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<v Speaker 1>To Bail to Bail is here four finger Discount.

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<v Speaker 2>Dude, welcome to four figure Discount where we are doing

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<v Speaker 2>our June mail bag. I'm gonna be answering your questions

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<v Speaker 2>and discussing some Simpsons news and just some what's been

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<v Speaker 2>happening here at four finger Discount.

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<v Speaker 1>I am down it and iron guy. Nice to be here.

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<v Speaker 1>Nice to be digging deep into that mail bag. Big

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<v Speaker 1>mail bag this month. It's pretty heavy. Someone say, too big,

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<v Speaker 1>it's a little heavy. We're got to read everything. Let's

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<v Speaker 1>find out.

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<v Speaker 2>Let's find out. Yeah, how are you doing, sir?

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<v Speaker 1>I'm good? A little chili.

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<v Speaker 2>You mentioned last week actually that you were getting your udi?

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<v Speaker 2>Did it arrive? And do you appreciate it?

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<v Speaker 1>And a you do? You wish you got it sooner?

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<v Speaker 1>Yes on all counts, Yes, this is correct. As I

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<v Speaker 1>may have said, the algorithm was listening. I was saying, yeah,

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<v Speaker 1>I won't did the whole thing. You do it. It's

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<v Speaker 1>cold in here, must be some toros in the atmosphere.

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<v Speaker 1>I feel much better now, Okay say the line, But yes, sir,

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<v Speaker 1>the algorithm was clearly this thing. Yeah, ads were coming up.

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<v Speaker 1>Have you considered an udie which I hadn't really, I thought,

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<v Speaker 1>do I want to be walking around like home with

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<v Speaker 1>the moo moo on, except you know, a warmer version.

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<v Speaker 1>But a lot of the kids have got them. You've

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<v Speaker 1>got plenty. I low balled Dan though. We were talking

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<v Speaker 1>about Udi's the other day and he said, how many

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<v Speaker 1>do you think this was on the podcast last week?

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<v Speaker 2>Well? Yeah, okay, okay, I thought you were saying that.

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<v Speaker 2>Let the listas know we had this conversation off air. That's

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<v Speaker 2>what I thought you were employing. Oh no, no, no,

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<v Speaker 2>but you gave me seven. I was like seven, Have

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<v Speaker 2>you met me?

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<v Speaker 1>But now I understand completely because I got home. It's

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<v Speaker 1>a nice, chunky package waiting for me at the front door.

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<v Speaker 1>Open it up. It's a dooner you can wear now.

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<v Speaker 1>You were asking me, did I get a patent? One? Yeah?

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<v Speaker 2>Did you get what pattern?

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<v Speaker 1>Did you get? I think? Have you seen me? I'm

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<v Speaker 1>a fairly dull individual.

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<v Speaker 2>If I could find a north face Udi, would you

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<v Speaker 2>want it for your birthday?

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<v Speaker 1>Oh? My god, I'm a monogamous kind of fella. So

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<v Speaker 1>I've got my one, Udi? Do you think I should

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<v Speaker 1>have more than one? I'm asking to have at least two.

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<v Speaker 1>So when one goes in the wash.

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<v Speaker 2>Because one goes in the wash takes a while to

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<v Speaker 2>dry because they're thick and sounds correct, you go have

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<v Speaker 2>the backup, the backup, Woodie.

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<v Speaker 1>It's not a bad idea. Okay, well you can find

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<v Speaker 1>a north face one. No, no, don't, don't spend your

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<v Speaker 1>money on me there. But who arrived? Oh? This feels

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<v Speaker 1>like it's got some heft to it. Rip it open,

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<v Speaker 1>no pattern, just straight, sort of elegant slate gray in

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<v Speaker 1>the Guy David style. Slip it on, where have you

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<v Speaker 1>been on my life? So it was the third best

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<v Speaker 1>embrace I ever had, after my loving mother, Margaret, Mary,

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<v Speaker 1>the Lovely Louise and now Udi?

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<v Speaker 2>Have you worn it yet with nothing else on underneath? Oh?

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<v Speaker 1>My god? Is that an option?

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<v Speaker 2>It's the best wake up for in the morning. You're nude,

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<v Speaker 2>wake your udy on. It covers you down to your knees.

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<v Speaker 1>You're fine.

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<v Speaker 2>Just sounds decadent, it's so good. It's basically walking around

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<v Speaker 2>nw but you're warm, m so good. Do it nude,

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<v Speaker 2>Woodie wearing it's the way to go during winter. It

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<v Speaker 2>sounds vaguely except when you're sitting on the couch. Make

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<v Speaker 2>sure that no one's in front of you because your

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<v Speaker 2>balls are just out.

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<v Speaker 1>But you're basic instinct to up the place. But that

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<v Speaker 1>has arrived slipped. Oh yeah, I'm very very happy about that.

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<v Speaker 1>I've taken.

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<v Speaker 2>I've got a backup Homer mumu Woody. I'm considering maybe

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<v Speaker 2>a good TV birthday.

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<v Speaker 1>Well it's taking the a jopp here. So yeah, that's

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<v Speaker 1>certainly just one good thing that's happened in the world. Yes,

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<v Speaker 1>that's good. How about you? What's going on? What has been.

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<v Speaker 2>Going on since last week. I'm just in a good

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<v Speaker 2>place at the moment. I'm just happy, you know. I

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<v Speaker 2>think I know why I'm so happy today because Nicola

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<v Speaker 2>looked Rootto last night for dinner. That'll always help, always helps, indeed,

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<v Speaker 2>and the kids were I mean, I love having the

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<v Speaker 2>kids here, but sometimes it's like Nicholas looking Rosotto. I'm

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<v Speaker 2>sitting there watching Simpsons or whatever, and the world's at peace,

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<v Speaker 2>the house is quiet, no cash.

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<v Speaker 1>It on the floor. Oh and Jewish, we should tell them.

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<v Speaker 2>What happened yesterday. So you were like, should I close

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<v Speaker 2>this door? And I was like, yes, please, And because

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<v Speaker 2>the cats here are so naughty unless you close that

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<v Speaker 2>door properly, like properly close, they're going to break in.

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<v Speaker 2>So guys closed the door, but it must have been

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<v Speaker 2>like slightly opened, a skew like I was honestly of

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<v Speaker 2>the like, yeah, but it must have just whatever, whatever happened.

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<v Speaker 2>Maybe they open the door themselves. Who knows. But guy

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<v Speaker 2>walks out the door, he say see you tomorrow or whatever.

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<v Speaker 2>And then within thirty seven it was literally within thirty seconds,

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<v Speaker 2>I'm in the kitchen having drinker of water. Out here

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<v Speaker 2>bang crash bang bang bang bang. It was like three

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<v Speaker 2>or four bangs, five bangs. I thought, oh shit, I

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<v Speaker 2>thought something'd fallen down in the garage. All pass and

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<v Speaker 2>I see my doors open. My heart starts racing on going,

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<v Speaker 2>Oh my god. Those lights, those lights that were standing there,

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<v Speaker 2>now I can see that they're on their side. I

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<v Speaker 2>can see that water bottle that was on my desk,

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<v Speaker 2>it's no longer on the desk where it once was.

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<v Speaker 2>I'm like, oh no, so walk in here. The ginger

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<v Speaker 2>cat's sitting on the table like I didn't do it.

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<v Speaker 2>And there's microphones on the floor, spillboater everywhere, hard drives

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<v Speaker 2>hanging off the bench, lights everywhere. One camera's leaning against

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<v Speaker 2>the wall, here, nothing broke. Even if it did break,

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<v Speaker 2>what are you gonna do?

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<v Speaker 1>What do you know? But here's the thing. These are

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<v Speaker 1>small cats. There are big cats. These are pretty much kittens.

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<v Speaker 1>You should still you should hit.

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<v Speaker 2>Honestly, I was slightly scared the other night in bed.

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<v Speaker 2>I mean I say scared. I wasn't scared scared, but

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<v Speaker 2>I was a little bit, right, a little bit nervous.

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<v Speaker 2>I'm laying your bed and we locked the cats out.

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<v Speaker 2>We got the cats out of the bedroom. Now it's

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<v Speaker 2>just like, no, you guys, stay out there. Your trees.

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<v Speaker 2>You got everything in here, as in like cat trees,

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<v Speaker 2>that kind of stuff to sleep right your beds. You

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<v Speaker 2>have plenty of beds to sleep in, all the kids beds.

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<v Speaker 2>And then we locked them out, and the ginger one

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<v Speaker 2>is just charging at the door, just with his head.

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<v Speaker 1>I'll do that.

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<v Speaker 2>This is literally like being in a horror movie, like

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<v Speaker 2>the Shining. They're reaching under the door, all three paws

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<v Speaker 2>reaching under ship, all three doors. Okay, you may have

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<v Speaker 2>caught this on video. We may have, just you didn't

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<v Speaker 2>see the bottle. But here's the thing. I think cats

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<v Speaker 2>might be innocent. Dan nearly knocked the water bottle over himself,

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<v Speaker 2>and it's if he could knock it over with his

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<v Speaker 2>mighty fists. They're doing it vicariously. Three because I'm talking

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<v Speaker 2>about them anyway, It was that it was a visual.

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<v Speaker 2>I look up, right, I get my torch on my phone,

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<v Speaker 2>look up towards the door. There's just these three paws

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<v Speaker 2>just under the door, and one of them is like

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<v Speaker 2>boom into it, and I'm like, leave me alone. But yeah,

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<v Speaker 2>it's so three cats based all go away.

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<v Speaker 1>I did this video essay recently for Oh sorry, actually

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<v Speaker 1>I written essay this one for our friends and Umbrella Entertainment.

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<v Speaker 1>They are our friends, they are indeed our friends about well,

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<v Speaker 1>it's for a movie called Black Sheep, which is a

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<v Speaker 1>horror movie about killer sheep. Yeah, so I wrote this

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<v Speaker 1>essay about unusual animal attack movie because you know, we're

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<v Speaker 1>all used to sharks and grizzlies and you know, incredibly

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<v Speaker 1>sized snakes and all this kind of business. But yeah,

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<v Speaker 1>for a while, there's a rash of horror movies that

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<v Speaker 1>had like cats in them, and you think, but like

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<v Speaker 1>the tweet says, cats are perpetually pissed off because their

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<v Speaker 1>nature's perfect killing machine. But they weighed eight pounds and

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<v Speaker 1>we can keep picking them up and kissing them. So

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<v Speaker 1>it's like, how threatening can cats be? Even though if

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<v Speaker 1>you've been scratched by cat's like, oh god, damn man.

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<v Speaker 2>Oh yeah, I remember once the cat was scared by

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<v Speaker 2>the vacuum went to touch it and she I had

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<v Speaker 2>like twelve cuts in my hands within that space of

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<v Speaker 2>five seconds.

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<v Speaker 1>It was just it was just done. Oh yeah, it's

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<v Speaker 1>like fighting wolverine.

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<v Speaker 2>Yeah, she was just gone and it was just blood

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<v Speaker 2>everywhere I was, my hand.

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<v Speaker 1>Yeah, so yeah, I was Actually I was surprisingly able

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<v Speaker 1>to devote a large section of the piece to Yeah,

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<v Speaker 1>don't mess with cats. They are actual horror movie villains.

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<v Speaker 1>And now you've discovered this.

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<v Speaker 2>Yes, but so this month here and forthing a Disco,

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<v Speaker 2>what have we covered? We have covered any teeny mi mo.

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<v Speaker 2>We did a classic review of Kate Krusty, as voted

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<v Speaker 2>by the patrons, and we also reviewed The Good, the Sad,

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<v Speaker 2>and the Drugly both those season twenty episodes. I'm gonna

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<v Speaker 2>say good episodes on season twenty levels seasons.

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<v Speaker 1>Oh absolutely, yeah. I mean we were I think quite surprised,

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<v Speaker 1>won't we. I mean we're not we were expecting. Oh no,

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<v Speaker 1>we're in the weeds now. Yeah, but these were solid

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<v Speaker 1>on a structural levels, like oh yeah, this is yeah,

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<v Speaker 1>got a good idea and executed pretty well. But more

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<v Speaker 1>than that, it had a lot of gags. And it's like,

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<v Speaker 1>if you take this out of a season twenty and

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<v Speaker 1>you're excerted it like a season eight, yeah, you wouldn't

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<v Speaker 1>exactly be out of place.

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<v Speaker 2>I think we're talking about the John Adams John Adams, Yeah,

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<v Speaker 2>the mini series John Adams about the He wasn't a president,

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<v Speaker 2>was he.

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<v Speaker 1>I think he was one of the founding farst.

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<v Speaker 2>Yeah, yes, yeah, me Toomas Jeff Jefferson. He was hanging

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<v Speaker 2>with those guys. But yeah, but those gigs worked. I

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<v Speaker 2>think overall, so far of season twenty, I don't think

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<v Speaker 2>we've hit an era where there's been say, three or

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<v Speaker 2>four really shitty episodes in a row.

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<v Speaker 1>No, I don't think we've hit that many rough patches.

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<v Speaker 1>And maybe we're just being extreme for the ptimistic. Yeah,

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<v Speaker 1>maybe we've got our rose colored glasses on.

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<v Speaker 2>But I mean, if you're going to compare them to

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<v Speaker 2>the originals, like the Golden Era, yes they're not going

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<v Speaker 2>to be as good, but you've got to compare them

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<v Speaker 2>for the ear in which they will release that it's correct.

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<v Speaker 1>Yeah. Yeah, And you know, we're not especially negative people

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<v Speaker 1>here at the Full Finger disc and Network. We're kind

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<v Speaker 1>of optimists. We like to err on the side of

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<v Speaker 1>posital have to be you have to be oh, yes,

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<v Speaker 1>that's correct. So but no, I think I think we

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<v Speaker 1>have both been pretty pleased, certainly the quality of any

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<v Speaker 1>teeny mamo and yeah, the good the sound and the

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<v Speaker 1>drug ly. Yeah, they had their ifty parts and they

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<v Speaker 1>had their parts. Just come to expect that.

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<v Speaker 2>Now season twenty, I think, I think what I'm watching

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<v Speaker 2>these episodes Now, I go in with we always have

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<v Speaker 2>no expectations, but I just go in just expecting it

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<v Speaker 2>to not be the best and just try and find

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<v Speaker 2>some sort of positivity. By the end of it, I'm like,

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<v Speaker 2>it wasn't so bad.

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<v Speaker 1>Was it? No, it's interesting, We're going to be We

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<v Speaker 1>are a lot of good questions in the mailbag. Yeah,

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<v Speaker 1>and there's one of them that sort of semi addresses this.

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<v Speaker 1>I'll talk about it when we get to that. But

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<v Speaker 1>just to reiterate, season twenty, not so bad, so bad

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<v Speaker 1>so far.

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<v Speaker 2>Yeah, but next month from season twenty, we shall be

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<v Speaker 2>reviewing Father nos worst and Waverley Hills nine oh two.

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<v Speaker 2>One'm sure you're a fan.

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<v Speaker 1>Of that art. Oh. Absolutely, it's already a five star

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<v Speaker 1>classic based on that time alone.

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<v Speaker 2>And the the poll is now up in the Patreon group,

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<v Speaker 2>so if you want to be a part of the pole,

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<v Speaker 2>you're gonna be supporting us on Patreon. And the vote

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<v Speaker 2>is the themous party for the classic review this month.

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<v Speaker 2>And we've gone with the Boy who Knew Too Much

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<v Speaker 2>because Freddie Quimby is celebrating his party there with that chowder.

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<v Speaker 2>And we have Old Money as well because Grandpa missus

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<v Speaker 2>Bee's birthday.

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<v Speaker 1>Indeed, now then I were talking about this and I

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<v Speaker 1>think he slapped Old Money in there as a year. Yeah,

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<v Speaker 1>it's a bit of a treat to yours, truly, because

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<v Speaker 1>it is an episode that I really really love. It

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<v Speaker 1>closes out one of my favorite lines or favorite sentiments. Absolutely.

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<v Speaker 1>Having said that, listeners, if you haven't voted in the

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<v Speaker 1>pole yet, do me a favor and the quende, because look,

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<v Speaker 1>it'd be too sad otherwise if we were talking about

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<v Speaker 1>Old Money, I would just end up like it's so

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<v Speaker 1>good and no one wants to hear half an hour

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<v Speaker 1>to forty five minutes of just a middle aged man going,

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<v Speaker 1>we want to hear way just coming for resolved, think

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<v Speaker 1>that he's on me please the pun chast bes but

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<v Speaker 1>and yeah, of course you just want to hear Daniel

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<v Speaker 1>and I'm just saying shower.

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<v Speaker 2>Yes, and that's also good them yeah yeah, yeah, yeah yeah.

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<v Speaker 1>And the classes that I'm sort of wearing right now.

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<v Speaker 1>What is it? The free reallly squash of the kid. Oh,

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<v Speaker 1>what a mess. We'll talk about all this stuff when

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<v Speaker 1>we hope you hopefully talk about the Boy who Knew

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<v Speaker 1>too much.

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<v Speaker 2>Yeah, And on Patreon we shall be doing exclusive well

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<v Speaker 2>speaking of the Hills returning next month like the actual

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<v Speaker 2>King of the Hills returney, so speaking, the Hill shall

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<v Speaker 2>be returning on Patreon next month as well.

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<v Speaker 1>And we'll be doing our Towers of the.

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<v Speaker 2>Future on of course, currently doing Bob's Burgers in Future

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<v Speaker 2>Arma on podcast so on patreons. If you want to

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<v Speaker 2>check those out, you can do so by supporting us

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<v Speaker 2>on patrear.

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<v Speaker 1>Is.

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<v Speaker 2>It has cost time for the monthly shoutouts of our

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<v Speaker 2>beloved Stonecutters here at the Forefinger discat Network. We're going

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<v Speaker 2>to start with the lovely lady herself, Miss Katy G

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<v Speaker 2>with her one hundred dollars support. Thank you so much, Katie.

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<v Speaker 2>Of course, we also need to give shout outs to

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<v Speaker 2>Glen Gomez, Justin Parker, Zach Pruitt, Shanny Macker, Elliott j O'Neil,

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<v Speaker 2>Isabella Murphy, Rach Beasley, Stephen Roberts, Sean Dvi, Pete Anderson,

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<v Speaker 2>Timothy Burlson, Andrew Davis, Kevin Dental Planned, Flood, Bello Windebank,

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<v Speaker 2>Jack McFadden, Heath Applebee, Adrian McLeod, marchra Leven Ginger and

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<v Speaker 2>Pickle Preston, Murray, Talia, Enriquez, Declan Phoenix, Brian McCoy, Logan

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<v Speaker 2>b James Shepard, Joe Readin Sac, Dave Pretzels McNally, Gavin Lang,

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<v Speaker 2>Danmi Miller and Charlie Joe. Of course, you waded to

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<v Speaker 2>get shares to the following people who also joined the

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<v Speaker 2>fourth Finger discomt family another the five Dollars or the

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<v Speaker 2>eight dollar Tea in June, Ray Dude, Jada Meeks, Mea Raimie,

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<v Speaker 2>James Dunn, Andrew Pemberton, Emily Marie, Jonathan Ludwig, Carson Schuck,

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<v Speaker 2>Benjamin jaff Updwars and Swings eighty three. Thank you all

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<v Speaker 2>for being supporters of the fourth Finger discount family on Patreon.

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<v Speaker 2>Lit'sten into some mail bag questions Shallby I couldn't really

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<v Speaker 2>find much Simpson's news. There were some interviews with like

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<v Speaker 2>Matt sal when they went to some sort of convention

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<v Speaker 2>and whatnot. They're talking about how it's gonna be seventeen

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<v Speaker 2>episodes each season now are going forward. I think we're

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<v Speaker 2>pretty much touched on that last month and things like that.

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<v Speaker 2>So we'll just get into some mailbag questions. This one

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<v Speaker 2>he comes from Brandon Twitch. He says, let's say the

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<v Speaker 2>Simpsons do an episode all about podcasting, which I already have.

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<v Speaker 2>I'm pretty sure it's called podcast news.

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<v Speaker 1>Well, it sounds like that would be a bad podcast.

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<v Speaker 2>And you and Guy are brought on for a cameo role.

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<v Speaker 2>What would you want your roles to be? Well, I

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<v Speaker 2>don't think we'd play fictional characters. Do you think do

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<v Speaker 2>you think we'd play ourselves? I think we should, but

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<v Speaker 2>I think it'd be a bit of a heel turn.

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<v Speaker 2>And it's revealed that I'm actually like a really nasty,

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<v Speaker 2>bad boss who's always sort of like cracking the whip

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<v Speaker 2>on you, even though it appears that one of us

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<v Speaker 2>doesn't actually exist, it's actually an AI bot.

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<v Speaker 1>Well that's a good point. Yeah, but how do you know.

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<v Speaker 1>I'm not. I've been watching too many of those videos

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<v Speaker 1>and listen to too many of those podcasts with the

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<v Speaker 1>whole prompt theory nonsense and everything like that. We're just

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<v Speaker 1>laboring under this mass illusion the moment brains are getting rewired.

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<v Speaker 1>It's very weird, very weird time to be alive. But yeah,

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<v Speaker 1>I think it'd be good if I.

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<v Speaker 2>Yes, well, let's look at podcast news and see what

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<v Speaker 2>the story was. Don I'm pretty sure I've saw the

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<v Speaker 2>title podcast News. I haven't watched it yet. You think

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<v Speaker 2>I would have, wouldn't You would think so, But you

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<v Speaker 2>gotta on your plate Podcast News, Yes not. Season thirty two,

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<v Speaker 2>Episode six, Margin Lisa get addicted to True Crime podcast.

