WEBVTT

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<v Speaker 1>The first time I stumbled upon the door, I was

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<v Speaker 1>wedged between a mobilock off shelf groaning with crack VHS

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<v Speaker 1>cases and a box of old skull programs, half crouched

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<v Speaker 1>so my hips wouldn't bark at me. Later. It had

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<v Speaker 1>been a slow morning in the basement, the usual valuating

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<v Speaker 1>whether any donation was worth the mole check, mending the

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<v Speaker 1>odd children's book sought in the slave maker tape. When

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<v Speaker 1>I realized the shelf I was shelving wasn't flush against

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<v Speaker 1>that far wall I could usually was. Instead, the row

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<v Speaker 1>had bucked at an od angle, exposing a narrow wedge

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<v Speaker 1>of space, like some secret device had slid it aside.

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<v Speaker 1>It's worth saying I've worked here, in one way or

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<v Speaker 1>another for nearly half my life. This library is no

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<v Speaker 1>grand marble temple. It's a polite mishmush of renovations, patched

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<v Speaker 1>corners and the sort of midnight green lanoleum the city

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<v Speaker 1>must have gotten a steep discan thirty years ago, then

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<v Speaker 1>never abated. But I'd have sworn I knew every inch,

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<v Speaker 1>the idea that some little triangle had been lucking unnoticed step,

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<v Speaker 1>my heart tapping in a predictable way it always does.

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<v Speaker 1>One curiosity winds out over common sense, Rivling sideways, I

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<v Speaker 1>found myself facing a door I could not It was

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<v Speaker 1>painted a dur industrial gray, the only ornament a small

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<v Speaker 1>neat plate, metal not plaster, decreed in simply eats section s.

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<v Speaker 1>The font was old, the sort of block print I

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<v Speaker 1>always associate with city issue time clocks or forbidden supply cupboards,

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<v Speaker 1>A mild worth of authority clinging to each character. Below

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<v Speaker 1>it was a dial lock, big lighte surprisingly smooth under

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<v Speaker 1>my thumb, the numbers worn but legible, ring with the

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<v Speaker 1>chilly confidence of a mechanism designed fifty years ago to last.

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<v Speaker 1>The building itself in a proper handle, the kind you'd

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<v Speaker 1>expect to see on an armored c of a room

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<v Speaker 1>rather than a public institution's basement. My first thought, surely

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<v Speaker 1>a Roebucks closet or staff breakrim faded as I sifted

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<v Speaker 1>through my mental inventory. We had one storage closet. The

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<v Speaker 1>blueprints had spent an unmentionable amount of time with them

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<v Speaker 1>after my second knee surgery. When boredom demanded a product,

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<v Speaker 1>made no mention of a section S. I rooted through

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<v Speaker 1>the folder in my cart lists of every basement stack,

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<v Speaker 1>neatly clipped into seas. Even fire code maps, there were

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<v Speaker 1>sections RTU, even a short lived section queue that housed

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<v Speaker 1>the zcene collection from the local college. Nothing labeled this,

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<v Speaker 1>not as a section, not as a storage area, not

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<v Speaker 1>a closet or historical room. I considered the proud, mundane

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<v Speaker 1>secrecy of a city. Sometimes a supply closet is just

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<v Speaker 1>a supply closet, conveniently unnamed on paper to save someone

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<v Speaker 1>a headache about insurance. But the sense of and tether possibility,

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<v Speaker 1>that giddy, almost chemical scent of an unsolved thing, refused

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<v Speaker 1>to leave. I pressed my pump to the door, then

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<v Speaker 1>hesitated for all the libraries faded pride. We rarely locked anything,

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<v Speaker 1>specially not where the clim opposed a threat to brittle paper.

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<v Speaker 1>Some distant part of my mind shift the familiar warning

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<v Speaker 1>not everything left unattended, eat an audience. Still, the handle

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<v Speaker 1>was cold, heavy in its stubborn way that makes one

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<v Speaker 1>suspect a cleverer designer had once argued for the most

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<v Speaker 1>durable solution, but it gave with up for us pivoting

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<v Speaker 1>easily in sigh like a limitoftus metes like tiny ships

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<v Speaker 1>coming into harbor childsbof battered woodam's matched metal shifted the

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<v Speaker 1>geometry of the room into a kind of organized chaos.

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<v Speaker 1>The ceiling lamps spaced regularly, soft enough to banish claim

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<v Speaker 1>without inviting it to linger. Books and folders lined the stacks,

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<v Speaker 1>some stacked upright, others piled as if a busy librarian

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<v Speaker 1>had been called away mid task. There was a small

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<v Speaker 1>table by the door, one leg bolstered by a square

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<v Speaker 1>of cut carpet. I had time only for a fleeting

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<v Speaker 1>glance the impression of an ancient fol io and a

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<v Speaker 1>lament slip case, and a sheaf of paper in a

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<v Speaker 1>folder marked with swelling hesit and pemianship before the clan

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<v Speaker 1>of the upstairs poe neckered all the way down the

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<v Speaker 1>Tineyan to calm, much abused, warbled mister Finch. We need

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<v Speaker 1>that property file from the environmental shelf, please. I shut

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<v Speaker 1>the door gently, refusing the hungry urge to rip through

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<v Speaker 1>the artifacts like an over eager child. Even as I

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<v Speaker 1>wheeled my cart towards the stairs, a puzzle drew behind me,

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<v Speaker 1>sharp as a prickle at the nape. Where called that

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<v Speaker 1>section s new one in my imagination waited with perfectly

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<v Speaker 1>ordinary patience. I told myself that no mystery suffers by

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<v Speaker 1>being forced to wait. I've always lived in my routines,

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<v Speaker 1>even after retiring from paid work. Since giving up my

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<v Speaker 1>titles had librarian four years ago, after the second round

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<v Speaker 1>of knee issues in the first fetherings of aphritis, I'd

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<v Speaker 1>taken to volunteering at the branch three days a week,

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<v Speaker 1>sometimes if Tony the Janeta needed an extra hand with

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<v Speaker 1>the heavy loads had come in on a saturd day

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<v Speaker 1>as well. Our branch sits at the edge of a

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<v Speaker 1>city both too small for anonymity and too tangled in

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<v Speaker 1>its own history for clarity. I was born here, walked

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<v Speaker 1>these rain gloss sidewalks as a boy, wandered at the

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<v Speaker 1>ocean visible from the skull's upper windows. Have my first

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<v Speaker 1>kiss in the shadow of the lighthouse, presided over my

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<v Speaker 1>first library's story hour beneath the original mahogany ceiling, now

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<v Speaker 1>hidden by ten layers of dropped tiles. The city is

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<v Speaker 1>a mistake made of pride and neglect. The main lobby's

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<v Speaker 1>marble warned of alvet at the edges patched till anolean

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<v Speaker 1>by generations of budget committees and nanextraddled awkwardly across what

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<v Speaker 1>once might have been the Children's Guard, and hasty renovations

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<v Speaker 1>completed in three and again in seventeen, none quite matching

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<v Speaker 1>the plans. My own habits have settled into gentle particularity.

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<v Speaker 1>I arrived mid morning, chat with Mary at the front

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<v Speaker 1>desk over that stuttering ketel she insists makes the best

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<v Speaker 1>weak tea, then drift them on the old retens, sometimes

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<v Speaker 1>reading aloud to the preschool set, other times lost in

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<v Speaker 1>the gentle arithmetic of shelf re alignment. I keep my

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<v Speaker 1>own notebook, a habit both scolded and relied on by others. Innate,

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<v Speaker 1>I sketch details, others let past a left handed signature

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<v Speaker 1>and a donated atlash pressed violet. At a poetry volume

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<v Speaker 1>I find satisfaction and raskinely overlooked. Once returning a book

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<v Speaker 1>of ballads, I discovered an envelope with a mathematical joodol

108
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<v Speaker 1>in the corner. It became part of my favorite day,

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<v Speaker 1>a child's imagined code itself in answer to a mystery

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<v Speaker 1>I never fully cracked. My affection for the library's eccentricities

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<v Speaker 1>co exists with a kind of zeal for order, a

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<v Speaker 1>trait both cherished in lampooned by my colleagues. Mary, the

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<v Speaker 1>pragmatic circulation manager, claims nobody uses those archives. Walter Short

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<v Speaker 1>of the annual Haunted house set up. Tony, existing in

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<v Speaker 1>a mythic space between staff and fixture, claims knowledge of

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<v Speaker 1>every inch of for maintenance reasons, though he prefers not

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<v Speaker 1>to be bothered in less a putt bursts. Then there

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<v Speaker 1>is a mesquerrero, our most recent director, almost formal in

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<v Speaker 1>her adherence to protocol, but quietly filled by any breach

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<v Speaker 1>from routina. Trait we share, though neither of us will

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<v Speaker 1>admit it aloud. These habits and people form a ballast.

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<v Speaker 1>Yet sections did not fit library quirks. I understand leaky fixtures,

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<v Speaker 1>mislabeled shells. A section wants to vote entirely to stamp albums,

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<v Speaker 1>now housement storage. This door was another thing, entirely, impossibly real,

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<v Speaker 1>stubbornly inclaimed. I spent that afternoon passing the archives, scurrying directories,

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<v Speaker 1>staff blogs, blueprints left from the nineteen eighty seven renovation.

