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Speaker 1: Welcome to the Great Detectives of Old Time Radio Sunday

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Encore from Boise, Idaho. This is your host, Adam Graham,

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and today, in addition to our Monday through Saturday lineup,

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we are sharing a special Sunday Encore program from our archives.

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This program was played many years ago, and so any

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offers or information included in the episode may not be

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valid unless it's reflected on our website at Great Detectives

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dot net. But now here is yours Encore.

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Speaker 2: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. If you have a comment,

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send it to me Box thirteen at Great Detectives dot

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net and follow us on Twitter at Radio Detectives, and

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you can also leave us a voicemail. The number is

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two to eight nine nine to one, four seven eight three.

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Today's episode is brought to you by the financial support

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of our listeners and especially one of thank Chris for

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his support. I'll be sending along access to the premium site,

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which we do with all donations of seven dollars or more.

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All Right, so it's time now to open up the

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casebook of Gregory Hood and the title of this episode

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is Murder and Celluloid.

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Speaker 3: Every Wine brings.

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Speaker 4: You the case Book of Gregory Hood. Tonight, the Petrie family,

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the family that took time to bring you good wine,

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invite you to listen to the story of Murder and Celluloid,

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another exciting adventure from the case Book of Gregory Hood.

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As for me, I'd like to know if you're planning

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to have chicken for dinner any night this week, because

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no matter how you like that chicken roasted, fried or

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in the stew with dumplings, you like it a lot

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better served with a glass of Petrie.

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Speaker 5: California So Turned.

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Speaker 4: Now there's something to talk about, chicken and Petri so Turn.

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Speaker 3: Petri So Turn is a clear.

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Speaker 4: White wine, delicately fragrant, and what a flavor that Petrie

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wine has. It's well, all I can say is it's

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the wine you've been looking for, a wine that brings

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you the luscious flavor of big, plump, sunripe and grapes.

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And say, Pettere So Turn is not only great with chicken,

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but you like it served with fish or any.

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Speaker 3: Kind of seafood too. So try a bottle of so Turn.

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Get pet Tree So Turned. Those letters p E t R.

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Speaker 4: I always spell good wine pet tree Wine. Well, it's

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Monday night in San Francisco and we have a date

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with Gregory Hood. Tonight's rendezvous is at his apartment high

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on Knob Hill.

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Speaker 3: And overlooking the Golden Gate. Let's join in there, shall we?

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Hello Gregory, hurry poter, come on in. I was expecting you.

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Where's Sandy Taylor? And night Greg? He grew up to

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Vancouver today. There's some legal business he had to attend

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to for me on a shipment coming in from the Orient.

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I'll be back in a few days. Class of Sherry Harry.

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Speaker 4: Thanks well, Siamese Cat a new addition to the manage.

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Speaker 3: Oh no, no, Sam's an old retainer. He's been up

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at my place at Russian River. I ca him down

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with me this morning. Mighty friendly. What did you say?

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His name is, Well, officially it's Singing Low, but his

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host of friends decided it was too dignified a name

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for such a whimsical character, so he was christened Sam

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Thurber Greg.

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Speaker 5: And am I crazy?

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Speaker 3: Or is Sam cross eyed? Oh? Yes, yes, he's cross

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eyed and his tail's broken. But he has a delightful,

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dusky little soul.

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Speaker 5: Heaven' you Sammy.

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Speaker 4: Well, Sam has another fan.

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Speaker 3: Now, thanks Greg, And now I know, I know you

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have that Monday night look in your eye. You want

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a story out of my Casey book. Correct, And from

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the hints you gave us last week, it sounded as

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though you had quite a special one lined up. Oh

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it was a strange business, Harry. The whole thing happened

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in Hollywood. What were you doing down there? Greg? Metropolis

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Studios were making a picture called Passport Danger, and my

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old friend Ray Hanson was directing it. The story was

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about a girl who inherits an importing business and gets

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into a struggle between her private life and being a

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career woman.

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Speaker 5: And you would call in as a technical adviser.

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Speaker 3: Well, not quite that, Harry. Ray called me one night

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and said that he had some headaches on the importing

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business angle of depiction till the next morning. I hopped

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into my beachcraft and threw down to the City of Celluloids.

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As you know, I'm something of a groom, how well

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I know, So it was only natural that my lunch

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that day was eating at the Brown Derby in Hollywood.

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As I entered that star studded home of good food.

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I was greeted by Bill Chilliers. Mister Gregory Hood. It's

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good to see you back in town. Hello, Bill, it's

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good to be back. I have you used a table

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for you this way? Please? Thanks?

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Speaker 6: Oh?

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Speaker 3: By the way, Bill, I hope that on this trip

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you will break down and give me the recipe for

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that cob salad. I don't know if mister Copple alknit

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till oh. Come on, Bill, Bob Cobb and I are

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old friends, he'd approve. Well, mister Hood, here's your table.

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I know you start off with three kinds of lettuce, romaine,

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chickory and iced letters. Break it up very crack, mister Hood.

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Then your slice hop, some bacon in tiny stripes, some

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chap tire. So when it comes to tease, yeah, oh

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excuse me, Bill. Who's that girl sitting two boots away?

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Speaker 4: Miss Sheila Gray, one of our best movie comedies and

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radio commendator.

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Speaker 3: I thought it was I must go and talk to her.

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I'll get the rest of that recipe from you before

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I go. Bill. Very well with I heard Shela Graham.

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How nice to see you.

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Speaker 7: Again, Gregory heard I heard you're in town.

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Speaker 3: You did, I only flew in this morning. You get

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your news past, Sheila.

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Speaker 7: Nice spies are everywhere, Gregor is in this case. I

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met Ray Hanson at the beach party at Malibu last night.

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You told me you were coming.

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Speaker 3: What brings you to town, Gregory, said, she whipping out

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her golden ever shark.

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Speaker 7: Certainly your news, Gregory, famous important man about town and

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amateur detective flies into Hollywood. I mentioned it on my

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radio shop.

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Speaker 3: I heard you had a new show, Sheila, And what

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time is it?

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Speaker 7: I must catch it Sunday nights eight forty five on Mutual.

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Speaker 3: Her nicely spoken, I shall listen.

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Speaker 7: Thanky kindly. And now, greg which about starlets is responsible

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for your being in town?

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Speaker 3: Well it isn't a girl this time, Sheila. I came

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down to give Ray Hanson the little health on the

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importing business for passport to Danger.

