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Speaker 3: Welcome to the One on one Podcast with your host
one A Yala.
Speaker 2: Welcome back to another episode of the Horn Podcast. I'm
your host. As always, make sure to check out the
show on social media or at www dot tj OJP
dot com. Make sure to get a copy of their
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that good stuff. Shout out to the patrons, Shout out
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make sure to check out the channel one Onjue. I'm
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Slash one on one podcast all that good Stuff. Make
sure to check out the mailing list the email list
sign up for that to stay up today with the show.
And today we have returning guests at least more than
five times now. Emily, welcome back to the show, hi Wan.
Speaker 4: Always a pleasure to spend a few hours with you,
my friend.
Speaker 2: Yes, yes, And before we get into it, Emily, where
can people find you on your work? Your channel?
Speaker 4: You're so good about all this stuff.
Speaker 5: You say all your things before you get started, like
I always forget to do all one.
Speaker 4: My YouTube channel is my name, Emily Moyer. I put some.
Speaker 5: Stuff there like I do my live streams with Danny
and with Robert Phoenix there, and I post occasional episodes
if I feel like they're sort of suited for that
of Strange Mosaic and some other things there. But I'm
also on Patre dot com, forward Slash, off Planet Media,
Emilymoyre dot locals dot com and Rockfin dot com forward
Slash Emily Moyre. In the In twenty twenty five, we'll
be embarking on a new project and as part of that,
I will also probably be on Odyssey as well.
Speaker 4: And I think hopefully.
Speaker 5: If this goes in any way that I'm hoping this
will be my great work and then we'll see where
we are. My website is also emilycmoyer dot com. If
you are interested in the weird shit I talk about
or the weird stories I tell, I offer storytelling sessions
and I'm also a nutrition consultant and if you need
help getting that shit in order, I can help you
with that too. All right, now that we've got all
the bullshit out of the way for ready to go?
Speaker 2: Now we have all the business out of the way.
The mumbo jumbo? What you what do you think you you?
If you want to start with cattle?
Speaker 4: Like?
Speaker 2: I made you watch a movie? Now now I owe
you one. I know that we got a comment on
one of the last videos that I posted from an
episode we did a while back where you mentioned the
Io or Ao whatever that the the name of that
show is, and they're like Emily's brought it up for
the fifth time or something like that, and Juan still
hasn't watched the show. So I gotta do you a
solid because you did watch the movie and that movie.
I did do a Patreon episode where we broke down
the movie. I was with Ryder Lee. We broke down
the entire movie and talked about it the lore behind
the lake, and I think that it really fit into
a lot of the crevices and things that we talk about,
and it answered a bunch of questions for me. So
what did you think about it? Emily?
Speaker 4: So I watched it that night, So I did you
hard solid it?
Speaker 5: And I not only did I watch it, I like
took away any concerns that I would say I did
but didn't really or anything like that.
Speaker 4: We watched it that night and we really liked it.
Speaker 5: Like Laura, sometimes I think when you hear m Knight, Shamalayan.
Speaker 4: Or whatever, you of think it's got. Yeah, it's not that.
Speaker 5: It might be horror, it might be like disturbing, weird
and whatever, but this was definitely not so sure this
is perfect for you? And I to talk about and like.
Speaker 4: In some weird way, we'll.
Speaker 5: See if by the end of this episode I can
thread this needle. It's also connected to the imaginal theater
on some level, and I'll.
Speaker 4: See if I can. It just just dawned on me today.
Speaker 5: On some level when I was listening to you with
your wine rant on the imaginal theater.
Speaker 4: Next time it bad, No, it was great, but like
that's it's fun to do it like that.
Speaker 5: Sometimes next time you're like drinking and driving, call me
and or get me know. I'll come on and you
can drink wine and wander and I'll drink bourbon and
our mescal and we can.
Speaker 2: Uh, I'm not going to do it driving, but I'm
just joking.
Speaker 4: They're driving the wand on lawn bus, right.
Speaker 2: It was Yeah, I felt like that was actually that
video and two takes, so at one point in the
middle of the video it's a whole nother day of
the week because I was like stop.
Speaker 5: I had to stop there because I had so many
This is what happens. The problem for me when I
talk to someone like you.
Speaker 4: Or someone like Thomas.
Speaker 5: Or whatever, is every sentence you say leads to an
hour worth of contemplation for me about something so like,
if I watch too much then I get confused and
I can't keep my my thoughts straight.
Speaker 4: Right, So, but I think I see some level of
through line that.
Speaker 5: That we can maybe we can sort of get to.
So okay, So cattle Lake until like a few weeks ago,
i'd never heard of it, right, you heard you? You
mentioned it to me when you were on my show,
by the way, And.
Speaker 4: We'll discuss all of that after the public portion is
going to go go public tonight. My patients have already
had it. But we talked about cattle Lake. I'd never
heard of cattle Lake.
Speaker 5: Before you though I live in Texas and I've been
living here on and off for more than twenty years.
Speaker 4: I'd never heard of it, which I think is pretty interesting.
Speaker 5: And we already, just from what you were telling me
and from me looking at it on the map and
watching the little trailer, we were already starting to pluck
at some pretty relevant topics and ideas.
Speaker 4: But what I found the most, you know, sort of
interesting or useful or whatever it is, is that what
that movie displayed in terms of like the process that
seemed to be happening. That's actually exactly.
Speaker 5: What I think is going on here in Austin on
ladybird Lake, right, And so this is something now, it's
is it possible that you hear about the murder, the
serial killer, the Ladybirdlake serial killer.
Speaker 4: You hear people wondering if it's the Smiley Face killer.
There's a variety of different fears and documentaries and things
about this on YouTube. But I will tell you this
that like that one's pretty popular that you just passed.
I've watched that one. I've watched a lot of these,
all of them.
Speaker 5: And there's some like people from the alternative media who's
proposed ideas. All of them are only considering things from
one perspective, and I'd say most of them are not.
Their perspective is not wrong. It's just one of many
things that are going on, right. And this show would
basically the Cottle Lake sort of set up a framework
for how something like this would work in.
Speaker 4: Which all kinds of all kinds of theories could be
simultaneously true without offending each other other than the egos
of the person who thinks that their narrative is the
only right one.
Speaker 2: When I saw this poster, I said, hmm, Lady Bird.
This looks like an A twenty four film. As soon
as I scroll down, boom A twenty four.
Speaker 4: Ah, I've not seen this.
Speaker 2: What is this about? So is a solo director of
debut Greta Girlwig and on various mumble core films. What
is mumblecre What is that?
Speaker 4: I don't know? But it's set in Sacramento, which is
where my mom is from. And I was just in
Sacramento a few weeks ago.
Speaker 2: Theatrically al right, so the plot is senior Immaculate Heart
of Mary Catholic High School. Despite your familyus finishy long,
so attend prestige blah blah blah right during a ride. Okay,
all right, I don't I don't know. It doesn't seem
that interesting.
Speaker 4: It doesn't seem that interesting. I'll look at it closely
later when we're not on the when we're all sporting.
Speaker 5: But so, you have a scenario where you have like
a very small town that is on one part of
a lake. You have some very interesting trees that are
sort of in the water, you have a dam, and
then you have this sort of mystery that sort of
creates a strange loop regarding a certain family in this town, right,
and the resolution to the story basically comes at the
exact moment that sort of one of the central characters
sort of dies in his attempt to close the loop, right,
And so you have people having experiences with time, and
on some level there was some dimension aspect to it
or some different version aspect to it, but it mostly
sort of revolved around time and this condition with epilepsy
and ear bleeding and you know, tones and things like that.
And then you've got this strange the strange trees which
seem to be the area or the zone of the
lake where the rift or the anomaly seems most like
most prevalent, most pertinent or most prevalent or whatever it is.
Speaker 4: The situation here in Austin is this people.
Speaker 5: Austin Labor Lake is one of seven lakes that are
dammed up around the city of Austin. It is the
Colorado River in Texas damned into lakes. So they are
man made lakes, right, Okay, And since for at this
point sixty seventy five years, people have been going missing
or dying in somewhat mysterious ways, with clusters happening at
certain times and then nothing for quite a bit quite
a long time, right.
Speaker 4: And.
Speaker 5: You have a scenario where the Austin Police Department is
insisting that most of these are accidents and that they're unrelated.
They're all accidents or suicides and are unrelated. And you
have the people of Austin, after all of these years,
finally becoming somewhat insistent that there's something else going on here.
Speaker 4: And there's a lot of narratives around it. There's ideas
about like a sort of a drugging and theft ring.
There's ideas of the Smiley Face killer. There's ideas of
a gay serial killer. There's ideas of right. But the
the you know, the other thing is that so Ladybirdlake
used to be called Town Lake. It's about ten years
ago they officially changed the name.
Speaker 5: But one of the the lore in Texas is always
you can't go swimming in Ladybird Lake.
Speaker 4: And there's like a few layers of reasons. So the
first layer.
Speaker 5: Is is that there's some sort of bacteria or algae
in the water that's not good for humans, right, and
that's why you can't go swimming in the lake. But
as soon as you dig through and realize that that's
not actually true, the next layer of the cover up
is that there's a strong undertow in the water and
and and it's not safe, right, And then you kind
of dig past that, right, you get to this point
where you start to recognize that when people go missing
in the lake, they don't really put much effort into
looking for them, which is weird, and that there are
anomalous things that seem to happen on the lake where people.
Speaker 4: Seem to lose their orientation. Right.
Speaker 5: I literally watched with my eyes Austin Parks and rec
helicopter go down into the water like the way we
hear that, like things disappear into the Bermuda triangle, and
the pilot of it was really confused about what happened.
He did survive, but he had like virtually no memory
of it. And I also had this really strange interaction
with the gentleman one day. We were Laura and I
were exercising and we're running this way and he's running
towards us and passes us. And then a few minutes
later we feel someone coming up behind us and we
look at it's this guy who had passed us about
five minutes earlier, and he's getting really close to us,
and we could tell that like he was wanting to
be near us or wanting to talk to us. And
he tells us that he's confused, that he had a
seizure and fell in.
