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Speaker 1: Sit in her hair in this chair thing again, Wanda

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wear hair, this world school.

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Speaker 2: Socks of wool, horror.

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Speaker 3: All low around, watch these buildings.

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Speaker 4: Grumbo to do.

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Speaker 5: Graha sipy boise change and told.

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Speaker 6: Them mon and not them all.

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Speaker 2: This change.

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Speaker 7: Wady way way, Why.

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Speaker 2: See this hey? He spread into the crowd.

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Speaker 3: Affoording boots are a long two parties, says Sto, designed

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to devine.

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Speaker 2: Friends and family for she on shift.

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Speaker 6: Change the change?

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Speaker 8: When whenning?

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Speaker 6: When when we going.

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Speaker 9: Ballaticians pulling all those strings.

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Speaker 10: We'll just bomb it in this bullet and go ray.

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Speaker 3: Lead with your hall heart loves well it all big gains.

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Let's stand to gether and learn to love Fuga.

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Speaker 11: That is a very very cool song. Everybody's changing. And

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let me get that mic up, and I'm going to

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ask I'm gonna to ask him to so I don't

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screw up his last name. Welcome, how do you? Okay?

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Go ahead and introduce yourself, Sarah. Let me get these

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uh make sure this mike is working here, Go ahead

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and introduce yourself.

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Speaker 12: My name is Stephen de Keir.

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Speaker 11: Stephen de Ure local.

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Speaker 12: Musician from Nasha, New Hampshire. I played full time all

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around New Hampshire in the Massachusetts area. Tonight, I'll be

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in York Maine, York Beach playing from seven to ten pm.

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Speaker 11: Okay to the show. Very cool, very cool. Yeah, so

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Stephen de ure Yes, that's I say it. Okay, very good,

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very good. Because you're I'm curious if your name ever

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gets messed up on a poster, gets.

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Speaker 12: Messed up all the time, all the time. Yes, got that.

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Speaker 11: I'm gonna get this camera on you here so people

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can see who are watching online if you are just

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joining us. Matt Connorton Unleashed. We have entered our number

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two New Marrow dose here on this Saturday morning, and

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Stephen de Kerer is with us, and he brought his guitar.

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He's gonna play. He's gonna play for us in just

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a moment. But I love that song. So where was

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that recorded? Where did you do that?

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Speaker 12: So I've been recording with Charlie Brusso over at Woodshot

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Productions in Atkinson, New Hampshire.

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Speaker 11: Okay.

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Speaker 12: He's worked with like God Smack and run DMC over

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the years, some pretty prominent names. Yeah, he's good friends

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of mine, a few of my other friends. So I've

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been working with him and I've been working on this

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EP coming out now on almost two years now. I've

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been working on it.

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Speaker 11: Oh wow, yeah, Now how did you? How did you

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come to work with him? Because obviously you know he's

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worked with some heavy hitters. I mean, how did that

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come about?

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Speaker 12: So just mutual friends of my mom and dads and

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friend music friends of ours that I've known throughout the years. Uh,

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you know put me in touch with him, and I've

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been working with him ever since.

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Speaker 11: How many are you putting out an EP or how many?

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Speaker 12: Just an EP? It's my very first EP, so it'll

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be six songs.

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Speaker 11: Oh wow, song EP. Very cool, congratulations on that. Who

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else is on? Who else is working?

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Speaker 13: Like?

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Speaker 11: Is it all just you?

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Speaker 12: It's mostly just me. I have obviously Charlie producing it.

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He's putting most of it together for me. But I

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also have Jeff McGinnis. He's one of my lead guitarists

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on the on the track on the album as well.

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He was guitarists on Everybody's Changing as well. Oh okay,

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and he's super super talented, super super talented guy, really nice.

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He actually owns the Mojo's music.

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Speaker 11: Oh yeah, ye oh, very cool.

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Speaker 12: Yeah, so that's what I'm working with on on that

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and getting some other people in for bass and things

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like that, and usually I just do it myself.

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Speaker 14: Though.

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Speaker 11: Yeah, uh, well, do you want to play something for us?

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You got your guitar, Let me turn that, turn that guitar,

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hero Play've got the right. Oh that sounds nice. That

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sounds nice in the headphones.

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Speaker 12: Yeah all right. This one's called quiet Moments. This is

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an original right.

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Speaker 3: Quiet moments.

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Speaker 15: All the long.

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Speaker 3: Hours Friday, my beIN.

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Speaker 2: Fill these patures.

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Speaker 3: And the stories, arrange them your homeway, sing them for me.

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Looking at mountain window is the sun creets the day, birds.

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Speaker 2: Of singing clean tree suit tree.

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Speaker 3: Writing songs come suweesally surrounded by me chos.

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Speaker 16: Beudy play the skits are.

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Speaker 3: Day and tun hide create the fire high.

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Speaker 8: I know you like.

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Speaker 2: Fill these pages.

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Speaker 3: Traw umbost or horries, arrange them your homeway, sing.

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Speaker 15: Them for me.

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Speaker 3: Looking at my window is the clouds over the day.

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Window is boring meaning song its way. Writing songs come

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sreesonly surrounded by niechous, beudy, quiet moments.

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Speaker 15: All along.

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Speaker 3: House is empty, no once on.

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Speaker 2: Fill these pages.

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Speaker 3: Lonely stor homies, range them your hollway.

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Speaker 2: Sing for me.

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Speaker 12: Quite a Moment's a little rough, but you.

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Speaker 11: Know a little rough, dude. That was beautiful. That was beautiful.

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Welcome everybody, if you are just joining us. We have

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Stephen Dekire here with us alive in studio, and that's

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that sounded fantastic.

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Speaker 12: Thank you.

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Speaker 11: How long have you been? How long have you been

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doing that? So have you been?

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Speaker 3: No, I have been playing?

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Speaker 14: Uh So.

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Speaker 12: I started playing guitar when I was seven years old. Okay,

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my uncle got me an electric electric guitar, so I

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was playing you know Metallica, Iron Maiden, you know all

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the Megadeath, you know Green Day. And then when I

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was freshman in high school, I had to do a

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guitar class, so I had to get an acoustic guitar

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because I didn't have enough for all the kids. So sure,

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I had to go buy one, got one, never looked back.

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Speaker 13: Yeah.

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Speaker 12: So I've been playing since I was like seven, and

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I've been doing like full time gigging for about a

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little over ten years.

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Speaker 11: Oh, excellent, excellent.

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Speaker 3: Wow.

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Speaker 11: Where are you from?

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Speaker 12: Uh So? I was born in Lawrence, Massachusetts. Okay, moved

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to Nashville when I was about six years old. So

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I've been in Nasha since about two thousand and two

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thousand and one.

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Speaker 11: Okay, okay, now how did you how did you when

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when you were starting out? I mean, did you always

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do a solo acoustic thing or did you play a band?

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Speaker 12: I've always done solo acoustic.

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Speaker 2: Ye.

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Speaker 12: Over the years, now that I've you know, been doing

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it for a while, I've been trying to work more

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with like, you know, bands and like get up on

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stage with bands and as far as that goes. But

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I usually just do it solo.

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Speaker 11: It's easier, right, I mean it's you know, you don't

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depend on anybody else for ye know, their availability and

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in terms of rehearsing and playing shows and.

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Speaker 12: All that exactly exactly. It's it's a it's a little

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bit it's a little bit easier to go about a

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business wise.

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Speaker 11: Yeah, yeah, no doubt. Do you do covers as well?

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Speaker 12: Or do do covers as well?

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Speaker 2: Yeah?

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Speaker 8: I do.

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Speaker 12: I do mostly covers even at all my shows.

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Speaker 2: Yeah.

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Speaker 12: Like I said, this is the first EP I have

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coming out, So these are my first original songs that

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I have. Yeah, and so I mostly do covers and

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things like that.

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Speaker 11: Yeah. How many originals do you have at this point?

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Would you say, I mean, can you even put a

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number on how many songs you have?

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Speaker 12: I have about like six or seven okay, Okay, I said,

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I rarely just started writing about maybe a year or

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two ago, okay, And I moved back into you know,

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my parents and stuff, and yeah, my dad's been helping

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me a lot with you know, the writing, and oh good,

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help me put together the music and things like that.

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Speaker 11: What is it that motivated you to want to start writing?

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Speaker 12: I really just want to get my own music out there.

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I mean, I play, I do all the I play

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live full time, and you know the next step is

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to get onto my own stage hopefully, you know what

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I mean, and have people come and see my music.

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Speaker 11: Yeah, yeah, exactly.

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Speaker 12: You know, put music out there that you know can

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help people along the way. And yeah, the ways that

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music's helped me along the way.

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Speaker 2: You know.

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Speaker 11: You want to play another one?

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Speaker 12: Yeah, of course?

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Speaker 11: Yeah, yeah, if you're just joining us, Stephen the cure

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saying it right is he is here with us in

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in studio. Sounded amazing. Yeah, that's correct, And hear another one?

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Does that?

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Speaker 15: Ever? Does?

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Speaker 2: Uh?

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Speaker 11: I I assume, like, what what's the I'm just curious

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what what's the most unusual shall we say pronunciation? You've

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heard of your name?

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Speaker 12: I mean I've had I've had, I've had the queer,

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I've had the choir, I've had I felt a lot. Yeah,

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declare mind better?

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Speaker 11: How did you say it? I don't remember?

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Speaker 3: He is.

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Speaker 17: Blue?

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Speaker 11: Oh, yes, there you go. That sounds.

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Speaker 12: I've had people put a queue in front of it.

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Speaker 11: Oh really yeah, yeah, yeah, I can imagine, scarious. What

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are you gonna play for us next?

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Speaker 12: I'm gonna do so, I'm actually gonna do a cover

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for you. This is a rail of Montane's empty nice nice.

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Speaker 3: M shless screwed up two knees walks through the garden

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rooms with the Bedfielder never learned to come up this

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sings choosing stair too, twins stirs walk on down the

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hill through the grasscon Jill and Brown still had sons.

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Speaker 18: Some mounts to that go of life, Babe, I'm.

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Speaker 3: Best busty back then holding rusty gotta like that, sinks

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into this fields collecting ray willow ways feel this way.

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So see so wes strange enough. The'se got thort busted sunset,

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These cold and damn biden.

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Speaker 15: Mornings, I use gone feet.

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Speaker 3: Through market and dusty dam still leaves and spoke. These

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words are allud No one hear me. Fel blouse across

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the chair, bid four flowers from your hair and gets

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me with a country mouth sore, play napside the rain

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and stepping on the leaves. To me, it sounds like

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they're blooding us.

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Speaker 19: Quite love me.

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Speaker 2: Will ways feel this way.

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Speaker 3: So so wss Strange, Well love looks my team means

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in the I stood in my chest said to your

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best to destroy me. You see, I've been in the

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hell ling back so many times. I standing bed kind

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of for me. There's a lot of things I can

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give the man. There's a lot of ways to die. Yes,

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since I am ready there to walk side me, And

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there's a whole lot of things. I don't understand why

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so many people lie. Let's hurt you ounfuse The fir

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inside me will always.

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Speaker 12: Feel this way.

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Speaker 20: So see So Liz Strange, Steven Deckure here with us

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live in studio.

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Speaker 11: That was amazing. That was a ray Lemming I can't

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say his name either. Song that was gorgeous.

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Speaker 17: Yeah, that was really a beautiful light.

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Speaker 11: That was really good. That was really good. So much

243
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is is there anyone that you covered that you found

244
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challenging to do, like vocally.

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Speaker 12: Or Steely Dan Amy Winehouse. Really yeah, Yeah, Vocally they're

246
00:20:45,960 --> 00:20:49,200
pretty challenging. I mean some of the new Benson Boone

247
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songs that I've been working on challenging as well.

248
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Speaker 11: Now what is it about so somebody like I'm curious

249
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that somebody like seely Dan for example, What what is

250
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it that's that's challenging about that?

251
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Speaker 12: Oh my god. They are such nerds when it comes

252
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to the musicality of it. Yeah, pronunciation of when when

253
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you know you're singing, And I mean Michael McDonald did

254
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an interview about how when he was recording PEG with

255
00:21:12,319 --> 00:21:17,200
Donald Fagan, Yeah, and how he was very that's the

256
00:21:17,279 --> 00:21:21,480
word I'm looking for. He wanted it perfectly. He wanted

257
00:21:21,480 --> 00:21:24,759
it perfectly every single time. So this pronunciation with his words,

258
00:21:24,799 --> 00:21:27,240
how he was pronunciating it, I was singing it everything.

259
00:21:27,319 --> 00:21:29,680
It took him like seventeen to eighteen takes no can

260
00:21:29,839 --> 00:21:31,839
do the harmonies on PEG or whatever he goes. It

261
00:21:31,920 --> 00:21:33,359
was one of the hardest things I've ever read to do.

262
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Speaker 11: Oh wow wow.

263
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Speaker 21: Yeah.

264
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Speaker 11: Is it important to you when when you do these covers?

265
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Is it important to you to sing them as closely

266
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as possible to the original.

267
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Speaker 12: I like to bring a justice but also make it

268
00:21:43,000 --> 00:21:45,319
my own. Yeah, give it my own twist on it

269
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in a way, so it's not oh hey, he's just

270
00:21:48,480 --> 00:21:50,920
you know, like the other everybody else the run of

271
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the mill, right right, Yeah, stand out a little bit.

272
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Speaker 11: So yeah, no doubt, no doubt. What are do you

273
00:21:56,799 --> 00:21:58,279
have a favorite like, do you have a favorite cover

274
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that you do? Is there one that really kind of

275
00:22:01,039 --> 00:22:03,000
stands out of something to every show?

276
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Speaker 12: I just I went over this, I get this question,

277
00:22:05,880 --> 00:22:09,400
actually asked a lot. Yeah, it's hard to say. I

278
00:22:09,480 --> 00:22:11,640
have like almost two hundred songs that I play off

279
00:22:11,640 --> 00:22:13,640
to my head, so yeah, it's hard to like pick

280
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and choose. It's usually ones that like I'm like just

281
00:22:16,480 --> 00:22:18,480
learning or you know what i mean, just getting out

282
00:22:18,480 --> 00:22:21,359
there to play. Yeah, as of lately, it's been noa

283
00:22:21,480 --> 00:22:25,759
Kn's Dial Drunk. I really enjoying playing that one out lately.

284
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Speaker 11: Yeah.

285
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Speaker 12: Yeah, it kind of always fluctuates for me.

286
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Speaker 2: Yeah. Yeah.

287
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Speaker 11: What's the longest show you've done?

288
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Speaker 12: Oh man, the longest show I've done I think was

289
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like seven and a half hours.

290
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Speaker 11: Oh my god. Okay, tell me about it. Way seven

291
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and a half hours.

292
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Speaker 12: Yeah, it was a private pool party.

293
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Speaker 11: Because usually when I ask people this question, I'll get like, oh,

294
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you know, we did a five hours, like seven and

295
00:22:45,680 --> 00:22:47,160
a half yeah, yeah, yeah.

296
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Speaker 12: So so like I did like a lot of like

297
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the shows like El Street Tovern last year, and yeah,

298
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there was a couple of times like that I had

299
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to do both of the shows because one of the

300
00:22:57,759 --> 00:22:59,920
guys canceled. Yeah, or so I had to go on

301
00:23:00,039 --> 00:23:02,319
there early, play from like three to three thirty to

302
00:23:02,400 --> 00:23:05,599
seven thirty, then play seven thirty to midnight or wow.

303
00:23:06,000 --> 00:23:08,319
Yeah it's rough. It's rough.

304
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Speaker 11: Yeah, yeah, but why we do it?

305
00:23:10,079 --> 00:23:10,599
Speaker 12: You know what I mean?

306
00:23:11,200 --> 00:23:12,799
Speaker 11: When you do something like that? Do you do anything

307
00:23:12,839 --> 00:23:14,079
special for your voice too?

308
00:23:14,319 --> 00:23:16,960
Speaker 12: Like I really just drink tea and lemons. Oh that's

309
00:23:17,000 --> 00:23:19,319
really all I do. Especially I didn't drink any today.

310
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I was running late this night.

