1
00:00:01,439 --> 00:00:06,000
Speaker 1: Dripping like Michael Phelps a lot of lines.

2
00:00:06,160 --> 00:00:07,440
Speaker 2: The track is called Drip.

3
00:00:08,839 --> 00:00:12,480
Speaker 1: The voice behind it, the creator behind it, the artist

4
00:00:12,560 --> 00:00:15,560
behind it is actor musician Michael V.

5
00:00:15,599 --> 00:00:19,440
Speaker 2: Epps aka Mikey. I think that dropped it in twenty

6
00:00:19,559 --> 00:00:20,519
nineteen something like that.

7
00:00:20,920 --> 00:00:23,000
Speaker 1: It's called Drip, and I'm pleased to have Michael VPPs

8
00:00:23,000 --> 00:00:27,120
on this program, primarily to talk about the end of

9
00:00:27,160 --> 00:00:30,760
the highly acclaimed series The Shy, where he played Jake Taylor.

10
00:00:31,160 --> 00:00:33,560
We'll get to his music and what's next for him

11
00:00:33,880 --> 00:00:35,920
in a moment, but before I get to the conversation

12
00:00:36,039 --> 00:00:42,600
with Michael V. Epps, here is some sound from the finale.

13
00:00:42,000 --> 00:00:42,960
Speaker 2: Of The Shy.

14
00:00:44,240 --> 00:00:47,520
Speaker 3: So you're looking at apartments my building going up on

15
00:00:47,560 --> 00:00:52,759
the red Do you want to move here with me?

16
00:00:55,159 --> 00:01:00,799
Don't play with me? Look, that's a big step, I know.

17
00:01:02,039 --> 00:01:06,400
Are you ready for that? I think so? You better

18
00:01:06,439 --> 00:01:13,439
be sure. Let's just true. Would that make us official?

19
00:01:14,959 --> 00:01:16,159
What you mean by official?

20
00:01:17,079 --> 00:01:18,000
Speaker 4: I mean no cheating?

21
00:01:19,959 --> 00:01:22,040
Speaker 2: M sure.

22
00:01:23,799 --> 00:01:24,640
Speaker 3: You don't sound sure.

23
00:01:26,840 --> 00:01:35,799
Speaker 4: I can't promise I'd be perfect, but I'm down true.

24
00:01:35,400 --> 00:01:35,760
Speaker 3: Me too.

25
00:01:37,879 --> 00:01:40,040
Speaker 1: That clip is both poignant and funny to me in

26
00:01:40,040 --> 00:01:41,200
a variety of ways.

27
00:01:41,879 --> 00:01:43,840
Speaker 2: Michael, you's get to have you on how are you, sir?

28
00:01:45,359 --> 00:01:45,519
Speaker 4: Good?

29
00:01:45,560 --> 00:01:46,480
Speaker 2: How are you man?

30
00:01:46,480 --> 00:01:48,239
Speaker 1: If I can plain that being in great, I'm doing

31
00:01:48,280 --> 00:01:51,000
well and thanks for thanks for giving us a little

32
00:01:51,040 --> 00:01:51,480
time here.

33
00:01:51,760 --> 00:01:55,439
Speaker 2: So when you hear that clip, what what do you hear?

34
00:01:59,439 --> 00:02:01,760
Speaker 3: Yeah, I hear, I hear a young.

35
00:02:01,599 --> 00:02:05,519
Speaker 4: Man that knows what he wants and and it sounds

36
00:02:05,560 --> 00:02:06,480
like he's trying to.

37
00:02:08,080 --> 00:02:13,479
Speaker 3: Compromise with his lady. Young man trying to get his

38
00:02:14,800 --> 00:02:16,919
life together at a young age. That's what I hear.

39
00:02:17,159 --> 00:02:17,800
Speaker 2: Yeah, yeah, yeah.

40
00:02:18,639 --> 00:02:21,159
Speaker 1: As I mentioned a couple of times already, The Shy,

41
00:02:21,960 --> 00:02:25,400
this acclaimed series, has finally come to an end. So

42
00:02:25,599 --> 00:02:28,599
the obvious question for you is what do you make

43
00:02:28,759 --> 00:02:32,280
of the series now that it's concluded? Uh, the impact

44
00:02:32,360 --> 00:02:35,759
that it has had and will have in the future.

45
00:02:35,919 --> 00:02:39,400
Every every one of us, you know, uh builds careers

46
00:02:39,599 --> 00:02:42,479
based upon you know, laying one brick at a time.