Speaker 4: The water and he got out of the water. He's
disoriented and he is soaking wet, so like he seems
like he's been in the water.
Speaker 5: And he walks with us for about half an hour,
right And in the beginning, we were a little nervous
because we got to this one area right near the
power plant where he's walking with us, and there's a
car blocking the path and I've never seen that before,
and it almost like that car pulled into that spot
to like it felt like it was there to sort
of meet us or intercept us, and so we both
got pretty anxious, but we passed it and nothing seemed
to happen, and he started talking to us, and he
started telling me about some specific kind of epilepsy that
he has and that he goes to this doctor.
Speaker 4: And I remembered the doctor's name, and later I did
look her up and that is a real brain doctor
in Austin. But he seemed confused.
Speaker 5: What he was telling me was that the street that
he was looking for didn't look right. So he was saying,
I'm looking for like an Avasota or whatever episode is
a street in that area of Austin. But he was
saying that the thing that's supposed to be it looked different,
like what he was looking for on that street wasn't
there right. And he just seemed confused, like he seemed
to like he didn't seem crazy, he didn't seem to
be on drugs, he didn't seem stupid, you know, it
seemed like he was.
Speaker 4: Perplexed about the version of Austin he found himself in,
which was mostly familiar but missing marker points for him
to know, like where he would normally turn on the
trail and whatnot.
Speaker 5: He walked with us for about half an hour and
then we parted ways.
Speaker 4: And since then, so it's like two years ago. I've
talked about it on a show of Michael before.
Speaker 5: Since then, I have seen him a couple of times
around town and it always time.
Speaker 4: Actually not around town. I've always seen him in Whole Foods.
Speaker 5: I've seen him like three times in the same Whole Foods,
and every time he looks at me like he knows me,
but he can't quite place it, right, And he's always
like talking to the cashier or talking to the security
guard that stands out front of the market or whatever
it is.
Speaker 4: But he always looks at me in this way like
that's more, that's meaningful, right, That is kind of interesting.
I've never approached him and talked him. I'm not I'm
almost certain he wouldn't remember, right.
Speaker 5: And so over the time that I've been back here,
Like I knew that when I used to live here,
back in the late nineties and early two thousands, that
there were stories of people going missing in the lake,
but I was still buying the stories.
Speaker 4: About the algae or the undertow or whatever.
Speaker 5: But with all of the things that I've come to
understand about what's really going on in Austin here, with
technology and lots of other stuff, I think it's impossible
that this the lake is some sort of portal between
dimensions or some sort of like timeline.
Speaker 4: I don't know.
Speaker 5: Something is happening with the water where people are being
attracted to it or people are recognizing that there's something
going on there. I see a lot of homeless people
and like graffiti, taggers and stuff doing things that seemed
to me to be like leaving breadcrumbs or hints for
themselves about like how to find their way back to
something I see, Like people pick a spot where they're
gonna sit. There was a gentleman who was sitting under
the bridge on First Street. He didn't move from the
same spot for two years. That fool didn't go to
the bathroom. He peed in his fucking pants. He wasn't
on drugs, he wasn't crazy, he was nice. I brought
him food one time, but he always sat there staring
in the same direction. There was another older gentleman on
the other side of the lake who had a tent
that he.
Speaker 4: Was living in, and he would stare in the same
direction all the.
Speaker 5: Time, and then one day he was just gone. The
guy that I was talking about that's under the bridge.
Like finally, after two years, the police put up notices
that he didn't move that you know that or if
people didn't move from.
Speaker 4: Their spots, they were gonna get, you know, be arrested.
He was gone. I don't know if he was arrested,
but what it always felt like to me.
Speaker 5: Based on the position he was sitting in, what it
faced and what was around it, that he was staring
at what he knew to be some kind of portal
or some kind of rift and either waiting for it
to open again, or like waiting for someone who like
he was supposed to be meeting up with but got
lost in the dimension whatever the fuck it is, right, Like,
he didn't take his eyes off of this area, right,
And some of the people who there's there's some thrill
lines with some of the people who have either gone
missing or turned up dead.
Speaker 4: There's even people who like have.
Speaker 5: Survived and have some memory of what happened to them,
or no memory of what happened to them or whatnot.
And I've talked about some of this on shows before.
It's been a while, so I don't remember all of
the details. But all of these, all of the places
where the people go missing or are found, are locations
that I have identified as anomalist, that I've had weird
things happen to me there, that I had seen weird
stuff that are at the center of like what I
call the portion of the lake that where I see
like the reflective reality.
Speaker 4: I don't know if I've ever shown you any of
the pictures that.
Speaker 5: I take of the lake where literally there's like a
perfectly upside down Austin that you can see in the water,
that has such an eerie sense of definition to it
that I ask myself.
Speaker 4: The question is are we in the real world or
is that in the real world. Are there to Austins?
Are they connected or do Some of these buildings go
much farther down into the ground, so they're literally like,
you know, not just top up that there's like a
full other building underneath the ground down there going the
other way, Like, the anomalies on this lake have made
so much content for me over the last couple of years, and.
Speaker 5: It seems to be some kind of like way station
or junction between timelines or between moving back and forth
in time or wrapping around or dimension like maybe there's
other versions of Austin and the lake is like somehow
you go in the lake.
Speaker 4: I've played with the.
Speaker 5: Idea that it's bottomless, that right like that it's like
an inland ocean and it's very very deep.
Speaker 4: You go in the water and you.
Speaker 5: Don't necessarily come out in the same version. There's topography
and geology around the lake that makes there's some areas
where it's like tropical, there's palm trees, other areas where
it's like you're in the woods cedar trees like oak tree, right,
Like there's all these different geography is like compressed here, right,
so maybe it's kind of a uh, you know, an
access point to many different times or versions of the
same like times at the location or versions of the location.
And then of course there's the movie The Congress, right,
which is you know, have you ever seen the movie
The Congress. No, so it's an Alamo it's an Alamo
draft House film, which Alamo draft House.
Speaker 4: Is an Austin film company and movie theater.
Speaker 5: Congress is the main street that leads up to the
Capitol here in Austin. And in the movie The Congress,
there's like this weird underground sort of grotto that these
people who have sold their image and likeness sort of
to the Hollywood machine go to interact with each other
in posts having sold their their their their name, their
their likeness, and it's like this underground, underwater grotto and
it's very bizarre. They're all they also vote, like, are
in this place where you can take a drug to
become another person, right, you can like experience what it's
like to be someone else and whatnot.
Speaker 4: And when I look at all of these sewer entrances
that I see all around the lake here like inside
and I haven't built up the courage to go in yet,
I feel like there's something under there, Like I don't
know what it is, but I feel like.
Speaker 5: Since I've been here, I feel like something is trying
to and I don't know if it's malevolent or benevolent
or whatever, it is sort of entice me into going
in there and checking it out, right.
Speaker 2: And so I found this painting. I don't know if
it's the Ladybird Lake trail side retaining upon Earth's portal
at Ladybird Lake. It's from an artist found this one, okay,
and it's fifteen grand she did and twenty twenty. Again,
I don't know anything else more. But it's interesting that
we're filming this the day before Lyndon B. Johnson, which
Lyndon B. Johnson is who wife's was Lakelady Bird, who
the the lake is named after, right, Lady Bird? First,
lady what's her name? Lady Bird Johnson?
Speaker 4: Yep?
Speaker 2: And again we're doing this November twenty first, always.
Speaker 4: Happens, and I have some dates for you and for
the next segment that you're gonna blow your mind too.
Speaker 2: So I wondered, like I was like lyndon to be John,
What does that sound so familiar? What is he famous for?
Of course he's famous because of JFK. Right, he would
have never been president if it weren't for JFK being
gunned down, right yep, And so I found this. I
don't know if it's got anything to do with it,
but you know, you're mentioning portals. And there's also the
conspiracy that there are tunnels near the Lady Bird Lake.
Speaker 4: So I've been in some of the tunnels, but I
haven't been into these like shoers that go right into
the water.
Speaker 2: So Ladybird Lake, Texas secret tunnels. See what comes up? Misstic?
There are secret tunnels for people and horses that extend
from the Capitol all the way to Ladybird Lake. Although
tunnels did exist, they were not secret or meant for escape,
but rather installed for utility. So of course, right, so
it's just utilities. You can't swim in the water because
there's a deadly you know, bacteria in it, right, So
that was in nineteen sixties that they ruled that. So
it makes you wonder how for example, at Skinwalker Ranch
right where you have the Skinwalker kind of sort of calling.
They call them the water babies that call people towards
bodies of water, and then they also I believe they
also drown. And you're talking about this attraction that people
have when it comes to this. And that's why that
movie was so important to me because I'm like, oh,
could this be right? Sha Malama ding Dong, which I'm
sure is in the No did the movie The Watchers.
His daughter did the movie The Watchers, which was kind
of sort of about Nephelim interdimensional portals type of thing.
Then you had this movie that he produced, right, He
wasn't a director and he was I think executive producer.
And I'm like, is this another piece to the puzzle
of people who have neurological disorders? And then why do
they have Why do people get ms? Are they in
the wrong timeline? Did they slip through at some point
in time or something where we don't know why they
have certain things wrong with them, but they just do
and there's no cure for it. Well, what if it's temporal?
Like what if it's like time time diseases is what
I called it. I think is dimensional diseases or something
or other. I called it where it's like you're in
the wrong place, that's why that's happening to you. Yep, right,
And I.
Speaker 4: Forget what's one it is.
Speaker 5: But there's a woman named Alifia Black, and she talks
about how like one of the neurological disorders because your
process seeing time too quickly, and the other one is
because you're processing time too slowly and so right that
what you're talking about, like that would be that like
if you're you know, that seemed to be when they
were when the time periods would come based on weather
and like what was the deciding factor about if the
portal was going to open again?
Speaker 4: Right, it was the water was a drought or now
there's a on.