311
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Speaker 11: Oh you sound great, now, you sound great? And yeah,

312
00:23:24,839 --> 00:23:27,119
but pretty unusual to sing this early, probably right, it

313
00:23:27,200 --> 00:23:28,519
is for me.

314
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Speaker 12: Usually usually I'm waking up at like three really yeah yeah,

315
00:23:32,359 --> 00:23:33,799
getting ready to go to work at six.

316
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Speaker 11: Yeah, there you go, there you go, yep. So and

317
00:23:38,400 --> 00:23:40,640
as far as playing, I mean, obviously, with what you

318
00:23:40,799 --> 00:23:43,400
do you're able to play, you know, you can play

319
00:23:43,480 --> 00:23:46,400
just about anywhere, but just about like do you get

320
00:23:46,440 --> 00:23:48,000
out of do you get out of New England much?

321
00:23:48,079 --> 00:23:50,400
Speaker 12: Or do you kind of stick to I Actually I

322
00:23:50,519 --> 00:23:53,839
haven't played. I play in Massachusetts a lot. Yeah, do

323
00:23:54,039 --> 00:24:01,200
like Brownies Pub. I usually do Muddy Waters where's that

324
00:24:01,640 --> 00:24:04,599
that's in Methune as well. Oh okay, yeah, and then

325
00:24:05,039 --> 00:24:07,920
a few other places that I've played, But other than that,

326
00:24:08,000 --> 00:24:09,640
I usually stay in New Hampshire.

327
00:24:09,319 --> 00:24:12,279
Speaker 11: No kidding. Yeah, yeah, well, yeah, I mean it's remarkable

328
00:24:12,279 --> 00:24:14,039
with you do a lot of breweries. I assume I

329
00:24:14,119 --> 00:24:15,039
do a lot of breweries.

330
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Speaker 12: I do, so I work with not so costly productions.

331
00:24:17,559 --> 00:24:21,279
Speaker 11: Oh excellent, Dmitri, no wonder you're so busy. Yeah, yeah, yeah,

332
00:24:21,920 --> 00:24:22,759
they do a great job.

333
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Speaker 12: Yeah, so I work with them. I've been working with

334
00:24:25,000 --> 00:24:30,200
Paul Costley and Dmitry for over god, probably about eight

335
00:24:30,279 --> 00:24:30,759
years now.

336
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Speaker 11: No kidding.

337
00:24:31,279 --> 00:24:32,680
Speaker 12: Yeah, I'm working with them for a long time.

338
00:24:32,839 --> 00:24:33,480
Speaker 11: Outstanding.

339
00:24:33,559 --> 00:24:35,640
Speaker 12: Yeah, They've been nothing but good to me, and they

340
00:24:35,720 --> 00:24:38,240
helped me out with shows and you know, and I

341
00:24:38,319 --> 00:24:41,200
booked myself as well, and some other people or whatever

342
00:24:41,279 --> 00:24:42,680
that I know through the industry.

343
00:24:42,880 --> 00:24:45,839
Speaker 11: Yeah, yeah, it keeps me busy. Yeah, no, that's fantastic.

344
00:24:45,920 --> 00:24:48,160
Speaker 12: Out of Trouble, Yeah yeah, yeah.

345
00:24:48,839 --> 00:24:50,079
Speaker 11: Do you want to play another one for us?

346
00:24:50,440 --> 00:24:50,640
Speaker 12: Yeah?

347
00:24:50,759 --> 00:24:53,359
Speaker 11: Of course, trying to hear you play another one selfishly

348
00:24:53,880 --> 00:24:55,559
if you're just joining us. We have Steven de Cure

349
00:24:55,640 --> 00:25:01,279
here and he sounds sounds amazing. Yeah, level up on

350
00:25:01,400 --> 00:25:01,880
that guitar.

351
00:25:03,519 --> 00:25:04,960
Speaker 12: What would you like to hear another cover?

352
00:25:06,000 --> 00:25:08,400
Speaker 11: I'm gonna leave that up to you. Okay, I'll leave

353
00:25:08,440 --> 00:25:09,200
that totally up to you.

354
00:25:10,319 --> 00:25:14,920
Speaker 12: Let's do another original, all right? So this is this

355
00:25:15,079 --> 00:25:17,759
is the first single that I released off the EP,

356
00:25:18,599 --> 00:25:20,400
and I got it released on ninety two point five

357
00:25:20,480 --> 00:25:21,319
The River in Boston.

358
00:25:21,440 --> 00:25:22,720
Speaker 11: Oh congratulations. Yeah.

359
00:25:23,000 --> 00:25:25,240
Speaker 12: I was very excited about that. And it's called Towards

360
00:25:25,279 --> 00:25:52,720
the Sun goes like this all right, it's so fail.

361
00:25:57,759 --> 00:25:58,440
Speaker 2: We talk.

362
00:26:00,319 --> 00:26:10,960
Speaker 3: Was seeing nothing else in door do stocks sweety year

363
00:26:11,359 --> 00:26:30,920
me zag boundbo things, sweet fers sit in no nacking

364
00:26:31,400 --> 00:26:49,799
sheep shaping staff from a cool blass shop. Zaga whenna

365
00:26:50,160 --> 00:27:24,000
opens on a sun zag wanna open bottom fern indve

366
00:27:24,359 --> 00:27:28,119
free time that we fall.

367
00:27:34,000 --> 00:27:38,079
Speaker 2: No shoe, I had new car.

368
00:27:43,759 --> 00:27:55,039
Speaker 3: You talk those slap street two mouth face nine at

369
00:27:55,519 --> 00:27:58,680
nine another slap in the face.

370
00:28:04,000 --> 00:28:14,680
Speaker 19: And now we stand believe in your please, I said,

371
00:28:14,960 --> 00:28:18,599
he a long write this song in Paine.

372
00:28:24,359 --> 00:28:35,839
Speaker 22: Cauza own wanna open sorts of Sun, cauzack gown, wanna

373
00:28:36,279 --> 00:28:48,440
open bottom fun cause I own wanna old bye sort

374
00:28:48,480 --> 00:29:25,359
of sun. Cauzack gown wanna open sorts of sun. Zack

375
00:29:25,480 --> 00:29:36,359
O wanna orpan sorts of sign can back O wanna

376
00:29:36,759 --> 00:29:49,759
open bottom fun cazack O wanna old bine sort of signing.

377
00:29:55,279 --> 00:29:59,440
Speaker 2: Zack O wanna orban sorts of.

378
00:29:59,640 --> 00:30:10,160
Speaker 11: S Towards the Sun by Stephen Dick Heure Live in Studio. Fantastic, fantastic.

379
00:30:11,039 --> 00:30:11,319
Speaker 2: What do you?

380
00:30:11,920 --> 00:30:15,000
Speaker 11: I feel like I feel like your songs are pretty upbeat,

381
00:30:15,039 --> 00:30:16,920
Like what do you What do you like to write about?

382
00:30:17,480 --> 00:30:17,599
Speaker 2: Uh?

383
00:30:17,920 --> 00:30:20,039
Speaker 12: You know, I really like to write about, you know,

384
00:30:20,359 --> 00:30:23,039
things that people can relate to. Yeah, and they can

385
00:30:23,240 --> 00:30:25,559
you know, take from their own lives and you know,

386
00:30:26,519 --> 00:30:28,720
either use it to help them with whatever they have

387
00:30:28,839 --> 00:30:33,039
going on. I mean Towards the Sun for instances essentially

388
00:30:33,119 --> 00:30:35,039
about you know, no matter where you are in your life,

389
00:30:35,559 --> 00:30:39,119
you're happy, down, sad, you know, depressed, whatever it is,

390
00:30:39,279 --> 00:30:41,519
there's always you know, look one eye towards the son.

391
00:30:41,599 --> 00:30:43,640
There's always something better. No matter where you are, if

392
00:30:43,640 --> 00:30:46,200
you're in a good spot, you can always be doing better. Yeah,

393
00:30:46,279 --> 00:30:49,319
you know what I mean. Just try and stay positive. Yeah, yeah,

394
00:30:49,480 --> 00:30:51,279
you know, yeah, very good, Try and send out a

395
00:30:51,319 --> 00:30:51,960
positive vibe.

396
00:30:52,119 --> 00:30:54,039
Speaker 11: I just noticed your shirt too. I didn't notice it

397
00:30:54,079 --> 00:30:58,400
it first, Anni DiFranco. Yeah, I met her probably, Oh

398
00:30:58,440 --> 00:31:00,119
my god, it's more than twenty years ago now. She

399
00:31:00,240 --> 00:31:02,839
was playing at a show in Providence, Okay. And at

400
00:31:02,880 --> 00:31:04,799
the time, I was working for a promoter, Joe Fletcher,

401
00:31:04,839 --> 00:31:06,920
who's he's not here, he's on the West Coast now,

402
00:31:07,319 --> 00:31:08,880
but he used to. He used to have big world

403
00:31:08,960 --> 00:31:12,079
productions here in New Hampshire, and so he was he

404
00:31:12,359 --> 00:31:14,559
was putting on shows around New England and he did

405
00:31:14,599 --> 00:31:16,480
a bunch of shows with her. But yeah, that's that's

406
00:31:16,519 --> 00:31:19,319
how I met her. And yeah, she was fantastic.

407
00:31:19,599 --> 00:31:22,200
Speaker 12: She's absolutely incredible. So I just went and saw her,

408
00:31:23,319 --> 00:31:24,960
first time I've ever seen her. I used to watch

409
00:31:25,000 --> 00:31:27,119
her show videos all the time. My mom got me

410
00:31:27,160 --> 00:31:30,279
into her. Yeah, I had front row seats with her

411
00:31:30,960 --> 00:31:34,640
and I called out. I yelled at shame play shameless

412
00:31:34,680 --> 00:31:37,279
her and it happened to be the last song that

413
00:31:37,359 --> 00:31:39,079
she was going to play that Now, Oh, Wow, she goes, Oh,

414
00:31:39,160 --> 00:31:40,920
you got lucky, I have I have a video of it.

415
00:31:41,000 --> 00:31:42,960
She handed me the set list. Oh no, okay, yeah

416
00:31:42,960 --> 00:31:43,519
it was really cool.

417
00:31:43,640 --> 00:31:44,400
Speaker 11: Oh, very nice.

418
00:31:44,480 --> 00:31:47,000
Speaker 12: Definitely awesome. She's incredible. Yeah my favorites.

419
00:31:47,119 --> 00:31:50,640
Speaker 11: Yeah absolutely, Yeah. Was that recent or very recent?

420
00:31:50,720 --> 00:31:53,839
Speaker 12: It was at the oh she's it was? It was

421
00:31:53,920 --> 00:31:57,240
in April nineteenth, Yeah, April nineteenth, I believe it was.

422
00:31:57,400 --> 00:31:58,440
Speaker 11: Okay, where did you see her.

423
00:32:00,119 --> 00:32:02,720
Speaker 12: In Somerville Summerville Theater?

424
00:32:02,920 --> 00:32:05,839
Speaker 11: Yeah, I haven't. I haven't kept up with her unfortunately, so,

425
00:32:05,920 --> 00:32:08,279
but I assume she's still putting out. Uh does she

426
00:32:08,319 --> 00:32:09,039
still have her label?

427
00:32:09,079 --> 00:32:09,279
Speaker 2: Do you know?

428
00:32:09,440 --> 00:32:10,640
Speaker 11: Righteous Babe? Is that still?

429
00:32:11,079 --> 00:32:11,240
Speaker 2: Yeah?

430
00:32:11,319 --> 00:32:12,160
Speaker 12: Regeous Spabe Records.

431
00:32:12,200 --> 00:32:14,599
Speaker 11: Okay, yeah, yeah, yeah. That's one of the cool things

432
00:32:14,599 --> 00:32:17,319
about her too, is you know, not only uh did

433
00:32:17,359 --> 00:32:20,960
I always love her music? But I shouldn't say past

434
00:32:21,000 --> 00:32:24,519
tense because she's obviously still active, But but I always

435
00:32:24,559 --> 00:32:27,079
thought it was cool that, you know, she she started

436
00:32:27,160 --> 00:32:29,440
her own label. She started that indie label at a

437
00:32:29,559 --> 00:32:32,640
time where like, like today, it's not even a big deal,

438
00:32:32,759 --> 00:32:35,720
right because of the Internet, anybody can can start a lab,

439
00:32:36,160 --> 00:32:39,119
you know, quote unquote right, but she but she did

440
00:32:39,200 --> 00:32:43,079
it at a time when it was unusual, and you know,

441
00:32:43,240 --> 00:32:45,799
I I know she's talked in interviews about how you know,

442
00:32:45,920 --> 00:32:48,480
she faced a lot of headwinds doing that. People didn't

443
00:32:48,799 --> 00:32:50,559
necessarily believe in her, give her a chance.

444
00:32:50,680 --> 00:32:52,720
Speaker 12: They were like, I think, uh, she's done a lot

445
00:32:52,759 --> 00:32:54,400
for the women of the you know.

446
00:32:54,759 --> 00:32:58,240
Speaker 11: Yeah, oh totally absolutely, Yeah, yeah, because I remember one

447
00:32:58,279 --> 00:32:59,880
interview I read with her, she was saying, like, you know,

448
00:33:00,039 --> 00:33:02,359
people just looked at her like, who is this chick

449
00:33:03,079 --> 00:33:04,119
who thinks she can do this?

450
00:33:04,359 --> 00:33:04,519
Speaker 4: You know?

451
00:33:04,640 --> 00:33:06,400
Speaker 11: But but she was determined to do it, and she

452
00:33:06,519 --> 00:33:06,720
did it.

453
00:33:06,839 --> 00:33:09,000
Speaker 12: Give somebody an opportunity. If they have the drive and

454
00:33:09,000 --> 00:33:10,480
the hunger, they'll they'll make it happen.

455
00:33:10,640 --> 00:33:15,599
Speaker 11: Yeah, yeah one who So obviously she's a big inspiration

456
00:33:15,720 --> 00:33:15,839
to you.

457
00:33:16,119 --> 00:33:17,359
Speaker 12: Yeah, very big inspiration.

458
00:33:18,079 --> 00:33:19,240
Speaker 11: Like who else? Who else?

459
00:33:19,599 --> 00:33:22,599
Speaker 12: You gotta throw the Beatles in there? Yeah, the Beatles

460
00:33:22,640 --> 00:33:23,680
are number one for me.

461
00:33:24,160 --> 00:33:24,359
Speaker 10: Yeah.

462
00:33:24,519 --> 00:33:27,119
Speaker 12: Huge Jim Crochey fan, Are you ye huge Jim croach fan.

463
00:33:27,200 --> 00:33:30,680
I just saw his son play Croachy plays Croachy.

464
00:33:30,640 --> 00:33:32,279
Speaker 11: Oh no, kidd see, I didn't even know that was

465
00:33:32,319 --> 00:33:32,559
the thing.

466
00:33:32,720 --> 00:33:34,440
Speaker 12: Yeah, yeah, he does it at t Plow.

467
00:33:34,519 --> 00:33:35,359
Speaker 11: What's the son's name?

468
00:33:37,319 --> 00:33:37,400
Speaker 3: Oh?

469
00:33:37,480 --> 00:33:40,400
Speaker 12: Interesting, it looks just like it said, oh yeah, yeah,

470
00:33:40,519 --> 00:33:43,000
so I saw him my front row tickets to that

471
00:33:43,079 --> 00:33:46,000
one too. My friend Liz also Scott does for me.

472
00:33:46,160 --> 00:33:48,920
Oh excellent, very nice to her, very nice her. Yeah,

473
00:33:49,079 --> 00:33:51,640
and so I met him after the show. Okay, talk

474
00:33:51,680 --> 00:33:53,480
to him. I always open up every show I used

475
00:33:53,519 --> 00:33:55,119
to do with don't mess around with Jim.

476
00:33:55,200 --> 00:33:55,799
Speaker 11: Oh really yeah.

