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<v Speaker 1>Welcome. This is Marsha for Radio I, and today I

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<v Speaker 1>will be reading National Geographic magazine dated April twenty twenty five,

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<v Speaker 1>which is donated by the publisher as a reminder. RADIOI

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<v Speaker 1>is a reading service intended for people who are blind

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<v Speaker 1>or have other disabilities that make it difficult to read

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<v Speaker 1>printed material. Please join me now for the continuation of

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<v Speaker 1>the article I began last time, entitled The National Geographics

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<v Speaker 1>Bold Thinkers, Scientists, explorers and Scout Scholars. Paddy Gonia, the

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<v Speaker 1>activist making the outdoors a more welcoming space for the

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<v Speaker 1>queer community. The outdoors can sometimes feel hostile for the

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<v Speaker 1>queer community. That's a conclusion when Wily reached as a

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<v Speaker 1>kid at a summer camp run by the Boy Scouts,

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<v Speaker 1>I was indoctrinated into this militaristic, masculine outdoor system of

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<v Speaker 1>you have to be strong to survive. Wiley recalls to

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<v Speaker 1>day that kid raised under a stifling vision of the

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<v Speaker 1>outdoors needs of movement built on a very different story,

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<v Speaker 1>and does so in heels. After going viral in twenty

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<v Speaker 1>eighteen for hiking in six inch heeled boots, the world's

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<v Speaker 1>premiere backpecking queen was born Patty Gonia, an activist in

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<v Speaker 1>Drag who's striving to make LGBTQ people feel more at

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<v Speaker 1>home in the outdoors. I think the narrative writ large

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<v Speaker 1>for the queer community is to run to big cities

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<v Speaker 1>for acceptance, says Patty, who uses she her pronouns in drag.

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<v Speaker 1>And I feel like I ran the other way into

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<v Speaker 1>the woods, Patty recalls from her home in bend Ore, Oregon,

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<v Speaker 1>while out on a hike around a favorite pond. She's

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<v Speaker 1>known to perform in lavish costumes, some made from un

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<v Speaker 1>upcycled camping tents. Though her approach to climate change awareness

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<v Speaker 1>is certainly novel, she's not a novelty act. Drag queens

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<v Speaker 1>have always been at the forefront of community organizing and protesting,

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<v Speaker 1>Patty says, a point reinforced by parks and Recreation star

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<v Speaker 1>Nick Offerman, who invited her to perform at last year's

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<v Speaker 1>Netflix Is a Joke festival in Los Angeles as part

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<v Speaker 1>of a night of comedy devoted to inspiring action against

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<v Speaker 1>climate change. Patty's set included an extended riff on the

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<v Speaker 1>movie Finding Nemo in the male clownfish's ability to change

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<v Speaker 1>its sex, the health of our ecosystem is no particularly

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<v Speaker 1>sexy topic, Offerman says, nor is it easily made the

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<v Speaker 1>subject of a comedy set, which makes Patty's expertise unique

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<v Speaker 1>and impressive. Patty's activism has taken her to the White

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<v Speaker 1>House and to Yosemite National Park, where she has been

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<v Speaker 1>helping organized pride celebrations for park employees for several years.

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<v Speaker 1>In two thousand twenty three, she released a music video

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<v Speaker 1>with celebrated cellist Yo Yoma and Indigenous trans musician Quinn

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<v Speaker 1>christoff Christofferson shot in Kenai Fiord's National Park in Alaska

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<v Speaker 1>to bring awareness to the steadily retreating Exit Glacier. The

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<v Speaker 1>place has deep meaning for the person behind the drag persona.

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<v Speaker 1>It's where Wiley scattered his father's ashes after his death

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<v Speaker 1>from cancer several years ago. While the reviews he had

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<v Speaker 1>a complicated relationship with his father, but memorializing him while

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<v Speaker 1>on a kayaking trip in his dad's home state provided

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<v Speaker 1>some closure. Perhaps in the same way, Patty's advocacy work

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<v Speaker 1>on behalf of Brave Trails, a nonprofit that offers a

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<v Speaker 1>summer camp and backpacking trips for queer youth. Can here

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<v Speaker 1>heal old wounds on the day we talk, Patty remains

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<v Speaker 1>focused on the path ahead, trying to take pain and

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<v Speaker 1>turn it into something different. She says, I think that's

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<v Speaker 1>what queer people always try to do. By Mickey Rapkin. Next,

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<v Speaker 1>Gabriella Hurst, the designer bringing climate consciousness to high fashion.