47
00:02:42,560 --> 00:02:44,919
So we'll talk about how you build your career moving

48
00:02:44,960 --> 00:02:47,360
forward given the brick you've laid, called The Shy. But

49
00:02:47,360 --> 00:02:49,639
it's talk to me about the series and the way

50
00:02:49,719 --> 00:02:50,560
you see its impact.

51
00:02:54,840 --> 00:02:59,439
Speaker 4: I see it's impac is a big one the culture,

52
00:02:59,639 --> 00:03:01,520
and not just for the culture, but also the youth.

53
00:03:01,639 --> 00:03:03,599
You know, on The Shy is one of those shows

54
00:03:03,719 --> 00:03:07,719
that once when it comes on, you're you gathering around

55
00:03:07,759 --> 00:03:09,680
your front room and the living room with your family

56
00:03:09,759 --> 00:03:12,280
to come watch it. You know, this is some people

57
00:03:12,280 --> 00:03:16,280
would like to call uh think, I forget the name

58
00:03:16,360 --> 00:03:19,159
for it, but it would be like their relaxing show.

59
00:03:19,240 --> 00:03:21,319
They're unwind the time. You know, this is be their

60
00:03:21,439 --> 00:03:26,280
their getaway. And I would like to have the Shot

61
00:03:27,520 --> 00:03:30,759
in the category as those household shows such as Martin's

62
00:03:30,879 --> 00:03:34,719
The The I guess you can the Powers, the Empires

63
00:03:34,759 --> 00:03:38,319
and you feel me all those shows And when people

64
00:03:38,400 --> 00:03:40,400
watching now We're in the future, I just want.

65
00:03:40,280 --> 00:03:40,599
Speaker 1: Them to.

66
00:03:42,400 --> 00:03:48,039
Speaker 4: See a story being told of a community that's misunderstood

67
00:03:49,280 --> 00:03:52,599
and misinterpreted, and when they watch the shot, want them

68
00:03:52,639 --> 00:03:56,919
to see more of the truth and what can be

69
00:03:57,159 --> 00:04:00,240
and what can happen the stories and outcome as they

70
00:04:00,280 --> 00:04:02,159
can come from these communities.

71
00:04:03,039 --> 00:04:04,840
Speaker 1: When you say that you think the show The Shy,

72
00:04:05,400 --> 00:04:08,159
the series was a big win for the culture. Unpacked

73
00:04:08,199 --> 00:04:10,680
that for mere big win for the culture in what waves.

74
00:04:13,479 --> 00:04:17,319
Speaker 4: In ways And I guess you could say stereotypes because

75
00:04:17,319 --> 00:04:20,319
I feel like the shot really debunks a lot of those,

76
00:04:20,439 --> 00:04:23,759
especially the city itself. You feel me when you hear Chicago,

77
00:04:23,920 --> 00:04:26,560
or when you look at Chicago from the outside looking

78
00:04:26,600 --> 00:04:28,519
in somebody who's never been there or don't know too

79
00:04:28,600 --> 00:04:31,560
much about it, or are you see as violence or

80
00:04:32,000 --> 00:04:34,360
that's what the media portrays to you. But if you

81
00:04:34,480 --> 00:04:37,560
actually been in Chicago, you're from Chicago, you know Chicago.

82
00:04:37,199 --> 00:04:39,279
Speaker 3: And we had a complete opposite of that.

83
00:04:39,439 --> 00:04:43,199
Speaker 4: Chicago is a beautiful, loving, fun city, you know, and

84
00:04:43,279 --> 00:04:45,879
you don't know that until you come there. And that's

85
00:04:45,879 --> 00:04:47,680
one of my favorite things about the shot. I feel

86
00:04:47,680 --> 00:04:50,480
like that's what the shot captures the most about it. Then, Yeah,

87
00:04:50,560 --> 00:04:52,560
we have a lot of critics who say things like

88
00:04:54,519 --> 00:04:59,199
I feel like we missed the street essence of the shot,

89
00:04:59,319 --> 00:05:03,040
you know, but everybody knows, Like that's kind of that's

90
00:05:03,560 --> 00:05:05,319
the history of Chicago too. What a lot of people

91
00:05:05,360 --> 00:05:07,120
don't know. It's like the human ezed side of it.

92
00:05:07,120 --> 00:05:08,680
And I feel like that's what the show shows, and

93
00:05:08,720 --> 00:05:11,360
I feel like that's the impact that it has is

94
00:05:11,720 --> 00:05:12,079
giving you.