Speaker 5: The bridge here, like there's a stairway that shows the
last time this lake has flooded many times and the
last time was in June two thousand and one, and
you see where that mark is, right, Like it's super interesting,
like it's super.
Speaker 4: High, right, and this has happened multiple times.
Speaker 5: So I also wonder if the water rising and or
the water, you know, receding, depending on which dimension you're
in or how the story is going that correlates on
some level with these clusters of people either disappearing or
be you know, dyes, you know, being found dead or
whatever it is. The other part that's weird about this
is there does seem to be some connection to a
similar thing that's happening in Chicago, right and almost like
during some time periods where there's not like whether it
be a few weeks or a few months or a
few years where it's not happening here, it seems to
be happening in Chicago.
Speaker 4: And what I know, I went to Chicago for the
first time this past year. Of the architecture there, I
did like it.
Speaker 5: If it wasn't if they didn't have winter there, then
it's a place i'd consider living because right so, but
not only is the architecture super fantastic in a similar
way that I find a lot of the architecture here
to be really interesting. Literally, they have some of the
exact same buildings built by the same architect and the
difference between the buildings they're just bigger versions of the
one here, but they're farther back from the water. So
in order to reflect upside down and the way it
does here, they have.
Speaker 4: To be bigger. Now, Chicago's a bigger city. They have
the higher skyline, you know, like you can go higher whatever,
but they're also further back. I identified three or four
buildings that are exactly the same proportionally as the ones
in Austin. They're just bigger there. Some of them have
the exact same name.
Speaker 5: Right, And I'm wondering, if you know, if you know
how to do all this shit, if it's possible to
move around right through the through the water or through
the buildings, right. And so you've got somebody who's discovered
the multi dimensional, omnidirectional space time reality that we live in,
and they're using it to move around and do things
in an undetected fashion. And maybe there's a serial killer,
or maybe there's other people who are experimenting with the
same set of knowledge, but they're not doing it right.
Speaker 4: They're not making it back in time before the.
Speaker 5: Window closes, or they're going back in time and fucking
some shit up and getting themselves in trouble with somebody
or right, it's suddenly somebody.
Speaker 4: Right the wrong timeline and he was trying to say
to you, I'm your brother, or I'm your husband or
I'm your sister or whatever the fuck it is, and
they won't stop bugging you. You might get your head
bashed in.
Speaker 2: Yeah, and oh, you're crazy to get away from me.
What are you talking about, because that's the automatic, you know,
a reaction that you would give somebody like that. And
the first thing that you see when you see a
homeless person, go, they don't they don't have their whole
thing together and all that. And an interesting part here.
You're talking about skylines, and I put here the significance
of skylines, and it says this is the ai By
the way, skylands are important for a number of reasons,
including economic development. A city skyline can indicate economic development
with more compact cities having lower emissions blah blah blah.
Societal values. Skylines reflect the society's values. All buildings convey
a sense of importance and prestige of cultural inheritance of city.
Skylands con inunicate it's cultural inheritance, such as the division
into residential, commercial, and business districts. Symbol of power. Historically,
skylands have been a symbol for power, wealth and prosperity
because that's always something that you see, right, like, every
single huge city usually is in front of a body
of water, which that says a lot because I believe
Mark I had told me one time there was this
book about rivers and how a majority of the population
always settle near rivers. And I think Michael want has
talked about this as well, where it's something about the rivers.
Now you can interpret that.
Speaker 5: Call by Goro Adachi that has some interesting ideas, right,
And Michael, you know, has spoken a lot about sort
of the connection between rivers and sort of time and
the sort of social engineering culture with technology or new
ideas or whatnot. By who time rivers by Goro A Dachi.
It's it's rivers. It's it's it's it's multiple.
Speaker 2: A catch a d A c.
Speaker 4: Hi. That's it the time rivers.
Speaker 2: Yeah, okay, go Adachi intelligently designed to function as little
rivers of time. Wow, this is dope. I see. This
is is what I like is this is the type
of stuff.
Speaker 4: And I don't think he got it necessarily exactly right,
but he's opening up some interesting paths for people to
traverse with trying to understand some of this stuff. Uh.
Something you said once, Oh, Alicia, can I screen share
on here?
Speaker 2: Yeah?
Speaker 5: I actually was out exercising today and I took some
pictures and I want to show you a few of them.
And you can see how a portal, like so many
places on the water are.
Speaker 4: How do I how do I do it?
Speaker 2: See, it's just like stream yard. You just click the
little screen.
Speaker 4: And as I find stream Yard to be difficult, let
me see photos. Okay, let's see if this is it's
not going to be it. Allow, that's not the right thing.
Let me see if I can put up and then
try it. There's that. It closes it.
Speaker 2: Goro docia. Have you tried to getting this guy on?
Speaker 4: Is?
Speaker 2: He's still around?
Speaker 4: He's still around, but I don't think he does I
know Michael and Masaki have told me that like, he
doesn't really, he doesn't really do it anymore.
Speaker 5: Unable to share the screen, there's nothing to share. Make
sure the browser has a permission to record the screen.
Speaker 2: Of course. So this guy's got an interesting website. Check
this out.
Speaker 4: Yeah, his website is really interesting.
Speaker 2: The super Torch Ritual Underground.
Speaker 4: Yep. He made most of his material private a number
of years ago, and he does very little public publicly
anymore at all.
Speaker 2: Of course, Yeah, seems like an interesting kind of guy.
Speaker 4: He's super interesting, right.
Speaker 5: I know Randy, my old podcast partner, tried to reach
out to him for shows a couple of times. But yeah,
I think that like he was doing it in the
early two thousands.
Speaker 4: But other than that, it's not really interested. Let me
let me grab since I can't share the screen, let
me grab my phone. It's in the other room. I'm
gonna show you a couple of.
Speaker 2: Is it not letting you show the screen? Really?
Speaker 4: It says that. I yeah, it's like it's like this
always happens on everything with M I can never share
anything on.
Speaker 2: Any other of course, it's the lizard.
Speaker 4: People select a window or screen.
Speaker 5: I selected messages because that's where I have my pictures,
and I hit a law and it says unable to
share the screen.
Speaker 4: There's nothing to share, okay, So let me just grab
my phone and I'll just show you that way I'll read.
Speaker 2: Of course, it's the Illuminati trying to stop us from
sharing anything.
Speaker 4: Right.
Speaker 2: You can also send is it a lot of them?
Because you can send them to me and I can
pull them up.
Speaker 4: Let me just see.
Speaker 5: It's like it's so slow and like like laborious to
do it.
Speaker 4: That way.
Speaker 2: What's up?
Speaker 4: Uh?
Speaker 2: I do or telegram? You can send it there.
Speaker 4: I don't have telegram.
Speaker 2: Let me just do this with the times you gotta.
Speaker 4: I just at a certain point I decided I wasn't
signing up for things anymore.
Speaker 2: Okay, here we go, Okay, oh yeah, see how it's.
Speaker 4: Perfectly okay, hold on, look at the See this is.
Speaker 5: A bridge, and see how when it reflects in the water,
it ends up looking.
Speaker 4: Like eyes or a portal target.
Speaker 2: You can go through, but you can't swim in there.
Speaker 4: Correct.
Speaker 5: Look at the way the buildings are in the water.
Look at the way you can see different sort of
Look at that.
Speaker 2: Yeah, it's pretty wild. That first picture you showed was
pretty crazy looking, the first one that you got there.
Speaker 4: I'll go back.
Speaker 2: Everything is completely still there. That is one right there.
And what's that building? Isn't that the rock Fin building
or something that you told me about.
Speaker 4: That's the Google building Google? All right.
Speaker 5: This building right here is called the North Shore. It's
one of the buildings that's also in Chicago. And the owner,
the guy from Rock Finn, the French guy or whatever,
he lives there.
Speaker 4: Right like one of the addresses for Rock Finn is
in that building and I watched him on podcast one
time and I could tell he was on the patio
of that building, right.
Speaker 5: And then you have the Independent, which is like a
actually you can't see.
Speaker 2: The Independent, and isn't it called the Finn or something
like that? The building I don't.
Speaker 4: Know exactly what the building is called. It's owned by Google, right,
but there's uh see, there's this interesting building right here
that's being built that has this really interesting seam in
the middle that almost like is it almost.
Speaker 5: Seems like it's trying to show you where the direct
center of Austin is and it's like split in half.
And then this building right here, this sort of lower
building right here, right, Michael and I when he was
here a few weeks ago, we were doing some research.
Speaker 4: On it and it's it's the company is called Silicon Labs.
And let me we found something really interesting the description
of what this company is. Let me tell you what
it is, and you're gonna be like, wow, that's kind
of crazy.
Speaker 2: It sounds like some West World Silicone labs here. I
got them pulled up the IoT development platform those people.
Speaker 5: Yeah, right, So Silicon Labs, commonly referred is a fabulous
global technology company that designs and manufactures semiconductors, other silicon devices,
and software which it sells to electronic design engineers and
manufacturers in Internet of things infrastructure, worldwide Internet of things. Right,
we found some really interesting description of it that's not
in this one where it talks about like the bridge
between being a bridge.
Speaker 4: Between analog and.
Speaker 5: And sort of like digital or Internet of things type
of where's that one description?
Speaker 4: If I find it, I'll send it to you later.
But uh, where's that one that had the thing about
the analog stuff? Let me see, let me just search
the term analog.
Speaker 2: So are you ready for another movie that I don't
want to say. It's not as good as as Cattle Lake,
But there's a there's a movie right where, of course
Nick Cage. It's called pay the Ghost. And in this
movie spoiler alert, he literally he walks on a bridge
that connects the living world with the world of the dead,
like a physical bridge that he crosses over to go
find his missing son that was taken by like a
demon or something or the other, and goes in there to
rescue him, and then he ends up like rescuing all
these missing children that had been taken by the spirit
in that area because there was a spirit that was
angry at one point because of something that happened, and
he literally crosses the bridge to the other dimension and
pulls everybody back out and they're all reunited with their parents.