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Speaker 7: Oh yeah, that's the Nedda Mason and Norwood open Sonny

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thin Nedda's having luncheon with me today.

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Speaker 8: Have you met her?

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Speaker 6: No?

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Speaker 3: No, but I hear she's what is known technically I

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believe as a dish.

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Speaker 7: A little too highly spiced dish for my liking.

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Speaker 3: At she a good corpete. I did meet a Ane

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Norman isn't she sweet? I fell hopelessly and head over

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heels in love with her. It seems impossible that an

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eight year old girl can be a movie star and

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get to be so utterly unspoiled.

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Speaker 6: Here comes Neda Mason.

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Speaker 7: Now what'll you switch on the personality?

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Speaker 6: Hello? Nedda Sheila Darling?

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Speaker 3: Oh?

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Speaker 6: I said terby sire may? They simply marved me for autographs?

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Speaker 7: Do you know Gregory Hood?

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Speaker 3: That's a Mason? How do you do so?

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Speaker 6: You're the famous Gregory Hood?

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Speaker 5: Ray told me you were flying down.

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Speaker 3: You're going to help us on.

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Speaker 6: The picture, aren't you?

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Speaker 3: If I can?

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Speaker 6: It's a marvelous script. And I've got a dream of

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a part.

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Speaker 4: And Sheila Darling the clothes all Adrians Diami is the

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most heavenly outfit.

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Speaker 3: I think I must be a niceis is my dear?

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Speaker 6: I just can't keep away from mirrors these days.

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Speaker 3: Excuse this?

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Speaker 9: Heard?

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Speaker 3: Oh? Yes, Bill, but it's a young way. They waited

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for you at the table. There is excuse Michela, see

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you again before I leave. I'm greg and I still

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met you, miss Mason? Well the studio, Well, well, Miss

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Anne Norwood.

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Speaker 6: He didn't mind sitting down at your table give you.

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Speaker 3: I'm very flattered, and I had to see you along.

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Speaker 6: That's why I didn't come up to the other table.

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Speaker 3: I saw miss me and you don't like her?

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Speaker 6: Isn't exactly that? So I do think he talks off

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as loudly.

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Speaker 3: Don't you?

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Speaker 8: Yes?

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Speaker 6: And I do, mister Robin Hood, go a detective, aren't you?

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Speaker 3: In an ameter way? And incidentally I am The name

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is Gregory, not Roberts.

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Speaker 6: I know, but I think you're just like Robin Hood,

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and he was wonderful, and so I think of you

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that way.

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Speaker 3: I'll admit that my prices might be called stealing from

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the rich, and I do give to the poor, but

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that's where the resemblance ends. I'm afraid, Anne, but I'm

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very flattered that you think of me that way.

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Speaker 6: I do, mister Heard. That's why I've come to you

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for help. You see, my daddy's dead now missing a

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man to talk to.

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Speaker 3: Of course you do, Anne, you go ahead and talk.

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Speaker 6: I have a very a very serious problem.

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Speaker 3: I need a detective, Dear me, Anne, Whatever is the matter?

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Speaker 6: Somebody has stolen my map, my SuperMap. I've been working

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on it for weeks and I'm good at math. Too.

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I leased my teachers as I am.

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Speaker 3: But what kind of a map was it?

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Speaker 6: It's something I invented. It's full of thought and secret

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weapons and dockyards, and that's been stolen.

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Speaker 3: But when did you see it last? Anne?

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Speaker 6: This morning? It was in my portable dressing room in

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the studio. I was working on it between scenes. When

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I came back just before lunch, it had gone, Oh dear,

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at kinds of money? I'm dueling.

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Speaker 3: You're frightened me.

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Speaker 9: Why did you just live away like that?

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Speaker 6: While I was balking the car, I had to see

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mister Hood. Mommy, this is mister Robin, I mean Gregory Hood.

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Speaker 5: How do you do, mister Hood?

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Speaker 3: How do you do? I do? Sit down with you

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for mon Andrew.

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Speaker 5: You haven't been bothering misster Hood, have you not.

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Speaker 7: A bit of it?

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Speaker 3: She knew that I I was an amateur detective, and

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she came to me with a problem. I'm very flattied.

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Speaker 6: You see your money, Murphy. Suppose God and mister Hood's

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going to find it for me? Aren't here.

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Speaker 3: I'll do my best, Anne, Who do you think might

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have stolen it?

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Speaker 6: I think it was miss mad and Mason. It must

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have been either her or Major Courtney. They were the

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only two people in my blessing room to day.

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Speaker 3: It's that mother, Major Courtney. That name seems familiar, is well?

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Speaker 6: I suppose you might say he's terribly stuck on money,

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and that's not very nice.

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Speaker 3: What branch of the army is he? And missus Norwood?

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Speaker 6: Honestly I don't know, and if.

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Speaker 3: I did, I shouldn't think it's all so terrific.

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Speaker 6: Sec doesn't even wear a uniform.

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Speaker 3: Well, I'll tell you what. Let's do you both have

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lunch with me. Then we'll drive over to the studio

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and see if we can find that map for you.

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Speaker 6: And oh, mister Hood, you're so wonderful. This is my

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dressing room, mister Hood.

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Speaker 3: Do you like it very much? Anne?

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Speaker 6: You don't think it's a little young for me?

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Speaker 3: Do you?

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Speaker 6: Mother had it decorator?

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Speaker 3: And I think it's perfect for your personality? Clean and

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fresh and cool, mister Hood.

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Speaker 6: You'll say, the loveliest thing. Are you married?

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Speaker 3: No, Anne, I've always been waiting for the right girl.

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Speaker 6: Keep waiting, mister Hood. She'll come along.

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Speaker 3: I just know she will very well. Anne. But while

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I'm waiting, let's see if we can track down that

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map for you. Where did you last see it?

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Speaker 6: Was I on a dressing room table.

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Speaker 3: Here. When you leave this dressing room and go before

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the cameras, do you lock the.

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Speaker 6: Door always, mommy, never forget.

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Speaker 3: And the arrangement of the door and window in here

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sets that no one could have slipped in a hand

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to here, or sneaked in and storm it.

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Speaker 6: Left it in this Never Mason, or make you curt me.

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Speaker 3: Yes, it looks like it. And yet, Anne, I can

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understand someone wanting one of your mets. But if he did,

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he'd ask you for it. He wouldn't steal it. But

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if the first and whoever it was, thought it was

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one of major cort News maps, it would be different.