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<v Speaker 2>Grandpa's accused of a crime camp. Brockman questions his career.

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<v Speaker 2>So margin Lesa get did it to true crime podcast?

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<v Speaker 2>Because everyone's added the True crime podcast?

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<v Speaker 1>Yeah, thirty two, So, oh my goodness, how long there

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<v Speaker 1>were that? That was?

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<v Speaker 2>That's four seasons ago, four years ago. Now, isn't that

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<v Speaker 2>in the same season thirty two? You think it's now? No,

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<v Speaker 2>it's four years ago.

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<v Speaker 1>What. Yeah, I'm trying to remember. Do you remember or

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<v Speaker 1>have you heard of the podcast Cereal?

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<v Speaker 2>Yeah?

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<v Speaker 1>Yeah, yeah, I mean remember that was huge, and that's

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<v Speaker 1>sort of I don't think it kicked off the true

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<v Speaker 1>crime podcast thing, but it really was kind of an

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<v Speaker 1>apex for it when it was like, hey, everyone's like me, Hey,

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<v Speaker 1>have you heard about Cereal? Yeah? Loop, So actually I

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<v Speaker 1>think Cereal's probably before that, but yeah, since it's sort

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<v Speaker 1>of maybe a little bit late to.

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<v Speaker 2>That way without just capitalizing on the fact that everyone

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<v Speaker 2>listened to True crime pot.

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<v Speaker 1>But yeah, it sounds nice that that maybe Grandpa's folded

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<v Speaker 1>into that. And of course Ken Brockton like, okay, that's

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<v Speaker 1>just then I'm out of a job.

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<v Speaker 2>Us feel like Forming a discount in the Simpsons universe

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<v Speaker 2>could actually be a crime podcast because it's about stealing.

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<v Speaker 2>Because we're just folling a discount's about stealing things. Well,

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<v Speaker 2>that's great, that's what it's named for. So it could

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<v Speaker 2>literally be a true crime podcast. Forming a discount in

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<v Speaker 2>the Simpsons universe.

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<v Speaker 1>Okay, so we've rock into town and we're investigating the

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<v Speaker 1>crime nature of Springfield. Yeah, okay, they not bad either.

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<v Speaker 1>That or we replace Bill and Marty or you know

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<v Speaker 1>it's a steel cage in the radio.

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<v Speaker 2>Yeah, like radio has got a future.

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<v Speaker 1>This is growth industry.

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<v Speaker 2>But thank you for the question of Brandon. By the way, guys,

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<v Speaker 2>if you do want to get in touch for next

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<v Speaker 2>month's mail bag, it's just mail bag at fourfing a

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<v Speaker 2>discount dot com dot au. Next one hears from Mark Mason.

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<v Speaker 2>Mark says, should the Simpsons have ended at its peak,

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<v Speaker 2>say around season ten? And do you think the show's

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<v Speaker 2>legacy would be any different if it did? Do you

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<v Speaker 2>think the Simpsons if it ended in season at season ten,

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<v Speaker 2>like nineteen ninety eight, would we look back more fondly

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<v Speaker 2>on the show? Would people widespread look back on the

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<v Speaker 2>show more finally? Because it feels like now the consensus

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<v Speaker 2>is just let it die. Just let it die, right.

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<v Speaker 2>I get that that can be your opinion. I don't

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<v Speaker 2>agree with that because your opinion, that's fine. Would the

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<v Speaker 2>show's legacy be different? Let's compare it to Seinfeld. If

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<v Speaker 2>Seinfeld won't say five more seasons, do you think people

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<v Speaker 2>will look back on Siinefeld as funny as they do?

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<v Speaker 2>I think Seinfeld was a genius to get out when

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<v Speaker 2>they're on top. It's a shame we didn't get more Seinfeld,

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<v Speaker 2>but it was for the right reasons.

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<v Speaker 1>I think. So. Yeah, I mean, I think Jerry is

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<v Speaker 1>definitely on the record as saying, yeah, we'd rather go

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<v Speaker 1>out on top. We'd rather go out with some juice

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<v Speaker 1>in the tank number one show than just drain it dry,

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<v Speaker 1>you know, maybe run a little low on inspiration or whatever.

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<v Speaker 1>And the thing of it is, you know, then you

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<v Speaker 1>can take that cachet and cloud that you've got going

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<v Speaker 1>out on top of the champ and start doing other things.

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<v Speaker 1>If you're Jerry, well, you know, you do what you do.

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<v Speaker 1>You want, movie, you do me, movie, all that Unfrosted movie,

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<v Speaker 1>which I still have yet to watch.

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<v Speaker 2>I'm watching it, neither of Oh yeah, but that's just

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<v Speaker 2>the nature of things. I have so many films, right,

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<v Speaker 2>I'm gonna think I enjoy that, I'll watch it, and

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<v Speaker 2>I never do. Yeah, it just keeps it. They you're

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<v Speaker 2>throwing new stuff at us, that's true. Yeah, but he

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<v Speaker 2>has the driving driving around this porsch with like Eddie

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<v Speaker 2>Murphy and other comedians and things like that.

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<v Speaker 1>But also you get curb. Yes, yeah, so here's what

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<v Speaker 1>I was thinking. This is what I was talking about

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<v Speaker 1>earlier when talking about the end of the world, the

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<v Speaker 1>end of the world and all that kind of stuff.

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<v Speaker 1>I want to do. If we'd say it ended at

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<v Speaker 1>season ten, the Simpsons that ended at season ten, we

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<v Speaker 1>would probably be picking knits about the episodes that already exists,

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<v Speaker 1>because episodes we now consider untouchable. It's like, Okay, well,

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<v Speaker 1>this is all we've got to work with. This is

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<v Speaker 1>all we've got to compare it to. Within its own

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<v Speaker 1>little ecosystem, We're probably like, oh, you know what, everyone says,

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<v Speaker 1>that's really funny. I'm not sure if it is, and

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<v Speaker 1>then you it doesn't work the these reasons, I think

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<v Speaker 1>it will still be quite well regarded. But I think you'd

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<v Speaker 1>probably be looking at those ten episodes and you'd be

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<v Speaker 1>concentrating more on them as opposed to like, this season

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<v Speaker 1>of episode nine is fantastic, especially compared to that episode

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<v Speaker 1>from season twenty nine.

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<v Speaker 2>So I think the Simpsons would as great as The

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<v Speaker 2>Simpsons is, as pivotal on and as huge as The

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<v Speaker 2>Simpsons was in the nineties. I'm going to throw it

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<v Speaker 2>out there and say if The Simpsons ended up the

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<v Speaker 2>season ten, it would be almost forgotten in twenty twenty five,

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<v Speaker 2>it would be that show that your parents watched when

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<v Speaker 2>they were kids to kids to kids these days, because

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<v Speaker 2>the Simpsons has gone on right our era of the show,

414
00:18:38.759 --> 00:18:41.839
<v Speaker 2>it's almost like the Star Wars trilogies. Right, our ear

415
00:18:41.839 --> 00:18:43.599
<v Speaker 2>of the show was the nineties when we were growing up.

416
00:18:44.000 --> 00:18:46.160
<v Speaker 2>Kids who were born in the late late nineties or

417
00:18:46.160 --> 00:18:48.160
<v Speaker 2>early two thousands, their era is the team year.

418
00:18:48.279 --> 00:18:48.680
<v Speaker 1>That's correct.

419
00:18:48.680 --> 00:18:50.359
<v Speaker 2>They grew up on those ones. They like those ones.

420
00:18:50.400 --> 00:18:52.960
<v Speaker 2>I've seen it in threads on Facebook. I know these

421
00:18:53.000 --> 00:18:54.559
<v Speaker 2>are my favorite. These the ones I watched when I

422
00:18:54.599 --> 00:18:56.799
<v Speaker 2>was a kid. There are kids who were born during

423
00:18:56.839 --> 00:19:00.279
<v Speaker 2>the twenties seasons. That's their episodes. Sure, the show has

424
00:19:00.319 --> 00:19:04.519
<v Speaker 2>evolved over time, and that's very, very important. But because

425
00:19:04.519 --> 00:19:06.400
<v Speaker 2>it's evolved, it's not the show that we grew up

426
00:19:06.440 --> 00:19:08.519
<v Speaker 2>with anymore, which means, oh, it's not as good anymore.

427
00:19:08.519 --> 00:19:11.559
<v Speaker 2>That's not the mentality, don't They've evolved with the times.

428
00:19:11.799 --> 00:19:13.680
<v Speaker 2>So I now put the Simpsons off of the kids

429
00:19:14.160 --> 00:19:16.359
<v Speaker 2>they genuinely want to watch the new episodes. Of course,

430
00:19:16.559 --> 00:19:17.880
<v Speaker 2>a lot of it comes down probably the way it

431
00:19:17.920 --> 00:19:19.640
<v Speaker 2>looks as well, because the old ones look hand drawn

432
00:19:19.680 --> 00:19:23.039
<v Speaker 2>and whatnot. But I just think that the modern episodes

433
00:19:23.079 --> 00:19:26.440
<v Speaker 2>are more tailored humor wise for kids of today. They

434
00:19:26.519 --> 00:19:28.680
<v Speaker 2>wash the old ones, and I don't know whether the

435
00:19:28.680 --> 00:19:30.799
<v Speaker 2>attention spans are different or anything, but they get that,

436
00:19:30.839 --> 00:19:32.920
<v Speaker 2>they get the references where the references in the more

437
00:19:33.000 --> 00:19:36.319
<v Speaker 2>modern episodes of The Simpsons are more up to date

438
00:19:36.319 --> 00:19:38.319
<v Speaker 2>at least anyway. They wash the old ones and the

439
00:19:38.400 --> 00:19:40.000
<v Speaker 2>kids they're like, oh, yeah, it's funny because it's just

440
00:19:40.039 --> 00:19:43.000
<v Speaker 2>wacky cartoons, but they don't quite get it. They watched

441
00:19:43.000 --> 00:19:45.119
<v Speaker 2>the new episodes and they seem to understand the stories more.

442
00:19:45.119 --> 00:19:47.799
<v Speaker 2>So I think it was It's great that The Simpsons

443
00:19:47.799 --> 00:19:51.000
<v Speaker 2>has gone on because it means that kids now can

444
00:19:51.160 --> 00:19:53.000
<v Speaker 2>enjoy and they've got this huge back catalog to go

445
00:19:53.000 --> 00:19:55.400
<v Speaker 2>and back and enjoy as well. Because if I said

446
00:19:55.400 --> 00:19:57.519
<v Speaker 2>to the kid, the kids now only watch this old show,

447
00:19:58.000 --> 00:19:59.519
<v Speaker 2>it would just be seen as this old show because

448
00:19:59.519 --> 00:20:01.079
<v Speaker 2>they can see modern version of it is while they

449
00:20:01.079 --> 00:20:02.920
<v Speaker 2>can go, oh, it's not just this old show. It

450
00:20:03.000 --> 00:20:06.119
<v Speaker 2>was once older, but it's got newer. That makes any sense?

451
00:20:06.119 --> 00:20:10.079
<v Speaker 1>Oh yeah, absolutely. How many times I've quoted that piece

452
00:20:10.119 --> 00:20:13.160
<v Speaker 1>from the Onion, you know, the satirical newspaper, where it's yeah,

453
00:20:13.720 --> 00:20:16.359
<v Speaker 1>basically parents, raise a child on pop culture that makes

454
00:20:16.559 --> 00:20:19.200
<v Speaker 1>child absolutely out of touch with the modern world.

455
00:20:19.200 --> 00:20:19.920
<v Speaker 2>That's what happens.

456
00:20:19.880 --> 00:20:22.200
<v Speaker 1>To Listen, talking heads listen to the sex pistles, all

457
00:20:22.200 --> 00:20:24.279
<v Speaker 1>the kinds up. It's great, it's great, it's great, and

458
00:20:24.279 --> 00:20:27.599
<v Speaker 1>they'll be like, yeah, but I've got stuff that my

459
00:20:27.759 --> 00:20:31.319
<v Speaker 1>generation listens to right now. Speaks too much. Yeah yeah,

460
00:20:31.359 --> 00:20:36.079
<v Speaker 1>so yeah, means by means trying to inform them. Both

461
00:20:36.279 --> 00:20:39.400
<v Speaker 1>have both, of course, but no, the Star Wars analogy

462
00:20:39.440 --> 00:20:42.759
<v Speaker 1>is very, very correct. You've got to sort of evolve

463
00:20:42.799 --> 00:20:44.559
<v Speaker 1>with the times. And even if the purists who were

464
00:20:44.559 --> 00:20:46.559
<v Speaker 1>there for like, oh, we were there for Ground zero, man,

465
00:20:46.559 --> 00:20:48.559
<v Speaker 1>we were there with the premiere episode of The Simpsons

466
00:20:48.759 --> 00:20:51.599
<v Speaker 1>or the release in seventy seven of the original Star Wars.

467
00:20:52.440 --> 00:20:56.119
<v Speaker 1>That's nice, that's great, that's fantastic. You know, buildings, things

468
00:20:56.160 --> 00:20:59.440
<v Speaker 1>are built on foundations, but you know there's also new levels,

469
00:20:59.519 --> 00:20:59.920
<v Speaker 1>new story.

470
00:21:00.119 --> 00:21:01.640
<v Speaker 2>Be thankful that you were there for that and you've

471
00:21:01.680 --> 00:21:05.079
<v Speaker 2>got that sort of that nostalgia for that era. Right,

472
00:21:05.200 --> 00:21:07.559
<v Speaker 2>But don't say that I can't enjoy the modern ear

473
00:21:07.559 --> 00:21:08.119
<v Speaker 2>because you don't.

474
00:21:08.160 --> 00:21:10.759
<v Speaker 1>That's correct, And as we always say about certain things,

475
00:21:11.279 --> 00:21:14.319
<v Speaker 1>if you don't like it, don't watch it. Don't watch it. Yeah, yeah,

476
00:21:14.359 --> 00:21:17.160
<v Speaker 1>but don't deprive anyone else from it from watching it.

477
00:21:17.200 --> 00:21:21.160
<v Speaker 1>And yeah, maybe don't even be like the kind of

478
00:21:21.240 --> 00:21:24.599
<v Speaker 1>goose who says, oh this sucks. I mean, even if

479
00:21:24.599 --> 00:21:28.200
<v Speaker 1>you think it does. But maybe just generally just hey,

480
00:21:28.240 --> 00:21:30.079
<v Speaker 1>if you like this, you might also like that. That

481
00:21:30.119 --> 00:21:32.000
<v Speaker 1>has been one of the guiding principles that I've always

482
00:21:32.039 --> 00:21:34.519
<v Speaker 1>had in being a critic, being a reviewer, being a

483
00:21:34.599 --> 00:21:38.079
<v Speaker 1>being a writer. If you like this, you might also

484
00:21:38.279 --> 00:21:41.160
<v Speaker 1>enjoy this. Yeah, that's a I think that's a great

485
00:21:41.200 --> 00:21:41.519
<v Speaker 1>way to be.

486
00:21:41.599 --> 00:21:44.720
<v Speaker 2>And so I just don't think kids would enjoy the

487
00:21:44.720 --> 00:21:46.519
<v Speaker 2>Simpsons as much if it was just this old hand

488
00:21:46.599 --> 00:21:49.519
<v Speaker 2>drawn cartoon because they can see that it's more modern now.

489
00:21:49.640 --> 00:21:51.279
<v Speaker 2>They're more willing to go back to the old ones

490
00:21:51.319 --> 00:21:51.759
<v Speaker 2>as well.

491
00:21:51.599 --> 00:21:53.240
<v Speaker 1>Oh very much. So. Yeah, and I think you're going

492
00:21:53.279 --> 00:21:54.960
<v Speaker 1>to if that was the case of there was only

493
00:21:55.000 --> 00:21:58.240
<v Speaker 1>ten seasons, you're going to get a very select fan

494
00:21:58.319 --> 00:22:01.519
<v Speaker 1>base unless you were there. Yeah, and I'm talking about

495
00:22:01.519 --> 00:22:03.160
<v Speaker 1>sort of current generation.

496
00:22:03.160 --> 00:22:05.559
<v Speaker 2>Oh yeah, yeah, unless their parents are enforcing it on them,

497
00:22:06.240 --> 00:22:07.000
<v Speaker 2>who would be like.

498
00:22:07.000 --> 00:22:09.839
<v Speaker 1>You know, what's good old stuff? You know, old things

499
00:22:09.880 --> 00:22:12.240
<v Speaker 1>were better back then. And I'm not sure how many

500
00:22:12.279 --> 00:22:14.200
<v Speaker 1>kids think that way. How many young people think that way.

501
00:22:14.240 --> 00:22:19.119
<v Speaker 1>But you get a little not older, but say late teens,

502
00:22:19.160 --> 00:22:22.720
<v Speaker 1>early twenties, and you're like, maybe I should check out

503
00:22:22.759 --> 00:22:25.160
<v Speaker 1>the influences and the inspirations of the stuff that I

504
00:22:25.240 --> 00:22:27.839
<v Speaker 1>like now, because you know it might it might speak

505
00:22:27.839 --> 00:22:28.839
<v Speaker 1>to me in a different way.

506
00:22:29.480 --> 00:22:31.880
<v Speaker 2>Four figure discount is brought to you by our incredible

507
00:22:31.920 --> 00:22:35.519
<v Speaker 2>supporters on Patreon. With your support, we're able to hire editors,

508
00:22:35.559 --> 00:22:38.480
<v Speaker 2>purchase new equipment, and everything else that goes into producing

509
00:22:38.480 --> 00:22:41.680
<v Speaker 2>top quality shows. Each and every week. Our supporters get

510
00:22:41.720 --> 00:22:44.720
<v Speaker 2>early in add free access to every show, new episodes

511
00:22:44.759 --> 00:22:47.599
<v Speaker 2>of Tales of Futurama, Talking sci Fild, and Speaking of

512
00:22:47.599 --> 00:22:50.519
<v Speaker 2>the Heel each month, as well as access to exclusive

513
00:22:50.559 --> 00:22:53.319
<v Speaker 2>Facebook and Discord communities. So go ahead and support the

514
00:22:53.359 --> 00:22:55.559
<v Speaker 2>show today for as little as just one dollar at

515
00:22:55.599 --> 00:22:59.279
<v Speaker 2>patreon dot com slash four figure discount. Well, I found

516
00:22:59.640 --> 00:23:02.359
<v Speaker 2>being a parents really helped me learn and understand that

517
00:23:02.960 --> 00:23:06.759
<v Speaker 2>modern stuff is okay. There is some stuff that's crap, right,

518
00:23:07.039 --> 00:23:08.920
<v Speaker 2>But I see the kids, right, and there is this

519
00:23:08.960 --> 00:23:11.559
<v Speaker 2>song the like it's like apt it's called that.

520
00:23:11.599 --> 00:23:14.319
<v Speaker 1>It's like I took me.

521
00:23:14.599 --> 00:23:15.960
<v Speaker 2>They kept singing it to me, and I'm like, I

522
00:23:16.039 --> 00:23:18.359
<v Speaker 2>don't know what that's called, Like it's called ata and

523
00:23:18.400 --> 00:23:19.759
<v Speaker 2>I'm like, I'm looking for it.

524
00:23:19.799 --> 00:23:23.400
<v Speaker 1>I can't find it's apt and the I'm sorry, I

525
00:23:23.440 --> 00:23:25.240
<v Speaker 1>can't remember that it's Lisa or.

526
00:23:25.119 --> 00:23:29.000
<v Speaker 2>I eventually found and I'm watching some I'm like, this

527
00:23:29.079 --> 00:23:31.920
<v Speaker 2>is utter rotby, you know what. All these kids love it,

528
00:23:32.160 --> 00:23:34.039
<v Speaker 2>and just because I don't enjoy it doesn't mean it's

529
00:23:34.079 --> 00:23:36.519
<v Speaker 2>not good. It's what these kids like. I'm sure I

530
00:23:36.599 --> 00:23:37.960
<v Speaker 2>listened to music when I was a kid that my

531
00:23:38.000 --> 00:23:40.720
<v Speaker 2>parents thought was absolute garbage. But to me, it's like

532
00:23:40.759 --> 00:23:43.480
<v Speaker 2>the greatest thing ever. Oh yeah, it's just the circle

533
00:23:43.519 --> 00:23:45.960
<v Speaker 2>of life, mate, it really is. And I'm learning to

534
00:23:46.119 --> 00:23:49.359
<v Speaker 2>just go, don't be grumpy old Dando because it's not

535
00:23:49.759 --> 00:23:53.039
<v Speaker 2>nineteen ninety seven music anymore, you know, just it's okay.

536
00:23:53.200 --> 00:23:56.920
<v Speaker 1>Oh yeah, absolutely. One of the lawyss is I think

537
00:23:57.000 --> 00:23:59.240
<v Speaker 1>I think Audrey was saying, we heard that in the

538
00:23:59.240 --> 00:24:00.839
<v Speaker 1>background somewhere upper tap up.

539
00:24:01.160 --> 00:24:06.119
<v Speaker 2>Yeah, it's like, ah, but holy but what the hell

540
00:24:06.160 --> 00:24:09.119
<v Speaker 2>are you saying? Or you saying appetite? What are you saying?

