WEBVTT

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<v Speaker 1>The first thing I ever noticed was half straight. It

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<v Speaker 1>was straightness, you see, is something you can measure, was

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<v Speaker 1>a rule of but rarely trust outdoors, and that's why

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<v Speaker 1>it stood out. I was knee deep in a century

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<v Speaker 1>and a half of maps spread across the long table

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<v Speaker 1>at the Historical Society, maps with yellowing parchment edges and

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<v Speaker 1>others sharp from a platter match crammed with loop and

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<v Speaker 1>field boundaries in the heavy pencil lines of railway sidings

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<v Speaker 1>that never arrived. Every single one from eighteen seventy four

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<v Speaker 1>to last year's tourist pamphlet showed the same unlikely footpath,

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<v Speaker 1>a line as incompromising as the North Star, running unbent

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<v Speaker 1>from the old brick library, now shabbily grazed with a

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<v Speaker 1>ramp and rubber door mat, to the wild grass edge

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<v Speaker 1>of the community meadow. But it wasn't just the line.

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<v Speaker 1>It was with a line went. Anyone who's grown up

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<v Speaker 1>in Brenfield knows the old row ravine, a shaggy's gard

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<v Speaker 1>in the earth at the back of town, so asteep

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<v Speaker 1>that even the dog walkers prefer to skirt its farlip.

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<v Speaker 1>If you value your ankles, you'd need it. The long

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<v Speaker 1>way around yet there it was the cartographer's path. Didn't

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<v Speaker 1>think to hesitate at the ravine. No switchback, no deeder,

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<v Speaker 1>no apologetic wink of a dask crossing. It simply sailed across,

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<v Speaker 1>as if every map maker agreed. There was nothing but

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<v Speaker 1>green metter between Net and beee. The footpath rung perfectly

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<v Speaker 1>mathematically direct. For perhaps two minutes. I simply stared cross

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<v Speaker 1>referencing Victorian survey wartime utility map, the pocket fold at

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<v Speaker 1>with lurid icons, even a greenfel Tip's Goal project from

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<v Speaker 1>nineteen seventy eight. Child's handwriting squiggled at the margins all

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<v Speaker 1>bear in the same unflinching path. I rubbed with them

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<v Speaker 1>across the paper. On the turn of the Century sheet

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<v Speaker 1>the short cut was sketched with measured certude. The latest

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<v Speaker 1>Council map, glossy and horrendously digitized, carried it as a

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<v Speaker 1>generic walking track, still as improbable as ever. I was

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<v Speaker 1>frowning immerse when Elaine's force drifted from somewhere near the

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<v Speaker 1>microfilm reader. Funny, nobody uses that one any more, she said,

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<v Speaker 1>in a tone both absent and oddly affectionate. Doesn't go anywhere, now,

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<v Speaker 1>does it? She didn't look up. Her hands full with

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<v Speaker 1>a sheaf of old parish newsletters. I found words after

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<v Speaker 1>a beat. But on every map, the lane and it's

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<v Speaker 1>supposed to cross the ravine, it just goes straight. Has

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<v Speaker 1>anyone ever, she gave a little chuckle, not unkind short cuts,

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<v Speaker 1>dear were a town for them, but that one's got

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<v Speaker 1>a mind of its own. She swept past to the

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<v Speaker 1>tea bot, leaving the ear faintly scented with musty paper

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<v Speaker 1>and dry bergamot. I'm not sure what reaction. I'd expected

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<v Speaker 1>something more than fond dismissal, certainly, but her answer only

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<v Speaker 1>made me more certain. This wasn't simple map makers ere

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<v Speaker 1>Why would ever map maker, or for a century and

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<v Speaker 1>a half, repeat such an obvious impossibility. Why hadn't anyone

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<v Speaker 1>corrected it or replaced the arrogant straight line with a

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<v Speaker 1>crushed horseshoe the way we actually walk. Maps fascinate me

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<v Speaker 1>because of these little rebellions, their quiet disagreements with reality,

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<v Speaker 1>the negotiations they host between us there and what's remembered

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<v Speaker 1>or hoped for. But I couldn't settle the contradiction that morning,

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<v Speaker 1>not with the shork of gleaming back at me a

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<v Speaker 1>daring blacking and not with the casual way everyone seemed

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<v Speaker 1>to accept its impossibility. I resolved to find out which

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<v Speaker 1>have failed the land the record on my own memory

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<v Speaker 1>of Redfield. I should say a little about myself and

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<v Speaker 1>the texture of Brentfield, so you can see the knot

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<v Speaker 1>i'd landed in. My name is Marian do'rsitch. Retired as

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<v Speaker 1>I still joke too off, but only from the daily lessons,

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<v Speaker 1>not from learning. For more than thirty years I taught geography, maps, girls,

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<v Speaker 1>and the ways people tell stories about spaces. I left

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<v Speaker 1>the grading and the ring binder walls behind a few

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<v Speaker 1>years ago, But these days I can usually be found

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<v Speaker 1>hair a little dusted with shark, if not quite white,

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<v Speaker 1>volunteering at the Historical Society, filing documents, deciphering ancients, giggles

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<v Speaker 1>while leading a school group through our glass cases. Brownfield

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<v Speaker 1>sits on the kind of land that devis pigeonholing, part

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<v Speaker 1>market town, part satellite of progress, all interrupted by odd rises,

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<v Speaker 1>dips and streams that seem to have up foxed every

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<v Speaker 1>planner's best intentions. The old cottage is stone moss browed,

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<v Speaker 1>jostle up against nineteen seventies brick and aluminium, and the

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<v Speaker 1>tangle of hedges and little lanes persists. The nowadays tho

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<v Speaker 1>our more range rovers part perilously on their corners, and

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<v Speaker 1>the WiFi sometimes outpaces the river. Half the houses and

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<v Speaker 1>the new estates still look like they might sprout a

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<v Speaker 1>barmb through the garden shed at any moment. Every Thursday,

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<v Speaker 1>a Corsetta volunteers shows up at the Society to sort

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<v Speaker 1>chair and chase. After the classification chaos, our predecessors left

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<v Speaker 1>behind Lynna Lane ashraft Holl's court over tea and homemade biscuits,

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<v Speaker 1>her accent sugared with the local vowels. She's the closest

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<v Speaker 1>Brentfield has still living as a deer. If something happened

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<v Speaker 1>within the last sixty years, she'll recite it, complete with

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<v Speaker 1>who was dating hem. If you ask her about short cuts,

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<v Speaker 1>she'll hand wave in the direction of whichever story amuses

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<v Speaker 1>her mood. As mister Batell, the library senior survivor whose

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<v Speaker 1>idea of shelving is highly personalized, I know which titles

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<v Speaker 1>have be mended, toys, and there's a kind of system,

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<v Speaker 1>He'll say. He's a connoisseur of local audities. Once introduced

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<v Speaker 1>me to the archive of competition winning marrow photos from yesteryear,

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<v Speaker 1>and nearly every week day at Catch imperch behind the

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<v Speaker 1>lending desk, perusing medical mysteries or fussing over catalog cause

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<v Speaker 1>nobody else uses any more. The town's walkers form another

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<v Speaker 1>informal society. They cross generations, stroller pushing, new parents, old

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<v Speaker 1>timers taking up their steps with Nordic poles, and John,

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<v Speaker 1>the meadow groundskeeper, whose task turned greetings count for currency.

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<v Speaker 1>Round these parts, there's a ritual to it. These walks

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<v Speaker 1>and return routes, shaped as much by the line's stubborness

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<v Speaker 1>as by people's habits. You learn, if you're local, to

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<v Speaker 1>take the looping lanes and avoid short cuts across Tricher's

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<v Speaker 1>dips unless you want a Whitford or a telling of

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<v Speaker 1>from mister Ransom, the retirement h farmhand who patrols the allotments,

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<v Speaker 1>organizing sorting, map filing. These are my happy labors, even

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<v Speaker 1>after years teaching. I love the little mysteries. Maps contain

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<v Speaker 1>vanished footpaths, notations about ancient stones oreb where the bull

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<v Speaker 1>a layer cake of wishes and corrections. There is a

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<v Speaker 1>contrast between official view lines on paper named in registers,

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<v Speaker 1>and the peculiar stubven geography people actually use. I've walked

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<v Speaker 1>every path in Brenfield a hundred times, at least so

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<v Speaker 1>I believed until that morning in the society. I know where, ever,

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<v Speaker 1>kissing aliens, where the brambles threaten in August, which modern

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<v Speaker 1>fences of cropped ancient rights of way down to muddy afterthoughts,

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<v Speaker 1>every journey to the meadow for affair, a cricket match

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<v Speaker 1>or gooseberry picking in June required the same circuit, tracing

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<v Speaker 1>the winding boundary to cut the ravine, no matter which

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<v Speaker 1>shortcuts the maps faunted. If the ravine could have been crossed,

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<v Speaker 1>believe me, someone would have done it. A short cut

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<v Speaker 1>is a currency ab of gold to local school children,

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<v Speaker 1>and nothing escapes their nerds for long. Yet here the

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<v Speaker 1>maps insisted the short cut straight, as the seasons ignored inconvenience.

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<v Speaker 1>I couldn't let it go, As every bonfieldeen knows, the

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<v Speaker 1>land resist simplification. And yet the record refused to acknowledge it,

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<v Speaker 1>whether maps, artifacts of ambition, or records of something lost

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<v Speaker 1>to time. Had the short cut ever existed, or was

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<v Speaker 1>it an idea transcribed into tradition, the ghostly proposal, creeping

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<v Speaker 1>from one ear survey to the next, the question chafe

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<v Speaker 1>even as I followed the routine. At every opportunity I

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<v Speaker 1>dropped the shortcut into conversation, receiving shrugs, gentle laughs the

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<v Speaker 1>odd Well, some things just used to be, didn't they

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<v Speaker 1>Memory here as anywhere runs mud, the further back you go,

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<v Speaker 1>And yet nobody seemed particularly troubled by the contradiction. I walked,

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<v Speaker 1>I sworded, I consulted. Brenfield, with all its windy, leafy corners,

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<v Speaker 1>continued turning oblivious to the puzzle on my desk. But

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<v Speaker 1>I couldn't shake it. The feeling not of a mystery

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<v Speaker 1>to be solved, but of a mismatched demanding respect. This

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<v Speaker 1>short cut, in its persistent impossible link, began to feel

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<v Speaker 1>less like a feature lost or gained and more like

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<v Speaker 1>a question encoded at the heart of town, itself, unchanging

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<v Speaker 1>but never quite settled. I don't like and solve things

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<v Speaker 1>even when they bother nobody but me so. On Saturday,

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<v Speaker 1>armed with a rolled upper production of the nineteen twenty

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<v Speaker 1>nine server in a thermis of tea, I made up

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<v Speaker 1>my mind to seek out the path in person. If

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<v Speaker 1>experience contradicted every map I'd know, and with luck I'd

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<v Speaker 1>find some renant and abandoned footbridge, perhaps, or crumbled stones,

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<v Speaker 1>or at least the mody evidence of someone's shocking ambition. Maybe,

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<v Speaker 1>I reasoned, a path so prominent in the alcoves left

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<v Speaker 1>some echo for a determined walker to follow. Elaine, catching

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<v Speaker 1>me at the door with my map case, sent a

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<v Speaker 1>sly look over her glasses, off to chase the old

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<v Speaker 1>truck cut Her tone mixed amusement with something rire careful.