477
00:33:56,079 --> 00:33:57,839
Speaker 12: My dad always laughs at me for it. He's like,

478
00:33:57,880 --> 00:34:00,759
you gonna open up a tool mess around with. So

479
00:34:00,839 --> 00:34:03,200
I met him and talked to him for a few minutes,

480
00:34:03,759 --> 00:34:06,240
showed him my tattoo. Yeah as much as dad, you know,

481
00:34:06,319 --> 00:34:08,599
it was a big inspiration to me, and I'm glad

482
00:34:08,599 --> 00:34:09,920
that he's carrying on his legacy.

483
00:34:10,000 --> 00:34:13,239
Speaker 11: Oh yeah, no, that's extremely cool. That's extremely cool.

484
00:34:13,440 --> 00:34:17,559
Speaker 12: Yeah. So you know the Croaches, Steely, Dan Simon and Garfunkle. Yep,

485
00:34:18,239 --> 00:34:20,719
I'm an old soul. I really like the old school,

486
00:34:21,320 --> 00:34:24,519
the classics. Yeah, the music that lives on. Sure that's

487
00:34:24,639 --> 00:34:26,079
meaning you know what I mean? Yeah, I can still

488
00:34:26,119 --> 00:34:27,000
relate to it nowadays.

489
00:34:27,239 --> 00:34:31,519
Speaker 11: Yeah, yeah, absolutely absolutely. Do you want to play? Do

490
00:34:31,519 --> 00:34:33,119
you want to play one more? We have time, we

491
00:34:33,119 --> 00:34:35,000
will play one more live one. Yeah, if you're just

492
00:34:35,079 --> 00:34:37,360
joining us. Stephen dea ciros Here with us live in

493
00:34:37,480 --> 00:34:41,360
studio on this Saturday morning, singing much earlier in the

494
00:34:41,440 --> 00:34:43,559
day that he's used to. But he sounds he sounds great.

495
00:34:45,280 --> 00:34:46,199
Speaker 12: We'll try this one out.

496
00:34:46,239 --> 00:34:53,880
Speaker 11: This is a cover, right, something's uh that's doing that.

497
00:34:57,159 --> 00:34:59,320
The cord might have been loose. Yeah, try that again.

498
00:35:00,079 --> 00:35:03,039
It's it's almost like I wonder if your arm was

499
00:35:03,119 --> 00:35:06,239
hitting the cord going into the guitar, it might have

500
00:35:06,280 --> 00:35:09,360
been what it was I was hearing. Yeah, I was

501
00:35:09,400 --> 00:35:16,679
hearing something like uh percuss. Yeah, that's much better.

502
00:35:16,800 --> 00:35:17,000
Speaker 10: Yeah.

503
00:35:18,000 --> 00:35:18,239
Speaker 17: Cool.

504
00:35:19,719 --> 00:35:20,360
Speaker 12: So it goes like this.

505
00:35:22,519 --> 00:35:29,519
Speaker 3: Miracle from the stupaka, you know, but it's raining from

506
00:35:29,679 --> 00:35:36,079
cold and drawn from man and surrounding your perspective of

507
00:35:37,599 --> 00:35:44,840
sween seeking before my oudience still my happy man.

508
00:35:45,079 --> 00:35:45,760
Speaker 2: I used to be.

509
00:35:47,320 --> 00:35:51,559
Speaker 3: A doubting I forget about it. Whatever, And it's all

510
00:35:54,639 --> 00:35:56,440
the same many ways.

511
00:36:00,159 --> 00:36:03,679
Speaker 19: And now you back forth to bunch that throne.

512
00:36:05,079 --> 00:36:10,320
Speaker 3: In the name of someone long and a fort she

513
00:36:10,800 --> 00:36:16,679
will be he young junkin lord drap dancing his shins,

514
00:36:16,800 --> 00:36:20,760
being a radio. And now I don't knock you in

515
00:36:21,000 --> 00:36:25,320
they do me in the corn. Heck, even name is

516
00:36:25,519 --> 00:36:31,559
my emergency phone call, honey, ringing, ring, Even the COPSATCHI

517
00:36:31,920 --> 00:36:38,400
rover rainder and now telling Chunk countside, Chunk countside you

518
00:36:40,440 --> 00:36:47,599
monteto and from pots to me recognize from charming to

519
00:36:47,840 --> 00:36:53,239
alarming in seconds, I'll be betd and I'm at the

520
00:36:53,360 --> 00:36:58,000
pain matastasize. But next morning I'll forget it.

521
00:36:59,639 --> 00:37:01,719
Speaker 15: He tie you talk.

522
00:37:03,599 --> 00:37:04,320
Speaker 6: Is all.

523
00:37:09,119 --> 00:37:10,760
Speaker 2: And now you bad all.

524
00:37:10,719 --> 00:37:15,679
Speaker 3: Two bunches out of throne. Win the name of someone

525
00:37:15,880 --> 00:37:17,079
now long and no.

526
00:37:18,880 --> 00:37:21,519
Speaker 6: For seam will being young, junk.

527
00:37:21,440 --> 00:37:24,719
Speaker 2: In alone traffic lancing.

528
00:37:24,920 --> 00:37:26,519
Speaker 3: This trans me in a radio.

529
00:37:28,599 --> 00:37:31,719
Speaker 15: Now don't knock you in they do me in the corner.

530
00:37:33,079 --> 00:37:34,119
I gave your name.

531
00:37:34,400 --> 00:37:39,679
Speaker 3: Is my emergency phone call, honey, ringing ring, even the

532
00:37:39,800 --> 00:37:45,559
cops that you rover raindow and that time Chunk got time,

533
00:37:45,719 --> 00:37:47,440
Trunk got time for you.

534
00:37:50,840 --> 00:37:52,360
Speaker 15: And no time for you.

535
00:37:56,480 --> 00:37:59,119
Speaker 3: Now beg you surge. Just stay in the car looking

536
00:37:59,360 --> 00:38:02,400
for you my blood alcohol. I'll ride on with the

537
00:38:02,519 --> 00:38:07,159
pronouncing seal and I'll changed my faith out pray it's

538
00:38:07,159 --> 00:38:09,800
a flag. It's sweet as sash. Your call me back,

539
00:38:10,239 --> 00:38:13,920
some of you danger to yourself.

540
00:38:14,840 --> 00:38:15,480
Speaker 15: Help sir.

541
00:38:15,760 --> 00:38:18,320
Speaker 19: Just stay in the car to give you my blood

542
00:38:18,400 --> 00:38:19,039
out call.

543
00:38:19,239 --> 00:38:24,599
Speaker 3: I'll ride on with the announcing seal, and I've changed

544
00:38:24,639 --> 00:38:26,320
my faith out, kiss the baths.

545
00:38:26,400 --> 00:38:29,519
Speaker 19: It's sweet, I swiss, you call me back, somebody?

546
00:38:29,639 --> 00:38:31,920
Speaker 2: Do you do this to yourself?

547
00:38:32,920 --> 00:38:36,639
Speaker 3: And I said, and now ain't proud all two punches

548
00:38:36,719 --> 00:38:41,440
down the throne, win the name of someone now no

549
00:38:41,679 --> 00:38:47,320
longer know for the shame of being young, junking alone,

550
00:38:48,960 --> 00:38:53,679
drive the blots in the strings in the video, and

551
00:38:53,800 --> 00:38:56,360
now I don't like you any to me in the

552
00:38:56,519 --> 00:39:02,480
car I gave your name is my emergency phone? Cool honey,

553
00:39:03,320 --> 00:39:06,480
ring and ring e. Then the cops thatt you for

554
00:39:06,760 --> 00:39:11,719
ring you know not time? Chunk countdown, chunk countdown.

555
00:39:11,679 --> 00:39:15,400
Speaker 11: For you, hm hmm.

556
00:39:17,840 --> 00:39:20,280
Speaker 17: Gorgeous, gorgeous, just gorgeous.

557
00:39:20,280 --> 00:39:25,239
Speaker 11: Thank you, absolutely very nice, very nice. Stephen Takira here

558
00:39:25,280 --> 00:39:30,239
with us live in a studio, sounding amazing. We should

559
00:39:30,280 --> 00:39:33,039
remind people. So so the do you know when the

560
00:39:33,079 --> 00:39:34,000
EP is going to be out?

561
00:39:34,079 --> 00:39:36,199
Speaker 12: So I'm hoping the EP is going to be this July.

562
00:39:36,519 --> 00:39:38,639
That's what I'm hoping for. I go back into the

563
00:39:38,719 --> 00:39:42,559
studio on Father's Day, finish up the last song on there,

564
00:39:43,679 --> 00:39:45,719
and then I just want to add some finishing touches

565
00:39:45,840 --> 00:39:48,079
and mix some master it and yeah, get it out

566
00:39:48,159 --> 00:39:48,599
to the people.

567
00:39:48,719 --> 00:39:48,840
Speaker 23: Man.

568
00:39:49,599 --> 00:39:51,480
Speaker 12: It'll be a nice big weight off my shoulders.

569
00:39:51,639 --> 00:39:53,199
Speaker 11: Yeah, no doubt, no doubt about that.

570
00:39:53,360 --> 00:39:53,559
Speaker 14: Huh.

571
00:39:54,199 --> 00:39:56,559
Speaker 11: Very cool. And then where are you playing this weekend?

572
00:39:56,559 --> 00:39:57,880
Do you have anything to plug this weekend?

573
00:39:58,239 --> 00:40:02,559
Speaker 12: Tonight I'll be York Beach, York, Maine en Yeric Beach

574
00:40:02,639 --> 00:40:04,719
in and then I'll be doing that from seven to

575
00:40:04,840 --> 00:40:05,280
ten pm.

576
00:40:05,480 --> 00:40:05,760
Speaker 11: Okay.

577
00:40:05,760 --> 00:40:08,480
Speaker 12: And then tomorrow afternoon I will be at the Portsmouth

578
00:40:08,480 --> 00:40:10,480
Gaslight Deck two to five pm.

579
00:40:10,679 --> 00:40:11,639
Speaker 11: Okay, very good.

580
00:40:12,000 --> 00:40:13,559
Speaker 12: Yeah, and then I have like a couple of days

581
00:40:13,639 --> 00:40:15,639
off and then back at it again.

582
00:40:15,800 --> 00:40:16,000
Speaker 15: Yeah.

583
00:40:17,119 --> 00:40:17,440
Speaker 11: Sweet.

584
00:40:17,800 --> 00:40:17,920
Speaker 12: Uh.

585
00:40:18,039 --> 00:40:20,079
Speaker 11: And where is the best place to go online for

586
00:40:20,119 --> 00:40:21,159
people like keep this book?

587
00:40:21,239 --> 00:40:22,800
Speaker 12: Is the best place to go online? And check me

588
00:40:22,880 --> 00:40:26,719
out Stephen d Kere. You can add my main profile page.

589
00:40:26,760 --> 00:40:28,440
You can add my music page of just Stephen de

590
00:40:28,559 --> 00:40:29,119
Cure music.

591
00:40:30,199 --> 00:40:32,119
Speaker 11: We should probably tell people how to spell your name too.

592
00:40:32,199 --> 00:40:37,239
Speaker 12: Yes, it's s t E p h e N. My

593
00:40:37,360 --> 00:40:41,599
last name is d E c U I r E Yes. Yes,

594
00:40:41,719 --> 00:40:44,039
and you pronounce it d q d cur yes.

595
00:40:44,400 --> 00:40:46,639
Speaker 11: Excellent, outstanding, outstanding, I think.

596
00:40:46,800 --> 00:40:47,280
Speaker 2: Uh So.

597
00:40:47,440 --> 00:40:50,079
Speaker 11: Another studio track that you sent us is this Quiet Moments.

598
00:40:50,239 --> 00:40:51,960
Yes that you didn't play this one?

599
00:40:52,000 --> 00:40:52,119
Speaker 10: Right?

600
00:40:52,159 --> 00:40:52,559
Speaker 2: I played that?

601
00:40:52,679 --> 00:40:53,599
Speaker 12: That was the first one I played.

602
00:40:53,599 --> 00:40:55,480
Speaker 11: Oh, that was the first one you played. Maybe we

603
00:40:55,559 --> 00:40:58,480
should maybe we should replay the one we opened with

604
00:40:58,599 --> 00:41:02,400
that subscribe where yeah, well that's okay. Actually, now we'll

605
00:41:02,440 --> 00:41:05,599
let people hear the studio version of Quiet Moments. Yeah, yeah, yeah,

606
00:41:06,440 --> 00:41:08,320
maybe I'll play the other one again afterward, though, because

607
00:41:08,360 --> 00:41:10,679
I really like that. Everybody's changing. Really, I really like

608
00:41:10,719 --> 00:41:13,960
that one a lot. Thank you. That's excellent, outstanding, outstanding.

609
00:41:14,599 --> 00:41:16,199
So if you are listening live, by the way, is

610
00:41:16,519 --> 00:41:18,800
Katie here? She is in the billion Katie Dobbins is

611
00:41:18,840 --> 00:41:20,280
coming up in the third hour, so it'll be nice

612
00:41:20,320 --> 00:41:22,599
to see her and I get to hear her. And

613
00:41:23,039 --> 00:41:28,960
did she bring her guitar? Good? Okay, And we will

614
00:41:29,000 --> 00:41:31,920
close out this segment with this. This is called Quiet Moments.

615
00:41:32,280 --> 00:41:34,719
Stephen de Cure again, thank you so much, Thank you

616
00:41:34,840 --> 00:41:35,199
so much.

617
00:41:58,960 --> 00:42:14,159
Speaker 4: Quiet Moments all the long ice rite day, my pen

618
00:42:14,920 --> 00:42:15,639
and sloan.

619
00:42:21,559 --> 00:42:23,880
Speaker 2: Fill these pages.

620
00:42:24,800 --> 00:42:34,239
Speaker 4: With the starries arranging your way.

621
00:42:36,400 --> 00:42:46,599
Speaker 3: Sing for me, looking out my window as the sun

622
00:42:47,000 --> 00:42:53,599
reads the day, birds of singing, play tree to tree

623
00:42:55,480 --> 00:43:00,400
writing songs, come sweetly.

624
00:43:00,960 --> 00:43:01,920
Speaker 2: Surrounded by me.

625
00:43:02,360 --> 00:43:22,280
Speaker 4: Just beuy, play the skids on.

626
00:43:24,480 --> 00:43:33,639
Speaker 2: Day and to night, create that bar hide.

627
00:43:35,400 --> 00:43:37,440
Speaker 11: I know you lie.

628
00:43:43,440 --> 00:43:45,719
Speaker 2: Fill these pages.

629
00:43:46,679 --> 00:43:58,519
Speaker 4: With Joe boot store horis arrange on your way, sing

630
00:43:59,679 --> 00:44:00,519
for me.

631
00:44:05,679 --> 00:44:07,679
Speaker 6: Looking out my window.

632
00:44:07,599 --> 00:44:12,880
Speaker 4: Is the cloudscool of the day. The wind is going

633
00:44:13,159 --> 00:44:21,639
ring his song, dance way writing songs come sweezs.

634
00:44:22,840 --> 00:44:25,000
Speaker 2: So writing by ageus.

635
00:44:24,480 --> 00:45:18,519
Speaker 18: Beard, quiet moments, all houses sempty.

636
00:45:20,239 --> 00:45:30,199
Speaker 2: Nor once on. Fill these pages.

637
00:45:31,119 --> 00:45:40,840
Speaker 4: With long star hurries, range of your own way.

638
00:45:42,760 --> 00:46:55,159
Speaker 1: Seem for me, sit in here, hair in this chair

639
00:46:55,679 --> 00:47:05,280
thing again, wand then wear hair.

640
00:47:06,880 --> 00:47:22,440
Speaker 2: This world school socks of wool, horror all low round.

641
00:47:29,320 --> 00:47:36,400
Speaker 3: Watch these buildings, grumble to them, Graham.

642
00:47:42,000 --> 00:47:50,440
Speaker 6: Spout these change children mountains not the.

643
00:47:57,159 --> 00:48:05,199
Speaker 7: Change ready, waiting, waiting, waiting.

644
00:48:05,360 --> 00:48:34,360
Speaker 2: We see this hay spreading through the crowd. Affolding boots

645
00:48:35,960 --> 00:48:37,840
are a long boom.