541
00:24:09.319 --> 00:24:12.039
<v Speaker 1>Yeah? Dirty looks like it's catchy as hell. It really is,

542
00:24:12.039 --> 00:24:14.319
<v Speaker 1>Oh yeah it is, yeah, but it almost feels like

543
00:24:14.559 --> 00:24:16.039
<v Speaker 1>and it feels weird to say this, because I'm sure

544
00:24:16.039 --> 00:24:18.119
<v Speaker 1>all pop songs songs are designed this way, but it's like,

545
00:24:18.319 --> 00:24:19.799
<v Speaker 1>oh my god, this is so catchy. I can't stop

546
00:24:19.839 --> 00:24:22.480
<v Speaker 1>listening to it, even if I really I can't hate it.

547
00:24:22.680 --> 00:24:24.200
<v Speaker 1>But at the same time, I can't stop listening to

548
00:24:24.240 --> 00:24:26.480
<v Speaker 1>it because yeah, I had it in my head the

549
00:24:26.559 --> 00:24:28.680
<v Speaker 1>other day as well, and I'm like, I gotta look

550
00:24:28.680 --> 00:24:30.319
<v Speaker 1>this up, but I don't know exactly what it is either.

551
00:24:30.359 --> 00:24:33.039
<v Speaker 1>It was like and finally found it, and then I

552
00:24:33.079 --> 00:24:35.359
<v Speaker 1>listened to it like three times in a row. It's like,

553
00:24:36.000 --> 00:24:38.759
<v Speaker 1>I know I don't like this, but I can't stop

554
00:24:39.000 --> 00:24:40.599
<v Speaker 1>listening to it. Why is that the case?

555
00:24:41.000 --> 00:24:44.400
<v Speaker 2>Where's that There's that song that's like please stay, I

556
00:24:44.519 --> 00:24:47.200
<v Speaker 2>want you, I need you, Oh god damn.

557
00:24:47.640 --> 00:24:48.519
<v Speaker 1>Oh yeah.

558
00:24:48.640 --> 00:24:50.240
<v Speaker 2>I heard that and I was like, wow, I'm like,

559
00:24:50.640 --> 00:24:52.599
<v Speaker 2>is this catchy? But whatever, it's just a it's just

560
00:24:52.799 --> 00:24:55.319
<v Speaker 2>a new song or whatever. And then they kids had

561
00:24:55.359 --> 00:24:57.160
<v Speaker 2>this talent show on Monday at the school assembly and

562
00:24:57.200 --> 00:24:59.680
<v Speaker 2>one of these kids sang that song, and the entire

563
00:25:00.079 --> 00:25:02.200
<v Speaker 2>in school or every kid starts singing this song along

564
00:25:02.200 --> 00:25:05.000
<v Speaker 2>with this girl, and I was like, there you go, music.

565
00:25:05.160 --> 00:25:07.119
<v Speaker 1>I believe the song You're referring to is Beautiful Things

566
00:25:07.160 --> 00:25:08.119
<v Speaker 1>by Benson Boone.

567
00:25:08.160 --> 00:25:10.920
<v Speaker 2>Yeah, and I'm listening. I'm like, essentially, it's a good song.

568
00:25:11.039 --> 00:25:13.599
<v Speaker 1>Actually I actually like it now, that one. I don't

569
00:25:13.640 --> 00:25:15.920
<v Speaker 1>like seeing.

570
00:25:15.519 --> 00:25:17.759
<v Speaker 2>All the kids singing it together. I was like, Ah,

571
00:25:17.799 --> 00:25:18.880
<v Speaker 2>that's what he's exposed to do.

572
00:25:19.119 --> 00:25:22.079
<v Speaker 1>But here's the thing, Yeah, there is probably a variation

573
00:25:22.200 --> 00:25:25.519
<v Speaker 1>on that that's not that different from Beautiful Things that

574
00:25:25.640 --> 00:25:28.720
<v Speaker 1>I was listening to back when I was a teenager

575
00:25:29.000 --> 00:25:32.640
<v Speaker 1>or in my twenties or whatever. And who and Benson

576
00:25:32.640 --> 00:25:35.079
<v Speaker 1>Moon probably listened to something like that and was inspired

577
00:25:35.079 --> 00:25:36.839
<v Speaker 1>by it. And I'm like, yeah, but I like my version.

578
00:25:36.880 --> 00:25:39.720
<v Speaker 1>I don't like your version. And because that his version

579
00:25:39.880 --> 00:25:40.519
<v Speaker 1>is not for.

580
00:25:40.480 --> 00:25:43.119
<v Speaker 2>Me, I'm just wasn't. Yeah, I'm learning to like new

581
00:25:43.200 --> 00:25:45.799
<v Speaker 2>music through the kids, you know, because they get into

582
00:25:45.839 --> 00:25:47.920
<v Speaker 2>the age now where that they're starting to discover pop music.

583
00:25:48.000 --> 00:25:49.759
<v Speaker 2>It's not just they listen to what I put on

584
00:25:49.759 --> 00:25:52.160
<v Speaker 2>the radio. I know, we hear songs at school when

585
00:25:52.200 --> 00:25:54.200
<v Speaker 2>you put this one on please, or they go to

586
00:25:54.200 --> 00:25:55.839
<v Speaker 2>a friend's house and they put the music on or whatever.

587
00:25:55.880 --> 00:25:58.920
<v Speaker 2>So yeah, just getting old and realizing that new music

588
00:25:58.920 --> 00:25:59.519
<v Speaker 2>ain't so bad.

589
00:26:00.599 --> 00:26:01.359
<v Speaker 1>It's a good lesson.

590
00:26:01.680 --> 00:26:03.480
<v Speaker 2>But thank you for the question mark, that was a

591
00:26:03.480 --> 00:26:03.880
<v Speaker 2>good question.

592
00:26:03.920 --> 00:26:05.880
<v Speaker 1>That was a good question. Howd us talking about.

593
00:26:05.839 --> 00:26:09.640
<v Speaker 2>Yeah, Samantha Leamy says, what are the most hated Simpsons episodes?

594
00:26:09.680 --> 00:26:12.480
<v Speaker 2>I keep reading that the Lady Gaga episode is terrible,

595
00:26:12.799 --> 00:26:14.279
<v Speaker 2>so I've never bothered to watch it. Do you have

596
00:26:14.319 --> 00:26:16.039
<v Speaker 2>any others that come to mind? So I know to

597
00:26:16.079 --> 00:26:18.880
<v Speaker 2>avoid them. It's funny because I saw Yardley Smith recently

598
00:26:18.920 --> 00:26:22.160
<v Speaker 2>shared a clip of her singing with Lady Gaga on Twitter.

599
00:26:22.319 --> 00:26:23.640
<v Speaker 2>I've still get to watch the episode. I think we

600
00:26:23.640 --> 00:26:26.240
<v Speaker 2>should do it as an exclusive from Patreona because I

601
00:26:26.279 --> 00:26:28.720
<v Speaker 2>always hear it like that's the worst of the worst.

602
00:26:28.799 --> 00:26:30.000
<v Speaker 2>I'm like, is it?

603
00:26:30.039 --> 00:26:30.200
<v Speaker 1>Though?

604
00:26:30.720 --> 00:26:32.759
<v Speaker 2>I think it just came at a time when people

605
00:26:32.799 --> 00:26:36.359
<v Speaker 2>didn't like Lady Gaga. It was this she'd been was

606
00:26:36.440 --> 00:26:39.480
<v Speaker 2>just in everything, right. I think everyone's come to appreciate

607
00:26:39.519 --> 00:26:41.839
<v Speaker 2>Lady Gaga for It's like me with modern music. I'm

608
00:26:41.880 --> 00:26:45.440
<v Speaker 2>just like, it was actually a really good performer, Lady Gaga.

609
00:26:45.519 --> 00:26:49.880
<v Speaker 1>Oh goodness. It takes a little while, and yeah, there's

610
00:26:49.880 --> 00:26:52.799
<v Speaker 1>probably some kind of formula or progression that we could

611
00:26:52.880 --> 00:26:55.920
<v Speaker 1>draw up. I imagine it happens pretty similarly in a

612
00:26:55.960 --> 00:26:58.960
<v Speaker 1>lot of ways. But it's like, oh, this person's being

613
00:26:58.960 --> 00:27:03.000
<v Speaker 1>forced on me all the time. I'm here for Brina Carpenter. Yeah,

614
00:27:03.559 --> 00:27:06.720
<v Speaker 1>I'm hearing nothing but their music, or I'm seeing nothing

615
00:27:06.720 --> 00:27:09.960
<v Speaker 1>but them in my algorithm or on magazine covers. Remember

616
00:27:10.000 --> 00:27:14.519
<v Speaker 1>magazines they had covered they were good too. Oh yeah, no, great,

617
00:27:18.480 --> 00:27:20.799
<v Speaker 1>They're all I'm saying. I'm getting overexposed and I don't

618
00:27:20.880 --> 00:27:24.519
<v Speaker 1>like it. And then maybe the yeah, the switch will flip,

619
00:27:24.599 --> 00:27:26.119
<v Speaker 1>just the script will flip just a little bit, and

620
00:27:26.119 --> 00:27:28.680
<v Speaker 1>it's like, as you said, you know, Ganga actually is

621
00:27:28.960 --> 00:27:34.400
<v Speaker 1>pretty good. Yeah, I don't know when I'm specifically she's amazing.

622
00:27:37.759 --> 00:27:39.640
<v Speaker 1>You know when I was a pretty good look pretty good.

623
00:27:41.960 --> 00:27:44.000
<v Speaker 1>I think it was around the time of bad Romance. Look,

624
00:27:44.519 --> 00:27:47.400
<v Speaker 1>you know what, actual banger got a bit of time

625
00:27:47.400 --> 00:27:49.960
<v Speaker 1>for Lady Gaga. But initially you think, oh, she's just

626
00:27:50.000 --> 00:27:50.799
<v Speaker 1>ripping off Madonna.

627
00:27:50.960 --> 00:27:52.960
<v Speaker 2>Well, and then I felt she was just trying to

628
00:27:53.000 --> 00:27:55.119
<v Speaker 2>be weird for se weird. That's what I felt like

629
00:27:55.119 --> 00:27:57.519
<v Speaker 2>when I was a teenager. Oh sure, I'm like, you're

630
00:27:57.559 --> 00:28:01.240
<v Speaker 2>just you're wearing dress with meat to a fucking to

631
00:28:01.279 --> 00:28:02.319
<v Speaker 2>the Oscar nuvel whatever.

632
00:28:02.279 --> 00:28:05.640
<v Speaker 1>And yeah, not we've come full circle. But it's like, okay,

633
00:28:05.640 --> 00:28:07.559
<v Speaker 1>it's done for the next iteration of that, and it's

634
00:28:07.559 --> 00:28:10.519
<v Speaker 1>probably Chapel Rowan or something like that. Oh, we were

635
00:28:10.559 --> 00:28:12.519
<v Speaker 1>just ripping off those two words but together. I have

636
00:28:12.559 --> 00:28:16.839
<v Speaker 1>no idea what you just said. No worry, Holly's going

637
00:28:16.880 --> 00:28:19.160
<v Speaker 1>to start listening to her in any minute now. And you're, oh, okay,

638
00:28:19.200 --> 00:28:24.000
<v Speaker 1>then I don't mind Chapel row On either. But yeah,

639
00:28:24.119 --> 00:28:27.119
<v Speaker 1>she's the latest version of that kind of thing.

640
00:28:27.200 --> 00:28:29.000
<v Speaker 2>But I just think that episode in particularly came out

641
00:28:29.039 --> 00:28:30.680
<v Speaker 2>of time, and I think people might have been sick

642
00:28:30.720 --> 00:28:33.319
<v Speaker 2>of her. Oh, so they instantly hated it, And I

643
00:28:33.359 --> 00:28:35.119
<v Speaker 2>wonder if you go back and actually watch it, I'm

644
00:28:35.240 --> 00:28:36.720
<v Speaker 2>just in treat. Is it a bad episode or you

645
00:28:36.759 --> 00:28:37.440
<v Speaker 2>just didn't like Leady?

646
00:28:37.960 --> 00:28:39.400
<v Speaker 1>Yeah? Yeah, And because everyone.

647
00:28:39.160 --> 00:28:41.359
<v Speaker 2>Goes the Elon Musk episode is terrible one too. Is

648
00:28:41.359 --> 00:28:43.759
<v Speaker 2>it a bad episode or you just don't want is

649
00:28:43.759 --> 00:28:44.000
<v Speaker 2>in it?

650
00:28:45.200 --> 00:28:49.039
<v Speaker 1>That's the thing. I mean, You've got this idea in

651
00:28:49.039 --> 00:28:52.160
<v Speaker 1>your mind of like, well, Lisa's like this, you know,

652
00:28:52.200 --> 00:28:54.079
<v Speaker 1>and she likes these kind of things, and she stands

653
00:28:54.079 --> 00:28:56.039
<v Speaker 1>for these kinds of things, and for her to stand

654
00:28:56.079 --> 00:28:59.640
<v Speaker 1>for Elon Musk, who Yeah, for a while, they were

655
00:28:59.640 --> 00:29:03.400
<v Speaker 1>thinking this conception was different. The perception was defe like, yeah, look,

656
00:29:03.440 --> 00:29:06.559
<v Speaker 1>he's a weirdo, but he's kind of, you know, an

657
00:29:06.559 --> 00:29:08.400
<v Speaker 1>eccentric genius, and we like, our genius is to be

658
00:29:08.440 --> 00:29:12.039
<v Speaker 1>a little bit eccentric. He's our weimy. He's a weirdo,

659
00:29:12.119 --> 00:29:16.039
<v Speaker 1>but he's our wedder. And now we realize, oh, you know,

660
00:29:16.160 --> 00:29:18.640
<v Speaker 1>he gets more and more popular, more and more a

661
00:29:18.720 --> 00:29:22.359
<v Speaker 1>high profile. Oh that's a bit weird. Ah you're aligning

662
00:29:22.400 --> 00:29:24.759
<v Speaker 1>and oh you kind of cringe, et cetera, et cetera.

663
00:29:24.960 --> 00:29:29.720
<v Speaker 1>You know, everything from you're disturbingly and discussingly cringe to oh,

664
00:29:29.960 --> 00:29:32.880
<v Speaker 1>you are helped bringing about the downfall of Western civilization. Yeah,

665
00:29:32.920 --> 00:29:36.839
<v Speaker 1>it's just how does this relate to the episode of

666
00:29:36.839 --> 00:29:38.599
<v Speaker 1>The Simpsons that he was a guest star on. How

667
00:29:38.599 --> 00:29:40.480
<v Speaker 1>does that relate to the episode of Saturday Night Live

668
00:29:40.519 --> 00:29:44.200
<v Speaker 1>where he was the guest host. Maybe let's do it

669
00:29:44.240 --> 00:29:44.519
<v Speaker 1>in July.

670
00:29:44.599 --> 00:29:46.160
<v Speaker 2>Let's review the Gargo episodes so we can come back

671
00:29:46.160 --> 00:29:47.599
<v Speaker 2>to the mail back and give our thoughts. Well, we're

672
00:29:47.640 --> 00:29:49.599
<v Speaker 2>gonna review for the Patreon, but we'll give our little

673
00:29:49.640 --> 00:29:52.079
<v Speaker 2>teas thoughts on the on the mailbank next month.

674
00:29:52.200 --> 00:29:52.960
<v Speaker 1>Fine, I'm happy.

675
00:29:53.440 --> 00:29:56.440
<v Speaker 2>I'm genuinely intrigued to see whether it's a bad episode

676
00:29:56.519 --> 00:29:56.759
<v Speaker 2>or night.

677
00:29:56.880 --> 00:29:59.440
<v Speaker 1>Yeah. Now, I'm wondering if these most hated episodes they

678
00:29:59.480 --> 00:30:03.119
<v Speaker 1>tend to be less about, Oh that episode doesn't work

679
00:30:03.200 --> 00:30:06.559
<v Speaker 1>because that story is no good, or you're making home

680
00:30:06.759 --> 00:30:10.680
<v Speaker 1>even more egregiously dumb ass than he has been in

681
00:30:10.720 --> 00:30:16.000
<v Speaker 1>previous or insensitive or whatever. Or is it like they've

682
00:30:16.039 --> 00:30:18.640
<v Speaker 1>cashed in or they've you know, they've sold out by

683
00:30:18.680 --> 00:30:20.839
<v Speaker 1>getting so and so as a guest star, the popular

684
00:30:20.920 --> 00:30:23.880
<v Speaker 1>star of the day, like they had the I'm not

685
00:30:23.880 --> 00:30:27.400
<v Speaker 1>sure how well regarded or her well liked. The short

686
00:30:27.759 --> 00:30:30.920
<v Speaker 1>when Billy met Lisa is the one with Billie Eilish.

687
00:30:30.759 --> 00:30:32.680
<v Speaker 2>Either short, yeah, yeah, well, this is the thing we

688
00:30:32.720 --> 00:30:35.440
<v Speaker 2>always again with kids, kids like the short kid's got

689
00:30:35.440 --> 00:30:36.200
<v Speaker 2>short attentionspans.

690
00:30:36.240 --> 00:30:38.200
<v Speaker 1>Yeah, we all do these days, but kids especially.

691
00:30:37.920 --> 00:30:39.880
<v Speaker 2>That someone literally said to me. He says, they asked

692
00:30:39.880 --> 00:30:41.960
<v Speaker 2>for these shorts because that's a good way of introducing

693
00:30:42.039 --> 00:30:43.559
<v Speaker 2>kids to the show, and they work. And I'm like,

694
00:30:43.599 --> 00:30:45.519
<v Speaker 2>you know what, now that you've explained that, it actually

695
00:30:45.599 --> 00:30:48.599
<v Speaker 2>makes perfect sense. Sure, I watched it. I watched those

696
00:30:48.640 --> 00:30:51.279
<v Speaker 2>shorts and I'm just like, there is nothing here. This

697
00:30:51.400 --> 00:30:54.079
<v Speaker 2>is just the Simpsons are on the screen for a

698
00:30:54.079 --> 00:30:54.559
<v Speaker 2>few minutes.

699
00:30:54.599 --> 00:30:55.079
<v Speaker 1>That's all it is.

700
00:30:55.079 --> 00:30:57.839
<v Speaker 2>There's no substance really at all, and the kids watch

701
00:30:57.880 --> 00:30:59.119
<v Speaker 2>it and they're like, put it on again. I'm like

702
00:31:00.119 --> 00:31:03.240
<v Speaker 2>that nothing happened, and I put it on again. Okay,

703
00:31:03.720 --> 00:31:05.319
<v Speaker 2>But I'm like, you know what, I don't mind because

704
00:31:05.319 --> 00:31:07.039
<v Speaker 2>the kids now like the Simpsons because of the short

705
00:31:07.119 --> 00:31:08.960
<v Speaker 2>Oh sure, but the ones people seem to hate. They

706
00:31:09.000 --> 00:31:11.200
<v Speaker 2>always go back to that ninety show, which we really enjoyed.

707
00:31:11.559 --> 00:31:12.559
<v Speaker 1>Remember that ninety show.

708
00:31:12.640 --> 00:31:15.559
<v Speaker 2>Yeah, and that's people say that's the episode they turned

709
00:31:15.559 --> 00:31:18.640
<v Speaker 2>off the Simpsons, and I go really, yeah, Now, maybe

710
00:31:18.920 --> 00:31:21.680
<v Speaker 2>in the time it felt annoyed, but you go back

711
00:31:22.079 --> 00:31:24.079
<v Speaker 2>fifteen years ago, now, when did it come out, like

712
00:31:24.119 --> 00:31:26.079
<v Speaker 2>two thousand and three or five or whatever.

713
00:31:26.759 --> 00:31:28.759
<v Speaker 1>I enjoyed it. Oh yeah, But what do I always say?

714
00:31:28.759 --> 00:31:31.319
<v Speaker 1>I I always quote Bell from Raiders at the Lost

715
00:31:31.400 --> 00:31:33.039
<v Speaker 1>Ark when he said, you look look at this. Watch

716
00:31:33.359 --> 00:31:35.000
<v Speaker 1>what if a ten bucks from that go on the street.

717
00:31:35.039 --> 00:31:36.519
<v Speaker 1>I'm going to take it out of the desert, bury

718
00:31:36.559 --> 00:31:38.240
<v Speaker 1>it for a thousand years. You'll dig it up and

719
00:31:38.240 --> 00:31:41.160
<v Speaker 1>it's like, oh my god, this is priceless. Ten years

720
00:31:42.039 --> 00:31:45.000
<v Speaker 1>we'll look back at that nineties episode and going, guess what,

721
00:31:45.680 --> 00:31:49.000
<v Speaker 1>actually not that bad? Whether that's you know, the influence

722
00:31:49.000 --> 00:31:51.839
<v Speaker 1>of nostalgia. Maybe we just didn't appreciate what we had

723
00:31:51.880 --> 00:31:52.359
<v Speaker 1>at the time.

724
00:31:53.039 --> 00:31:57.119
<v Speaker 2>Who knows, but I will say, Samantha, please avoid Codependence Day.

725
00:31:57.640 --> 00:32:01.000
<v Speaker 1>Yeah, and I'm watch her since far. I love that.

