Speaker 1: Weary.
Speaker 2: We welcome back to Midnight of Viewing the Whole Anthology podcast,
Speaker 2: where this season we're taking a look at George A.
Speaker 3: Romero's nineteen eighties television series Tales from the Dark Side.
Speaker 3: Sharing the Midnight view with me are the Culture Cast
Speaker 3: Chris Stashu.
Speaker 4: This machine eats noise, and.
Speaker 5: The Projection Booth's Mike White.
Speaker 3: It's just silence, My noise is being Tonight, we're taking
Speaker 3: a look at the next two episodes of season four,
Speaker 3: the final season of Tales from the Dark Side. Those
Speaker 3: are Going Native and Hush Going Native. Season four, episode seventeen,
Speaker 3: originally aired on June the nineteenth, nineteen eighty eight, Written
Speaker 3: by Ted gurshoone from a short story by or rather
Speaker 3: from a story by Andrew Wiener, and then directed by
Speaker 3: Andrew Wiener, starring Kim Greaset, John Apria, Cynthia David, and
Speaker 3: Richard Coleman. This is about an alien observer who discovers
Speaker 3: what it means to be human. What did you think
Speaker 3: of this one, Chris?
Speaker 1: You know, Mike and I had talked earlier in the
Speaker 1: week and Mike said, and I quote, I really enjoyed.
Speaker 1: I gonna say what the last two episodes of this.
Speaker 1: You know these two that we're talking about now, and
Speaker 1: I hope you do too well. I can tell you
Speaker 1: on half of them that we're talking about right now.
Speaker 1: I enjoyed it immensely. This might be one of the
Speaker 1: best episodes of the show that we've seen. It's thematically interesting,
Speaker 1: it's narratively unique in a way that we have not
Speaker 1: really seen in this show. And I think it actually
Speaker 1: not for once in this show's run, but few and
Speaker 1: far between, do any of these episodes really touch on
Speaker 1: something kind of serious. It's more fun or scary or
Speaker 1: fun and scary. I think that this episode actually is
Speaker 1: hitting on some interesting ideas and talking about some things.
Speaker 4: That are pretty serious.
Speaker 1: And to use the kind of vehicle of a emotionless
Speaker 1: alien from another planet who's coming to observe us as
Speaker 1: a kind of vehicle for again, she says she's an alien,
Speaker 1: but we could just use that as a you don't feel.
Speaker 4: Like you belong and there you go, and so any
Speaker 4: of us get that.
Speaker 1: So just using it as kind of a parable for that,
Speaker 1: I found it immensely entertaining. And yeah, I mean this
Speaker 1: is like I said, I found this to be one
Speaker 1: of the better episodes of this show, and maybe go
Speaker 1: as far as to say one of the better episodes
Speaker 1: of anything we've watched.
Speaker 4: Together for one of these anthology shows.
Speaker 6: So what about you, Mike, Well, yeah, kind of already
Speaker 6: spoiled mine, But yes, I loved this episode. I found
Speaker 6: it to be shot. You know, you were talking the
Speaker 6: last time we met Father Malone as far as that
Speaker 6: Tom Savini episode, and you're like, I don't know how
Speaker 6: much of this is the transfer versus this being.
Speaker 5: Over lit or things.
Speaker 6: This one almost benefited from kind of shitty video quality
Speaker 6: because everything feels so soft and overlt and just like
Speaker 6: the lights when they're in.
Speaker 7: The window that's in the therapy room that they're having
Speaker 7: all of these and I'd love that it's nineteen eighty
Speaker 7: eight and they're having these you know, big confrontational therapy
Speaker 7: sessions and things.
Speaker 6: It reminds me a lot of some of the stuff
Speaker 6: that I remember from like wr Mysteries of the Organism,
Speaker 6: where just like the scream therapy, you like people being
Speaker 6: rebirthed in those things, and like just them with these
Speaker 6: you know, native native pillow clubs and they're hitting pillows
Speaker 6: and screaming and stuff. Oh yeah, this is some of
Speaker 6: the psychoshit that people were doing back in the nineteen eighties.
Speaker 6: I really appreciate this.
Speaker 5: Yeah, I loved it.