646
00:48:38,400 --> 00:48:59,599
Speaker 3: No two parties, says Sto. Designed to divine friends and family.

647
00:49:01,440 --> 00:49:04,880
Speaker 2: But she on su high.

648
00:49:10,840 --> 00:49:33,599
Speaker 6: Shiy change the change. Wheny whitningly went w.

649
00:50:25,559 --> 00:50:31,679
Speaker 9: Balla chest shunts holding all those strings.

650
00:50:38,360 --> 00:50:50,920
Speaker 3: We'll just ball bits in this bullet go rain, lead

651
00:50:51,079 --> 00:51:03,639
with your heart, loves, wear it all big games. Let's

652
00:51:03,719 --> 00:51:09,559
stand to gather and learn to love fucka.

653
00:51:15,159 --> 00:51:17,360
Speaker 24: In times of crisis, you need a law firm that

654
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657
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659
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660
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661
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662
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Speaker 8: Bring your kitchen to life with Queen City Cabinetry, located

664
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665
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666
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669
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672
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679
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Speaker 25: When it comes to keeping WMNH on the air and

680
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Speaker 26: Seven times out of ten.

689
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Speaker 13: We listened to our music at night's titled book Business program.

690
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Speaker 27: Late Night to Light with DJ Bidas right here on WMNH, Manchester.

691
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Speaker 23: You want to know why because.

692
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Speaker 21: Saturdays and Sunday nights midnight.

693
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Speaker 14: To four am, This hour on wm NH is sponsored

694
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by CGI Business Solutions, located at five Dartmouth Draw in Auburn.

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708
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Hradio Dot or engage with our sonic vibrations by communing

714
00:55:09,960 --> 00:55:13,320
with us through the digital channels or radio beconds eager

715
00:55:13,440 --> 00:55:16,360
to enthrall you with its mesmerizing kidence and envelop you

716
00:55:16,400 --> 00:55:19,360
with a symphony of foundless all its horns won dude.

717
00:55:23,320 --> 00:55:26,199
Speaker 2: W M n H rip the nobles.

718
00:55:39,159 --> 00:55:46,800
Speaker 23: Like way, crushing on the sure, Your breaking walls down

719
00:55:46,920 --> 00:55:53,079
around my heart like my rushing wind. You come in

720
00:55:53,239 --> 00:56:00,880
in to our painting it with colors I've never seen before.

721
00:56:04,599 --> 00:56:06,079
Speaker 29: You ad.

722
00:56:10,599 --> 00:56:17,599
Speaker 23: Your love is love and annie sound twenty food.

723
00:56:22,599 --> 00:56:27,920
Speaker 15: You sent my ard out browning like.

724
00:56:32,760 --> 00:56:49,039
Speaker 23: I think I'm wild like you. I hear your voice

725
00:56:49,559 --> 00:56:51,719
whisper in my mind.

726
00:56:52,599 --> 00:57:01,039
Speaker 30: You're telling me leave the sure behind the greater things

727
00:57:01,440 --> 00:57:06,960
that I can see. My anois if there's something about

728
00:57:07,239 --> 00:57:09,519
you that makes me want to go.

729
00:57:13,559 --> 00:57:17,679
Speaker 15: You load.

730
00:57:19,599 --> 00:57:25,599
Speaker 23: Your love is a loud can any sound to any You.

731
00:57:32,320 --> 00:57:36,320
Speaker 15: Send my heart out runey.

732
00:57:36,760 --> 00:57:50,280
Speaker 31: Like I think I'm wilde you, Yeah, I'm wild like you.

733
00:57:57,840 --> 00:58:10,320
Speaker 15: Show me probable all in pumps be who want to.

734
00:58:10,519 --> 00:58:12,719
Speaker 29: See avery things?

735
00:58:13,280 --> 00:58:16,840
Speaker 15: Frob you he spent.

736
00:58:18,880 --> 00:58:28,440
Speaker 23: How the supplace says melalityqu Let's go where the clouds meet.

737
00:58:29,239 --> 00:58:35,840
Speaker 15: Say there are noly me.

738
00:58:37,320 --> 00:58:53,960
Speaker 32: My heart has been said for because you're you're this

739
00:58:54,079 --> 00:58:55,480
is allowed.

740
00:58:56,440 --> 00:59:09,400
Speaker 33: Any sound Whenny, you sent my heart up amaran in.

741
00:59:14,800 --> 00:59:23,320
Speaker 15: I think I'm a wild king. Yeah, I'm a wild hiking.

742
00:59:29,760 --> 00:59:32,000
I'm running. I'm running.

743
00:59:32,719 --> 00:59:33,519
Speaker 2: I'm running.

744
00:59:34,280 --> 00:59:35,000
Speaker 26: I'm running.

745
00:59:35,719 --> 00:59:47,000
Speaker 15: I'm Runny, I'm running, I'm running. I'm running. I'm running.

746
00:59:47,719 --> 00:59:48,559
I'm running.

747
00:59:50,039 --> 00:59:57,079
Speaker 23: Tea because your love is wild.

748
01:00:01,920 --> 01:00:04,679
Speaker 11: That is wild by Katie Dobbins. Katie is with us

749
01:00:04,719 --> 01:00:06,280
and we're going to be talking with her in just

750
01:00:06,400 --> 01:00:08,800
a moment as she makes a return to the show.

751
01:00:09,079 --> 01:00:11,000
If you are just joining us, of course, on this

752
01:00:11,400 --> 01:00:14,440
Saturday morning, it is Matt Connorton Unleashed and we are

753
01:00:14,519 --> 01:00:18,599
live from the studios of WMNH ninety five point three FM.

754
01:00:18,719 --> 01:00:22,519
We have entered our number three on this June seven,

755
01:00:22,880 --> 01:00:25,400
twenty twenty five. Jenny is here, of course at the

756
01:00:25,480 --> 01:00:26,320
news table.

757
01:00:26,239 --> 01:00:29,320
Speaker 17: Presence on account of born my gosh, it's her voice.

758
01:00:29,360 --> 01:00:29,760
Speaker 2: Amazing.

759
01:00:29,960 --> 01:00:30,199
Speaker 9: Yes.

760
01:00:30,400 --> 01:00:32,679
Speaker 11: Yes, By the way, I want to make sure we

761
01:00:32,679 --> 01:00:35,559
don't forget you had someone you wanted to shout out

762
01:00:35,840 --> 01:00:37,880
this morning, not a someone.

763
01:00:38,599 --> 01:00:41,880
Speaker 34: My goodness you No, today is an important day and

764
01:00:42,000 --> 01:00:45,960
that the reflex sympathetic distript the association is having an

765
01:00:46,280 --> 01:00:51,480
it's sixth Annual Virtual CRPS Awareness Walk. You can look

766
01:00:51,519 --> 01:00:53,880
it up online. It's on Facebook, It's all over the place.

767
01:00:54,239 --> 01:00:57,119
The RCSA organization is the one that I love to

768
01:00:57,119 --> 01:01:00,920
support because they raise awareness and help supp efforts to

769
01:01:01,039 --> 01:01:04,400
find treatments and cures for c RPS. Complex revisional pain

770
01:01:04,519 --> 01:01:07,039
syndrome so formerly known as.

771
01:01:07,039 --> 01:01:09,639
Speaker 17: Reflects some ofthetic distorpree. Don't you love when they just

772
01:01:09,760 --> 01:01:11,079
change the names of things.

773
01:01:11,360 --> 01:01:15,320
Speaker 11: Well, that's a someone, it's an association, but that's many something.

774
01:01:16,079 --> 01:01:19,639
Speaker 17: Someone is a singular, yeah, not a not a plural.

775
01:01:19,800 --> 01:01:23,360
Speaker 11: No, my goodness, Oh my goodness. I can't do it.

776
01:01:23,639 --> 01:01:25,239
So where where should people go to find out?

777
01:01:25,360 --> 01:01:25,480
Speaker 3: Uh?

778
01:01:26,000 --> 01:01:27,000
Speaker 11: So deformation?

779
01:01:27,400 --> 01:01:27,639
Speaker 9: Ah?

780
01:01:28,559 --> 01:01:29,840
Speaker 11: Is that so that's happening today?

781
01:01:30,559 --> 01:01:33,400
Speaker 17: Yes, it's a virtual all across the country, actually around

782
01:01:33,400 --> 01:01:38,159
the world. M I thought you were going to bring.

783
01:01:38,000 --> 01:01:39,800
Speaker 11: This up at the end. Oh, we'll mention it. We'll

784
01:01:39,800 --> 01:01:41,639
mention it again at the end too, But yeah, I

785
01:01:41,760 --> 01:01:42,599
just didn't want to forget.

786
01:01:42,840 --> 01:01:45,119
Speaker 17: Yeah, well, I'll give more info later.

787
01:01:45,239 --> 01:01:47,920
Speaker 11: Okay, Oh very good, very good. And uh let's see

788
01:01:47,960 --> 01:01:50,559
so Katie is here, let me get that make up. Katie.

789
01:01:50,639 --> 01:01:51,719
Welcome back to the show.

790
01:01:52,480 --> 01:01:54,159
Speaker 26: Hi, Thanks thanks for having me.

791
01:01:54,400 --> 01:01:57,519
Speaker 11: Yeah, we talked. Uh, so we did talk a little bit.

792
01:01:58,000 --> 01:01:59,599
It was a couple of months. It was still during

793
01:01:59,639 --> 01:02:01,559
the winter, or was the end of winter. It was

794
01:02:01,719 --> 01:02:05,079
like it was like roll. It was like we thought

795
01:02:05,119 --> 01:02:08,400
winter was over and then woke up one morning to

796
01:02:08,480 --> 01:02:09,519
a winter wonderland.

797
01:02:10,000 --> 01:02:11,159
Speaker 26: That was That was wild.

798
01:02:11,320 --> 01:02:14,880
Speaker 11: Yeah, that was that was That was so traveling was

799
01:02:15,119 --> 01:02:17,440
a bit difficult, but you did call in, so that

800
01:02:17,519 --> 01:02:18,880
was great. But it's great to see you in person.

801
01:02:18,920 --> 01:02:20,239
And the last time I saw you in person was

802
01:02:20,280 --> 01:02:22,199
of course on Rob as a Vito show granted State

803
01:02:22,239 --> 01:02:24,679
of Mind. So that was a lot of fun. But

804
01:02:25,000 --> 01:02:27,119
welcome back. Thanks, And I know we talked about it

805
01:02:27,199 --> 01:02:29,880
on Rob show. But that song wild, that's you know,

806
01:02:29,920 --> 01:02:33,159
it's different for you, different than than Can you tell

807
01:02:33,199 --> 01:02:35,239
us again the story of how that came together in

808
01:02:35,280 --> 01:02:37,079
the studio for people who might maybe not have heard

809
01:02:37,159 --> 01:02:38,039
us talking about it before.

810
01:02:38,320 --> 01:02:40,800
Speaker 26: Yeah, it was really cool because I was doing a

811
01:02:40,840 --> 01:02:44,400
collection of songs at Rocking Horse Studio and I went

812
01:02:44,440 --> 01:02:46,920
in one day just to lay the piano tracks, because

813
01:02:47,000 --> 01:02:49,840
all three songs that I had chosen were piano based

814
01:02:49,960 --> 01:02:52,519
songs that I had written on that instrument, and so

815
01:02:53,159 --> 01:02:55,039
I laid the three songs and then I was like,

816
01:02:55,159 --> 01:02:57,639
you know, I do have another piano song that I

817
01:02:57,800 --> 01:02:59,679
could throw in here, but it was kind of a

818
01:02:59,760 --> 01:03:02,519
last minute Let's try it. Let me just record the

819
01:03:02,599 --> 01:03:05,199
piano and let you guys hear it, and if down

820
01:03:05,239 --> 01:03:07,159
the road you feel it and we want to add

821
01:03:07,159 --> 01:03:09,840
anything to it, we will. And so I kind of

822
01:03:09,920 --> 01:03:12,119
did it on a whim. Again, I had only been

823
01:03:12,159 --> 01:03:15,480
planning on doing three singles, and the guys in the

824
01:03:15,519 --> 01:03:19,480
studio they loved it, and I wasn't. I hadn't gone

825
01:03:19,519 --> 01:03:21,639
in with any idea of production or anything, so again

826
01:03:22,079 --> 01:03:25,239
wasn't planning on recording it, and so because of that,

827
01:03:25,400 --> 01:03:27,559
we had a lot of freedom to just try stuff,

828
01:03:27,639 --> 01:03:30,960
and the production ended up coming out really unique and

829
01:03:31,039 --> 01:03:34,079
different than anything I've done. So it was an exciting

830
01:03:34,159 --> 01:03:36,440
process and really fun. And my dad's actually on that

831
01:03:36,559 --> 01:03:39,199
track too. He did a speaking part that's kind of

832
01:03:39,559 --> 01:03:42,000
embedded in there, which is pretty neat.

833
01:03:42,199 --> 01:03:45,519
Speaker 11: Yeah, when you approached him with that, what did he like?

834
01:03:45,599 --> 01:03:47,440
How did he react it? First? Was he was he

835
01:03:47,480 --> 01:03:49,280
into it? Was he skeptical? Was he like, what you

836
01:03:49,360 --> 01:03:49,800
want me to do?

837
01:03:49,920 --> 01:03:50,599
Speaker 17: What I think?

838
01:03:50,679 --> 01:03:54,079
Speaker 26: He was like so excited, but he was also nervous.

839
01:03:55,199 --> 01:03:59,840
Speaker 11: So both yeah, yeah, no, it came out great. Do

840
01:03:59,920 --> 01:04:02,519
you do you usually write on the piano. You mentioned

841
01:04:02,559 --> 01:04:04,679
the three tracks you recorded, there were all songs you

842
01:04:04,719 --> 01:04:05,440
wrote on the piano.

843
01:04:05,639 --> 01:04:08,880
Speaker 26: I've been writing more on the piano, but a piano

844
01:04:08,960 --> 01:04:11,400
was actually my first instrument when I was younger. But

845
01:04:11,559 --> 01:04:14,159
I was I learned classically, so I was, you know,

846
01:04:14,280 --> 01:04:18,400
classically trained kind of, and so it took me a

847
01:04:18,440 --> 01:04:21,119
while to realize, oh, I could write on piano just

848
01:04:21,199 --> 01:04:23,719
like I write on guitar, because you know, you've heard

849
01:04:23,760 --> 01:04:25,920
guitar all you need is three chords in the truth.

850
01:04:26,320 --> 01:04:28,159
So once I learned three chords on guitar, it was like,

851
01:04:28,199 --> 01:04:29,840
oh my gosh, I was writing all these songs. I

852
01:04:29,920 --> 01:04:31,679
was in eighth grade, and I was just like, oh,

853
01:04:31,719 --> 01:04:33,400
I'm writing about my life. This is awesome.

854
01:04:33,639 --> 01:04:33,840
Speaker 11: Yeah.

855
01:04:34,199 --> 01:04:36,760
Speaker 26: But it wasn't until much later that I kind of

856
01:04:36,880 --> 01:04:40,000
challenged myself to think, wait, I think I could create

857
01:04:40,039 --> 01:04:42,639
stuff on the piano as well. So, yeah, I do.

858
01:04:43,000 --> 01:04:45,079
I do both. And sometimes I don't write on an

859
01:04:45,079 --> 01:04:48,320
instrument at all. I just I lyrics and melody comes first,

860
01:04:48,400 --> 01:04:51,000
and I do I'll write like a whole song with

861
01:04:51,119 --> 01:04:53,360
no instrument and then add things later.

862
01:04:53,639 --> 01:04:56,599
Speaker 11: Yeah, I've heard a lot of a lot of instructors

863
01:04:57,039 --> 01:05:00,599
say that it's it's a good idea to learn at

864
01:05:00,679 --> 01:05:02,960
least no matter what instrument you're playing, to learn at

865
01:05:03,000 --> 01:05:05,239
least some basic keyboarding because it will help you with

866
01:05:05,360 --> 01:05:08,599
everything else, which sadly, I never bothered to do. I had.

