1 00:00:02,799 --> 00:00:05,719 Speaker 1: The Amison and This show written by Joe Connolly, Bob 2 00:00:05,759 --> 00:00:10,359 Moser and Bob Ross, featuring Ernestine Wade, Johnny Lee, Amanda Randolph, Roy, 3 00:00:10,439 --> 00:00:14,800 Glenn Corney Anderson, Zelda Cleaver, Jeff Alexander's Music Yours, Trulie 4 00:00:14,800 --> 00:00:19,800 Hallow Wilcox, and starring radio's all time favorites Freemon Gosden 5 00:00:20,160 --> 00:00:32,119 and Charles Carrell amos Landy. The subject of romance came 6 00:00:32,200 --> 00:00:35,359 up twice at the home of George Kingfish Stephens and 7 00:00:35,439 --> 00:00:39,119 his wife's Sapphire. The first time was after supper last 8 00:00:39,159 --> 00:00:42,280 Wednesday night. George and Sapphire hadn't been out of the 9 00:00:42,320 --> 00:00:45,159 house in over a month, and when Sapphire came into 10 00:00:45,200 --> 00:00:47,600 the living room and found the Kingfish with his nose 11 00:00:47,640 --> 00:00:51,159 in the paper, she decided to do a little hinting. 12 00:00:51,799 --> 00:01:00,600 Speaker 2: When be your dad, jeez. 13 00:01:06,840 --> 00:01:13,319 Speaker 1: Oh, what in the world is that? Joe y'all was singing, singing, 14 00:01:14,359 --> 00:01:16,640 I ain't here Greechian like that. Since I was over 15 00:01:16,760 --> 00:01:22,879 the zoo and the moose sat down on the porcupine, 16 00:01:23,000 --> 00:01:26,920 I was only well the next time you were hitting 17 00:01:26,959 --> 00:01:32,200 hint on key, Lena, get back in the news basis the. 18 00:01:32,280 --> 00:01:35,439 Speaker 3: Paper, Georgie, if you ever watched the Young Wilson's that 19 00:01:35,519 --> 00:01:40,040 lives across the hall. Well, every night mister Wilson takes 20 00:01:40,079 --> 00:01:42,359 Miss Wilson out dancing, or he takes. 21 00:01:42,200 --> 00:01:44,959 Speaker 4: Ms Wilson to the movies, all he takes Ms Wilson 22 00:01:45,000 --> 00:01:45,599 out to dinner. 23 00:01:46,120 --> 00:01:47,799 Speaker 5: Why don't you do something like that? 24 00:01:48,519 --> 00:01:50,760 Speaker 1: Well, I would, honey, but mister Wilson might once be 25 00:01:50,799 --> 00:01:51,319 in the noise. 26 00:01:55,480 --> 00:02:00,359 Speaker 3: Josh Stevens were both married to the wrong person and 27 00:02:00,480 --> 00:02:03,959 the romantic type, and you as the type that stays 28 00:02:03,959 --> 00:02:05,560 home with you know it's in the newspaper. 29 00:02:06,599 --> 00:02:09,400 Speaker 1: Well, I admitted that I know Peter lawful, But. 30 00:02:12,080 --> 00:02:15,000 Speaker 3: Judge, you just don't understand me. I want to be 31 00:02:15,199 --> 00:02:16,360 day and vivacious. 32 00:02:16,719 --> 00:02:20,639 Speaker 5: I want to live. I want roman Oh, Judge, I 33 00:02:20,719 --> 00:02:21,759 want to run. 34 00:02:21,719 --> 00:02:24,960 Speaker 3: Through the night with the wind and the rain in 35 00:02:25,000 --> 00:02:25,639 my head. 36 00:02:26,520 --> 00:02:28,439 Speaker 1: Well, you go ahead. When you get back, I'll be 37 00:02:28,479 --> 00:02:29,960 waiting here with a hot water bottle and. 38 00:02:30,000 --> 00:02:30,639 Speaker 6: Some fol. 39 00:02:36,599 --> 00:02:39,719 Speaker 1: And The second time last week that romance centered the 40 00:02:39,759 --> 00:02:44,000 apartment of George and Sapphire was when Herbert Jackson, a 41 00:02:44,120 --> 00:02:47,120 magazine solicitor, rang the Stephens doorbell. 42 00:02:52,240 --> 00:02:56,120 Speaker 7: Hmm, if there's nobody home, Well, I'll just flip the 43 00:02:56,159 --> 00:03:01,800 slamp of copy under the door. There we are one 44 00:03:01,879 --> 00:03:03,599 copy of Forbidden Romances? 45 00:03:14,759 --> 00:03:18,039 Speaker 2: Hi Kingfish, what you're doing down here the large halls world? 46 00:03:18,319 --> 00:03:22,000 Speaker 1: Well then there, let me lock the door here. Now 47 00:03:22,039 --> 00:03:25,680 look and what I've done, Uh well, I won't tell you. 48 00:03:26,360 --> 00:03:28,439 Look what I have found up at the apartment. 49 00:03:29,199 --> 00:03:33,800 Speaker 2: Look at that magazine there, Look at that Forbidden Romances. 50 00:03:35,000 --> 00:03:37,199 I think at your age, I was more the popular 51 00:03:37,240 --> 00:03:43,159 mechanics stype. I found this here magazine on the living 52 00:03:43,199 --> 00:03:45,879 room floor. Don't you see what a mean soulf I 53 00:03:46,080 --> 00:03:48,719 it's been reading this stuff. There ain't nothing wrong with that, 54 00:03:48,960 --> 00:03:51,080 just a lot of gushy nonsense. 55 00:03:50,960 --> 00:03:53,479 Speaker 1: I know, Andy, But is the implication of the thing. 