95
00:05:12,240 --> 00:05:14,519
Speaker 3: The truth is that's what a lot of people don't know.

96
00:05:14,959 --> 00:05:18,279
Speaker 1: Yeah, shows common shows go. You know that better than

97
00:05:18,319 --> 00:05:21,319
most because you're in the business obviously, so they come

98
00:05:21,399 --> 00:05:25,279
and they go. It's not often the case, not always

99
00:05:25,319 --> 00:05:28,160
the case that the show gets two, three, four, five, six,

100
00:05:28,319 --> 00:05:32,079
seven plus seasons, the Shy ran what seven or eight seasons?

101
00:05:32,120 --> 00:05:34,560
That's a good long run. Yeah, eight seasons, that's a

102
00:05:34,680 --> 00:05:38,519
good long run. To what do you attribute its longevity

103
00:05:38,560 --> 00:05:43,920
that it got eight seasons out of it's city? I'm sorry,

104
00:05:44,079 --> 00:05:45,600
I said, to what do you attribute the fact that

105
00:05:45,720 --> 00:05:48,199
this show, unlike some shows that get one season, sometimes

106
00:05:48,279 --> 00:05:49,959
half a season, sometimes they get canceled with at the

107
00:05:50,000 --> 00:05:52,839
first couple of episodes, this show ran for eight long

108
00:05:53,000 --> 00:05:55,199
seasons to what do you attribute the fact that the

109
00:05:55,279 --> 00:05:57,360
show was able to have legs that long?

110
00:05:59,560 --> 00:06:02,680
Speaker 4: Again, just I got to give it to the authenticity

111
00:06:02,759 --> 00:06:07,240
of it, for I really feel like that really plays

112
00:06:07,240 --> 00:06:10,439
and made a part in it that and not only that,

113
00:06:10,600 --> 00:06:12,560
but as the show go on and progresses.

114
00:06:12,959 --> 00:06:15,600
Speaker 3: Another thing we did was we listened to the people.

115
00:06:15,639 --> 00:06:16,519
We listen to the fans.

116
00:06:16,560 --> 00:06:20,199
Speaker 4: We integrated their suggestions into the show and certain things

117
00:06:20,279 --> 00:06:22,680
like It's one moment I.

118
00:06:22,680 --> 00:06:24,079
Speaker 3: Could recall on set was on.

119
00:06:25,759 --> 00:06:27,480
Speaker 4: I believe it was my I believe it was trig

120
00:06:27,800 --> 00:06:30,000
and it was a certain type of wardrobe they want

121
00:06:30,040 --> 00:06:31,199
to put them on, and we was gonna say it

122
00:06:31,279 --> 00:06:33,879
was like, yeah, they'd be already on black Twitter talking

123
00:06:33,920 --> 00:06:34,319
about us.

124
00:06:34,360 --> 00:06:35,600
Speaker 3: We got to change with out of that.

125
00:06:35,720 --> 00:06:38,000
Speaker 4: So it's like, it's the small things like that that

126
00:06:38,160 --> 00:06:40,600
make a show amazing and people love it, you know.

127
00:06:41,639 --> 00:06:43,680
Speaker 1: You know it's funny you say that. Now we're just

128
00:06:43,720 --> 00:06:47,120
talking about Barack Obama. Uh, and you probably only recall

129
00:06:47,199 --> 00:06:48,879
this story and it's tan suit that he wore back

130
00:06:48,920 --> 00:06:51,279
in twenty fourteen, all the drama that came because of

131
00:06:51,360 --> 00:06:55,120
the wardrobe choice that he made that particular day. So

132
00:06:55,199 --> 00:06:58,519
you're right, all these intangibles make a difference in the

133
00:06:58,560 --> 00:07:02,319
way a show is seen, the show is received, and

134
00:07:03,199 --> 00:07:06,199
how it leans into the authentic story it is trying

135
00:07:06,240 --> 00:07:08,600
to tell. We've come to the end after eight seasons

136
00:07:08,639 --> 00:07:09,160
of The Shy.

137
00:07:09,680 --> 00:07:10,079
Speaker 2: Michael V.

138
00:07:10,160 --> 00:07:14,439
Speaker 1: Epps aka Mikey played Jake Taylor on the program. A

139
00:07:14,519 --> 00:07:16,199
bit more about that and his music when we come

140
00:07:16,240 --> 00:07:18,600
forward here on Tavis Smile was probably an actor a musician.