867
01:05:09,000 --> 01:05:12,199
I had one of those old, cheap Cassio keyboards growing up,

868
01:05:12,239 --> 01:05:15,400
but I never really learned to play it. But yeah,

869
01:05:15,559 --> 01:05:17,639
but what do you play anything else? You play guitar,

870
01:05:17,760 --> 01:05:19,199
you play piano, do you play anything else?

871
01:05:19,320 --> 01:05:23,559
Speaker 26: Or every now and then, if someone lets me, I'll

872
01:05:23,559 --> 01:05:27,000
play kahone really yeah, yeah, like on one of their

873
01:05:27,079 --> 01:05:30,280
songs or something. But just I don't. I haven't done

874
01:05:30,320 --> 01:05:33,559
anything technical with it. I have my dad has a

875
01:05:33,639 --> 01:05:36,000
bass guitar that he was learning how to play, and

876
01:05:36,079 --> 01:05:38,679
I've picked that up a couple of times and fiddled

877
01:05:38,679 --> 01:05:40,559
around with it. It's an instrument i'd like to learn.

878
01:05:40,639 --> 01:05:42,920
I just haven't dedicated enough time to it.

879
01:05:43,239 --> 01:05:45,320
Speaker 11: Yeah, you can pick it up quick, I mean, if

880
01:05:45,320 --> 01:05:46,920
you're already played guitar, you can pick up the bass

881
01:05:46,960 --> 01:05:47,440
pretty quick.

882
01:05:47,599 --> 01:05:50,800
Speaker 26: Yeah, It's it makes sense because it's sprets and I

883
01:05:50,920 --> 01:05:52,719
tried to learn violin when I was younger, and I

884
01:05:52,800 --> 01:05:56,880
also attempted the saxophone both. I thought I was doing

885
01:05:56,920 --> 01:06:01,159
pretty good, but I think my family didn't agree, right.

886
01:06:01,360 --> 01:06:05,599
Speaker 11: Right, saxophones loud instrument, Yeah, no, they're so.

887
01:06:05,800 --> 01:06:08,440
Speaker 26: Super supportive, but I think there are some instruments that, like,

888
01:06:08,719 --> 01:06:11,880
if it's not coming quickly and naturally, might be more

889
01:06:11,920 --> 01:06:12,920
painful to listen.

890
01:06:12,800 --> 01:06:15,440
Speaker 11: To them, right, No, that makes sense, that makes sense.

891
01:06:15,679 --> 01:06:18,000
Speaker 26: Yeah, yeah, But I love the violin. I wish that

892
01:06:18,119 --> 01:06:20,960
I had fully learned it because it's just so beautiful.

893
01:06:21,119 --> 01:06:21,360
Speaker 11: Yeah.

894
01:06:21,639 --> 01:06:21,840
Speaker 10: Yeah.

895
01:06:22,159 --> 01:06:23,639
Speaker 11: Now do you have a busy summer? Are you playing

896
01:06:23,679 --> 01:06:25,280
a lot? I would imagine you're playing out there.

897
01:06:25,480 --> 01:06:28,639
Speaker 26: Yeah, yeah, And I have some things I'm excited about.

898
01:06:28,719 --> 01:06:34,159
I I record with other instrumentalists and singers, like most

899
01:06:34,239 --> 01:06:36,639
of my music is recorded with a band and kind

900
01:06:36,639 --> 01:06:40,840
of bringing out that fuller production. But normally when I perform,

901
01:06:41,159 --> 01:06:44,960
I'm pretty much always solo. I haven't really done band

902
01:06:45,039 --> 01:06:48,159
shows since, you know, my different album release shows that

903
01:06:48,239 --> 01:06:51,440
I did years ago, and a couple other kind of

904
01:06:51,480 --> 01:06:54,199
special things. But this summer I have a full band

905
01:06:54,239 --> 01:06:56,920
show coming up at Bank in New Hampshire Pavilion on

906
01:06:56,960 --> 01:06:59,840
their side stage. Oh wow, So that'll be fun to

907
01:07:00,119 --> 01:07:03,840
bring the fullness back together again and perform with other people.

908
01:07:03,920 --> 01:07:06,679
And then I don't know if you know Chris Noise.

909
01:07:06,880 --> 01:07:09,760
He's a bass player. He played on these new singles

910
01:07:09,840 --> 01:07:10,599
on Wild and.

911
01:07:11,039 --> 01:07:12,679
Speaker 11: I don't think I know Chris. Is he related to

912
01:07:13,440 --> 01:07:13,960
Ron Noise?

913
01:07:14,119 --> 01:07:15,360
Speaker 26: I don't know, because.

914
01:07:15,480 --> 01:07:18,480
Speaker 11: Ron's a musician, I wonder if they're related. No, I

915
01:07:18,519 --> 01:07:19,360
don't think I know Chris.

916
01:07:19,760 --> 01:07:22,280
Speaker 26: So he played bass on some of my studio tracks.

917
01:07:22,360 --> 01:07:25,280
And he's playing with me up in Portsmouth at the

918
01:07:25,400 --> 01:07:27,639
Tuesdays on the Terrace at Strawberry Bank Museum.

919
01:07:27,760 --> 01:07:28,199
Speaker 11: Oh cool.

920
01:07:28,599 --> 01:07:30,519
Speaker 26: So we've got that and a couple other kind of

921
01:07:30,599 --> 01:07:33,079
fun outdoor summer shows where I'm playing with him and

922
01:07:33,840 --> 01:07:36,760
another guy on drums. So yeah, it'll be fun to

923
01:07:37,440 --> 01:07:40,199
play with other people again and bring the songs to

924
01:07:40,320 --> 01:07:41,280
life in a different way.

925
01:07:41,519 --> 01:07:43,519
Speaker 11: Yeah, but it doesn't sound like you have any any

926
01:07:43,599 --> 01:07:45,480
interest in doing like a permanent full band.

927
01:07:46,360 --> 01:07:50,480
Speaker 26: We'll see see where things go. I'm never Before we

928
01:07:50,599 --> 01:07:53,480
went live on air, you guys were saying, like we go.

929
01:07:53,559 --> 01:07:54,079
Speaker 15: With the flow.

930
01:07:54,280 --> 01:07:56,840
Speaker 26: Like I'm not really married to anything. It's kind of

931
01:07:56,920 --> 01:07:57,480
how I feel.

932
01:07:57,559 --> 01:07:57,920
Speaker 17: I don't know.

933
01:07:58,519 --> 01:08:01,280
Speaker 26: I have I have hopes, but I don't have like

934
01:08:01,639 --> 01:08:05,079
necessarily set in stone expectations that I want or don't want.

935
01:08:05,199 --> 01:08:08,559
So if it came together naturally and it was like

936
01:08:08,920 --> 01:08:11,679
really fun and everybody totally gibed, I could see doing.

937
01:08:11,639 --> 01:08:13,920
Speaker 11: More of it for sure. Yeah, no, that makes sense.

938
01:08:14,239 --> 01:08:16,039
And are you still are you still just putting out

939
01:08:16,079 --> 01:08:19,359
singles or do you have an EP or I don't.

940
01:08:19,520 --> 01:08:21,840
Speaker 26: I was just shy of an EP when I recorded

941
01:08:21,880 --> 01:08:24,640
my four songs. I mean, I suppose I could have

942
01:08:24,880 --> 01:08:27,560
turned it into a collection. I've thought about adding some

943
01:08:27,800 --> 01:08:31,399
songs and making it a full collection. I'm not there yet,

944
01:08:31,560 --> 01:08:35,479
I haven't. I actually have one kind of wintery song,

945
01:08:36,399 --> 01:08:40,680
not to bring snow back up on. I have one

946
01:08:40,840 --> 01:08:44,680
song that I'm working on recording. It's kind of a

947
01:08:44,800 --> 01:08:47,079
mix of I recorded some of it at home and

948
01:08:47,199 --> 01:08:50,840
some of it at Mike Moran's home studio. He is

949
01:08:50,920 --> 01:08:52,920
a drummer and a bass player and a guitarist, and

950
01:08:53,239 --> 01:08:55,319
we've played together a lot in the past, and we

951
01:08:55,439 --> 01:08:57,920
have some stuff coming up this summer, so we've been

952
01:08:57,960 --> 01:09:02,039
working on producing that song together. So and then I

953
01:09:02,079 --> 01:09:06,279
have some other ideas, but nothing no like exciting release

954
01:09:06,399 --> 01:09:07,119
dates to share.

955
01:09:07,520 --> 01:09:10,600
Speaker 11: Yeah. Right now, You've worked with a number of different producers, right,

956
01:09:10,640 --> 01:09:11,479
it seems like you've.

957
01:09:11,920 --> 01:09:16,800
Speaker 26: Yeah, every project has been totally different. First record I

958
01:09:16,880 --> 01:09:20,880
recorded in New Hampshire with Ryan Ordway and then yeah,

959
01:09:21,439 --> 01:09:23,840
yeah and that was really fun. And then my second

960
01:09:23,880 --> 01:09:26,039
record I recorded on the South Shore in mass with

961
01:09:26,840 --> 01:09:30,359
Sean McLoughlin. And then this last collection I did with

962
01:09:30,560 --> 01:09:33,560
Brian Coombs at Rocking Horror Studios in Pittsfield. And then

963
01:09:33,920 --> 01:09:35,960
I've done a little bit tried to do a little

964
01:09:35,960 --> 01:09:38,560
bit of home recording too and kind of feeling that out.

965
01:09:38,600 --> 01:09:40,680
But it is a lot of work to record your

966
01:09:40,720 --> 01:09:41,920
own stuff. I mean, it's a lot of work to

967
01:09:41,920 --> 01:09:43,640
go to the studio too, but oh yeah, you have

968
01:09:43,760 --> 01:09:46,560
other hands and eyes and ears on it, and they

969
01:09:47,119 --> 01:09:49,680
know what they're doing more than like I'm sort of

970
01:09:49,800 --> 01:09:51,760
learning as I go. But it's fun. I like that

971
01:09:51,840 --> 01:09:52,439
part of it too.

972
01:09:52,560 --> 01:09:54,119
Speaker 11: Oh yeah, yeah, let's the adventure of it.

973
01:09:54,199 --> 01:09:54,399
Speaker 8: Yeah.

974
01:09:54,880 --> 01:09:56,079
Speaker 11: Do you want to play something for us?

975
01:09:56,359 --> 01:09:56,560
Speaker 15: Yeah?

976
01:09:56,760 --> 01:10:02,520
Speaker 11: Sure, let me turn up that. Yeah, go and god

977
01:10:02,560 --> 01:10:03,880
and strum a little. Just want to make sure I

978
01:10:03,920 --> 01:10:08,479
get there. Oh yeah, that sounds good. Badphones, yeah, excellent?

979
01:10:09,119 --> 01:10:12,479
Speaker 26: All right, cool, I'm gonna play a brand new one

980
01:10:12,560 --> 01:10:16,319
for you if that's okay. Absolutely, so I've been trying

981
01:10:16,359 --> 01:10:19,239
to challenge myself. I think I mentioned this to you

982
01:10:19,399 --> 01:10:22,880
last time I saw you challenge myself to make time

983
01:10:23,000 --> 01:10:26,239
for songwriting, which sounds like, well, duh, you're a songwriter, right,

984
01:10:26,640 --> 01:10:30,279
is that all you do? But sometimes the weeks just

985
01:10:30,359 --> 01:10:32,159
go by and I'm like, oh my gosh, like my

986
01:10:32,319 --> 01:10:37,199
creative need is just like being squished down. And so

987
01:10:37,319 --> 01:10:39,600
I've been trying to bring that more to the forefront.

988
01:10:39,680 --> 01:10:42,520
So in trying to write more songs, which if anyone's listening,

989
01:10:42,600 --> 01:10:45,479
I would like to follow along on my new songwriting journey.

990
01:10:45,600 --> 01:10:48,600
I've been sharing things, all the new stuff on Patreon,

991
01:10:49,479 --> 01:10:52,279
which is like a place online that you can support artists,

992
01:10:52,359 --> 01:10:56,079
and patreon dot com slash Katie Doobbins music. But this

993
01:10:56,199 --> 01:10:58,199
is one of the ones that I wrote for my

994
01:10:59,520 --> 01:11:03,079
almost song a Week project, not quite a song a week,

995
01:11:03,159 --> 01:11:07,000
but it's called Coffee in the Morning, and it's about

996
01:11:07,520 --> 01:11:10,439
how when you fall in love and suddenly you're liking

997
01:11:10,560 --> 01:11:13,520
things and doing things that you never really cared about before,

998
01:11:13,840 --> 01:11:14,920
just because of that other person.

999
01:11:15,000 --> 01:11:28,479
Speaker 23: You know, is it that wrangler or your rugged hands

1000
01:11:28,600 --> 01:11:33,840
in my is it that open road or the smell.

1001
01:11:33,600 --> 01:11:34,840
Speaker 2: Of your cologne?

1002
01:11:36,800 --> 01:11:42,520
Speaker 23: Do I even like the challenge of a standard. It's

1003
01:11:42,680 --> 01:11:46,720
just the way you laugh every time I stall it.

1004
01:11:51,800 --> 01:11:56,640
I don't even know if I like coffee in the morning.

1005
01:11:57,520 --> 01:12:01,960
Maybe that's just something out the way you pull it

1006
01:12:02,159 --> 01:12:06,279
for me as the soul lights up the kitchen. We're

1007
01:12:06,359 --> 01:12:11,039
too early for my liking, but I like having that

1008
01:12:11,640 --> 01:12:20,079
quiet time with you. Is it that country song or

1009
01:12:20,159 --> 01:12:22,239
the way you sing it for me?

1010
01:12:24,039 --> 01:12:25,880
Speaker 26: Is it that dance floor or.

1011
01:12:25,960 --> 01:12:31,560
Speaker 23: The way you pull me clothes? Do I even like

1012
01:12:32,199 --> 01:12:37,520
staying up past midnight? Or just the way you hold

1013
01:12:37,800 --> 01:12:47,600
my handwalking in me home. I don't even know if

1014
01:12:47,760 --> 01:12:53,159
I should like that whiskey bourbon. Maybe there's just something

1015
01:12:53,560 --> 01:12:57,399
about the taste of it on your lips as the

1016
01:12:57,600 --> 01:12:58,760
moon lights.

1017
01:12:58,600 --> 01:12:59,479
Speaker 2: Up the kitchen.

1018
01:13:00,239 --> 01:13:05,399
Speaker 23: Too late for my liking, but I like talking into

1019
01:13:05,680 --> 01:13:12,079
the night with you. I don't even know if I

1020
01:13:12,520 --> 01:13:17,239
like bike rides, game night, using.

1021
01:13:17,479 --> 01:13:24,479
Speaker 15: Fireflies in a jar. I don't think I haven't need

1022
01:13:24,840 --> 01:13:25,279
to go.

1023
01:13:26,840 --> 01:13:34,159
Speaker 23: Fishing or stay all night chasing stars unless it's where

1024
01:13:35,159 --> 01:13:39,960
you are, unless it's.

1025
01:13:39,880 --> 01:13:40,560
Speaker 15: When you.

1026
01:13:49,800 --> 01:13:54,159
Speaker 23: Because I don't even know if I like coffee in

1027
01:13:54,399 --> 01:13:59,520
the morning. Maybe there's just something in about the way

1028
01:14:00,239 --> 01:14:04,439
poor informed me is the swing lights up the kitchen

1029
01:14:04,880 --> 01:14:07,560
way too early for my liking.

1030
01:14:08,119 --> 01:14:12,840
Speaker 26: But I like Kevin, that quiet time with you.

1031
01:14:18,319 --> 01:14:23,520
Speaker 23: I don't even know if I like coffee in the morning,

1032
01:14:25,079 --> 01:14:27,840
but I know how really like.

1033
01:14:30,399 --> 01:14:33,039
Speaker 15: The way you poor it for me.

1034
01:14:39,279 --> 01:14:44,760
Speaker 11: Oh that's beautiful, Thank you, very nice, very nice. So

1035
01:14:44,920 --> 01:14:48,159
that's uh so that's new. That's that's very new then, right?

1036
01:14:48,359 --> 01:14:50,359
Speaker 26: Yeah, I reade that a couple of months ago.

