WEBVTT

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<v Speaker 1>Weary.

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<v Speaker 2>We welcome back to Midnight of Viewing the Whole Anthology podcast,

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<v Speaker 2>where this season we're taking a look at George A.

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<v Speaker 3>Romero's nineteen eighties television series Tales from the Dark Side.

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<v Speaker 3>Sharing the Midnight view with me are the Culture Cast

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<v Speaker 3>Chris Stashu.

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<v Speaker 4>This machine eats noise, and.

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<v Speaker 5>The Projection Booth's Mike White.

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<v Speaker 3>It's just silence, My noise is being Tonight, we're taking

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<v Speaker 3>a look at the next two episodes of season four,

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<v Speaker 3>the final season of Tales from the Dark Side. Those

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<v Speaker 3>are Going Native and Hush Going Native. Season four, episode seventeen,

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<v Speaker 3>originally aired on June the nineteenth, nineteen eighty eight, Written

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<v Speaker 3>by Ted gurshoone from a short story by or rather

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<v Speaker 3>from a story by Andrew Wiener, and then directed by

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<v Speaker 3>Andrew Wiener, starring Kim Greaset, John Apria, Cynthia David, and

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<v Speaker 3>Richard Coleman. This is about an alien observer who discovers

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<v Speaker 3>what it means to be human. What did you think

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<v Speaker 3>of this one, Chris?

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<v Speaker 1>You know, Mike and I had talked earlier in the

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<v Speaker 1>week and Mike said, and I quote, I really enjoyed.

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<v Speaker 1>I gonna say what the last two episodes of this.

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<v Speaker 1>You know these two that we're talking about now, and

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<v Speaker 1>I hope you do too well. I can tell you

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<v Speaker 1>on half of them that we're talking about right now.

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<v Speaker 1>I enjoyed it immensely. This might be one of the

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<v Speaker 1>best episodes of the show that we've seen. It's thematically interesting,

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<v Speaker 1>it's narratively unique in a way that we have not

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<v Speaker 1>really seen in this show. And I think it actually

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<v Speaker 1>not for once in this show's run, but few and

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<v Speaker 1>far between, do any of these episodes really touch on

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<v Speaker 1>something kind of serious. It's more fun or scary or

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<v Speaker 1>fun and scary. I think that this episode actually is

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<v Speaker 1>hitting on some interesting ideas and talking about some things.

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<v Speaker 4>That are pretty serious.

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<v Speaker 1>And to use the kind of vehicle of a emotionless

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<v Speaker 1>alien from another planet who's coming to observe us as

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<v Speaker 1>a kind of vehicle for again, she says she's an alien,

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<v Speaker 1>but we could just use that as a you don't feel.

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<v Speaker 4>Like you belong and there you go, and so any

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<v Speaker 4>of us get that.

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<v Speaker 1>So just using it as kind of a parable for that,

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<v Speaker 1>I found it immensely entertaining. And yeah, I mean this

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<v Speaker 1>is like I said, I found this to be one

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<v Speaker 1>of the better episodes of this show, and maybe go

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<v Speaker 1>as far as to say one of the better episodes

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<v Speaker 1>of anything we've watched.

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<v Speaker 4>Together for one of these anthology shows.

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<v Speaker 6>So what about you, Mike, Well, yeah, kind of already

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<v Speaker 6>spoiled mine, But yes, I loved this episode. I found

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<v Speaker 6>it to be shot. You know, you were talking the

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<v Speaker 6>last time we met Father Malone as far as that

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<v Speaker 6>Tom Savini episode, and you're like, I don't know how

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<v Speaker 6>much of this is the transfer versus this being.

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<v Speaker 5>Over lit or things.

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<v Speaker 6>This one almost benefited from kind of shitty video quality

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<v Speaker 6>because everything feels so soft and overlt and just like

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<v Speaker 6>the lights when they're in.

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<v Speaker 7>The window that's in the therapy room that they're having

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<v Speaker 7>all of these and I'd love that it's nineteen eighty

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<v Speaker 7>eight and they're having these you know, big confrontational therapy

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<v Speaker 7>sessions and things.

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<v Speaker 6>It reminds me a lot of some of the stuff

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<v Speaker 6>that I remember from like wr Mysteries of the Organism,

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<v Speaker 6>where just like the scream therapy, you like people being

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<v Speaker 6>rebirthed in those things, and like just them with these

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<v Speaker 6>you know, native native pillow clubs and they're hitting pillows

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<v Speaker 6>and screaming and stuff. Oh yeah, this is some of

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<v Speaker 6>the psychoshit that people were doing back in the nineteen eighties.

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<v Speaker 6>I really appreciate this.

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<v Speaker 5>Yeah, I loved it.

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<v Speaker 6>I really just enjoyed the way it was shot. I

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<v Speaker 6>loved the voiceover. I thought Kim Grease was fantastic. I mean,

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<v Speaker 6>she every time I see her and stuff, I really

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<v Speaker 6>enjoy it.

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<v Speaker 4>I don't know.

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<v Speaker 6>If she's that good in a shriek if you know

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<v Speaker 6>what I did last Friday the thirteenth, But I definitely

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<v Speaker 6>liked her work in like Brazil and what else was

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<v Speaker 6>she in?