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<v Speaker 1>A visitor to the Manhattan office of Gabriella Hurst doesn't

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<v Speaker 1>need to peruse the impeccably well made clothes to spot

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<v Speaker 1>proof of the fashion designer's impact. Those recycled cardboard hangars

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<v Speaker 1>you see, Hurst says, pointing we were one of the

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<v Speaker 1>first to develop them. Her abhorrence of the plastic kind

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<v Speaker 1>owes to its frequent fate. The land to Day, the

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<v Speaker 1>designer who grew up on a ranch in Uruguay and

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<v Speaker 1>launched her eponymous brand a decade ago, is a prestige

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<v Speaker 1>player in the world of fashion and embodies the quiet

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<v Speaker 1>luxury movement. Even more distinctively. Herst, who has served for

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<v Speaker 1>three change making years atop the Presian luxury House Clothing,

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<v Speaker 1>is regarded as perhaps the most climate conscious designer in fashion.

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<v Speaker 1>She does more than merely buzzy things like using dead

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<v Speaker 1>stock fabrics, which she does, of course. She uses her

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<v Speaker 1>position as a business leader to immerse herself in the

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<v Speaker 1>global climate conversation. In twenty twenty three, she spoke at

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<v Speaker 1>COP twenty eight with environmental and political heavyweights such as

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<v Speaker 1>a US Special Presidential Envoy for Climate John Carey, discussing

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<v Speaker 1>the promise of fusion energy. Sure, she understands the drape

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<v Speaker 1>of a sweater, but she might prefer to discuss her

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<v Speaker 1>quite nuanced opinions on alternative energy sources. Thanks to HER's activism,

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<v Speaker 1>consumers are associating the label with far more than a

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<v Speaker 1>flawless cashmere coat or her iconic Nina bag. The ideology

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<v Speaker 1>is beginning to take precedence. The most rewarding kind of anecdotes,

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<v Speaker 1>hers says, are when I hear the clients are buying

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<v Speaker 1>these really beautiful pieces, and when our retailed team tries

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<v Speaker 1>to wrap them up in this beautiful packaging, they say no,

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<v Speaker 1>thank you, because I know Gabby would prefer us not

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<v Speaker 1>to take the extra packaging. By Carrie Button next Arlow Parks,

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<v Speaker 1>the singer songwriter using music to campaign for mental health.

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<v Speaker 1>The London born musician and poet, Arlow Parks makes indie

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<v Speaker 1>pop with the warmth and tenderness of folk and since

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<v Speaker 1>her twenty twenty one debut album, Collapsed in Sunbeams. She's

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<v Speaker 1>become known for songs that are so strikingly candid and

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<v Speaker 1>familiar that they can seem like diorama boxes filled with

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<v Speaker 1>life's tiniest moments. I just have my notebook for every record,

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<v Speaker 1>she says, and I'm collecting fragments and phrases and nuggets

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<v Speaker 1>from my life, and that's where the music comes. Because

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<v Speaker 1>her music is so possessed by interior life, it can

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<v Speaker 1>naturally seem to yearn for a reckoning with our collective

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<v Speaker 1>mental health. Her twenty twenty single black Dog, for instance,

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<v Speaker 1>was written for a close friend who she feared was

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<v Speaker 1>spiraling into depression. As she explains it, the reason why

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<v Speaker 1>your moved to write something like this is to be

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<v Speaker 1>kind of like, is anyone out there? Is anyone else

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<v Speaker 1>experiencing this? In this way, granting solace to the lost

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<v Speaker 1>and disheartened has since become part of a larger personal mission.

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<v Speaker 1>Shortly after the release of Black Dog, Parks twenty four

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<v Speaker 1>announced that she was working with a Campaign Against Living Miserably,

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<v Speaker 1>a London based suicide prevention charity, and in twenty twenty

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<v Speaker 1>three she met with members of UNICEF's Youth Advisory Board

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<v Speaker 1>to write a poem later released on World Mental Health Day.