1037
01:14:50,479 --> 01:14:53,119
Speaker 11: Now, very cool, very cool. If you're just joining us.

1038
01:14:53,159 --> 01:14:55,640
Katie Dobbins is here with us, alive in studio and

1039
01:14:56,359 --> 01:15:01,079
sounding amazing. So so you have are you playing that

1040
01:15:01,119 --> 01:15:03,439
one out curly or is that or have you not?

1041
01:15:03,840 --> 01:15:04,000
Speaker 2: Yeah?

1042
01:15:04,039 --> 01:15:06,039
Speaker 26: I played it a couple of times at live shows.

1043
01:15:06,560 --> 01:15:08,119
I think that was the radio debut.

1044
01:15:08,560 --> 01:15:11,560
Speaker 11: Okay, awesome, We Love That, We Love the We Love

1045
01:15:11,600 --> 01:15:15,039
the World premieres here. Do you have any idea how

1046
01:15:15,079 --> 01:15:16,840
many songs you've written at this point? Can you put

1047
01:15:16,880 --> 01:15:20,000
in like like like is it in triple digits yet?

1048
01:15:20,079 --> 01:15:20,479
Speaker 4: Do you think?

1049
01:15:20,600 --> 01:15:20,640
Speaker 9: Or?

1050
01:15:21,479 --> 01:15:21,680
Speaker 15: Oh?

1051
01:15:22,920 --> 01:15:26,279
Speaker 26: I mean it probably depends on if I want to

1052
01:15:26,359 --> 01:15:29,920
count every song I've ever written, probably yes, But if

1053
01:15:29,960 --> 01:15:33,479
I just count the ones that I like, yeah, I'm

1054
01:15:33,520 --> 01:15:33,920
not sure.

1055
01:15:34,159 --> 01:15:37,039
Speaker 11: Yeah. Do they? Do you have some that you've kind

1056
01:15:37,079 --> 01:15:39,399
of retired, Like, are there some early ones that used

1057
01:15:39,399 --> 01:15:40,560
to play that you don't play anymore?

1058
01:15:40,840 --> 01:15:43,960
Speaker 26: Yeah, I mean I I play the stuff from my

1059
01:15:44,520 --> 01:15:48,319
first album still. I play several of those songs out yea,

1060
01:15:49,239 --> 01:15:52,479
not all of them. And then there are some, yeah,

1061
01:15:52,600 --> 01:15:55,720
the some originals that I used to play, Like when

1062
01:15:55,760 --> 01:15:57,680
you first write it and you're like, I really love

1063
01:15:57,760 --> 01:15:59,560
this song because you wrote you just wrote it, so

1064
01:15:59,600 --> 01:16:02,800
you're right and real, like passionate and emotional about it

1065
01:16:02,840 --> 01:16:04,760
because you know it just came from.

1066
01:16:04,680 --> 01:16:06,680
Speaker 11: Your Yeah, it's most being.

1067
01:16:06,880 --> 01:16:10,199
Speaker 26: And yeah, So I had some like that I felt

1068
01:16:10,239 --> 01:16:12,319
really excited about in the moment, and then kind of

1069
01:16:12,359 --> 01:16:14,920
down the road was that sort of faded, you know,

1070
01:16:15,000 --> 01:16:18,319
and they really got their full full moment in the sun,

1071
01:16:18,399 --> 01:16:18,760
I guess.

1072
01:16:19,039 --> 01:16:19,239
Speaker 7: Yeah.

1073
01:16:19,560 --> 01:16:21,520
Speaker 11: Yeah, I've probably asked you this before, but do you

1074
01:16:21,560 --> 01:16:22,960
remember the first song you ever wrote?

1075
01:16:25,359 --> 01:16:28,399
Speaker 26: The first song I wrote was a co write. Well,

1076
01:16:29,119 --> 01:16:31,640
the first song I wrote was actually a cappella in

1077
01:16:31,800 --> 01:16:35,079
like fifth grade, and I wrote it my best friend

1078
01:16:35,159 --> 01:16:38,279
had moved to California and I was so sad, and

1079
01:16:38,399 --> 01:16:40,520
so I wrote this song about you know. I think

1080
01:16:40,560 --> 01:16:42,560
it was called best Friend. The first song I ever

1081
01:16:42,600 --> 01:16:45,600
wrote on guitar was a co write. My friend Sarah

1082
01:16:45,640 --> 01:16:48,199
Ellen had taught me a few chords on guitar and

1083
01:16:49,520 --> 01:16:51,399
she had been writing songs, so we're like, let's write

1084
01:16:51,399 --> 01:16:53,840
a song together. And we wrote a song about our

1085
01:16:53,840 --> 01:16:56,640
grandfather's But if you asked me to play it, I

1086
01:16:57,199 --> 01:16:58,680
truly don't remember how it goes.

1087
01:16:58,880 --> 01:16:59,079
Speaker 2: Yeah.

1088
01:16:59,800 --> 01:17:01,920
Speaker 26: I remember thinking it was really good. I was so

1089
01:17:02,239 --> 01:17:03,760
you know, we were so excited about it, and we

1090
01:17:03,840 --> 01:17:06,640
played it at some open mics and things like that,

1091
01:17:07,239 --> 01:17:09,439
which is like really really fun. Yeah, you know, you're

1092
01:17:09,479 --> 01:17:12,760
in eighth grade on stage playing a duet that you

1093
01:17:12,880 --> 01:17:14,560
wrote and you just feel like a rock star.

1094
01:17:14,840 --> 01:17:15,039
Speaker 8: Yeah.

1095
01:17:15,239 --> 01:17:18,439
Speaker 11: Yeah, Now have you you've been doing this full time

1096
01:17:18,520 --> 01:17:19,680
now for quite some time?

1097
01:17:19,800 --> 01:17:20,960
Speaker 26: Right, a few years now?

1098
01:17:21,279 --> 01:17:21,560
Speaker 23: Yeah.

1099
01:17:22,279 --> 01:17:24,720
Speaker 26: I think I made the shift to full time in

1100
01:17:24,920 --> 01:17:29,720
like spring of twenty twenty one or twenty twenty two, okay, Yeah,

1101
01:17:30,479 --> 01:17:32,520
And it took took a while to find my stride

1102
01:17:32,600 --> 01:17:35,680
and still kind of, you know, figuring out balance. I

1103
01:17:35,720 --> 01:17:38,000
feel like I talk about balance a lot, but it's hard,

1104
01:17:38,119 --> 01:17:40,680
Like you wear so many hats when you're oh yeah,

1105
01:17:40,920 --> 01:17:43,199
music is a it's not just songwriting and performing, but

1106
01:17:43,279 --> 01:17:45,000
you're I think of it as like you're running your

1107
01:17:45,000 --> 01:17:48,319
own business. You know, you're booking, you're promoting, you're trying

1108
01:17:48,359 --> 01:17:51,319
to make money, you're doing you know, recording all this stuff. Yeah,

1109
01:17:51,520 --> 01:17:54,720
and so finding balance and a good rhythm is something

1110
01:17:54,760 --> 01:17:58,840
I feel like I'm always like working on getting a

1111
01:17:58,880 --> 01:18:02,399
little more honed in. But it's fun. I love it,

1112
01:18:02,520 --> 01:18:04,560
and since making the decision to do it full time,

1113
01:18:04,600 --> 01:18:07,920
I've never regretted it at all. But I will say

1114
01:18:07,960 --> 01:18:10,720
it's not for everyone because I feel like whenever I

1115
01:18:10,840 --> 01:18:13,119
tell another artist, oh, yeah, I do it full time,

1116
01:18:13,159 --> 01:18:14,760
because they'll ask what do you do during the day,

1117
01:18:16,279 --> 01:18:18,039
And I feel like a lot of times people say, oh,

1118
01:18:18,279 --> 01:18:20,600
like I want to do that too. I'm just I'm

1119
01:18:20,680 --> 01:18:23,199
trying to get there, and almost from a place of

1120
01:18:24,199 --> 01:18:26,520
like they feel like they're not doing it yet if

1121
01:18:26,560 --> 01:18:29,399
they're not doing it full time or something, and it's

1122
01:18:29,479 --> 01:18:31,960
like you really have to assess. I mean, it's it's

1123
01:18:32,640 --> 01:18:36,560
it adds a sort of you have to really want

1124
01:18:36,640 --> 01:18:38,680
to do it full time and know that there's going

1125
01:18:38,760 --> 01:18:41,279
to be a period of like hardship that comes with that,

1126
01:18:41,760 --> 01:18:44,079
and be okay with that. And also there's nothing wrong

1127
01:18:44,119 --> 01:18:47,439
with having, you know, a job that you're good at

1128
01:18:47,560 --> 01:18:50,760
or that you like that you know funds funds what

1129
01:18:50,920 --> 01:18:54,279
you love too, and it gives you that like consistency.

1130
01:18:54,399 --> 01:18:57,399
So I love doing it how I'm doing it, But

1131
01:18:57,520 --> 01:18:59,920
I don't think it's for everybody. So when I say that,

1132
01:19:00,119 --> 01:19:02,880
if you're an artist listening, don't feel pressured to like

1133
01:19:03,039 --> 01:19:04,840
I need to do that too, You don't, you know,

1134
01:19:04,960 --> 01:19:06,239
everybody does this so differently.

1135
01:19:06,359 --> 01:19:09,199
Speaker 11: So yeah, and I think too, you know, if you

1136
01:19:10,399 --> 01:19:12,720
you can still call yourself a professional musician even if

1137
01:19:12,760 --> 01:19:15,000
you're doing it part time. You know, the way I've

1138
01:19:15,000 --> 01:19:18,119
always looked at it is, and really with any profession,

1139
01:19:18,159 --> 01:19:20,199
you can call yourself a professional if you've ever been

1140
01:19:20,239 --> 01:19:22,600
paid for what you do. True, That's how I look

1141
01:19:22,640 --> 01:19:24,159
at it. So even if even if you you know,

1142
01:19:24,239 --> 01:19:28,319
you've just gotten you know, thirty dollars you know, playing

1143
01:19:28,359 --> 01:19:31,000
a set somewhere, well, you're now a professional musician. If

1144
01:19:31,039 --> 01:19:33,680
somebody somebody gave you money, you know, for that, then

1145
01:19:33,720 --> 01:19:37,159
you're now a professional. And you know, I think I

1146
01:19:37,239 --> 01:19:39,920
think sometimes, yeah, I think sometimes people get self conscious

1147
01:19:40,199 --> 01:19:42,439
about it, you know, if they're if they're doing it

1148
01:19:42,560 --> 01:19:45,680
part time, you know, but they're still working at something else.

1149
01:19:45,840 --> 01:19:47,640
But but I think too, part of the key is

1150
01:19:47,680 --> 01:19:49,000
and you kind of alluded to it. If you have

1151
01:19:49,119 --> 01:19:52,840
if you have another job that you really love, then

1152
01:19:52,960 --> 01:19:55,399
you know, because the important thing is to fill your life,

1153
01:19:55,520 --> 01:19:58,319
I think with things that you love to do, you know,

1154
01:19:58,479 --> 01:20:01,560
whether it's part time, full time time, whether you're a

1155
01:20:01,720 --> 01:20:04,279
full time musician or a part time musician and full

1156
01:20:04,319 --> 01:20:06,039
time doing something else, or whatever it is. You know,

1157
01:20:06,560 --> 01:20:08,800
don't you don't want to no matter what. You don't

1158
01:20:08,800 --> 01:20:11,520
want to waste your life doing things you hate, which

1159
01:20:11,600 --> 01:20:13,279
is what a lot of people do. You know, They

1160
01:20:13,920 --> 01:20:15,560
work their whole lives at a job they don't like,

1161
01:20:15,640 --> 01:20:19,079
and it's like, why find something you love?

1162
01:20:19,279 --> 01:20:19,439
Speaker 4: You know?

1163
01:20:19,680 --> 01:20:20,600
Speaker 26: You know definitely.

1164
01:20:20,800 --> 01:20:22,760
Speaker 11: Now, do you have any advice for people who are

1165
01:20:23,680 --> 01:20:25,239
you know, because a lot of musicians listen to the

1166
01:20:25,279 --> 01:20:26,800
show and a lot of industry people. Do you have

1167
01:20:26,800 --> 01:20:30,760
any advice for someone who is really thinking about trying

1168
01:20:30,800 --> 01:20:33,720
to do this full time but they're hesitant?

1169
01:20:34,159 --> 01:20:36,159
Speaker 26: Yeah, I would talk to people who are doing it

1170
01:20:36,239 --> 01:20:38,319
full time. Yeah, that's what I did. I talked to

1171
01:20:38,439 --> 01:20:40,520
several people that were doing it full time and I

1172
01:20:40,680 --> 01:20:43,640
was like, what is this really like for you? How

1173
01:20:43,800 --> 01:20:46,840
is this working? And I found out that most people

1174
01:20:46,880 --> 01:20:48,640
that are doing it full time that you know, they

1175
01:20:48,640 --> 01:20:52,640
are getting support in some way loved ones, or they're

1176
01:20:52,680 --> 01:20:57,880
sacrificing something, you know, like my Manny Pattic cares I

1177
01:20:57,960 --> 01:21:00,479
used to be able to get for myself on I mean,

1178
01:21:00,520 --> 01:21:03,159
that's a tiny sacrifice. I'm part kidding, but yeah, you know,

1179
01:21:03,279 --> 01:21:05,760
you said you might sacrifice like some kind of lifestyle

1180
01:21:05,800 --> 01:21:07,479
that you're used to in order to pursue this, And

1181
01:21:08,000 --> 01:21:10,479
I just I would talk to somebody who's doing it,

1182
01:21:10,680 --> 01:21:12,520
or multiple people that are doing it, just to get

1183
01:21:12,600 --> 01:21:16,159
like a full picture of what this actually is before you,

1184
01:21:17,279 --> 01:21:20,880
you know, just put the pedal to the metal and

1185
01:21:21,279 --> 01:21:24,119
you know, give up everything you know and and go

1186
01:21:24,359 --> 01:21:29,199
in blindly. So that because it always sounds like such

1187
01:21:29,239 --> 01:21:31,560
a dream, you know, but you really want to make

1188
01:21:31,560 --> 01:21:34,960
an informed decision about and ask yourself, is this really

1189
01:21:35,239 --> 01:21:35,840
what I want to do?

1190
01:21:36,199 --> 01:21:38,960
Speaker 11: Right? And nothing's as glamorous as it looks from the

1191
01:21:39,039 --> 01:21:42,439
outside either, you know, And as you also mentioned, there's

1192
01:21:42,439 --> 01:21:44,920
a lot of work. You know, it's not just creating music,

1193
01:21:45,000 --> 01:21:47,359
it's it's all the business stuff you got to do, right,

1194
01:21:47,680 --> 01:21:50,319
and keeping up with social media too, which some people

1195
01:21:50,439 --> 01:21:52,479
enjoy and embrace and some people are just like I

1196
01:21:52,520 --> 01:21:53,960
wish I didn't have to do that part. But you

1197
01:21:54,039 --> 01:21:55,399
do have to do that part, yep.

1198
01:21:55,880 --> 01:21:57,880
Speaker 26: And I feel like it ebbs and flows too, like

1199
01:21:57,960 --> 01:22:01,840
I have and I we used to get harder on myself,

1200
01:22:01,880 --> 01:22:04,119
and I'm accepting this more and more. Like there are

1201
01:22:04,199 --> 01:22:08,039
seasons where I'm doing a lot more stuff online social media,

1202
01:22:08,359 --> 01:22:10,199
you know, posting videos, things like that, and then there

1203
01:22:10,239 --> 01:22:11,880
are seasons where I'm playing out a lot more so

1204
01:22:11,920 --> 01:22:13,920
I don't have as much time to be present online.