Speaker 6: I really just enjoyed the way it was shot. I
Speaker 6: loved the voiceover. I thought Kim Grease was fantastic. I mean,
Speaker 6: she every time I see her and stuff, I really
Speaker 6: enjoy it.
Speaker 4: I don't know.
Speaker 6: If she's that good in a shriek if you know
Speaker 6: what I did last Friday the thirteenth, But I definitely
Speaker 6: liked her work in like Brazil and what else was
Speaker 6: she in?
Speaker 4: A Manhunter?
Speaker 6: You know?
Speaker 4: Oh?
Speaker 6: Well, of course, jud I actually really fucking loved Chud.
Speaker 1: Yeah.
Speaker 6: I thought she did a really good job. And yeah,
Speaker 6: I highly enjoyed this. Like you said, this might have
Speaker 6: been my favorite episode that we've seen. So now I'm
Speaker 6: waiting for Father Malone to just shit all over it.
Speaker 4: Wouldn't that be so?
Speaker 5: No, I loved this. I love it.
Speaker 3: I loved it particularly because no matter what series we've watched,
Speaker 3: by the time we get to the last series, it's
Speaker 3: all dog shit, It's all failure after failure. This season
Speaker 3: of Tailsiman Dark Side feels like a limping season of
Speaker 3: any other season. It doesn't feel like this is the
Speaker 3: end at all. I've always loved their films, their episodes
Speaker 3: that feel like a short film. This definitely feels like
Speaker 3: a short film. My god, the director is pulling in photography.
Speaker 3: I'm assuming he's a photographer and these are all his photographs,
Speaker 3: but he's made this alien an observer of human behavior,
Speaker 3: and she does that through photographing every part of culture
Speaker 3: that even comment on that, and she's making them into slides,
Speaker 3: which super effective that we get to see her watching
Speaker 3: the slides of her the slides being projected upon her.
Speaker 3: This episode feels to me like every Twilight Zone eighty
Speaker 3: five boomer episode that was attempting to understand and quantify
Speaker 3: and suss out what was going on with their generation,
Speaker 3: done in twenty two minutes and actually coming up with
Speaker 3: a fucking a serious reason underpinning everything. The fact that,
Speaker 3: like you said, Mike, I love that it's this. She
Speaker 3: goes to try and figure out how humans tink by
Speaker 3: going to a therapy session, which of course was all
Speaker 3: the rage at the time. Everyone was trying to figure
Speaker 3: out how they all ticked at that generation in particular,
Speaker 3: and the type of therapy we're given here is the
Speaker 3: silliest of them, which is the beating a pillow with
Speaker 3: a foam bat and crying about your father or somebody
Speaker 3: or whatever. And the fact that this alien who has
Speaker 3: been nothing but observer up until now figures out.
Speaker 5: What they're all afflicted with.
Speaker 3: That and every human is afflicted with the thing that
Speaker 3: makes us human is how fucking ultimately lonely we all are.
Speaker 3: And I just thought it was magnificent. I thought the
Speaker 3: performances across the border fucking great.
Speaker 5: I love Kim Grease.
Speaker 3: I always wondered because she was, like you said, Brazil
Speaker 3: came out, Manhunter came out. I saw her in this,
Speaker 3: I saw in a bunch of other little things like
Speaker 3: around that time, and I thought, here she goes. And
Speaker 3: then she dropped off the face of the earth forever.
Speaker 3: And I couldn't figure out why, because she's retired.
Speaker 5: Is that what happened in eighty seven?
Speaker 4: In two thousand and wow, one.
Speaker 1: Year after that movie you were talking about Mike, the
Speaker 1: one that sounds like one of those movies made by those.
Speaker 6: Of the guys Reeberg and Seltzer.
Speaker 3: Seltzer, Yeah, maybe, you know, maybe maybe she was a
Speaker 3: theater actress and just sort of returned to the stage
Speaker 3: for that period of time. But we were robbed of
Speaker 3: a lot of great cinema from Kim Grease because she's
Speaker 3: this is one of the best performances of the series.
Speaker 3: She carries this with virtue, very little dialogue, and it's
Speaker 3: just all she's in every frame basically, and it's never
Speaker 3: an interesting and I wanted to know more about the character,
Speaker 3: and I wanted to know more about her story.