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<v Speaker 1>Last year, she pushed further into activism, becoming the organization's

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<v Speaker 1>youngest UK ambassador. I always knew that I wanted to

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<v Speaker 1>shift the focus from me and my music into something

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<v Speaker 1>that felt a little bit more expansive, using my privilege

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<v Speaker 1>and the position that I was in to exact change,

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<v Speaker 1>she says. While the world of her songs can be intimate,

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<v Speaker 1>even insular, she's finding that the work of a unice

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<v Speaker 1>of ambassador, navigating the effects of harm and giving voice

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<v Speaker 1>to those marked by it, has to exist on a

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<v Speaker 1>very large scale. Her first diplomatic trip took her to

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<v Speaker 1>Sierra Leone, where she shadowed a series of youth advocates,

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<v Speaker 1>sitting in on workshops and visiting support groups for addiction

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<v Speaker 1>and victims of child marriage. That was the most beautiful

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<v Speaker 1>thing to witness, she says, young girls learning to make

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<v Speaker 1>sanitary pads and then teaching their younger sisters and their

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<v Speaker 1>younger sister's friends. Ever the mpath, she sees herself as

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<v Speaker 1>a translator and a bullhorn for their stories. It's about

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<v Speaker 1>amplifying their voices and what they want the world to

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<v Speaker 1>know about the work. She says, I really wanted them

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<v Speaker 1>to speak through me. Parkes also intends for there to

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<v Speaker 1>be a chared of dimension to her music. I wanted

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<v Speaker 1>to feel like a soft place for people to land,

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<v Speaker 1>she explains. It's obviously the softness of the actual music

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<v Speaker 1>and the voice, but more than that, she says, she

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<v Speaker 1>wants to create a place for people to just be

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<v Speaker 1>and to think about who they are and how they

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<v Speaker 1>love to listen and respond by Sheldon Pierce next York

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<v Speaker 1>the Otherworldly Musician, offering a lesson in environmental pragmatism. York

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<v Speaker 1>always seems to inhabit an alternate universe, a dream like

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<v Speaker 1>space of the highest creative ambition, free from the constraints

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<v Speaker 1>that govern mere mortals, which makes it all the more

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<v Speaker 1>jarring when she injects her work with a dose of

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<v Speaker 1>cold reality. In January, she released a concert film shot

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<v Speaker 1>during her recent Cornucopia tour. The show featured signature York flourishes,

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<v Speaker 1>including giant psychedelic projections of fungi and the flashing of

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<v Speaker 1>an environmental manifesto, making an explicit appeal to the most

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<v Speaker 1>urgent issue of our time. The Paris climat acorn is

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<v Speaker 1>a modern utopia impossible to imagine, but overcoming our mental

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<v Speaker 1>challenges is the only way we can survive. Over Zoom,

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<v Speaker 1>one day last winter, she explained what she was getting at,

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<v Speaker 1>namely a reframing of what's possible. When we look at

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<v Speaker 1>the list of goals in the Paris Climate Accord, it

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<v Speaker 1>looks absolutely unreachable, she says. I think what we have

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<v Speaker 1>to do is set different goals that are reachable. While

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<v Speaker 1>b Yorke's artistic aims have consistently been lofty, her environmentalism

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<v Speaker 1>is grounded in practical concerns. She exists on the most

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<v Speaker 1>rarefied plane that a pop star can reach. For decades,

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<v Speaker 1>she's been a globally beloved visionary who can sell out arenas,

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<v Speaker 1>but she still operates with the spirit and principles of

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<v Speaker 1>an indie act from the nineties. Every other year, I

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<v Speaker 1>try to pick one thing that I will fight quite

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<v Speaker 1>hard for, she says. But I try to pick something

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<v Speaker 1>where it's actually possible to overturn. It's big enough that

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<v Speaker 1>it can matter, but small enough that you can make

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<v Speaker 1>a change. In the past two years, Byork fifty nine has

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<v Speaker 1>poured herself into the fight against commercial salmon farms in

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<v Speaker 1>her native Iceland, after a hole in one's farm's pen

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<v Speaker 1>allowed thousands of salmon to escape. There's a concern that

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<v Speaker 1>those fish may breed with native species or pass along

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<v Speaker 1>diseases and parasites, creating a potential ecological nightmare. Sometimes it's

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<v Speaker 1>been difficult to bridge a gap between gen z vegans

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<v Speaker 1>and like farmers who kill sheep every autumn to eat,

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<v Speaker 1>she says, But on this fish farming project, everyone is united.