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Speaker 6: Would be different. Mister Hood.

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Speaker 3: Your mother hinted that he might be in special service

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for the army. You said your map had force some

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secret weapon sites on it.

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Speaker 6: Now do you see, Anne, Yes, mister Hood, and that

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I mean miss Nan a Mason's a spy. Oh goodie,

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this is fine.

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Speaker 3: No, no, darling, you mustn't go around saying jes a spy.

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I'm just dreaming up a very wild part. The chances

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are that the gust of wind came through the window

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and blew your map out into the studio.

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Speaker 6: Oh no, I like it so much better the other way,

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mister Hood, frank Man, So do I come in?

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Speaker 3: Hello?

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Speaker 6: Anne Darling, Hello mister This is a very great friend

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of mine, mister Gregory Hood, mister carying the lead in

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another picture on the.

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Speaker 8: Lost So, yeah, isn't this yours? I founded on the

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studio floor.

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Speaker 6: It's my map, It's my super mare.

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Speaker 3: Oh you see it wasn't stolen after all, stolen?

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Speaker 8: Annie? Did you think someone had stolen your map?

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Speaker 3: I did.

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Speaker 6: It's an awful good map.

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Speaker 3: Uh. I hear that you're a amateur detective, mister Hood

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in an unapprocive way.

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Speaker 9: Why hell, I was wondering where Annie dreamed up the

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idea that her map had been stolen.

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Speaker 8: I guess you put her up to it, do you.

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Speaker 6: Well? It's a bad guest, mister. My name isn't Annie.

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Speaker 8: It's okay, honey, don't get mad at me. I was

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just trying to be funny.

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Speaker 3: Yes, Charlie, I'm the set please versal of the next scene.

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Speaker 9: Okay, Charlie, see you later, and nice to have met you,

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mister Hoods And goodbye.

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Speaker 3: Mister Yes, sir, you know.

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Speaker 6: I'm sorry. My map was fine so easily. Why dear

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you won't detective on me anymore? And I was having

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such fun had been stolen, mister hood?

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Speaker 3: I miss, well, since I'd dreamed up a hypothetic occasion

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in the beginning, I might as well give you a

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hypothetical solution.

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Speaker 6: You use such lovely words. What does hyper What does

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it mean, mister hood?

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Speaker 3: I meant that we were still playing. Let's pretend the

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map was stolen. Let's suppose the thief thought there were

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00:14:04,360 --> 00:14:07,279
plans of major cortners and he stole them. When he

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00:14:07,360 --> 00:14:09,360
examined them, he found they were harmless, so he threw

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00:14:09,399 --> 00:14:12,240
them away. Mister Fremont found them, knew that you were

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00:14:12,320 --> 00:14:13,720
quite a math maker, and brought them.

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Speaker 9: Back to you.

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00:14:14,120 --> 00:14:17,039
Speaker 6: Oh yes, mister Hood, I bet that's what happened.

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00:14:17,159 --> 00:14:19,399
Speaker 3: I wouldn't take the bad and let me look at

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00:14:19,440 --> 00:14:20,039
the map with him.

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Speaker 6: Of course, I'll do one for you to love.

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00:14:22,440 --> 00:14:26,519
Speaker 3: Naturally, I'd like it very much. That's odd. What is it,

312
00:14:26,600 --> 00:14:29,159
mister hood? The red marks on the corner of your map,

313
00:14:29,200 --> 00:14:31,840
and they are made by nail polish that hadn't quite dried.

314
00:14:32,519 --> 00:14:36,399
Nao polish of a peculiarly horrendous shade of purply Crimson,

315
00:14:37,200 --> 00:14:39,600
exact shade that Miss Neda Mason was wearing at the

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Brown Derby today.

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Speaker 6: Perhaps she is a spy after all.

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Speaker 3: Perhaps look, Anne, even though you've got your map backed,

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00:14:46,519 --> 00:14:48,679
I might as well follow this business through. There's something

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00:14:48,759 --> 00:14:49,679
funny going on here.

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Speaker 6: I think so too, mister Hood. I just know miss

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Amazon to spy.

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Speaker 3: Let you look at those eyes of herd Yes, Anne,

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I got the slam. Let's go to her dressing room

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00:15:00,039 --> 00:15:00,919
and talk to us, shall we?

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00:15:11,360 --> 00:15:13,759
Speaker 6: This is a dressing than mister Hood. You better knock.

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00:15:13,919 --> 00:15:15,799
Speaker 3: I always knock in. It's lucky.

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00:15:16,639 --> 00:15:19,320
Speaker 8: Hello, mister Latimer's my dream boat, Annie.

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00:15:19,360 --> 00:15:20,240
Speaker 3: How are you, darling?

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Speaker 6: Mister Latimer, I just call me Lou.

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Speaker 5: Say you're Greg Hood. I know about you.

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Speaker 3: You sell old Haunts of Ivory for big Do in

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San Francisco, and you're an amateur slut who can show

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00:15:32,120 --> 00:15:34,639
up the pros. And you're a wolf in good stand. Listen, Lou,

335
00:15:34,679 --> 00:15:36,320
I also pack a mean lift. Mean it up a

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00:15:36,360 --> 00:15:38,759
little character, oh little lord father, right character?

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Speaker 8: How okay?

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00:15:39,759 --> 00:15:41,919
Speaker 3: Speak me to a pulp and call me juicy a

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00:15:43,360 --> 00:15:48,720
get it pulse juicy over lo it gives me ideas character,

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00:15:49,120 --> 00:15:51,799
but death Listen, I'm handling the publicity on this little

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00:15:51,840 --> 00:15:54,559
super dupic colossal Honker picture. I've got an idea it'll

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00:15:54,600 --> 00:15:57,360
sway you. Greg I'm mortal just like the next man.

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But I listen to it later, right now, And and

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I want to see Nedda Mason. Is she in her

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00:16:01,279 --> 00:16:01,879
dressing room? Oh?

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00:16:02,000 --> 00:16:02,240
Speaker 6: Death?

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00:16:02,519 --> 00:16:03,879
Speaker 3: She went in about a half an hour ago, and

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I've been sitting here ever since, dreaming up. I did

349
00:16:06,080 --> 00:16:08,679
anyone else been in to see her? Natch? Philip Fremont,

350
00:16:08,799 --> 00:16:11,600
the alleged actor, went in. Also Major Courtney, the man

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00:16:11,639 --> 00:16:15,159
of mystery. They both left Novo so and I'm going

352
00:16:15,200 --> 00:16:17,120
in the loan stay here with mister Lackerman with you?