Speaker 4: Some days, some days it feels like that in Austin.
Speaker 5: Some days when you cross there's many bridges that cross
the lake, all in downtown Austin. There's the Pleasant Valley Bridge. There,
there's I thirty five Bridge, Congress Bridge, First Street Bridge,
Lamar Bridge, Mopack.
Speaker 4: Bridge, and all these segments of the lake have a
uniquely different feel to them.
Speaker 5: But sometimes when you walk over, literally feel like you're
crossing over.
Speaker 4: Some sort of domain into a different domain.
Speaker 2: Right.
Speaker 5: I found that the explanation it says Silicon Laboratories is
an industry leader in the innovation of high performance analog
intensive mixed signal. I sees, right, so that's right there
and that sort of dish right like right there between
those buildings. But uh uh, it's very weird, right like
the way that the lake feels like like when I'm
on the trail, it's kind of like a different flavor
every day. Like some days that you know, you see
Some days everybody's acting weird.
Speaker 4: Some days everybody's walking with a funny gate.
Speaker 5: Some days everyone's really attractive. Other days people are all
fucking ugly. Sometimes like every child is crying. Right, Like,
it almost seems like a slightly different place every day,
and I exercise on the trail almost every day since
I've been living here again since twenty one.
Speaker 4: Right.
Speaker 2: One of the things that interested me, and when when
was that episode you sent me? When did you record that, the.
Speaker 4: One that I see you the other day?
Speaker 5: Yeah, that was probably recorded either early in twenty twenty
four or late in twenty twenty three.
Speaker 2: Okay, now, because you mentioned me in that episode and
you talk about the the Pythagorean palace idea, and one
of the interesting things, right, because we mentioned West World
and this idea of when the main character I forget
his name, when he doesn't see the door, and that
when when she said that, that really like clicked in me.
Where right, That's that shows you how the system works.
Is only the initiated and this is directly off of
the book Pythagora and Palaces. Only the initiated know where
the secret doors are, so only those that are able
to see the ones that are initiated in the mysteries. Yeah,
there you go. That's the book that set all this.
And he's got other great books too, By the way,
I have all of them. He's probably one of my
favorite authors. And he wrote a lot about even he
wrote about the homunculus too in some of the his
In his book Falling in Love with Statues, he writes
about pygmillion and the concept of animating statues and all
this other stuff. Frankenstein. And one of the interesting things
that she said that really click for me was he
was the character in that show right where I forgot
at the end of what season when you start to
realize that he's actually one of them, one of the robots. Yeah,
and they're like, hey, do you see the door? He's like,
what door? So I think that a lot of these
places are like that, Like what if you're not tuned
to whatever frequency or whatever it is, or the lake
is not at the right level, and it's like, hey,
you can't see the doors because you're not there yet,
or you're not one of them whoever them are, or
you don't have the correct wiring in your brain right.
So maybe the people who have like today, I am
working on a well, I have an idea for a
documentary and I pulled the police reports of one of
the main stories that cited for the thing that I
want to talk about, and they painted it as it
was a dui and that the guy was screaming about right,
that the Boogeyman made him crash, but he was arrested
for being under the influence, and the repolice report and
everything this kind of says like the police officer smelled
like alcohol in his breath, but they never did a
breathalyzer on him. It's just going strictly based off of
what the police report says. And I mean, let's be real,
you can make it say whatever you want, Like if
you want to get a conspiratory you can make anything
say whatever you want. Let's call it. The powers that
be are holding the truth back and they're making this
guy seem and it could have actually been the Boogeyman
that made him crash, or he could have just been drunk, right,
and that could have made him crash. But it goes
back to this concept of these people in society that
we look down on who will maybe have a key
to the answer, but they're disregarded because they're too crazy,
or their their appearance puts you off, or their smell
or whatever it is right, because they've been put in
that position. Because I've always said that reality is we're
all hallucinating together, but we all agree on it, and
until one person steps out of that disagree, you know,
disagrees with no. No, no, My reality isn't that it's this,
this and this or I can't remember this city? Well,
why is this city different this time around? What if
they're telling the truth? Why what if they're they're saying
something right? I mean, or let's take it a step above.
What if any three letter agency could be hitting them
with a sort of technology voice to skull or something
or other to test it out. You don't think that
they're every now and again testing some sort of beam out.
I mean, they've talked about having the tech to make
when they were at war, you know, make them feel
all warm and fuzzy, or make them feel like a
law is talking to them or whatever and telling them
to do something. I mean, what a better way? And
I think that religion itself. I was talking about hypnotism
a little bit ago with Longo and how I think
religion is a form of hypnotism to put people with
sedates people and it makes them believe crazy. It can
makes them believe crazy. You can talk about the homunculus
and all that, but then you'll believe. But if your
religion says that dragons are real, you'll believe that one
book from that one religion because you're a part of
that religion. What's the difference.
Speaker 4: So a couple of things. When we were talking about
the doors and.
Speaker 5: Not seeing the doors, there's a really it's like, sounds
silly because it's like a kid's movie, but it's actually
really good.
Speaker 4: It's called The Portable Door. That is interesting.
Speaker 5: And then there's a very famous book that I own
but I've never read, called The Doors of Perception, right,
And when you were talking, for some reason, that.
Speaker 4: Was coming to my mind. And then uh, as far
as what the what you were just saying about, whether
there really was some kind of entity, or whether someone's
fucked up, or whether the CIA is doing weapons. One
of the things that.
Speaker 5: I am very certain about that is going on in
downtown Austin is that it's become a like a mixed
reality area in downtown Austin. In a certain corridor in
the city, like it's becoming gamified really quickly.
Speaker 2: Emily. Think about what you just said, right, that these
large cities are becoming these perhaps testing areas, and this
is this perhaps why all these cities they've approved recreational drugs,
such as Portland, Portland, and they're testing out.
Speaker 4: Yes, yes, so this is okay.
Speaker 5: So there are certain areas of downtown Austin where I
have completely different experiences there when I am on drugs
like mushrooms or something than I have in other areas
when I'm on them or in a different city or
whatever it is.
Speaker 4: And it's like the same every time. In this area
of downtown Austin, right, some of the people don't look
real to me, Like they look like they're not like okay,
so imagine remember like when we were in COVID people
were wearing masks. We were talking about whether like facial
recognition software could still tell I will see people in
a nightclub where I can only see the top part
of their face and the lower part of their face
is like green screen or black, and it's not all
the people, it's just some of the people. It's almost
like some of the people are really there and some
are not. And they're like not rendering completely. I've talked
about this several times on shows. There's like one club
in particular that like like that's like the main theme
of every sort of experience that I've had. There is
this sort of weird experience with either missing features on
people or extra features like you could see someone's like
weird fucking ConTroll ears or some shit like that that
seems and I don't have that experience in Los Angeles,
or if I go to a different area of Austin
and listen to the.
Speaker 5: Same kind of music and do the same kind of
drugs or whatever it is. Right, So, yes, micro dosing
is being encouraged, like recreational drugs are being legalized. And
also in some of these areas downtowns, there's some weird
fucking towers that aren't exactly five G towers, Like we
don't know what these things are broadcasting. Also some areas
of Austin, and especially in an.
Speaker 4: Area where a lot of these people have gone missing,
there's those weird purple lights in that corridor of downtown.
There are videos of some of the people who eventually
ended up going missing and either not being found or
being found dead. Where you see that walking away from
Rainy Street. One of the names that they give the
serial killers, the Rainy Street Ripper.
Speaker 5: Right, you see them leaving a bar and walking and
seeming like they're talking to.
Speaker 4: Someone, but there's no one there. Well, what if they're
seeing someone? Right, Like, what if what if.
Speaker 5: They're seeing someone and that someone is luring them towards
the lake, either with nefarious intent or they're like just
walking with that person, but that person is like either
literally not real or sort of like there's a blending
of dimension or something like that.
Speaker 4: Right. And you know if you go like looking.
Speaker 5: Into some of the corporations, and you know, Austin is
a place where technology and like militarized operations come together
pretty efficiently, right.
Speaker 4: And you know, there's.
Speaker 5: Theories out there that the whoever's doing these killings is
like part of some like weird you know, military cult
or there's all these different theories. But to me, it
keeps coming back to the fact that this area of
Austin has a natural phenomena being either some sort of
interdimensional or temporal gait or portal or something, right, and
that there is technology at play in downtown Austin that
has turned it into on some level a gamified environment.
Speaker 2: So I was driving on the Term Pike the other
day with my wife and we have a lot of
those purple lights here in Florida, And the explanation that
they gave for it is that there was a defect
from the supplier, allegedly. But it's interesting because the color
purple is a non spectral color, and I've done the
alchemy of the color purple. You have Hans Blue, Hans Purple,
where I contemplated the concept of perhaps some sort of
consciousness transference technology in some sort of way. And what
we were saying about the color purple real quick about
seeing things that aren't there, right, we think about imaginary friends.
We think about kids who see things that aren't there
because perhaps right the concept of their skull hasn't united together.
You have the trephanation and the idea of having more
oxygen to your brain. Well, this movie just recently came
out and I've been meaning to see because I believe
it's on Netflix, and I wanted to see it with
my kids, but my wife was kind of weeded out
by it, and she was like, Oh, are you gonna
watch that with them? So I never did. But It's
a Harold and the Purple Crayon. Everything he draws is
about to get real, and it's literally about this guy
who has a magic A young boy her lives inside
a book. His magic purple crayon can make anything come
to life, including a strange moose and porcupine who he
spends time with. Now an adult, hild continues to take
adventures one day that they just want to remind everyone.
Make sure to check out the show on Patreon, Patreon
dot com, slash the Juan on one podcast. I constantly
get emails. Oh only one episode a week. Yeah, one
episode a week for the public, but for as little
as five bucks a month, you can get up to two,
sometimes three, sometimes one episode per day on the Patreon
as well as on the YouTube channel as a member
for as little as five dollars and there's also on
the Patreon over two hundred and fifty episodes only found
on there. There's an extensive backlog of episodes, so check
that out if for those interested. For those asking, make
sure to follow the show on YouTube Juanjan podcast also
Wanajuan Media. I am going live every Tuesday on there streaming.