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<v Speaker 4>A Manhunter?

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<v Speaker 6>You know?

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<v Speaker 4>Oh?

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<v Speaker 6>Well, of course, jud I actually really fucking loved Chud.

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<v Speaker 1>Yeah.

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<v Speaker 6>I thought she did a really good job. And yeah,

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<v Speaker 6>I highly enjoyed this. Like you said, this might have

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<v Speaker 6>been my favorite episode that we've seen. So now I'm

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<v Speaker 6>waiting for Father Malone to just shit all over it.

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<v Speaker 4>Wouldn't that be so?

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<v Speaker 5>No, I loved this. I love it.

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<v Speaker 3>I loved it particularly because no matter what series we've watched,

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<v Speaker 3>by the time we get to the last series, it's

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<v Speaker 3>all dog shit, It's all failure after failure. This season

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<v Speaker 3>of Tailsiman Dark Side feels like a limping season of

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<v Speaker 3>any other season. It doesn't feel like this is the

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<v Speaker 3>end at all. I've always loved their films, their episodes

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<v Speaker 3>that feel like a short film. This definitely feels like

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<v Speaker 3>a short film. My god, the director is pulling in photography.

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<v Speaker 3>I'm assuming he's a photographer and these are all his photographs,

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<v Speaker 3>but he's made this alien an observer of human behavior,

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<v Speaker 3>and she does that through photographing every part of culture

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<v Speaker 3>that even comment on that, and she's making them into slides,

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<v Speaker 3>which super effective that we get to see her watching

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<v Speaker 3>the slides of her the slides being projected upon her.

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<v Speaker 3>This episode feels to me like every Twilight Zone eighty

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<v Speaker 3>five boomer episode that was attempting to understand and quantify

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<v Speaker 3>and suss out what was going on with their generation,

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<v Speaker 3>done in twenty two minutes and actually coming up with

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<v Speaker 3>a fucking a serious reason underpinning everything. The fact that,

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<v Speaker 3>like you said, Mike, I love that it's this. She

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<v Speaker 3>goes to try and figure out how humans tink by

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<v Speaker 3>going to a therapy session, which of course was all

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<v Speaker 3>the rage at the time. Everyone was trying to figure

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<v Speaker 3>out how they all ticked at that generation in particular,

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<v Speaker 3>and the type of therapy we're given here is the

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<v Speaker 3>silliest of them, which is the beating a pillow with

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<v Speaker 3>a foam bat and crying about your father or somebody

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<v Speaker 3>or whatever. And the fact that this alien who has

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<v Speaker 3>been nothing but observer up until now figures out.

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<v Speaker 5>What they're all afflicted with.

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<v Speaker 3>That and every human is afflicted with the thing that

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<v Speaker 3>makes us human is how fucking ultimately lonely we all are.

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<v Speaker 3>And I just thought it was magnificent. I thought the

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<v Speaker 3>performances across the border fucking great.

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<v Speaker 5>I love Kim Grease.

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<v Speaker 3>I always wondered because she was, like you said, Brazil

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<v Speaker 3>came out, Manhunter came out. I saw her in this,

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<v Speaker 3>I saw in a bunch of other little things like

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<v Speaker 3>around that time, and I thought, here she goes. And

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<v Speaker 3>then she dropped off the face of the earth forever.

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<v Speaker 3>And I couldn't figure out why, because she's retired.

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<v Speaker 5>Is that what happened in eighty seven?

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<v Speaker 4>In two thousand and wow, one.

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<v Speaker 1>Year after that movie you were talking about Mike, the

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<v Speaker 1>one that sounds like one of those movies made by those.

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<v Speaker 6>Of the guys Reeberg and Seltzer.

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<v Speaker 3>Seltzer, Yeah, maybe, you know, maybe maybe she was a

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<v Speaker 3>theater actress and just sort of returned to the stage

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<v Speaker 3>for that period of time. But we were robbed of

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<v Speaker 3>a lot of great cinema from Kim Grease because she's

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<v Speaker 3>this is one of the best performances of the series.

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<v Speaker 3>She carries this with virtue, very little dialogue, and it's

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<v Speaker 3>just all she's in every frame basically, and it's never

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<v Speaker 3>an interesting and I wanted to know more about the character,

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<v Speaker 3>and I wanted to know more about her story.

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<v Speaker 6>It reminded me a lot of in my skin, just

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<v Speaker 6>that kind of distance between the people, and just that

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<v Speaker 6>even though she's giving us a voice over, she's not

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<v Speaker 6>over explaining things, and just this whole idea of she

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<v Speaker 6>has to be at a distance because if she starts

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<v Speaker 6>to feel like the humans, maybe she won't be allowed

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<v Speaker 6>to go back to her planet, you know, just that

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<v Speaker 6>whole I have to be colder, though, I really wanted

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<v Speaker 6>to experience what's going on with these creatures that are

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<v Speaker 6>all around me. I mean, she doesn't, you know, suck

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<v Speaker 6>the souls out of anybody, or you know, turn into

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<v Speaker 6>black oo or anything. But I just really felt that

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<v Speaker 6>kind of more observational type of alien. And I'm glad

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<v Speaker 6>too that it was a woman alien that it wasn't

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<v Speaker 6>a male alien because it's just Okay, we've seen that

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<v Speaker 6>a thousand times. But here we have this female alien

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<v Speaker 6>and you know, she's getting approached by this guy everything.