353
00:16:17,320 --> 00:16:18,240
Speaker 6: Why can I go with you?

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Speaker 3: Mister hood? You know how it is. And you're a

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00:16:21,200 --> 00:16:24,080
sophisticated girl. When you go to see a beautiful spy,

356
00:16:24,360 --> 00:16:25,279
you go alone.

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00:16:25,559 --> 00:16:28,200
Speaker 6: I know. It's just like in the funny. I think

358
00:16:28,279 --> 00:16:31,000
she was a dragon lady. He wasn't want another woman,

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got me alone.

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00:16:32,159 --> 00:16:34,799
Speaker 3: That's right, An, You're very understanding. I'll be back in

361
00:16:34,840 --> 00:16:38,320
a moment. Ah Cha Okay. Greghead is a definite character,

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00:16:38,399 --> 00:16:41,600
but in Dube, I love mister hood, why not, Jenny. Oh,

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00:16:41,639 --> 00:16:43,559
by the way, greenboard, I've got a terrific angle for

364
00:16:43,600 --> 00:16:44,360
you on this picture.

365
00:16:44,559 --> 00:16:47,159
Speaker 6: Oh no, not as good.

366
00:16:47,279 --> 00:16:49,440
Speaker 3: Oh, this one's a natural, honey child, We give you

367
00:16:49,480 --> 00:16:52,399
a big balloon. See it has passports to danger printed

368
00:16:52,440 --> 00:16:56,559
on it. Now passports, though backwards is crop sap, says

369
00:16:57,240 --> 00:16:59,919
I don't look, baby, Crop sap is the name of

370
00:17:00,120 --> 00:17:01,919
a cereal. See. And we get them to ask you

371
00:17:02,000 --> 00:17:04,559
why you're so healthy, and you say you always breakfast

372
00:17:04,599 --> 00:17:08,079
on cropsapp because backward it spells passport And that's in

373
00:17:08,160 --> 00:17:10,200
the title of your super duper smasher. Will you get

374
00:17:10,240 --> 00:17:10,359
it in?

375
00:17:11,880 --> 00:17:14,920
Speaker 6: I don't eat topock. I've never even heard of it.

376
00:17:15,440 --> 00:17:16,680
I wouldn't tell a lie.

377
00:17:16,680 --> 00:17:17,400
Speaker 5: Why, she says.

378
00:17:17,480 --> 00:17:20,000
Speaker 3: Yet listen, honey job, you're not getting a point. It's

379
00:17:20,039 --> 00:17:22,559
a big ball Maybe we throw it up with the hydrogen.

380
00:17:22,880 --> 00:17:24,799
Speaker 8: But you see it's got this billboard on each side

381
00:17:24,839 --> 00:17:24,960
of it.

382
00:17:25,039 --> 00:17:25,240
Speaker 3: See.

383
00:17:25,440 --> 00:17:26,359
Speaker 6: And when they ask you.

384
00:17:28,279 --> 00:17:30,920
Speaker 3: D I'm glad you are that your mother left the message.

385
00:17:30,960 --> 00:17:32,960
She wants you to call her back at the brown Derby.

386
00:17:33,000 --> 00:17:36,720
Speaker 6: It's quite important, all right, mister hood, wait here for me.

387
00:17:36,799 --> 00:17:40,400
Speaker 3: Welcome, Yes, and I'll wait. What's the matter, pal, you

388
00:17:40,480 --> 00:17:42,960
look at this good? Soon a ghosts I have throws

389
00:17:43,000 --> 00:17:44,519
the studio gates and send for the police.

390
00:17:44,599 --> 00:17:45,119
Speaker 1: The police.

391
00:17:45,400 --> 00:17:47,559
Speaker 3: What's wrong, plent here? Miss Nedda Mason's lying in her

392
00:17:47,599 --> 00:17:49,240
dressing room. She's been strangled.

393
00:17:49,440 --> 00:18:02,720
Speaker 4: Oh you'll hear the rest of gregory hood story in

394
00:18:02,880 --> 00:18:05,079
just a second. So I'm going to tell you about

395
00:18:05,119 --> 00:18:07,720
a red wine. It's really marvelous with any kind of

396
00:18:07,799 --> 00:18:11,880
meat or meat dish. The wine is Petrie California Burgundy.

397
00:18:12,799 --> 00:18:15,640
Petri Burgundy is a rich, full flavored wine.

398
00:18:16,279 --> 00:18:18,759
Speaker 3: A wine's so unusual that it can turn a simple

399
00:18:18,839 --> 00:18:22,559
meal into a real feast. For proof, next time you

400
00:18:22,720 --> 00:18:25,839
have hamburgers or your favorite kind of stew for dinner,

401
00:18:26,319 --> 00:18:29,119
serve it with a glass of Petri Burgundy. Your whole

402
00:18:29,160 --> 00:18:33,400
dinner becomes more colorful. And as for the wine itself, well,

403
00:18:33,559 --> 00:18:36,440
Petri Burgundy will make you smack your lips for fair

404
00:18:36,519 --> 00:18:39,480
and just sigh with pleasure. Be sure you get Petri

405
00:18:39,599 --> 00:18:45,279
Burgundy because Petree is always good wine. Well, Gregory, so

406
00:18:45,359 --> 00:18:47,480
you've found that a Mason strangled in their dressing room.

407
00:18:47,559 --> 00:18:50,599
Run what happened when the police got there? Well, lou Letimer,

408
00:18:50,640 --> 00:18:52,759
the publicity man, persuaded me not to send for them

409
00:18:52,799 --> 00:18:53,200
right away.

410
00:18:53,440 --> 00:18:55,720
Speaker 4: He probably figured that you could solve the case, hand

411
00:18:55,759 --> 00:18:57,920
the killer over to the police, and so avoid as

412
00:18:57,960 --> 00:18:59,039
much publicity as possible.

413
00:18:59,119 --> 00:19:02,640
Speaker 3: Correct Harry somewhat grudgingly agreed, and so, having gotten little

414
00:19:02,680 --> 00:19:05,000
Anne Norwood safely out of the studio, Lou Latimer and

415
00:19:05,079 --> 00:19:06,960
I went back to the dead girls dressing room, where

416
00:19:06,960 --> 00:19:08,119
I began to search for anything.