56 00:03:53,919 --> 00:03:57,120 She reading love stories? And after all, you don't buy 57 00:03:57,120 --> 00:04:03,039 a road map unless you going somewhere and there, Nate. 58 00:04:03,159 --> 00:04:05,599 She was hollering about how she needs romance. 59 00:04:06,280 --> 00:04:07,560 Speaker 8: Let me see that thinking. 60 00:04:07,360 --> 00:04:09,439 Speaker 1: And look at it and kind of stuff she can 61 00:04:09,479 --> 00:04:13,000 relook at there? Look right there, I found my heart 62 00:04:13,039 --> 00:04:14,280 on a two weeks cruise. 63 00:04:15,960 --> 00:04:18,319 Speaker 8: Let's see here. 64 00:04:18,519 --> 00:04:22,439 Speaker 2: Hernandos stood close to me on the deck, whispering words 65 00:04:22,480 --> 00:04:26,519 of romance into my ear as we watched the shimmering 66 00:04:26,879 --> 00:04:30,879 moonlight dancing on before me. Wake of our cruise ship. 67 00:04:31,680 --> 00:04:35,079 The soft tropical moon had a strange odor about it. 68 00:04:35,199 --> 00:04:35,920 Speaker 1: That's all, are you? 69 00:04:43,759 --> 00:04:47,560 Speaker 2: I should feel my heartbeat above the throbbing of the engines. 70 00:04:48,240 --> 00:04:52,040 Suddenly I felt her nandos arms steal around my shoulder. 71 00:04:52,759 --> 00:04:56,519 With a gasp, I pulled myself from his embrace and 72 00:04:56,839 --> 00:04:58,720 ran from the deck to my cabin. 73 00:05:00,120 --> 00:05:02,439 Speaker 8: There ain't nothing there, kingfish. He's gonna run away from 74 00:05:02,439 --> 00:05:02,759 the fella. 75 00:05:03,040 --> 00:05:05,120 Speaker 1: Yeah, I know, Anna, but look over on the next page. 76 00:05:05,199 --> 00:05:06,639 There's back on the poop deck again. 77 00:05:06,680 --> 00:05:13,199 Speaker 2: Look at it. Well, I don't think sapphire gonna be 78 00:05:13,240 --> 00:05:16,279 interrested in no other man, and hurries. Ain't no other 79 00:05:16,360 --> 00:05:17,839 man gonna be interested in the Sapphire. 80 00:05:17,839 --> 00:05:20,120 Speaker 8: I mean, oh, I don't know, Anna. 81 00:05:20,279 --> 00:05:22,160 Speaker 1: You know how it is with fun of you, some 82 00:05:22,319 --> 00:05:27,959 fellas going fantiques. The fire might be just moldy enough 83 00:05:27,959 --> 00:05:29,600 to peel of some of them boys. 84 00:05:31,160 --> 00:05:34,759 Speaker 2: Yeah, but this is silly, king fidg. After all Sapphires 85 00:05:34,839 --> 00:05:35,199 got you. 86 00:05:35,439 --> 00:05:37,439 Speaker 1: Well, then I can't pin too much hopes on that. 87 00:05:37,879 --> 00:05:41,120 I done took stock of myself this morning, you did? Yeah? 88 00:05:41,160 --> 00:05:42,959 When I got up this morning, I took a long 89 00:05:43,000 --> 00:05:45,800 look at myself in the mirror. I tell you Enna, 90 00:05:46,040 --> 00:05:49,680 with my skin to pay and my bloodshot eyes, and 91 00:05:50,279 --> 00:05:53,160 with my tagging jarles and that water on my Adam's apples. 92 00:05:53,480 --> 00:05:56,439 I realized that I wasn't zackly no ding dong daddy. 93 00:05:56,399 --> 00:06:00,480 Speaker 2: If I'm doing much, Yeah, well, what you do about 94 00:06:00,519 --> 00:06:01,759 the situation gave rig But. 95 00:06:01,839 --> 00:06:04,800 Speaker 1: Then I gotta do something with self. I'm reading these magazines. 96 00:06:04,839 --> 00:06:08,040 You never know what this can lead to. If it's romance, 97 00:06:08,040 --> 00:06:11,079 he's after, I gonna bring romance into a lafe. I'm 98 00:06:11,079 --> 00:06:14,279 gonna be gay, I gonna be charming. I gonna be 99 00:06:14,360 --> 00:06:16,439 the romantic tape the self I'm looking for you. 100 00:06:17,199 --> 00:06:18,959 Speaker 8: Oh yeah, and it's. 101 00:06:18,759 --> 00:06:22,279 Speaker 1: A new deal from billion. I gonna shower her with affection. 102 00:06:22,759 --> 00:06:25,480 I gonna shower her with love and understand it. I 103 00:06:25,639 --> 00:06:27,399 gonna shower her with romance. 104 00:06:27,759 --> 00:06:30,519 Speaker 2: Yeah, well, you better go easier, that kingfish. You're gonna 105 00:06:30,600 --> 00:06:43,920 end up with a waterlogged wife. 106 00:06:45,079 --> 00:06:45,759 Speaker 8: Let's listen to it. 107 00:06:45,839 --> 00:07:01,720 Speaker 9: Number by the four Nights. 108 00:07:01,759 --> 00:07:09,639 Speaker 10: You need no wings to be an angel. You promifize 109 00:07:10,160 --> 00:07:17,279 the things you do, And speaking of. 110 00:07:17,560 --> 00:07:27,920 Speaker 6: It, I never knew one quite like you. 111 00:07:27,920 --> 00:07:35,399 Speaker 10: You need a gold halo around you and no magic 112 00:07:35,519 --> 00:07:48,079 wand to trash the fell And speaking of you leave 113 00:07:48,279 --> 00:07:50,720 it so well. 114 00:07:52,680 --> 00:07:58,720 Speaker 1: And speaking of music waves while. 