'll have your garden variety of Viny fans that have

294
00:23:24,279 --> 00:23:33,160
to have it. But this guy or gal could drop

295
00:23:33,400 --> 00:23:37,119
two million dollars and I guarantee there will be one

296
00:23:39,079 --> 00:23:42,680
one of the kiss trds out there will do this.

297
00:23:46,359 --> 00:23:49,039
One of them is going to spend two million dollars

298
00:23:50,359 --> 00:23:55,000
on this and have one of the ultimate Kiss collectibles,

299
00:23:57,960 --> 00:24:00,279
because that's how Kiss trds are. They got to have it,

300
00:24:00,359 --> 00:24:03,240
They gotta have it. I am a kiss hard I'm

301
00:24:03,279 --> 00:24:14,160
not saying this badly. A one of a kind album

302
00:24:15,640 --> 00:24:24,759
that nobody else has, nobody else will ever have. And

303
00:24:24,960 --> 00:24:31,839
because you bought the album, you are able to put

304
00:24:31,920 --> 00:24:40,559
it out if you want. Does that mean you're able

305
00:24:40,640 --> 00:24:49,000
to license it, copyrights, the trademarks related to Vinnie or

306
00:24:49,039 --> 00:24:54,559
the product itself. It doesn't say anything about licenses licensing.

307
00:25:02,640 --> 00:25:06,359
The price does not include any right title or interest

308
00:25:06,519 --> 00:25:10,920
to the copyrights and or trademarks related to Vinnie or

309
00:25:10,960 --> 00:25:24,119
the product itself. Hmm hmm. Now I'm no lawyer. I

310
00:25:24,279 --> 00:25:29,680
did graduate from a two year college with the sales

311
00:25:29,759 --> 00:25:36,960
and marketing degree. Does not include the right title or

312
00:25:37,079 --> 00:25:41,839
interest in the copyrights, interest in the copyrights and or

313
00:25:41,960 --> 00:25:46,519
trademarks related to Vinnie. Visit copyrights or the and or

314
00:25:46,640 --> 00:25:54,559
trademarks or the product itself. Does that mean that Vinnie

315
00:25:54,839 --> 00:25:58,640
keeps all See it's the most brilliant, It might be

316
00:25:58,759 --> 00:26:06,200
the greatest freaking idea in the history of music. He's

317
00:26:06,240 --> 00:26:08,920
gonna get somebody, and there will be someone to pay

318
00:26:09,039 --> 00:26:11,279
him two million dollars for this album that may never

319
00:26:11,400 --> 00:26:15,240
come out. It's fucking brilliant. God damn it, Vinnie, I

320
00:26:15,559 --> 00:26:22,839
hail you now. If somebody wants to buy me for

321
00:26:23,000 --> 00:26:31,759
half that price, I'm game. I'm game. So all right, kids,

322
00:26:32,200 --> 00:26:37,319
that's it. That's your patrion. We're almost pushing twenty seven minutes.

323
00:26:38,359 --> 00:26:41,759
We will talk to you tomorrow on the Patreon. It's

324
00:26:41,799 --> 00:26:44,440
only five dollars. I'm on patreon dot com slash Realizzy Presley,

325
00:26:45,519 --> 00:26:56,000
take care now, bye bye then, thank you, thank you

326
00:26:56,200 --> 00:26:56,559
very much.

327
00:26:56,799 --> 00:26:59,079
Speaker 2: We're a little late to say good night, Chracy, good night,

328
00:26:59,240 --> 00:27:08,559
good night. Now, as far as I'm concerned, when you

329
00:27:08,680 --> 00:27:10,480
talk about Abdured with Calcitrans,