417
00:19:10,640 --> 00:19:10,759
Speaker 4: Greg.

418
00:19:11,079 --> 00:19:13,799
Speaker 3: Not so far, Lou, except that the thumb month show

419
00:19:13,880 --> 00:19:16,960
she was strangled from behind. No chance of identifying them. Unfraid.

420
00:19:17,119 --> 00:19:19,160
Speaker 5: See Greg, how do you figure this killing?

421
00:19:19,279 --> 00:19:21,680
Speaker 3: It's a hard one to figure. Maybe the explanation I

422
00:19:21,799 --> 00:19:24,599
had lived at the studio for Anne Norwood's benefit might

423
00:19:24,680 --> 00:19:27,079
fit for killing advance. Well, it looks simple enough to me.

424
00:19:27,680 --> 00:19:29,799
I saw Nedther walk into her dressing room. I was

425
00:19:29,799 --> 00:19:32,599
sitting outside it until you came out. Apart from yourself,

426
00:19:32,720 --> 00:19:35,519
only two people went in, Major Courtney, the man of mystery,

427
00:19:35,759 --> 00:19:37,480
and that Ham actor Philip Freemont.

428
00:19:37,759 --> 00:19:38,599
Speaker 8: It must be one of that.

429
00:19:38,759 --> 00:19:42,079
Speaker 3: Hello, Hello, No, we've got a clue. What's clenched in

430
00:19:42,119 --> 00:19:45,160
her right hand? Huh looks like some kind of ten

431
00:19:45,319 --> 00:19:49,240
It's a sigma zi key. What SIGMA'SI, an honorary fraternity

432
00:19:49,319 --> 00:19:51,759
for science, a sort of scientific equivalent of five bit

433
00:19:51,799 --> 00:19:54,640
of Kappa. But there's no name on this key, so

434
00:19:54,880 --> 00:19:56,640
you still don't know which one of the two it is,

435
00:19:57,119 --> 00:19:58,039
which one of the three?

436
00:19:58,279 --> 00:19:58,480
Speaker 1: Huh?

437
00:19:59,039 --> 00:19:59,880
Speaker 5: How do you figure three?

438
00:20:00,119 --> 00:20:03,039
Speaker 3: Right? Proving it's two only rests on one thing. Lou,

439
00:20:03,680 --> 00:20:08,559
your word alone, that makes you my friend. The third suspect.

440
00:20:23,160 --> 00:20:27,359
Speaker 7: Sheila Graham speaking, Hello, Gregory, what's on your mind?

441
00:20:27,480 --> 00:20:28,200
Speaker 1: I need some help?

442
00:20:28,599 --> 00:20:30,240
Speaker 3: Can you give me an effects on for a three

443
00:20:30,279 --> 00:20:31,559
month's educational background?

444
00:20:31,880 --> 00:20:32,039
Speaker 8: Yes?

445
00:20:32,160 --> 00:20:32,480
Speaker 3: I can.

446
00:20:32,799 --> 00:20:35,000
Speaker 7: I did a piece on him the other day. He's

447
00:20:35,039 --> 00:20:37,799
a college man, got into acting through the hasty putting

448
00:20:37,839 --> 00:20:39,559
lub at Harvard, majored in English.

449
00:20:39,680 --> 00:20:41,759
Speaker 3: No science, Sheila, No, greg.

450
00:20:41,759 --> 00:20:43,319
Speaker 7: See do you know lu let him?

451
00:20:43,319 --> 00:20:45,519
Speaker 3: A publicity man at the Prolis know him.

452
00:20:45,839 --> 00:20:48,960
Speaker 7: He tested me almost day, Why, Gregory.

453
00:20:48,599 --> 00:20:50,400
Speaker 3: Well, how about his educational background?

454
00:20:50,720 --> 00:20:53,240
Speaker 7: Well, Lou claims that he graduated from high school.

455
00:20:53,720 --> 00:20:54,839
Speaker 3: Personally, I'd say that.

456
00:20:54,839 --> 00:20:56,799
Speaker 7: If he ever got beyond the fifth grade, I'd want

457
00:20:56,839 --> 00:20:57,519
to see the proof.

458
00:20:57,599 --> 00:21:10,440
Speaker 10: Oh, thank you, you're a remarkably well informed You're a goodbye, missus.

459
00:21:10,519 --> 00:21:12,720
Speaker 3: Norwan. Why did you bring Anne back here to the studio.

460
00:21:13,119 --> 00:21:15,200
Speaker 6: I simply couldn't keep her away, mister Hood. Where is

461
00:21:15,279 --> 00:21:17,079
she now in addressing room talking to Major?

462
00:21:17,519 --> 00:21:18,720
Speaker 3: Oh, I'm anxious to meet him.

463
00:21:19,000 --> 00:21:25,759
Speaker 6: We'll come along, then, let's go. Where have you been?

464
00:21:26,160 --> 00:21:26,759
I've missed you?

465
00:21:26,880 --> 00:21:28,519
Speaker 3: Well, I had a little business to attend to.

466
00:21:28,559 --> 00:21:28,799
Speaker 9: Anne.

467
00:21:29,079 --> 00:21:30,519
Speaker 6: I wanted to meet Major Cotney.

468
00:21:30,680 --> 00:21:33,279
Speaker 3: Mister Greg, how do you do? Major? Hello? Mister even

469
00:21:33,559 --> 00:21:36,079
Hann's just been telling me about you. She's a rabid

470
00:21:36,119 --> 00:21:38,319
fan of yours as I am of hers. In fact,

471
00:21:38,359 --> 00:21:39,039
I've quite.

472
00:21:38,880 --> 00:21:42,480
Speaker 6: Lost my heart's Well, doesn't he say the most beautiful thing?

473
00:21:42,960 --> 00:21:44,799
Speaker 3: Major Courtney? I wonder if you and I could take

474
00:21:44,799 --> 00:21:48,440
a stroll. I'm most anxious to speak to you alone. Well, yes,

475
00:21:48,559 --> 00:21:49,599
I suppose so, I.

476
00:21:49,680 --> 00:21:51,880
Speaker 6: Want to come with you, mister Hood. Arno, you heard

477
00:21:51,960 --> 00:21:53,759
mister Hood says that he wanted to speak to Major

478
00:21:53,839 --> 00:21:54,759
Courtney alone.

479
00:21:55,000 --> 00:21:56,839
Speaker 3: Don't worry, Anne, we'll be back in a few minutes.