Speaker 6: It reminded me a lot of in my skin, just
Speaker 6: that kind of distance between the people, and just that
Speaker 6: even though she's giving us a voice over, she's not
Speaker 6: over explaining things, and just this whole idea of she
Speaker 6: has to be at a distance because if she starts
Speaker 6: to feel like the humans, maybe she won't be allowed
Speaker 6: to go back to her planet, you know, just that
Speaker 6: whole I have to be colder, though, I really wanted
Speaker 6: to experience what's going on with these creatures that are
Speaker 6: all around me. I mean, she doesn't, you know, suck
Speaker 6: the souls out of anybody, or you know, turn into
Speaker 6: black oo or anything. But I just really felt that
Speaker 6: kind of more observational type of alien. And I'm glad
Speaker 6: too that it was a woman alien that it wasn't
Speaker 6: a male alien because it's just Okay, we've seen that
Speaker 6: a thousand times. But here we have this female alien
Speaker 6: and you know, she's getting approached by this guy everything.
Speaker 6: And again I was like, well, she could you know,
Speaker 6: attach her suckers to this guy, draw it out of
Speaker 6: a spinal juice or something. I don't know, but they
Speaker 6: just treated it like you said, she's an alien. But
Speaker 6: is she an alien?
Speaker 5: Is she just a person?
Speaker 6: Because so often we all feel alien, we all feel
Speaker 6: like we're on the outside, and she expresses that and
Speaker 6: this episode expresses it so beautifully.
Speaker 3: Yeah, this could have been the moment she got out
Speaker 3: of the asylum, you know, like she could have had
Speaker 3: a psychotic break ten minutes before the episode began.
Speaker 4: That's and that's my thinking.
Speaker 1: And again that's not my explanation for it, but I
Speaker 1: love that there is that level of ambiguity to it
Speaker 1: that does allow you to be like, well, it doesn't
Speaker 1: necessarily need to be that she's an alien for this
Speaker 1: to work. It just needs to be that she feels
Speaker 1: alienated and on her own and alone. I mean, you
Speaker 1: know the ending, you know monologue where she talks about solitude,
Speaker 1: like that's you know, it's heartbreaking, you know, and it
Speaker 1: but it's also true, like it's the truth, and that's
Speaker 1: we haven't really seen episodes of any of these shows.
Speaker 1: Was that really cut to that core of human emotion
Speaker 1: and being the way that this episode does. And I
Speaker 1: don't know, appreciated it so much because it just seems
Speaker 1: so well written and well thought out and well executed.
Speaker 4: Everything seems intentional, and I appreciate that.
Speaker 3: The fact that there are no goblins in it prevents
Speaker 3: me I from calling it my favorite, But I think
Speaker 3: this might be the best episode of the series if
Speaker 3: the series existed just to give us this, and then
Speaker 3: it might have been worth it.
Speaker 1: And I will say, to be fair, this episode could
Speaker 1: have been and again probably should have been at Twilight's
Speaker 1: on nineteen eighty five episode. It works more tonally in
Speaker 1: a show like that. This show actually tonally, this episode
Speaker 1: doesn't work in this show to your point, Father Malone, like,
Speaker 1: I like this a lot, but I wouldn't.
Speaker 4: I don't know.
Speaker 1: If I said it was my favorite Tales for the
Speaker 1: Dark Sided episode, I don't think it would be because
Speaker 1: to your point, this show does kind of traffic in
Speaker 1: something that I'm a little bit more interested in overall,
Speaker 1: which is goofy horror, weird out there George Romero, that
Speaker 1: kind of stuff, Like I'm more interested in the goblins
Speaker 1: and the scaring children in your house at Halloween of
Speaker 1: it all. But this is something that feels so atypical
Speaker 1: of this show that it stands out, and it stands
Speaker 1: out more so than so many other things that we
Speaker 1: saw on shows that we're trying to do this kind
Speaker 1: of storytelling and kind of you know, introspective human kind
Speaker 1: of emotional storytelling, because that's Twilight.
Speaker 4: It's on eighty five. Was that's what it was really
Speaker 4: interested in overall as a show.
Speaker 6: I'm really curious if Andrew Wiener the guy who's listed
Speaker 6: as director, though it was it was Ted Gernshei was
Speaker 6: listed on Wikipedia, but IMDb has Andrew Weener. I'm here.