726
00:32:01.279 --> 00:32:05.240
<v Speaker 2>But yeah, Codependants stay. Yeah, I'm a drink driving. Put

727
00:32:05.319 --> 00:32:07.880
<v Speaker 2>March behind the wheel and Bailey on her No, great,

728
00:32:08.079 --> 00:32:10.279
<v Speaker 2>not good at all? All right, Tyson Bradford, what is

729
00:32:10.279 --> 00:32:13.720
<v Speaker 2>your favorite Simpson's exterior shot. I've always been a fan

730
00:32:13.759 --> 00:32:15.680
<v Speaker 2>of the supermarket with the trolley rolling out of the

731
00:32:15.680 --> 00:32:17.880
<v Speaker 2>car park, which they continue to use for many seasons,

732
00:32:17.880 --> 00:32:19.720
<v Speaker 2>despite it looking like the old animation style. I know

733
00:32:19.759 --> 00:32:21.960
<v Speaker 2>what he's saying, so basically it would be like season

734
00:32:22.000 --> 00:32:24.079
<v Speaker 2>eight and look like season two. It's used the same

735
00:32:24.079 --> 00:32:27.680
<v Speaker 2>exterior shot. I've always said I'm a big fan of

736
00:32:27.720 --> 00:32:31.759
<v Speaker 2>the Simpsons early morning Springfield, Springfield at night, or Springfield

737
00:32:31.480 --> 00:32:34.400
<v Speaker 2>at dawn, Dawn in the morning, right, Yeah, dawn is

738
00:32:34.400 --> 00:32:36.200
<v Speaker 2>the morning, so Springford at dawn where the suns are

739
00:32:36.200 --> 00:32:39.319
<v Speaker 2>starting to rise, the alf Clausen's music queue. It's just

740
00:32:39.400 --> 00:32:40.759
<v Speaker 2>it's peaceful, it's quiet.

741
00:32:40.799 --> 00:32:43.359
<v Speaker 1>I've always really enjoyed that. Yeah, I was, I was

742
00:32:43.359 --> 00:32:45.480
<v Speaker 1>really thinking about this, and honestly, I was drawing a blank.

743
00:32:45.519 --> 00:32:47.880
<v Speaker 1>I'm really sorry, Tyson, this is a very good question.

744
00:32:48.759 --> 00:32:51.079
<v Speaker 1>I mean, I really appre It's something I really appreciate

745
00:32:51.079 --> 00:32:53.240
<v Speaker 1>about this since is how much texture and character it

746
00:32:53.279 --> 00:32:55.799
<v Speaker 1>gives Springfield. I mean, yeah, maybe it's by virtue of

747
00:32:55.839 --> 00:32:57.480
<v Speaker 1>the show having gone on for so long and it's

748
00:32:57.519 --> 00:32:59.880
<v Speaker 1>been part of our lives for so long. It's like,

749
00:33:00.480 --> 00:33:02.160
<v Speaker 1>this really feels familiar to me. I mean, you know,

750
00:33:02.200 --> 00:33:05.200
<v Speaker 1>you sort of you have those exterior shots of as

751
00:33:05.200 --> 00:33:06.279
<v Speaker 1>you said, Dawn, they're.

752
00:33:06.079 --> 00:33:08.720
<v Speaker 2>Always the same or whatever for example, sort to interrupt,

753
00:33:08.759 --> 00:33:11.000
<v Speaker 2>but like you said, familiarity there. So whenever they do

754
00:33:11.039 --> 00:33:14.200
<v Speaker 2>the power plant, you hear the crow, little things like that,

755
00:33:14.279 --> 00:33:16.240
<v Speaker 2>just oh yeah, it's the Simpsons. It's just little things

756
00:33:16.279 --> 00:33:18.359
<v Speaker 2>that you just come to expect, and you know, sometimes

757
00:33:18.359 --> 00:33:19.799
<v Speaker 2>you don't even notice of it. It's because but the

758
00:33:19.920 --> 00:33:21.920
<v Speaker 2>fact that they're there, it makes you feel at home.

759
00:33:22.039 --> 00:33:24.720
<v Speaker 1>Yeah, a little emotional or cognitive triggers like yeah, absolutely.

760
00:33:24.759 --> 00:33:27.640
<v Speaker 1>I mean again, forgive me, Tyson, nothing's really sort of

761
00:33:27.720 --> 00:33:29.200
<v Speaker 1>leaping at it and he's like, oh, I love that

762
00:33:29.279 --> 00:33:32.279
<v Speaker 1>one the most. But that overall sense of familiarity, the

763
00:33:32.359 --> 00:33:35.920
<v Speaker 1>sense of place that the that everyone involved is helping

764
00:33:36.400 --> 00:33:39.799
<v Speaker 1>to create, nurture and develop even further.

765
00:33:40.519 --> 00:33:42.400
<v Speaker 2>The hospital and the church always give you the chance

766
00:33:42.400 --> 00:33:43.799
<v Speaker 2>for a sign gag as well.

767
00:33:44.200 --> 00:33:45.519
<v Speaker 1>That's that's a really great point.

768
00:33:45.680 --> 00:33:49.799
<v Speaker 2>Yeah, yeah, so the exterior shots are great. Stephanie Hudson.

769
00:33:49.920 --> 00:33:52.359
<v Speaker 2>If you were a new kid at Springfield Elementary, who

770
00:33:52.400 --> 00:33:54.480
<v Speaker 2>do you think would be your first friend?

771
00:33:55.079 --> 00:33:58.119
<v Speaker 1>I personally think Millhouse is sort of like good entry

772
00:33:58.200 --> 00:33:58.839
<v Speaker 1>level friend.

773
00:33:58.960 --> 00:34:01.240
<v Speaker 2>He's the one that you would grab a towards. I think, yeah, yeah,

774
00:34:01.240 --> 00:34:01.640
<v Speaker 2>And I think he.

775
00:34:01.599 --> 00:34:04.000
<v Speaker 3>Would sort of gravitate towards you as well, because you

776
00:34:04.039 --> 00:34:06.119
<v Speaker 3>wouldn't feel threatened by him, and you feel like he'd

777
00:34:06.119 --> 00:34:08.119
<v Speaker 3>want to please you as well. That's right, So yeah,

778
00:34:08.159 --> 00:34:11.960
<v Speaker 3>he's good sort of he's a good gateway drug to yeah,

779
00:34:12.079 --> 00:34:13.920
<v Speaker 3>life in at Springfield Elementary.

780
00:34:13.960 --> 00:34:16.400
<v Speaker 1>I think I think Ralph would be sort of like

781
00:34:17.599 --> 00:34:18.079
<v Speaker 1>hard work.

782
00:34:18.119 --> 00:34:21.039
<v Speaker 2>I think, yes, I'd want to be his friend, but

783
00:34:21.079 --> 00:34:22.960
<v Speaker 2>after a while, I go, oh.

784
00:34:22.599 --> 00:34:25.519
<v Speaker 1>Yeah, you'd want to You'd be the kind of hey,

785
00:34:25.599 --> 00:34:27.519
<v Speaker 1>rap hate do on, buddy, I don't want to talk

786
00:34:27.559 --> 00:34:30.400
<v Speaker 1>to you, but hey, you feel better about yourself.

787
00:34:30.719 --> 00:34:32.079
<v Speaker 2>Do you think you'd be friends with Martin?

788
00:34:32.559 --> 00:34:36.800
<v Speaker 1>Possibly? I hope this person is not listening to this podcast.

789
00:34:36.800 --> 00:34:38.599
<v Speaker 1>I don't think they are. I went to school with

790
00:34:38.639 --> 00:34:41.400
<v Speaker 1>someone who reminds me very much about prins not just

791
00:34:41.440 --> 00:34:45.000
<v Speaker 1>in attitude but actually in looks. When I first saw

792
00:34:45.039 --> 00:34:50.000
<v Speaker 1>Martin Brens, I'm like, that's redacted, but yeah, in terms

793
00:34:50.000 --> 00:34:53.440
<v Speaker 1>of like they weren't necessarily sort of prissy, but they

794
00:34:53.480 --> 00:34:58.519
<v Speaker 1>were a bit sort of verging on posh. And yeah,

795
00:34:58.559 --> 00:35:00.639
<v Speaker 1>this person actually looks a bit like Martin Prince and

796
00:35:01.559 --> 00:35:03.480
<v Speaker 1>I always liked this person. But at the same time,

797
00:35:03.519 --> 00:35:05.199
<v Speaker 1>it's like, I don't know if i'd call you my mate.

798
00:35:05.880 --> 00:35:07.079
<v Speaker 1>I mean, this is a person that I was at

799
00:35:07.079 --> 00:35:10.239
<v Speaker 1>school with from soup to nuts, from the very beginning

800
00:35:10.440 --> 00:35:13.559
<v Speaker 1>to the very end, from first day of school to graduation,

801
00:35:15.039 --> 00:35:19.840
<v Speaker 1>and I would say that we actually are pretty quite friendly. Now.

802
00:35:20.159 --> 00:35:22.840
<v Speaker 1>We're certainly friends on Facebook. We had a school reunion

803
00:35:22.840 --> 00:35:24.199
<v Speaker 1>not long ago. We caught them and had like a

804
00:35:24.239 --> 00:35:28.159
<v Speaker 1>really good talk. There's someone that I respect and admire

805
00:35:28.199 --> 00:35:31.039
<v Speaker 1>for various reasons, but at the same time, not necessarily

806
00:35:31.119 --> 00:35:35.400
<v Speaker 1>I don't I don't know if we're mates, but we're friendly,

807
00:35:35.480 --> 00:35:39.280
<v Speaker 1>verging on friends, you know what I mean. That's who

808
00:35:39.320 --> 00:35:40.039
<v Speaker 1>mart reminds me of.

809
00:35:40.119 --> 00:35:42.039
<v Speaker 2>So yeah, you would piss on them if they're on fire,

810
00:35:42.360 --> 00:35:47.480
<v Speaker 2>if that's an Australian saying. You might not get it.

811
00:35:48.280 --> 00:35:49.159
<v Speaker 1>I'm pretty sure.

812
00:35:49.079 --> 00:35:50.679
<v Speaker 2>If not like someone I wouldn't even pis some off

813
00:35:50.679 --> 00:35:51.280
<v Speaker 2>their on fire.

814
00:35:51.519 --> 00:35:54.039
<v Speaker 1>I don't think that's necessarily just Australian. I think that's

815
00:35:54.159 --> 00:35:56.519
<v Speaker 1>I think that might be worldwide. There probably are variations

816
00:35:56.519 --> 00:35:59.719
<v Speaker 1>on the on the theme. But it's good. It's good saying,

817
00:35:59.760 --> 00:36:02.559
<v Speaker 1>isn't it. Yeah? Who do you think?

818
00:36:03.800 --> 00:36:05.840
<v Speaker 2>I've had Millhouse as well. I just think he's the

819
00:36:05.920 --> 00:36:08.840
<v Speaker 2>obvious choice. Who besides Millhouse? Is there anyone else besides Millhouse?

820
00:36:08.840 --> 00:36:11.360
<v Speaker 2>Is there a Millhouse esque kid at the school that

821
00:36:11.440 --> 00:36:12.840
<v Speaker 2>you think you might gravitate towards?

822
00:36:12.920 --> 00:36:14.199
<v Speaker 1>Don't really know enough about Wendell.

823
00:36:15.400 --> 00:36:17.199
<v Speaker 2>For some reason, Wendell came to my mind as well.

824
00:36:17.280 --> 00:36:19.639
<v Speaker 2>I feel like he'd be if we knew more about him.

825
00:36:19.639 --> 00:36:23.480
<v Speaker 1>Maybe it'd be interested to draw up like a pyramid

826
00:36:23.599 --> 00:36:26.880
<v Speaker 1>or a strata or something of like power rankings in

827
00:36:26.920 --> 00:36:31.719
<v Speaker 1>the in the Springfield Elementary playground. I feel like I

828
00:36:31.719 --> 00:36:33.440
<v Speaker 1>wouldn't be friends with Sherry and Terror. I think I've

829
00:36:33.440 --> 00:36:35.239
<v Speaker 1>told you about you know, I went to school with

830
00:36:35.320 --> 00:36:38.280
<v Speaker 1>basically Sherry and Terror as well, the twins who were

831
00:36:38.320 --> 00:36:41.960
<v Speaker 1>kind of like, well, you're intimidating, you're evil. Yeah, and

832
00:36:42.039 --> 00:36:44.320
<v Speaker 1>there's two of you. Yes, it's like it's like I

833
00:36:44.400 --> 00:36:46.159
<v Speaker 1>mentioned the social networ would say, great life on the

834
00:36:46.199 --> 00:36:48.320
<v Speaker 1>social network. Who's going to mess with me? I'm six two,

835
00:36:48.639 --> 00:36:50.400
<v Speaker 1>you know, I rote crew and there's two of me.

836
00:36:52.320 --> 00:36:52.960
<v Speaker 1>That's brilliant.

837
00:36:53.360 --> 00:36:56.079
<v Speaker 2>I feel like Wendell's the kid who doesn't have many friends, right,

838
00:36:56.119 --> 00:36:57.320
<v Speaker 2>so when you become friends with him to go to

839
00:36:57.400 --> 00:36:59.960
<v Speaker 2>his house, his parents would just be like, please stay

840
00:37:00.239 --> 00:37:01.800
<v Speaker 2>like that, will do whatever we can to make sure

841
00:37:01.840 --> 00:37:03.719
<v Speaker 2>you stay. This kid's frankly, we wanted to have friends.

842
00:37:04.239 --> 00:37:06.639
<v Speaker 2>We know he has a PlayStation, but he's yours.

843
00:37:07.239 --> 00:37:09.320
<v Speaker 1>But you know, when Wendel comes over to your house,

844
00:37:09.320 --> 00:37:11.719
<v Speaker 1>which is definitely going to do right, Yeah, you can

845
00:37:11.760 --> 00:37:12.920
<v Speaker 1>play it. You can play it as well.

846
00:37:13.000 --> 00:37:16.159
<v Speaker 2>Yeah, yeah, yeah, exactly. I think mister missus Wendall, so

847
00:37:16.360 --> 00:37:21.199
<v Speaker 2>Gregory your son, I want to say so obviously, Bart

848
00:37:21.280 --> 00:37:24.239
<v Speaker 2>versus Australia is great because it doesn't rely on guest stars.

849
00:37:24.280 --> 00:37:26.000
<v Speaker 2>But we all know if they returned to Australia in

850
00:37:26.039 --> 00:37:27.880
<v Speaker 2>a new episode that there would be plenty of guests.

851
00:37:28.320 --> 00:37:30.840
<v Speaker 2>Name three Australian guests that you would approve in a

852
00:37:30.880 --> 00:37:32.199
<v Speaker 2>Simpsons down Under sequel.

853
00:37:32.719 --> 00:37:35.679
<v Speaker 1>I have thought about this, Okay, oft the times, I'm

854
00:37:35.719 --> 00:37:36.679
<v Speaker 1>just willing it. It's got to be.

855
00:37:36.800 --> 00:37:40.000
<v Speaker 2>It's got to be people who I think maybe all

856
00:37:40.079 --> 00:37:43.559
<v Speaker 2>generations would know, and not just people at the time either. Okay,

857
00:37:44.239 --> 00:37:45.719
<v Speaker 2>it's gonna have a long standing.

858
00:37:47.159 --> 00:37:49.119
<v Speaker 1>Appeal. I think, well, I didn't know there was going

859
00:37:49.159 --> 00:37:53.960
<v Speaker 1>to win me over. Tell me who you Well, I

860
00:37:53.960 --> 00:37:56.519
<v Speaker 1>don't know if I'm gonna win you over. Now I'm

861
00:37:56.840 --> 00:37:58.880
<v Speaker 1>playing a little fast and loose with the with the

862
00:37:59.039 --> 00:38:01.400
<v Speaker 1>Gregory's Guard ones here, but it's going to.

863
00:38:01.400 --> 00:38:03.239
<v Speaker 2>Be an episode in season thirty seven, so it's going

864
00:38:03.280 --> 00:38:03.719
<v Speaker 2>to be Now.

865
00:38:03.800 --> 00:38:06.119
<v Speaker 1>Okay, I think you should have all three hens Worth.

866
00:38:06.159 --> 00:38:08.480
<v Speaker 1>So I think you should have Chris, Luke and Liam.

867
00:38:08.920 --> 00:38:13.920
<v Speaker 1>I'd never know there was a Luke. He's on West World,

868
00:38:13.960 --> 00:38:16.280
<v Speaker 1>he's in a few movies. Yeah, for a while, he

869
00:38:16.400 --> 00:38:18.599
<v Speaker 1>was kind of like the other Hem's Worth, but he

870
00:38:18.800 --> 00:38:21.199
<v Speaker 1>he did all right. But you'd have Chris, Liam and Luke,

871
00:38:22.360 --> 00:38:25.639
<v Speaker 1>uh and think about Yeah. I think their voices are

872
00:38:25.800 --> 00:38:28.480
<v Speaker 1>just slightly different enough that you can tell them apart.

873
00:38:28.519 --> 00:38:29.960
<v Speaker 1>But the joke would be that you can't really tell

874
00:38:29.960 --> 00:38:34.920
<v Speaker 1>them apart. I Lukensworth, Yeah, is he older? I think

875
00:38:34.960 --> 00:38:37.159
<v Speaker 1>he might be the old Yeah, he looks, and I

876
00:38:37.199 --> 00:38:39.159
<v Speaker 1>think he was the one who actually broke out first.

877
00:38:40.159 --> 00:38:41.920
<v Speaker 1>Might have because I think he was on Neighbors now

878
00:38:42.159 --> 00:38:47.760
<v Speaker 1>Australia's favorite long running soap opera that is now demised unfortunately,

879
00:38:48.400 --> 00:38:51.800
<v Speaker 1>which one neighbors what's not Neighbors is done? He came

880
00:38:51.880 --> 00:38:54.760
<v Speaker 1>back again? No, now it's gone again? What pretty sure

881
00:38:54.760 --> 00:38:57.880
<v Speaker 1>they pulled the pin on Neighbors again again? Do some

882
00:38:58.000 --> 00:38:59.800
<v Speaker 1>love googling? Oh, you're right.

883
00:39:00.039 --> 00:39:03.119
<v Speaker 2>Cancel for a second time, as Amazon backs out just

884
00:39:03.199 --> 00:39:04.159
<v Speaker 2>two years after it.

885
00:39:04.280 --> 00:39:07.719
<v Speaker 1>Was even having o C star Mischa Barton come on

886
00:39:07.880 --> 00:39:11.039
<v Speaker 1>board as a guest good and save it? Oh wow,

887
00:39:11.400 --> 00:39:13.960
<v Speaker 1>But I think Luke was on that. But then Chris

888
00:39:14.440 --> 00:39:17.639
<v Speaker 1>was on Home and Away, which is sort of like

889
00:39:18.800 --> 00:39:23.760
<v Speaker 1>Neighbors deadly rival, And then you had Liam as well,

890
00:39:23.880 --> 00:39:25.760
<v Speaker 1>and he's in the Hunger Games all that kind of stuff.

891
00:39:26.679 --> 00:39:29.880
<v Speaker 2>There's three guest stars, but the hems weren't there as

892
00:39:29.920 --> 00:39:32.559
<v Speaker 2>one year unity. I think you've got to have Tony

893
00:39:32.599 --> 00:39:34.440
<v Speaker 2>Collette in there, you know, I have it.

894
00:39:34.800 --> 00:39:43.079
<v Speaker 1>Remember how Tracy Ullman was the voice of the dog Trainer. Yeah, dun, yeah,

895
00:39:43.280 --> 00:39:45.079
<v Speaker 1>I got the building. Tony Collette, who I think is

896
00:39:45.079 --> 00:39:49.000
<v Speaker 1>an actor's actor, very distinct personality, but also like just

897
00:39:49.079 --> 00:39:50.159
<v Speaker 1>a really powerful performer.

898
00:39:50.239 --> 00:39:52.199
<v Speaker 2>Did she put on wait for Muriel's wedding or did she?

899
00:39:52.480 --> 00:39:54.679
<v Speaker 2>Was she just bigger then? I think she put a

900
00:39:54.760 --> 00:39:54.960
<v Speaker 2>bit on.

901
00:39:55.159 --> 00:39:58.920
<v Speaker 1>Okay, yep, yes, I think it's such a depressing movie.

902
00:39:59.800 --> 00:40:02.239
<v Speaker 1>Oh yeah, that's there. Everyone's like, oh, it's Abra and everything.

903
00:40:02.400 --> 00:40:04.719
<v Speaker 1>It's like, that's pretty. She's got a really bleak life.

904
00:40:04.960 --> 00:40:05.559
<v Speaker 1>That's pretty ill.

905
00:40:06.840 --> 00:40:08.840
<v Speaker 2>Sister and the mum always put it down. No one

906
00:40:08.880 --> 00:40:12.079
<v Speaker 2>ever has respect for it. It's on ends himself.

907
00:40:11.840 --> 00:40:15.239
<v Speaker 1>And yeah, not good has a happy ish ending though

908
00:40:15.440 --> 00:40:15.719
<v Speaker 1>it does.

909
00:40:15.880 --> 00:40:18.400
<v Speaker 2>Yeah, but you're right, gets away from it all. Yeah,

910
00:40:18.480 --> 00:40:18.880
<v Speaker 2>kind of grim.

911
00:40:19.840 --> 00:40:22.679
<v Speaker 1>I think i'd have Tony Collett in there doing as

912
00:40:22.719 --> 00:40:26.639
<v Speaker 1>we talked about with the good, the bad and the drug.