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<v Speaker 1>I made a show of clearing space in the supply's bain,

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<v Speaker 1>but my mind suckled the same kernel nothing matching section s,

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<v Speaker 1>even in the disaster planning guys, where every hallway nook

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<v Speaker 1>and janitorial cabi are meticulously listed at the space where

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<v Speaker 1>the door stands as marked as a sheer wall. That night,

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<v Speaker 1>I allowed myself the pleasure of restacking my own memory

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<v Speaker 1>catalog in the sensation the peculiar weight of the handle,

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<v Speaker 1>the dell sparkle off the dial, the sense that some

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<v Speaker 1>threshold had shifted, however subtly beneath the day's familiar geometry.

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<v Speaker 1>I tried not to place too much meaning on it.

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<v Speaker 1>The library is old, and I have learned to let

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<v Speaker 1>such discoveries Meller. Still, the notion of her room, both

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<v Speaker 1>present and not accounted for, sank into my dreams, spoiling

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<v Speaker 1>through images of endless halways and forgotten drawers. I resolved

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<v Speaker 1>the next morning to test my perception against another pair

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<v Speaker 1>of eyes. Mary keeps a stack of index cards beside

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<v Speaker 1>the return shoot jarring notes in a line which only

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<v Speaker 1>she in the stands. She reads every suggestion slept. However,

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<v Speaker 1>Daften claims she can still recall the patron with the

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<v Speaker 1>overgy Fishing Regulation pamphlet from nineteen ninety two. During a lull,

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<v Speaker 1>i sidled up to her corner. Mary, does section S

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<v Speaker 1>mean anything to you? She tipped her glasses down, ibra

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<v Speaker 1>hiking with the practice skepticism of someone worry of equipment

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<v Speaker 1>audits section s. All the sections are on the wall

151
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<v Speaker 1>chart by the fire exit. Never heard of an S.

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<v Speaker 1>Must be a misprint. It's a real door downstairs, past

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<v Speaker 1>the record shelf, odd sign, metal plate dial, lock of

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<v Speaker 1>all things. She crinkled her nose, her not another complained

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<v Speaker 1>about the water heat of face. Did she check the blueprint?

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<v Speaker 1>I've got last year's directory here. Want to take a peek.

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<v Speaker 1>She pulled a batter binder from under her counter, the

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<v Speaker 1>plastic sleeve sticky with the sweit of a thousand hands.

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<v Speaker 1>We paged through the space listings together, section q r T,

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<v Speaker 1>the fairbrotherless stacks, the children's alco even the utility rooms,

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<v Speaker 1>boasting over specific dimensions. But S was missing, no reference

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<v Speaker 1>in the official records. Shrugging, Mary's at the folders side

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<v Speaker 1>supplies closet. Most likely they do love inventing new coos

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<v Speaker 1>for old junk. Show me at lunch. When lunchtime came,

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<v Speaker 1>sandwiches and tea balanced precariously atop a batted cart high

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<v Speaker 1>led her into the chill of the basement, pointing out

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<v Speaker 1>the familiar bows and buckles in the tile. There, the

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<v Speaker 1>wedge of space, the heavy door, the unfussy plate. Mary

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<v Speaker 1>didn't blink. Ha, how long has that been here? She

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<v Speaker 1>poked the handle. Storage probably feels colder than it should.

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<v Speaker 1>She turned back to me, unconcerned, already preparing a rebuke

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<v Speaker 1>for the next line. Item on her day, wasn't on

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<v Speaker 1>the chart a press, no mention of section s anywhere.

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<v Speaker 1>Mary tucked her hands into her cardigan, lips twitching with

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<v Speaker 1>practiced annoyance, now shading into impatience. Honestly, Walter, you know

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<v Speaker 1>how these buildings are. Last year we found a broom

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<v Speaker 1>closet labeled Paula and a janitor cart that belonged to

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<v Speaker 1>a skull from upstate. If you want to clean it,

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<v Speaker 1>I'll be my guess. No ghosts or secret codes will

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<v Speaker 1>show up on your watch, I promise. And off she went,

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<v Speaker 1>the wainfluorescent go trailing after her. That was the first contradiction,

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<v Speaker 1>the first little cut in my confidence. The room existed,

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<v Speaker 1>no question, solid, real under the flickering light. Yet aside

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<v Speaker 1>from myself, no one attached meaning to it. The records

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<v Speaker 1>were silent, the living memories blurred. Myr vied with fascination.

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<v Speaker 1>Had the room always been here? Was everyone else simply

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<v Speaker 1>a new to it? Or had it slipped in while

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<v Speaker 1>no one was looking? The next logical stop was Tony.

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<v Speaker 1>He may not have approved of my fast idious cataloging,

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<v Speaker 1>but even he would admit to respecting results. I found

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<v Speaker 1>him laboring over a stubborn pane of glass, wrestling with

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<v Speaker 1>cocking so old a crumbled at his touch. Tony, you

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<v Speaker 1>must no section ss, old metal door dial, lock down

194
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<v Speaker 1>past the wreckage shelf mean anything to you. He cocked

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<v Speaker 1>his head. That weird little room by the water pipe's

196
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<v Speaker 1>been there since before I started, Maybe storage, maybe for

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<v Speaker 1>old blueprints, maybe some ancient collection they were ashamed to display.

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<v Speaker 1>He grinned. I never set foot in it myself, too busy,

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<v Speaker 1>and anyway, those pipes rattled too much for my liking.

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<v Speaker 1>Why something broke down in there? No it? I stopped reconsidering,

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<v Speaker 1>you're sure it's always been here? He made a show

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<v Speaker 1>of thinking, always sure, or at least as long as

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<v Speaker 1>anyone remembers old rooms down here. You know, nobody bothers

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<v Speaker 1>with half of them, and just like that, he was off,

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<v Speaker 1>summoned by the erupting hiss of a bad event. In

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<v Speaker 1>the duff restum, Mary admits the room must exist, but

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<v Speaker 1>cannot remember why. Tony recognizes its location, and yet cannot

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<v Speaker 1>recall ever entering, not even as a matter of maintenance.

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<v Speaker 1>No record in the directories, no mention in the payroll

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<v Speaker 1>for cleaning or utilities. The more direct my questions became,

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<v Speaker 1>the more resistance I encountered. Are not angry or defensive,

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<v Speaker 1>just mild boring indifference or reluctance. Did well on something

213
00:10:21.919 --> 00:10:26.639
<v Speaker 1>off pattern? The contradiction widened. The room stood there, perfectly deniable,

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<v Speaker 1>yet inexplicably familiar to every one I asked, but always

215
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<v Speaker 1>just as irrelevant as an unclaimed umbrella. I recognized the

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<v Speaker 1>shape of a real puzzle. Those contradictions I have treasured

217
00:10:35.039 --> 00:10:37.080
<v Speaker 1>most always begin in the gulf between the visible and

218
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<v Speaker 1>the remembered. Section SS was not simply an overlook cause.

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<v Speaker 1>It it pressed upon the ordinary, praying at the borderlands

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<v Speaker 1>of certainty. It was a quiet day, the slack hum

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<v Speaker 1>of rain against the foundation, the distant ping pond of

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<v Speaker 1>a kindergarten field trip in the meeting rooms when I

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<v Speaker 1>resolved to return. This time, I wedged the mobile shelf

224
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<v Speaker 1>a little further aside and brought my note bad, two pencils,

225
00:10:55.879 --> 00:10:58.759
<v Speaker 1>and the dogged spirit inherited from years of methodical inquiry.

226
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<v Speaker 1>I turned the die lock, though the door never resisted,

227
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<v Speaker 1>and entered in sight. The place was transformed from my

228
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<v Speaker 1>previous glance, not in the way a room might feel

229
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<v Speaker 1>different in morning light or under shifting dust, but fundamentally changed,

230
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<v Speaker 1>as if the parameters themselves had been nudged. Directly ahead

231
00:11:14.000 --> 00:11:16.279
<v Speaker 1>was a cluster of low wooden shells, mismatched in stain

232
00:11:16.320 --> 00:11:19.480
<v Speaker 1>and height, some bent under their own load. Scattered atop

233
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<v Speaker 1>them were books, some familiar in size and design, others

234
00:11:21.840 --> 00:11:25.320
<v Speaker 1>bound in textures I didn't immediately recognize. To the right,

235
00:11:25.399 --> 00:11:28.120
<v Speaker 1>metal rocks held files of all kinds, accordion folders with

236
00:11:28.159 --> 00:11:31.159
<v Speaker 1>bent tabs, boxes labeled in smeary blue pencil, and clip words,

237
00:11:31.159 --> 00:11:34.240
<v Speaker 1>which os organized by taxonomies both rational and not. Fishing

238
00:11:34.279 --> 00:11:38.919
<v Speaker 1>families un affiliated picnicking disappeared. Chess clubs beyond a squat

239
00:11:38.960 --> 00:11:41.080
<v Speaker 1>table rested beneath an a laized lamp, it shade a

240
00:11:41.080 --> 00:11:43.799
<v Speaker 1>faded yellow that suggested ear spent in a sunroom elsewhere.

241
00:11:44.399 --> 00:11:47.559
<v Speaker 1>I roamed slowly, careful not to disturb any arrangement, until

242
00:11:47.559 --> 00:11:50.679
<v Speaker 1>I'd satisfied myself with the visual sweep. A low stack

243
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<v Speaker 1>of children's books caught my eye. One bound in sickle

244
00:11:53.759 --> 00:11:56.159
<v Speaker 1>green leather, bore the cryptic title the Festival that could

245
00:11:56.200 --> 00:12:00.279
<v Speaker 1>have been nineteen sixty three. Another in scrolling letters readd

246
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<v Speaker 1>Return by June twenty forty nine. On its inside cover.