I also go live on twitch dot TV Slash one
on Juan podcast, so make sure to check me out
on there Tuesday's six pm Eastern and make sure to
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Owners Manual All that Good Stuff at tj ojp dot com.
Can pick up your copies there or go over to
the cofi I'm on Facebook, Twitch, kick Rumble all that
Good Stuff you know where to find it and enjoy
this episode.
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Speaker 2: Narator, whom Harold refers to as old Man right almost
like this Skydaddy type of thing, mysteriously disappears. Determined to
find him, Harold draws a door to the real world,
followed by Moose. In the real world, herald and a
now human moose look for the old man whom Harold
believes is his father. So what an interesting concept, right?
Speaker 5: So I think the things that we think people are
seeing that aren't really there. I think they're really there,
we just can't see them, right, And I think that
some And this is where we start to cross paths
with the way that they've pathologized this skill and called
it schizophrenia or a neurological disorder. That I see it
now at this point as like the entirety of our
environment whatever, if you think we live in uh under affirment,
if you think space exists, if you think space is
fake and gay, whatever, it is, the whole area. Everything
is packed with information, and some of us have different
ways of decoding light, like sort of processing light that
allow us to see different bands of it. And some
of this has to do with our eyes, and some
of it has to do with our metabolism and our genetics,
all different kinds of things. But the environment is literally
packed with information, and we are tuned into very thin
bands of it. Some people have a more flexible range.
Some people can keep track of all of that, and
others don't or aren't able to and the ones that
don't seem to be able to prioritize the sort of
things into the proper dimensional order get called schizophrenic or
bipolar or whatever it is.
Speaker 4: Right.
Speaker 5: But you said Hans blue and Hans purple, right, So
literally these pigments tyree in blue right. Almand Hillman calls
the drug that people were taking in the Ellusinian mystery
the burning purple.
Speaker 4: Right.
Speaker 5: So this is something that's like being applied to their
eyes so that they can see and be.
Speaker 4: Regenerated or whatever it is. Some people have this inside
their eyes. It's part of the pigmentation.
Speaker 5: They have something that equals that band so they'll be
able to see it naturally. And it's called cryptochromes. It's
in bird's eyes as well. Don't look just look up
cryptochromes in the eye. Like Alison mcdowllas sent me an
article about birds that use these cryptochromes to locate things, right,
by absorbing proteins in the eye that play a role
in circadium rhythm and magnetic field sensing. There's also lipid
deposits in the eyes that have a correlation with schizophrenia,
and they are unsure whether schizophrenia causes the lipid deposits,
or whether the lipid deposits quote cause schizophrenia.
Speaker 4: I think it's probably neither.
Speaker 5: I think they're just related, and that the people who
have these lipid deposits and these cryptochromes can see the.
Speaker 4: Other shit and the other people can't. But it doesn't
mean it's not there, right.
Speaker 5: And instead of you know, helping these people to be
able to differentiate between what everyone else can see and
not see versus what all the things you see, they
just give them drugs and send them to a mental
institution and whatever it is. But the things they're seeing
are consistent, and there they're talking about the same shit
all the time. They're not like telling one story one
day and a different story another day.
Speaker 4: Like you have these people that like, I mean, have
you ever listened to like some of the people that
we call crazy, And what they're talking about, they're talking
about the same shit you and I are talking about it.
They're just doing it on the street corner and alien
top of their lungs, and we're doing it on fucking
Patreon for five dollars a month.
Speaker 2: It's true, were the same?
Speaker 6: Yeah, uh so okay, but these like we process light
differently based on what is inside of our eyes, or
maybe this.
Speaker 5: Gets into pineal gland and they're being like a crystal
in there or some sort of you know, optical device type.
Speaker 4: Of thing in there. This also gets into like weirdly
like metabolism and the way your organs process information and
nutrients and minerals and all kinds of weird stuff. But
what layers of the code you're able to see or
to make sense of seem to be correlated to these ideas.
Right here, there is one place in Austin that has
those purple lights, and it's right in the corridor where
the most amount of the people have gone missing.
Speaker 2: So if we go back and look at the etymology
of schizophrenia, it's literally a splitting of the mind from
German schizophreni or coined by Swiss psychiatrist Eugene Buehler Bleueler,
Bueler right, Bueler, Yeah, right, I have blue from Latini's
form of Greek schision to split. So it's literally heart
in my friend heart mind. So literally schizoid resembling schizophrenia
but less severe from nineteen twenty five and and then
it comes here, so you're literally, right, So you're speaking
about the eye, which I never heard about this before.
So I mean, use your imagination when it comes to
any of this. Sometimes seeing is not always believing, but
sometimes it is, right. I mean that that's that's the thing,
because when you speak about any conspiracy or anything, it's like,
oh what, what what will it take for you to believe?
It's like, I got to see it myself. Well, but
then when you get it on video or something nowadays,
they'll be like, oh, that's a deep fake or something
or other. You can't that can't be trusted.
Speaker 5: Right, So maybe this is a good place to pivot
into what else we're going to talk about, which is,
you know, some of your idea about the imagine old
theater and whatnot. When I was listening to your video,
you brought up something called a perspective glass, right, that
you had these guys who were trying to use this
perspective glass or a perspective lens, right in order to
more accurately reconstruct or rediagram the globe theater, right.
Speaker 2: Yeah, the most famous theater and right, and speaking of
William Shakespeare because this kind of ties into this phrase
kind of takes on a different meaning when you're when
we're talking about all this stuff right to be or
not to be? And right, Hamlet contemplates death and suicide.
But think how that links into all the stuff that
we've been talking about. Yeah, right, where? And I'm not
saying do any of this stuff just for the sake
of conversation, right, some people feel out of place, blah
blah blah. Could you know, I'm just thinking outside the
box when it comes to this sort of thing. But
to be or not to be takes on a whole
different meaning for me. And it has to do with right,
William Shakespeare and the Globe Theater, one of the most
famous theaters. But hey, there's one caveat. We don't have
any of the drawings, we don't have any of the records,
and we've guessed as to what it looked like based
on two drawings of skylines. Okay, based on two different
drawings of skylines. They have reconstructed the Globe Theater, which
we don't know if it ever existed. And I did contemplate.
I said, hey, you know, I actually got a comment
about this recently. I think it was today. I'm going
to look at it now. Where I was like you know,
and that's when I presented the aspect of it being
imaginal and not ever really being real and whatever it was,
because it was it's just so bizarre what they were doing.
They were having like these battles because they were doing
private plays behind closed doors. Who were they doing the
place for? Why were they battling each other as to
who could build the biggest theater, the baddest theater, the
x y z and em Pythagoreaan palaces? Right, it's a
war of the homunculi, because the batter of your building,
the more doors or the more windows, or the more
rooms or the more whatever, showed your power. Right that
the buildings were their homuncula. I mean, that's history. They
called it their homunculi. So they have these, in my opinion,
these supernatural and if you think of the what they
call them Thespians, you know, and all this community. So
let me read that that the comment that I got,
because it plays directly into this here of what we're
talking about. Let me see how I can find it. Anyways, continue,
I'll find it here.
Speaker 4: Okay. So around the time you were talking about that
in your video, though, you also brought up these perspective glasses, right,
Like what if they were using these glasses to sort
of either peer into another version of.
Speaker 5: The same place, maybe at a different time or on
a different dimension, or to look at to intentionally offered
a different perspective, Like you know, when you see in
those glasses.
Speaker 4: They're like red orange.
Speaker 5: They come a whole set of different colors, and with
each one you can see sort of different features of
the environment or more highlighted.
Speaker 4: Some people like where those red goggles to look for UFOs.
Speaker 5: Or whatever it is, Right, you can see things with
certain lenses that you can't see with other lenses. It's
true about cameras, right, So when they were talking about
this device, this perspective glass that they were using to
do this, like you know, a it would be really
interesting if some people's eyes do that naturally, or if
you can train your eyes to do that. Of course,
there's always devices. I'm going to offer you a little
tease here of you know where I'm going to be
going with the great work I told you about, But
I'm going to be taking a look at the subprojects
of mk Ultra one hundred and forty nine known ones
with documents from a completely different perspective, like just completely
back away from all the stories we already know about
it and go into it with like what else could
be true about the same sets of information?
Speaker 4: Right?
Speaker 5: And one of the things that I discovered one day
as I've been prepping myself for this and whatnot, and
I was actually just looking at it again yesterday, so
I remembered the exact same like term here.
Speaker 4: One project, one of the projects. Listen to this, tell
me what this sounds like?
Speaker 2: Oh the way the comment is gone?
Speaker 4: So okay. Services related to certain physical studies which are
required to develop effective materials which will influence the central
nervous system. The project also supported studies on the optical
rotary power of solid and liquid crystals.
Speaker 5: What sounds like they were trying to build some sort
of perspective.
Speaker 2: Glass, like the Dark Crystal movie. You've ever seen that movie?
Speaker 4: I haven't seen that movie, but a lot of people
bring it up all the time.
Speaker 2: I think it was purple too.
Speaker 4: And when I'm mistaken, right, you know, I don't know,
like what.
Speaker 5: I spent a lot of time looking into sonics and
optics and sound and light and all this kind of stuff,
and there's all kinds of weird lenses and crystals and
optical devices and things like that.
Speaker 2: There you go, because I think Netflix just did revample
this one recently interesting and yeah, interesting movie right too.
And it's got that purple ish glo. It's got like
the weird looking just like the burning purple exactly. So
I think that the purple is a it's a key
to write the purple portal. And so, yeah, the dark
Crystal Age of Resistance, like it's all purple looking here.