Speaker 6: He's got like a couple credits, but not very much
Speaker 6: at all. Was that an alias for somebody else or
Speaker 6: just did he just not make that many things.
Speaker 3: I'm a terrible host because I don't know, and I
Speaker 3: wish he had made more because I loved this.
Speaker 6: Yeah, same, Well, I'm really glad because I was just like,
Speaker 6: oh shit, what if Chris watches this and he's just like,
Speaker 6: what the hell what we were you hitting me? Were
Speaker 6: you pulling my leg?
Speaker 3: Oh?
Speaker 4: God?
Speaker 1: Now this is I mean, this was you know, it
Speaker 1: was really impactful in a positive way. And again, it
Speaker 1: speaks to the human condition in a way that I
Speaker 1: wasn't expecting something like this too.
Speaker 3: I wish actually this episode had appeared in the first season,
Speaker 3: because had it done that, then it would have corrected
Speaker 3: what you're saying, Chris, which is this feels a typical
Speaker 3: of the series, and I think had it been more
Speaker 3: typical of the series, than the series might still be
Speaker 3: going on.
Speaker 5: Honestly.
Speaker 1: Yeah, yeah, I mean the show does kind of traffic
Speaker 1: in the flights of fancy and fun, weird, cutting black
Speaker 1: sows of it all a whole hell.
Speaker 4: Of a lot.
Speaker 5: This is their word play.
Speaker 1: Yeah, it really is. This is the home Man episode.
Speaker 1: What's the first episode of Crypt that it's the same thing, you.
Speaker 5: Know, the man who was death Yell, there we go.
Speaker 1: Yeah, speaking to the human condition in a way that
Speaker 1: the show kinda never really ever did ever again, you know,
Speaker 1: the Tales of the Dark Site has not really spoken
Speaker 1: to the human conditioned a whole lot, and Tales of
Speaker 1: the Crypt never really did either, but they did one time,
Speaker 1: and man, the one time they did it, it's pretty fucking great.
Speaker 5: I've been thinking about it for decades.
Speaker 1: I know someone was asking me at the Horror convention
Speaker 1: that we were at With'ser Tales from the Crypt episode
Speaker 1: was like the first one, isn't that a shame?
Speaker 3: I think I know who you were talking to, all right.
Speaker 3: Our next episode is Hush from season four, episode eighteen,
Speaker 3: aired originally on July the tenth, that's a month later,
Speaker 3: nineteen eighty eight. This one has written by John Harrison
Speaker 3: as John Sutherland, from a story by Zenna Henderson and
Speaker 3: directed by Alan Colter, back behind the director's chair after
Speaker 3: writing a previous episode. This one stars Nia Lanning, Eric Jason,
Speaker 3: and Bonnie Gallup, a boy inventor and his teenage babysitter
Speaker 3: or menaced by the boy's latest invention, a noise eater,
Speaker 3: which I think of this one, Mike.
Speaker 6: We are with the fucking inventors again.
Speaker 5: They can't help themselves. But despite that.
Speaker 6: I this one. I found it to be pretty cute.
Speaker 6: I like the whole did you guys watch Teleteby's.
Speaker 5: Yes, Yes I did. Actually, this is the new New,
Speaker 5: the new.
Speaker 6: Psycho News cousin fucking New New coming after you man.
Speaker 6: I mean that New New was already scary enough when
Speaker 6: it was sucking up all those teletebbee the pancakes of
Speaker 6: their eating. Uh, but yeah, here it wants to suck
Speaker 6: all the noise out and I love the sound effect
Speaker 6: of the noise being sucked out of things. And again,
Speaker 6: you know we're talking with that last episode as well.
Speaker 6: It's not really Tales from the Crew, sorry, tales from
Speaker 6: the dark Side. It's you know, that one was, you know,
Speaker 6: pretty thoughtful and thought provoking, and this one is very
Speaker 6: mean spirited. And you've got the woman coming home, you know,
Speaker 6: because we've got the tea age babysitter and the boy
Speaker 6: being terrorized by the psycho New New and yeah, when
Speaker 6: the mom comes home, she gets the noise sucked out
Speaker 6: of her and we don't know exactly what that means,
Speaker 6: but it's not good. So yeah, I really enjoyed this one.