1205
01:22:14,279 --> 01:22:17,359
Then there are seasons where, oh it's a slower show season,

1206
01:22:17,479 --> 01:22:20,039
so I'm songwriting or I'm in the studio. And I

1207
01:22:20,159 --> 01:22:22,000
think at first I felt like I have to do

1208
01:22:22,159 --> 01:22:25,920
all these things all the time, you know, like and

1209
01:22:26,000 --> 01:22:27,920
I still feel that a little bit, but it's like

1210
01:22:28,159 --> 01:22:31,119
being okay with the ebb and flow of what it

1211
01:22:31,279 --> 01:22:36,399
means to be an art maker and performer, like distributor

1212
01:22:36,479 --> 01:22:40,000
of that art. There's just you can't always do it

1213
01:22:40,079 --> 01:22:43,039
all all the time or you totally burn out, right.

1214
01:22:43,079 --> 01:22:45,920
Speaker 11: Right, Yeah, no doubt. Oh do you want to play

1215
01:22:45,920 --> 01:22:46,600
another one for us?

1216
01:22:46,760 --> 01:22:51,479
Speaker 26: Yeah, I'll play giants since you told me like this

1217
01:22:51,640 --> 01:22:52,000
one do.

1218
01:22:52,159 --> 01:22:52,359
Speaker 15: Yeah.

1219
01:22:52,520 --> 01:22:55,319
Speaker 11: So the first time I heard that was on Rob Show.

1220
01:22:56,439 --> 01:22:58,119
That was the first time i'd heard that song, and yeah,

1221
01:22:58,119 --> 01:23:01,479
I love this song. Yeah cool absolutely Haitie Dobbins live

1222
01:23:01,560 --> 01:23:02,039
in studio.

1223
01:23:03,279 --> 01:23:04,840
Speaker 26: I feel like this is a good song to play

1224
01:23:04,920 --> 01:23:09,960
right now too, because it's about doing things that feel

1225
01:23:10,079 --> 01:23:13,000
hard and facing the things that feel impossible in your

1226
01:23:13,039 --> 01:23:16,840
life and remembering that you are actually more powerful than

1227
01:23:16,920 --> 01:23:21,640
you may realize. And the giants in your life they're

1228
01:23:21,840 --> 01:23:25,399
just make believe, like those giants in your closet when

1229
01:23:25,399 --> 01:23:26,039
you're a little kid.

1230
01:23:40,479 --> 01:23:47,640
Speaker 23: Your sweatshirt falling off my should it's too big. But

1231
01:23:48,199 --> 01:23:54,239
then again, it onlys was when did I become so small?

1232
01:23:54,760 --> 01:23:59,479
Living in your shadow? I don't fill the space. Ah,

1233
01:24:00,520 --> 01:24:10,800
feel like I've been swallowed. Don't take too much space,

1234
01:24:11,239 --> 01:24:20,640
my mind said, shrink, So I don't riskiny thing bader

1235
01:24:20,960 --> 01:24:25,520
to be safe then to be sorry.

1236
01:24:27,680 --> 01:24:28,880
Speaker 15: Well I'm sorry.

1237
01:24:29,239 --> 01:24:32,279
Speaker 23: I don't feel safe far frount shy.

1238
01:24:34,520 --> 01:24:36,119
Speaker 15: Maybe it's time.

1239
01:24:36,039 --> 01:24:42,800
Speaker 23: I co matter Hi day Aptain Saultier just makes me good.

1240
01:24:43,000 --> 01:24:44,680
Speaker 29: I lie.

1241
01:24:46,399 --> 01:24:54,960
Speaker 23: Just so you could think that you're the child. You're

1242
01:24:55,199 --> 01:25:03,199
colone rushing off my shoulder. It's over powering, But then again,

1243
01:25:03,760 --> 01:25:09,840
it onlys was now that I am coming clean, shutting

1244
01:25:10,079 --> 01:25:16,359
everything but me, doing all my skin. Tell me, are

1245
01:25:16,439 --> 01:25:26,399
you panicking baby, do you feelcy far round choy hand

1246
01:25:27,319 --> 01:25:31,359
because I think it's time I come out of her

1247
01:25:31,720 --> 01:25:36,119
dingy apt in small just makes me god.

1248
01:25:36,479 --> 01:25:42,039
Speaker 15: I lie in just so you could think that you're

1249
01:25:43,199 --> 01:25:49,520
char but you're no cho.

1250
01:25:54,640 --> 01:26:02,079
Speaker 23: Don't take too much space man and see it shrink.

1251
01:26:02,840 --> 01:26:10,960
So I don't raise anything trying to put me.

1252
01:26:11,960 --> 01:26:13,520
Speaker 12: But I know now.

1253
01:26:15,720 --> 01:26:25,000
Speaker 29: The giant sar make believe, their make.

1254
01:26:25,479 --> 01:26:37,279
Speaker 23: Believe, so I don't feel afraid around no Hynd. I

1255
01:26:37,560 --> 01:26:45,279
know it's time out, come out. Hating hapting smashes makes.

1256
01:26:45,119 --> 01:26:46,159
Speaker 15: Me coun and.

1257
01:26:51,039 --> 01:27:04,960
Speaker 29: But you are no chahet their arena chah die giant

1258
01:27:05,319 --> 01:27:14,560
sarmic believe their meg blie.

1259
01:27:19,920 --> 01:27:22,359
Speaker 26: Acting small just makes me good.

1260
01:27:22,479 --> 01:27:28,640
Speaker 23: At Lion, you are only giants.

1261
01:27:28,239 --> 01:27:29,319
Speaker 24: In my mind.

1262
01:27:32,039 --> 01:27:34,560
Speaker 23: Acting small just makes me good.

1263
01:27:34,800 --> 01:27:44,680
Speaker 35: I Lion, you were only giant in my mind, and

1264
01:27:45,000 --> 01:27:49,119
giants schist make.

1265
01:27:52,239 --> 01:27:52,840
Speaker 23: Believe.

1266
01:28:00,119 --> 01:28:03,359
Speaker 11: I love it, Katie Dobbins live in Studio. Yeah, that

1267
01:28:03,520 --> 01:28:04,600
is a great, great song.

1268
01:28:05,439 --> 01:28:05,840
Speaker 17: I love it.

1269
01:28:06,479 --> 01:28:08,600
Speaker 11: Great song, great song that one's been out for a

1270
01:28:08,600 --> 01:28:10,760
little while, right, But that is that is that kind

1271
01:28:10,800 --> 01:28:12,760
of newer Yeah, that's.

1272
01:28:12,680 --> 01:28:17,439
Speaker 26: Like in my newer collection of singles recorded at Rocking Horse. Okay, okay,

1273
01:28:17,760 --> 01:28:21,640
and that when I actually started writing on the electric guitar. Okay, yeah,

1274
01:28:21,640 --> 01:28:24,479
I have an electric guitar. I just I don't play

1275
01:28:24,520 --> 01:28:26,279
it out. I would like to learn how to do

1276
01:28:26,399 --> 01:28:31,600
cool stuff on it. Yeah yeah, yeah, but yeah, I

1277
01:28:31,840 --> 01:28:33,640
kind of had like a little riff going, and then

1278
01:28:33,680 --> 01:28:37,000
I moved to acoustic guitar, and then I was like, no,

1279
01:28:37,279 --> 01:28:38,279
this is a piano song.

1280
01:28:38,439 --> 01:28:41,880
Speaker 11: So oh okay. Have you have you played electric guitar

1281
01:28:41,960 --> 01:28:44,600
on any of your studio recordings so far?

1282
01:28:45,199 --> 01:28:47,359
Speaker 26: No other people have played my guitar.

1283
01:28:47,680 --> 01:28:49,560
Speaker 11: Yeah, it's in there.

1284
01:28:50,000 --> 01:28:50,239
Speaker 2: Yeah.

1285
01:28:50,439 --> 01:28:53,760
Speaker 26: Yeah, actually that's not true. I recorded I have a

1286
01:28:53,840 --> 01:28:58,560
single called Starlights that I recorded during the pandemic in

1287
01:28:58,640 --> 01:29:02,880
my home studio that I actually did do my own

1288
01:29:03,159 --> 01:29:05,439
little electric guitar riff on.

1289
01:29:05,680 --> 01:29:06,840
Speaker 11: Oh really Yeah, you want.

1290
01:29:06,640 --> 01:29:11,239
Speaker 26: To check out my electric guitar playing. You can check

1291
01:29:11,279 --> 01:29:12,079
out Starlights.

1292
01:29:12,159 --> 01:29:17,199
Speaker 11: Oh okay, okay, very cool, very cool. When you when

1293
01:29:17,199 --> 01:29:19,239
you play out, I mean you must do some covers too, right,

1294
01:29:19,239 --> 01:29:21,079
I assume you make some covers in yeah.

1295
01:29:21,359 --> 01:29:23,239
Speaker 26: Yeah, And it depends on the show. Yeah, if I'm

1296
01:29:23,279 --> 01:29:24,800
doing like a three hour gig, for sure.

1297
01:29:25,079 --> 01:29:25,279
Speaker 10: Yeah.

1298
01:29:25,880 --> 01:29:27,760
Speaker 26: And then I have I have a bunch of shows

1299
01:29:27,800 --> 01:29:29,920
coming out this summer that are like focused on original

1300
01:29:30,000 --> 01:29:33,000
music that I'm really excited about. Yeah, but even when

1301
01:29:33,039 --> 01:29:34,880
I do that, I'll throw in, you know, one or

1302
01:29:34,920 --> 01:29:38,600
two just people kind of like something familiar, you know,

1303
01:29:38,960 --> 01:29:41,840
and it's fun. It's fun to I always think, like,

1304
01:29:42,079 --> 01:29:44,399
how cool it must be to be Taylor Swift or

1305
01:29:44,439 --> 01:29:47,359
something and you look out and everyone's singing every lyric

1306
01:29:47,439 --> 01:29:49,760
to your song, right, But that's that's fun about covers,

1307
01:29:49,880 --> 01:29:52,439
is you know. Sometimes I'll transition into a cover song

1308
01:29:52,479 --> 01:29:54,279
from an original. It's just fun to look out and

1309
01:29:54,359 --> 01:29:58,399
see people bopping around and singing along with you, and yeah,

1310
01:29:58,840 --> 01:29:59,319
fun moment.

1311
01:29:59,640 --> 01:29:59,880
Speaker 1: Do you have?

1312
01:30:00,479 --> 01:30:03,239
Speaker 11: Do you do any covers that you found particularly challenging

1313
01:30:03,359 --> 01:30:06,159
to learn? Sometimes I get some surprising answers when I

1314
01:30:06,199 --> 01:30:09,239
ask people this. I'm just curious, like is there anything

1315
01:30:09,239 --> 01:30:10,439
you said I'm going to learn that one? And then

1316
01:30:10,439 --> 01:30:11,680
it turned out to be kind of challenging.

1317
01:30:12,520 --> 01:30:16,680
Speaker 26: I don't think so, But I don't learn traditionally, Like

1318
01:30:16,800 --> 01:30:19,279
if I'm learning a new cover, I sort of just

1319
01:30:20,239 --> 01:30:22,720
will look up the chords and then play it however

1320
01:30:22,840 --> 01:30:26,600
feels good to me. Whereas some people are which would

1321
01:30:26,720 --> 01:30:28,520
be good for me to do. Some people are going

1322
01:30:28,600 --> 01:30:30,680
on you know YouTube and like watching a bunch of

1323
01:30:30,760 --> 01:30:33,399
videos and learning how the actual original artist plays it.

1324
01:30:33,600 --> 01:30:33,840
Speaker 11: Sure.

1325
01:30:35,039 --> 01:30:37,720
Speaker 26: I sometimes when I learn to cover, I don't even

1326
01:30:37,800 --> 01:30:40,159
know the song that well, like I'll kind of know it,

1327
01:30:41,119 --> 01:30:42,560
and then I feel like it makes it easier to

1328
01:30:42,600 --> 01:30:46,039
put my own twists on it because my kind of

1329
01:30:46,640 --> 01:30:50,520
I'm learning it, but also like making it feel good

1330
01:30:50,600 --> 01:30:52,479
to me because I only kind of know the song.

1331
01:30:52,760 --> 01:30:54,399
Speaker 11: No, I'm at school, they'll make it your own.

1332
01:30:54,439 --> 01:30:54,640
Speaker 12: Yeah.

1333
01:30:54,720 --> 01:30:59,039
Speaker 26: Yeah, But I I did learn Forever Young as a

1334
01:30:59,119 --> 01:31:03,840
song I love playing by Bob Dylan and Joni Mitchell

1335
01:31:03,920 --> 01:31:06,439
has a version of that song. I'm sorry. Joan Bias

1336
01:31:06,479 --> 01:31:08,760
has a version of that song that's really beautiful, and

1337
01:31:08,880 --> 01:31:12,880
so I did learn her guitar version to it, and

1338
01:31:12,960 --> 01:31:18,600
it was a really pretty like I felt really fancy

1339
01:31:18,640 --> 01:31:22,359
when I learned to this, you know, yeah, and it's

1340
01:31:22,399 --> 01:31:25,399
really pretty. Yeah, So that one I did learn traditionally

1341
01:31:25,399 --> 01:31:26,880
because I was like, that's just so beautiful.

1342
01:31:26,920 --> 01:31:30,159
Speaker 11: I got to learn that part that makes sense, that

1343
01:31:30,239 --> 01:31:34,399
makes sense. You want to play another live one? I yeah,

1344
01:31:34,399 --> 01:31:35,279
we got we got time.

1345
01:31:36,199 --> 01:31:36,399
Speaker 17: Yeah.

1346
01:31:37,399 --> 01:31:39,479
Speaker 11: Selfishly, I want to hear more. You just sound so great.

1347
01:31:39,640 --> 01:31:41,520
Speaker 26: Ah, that's so nice. I want to hear another new

1348
01:31:41,680 --> 01:31:42,159
newer one.

1349
01:31:42,439 --> 01:31:44,319
Speaker 11: Yeah, that would be cool, that would be great.

1350
01:31:44,359 --> 01:31:46,800
Speaker 26: I have a I have a single out. My newest

1351
01:31:46,840 --> 01:31:54,319
single is called Grateful, and it's about gratitude. Yeah shocker uh.

1352
01:31:54,600 --> 01:31:56,199
And so I'm not going to play that, but I

1353
01:31:56,239 --> 01:31:59,920
will play another song that's sort of on the same theme.

1354
01:32:00,399 --> 01:32:04,880
I feel like it's called miss these days, because you know,

1355
01:32:05,640 --> 01:32:07,680
today or someday we're gonna be like that was the

1356
01:32:07,680 --> 01:32:09,239
good old days. So you gotta soak it in.

1357
01:32:09,520 --> 01:32:25,319
Speaker 23: Yep, Mama's calling from the kitchen on the other side

1358
01:32:25,399 --> 01:32:29,640
of the house. I can't hear what she's saying. I

1359
01:32:29,880 --> 01:32:34,359
just chuckle to myself, and the dog is going crazy

1360
01:32:34,640 --> 01:32:39,680
about a squirrel outside the window, and Daddy's watching news

1361
01:32:40,279 --> 01:32:44,840
about what God only knows. It's a little bit of

1362
01:32:45,039 --> 01:32:50,159
chaos on a quiet country road, in a humble, old

1363
01:32:50,279 --> 01:32:55,439
brick house where we made ourselves a home. I don't

1364
01:32:55,560 --> 01:33:00,399
know what tomorrow brings. I'm not sure of much, but

1365
01:33:00,560 --> 01:33:06,880
I'm sure someday I'm gonna miss these days. I'm sure

1366
01:33:07,039 --> 01:33:08,520
some day I'm gonna.

1367
01:33:08,439 --> 01:33:10,800
Speaker 6: Miss things days.

1368
01:33:14,159 --> 01:33:18,079
Speaker 23: So I'm living on hope and excite me for each

1369
01:33:18,239 --> 01:33:23,039
day as it comes. Keep showing up for the journey

1370
01:33:23,560 --> 01:33:32,720
where for riddamy lead Life's father uncertainty. But all I

1371
01:33:32,880 --> 01:33:35,279
wanna do so kid in.

1372
01:33:37,159 --> 01:33:37,479
Speaker 14: Kiss.