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<v Speaker 1>It's not as quick as it promises, I grinned, But

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<v Speaker 1>inside I rehearsed my rat by the lines that others

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<v Speaker 1>had inscribed so confidently. Starting from the library steps, I

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<v Speaker 1>traced the edge of the car park, skirted the boxed

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<v Speaker 1>and shrubs, and began looking for any sign of break

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<v Speaker 1>in the hedgerow, a persistent gap that would commit the

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<v Speaker 1>map's promise to the earth. Surprisingly, a faint trail did surface,

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<v Speaker 1>not a broad avenue, nor even a fully clear footpath,

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<v Speaker 1>but enough a narrow press of grass less lively a

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<v Speaker 1>suggestion of former passage, unmistakably aligned with the maps, impossible

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<v Speaker 1>larrow in some places. Garden fences jetted almost to block

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<v Speaker 1>the way, and yet strangely they yielded either lowered with

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<v Speaker 1>a poultry single bar or simply absent, as though never installed.

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<v Speaker 1>I stepped lightly over a little bit of wire, half buried,

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<v Speaker 1>feeling the pucker of trespass, until the shortcut seemed to

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<v Speaker 1>reassert itself on the next stretch of communal green. It

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<v Speaker 1>felt not hidden, but quietly permitted. Most riviting of all,

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<v Speaker 1>as the land began to tilt toward the old row

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<v Speaker 1>ravine ware. Logically the ground should drop alarmingly and force

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<v Speaker 1>a deter the path refused. It did not swerve for

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<v Speaker 1>seek a gently descending track like the llegitimate way. Instead,

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<v Speaker 1>it remained stubbornly level, dogging the direct course, refusing the

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<v Speaker 1>topography entirely. The ground sloped, but my feet seemed to

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<v Speaker 1>negotiate it with the natural ease, as if the shortcut

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<v Speaker 1>had for long enough, or in a gentle tongue into

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<v Speaker 1>the earth that made the passage less daunting than memory allowed. Then,

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<v Speaker 1>at which should have been the point of crisis, the

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<v Speaker 1>ravined edge, I paused, the land copped under me in

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<v Speaker 1>a suspicious, flattened dip, not much more than a white

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<v Speaker 1>grassy shelf h saplings clustered to the west, but for

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<v Speaker 1>a dozen paces the way seemed open, simple, and somehow

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<v Speaker 1>entirely out of step with the surrounding bramble and undergrowth

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<v Speaker 1>that choked the rest of the ravine I crossed. There

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<v Speaker 1>was no drop, just a stretch of an even but

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<v Speaker 1>perfectly walkable ground to drow out in the rest, with

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<v Speaker 1>a distinctive pebble crunch underfoot. Looking back, the line I'd

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<v Speaker 1>taken felt and broken, if regretful about its own daring.

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<v Speaker 1>A headdrow that should have blocked the exit from a

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<v Speaker 1>neighbor's garden had thin to a single arch of dove rose,

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<v Speaker 1>which I ducked beneath. Beyond as on every map, a

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<v Speaker 1>pass billed out onto the community meadow. Five minutes had passed,

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<v Speaker 1>I might watch, though the distance was one I would

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<v Speaker 1>have sworn required three times as much effort from any

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<v Speaker 1>other route. A new fence crossed the field, but the

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<v Speaker 1>path cut through an old style, just waiting as if

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<v Speaker 1>for someone who'd always known the way. On my return,

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<v Speaker 1>before entering the Society archives, I admitted my little experiment

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<v Speaker 1>to Olane. She received the news with a light shruk.

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<v Speaker 1>It an odd one and just a short cut if

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<v Speaker 1>you need it, I suppose, or if it need you.

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<v Speaker 1>Some people have the neck. She shook her head nod unsympathetically.

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<v Speaker 1>Don't fuss if the path's behaving. Best not to ask

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<v Speaker 1>too many questions. But I was already eaten alive by questions.

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<v Speaker 1>How could so many fences and obstacles old and you

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<v Speaker 1>leave just enough margin frustrate persists in crossing? Had trespasser's

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<v Speaker 1>simply been sir habitual that landowners gave up contesting? Oh?

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<v Speaker 1>Was there something else in play? A quiet treaty of

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<v Speaker 1>expectation or an ertius light for anyone to bother correcting Elaine, ever,

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<v Speaker 1>a defender of the town's eccentricities, offered no more. So

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<v Speaker 1>I went home that evening with the directness of the

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<v Speaker 1>short cut echo in my every step, the ravine so treacherous,

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<v Speaker 1>and childhood now seen by bass by apathet ignored difficulty altogether.

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00:10:22.200 --> 00:10:25.159
<v Speaker 1>I resolved to press further. Something in Brnfield's collective record

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00:10:25.320 --> 00:10:28.559
<v Speaker 1>or collective habits, was reshaping the very ground. I spent

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<v Speaker 1>much of the next week approaching the enigma as a

219
00:10:30.440 --> 00:10:34.679
<v Speaker 1>scientist would, repeating the walk measuring recording. My first attempt

220
00:10:34.720 --> 00:10:36.879
<v Speaker 1>had left me suspicious. Perhaps I'd missed something of the

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00:10:36.960 --> 00:10:40.600
<v Speaker 1>path sequence was luck So I returned mourning and dusk

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<v Speaker 1>with notebook and NOL surveyor's campass, both to satisfy my

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<v Speaker 1>retire tegious soul and to challenge the path's repeatability. On

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<v Speaker 1>dry mornings, the shortt greeted me with Chris clarity. The

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00:10:49.960 --> 00:10:52.240
<v Speaker 1>press turf stood out, bordered by clumps of thistle and

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00:10:52.279 --> 00:10:56.000
<v Speaker 1>the splay remains of spring nettles. Each time it seemed easier,

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<v Speaker 1>more deliberate to my passage along it, increasing the unfraught.

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<v Speaker 1>Yet with every ata to quantify the peculiarity, to pin

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00:11:01.919 --> 00:11:05.919
<v Speaker 1>the anomaly on careless cartography or informal trespass, contradictions multiplied.

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<v Speaker 1>Once to test my suspicions, I consulted my phone's GPS

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00:11:09.600 --> 00:11:12.000
<v Speaker 1>tracking app, expecting the route to zigzag or at worst

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00:11:12.000 --> 00:11:14.960
<v Speaker 1>to confirm the geography I had always known. Instead, the

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00:11:15.000 --> 00:11:17.639
<v Speaker 1>blue dots stuttered, at one point, drifting clean across the ravine,

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00:11:17.679 --> 00:11:19.600
<v Speaker 1>as though the slope and trees had melted politely from

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<v Speaker 1>its path. Twice, the app frozen When refresh restored me

236
00:11:23.480 --> 00:11:26.039
<v Speaker 1>at the far side with a clean straight track. The

237
00:11:26.120 --> 00:11:28.519
<v Speaker 1>next evening, in half rain and with a steadier hand,

238
00:11:28.759 --> 00:11:31.320
<v Speaker 1>my route became a tangle, a W shaped quiggle, impossible

239
00:11:31.320 --> 00:11:33.879
<v Speaker 1>to reconcile with what my feet had done. I paid

240
00:11:33.879 --> 00:11:37.240
<v Speaker 1>special attention at the awkward crossings. One aghbor's yard, seemingly

241
00:11:37.240 --> 00:11:40.039
<v Speaker 1>fence thoroughly the last decade, now revealed a convenient cap

242
00:11:40.080 --> 00:11:43.360
<v Speaker 1>in the tangled Hawthorne. Another who had expected to challenge

243
00:11:43.360 --> 00:11:46.799
<v Speaker 1>my prisons, was nowhere to be seen. Instead, a battered foot,

244
00:11:46.799 --> 00:11:48.960
<v Speaker 1>both private side mark the fence, swinging in the wind

245
00:11:49.000 --> 00:11:51.559
<v Speaker 1>as though denying and conceding right of passage all at once.

246
00:11:52.159 --> 00:11:56.200
<v Speaker 1>The strangeness intensified. On one occasion, a hedge received fuller,

247
00:11:56.240 --> 00:11:59.879
<v Speaker 1>almost impenetrable. I resigned myself to circling round, only to

248
00:12:00.039 --> 00:12:02.080
<v Speaker 1>finds along the line of the path and arched tunnel

249
00:12:02.080 --> 00:12:03.879
<v Speaker 1>of bramble that felt as if it had been gingerly

250
00:12:03.919 --> 00:12:07.759
<v Speaker 1>parted for the purpose. Each journey was subtly fresh. Sometimes

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00:12:07.799 --> 00:12:10.120
<v Speaker 1>the path scouted close enough to compost deep to notice

252
00:12:10.120 --> 00:12:13.200
<v Speaker 1>the acrid bite of decomposing grass. Another time, and old

253
00:12:13.279 --> 00:12:16.039
<v Speaker 1>robber Butanan coumduously from a low branch, as if marking

254
00:12:16.080 --> 00:12:19.279
<v Speaker 1>the Waferer waferer. When I mentioned my finding Sir mister

255
00:12:19.279 --> 00:12:21.559
<v Speaker 1>Bettell at the library, he was surprised by little, but

256
00:12:21.639 --> 00:12:23.960
<v Speaker 1>a tenterness was his principal hobby. He dug into his

257
00:12:24.000 --> 00:12:27.440
<v Speaker 1>own Trover family stories. My grandfather used to talk about

258
00:12:27.480 --> 00:12:29.559
<v Speaker 1>the old quokway to school, you know, said it never

259
00:12:29.600 --> 00:12:32.480
<v Speaker 1>made sense. He fished a slip of paper from his desk,

260
00:12:32.600 --> 00:12:35.879
<v Speaker 1>covered in tidy leaped handwriting, it's the straight line always

261
00:12:35.960 --> 00:12:38.200
<v Speaker 1>ran straight right through mis Eslot's garden before there even

262
00:12:38.279 --> 00:12:40.039
<v Speaker 1>was a garden. He said, you could save ten minutes