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<v Speaker 6>And again I was like, well, she could you know,

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<v Speaker 6>attach her suckers to this guy, draw it out of

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<v Speaker 6>a spinal juice or something. I don't know, but they

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<v Speaker 6>just treated it like you said, she's an alien. But

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<v Speaker 6>is she an alien?

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<v Speaker 5>Is she just a person?

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<v Speaker 6>Because so often we all feel alien, we all feel

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<v Speaker 6>like we're on the outside, and she expresses that and

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<v Speaker 6>this episode expresses it so beautifully.

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<v Speaker 3>Yeah, this could have been the moment she got out

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<v Speaker 3>of the asylum, you know, like she could have had

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<v Speaker 3>a psychotic break ten minutes before the episode began.

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<v Speaker 4>That's and that's my thinking.

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<v Speaker 1>And again that's not my explanation for it, but I

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<v Speaker 1>love that there is that level of ambiguity to it

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<v Speaker 1>that does allow you to be like, well, it doesn't

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<v Speaker 1>necessarily need to be that she's an alien for this

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<v Speaker 1>to work. It just needs to be that she feels

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<v Speaker 1>alienated and on her own and alone. I mean, you

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<v Speaker 1>know the ending, you know monologue where she talks about solitude,

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<v Speaker 1>like that's you know, it's heartbreaking, you know, and it

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<v Speaker 1>but it's also true, like it's the truth, and that's

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<v Speaker 1>we haven't really seen episodes of any of these shows.

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<v Speaker 1>Was that really cut to that core of human emotion

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<v Speaker 1>and being the way that this episode does. And I

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<v Speaker 1>don't know, appreciated it so much because it just seems

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<v Speaker 1>so well written and well thought out and well executed.

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<v Speaker 4>Everything seems intentional, and I appreciate that.

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<v Speaker 3>The fact that there are no goblins in it prevents

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<v Speaker 3>me I from calling it my favorite, But I think

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<v Speaker 3>this might be the best episode of the series if

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<v Speaker 3>the series existed just to give us this, and then

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<v Speaker 3>it might have been worth it.

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<v Speaker 1>And I will say, to be fair, this episode could

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<v Speaker 1>have been and again probably should have been at Twilight's

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<v Speaker 1>on nineteen eighty five episode. It works more tonally in

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<v Speaker 1>a show like that. This show actually tonally, this episode

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<v Speaker 1>doesn't work in this show to your point, Father Malone, like,

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<v Speaker 1>I like this a lot, but I wouldn't.

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<v Speaker 4>I don't know.

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<v Speaker 1>If I said it was my favorite Tales for the

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<v Speaker 1>Dark Sided episode, I don't think it would be because

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<v Speaker 1>to your point, this show does kind of traffic in

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<v Speaker 1>something that I'm a little bit more interested in overall,

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<v Speaker 1>which is goofy horror, weird out there George Romero, that

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<v Speaker 1>kind of stuff, Like I'm more interested in the goblins

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<v Speaker 1>and the scaring children in your house at Halloween of

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<v Speaker 1>it all. But this is something that feels so atypical

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<v Speaker 1>of this show that it stands out, and it stands

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<v Speaker 1>out more so than so many other things that we

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<v Speaker 1>saw on shows that we're trying to do this kind

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<v Speaker 1>of storytelling and kind of you know, introspective human kind

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<v Speaker 1>of emotional storytelling, because that's Twilight.

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<v Speaker 4>It's on eighty five. Was that's what it was really

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<v Speaker 4>interested in overall as a show.

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<v Speaker 6>I'm really curious if Andrew Wiener the guy who's listed

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<v Speaker 6>as director, though it was it was Ted Gernshei was

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<v Speaker 6>listed on Wikipedia, but IMDb has Andrew Weener. I'm here.

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<v Speaker 6>He's got like a couple credits, but not very much

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<v Speaker 6>at all. Was that an alias for somebody else or

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<v Speaker 6>just did he just not make that many things.

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<v Speaker 3>I'm a terrible host because I don't know, and I

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<v Speaker 3>wish he had made more because I loved this.

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<v Speaker 6>Yeah, same, Well, I'm really glad because I was just like,

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<v Speaker 6>oh shit, what if Chris watches this and he's just like,

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<v Speaker 6>what the hell what we were you hitting me? Were

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<v Speaker 6>you pulling my leg?

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<v Speaker 3>Oh?

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<v Speaker 4>God?

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<v Speaker 1>Now this is I mean, this was you know, it

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<v Speaker 1>was really impactful in a positive way. And again, it

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<v Speaker 1>speaks to the human condition in a way that I

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<v Speaker 1>wasn't expecting something like this too.

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<v Speaker 3>I wish actually this episode had appeared in the first season,

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<v Speaker 3>because had it done that, then it would have corrected

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<v Speaker 3>what you're saying, Chris, which is this feels a typical

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<v Speaker 3>of the series, and I think had it been more

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<v Speaker 3>typical of the series, than the series might still be

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<v Speaker 3>going on.