115 00:08:00,439 --> 00:08:08,399 Speaker 10: I give it in your sir, and speaking of moonlight 116 00:08:10,120 --> 00:08:20,240 sprinkle with God, I see it in your who Well 117 00:08:20,319 --> 00:08:23,399 was my darling, but an angel. 118 00:08:26,160 --> 00:08:29,480 Speaker 6: Could make the earth so heavenly. 119 00:08:33,240 --> 00:08:35,799 Speaker 10: And speaking of. 120 00:08:35,559 --> 00:08:42,320 Speaker 6: It, that's what you want to me? 121 00:09:10,559 --> 00:09:14,039 Speaker 10: Tell me who was my tongues? 122 00:09:14,559 --> 00:09:15,519 Speaker 6: Buddy? Angel? 123 00:09:17,840 --> 00:09:21,679 Speaker 8: Could ma see art all heavenly? 124 00:09:25,879 --> 00:09:35,039 Speaker 10: And speaking of the Joe, that's what you are to me. 125 00:09:38,080 --> 00:09:39,519 Speaker 6: But that's what you. 126 00:10:06,039 --> 00:10:08,480 Speaker 1: Come on boys, walking me down to my apartment. Yeah, 127 00:10:09,240 --> 00:10:13,000 King fees he Shore has doll up there, new suit 128 00:10:13,159 --> 00:10:16,399 fower in your buttonhole and that night folk here flowers 129 00:10:16,399 --> 00:10:17,120 you can down. 130 00:10:17,279 --> 00:10:19,799 Speaker 8: Yeah, you show smell fragrance to Kithley. 131 00:10:20,080 --> 00:10:22,320 Speaker 1: Well, tell you else. I was shaved. I had the 132 00:10:22,360 --> 00:10:25,039 barber to put everything in the shop on me. I 133 00:10:25,159 --> 00:10:27,240 tell you boys, I got stints on me that won't 134 00:10:27,240 --> 00:10:32,639 come to the surface. For deals, King Pee Staffire looking 135 00:10:32,639 --> 00:10:36,200 for romance, you show us the part all right? Oh yeah, boys, 136 00:10:36,679 --> 00:10:39,000 I've been reading all the love stuff out of folks 137 00:10:39,000 --> 00:10:42,399 for good room man. Yeah, learning how to be the 138 00:10:42,480 --> 00:10:45,879 romantic type. I tell you I'm gonna walk in there 139 00:10:45,960 --> 00:10:50,679 like Hernando and throw romance out of from seven different directors. 140 00:10:50,799 --> 00:10:52,840 Speaker 8: Just what you're gonna do, Kateley, Well, I. 141 00:10:52,879 --> 00:10:55,159 Speaker 1: Gonna open the front door right quick and go down 142 00:10:55,200 --> 00:10:58,919 on one knee and hold out the flowers and say lovely. 143 00:10:58,679 --> 00:11:01,279 Speaker 8: Flowers for lovely Yeah. 144 00:11:01,399 --> 00:11:04,039 Speaker 2: I see him do that in the ballet one. And 145 00:11:04,159 --> 00:11:06,279 after that the gal took a snip of the roses. 146 00:11:06,679 --> 00:11:09,200 Then the fellow took a snip of the roses. Next 147 00:11:09,200 --> 00:11:11,080 thing I know, the gal jumped twenty feet in the 148 00:11:11,080 --> 00:11:14,240 air and he started rolling around. I always wondered what 149 00:11:14,279 --> 00:11:15,320 they put in them roses. 150 00:11:17,679 --> 00:11:20,759 Speaker 1: Well, I don't think these twelve four quarter of roses 151 00:11:20,799 --> 00:11:25,559 is the jumping kind. Yeah, your apartment King's peas, and 152 00:11:25,639 --> 00:11:28,399 good luck to you with your Yeah, I really hope 153 00:11:28,399 --> 00:11:30,960 you sweep off your feet. Well, thank you boy, thank 154 00:11:31,000 --> 00:11:45,440 you very much, dear letter. Oh well, romance your spellers everywhere. Hmm, 155 00:11:45,440 --> 00:11:48,559 I hear somebody in the living room stat fires in there. 156 00:11:48,960 --> 00:11:49,919 Speaker 8: Well, here go. 157 00:11:49,799 --> 00:11:55,960 Speaker 1: It, lovely fowls, Paul, lovely lady. Well a fine condition 158 00:11:56,080 --> 00:12:01,759 for you to come calling on Mama, Mama, is you 159 00:12:02,559 --> 00:12:05,279 where's my sweet dinners romantic wife? 160 00:12:05,399 --> 00:12:10,759 Speaker 4: She's in the kitchen, clean the fish. 161 00:12:10,840 --> 00:12:12,720 Speaker 6: Well, Well, come on, jump on your feet. 162 00:12:13,039 --> 00:12:13,879 Speaker 1: You want to leave there? 163 00:12:13,919 --> 00:12:14,519 Speaker 6: All evening. 164 00:12:15,519 --> 00:12:20,039 Speaker 1: No, Oh, Mama, my back, my back, my ruma tells 165 00:12:20,080 --> 00:12:24,360 him I can't rule. Come on here, help me, Oh 166 00:12:24,480 --> 00:12:25,399 great man's. 167 00:12:25,200 --> 00:12:26,519 Speaker 8: And pop this saddle again. 168 00:12:36,399 --> 00:12:40,720 Speaker 1: Well, lovely dinner, my love. May I see that you 169 00:12:40,759 --> 00:12:43,080 never look more rady and beautiful. 