263
00:12:40.039 --> 00:12:41.919
<v Speaker 1>if he caught it on the right day. Never explained

264
00:12:41.919 --> 00:12:45.240
<v Speaker 1>what the right day was. He shrugged, ice sparkling, as

265
00:12:45.240 --> 00:12:48.159
<v Speaker 1>if the path itself kept changing its rules. John, the

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00:12:48.240 --> 00:12:51.799
<v Speaker 1>meadow's grounds keeper, provided a crow's perspective, recalling the short

267
00:12:51.799 --> 00:12:54.279
<v Speaker 1>cut as a fact of Boyard. It was almost like

268
00:12:54.320 --> 00:12:56.399
<v Speaker 1>you could walk straight through the hedge. Never thought about

269
00:12:56.440 --> 00:12:58.720
<v Speaker 1>it much, he admitted, with the measured reluctance of a

270
00:12:58.759 --> 00:13:02.279
<v Speaker 1>small town man, grudging in it. Extraordinary anecdote. Some kids

271
00:13:02.279 --> 00:13:03.879
<v Speaker 1>said it was the best way for cricket hard to

272
00:13:03.879 --> 00:13:05.919
<v Speaker 1>get grass stanes if you didn't have tavault hedges. A

273
00:13:05.960 --> 00:13:08.039
<v Speaker 1>couple of us just did it, not noticing if we

274
00:13:08.039 --> 00:13:12.000
<v Speaker 1>were crossing anyone's plot. He shook his head. You try now,

275
00:13:12.159 --> 00:13:14.840
<v Speaker 1>Sometimes it's there, sometimes not. Maybe we will let her

276
00:13:14.879 --> 00:13:18.039
<v Speaker 1>easier to pass through. Younger folks, six formers hanging about

277
00:13:18.039 --> 00:13:20.279
<v Speaker 1>outside the bakery or the new residence, in the flat's

278
00:13:20.320 --> 00:13:23.360
<v Speaker 1>new level of the path. It never goes any where, useful,

279
00:13:23.480 --> 00:13:26.039
<v Speaker 1>a girl told me her phrase, caught between defence and indifference,

280
00:13:26.799 --> 00:13:28.840
<v Speaker 1>short cut to nowhere, we all go the long Way.

281
00:13:29.440 --> 00:13:31.960
<v Speaker 1>One Saturday, while trolling through a carton of towns show

282
00:13:31.960 --> 00:13:34.720
<v Speaker 1>photos from the nineteen twenties, I stumbled across a seepy

283
00:13:34.720 --> 00:13:36.879
<v Speaker 1>tone print the frozeny mid scan a group of seven

284
00:13:36.919 --> 00:13:39.559
<v Speaker 1>school children in a jump of slack with age, standing

285
00:13:39.559 --> 00:13:41.080
<v Speaker 1>at the edge of the meadow on a trailer ligned

286
00:13:41.080 --> 00:13:44.320
<v Speaker 1>almost perfectly with the short kit's line the background, though

287
00:13:44.360 --> 00:13:47.279
<v Speaker 1>through me it was planted thick with young trees, stakes

288
00:13:47.279 --> 00:13:49.519
<v Speaker 1>still visible in rows right along where the path should

289
00:13:49.519 --> 00:13:52.399
<v Speaker 1>have just barreled through. Yet the ground beneath the children's

290
00:13:52.440 --> 00:13:54.320
<v Speaker 1>feet betrayed the shadow of a bare track, less a

291
00:13:54.320 --> 00:13:57.840
<v Speaker 1>path perhaps than a confidence shared by their postures. They

292
00:13:57.879 --> 00:13:59.840
<v Speaker 1>seemed primed for a run, for a race to school.

293
00:13:59.879 --> 00:14:02.080
<v Speaker 1>Or home, and troubled by barriers of foe. To prove

294
00:14:02.159 --> 00:14:05.200
<v Speaker 1>must have been present, The path in asserted itself after

295
00:14:05.240 --> 00:14:07.279
<v Speaker 1>a rain, when the air shimmered with the possibility of

296
00:14:07.360 --> 00:14:09.399
<v Speaker 1>rainbow and the grass still hung heavy, The path appeared

297
00:14:09.399 --> 00:14:12.639
<v Speaker 1>shortest and most distinct in a golden ay. Before dusk,

298
00:14:12.759 --> 00:14:14.919
<v Speaker 1>it showed as a lighter ubon across the field, though

299
00:14:14.919 --> 00:14:17.600
<v Speaker 1>in full daylight it could seem to vanish utterly. It

300
00:14:17.679 --> 00:14:19.960
<v Speaker 1>was as though the shortcut belonged to the industitial moments,

301
00:14:20.000 --> 00:14:24.639
<v Speaker 1>the threshold conditions almost visible, almost lost. No record, official

302
00:14:24.759 --> 00:14:27.000
<v Speaker 1>or otherwise ever mentioned a bridge or culvert where the

303
00:14:27.000 --> 00:14:31.200
<v Speaker 1>path bloodely crossed a ravine. The Council's Minutes, though spoken

304
00:14:31.279 --> 00:14:33.320
<v Speaker 1>nineteen thirty four, of an adequate right of way across

305
00:14:33.320 --> 00:14:37.039
<v Speaker 1>the droppy drivers, suggesting intent rather than fact. Yet every map,

306
00:14:37.080 --> 00:14:39.399
<v Speaker 1>old or new, kept the short cut alive a cartographic

307
00:14:39.480 --> 00:14:41.639
<v Speaker 1>after image, refusing to bow to the bureaucracy of the

308
00:14:41.679 --> 00:14:44.360
<v Speaker 1>land Registry and certainly to the indifferent official who lolst

309
00:14:44.360 --> 00:14:47.039
<v Speaker 1>severed the field. In nineteen eighty two, I began to

310
00:14:47.080 --> 00:14:49.480
<v Speaker 1>suspect that, as with all things local, the story had

311
00:14:49.559 --> 00:14:53.200
<v Speaker 1>lengthened and softened over generations. The historical society for the

312
00:14:53.279 --> 00:14:57.639
<v Speaker 1>part or their amusement. Gently probably a mapping convention, offered

313
00:14:57.639 --> 00:15:00.840
<v Speaker 1>doctor Finch, a visiting historian. You see it in market

314
00:15:00.879 --> 00:15:03.960
<v Speaker 1>Town's past, proposed drawn and then never built the next map.

315
00:15:04.000 --> 00:15:06.279
<v Speaker 1>Make a coppice faithfully errors, and all our work is

316
00:15:06.320 --> 00:15:09.639
<v Speaker 1>an endless pallemsis of other people's hopeful intentions. He gave

317
00:15:09.639 --> 00:15:11.799
<v Speaker 1>a smile that bagd appreciation for the error as much

318
00:15:11.840 --> 00:15:14.519
<v Speaker 1>as for the fact. Yet what to make then, of

319
00:15:14.559 --> 00:15:18.159
<v Speaker 1>real physical evidence Walker's reporting a crunch of gravel or

320
00:15:18.159 --> 00:15:20.799
<v Speaker 1>a truck pressed hard through grassware. Rationally it ought not

321
00:15:20.879 --> 00:15:25.600
<v Speaker 1>to be I press my colleagues for stories hypothesis argument. Elaine,

322
00:15:25.679 --> 00:15:28.600
<v Speaker 1>stirring her tea with an unnecessary ferocity, simply murmured, people

323
00:15:28.639 --> 00:15:31.279
<v Speaker 1>see what they need, don't they? Marian. That was when

324
00:15:31.320 --> 00:15:35.240
<v Speaker 1>the new questions began to burrow. Coincidence didn't satisfy, nor

325
00:15:35.320 --> 00:15:38.440
<v Speaker 1>did error. The shortcut was not merely ink. Something or

326
00:15:38.440 --> 00:15:42.519
<v Speaker 1>someone kept it walkable, however inconsistent. I felt increasingly I

327
00:15:42.600 --> 00:15:45.120
<v Speaker 1>was witnessing not one enigma, but a stacking of mismatched

328
00:15:45.159 --> 00:15:48.399
<v Speaker 1>layer's documentary, tradition, practical habit, and some sort of force

329
00:15:48.440 --> 00:15:51.480
<v Speaker 1>hiding between them. After a month of following anomalies and

330
00:15:51.519 --> 00:15:54.120
<v Speaker 1>gently pestering every old timer in the vicinity, the shortcut's

331
00:15:54.159 --> 00:15:57.279
<v Speaker 1>tenacity began to edge into the philosophical. Does the path

332
00:15:57.320 --> 00:16:00.679
<v Speaker 1>actually exist, I'd wonder, But now that seems it almost quaint.

333
00:16:01.360 --> 00:16:04.000
<v Speaker 1>Its reality was near a stable, nor wholly full, sometimes

334
00:16:04.039 --> 00:16:07.480
<v Speaker 1>as obdurate as offense for sometimes as uncertain as remembered lyrics.

335
00:16:07.960 --> 00:16:10.159
<v Speaker 1>A book on my shelf offered a clue one I'd

336
00:16:10.159 --> 00:16:13.080
<v Speaker 1>ignored in my cartographic fury, the concept of the desire path.

337
00:16:13.600 --> 00:16:16.480
<v Speaker 1>Desire paths I had often told board year nines, or

338
00:16:16.480 --> 00:16:19.200
<v Speaker 1>on official trails, warmed by repeated passage, the lines people

339
00:16:19.240 --> 00:16:23.120
<v Speaker 1>actually walk irreverently correcting the official sidework plan. They can

340
00:16:23.159 --> 00:16:26.519
<v Speaker 1>cut corners, curve around obstacles, or establish the most direct

341
00:16:26.559 --> 00:16:30.120
<v Speaker 1>line between two places, regardless of what planners intend. The

342
00:16:30.159 --> 00:16:32.159
<v Speaker 1>shortcup began to look more and more like the tense

343
00:16:32.200 --> 00:16:34.679
<v Speaker 1>collective desire, the path everyone wished for, where at least

344
00:16:34.679 --> 00:16:37.840
<v Speaker 1>had worked into imagination, often enough to give it physical ambiguity.