913
00:40:26.840 --> 00:40:30.199
<v Speaker 1>How Anne Hathaway is on not necessarily like I Hi,

914
00:40:30.280 --> 00:40:34.280
<v Speaker 1>it's Anne Hathaway, but giving a performance correct the habits

915
00:40:34.320 --> 00:40:37.719
<v Speaker 1>were for the kids, I think, so yeah, collect feet, Yeah,

916
00:40:37.760 --> 00:40:39.960
<v Speaker 1>Tony Collette is there to provide a bit of you know,

917
00:40:40.119 --> 00:40:42.840
<v Speaker 1>heft and substances like, hey, we got a legitimate Oscar

918
00:40:42.920 --> 00:40:45.599
<v Speaker 1>nominated actor here and here. And I say this with

919
00:40:45.639 --> 00:40:47.760
<v Speaker 1>all due respect to his distinctive voice. I think you've

920
00:40:47.760 --> 00:40:49.599
<v Speaker 1>got to have pm Elbow in there. Yeah.

921
00:40:49.599 --> 00:40:51.719
<v Speaker 2>I feel I know that's going to date it, that

922
00:40:51.880 --> 00:40:53.360
<v Speaker 2>it will date it, but I also feel like it's

923
00:40:53.360 --> 00:40:55.239
<v Speaker 2>just too much like the British one. I get it,

924
00:40:55.480 --> 00:40:58.039
<v Speaker 2>I get it, but I understand it. Yeah, I'm surprised

925
00:40:58.039 --> 00:40:58.920
<v Speaker 2>you didn't say Hugh Jackman.

926
00:40:59.239 --> 00:41:02.320
<v Speaker 1>He's kind of everywhere at the moment. Yeah, I guess.

927
00:41:03.840 --> 00:41:07.400
<v Speaker 2>I think they would go Hugh Jackman over Collecte in

928
00:41:07.480 --> 00:41:10.599
<v Speaker 2>my opinion, because it's just I'm thinking, if these guests,

929
00:41:10.760 --> 00:41:13.760
<v Speaker 2>these gueststars are playing themselves. Oh okay, so it's not

930
00:41:13.840 --> 00:41:15.719
<v Speaker 2>like we're getting someone to play a character. It's no,

931
00:41:16.000 --> 00:41:17.960
<v Speaker 2>these guest roles up. In my opinion, the way he

932
00:41:18.000 --> 00:41:20.079
<v Speaker 2>read it was which guests would they get on as

933
00:41:20.360 --> 00:41:22.599
<v Speaker 2>Oh my god, it's so and so I don't think.

934
00:41:22.920 --> 00:41:26.719
<v Speaker 2>Maybe Tony collect could do something with Lisa Hm. Maybe

935
00:41:26.719 --> 00:41:30.239
<v Speaker 2>I feel like Lisa would respect Tony Collett. Maybe strong

936
00:41:30.360 --> 00:41:31.280
<v Speaker 2>female lead.

937
00:41:31.519 --> 00:41:31.960
<v Speaker 1>Possibly.

938
00:41:32.920 --> 00:41:34.559
<v Speaker 2>I feel like you'd have to sneak Hugh Jackman in

939
00:41:34.559 --> 00:41:36.159
<v Speaker 2>there somewhere. I know he's everywhere, but I feel you

940
00:41:36.280 --> 00:41:38.760
<v Speaker 2>just have to because he's fucking he's Wolverine, that's true,

941
00:41:39.119 --> 00:41:43.159
<v Speaker 2>and he's he's just he's you Jackman. You Jackman, the

942
00:41:43.239 --> 00:41:45.960
<v Speaker 2>other Australian who's not an Australian musician here you can.

943
00:41:45.880 --> 00:41:49.920
<v Speaker 1>Get in there. Well, that's the thing. I mean, it's

944
00:41:49.960 --> 00:41:51.599
<v Speaker 1>been a while I think since Australia had a real

945
00:41:52.000 --> 00:41:54.960
<v Speaker 1>breakout music star on the world stage.

946
00:41:55.800 --> 00:41:58.760
<v Speaker 2>I'm sure with more study, I could more research, I

947
00:41:58.760 --> 00:42:00.679
<v Speaker 2>could probably think of three struggles.

948
00:42:02.000 --> 00:42:03.840
<v Speaker 1>Nicole Kidman, remember Wilson?

949
00:42:03.880 --> 00:42:08.159
<v Speaker 2>Maybe maybe Yeah, who's like a younger Australian star though,

950
00:42:08.360 --> 00:42:11.119
<v Speaker 2>Oh no, the chick.

951
00:42:12.559 --> 00:42:14.920
<v Speaker 1>Harley Queen. What's her name? Oh, Margot Robbie. Okay, Robbie,

952
00:42:14.920 --> 00:42:16.840
<v Speaker 1>she'd have to be in there. She's Barbie, that's true.

953
00:42:18.320 --> 00:42:20.559
<v Speaker 2>Yeah. Anyway, what she would do, I'm not too sure.

954
00:42:20.840 --> 00:42:24.320
<v Speaker 2>Maybe maybe she could help, Li said, who knows. I

955
00:42:24.360 --> 00:42:26.079
<v Speaker 2>think Margot Robbie is only going to have it there right,

956
00:42:27.280 --> 00:42:29.320
<v Speaker 2>a pretty high profile. I would have Margot Robbie over

957
00:42:29.400 --> 00:42:33.280
<v Speaker 2>Tony Kalette personally, but I can I can completely appreciate Tony.

958
00:42:33.159 --> 00:42:33.679
<v Speaker 1>Collett as well.

959
00:42:34.440 --> 00:42:36.519
<v Speaker 2>Okay, well, I'd like the idea of the Three Hands

960
00:42:36.559 --> 00:42:38.559
<v Speaker 2>with its brothers having something like feud or whatever, just

961
00:42:38.639 --> 00:42:39.440
<v Speaker 2>like a caveo roll.

962
00:42:39.480 --> 00:42:40.960
<v Speaker 1>I do like that. We'll have them as like the

963
00:42:41.199 --> 00:42:44.800
<v Speaker 1>Australian version of Dolve Kearney and Jimbo. It could work

964
00:42:45.280 --> 00:42:47.440
<v Speaker 1>and they all or you know, the Simpsons come to

965
00:42:47.880 --> 00:42:50.320
<v Speaker 1>they go to Byron Bay where Hemsworth famously have this

966
00:42:50.440 --> 00:42:53.639
<v Speaker 1>huge compound and like Bart wants to surf or something

967
00:42:53.639 --> 00:42:58.280
<v Speaker 1>and it's like no locals only like that. All right.

968
00:42:58.360 --> 00:43:02.360
<v Speaker 2>Next question here comes from Mikey Jarremenko. What a name,

969
00:43:02.760 --> 00:43:06.760
<v Speaker 2>Mikey Jarremenko, what is your favorite side show Bob scheme?

970
00:43:07.400 --> 00:43:11.360
<v Speaker 1>I was like a a false marriage kind of deal. Okay, yeah,

971
00:43:11.400 --> 00:43:14.039
<v Speaker 1>the yeah, what's it called a black widower? Yeah?

972
00:43:14.199 --> 00:43:16.679
<v Speaker 2>Yeah, so I'm kind of partial to that because he went,

973
00:43:16.840 --> 00:43:18.400
<v Speaker 2>he went, He committed to that one.

974
00:43:18.480 --> 00:43:21.199
<v Speaker 1>Yeah, he committed a bit. So, which is the art

975
00:43:21.239 --> 00:43:23.840
<v Speaker 1>of any good good scam or good connor good scheme. Yeah,

976
00:43:23.880 --> 00:43:25.800
<v Speaker 1>you've got to go all in one. Yeah, so Black

977
00:43:25.880 --> 00:43:28.000
<v Speaker 1>Widow was a good one. I was always go back

978
00:43:28.000 --> 00:43:30.639
<v Speaker 1>to the original him trying to it just made the

979
00:43:30.679 --> 00:43:33.599
<v Speaker 1>most sense. It wasn't he wasn't like a wacky super

980
00:43:33.679 --> 00:43:37.280
<v Speaker 1>villain trying to kill Bart whatever. Granted, this episode was

981
00:43:37.320 --> 00:43:39.480
<v Speaker 1>the one that set off his hatred for Bart was

982
00:43:39.480 --> 00:43:41.320
<v Speaker 1>when he framed Krusty for the robbery so that he

983
00:43:41.360 --> 00:43:45.679
<v Speaker 1>could get Crusty show. That's oh yeah, yeah what set

984
00:43:45.760 --> 00:43:47.000
<v Speaker 1>off side show Bob because he.

985
00:43:47.159 --> 00:43:50.480
<v Speaker 2>Was Crusty's psychic, correct, Yeah, and he got he hated

986
00:43:50.480 --> 00:43:52.199
<v Speaker 2>the fact that he was a psychic and he wanted

987
00:43:52.239 --> 00:43:53.159
<v Speaker 2>to have the show to himself.

988
00:43:53.280 --> 00:43:55.800
<v Speaker 1>Then he got his own show choices. It's good character

989
00:43:55.840 --> 00:43:58.559
<v Speaker 1>stuff as well, and of course great casting and Kelsey

990
00:43:58.599 --> 00:44:02.079
<v Speaker 1>Grammer he choose to fill at the end. Yeah, but

991
00:44:02.119 --> 00:44:02.320
<v Speaker 1>you can.

992
00:44:02.400 --> 00:44:04.800
<v Speaker 2>Directed by Brad Bird that episode, Oh no.

993
00:44:04.880 --> 00:44:07.519
<v Speaker 1>Wonder it's good, my man, Brad. I love that guy.

994
00:44:09.920 --> 00:44:11.679
<v Speaker 1>It's great. It's great across the board because I mean, yeah,

995
00:44:11.719 --> 00:44:13.679
<v Speaker 1>Kelsey Gramer is such good casting that because he always

996
00:44:13.679 --> 00:44:15.960
<v Speaker 1>plays that kind of like I'm a bit better than this.

997
00:44:16.079 --> 00:44:20.119
<v Speaker 2>Yeah, yes, even though he's like probably not have it.

998
00:44:20.199 --> 00:44:21.960
<v Speaker 2>He's smarter, but is he better in the role?

999
00:44:23.039 --> 00:44:23.239
<v Speaker 1>Yeah?

1000
00:44:24.360 --> 00:44:25.920
<v Speaker 2>He has that that potential that.

1001
00:44:26.159 --> 00:44:30.320
<v Speaker 1>Comes across of like yeah, so degraded that I have

1002
00:44:30.400 --> 00:44:34.880
<v Speaker 1>to do this, but you know I must Daddy likes money.

1003
00:44:37.039 --> 00:44:40.920
<v Speaker 1>He does like money. Indeed, Yeah, that's a really good one.

1004
00:44:40.960 --> 00:44:42.760
<v Speaker 1>I mean, you're bringing me around to your way. I

1005
00:44:42.800 --> 00:44:43.960
<v Speaker 1>think a good question by Mikey.

1006
00:44:44.159 --> 00:44:46.639
<v Speaker 2>It was indeed, Yeah, we didn't mind the Italian Bobby

1007
00:44:46.719 --> 00:44:48.119
<v Speaker 2>that did be where he got out he got away.

1008
00:44:48.159 --> 00:44:50.159
<v Speaker 2>He had his own family and bar screwed it up

1009
00:44:50.199 --> 00:44:50.480
<v Speaker 2>on him.

1010
00:44:51.199 --> 00:44:54.679
<v Speaker 1>That's true. Yeah, that Italian lifestyle. Yeah, not a way

1011
00:44:54.719 --> 00:44:54.840
<v Speaker 1>to go.

1012
00:44:55.599 --> 00:44:58.000
<v Speaker 2>Four figure discount is brought to you by our incredible

1013
00:44:58.000 --> 00:45:01.559
<v Speaker 2>supporters on Patreon. With your we're able to hire editors,

1014
00:45:01.679 --> 00:45:04.559
<v Speaker 2>purchase new equipment, and everything else that goes into producing

1015
00:45:04.599 --> 00:45:07.760
<v Speaker 2>top quality shows. Each and every week, our supporters get

1016
00:45:07.800 --> 00:45:10.840
<v Speaker 2>early in ad free access to every show, new episodes

1017
00:45:10.880 --> 00:45:13.679
<v Speaker 2>of Tales of Futurama, Talking Side Fild and Speaking of

1018
00:45:13.719 --> 00:45:16.599
<v Speaker 2>the Heel each month, as well as access to exclusive

1019
00:45:16.639 --> 00:45:19.440
<v Speaker 2>Facebook and Discord communities. So go ahead and support the

1020
00:45:19.440 --> 00:45:21.599
<v Speaker 2>show today for as little as just one dollar at

1021
00:45:21.679 --> 00:45:25.719
<v Speaker 2>patreon dot com slash four finger discount. Jesse Stewart do

1022
00:45:25.800 --> 00:45:28.039
<v Speaker 2>you think Lisa would have benefited from having her own

1023
00:45:28.119 --> 00:45:30.760
<v Speaker 2>best friend like Millhouse? It seems she likes to be

1024
00:45:30.880 --> 00:45:33.679
<v Speaker 2>the lone wolf with her campaigns, but still I always

1025
00:45:33.679 --> 00:45:35.320
<v Speaker 2>felt sorry for her when I was a kid, since

1026
00:45:35.360 --> 00:45:37.639
<v Speaker 2>she never seemed to be visited by any of her friends.

1027
00:45:37.440 --> 00:45:40.119
<v Speaker 1>Much at all. Yeah, I was thinking about this and

1028
00:45:40.280 --> 00:45:43.400
<v Speaker 1>how it would change your character. I think I think

1029
00:45:43.480 --> 00:45:44.039
<v Speaker 1>it would.

1030
00:45:44.599 --> 00:45:47.159
<v Speaker 2>You know, she's always it's always it's Lisa against the world,

1031
00:45:47.239 --> 00:45:49.840
<v Speaker 2>and it's hard to do it if you've got a buddy, yeah.

1032
00:45:49.639 --> 00:45:51.559
<v Speaker 1>Who's sort of backing up. But then yeah, there'll be

1033
00:45:51.679 --> 00:45:53.760
<v Speaker 1>episodes where you know, Lisa will be having like a

1034
00:45:53.840 --> 00:45:56.320
<v Speaker 1>slumber party or whatever. Yeah, and that's why they say

1035
00:45:56.360 --> 00:45:59.920
<v Speaker 1>much at all. She doesn't seem to be entirely friendless,

1036
00:46:01.880 --> 00:46:06.039
<v Speaker 1>but yeah, having a second manana or a straight man

1037
00:46:06.199 --> 00:46:10.159
<v Speaker 1>like Bart has Millhouse, Yeah, that's a whole different dynamic

1038
00:46:10.280 --> 00:46:13.440
<v Speaker 1>and kind of interesting and opens things up to certain storylines.

1039
00:46:13.519 --> 00:46:16.360
<v Speaker 2>And Saturday Morning at the Simpsons, there's always Bart's going

1040
00:46:16.360 --> 00:46:17.280
<v Speaker 2>to see what Millhouse is doing.

1041
00:46:17.360 --> 00:46:18.800
<v Speaker 1>Lisa's at home doing something.

1042
00:46:18.599 --> 00:46:20.719
<v Speaker 2>By its doing something, because when she has a slumber

1043
00:46:20.760 --> 00:46:22.400
<v Speaker 2>party and stuff like that. I do see Lisa as

1044
00:46:22.400 --> 00:46:24.719
<v Speaker 2>that kid at school who the kids picked on when

1045
00:46:24.719 --> 00:46:26.119
<v Speaker 2>it came to birthday parties, like, oh, we'll come to

1046
00:46:26.159 --> 00:46:28.880
<v Speaker 2>your birthday party. Yeah, yeah, we'll enjoy that.

1047
00:46:29.079 --> 00:46:31.639
<v Speaker 1>Yeah, And we're not being picked on twenty four seven.

1048
00:46:31.800 --> 00:46:35.639
<v Speaker 1>It's not like, oh God, another day in the misery minds.

1049
00:46:37.000 --> 00:46:38.880
<v Speaker 2>They locked Lisa for, you know, when she wants to

1050
00:46:38.880 --> 00:46:39.400
<v Speaker 2>be vegetarian.

1051
00:46:40.840 --> 00:46:43.920
<v Speaker 1>I always remember that, but just like it's not you're

1052
00:46:43.960 --> 00:46:46.840
<v Speaker 1>picked on for who you are. More as like something.

1053
00:46:47.119 --> 00:46:49.400
<v Speaker 2>It's kind of more like what you do. Yeah, they're

1054
00:46:49.440 --> 00:46:50.679
<v Speaker 2>not just bullying her all the time.

1055
00:46:50.800 --> 00:46:53.519
<v Speaker 1>No, No, it's like, ah, you've done something that we

1056
00:46:53.679 --> 00:46:58.480
<v Speaker 1>find your appearance is carmical to me, and they pick

1057
00:46:58.519 --> 00:47:00.639
<v Speaker 1>on that as opposed to you only since and we

1058
00:47:00.760 --> 00:47:01.079
<v Speaker 1>hate you.

1059
00:47:01.360 --> 00:47:03.480
<v Speaker 2>Yeah, so and now it's to guess what today is

1060
00:47:03.519 --> 00:47:06.719
<v Speaker 2>bullying day challenged. It would change the dynamic of her character.

1061
00:47:06.760 --> 00:47:09.639
<v Speaker 2>If she had a best friend, I think, I think

1062
00:47:09.760 --> 00:47:12.960
<v Speaker 2>so like a right hand man, right hand woman.

1063
00:47:13.480 --> 00:47:15.519
<v Speaker 1>But I think the way Lisa has been designed and

1064
00:47:15.559 --> 00:47:18.880
<v Speaker 1>probably been designed from the start, is that she's very

1065
00:47:19.440 --> 00:47:21.559
<v Speaker 1>self possessed. She doesn't need anybody, and she yeah, she

1066
00:47:21.639 --> 00:47:24.159
<v Speaker 1>doesn't need anybody, and you know, her friends are like

1067
00:47:24.239 --> 00:47:26.880
<v Speaker 1>her causes and that she picks up. I don't think

1068
00:47:26.880 --> 00:47:29.079
<v Speaker 1>she wants friends. I think she likes the idea of

1069
00:47:29.199 --> 00:47:31.320
<v Speaker 1>it all being about her because she we've seen her.

1070
00:47:31.400 --> 00:47:34.320
<v Speaker 1>She likes it being about Lisa, Yeah, whereas Bart is

1071
00:47:34.400 --> 00:47:36.239
<v Speaker 1>more like, yeah, I'm just going with the flow man,

1072
00:47:36.320 --> 00:47:37.800
<v Speaker 1>and you know, it's good to have someone to sort

1073
00:47:37.840 --> 00:47:39.880
<v Speaker 1>of like back me up all that I can sort

1074
00:47:39.920 --> 00:47:42.599
<v Speaker 1>of push around a little bit. But I don't think

1075
00:47:42.639 --> 00:47:45.320
<v Speaker 1>Lisa would kind of yeah, she wouldn't have the kind

1076
00:47:45.360 --> 00:47:48.199
<v Speaker 1>of friendship dynamic that say Barton Millhouse had, no because.

1077
00:47:47.960 --> 00:47:49.960
<v Speaker 2>That's the show evolved. Bar It wasn't the cool kid

1078
00:47:49.960 --> 00:47:52.239
<v Speaker 2>anymore at school. So I feel like bart keeps Millhouse,

1079
00:47:52.280 --> 00:47:55.199
<v Speaker 2>doesn't keep Millhouse around, but Millhouse balances him out because

1080
00:47:55.199 --> 00:47:57.920
<v Speaker 2>it makes him feel cool feels because Millhouse is such

1081
00:47:57.920 --> 00:48:01.920
<v Speaker 2>a dud, but he still likes House. Oh sure, yeah, yeah, yeah.

1082
00:48:01.920 --> 00:48:04.760
<v Speaker 2>As we just touched on in Goodness Out and the Drug,

1083
00:48:04.840 --> 00:48:05.599
<v Speaker 2>that's exactly right.

1084
00:48:05.719 --> 00:48:06.920
<v Speaker 1>I keep wanting to say the good the band, and

1085
00:48:06.960 --> 00:48:12.920
<v Speaker 1>the drug let very well done. Makers of the episode.

1086
00:48:13.159 --> 00:48:15.679
<v Speaker 2>Matt Kaye, if Mo were to ever leave Springfield, who

1087
00:48:15.679 --> 00:48:18.280
<v Speaker 2>do you think could replace him as the bartender? That's

1088
00:48:18.320 --> 00:48:20.960
<v Speaker 2>a good question. You could replace Moe as the bartender

1089
00:48:21.199 --> 00:48:22.840
<v Speaker 2>is someone that you wouldn't expect. I think it would

1090
00:48:22.840 --> 00:48:24.400
<v Speaker 2>be better. Let's just not go on with the barf

1091
00:48:24.440 --> 00:48:27.800
<v Speaker 2>lives or anything. It's someone you wouldn't expect Skinner. Skinner

1092
00:48:27.840 --> 00:48:29.400
<v Speaker 2>retires as principle and become.

1093
00:48:29.320 --> 00:48:31.760
<v Speaker 1>Or has to side hustle because teachers don't get paidhit

1094
00:48:31.800 --> 00:48:35.880
<v Speaker 1>in him. Yeah that's true, but I just yeah, how

1095
00:48:36.000 --> 00:48:39.519
<v Speaker 1>about how about Lindsay Nagel taking over Mo's and trying

1096
00:48:39.559 --> 00:48:41.880
<v Speaker 1>to rebrand it or try to gentrify it.

1097
00:48:42.000 --> 00:48:43.639
<v Speaker 2>That could work for an episode. Will that be working

1098
00:48:43.679 --> 00:48:44.039
<v Speaker 2>long term?