170 00:12:42,559 --> 00:12:45,840 Speaker 8: Than you does tonight? Charge your foods kitting cold fancy 171 00:12:45,840 --> 00:12:46,799 fish jonn. 172 00:12:49,720 --> 00:12:54,519 Speaker 1: Here, here's mamma, honey. We'll make this high night, and 173 00:12:54,559 --> 00:12:58,559 after this charming dinner we'll go dancing, dancing like two 174 00:12:58,679 --> 00:13:04,720 young lovers. But tain please, here is mom, I've heard 175 00:13:04,799 --> 00:13:08,360 the next You'll be like two gay spirits Walton in 176 00:13:08,399 --> 00:13:12,120 the wonderland of romance. I will dance till dawn on 177 00:13:12,200 --> 00:13:18,639 a pink cloud, on a pink cloud of hoarse radish coma. 178 00:13:18,759 --> 00:13:20,840 Will you be good enough to close your big fairs 179 00:13:20,879 --> 00:13:23,639 while I being homnic here, Mama, don't say. 180 00:13:23,600 --> 00:13:25,759 Speaker 5: No attention to George. You go ahead and finish your 181 00:13:25,799 --> 00:13:26,879 dim Well. 182 00:13:26,919 --> 00:13:29,279 Speaker 1: I'm gonna finish my dinner too, But while I eat here, 183 00:13:29,840 --> 00:13:32,519 I gonna close my ears to these harsh words. 184 00:13:32,559 --> 00:13:33,840 Speaker 10: Why do you better close your mouth? 185 00:13:33,879 --> 00:13:36,279 Speaker 5: Suits stealing gravy all over your bed? 186 00:13:41,399 --> 00:13:45,679 Speaker 1: Oh what a beautiful and perfect heaven there dancing with 187 00:13:45,799 --> 00:13:47,919 you again, my darling, Joy. 188 00:13:48,039 --> 00:13:49,320 Speaker 3: Don't you think me a little. 189 00:13:49,120 --> 00:13:52,039 Speaker 1: Too over this type of music? Oh not at all, honey, 190 00:13:52,320 --> 00:13:56,360 This is the music of romance. Humber one two see 191 00:13:56,720 --> 00:13:58,000 Humber one two? 192 00:13:58,000 --> 00:13:58,879 Speaker 5: See what two? 193 00:13:58,960 --> 00:14:02,559 Speaker 1: Three? What do? 194 00:14:00,159 --> 00:14:03,279 Speaker 7: Oh? 195 00:14:03,399 --> 00:14:06,679 Speaker 1: My back? Oh, my back? I don't sniff my desk again. 196 00:14:06,799 --> 00:14:07,480 Speaker 6: Help hell. 197 00:14:14,679 --> 00:14:17,000 Speaker 2: Now, I'll just sit there in that comfortable chair, King 198 00:14:17,080 --> 00:14:18,080 Pas and take it easily. 199 00:14:18,480 --> 00:14:24,360 Speaker 1: Oh yeah, yeah, easy, Yeah. I got over the bed 200 00:14:24,399 --> 00:14:27,799 about an hour going. I managed to hobble down here 201 00:14:27,879 --> 00:14:28,679 to the large horse. 202 00:14:29,000 --> 00:14:32,480 Speaker 8: Yeah. So that romantic evening didn't go off too well. 203 00:14:33,440 --> 00:14:35,840 Speaker 1: No, and the three of the winners carried me out 204 00:14:35,840 --> 00:14:39,960 at the knight club on the table slow and I 205 00:14:40,039 --> 00:14:43,240 come home in the backseat of a tactic cab double 206 00:14:43,320 --> 00:14:46,240 up like a jack knife. And I wound up spending 207 00:14:46,279 --> 00:14:48,080 the moons and channing part of the evening with a 208 00:14:48,159 --> 00:14:51,360 chiropractice into my back. 209 00:14:51,480 --> 00:14:54,480 Speaker 8: Oh just just yet. Oh the back is really bothering you. 210 00:14:54,840 --> 00:14:59,399 Speaker 1: Oh yeah, Now, look Anna, there's nearly lunchtime. 211 00:14:59,440 --> 00:15:01,440 Speaker 8: Here, give me a hand here. 212 00:15:01,600 --> 00:15:03,600 Speaker 1: Kind of hit me back to my apartment, will you. 213 00:15:03,879 --> 00:15:04,879 Speaker 8: Yeah, I'll do that. 214 00:15:05,639 --> 00:15:08,840 Speaker 2: Well, Kingfish, I guess you just ain't the romantic type 215 00:15:08,919 --> 00:15:12,320 like Hernando with yeah, no sense. 216 00:15:12,120 --> 00:15:15,240 Speaker 1: Of me trying to please YOURSELFI yes, Soufi are gonna 217 00:15:15,240 --> 00:15:17,039 have to go through lads getting the room manser. The 218 00:15:17,039 --> 00:15:20,639 magazine's like Forbidden romancewers. But in spite of that, I 219 00:15:21,080 --> 00:15:22,240 know she's gonna stick with me. 220 00:15:22,919 --> 00:15:27,879 Speaker 2: Well, Kingfish, then you convinced Sapphire that she ain't looking 221 00:15:27,919 --> 00:15:30,000 for no hernando like the gall on the cruise ship. 222 00:15:30,159 --> 00:15:33,200 Speaker 1: That is no. And when you get to be Sopphire's age, 223 00:15:33,200 --> 00:15:34,600 your poop deck dairs is over. 224 00:15:34,679 --> 00:15:44,759 Speaker 5: Boy, Why I want you to sit down? 225 00:15:44,759 --> 00:15:46,080 Speaker 7: Want to Jackson? Thank you? 226 00:15:46,519 --> 00:15:49,519 Speaker 3: I'm sorry I didn't get that sample copy of your magazine. 227 00:15:49,879 --> 00:15:52,879 Speaker 7: Well that's funny. I slid it under your door yesterday. 228 00:15:52,960 --> 00:15:53,759 Probably no matter. 229 00:15:54,080 --> 00:15:56,960 Speaker 3: Well, mister Jackson, I don't think I been arrested in 230 00:15:57,000 --> 00:15:58,919 a magazine like Forbidden Romances. 