WEBVTT

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<v Speaker 1>Steven Spielberg is back, and this time he's talking about aliens,

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<v Speaker 1>which he's talked about before, if we're being honest. But

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<v Speaker 1>he's back and he's talking about aliens again. It's Disclosure Day.

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<v Speaker 1>I'm Ronald Young Junior, and I'm leaving the theater. All right.

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<v Speaker 1>This is Ronald and I am leaving the theater after

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<v Speaker 1>seeing Disclosure Day. Disclosure Day written by David Kepp, directed

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<v Speaker 1>by Steven Spielberg, starring Emily Blunt, Josh O'Connor, Colin Firth,

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<v Speaker 1>Eve Hughson, Wyatt Russell, and Coleman Domingo. And as usual,

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<v Speaker 1>for complete listing of the cast and crew, you can

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<v Speaker 1>go to the link in our show notes. It is

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<v Speaker 1>just me today, okay. Disclosure Day is a film. I

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<v Speaker 1>was trying to think of the genre of film this

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<v Speaker 1>would be. We'll say thriller. I would say light thriller.

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<v Speaker 1>This is a thriller film that is a mystery. You know,

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<v Speaker 1>let's call it a mystery. Let's not call it a thriller.

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<v Speaker 1>It is a mystery film some action elements in which

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<v Speaker 1>essentially Josh O'Connor and Emily Blunt as whatever their names

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<v Speaker 1>are in this film, I've already forgotten. Emily Blunt's name

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<v Speaker 1>is Margaret. I forgot Josh O'Connor's name, Daniel, Daniel something. Wow,

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<v Speaker 1>I've pulled those. I'm pretty good at this. So they

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<v Speaker 1>are trying to escape a non governmental organization that is

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<v Speaker 1>stop trying to stop them from revealing a secret to

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<v Speaker 1>the entire world that they think that the world needs

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<v Speaker 1>to know. Okay, I'm gonna stop right here and say

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<v Speaker 1>I just gotta say spoilers in this one. So if

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<v Speaker 1>you haven't seen the film yet, go ahead and stop this.

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<v Speaker 1>If you want to go see it, go see it.

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<v Speaker 1>Come back here. But I'm going to talk freely about

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<v Speaker 1>this film because I think that's the only way that

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<v Speaker 1>I could really get out my full feelings here. So

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<v Speaker 1>starting right now, I'm going to start start. I mean,

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<v Speaker 1>here we go. Spoilers are coming. Get ready. In three

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<v Speaker 1>two one. It's aliens. It's aliens. It's aliens. You've seen

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<v Speaker 1>the trailer. It's aliens. And it's not just aliens. It's

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<v Speaker 1>that they milk the mystery of what it is for

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<v Speaker 1>the duration of the film in a way that is

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<v Speaker 1>irritating and annoying for me. They're doling out the secrets

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<v Speaker 1>essentially because Josh O'Connor worked for this INNGO forgot the

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<v Speaker 1>name of it, worked for this INNGO, stole all their

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<v Speaker 1>secrets Edwards Noden style, and his plan is to just

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<v Speaker 1>give them to everyone at the same time. Margaret, who

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<v Speaker 1>is a weather lady at a news organization, has an

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<v Speaker 1>experience that unlocks something in her brain and then she

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<v Speaker 1>could essentially have very deep empathy with people and read

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<v Speaker 1>their minds and also speak multiple languages. Emily Blunt in

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<v Speaker 1>this film is the best part of this film. He

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<v Speaker 1>performance is outstanding. I really enjoyed seeing her. I really

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<v Speaker 1>enjoyed watching her flex her abilities. It was just good

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<v Speaker 1>to see her on screen. I really enjoyed her. Josh

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<v Speaker 1>O'Connor could have been anybody. He could have been anybody.

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<v Speaker 1>As a matter of fact, had he been someone else,

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<v Speaker 1>this movie probably would have opened bigger and more people

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<v Speaker 1>would be realizing how terrible this movie actually is. Okay,

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<v Speaker 1>terrible is I'm being ridiculous when I say terrible. But

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<v Speaker 1>I didn't enjoy this movie. I didn't enjoy it. They

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<v Speaker 1>milked the secret too long. It's a two hour and

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<v Speaker 1>twenty five minute movie. By hour two I'm still not

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<v Speaker 1>clear on exactly what's going on in this film, and

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<v Speaker 1>by the time I do learn what's going on, it's

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<v Speaker 1>pretty stupid. I think it's pretty dumb. I don't enjoy it,

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<v Speaker 1>and it's they're running from this non governmental organization the

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<v Speaker 1>whole time that's headed up by Colin Firth. He's trying

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<v Speaker 1>to get them by any means necessary, and he's trying

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<v Speaker 1>to kill them. There's several instances in which them trying

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<v Speaker 1>to capture them is mildly entertaining at best. I can

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<v Speaker 1>compare this to another Steven Spielberg movie, which would be

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<v Speaker 1>Ready Player one. Ready Player one was a much better

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<v Speaker 1>movie than this one. Same thing, non governmental organization, chase

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<v Speaker 1>it after some people who are trying to free the world,

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<v Speaker 1>or get a secret, or take the mcguffin. There's multiple

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<v Speaker 1>mcguffins in this film. None of them mean much until

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<v Speaker 1>they're in the right hands, and even then it got

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<v Speaker 1>better when Emily Blunt was handling the mcguffins, but other

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<v Speaker 1>than that didn't really do much to move me. I

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<v Speaker 1>just think they took too long to reveal their mystery.