1099
00:48:44.079 --> 00:48:45.519
<v Speaker 1>Though? It could work for that could be a good

1100
00:48:45.559 --> 00:48:48.440
<v Speaker 1>episode story. Yeah, that's a good point.

1101
00:48:49.039 --> 00:48:51.320
<v Speaker 2>Mo leaves town or he says I'm out of the

1102
00:48:51.360 --> 00:48:55.639
<v Speaker 2>business and Lindsay Nagel takes over Ruth Powers you know that.

1103
00:48:55.840 --> 00:48:58.360
<v Speaker 2>Oh yeah, she seems rough around the edge. She could

1104
00:48:58.360 --> 00:49:02.320
<v Speaker 2>do it, sure, Yeah, Sean, it's going to be someone

1105
00:49:02.400 --> 00:49:07.039
<v Speaker 2>who who can because the Moe doesn't really listen to advice.

1106
00:49:07.079 --> 00:49:08.960
<v Speaker 2>He's just sort of this grumpy bartender.

1107
00:49:09.039 --> 00:49:09.199
<v Speaker 1>Right.

1108
00:49:09.519 --> 00:49:11.480
<v Speaker 2>Do you think you'd have to go somewhere different, so

1109
00:49:11.559 --> 00:49:13.159
<v Speaker 2>someone who's not just going to be replacing Mo, but

1110
00:49:13.280 --> 00:49:14.400
<v Speaker 2>giving it a different vibe.

1111
00:49:14.480 --> 00:49:17.400
<v Speaker 1>Yeah. See, it's really tough to take an existing character

1112
00:49:17.480 --> 00:49:21.480
<v Speaker 1>who has their own specific role in the ecosystem of

1113
00:49:21.559 --> 00:49:25.000
<v Speaker 1>Springfield and turn them to something else. What you said

1114
00:49:25.039 --> 00:49:27.559
<v Speaker 1>before about when I suggested Lindsay good for an episode.

1115
00:49:27.840 --> 00:49:30.000
<v Speaker 1>Likewise a comic book guy good for an episode. He

1116
00:49:30.079 --> 00:49:33.800
<v Speaker 1>turns it into Miss Bartronic or something like that. But yeah,

1117
00:49:34.000 --> 00:49:36.280
<v Speaker 1>I can't see him doing that full time, and I

1118
00:49:36.360 --> 00:49:39.199
<v Speaker 1>think it would just upset the way things are in

1119
00:49:39.320 --> 00:49:42.440
<v Speaker 1>the show. I think you'd probably have to introduce a

1120
00:49:42.519 --> 00:49:45.639
<v Speaker 1>whole new bartender, but that's got its own degree of definitely,

1121
00:49:45.679 --> 00:49:50.039
<v Speaker 1>hasn't it. Yeah, it'd be. Here's the thing, here's the

1122
00:49:50.159 --> 00:49:53.400
<v Speaker 1>joy of The Simpsons being an animated series. Now, admittedly

1123
00:49:53.400 --> 00:49:54.119
<v Speaker 1>you're going to have to.

1124
00:49:54.360 --> 00:49:56.800
<v Speaker 2>Is it a way to bring back a Pooh because

1125
00:49:56.920 --> 00:49:57.920
<v Speaker 2>who's been written off the show?

1126
00:49:57.960 --> 00:49:58.079
<v Speaker 1>Now?

1127
00:49:58.159 --> 00:50:00.039
<v Speaker 2>They've just written off the show, right? Because that I

1128
00:50:00.079 --> 00:50:02.000
<v Speaker 2>want to have him work in the quickie mark and

1129
00:50:02.119 --> 00:50:05.039
<v Speaker 2>the voice and whatnot. I think you could bring back

1130
00:50:05.079 --> 00:50:07.199
<v Speaker 2>a Poo as the bartender because then he's going to

1131
00:50:07.239 --> 00:50:07.920
<v Speaker 2>be there all the time.

1132
00:50:09.159 --> 00:50:15.559
<v Speaker 1>True. But the thing about I think every location on

1133
00:50:15.679 --> 00:50:20.840
<v Speaker 1>The Simpsons has its specific purpose. It does. And the bar, Yeah,

1134
00:50:21.280 --> 00:50:24.400
<v Speaker 1>the bar is very much life is suppressing. We've come

1135
00:50:24.400 --> 00:50:26.039
<v Speaker 1>here to get away from it. I think if you

1136
00:50:26.119 --> 00:50:30.360
<v Speaker 1>have someone who is vaguely positive or vaguely motivated or

1137
00:50:30.400 --> 00:50:32.599
<v Speaker 1>something like that behind the bar, going hey, guards is

1138
00:50:32.599 --> 00:50:35.400
<v Speaker 1>not the it was like the Cheers bar, it wouldn't

1139
00:50:35.400 --> 00:50:37.159
<v Speaker 1>be the same. Yeah, yeah, I think the I think

1140
00:50:37.199 --> 00:50:39.320
<v Speaker 1>the bar has to I think Mo's has to remain

1141
00:50:40.199 --> 00:50:42.199
<v Speaker 1>Moe's even if was not behind the bar. It has

1142
00:50:42.239 --> 00:50:45.320
<v Speaker 1>to be kind of like, oh, well, you know, work

1143
00:50:45.440 --> 00:50:52.960
<v Speaker 1>sucks I know quick, we've been copyright struck.

1144
00:50:53.599 --> 00:50:56.199
<v Speaker 2>Forster Jackson. This isn't a question, but I just wanted

1145
00:50:56.239 --> 00:51:02.559
<v Speaker 2>to see him Forester Forest Jackson, far as the Jackson.

1146
00:51:02.920 --> 00:51:05.719
<v Speaker 2>Just about to say that, I was just about to

1147
00:51:05.800 --> 00:51:06.639
<v Speaker 2>say exactly like.

1148
00:51:06.679 --> 00:51:08.440
<v Speaker 1>That, far As the Jackson.

1149
00:51:09.039 --> 00:51:10.800
<v Speaker 2>This isn't a question, but I just wanted to sing

1150
00:51:10.880 --> 00:51:12.800
<v Speaker 2>the praises of you guys for how much you how

1151
00:51:12.880 --> 00:51:14.480
<v Speaker 2>much love you give the character of Martin.

1152
00:51:14.519 --> 00:51:15.880
<v Speaker 1>I feel I feel he's.

1153
00:51:15.840 --> 00:51:19.840
<v Speaker 2>Underrated in terms of fan favoritism since literally literally every

1154
00:51:19.880 --> 00:51:22.519
<v Speaker 2>time Martin's on screen, it's always hilarious. Are there any

1155
00:51:22.559 --> 00:51:26.480
<v Speaker 2>other secondary characters you feel deserve more widespread love for us?

1156
00:51:26.639 --> 00:51:29.840
<v Speaker 1>That's a great question, and honestly, yeah, we given we

1157
00:51:29.960 --> 00:51:31.800
<v Speaker 1>be just talking about Martin a whole lot. Hopefully you're

1158
00:51:31.840 --> 00:51:35.760
<v Speaker 1>enjoying this episode of The Mailback. Ah, this is great,

1159
00:51:35.800 --> 00:51:38.039
<v Speaker 1>but oh but tough, isn't it?

1160
00:51:38.599 --> 00:51:41.599
<v Speaker 2>Side characters? I feel we're also also in an era

1161
00:51:41.760 --> 00:51:44.760
<v Speaker 2>here where side characters that don't get much love now

1162
00:51:44.880 --> 00:51:47.079
<v Speaker 2>get a lot of love because it's cool to like them. Sure,

1163
00:51:47.079 --> 00:51:50.119
<v Speaker 2>it's why Bob Effect got his own TV shown and

1164
00:51:50.199 --> 00:51:54.440
<v Speaker 2>now we don't love that, And we've discussed that in

1165
00:51:54.480 --> 00:51:57.960
<v Speaker 2>the Simpsons. When we know more about these one note characters,

1166
00:51:58.119 --> 00:51:59.000
<v Speaker 2>it ruins.

1167
00:51:58.760 --> 00:52:03.519
<v Speaker 1>The aura of them. I use the metaphor flavor balance

1168
00:52:03.760 --> 00:52:05.920
<v Speaker 1>a lot. Yeah, and all the spices. Yeah, and you

1169
00:52:06.000 --> 00:52:08.400
<v Speaker 1>got to be careful with what you sprinkle under the show.

1170
00:52:08.440 --> 00:52:11.320
<v Speaker 1>I mean, the Simpson family is the is the base

1171
00:52:11.400 --> 00:52:15.679
<v Speaker 1>of it. And yeah, if you have too much or

1172
00:52:15.679 --> 00:52:19.199
<v Speaker 1>too much Martin, too much, anyone's like, oh, what do

1173
00:52:19.280 --> 00:52:20.800
<v Speaker 1>we say before about getting sick of things when you

1174
00:52:20.880 --> 00:52:25.400
<v Speaker 1>get overexposed to them. So, yeah, you gotta be careful

1175
00:52:25.440 --> 00:52:26.719
<v Speaker 1>how you deploy certain characters.

1176
00:52:27.000 --> 00:52:30.320
<v Speaker 2>I think I think because of you, I have more

1177
00:52:30.360 --> 00:52:32.159
<v Speaker 2>love for the wise Guy. I think you've given the

1178
00:52:32.239 --> 00:52:34.960
<v Speaker 2>wise Guy extra love. He was always that guy, was

1179
00:52:35.000 --> 00:52:37.559
<v Speaker 2>just there. But I think you've maybe appreciate the character

1180
00:52:37.639 --> 00:52:39.920
<v Speaker 2>more so. I think I think the wise Guy would

1181
00:52:39.920 --> 00:52:42.400
<v Speaker 2>be good to answer that question, yeah, because you don't

1182
00:52:42.400 --> 00:52:44.639
<v Speaker 2>really hear people saying how great's the wise Guy character?

1183
00:52:45.559 --> 00:52:47.679
<v Speaker 1>Yeah, but then when you he rocks up and he's

1184
00:52:47.719 --> 00:52:50.679
<v Speaker 1>got a long he's there all the time. Yeah, anyway's

1185
00:52:50.760 --> 00:52:52.119
<v Speaker 1>using that voice, he's great.

1186
00:52:52.360 --> 00:52:53.960
<v Speaker 2>The writers must love him because you can put him

1187
00:52:53.960 --> 00:52:54.320
<v Speaker 2>in anyway.

1188
00:52:54.440 --> 00:52:57.400
<v Speaker 1>That's true. Yeah, plug and play, which is fantastic Forrest

1189
00:52:57.480 --> 00:52:59.760
<v Speaker 1>I'm sorry, we're not really answering that all there. Well,

1190
00:52:59.760 --> 00:53:01.039
<v Speaker 1>and maybe you're not answering the way you want it,

1191
00:53:01.039 --> 00:53:03.960
<v Speaker 1>because when you say deserve more widespread love, we're not.

1192
00:53:04.280 --> 00:53:06.800
<v Speaker 1>I don't think you're necessarily saying put them in every episode,

1193
00:53:07.199 --> 00:53:09.079
<v Speaker 1>but it's like, hey, you know who's good is such

1194
00:53:09.119 --> 00:53:09.440
<v Speaker 1>and such?

1195
00:53:09.519 --> 00:53:12.199
<v Speaker 2>When you hear favorite characters, favorite side characters is always

1196
00:53:12.239 --> 00:53:15.000
<v Speaker 2>like krusty pooh Mo, that kind of thing, Lenny, you

1197
00:53:15.000 --> 00:53:18.840
<v Speaker 2>don't really hear the Martin Prince. When we say not disparaging,

1198
00:53:19.000 --> 00:53:19.840
<v Speaker 2>we say the B team.

1199
00:53:20.159 --> 00:53:24.000
<v Speaker 1>But yeah, supporting characters, and I think you're thinking of

1200
00:53:24.119 --> 00:53:26.360
<v Speaker 1>someone characters who are a little more sort of cameo.

1201
00:53:29.760 --> 00:53:31.440
<v Speaker 1>I'm sorry we can't answer it, but we hope We've

1202
00:53:31.480 --> 00:53:33.800
<v Speaker 1>had a pretty stimulating discussion about the nature of these

1203
00:53:33.880 --> 00:53:35.199
<v Speaker 1>things here.

1204
00:53:35.199 --> 00:53:37.920
<v Speaker 2>I've scrolled down a bit. Shara Luise is down to bottom.

1205
00:53:38.400 --> 00:53:41.119
<v Speaker 2>Did you ever read the Simpsons or Futurama comic books?

1206
00:53:41.239 --> 00:53:43.079
<v Speaker 2>My dad used to buy them for me as a kid.

1207
00:53:43.320 --> 00:53:45.840
<v Speaker 2>I never did, but did you I certainly did now.

1208
00:53:46.000 --> 00:53:48.760
<v Speaker 2>I busted them out for the first time two days ago,

1209
00:53:48.840 --> 00:53:51.079
<v Speaker 2>just round this question came through. I just read to

1210
00:53:51.119 --> 00:53:52.519
<v Speaker 2>the kids, kids like, what can we read and I thought,

1211
00:53:52.519 --> 00:53:54.119
<v Speaker 2>you know, a kid, I'm gonna read you your first

1212
00:53:54.119 --> 00:53:55.360
<v Speaker 2>comic book. And I've can see you've got all the

1213
00:53:55.519 --> 00:53:58.119
<v Speaker 2>Spider Simpsons comics are They're all down at bottom there,

1214
00:53:58.320 --> 00:54:01.599
<v Speaker 2>who I've got most of them, right, And I'm reading

1215
00:54:01.599 --> 00:54:04.360
<v Speaker 2>this and I'm going, I just don't think Elliott like

1216
00:54:04.400 --> 00:54:07.199
<v Speaker 2>he's six years old. These comics, the Simpsons ones, the

1217
00:54:07.320 --> 00:54:09.079
<v Speaker 2>jokes go over his head. I think, if you're watching

1218
00:54:09.159 --> 00:54:11.639
<v Speaker 2>a show and it's just sort of being spoken to

1219
00:54:11.679 --> 00:54:13.480
<v Speaker 2>you and the things are moving around.

1220
00:54:13.480 --> 00:54:16.079
<v Speaker 1>Plus different line delivery, mine delivery, me just.

1221
00:54:16.079 --> 00:54:18.360
<v Speaker 2>Reading out the jokes, it was showing over his head.

1222
00:54:18.360 --> 00:54:19.480
<v Speaker 2>And I was like, I got like two pages and

1223
00:54:19.559 --> 00:54:21.400
<v Speaker 2>I went, let's get something, alse mate. I don't think

1224
00:54:21.400 --> 00:54:23.840
<v Speaker 2>comic books are quite there for you, or these ones anyway.

1225
00:54:24.119 --> 00:54:26.559
<v Speaker 2>I personally love the Simpsons comic books.

1226
00:54:26.360 --> 00:54:26.559
<v Speaker 1>I think.

1227
00:54:26.599 --> 00:54:29.280
<v Speaker 2>But I look back now, I think I when I

1228
00:54:29.320 --> 00:54:31.760
<v Speaker 2>think of my childhood, right, I'll watch this when I

1229
00:54:31.760 --> 00:54:32.960
<v Speaker 2>was a kid, I just a kid. Yeah, but you

1230
00:54:33.039 --> 00:54:36.039
<v Speaker 2>were like ten or twelve, you know, Elliot's still six. Sure,

1231
00:54:36.280 --> 00:54:39.280
<v Speaker 2>I think I just equate him to being my age.

1232
00:54:39.559 --> 00:54:41.280
<v Speaker 2>I look like nineteenninety eight, I was watching the Simpson

1233
00:54:41.320 --> 00:54:43.000
<v Speaker 2>ninety eight. Yeah, you were ten, Brinon. He's six.

1234
00:54:43.119 --> 00:54:44.760
<v Speaker 1>He doesn't quite get these. There's a big difference.

1235
00:54:44.760 --> 00:54:46.760
<v Speaker 2>There is a big difference. Yeah, so I think in

1236
00:54:46.800 --> 00:54:48.280
<v Speaker 2>a couple of years he'll really like that. But he's

1237
00:54:48.280 --> 00:54:51.320
<v Speaker 2>still only six, he's nearly seven. Potential frauds call him.

1238
00:54:51.320 --> 00:54:51.880
<v Speaker 2>Shall I answer it?

1239
00:54:52.360 --> 00:54:54.119
<v Speaker 1>Absolutely? Let's go hello?

1240
00:54:58.239 --> 00:54:58.519
<v Speaker 2>Block?

1241
00:55:00.559 --> 00:55:01.559
<v Speaker 1>Was that an electronic nois?

1242
00:55:05.159 --> 00:55:06.760
<v Speaker 2>I do love that aspect now where they can tell

1243
00:55:06.760 --> 00:55:08.639
<v Speaker 2>you that it's fraud from the get go and you're

1244
00:55:08.679 --> 00:55:10.199
<v Speaker 2>just like, yeah, I'm not going to answer that block?

1245
00:55:10.320 --> 00:55:11.480
<v Speaker 1>Were you? The one who told me was like, you

1246
00:55:11.559 --> 00:55:13.000
<v Speaker 1>don't answer for like five seconds.

1247
00:55:13.559 --> 00:55:14.760
<v Speaker 2>I just said hello for the sake of this. But

1248
00:55:14.840 --> 00:55:17.519
<v Speaker 2>if it's every one of those don't speak for five seconds,

1249
00:55:17.639 --> 00:55:19.639
<v Speaker 2>they can't speak until you do. Most people answer the

1250
00:55:19.679 --> 00:55:21.960
<v Speaker 2>phone saying hello, yeah, and it's like, oh, that's.

1251
00:55:21.880 --> 00:55:23.199
<v Speaker 1>My cue to speak. That's the thing. If I don't

1252
00:55:23.239 --> 00:55:26.000
<v Speaker 1>recognize the number, then I'll just answer and dead air,

1253
00:55:26.039 --> 00:55:27.840
<v Speaker 1>dead air, dead air and hang up and we're like.

1254
00:55:30.559 --> 00:55:36.960
<v Speaker 2>The hack works. That's right, beat the system a matrix

1255
00:55:37.119 --> 00:55:38.880
<v Speaker 2>I am. I love the Simpsons comic books and now

1256
00:55:39.039 --> 00:55:40.239
<v Speaker 2>paled Dylan Haggart.

1257
00:55:40.320 --> 00:55:40.719
<v Speaker 1>He sent me some.

1258
00:55:40.719 --> 00:55:42.119
<v Speaker 2>Future on the comic books, once as well, So I

1259
00:55:42.119 --> 00:55:45.559
<v Speaker 2>appreciate that, Dylan think. But one of my favorite memories

1260
00:55:45.559 --> 00:55:47.920
<v Speaker 2>as kid was going to go into my great nand's

1261
00:55:47.960 --> 00:55:49.360
<v Speaker 2>house on a Wednesday and we'd walk up to the

1262
00:55:49.800 --> 00:55:51.880
<v Speaker 2>news agency because I don't even go there on a

1263
00:55:51.880 --> 00:55:53.719
<v Speaker 2>school holiday. So the Wednesday we go to great Lands,

1264
00:55:53.960 --> 00:55:55.760
<v Speaker 2>walk up the road to the Beraneva Road news agency,

1265
00:55:55.920 --> 00:55:57.559
<v Speaker 2>get myself a Simpsons comic book and a couple of

1266
00:55:57.599 --> 00:55:58.400
<v Speaker 2>packs of footy cards.

1267
00:55:58.599 --> 00:56:01.519
<v Speaker 1>Good times. Wow, sound great? That does sound great? Indeed?

1268
00:56:01.719 --> 00:56:05.320
<v Speaker 2>All right, another question here, Adam Young. When it was

1269
00:56:05.400 --> 00:56:08.039
<v Speaker 2>first created, the Symptoms was an edgy antidote to the

1270
00:56:08.159 --> 00:56:11.719
<v Speaker 2>established family sitcom genre. In the decades since, the show

1271
00:56:11.760 --> 00:56:14.440
<v Speaker 2>has outlived the genre it was parroting, and as so

1272
00:56:14.719 --> 00:56:17.239
<v Speaker 2>and so has changed over time. Do you think there's

1273
00:56:17.239 --> 00:56:19.360
<v Speaker 2>a show on TV now that is the same spirit,

1274
00:56:19.519 --> 00:56:21.880
<v Speaker 2>something that takes a jab at the modern sitcom formula.

1275
00:56:22.199 --> 00:56:24.159
<v Speaker 2>The only one that springs to mind for me is

1276
00:56:24.719 --> 00:56:26.920
<v Speaker 2>What We Do in the Shadows that takes the established

1277
00:56:26.960 --> 00:56:29.519
<v Speaker 2>modern style of a naturalistic fly in the world documentary

1278
00:56:29.559 --> 00:56:32.360
<v Speaker 2>but pushes it to the absurd by being about vampires.

1279
00:56:32.599 --> 00:56:34.840
<v Speaker 1>Never seen that show? Have you seen it? I've seen

1280
00:56:34.880 --> 00:56:38.480
<v Speaker 1>the movie and a lot of people who taste I

1281
00:56:38.519 --> 00:56:39.920
<v Speaker 1>respect are like, yeah, what we do in the Shadow

1282
00:56:39.960 --> 00:56:42.519
<v Speaker 1>is pretty good. I've yet to catch it, but the

1283
00:56:42.559 --> 00:56:43.480
<v Speaker 1>movie is actually pretty good.

1284
00:56:43.480 --> 00:56:45.639
<v Speaker 2>I can honestly say I don't watch enough modern TV

1285
00:56:45.719 --> 00:56:46.719
<v Speaker 2>to be able to answer this question.