231 00:15:59,080 --> 00:16:02,679 Speaker 7: After all, Stephens, I would appreciate you listening to me. 232 00:16:03,240 --> 00:16:04,840 I have a wife and two children. 233 00:16:05,240 --> 00:16:07,240 Speaker 1: Oh, I see, missus Stephens. 234 00:16:07,279 --> 00:16:10,879 Speaker 7: It's a wonderful magazine. I just can't tell you highly 235 00:16:11,039 --> 00:16:15,679 enough on our magazine Forbidden Romances. And with our introductory offer, 236 00:16:15,960 --> 00:16:19,799 you're getting this wonderful magazine for the entire year for 237 00:16:19,960 --> 00:16:22,799 only two dollars and a half missus Stephens. 238 00:16:22,879 --> 00:16:28,279 Speaker 1: I tell you, thank you Nis for helping me ailt 239 00:16:28,320 --> 00:16:31,639 the back way here. Yeah, he's back just as easy 240 00:16:31,759 --> 00:16:36,279 in the front way. Eh, just get through the kitchen, 241 00:16:36,360 --> 00:16:40,919 Ye pass up. Wonderful Wait a minute, Wait a minute, 242 00:16:41,440 --> 00:16:44,120 sound like tough. I talking to somebody in the living room. Yeah, 243 00:16:44,360 --> 00:16:46,279 sounds like a man's voice too. Yeah. I try to 244 00:16:46,320 --> 00:16:49,360 do and see who's here? Probably just a bill collector. 245 00:16:50,879 --> 00:16:53,559 Speaker 7: But how can you turn me down? Think of what 246 00:16:53,639 --> 00:16:57,159 I'm offering you love romance, adventure. 247 00:17:00,840 --> 00:17:03,320 Speaker 2: If that's a bill collector, Hernando must be working for 248 00:17:03,320 --> 00:17:10,000 the gas company. 249 00:17:09,319 --> 00:17:11,480 Speaker 8: And he listens to this love talk. 250 00:17:11,519 --> 00:17:15,759 Speaker 11: You give her a shouldn't Well, it just sounds interesting. 251 00:17:16,200 --> 00:17:18,759 Speaker 7: My dear lady, you look like a woman who wants 252 00:17:18,759 --> 00:17:21,960 to rise above the humdrum. Think what I'm offering you 253 00:17:22,400 --> 00:17:25,440 a chance to sail into the blue, a chance to 254 00:17:25,519 --> 00:17:28,880 rise into the clouds, a chance to fly far above 255 00:17:28,960 --> 00:17:29,799 the commonplace. 256 00:17:30,279 --> 00:17:31,799 Speaker 8: Sound like he's trying to talk her and to run 257 00:17:31,839 --> 00:17:32,640 away the airplane. 258 00:17:35,480 --> 00:17:38,440 Speaker 5: Man, You still make it sound interesting. 259 00:17:38,279 --> 00:17:40,599 Speaker 1: And listen to it, and they can only see the barrel. 260 00:17:40,640 --> 00:17:41,039 Speaker 8: Look at it. 261 00:17:43,279 --> 00:17:48,200 Speaker 7: I implored you don't turn down this wonderful opportunity, A 262 00:17:48,319 --> 00:17:50,960 chance to follow in the footstepths of the young and heart, 263 00:17:51,319 --> 00:17:54,039 a chance to sad the pathways of happiness. 264 00:17:54,240 --> 00:17:55,759 Speaker 8: Now it sounds like you're going to settle for a 265 00:17:55,799 --> 00:17:56,559 walk in the park. 266 00:17:59,039 --> 00:18:03,279 Speaker 3: Well you're very perspisive. Don't let me think it over. 267 00:18:03,759 --> 00:18:05,519 Speaker 5: Why don't you come back tomorrow? 268 00:18:05,960 --> 00:18:09,039 Speaker 7: Well, very well, missus Stevens. But I know what her 269 00:18:09,079 --> 00:18:09,920 answer is going to. 270 00:18:09,880 --> 00:18:15,759 Speaker 8: Be pretty sure of itself. Any that doesn't and that 271 00:18:16,119 --> 00:18:18,559 does it. I was leaving that woman for good. 272 00:18:18,759 --> 00:18:21,680 Speaker 2: Yeah, but she didn't say she was going to abscondrel. 273 00:18:21,119 --> 00:18:21,640 Speaker 8: Off with him. 274 00:18:21,640 --> 00:18:24,000 Speaker 1: Well I don't care, and my own wife is sitting 275 00:18:24,000 --> 00:18:25,920 there listening to a lot of much talk like that. 276 00:18:26,440 --> 00:18:30,160 We are too andy. She was looking for romance after ah, 277 00:18:30,440 --> 00:18:33,880 But Kingfisher, nothing's doing and nothing doing. I was leaving 278 00:18:33,960 --> 00:18:36,279 that woman and taking my slip disc with me. 279 00:18:47,759 --> 00:18:50,480 Speaker 2: Well, King Fisher, has been two weeks since you left zapphae. 280 00:18:50,599 --> 00:18:53,559 Speaker 8: He Ain't you never going back to her? 281 00:18:53,720 --> 00:18:57,359 Speaker 1: No, sander, no sigh or not. I'm never going back 282 00:18:57,359 --> 00:19:00,160 to that woman. Let her fine room man said you 283 00:19:00,200 --> 00:19:02,880 want to. That's why I was going in here to 284 00:19:02,880 --> 00:19:06,240 see all conquin Jay Calhoun, I gonna change my will. 285 00:19:06,920 --> 00:19:07,720 Speaker 8: I don't change it. 286 00:19:08,400 --> 00:19:10,000 Speaker 1: I gonna cut her off altogether. 