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<v Speaker 1>To bring global awareness to the issue, she took an

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<v Speaker 1>unreleased song out of her archive and recruited Rosalia, the

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<v Speaker 1>Spanish pop star, to record vocals for it. Precedes. Proceeds

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<v Speaker 1>from the song, titled Oral, are now supporting several ongoing

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<v Speaker 1>lawsuits against the commercial fisheries. Next up Byorke is trying

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<v Speaker 1>to enlist environmental activists to petition French President Emmanuel ma

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<v Speaker 1>Conte to ban bottom trawling in the country's protected waters.

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<v Speaker 1>It's another seemingly modest goal with the potential to make

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<v Speaker 1>a tangible impact. I try to make the best of

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<v Speaker 1>the fact that I come from a very small country

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<v Speaker 1>that is very untouched, she says. Instead of doing ten things,

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<v Speaker 1>I try to do one thing properly and follow it

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<v Speaker 1>all the way to the end, not just be a

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<v Speaker 1>face on some campaign and show up at a cocktail

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<v Speaker 1>party and go home and not know what's going to

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<v Speaker 1>happen next. Carla Perez, the half breaking mountaineer helping climbers

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<v Speaker 1>with disabilities reach new heights. Carla Perez can feel the

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<v Speaker 1>difference when she crosses the invisible line that marks eighty

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<v Speaker 1>three hundred meters or roughly twenty seven thousand feet above

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<v Speaker 1>sea level. Before that wall, you still have a lot

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<v Speaker 1>of control over what you think and what you do,

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<v Speaker 1>she says. But when Perez forty two climbs higher, things change.

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<v Speaker 1>Her body responds sluggishly to her commands and there is

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<v Speaker 1>no reprieve from the cold or the deep exhaustion. That's

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<v Speaker 1>where the real test begins. Only five of the world's

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<v Speaker 1>fourteen eight thousand meter peaks exceed eighty three hundred meters Everest,

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<v Speaker 1>k two, Makalu, Kanchumadjunga, and Lotzi. Perez, a trailblazing mountaineer

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<v Speaker 1>from Ecuador, has so far summitted the first three without

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<v Speaker 1>the use of supplemental oxygen, and she plans to complete

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<v Speaker 1>the set climbing this way without the support system that

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<v Speaker 1>has helped make the highest peak in the world achievable

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<v Speaker 1>for generations of climbers is her preferred challenge. She Asha

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<v Speaker 1>helps others break their own boundaries through an accessibility project

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<v Speaker 1>called mas arad de Unatzima Beyond a Peak. The group

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<v Speaker 1>offers monthly outings into the mountains for Ecuadorians with disabilities,

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<v Speaker 1>in part to honor and uncle, who had cerebral palsy

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<v Speaker 1>which limited his opportunities to experience the outdoors. Always, when

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<v Speaker 1>I was climbing a mountain, I was thinking, oh my god,

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<v Speaker 1>he would love to be here. She says that joy

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<v Speaker 1>follows her from the highest reaches of her homeland to

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<v Speaker 1>the Himalaya and beyond. It's exploration of your body. Oh,

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<v Speaker 1>a fewer limits of the possibilities that you have, she

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<v Speaker 1>says about climbing unassisted into even thinner air and a

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<v Speaker 1>very deep connection for me with Mother Earth. The first

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<v Speaker 1>thing we do when we are born, she points out,

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<v Speaker 1>is breathe. Next. Alexis Nicole Nelson, the social media star

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<v Speaker 1>sharing the wonder of wild plants with a wider audience.