1286
00:56:47.079 --> 00:56:48.800
<v Speaker 1>There is that in a lot of ways. I mean, yeah,

1287
00:56:48.840 --> 00:56:51.360
<v Speaker 1>the answer that I'm going to give might seem pretty dated,

1288
00:56:51.360 --> 00:56:52.960
<v Speaker 1>even though show was still going. It has been over

1289
00:56:53.079 --> 00:56:55.840
<v Speaker 1>quite some time. But I tend to think of like,

1290
00:56:56.159 --> 00:56:57.519
<v Speaker 1>it's always something in Philadelphia.

1291
00:56:57.599 --> 00:56:59.400
<v Speaker 2>That's what came to my mind. As one We've had

1292
00:56:59.519 --> 00:57:01.679
<v Speaker 2>Dost quest for us to do a podcast on that show.

1293
00:57:01.800 --> 00:57:05.159
<v Speaker 2>Apparently it's like Seifeld. Okay, I've never seen a single episode.

1294
00:57:05.199 --> 00:57:07.519
<v Speaker 2>I've only seen bits and Peace Goes Forever and I've

1295
00:57:07.719 --> 00:57:09.679
<v Speaker 2>seen a very long time. I never seen an episode

1296
00:57:09.719 --> 00:57:12.119
<v Speaker 2>of it, and I think it was initially designed, as

1297
00:57:12.159 --> 00:57:15.280
<v Speaker 2>anim was pointing out here, like the Simpsons were designeders like, Okay.

1298
00:57:15.119 --> 00:57:18.679
<v Speaker 1>So it's like Ozzie and Harry or leave it to Be,

1299
00:57:18.760 --> 00:57:22.480
<v Speaker 1>but those traditional family sitcoms where it's like where you're

1300
00:57:22.480 --> 00:57:24.159
<v Speaker 1>you gonna be, but I'm gonna go PENI Fits or

1301
00:57:24.199 --> 00:57:29.519
<v Speaker 1>something like that, it's always sunny, was sort of like

1302
00:57:29.920 --> 00:57:34.920
<v Speaker 1>the anti friends. Okay, I think I could be entirely

1303
00:57:34.960 --> 00:57:36.840
<v Speaker 1>mistaken here. So when did it start two thousand and

1304
00:57:36.880 --> 00:57:39.800
<v Speaker 1>six ish or two thousand and NINETI ish early two thousands,

1305
00:57:39.840 --> 00:57:43.960
<v Speaker 1>early to mid two thousands, maybe mean later, so always sunny.

1306
00:57:44.480 --> 00:57:45.199
<v Speaker 1>Two thousand and five.

1307
00:57:45.239 --> 00:57:47.039
<v Speaker 2>Wow, it was a long time ago and it's still

1308
00:57:47.119 --> 00:57:50.440
<v Speaker 2>going seventeen seasons. Yeah, crazy didn't go away for a

1309
00:57:50.480 --> 00:57:51.119
<v Speaker 2>while and then came.

1310
00:57:51.079 --> 00:57:52.719
<v Speaker 1>Back or something. That's a good question.

1311
00:57:52.760 --> 00:57:57.239
<v Speaker 2>I'm not sure because that's two thousand and five, seventeen

1312
00:57:57.320 --> 00:57:58.960
<v Speaker 2>years utter between twenty two, so there must have been

1313
00:57:59.000 --> 00:58:02.840
<v Speaker 2>a break, maybe during COVID or something quite possible. Yeah,

1314
00:58:02.840 --> 00:58:04.719
<v Speaker 2>but always Sonny. Yeah, I've had nothing of good things

1315
00:58:04.800 --> 00:58:07.719
<v Speaker 2>that My favorite meme gift is is Daddy to Be Gone?

1316
00:58:10.119 --> 00:58:12.400
<v Speaker 1>Yeah. I think it's very easily memorable as well. There's

1317
00:58:12.440 --> 00:58:14.239
<v Speaker 1>a lot of it's got the drawing on the board

1318
00:58:14.360 --> 00:58:16.679
<v Speaker 1>Chali dated with this sort of wall of weird or something.

1319
00:58:16.719 --> 00:58:19.159
<v Speaker 1>It's like, yeah, anytime conspiracy theories come up, like well

1320
00:58:19.480 --> 00:58:22.000
<v Speaker 1>just use Charlie Day. So yeah, I get the feeling

1321
00:58:22.280 --> 00:58:26.159
<v Speaker 1>that you're always on. It does a bit of twisting

1322
00:58:26.280 --> 00:58:28.199
<v Speaker 1>version to the point where and that's what it was

1323
00:58:28.239 --> 00:58:30.400
<v Speaker 1>initially designed. It's like, Oh, you're hanging out with your

1324
00:58:30.400 --> 00:58:32.079
<v Speaker 1>favorite friends and they've always got each other's back, and

1325
00:58:32.119 --> 00:58:34.840
<v Speaker 1>they'll always sort of they'll mess up, but they're generally

1326
00:58:34.920 --> 00:58:35.559
<v Speaker 1>doing the right thing.

1327
00:58:35.719 --> 00:58:38.000
<v Speaker 2>So is it is it a sitcom in the traditional

1328
00:58:38.079 --> 00:58:40.119
<v Speaker 2>sense or is it more like a modern family style.

1329
00:58:40.199 --> 00:58:43.800
<v Speaker 1>I think it's more. I think it sort of is

1330
00:58:43.880 --> 00:58:47.760
<v Speaker 1>the camera at all. No, I don't think there's sports

1331
00:58:47.800 --> 00:58:50.320
<v Speaker 1>wall breaking, but I think it's to the best of

1332
00:58:50.360 --> 00:58:52.039
<v Speaker 1>my understanding. But it's also shot in it's kind of

1333
00:58:52.079 --> 00:58:54.039
<v Speaker 1>rough and ready way, because I think they've made the

1334
00:58:54.119 --> 00:58:57.559
<v Speaker 1>pilot on like a fairly average kind of camcorder, okay,

1335
00:58:58.039 --> 00:59:00.840
<v Speaker 1>and just sort of relied on their comic chemistry, their

1336
00:59:01.400 --> 00:59:04.639
<v Speaker 1>comic chemistry as a group, their comic talents as individuals,

1337
00:59:05.159 --> 00:59:09.920
<v Speaker 1>and their willingness to yeah, just be highly inappropriate but

1338
00:59:10.079 --> 00:59:12.199
<v Speaker 1>funny with it and being sort of fearless in that regard.

1339
00:59:12.840 --> 00:59:15.480
<v Speaker 1>Friends is great, Got no problem with it. But it's

1340
00:59:15.519 --> 00:59:19.159
<v Speaker 1>also fairly stock standard in terms of like, here's a

1341
00:59:19.199 --> 00:59:22.119
<v Speaker 1>bunch of good looking people, they're well dressed, one of

1342
00:59:22.159 --> 00:59:24.440
<v Speaker 1>them occasionally have a crush on another or a long

1343
00:59:24.519 --> 00:59:27.880
<v Speaker 1>yeah whatever, Whereas this is kind of like what can

1344
00:59:27.960 --> 00:59:29.960
<v Speaker 1>we do the highly it's a bit South Parking in

1345
00:59:30.039 --> 00:59:36.960
<v Speaker 1>that regard. Yeah, the anti establishment. So yeah, that's what

1346
00:59:37.079 --> 00:59:37.599
<v Speaker 1>I would say.

1347
00:59:37.800 --> 00:59:40.440
<v Speaker 2>Okay, especially when it launched, it sound like it was

1348
00:59:40.480 --> 00:59:42.360
<v Speaker 2>the show that certainly, Yeah, I was a goot to say.

1349
00:59:42.400 --> 00:59:44.280
<v Speaker 2>And now it's been around long enough that it becomes

1350
00:59:45.559 --> 00:59:47.800
<v Speaker 2>much like South park Is is like, oh, well they've

1351
00:59:47.840 --> 00:59:50.960
<v Speaker 2>been doing this for this long, Well comes back because

1352
00:59:51.000 --> 00:59:51.519
<v Speaker 2>that's what they do.

1353
00:59:51.800 --> 00:59:53.639
<v Speaker 1>Yeah, kind of thing. Reece Roberts.

1354
00:59:53.679 --> 00:59:55.400
<v Speaker 2>Do you think there will ever be a King of

1355
00:59:55.440 --> 00:59:57.639
<v Speaker 2>the Hill movie or more crossovers with it being on

1356
00:59:57.760 --> 01:00:00.320
<v Speaker 2>Disney Plus, there'll be some sort of crossover think to

1357
01:00:00.480 --> 01:00:02.440
<v Speaker 2>sort of like a Simpsons short with King of the Hill.

1358
01:00:02.960 --> 01:00:06.760
<v Speaker 1>Yeah, but here's the thing. King of the Hill is

1359
01:00:06.880 --> 01:00:11.079
<v Speaker 1>so very much its own thing. It's on Hulu, isn't it. Yeah,

1360
01:00:11.159 --> 01:00:14.119
<v Speaker 1>you've got I'm sure talented people in all these Riders

1361
01:00:14.199 --> 01:00:16.519
<v Speaker 1>rooms and all these all these production stuff were like, yeah,

1362
01:00:16.559 --> 01:00:19.119
<v Speaker 1>we can find a way to merge these two together,

1363
01:00:20.559 --> 01:00:23.440
<v Speaker 1>you know, in an interesting synergistic way that will improve

1364
01:00:23.519 --> 01:00:26.920
<v Speaker 1>both shows or what's the word. I'm looking to promote

1365
01:00:26.920 --> 01:00:30.400
<v Speaker 1>both shows well without sunding too cheesy, But King of

1366
01:00:30.440 --> 01:00:32.880
<v Speaker 1>the Hill has such its own voice and its own

1367
01:00:32.960 --> 01:00:35.440
<v Speaker 1>style so different is it. Yeah, that to mash it

1368
01:00:35.559 --> 01:00:37.599
<v Speaker 1>up with the with the Simpsons or something like that.

1369
01:00:37.679 --> 01:00:40.599
<v Speaker 2>It was like, we didn't have that one crossover in

1370
01:00:41.000 --> 01:00:44.480
<v Speaker 2>Bart's Star where Bart plays football and they play the

1371
01:00:45.199 --> 01:00:47.960
<v Speaker 2>they play Aarlen's team and they beat them and it

1372
01:00:48.039 --> 01:00:50.639
<v Speaker 2>cust to hanging. So we drove two thousand miles for

1373
01:00:50.719 --> 01:00:51.440
<v Speaker 2>this or something like that.

1374
01:00:52.039 --> 01:00:53.119
<v Speaker 1>That works.

1375
01:00:53.239 --> 01:00:55.480
<v Speaker 2>Yeah, just a little bit, just a throwaway gag like that,

1376
01:00:55.679 --> 01:00:57.360
<v Speaker 2>but we're going to alm baby.

1377
01:00:57.639 --> 01:01:00.679
<v Speaker 1>Yeah, but having say Homer inter with Hank.

1378
01:01:00.599 --> 01:01:03.159
<v Speaker 2>Hill let us look so different as well. Yeah, it'll

1379
01:01:03.280 --> 01:01:04.760
<v Speaker 2>just be why are you yellow?

1380
01:01:04.880 --> 01:01:08.440
<v Speaker 1>We all enjoy a lovely PEB and Jay sandwich peanut

1381
01:01:08.480 --> 01:01:10.039
<v Speaker 1>butter and jam. This would be a PB and S

1382
01:01:10.079 --> 01:01:14.239
<v Speaker 1>sandwich peanut butter and sardines, which could work.

1383
01:01:14.280 --> 01:01:16.840
<v Speaker 2>Who knows that might be a taste, Ryan King, he's

1384
01:01:16.840 --> 01:01:18.960
<v Speaker 2>an old school question for Dando. I've literally been wondering

1385
01:01:19.039 --> 01:01:20.679
<v Speaker 2>this for years. What was the story of Mitch not

1386
01:01:20.760 --> 01:01:22.639
<v Speaker 2>knowing who trust McNeil is. I've listened to all of

1387
01:01:22.679 --> 01:01:24.360
<v Speaker 2>season one of the podcasts and haven't been able to

1388
01:01:24.400 --> 01:01:26.079
<v Speaker 2>find any reference of it happening. All I can find

1389
01:01:26.159 --> 01:01:27.880
<v Speaker 2>is you guys talking about that time Misch didn't know

1390
01:01:27.880 --> 01:01:31.599
<v Speaker 2>who she was I'm pretty sure we were doing the

1391
01:01:31.679 --> 01:01:33.920
<v Speaker 2>show and I just kept saying, trust mc neil, trust

1392
01:01:33.920 --> 01:01:35.760
<v Speaker 2>me neil, and then Mitch just goes, you need to

1393
01:01:35.920 --> 01:01:37.000
<v Speaker 2>and I think he just sort of said to me

1394
01:01:37.079 --> 01:01:38.760
<v Speaker 2>at the time, you need to explain to you to

1395
01:01:38.760 --> 01:01:40.519
<v Speaker 2>the listeners who trustmcneil is, because I won't get it.

1396
01:01:40.639 --> 01:01:42.599
<v Speaker 2>And I remember I looked and I went, wait, you

1397
01:01:42.639 --> 01:01:43.920
<v Speaker 2>don't know who trust mecniel.

1398
01:01:43.599 --> 01:01:44.079
<v Speaker 1>Is, and he went no.

1399
01:01:44.599 --> 01:01:47.840
<v Speaker 2>I was like, she fucking the voice actor. And I

1400
01:01:47.920 --> 01:01:50.679
<v Speaker 2>think we cut it out because Mitch was like, oh shit,

1401
01:01:52.519 --> 01:01:55.559
<v Speaker 2>so we just cut it out and then maybe we

1402
01:01:55.719 --> 01:01:58.199
<v Speaker 2>made reference to it, but the actual when he said

1403
01:01:58.280 --> 01:02:01.079
<v Speaker 2>who is trust McNeil was removed from all existence.

1404
01:02:01.800 --> 01:02:02.320
<v Speaker 1>Here's the thing.

1405
01:02:02.559 --> 01:02:05.840
<v Speaker 2>I mean, forgive someone for not knowing voice actor names

1406
01:02:05.880 --> 01:02:07.880
<v Speaker 2>because she's not there's not on the top of the poster.

1407
01:02:08.119 --> 01:02:10.960
<v Speaker 1>No, And I think when you I say this, with

1408
01:02:11.039 --> 01:02:13.079
<v Speaker 1>all due respect to trest McNeil, When I think of

1409
01:02:13.119 --> 01:02:14.760
<v Speaker 1>trust McNeil, I think The Simpsons. I don't think of

1410
01:02:14.800 --> 01:02:18.199
<v Speaker 1>her as like it's trust McNeil. I think of trust McNeil,

1411
01:02:18.239 --> 01:02:19.920
<v Speaker 1>that that actor on The Simpsons.

1412
01:02:20.000 --> 01:02:23.119
<v Speaker 2>Yeah, yeah, you know, she's voice so she's one of

1413
01:02:23.119 --> 01:02:25.440
<v Speaker 2>the worst. She's she is the most iconic female voice

1414
01:02:25.440 --> 01:02:25.840
<v Speaker 2>actor of all.

1415
01:02:25.920 --> 01:02:28.880
<v Speaker 1>Oh yeah, yeah, a terrific player in that regard.

1416
01:02:29.079 --> 01:02:31.760
<v Speaker 2>So but if I went up to I said this

1417
01:02:31.840 --> 01:02:34.920
<v Speaker 2>to Nicola, voice actors are incredible. But if you walked

1418
01:02:34.960 --> 01:02:37.480
<v Speaker 2>up to anyone in the street and said who is

1419
01:02:37.559 --> 01:02:42.000
<v Speaker 2>Tess McNeil, I reckon nine out of ten wouldn't have them.

1420
01:02:42.119 --> 01:02:45.440
<v Speaker 2>No idea you walked up and say who is Jim Cummings.

1421
01:02:45.480 --> 01:02:47.199
<v Speaker 2>I used to say when I was doing Jim Cummings,

1422
01:02:47.519 --> 01:02:49.440
<v Speaker 2>I do do the podcast at Jim Cummings, They go,

1423
01:02:49.679 --> 01:02:51.679
<v Speaker 2>who is the voice of Windy the pooh? Oh? Yeah?

1424
01:02:51.679 --> 01:02:53.920
<v Speaker 1>What did the pooh? They know the characters, sure, they

1425
01:02:53.920 --> 01:02:56.880
<v Speaker 1>don't know the people behind them, that's correct. So yeah,

1426
01:02:56.880 --> 01:02:59.000
<v Speaker 1>even someone like Marshall Wallace who has a long and

1427
01:02:59.079 --> 01:03:02.920
<v Speaker 1>had a long story career. Here, No, it doesn't necessarily

1428
01:03:03.000 --> 01:03:05.039
<v Speaker 1>ring a bell voice, mister k oh.

1429
01:03:05.400 --> 01:03:06.360
<v Speaker 2>Okay, yeah, she does that.

1430
01:03:06.599 --> 01:03:10.679
<v Speaker 1>So that's but that's that's the voice actors a lot

1431
01:03:10.760 --> 01:03:13.480
<v Speaker 1>in life. Most it's Billy West.

1432
01:03:13.800 --> 01:03:15.920
<v Speaker 2>Yeah, Billy West is like a living legend, you know,

1433
01:03:16.159 --> 01:03:17.760
<v Speaker 2>but he's run to still be you know, he's all

1434
01:03:17.800 --> 01:03:19.559
<v Speaker 2>these but oh he does those characters.

1435
01:03:19.639 --> 01:03:23.760
<v Speaker 1>Okay, you could say, who's Phil Lamar? Yeah, and you

1436
01:03:23.840 --> 01:03:25.840
<v Speaker 1>could maybe even really have a lot of voice Mark,

1437
01:03:26.440 --> 01:03:28.360
<v Speaker 1>but he's also you got shot in the face by

1438
01:03:28.400 --> 01:03:32.840
<v Speaker 1>John t. Voll Pop. Oh, okay, gotcha. Yeah, it's an

1439
01:03:32.880 --> 01:03:35.039
<v Speaker 1>interesting conundrum for a voice I mean, a good voice

1440
01:03:35.039 --> 01:03:37.239
<v Speaker 1>actor is going to work a lot and probably gonna

1441
01:03:37.239 --> 01:03:41.239
<v Speaker 1>work forever. Yea, yeah, but I forgive but give me

1442
01:03:41.559 --> 01:03:42.440
<v Speaker 1>not knowing who she was.

1443
01:03:42.599 --> 01:03:44.559
<v Speaker 2>But but that's the reason I think we removed it

1444
01:03:44.559 --> 01:03:44.760
<v Speaker 2>from it.

1445
01:03:44.840 --> 01:03:46.719
<v Speaker 1>It's a feeling you're doing like a Simpsons podcast. Though

1446
01:03:46.800 --> 01:03:48.880
<v Speaker 1>you have to be watching a few episodes of the Simpsons,

1447
01:03:48.960 --> 01:03:50.960
<v Speaker 1>and yeah, you would see the name Trest mc neil

1448
01:03:51.079 --> 01:03:53.679
<v Speaker 1>popping up all the t're sticking around for the credits.

1449
01:03:53.880 --> 01:03:56.440
<v Speaker 2>You should do at a tea. Do you find that,

1450
01:03:56.559 --> 01:03:58.840
<v Speaker 2>as a parent, when letting your little ones watch The Simpsons,

1451
01:03:58.880 --> 01:04:01.039
<v Speaker 2>that you tend to skip the Itch Scratchy cartoons. I've

1452
01:04:01.039 --> 01:04:03.199
<v Speaker 2>actually mentioned this. Obviously I watched them as a kid,

1453
01:04:03.519 --> 01:04:05.119
<v Speaker 2>but I look at them now and I just think, wow,

1454
01:04:05.159 --> 01:04:07.519
<v Speaker 2>this is really violent. Always skip ahead from my kids.

1455
01:04:07.719 --> 01:04:10.599
<v Speaker 2>I'm exactly the same. I put the sims for Holly

1456
01:04:10.599 --> 01:04:12.480
<v Speaker 2>and Elliott and if she has Scratchy, come on, and

1457
01:04:12.599 --> 01:04:15.840
<v Speaker 2>I go I don't think I'm happy for them to

1458
01:04:15.920 --> 01:04:16.559
<v Speaker 2>be watching this.

1459
01:04:16.920 --> 01:04:18.920
<v Speaker 1>Yes, it's pretty like the Itchy and Scratchy.

1460
01:04:18.599 --> 01:04:22.559
<v Speaker 2>Cartoons are really violent, and I understand that in a cartoon, right,

1461
01:04:22.760 --> 01:04:26.320
<v Speaker 2>that's the joke. I understand, But I don't think my

1462
01:04:26.480 --> 01:04:28.599
<v Speaker 2>four year old needs to be watching that kind of violence.

1463
01:04:28.880 --> 01:04:31.199
<v Speaker 2>And that's what the episode my age versus She Scratchy

1464
01:04:31.280 --> 01:04:35.440
<v Speaker 2>is all about. Sure, right, it's just it's just animated

1465
01:04:35.519 --> 01:04:37.840
<v Speaker 2>TV violence. Maybe it's just the world we live in now.