247
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<v Speaker 1>The ink had bled slightly, as if the stamp were

248
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<v Speaker 1>impossibly fresh. On more than one shelf, titles appeared in

249
00:12:08.919 --> 00:12:12.519
<v Speaker 1>alphabets had didn't recognize angular ruins, looping scripts, squiggles like

250
00:12:12.559 --> 00:12:16.080
<v Speaker 1>quiverine currents. I found about of pamphlet extalling a Nano

251
00:12:16.200 --> 00:12:19.039
<v Speaker 1>Solstice preyed through the Haymarket district, an event that ever remembered,

252
00:12:19.120 --> 00:12:22.679
<v Speaker 1>had it ever taken place. Posters announced poetry readings led

253
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<v Speaker 1>by people with familiar lost names, though a quick mental

254
00:12:25.120 --> 00:12:28.440
<v Speaker 1>cross check with our regular patrons yielded no matches. Testing

255
00:12:28.480 --> 00:12:30.120
<v Speaker 1>a few of the buckotes at the small scanner by

256
00:12:30.159 --> 00:12:32.919
<v Speaker 1>the door, I met only errors I am not recognized.

257
00:12:33.480 --> 00:12:35.320
<v Speaker 1>When I fetched the old dates stamp from beside the

258
00:12:35.360 --> 00:12:38.519
<v Speaker 1>love book spat out impossible numbers three slash twenty seven

259
00:12:38.559 --> 00:12:40.879
<v Speaker 1>slash twenty eighty one, then at the next attempt to

260
00:12:40.879 --> 00:12:43.759
<v Speaker 1>twelve slash fourteen slash eighteen eighty two, before recentering on

261
00:12:43.759 --> 00:12:46.600
<v Speaker 1>today's dated running out of ink. The dial seemed longer

262
00:12:46.639 --> 00:12:49.639
<v Speaker 1>than the basement could physically accommodate, weaving in odd patterns

263
00:12:49.679 --> 00:12:52.600
<v Speaker 1>that surrounded me one moment and retreated the next. The

264
00:12:52.639 --> 00:12:54.519
<v Speaker 1>table at the room's far end, which I tried and

265
00:12:54.639 --> 00:12:56.679
<v Speaker 1>failed to find on a second pass, bore jam jar

266
00:12:56.799 --> 00:12:59.440
<v Speaker 1>jammed but spent fireworks in a single faded polarid of

267
00:12:59.440 --> 00:13:02.080
<v Speaker 1>a playgun I have never seen in this town. As

268
00:13:02.080 --> 00:13:04.399
<v Speaker 1>I pressed on, I began to realize that objects within

269
00:13:04.440 --> 00:13:07.000
<v Speaker 1>this room referenced and sometimes depicted things which were, by

270
00:13:07.039 --> 00:13:11.200
<v Speaker 1>every official record impossible. City newswortters listing events that never

271
00:13:11.240 --> 00:13:14.279
<v Speaker 1>made the local paper, mayor all photographs with names that

272
00:13:14.320 --> 00:13:17.799
<v Speaker 1>never appeared in the election rolls, hand draw mats combining

273
00:13:17.840 --> 00:13:20.360
<v Speaker 1>real streets with non existent landmarks, a lighthouse at the

274
00:13:20.399 --> 00:13:22.480
<v Speaker 1>wrong end of the bay, A bakery once rumored but

275
00:13:22.559 --> 00:13:26.000
<v Speaker 1>never opened. More unsettling was the fact that, between visits

276
00:13:26.000 --> 00:13:28.360
<v Speaker 1>and I made several, always taking the same careful route,

277
00:13:28.399 --> 00:13:31.559
<v Speaker 1>the layout itself seemed to shift items I had carefully

278
00:13:31.600 --> 00:13:34.159
<v Speaker 1>indexed in my notepad would sometimes move a pamphlet on

279
00:13:34.200 --> 00:13:36.559
<v Speaker 1>a corner table appearing two rows away, or a shelf

280
00:13:36.559 --> 00:13:39.320
<v Speaker 1>I distinctly remembered one, marked oral histories and verified to

281
00:13:39.399 --> 00:13:43.240
<v Speaker 1>vanishing entirely Until the next day items appeared, disappeared, or

282
00:13:43.320 --> 00:13:47.159
<v Speaker 1>changed configuration, made examination, determined, tank and myself, I said

283
00:13:47.200 --> 00:13:50.519
<v Speaker 1>about drawing a careful map. I charted every visible shelf,

284
00:13:50.639 --> 00:13:53.399
<v Speaker 1>noting their borders and the relative positioning of each artifact.

285
00:13:54.080 --> 00:13:56.440
<v Speaker 1>But when now returned after a short lunch, my hand

286
00:13:56.519 --> 00:13:59.080
<v Speaker 1>drawn diagram was now inaccurate. A shelf was longer, a

287
00:13:59.120 --> 00:14:01.720
<v Speaker 1>corner table gone, The exit door slid several feet down

288
00:14:01.759 --> 00:14:04.639
<v Speaker 1>the far wall. No other room in the library shifted

289
00:14:04.639 --> 00:14:08.039
<v Speaker 1>beneath its own designation. My attempts at cataloging failed in

290
00:14:08.080 --> 00:14:10.559
<v Speaker 1>more ways than one. Even when I tried to check

291
00:14:10.559 --> 00:14:12.320
<v Speaker 1>out one of the objects and news that are labeled

292
00:14:12.320 --> 00:14:15.720
<v Speaker 1>as a reference only section as the scanner aerbosistor. At

293
00:14:15.720 --> 00:14:18.200
<v Speaker 1>my next attempt, they due date fluster date ending in

294
00:14:18.240 --> 00:14:21.759
<v Speaker 1>three digits, then vanished entirely. What sort of catalog could

295
00:14:21.759 --> 00:14:23.519
<v Speaker 1>contain a booker to be returned at a date both

296
00:14:23.519 --> 00:14:27.240
<v Speaker 1>impossibly near and centuries far. The prospect of simply ignoring

297
00:14:27.240 --> 00:14:30.320
<v Speaker 1>the room was by now unthinkable. I tried to pull

298
00:14:30.360 --> 00:14:33.399
<v Speaker 1>staff into my orbit once again. Tony, excited by a

299
00:14:33.440 --> 00:14:36.399
<v Speaker 1>broken heater now urgently in need of his attention, reported

300
00:14:36.399 --> 00:14:38.879
<v Speaker 1>may be as a special reserve collection. Before shuffling off,

301
00:14:39.519 --> 00:14:43.320
<v Speaker 1>Mary summoned back, peered, and shrugged all genealogy stuff. Maybe

302
00:14:43.360 --> 00:14:45.639
<v Speaker 1>places a warren of irrelevance. Try not to get lost.

303
00:14:46.240 --> 00:14:49.200
<v Speaker 1>No one seemed was particularly worried about the existence of

304
00:14:49.240 --> 00:14:52.320
<v Speaker 1>a door. Only I seemed to find troublesome. Their relationship

305
00:14:52.360 --> 00:14:54.679
<v Speaker 1>with the anomaly was cordial but distant. Perhaps it was

306
00:14:54.720 --> 00:14:57.519
<v Speaker 1>there all along, perhaps not as soon as I pressed

307
00:14:57.519 --> 00:15:01.480
<v Speaker 1>for memories for concrete detail, their interest fated in exasperation

308
00:15:01.639 --> 00:15:05.080
<v Speaker 1>or hope. I moved the inquiry outwards. Over the following weeks.

309
00:15:05.120 --> 00:15:08.039
<v Speaker 1>I asked the people who haunt every public space daily regulars,

310
00:15:08.120 --> 00:15:10.799
<v Speaker 1>retirees treating the library as a second living room, teenagers

311
00:15:10.799 --> 00:15:13.679
<v Speaker 1>skulking around, panted for solen moments with contraband snacks. The

312
00:15:13.720 --> 00:15:16.559
<v Speaker 1>earnest g analogists sketching his own families Byzantine chart in

313
00:15:16.559 --> 00:15:20.919
<v Speaker 1>the corner. All had different responses. Most predictably, it had

314
00:15:20.919 --> 00:15:23.679
<v Speaker 1>never set foot in section s. Some, when asked directly,

315
00:15:23.720 --> 00:15:26.159
<v Speaker 1>assumed it was another supply room or special access stock

316
00:15:26.200 --> 00:15:29.159
<v Speaker 1>have places nobody bothers with unlessness. Still it becomes urgent.