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<v Speaker 1>When she was younger. Alexis Nicole Nelson had friends who

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<v Speaker 1>didn't understand her passion for the outdoors. They pictured some

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<v Speaker 1>grizzled white, macho man, says Nelson, who today has millions

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<v Speaker 1>of followers on Tik Tok and as widely known as

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<v Speaker 1>the Black Forager, a witty hiking companion with dual degrees

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<v Speaker 1>in environmental science. In theater, she has become the perfect

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<v Speaker 1>guide for sharing deep knowledge about edible vegetation alongside everything

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<v Speaker 1>from lurp sugar, insect excretions and ulva and testinalis a

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<v Speaker 1>form of seaweed she likes to sprinkle on popcorn to

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<v Speaker 1>the race sist origins of trespassing laws by Lola Oga Nike. Next,

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<v Speaker 1>Yara Shahidi, the actress unpacking the psychology of optimism. What

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<v Speaker 1>does optimism mean to you right now? It's a question

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<v Speaker 1>that Yarat Shahdi, best known for her role as the

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<v Speaker 1>gen Z cool girl Zoe Johnson on the hit show

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<v Speaker 1>black Ish and its spin off Grown Ish, both produced

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<v Speaker 1>by ABC, which shares a parent company with National Geographics,

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<v Speaker 1>often asks at the beginning of her new podcast, The

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<v Speaker 1>Optimist Project, which wrestles with how to live a more

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<v Speaker 1>fulfilling life as suicide rates rise in the United States

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<v Speaker 1>and the world seems to wash in the anxiety inducing headlines.

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<v Speaker 1>It's a question that is become ever more urgent. But

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<v Speaker 1>when asked what optimism means to her Shahdi, twenty five,

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<v Speaker 1>who has no trouble speaking up, she's publicly condemned acts

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<v Speaker 1>of voter suppression and police brutality, pauses. For me. Optimism

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<v Speaker 1>is a belief in self, she says, and a real

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<v Speaker 1>belief that I am capable of hande whatever comes my way.

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<v Speaker 1>Over the years, her own outlook has been shaped, in

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<v Speaker 1>large part by plenty of profound conversations with the fascinating

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<v Speaker 1>people who have always surrounded her. Shahidi, a Harvard graduate,

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<v Speaker 1>has two brothers. One is an actor, the other works

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<v Speaker 1>in fashion. Her father, Afshin Shahdi, is an immigrant from

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<v Speaker 1>iran cinematographer and a former photographer for the late pop

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<v Speaker 1>star Prince. Her cousin is the rapper Nos. Her grandfather

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<v Speaker 1>was a black Panther discussions with those family members and

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<v Speaker 1>with a wide range of illustrious acquaintances were always so

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<v Speaker 1>stimulating that the actress and her mother, Carrie Shahiti, felt

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<v Speaker 1>compelled to bring that energy, both introspective and socially conscious

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<v Speaker 1>to a wider audience. We feel so fortunate to be

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<v Speaker 1>having these conversations, says Carrie, who was Shahedi's co producer.

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<v Speaker 1>But equally we felt the drive to make sure other

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<v Speaker 1>people had the opportunity to hear what we were hearing.

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<v Speaker 1>Launched late last year, the Optimist Project has already featured

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<v Speaker 1>Saturday Night Lives Ego Nuan din Tony Award winning actor

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<v Speaker 1>Courtney b Vance, and Lori Santos, a psychology professor whose

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<v Speaker 1>online class, The Science of well Being is Yale's most

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<v Speaker 1>popular course of all time. The medium is one that

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<v Speaker 1>comes naturally to Shihiti, who describes growing up in a

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<v Speaker 1>TV off household, explaining that her family preferred audio books

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<v Speaker 1>and radio programs. She gravitated toward audio because it feels

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<v Speaker 1>like a participatory medium. Your audience and your host have

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<v Speaker 1>to meet halfway, she says. You rely on the audience's

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<v Speaker 1>imagination to go on this journey, which may offer more

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<v Speaker 1>opportunities for personal exploration. When Shihiti has used her visibility

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<v Speaker 1>to encourage young people to vote and pursue careers in stem,

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<v Speaker 1>she's now inviting listeners to slow down and reflect in

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<v Speaker 1>those moments she thinks real change can occur. Oftentimes, it

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<v Speaker 1>feels like we're so bogged down by the day to

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<v Speaker 1>day of what our lives require that we don't have

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<v Speaker 1>as much space to say, let's take a step back

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<v Speaker 1>from schedules, from finances, from all these things that we

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<v Speaker 1>need to be thinking about all the time. To just

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<v Speaker 1>keep pushing forward, she says, what we need to do,

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<v Speaker 1>she believes, is talk about what quality of life means

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<v Speaker 1>to us. The actress may have different stressors than her listeners,

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<v Speaker 1>but Shihiti reflects on how young people today don't see

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<v Speaker 1>upward mobility as a given. Having to pour so much

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<v Speaker 1>thought into basic survival doesn't give your brain space to

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<v Speaker 1>think about, well, why are we living? She says, what

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<v Speaker 1>would make me excited to wake up the next day.