287 00:19:11,079 --> 00:19:15,720 Speaker 2: You're gonna unbneficiary gal huh. 288 00:19:14,400 --> 00:19:15,599 Speaker 1: Come on, let's get on in here. 289 00:19:15,799 --> 00:19:17,960 Speaker 8: Okay, how did that? 290 00:19:18,119 --> 00:19:18,599 Speaker 1: Calhoun? 291 00:19:18,839 --> 00:19:19,720 Speaker 8: Hello Calhoun? 292 00:19:19,839 --> 00:19:23,720 Speaker 1: Hey Calhoun? Is your business? Is our business? How could 293 00:19:23,759 --> 00:19:28,519 you come in here and ask me? Is our business? 294 00:19:28,559 --> 00:19:31,440 Speaker 4: A man who has thought out by the biggest businessman 295 00:19:31,519 --> 00:19:34,519 in this city, A man who is consulted by some 296 00:19:34,640 --> 00:19:37,880 of the biggest political leaders in this community. A man 297 00:19:37,960 --> 00:19:40,240 who did uential films numb out. 298 00:19:40,119 --> 00:19:43,680 Speaker 1: Into hundred with all them connections. You think I'll keep 299 00:19:43,680 --> 00:19:44,319 doing something? 300 00:19:47,519 --> 00:19:51,279 Speaker 2: Yeah, well, Calhoun, the Kingfish want to see you about 301 00:19:51,279 --> 00:19:53,400 something important to what's up Kings? 302 00:19:53,640 --> 00:19:57,680 Speaker 1: Then, now, Calhoun, I gonna live right before you here, boy, Calhoun, 303 00:19:57,759 --> 00:20:00,759 listened to this all I has done, that's my wife, 304 00:20:01,839 --> 00:20:06,240 and well I has got some worldly possessions. And what 305 00:20:06,279 --> 00:20:09,079 I want to know is can I change my will 306 00:20:09,079 --> 00:20:10,440 and leave everything to myself? 307 00:20:13,359 --> 00:20:13,599 Speaker 11: Well? 308 00:20:14,160 --> 00:20:17,079 Speaker 1: That can be a rain good. So you're done left 309 00:20:17,119 --> 00:20:19,000 Southire Huh. 310 00:20:19,000 --> 00:20:22,119 Speaker 4: Look, don't you miss her after twenty two years? 311 00:20:22,480 --> 00:20:25,200 Speaker 1: Yeah? Well, to tell you, the two buyers been pretty 312 00:20:25,240 --> 00:20:29,039 lonesome in the past few weeks. I just gotta get 313 00:20:29,039 --> 00:20:32,039 out doing make some new friends and get some new interest. 314 00:20:32,079 --> 00:20:35,000 That's what I gotta do well for Billow Like you. 315 00:20:35,200 --> 00:20:38,200 Speaker 10: Kingfish, the best way to make new friends is you. 316 00:20:38,279 --> 00:20:42,680 Speaker 1: Want of them. Get acquainted club. Yeah yeah, you don't 317 00:20:42,799 --> 00:20:46,359 hit on something there, you're a quainted club. Does you 318 00:20:46,400 --> 00:20:49,160 know any good ones? Tell who's well? Yeah, there's a 319 00:20:49,240 --> 00:20:50,160 very high time. 320 00:20:50,039 --> 00:20:52,279 Speaker 4: Club that's run by Missing with his song Dike. 321 00:20:52,359 --> 00:20:53,799 Speaker 1: It's over all the park with you. 322 00:20:53,920 --> 00:20:56,880 Speaker 2: Oh yeah, I don't hear about that one. It's real 323 00:20:56,960 --> 00:20:59,680 high class. Yeah, you gotta be interviewed and everything. 324 00:21:00,119 --> 00:21:03,160 Speaker 1: Yeah, that's what I'm gonna do. I going over to 325 00:21:03,200 --> 00:21:05,720 that thing date, get a queened club. I'll make a 326 00:21:05,759 --> 00:21:06,680 new life for myself. 327 00:21:06,880 --> 00:21:07,440 Speaker 8: Yeah, that's the. 328 00:21:07,480 --> 00:21:09,599 Speaker 1: Thing to do, all right, King Vis, you don't call 329 00:21:09,680 --> 00:21:13,200 who you was lucky never getting into his domestic squabble? 330 00:21:13,640 --> 00:21:15,000 How come you never got married? 331 00:21:15,119 --> 00:21:15,359 Speaker 6: Yeah? 332 00:21:15,599 --> 00:21:18,240 Speaker 2: Gall since you'll never have no gallant nothing. 333 00:21:18,480 --> 00:21:19,920 Speaker 1: Oh yeah, boys, I had. 334 00:21:19,799 --> 00:21:20,519 Speaker 7: A good one. 335 00:21:21,480 --> 00:21:22,480 Speaker 1: That is years ago. 336 00:21:23,359 --> 00:21:24,279 Speaker 6: Year ago. 337 00:21:25,279 --> 00:21:27,480 Speaker 1: Oh, I'll tell you boys, I worked at the Crowns. 338 00:21:27,519 --> 00:21:31,920 You walked on. I wanted to ask you breathe. I 339 00:21:32,039 --> 00:21:34,599 wanted to marry something that toned down on him? 340 00:21:35,440 --> 00:21:35,880 Speaker 8: That was then? 341 00:21:35,920 --> 00:21:38,400 Speaker 1: How come you never married her? I couldn't stand her. 342 00:21:51,359 --> 00:21:51,599 Speaker 5: Well? 343 00:21:51,759 --> 00:21:55,000 Speaker 1: Fast. It's been two weeks since he walked out on you. 344 00:21:55,559 --> 00:22:00,240 Speaker 3: Oh mama's life. What he had, Donna saying like this own, 345 00:22:00,319 --> 00:22:04,240 something's going on the way he was acting, bringing your flowers, 346 00:22:04,440 --> 00:22:08,039 taking your stands in me, I should have known something. 