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<v Speaker 5>Honestly.

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<v Speaker 1>Yeah, yeah, I mean the show does kind of traffic

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<v Speaker 1>in the flights of fancy and fun, weird, cutting black

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<v Speaker 1>sows of it all a whole hell.

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<v Speaker 4>Of a lot.

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<v Speaker 5>This is their word play.

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<v Speaker 1>Yeah, it really is. This is the home Man episode.

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<v Speaker 1>What's the first episode of Crypt that it's the same thing, you.

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<v Speaker 5>Know, the man who was death Yell, there we go.

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<v Speaker 1>Yeah, speaking to the human condition in a way that

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<v Speaker 1>the show kinda never really ever did ever again, you know,

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<v Speaker 1>the Tales of the Dark Site has not really spoken

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<v Speaker 1>to the human conditioned a whole lot, and Tales of

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<v Speaker 1>the Crypt never really did either, but they did one time,

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<v Speaker 1>and man, the one time they did it, it's pretty fucking great.

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<v Speaker 5>I've been thinking about it for decades.

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<v Speaker 1>I know someone was asking me at the Horror convention

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<v Speaker 1>that we were at With'ser Tales from the Crypt episode

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<v Speaker 1>was like the first one, isn't that a shame?

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<v Speaker 3>I think I know who you were talking to, all right.

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<v Speaker 3>Our next episode is Hush from season four, episode eighteen,

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<v Speaker 3>aired originally on July the tenth, that's a month later,

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<v Speaker 3>nineteen eighty eight. This one has written by John Harrison

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<v Speaker 3>as John Sutherland, from a story by Zenna Henderson and

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<v Speaker 3>directed by Alan Colter, back behind the director's chair after

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<v Speaker 3>writing a previous episode. This one stars Nia Lanning, Eric Jason,

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<v Speaker 3>and Bonnie Gallup, a boy inventor and his teenage babysitter

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<v Speaker 3>or menaced by the boy's latest invention, a noise eater,

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<v Speaker 3>which I think of this one, Mike.

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<v Speaker 6>We are with the fucking inventors again.

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<v Speaker 5>They can't help themselves. But despite that.

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<v Speaker 6>I this one. I found it to be pretty cute.

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<v Speaker 6>I like the whole did you guys watch Teleteby's.

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<v Speaker 5>Yes, Yes I did. Actually, this is the new New,

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<v Speaker 5>the new.

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<v Speaker 6>Psycho News cousin fucking New New coming after you man.

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<v Speaker 6>I mean that New New was already scary enough when

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<v Speaker 6>it was sucking up all those teletebbee the pancakes of

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<v Speaker 6>their eating. Uh, but yeah, here it wants to suck

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<v Speaker 6>all the noise out and I love the sound effect

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<v Speaker 6>of the noise being sucked out of things. And again,

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<v Speaker 6>you know we're talking with that last episode as well.

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<v Speaker 6>It's not really Tales from the Crew, sorry, tales from

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<v Speaker 6>the dark Side. It's you know, that one was, you know,

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<v Speaker 6>pretty thoughtful and thought provoking, and this one is very

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<v Speaker 6>mean spirited. And you've got the woman coming home, you know,

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<v Speaker 6>because we've got the tea age babysitter and the boy

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<v Speaker 6>being terrorized by the psycho New New and yeah, when

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<v Speaker 6>the mom comes home, she gets the noise sucked out

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<v Speaker 6>of her and we don't know exactly what that means,

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<v Speaker 6>but it's not good. So yeah, I really enjoyed this one.

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<v Speaker 1>How about you, Chris, the philandering wife I believe is

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<v Speaker 1>what was going on?

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<v Speaker 5>Correct?

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<v Speaker 4>Is that? Okay that's the implication?

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<v Speaker 5>Yes, no, not an implication straight up? If that that

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<v Speaker 5>girl knew?

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<v Speaker 4>Yeah, who you're talking to on the phone Pta meeting right.

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<v Speaker 1>You guys say, Psycho New New, I would say, it

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<v Speaker 1>looks like a vacuum that the mugwamps from Naked Lunch

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<v Speaker 1>would use.

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<v Speaker 6>Is a whole Yeah, this is like one of vaginal It's.

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<v Speaker 1>Like an asshole, like it looks like a sphincter, Like

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<v Speaker 1>it's a living sphincter.

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<v Speaker 4>At the end of this tube. It's disgusting.

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<v Speaker 1>It's one of the best like creature things I've seen

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<v Speaker 1>because when it pops out from underneath the bed, I

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<v Speaker 1>couldn't tell you what I was looking at. And then

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<v Speaker 1>when it started to kind of unfurl and unfold, like

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<v Speaker 1>I think humans have a real hard time with stuff

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<v Speaker 1>that's like really indiscernible from anything else you've ever seen.

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<v Speaker 1>And when it starts to unfold itself like that, I

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<v Speaker 1>was like, I've never seen anything. It is off putting

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<v Speaker 1>and it is upsetting, and I found the episode to

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<v Speaker 1>be genuinely creep for as for as kind of in introspective.