141
00:07:18,680 --> 00:07:19,040
Speaker 2: Michael V.

142
00:07:19,079 --> 00:07:23,040
Speaker 1: Epps aka Mikey played Jake Taylor on the highly acclaimed

143
00:07:23,040 --> 00:07:25,680
series The Shy, which just ended after an eight year run.

144
00:07:25,839 --> 00:07:28,839
So it's a blessing to get a good long run

145
00:07:29,000 --> 00:07:32,079
on any series these days. But once that series is over,

146
00:07:32,160 --> 00:07:33,600
you got to figure out what the next step is.

147
00:07:33,680 --> 00:07:37,319
How do you build on the foundation that that particular

148
00:07:37,439 --> 00:07:38,439
series laid for you.

149
00:07:39,079 --> 00:07:41,040
Speaker 2: So, Michael, what happens next for you? Acting?

150
00:07:41,439 --> 00:07:42,959
Speaker 1: We get to the music here in a second, but

151
00:07:43,120 --> 00:07:45,600
acting wise, how do you build on this opportunity to

152
00:07:45,639 --> 00:07:46,199
be on the shy.

153
00:07:48,279 --> 00:07:48,480
Speaker 2: Well?

154
00:07:48,720 --> 00:07:50,319
Speaker 4: You know, of course, as an acting you never know

155
00:07:50,439 --> 00:07:53,839
when your next job is, so you just keeping working

156
00:07:53,920 --> 00:07:59,399
and keeping yourself relevant. But aside from that, the pedestal

157
00:07:59,519 --> 00:08:01,639
that the show has put me on and the big

158
00:08:01,800 --> 00:08:04,360
fan base support that it's gave is giving me. One

159
00:08:04,399 --> 00:08:07,240
I'm grateful, and two I'm I'm just gonna keep I'm

160
00:08:07,279 --> 00:08:09,120
just gonna continue to feed them with things that they

161
00:08:09,399 --> 00:08:13,120
that they love and that they continue to follow me

162
00:08:13,160 --> 00:08:15,600
and mind me for until my next dick break come,

163
00:08:15,680 --> 00:08:18,160
or I get another audition and or somebody hits me

164
00:08:18,240 --> 00:08:19,240
up like hey, come do this movie?

165
00:08:19,360 --> 00:08:20,040
Speaker 3: Dumping this movie?

166
00:08:20,120 --> 00:08:24,720
Speaker 4: So until then, probably just be putting out stuff like well, actually,

167
00:08:24,720 --> 00:08:27,240
I'm gonna start getting behind the camera, so probably start

168
00:08:27,279 --> 00:08:30,000
putting out on my own auditions for that or casting

169
00:08:30,079 --> 00:08:32,279
calls for that, you know, And I got other stuff

170
00:08:32,320 --> 00:08:33,960
and I'm working on behind the scenes aside from the

171
00:08:34,080 --> 00:08:35,720
music and actor tell.

172
00:08:35,639 --> 00:08:38,320
Speaker 2: Me what, tell me what, what's What's what's intriguing you

173
00:08:38,399 --> 00:08:39,559
about being behind.

174
00:08:39,320 --> 00:08:39,919
Speaker 3: The camera.

175
00:08:43,159 --> 00:08:45,120
Speaker 4: Just the fact being able to tell my own story,

176
00:08:45,279 --> 00:08:48,039
you know, Like it's as I got into music, and

177
00:08:49,279 --> 00:08:52,799
I just like acting is one thing, but what I

178
00:08:52,919 --> 00:08:55,519
discovered with music is like music is it's your own art.

179
00:08:55,559 --> 00:08:58,799
It's your own everything from the beat selection to your lyrics,

180
00:08:58,840 --> 00:09:02,240
to your livery to everything is yours is your own art.

181
00:09:02,679 --> 00:09:05,519
And having that feeling, I just kind of I felt

182
00:09:05,519 --> 00:09:07,240
like I wonder what that'll be on the actor side,

183
00:09:07,240 --> 00:09:10,840
behind the camera, you know, and just being on set

184
00:09:10,919 --> 00:09:14,799
working with different directors and just listen to the instructions

185
00:09:14,840 --> 00:09:15,879
that they giveing me, like.

186
00:09:19,399 --> 00:09:20,559
Speaker 3: It kind of inspired me, like.