Speaker 1: How about you, Chris, the philandering wife I believe is
Speaker 1: what was going on?
Speaker 5: Correct?
Speaker 4: Is that? Okay that's the implication?
Speaker 5: Yes, no, not an implication straight up? If that that
Speaker 5: girl knew?
Speaker 4: Yeah, who you're talking to on the phone Pta meeting right.
Speaker 1: You guys say, Psycho New New, I would say, it
Speaker 1: looks like a vacuum that the mugwamps from Naked Lunch
Speaker 1: would use.
Speaker 6: Is a whole Yeah, this is like one of vaginal It's.
Speaker 1: Like an asshole, like it looks like a sphincter, Like
Speaker 1: it's a living sphincter.
Speaker 4: At the end of this tube. It's disgusting.
Speaker 1: It's one of the best like creature things I've seen
Speaker 1: because when it pops out from underneath the bed, I
Speaker 1: couldn't tell you what I was looking at. And then
Speaker 1: when it started to kind of unfurl and unfold, like
Speaker 1: I think humans have a real hard time with stuff
Speaker 1: that's like really indiscernible from anything else you've ever seen.
Speaker 1: And when it starts to unfold itself like that, I
Speaker 1: was like, I've never seen anything. It is off putting
Speaker 1: and it is upsetting, and I found the episode to
Speaker 1: be genuinely creep for as for as kind of in introspective.
Speaker 4: As the last episode was.
Speaker 1: In terms of emotional human like relatability and the solitude
Speaker 1: of it all, this is just creepy and gross and weird,
Speaker 1: and it is kind of like a fairy tale esque story,
Speaker 1: and you know, the bad adult gets what they deserve
Speaker 1: in the end, and you know, they stop the monster
Speaker 1: and ends up, you know, sucking itself off, which is
Speaker 1: pretty funny.
Speaker 4: And I thought this was fun. I thought this was
Speaker 4: a lot of fun. So father, Mom, what about you.
Speaker 3: I think this is a case where reviewing these episodes
Speaker 3: back to back and in comparison makes it a winning
Speaker 3: combination because it's like a roller coaster. The last one
Speaker 3: was so nice and uplifting, and this one is just
Speaker 3: a straight charge down the hill. Here's mom, here's the kid,
Speaker 3: here's the babysitter, here's the villain. Let's fucking go. And
Speaker 3: that does it as economically as any good tales from
Speaker 3: the Dark Side. I can't believe they're doing this at
Speaker 3: the end of the series. I can't believe they're pulling
Speaker 3: these out now, what the hell?
Speaker 5: God damn it.
Speaker 3: I thoroughly enjoyed this one.
Speaker 5: The fact that the mom is sort.
Speaker 3: Of philandering and it's all kind of played for goofs,
Speaker 3: and she was so endearing when she got in the house.
Speaker 5: I thought, oh no, they're not going to do it.
Speaker 3: Oh no, right, I'm watching tells them the darks God
Speaker 3: damn it, Mom, why didn't you stay out that? I
Speaker 3: thought the creature's fucking horrifying. Man, the little screams it
Speaker 3: makes when it kills things was horrible that it just
Speaker 3: sort of prowling around the house and every little noise.
Speaker 3: And I loved that at a certain point it started
Speaker 3: zeroing in on the most subtle of noises, like it
Speaker 3: went after the televisions, not that it went after the
Speaker 3: refrigerators condenser, like I could hear that hissing under there,
Speaker 3: and it killed the refrigerator. Like, no matter what happens,
Speaker 3: that entire house.
Speaker 5: Is going to need newtronics.
Speaker 1: I love how horrifying it was that the kid goes
Speaker 1: it can hear your heartbeat?
Speaker 4: Oh yeah, oh shit ah ah.
Speaker 1: That's when I was like, Okay, now we're actually cooking
Speaker 1: with grease here, Like we're really we're putting the we're
Speaker 1: putting the screws to the characters in this episode. And
Speaker 1: I love when the episode goes that one step further.
Speaker 1: You know what, now that everything else has been exhausted,
Speaker 1: we have their heartbeat. It's it's subtle, it can hear
Speaker 1: it enough that it's gonna go after your heartbeat.
Speaker 4: Yeah, awesome.