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<v Speaker 4>As the last episode was.

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<v Speaker 1>In terms of emotional human like relatability and the solitude

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<v Speaker 1>of it all, this is just creepy and gross and weird,

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<v Speaker 1>and it is kind of like a fairy tale esque story,

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<v Speaker 1>and you know, the bad adult gets what they deserve

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<v Speaker 1>in the end, and you know, they stop the monster

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<v Speaker 1>and ends up, you know, sucking itself off, which is

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<v Speaker 1>pretty funny.

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<v Speaker 4>And I thought this was fun. I thought this was

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<v Speaker 4>a lot of fun. So father, Mom, what about you.

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<v Speaker 3>I think this is a case where reviewing these episodes

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<v Speaker 3>back to back and in comparison makes it a winning

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00:16:51.120 --> 00:16:54.039
<v Speaker 3>combination because it's like a roller coaster. The last one

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00:16:54.080 --> 00:16:56.679
<v Speaker 3>was so nice and uplifting, and this one is just

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<v Speaker 3>a straight charge down the hill. Here's mom, here's the kid,

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00:17:00.080 --> 00:17:03.919
<v Speaker 3>here's the babysitter, here's the villain. Let's fucking go. And

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00:17:03.960 --> 00:17:06.759
<v Speaker 3>that does it as economically as any good tales from

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00:17:06.799 --> 00:17:08.880
<v Speaker 3>the Dark Side. I can't believe they're doing this at

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00:17:08.880 --> 00:17:10.920
<v Speaker 3>the end of the series. I can't believe they're pulling

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00:17:10.960 --> 00:17:13.039
<v Speaker 3>these out now, what the hell?

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<v Speaker 5>God damn it.

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00:17:14.240 --> 00:17:16.079
<v Speaker 3>I thoroughly enjoyed this one.

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00:17:16.480 --> 00:17:18.960
<v Speaker 5>The fact that the mom is sort.

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<v Speaker 3>Of philandering and it's all kind of played for goofs,

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<v Speaker 3>and she was so endearing when she got in the house.

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<v Speaker 5>I thought, oh no, they're not going to do it.

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<v Speaker 3>Oh no, right, I'm watching tells them the darks God

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<v Speaker 3>damn it, Mom, why didn't you stay out that? I

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00:17:32.440 --> 00:17:35.839
<v Speaker 3>thought the creature's fucking horrifying. Man, the little screams it

347
00:17:35.880 --> 00:17:39.200
<v Speaker 3>makes when it kills things was horrible that it just

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00:17:39.359 --> 00:17:42.480
<v Speaker 3>sort of prowling around the house and every little noise.

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00:17:42.640 --> 00:17:45.160
<v Speaker 3>And I loved that at a certain point it started

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<v Speaker 3>zeroing in on the most subtle of noises, like it

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<v Speaker 3>went after the televisions, not that it went after the

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00:17:51.240 --> 00:17:55.200
<v Speaker 3>refrigerators condenser, like I could hear that hissing under there,

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00:17:55.200 --> 00:17:58.039
<v Speaker 3>and it killed the refrigerator. Like, no matter what happens,

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<v Speaker 3>that entire house.

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<v Speaker 5>Is going to need newtronics.

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<v Speaker 1>I love how horrifying it was that the kid goes

357
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<v Speaker 1>it can hear your heartbeat?

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<v Speaker 4>Oh yeah, oh shit ah ah.

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00:18:07.400 --> 00:18:10.079
<v Speaker 1>That's when I was like, Okay, now we're actually cooking

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00:18:10.160 --> 00:18:13.359
<v Speaker 1>with grease here, Like we're really we're putting the we're

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00:18:13.400 --> 00:18:16.079
<v Speaker 1>putting the screws to the characters in this episode. And

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<v Speaker 1>I love when the episode goes that one step further.

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<v Speaker 1>You know what, now that everything else has been exhausted,

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00:18:22.240 --> 00:18:24.519
<v Speaker 1>we have their heartbeat. It's it's subtle, it can hear

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00:18:24.559 --> 00:18:26.480
<v Speaker 1>it enough that it's gonna go after your heartbeat.

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00:18:26.640 --> 00:18:27.519
<v Speaker 4>Yeah, awesome.

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<v Speaker 1>Like, I love that the episode took that into account too,

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<v Speaker 1>because I feel like otherwise we might be asking that question.

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00:18:32.960 --> 00:18:35.079
<v Speaker 4>It's nope, we have it covered. It's perfect.

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<v Speaker 1>It's it is a airtight episode in terms of logic,

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<v Speaker 1>and it doesn't I don't need anything else explained to

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<v Speaker 1>like where the vacuum creature came from, or how it

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<v Speaker 1>existed or anything, just like everything was perfect.

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<v Speaker 3>Yeah. It's a sweet little cat and mouse game where

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<v Speaker 3>our lead that does everything you would do, she doesn't

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00:18:51.519 --> 00:18:54.359
<v Speaker 3>not do anything, and there isn't a moment of screaming

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00:18:54.400 --> 00:18:56.079
<v Speaker 3>at her like do this, you idiot.