187
00:09:20,559 --> 00:09:23,200
Speaker 4: Okay, I can do this, Like I'm specifical what I want,

188
00:09:23,240 --> 00:09:24,960
and I know what I want, and I know how

189
00:09:25,000 --> 00:09:28,559
to tell you how what I want and tell you

190
00:09:28,600 --> 00:09:31,159
how I want to deliver in a specific way. So

191
00:09:31,799 --> 00:09:34,759
just thinking about all that and sitting back, I'm like,

192
00:09:34,919 --> 00:09:36,360
I can I can get behind the camera, and I

193
00:09:36,399 --> 00:09:38,039
have some interesting story that I want to be told,

194
00:09:38,080 --> 00:09:40,279
Like I got a real creative mind and I've had

195
00:09:40,360 --> 00:09:42,600
some wild dreams and just the stuff that I've been

196
00:09:42,679 --> 00:09:46,080
learning relearning history and all that is definitely some things

197
00:09:46,080 --> 00:09:47,879
that I want to write on a paper and making

198
00:09:48,039 --> 00:09:49,440
my own movie or show or something.

199
00:09:49,840 --> 00:09:52,080
Speaker 1: One final question about The Shine with Rap our conversation

200
00:09:52,200 --> 00:09:56,120
talking about your music, what is your greatest takeaway? What

201
00:09:56,240 --> 00:10:00,320
will you most appreciate about having played the character Jake

202
00:10:00,399 --> 00:10:02,200
Taylor on the Shot?

203
00:10:03,840 --> 00:10:04,320
Speaker 3: Mm hmmm.

204
00:10:07,200 --> 00:10:10,960
Speaker 4: Probably being able to, like I said, tell a story

205
00:10:11,039 --> 00:10:14,120
of of a group of people, group of kids who

206
00:10:14,120 --> 00:10:16,360
don't really be who's not able to speak for theirself.

207
00:10:16,519 --> 00:10:19,279
You know, the people who's just before they're they're met,

208
00:10:19,600 --> 00:10:24,679
before they're spoken to, the people who always talked about

209
00:10:24,720 --> 00:10:26,679
from the ones on the outside looking in, but they

210
00:10:26,679 --> 00:10:31,000
don't really know these people personally. You know. That's kind

211
00:10:31,000 --> 00:10:32,879
of like one of the biggest things or like the

212
00:10:33,159 --> 00:10:36,799
proudest thing that I'm happy to be to be able

213
00:10:36,840 --> 00:10:38,879
to be a part of from the Shot and playing Jake.

214
00:10:40,000 --> 00:10:42,720
So just being able to and give them that different look,

215
00:10:42,799 --> 00:10:46,360
like I said, you know, to debunk that that that

216
00:10:46,559 --> 00:10:48,720
theory or whatever you want to call it, that people

217
00:10:49,039 --> 00:10:51,519
pend on those people, So to give them that real

218
00:10:51,600 --> 00:10:54,759
inside look, to show like not all people that come

219
00:10:54,840 --> 00:10:57,440
from that choose that one way, that one route That's

220
00:10:57,440 --> 00:10:59,600
one of my favorite things about JA like you in

221
00:10:59,679 --> 00:11:01,919
the show, Oh season one, you see early on.

222
00:11:01,879 --> 00:11:04,279
Speaker 3: All day, he knows this, this is not the way

223
00:11:04,279 --> 00:11:05,960
he wanted to go. I got bigger and better dreams.

224
00:11:06,039 --> 00:11:08,799
Speaker 4: So being able to embody that carret there and portray

225
00:11:08,879 --> 00:11:12,600
that I was, I'm more than is more than a

226
00:11:12,600 --> 00:11:14,159
happy morning, more than grateful.

227
00:11:14,720 --> 00:11:16,080
Speaker 2: All right, many moments of Michael Vipps.

228
00:11:16,080 --> 00:11:18,120
Speaker 1: When we come forward here on Tavis Smiley left in

229
00:11:18,159 --> 00:11:19,679
this program today with a full show.

230
00:11:19,720 --> 00:11:20,679
Speaker 2: It's been We're.