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<v Speaker 1>It took a long time for them to get there,

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<v Speaker 1>and I just I didn't care. This is the first

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<v Speaker 1>film I've seen from Steven Spielberg that makes me feel

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<v Speaker 1>like he's out of touch. There's several choices that he

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<v Speaker 1>made that I just don't think work. I think the

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<v Speaker 1>score is mismatched to the film. I think he's used

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<v Speaker 1>to working. I'm fairly certain. I'm not sure who scored

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<v Speaker 1>this one. My guess is John Williams. It sounds like

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<v Speaker 1>John Williams. There's an orchestral score typically that means John Williams.

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<v Speaker 1>If Steven Spielberg is directing it, it does not fit

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<v Speaker 1>with what's going on on the screen. There's several just

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<v Speaker 1>I'm listening to strings and here's the thing. I love

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<v Speaker 1>orchestral scores, but they have to be deployed correctly when

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<v Speaker 1>you're looking at a film like this, And I think

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<v Speaker 1>more modern ears and more modern takes on music would

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<v Speaker 1>have done this more justice, or given Steven Spielberg something

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<v Speaker 1>that worked. Several times in which something's happening on screen

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<v Speaker 1>and I just remember thinking this could be bad to

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<v Speaker 1>be a day. But I be dad in the background,

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<v Speaker 1>like it doesn't like, what are we doing here? This

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<v Speaker 1>isn't Indiana Jones? And then it also felt like they

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<v Speaker 1>were sometimes doing stunts that felt more Indiana Jones esque

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<v Speaker 1>to do justice to Steven Spielberg's style, to match up

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<v Speaker 1>with the score. I'm not sure it was distracting. Emily

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<v Speaker 1>Blunt gives a very good performance and what I think

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<v Speaker 1>is a very mediocre film. It's strangely paced. There's parts

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<v Speaker 1>of it that it feels like they filmed the most

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<v Speaker 1>actioning parts because they got a note from the studio

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<v Speaker 1>that was like, you got to beef up the action

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<v Speaker 1>a little bit because we're gonna put this out in summer,

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<v Speaker 1>and my god, mistakes were made. Just I go in

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<v Speaker 1>and I remember thinking, well, that's in the trailer. That's

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<v Speaker 1>in a trailer, that's in a trailer. None of the

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<v Speaker 1>rest is in the trailer. But I am bored. I

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<v Speaker 1>was bored probably the first thirty minutes of this film.

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<v Speaker 1>Emily Blunt comes and I'm I'm intrigued, but I'm not

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<v Speaker 1>necessarily I'm still bored. You know, whole film is them,

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<v Speaker 1>you know, running around trying to get away from this ngail.

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<v Speaker 1>Then they finally get to the point of the whole movie,

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<v Speaker 1>which is Disclosure Day. They're gonna disclose all of the documents,

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<v Speaker 1>all of the file to everyone that's out there. And

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<v Speaker 1>the reason why this now becomes important is because the

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<v Speaker 1>whole world is inexplicably headed towards World War three, which

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<v Speaker 1>I'm not sure why that's something that they keep talking about.

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<v Speaker 1>They're saying everyone's getting prepared for the end of the world.

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<v Speaker 1>They don't explain why this is happening unless this is

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<v Speaker 1>just supposed to be a mirror of the world that

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<v Speaker 1>we're living in right now, just a lot of tension.

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<v Speaker 1>And the idea is that once we tell them about aliens,

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<v Speaker 1>this other tension is not going to be a thing.

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<v Speaker 1>Granted that's not an idea that's necessarily stated in the film,

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<v Speaker 1>but the idea is that we have bigger fish to fry,

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<v Speaker 1>and the world is now going to have to face

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<v Speaker 1>the fact that there are extra terrestrials out there. And then,

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<v Speaker 1>of course, as soon as they announce this and it

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<v Speaker 1>comes on the news, everybody's looking at that and not

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<v Speaker 1>thinking about North Korea and Russia or whatever else was

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<v Speaker 1>going on there. So they didn't really explain why we're

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<v Speaker 1>headed towards World War II three, that just were headed

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<v Speaker 1>towards the world of three, and it comes up randomly

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<v Speaker 1>in the film. I thought it was related to the

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<v Speaker 1>fact that Emily Blunt's character had this kind of breakdown

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<v Speaker 1>on screen where she starts speaking in alien tongues and sorry,

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<v Speaker 1>I just I know that's gonna be I know that's

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<v Speaker 1>gonna be the tag at the end of this episode.

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<v Speaker 1>And I just made myself laugh every now that it

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<v Speaker 1>happens during the review, and because typically I have to

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<v Speaker 1>find the tag in the middle of the review as

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<v Speaker 1>I'm editing, and this is the first time that I

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<v Speaker 1>said it out loud, I was like, Oh, there it is.