317
00:15:29.840 --> 00:15:32.559
<v Speaker 1>Yet among my sample, a small number, mostly older, evidently

318
00:15:32.679 --> 00:15:36.559
<v Speaker 1>native to the city, offered glimpses of past familiarity. Mister Dorsey,

319
00:15:36.639 --> 00:15:39.720
<v Speaker 1>stooped in spry, recalled vague childhood afternoons poking about a

320
00:15:39.759 --> 00:15:42.720
<v Speaker 1>storm with a smile of pencils and oceanaire. He remembered

321
00:15:42.720 --> 00:15:44.600
<v Speaker 1>a murialed wall that his mother had said was for

322
00:15:44.639 --> 00:15:48.440
<v Speaker 1>the special readers. Hetcher, student at the local college, remembered

323
00:15:48.440 --> 00:15:50.240
<v Speaker 1>losing her way as a child on a skull trip,

324
00:15:50.279 --> 00:15:52.559
<v Speaker 1>finding herself in a windowless room with stacks full of

325
00:15:52.600 --> 00:15:55.639
<v Speaker 1>instruments and clocks. Misses tallmans wore ship beat in a

326
00:15:55.679 --> 00:15:57.720
<v Speaker 1>room with a game library where he could borrow wind

327
00:15:57.720 --> 00:16:01.519
<v Speaker 1>puzzles and unidentifiable tokens. By the hour, Each story shimmered

328
00:16:01.519 --> 00:16:06.120
<v Speaker 1>with uncertainty. No two accounts matched. Each described different features,

329
00:16:06.159 --> 00:16:10.559
<v Speaker 1>discordant layouts or objects. What's more, the longer our conversations went,

330
00:16:10.679 --> 00:16:14.639
<v Speaker 1>the less conviction anyone displayed. Petra, after describing the clocks,

331
00:16:14.919 --> 00:16:17.559
<v Speaker 1>retracted her memory with a frown. Suggesting perhaps it was

332
00:16:17.639 --> 00:16:20.440
<v Speaker 1>just part of the old children's wing. Mister DAWs Loft

333
00:16:20.440 --> 00:16:22.960
<v Speaker 1>haughtily suggesting his recollection might mix up with an old

334
00:16:23.000 --> 00:16:26.559
<v Speaker 1>movie about a magical library. Details dissolved, we replaced by

335
00:16:26.679 --> 00:16:29.320
<v Speaker 1>maybe I dreamed it, or perhaps your thinking of something else.

336
00:16:30.000 --> 00:16:33.279
<v Speaker 1>Curiosity now led me to a deeper, stranger realization. Section

337
00:16:33.440 --> 00:16:35.720
<v Speaker 1>S was no static art of act, no orphans supply

338
00:16:35.799 --> 00:16:38.519
<v Speaker 1>closet waiting for a label. It seemed to recall from

339
00:16:38.559 --> 00:16:43.279
<v Speaker 1>certainty one ever pressed by memory by logical inquiry, it shifted, refrained,

340
00:16:43.360 --> 00:16:45.639
<v Speaker 1>or blurred, as if it could not abide clarity, as

341
00:16:45.639 --> 00:16:48.159
<v Speaker 1>if its shape was not only mutable, but actively in contention.

342
00:16:48.840 --> 00:16:50.799
<v Speaker 1>I learned to track the phenomenon by what it denied

343
00:16:51.519 --> 00:16:53.720
<v Speaker 1>my assumption had been there. If Section S was real,

344
00:16:53.799 --> 00:16:56.440
<v Speaker 1>it could be mapped, described, filed, and reference a collection

345
00:16:56.519 --> 00:16:59.200
<v Speaker 1>to be solved as one diagrams the narrative of a book.

346
00:16:59.639 --> 00:17:02.759
<v Speaker 1>This proach failed, and failed with assistance. The more I

347
00:17:02.799 --> 00:17:06.039
<v Speaker 1>pressed for objectivity, the more the details crumbled. The room

348
00:17:06.039 --> 00:17:09.319
<v Speaker 1>shaped itself to recollection, and recollection could never quite be trusted.

349
00:17:09.920 --> 00:17:13.000
<v Speaker 1>Its contents were too rich, too contradictory, too locked. Shifting

350
00:17:13.039 --> 00:17:15.480
<v Speaker 1>memory pamphlet for an event that never was, a photograph

351
00:17:15.559 --> 00:17:17.400
<v Speaker 1>that could not exist, a map bending the reel and

352
00:17:17.440 --> 00:17:21.839
<v Speaker 1>the possible. Each patron's memory provided another angle, another variation,

353
00:17:22.039 --> 00:17:24.440
<v Speaker 1>but never anything that could be cross reference with certainty.

354
00:17:25.119 --> 00:17:27.319
<v Speaker 1>I spent one late afternoon the street noise up of

355
00:17:27.400 --> 00:17:30.319
<v Speaker 1>Gentle with departing traffic, working through the section as methodically

356
00:17:30.359 --> 00:17:33.079
<v Speaker 1>as possible. I started at a low shelf nearest the

357
00:17:33.160 --> 00:17:36.440
<v Speaker 1>entrance catalog in each spine. Each artifact then switched to

358
00:17:36.480 --> 00:17:39.720
<v Speaker 1>random perusal, seeking to throw off any pattern imposed by routine.

359
00:17:40.119 --> 00:17:43.839
<v Speaker 1>Some items referenced familiar local events, but with odd implausable auditions.

360
00:17:43.880 --> 00:17:46.400
<v Speaker 1>A last bonfire ceremony on the city beach, may Well

361
00:17:46.440 --> 00:17:48.759
<v Speaker 1>portrait with a different surname and face fatally reminiscent of

362
00:17:48.759 --> 00:17:50.440
<v Speaker 1>a man who cloaked at the hard West hour in

363
00:17:50.480 --> 00:17:53.920
<v Speaker 1>my childhood. A concert program listed as occurring in nineteen

364
00:17:53.960 --> 00:17:56.759
<v Speaker 1>seventy six feet of my own elementary school, Yeate recited

365
00:17:56.720 --> 00:17:59.480
<v Speaker 1>to teach his names I didn't recognize. I tried to

366
00:17:59.519 --> 00:18:02.960
<v Speaker 1>be more sistipent. During one session, A noted the presence

367
00:18:02.960 --> 00:18:06.000
<v Speaker 1>of a vivid blue folder precisely labeled Eastward. Building proposal

368
00:18:06.000 --> 00:18:09.599
<v Speaker 1>adopted nineteen fifty four. Later that evening, in the city's

369
00:18:09.640 --> 00:18:12.519
<v Speaker 1>digital archives, I learned that every major building proposal for

370
00:18:12.559 --> 00:18:14.720
<v Speaker 1>that year ran west, not east, and none with the

371
00:18:14.799 --> 00:18:18.559
<v Speaker 1>signatures had been formally tabled. Pressing further, I noticed small

372
00:18:18.599 --> 00:18:22.599
<v Speaker 1>cumulative oddities, books whose copyright pages were obviously handmade and

373
00:18:22.640 --> 00:18:25.000
<v Speaker 1>carried dates set in years not yet arrived or far

374
00:18:25.039 --> 00:18:28.559
<v Speaker 1>in the past, Programs for an annual solstice festival which

375
00:18:28.599 --> 00:18:30.880
<v Speaker 1>had never appeared in a single local newspaper. I could

376
00:18:30.880 --> 00:18:34.720
<v Speaker 1>find newsletters referencing city wide initiatives where both the events

377
00:18:34.720 --> 00:18:37.640
<v Speaker 1>and the supposed outcomes were lacking from every record. It

378
00:18:37.720 --> 00:18:40.359
<v Speaker 1>occurred to me, after several cycles through what I realized

379
00:18:40.440 --> 00:18:42.720
<v Speaker 1>was becoming a kind of mnemonic maze, that the contents

380
00:18:42.720 --> 00:18:44.799
<v Speaker 1>of section as seemed to anchor themselves not to the

381
00:18:44.799 --> 00:18:47.000
<v Speaker 1>strict facts of the city, but to its alternate memories.

382
00:18:47.000 --> 00:18:50.599
<v Speaker 1>Almost histories could have beens things perhaps streamed, rumored, or

383
00:18:50.640 --> 00:18:53.720
<v Speaker 1>half wished for. There was no error, no easy solution,

384
00:18:53.920 --> 00:18:57.720
<v Speaker 1>only shifting possibilities. Determined to test the phenomenon another way,

385
00:18:57.759 --> 00:19:00.640
<v Speaker 1>I brought a camera to document the strangeness. I aimed

386
00:19:00.640 --> 00:19:02.519
<v Speaker 1>it at the oddest artifacts and enamel pin from a

387
00:19:02.640 --> 00:19:04.839
<v Speaker 1>coastal science date. I could find no evidence of a

388
00:19:04.839 --> 00:19:07.319
<v Speaker 1>painted miniature of city Hall with an extra wing. Appended

389
00:19:07.319 --> 00:19:10.480
<v Speaker 1>and snapped a series of photos that evening at home,

390
00:19:10.519 --> 00:19:12.759
<v Speaker 1>I connected the camera to my laptop and opened the files.

391
00:19:12.839 --> 00:19:15.400
<v Speaker 1>Each image was a blowed, abstract wash of colors, as

392
00:19:15.400 --> 00:19:17.400
<v Speaker 1>though the lens had failed to focus on anything real.