480
00:22:02,000 --> 00:22:04,599
You're being very mysterious to her. I didn't want to

481
00:22:04,640 --> 00:22:07,200
talk in front of end. You knew about Nedda Mason,

482
00:22:07,519 --> 00:22:10,319
of course, find if I ask you some questions now,

483
00:22:10,680 --> 00:22:13,119
fire away? Would I be right in thinking you're a

484
00:22:13,200 --> 00:22:17,839
government technician? That's a question I can to answer. Who? Then?

485
00:22:17,880 --> 00:22:20,799
Will you tell me if you studied science and college? Yes,

486
00:22:21,279 --> 00:22:23,440
I made it in it, then doubtless you're a member

487
00:22:23,480 --> 00:22:26,160
of Sigma's Eye. Yes I am. May I see your

488
00:22:26,240 --> 00:22:28,599
pretended the key, but I don't wear it often. I

489
00:22:29,559 --> 00:22:32,640
don't know where it is right now. Look, I don't

490
00:22:32,680 --> 00:22:34,319
know what you're driving at, but I'm not used to

491
00:22:34,359 --> 00:22:36,640
being cross questions like this. Sorry, but I'm going on

492
00:22:36,759 --> 00:22:38,799
with it. Why did you call on Nedda Mason in

493
00:22:38,880 --> 00:22:42,599
her dressing room this afternoon? That is none of your business.

494
00:22:42,960 --> 00:22:45,480
Then let me do a little guess work. Major, I

495
00:22:45,559 --> 00:22:49,039
think you suspected Nether Mason of being involved in espionage activities.

496
00:22:49,359 --> 00:22:51,839
Perhaps she displayed too much interest in your briefcase and

497
00:22:51,920 --> 00:22:53,880
you went in to talk to her about it. Listen, Hood,

498
00:22:54,079 --> 00:22:56,759
if you must know, when I went into Nedda's dressing room,

499
00:22:57,039 --> 00:23:00,519
I found her, murdered, found her or left her that way, Major,

500
00:23:01,039 --> 00:23:03,599
you're barking up the wrong tree, my friend. And if

501
00:23:03,640 --> 00:23:05,200
I were free to explain a few things to you,

502
00:23:05,279 --> 00:23:07,279
which I'm not, you believe me.

503
00:23:07,839 --> 00:23:08,920
Speaker 7: Hy Gregory, there you are.

504
00:23:09,000 --> 00:23:10,400
Speaker 3: They're looking all over a lot for you.

505
00:23:10,599 --> 00:23:11,160
Speaker 8: Are you coming?

506
00:23:11,359 --> 00:23:13,480
Speaker 3: I think we're on the last laugh Lou, Let's tell

507
00:23:13,519 --> 00:23:14,000
me one thing.

508
00:23:14,200 --> 00:23:14,880
Speaker 8: Sure, what is it?

509
00:23:15,000 --> 00:23:17,759
Speaker 3: Pal? Is Philip Fremont's picture shooting this afternoon?

510
00:23:17,920 --> 00:23:18,960
Speaker 8: Yeah, they're on stage eight.

511
00:23:19,079 --> 00:23:20,960
Speaker 3: They're shooting a big gun battle scene right now.

512
00:23:21,039 --> 00:23:21,680
Speaker 8: I just left there.

513
00:23:21,680 --> 00:23:23,599
Speaker 3: You want to come over, Yes, Lou, I do want

514
00:23:23,640 --> 00:23:39,440
to very much. All right, all right, that's all for today.

515
00:23:39,519 --> 00:23:42,039
We'll pick up the reverse off in the morning. Hey,

516
00:23:42,160 --> 00:23:45,799
I like, Hey, Gregory, we can catch Fremont before he

517
00:23:45,839 --> 00:23:47,400
gets back to his dressing room. Yes, let's go on

518
00:23:47,480 --> 00:23:49,160
the set and talk to him. Come on, Major Courtney,

519
00:23:49,279 --> 00:23:51,400
keep a weather eye open, Hood and maybe leading with

520
00:23:51,440 --> 00:23:53,480
our chin. I know, Major, but we have the advantage

521
00:23:53,519 --> 00:23:55,119
of surprise, I hope.

522
00:23:55,799 --> 00:23:57,000
Speaker 8: Oh hello, miss Freemont.

523
00:23:57,160 --> 00:24:00,200
Speaker 9: Well, Gregory, Hood didn't know you were on the SETO

524
00:24:00,200 --> 00:24:01,160
bad you weren't here earlier.

525
00:24:01,279 --> 00:24:03,599
Speaker 8: We were shooting some good stuff. Stay by the way,

526
00:24:03,640 --> 00:24:05,319
can you get here in the morning. I've got several

527
00:24:05,440 --> 00:24:06,119
terrific scenes.

528
00:24:06,160 --> 00:24:08,480
Speaker 3: Then, too bad that you won't be playing them, Premont.

529
00:24:08,799 --> 00:24:12,680
I what you Meanhood, call the police loop for the Premont,

530
00:24:12,759 --> 00:24:16,119
your murderer, Premont. That was my hunt two Hood, stay.

531
00:24:16,000 --> 00:24:17,680
Speaker 9: Right for y'alllou and that goes for the rest of them.

532
00:24:17,799 --> 00:24:19,640
Don't you see, I'm still carrying my revolver.

533
00:24:19,920 --> 00:24:23,359
Speaker 3: Yes, a revolver containing blanks. You've just used it in

534
00:24:23,440 --> 00:24:23,759
the scene.

535
00:24:23,839 --> 00:24:26,160
Speaker 9: Oh no, no, I have another one in my pocket,

536
00:24:26,519 --> 00:24:28,160
a revolver containing live shelves.

537
00:24:28,200 --> 00:24:30,839
Speaker 8: I've switched them and I shoot expertly through the pocket.

538
00:24:30,920 --> 00:24:33,680
Despite the tailor's bills. You're not getting me arrested. I'm

539
00:24:33,720 --> 00:24:34,200
clearing out.

540
00:24:34,240 --> 00:24:35,839
Speaker 3: Why did you strangle? Never Masons?

541
00:24:35,960 --> 00:24:38,640
Speaker 8: Because she was stupid that she quarreled with me.

542
00:24:39,000 --> 00:24:41,000
Speaker 9: In any case, that girl who can mistake the map

543
00:24:41,039 --> 00:24:43,480
of an eight year old child for a valuable map

544
00:24:43,519 --> 00:24:45,319
such as the Major carrieres deserves to die.