345
00:16:38.440 --> 00:16:40.960
<v Speaker 1>But even that fell short because the short persistence was

346
00:16:40.960 --> 00:16:44.759
<v Speaker 1>too irregular, its prisons too documented. Across the maps. Desire

347
00:16:44.799 --> 00:16:48.360
<v Speaker 1>paths usually adapt to respond to practicality. This one cut straight,

348
00:16:48.399 --> 00:16:52.080
<v Speaker 1>ignoring human frailty and the terrain itself. I began collecting

349
00:16:52.159 --> 00:16:54.840
<v Speaker 1>oral stories, sitting down with any one willing at the Society,

350
00:16:54.879 --> 00:16:57.799
<v Speaker 1>or Valunche at Tilly's cafe. The stories I drew out

351
00:16:57.840 --> 00:17:00.639
<v Speaker 1>did the line not really? Not accept in tone? It

352
00:17:00.759 --> 00:17:03.639
<v Speaker 1>was my path, said Missess Bridger, fingers folded over the

353
00:17:03.720 --> 00:17:06.720
<v Speaker 1>dented silver handle of her cane, walking school with the fok.

354
00:17:07.000 --> 00:17:09.359
<v Speaker 1>Sometimes I'd look up near the playground and realized I'd

355
00:17:09.400 --> 00:17:11.359
<v Speaker 1>left the house only moments ago, as if my feet

356
00:17:11.400 --> 00:17:14.559
<v Speaker 1>had done the work without consulting my head. Another nivel

357
00:17:14.599 --> 00:17:17.519
<v Speaker 1>clerk recalled chasing his paper round. Only used it when

358
00:17:17.519 --> 00:17:19.799
<v Speaker 1>I was late. Sometimes felt the legwork drop away. Then

359
00:17:19.799 --> 00:17:21.920
<v Speaker 1>you're at the meadow gate. Sometimes you find you've missed

360
00:17:21.920 --> 00:17:25.039
<v Speaker 1>your delivery entirely. His laugh was creased at the edges,

361
00:17:25.079 --> 00:17:28.559
<v Speaker 1>harboring both nostalgia and out from the patchwork, a new

362
00:17:28.559 --> 00:17:31.799
<v Speaker 1>pattern grew. The short cut meant different things to different people.

363
00:17:32.480 --> 00:17:34.920
<v Speaker 1>Some pictured at concrete and swift, a saving of minutes.

364
00:17:34.960 --> 00:17:37.599
<v Speaker 1>Others half dreamt, a fading offenses and careful rules, a

365
00:17:37.640 --> 00:17:41.359
<v Speaker 1>memory of effortlesses that didn't quite translate to physical proof. Still,

366
00:17:41.400 --> 00:17:45.480
<v Speaker 1>the evidence kept refusing to settle. My collection of maps, prints, photographs,

367
00:17:45.640 --> 00:17:47.519
<v Speaker 1>and testimonies began to take on the quality of a

368
00:17:47.559 --> 00:17:50.839
<v Speaker 1>puzzle constructed from pieces made with different intentions. The more

369
00:17:50.880 --> 00:17:53.039
<v Speaker 1>I gathered, the less clearly to shot could fit any

370
00:17:53.039 --> 00:17:56.119
<v Speaker 1>single understanding. Some days it felt as though the path

371
00:17:56.200 --> 00:17:59.119
<v Speaker 1>was more artifact than reality, a walking daydream captured by accident.

372
00:17:59.160 --> 00:18:01.799
<v Speaker 1>And yet in all confusion, there were always enough physical,

373
00:18:01.839 --> 00:18:05.400
<v Speaker 1>measurable traces for skepticism to keep shifting. I tested fences

374
00:18:05.440 --> 00:18:08.440
<v Speaker 1>with all photographs, pressed neighbors for records of garden works.

375
00:18:09.119 --> 00:18:11.480
<v Speaker 1>I compared registration deeds, only to find that the right

376
00:18:11.519 --> 00:18:15.480
<v Speaker 1>of way was usually surrendered without noting the path itself. Once,

377
00:18:15.680 --> 00:18:18.279
<v Speaker 1>on wet morning, I found the shortcut gleaming with beads

378
00:18:18.279 --> 00:18:20.640
<v Speaker 1>of water, a ribbon so distinct that it seemed ridiculous

379
00:18:20.640 --> 00:18:23.759
<v Speaker 1>to doubt. On a different afternoon, in clear weather, the

380
00:18:23.759 --> 00:18:25.839
<v Speaker 1>path blowed into the earth, as if trying to raise

381
00:18:25.880 --> 00:18:29.359
<v Speaker 1>its own evidence. Even the GPS dates smirked in ambiguity.

382
00:18:30.039 --> 00:18:33.240
<v Speaker 1>Sometimes my journey read as a clean straight lines, sometimes nervous,

383
00:18:33.400 --> 00:18:36.519
<v Speaker 1>wavering scribble. I tried to fill my walk, but the

384
00:18:36.519 --> 00:18:39.680
<v Speaker 1>footage on playback seemed unimpressive. The oddness diminished in the

385
00:18:39.759 --> 00:18:43.400
<v Speaker 1>lenses flat recording. The shortcut resisted capture. It was real

386
00:18:43.480 --> 00:18:46.720
<v Speaker 1>enough to walk, unreliable enough to dismiss, and persistent enough

387
00:18:46.720 --> 00:18:49.440
<v Speaker 1>to return a memory more than in fact. Something had

388
00:18:49.480 --> 00:18:52.440
<v Speaker 1>changed in my perception, and I knew it. The problem

389
00:18:52.480 --> 00:18:54.640
<v Speaker 1>was no longer whether the shortcut was present by absent,

390
00:18:54.680 --> 00:18:57.599
<v Speaker 1>but whire was so much contradiction, so many competing claims.

391
00:18:57.599 --> 00:19:00.119
<v Speaker 1>It remained a constant in both record and local imagination.

392
00:19:00.720 --> 00:19:04.240
<v Speaker 1>Its existence felt less binary than blended, with layers of tradition, intension,

393
00:19:04.359 --> 00:19:07.799
<v Speaker 1>and happ instance. Maps, I realized, are as much about

394
00:19:07.799 --> 00:19:10.359
<v Speaker 1>what people wish for as what they know. Perhaps in

395
00:19:10.359 --> 00:19:12.400
<v Speaker 1>some deep way, the shortcut was a record of longing

396
00:19:12.400 --> 00:19:16.079
<v Speaker 1>before it was a mark of fact. Some manifestations in Brentfield,

397
00:19:16.160 --> 00:19:18.960
<v Speaker 1>I remembered, have always been generated from communal expectation of

398
00:19:19.000 --> 00:19:21.319
<v Speaker 1>bon violet every year, and precisely, the wrong field and

399
00:19:21.400 --> 00:19:24.599
<v Speaker 1>maple dunce along a path logic says doesn't connect, But

400
00:19:24.720 --> 00:19:27.720
<v Speaker 1>the short triol, phantom or somewhere between seemed to straddle

401
00:19:27.720 --> 00:19:29.720
<v Speaker 1>the divide between belief and geography in a way that

402
00:19:29.759 --> 00:19:32.960
<v Speaker 1>omitted no single author. I promised myself. I would chase

403
00:19:33.000 --> 00:19:34.759
<v Speaker 1>the origin. I would find who first dared to draw

404
00:19:34.799 --> 00:19:37.160
<v Speaker 1>the line and pressed it into the historical record, case

405
00:19:37.200 --> 00:19:40.519
<v Speaker 1>closed or not. With each new fact, each contradiction, the

406
00:19:40.559 --> 00:19:44.200
<v Speaker 1>shortcut expanded, not in clarde, but in fascinating uncertainty. My

407
00:19:44.279 --> 00:19:47.519
<v Speaker 1>search brought me inevitably to the archaves of the County Council,

408
00:19:47.720 --> 00:19:51.359
<v Speaker 1>where the oldest correspondence molded in green cardboard boxes. It

409
00:19:51.440 --> 00:19:53.880
<v Speaker 1>was here, beneath the dust, among folders of penciled survey

410
00:19:53.960 --> 00:19:56.880
<v Speaker 1>notes and faintly menacing letters about ditch encouragements, I discovered

411
00:19:56.880 --> 00:20:00.000
<v Speaker 1>the story's next layer. Matthew Cook's name was the bread

412
00:20:00.000 --> 00:20:02.559
<v Speaker 1>from a cartographer for the Ordnance Survey, whose letter dated

413
00:20:02.599 --> 00:20:05.480
<v Speaker 1>December eighteen seventy four lay crinkled, paired with a set

414
00:20:05.480 --> 00:20:09.119
<v Speaker 1>of neat fossy field notes. His hand was tidy, each

415
00:20:09.160 --> 00:20:12.720
<v Speaker 1>capital stiff of professional pride. In his survey notes, Beside

416
00:20:12.759 --> 00:20:15.960
<v Speaker 1>contour notations, I found a remark the proposed public right

417
00:20:16.000 --> 00:20:17.599
<v Speaker 1>of way from the reading Room to the Common the

418
00:20:17.640 --> 00:20:20.440
<v Speaker 1>Council on tends it straight across the ravine. No passage yet,

419
00:20:20.559 --> 00:20:23.839
<v Speaker 1>but route request bridge not feasible. He'd mapped the shortcut

420
00:20:23.839 --> 00:20:26.359
<v Speaker 1>as a dotted line first a proposal, not an achievement,

421
00:20:27.000 --> 00:20:29.599
<v Speaker 1>but on the final versions copied by official lithographers back

422
00:20:29.640 --> 00:20:32.000
<v Speaker 1>in London, a footpath solid out of the proposals dash

423
00:20:32.000 --> 00:20:35.559
<v Speaker 1>replaced with certainty's line, an engineer's margin annotation too great

424
00:20:35.559 --> 00:20:38.799
<v Speaker 1>a drop for a bridge prohibitively costly sat in the correspondence,

425
00:20:39.000 --> 00:20:42.400
<v Speaker 1>but nowhere on the town's published maps. Instead, the shortcut

426
00:20:42.400 --> 00:20:46.039
<v Speaker 1>appeared year after year, unashamed. Over time, the intention was

427
00:20:46.039 --> 00:20:49.400
<v Speaker 1>mistaken for completion. Publishers in London, pressed to meet the

428
00:20:49.480 --> 00:20:52.160
<v Speaker 1>dead lines, were reprinted with neither footful nor field check,

429
00:20:52.240 --> 00:20:56.079
<v Speaker 1>and each new edition we confirmed the shortcut's existence. The error,

430
00:20:56.119 --> 00:20:58.319
<v Speaker 1>if so it was, had become tradition, and by the

431
00:20:58.359 --> 00:21:01.160
<v Speaker 1>late nineteen forties council minute still noted the right of way,

432
00:21:01.240 --> 00:21:04.599
<v Speaker 1>though no bridge had ever been funded. Yet the deepried help.