393
00:19:17.799 --> 00:19:20.880
<v Speaker 1>The artifacts became obscured, no matter how directly I had

394
00:19:20.880 --> 00:19:23.960
<v Speaker 1>centered them in the viewfinder. Undeterred, I opened my note

395
00:19:23.960 --> 00:19:27.279
<v Speaker 1>had to review my written observations, to my chagrin. Some

396
00:19:27.519 --> 00:19:30.599
<v Speaker 1>entries had changed, descriptions were more tentative. A few itemize

397
00:19:30.599 --> 00:19:32.880
<v Speaker 1>lists had acquired printheticals, or was the west side it

398
00:19:32.920 --> 00:19:35.799
<v Speaker 1>aded and clear shifted. I could not remember adding my

399
00:19:35.880 --> 00:19:38.480
<v Speaker 1>own handwriting seemed different in color or slant in places,

400
00:19:38.599 --> 00:19:40.920
<v Speaker 1>as if a half forgotten version of myself had revisited

401
00:19:40.920 --> 00:19:43.559
<v Speaker 1>and tink overed the record. I started to feel as

402
00:19:43.559 --> 00:19:46.119
<v Speaker 1>though the act of documentation itself was something section as

403
00:19:46.119 --> 00:19:49.720
<v Speaker 1>resisted or entangled. The most dramatic discovery came just as

404
00:19:49.759 --> 00:19:52.759
<v Speaker 1>I was winding down a late afternoon exploration. Talked in

405
00:19:52.799 --> 00:19:55.240
<v Speaker 1>the lowest tier shelf labeled a Firmer special, I found

406
00:19:55.240 --> 00:19:58.160
<v Speaker 1>a small oil painting and sign, probably ten inches square.

407
00:19:58.720 --> 00:20:01.119
<v Speaker 1>It showed the library's basement from what seemed an impossible

408
00:20:01.119 --> 00:20:03.640
<v Speaker 1>angle straight above, two tears up, as if the painter

409
00:20:03.680 --> 00:20:06.880
<v Speaker 1>had hovered between the ceiling pipes. The details arrested me.

410
00:20:06.880 --> 00:20:08.480
<v Speaker 1>A city issue car. It parted at an odd till,

411
00:20:08.599 --> 00:20:10.519
<v Speaker 1>the old vent with it, drusty grill, a shelf slightly

412
00:20:10.559 --> 00:20:12.839
<v Speaker 1>ski yetup was the central figure that held me in place.

413
00:20:13.519 --> 00:20:15.559
<v Speaker 1>In the heart of the painting, turned midway between a

414
00:20:15.599 --> 00:20:17.839
<v Speaker 1>stretch to reach a shelf and the sideways glance toward

415
00:20:17.920 --> 00:20:19.759
<v Speaker 1>the viewer, was a figure in a green sweater and

416
00:20:19.799 --> 00:20:25.480
<v Speaker 1>khaki slacks. My sweater, my slacks. The posture was mine, unmistakable,

417
00:20:25.519 --> 00:20:27.720
<v Speaker 1>the hands braced as I must have stood just hours before.

418
00:20:28.319 --> 00:20:30.960
<v Speaker 1>I had never sat for this painting, yet here it

419
00:20:31.160 --> 00:20:33.839
<v Speaker 1>was impossible, a mirrored precise beyond the reach of accident.

420
00:20:34.519 --> 00:20:36.799
<v Speaker 1>I stared searching for the artism, mark or hint, or

421
00:20:36.799 --> 00:20:39.319
<v Speaker 1>even a date, but none was visible. The more I

422
00:20:39.359 --> 00:20:41.480
<v Speaker 1>examined the painting, the more I realized it was not

423
00:20:41.559 --> 00:20:43.839
<v Speaker 1>simply a record, but something more. Section as his way

424
00:20:43.880 --> 00:20:46.759
<v Speaker 1>of catalogging the cattle Logger and folding me into its archive.

425
00:20:47.440 --> 00:20:49.680
<v Speaker 1>It hit me then that the section was no passive

426
00:20:49.680 --> 00:20:52.640
<v Speaker 1>collection of lost or overlooked things. It was crafting new

427
00:20:52.720 --> 00:20:55.880
<v Speaker 1>artifacts drawn from my own engagement, echoing and reconfiguring whatever

428
00:20:55.960 --> 00:20:59.880
<v Speaker 1>passed its threshold. Memory and present intertwined. The ordinary tricks

429
00:20:59.880 --> 00:21:03.559
<v Speaker 1>man apping, documenting, cross referencing were not only useless, but

430
00:21:03.599 --> 00:21:06.400
<v Speaker 1>perhaps beside the point. Section S was not to be

431
00:21:06.400 --> 00:21:09.839
<v Speaker 1>solved by traditional method. It was neither static nor random.

432
00:21:09.880 --> 00:21:15.000
<v Speaker 1>It was proticipatory, refluxive, attentive. If I looked at it differently, irresponded, mirrored,

433
00:21:15.039 --> 00:21:18.880
<v Speaker 1>adapted all my prior assumptions. Tho stidy dreams of inventory

434
00:21:18.920 --> 00:21:22.640
<v Speaker 1>and explanation dissolved. I left Section S that evening inclined

435
00:21:22.680 --> 00:21:24.839
<v Speaker 1>the stairs, feeling not frightened so much as or to

436
00:21:24.880 --> 00:21:28.400
<v Speaker 1>brush by a larger, subtler intelligence at work. The boundaries

437
00:21:28.440 --> 00:21:31.240
<v Speaker 1>between what the library contained, what it remembered, and what

438
00:21:31.319 --> 00:21:34.279
<v Speaker 1>it could almost remember, had blurred. Section S was not

439
00:21:34.319 --> 00:21:37.279
<v Speaker 1>simply a room, nor even a repository for forgotten things.

440
00:21:37.920 --> 00:21:40.200
<v Speaker 1>It was closer to a membrane, something shaped by attention

441
00:21:40.319 --> 00:21:43.880
<v Speaker 1>and change by recollection, as fluctuating as possibility itself. I

442
00:21:44.000 --> 00:21:46.119
<v Speaker 1>no longer thought of it as a secret to be solved,

443
00:21:46.160 --> 00:21:48.920
<v Speaker 1>but as something alive, dynamically preserving and reshaping what the

444
00:21:48.920 --> 00:21:51.720
<v Speaker 1>city chose not quite to forget. I did not sleep

445
00:21:51.720 --> 00:21:53.599
<v Speaker 1>well the night after I found the painting, a sunset

446
00:21:53.599 --> 00:21:56.519
<v Speaker 1>of color leaking across the ceiling, shadows gathering in the corners,

447
00:21:56.640 --> 00:21:59.519
<v Speaker 1>my mind circling the impossible image of myself quietly folded

448
00:21:59.559 --> 00:22:02.000
<v Speaker 1>inside the sas seen no one else would credit. Rest

449
00:22:02.000 --> 00:22:04.599
<v Speaker 1>proved elusive, each half dream and spooling new variants of

450
00:22:04.599 --> 00:22:06.920
<v Speaker 1>the basement doors opening on to beaches, shelves that bent

451
00:22:07.039 --> 00:22:09.000
<v Speaker 1>like wooler branches, a slow tick of a clock that

452
00:22:09.079 --> 00:22:12.720
<v Speaker 1>kept no proper time. By dawn, when the city's crows castle,

453
00:22:12.720 --> 00:22:15.720
<v Speaker 1>and shadows across the salt flat glass, I resolved firmly,

454
00:22:15.839 --> 00:22:18.319
<v Speaker 1>almost with relief. Thus section as could not be untangled

455
00:22:18.319 --> 00:22:22.359
<v Speaker 1>by solitary method. Selfishly, I wanted company in my bewilderment.

456
00:22:23.000 --> 00:22:25.240
<v Speaker 1>More than that, I needed to understand if the section

457
00:22:25.279 --> 00:22:27.240
<v Speaker 1>shiftingness was a trick of my own mind or something

458
00:22:27.279 --> 00:22:29.440
<v Speaker 1>that could be stretched and tested in the presence of others.

459
00:22:30.119 --> 00:22:32.799
<v Speaker 1>I made a list. Not marry UTTONI, both too entrenched

460
00:22:32.799 --> 00:22:35.160
<v Speaker 1>in their measured disbelief, but two people with some plame

461
00:22:35.160 --> 00:22:38.079
<v Speaker 1>my memory and open curiosity, a kind of triangulation, or

462
00:22:38.079 --> 00:22:41.519
<v Speaker 1>at least emotional ballast. One was mister Dorsey, who had

463
00:22:41.519 --> 00:22:44.160
<v Speaker 1>offered fragments of childhood recollection bright enough to be real,

464
00:22:44.279 --> 00:22:46.799
<v Speaker 1>or nearly so. The other was Petra At, the young

465
00:22:46.880 --> 00:22:49.559
<v Speaker 1>university student who had recounted a fleeting sense of familiarity

466
00:22:49.599 --> 00:22:52.759
<v Speaker 1>while researching for her senior thesis. Both had at least

467
00:22:52.759 --> 00:22:56.039
<v Speaker 1>acknowledged sections to something more than mundane. I found mister

468
00:22:56.119 --> 00:22:58.839
<v Speaker 1>Dorsey hunched over about a chessboard in the periodical's alcove,

469
00:22:58.920 --> 00:23:01.599
<v Speaker 1>pencils stub clenched in the mornings, un gilding the fringe

470
00:23:01.640 --> 00:23:04.359
<v Speaker 1>of what remained of his hair. Petro appeared soon after,

471
00:23:04.480 --> 00:23:07.039
<v Speaker 1>lugging a director's chair in the sketch book, her backpack

472
00:23:07.039 --> 00:23:09.400
<v Speaker 1>crowded with enough pens and sticky notes to relabel half

473
00:23:09.400 --> 00:23:12.400
<v Speaker 1>the shelves in a building. There was laughter and trepidation

474
00:23:12.559 --> 00:23:15.680
<v Speaker 1>as I explained my plan, just a walk, I insisted,

475
00:23:16.319 --> 00:23:19.519
<v Speaker 1>an experiment in remembering, see what, if anything feels true.