231
00:11:20,559 --> 00:11:26,120
Speaker 1: Almost there, almost succeeded at getting this eighty pound show

232
00:11:26,159 --> 00:11:28,480
in this forty pounds bag. It's been quite the lift today,

233
00:11:28,600 --> 00:11:30,759
but we made it. I give the last word to

234
00:11:30,799 --> 00:11:34,559
Michael Viepps. So we talked about the shy eight seasons,

235
00:11:34,799 --> 00:11:39,240
a great run and not's come to a close. Michael

236
00:11:39,320 --> 00:11:42,759
Vipps will build on that, no question about it. But

237
00:11:42,879 --> 00:11:45,840
he's also, as I mentioned earlier, an artist. We started

238
00:11:45,879 --> 00:11:49,360
this thirty minute segment playing some of his music, a

239
00:11:49,480 --> 00:11:52,559
track called Drip. So in ninety seconds, Michael tell me

240
00:11:52,639 --> 00:11:54,080
how the music is coming on, what you're working on

241
00:11:54,240 --> 00:11:59,960
the music side. Michael, unmute yourself if you're muted, Okay.

242
00:12:00,919 --> 00:12:02,519
Speaker 2: There you got here, now, go ahead.

243
00:12:02,240 --> 00:12:03,960
Speaker 4: Go for it, Go for it, I said, the music

244
00:12:04,039 --> 00:12:06,919
is coming along. Well, man, I got a single that

245
00:12:07,000 --> 00:12:10,159
I dropped last summer. It's on our platform.

246
00:12:10,399 --> 00:12:13,120
Speaker 3: You can go get it now. Look up, Mike. That's

247
00:12:13,399 --> 00:12:20,240
the name for now until for her the notice. Right now,

248
00:12:20,240 --> 00:12:21,759
I'm just working on other stuff. I got another song

249
00:12:21,759 --> 00:12:23,399
that I'm gonna drop is called on and On, And

250
00:12:23,840 --> 00:12:25,720
I just in the studio the other day I recorded

251
00:12:25,799 --> 00:12:27,279
some other stuff, and I just.

252
00:12:27,320 --> 00:12:29,399
Speaker 4: Got songs in the vault, man, A song that I

253
00:12:29,440 --> 00:12:32,759
can't drop I'm gonna redo, and then just a bunch

254
00:12:32,879 --> 00:12:34,960
more that I'm writing, like I'm writing new songs every day.

255
00:12:35,399 --> 00:12:38,120
Speaker 1: So that's that stuff in the vault as you write

256
00:12:38,200 --> 00:12:40,399
new tracks every day. So we will continue in the

257
00:12:40,480 --> 00:12:43,039
years to come to hear the music of Michael V. Epps,

258
00:12:43,080 --> 00:12:46,720
and I'm sure we'll see his face on the big

259
00:12:46,759 --> 00:12:48,559
screen of the small screen in the future. But we

260
00:12:48,639 --> 00:12:53,559
congratulate Michael Epps and the entire cast, Aleana Waite and

261
00:12:54,720 --> 00:12:58,399
her vision the entire cast the cruise a good eight year.

262
00:12:58,360 --> 00:12:59,240
Speaker 2: Run for the shot.

263
00:12:59,279 --> 00:13:01,840
Speaker 1: I think Michael said it best earlier that it really

264
00:13:01,879 --> 00:13:06,799
does or did change people's minds about the stereotypes of

265
00:13:06,840 --> 00:13:10,799
a place like Chicago. In that regard, it was, as

266
00:13:11,200 --> 00:13:13,879
Michael said, a contribution to the culture.

267
00:13:13,919 --> 00:13:14,600
Speaker 2: We'll leave it there.

268
00:13:14,960 --> 00:13:19,000
Speaker 1: Actor musician Michael VIPs aka Mikey played Jake Taylor on

269
00:13:19,200 --> 00:13:21,360
the shot, and we look forward to what his career

270
00:13:21,440 --> 00:13:23,200
will unfold in the months and.

271
00:13:23,279 --> 00:13:25,399
Speaker 2: Years to come. Michael, good to have you on. All

272
00:13:25,440 --> 00:13:26,960
the best of you and enjoy the rest of your day, sir.

273
00:13:28,519 --> 00:13:29,399
Speaker 3: Likewise, just like.

274
00:13:29,399 --> 00:13:31,600
Speaker 1: That three hours ago and we did it. Eighty pounds show,

275
00:13:31,679 --> 00:13:34,519
forty pound bag. Hopefully tomorrow, Jay Feraji, don't bring me

276
00:13:34,600 --> 00:13:36,799
no eighteen guests tomorrow. I A'm doing it two days

277
00:13:36,799 --> 00:13:39,799
in a row anyway, Love y'all.

278
00:13:40,080 --> 00:13:42,440
Speaker 2: I'm Tabby Smiley. Until next time, keep the faith.