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<v Speaker 5>She tries it and ultimately solves it.

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<v Speaker 3>I think the way any of us did have thought

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00:19:01.359 --> 00:19:04.039
<v Speaker 3>about right, like just start I thought, just start tapping

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00:19:04.039 --> 00:19:06.839
<v Speaker 3>on the things back, like it'll figure out that it's

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00:19:06.880 --> 00:19:08.759
<v Speaker 3>the problem and then kill itself, which is what they

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00:19:08.799 --> 00:19:12.319
<v Speaker 3>eventually did. But the very setup that it can only

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00:19:12.359 --> 00:19:14.920
<v Speaker 3>be turned on and off with this remote control and

385
00:19:15.000 --> 00:19:18.359
<v Speaker 3>it kills its own remote control was great because what

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00:19:18.640 --> 00:19:19.480
<v Speaker 3>a moment.

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00:19:19.200 --> 00:19:20.440
<v Speaker 5>Of dread in any horror movie.

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00:19:20.480 --> 00:19:23.759
<v Speaker 3>It's like, now you're fucking dead if you don't run now.

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00:19:23.960 --> 00:19:25.079
<v Speaker 5>I love this one.

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00:19:25.240 --> 00:19:27.480
<v Speaker 3>A great scare show from Dark Side.

391
00:19:27.680 --> 00:19:30.359
<v Speaker 1>And a great creature, like genuinely one of the weirdest

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00:19:30.400 --> 00:19:34.400
<v Speaker 1>creature designs I've ever seen. Yeah, it's mugwump adjacent from

393
00:19:34.480 --> 00:19:39.000
<v Speaker 1>Naked Lunch, which has really strange creature design like biological

394
00:19:39.799 --> 00:19:41.599
<v Speaker 1>mechanical mix.

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00:19:42.200 --> 00:19:45.400
<v Speaker 3>Yeah, it's an It's basically a nineteen fifties floor vacuum

396
00:19:45.400 --> 00:19:48.160
<v Speaker 3>that you would drag along with the hose attachment. But

397
00:19:48.680 --> 00:19:51.680
<v Speaker 3>they've built in this little bellows on the side that

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00:19:51.799 --> 00:19:54.519
<v Speaker 3>is breathing in and out, which makes it even more

399
00:19:54.599 --> 00:19:58.240
<v Speaker 3>alive and a little more off putting. Yes, this look.

400
00:19:58.279 --> 00:20:00.039
<v Speaker 5>Man. We've seen so many vam.

401
00:20:00.079 --> 00:20:03.440
<v Speaker 3>Pires and wear wolves and ghules and creatures, and they've

402
00:20:03.480 --> 00:20:05.000
<v Speaker 3>all been so fucking beautiful.

403
00:20:05.119 --> 00:20:07.240
<v Speaker 5>But I kind of agree with you here, Chris.

404
00:20:07.440 --> 00:20:11.640
<v Speaker 3>This thing was the most fascinating, interesting looking creature I

405
00:20:11.680 --> 00:20:13.279
<v Speaker 3>think the series is produced.

406
00:20:13.519 --> 00:20:17.759
<v Speaker 4>It's a killer vacuum. Yeah, and it's horrible and it's

407
00:20:17.799 --> 00:20:20.920
<v Speaker 4>not goofy. It's not like the Killer Pool movie that

408
00:20:20.960 --> 00:20:21.319
<v Speaker 4>came out.

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00:20:21.400 --> 00:20:23.640
<v Speaker 1>Just don't go in the pool. Just don't know, my

410
00:20:23.640 --> 00:20:25.799
<v Speaker 1>goddamn pool. This is no You're trapped in the house

411
00:20:25.799 --> 00:20:28.720
<v Speaker 1>with a vacuum. But the gimmick is the vacuum sucks

412
00:20:28.759 --> 00:20:31.759
<v Speaker 1>the noise, so don't make any noise. What a smart

413
00:20:31.759 --> 00:20:34.759
<v Speaker 1>little turn of a turn, just a little perfect.

414
00:20:34.440 --> 00:20:36.160
<v Speaker 6>I wonder if that guy from the office saw this

415
00:20:36.359 --> 00:20:38.359
<v Speaker 6>before he wrode a quiet place.

416
00:20:38.880 --> 00:20:41.799
<v Speaker 4>Yeah right, I mean, and I would.

417
00:20:41.960 --> 00:20:44.279
<v Speaker 1>This is better than that in terms of being economical

418
00:20:44.359 --> 00:20:45.279
<v Speaker 1>with the storytelling.

419
00:20:45.680 --> 00:20:47.480
<v Speaker 6>Yeah, half hour in and out. You know, I was

420
00:20:47.519 --> 00:20:50.559
<v Speaker 6>talking about just how pleasant it was that the previous

421
00:20:50.599 --> 00:20:53.720
<v Speaker 6>episode just moved moves, you know, And yeah, this is

422
00:20:53.720 --> 00:20:58.119
<v Speaker 6>the saint, you know. Just you don't feel the commercial breaks,

423
00:20:58.279 --> 00:21:03.119
<v Speaker 6>you don't feel time passing. You just I started watching

424
00:21:03.160 --> 00:21:04.960
<v Speaker 6>this and next thing I know, it's over. Because it

425
00:21:05.000 --> 00:21:08.559
<v Speaker 6>was so much fun to engage with, and it feels

426
00:21:08.599 --> 00:21:11.839
<v Speaker 6>like a thesis for the entire series because one of

427
00:21:11.880 --> 00:21:15.160
<v Speaker 6>our main preoccupations has been our technophobia.