Speaker 1: Like, I love that the episode took that into account too,
Speaker 1: because I feel like otherwise we might be asking that question.
Speaker 4: It's nope, we have it covered. It's perfect.
Speaker 1: It's it is a airtight episode in terms of logic,
Speaker 1: and it doesn't I don't need anything else explained to
Speaker 1: like where the vacuum creature came from, or how it
Speaker 1: existed or anything, just like everything was perfect.
Speaker 3: Yeah. It's a sweet little cat and mouse game where
Speaker 3: our lead that does everything you would do, she doesn't
Speaker 3: not do anything, and there isn't a moment of screaming
Speaker 3: at her like do this, you idiot.
Speaker 5: She tries it and ultimately solves it.
Speaker 3: I think the way any of us did have thought
Speaker 3: about right, like just start I thought, just start tapping
Speaker 3: on the things back, like it'll figure out that it's
Speaker 3: the problem and then kill itself, which is what they
Speaker 3: eventually did. But the very setup that it can only
Speaker 3: be turned on and off with this remote control and
Speaker 3: it kills its own remote control was great because what
Speaker 3: a moment.
Speaker 5: Of dread in any horror movie.
Speaker 3: It's like, now you're fucking dead if you don't run now.
Speaker 5: I love this one.
Speaker 3: A great scare show from Dark Side.
Speaker 1: And a great creature, like genuinely one of the weirdest
Speaker 1: creature designs I've ever seen. Yeah, it's mugwump adjacent from
Speaker 1: Naked Lunch, which has really strange creature design like biological
Speaker 1: mechanical mix.
Speaker 3: Yeah, it's an It's basically a nineteen fifties floor vacuum
Speaker 3: that you would drag along with the hose attachment. But
Speaker 3: they've built in this little bellows on the side that
Speaker 3: is breathing in and out, which makes it even more
Speaker 3: alive and a little more off putting. Yes, this look.
Speaker 5: Man. We've seen so many vam.
Speaker 3: Pires and wear wolves and ghules and creatures, and they've
Speaker 3: all been so fucking beautiful.
Speaker 5: But I kind of agree with you here, Chris.
Speaker 3: This thing was the most fascinating, interesting looking creature I
Speaker 3: think the series is produced.
Speaker 4: It's a killer vacuum. Yeah, and it's horrible and it's
Speaker 4: not goofy. It's not like the Killer Pool movie that
Speaker 4: came out.
Speaker 1: Just don't go in the pool. Just don't know, my
Speaker 1: goddamn pool. This is no You're trapped in the house
Speaker 1: with a vacuum. But the gimmick is the vacuum sucks
Speaker 1: the noise, so don't make any noise. What a smart
Speaker 1: little turn of a turn, just a little perfect.
Speaker 6: I wonder if that guy from the office saw this
Speaker 6: before he wrode a quiet place.
Speaker 4: Yeah right, I mean, and I would.
Speaker 1: This is better than that in terms of being economical
Speaker 1: with the storytelling.
Speaker 6: Yeah, half hour in and out. You know, I was
Speaker 6: talking about just how pleasant it was that the previous
Speaker 6: episode just moved moves, you know, And yeah, this is
Speaker 6: the saint, you know. Just you don't feel the commercial breaks,
Speaker 6: you don't feel time passing. You just I started watching
Speaker 6: this and next thing I know, it's over. Because it
Speaker 6: was so much fun to engage with, and it feels
Speaker 6: like a thesis for the entire series because one of
Speaker 6: our main preoccupations has been our technophobia.
Speaker 3: This series, more than any other that we've covered, has
Speaker 3: been obsessed with how technology is gonna fuck us up.
Speaker 3: And here's the ultimate example of that. It's just going
Speaker 3: to take the life right out of you.
Speaker 1: And what I love is that the invent Because we
Speaker 1: were complaining about the inventor of it all, this actually
Speaker 1: works in terms of the inventor of it all actually
Speaker 1: pays off.
Speaker 3: It's like a kid with asthma he's stuck at home.
Speaker 5: He is an inventor.
Speaker 3: And then just because he's a kid with asthma, it
Speaker 3: adds another layer of terror because the kid's gonna give out,
Speaker 3: give your location and he can't help it right right.