476
00:23:19.960 --> 00:23:22.680
<v Speaker 1>The three of us trundled down the main stairs, dorrisy

477
00:23:22.720 --> 00:23:25.519
<v Speaker 1>chatting about the handrail, Petris gripping her first impressions as

478
00:23:25.559 --> 00:23:28.359
<v Speaker 1>we passed a mural of the founding Librarian's mudge mythic

479
00:23:28.519 --> 00:23:31.880
<v Speaker 1>perhaps too convenient in her stage propriety. I unlocked the

480
00:23:31.920 --> 00:23:35.599
<v Speaker 1>mobile shelves, nudging them aside to reveal the door. They pause,

481
00:23:35.799 --> 00:23:37.839
<v Speaker 1>Dorsey with the hand pressed to his section as if

482
00:23:37.880 --> 00:23:40.480
<v Speaker 1>bracing for an indigestable meal, Petro bouncing lightly on her

483
00:23:40.519 --> 00:23:43.480
<v Speaker 1>heels despite her height. We entered in single file, our

484
00:23:43.519 --> 00:23:47.400
<v Speaker 1>shadows puddling inside sections. Immediately the room grew strange, with

485
00:23:47.400 --> 00:23:50.400
<v Speaker 1>the hum of attention or attention buried and bright, the

486
00:23:50.440 --> 00:23:52.799
<v Speaker 1>shells now bent at in familiar angles. A shaft of

487
00:23:52.839 --> 00:23:54.759
<v Speaker 1>light appeared where none had been just the day before.

488
00:23:54.839 --> 00:23:57.759
<v Speaker 1>Their quivered with the faint town of graphite and lemon polish.

489
00:23:58.200 --> 00:24:01.039
<v Speaker 1>Dorsey stopped first, staring at a low table crowded with

490
00:24:01.079 --> 00:24:04.000
<v Speaker 1>gears and bright blocks of wood. Everyone's wore. It was

491
00:24:04.000 --> 00:24:06.079
<v Speaker 1>a workshop when I was a boy, he muttered, voice

492
00:24:06.079 --> 00:24:09.319
<v Speaker 1>spilling with something like, wonder there see that cockrock toy,

493
00:24:09.480 --> 00:24:11.079
<v Speaker 1>just like the one my uncle fixed for me after

494
00:24:11.079 --> 00:24:14.039
<v Speaker 1>the flood. He pinched the tiny machine, its wheel spinning

495
00:24:14.079 --> 00:24:16.200
<v Speaker 1>of their own accord, then blinked and the toy was gone,

496
00:24:16.480 --> 00:24:18.720
<v Speaker 1>replaced by a heap of button shaped like little boats.

497
00:24:19.440 --> 00:24:21.920
<v Speaker 1>Hatcha wandered to a far corner and folding her sketchbook,

498
00:24:21.960 --> 00:24:24.119
<v Speaker 1>flipping to an old drawing that she declared her turn

499
00:24:24.160 --> 00:24:27.039
<v Speaker 1>between embarrassment and certainty. She had modeled after a sunlit

500
00:24:27.039 --> 00:24:30.279
<v Speaker 1>reading niko One's glimpsed during a kindergarten field drip. There

501
00:24:30.319 --> 00:24:32.519
<v Speaker 1>in the space beneath the flickering lamp evidence of such

502
00:24:32.519 --> 00:24:35.720
<v Speaker 1>a neck flicker, a bench, a faded cushion, sunlight dappling

503
00:24:35.720 --> 00:24:39.079
<v Speaker 1>the dust. But as Dorosy walked over the bench grew indistinct,

504
00:24:39.200 --> 00:24:42.359
<v Speaker 1>the lamp swelling brighter and shifting shape. That's not how

505
00:24:42.400 --> 00:24:45.319
<v Speaker 1>I remember it, he said, and Patra's pencil stilled midstroke.

506
00:24:46.039 --> 00:24:49.680
<v Speaker 1>We moved slowly through the aisles, noting, objecting, sometimes laughing

507
00:24:49.680 --> 00:24:52.119
<v Speaker 1>in surprise at what appeared for one and vanished for another.

508
00:24:52.720 --> 00:24:55.920
<v Speaker 1>We tried to catalog the shifting details. Allowed. There's a

509
00:24:55.920 --> 00:24:59.839
<v Speaker 1>window here, Petra insisted. Dorosy squinted in. Know it's always

510
00:24:59.839 --> 00:25:02.160
<v Speaker 1>been wall with a map on it. Look at this,

511
00:25:02.599 --> 00:25:05.200
<v Speaker 1>I called, pointing to a plastic folder label Daniel Chess

512
00:25:05.200 --> 00:25:08.440
<v Speaker 1>Club Banquet nineteen eighty three. Dorsy's eyes missed it as

513
00:25:08.480 --> 00:25:11.359
<v Speaker 1>he recited names, including his own, though the group photo

514
00:25:11.440 --> 00:25:14.200
<v Speaker 1>on the program bore faces neither a nor Petro recognized

515
00:25:14.839 --> 00:25:17.039
<v Speaker 1>the objects came and went, as if attended by thought

516
00:25:17.039 --> 00:25:20.799
<v Speaker 1>to respond into expectation, crumbling under scrutiny. A painted sign

517
00:25:20.880 --> 00:25:24.000
<v Speaker 1>commemorated a Gray Shore elementary's final field day, which Petra

518
00:25:24.079 --> 00:25:26.920
<v Speaker 1>remembered and Dorsy dismissed as all parent teacher legend, there

519
00:25:26.920 --> 00:25:29.799
<v Speaker 1>has never been a Gray Show school. A faded concert

520
00:25:29.799 --> 00:25:32.160
<v Speaker 1>ticket pulse with color as it crossed hands, the title

521
00:25:32.200 --> 00:25:34.720
<v Speaker 1>of the performance rearranging itself with each of our readings.

522
00:25:35.279 --> 00:25:38.000
<v Speaker 1>We tried together to record what we found. I held

523
00:25:38.000 --> 00:25:40.319
<v Speaker 1>out my notebook, keeping a line for line account of

524
00:25:40.359 --> 00:25:42.039
<v Speaker 1>wood each of us or didn't see. As we walked

525
00:25:42.079 --> 00:25:45.480
<v Speaker 1>the shelves. Petro drew Quik's sketches of atoll narrow books

526
00:25:45.519 --> 00:25:47.880
<v Speaker 1>bind and read of a clock with backward numbers of

527
00:25:47.880 --> 00:25:51.279
<v Speaker 1>an unfamiliar festival poster. When we pause to review these

528
00:25:51.319 --> 00:25:54.119
<v Speaker 1>artifacts as a group, confusion followed. A drawing that hat

529
00:25:54.160 --> 00:25:56.359
<v Speaker 1>in my own handwriting shifted to an illustration of a

530
00:25:56.359 --> 00:25:58.960
<v Speaker 1>familiar playground. A list of books, some of which neither

531
00:25:59.000 --> 00:26:01.200
<v Speaker 1>Dawson nor Petro recod all seeing thought I could describe

532
00:26:01.200 --> 00:26:04.359
<v Speaker 1>them in detail. Moments before, Peta pulled out her phone,

533
00:26:04.480 --> 00:26:06.799
<v Speaker 1>taking discreet photos of two game boards and a warm

534
00:26:06.799 --> 00:26:10.640
<v Speaker 1>mounted display of hands, gold signatures at the device's bry click.

535
00:26:10.880 --> 00:26:13.079
<v Speaker 1>The artifacts stayed present, for so it seemed, until we

536
00:26:13.160 --> 00:26:15.599
<v Speaker 1>checked the photos a minute later, only to find static

537
00:26:15.640 --> 00:26:19.920
<v Speaker 1>and tumble color without discernible subject or form. Dorsy, unfazed, suggested,

538
00:26:19.920 --> 00:26:21.759
<v Speaker 1>perhaps the room doesn't want to be remembered in the

539
00:26:21.839 --> 00:26:24.640
<v Speaker 1>usual way, which drew a nervous laugh from Petra. Then,

540
00:26:24.960 --> 00:26:27.960
<v Speaker 1>near about the bookcase, we came across a children's story book.

541
00:26:28.400 --> 00:26:30.599
<v Speaker 1>Its battered cover featured our three names, a shock of

542
00:26:30.720 --> 00:26:34.599
<v Speaker 1>unexpected inclusion, each printed as a different character teacher, student, librarian.

543
00:26:35.119 --> 00:26:37.839
<v Speaker 1>When read aloud, the stories plot, dance, themes, and settings

544
00:26:37.839 --> 00:26:40.559
<v Speaker 1>shifting as the book traded hands. For Dorothy, it was

545
00:26:40.559 --> 00:26:42.839
<v Speaker 1>about a lecture in a noisy class room for Petra,

546
00:26:42.920 --> 00:26:45.440
<v Speaker 1>a field trip through sunlit woods for me, the quietic

547
00:26:45.480 --> 00:26:48.359
<v Speaker 1>of returning to a long empty home. By the second reading,

548
00:26:48.519 --> 00:26:50.680
<v Speaker 1>the title had altered. By the third, there was no

549
00:26:50.680 --> 00:26:53.160
<v Speaker 1>book on the shelf at all. At length, we sat

550
00:26:53.160 --> 00:26:56.039
<v Speaker 1>at a broad table, once now gone, sharing reactions in

551
00:26:56.079 --> 00:26:59.599
<v Speaker 1>the hush that followed disappointment and possibility. We argued gently

552
00:27:00.039 --> 00:27:02.440
<v Speaker 1>in our memories up against one another, who had seen,

553
00:27:02.480 --> 00:27:06.279
<v Speaker 1>which shelf, which artifact, who recalled what flavor of sunlight?