428
00:21:15.640 --> 00:21:18.359
<v Speaker 3>This series, more than any other that we've covered, has

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<v Speaker 3>been obsessed with how technology is gonna fuck us up.

430
00:21:21.680 --> 00:21:24.680
<v Speaker 3>And here's the ultimate example of that. It's just going

431
00:21:24.720 --> 00:21:26.920
<v Speaker 3>to take the life right out of you.

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<v Speaker 1>And what I love is that the invent Because we

433
00:21:29.319 --> 00:21:32.519
<v Speaker 1>were complaining about the inventor of it all, this actually

434
00:21:32.920 --> 00:21:36.400
<v Speaker 1>works in terms of the inventor of it all actually

435
00:21:36.440 --> 00:21:37.079
<v Speaker 1>pays off.

436
00:21:37.720 --> 00:21:40.720
<v Speaker 3>It's like a kid with asthma he's stuck at home.

437
00:21:40.920 --> 00:21:41.960
<v Speaker 5>He is an inventor.

438
00:21:42.160 --> 00:21:44.599
<v Speaker 3>And then just because he's a kid with asthma, it

439
00:21:44.640 --> 00:21:48.640
<v Speaker 3>adds another layer of terror because the kid's gonna give out,

440
00:21:48.720 --> 00:21:51.839
<v Speaker 3>give your location and he can't help it right right.

441
00:21:51.799 --> 00:21:55.000
<v Speaker 6>Which normally kids with the asthma in movies should just like, Okay,

442
00:21:55.119 --> 00:21:57.160
<v Speaker 6>when's he gonna need this nebulizer?

443
00:21:57.240 --> 00:21:57.400
<v Speaker 3>One?

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00:21:57.559 --> 00:22:00.680
<v Speaker 6>Yeah, and it's oh god, this work so well.

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00:22:01.400 --> 00:22:04.079
<v Speaker 3>On the next episode of Midnight Viewing, we'll be taking

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00:22:04.079 --> 00:22:06.160
<v Speaker 3>a look at the next two episodes of season four.

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00:22:06.440 --> 00:22:09.160
<v Speaker 3>Those are Barter and Basher Malone. Did I say the

448
00:22:09.200 --> 00:22:12.400
<v Speaker 3>next two? They are the final two episodes of Tales

449
00:22:12.440 --> 00:22:15.880
<v Speaker 3>from the Dark Side. Midnight Viewing The Horror Anthology Podcast

450
00:22:16.000 --> 00:22:18.200
<v Speaker 3>is a proud member of a weirding Way media group.

451
00:22:18.279 --> 00:22:20.880
<v Speaker 3>Our theme song was composed by HP with an assist

452
00:22:20.960 --> 00:22:23.039
<v Speaker 3>by Donald Rubinstein. Until next time?

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00:22:23.079 --> 00:22:24.880
<v Speaker 5>What are you working on? Where can people find it?

454
00:22:25.000 --> 00:22:25.920
<v Speaker 5>Chris Statue.

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00:22:26.119 --> 00:22:28.039
<v Speaker 1>Weirdingwaymedia dot Com is where you can find all the

456
00:22:28.079 --> 00:22:30.759
<v Speaker 1>things that I work on, including this show and then

457
00:22:30.799 --> 00:22:32.720
<v Speaker 1>my own show, The Culture Cast, and then a whole

458
00:22:32.759 --> 00:22:34.720
<v Speaker 1>host of other things that I work on, either with

459
00:22:34.880 --> 00:22:37.480
<v Speaker 1>Mike or with Father Malone, like Chronicles from the Crypt,

460
00:22:37.519 --> 00:22:40.359
<v Speaker 1>which we did many moons ago where we talked about

461
00:22:40.519 --> 00:22:43.960
<v Speaker 1>the show that we've mentioned every like every other time,

462
00:22:44.400 --> 00:22:46.119
<v Speaker 1>i'd take like a bet, like a I don't know

463
00:22:46.119 --> 00:22:47.759
<v Speaker 1>what bet you'd get, but I feel like fifty percent

464
00:22:47.799 --> 00:22:49.279
<v Speaker 1>of the time we've mentioned Tales from the Crypt on

465
00:22:49.319 --> 00:22:50.960
<v Speaker 1>the show, because again, it's kind.

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00:22:50.759 --> 00:22:52.359
<v Speaker 4>Of the standard bearer.

467
00:22:52.599 --> 00:22:54.640
<v Speaker 1>So if you want to hear our thoughts on kind

468
00:22:54.640 --> 00:22:57.880
<v Speaker 1>of that HBO horror anthology show that's still not available

469
00:22:57.880 --> 00:22:59.079
<v Speaker 1>on HBO streaming for.