433
00:21:04.680 --> 00:21:08.559
<v Speaker 1>The less satisfaction I found in this bureaucratic genesis. Ordinary

434
00:21:08.599 --> 00:21:11.400
<v Speaker 1>map airs do not survive scrutiny. In real life locals

435
00:21:11.440 --> 00:21:14.400
<v Speaker 1>course correct them by walking routes that make sense. And

436
00:21:14.480 --> 00:21:17.480
<v Speaker 1>yet here along the shortcut were living, shifting traces, paths

437
00:21:17.519 --> 00:21:21.039
<v Speaker 1>formed by repeated footsteps, gravel scoured bare, and stories alive

438
00:21:21.079 --> 00:21:24.839
<v Speaker 1>and voices was nostalgic and dismissive. Older council archous showed

439
00:21:24.839 --> 00:21:27.559
<v Speaker 1>the town committee arguing heatedly about the Footlus's future at

440
00:21:27.559 --> 00:21:29.920
<v Speaker 1>the ravine's edge, one which suggested I from raising fate

441
00:21:29.960 --> 00:21:33.039
<v Speaker 1>to build a bridge where no bridge blonds, plans drawn,

442
00:21:33.119 --> 00:21:35.680
<v Speaker 1>funds delayed, need forgotten. Yet the line remained black and

443
00:21:35.720 --> 00:21:38.559
<v Speaker 1>clear on every map. Confronting a lamee with my findings,

444
00:21:38.640 --> 00:21:42.200
<v Speaker 1>I expected, foolishly a note of closure. Instead, she twinkled,

445
00:21:43.400 --> 00:21:45.759
<v Speaker 1>maybe all this for us made it real, Marion, who's

446
00:21:45.799 --> 00:21:48.160
<v Speaker 1>to say? Sometimes we walked a road drawn for us.

447
00:21:48.240 --> 00:21:51.039
<v Speaker 1>Sometimes the road molds itself to our walking. I looked

448
00:21:51.079 --> 00:21:53.799
<v Speaker 1>back over the array of folded maps, the half remember tales,

449
00:21:53.839 --> 00:21:56.960
<v Speaker 1>a persistent pathway in the grass. The shortcut, which I

450
00:21:57.000 --> 00:21:58.960
<v Speaker 1>at once believed to be an arrow or a stubborn relic,

451
00:21:59.160 --> 00:22:01.799
<v Speaker 1>now appeared as something stranger, a song line embedded in

452
00:22:01.799 --> 00:22:05.480
<v Speaker 1>shared expectation, half instituted by bureaucracy, half issued into being

453
00:22:05.519 --> 00:22:09.160
<v Speaker 1>by ordinary people's longing for directors and ease. Perhaps the maps,

454
00:22:09.240 --> 00:22:12.039
<v Speaker 1>in echoing one another, had not merely recorded but constructed

455
00:22:12.039 --> 00:22:15.200
<v Speaker 1>the path. Perhaps, in a feedback looper of documentation and routine,

456
00:22:15.319 --> 00:22:18.160
<v Speaker 1>they had given the shortcut sufficient momentum to occasionally overcome

457
00:22:18.160 --> 00:22:21.119
<v Speaker 1>reality itself. The more I pondered, the more I felt

458
00:22:21.119 --> 00:22:22.880
<v Speaker 1>to shift in myself in need to reframe the whole

459
00:22:22.880 --> 00:22:25.039
<v Speaker 1>idea of the shortcut, not just as a feature to

460
00:22:25.039 --> 00:22:27.359
<v Speaker 1>be confirmed or denied, but as an evolving record of

461
00:22:27.359 --> 00:22:32.319
<v Speaker 1>compromise between past intention, practical necessity, and human memory's exploratory appetite.

462
00:22:32.799 --> 00:22:35.720
<v Speaker 1>Paths I realized could be walked into existence, even if

463
00:22:35.759 --> 00:22:39.079
<v Speaker 1>only loosely enough for contradiction to persist. The question I

464
00:22:39.119 --> 00:22:41.559
<v Speaker 1>carried now was not does the shortcut exist? But how

465
00:22:41.599 --> 00:22:44.160
<v Speaker 1>do we shape and become shaped by the maps, memories,

466
00:22:44.279 --> 00:22:47.680
<v Speaker 1>and quiet desires we share? Lane and I lingered shoulder

467
00:22:47.759 --> 00:22:49.559
<v Speaker 1>to shoulder at the end of the map table. The

468
00:22:49.559 --> 00:22:52.559
<v Speaker 1>old plants splayed open like stage sets, inviting improbable journeys.

469
00:22:53.200 --> 00:22:55.200
<v Speaker 1>We've been at this for hours. Are tapping a finger

470
00:22:55.240 --> 00:22:57.519
<v Speaker 1>on the faded margin where to shortcut leaps the ravine,

471
00:22:57.519 --> 00:23:00.519
<v Speaker 1>me rifling through survey's letters and maps imported through centuries,

472
00:23:00.519 --> 00:23:04.000
<v Speaker 1>blind faith. For a long, wordless moment, we just listened

473
00:23:04.000 --> 00:23:06.640
<v Speaker 1>to the distant hamoomraat along the cricket green present, fleeting

474
00:23:06.680 --> 00:23:08.480
<v Speaker 1>indifferent to the fact that the town's secret lay hiding

475
00:23:08.480 --> 00:23:11.720
<v Speaker 1>in the lines beneath our cups. Eventually a question formed

476
00:23:11.720 --> 00:23:13.920
<v Speaker 1>in my mind, different than all the rest, who really

477
00:23:14.079 --> 00:23:17.200
<v Speaker 1>believed a path into being? Was a cook whose line

478
00:23:17.200 --> 00:23:19.759
<v Speaker 1>on his original plan set the possibility in motion? Or

479
00:23:19.839 --> 00:23:21.960
<v Speaker 1>was it the generations who laid one boot after another

480
00:23:22.000 --> 00:23:23.920
<v Speaker 1>into the grass insist in the world be a touch

481
00:23:23.920 --> 00:23:27.440
<v Speaker 1>easier than its topography allowed. I tested this question on Elaine,

482
00:23:27.559 --> 00:23:30.880
<v Speaker 1>half rhetorical half sincere, do you think there is any

483
00:23:30.880 --> 00:23:33.039
<v Speaker 1>difference in the end between a map's proposal in the

484
00:23:33.039 --> 00:23:35.480
<v Speaker 1>foot that follows it? If enough people want the suggestion,

485
00:23:35.720 --> 00:23:37.960
<v Speaker 1>does it make the route reel? She shook her head,

486
00:23:38.039 --> 00:23:41.079
<v Speaker 1>mouth burst in mirthless thoughtfulness. If it helps you reach

487
00:23:41.119 --> 00:23:43.480
<v Speaker 1>your doorstep quicker or home with dry feet, I'd say

488
00:23:43.480 --> 00:23:46.559
<v Speaker 1>it counts. That evening, as the sky leaned violet over

489
00:23:46.599 --> 00:23:48.680
<v Speaker 1>the tile roofs, I sent out a string of messages,

490
00:23:48.720 --> 00:23:50.880
<v Speaker 1>not just to colleagues of the society or the walker's group,

491
00:23:50.960 --> 00:23:54.160
<v Speaker 1>but to ptah chat threads in the local Facebook page.

492
00:23:54.200 --> 00:23:57.000
<v Speaker 1>I proposed with a kind of informal bravodo, retired teacher

493
00:23:57.039 --> 00:24:00.079
<v Speaker 1>can still muster a practical experiment, a community shortcut walk

494
00:24:00.200 --> 00:24:02.559
<v Speaker 1>open to anyone who fancied, seeing if the path might

495
00:24:02.599 --> 00:24:06.839
<v Speaker 1>behave differently under joint scrutiny. Responses trickled in curiosity from

496
00:24:06.880 --> 00:24:10.079
<v Speaker 1>older residents, cheerful skepticism from under guards on spring break,

497
00:24:10.200 --> 00:24:13.079
<v Speaker 1>polite interests from the more formal local ramblers, and dry

498
00:24:13.079 --> 00:24:15.359
<v Speaker 1>wit from mister Patel. Perhaps will emerge in the next

499
00:24:15.400 --> 00:24:18.440
<v Speaker 1>turn over. Please accept my overdue fine in advance. We

500
00:24:18.519 --> 00:24:20.839
<v Speaker 1>gathered on a tempit Saturday, the air holding its breath

501
00:24:20.880 --> 00:24:23.559
<v Speaker 1>between mist and the promise of sun. A dozen turned

502
00:24:23.599 --> 00:24:26.400
<v Speaker 1>up at the library's steps. Missess Bridger leaning on her cane,

503
00:24:26.440 --> 00:24:29.079
<v Speaker 1>but determined John with his faded club windbreaker, A tangle

504
00:24:29.079 --> 00:24:32.599
<v Speaker 1>of children, all elastics and trainers, Sophie from the post Office,

505
00:24:32.680 --> 00:24:35.440
<v Speaker 1>whose knowledge of hetero's and people's out gardening habits exceeded

506
00:24:35.480 --> 00:24:37.720
<v Speaker 1>even A lanes, and three students from up the road,

507
00:24:37.880 --> 00:24:40.400
<v Speaker 1>each bearing a phone from mapping in. I suspected the

508
00:24:40.440 --> 00:24:44.400
<v Speaker 1>proper degree of ironic detachment. I organized the group into pairs,

509
00:24:44.519 --> 00:24:46.880
<v Speaker 1>arming them as best I could with spare print outs,

510
00:24:46.920 --> 00:24:50.759
<v Speaker 1>marked waypoints and instructions denote everything unusual. Try not to

511
00:24:50.759 --> 00:24:54.279
<v Speaker 1>overthink the route, I told them, but don't deliberately avoid obstacles.

512
00:24:54.279 --> 00:24:56.839
<v Speaker 1>To trust the line as the map showed. We set

513
00:24:56.880 --> 00:24:59.519
<v Speaker 1>off in stagger triumph, and iyed against my better nature

514
00:24:59.599 --> 00:25:01.359
<v Speaker 1>that the parser take me with Missus Bruger and one

515
00:25:01.359 --> 00:25:03.920
<v Speaker 1>of the children's mothers, Aida, trying to balance record, keep

516
00:25:03.920 --> 00:25:06.359
<v Speaker 1>his detachment with the deep ticker shope that something illuminated

517
00:25:06.400 --> 00:25:09.160
<v Speaker 1>might occur. First surprise was how quickly we lost sight

518
00:25:09.200 --> 00:25:11.920
<v Speaker 1>of one another. The short cut's old trick, lying plainly

519
00:25:11.960 --> 00:25:14.599
<v Speaker 1>across lawns, through garden boarder gaps, and over the moody

520
00:25:14.599 --> 00:25:17.119
<v Speaker 1>shelf above a ravine, seemed to promote a strange disposal.