545
00:24:45,799 --> 00:24:48,000
Speaker 8: She was no more use to us, us being your

546
00:24:48,079 --> 00:24:52,640
fascion superiors. Of course, correct, Major caught me a g two.

547
00:24:53,440 --> 00:24:56,559
Speaker 9: You didn't think fascism was dead, did you, just because

548
00:24:56,720 --> 00:24:58,440
you and your boys kill a few.

549
00:24:58,359 --> 00:24:59,759
Speaker 8: Germans all the words?

550
00:25:00,160 --> 00:25:02,880
Speaker 3: All right, we'll never call it pascism again, but you'll

551
00:25:02,920 --> 00:25:05,000
be hearing from us. From you, we'll only hear a

552
00:25:05,079 --> 00:25:07,079
faint squeal from the gas chamber preemonth.

553
00:25:07,240 --> 00:25:08,440
Speaker 8: Yeah, you'll never get me.

554
00:25:09,039 --> 00:25:12,200
Speaker 9: Oh, by the way, hood, I knew you were pretty smart,

555
00:25:12,480 --> 00:25:13,759
but I didn't think you'd spot me.

556
00:25:14,039 --> 00:25:15,000
Speaker 8: What mistake did I?

557
00:25:15,119 --> 00:25:17,400
Speaker 3: Make in leaving that Sigma Z eye key in the

558
00:25:17,480 --> 00:25:20,000
dead girl's hand. Yeah, but greg you said that he

559
00:25:20,079 --> 00:25:22,279
didn't have any name on it exactly. That was the point.

560
00:25:22,279 --> 00:25:25,240
For any genuine key such as Major Courtney own has

561
00:25:25,240 --> 00:25:27,799
the name on it that's not Major, Yes, invariably, so

562
00:25:27,920 --> 00:25:29,799
the absence of the name suggested that it was a

563
00:25:29,880 --> 00:25:32,559
dummy key. You were playing a scientist in your picture, Fremont,

564
00:25:32,839 --> 00:25:35,279
and so you were obviously wearing a propke to give

565
00:25:35,319 --> 00:25:38,039
authenticity to the pot call us of you to let

566
00:25:38,119 --> 00:25:40,279
the dying girl wrench it off your watch chain and

567
00:25:40,359 --> 00:25:41,720
the struggle, Yes, wasn't it.

568
00:25:41,880 --> 00:25:45,680
Speaker 8: I must watch blunders like that in the future, Gregoryhood,

569
00:25:46,359 --> 00:25:49,880
I don't like you. Gunfire is pretty common on this set,

570
00:25:50,519 --> 00:25:53,000
and I think I'll give you a little treatment. Fremont.

571
00:25:53,240 --> 00:25:54,799
You haven't a chance of getting out of this studio.

572
00:25:54,880 --> 00:25:55,680
Speaker 3: You should know that, and.

573
00:25:55,799 --> 00:25:57,079
Speaker 5: Think of the policity will give us.

574
00:25:57,119 --> 00:25:58,920
Speaker 3: Well, it'll be terrif it'll be sent off.

575
00:25:58,839 --> 00:26:02,319
Speaker 8: Will you, little rush? What are you saying, mister Gregory?

576
00:26:02,400 --> 00:26:04,400
Ought to mind your own business? Hood, I'd say, look

577
00:26:04,440 --> 00:26:07,640
out above you. You expect me to pull it? Got it?

578
00:26:08,279 --> 00:26:11,160
Speaker 3: A pulling paint bucket knocked them out cold.

579
00:26:11,720 --> 00:26:12,880
Speaker 8: But you're lupty greg.

580
00:26:12,799 --> 00:26:15,279
Speaker 3: Fine, detective. I am saved from being shot only by

581
00:26:15,319 --> 00:26:16,079
a freak accident.

582
00:26:18,640 --> 00:26:21,119
Speaker 6: Cheaper he look up there on the catwalk.

583
00:26:21,200 --> 00:26:23,720
Speaker 3: It's a little and no and darling, how can I

584
00:26:23,920 --> 00:26:44,279
thank you? Yes, darling, it's a day and you dance beautifully.

585
00:26:46,200 --> 00:26:48,240
Speaker 6: I'm afraid I'm a little shocked for you, though not

586
00:26:48,359 --> 00:26:50,480
a bit of it am I like my women fatigue.

587
00:26:51,119 --> 00:26:52,759
Speaker 3: By the way, young lady, perhaps you will tell me

588
00:26:52,839 --> 00:26:55,279
how you happen to be up on the catwalk this afternoon.

589
00:26:55,559 --> 00:26:58,079
Speaker 6: Well, miss, when you went out of my dressing end

590
00:26:58,279 --> 00:27:01,440
made courtney, I could see your face that something was wrong.

591
00:27:01,960 --> 00:27:04,079
I got scared for you, so I stepped out of

592
00:27:04,079 --> 00:27:05,000
a dressing woman.

593
00:27:05,200 --> 00:27:06,359
Speaker 3: And shadowed me.

594
00:27:06,920 --> 00:27:09,480
Speaker 6: Yes, I got to stay k ahead of you and

595
00:27:09,640 --> 00:27:11,680
find the ladder to the catwalk so that I could

596
00:27:11,680 --> 00:27:14,519
see what was going on. There's heten to see.

597
00:27:14,359 --> 00:27:18,759
Speaker 3: That when I talk about not seriously, but you stunned

598
00:27:18,839 --> 00:27:21,480
him and probably saved my life. How can I ever

599
00:27:21,599 --> 00:27:22,000
repay you?

600
00:27:22,440 --> 00:27:25,839
Speaker 6: Well, there is one way, mister hood.

601
00:27:26,039 --> 00:27:27,920
Speaker 3: What is it you told me.

602
00:27:29,400 --> 00:27:32,279
Speaker 6: That you've never married because I hadn't met the right

603
00:27:32,359 --> 00:27:37,839
Woman's right Keep on waiting, mister hood, please keep on waiting.

604
00:27:50,359 --> 00:27:52,000
Speaker 5: Greg, that was really a swell story.

605
00:27:52,079 --> 00:27:55,400
Speaker 3: But what a detective you turned out to be. Why, Harry,

606
00:27:55,480 --> 00:27:57,680
what do you mean I solved the case? What more

607
00:27:57,680 --> 00:27:58,279
do you want? Oh?