470
00:22:59.079 --> 00:23:00.440
<v Speaker 4>Whatever fucking reason.

471
00:23:01.119 --> 00:23:03.599
<v Speaker 1>Oh we know, yeah, we know, Chronicles from the Crypt

472
00:23:03.680 --> 00:23:05.920
<v Speaker 1>is where I would point anyone who enjoys this show

473
00:23:05.960 --> 00:23:07.960
<v Speaker 1>because that was, you know, the first time you and

474
00:23:07.960 --> 00:23:10.559
<v Speaker 1>I worked it on anything collaboratively, Father Malone, So yeah,

475
00:23:10.599 --> 00:23:11.599
<v Speaker 1>I would check that show out.

476
00:23:11.640 --> 00:23:13.519
<v Speaker 4>That's a deep cut. What about you, Mike White?

477
00:23:14.079 --> 00:23:16.880
<v Speaker 6>Yeah, well, well I was on one episode of the

478
00:23:17.000 --> 00:23:18.160
<v Speaker 6>Tales from the crypts.

479
00:23:18.640 --> 00:23:22.400
<v Speaker 3>It was a disaster, but yeah, you know what, you

480
00:23:22.440 --> 00:23:24.119
<v Speaker 3>know what I gotta say, Mike, you figured it out

481
00:23:24.160 --> 00:23:26.920
<v Speaker 3>more than quicker than than Chris and I.

482
00:23:27.880 --> 00:23:29.400
<v Speaker 4>And the sad thing is that that was one of

483
00:23:29.440 --> 00:23:32.559
<v Speaker 4>the better episodes of the show still to this day.

484
00:23:33.599 --> 00:23:35.960
<v Speaker 6>Yeah, but yeah, everything that I do is available at

485
00:23:35.960 --> 00:23:37.319
<v Speaker 6>Waitinglymedia dot com.

486
00:23:37.440 --> 00:23:38.759
<v Speaker 5>Yeah, so come on.

487
00:23:38.759 --> 00:23:41.680
<v Speaker 6>Over and listen to the stuff I work on, as

488
00:23:41.680 --> 00:23:43.160
<v Speaker 6>well as some of the other fine shows that we

489
00:23:43.200 --> 00:23:44.000
<v Speaker 6>have on the network.

490
00:23:44.559 --> 00:23:47.000
<v Speaker 1>About your phone, I would actually say Mike hasn't figured

491
00:23:47.000 --> 00:23:47.319
<v Speaker 1>it out.

492
00:23:47.519 --> 00:23:51.519
<v Speaker 4>He's here now through I mean we got him in

493
00:23:51.599 --> 00:23:52.079
<v Speaker 4>the end.

494
00:23:53.559 --> 00:23:58.519
<v Speaker 3>Right. Well as for me, Every Monday, Falling Malone's weekly

495
00:23:58.680 --> 00:24:00.160
<v Speaker 3>round Up where I look at whatever it's new and

496
00:24:00.200 --> 00:24:03.279
<v Speaker 3>streaming in theatrical and every Friday it's Horror Anthology Podcast

497
00:24:03.319 --> 00:24:06.640
<v Speaker 3>where eire we're looking at series like well, say us

498
00:24:06.640 --> 00:24:09.000
<v Speaker 3>some dark Signs done. We're gonna be looking at Hammerhouse

499
00:24:09.039 --> 00:24:11.839
<v Speaker 3>of Horrors next, of course every other week, but we

500
00:24:11.920 --> 00:24:14.519
<v Speaker 3>have a substitute show where HP and I look at

501
00:24:14.559 --> 00:24:17.559
<v Speaker 3>a different fest. We are wrapping up our Yahoucha fest.

502
00:24:17.799 --> 00:24:20.359
<v Speaker 3>We've also got a Rick Moranus fest going on over

503
00:24:20.400 --> 00:24:23.240
<v Speaker 3>at the Patreon channel. Speaking of the Patreon Patreon dot

504
00:24:23.240 --> 00:24:26.279
<v Speaker 3>com slash follow them alone. You're gonna get episodes, early, commercial,

505
00:24:26.279 --> 00:24:27.599
<v Speaker 3>free and bonus content.

506
00:24:27.640 --> 00:24:28.519
<v Speaker 5>You can only get there.

507
00:24:28.519 --> 00:24:30.680
<v Speaker 3>But if money is tight, you can do us a

508
00:24:30.720 --> 00:24:34.440
<v Speaker 3>solid Mike giving us a five star review, Subscribe and

509
00:24:34.920 --> 00:24:38.279
<v Speaker 3>share on the Apple on Apple Podcasts, write us a

510
00:24:38.359 --> 00:24:42.000
<v Speaker 3>nice review on Spotify. I don't know, do something else, comment,

511
00:24:42.480 --> 00:24:44.680
<v Speaker 3>just tell someone else to listen anyway, Thank you all

512
00:24:44.720 --> 00:24:47.400
<v Speaker 3>for joining us here at midnine reviewing. Until next time,

513
00:24:47.480 --> 00:24:48.799
<v Speaker 3>try to enjoy the daylight

514
00:25:05.599 --> 00:25:31.200
<v Speaker 2>All Dama