554
00:27:06.880 --> 00:27:10.000
<v Speaker 1>Our recollections never lined up, even as we struggled to

555
00:27:10.000 --> 00:27:14.039
<v Speaker 1>construct a single coherent rerecor section as confounded us, flickering

556
00:27:14.079 --> 00:27:16.640
<v Speaker 1>new details into being, for some vanishing, others were all

557
00:27:17.279 --> 00:27:20.079
<v Speaker 1>no camera, no sketch, no two voices held the same

558
00:27:20.200 --> 00:27:23.799
<v Speaker 1>version for more than an instant. In frustration, Petro attempted

559
00:27:23.799 --> 00:27:26.799
<v Speaker 1>a final sketch. She drew us a librarian, a teacher,

560
00:27:26.839 --> 00:27:28.880
<v Speaker 1>a student, sharing a table in her room, bounded on

561
00:27:28.880 --> 00:27:30.799
<v Speaker 1>one side by books, on the other by a painted

562
00:27:30.880 --> 00:27:34.480
<v Speaker 1>mural for a breath. The scene felt both truthful and impossible.

563
00:27:35.039 --> 00:27:37.039
<v Speaker 1>She looked away to select a colored pencil, and when

564
00:27:37.079 --> 00:27:39.319
<v Speaker 1>she returned, a mural had changed her own drawing, now

565
00:27:39.359 --> 00:27:41.680
<v Speaker 1>depicted a wall of unfamiliar symbols beneath the bright city

566
00:27:41.720 --> 00:27:45.000
<v Speaker 1>skyline that didn't belong to our coats. Our collaborative trial

567
00:27:45.079 --> 00:27:47.160
<v Speaker 1>proved only that section as responded to us as a

568
00:27:47.160 --> 00:27:50.160
<v Speaker 1>group the way it had as individuals, shifting, confusing, not random,

569
00:27:50.200 --> 00:27:53.759
<v Speaker 1>but never fix unrepeatable in the ordinary sense. It seemed

570
00:27:53.759 --> 00:27:56.519
<v Speaker 1>to fall and unfold, patenting itself along the grain of

571
00:27:56.519 --> 00:28:00.240
<v Speaker 1>our collective memory and anticiratory hup. I thought briefly of

572
00:28:00.240 --> 00:28:03.119
<v Speaker 1>Schrodinger's cat of the infinite library imagined by Borges, but

573
00:28:03.160 --> 00:28:06.400
<v Speaker 1>those metaphors fell clumsy, too small. Pierre was a room

574
00:28:06.440 --> 00:28:08.839
<v Speaker 1>whose logic was not empirical but contingent, a place of

575
00:28:08.880 --> 00:28:11.519
<v Speaker 1>Almos and Neelie's, as if catalogged by the city's half

576
00:28:11.559 --> 00:28:15.400
<v Speaker 1>remembered aspirations. The experiment ended in laughter, the relief of

577
00:28:15.400 --> 00:28:18.680
<v Speaker 1>shared bewilderment cutting through our quietor as we climbed the

578
00:28:18.720 --> 00:28:22.160
<v Speaker 1>stairs dorsin nudge me, well, Walter, if you ever find

579
00:28:22.200 --> 00:28:25.559
<v Speaker 1>the directions to that chest banquet, call me first. Kata

580
00:28:25.599 --> 00:28:27.920
<v Speaker 1>struck a new label on her sketchbook, field notes for

581
00:28:27.960 --> 00:28:30.519
<v Speaker 1>things that might have happened. We parted with the kind

582
00:28:30.519 --> 00:28:33.200
<v Speaker 1>of camaraderie that only comes from encountering a puzzle not

583
00:28:33.279 --> 00:28:36.839
<v Speaker 1>meant to be solved, but lived alongside. The deeper architecture

584
00:28:36.880 --> 00:28:39.960
<v Speaker 1>of sections, now still revealed, its content and contours, glinting

585
00:28:40.000 --> 00:28:41.599
<v Speaker 1>not from the reliable light of fact, but from the

586
00:28:41.640 --> 00:28:46.519
<v Speaker 1>mercy shine of shared, drifting memory. What next I'd plodded, experiments,

587
00:28:46.599 --> 00:28:49.200
<v Speaker 1>tested to patience of my colleagues, burned through more skepticism

588
00:28:49.279 --> 00:28:51.599
<v Speaker 1>than one not tour in a season to press onward

589
00:28:51.680 --> 00:28:54.839
<v Speaker 1>with mere empiricism, felt feudle. I needed a new direction,

590
00:28:54.920 --> 00:28:57.599
<v Speaker 1>a weight of experienced tradition, rumor older than my own.

591
00:28:58.200 --> 00:29:01.000
<v Speaker 1>The answer, oddly enough, arrived from the city's other edge

592
00:29:01.000 --> 00:29:04.160
<v Speaker 1>of phone call. In the pale hours. Missus Finch croaked

593
00:29:04.279 --> 00:29:07.480
<v Speaker 1>orderly from Brighton Home. A mess Holden is asking about

594
00:29:07.480 --> 00:29:09.599
<v Speaker 1>her books, the ones you mentioned. She'd like a word,

595
00:29:09.759 --> 00:29:12.920
<v Speaker 1>if you can manage before lunch. Mess Holden had been

596
00:29:12.920 --> 00:29:15.440
<v Speaker 1>my first boss, long retired now, and the gatekeeper of

597
00:29:15.519 --> 00:29:18.799
<v Speaker 1>the library's most sbecure traditions. In her heyday, she could

598
00:29:18.839 --> 00:29:21.680
<v Speaker 1>recite every shelf location from memory correct miss fewl volume

599
00:29:21.680 --> 00:29:23.920
<v Speaker 1>by sendalone, and unearth a lost patron in the space

600
00:29:23.960 --> 00:29:25.880
<v Speaker 1>of five minutes with nothing but an overduly slip in

601
00:29:25.960 --> 00:29:28.960
<v Speaker 1>her own deductive flare. She was the last person alive

602
00:29:28.960 --> 00:29:31.680
<v Speaker 1>who might hold a memory older than any blueprint. The

603
00:29:31.720 --> 00:29:33.920
<v Speaker 1>Brighton Home was close, paint still pealing from the old

604
00:29:33.920 --> 00:29:37.240
<v Speaker 1>war years. Mess Holden greeted me with a sly smile,

605
00:29:37.319 --> 00:29:39.839
<v Speaker 1>her hands folded on a pink cruteted blanket, eyes shop

606
00:29:39.920 --> 00:29:42.680
<v Speaker 1>under the clouded lens of age. I explained as best

607
00:29:42.720 --> 00:29:45.599
<v Speaker 1>I could. The room the contradictions, the responsiveness to memory.

608
00:29:46.359 --> 00:29:49.200
<v Speaker 1>She listened, her gaze, never blinking, until I found myself

609
00:29:49.240 --> 00:29:52.799
<v Speaker 1>tilling off in justified confusion. She spoke softly. But the

610
00:29:52.839 --> 00:29:57.680
<v Speaker 1>library cadence was a mistakable sentences, balanced pauses, precise section ness,

611
00:29:57.720 --> 00:30:00.279
<v Speaker 1>You say, she repeated, You were not the first first

612
00:30:00.960 --> 00:30:04.720
<v Speaker 1>I leaned in? Was it always there? She laughed quietly,

613
00:30:04.720 --> 00:30:08.119
<v Speaker 1>a sound more amused than mocking. Nothing's always anywhere, Walter

614
00:30:08.319 --> 00:30:10.640
<v Speaker 1>section s as well. Let's say it's less a place

615
00:30:10.640 --> 00:30:12.519
<v Speaker 1>than a practice, part of the memory of the building,

616
00:30:12.640 --> 00:30:15.640
<v Speaker 1>if you like. Not the official record mind, but memory.

617
00:30:15.720 --> 00:30:18.440
<v Speaker 1>Every town, every library worth its full wax collects more

618
00:30:18.480 --> 00:30:21.160
<v Speaker 1>than books or official statements. We shelved everything, nobody could

619
00:30:21.240 --> 00:30:24.079
<v Speaker 1>quite remember it, but weren't ready to forget. She tapped

620
00:30:24.119 --> 00:30:27.599
<v Speaker 1>her fingers. Think of all the proposals never adopt, the parades,

621
00:30:27.640 --> 00:30:30.880
<v Speaker 1>postponed stories, children invented for story out but never wrote down.

622
00:30:30.920 --> 00:30:33.160
<v Speaker 1>That's what fills up at the edges. Sometimes when a

623
00:30:33.160 --> 00:30:35.519
<v Speaker 1>city is uncertain it, memory grows a room of its own.

624
00:30:35.559 --> 00:30:37.440
<v Speaker 1>For a while we called at the summer room or

625
00:30:37.480 --> 00:30:41.480
<v Speaker 1>special collection s. Then that fell away to oppressed. But

626
00:30:41.640 --> 00:30:43.599
<v Speaker 1>how is it a deliberate did you ever enter it

627
00:30:43.640 --> 00:30:47.160
<v Speaker 1>yourself under She snorted, Of course, I did. You think

628
00:30:47.200 --> 00:30:50.160
<v Speaker 1>librarians leave things unexplored, But you don't collect section S.