347 00:22:07,839 --> 00:22:08,480 Speaker 10: Was in the wind. 348 00:22:08,799 --> 00:22:09,839 Speaker 5: What do you mean, Mama? 349 00:22:10,640 --> 00:22:14,319 Speaker 4: Well, I never told you this, but now that's how 350 00:22:14,359 --> 00:22:15,599 it started with your father. 351 00:22:16,799 --> 00:22:18,720 Speaker 1: He came roll from the armice. 352 00:22:18,440 --> 00:22:20,920 Speaker 3: One night and kissed me for the first time in 353 00:22:21,039 --> 00:22:24,440 twenty years. Next morning, when I went out to start 354 00:22:24,519 --> 00:22:32,799 the car, the motor blew up. Oh Mama, what am 355 00:22:32,799 --> 00:22:33,480 I gonna do? 356 00:22:34,880 --> 00:22:35,039 Speaker 11: Roll? 357 00:22:35,160 --> 00:22:37,720 Speaker 10: Daughter, You just can't sit around here and move. 358 00:22:38,279 --> 00:22:41,839 Speaker 11: You have got to make new friends and new companions. 359 00:22:42,359 --> 00:22:45,640 Speaker 10: I've been thinking it over. Daughter, I'm very serious. 360 00:22:45,960 --> 00:22:50,160 Speaker 4: You is going to enroll in the Fernsdyke Get Acquainted club. 361 00:22:51,559 --> 00:22:55,039 Speaker 3: My Mama, I can't do nothing like that. Boy. Yes 362 00:22:55,079 --> 00:22:58,000 you can, Yes you can, daughter, Well, I tell you 363 00:22:58,200 --> 00:22:59,839 we'll both go down there and road. 364 00:23:00,319 --> 00:23:02,599 Speaker 10: It'll be all wonderful thing for you doing. 365 00:23:03,319 --> 00:23:06,440 Speaker 11: You've been married old Paully for twenty two years. 366 00:23:06,559 --> 00:23:13,079 Speaker 3: High time you mess some human feels? 367 00:23:15,200 --> 00:23:18,519 Speaker 1: Well, man, this is to get acquainted club, they say. 368 00:23:18,599 --> 00:23:21,119 The way here, missus thorn Day goes interview men a minute. 369 00:23:21,839 --> 00:23:23,359 Nice for you to come down here and give me 370 00:23:23,359 --> 00:23:24,200 the mortal support. 371 00:23:24,960 --> 00:23:28,880 Speaker 8: Oh this done. 372 00:23:28,680 --> 00:23:31,480 Speaker 2: Message, I oh, here come somebody. 373 00:23:31,519 --> 00:23:32,680 Speaker 8: Well, how do you do? 374 00:23:33,079 --> 00:23:36,319 Speaker 12: I'm mister Thorndyke. You wished to see me about joining 375 00:23:36,319 --> 00:23:37,359 our get acquainted club. 376 00:23:37,519 --> 00:23:40,440 Speaker 2: Well, just this other judgment here is I don't need 377 00:23:40,559 --> 00:23:42,960 no club. I does most of my getting acquainted in 378 00:23:43,000 --> 00:23:43,920 front of the drug store. 379 00:23:45,640 --> 00:23:48,880 Speaker 1: Yeah, I as the one that would like to get acquainted. Judge. 380 00:23:49,000 --> 00:23:52,400 Speaker 12: Oh, I understand you meet a member of the opposite fact. 381 00:23:53,279 --> 00:23:59,039 Speaker 1: Well, he will want to see I want to get acquaintance. 382 00:23:59,319 --> 00:24:02,039 But then I do. I mean that is a few of. 383 00:24:08,400 --> 00:24:09,759 Speaker 8: Our is the social stuff. 384 00:24:10,200 --> 00:24:13,359 Speaker 12: It's our practice to introduce people with compatible interests. 385 00:24:13,440 --> 00:24:14,000 Speaker 1: For instance. 386 00:24:14,240 --> 00:24:17,279 Speaker 12: For instance, we might start off by introducing you to 387 00:24:17,359 --> 00:24:19,799 some of our male members, men who have the same 388 00:24:19,880 --> 00:24:22,160 cultural tastes and ideas as you had. 389 00:24:22,319 --> 00:24:24,599 Speaker 2: Well, now wait a minute, mister, you got him wrong. 390 00:24:24,720 --> 00:24:26,440 He didn't come down here to meet no bumps. 391 00:24:34,920 --> 00:24:37,599 Speaker 1: Don't pay no attention to my friend here, Melissa. Well, 392 00:24:37,599 --> 00:24:38,039 we'll be. 393 00:24:37,960 --> 00:24:40,400 Speaker 12: Glad to help you, but first you'll have to be 394 00:24:40,480 --> 00:24:43,359 thoroughly interviewed before you can qualify as a member. 395 00:24:43,599 --> 00:24:44,319 Speaker 8: I does huh. 396 00:24:44,400 --> 00:24:45,079 Speaker 5: Yeah. 397 00:24:45,119 --> 00:24:48,319 Speaker 12: Well, for instance, if a new member is interested in marriage, 398 00:24:48,440 --> 00:24:51,799 we must be interviewed by our chichiast and after several 399 00:24:51,880 --> 00:24:54,960 days of intense study, we picked from among our members 400 00:24:55,160 --> 00:24:59,160 one whom we think would be socially, mentally, and psychologically 401 00:24:59,160 --> 00:25:02,160 suited to the new ma. In other words, one who 402 00:25:02,200 --> 00:25:03,599 is exactly their tight. 