521
00:25:17.279 --> 00:25:19.119
<v Speaker 1>Each pair moved at a different rhythm, as if the

522
00:25:19.119 --> 00:25:22.640
<v Speaker 1>shortcut shaped itself for each set of feet. Missus Bruger,

523
00:25:22.680 --> 00:25:24.839
<v Speaker 1>half way to wheezing with purpose, tutted as we skirted

524
00:25:24.880 --> 00:25:27.519
<v Speaker 1>a stubborn bed of nettles. Was never so thick when

525
00:25:27.519 --> 00:25:29.480
<v Speaker 1>I was young. I swhere the path kept the weeds thinner.

526
00:25:30.119 --> 00:25:33.079
<v Speaker 1>It is. Daughter up ahead, called back, mum, Look there's

527
00:25:33.119 --> 00:25:35.279
<v Speaker 1>a gap here, and we slipped through past the ghost

528
00:25:35.279 --> 00:25:37.440
<v Speaker 1>of a fence. The grass underfoot flattened in a way

529
00:25:37.440 --> 00:25:39.680
<v Speaker 1>that suggested, if not official lance, then at least a

530
00:25:39.720 --> 00:25:42.599
<v Speaker 1>bit real aquescence. We paused at the ravine here the

531
00:25:42.720 --> 00:25:46.279
<v Speaker 1>land dipped sharply, resistive and wild. The short cut, according

532
00:25:46.359 --> 00:25:48.160
<v Speaker 1>to both the map and a shimmer in the grass,

533
00:25:48.400 --> 00:25:51.720
<v Speaker 1>led boldly over. I made the crossing without drama, sensing

534
00:25:51.799 --> 00:25:54.079
<v Speaker 1>an illusion of ease, my boots brushing over what should

535
00:25:54.079 --> 00:25:56.799
<v Speaker 1>have been uneven drop it is. Phone tracked our route,

536
00:25:56.839 --> 00:25:59.559
<v Speaker 1>the blue line, jittering, then snapping in a two perfect straightness.

537
00:25:59.599 --> 00:26:02.480
<v Speaker 1>Once we asked on the far side, the meadow greeted

538
00:26:02.559 --> 00:26:04.319
<v Speaker 1>us as it always had, but the time was off

539
00:26:04.960 --> 00:26:08.720
<v Speaker 1>five minutes, not the fifteen the official footpath demands. Missus

540
00:26:08.720 --> 00:26:12.960
<v Speaker 1>Bridger smiled, winded, but satisfied. Just as I remembered, she said, quietly,

541
00:26:13.000 --> 00:26:15.720
<v Speaker 1>half to herself, you don't think about it, You just arry.

542
00:26:16.480 --> 00:26:19.000
<v Speaker 1>As others trickled in, some from a slightly different angle,

543
00:26:19.279 --> 00:26:21.559
<v Speaker 1>some grumbling about flustered geese or a gate that refused

544
00:26:21.599 --> 00:26:25.240
<v Speaker 1>to latch, stories began to diverge. The students divided between

545
00:26:25.240 --> 00:26:27.559
<v Speaker 1>the short cut and the longer, more secured. As arrival

546
00:26:27.599 --> 00:26:31.000
<v Speaker 1>compared phones over their mown grass. Mine's a straight line,

547
00:26:31.039 --> 00:26:34.279
<v Speaker 1>but dom Here's map shows us zagging all over. One remarked,

548
00:26:34.960 --> 00:26:37.319
<v Speaker 1>Dom offended, showed his phone, no sign of a crossing

549
00:26:37.359 --> 00:26:39.759
<v Speaker 1>at all, just to loop back toward the library's parking bay.

550
00:26:40.359 --> 00:26:42.400
<v Speaker 1>It's like we weren't even on the same walk, he

551
00:26:42.519 --> 00:26:46.319
<v Speaker 1>said John Ground's keeper and erstwhile bought a shortcut, expert

552
00:26:46.440 --> 00:26:49.799
<v Speaker 1>reported a curious split out. The path was easy coming back,

553
00:26:49.839 --> 00:26:52.000
<v Speaker 1>couldn't find it, had to walk all round the houses.

554
00:26:52.640 --> 00:26:54.359
<v Speaker 1>What if you close your eyes and walk the line

555
00:26:54.400 --> 00:26:58.920
<v Speaker 1>in memory, missus Bridger suggested. Riley, as AIDA's daughter, attempted this, giggling,

556
00:26:59.079 --> 00:27:01.200
<v Speaker 1>only to vere into an unexpect A clump of clover

557
00:27:02.039 --> 00:27:04.440
<v Speaker 1>Arguments broke out playfully about who had done it right.

558
00:27:05.160 --> 00:27:08.279
<v Speaker 1>Some felt wholeheartedly the presence of the shortcut, others insisted

559
00:27:08.319 --> 00:27:11.400
<v Speaker 1>they'd been led astray by the land's old geometry. Sophie

560
00:27:11.440 --> 00:27:13.440
<v Speaker 1>notebook in hand ticked off three out of five g

561
00:27:13.559 --> 00:27:15.640
<v Speaker 1>p astraces bear out the straight rowt but no one

562
00:27:15.640 --> 00:27:18.240
<v Speaker 1>can confidently retrace it twice, not in reverse any wy.

563
00:27:18.319 --> 00:27:21.000
<v Speaker 1>You make a terrible postman with this shortcut. One of

564
00:27:21.000 --> 00:27:23.799
<v Speaker 1>the children, Jordan ash nine, a little philosopher, looked to

565
00:27:23.839 --> 00:27:26.440
<v Speaker 1>the adults uncertain. But how does it exist if you

566
00:27:26.480 --> 00:27:28.519
<v Speaker 1>can't use it every time? Isn't a short cut always

567
00:27:28.519 --> 00:27:31.440
<v Speaker 1>supposed to make sense? Most things don't if you want

568
00:27:31.440 --> 00:27:34.279
<v Speaker 1>them enough, John Modert, brushing stray seed pods from his sleeve.

569
00:27:34.799 --> 00:27:37.559
<v Speaker 1>I let the group chatter, the collective impressions tangling, then

570
00:27:37.599 --> 00:27:41.039
<v Speaker 1>settling into a gentle camaraderie. The laughter of schriff futility

571
00:27:41.039 --> 00:27:43.559
<v Speaker 1>colored the morning. The short cut seemed was not to

572
00:27:43.599 --> 00:27:46.920
<v Speaker 1>be domesticated by crowd's signs or smart for uncertainty. When

573
00:27:46.920 --> 00:27:49.400
<v Speaker 1>we compared notes back at the library, over home at Cake,

574
00:27:49.519 --> 00:27:52.400
<v Speaker 1>then missus now three quarters emptied, the effect was quietly electrify.

575
00:27:53.039 --> 00:27:55.559
<v Speaker 1>Not only did each pest's story diverge, but the shot

576
00:27:55.599 --> 00:27:58.759
<v Speaker 1>cut itself had warped. Under pressure. Object of data was

577
00:27:58.759 --> 00:28:01.720
<v Speaker 1>flimsier than ever. The more everyone tried to record the

578
00:28:01.759 --> 00:28:04.039
<v Speaker 1>journey as a fixed line, the more blowd and capricious

579
00:28:04.039 --> 00:28:06.279
<v Speaker 1>it became. Yet for the few who leaned into familiarity

580
00:28:06.319 --> 00:28:10.559
<v Speaker 1>and recollection, the way remained umistakably, comfortingly present. The short cut,

581
00:28:10.640 --> 00:28:13.400
<v Speaker 1>then was revealed as participant as much as path delighted

582
00:28:13.400 --> 00:28:15.559
<v Speaker 1>to persists, so long as it was not measured too hard.

583
00:28:15.599 --> 00:28:18.440
<v Speaker 1>Amused by our efforts to trapid in reason, I began

584
00:28:18.480 --> 00:28:21.279
<v Speaker 1>to suspect that knowledge, or rather belief, was a mechanic

585
00:28:21.279 --> 00:28:24.599
<v Speaker 1>as potent as any footful in these matters. Some were frustrated,

586
00:28:24.680 --> 00:28:27.119
<v Speaker 1>especially the younger, more determined to prove the short cut

587
00:28:27.160 --> 00:28:29.160
<v Speaker 1>one way or another, who now threatened to mount a

588
00:28:29.160 --> 00:28:31.480
<v Speaker 1>campaign to clean up the walking routes and fix the maps.

589
00:28:31.480 --> 00:28:35.599
<v Speaker 1>At last most, however, lingered a little longer than strictly necessary,

590
00:28:35.759 --> 00:28:38.920
<v Speaker 1>sipping tea and exchanging puzzle pieces. Hearts warmed by conversation,

591
00:28:39.000 --> 00:28:41.559
<v Speaker 1>if not by solved geometry. I spent the week that

592
00:28:41.599 --> 00:28:43.920
<v Speaker 1>followed chasing not the physical line itself, but the echo

593
00:28:43.960 --> 00:28:47.559
<v Speaker 1>of experience, the short cut's true territory. My curiosity turned

594
00:28:47.559 --> 00:28:50.519
<v Speaker 1>outward into the town's social fabric. It was time task,

595
00:28:50.839 --> 00:28:53.079
<v Speaker 1>not what the path was, but how people remembered it,

596
00:28:53.279 --> 00:28:56.039
<v Speaker 1>and how it lived between those memories. The first stop

597
00:28:56.079 --> 00:28:58.559
<v Speaker 1>was missus Bridges tidy lounge, where the dust a sideboard

598
00:28:58.640 --> 00:29:02.039
<v Speaker 1>carried photos of daughters children At once, I suspected the

599
00:29:02.160 --> 00:29:04.839
<v Speaker 1>very cricket team who had littered the nineteen twenties photograph

600
00:29:04.839 --> 00:29:08.519
<v Speaker 1>had found. She was ready with tea and sensing my purpose,

601
00:29:08.599 --> 00:29:11.839
<v Speaker 1>a sheaf of recollections. Boh, well, it was always there

602
00:29:11.880 --> 00:29:15.000
<v Speaker 1>when you needed it. She began cradling her cup, walking

603
00:29:15.000 --> 00:29:16.640
<v Speaker 1>to school with a fog on the field. He'd blink

604
00:29:16.640 --> 00:29:18.640
<v Speaker 1>out in Union Street, then blink again and be at

605
00:29:18.640 --> 00:29:21.039
<v Speaker 1>the playground gate. I always thought, I mean, I suppose

606
00:29:21.119 --> 00:29:23.480
<v Speaker 1>that maybe we just hurried, never noticed the gap, but

607
00:29:23.559 --> 00:29:26.920
<v Speaker 1>it felt sometimes as if minutes dropped away. It didn't

608
00:29:26.920 --> 00:29:31.000
<v Speaker 1>matter if anyone was with you, I asked, she thought, sipping.