And you got the architecture too, which plays a role
into that. And I think right that the the so
was by Netflix. Yeah, the concept of like whenever you'd
hear HP Lovecraft talk about non Euclidean architecture, right, And
whenever I think of like non Euclidean architecture, I think
of like these alien worlds of some sort, right, because
he you know, he's speaking of like, oh, I see
this angle that's up tuce but not quite in an
acute angle that's not quite there, and it feels like
it's like like inception, it's it's all moving together. And
I recently had had a dream where in the dream
I was told that when you read something, it changes,
and in this dream I read, so I was on
it was weird. Was on you know, like fun spot
where you have like those the kids go carts that
are on a track. They can't get off the track
and they're just like kind of slammering. So it was
like kind of like that, but we were on like
these little four wheelers and I was on the four wheeler,
and on the four wheel like any any ATV, there's
usually a sticker on there that says like no off
road or anything like you can't operate this on a
public way. And in this dream, I remember looking up
looking down at the side of it and I saw
the sticker where it said limited limited to fifteen miles
per hour one second. And then when I read it
again because I'm I found myself like, oh, I'm reading
in my dream like I could. I was like, I
got to read it again. When I went to go
read it again, it looked like like Mandalorian, like kind
of a Nochian type of way, like it shifted in
front of it was like liquid in front of me,
and it changed and I couldn't read it again. And
it reminds me of like that one time that I
was on mushrooms and my keyboard. When I looked down
at my keyboard, my keyboard number one I had, I
had six fingers in each hand. So every time I
would look at my hands, i'd see a six finger
and I'd be like, well, you know what's going on.
I was freaking out and I looked at I would
look at my keyboard, and my keyboard was endless. Like
my keyboard every time I looked at it, it's like
I had. It was like I was zooming in and
I could look all the way this way and it
was all keys, and then I could I would freak
out go back, and then as soon as I would
look at it again, I'd kind of zoom in and
look all the way that way, and my keyboard was endless,
and all the keys were like alien like. They were
like you know Promethean where the Prometheus way Alien movie
where it's like all this weird symbols. It was like
that for me, and I was I was freaking out.
I was like, what is all this? You know, like
I couldn't figure it out?
Speaker 4: All right, couple of things if this is making me
think is out. So first of all, you say you
saw like a sixth finger. This is when you were
on Mushrooms, right. Yeah, Okay, so I was telling you
about that club where when I go there and I'm
on mushrooms, like I see extra features on people like people, right,
So that sounds kind of like that.
Speaker 5: And then your your extra sort of keyboard and the
fact that it's like endlessly long, I think, is you know,
sort of some kind of idea that like that there,
And you said that something about it being a Nochian Well,
a Nookian.
Speaker 4: Chest is when you take the game off the board.
Speaker 5: So when the music continues past the normal keys, or
when the characters are past the normal keys, right, it's
like taking everything out of the confined space.
Speaker 4: You normally do that in and move it over. The
other thing I'm thinking about is when you there's a
book called The Keys of Eoch. I don't know if
you've ever read it. Probably it proposes some interesting ideas.
Speaker 5: But my friend Danny Goehler, who we talked about when
you were on my show a few weeks ago, the
guy with the d MT and laser, right, he when
the way he describes the code is not completely unlike that, right,
And I think that you know, he's basically saying you
put a small dose of DMT and you shine this
red diffracted laser at a surface, and you will see
this code. Well, what would happen if you did a
different dose or a different drug, or you used a
different kind of light or a different kind of optical device.
Speaker 4: Would you see.
Speaker 5: Like another version like whatever that code says, whatever those
codes mean, would you see the thing that it means?
Like if the code says the dog is brown, would
you see a brown dog.
Speaker 4: There on a different drug or with a different light
or whatever? It is? Right? You know, And just this
back to what I was telling you about everything being
full of information, and it's just are we able.
Speaker 5: To see it? And if we see it, what are
we perceiving it as?
Speaker 4: Right? Did you watch that movie, the chess movie, The
Queen's Gambit, Yeah.
Speaker 2: Where she could see the series where she could see
in the on the ceiling she was taking what was
adderall or something? She was taking something.
Speaker 5: She was taking her game off of the board and
into her real life, which is what Anocchian chess actually is, right,
And she was using this ability for her to externalize
this sort of mental game of chess to help her
figure out ways to like strategize with extra space and
room and then bring that back into her game.
Speaker 2: That's the imaginal theater. That's the that's the memory theater
where you use it to train, you use it as
a form of It's a mental gym essentially, is what
it is. And I think that that has a lot
to do with the mysteries, and that kind of sort
of hint at the mysteries, right because chess is the
black and white, it's the you know, the game of
thrones if you will, where you're going back and forth.
And I think that right when you when you enter
a noki and chess, it's been described as that when
you play in nocchi and chess, if you stare at
the board for too long, that you will start to hallucinate.
You will start to see things that aren't there. And
I think it was Mather's the ones that played it
where he would play with a specter or a ghost
that was his partner.
Speaker 4: Have you ever? It works. You can do it not
in the water, but it works better like in the
hot bath or the hot shower or the jacuzzi. Rubbed
your eyes hard and then watch visuals on the back
your eyes.
Speaker 2: My wife hates it because I always rubbed my eyes
really heart and it makes like this squishing sound. She
hates that I do that, But yeah, you can rub
your eyes and see another dimension, right, Okay, So for.
Speaker 5: Me, it always is a checkerboard floor, and then it
goes into the most saturated psychedelic color visions of like
other stuff.
Speaker 4: Right.
Speaker 5: There's actually a some people I go here at parties,
like a group they're called like it's like a group
of DJs. They call themselves Desert Hearts, but all of
their flyers look exactly.
Speaker 4: Like the shit I see when I rub the back
of my eyes if I'm in hot water, especially right, So.
Speaker 5: They know about it too, right, and they're just good
at creating the graphic designs for that kind of thing.
But there's something about, you know, there's the dark, Like
there's the color spectrum from the like dark mode, and
there's a color spectrum from the light mode, and it
sort of renders the colors slightly differently. Right, Sometimes when
I eat mushrooms and I close my eyes, I'm getting
like light mode, which is like white with saturated colors
on it, And other times I get dark mode, so
black with saturated colors on it, and the trips have
distinctly different sort of feelings and vibes to them based
upon whether it's in black mode or light mode.
Speaker 2: Right, So I have something for you, and it's it's
relevant because you mentioned the matrix and the numbers never lie, Emily,
and the matrix equals thirty one in Jamatria and listen, listen,
So the number the matrix, the matrix equals thirty one,
and the numbers never lie because you know what also
equals thirty one. Faking gay also equals thirty one. Therefore
the matrix is faking gay. So again, that's just what
the numbers say. I'm not making this up. This is
you gotta listen to the numbers and the numbers never lie.
But you know, I think that there is something to
even right rubbing your own eyes to see this other realm?
I mean what that that could have been a rich
And doctors always tell you not to do that, right,
They tell you like, oh, that's bad for your eyes.
You know, you could permanent damage your eyes. I'm maybe
you can't, like who knows, maybe you can damage the
ducks and allever. But usually the stuff they tell you
not to do, it's for a reason. Now, I'm not saying,
you know, rub your eyes violently to enter another dimension.
I'm not saying that, But I'm just saying, like, similar
to how they're talking about Ladybird Lake. Hey, you can't
go swimming in there, you know, since the nineteen sixties
because there's a daily bacter. But you can go paddle
boarding on Lady Bird Lake, right, What what difference does
it make?
Speaker 5: Also, like you fall in and you get back up
on your paddle board, you don't go home with the
deadly bacteria.
Speaker 4: Right. So the whole thing is crazy. The let's because
I know you have a tight timing. I want to
talk a little bit about this imaginal Theater and the
Globe Theater and the Memory Palace, ask of it and
all this kind of stuff.
Speaker 5: Okay, So first of all, my birthday is the same
day that the original Globe Theater burned, right, And it
was weird to I was having a zoom chat with
Alison McDowell.
Speaker 4: I don't know if you know who she is.
Speaker 2: I've heard that before.
Speaker 4: Yeah, she has a researcher and whatnot. We were just
having a friend's chat.
Speaker 5: We weren't doing a show, and I was telling her
about what you and I were going to talk about
a little bit tonight, right, And within the same conversation,
she brings up someone who is.
Speaker 4: Sort of tangentially related to what.
Speaker 5: You and I are talking about, but from a completely
different perspective, which is hers, and his birthday is also
June twenty ninth, right, So I'm coming on here with you.
We discover that the GLO Original Globe Theater burned on
June twenty ninth.
Speaker 4: Someone she's bringing up the central to the story. She
was trying to tell me.
Speaker 5: Their birthday is also June twenty ninth, and it was
a similar kind of thing we she and I were
getting in.
Speaker 2: But I don't think let me add one warn there,
because William Shakespeare died on April twenty third, which is
also my birthday, and the Cattle Lake episodeisode one of
the dates of the that I pulled up on it
was one of the dates I think was like my birthday,
and then the other date I think that the person
died was the birthday of my co host on that episode.
So it was like we had like a double boom boom.
He's like, that's my birthday, and I'm like, you know
this is my birthday, So I thought this is weird.
He's like, well, the day the other day is my birthday.
So we had like a weird like synchronosity there.
Speaker 4: But yeah, okay, so uh. I don't think the globe
theater ever existed in the way people think of theaters existing.
I think the globe theater.
Speaker 2: Is a.
Speaker 4: Congregation that meets outside.
Speaker 5: Of the normal rules of space and time as the
average person understands them.
Speaker 4: And it is.
Speaker 5: It has to do with geometry, it has to do
with sound, it has to do with perspective, it has
to do with the elements, and it has to do
with the archetypical nature of the characters of the play.
And this still happens, right, And there's other ways to
achieve this. And I think some of the experiences that
I've been having at parties since about the mid two thousands,
maybe before that, but but I didn't notice it before
I didn't have the eyes to see, right, is.
Speaker 4: Something like this. It's like, this doesn't happen at every party, right,
but it's happened enough times that I will be at
the party.
Speaker 5: It has to be a really good sound system, right,
it has to be a fairly specific kind of music
and environment. I have to be in a specific sort
of state in mind and condition, and something will happen
where like.