403 00:25:04,720 --> 00:25:06,359 Speaker 8: This is tougher. And when I try to get my 404 00:25:06,480 --> 00:25:07,720 dog in the Kimmer Club. 405 00:25:09,759 --> 00:25:12,240 Speaker 1: Tell you I ain't interested in marriage, but I would 406 00:25:12,319 --> 00:25:14,319 like to meet someone who is the perfect type for me, 407 00:25:14,759 --> 00:25:16,559 just to see what life might have been with the 408 00:25:16,599 --> 00:25:17,079 right girl. 409 00:25:17,839 --> 00:25:21,279 Speaker 12: Well, now, to save any future embarrassment, when we introduce 410 00:25:21,400 --> 00:25:24,240 members of our club, we always make it a practice 411 00:25:24,359 --> 00:25:27,440 for them to conceal themselves under a pseudonym. 412 00:25:28,039 --> 00:25:29,480 Speaker 1: Well, I ain't got one of them, but I could 413 00:25:29,480 --> 00:25:30,559 hold my head over my prid. 414 00:25:32,839 --> 00:25:35,799 Speaker 12: No, no, no, What I mean is we have our 415 00:25:35,839 --> 00:25:39,920 members use different names. Now, is there any particular name 416 00:25:39,960 --> 00:25:42,200 you would like to be known under here at the club? 417 00:25:42,720 --> 00:25:42,960 Speaker 5: Name? 418 00:25:44,000 --> 00:25:50,759 Speaker 1: Yeah, here at the club, you can just call me Hernando. 419 00:25:55,160 --> 00:25:55,720 How do you do? 420 00:25:56,279 --> 00:25:59,359 Speaker 11: How is this fan guy? You want to see me 421 00:25:59,440 --> 00:26:01,000 bout joining? I get acquainted club. 422 00:26:01,839 --> 00:26:04,920 Speaker 3: Yes, I came down here as my mother, I'd like 423 00:26:05,000 --> 00:26:08,559 to meet that is I. Well, you see the thing is. 424 00:26:08,799 --> 00:26:14,440 Speaker 11: I understand very well, missus season. 425 00:26:14,880 --> 00:26:18,279 Speaker 3: Well, I'm not interested in marriage, but I would like 426 00:26:18,359 --> 00:26:21,119 to make some new friends and meet somebody who has 427 00:26:21,119 --> 00:26:22,319 the same interests I have. 428 00:26:23,000 --> 00:26:25,759 Speaker 11: Well, before we introduce you here at the club, we 429 00:26:25,799 --> 00:26:28,759 make positive it will be the right person. You'd both 430 00:26:28,799 --> 00:26:33,079 be subjected to tests and physcological interviews. In other words, 431 00:26:33,359 --> 00:26:36,200 we bring together two people who would be ideally suited. 432 00:26:36,480 --> 00:26:39,799 Speaker 3: Oh yes, well it would be interesting to me somebody 433 00:26:39,839 --> 00:26:41,720 who is just the right type for me. 434 00:26:42,240 --> 00:26:44,839 Speaker 11: Well, we'll talk about that as our next interview. By 435 00:26:44,880 --> 00:26:46,400 the way, on the way out, would you send the 436 00:26:46,400 --> 00:26:47,079 next person in? 437 00:26:47,200 --> 00:26:47,559 Speaker 6: Please? 438 00:26:54,640 --> 00:26:55,279 Speaker 1: How does it look? 439 00:26:55,400 --> 00:26:56,519 Speaker 8: Oh boy, you look great? 440 00:26:56,599 --> 00:26:59,240 Speaker 1: Kings King visus you're going through with this crazy thing? 441 00:26:59,359 --> 00:27:01,640 Is you really gonna meet this? Get a queened gal? 442 00:27:01,720 --> 00:27:04,920 This evening curtain? Now I have amos by find me 443 00:27:05,119 --> 00:27:08,279 was mismitted? Now the club as scientifically pick out the 444 00:27:08,279 --> 00:27:10,960 person who would have been perfect me for me. This 445 00:27:11,119 --> 00:27:13,960 person I gonna meet her had all kinds of tests too, 446 00:27:14,480 --> 00:27:17,279 were the kind of what the ideally suited for each other? 447 00:27:17,480 --> 00:27:20,839 Speaker 2: Yeah, there ain't no harm in just meeting the person. Uh, 448 00:27:20,880 --> 00:27:22,160 you say, you're gonna meet her in the park. 449 00:27:22,440 --> 00:27:25,039 Speaker 1: Yeah, seven o'clock to night. He's gonna be looking for 450 00:27:25,160 --> 00:27:28,079 me under the name of Hernando, And I was gonna 451 00:27:28,079 --> 00:27:40,039 be looking for her under the name of Juliet earless 452 00:27:40,359 --> 00:27:46,400 almost seven o'clock. Juliet. Ought to be here any minute, Juliet, 453 00:27:46,519 --> 00:27:50,519 Where he is you at Las? I gonna meet the 454 00:27:50,599 --> 00:27:55,079 person who is ideal It student to me. Wait a minute, 455 00:27:55,680 --> 00:28:01,079 there comes somebody. Oh, I better, Juliet, Juliet, here I 456 00:28:01,240 --> 00:28:02,359 is come to me. 457 00:28:02,440 --> 00:28:45,480 Speaker 13: Attest you, Juliet, God, Dave, Mama, Oh. 458 00:28:27,039 --> 00:28:28,720 Speaker 1: Be sure to be with us again next week at 459 00:28:28,720 --> 00:28:31,440 the same time, and we will again present radio's all 460 00:28:31,559 --> 00:28:34,759 time favorite Amos and n This is Wendall Nile 461 00:28:34,839 --> 00:28:37,759 Speaker 9: Saying good night to all of you from all of us.