1466
01:04:37.880 --> 01:04:39.920
<v Speaker 2>But I go, I think I was put up Babies

1467
01:04:39.920 --> 01:04:41.400
<v Speaker 2>back on for you, Holly. I don't think you quite

1468
01:04:41.519 --> 01:04:44.559
<v Speaker 2>are ready for the Itchy and Scratchy cartoons yet. Okay,

1469
01:04:44.639 --> 01:04:47.320
<v Speaker 2>look the I put the Simpsons movie on and it

1470
01:04:47.360 --> 01:04:49.679
<v Speaker 2>starts with Itchy and Scratchy cartoon. And Holly's first thing

1471
01:04:49.800 --> 01:04:52.239
<v Speaker 2>was why is that cat cup heading the She she

1472
01:04:52.400 --> 01:04:54.880
<v Speaker 2>like shell She dwelled on it for a while, but

1473
01:04:55.000 --> 01:04:57.119
<v Speaker 2>why was he doing that? So I was just just

1474
01:04:57.199 --> 01:04:59.199
<v Speaker 2>for the it's just a joke for the movie, but

1475
01:04:59.320 --> 01:05:00.960
<v Speaker 2>why And that's all.

1476
01:05:00.880 --> 01:05:02.920
<v Speaker 1>She could just fixate it on it. No, Itching scratch

1477
01:05:02.960 --> 01:05:05.559
<v Speaker 1>is a pretty grown up gag. Yeah, and the nature

1478
01:05:05.559 --> 01:05:10.199
<v Speaker 1>of its being so yeah, gratuitously, disgustingly violent. Yeah, it's

1479
01:05:10.199 --> 01:05:12.000
<v Speaker 1>a pretty grown up gag. And but if you've got

1480
01:05:12.079 --> 01:05:14.039
<v Speaker 1>younger kids who are watching the Simpsons, yeah, I mean

1481
01:05:15.679 --> 01:05:18.599
<v Speaker 1>a middle maybe our nervings have burned out. Might not

1482
01:05:18.679 --> 01:05:21.599
<v Speaker 1>from you know, say, watching the original Itching Scratchy, Tom

1483
01:05:21.639 --> 01:05:25.639
<v Speaker 1>and Jerry, where they're always you know, combative and or

1484
01:05:26.000 --> 01:05:27.880
<v Speaker 1>like the road Run of the Road. You know, the

1485
01:05:27.960 --> 01:05:29.800
<v Speaker 1>thing is always getting blown up.

1486
01:05:29.800 --> 01:05:32.199
<v Speaker 2>But those cartoons don't have blood, which Scratchy has the blood.

1487
01:05:32.280 --> 01:05:34.719
<v Speaker 1>Yeah. So yeah, and that's and that's the gag with

1488
01:05:34.800 --> 01:05:37.719
<v Speaker 1>eaching scratches, like, well, what would this really be? Like,

1489
01:05:37.840 --> 01:05:40.360
<v Speaker 1>you know if they had these two cute animal buddies,

1490
01:05:40.920 --> 01:05:44.599
<v Speaker 1>buddies who were you know, constantly getting into scraps. Oh

1491
01:05:44.639 --> 01:05:45.719
<v Speaker 1>what if you took it to these strings? What if

1492
01:05:45.760 --> 01:05:46.840
<v Speaker 1>you took it to the next level? What if you

1493
01:05:46.880 --> 01:05:48.559
<v Speaker 1>took it to a level that I.

1494
01:05:48.679 --> 01:05:50.119
<v Speaker 2>Know there's going to be people out there saying, oh,

1495
01:05:50.159 --> 01:05:52.239
<v Speaker 2>your kids are soft, And I'm like, I hear what

1496
01:05:52.320 --> 01:05:54.480
<v Speaker 2>you're saying, Right, kids are meant to be soft.

1497
01:05:54.280 --> 01:05:56.519
<v Speaker 1>With yes, let them let them stay soft for a

1498
01:05:56.559 --> 01:05:59.360
<v Speaker 1>little while. They don't necessarily have been working down the mines.

1499
01:05:59.559 --> 01:06:01.960
<v Speaker 2>Just yeah, yeah, yeah, exactly. Yeah, So I just I

1500
01:06:02.000 --> 01:06:04.280
<v Speaker 2>don't know, I hear. I understand when people say that

1501
01:06:04.320 --> 01:06:06.000
<v Speaker 2>she just Crutchry cartoons are two violent because I felt

1502
01:06:06.039 --> 01:06:07.440
<v Speaker 2>it as well. I still left it on, but I

1503
01:06:07.480 --> 01:06:12.960
<v Speaker 2>went maybe they entered my mind. Maybe I shouldn't. Yeah.

1504
01:06:13.199 --> 01:06:18.239
<v Speaker 1>Possibly as a side note, and ty Dano printed out

1505
01:06:18.320 --> 01:06:19.880
<v Speaker 1>these questions sent them to me in a word document,

1506
01:06:19.920 --> 01:06:21.400
<v Speaker 1>and I read this as do I tend to skip

1507
01:06:21.480 --> 01:06:23.559
<v Speaker 1>the IBS cartoons? I'm like, I would skip a cartoon

1508
01:06:23.639 --> 01:06:28.239
<v Speaker 1>that was all. I don't want to watch that. So

1509
01:06:28.800 --> 01:06:31.119
<v Speaker 1>this one here from Dan pop o'matic. Given the recent

1510
01:06:31.199 --> 01:06:33.320
<v Speaker 1>passing of the genius that is Alf Clausen, what is

1511
01:06:33.360 --> 01:06:36.079
<v Speaker 1>your favorite of his music cues from The Simpsons? Probably

1512
01:06:36.079 --> 01:06:41.199
<v Speaker 1>an impossible question, Sorry, yeah, probably word You're right, Dan popomatic.

1513
01:06:41.079 --> 01:06:46.239
<v Speaker 2>I, there's the one. It's the transitions. So for me,

1514
01:06:46.480 --> 01:06:48.800
<v Speaker 2>it's like the I'm not I'm not going to do

1515
01:06:48.960 --> 01:06:54.639
<v Speaker 2>I'll play it here. It's just one of those bits

1516
01:06:54.679 --> 01:06:57.079
<v Speaker 2>of music that's sort of it's uplifting, it makes it

1517
01:06:57.119 --> 01:06:59.719
<v Speaker 2>feel good. It's usually when something successful happens, like someone

1518
01:06:59.840 --> 01:07:03.280
<v Speaker 2>we something, it's like, yeah, achieved your goal.

1519
01:07:03.639 --> 01:07:07.280
<v Speaker 1>Yes, yeah. It's a really tough question then, because you

1520
01:07:07.400 --> 01:07:10.559
<v Speaker 1>mentioned the genius that is our course and that's great

1521
01:07:10.559 --> 01:07:13.800
<v Speaker 1>because I mean what he's doing is providing just underlying texture.

1522
01:07:14.000 --> 01:07:16.519
<v Speaker 1>Good music like this. It's not meant to be sort

1523
01:07:16.519 --> 01:07:18.280
<v Speaker 1>of like standing out at you. It's not meant to

1524
01:07:18.320 --> 01:07:20.280
<v Speaker 1>leap out it. You go, wow, what a great music cue.

1525
01:07:20.320 --> 01:07:22.440
<v Speaker 1>But once you notice the music's there, it's all you hear.

1526
01:07:22.480 --> 01:07:24.800
<v Speaker 2>Is especially the shows that we watch like SVU and

1527
01:07:24.880 --> 01:07:27.039
<v Speaker 2>we're watching ear at the moment, I'm like, oh, Nikola

1528
01:07:27.039 --> 01:07:28.519
<v Speaker 2>even said the other day, she goes, oh, the music

1529
01:07:28.599 --> 01:07:32.599
<v Speaker 2>started it serious business talking this like so and so

1530
01:07:32.760 --> 01:07:37.039
<v Speaker 2>with something broken up, get the people, don't do the

1531
01:07:37.079 --> 01:07:37.599
<v Speaker 2>music stuff.

1532
01:07:38.639 --> 01:07:41.559
<v Speaker 1>So as you said, I mean, given the reason passing, Yeah,

1533
01:07:41.679 --> 01:07:43.400
<v Speaker 1>it was in the rest in Peace Olf, that's when

1534
01:07:43.440 --> 01:07:45.480
<v Speaker 1>you sort of take stock and you know, wow, this

1535
01:07:45.559 --> 01:07:47.440
<v Speaker 1>guy did a lot of good stuff, and you really

1536
01:07:47.519 --> 01:07:50.599
<v Speaker 1>start to revisit things, or you really start to if

1537
01:07:50.639 --> 01:07:53.519
<v Speaker 1>you're watching them. Soode you listen and you go, oh wow, okay,

1538
01:07:53.760 --> 01:07:57.079
<v Speaker 1>that's intrinsic to yeah, the success of this scene or

1539
01:07:58.119 --> 01:08:02.599
<v Speaker 1>you know, my enjoyment of this episode. So yes, thank

1540
01:08:02.639 --> 01:08:06.280
<v Speaker 1>you for the impossible question, Dan pop upmatic. But we're

1541
01:08:06.320 --> 01:08:07.960
<v Speaker 1>glad we were First of all, we're glad that you

1542
01:08:08.039 --> 01:08:10.159
<v Speaker 1>paid triby to have clause and because yeah, that guy's great.

1543
01:08:10.320 --> 01:08:12.480
<v Speaker 2>Yeah, I do like the cue as a que I'll

1544
01:08:12.480 --> 01:08:17.439
<v Speaker 2>play this one here. So basically what that does is

1545
01:08:17.479 --> 01:08:20.359
<v Speaker 2>it incorporates the Simpsons theme, but in a transitional way.

1546
01:08:20.399 --> 01:08:22.119
<v Speaker 2>So that's what he done so well, was he would

1547
01:08:22.159 --> 01:08:25.600
<v Speaker 2>get the theme song but tweak it, put a clock

1548
01:08:25.640 --> 01:08:27.800
<v Speaker 2>in it, and tweak it where you still knew you

1549
01:08:27.840 --> 01:08:29.800
<v Speaker 2>were watching the Simpsons, but it wasn't the Simpsons theme,

1550
01:08:29.920 --> 01:08:30.279
<v Speaker 2>which is.

1551
01:08:30.279 --> 01:08:33.000
<v Speaker 1>Pretty tough because of Danny Alpin's theme, as we always say,

1552
01:08:33.079 --> 01:08:35.000
<v Speaker 1>is iconic, but it's also kind of.

1553
01:08:35.279 --> 01:08:38.439
<v Speaker 2>It's very in your face, it's very overpowering. As I said,

1554
01:08:38.439 --> 01:08:40.279
<v Speaker 2>we're off to the circus. Well, it's Thanny Alpha overall,

1555
01:08:40.319 --> 01:08:40.920
<v Speaker 2>isn't it actually?

1556
01:08:41.479 --> 01:08:46.359
<v Speaker 1>So to take that and tone it down a little,

1557
01:08:46.680 --> 01:08:51.199
<v Speaker 1>turn it into fabric and weave it all throughout the show, yeah,

1558
01:08:51.840 --> 01:08:53.159
<v Speaker 1>is a big ask, and it's something that they all

1559
01:08:53.159 --> 01:08:54.239
<v Speaker 1>pulled off really really well.

1560
01:08:54.640 --> 01:08:57.159
<v Speaker 2>Yes. All right, let's do one more question here and

1561
01:08:57.199 --> 01:09:01.479
<v Speaker 2>we'll wrap up this month's mail bag Trainiac Maniac. Are

1562
01:09:01.520 --> 01:09:03.439
<v Speaker 2>there any jokes in the Simpsons that you never really

1563
01:09:03.479 --> 01:09:06.079
<v Speaker 2>got or don't understand why people find them so hilarious?

1564
01:09:06.159 --> 01:09:08.840
<v Speaker 2>It can be from now or when you were a kid. Well,

1565
01:09:08.880 --> 01:09:10.079
<v Speaker 2>there was still a jokes I didn't get when I

1566
01:09:10.079 --> 01:09:11.239
<v Speaker 2>was a kid. I understand now was in adult and

1567
01:09:11.279 --> 01:09:14.359
<v Speaker 2>I love them ones that I never quite I've always said,

1568
01:09:14.800 --> 01:09:17.479
<v Speaker 2>I don't quite get the love that Everything's coming up

1569
01:09:17.479 --> 01:09:20.760
<v Speaker 2>Millhouse gets. I think it's just something that's fun to say. Sure, yeah,

1570
01:09:20.760 --> 01:09:23.159
<v Speaker 2>as opposed to being a really funny gag. Everyone goes

1571
01:09:23.399 --> 01:09:25.560
<v Speaker 2>Everything's coming up millhous you know the Simpsons too, But

1572
01:09:25.680 --> 01:09:28.960
<v Speaker 2>I don't see it as a genuinely funny gag.

1573
01:09:29.439 --> 01:09:30.920
<v Speaker 1>You don't like the Rakes, do you. I'm not a

1574
01:09:31.039 --> 01:09:33.319
<v Speaker 1>huge fan of the Rakes. Yeah, I mean I again,

1575
01:09:33.399 --> 01:09:35.800
<v Speaker 1>it's one of those things everyone's got this I think

1576
01:09:35.800 --> 01:09:38.399
<v Speaker 1>where it's like that is a joke. It's a quote

1577
01:09:38.439 --> 01:09:40.840
<v Speaker 1>a wolf from what is it? Star Trek Next Genera

1578
01:09:40.960 --> 01:09:42.840
<v Speaker 1>is like that is a joke. It is not funny,

1579
01:09:42.960 --> 01:09:46.399
<v Speaker 1>but I recognize it as a joke. Yeah, yeah, I'd

1580
01:09:46.399 --> 01:09:48.840
<v Speaker 1>recognize that. The cap for your thing is like, oh

1581
01:09:49.119 --> 01:09:52.159
<v Speaker 1>he stepping around, Oh he keeps stepping on rakes. Oh

1582
01:09:52.239 --> 01:09:56.039
<v Speaker 1>it's gone from funny to not funny. It's been going

1583
01:09:56.079 --> 01:10:00.239
<v Speaker 1>so long it's back to a funny bugger. So yeah,

1584
01:10:00.279 --> 01:10:03.039
<v Speaker 1>but it's just something that doesn't really hit my funny

1585
01:10:03.079 --> 01:10:05.640
<v Speaker 1>mote all that much. But the thing I was thinking

1586
01:10:05.640 --> 01:10:08.039
<v Speaker 1>about this is, I mean, because here's the thing about

1587
01:10:08.079 --> 01:10:10.680
<v Speaker 1>my experience with The Simpsons. I mean, I was clearly

1588
01:10:10.720 --> 01:10:12.399
<v Speaker 1>a lot older than you when I started watching it,

1589
01:10:12.920 --> 01:10:14.640
<v Speaker 1>and I get the field of people who were creating

1590
01:10:14.720 --> 01:10:19.119
<v Speaker 1>it were of course older than me, but we had

1591
01:10:19.159 --> 01:10:21.079
<v Speaker 1>the same sort of frames of reference, and even if

1592
01:10:21.079 --> 01:10:23.359
<v Speaker 1>I didn't get all the gags, I would sort of

1593
01:10:23.720 --> 01:10:26.600
<v Speaker 1>understand where their heads were at. The thing that leaps

1594
01:10:26.600 --> 01:10:29.079
<v Speaker 1>to mind, I think, is it Millhouse who says this?

1595
01:10:29.199 --> 01:10:32.920
<v Speaker 1>But it's like, whoa a Bob mackey? I knew the

1596
01:10:33.000 --> 01:10:35.319
<v Speaker 1>name Bob mcke because I think you'd like, Yeah, I

1597
01:10:35.399 --> 01:10:37.159
<v Speaker 1>was a Landa Tayman JUNKI and I think, oh, he

1598
01:10:37.199 --> 01:10:39.079
<v Speaker 1>designed that dress for Share that she woke to the

1599
01:10:39.399 --> 01:10:44.479
<v Speaker 1>Oscars that everyone thought, wow, how outrageous. Yeah, his name

1600
01:10:44.560 --> 01:10:46.560
<v Speaker 1>was sort of in the zegus. But but a kid like,

1601
01:10:46.800 --> 01:10:48.560
<v Speaker 1>is it is it Milhouse who says it? Or is

1602
01:10:48.600 --> 01:10:49.520
<v Speaker 1>it maybe even Bart?

1603
01:10:50.000 --> 01:10:52.039
<v Speaker 2>No, it's it's Millhouse. Yeah, looking at a bush jacket.

1604
01:10:52.119 --> 01:10:55.199
<v Speaker 1>Yeah, this is not really answering training and training in

1605
01:10:55.239 --> 01:10:57.840
<v Speaker 1>Maniac's question, because it was a joke that I got,

1606
01:10:57.920 --> 01:11:00.319
<v Speaker 1>but I can understand that it's like that's a little

1607
01:11:00.359 --> 01:11:05.920
<v Speaker 1>bit unusual or out there or from left field, and

1608
01:11:06.199 --> 01:11:07.439
<v Speaker 1>it is a joke that I got. So I'm not

1609
01:11:07.439 --> 01:11:10.600
<v Speaker 1>really answer your question. Training sorry about that, but I

1610
01:11:10.600 --> 01:11:14.199
<v Speaker 1>always just thought, yeah, it's just a joke that I

1611
01:11:14.239 --> 01:11:18.119
<v Speaker 1>thought was yeah, really really funny. But also it's hard

1612
01:11:18.159 --> 01:11:20.399
<v Speaker 1>to explain why. I mean, of course you can explain why.

1613
01:11:20.439 --> 01:11:23.119
<v Speaker 1>You can break down why it works. Oh, it's very

1614
01:11:23.199 --> 01:11:25.920
<v Speaker 1>unusual for this child to be saying that's all. It's

1615
01:11:25.960 --> 01:11:28.279
<v Speaker 1>unusual about to be wearing a Bob Mackie. It's unusually wow,

1616
01:11:28.520 --> 01:11:31.520
<v Speaker 1>Bob Maggie, like he's the hot name in the playground.

1617
01:11:32.279 --> 01:11:35.039
<v Speaker 2>There's jokes on the Simpsons that I don't understand why

1618
01:11:35.119 --> 01:11:38.119
<v Speaker 2>I find them so funny, but I always quote them,

1619
01:11:38.319 --> 01:11:41.399
<v Speaker 2>like Vira said that, Yeah, that tickles me to no end.

1620
01:11:41.560 --> 01:11:43.560
<v Speaker 2>I don't really know why it's so funny.

1621
01:11:43.760 --> 01:11:45.840
<v Speaker 1>How many times have we said on the show line

1622
01:11:45.880 --> 01:11:48.479
<v Speaker 1>delivery means a lot or a funny voice means a lot. Yeah,

1623
01:11:48.600 --> 01:11:51.920
<v Speaker 1>I mean, but yeah, as you said, look, why do

1624
01:11:52.039 --> 01:11:58.560
<v Speaker 1>I always love it? Maybe looked at you on its face,

1625
01:11:59.239 --> 01:12:04.600
<v Speaker 1>not even a joke, no, but ye, deliver, Maybe looked

1626
01:12:04.600 --> 01:12:07.079
<v Speaker 1>at you for the virus that Robert, what a delivery?

1627
01:12:07.199 --> 01:12:14.239
<v Speaker 1>Oh yeah, so yeah oftentimes, Yeah, it's just the way

1628
01:12:14.319 --> 01:12:15.159
<v Speaker 1>your brain is wired.

1629
01:12:15.279 --> 01:12:17.840
<v Speaker 2>Yeah, all right, well that'll do for our mail bag

1630
01:12:17.960 --> 01:12:20.039
<v Speaker 2>here for June. June.

1631
01:12:20.560 --> 01:12:23.520
<v Speaker 1>It is June. Yes, yeah, we're approaching the halfway point

1632
01:12:23.520 --> 01:12:23.840
<v Speaker 1>of the year.

1633
01:12:23.920 --> 01:12:25.319
<v Speaker 2>We are indeed, thank you guys for all of your

1634
01:12:25.319 --> 01:12:27.520
<v Speaker 2>support and thank you for sending through your questions mail

1635
01:12:27.560 --> 01:12:30.000
<v Speaker 2>bag at four finger discount dot com dot you want

1636
01:12:30.039 --> 01:12:31.880
<v Speaker 2>to be answered, have your question answered on next month's

1637
01:12:31.920 --> 01:12:33.800
<v Speaker 2>mail bag. If you can't support us on Patreon, that

1638
01:12:33.800 --> 01:12:36.239
<v Speaker 2>would be much appreciated, as well as where as you said,

1639
01:12:36.279 --> 01:12:38.039
<v Speaker 2>next month, in June or in July, you're going to

1640
01:12:38.119 --> 01:12:40.159
<v Speaker 2>get the latest episode of Speaking of a Hill Tales

1641
01:12:40.199 --> 01:12:41.880
<v Speaker 2>of U Jerome. We can also get access to all

1642
01:12:42.000 --> 01:12:45.239
<v Speaker 2>our other exclusive podcasts as well. Continue to please rate

1643
01:12:45.319 --> 01:12:47.800
<v Speaker 2>and review us on Apple podcast Spotify, reved you listen

1644
01:12:47.840 --> 01:12:49.640
<v Speaker 2>to the show. Next week, we're going to be doing

1645
01:12:49.880 --> 01:12:52.520
<v Speaker 2>Father No's Worst Season twenty and the poll is going

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<v Speaker 2>up for the Boy who Knew Too Much. I think

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<v Speaker 2>that's one that one's going to win, but look at it.

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<v Speaker 2>Fred Classic Review next month as well, But for NOWA

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<v Speaker 2>Sa Davis any final words for those incredible listeners out there.

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<v Speaker 1>Incredible listeners, keep the letters coming. M m hmm.