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<v Speaker 1>She acknowledges that this is a challenging moment for the

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<v Speaker 1>next generation of leaders. But with that comes in onslaught

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<v Speaker 1>a very inspired, very motivated young people, and honestly, we

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<v Speaker 1>need every voice. We need every person spoken like a

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<v Speaker 1>true optimist. Next, Don Cheedele, the acclaimed actor battling climate injustice,

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<v Speaker 1>one at risk community at a time. This past January,

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<v Speaker 1>as fires raged across Los ang Angelist Don Cheedele and

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<v Speaker 1>his wife, alongside tens of thousands of others in the region,

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<v Speaker 1>were forced to evacuate their home near the Pacific Palisades.

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<v Speaker 1>We brought some clothes and things that can't be replaced,

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<v Speaker 1>like pictures, paintings from our kids, and that was it,

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<v Speaker 1>he says. It was an unusually close to home crisis

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<v Speaker 1>for an actor and activists who has long been accustomed

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<v Speaker 1>to engaging with them farther afield as a good will

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<v Speaker 1>ambassador for the UN Environment Program and as a member

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<v Speaker 1>of the board of directors of the Solutions Project, which

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<v Speaker 1>has supported more than three hundred community organizations fighting for

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<v Speaker 1>climate justice in forty five states. In a way, the fires,

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<v Speaker 1>which consumed working class homes and mansions with equal rapacity,

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<v Speaker 1>were a reminder that climate emergencies don't stop to check race, ethnicity,

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<v Speaker 1>or bank accounts. It's a very stark demonstration of the

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<v Speaker 1>egalitarian nature of a disaster. In the beginning, Cheetle says,

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<v Speaker 1>putting a special emphasis on the last words at the end,

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<v Speaker 1>we'll see because we know that in situations like these,

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<v Speaker 1>those who are most vulnerable and have the least representation

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<v Speaker 1>are the ones who are going to be most damaged

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<v Speaker 1>and have the least ability to bounce back. It is

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<v Speaker 1>this clear eyed perspective that makes Cheedle sixty a strong

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<v Speaker 1>advocate for human rights and climate justice. With The Solution's

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<v Speaker 1>Project in particular, he continues to highlight racial and gender inequalities.

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<v Speaker 1>Founded in twenty thirteen by actor Mark Ruffalo and two partners,

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<v Speaker 1>the organization has distributed more than fifty million dollars to

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<v Speaker 1>front line communities across America, most of them like Rhees

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<v Speaker 1>Saint James, which has battled the impacts of the petrochemical

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<v Speaker 1>industry in Louisiana's Cancer Ali, and to nizzoni Ani, which

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<v Speaker 1>seeks to protect indigenous culture and water access on Arizona's

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<v Speaker 1>Black Mesa, are led by women of color. I've always

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<v Speaker 1>been very concerned about justice and representation, Chietl says, then

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<v Speaker 1>when you become a father, every concern in the world

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<v Speaker 1>falls in your lap. Or his Austere nominated performance as

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<v Speaker 1>a hotel manager, Paul Ruseabagina in two thousand fours a

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<v Speaker 1>hotel Ronda, he produced the documentary d'arfour now on the

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<v Speaker 1>genocide in Western Soudan, sometimes referred to as the world's

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<v Speaker 1>first climate change conflict, as for many. Al Gore's twenty

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<v Speaker 1>two thousand and six documentary and Inconvenient Truth opened Cheetle's

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<v Speaker 1>eyes to the urgency of the crisis. What can we do?

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<v Speaker 1>He recalls asking, and I think when you ask those

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<v Speaker 1>questions to the universe, the universe answers and goes, well,

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<v Speaker 1>how about this. He came to the Solution's project through

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<v Speaker 1>his work alongside Ruffalo in five Marvel Avengers movies, and

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<v Speaker 1>he's remained intentional about how movie stardom can direct attention

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<v Speaker 1>to such endeavors. Often celebrities or whatever you want to

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<v Speaker 1>call us, are trying to get out of the spotlight,

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<v Speaker 1>while people who are championing these issues can't get in.