Speaker 4: I end up in this same place that I've been.
I've been in this place dating back to two thousand
and eight about where it seems like I am kind
of It's not like.
Speaker 5: I travel like I feel like I go somewhere, it's
like suddenly the room becomes something else, and you know,
it's maybe like either a different set of people are
kind of there, or I can see the people that
are there from in a different light, like they look
like someone else, and all the people they look like
are what we would consider archetypes, right, And I've been
seeing some of these same people in this place for
more than ten, twelve, fourteen years now when I go
to parties, and there's this feeling to it that never changes, right,
like it feels exactly the same. It could happened to
me at the party where I saw the glowing thing
that I told you for a little bit, and it
hadn't really.
Speaker 4: Happens to me in that way in a long enough
time that I thought like whatever that was was over,
But like the way that it happened, it was like
I was right back to that thing that I thought
was never going to happen again, and all the same
things that ever happened there were happening again, right. And
when I'm in that space, I see people who are
like I mean trying to make sure I describe it
in a way that I actually mean, that are like
they look like famous people. And part of the reason
we have that famous people are famous is because they're
archetypical in their nature, Like they bring up certain like
feelings in people. They look like someone from history.
Speaker 5: Oftentimes they'll look like whether it was a real or
fable god or character from sort of ancient history or
antiquity or whatever it is. And sometimes I really think
I'm looking at the famous person, or I'm recognizing that
somebody looks like a famous person and I had never.
Speaker 4: Noticed that about them before. But once I see it
in that space, then when I see them in the
regular world, if by like, oh yeah, I can see
now there's something archetypical in them that I had not noticed.
And when I saw them sort of in that space,
that part of their character sort of came out.
Speaker 5: And I think it has to do with sematics. Right,
This never happens to me at parties that have a
less than adequate sound system.
Speaker 4: Right. Obviously, most of the buildings that I'm going to parties,
and though not all of them, I've been to some
parties in really interesting buildings. They're just like warehouses. They're
just plain boxes. But if I look at the ceiling sometimes,
or if I look at the scaffolding that the rigs for.
Speaker 5: The lighting and the lasers and the optical shows and stuff,
the scaffolding is in the kind of geometric design and
proportions that would be equal to some of the architecture.
Speaker 4: And this is just about sort of marking out proportion. Right,
Some of these lighting.
Speaker 5: Shows are pretty interesting in the technology that's being displayed
and the ways it can make certain things look right.
I'm sure that there are other I'm sure this happens
with music, with acting, probably with comedy. I'm sure there's
technological ways of doing it. But I feel like there
is this ability to create, just like I was talking
about in that show that I sent you, Right, you
can create a space to meet up outside of time,
opening up space outside of linear time.
Speaker 4: You can go and go.
Speaker 5: And you can be there and you can sort of
contribute to that ongoing project, whatever that is, whether it's
a play, whether it's an art gallery, whether it's a symphony,
whether it's a building.
Speaker 4: Right. And this is sort of the nature of all
of these complexities or really interesting things that we don't
quite seem to understand. How it makes sense in the
way we.
Speaker 5: Perceive space and time now, right, And I think it
has to do with vibration and elements, right, And like
what what you are?
Speaker 4: What elements? What like? And I'm talking about elements from
the periodic table. I'm not really talking about earth, wind,
firewater or whatever it is, right, And what shapes these
things make, what archetypes they're associated with, how they adhere
when they're being vibrated into place, and what causes them
to sort of vent, like what makes them materialize and
de materialize.
Speaker 5: I think there are temporary vibrational realities that materialize and
de materialize, and more and more people are figuring out.
Speaker 4: How to do this, right everyone.
Speaker 5: People are using different techniques, some of them spirituals, some
of the metaphysicals, some of the mathematical, some of them technological,
some of them scientific. Right, all this kind of stuff,
and this is you know, part of why we're experiencing
some of the chaos we are, and also what really
what all of the secrecy is about. The secrecy and
the weird stuff that you know, the circus show that
they give.
Speaker 4: Us is to keep us.
Speaker 5: Focused on this sort of linear three D reality and
not paying attention to the Swiss cheese that's all around us.
Speaker 2: And speaking of Atlas Shrugged, I guess I haven't been
able to confirm this, but Elon Musk said very appealion
over a sophomore in college. It's a counterpoint to communism
and useful as such, but should be tempered with kindness
and twenty books Tesla Ceo Elon must wants you to read,
and of course this was November nineteen, twenty twenty two.
But yeah, you're absolutely right. I think that there is
something to like the White Brotherhood type of thing. Yeah,
where it's like these people again, the initiated that know
how to get there will meet up and it's almost
like the builde Berg or whatever they ca where, but
it's like a more esoteric version of that where they're
now meeting on this plane of existence.
Speaker 5: It's multi dimensional and omnidirectional. How you can access it
I also think that there's like a secret society that's
called something like the Secret Spectral Order or something like
that that I'm pretty sure I've heard of something like that,
Brotherhood of the Spectral Order or something.
Speaker 4: I've heard of it a couple of times in the
last year. I haven't had a chance to dig into it.
I could be combining two separate ideas. If I'm doing that,
I'm not doing it intentionally.
Speaker 2: The spectral order organization in Luxegnore is that? Uh, I
think that's from I think that's from a book. Yeah,
that's from a book. Yeah, it's from a book.
Speaker 5: From Spectral Order is the lights and the family of
deviated rays that emerge after diffraction at the grading exhibit
pronounced maxima along well defined and innumerable directions on each
side of an undeviated beam. The integers that distinguish these
directions mark the so called spectral order. That sounds a
lot like what we've been talking about here tonight.
Speaker 2: About to say something crazy, say something crazy, so because
this came up on my timeline today and for a second,
even though atomic bomb equals thirty one as well, Yeah,
check this out because this is really interesting. You're talking
about stepping into other realms? How to step into other realms?
Technology two step into the realms three letter agencies or
governmental entities using experimental technologies on unwilling participants to achieve
an end goal of some sort. Right, what if for
one second, all right, check this out because I found
this really interesting. It's gonna be crazy. I know it's
gonna it's gonna sound ridiculous, like it's it's.
Speaker 4: I specialize in ridiculous.
Speaker 2: This is gonna be kind of retarded. I'm just gonna
say this right now. Okay, but check this out because
one of the interesting things that I saw were paintings
that the atomic bombs UH survivors had painted. Okay, and
some of the drawings are otherworldly. So I speculated that
what if, okay, for one second, right, what if the
right the atomic bomb isn't what they've told us we've
gone down that rabbit hole or the nuclear bomb or
whatever it is. But what if these people were suscepted
to some sort of intradimensional technology that the right so
flash at the inside, I saw a light like a rainbow.
This is August sixth, nineteenth, nineteen forty five, age twenty
at the time, of bombing fortnite at the age of drawing.
And it's very dark some of these drawings. Right, they're
talking about a mother finding as there were maggots on
her face, finding a place to bury her her dead
baby on her back. Right, she had to go somewhere,
she was trying to cremate it, and she had to
go very far to find would But I thought, for
myself for one second, these people were seeing things out
of this world. What if again, this is something that happening.
And if you think about it really quickly, if you
think about it, how Japan is kind of you know,
grown men liking hello, kitty.
Speaker 4: Very murkami.
Speaker 2: Yeah, and I'm not saying this in a in a
bad way, but very feminine in some sort of way, right,
Like you don't really think Japanese people And I know
this because my wife is half Japanese. Japanese people are
very people pleasers, right. They kind of and I don't
want to say this in any sort of bad way,
but they kind of don't have a They don't stand
up for themselves, right, Like they're very like, oh, okay,
I'm sorry. You a very gentle, very quiet people. And again,
my wife's half Japanese, and her family is full blown Japanese,
like her uncle's like mister Minoki, like full blown, like
you know, wax on, wax off, wax on, wax off.
But I thought for that for one second right here, though,
three days later the burn bodies and the fire cistern
had turned red like demons. I instinctly turned away, and
I'm like, what if this is like like doom, right
when we open up a port and all the demons
come pouring in.
Speaker 5: Yep. I mean, I think that that is definitely to
the extent, like we're not making any claims about the
existence or danger or whatever of any of these things, right,
But I think that everything around the concept of sort
of atomic or nuclear power has a lot to do
with the different worlds, the different realities, and blending them
or blowing them apart. When I say one on a part,
I don't necessarily mean literally with the bomb, but like
you have a world, and if you separate it into
like fractals, right, or if you have many worlds then
you join them into one, right.
Speaker 4: I think it's really about something you know like that
and this Okay, So what you were talking in your
video about the battles between we're gonna build the biggest
building and the baddest building.
Speaker 5: We're gonna do a better play. Our play is gonna
be better than yours. Our players, our actors or whatever
it is, right, and each habit. It's like the different
theater groups are kind of like the different cults that
existed in antiquity, or in my case.
Speaker 4: Like the different groups that throw parties. There's all of
these different collectives that throw parties, and each one have
their own sort of style, their own sound, their own aesthetic. Right,
they're all operating mostly.
Speaker 5: I go to parties in Los Angeles at this point, right,
but sometimes they come together and they do like a
project together, and there's like a blending of this, right,
and it's like a celebration. And one of these parties
in Los Angeles that brings a bunch of groups together
is literally called reform.
Speaker 4: Like we are reforming the theater or reforming the culture.
We are reforming the group, or we are reforming the
religion or the right, the ceremony, the ritual, or whatever
it is. Right, let me see if this works.
Speaker 5: To show you a regular screen on my computer, because
I want to show you the they.
Speaker 2: Don't want us to know the truth, so it's probably
not gonna work.
Speaker 4: I know, let's see.
Speaker 2: Well yeah, I mean again, this is like way out
of the box. But when I was looking at that
today and reading the descriptions, I'm like, this is like
Dante's Inferno, the way that these people are describing this,
the rivers of blood and all this other stuff, And
it's like I was there to experience that, and a
lot of the people did perish from the thing that happened. Son,
you know, how would we really know what happened truly?