609
00:29:31.640 --> 00:29:33.920
<v Speaker 1>I'm not sure. When you're a child, you don't expect

610
00:29:33.960 --> 00:29:36.200
<v Speaker 1>to be lost. Maybe it's easier to trust you'll arrive

611
00:29:36.839 --> 00:29:39.240
<v Speaker 1>at the post office. Sovie arranged for me to chat

612
00:29:39.279 --> 00:29:42.200
<v Speaker 1>with mister Keene, long retired from the Royal Mail. He

613
00:29:42.279 --> 00:29:45.279
<v Speaker 1>described a short cut almost entirely practical and quietly baffling.

614
00:29:45.839 --> 00:29:47.799
<v Speaker 1>It was a necessary evil on a wet day between

615
00:29:47.880 --> 00:29:50.119
<v Speaker 1>letter boxes. You had to shave every minute you could.

616
00:29:50.160 --> 00:29:52.640
<v Speaker 1>Odd thing, though, I'd sometimes find myself at the meadow,

617
00:29:52.720 --> 00:29:55.039
<v Speaker 1>facing the opposite direction than I knew i'd started. I

618
00:29:55.119 --> 00:29:57.480
<v Speaker 1>never once remember crossing the new fence, but there I'd

619
00:29:57.519 --> 00:29:59.880
<v Speaker 1>be let us barely damp, thought nothing of it, just

620
00:30:00.039 --> 00:30:02.839
<v Speaker 1>the wind. Playing tricks among a tasseled group at after

621
00:30:02.839 --> 00:30:05.960
<v Speaker 1>school club. The story was revived as Ryman rumor. The

622
00:30:06.039 --> 00:30:09.039
<v Speaker 1>short cut, a girl said, was four laser bones, because

623
00:30:09.079 --> 00:30:11.240
<v Speaker 1>if you're late, it shortens if you're early. The path

624
00:30:11.319 --> 00:30:13.839
<v Speaker 1>is slow. Another claim, the path of wriggles away if

625
00:30:13.839 --> 00:30:16.960
<v Speaker 1>you're adult, and yet anotherough declared, exasperated, it's a path

626
00:30:17.000 --> 00:30:18.680
<v Speaker 1>for running fast. You can't see it if you're with

627
00:30:18.720 --> 00:30:20.400
<v Speaker 1>a grown up, except if they really want to get

628
00:30:20.400 --> 00:30:23.680
<v Speaker 1>home too. A motif emerged. Children recanted the short cut

629
00:30:23.759 --> 00:30:26.440
<v Speaker 1>is more solid, more permissive, as secret remembered from before

630
00:30:26.480 --> 00:30:29.759
<v Speaker 1>grown up logic. Intruded teenagers called it myth. It's a

631
00:30:29.759 --> 00:30:31.920
<v Speaker 1>story to keep old people entertained at the pub. My

632
00:30:32.000 --> 00:30:34.279
<v Speaker 1>phone never shows it, so just make sure you don't

633
00:30:34.279 --> 00:30:37.079
<v Speaker 1>get lost, while the older generation wards un a liable promise,

634
00:30:37.200 --> 00:30:40.160
<v Speaker 1>like a badge. Back at the society, a councilman stopped

635
00:30:40.200 --> 00:30:42.720
<v Speaker 1>in over lunch and I pestered him into friendly debate.

636
00:30:43.440 --> 00:30:46.079
<v Speaker 1>Is there any record of pathwrights being revoked or property

637
00:30:46.119 --> 00:30:50.039
<v Speaker 1>changed hands around the supposed line? He shrugged, Nothing out

638
00:30:50.039 --> 00:30:52.079
<v Speaker 1>of the ordinary. The registry has a basic right of

639
00:30:52.079 --> 00:30:54.039
<v Speaker 1>way noted, but only up to where the land it's

640
00:30:54.039 --> 00:30:56.440
<v Speaker 1>After that, it's all informal. Not to keep their errors,

641
00:30:56.519 --> 00:30:59.079
<v Speaker 1>and none of the properties have complained not for decades.

642
00:30:59.160 --> 00:31:01.480
<v Speaker 1>Why would they to tar used except by the odd

643
00:31:01.480 --> 00:31:04.880
<v Speaker 1>dog walker or shortcut romantic. I collected these stories not

644
00:31:05.039 --> 00:31:07.440
<v Speaker 1>to tally their differences, but to sense the living pattern.

645
00:31:07.920 --> 00:31:10.000
<v Speaker 1>It was clear that the shortcut managed and vived upon

646
00:31:10.039 --> 00:31:14.000
<v Speaker 1>a kind of negotiated ambiguity. Each generation, each walker adapted

647
00:31:14.000 --> 00:31:16.119
<v Speaker 1>its presence to fit the knee bending fact to feeling,

648
00:31:16.279 --> 00:31:19.759
<v Speaker 1>geography to expectation. One day, combing the bottom drawers of

649
00:31:19.759 --> 00:31:22.599
<v Speaker 1>the library, I found a hand made rough sketchyloaded the

650
00:31:22.680 --> 00:31:24.400
<v Speaker 1>edges of the town as a child might draw at

651
00:31:24.400 --> 00:31:27.200
<v Speaker 1>cartoonish houses, bright green for the meadow, and a kevil

652
00:31:27.279 --> 00:31:30.160
<v Speaker 1>confident line for the shortcut, labeled quickest way from Library

653
00:31:30.160 --> 00:31:32.720
<v Speaker 1>to cricket. There was a satisfaction in the clarity of

654
00:31:32.759 --> 00:31:36.440
<v Speaker 1>the child's world above in adult hands. The shortcut waver

655
00:31:36.519 --> 00:31:38.720
<v Speaker 1>it diluted by doubt, had with the admission that perhaps

656
00:31:38.720 --> 00:31:41.759
<v Speaker 1>not all maps record truth. The more accounts I gathered,

657
00:31:41.880 --> 00:31:44.160
<v Speaker 1>the clearer it became that the shortcut was living history

658
00:31:44.160 --> 00:31:46.839
<v Speaker 1>and oral tradition, a local shibbolath, a self renewing art,

659
00:31:46.920 --> 00:31:50.039
<v Speaker 1>fat braided from a hundred partial memories. It existed in

660
00:31:50.039 --> 00:31:51.759
<v Speaker 1>the telling as well as the treading. It was more

661
00:31:51.799 --> 00:31:54.559
<v Speaker 1>solid for some, less so for those who cared for certainty.

662
00:31:55.240 --> 00:31:59.160
<v Speaker 1>Sifting all the Seclatov forces maps and lived contradiction. I

663
00:31:59.200 --> 00:32:01.599
<v Speaker 1>found myself freshets for an answer, not about footpaths or

664
00:32:01.640 --> 00:32:04.160
<v Speaker 1>property lines, but about the very nature of place and

665
00:32:04.200 --> 00:32:07.359
<v Speaker 1>collective memory. What if the shot cuts persistence had less

666
00:32:07.359 --> 00:32:09.200
<v Speaker 1>to do with error or bowl planning and more with

667
00:32:09.240 --> 00:32:12.720
<v Speaker 1>how humans yearning for possibility reach and spoken agreement about

668
00:32:12.720 --> 00:32:16.319
<v Speaker 1>what kennel should exist. I dove almost obsessively into the

669
00:32:16.319 --> 00:32:20.119
<v Speaker 1>records again. This time my focus shifted not just maps,

670
00:32:20.240 --> 00:32:24.039
<v Speaker 1>but annotations, sketch diagrams made by hand dis ovlays attempted

671
00:32:24.039 --> 00:32:27.559
<v Speaker 1>by enthusiastic new developers, aerial photographs taken in spring and summer.

672
00:32:28.160 --> 00:32:31.960
<v Speaker 1>The result an orchard of contradictions. Not a single modern

673
00:32:32.000 --> 00:32:34.599
<v Speaker 1>attempt to register or regulate the shortcut yielded a perfect

674
00:32:34.599 --> 00:32:37.720
<v Speaker 1>copy of any other. The path was always there, just askew,

675
00:32:37.920 --> 00:32:40.240
<v Speaker 1>moved by ten feet or notated as route disputed on

676
00:32:40.319 --> 00:32:44.960
<v Speaker 1>the more cautious surveys diagrams on at least two independent imagisovlays,

677
00:32:45.079 --> 00:32:47.759
<v Speaker 1>the shot cut surfaced in the data by algorithmic cardity lines,

678
00:32:47.799 --> 00:32:50.920
<v Speaker 1>linking points most likely used for traffic and unintended echo

679
00:32:50.920 --> 00:32:54.599
<v Speaker 1>of communal wish in aerial photos or warn strip sometimes

680
00:32:54.599 --> 00:32:57.160
<v Speaker 1>declared itself for a season, then slipped away behind shade.

681
00:32:57.880 --> 00:33:00.240
<v Speaker 1>Some years nothing appeared at all, as if the grass

682
00:33:00.359 --> 00:33:03.480
<v Speaker 1>had resolved the town's in decision with indifference. Where official

683
00:33:03.519 --> 00:33:06.400
<v Speaker 1>registries kept a blank, the path flowered in pencil voice

684
00:33:06.559 --> 00:33:08.480
<v Speaker 1>or the quiet steps of those who still half trusted

685
00:33:08.480 --> 00:33:11.960
<v Speaker 1>its presence. It was infuriating, an oddly before path, immune

686
00:33:11.960 --> 00:33:15.680
<v Speaker 1>to definition, yet resilient as any fact. The shortcut endured

687
00:33:15.720 --> 00:33:18.119
<v Speaker 1>not because it was assured de reel or triumphantly fictional,

688
00:33:18.160 --> 00:33:20.640
<v Speaker 1>but because it was wanted, sought for, and allowed to persist.

689
00:33:20.680 --> 00:33:23.640
<v Speaker 1>In the overlap of record and recollection. A local planning

690
00:33:23.640 --> 00:33:25.920
<v Speaker 1>consultant called in to settle of fencing spute along what

691
00:33:26.000 --> 00:33:28.599
<v Speaker 1>must have been the shortcut's historic line confessed over a pine.

692
00:33:28.680 --> 00:33:31.200
<v Speaker 1>I mapped it out three times and three new tenants,

693
00:33:31.200 --> 00:33:33.319
<v Speaker 1>for their boundaries were different and marked it as disputed

694
00:33:33.319 --> 00:33:35.680
<v Speaker 1>pedestrian route on the plan and let the next severse order.

695
00:33:35.839 --> 00:33:38.519
<v Speaker 1>Sometimes you have to let the land settle its own arguments.