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<v Speaker 1>He says. Of course, the La fires demonstrated two things

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<v Speaker 1>that the line between out and in when it comes

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<v Speaker 1>to climate change is blurry and will only grow more so,

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<v Speaker 1>and Cheetle intends to stay engaged whichever side he's on.

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<v Speaker 1>By Brett Martin. Next The Singular Beauty of collective Flight

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<v Speaker 1>by Ed Young. New research reveals why starlings travel in

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<v Speaker 1>those gorgeous shape shifting clouds on winter evenings throughout much

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<v Speaker 1>of Europe and North America. An hour before sunset, thousands

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<v Speaker 1>of starlings gather in the skies before descending to their

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<v Speaker 1>night time roots. The birds put on one of nature's

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<v Speaker 1>most spectacular displays. They pulse, ripple, and wheel as if

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<v Speaker 1>they were a single entity, an amorphous, shape shifting creature

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<v Speaker 1>with a delicate beauty of calligraphic brushstrokes and the erotic

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<v Speaker 1>chaos of flickering flames. How could so many birds be

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<v Speaker 1>so tightly coordinated. That's a mystery that researchers have sought

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<v Speaker 1>to sow for more than a century. In nineteen thirty one,

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<v Speaker 1>the ornithologist Edmund Sellos argued that a sterling murmuration, which

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<v Speaker 1>he describes as a madness in the sky, could only

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<v Speaker 1>arise through telepathy. Birds must think collectively all at the

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<v Speaker 1>same time, he wrote, like many others, Seleus assumed that

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<v Speaker 1>complex behavior must have equal complex origins, But in the

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<v Speaker 1>nineteen eighties, programmers and physicists started showing otherwise. They created

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<v Speaker 1>computer models in which virtual individuals interacted according to deceptively

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<v Speaker 1>simple rules, but none the less moved in ways that

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<v Speaker 1>resembled coordinated flocks. These simulations were compelling, but researchers lacked

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<v Speaker 1>good data on actual flocks to compare them against. Then,

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<v Speaker 1>in two thousand five, a team led by married physicists

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<v Speaker 1>Andrea Cavagna and Irene Giardina in Rome took a giant

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<v Speaker 1>leap forward. Over many chilly evenings across three years, they

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<v Speaker 1>climbed to the roof top of the Palazzo Massimo to

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<v Speaker 1>photograph the cities, especially epic murmurations, with pairs of camera.

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<v Speaker 1>Using these images, they reconstructed the three D position of

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<v Speaker 1>each individual immumerations that included more than four thousand members.

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<v Speaker 1>The team has learned that no matter how large the flock,

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<v Speaker 1>each starling interacts with only seven neighbors, which might be

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<v Speaker 1>as much as their brains can handle. The exact neighbors

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<v Speaker 1>change from second to second, but the starlings don't track

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<v Speaker 1>these shifting alliances. They merely fly in the same direction

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<v Speaker 1>as whichever seven birds are nearest, while staying close but

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<v Speaker 1>not too close alignment, attraction and avoidance. By plugging this

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<v Speaker 1>trio of rules into a computer model, along with some

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<v Speaker 1>basic aerodynamics, Charlotte Hemmeldrik from the University of Gruningen in

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<v Speaker 1>the Netherlands created a virtual murmeration that resembles the real

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<v Speaker 1>deal and matched the data from ROME. This showed that

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<v Speaker 1>the Starlings need no overarching plan, no leader, and no

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<v Speaker 1>telepathic hive mind. They barely need to communicate it all

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<v Speaker 1>through the simplest of interactions playing out over distances a

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<v Speaker 1>few feet. The breathtaking skies spanning complexity of ammurmurration emerges.

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<v Speaker 1>Over the past two decades, the data from Rome have

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<v Speaker 1>continued to reveal surprises. When a starling turns, its new

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<v Speaker 1>alignment should influence its neighbors and their neighbors and so on.