Speaker 4: Right?
Speaker 2: And it could have been some sort of They said
it was one thing, and it could have been something
completely different.
Speaker 5: So weird unable to saying there's nothing is showing it
to me, and then it's saying that seeing me try
one more time select the window or screen, I'm selecting
the one I want, clicking on it.
Speaker 4: Oh new website? No, no, not I want I'm hitting
a lau it's your fucking dumb platform. Okay.
Speaker 2: The the apologize no Worries.
Speaker 4: The sigil the symbol for this event called Reform, which.
Speaker 5: They have something that hangs from behind the stage during
the show that is this.
Speaker 4: It's like a sculpture of this shape. Right, it's the
idol or the icon or the the sigil or whatever.
Speaker 5: No type in reform parties lost. Oh there it is right,
hold on, drop down, Go to the one right. It's
like red and black and there's like a white circle.
It's in the left hand side.
Speaker 4: Right there. Okay, see this weird red thing with the
geometry in it.
Speaker 2: Yeah, that's there.
Speaker 5: And you can see there's another one that's green and white.
They need different parties. They have something hanging behind the
stage that is that right there, you go the reform.
We can just see this, not that one, but that
looks like scaffolding in a building.
Speaker 4: Go to the just that black and white woman, it
says reform. It's just literally the symbol in the world.
The word. Go down from where that thing is that
you are on the picture of the picture of the
picture you're on, says necto. Roll down. There's white that
there you go. Okay. They have something that hangs behind
the stage that is right there, and that hangs behind
the DJ and when the different lasers and stuff hit it,
it starts to look like a crystal or a prism
or whatever. It is.
Speaker 5: Right, but look how it's a circle that also looks
kind of like an eye. If you did retinal mapping
of the eye, it's gonna sort of look like that.
But that also looks like when you do theater in
the round and backstage or the audience is all around
the circle that's.
Speaker 4: In the middle. Right.
Speaker 5: So these are all the different groups that are usually
in their own let's just pretend they're like churches or
whatever it is, or their own temples. When they come together,
they put them all together into this kind of thing
and create like this. This like this was a party
that I was at the last time I was in
Los Angeles where I had this kind of experience that
I had hag a while.
Speaker 4: When I think about it, like from the early days
of techno and Los Angeles, a lot of those people
had broken into separate groups, and I saw a lot
of those people on that night. They had come back together.
They had reformed the church or the theater group.
Speaker 5: Or the collective or whatever it is, right, and you know,
there was a lot of very there's stuff that if
I look at it at through like the lens of
some things I've been learning about antiquity from Amenhillman and
Gnostic informant and things like that. It looks like a
modern day version of some of these celebrations and rituals
that they used to do.
Speaker 4: Right, I can see things that they're talking about, Like
I thought they.
Speaker 5: Were kind of something else because I was coming from
the perception of the reality that I live in.
Speaker 4: But why do they look.
Speaker 5: Exactly like the things that they're describing from antiquity? Like
even the equipment, the scaffolding, the lighting, the sound equipment,
the speakers have like parts of them that literally look
like the symbols of some of these cults and the
religious icons and idols and whatever it is. I'm like,
this is the shit right here, right, all of these
these sort of temporal or dimensional, vibrationally adherent realities that
form and reform and come apart and whatever.
Speaker 4: They're being held together through sound and light.
Speaker 5: It's it's it's on some level like a combination between
altering your consciousness and an optical and audial illusion.
Speaker 2: And how do we know for a fact that these
things aren't real the things that they're showing up on
the screen?
Speaker 4: Correct? Yeah, if you look that, that's so that those
are those parties are called afterlife that use those that
kind of uh, you know, visual show.
Speaker 5: Right, there's all kinds of interesting visual shows that different
styles of music and different groups that parties are doing.
Some of them I find to be really disturbing and
others I find to be really cool, and a lot
of them are somewhere in between.
Speaker 4: Yeah.
Speaker 5: Well, if you look up like after Light, after Life,
After Life party visuals, like, you'll get like the most
amounts of.
Speaker 4: Yeah.
Speaker 5: It's like one group that really is into like molodic techno.
Speaker 2: And it makes me think of.
Speaker 4: Really the tech like.
Speaker 2: But yeah, a movie that really, like as a kid
messed me up and I couldn't sleep for like a
week was Blade and right the scene the nightclub scene
wore everyone. How you're saying, like they look different, they
look off, and then boom, it turns out that they're
actually the vampires in there.
Speaker 5: I have been to parties like the parties that I
most prefer have, like the When I get into that space,
it's like a very cool sort of futuristic.
Speaker 4: Geometric look at this ley saturated color reality. But I
have heard people who say that they have the same
experience and they end up with people in blood baths
and vampire I've never I don't. That's I don't have.
That's not really the kinds of my sort of mind
or whatever. I've had a few scary experiences during my
like really bad meth addicted days where I ended up
in some situations a party, like in an interdimensional way.
That wasn't what I would prefer, but it felt much
more related to like Matthews than it did to anything else.
It felt like that's the that's the level of that
I was vibrating at.
Speaker 5: That was the dimension that I was vibrating with, and
so that's where I ended up.
Speaker 2: Right, But who some of these are wild, wild, right.
Speaker 5: There's all kinds of interesting visual shows that are created
through different kinds of effects, and some of them are
really something to look at at the front of.
Speaker 4: The room, and others are discussed out the.
Speaker 5: Room and are intended to create almost like a double
slit experience or a hypercube type of experience, where like
you feel like you are inside of something.
Speaker 4: I've shown you that hypercube box before.
Speaker 5: I think I've been in parties where I feel like
you're inside of.
Speaker 4: That right.
Speaker 2: Inside the cube, which is part of Charles Hinton. We
talked about metating upon the cubes and you could enter
another dimension essentially. So think about this. I think that
some of these things might be real, right They everyone
likes to talk about Project Bluebeam and everything, and I
think they've already been testing this stuff out.
Speaker 5: If they weren't real to start, they're real now because
they've done this enough and they've had enough attention focused
on them, right, Like these are like eggrigors of attention
kind of thing, right that they come to life. I'm
sure some people at this party have had that ship
follow them.
Speaker 4: Home and their dreams and their knifemares and shit like that.
I'm sure you have to be very conscientious. Like I
encourage people.
Speaker 5: To have these anomalous edge experiences, but I also encourage
people to be very conscious and conscientious about how they
have them, who they have them with, where they have them,
why they have them, when they have them, and what
they do with the information after they have them. And
it's something I've had.
Speaker 4: To develop a level of discernment and get better at
over time.
Speaker 5: Right, And you know, I'm not immune to having, you know,
a weird experience that I don't like, right Like, you know,
but I figure for me, I figure I usually have
whatever experience I need to have, and then it's just
learning to work with it and manage it and whatnot.
Speaker 4: But it's because of the sound and the light, dude.
Speaker 5: It's because of the sound and the light and the
state that you are in when your consciousness meets that
stimulation that that sort of determines.
Speaker 4: Where you go, how you get there, and what you
find and then what you do with it afterwards.
Speaker 2: As the famous Nikola Tesla said, if you want to
find the secrets of the university in terms of energy,
frequency and vibration, and I think that all the stuff
that we've talked about today kind of sort of hints
at that, right that we are all vibrating at a
different frequency, we're all waters, war, all molecules that can
be reconfigured, we know all of that. What if you
know this atomic technology kind of sort of does that?
And and and how in any famous movie I think,
I mean, I'm sure that there's been movies where when
the person teleports, they they become a splatter on the
wall or something like that. Like again, just thinking about
that and all the things that we've covered today, yeah,
I'm left with more with more questions and answers. But yeah, yeah,
you have any final thoughts and what you want to
add before we get out of here.
Speaker 5: No, that's good, dude, Like take your pick of the
shows that I might like to talk about with you,
Like OA is the one that people are bringing up
from before. But I also really love any excuse to
talk about the series Dark It's a German series.
Speaker 4: But it's voiced over English at this point on Netflix,
and you don't have to understand German.
Speaker 5: And I also really like the Apple series Dark Matter,
and it should It displays a lot of technologies that
are sort of a similar or reverse engineering of some
of the experiences I'd had with Sound of the Light
of Parties. So if you would like to watch any
one of those series, I would be love to engage
those topics with.
Speaker 4: You next time.
Speaker 2: Have you ever heard I was put on this one recently?
Have you ever heard of the show.
Speaker 3: Here?
Speaker 2: Let me find it here? Show the guy from Loss.
He's doing a show called from Have you ever heard
of that show?
Speaker 4: Send me that trailer the other day?
Speaker 2: We should do that, but we have to include Rider
Lee because he's the one that showed me that a
right good.
Speaker 4: I've never met him. We can we can have a
we can do a threesome.
Speaker 2: Okay, cool, we'll do that next. We'll watch that because
he said it's crazy. He said he's passed the first
season and he's still trying to figure out what's going on.
But it's awesome. So from I'll send you. I'll send
you a link for that. And Emily, where can people
find you? Working to find your show?
Speaker 4: Emily Moyer on YouTube?
Speaker 5: And then and I'm on patre on Rothen locals search
my name, you'll find it.
Speaker 4: Thank you for having me as always one.
Speaker 5: And I got one thing to say to you when
we're off the recording and then we'll see you guys
next time.
Speaker 2: Yeah, And for five dollars a month, you can listen
to me rant Schizophrenic Rants over on patreon dot com,
Slash the one More podcast www dot TJOJP dot com.
Make sure to sign up for the emailing list Homunculus
owners Manuel all that Good Stuff YouTube membership. Listening to
this on the If you're listening to this on the
RSS feed and make sure to go check out the YouTube.
Make sure to go follow me on x I did
go live there with Mark a couple of weeks ago.
It was too hot for YouTube so you're gonna have
to check it out on there, and it's always everyone
got you on the next one. Stay safe, love each other,
and bye bye.
Speaker 4: Hi.
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