608
00:27:58,359 --> 00:28:00,519
Speaker 4: I know, Greg, but over let's the fact that that

609
00:28:00,599 --> 00:28:01,920
gun might have real bullets.

610
00:28:02,240 --> 00:28:03,920
Speaker 3: But if it hadn't been for a I know, I

611
00:28:04,079 --> 00:28:07,039
know it was a slight oversight on my part. But Harry,

612
00:28:07,079 --> 00:28:11,480
I can make a little mistake now, my Now, Harry,

613
00:28:11,559 --> 00:28:13,960
don't stand there and tell me you never make a mistake.

614
00:28:14,359 --> 00:28:16,039
Speaker 4: Not when it comes to choosing a wine. I don't

615
00:28:16,079 --> 00:28:17,640
because I always choose Petrie wine.

616
00:28:18,119 --> 00:28:21,039
Speaker 3: I don't know why I bother talking. Oh, yes, you'd do.

617
00:28:21,440 --> 00:28:23,440
Speaker 4: You like to hear about good wine just as much

618
00:28:23,440 --> 00:28:25,720
as the next Fellar and I like to talk about

619
00:28:25,799 --> 00:28:28,079
Petrie wine because Petrie wine.

620
00:28:27,960 --> 00:28:31,759
Speaker 3: Is good wine. Well, it's just got to be. After all,

621
00:28:31,839 --> 00:28:34,720
the Petrick family has been making wine for generations.

622
00:28:35,319 --> 00:28:39,400
Speaker 5: Why making is their heritage? A heritage passed on down from.

623
00:28:39,319 --> 00:28:43,359
Speaker 3: Father to son, from father to son, from generation to generation.

624
00:28:44,359 --> 00:28:47,119
It's easy to understand why the Petrick family knows so

625
00:28:47,359 --> 00:28:52,000
well the art of turning ruscious, sun ripened grapes into fragrant,

626
00:28:52,079 --> 00:28:55,759
delicious wine, and it's easy to understand why the Petrie

627
00:28:55,839 --> 00:28:59,160
business has grown and grown so but today the Petrie

628
00:28:59,240 --> 00:29:03,720
family area's largest independent wine maker. Yes, the making of

629
00:29:03,759 --> 00:29:06,960
Petrie wine is a family affair, and the Petrick family

630
00:29:07,039 --> 00:29:10,000
intends to keep it that way because by so doing

631
00:29:10,079 --> 00:29:12,440
they can be sure that every bottle of wine that

632
00:29:12,519 --> 00:29:18,599
bears the name Petrie is and always will be good wine. Well, Gregory,

633
00:29:18,640 --> 00:29:20,799
which particular story from the case book you have lined

634
00:29:20,839 --> 00:29:22,599
up for us next week? Next week, Harry, I'm going

635
00:29:22,680 --> 00:29:24,440
to tell you about a strange woman who claimed to

636
00:29:24,480 --> 00:29:26,880
be able to see into the future. She predicted two

637
00:29:26,960 --> 00:29:30,000
violent deaths with fightening accuracy. The third death she happened

638
00:29:30,000 --> 00:29:33,440
to prophesy I was my own. See you next Monday, Harry.

639
00:29:48,839 --> 00:29:51,200
Speaker 4: The Case Book of Gregory Hood is written by Dennis

640
00:29:51,240 --> 00:29:54,960
Green and Anthony Boucher. Original music composed and played by

641
00:29:55,079 --> 00:29:58,559
Dean Fossler. Gail Gordon plays the part of Gregory Hood.

642
00:30:05,079 --> 00:30:08,720
The Petri Wine Company of San Francisco, California invite you to.

643
00:30:08,720 --> 00:30:10,880
Speaker 3: Tune in again next week, same time.

644
00:30:11,000 --> 00:30:11,640
Speaker 2: Same station.

645
00:30:12,279 --> 00:30:14,400
Speaker 4: The Case Book of Gregoryhood comes to you from our

646
00:30:14,480 --> 00:30:15,319
Hollywood studio.

647
00:30:20,400 --> 00:30:22,160
Speaker 5: This is Harry Bartell saying good.

648
00:30:22,160 --> 00:30:27,599
Speaker 4: Night for the Pettere families. Well, it's solid, all of

649
00:30:27,680 --> 00:30:30,279
exciting mystery dramas. Listen every Monday on most of these

650
00:30:30,319 --> 00:30:34,440
same stations at eight o'clock to Michael Shane, followed immediately

651
00:30:34,559 --> 00:30:36,160
by the Casebook.

652
00:30:35,799 --> 00:30:39,400
Speaker 3: Of Gregory Hood. This is the mutual broadcasting system.

653
00:30:39,960 --> 00:30:43,039
Speaker 2: Welcome back. Well, I have to say that is a

654
00:30:43,279 --> 00:30:48,640
fantastic way to tease the next week's show and give

655
00:30:48,720 --> 00:30:53,160
us away less than the Nick Harter teases that we get.

656
00:30:53,960 --> 00:30:55,000
Speaker 3: And I enjoyed the.

657
00:30:55,039 --> 00:30:59,480
Speaker 2: Story as well. We don't get enough precocious child actors

658
00:31:00,119 --> 00:31:03,920
in these mystery dramas. And I'm just continuing to enjoy

659
00:31:04,079 --> 00:31:08,960
this series. And you have Harry Bartel very charming and

660
00:31:10,119 --> 00:31:14,799
decent cases every week. This is definitely an underrated series

661
00:31:14,880 --> 00:31:17,960
and I hope you're enjoying it as well. Well, we'll

662
00:31:18,000 --> 00:31:20,920
be back tomorrow. We are continuing on with the Alder

663
00:31:21,000 --> 00:31:24,359
Matter and next week join us for another episode of

664
00:31:24,440 --> 00:31:27,880
the Casebook of Gregory Hood. In the meantime, send your

665
00:31:27,960 --> 00:31:31,039
comments to me Box thirteen at Great Detectives dot now.

666
00:31:31,119 --> 00:31:34,680
Become one of our friends on Facebook, Facebook dot com,

667
00:31:34,839 --> 00:31:38,000
Slash Radio Detectives, and follow us on Twitter at Radio

668
00:31:38,079 --> 00:31:42,119
detectives from Boise, Idaho. This is your host, Adam Graham's

669
00:31:42,119 --> 00:31:42,680
son and off