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<v Speaker 1>But you'd expect that mistakes would slowly creep in and

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<v Speaker 1>the new directions would get lost, much as in the

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<v Speaker 1>children's game of telephone. In fact, errors aren't magnified by

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<v Speaker 1>the bird's movements, but washed away. The flock shows what

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<v Speaker 1>physicists call scale free correlations, which is like a game

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<v Speaker 1>of telephone, where information always arrives at the end uncorrupted.

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<v Speaker 1>Giordina tells told me. This means that no matter how

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<v Speaker 1>big the aerial display gets, the movement of each bird

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<v Speaker 1>affects and is affected by all the others. If one turns,

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<v Speaker 1>they all turn. Each Starling is paying attention to only

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<v Speaker 1>seven others, but its senses effectively extend across the entire flock,

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<v Speaker 1>and it can spond to events occurring hundreds of birds away.

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<v Speaker 1>This is why the flock looks like a single entity.

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<v Speaker 1>It really does behave like one void. By these discoveries,

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<v Speaker 1>researchers have become increasingly ambitious and creative in their quest

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<v Speaker 1>to understand the details behind mmerations. Hamioreich and colleagues, including

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<v Speaker 1>Ralph's Storms and Marina Papadopoulou, have then studying the starlings

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<v Speaker 1>evasive maneuvers by plunging at them with a robot designed

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<v Speaker 1>to look like a peregrine falcon. You can't go into

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<v Speaker 1>a field and wait for a predator to attack, which

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<v Speaker 1>might happen one day in two months, pap Papadoppolou told me.

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<v Speaker 1>The robot fixes that problem. Using footage from the faux

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<v Speaker 1>foal folicon, she is cataloging maneuvers like the flash expansion

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<v Speaker 1>where the flock scatters outward, or the vacuo we are

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<v Speaker 1>a whole forms within the birds. She's tried to understand

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<v Speaker 1>how the patterns arise depending on the falcon's behavior. The

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<v Speaker 1>flocks prior formations or actions of individual starlings. Researchers also

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<v Speaker 1>want to follow flocks over long periods. The room data

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<v Speaker 1>were collected with fixed cameras that photographed the starlings only

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<v Speaker 1>if they flew into view. As Papadolo says, the flock

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<v Speaker 1>might be spelling your name outside the frame, but you're

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<v Speaker 1>not collecting that data. Giardini's colleagues have solved the problem

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<v Speaker 1>with a new network of rotating cameras that can follow

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<v Speaker 1>the flocks. Now they just need the starlings. Unfortunately, there

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<v Speaker 1>are much fewer flocks now. Giardini told me last year

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<v Speaker 1>was a disaster. She didn't know why. Rooms starlings have declined.

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<v Speaker 1>The city sees them as a nuisance and employees flashing

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<v Speaker 1>lights and bullhorns to disperse them. But starlings are also

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<v Speaker 1>disappearing throughout the rest of their native range. British populations

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<v Speaker 1>have more than halved in the past sixty years, while

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<v Speaker 1>Danish numbers have swindled by sixty percent. Sorens Selkier, who

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<v Speaker 1>took the photographs on these pages, says, in the past

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<v Speaker 1>two or three years, I've had a very hard time

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<v Speaker 1>locating very large flocks. It's not just starlings either. Within

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<v Speaker 1>the same time frame, Europe and North America have lost

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<v Speaker 1>five hundred fifty million and two point nine billion birds, respectively,

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<v Speaker 1>due to habitat loss and other human driven causes. On

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<v Speaker 1>both continents, the commonest birds have suffered some of the

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<v Speaker 1>greatest losses. Starlings illustrate the stakes of this decline. They

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<v Speaker 1>remind us that it is not enough for a species

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<v Speaker 1>to avoid extinction and merely exist. It must thrive in team.

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<v Speaker 1>For many of Earth's most beautiful phenomena only emerge when

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<v Speaker 1>living things act together in great numbers, whether it's a

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<v Speaker 1>flock of starlings or the network of neurons in the

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<v Speaker 1>people watching them. When witnessing a starling murmration, Soldier says,

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<v Speaker 1>the external phenomenon seems to mirror something inside myself, illuminating

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<v Speaker 1>the universal bond we have with nature. This concludes readings

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<v Speaker 1>from National Geographic for to day your reader's been Marcia.

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<v Speaker 1>Thank you for listening, Keep on listening, and have a

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<v Speaker 1>great day.