696
00:33:39.079 --> 00:33:41.599
<v Speaker 1>I trolld The endless comment. Sections of the town's digitalock

697
00:33:41.599 --> 00:33:43.920
<v Speaker 1>have notes ranging from ernest pleased to preserve a source

698
00:33:43.960 --> 00:33:46.319
<v Speaker 1>of local magic to hard nose demands for clarity and

699
00:33:46.319 --> 00:33:50.200
<v Speaker 1>efficiency in the record, no consensus, only gentle in rest,

700
00:33:50.319 --> 00:33:52.480
<v Speaker 1>the town voicing its collective inability to let go of

701
00:33:52.519 --> 00:33:55.200
<v Speaker 1>the shortcut, yet equally unable to entry in it without

702
00:33:55.240 --> 00:33:58.640
<v Speaker 1>losing the nimbleness that made it fascinating. Finally exhausted and

703
00:33:58.720 --> 00:34:01.759
<v Speaker 1>no less curious, and even going back over all accounts,

704
00:34:02.000 --> 00:34:05.920
<v Speaker 1>all data, all passons, as if overlaying transparencies, a broader

705
00:34:05.920 --> 00:34:08.159
<v Speaker 1>picture took shape, one that stilled my agitation and left

706
00:34:08.199 --> 00:34:10.559
<v Speaker 1>me quieter, more alive to the town's strange contract with

707
00:34:10.599 --> 00:34:14.039
<v Speaker 1>its own past. The central revelation came not in the archaus,

708
00:34:14.119 --> 00:34:15.920
<v Speaker 1>but on the dusk walkup of the old ravine, where

709
00:34:15.960 --> 00:34:18.320
<v Speaker 1>the day's goal trickled sideways between leaves, and the short

710
00:34:18.320 --> 00:34:21.199
<v Speaker 1>could glimb of fint as a promise. Listening to the town,

711
00:34:21.199 --> 00:34:24.400
<v Speaker 1>its stories, its everyday routines, its lines walked a thousand ways,

712
00:34:24.440 --> 00:34:26.360
<v Speaker 1>I saw that the Shotgut was neither fixed air andr

713
00:34:26.400 --> 00:34:29.239
<v Speaker 1>purely myth, not quork of mapping up pure human stubbornness,

714
00:34:29.280 --> 00:34:31.320
<v Speaker 1>but a living instance of a deeper principle, as some

715
00:34:31.360 --> 00:34:34.119
<v Speaker 1>possibilities become solid enough for those who believe in them,

716
00:34:34.199 --> 00:34:37.039
<v Speaker 1>not by force of fact, but by a gentle accumulated will.

717
00:34:37.679 --> 00:34:39.920
<v Speaker 1>The past existence was a question less of physics than

718
00:34:39.960 --> 00:34:43.199
<v Speaker 1>of permissional latency, a potential in the landscape some whenever

719
00:34:43.280 --> 00:34:46.119
<v Speaker 1>enough expectation shared or personal pressed the need into grant

720
00:34:46.760 --> 00:34:49.320
<v Speaker 1>walkers could follow up. Were honesty, hope, or simple need

721
00:34:49.360 --> 00:34:51.519
<v Speaker 1>conspired with the memory of others. The more one tried

722
00:34:51.559 --> 00:34:53.360
<v Speaker 1>to fix some measure its coursed to you precisely, the

723
00:34:53.360 --> 00:34:56.360
<v Speaker 1>more it wriggled, slipped away, or divided the record into contradiction.

724
00:34:57.079 --> 00:34:59.519
<v Speaker 1>Every map maker who copied Cook's line, every child who

725
00:34:59.559 --> 00:35:02.320
<v Speaker 1>sprinted her, every resident who told the shortcut story, each

726
00:35:02.360 --> 00:35:05.000
<v Speaker 1>had contributed layering, not just intension, but the faith that

727
00:35:05.079 --> 00:35:08.280
<v Speaker 1>such routes could exist. The shortcut therefore became a kind

728
00:35:08.280 --> 00:35:10.719
<v Speaker 1>of public secret, a local lippol, real enough for those

729
00:35:10.719 --> 00:35:13.039
<v Speaker 1>opened to it, resistent enough to remind the diligence how

730
00:35:13.079 --> 00:35:16.159
<v Speaker 1>much of reality runs on anticipation and invitation, not certainty.

731
00:35:16.760 --> 00:35:19.880
<v Speaker 1>I remembered a phrase from my teaching days about retconning geography,

732
00:35:19.920 --> 00:35:22.639
<v Speaker 1>the way a community over time will quietly rewrite both

733
00:35:22.639 --> 00:35:25.000
<v Speaker 1>map and memory to let the world fit its preferred habits.

734
00:35:25.519 --> 00:35:27.960
<v Speaker 1>The Branfield shortcut was the very hard of that tendency

735
00:35:28.000 --> 00:35:30.639
<v Speaker 1>and impossibility, worn faintly true by the sole deep wish

736
00:35:30.639 --> 00:35:33.880
<v Speaker 1>for a world more convenient, more direct, more forgiving. The

737
00:35:33.920 --> 00:35:36.960
<v Speaker 1>lines between map, memory and ground were not merely blurded.

738
00:35:36.960 --> 00:35:40.400
<v Speaker 1>They had always been porous and settled generous. The shortcut

739
00:35:40.400 --> 00:35:42.480
<v Speaker 1>was real and not real. It existed both because it

740
00:35:42.519 --> 00:35:45.480
<v Speaker 1>was needed and because each telling, each footstep eaching to overline,

741
00:35:45.519 --> 00:35:48.360
<v Speaker 1>believed it back into relevance. That was what explained the

742
00:35:48.360 --> 00:35:52.679
<v Speaker 1>shifting path, the ambiguous GPS traces, the inconsistent stories. The

743
00:35:52.760 --> 00:35:56.400
<v Speaker 1>shortcut was a latent feature a directors sometimes realized, sometimes

744
00:35:56.440 --> 00:35:58.760
<v Speaker 1>deferred fidelity not just to ground, but to the endless

745
00:35:58.800 --> 00:36:01.159
<v Speaker 1>human hope that some obstacles mee be quietly set aside,

746
00:36:01.199 --> 00:36:03.880
<v Speaker 1>if only enough of us agree, even without saying so aloud.

747
00:36:04.559 --> 00:36:07.280
<v Speaker 1>After this realization, there was much left to test or resolve,

748
00:36:07.360 --> 00:36:10.159
<v Speaker 1>and nor did I feel the old urgency. The shortcut

749
00:36:10.159 --> 00:36:12.719
<v Speaker 1>would not and need not resolve into vout any more

750
00:36:12.719 --> 00:36:16.559
<v Speaker 1>than a below family story demands proof by photograph some truth.

751
00:36:16.599 --> 00:36:19.320
<v Speaker 1>So I lived, shared, and permitted. Their reality resides in

752
00:36:19.400 --> 00:36:23.320
<v Speaker 1>mutual scent and humble repetition, not an indeliblestone. For days

753
00:36:23.360 --> 00:36:25.800
<v Speaker 1>after I felt this softened edge to everything in brenfil

754
00:36:25.800 --> 00:36:28.280
<v Speaker 1>of the hedges, the hidden gaps, the gentle trespasses, in

755
00:36:28.320 --> 00:36:31.159
<v Speaker 1>the privately remembered secrets of arrival. I had spent a

756
00:36:31.199 --> 00:36:33.440
<v Speaker 1>career training ies to see only what could be measured.

757
00:36:33.519 --> 00:36:35.679
<v Speaker 1>Now I took more care with what could be quietly conjured.

758
00:36:36.320 --> 00:36:38.519
<v Speaker 1>One morning, the sun still low and the grass beaded

759
00:36:38.519 --> 00:36:40.599
<v Speaker 1>with dew, I found myself drawn again to the shot

760
00:36:40.639 --> 00:36:43.920
<v Speaker 1>cut's starting point. Garden birds argued in the laurels. The

761
00:36:43.960 --> 00:36:47.119
<v Speaker 1>streets were empty. I hesitated at the edge of the ravine,

762
00:36:47.159 --> 00:36:49.480
<v Speaker 1>searching not for proof, but for the peculiar permission to

763
00:36:49.480 --> 00:36:51.719
<v Speaker 1>pap once offered the silent invitation to make the long

764
00:36:51.800 --> 00:36:54.840
<v Speaker 1>route short together, I stepped on to the trace, feeling

765
00:36:54.880 --> 00:36:56.840
<v Speaker 1>the memory more than the surface. And as I reached

766
00:36:56.840 --> 00:36:59.480
<v Speaker 1>the far side, a glands back, the path was all

767
00:36:59.480 --> 00:37:01.719
<v Speaker 1>but invisible, a faint stripe in a lawn some one

768
00:37:01.719 --> 00:37:04.119
<v Speaker 1>else would mow away in June. But for a moment

769
00:37:04.119 --> 00:37:05.840
<v Speaker 1>I knew it had been there, because I and so

770
00:37:05.960 --> 00:37:08.880
<v Speaker 1>many others had needed it, or believe we did. You

771
00:37:08.920 --> 00:37:11.719
<v Speaker 1>could argue, I suppose that shortcuts like this are accidents

772
00:37:11.719 --> 00:37:15.760
<v Speaker 1>of communal laziness or bureaucratic inertia are simple stubbornness, but

773
00:37:15.960 --> 00:37:18.039
<v Speaker 1>just as often I think they are the world deadly

774
00:37:18.119 --> 00:37:20.719
<v Speaker 1>changed by repeated, hopeful making a line between two points

775
00:37:20.760 --> 00:37:24.079
<v Speaker 1>not yet real, but always possible. I wonder sometimes how

776
00:37:24.079 --> 00:37:26.760
<v Speaker 1>many such shortcuts have we built together simply by acting

777
00:37:26.760 --> 00:37:29.199
<v Speaker 1>as though the world must yield, And how much of

778
00:37:29.239 --> 00:37:31.480
<v Speaker 1>our landscape inside and out is formed not by what

779
00:37:31.559 --> 00:37:34.519
<v Speaker 1>is undoubtedly there, but by what we half expect, half invited,

780
00:37:34.559 --> 00:37:37.840
<v Speaker 1>and quite they agree to notice. Perhaps in the end

781
00:37:37.920 --> 00:37:39.840
<v Speaker 1>the truest pass so those you believe into being, in

782
00:37:39.880 --> 00:37:42.599
<v Speaker 1>the deepest wonders, the ones we invent and safeguard together,

783
00:37:44.239 --> 00:37:46.960
<v Speaker 1>And that is the end. Thank you for listening, and

784
00:37:47.000 --> 00:37:48.119
<v Speaker 1>I will see you in the next one.