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<v Speaker 1>Make sure you listen to the whole episode. Anyway, after

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<v Speaker 1>that happens, I thought maybe that sparked some sort of

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<v Speaker 1>war between them after she starts doing that. It's not

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<v Speaker 1>really clear in the movie, which I think is as

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<v Speaker 1>a miss by the movie. And then when the aliens

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<v Speaker 1>are actually revealed, they show them in these series of

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<v Speaker 1>clips that are from the NGO's Massive drop. They're the

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<v Speaker 1>dumbest looking aliens I've ever seen. I remember watching it

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<v Speaker 1>and thinking, Oh, no, Steven Spielberg, why would you make

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<v Speaker 1>this choice. You only have one vision of what aliens

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<v Speaker 1>look like, and they look like every alien you've ever

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<v Speaker 1>seen from a certain era of alien making. So Little

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<v Speaker 1>Green Men is what we're talking about. Big eyes, green

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<v Speaker 1>slash grayish men, big eyes, big black eyes, really small,

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<v Speaker 1>huge heads, that type of thing, right, Oh man. I

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<v Speaker 1>just as soon as I saw them, I was like, oh,

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<v Speaker 1>this is stupid, and it made it the rest of

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<v Speaker 1>the movie seem very dumb. There's all this wonder music

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<v Speaker 1>playing in the background. It's not giving me much. I

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<v Speaker 1>just I did not enjoy this movie. I really didn't.

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<v Speaker 1>I really didn't. I really didn't. But I really enjoyed

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<v Speaker 1>Emily Blunt in the movie. I really did. I enjoyed

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<v Speaker 1>her in the movie. Did not enjoy the movie as much.

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<v Speaker 1>Josh O'Connor could have been anybody. Colin Firth was fine.

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<v Speaker 1>Coleman Domingo is in this movie. Don't know how much

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<v Speaker 1>he adds could have been anybody. It just feels like

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<v Speaker 1>they should have spent more money getting someone that was

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<v Speaker 1>better than Josh O'Connor in this role, because again, Josh

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<v Speaker 1>O'Connor could have been anybody. With all that being said,

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<v Speaker 1>this is a two point five star movie. I didn't

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<v Speaker 1>hate it. I didn't like it, and I didn't enjoy it.

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<v Speaker 1>But Emily Blunt was good enough that I think it

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<v Speaker 1>brings up the score overall. Would not watch this again,

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<v Speaker 1>but I do want to watch Ready Player one again.

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<v Speaker 1>So Steven Spielberg, you still got it sometimes, But if

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<v Speaker 1>this is it's starting to look like, hey, maybe you just,

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<v Speaker 1>you know, leave filmmaking to the young people. I know

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<v Speaker 1>that's insulting to hear. He is a titan of a

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<v Speaker 1>director and he's made a lot of classics. It doesn't

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<v Speaker 1>mean that he still got it. Like at some point

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<v Speaker 1>you got to say, oh, I don't think I got

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<v Speaker 1>it anymore, or I gotta try something new, or I

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<v Speaker 1>gotta go hang out with these young people more and

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<v Speaker 1>see what they're making, because I got wisdom, but they

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<v Speaker 1>have vision that I don't have anymore, because now I'm

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<v Speaker 1>still making movies with Little Green Men from nineteen seventy,

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<v Speaker 1>all right, And with that, Leave in the Theater is

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<v Speaker 1>a production of Oh It's Big Ron Studios. I mixed

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<v Speaker 1>this episode. I'm gonna keep this pitch very very short. Today.

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<v Speaker 1>I am still working very hard. There's a lot I

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<v Speaker 1>have to do to put out these episodes every week,

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<v Speaker 1>and I'm working on an entirely separate podcast that I'm

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<v Speaker 1>going to announce very soon. You are going to understand

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<v Speaker 1>why I keep saying I'm working so hard, very very soon.

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<v Speaker 1>A lot of travel coming up this month, a lot

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<v Speaker 1>of work going on in August, and I'm putting out

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<v Speaker 1>something new in September. I am determined to do it.

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<v Speaker 1>A lot of labor going on right now, labor of love,

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<v Speaker 1>still labor. If that means something to you, go to

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<v Speaker 1>patreon dot com slash oh It's Big Ron, or go

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<v Speaker 1>to the link in our show notes. Show art from Helder,

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<v Speaker 1>theme music by the mysterious Breakmaster Cylinder. For more information

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<v Speaker 1>about Disclosure Day, check out our show notes. You can

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<v Speaker 1>follow me on Instagram blue Sky, TikTok, threads or letterboxed

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<v Speaker 1>at ods Big Ron. That's at h I T S

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<v Speaker 1>b I g R o N. You can find out

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<v Speaker 1>more about the show and other o ITS Big Ron

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<v Speaker 1>Studio shows by following us on Instagram at OIZ Big

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<v Speaker 1>Ron Studios. Leaving the theater will be back soon. Thanks

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<v Speaker 1>for listening. I'm Ronald Young Junior and I'm mildly entertaining

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<v Speaker 1>at best, speaking in alien tongues.