Speaker 6: Which normally kids with the asthma in movies should just like, Okay,
Speaker 6: when's he gonna need this nebulizer?
Speaker 3: One?
Speaker 6: Yeah, and it's oh god, this work so well.
Speaker 3: On the next episode of Midnight Viewing, we'll be taking
Speaker 3: a look at the next two episodes of season four.
Speaker 3: Those are Barter and Basher Malone. Did I say the
Speaker 3: next two? They are the final two episodes of Tales
Speaker 3: from the Dark Side. Midnight Viewing The Horror Anthology Podcast
Speaker 3: is a proud member of a weirding Way media group.
Speaker 3: Our theme song was composed by HP with an assist
Speaker 3: by Donald Rubinstein. Until next time?
Speaker 5: What are you working on? Where can people find it?
Speaker 5: Chris Statue.
Speaker 1: Weirdingwaymedia dot Com is where you can find all the
Speaker 1: things that I work on, including this show and then
Speaker 1: my own show, The Culture Cast, and then a whole
Speaker 1: host of other things that I work on, either with
Speaker 1: Mike or with Father Malone, like Chronicles from the Crypt,
Speaker 1: which we did many moons ago where we talked about
Speaker 1: the show that we've mentioned every like every other time,
Speaker 1: i'd take like a bet, like a I don't know
Speaker 1: what bet you'd get, but I feel like fifty percent
Speaker 1: of the time we've mentioned Tales from the Crypt on
Speaker 1: the show, because again, it's kind.
Speaker 4: Of the standard bearer.
Speaker 1: So if you want to hear our thoughts on kind
Speaker 1: of that HBO horror anthology show that's still not available
Speaker 1: on HBO streaming for.
Speaker 4: Whatever fucking reason.
Speaker 1: Oh we know, yeah, we know, Chronicles from the Crypt
Speaker 1: is where I would point anyone who enjoys this show
Speaker 1: because that was, you know, the first time you and
Speaker 1: I worked it on anything collaboratively, Father Malone, So yeah,
Speaker 1: I would check that show out.
Speaker 4: That's a deep cut. What about you, Mike White?
Speaker 6: Yeah, well, well I was on one episode of the
Speaker 6: Tales from the crypts.
Speaker 3: It was a disaster, but yeah, you know what, you
Speaker 3: know what I gotta say, Mike, you figured it out
Speaker 3: more than quicker than than Chris and I.
Speaker 4: And the sad thing is that that was one of
Speaker 4: the better episodes of the show still to this day.
Speaker 6: Yeah, but yeah, everything that I do is available at
Speaker 6: Waitinglymedia dot com.
Speaker 5: Yeah, so come on.
Speaker 6: Over and listen to the stuff I work on, as
Speaker 6: well as some of the other fine shows that we
Speaker 6: have on the network.
Speaker 1: About your phone, I would actually say Mike hasn't figured
Speaker 1: it out.
Speaker 4: He's here now through I mean we got him in
Speaker 4: the end.
Speaker 3: Right. Well as for me, Every Monday, Falling Malone's weekly
Speaker 3: round Up where I look at whatever it's new and
Speaker 3: streaming in theatrical and every Friday it's Horror Anthology Podcast
Speaker 3: where eire we're looking at series like well, say us
Speaker 3: some dark Signs done. We're gonna be looking at Hammerhouse
Speaker 3: of Horrors next, of course every other week, but we
Speaker 3: have a substitute show where HP and I look at
Speaker 3: a different fest. We are wrapping up our Yahoucha fest.
Speaker 3: We've also got a Rick Moranus fest going on over
Speaker 3: at the Patreon channel. Speaking of the Patreon Patreon dot
Speaker 3: com slash follow them alone. You're gonna get episodes, early, commercial,
Speaker 3: free and bonus content.
Speaker 5: You can only get there.
Speaker 3: But if money is tight, you can do us a
Speaker 3: solid Mike giving us a five star review, Subscribe and
Speaker 3: share on the Apple on Apple Podcasts, write us a
Speaker 3: nice review on Spotify. I don't know, do something else, comment,
Speaker 3: just tell someone else to listen anyway, Thank you all
Speaker 3: for joining us here at midnine reviewing. Until next time,
Speaker 3: try to enjoy the daylight
Speaker 2: All Dama