629
00:30:50.279 --> 00:30:52.319
<v Speaker 1>You don't arc have it not really, It's a kind

630
00:30:52.359 --> 00:30:54.559
<v Speaker 1>of living thing. It keeps what we nearly had. If

631
00:30:54.599 --> 00:30:56.480
<v Speaker 1>you read too far into it, you risk weending up

632
00:30:56.519 --> 00:30:58.720
<v Speaker 1>lost in your own reflection. But ignore it, and the

633
00:30:58.759 --> 00:31:02.160
<v Speaker 1>section grows restless, seats into hallways, dreams up a festival

634
00:31:02.160 --> 00:31:04.559
<v Speaker 1>no one can remember attending, but everyone wishes we'd had.

635
00:31:04.599 --> 00:31:07.680
<v Speaker 1>We keep its custodian, not its conqueror. I struggled to

636
00:31:07.720 --> 00:31:11.559
<v Speaker 1>absorb per meaning. The explanation was half fouc or half structuralism,

637
00:31:11.559 --> 00:31:14.319
<v Speaker 1>but I couldn't dismiss it. Section S was not about

638
00:31:14.359 --> 00:31:16.839
<v Speaker 1>lost objects were not just that. It was about the

639
00:31:16.839 --> 00:31:20.680
<v Speaker 1>city's longing, its almost traditions, the stories invented but never realized.

640
00:31:21.240 --> 00:31:23.119
<v Speaker 1>It made a kind of sense out of everything I'd seen,

641
00:31:23.160 --> 00:31:26.240
<v Speaker 1>the moft objects, the clashing recollections, the painting that contain

642
00:31:26.279 --> 00:31:29.839
<v Speaker 1>my own searching posture. I thank de messe Holden, promising

643
00:31:29.880 --> 00:31:32.400
<v Speaker 1>to bring her a new book of poems. She gripped

644
00:31:32.400 --> 00:31:36.079
<v Speaker 1>my hand firmly. Don't go fixing yet, she whispered, it's

645
00:31:36.079 --> 00:31:38.279
<v Speaker 1>not broken. We need a place for the nearly remembered,

646
00:31:38.319 --> 00:31:41.000
<v Speaker 1>Thus half a city's life. After all, it was late

647
00:31:41.039 --> 00:31:42.960
<v Speaker 1>by the time I left, the sun dragging itself above

648
00:31:43.000 --> 00:31:46.880
<v Speaker 1>the rooftops Briton's Roses liquido. I walked slowly, replaying her

649
00:31:46.880 --> 00:31:49.039
<v Speaker 1>words alongside the memory of the shifting shelves and the

650
00:31:49.119 --> 00:31:52.319
<v Speaker 1>laughter of my collaborators. In wonder, I realized that in

651
00:31:52.359 --> 00:31:55.119
<v Speaker 1>a city where salesmen renamed shops every few months, where

652
00:31:55.160 --> 00:31:57.480
<v Speaker 1>the ershin remakes the shoreline with the wind, a room

653
00:31:57.640 --> 00:31:59.720
<v Speaker 1>like Section S is inevitable, not an accident, but in

654
00:31:59.759 --> 00:32:03.039
<v Speaker 1>a say somewhere every place needs to store the versions

655
00:32:03.039 --> 00:32:05.440
<v Speaker 1>of itself that don't quite come to be Back at

656
00:32:05.480 --> 00:32:08.079
<v Speaker 1>the library, the day was ordinary in all the reassuring ways.

657
00:32:08.079 --> 00:32:11.039
<v Speaker 1>It could be children racing past the lending desk, Merry

658
00:32:11.039 --> 00:32:13.720
<v Speaker 1>issuing finds and forgive us an equal measure, Tony grumbling

659
00:32:13.720 --> 00:32:16.160
<v Speaker 1>about the pipes of those pipes while some were downstairs.

660
00:32:16.279 --> 00:32:19.039
<v Speaker 1>The air grew heavy with then choved. I roused old

661
00:32:19.079 --> 00:32:21.839
<v Speaker 1>Section S's keychots, jagged nail, feeling a fondness for the

662
00:32:21.839 --> 00:32:23.759
<v Speaker 1>way its weight fit my pom, a fondness nearly as

663
00:32:23.759 --> 00:32:26.400
<v Speaker 1>old as my first library crush, That intoxicating sense of

664
00:32:26.440 --> 00:32:28.880
<v Speaker 1>door was not yet opened. I kept my promise to

665
00:32:28.920 --> 00:32:32.240
<v Speaker 1>a mess holden. I told Mary about my adventure, careful

666
00:32:32.279 --> 00:32:34.720
<v Speaker 1>to leave out the painting, careful not to oversee the myth.

667
00:32:35.240 --> 00:32:38.119
<v Speaker 1>She listened skeptical, but glanced at the basement with the

668
00:32:38.160 --> 00:32:41.240
<v Speaker 1>new softness, as if ree considering her own assistance to possibility.

669
00:32:41.920 --> 00:32:44.720
<v Speaker 1>Tony Well Tony just winked and asked if sections had

670
00:32:44.720 --> 00:32:47.079
<v Speaker 1>a better heater than the rest of the floor. In

671
00:32:47.119 --> 00:32:49.960
<v Speaker 1>the following weeks, I found myself moving more gently through

672
00:32:50.000 --> 00:32:52.920
<v Speaker 1>the city. The boarded up bickery on Cross Street fell

673
00:32:53.119 --> 00:32:55.480
<v Speaker 1>on some mornings as fresh as if its ground opening

674
00:32:55.559 --> 00:32:59.160
<v Speaker 1>lay just ahead. A retired fairy horn never installed, hung

675
00:32:59.200 --> 00:33:01.559
<v Speaker 1>in the civic garage with an ore of postponed ceremony.

676
00:33:02.119 --> 00:33:04.799
<v Speaker 1>Sheildren's voices bounced off school out walls the cadence of

677
00:33:04.799 --> 00:33:07.759
<v Speaker 1>their games, mixing new rules with all half remembered refrains.

678
00:33:08.359 --> 00:33:10.960
<v Speaker 1>I added a new category to my notebook, possible traditions,

679
00:33:10.960 --> 00:33:13.599
<v Speaker 1>small things overheard or nearly misheard, anchors to what might

680
00:33:13.640 --> 00:33:17.119
<v Speaker 1>have taken root. I no longer sought to solve section s.

681
00:33:17.279 --> 00:33:19.400
<v Speaker 1>I knew now that it was a kind of promise

682
00:33:19.480 --> 00:33:21.720
<v Speaker 1>in trying as a practice rather than a puzzle, memory

683
00:33:21.759 --> 00:33:24.039
<v Speaker 1>making room for all the spendid stories of a city.

684
00:33:24.559 --> 00:33:27.920
<v Speaker 1>The boundary between historical fact and living community had grown porous,

685
00:33:28.079 --> 00:33:31.519
<v Speaker 1>dappled with possibility. On my final visit, after speaking to

686
00:33:31.559 --> 00:33:33.839
<v Speaker 1>a mess holden, I paused in the doorway, letting the

687
00:33:33.880 --> 00:33:37.640
<v Speaker 1>silence wrap around me. Section S's shells climmered softly, their

688
00:33:37.640 --> 00:33:41.079
<v Speaker 1>forms coalescing and dissolving. I lingered by the table nearest

689
00:33:41.119 --> 00:33:43.200
<v Speaker 1>the engines, traced a finger over the grain of the wood,

690
00:33:43.240 --> 00:33:45.039
<v Speaker 1>and placed a slip of paper, blank except for a

691
00:33:45.039 --> 00:33:47.720
<v Speaker 1>hopeful question mark, at Topolu's stack and offering to what

692
00:33:47.799 --> 00:33:51.799
<v Speaker 1>almost but never quite comes to pass. Locking up that evening,

693
00:33:51.920 --> 00:33:54.039
<v Speaker 1>I caught my own reflection ghosted in the lobby's crack

694
00:33:54.079 --> 00:33:56.880
<v Speaker 1>security glass. I wondered it, just for a heartbeat, to

695
00:33:56.880 --> 00:33:59.480
<v Speaker 1>where other shells the city's memory might be growing. How

696
00:33:59.519 --> 00:34:02.440
<v Speaker 1>could any place, any life be fully known or cataloged.

697
00:34:03.079 --> 00:34:05.000
<v Speaker 1>As I SLID's section s is key onto its hook

698
00:34:05.039 --> 00:34:07.000
<v Speaker 1>and let myself out into the gentle hush of dusk,

699
00:34:07.079 --> 00:34:08.880
<v Speaker 1>I felt gratitude for the weight of all that doesn't

700
00:34:08.920 --> 00:34:11.920
<v Speaker 1>quite fit. Half remembered festivals phantom maaeze, a shine of

701
00:34:11.960 --> 00:34:14.880
<v Speaker 1>things just shy of becoming. How can one place contain

702
00:34:14.960 --> 00:34:18.480
<v Speaker 1>so much that almost but not quite existed. Possibility lingers

703
00:34:18.480 --> 00:34:21.119
<v Speaker 1>in every forgotten shelf and story, a quiet, unfinished light.

704
00:34:22.719 --> 00:34:25.239
<v Speaker 1>And that is the end. Thank you for listening, and

705
00:34:25.280 --> 00:34:29.960
<v Speaker 1>I will see you in the next one.