1373
01:33:37,560 --> 01:33:43,760
Speaker 23: I'm sure someday I'm gonna miss these days. I'm sure

1374
01:33:43,920 --> 01:33:52,720
some day i'm gonna miss things day days. I'm heading

1375
01:33:53,039 --> 01:33:56,520
down the long road on the way to another show,

1376
01:33:57,239 --> 01:34:01,079
running on prayers and Kathene will being my sons to

1377
01:34:01,239 --> 01:34:04,920
touch your souls. And the car is packed so high

1378
01:34:05,600 --> 01:34:10,640
I can't see out my back window. I'm following my dreams,

1379
01:34:11,039 --> 01:34:17,439
and now some guy who's going so slow. I got

1380
01:34:17,640 --> 01:34:21,880
a little bit of road rage on a quiet country

1381
01:34:22,039 --> 01:34:27,560
road in a humble old Volkswagon where I made myself

1382
01:34:27,680 --> 01:34:32,720
a home. I don't know what tomorrow brings. I'm not

1383
01:34:32,960 --> 01:34:37,000
sure of much, but I'm sure someday I'm gonna miss

1384
01:34:37,319 --> 01:34:44,720
beads days. I'm sure some day I'm gonna miss beads day.

1385
01:34:48,319 --> 01:34:52,279
So I'm living on hope, and excite me for each

1386
01:34:52,439 --> 01:34:57,279
day as it comes. Keep showing up for the journey

1387
01:34:57,800 --> 01:35:06,680
where for ridding me life is love uncertainty the head

1388
01:35:06,760 --> 01:35:12,720
all one, Let you still kidding, because I'm sure some

1389
01:35:13,039 --> 01:35:19,079
day I'm gonna miss these days. I'm sure some day

1390
01:35:19,199 --> 01:35:22,159
I'm gonna miss these day.

1391
01:35:26,800 --> 01:35:28,960
Speaker 29: So take this day.

1392
01:35:31,000 --> 01:35:36,800
Speaker 15: It be what I'm true leaving.

1393
01:35:38,239 --> 01:35:50,399
Speaker 36: I keep me for on this amis ma. I go

1394
01:35:50,720 --> 01:35:53,399
some day I'm gonna miss this day.

1395
01:35:55,960 --> 01:36:04,399
Speaker 23: I know someday I'm gonna miss me day. So I'm

1396
01:36:04,520 --> 01:36:09,960
living on hope and excitement for each day as it comes,

1397
01:36:10,199 --> 01:36:15,399
keeps showing up for the journey where the dam a

1398
01:36:16,720 --> 01:36:25,399
hyphus fellow uncertainty. But all I wanna do, sun Kiddy,

1399
01:36:27,359 --> 01:36:31,960
because I'm sure some day I'm gonna miss these days.

1400
01:36:33,760 --> 01:36:43,039
I know someday I'm gonna miss it day. Yeah, you know,

1401
01:36:43,359 --> 01:36:47,079
someday we're gonna miss this day.

1402
01:36:56,199 --> 01:36:56,640
Speaker 11: I love it.

1403
01:36:57,119 --> 01:36:57,399
Speaker 2: Thank you.

1404
01:36:57,960 --> 01:37:01,680
Speaker 11: Hidie Dobbins live in studio with a and that was great.

1405
01:37:01,760 --> 01:37:05,359
So that's another new one. Huh yeah, very cool. Very cool,

1406
01:37:06,520 --> 01:37:08,039
by the way, So you're getting some love here in

1407
01:37:08,119 --> 01:37:12,399
the chat room. Eric and Pallamini, also known as Temple Mountain.

1408
01:37:12,479 --> 01:37:14,760
He's been on the show a few times now. He

1409
01:37:14,840 --> 01:37:20,279
says Katie is the best, so glad her name spells

1410
01:37:20,399 --> 01:37:22,920
Katie with a K and not with a G. I

1411
01:37:22,960 --> 01:37:25,600
don't know if there's an inside joke there. I don't.

1412
01:37:25,600 --> 01:37:27,399
I don't get it to ask him, Yeah, I don't.

1413
01:37:27,600 --> 01:37:31,520
I don't quite get it, but uh yes, I'm also

1414
01:37:31,600 --> 01:37:33,439
glad you spell Katie with a K and.

1415
01:37:33,479 --> 01:37:37,319
Speaker 26: Not a G me too. Hey, Eric, thanks for tuning in.

1416
01:37:37,720 --> 01:37:38,279
Speaker 11: He's amazing.

1417
01:37:38,359 --> 01:37:41,880
Speaker 26: He's amazing, awesome, super supportive too, like super supportive of

1418
01:37:42,680 --> 01:37:45,800
you know, other musicians, ands and radio and he's just

1419
01:37:45,960 --> 01:37:49,640
like always good, positive energy. Yeah, she's great.

1420
01:37:49,800 --> 01:37:50,000
Speaker 11: Yeah.

1421
01:37:50,000 --> 01:37:51,239
Speaker 17: He sends people to us.

1422
01:37:51,439 --> 01:37:53,479
Speaker 11: Oh yeah, oh yeah. Yeah, he's referred a bunch of

1423
01:37:53,560 --> 01:37:57,279
really good, really good musicians to us. Also, good morning

1424
01:37:57,319 --> 01:37:59,880
to Miriam who's in the chat room. Good morning, and

1425
01:38:00,960 --> 01:38:03,520
Rob Dyon, who else to show here through the stage door,

1426
01:38:03,680 --> 01:38:05,920
is part of the WM and H family. He said,

1427
01:38:05,920 --> 01:38:07,439
I'm heading to a gig right now, but I just

1428
01:38:07,479 --> 01:38:09,359
wanted to say Matt that the musicians you have on

1429
01:38:09,479 --> 01:38:13,479
this morning really are amazing, very good, very good.

1430
01:38:13,640 --> 01:38:14,359
Speaker 15: Yes, so nice.

1431
01:38:14,439 --> 01:38:17,359
Speaker 11: Thanks absolutely so, Katie. What do you have this weekend?

1432
01:38:17,399 --> 01:38:18,359
Do you have shows this weekend?

1433
01:38:19,560 --> 01:38:21,880
Speaker 26: Actually don't. I have a kind of a quiet weekend,

1434
01:38:21,960 --> 01:38:25,079
which I'm very excited about. After I leave here today,

1435
01:38:25,079 --> 01:38:27,960
I'm gonna head over to hang out with Chris Noise

1436
01:38:28,000 --> 01:38:30,800
the Bassis. We're gonna do some practice in for our

1437
01:38:30,880 --> 01:38:32,880
gig at Strawberry Bank later this month.

1438
01:38:33,199 --> 01:38:35,079
Speaker 11: Yeah, and then I do.

1439
01:38:35,560 --> 01:38:37,600
Speaker 26: I'm part of I sing at my church, which meets

1440
01:38:37,600 --> 01:38:39,760
on top of a mountain on Sunday morning, So tomorrow

1441
01:38:39,760 --> 01:38:41,840
I'll be hik into that and doing that whole thing

1442
01:38:42,279 --> 01:38:45,119
up at Gunstock Mountain. But other than that, my weekend's

1443
01:38:45,119 --> 01:38:49,039
pretty quiet and I've been very much on the go lately.

1444
01:38:49,279 --> 01:38:52,199
I just got back two weeks ago from my first

1445
01:38:52,399 --> 01:38:56,840
solo road trip tour down to Nashville, Tennessee. I was

1446
01:38:56,880 --> 01:38:59,199
gone for a week and a half and I didn't

1447
01:38:59,199 --> 01:39:02,199
really plan and transition time before or after the trip.

1448
01:39:02,520 --> 01:39:04,279
I just said, I was like, yeah, I'll just like

1449
01:39:05,039 --> 01:39:07,960
keep going one hundred miles an hour right up to it,

1450
01:39:08,039 --> 01:39:09,479
and then I'll just come back and get right in

1451
01:39:09,560 --> 01:39:12,079
the swing of things. So I'm definitely feeling the effects

1452
01:39:12,119 --> 01:39:12,840
of that a little bit.

1453
01:39:13,039 --> 01:39:13,720
Speaker 15: Yeah, no doubt.

1454
01:39:13,800 --> 01:39:15,640
Speaker 26: So I'm kind of happy to have a quiet weekend

1455
01:39:15,680 --> 01:39:18,960
and then things will pick up. I have shows next week.

1456
01:39:19,039 --> 01:39:22,079
On Wednesday, I'm in Portsmouth, and then Thursday I have

1457
01:39:22,199 --> 01:39:24,960
a cool I'm hosting a touring artist at hermit Wood's

1458
01:39:24,960 --> 01:39:28,359
Winery in Meredith, New Hampshire. It's a listening room up there,

1459
01:39:28,560 --> 01:39:30,319
so if you're up in the Lakes region or heading

1460
01:39:30,399 --> 01:39:33,119
up that way, come hang out Thursday night, and then

1461
01:39:33,199 --> 01:39:35,880
I got shows like all weekend, so it'll be a

1462
01:39:35,960 --> 01:39:37,960
nice little break leading into that.

1463
01:39:38,760 --> 01:39:41,079
Speaker 11: Excellent, excellent. How was your trip to Nashville?

1464
01:39:41,399 --> 01:39:46,239
Speaker 26: It was awesome. Yeah, it was there. You know, I

1465
01:39:47,479 --> 01:39:51,640
felt like I was just really craving a different perspective

1466
01:39:51,760 --> 01:39:56,039
and just being completely immersed in original music and just

1467
01:39:56,119 --> 01:39:59,479
like seeing new people. And I've also been wanting to

1468
01:39:59,560 --> 01:40:01,840
plan a little road trip toward in Nashville for a

1469
01:40:01,920 --> 01:40:05,520
few years now, but I kept kind of coming up

1470
01:40:05,560 --> 01:40:08,239
against some roadblocks and it just didn't felt. I never

1471
01:40:08,399 --> 01:40:10,079
like it when it feels like I'm forcing something and

1472
01:40:10,239 --> 01:40:12,680
it feels like, Okay, maybe this is not the right timing.

1473
01:40:12,800 --> 01:40:16,199
So this finally came together in a really great way

1474
01:40:16,479 --> 01:40:19,199
and I was able to do it, and I was

1475
01:40:19,279 --> 01:40:21,279
down there for I was in I played a show

1476
01:40:21,319 --> 01:40:23,359
in West Virginia on my way down and stayed with

1477
01:40:23,439 --> 01:40:26,159
some friends, which was awesome, and then I was in

1478
01:40:26,319 --> 01:40:30,039
Nashville for seven full days and I played almost every

1479
01:40:30,119 --> 01:40:32,000
night that I was there. I had one or two

1480
01:40:32,079 --> 01:40:35,279
writers round, so it was like I just met so

1481
01:40:35,399 --> 01:40:37,840
many songwriters and you get to hear them because when

1482
01:40:37,840 --> 01:40:39,560
you're playing a writer's round, you know, you play a

1483
01:40:39,600 --> 01:40:41,079
little bit, and then you also get to hear like

1484
01:40:41,159 --> 01:40:44,760
three other people playing in the round, and so it

1485
01:40:44,960 --> 01:40:48,319
was very inspiring. And it's just so it fills your

1486
01:40:48,399 --> 01:40:51,399
cup and inspires you to like be reminded. Oh yeah,

1487
01:40:51,439 --> 01:40:53,800
there's so many people doing this and doing it you

1488
01:40:53,920 --> 01:40:58,760
know successfully, and I just I And I also it's humbling.

1489
01:40:58,960 --> 01:41:01,000
I left feeling like, yeah, I got to get better,

1490
01:41:01,640 --> 01:41:03,680
keep writing, you know, which is what kind of the

1491
01:41:03,760 --> 01:41:05,760
kick in the butt that I wanted. So yeah, it

1492
01:41:05,880 --> 01:41:06,239
was great.

1493
01:41:06,479 --> 01:41:10,279
Speaker 11: Yeah that's pressure. Yeah Nashville, Yeah, absolutely, no, it will

1494
01:41:10,319 --> 01:41:11,960
well that's very cool. Yeah, that's very cool.

1495
01:41:12,119 --> 01:41:12,319
Speaker 14: Yeah.

1496
01:41:13,079 --> 01:41:15,479
Speaker 26: It scratched the itch for touring too. I'm like, yeah,

1497
01:41:15,800 --> 01:41:16,600
let's get on the row.

1498
01:41:16,720 --> 01:41:17,000
Speaker 15: Let's go.

1499
01:41:17,359 --> 01:41:19,079
Speaker 26: I mean, I mean being a musician.

1500
01:41:19,159 --> 01:41:19,319
Speaker 6: I know.

1501
01:41:19,399 --> 01:41:21,399
Speaker 26: I talked about the hardships of doing it full time

1502
01:41:21,439 --> 01:41:23,720
and stuff, but part of the reason I initially wanted

1503
01:41:23,720 --> 01:41:26,119
to do it full time was well, I was just

1504
01:41:26,159 --> 01:41:27,800
so hungry to do it, and I was like, if

1505
01:41:27,880 --> 01:41:30,920
I don't try this, I'll never know if I could

1506
01:41:30,960 --> 01:41:32,439
have made it happen, you know.

1507
01:41:32,520 --> 01:41:33,359
Speaker 12: So I just had to do it.

1508
01:41:33,479 --> 01:41:36,199
Speaker 26: And part of it was I wanted to do touring,

1509
01:41:36,359 --> 01:41:39,000
which I really am just kind of dipping my toe into,

1510
01:41:39,159 --> 01:41:41,760
at least beyond New England. I play all over New England.

1511
01:41:41,800 --> 01:41:44,680
But I wanted to do more touring, and that's hard

1512
01:41:44,720 --> 01:41:46,720
to do when you have a set work schedule. I

1513
01:41:46,880 --> 01:41:49,479
was teaching, so oh yeah, you know, it's kind of

1514
01:41:49,520 --> 01:41:52,520
hard to tour when you need to be in the classroom.

1515
01:41:52,880 --> 01:41:55,520
So I that was part of what I wanted to do.

1516
01:41:55,640 --> 01:41:57,920
So I'm kind of now just starting to be like, Okay,

1517
01:41:58,000 --> 01:42:00,600
what how can this look and how it citing to

1518
01:42:00,720 --> 01:42:03,439
think of, Wow, I could actually go travel to places

1519
01:42:03,479 --> 01:42:06,039
and see different places around the country and play music

1520
01:42:06,199 --> 01:42:09,079
doing it, you know, I mean that's pretty that's pretty sick.

1521
01:42:09,319 --> 01:42:09,560
Speaker 3: Yeah.

1522
01:42:09,680 --> 01:42:13,279
Speaker 11: Yeah, absolutely. Do you ever miss teaching or I mean,

1523
01:42:13,479 --> 01:42:14,680
I mean, I'm sure, I'm sure you miss.

1524
01:42:14,680 --> 01:42:19,239
Speaker 26: Any of my old students are listening so much. I

1525
01:42:19,359 --> 01:42:21,520
did love teaching, I really did. I really did. But

1526
01:42:21,680 --> 01:42:24,199
I have to say it was the right decision.

1527
01:42:24,479 --> 01:42:24,680
Speaker 2: Yeah.

1528
01:42:24,840 --> 01:42:30,319
Speaker 26: Yeah, I have never I've never felt like the desire

1529
01:42:30,479 --> 01:42:31,560
to go back to teaching.

1530
01:42:32,000 --> 01:42:32,199
Speaker 36: Yeah.

1531
01:42:32,279 --> 01:42:34,520
Speaker 26: I think that it was really really good for the time.

1532
01:42:35,399 --> 01:42:38,000
You know, it was a good a good season. I

1533
01:42:38,159 --> 01:42:40,199
learned a lot and there's actually weirdly a lot of

1534
01:42:40,319 --> 01:42:43,560
overlap between managing a classroom and managing your business and

1535
01:42:43,640 --> 01:42:47,399
also like teaching, standing in front of a class, teaching

1536
01:42:47,439 --> 01:42:51,199
and engaging students, and also performing on stage and engaging

1537
01:42:51,239 --> 01:42:54,920
an audience. It's weirdly similar. So like, I'm very, very

1538
01:42:54,960 --> 01:42:55,920
grateful for my teaching.

1539
01:42:56,039 --> 01:42:59,479
Speaker 11: Oh yeah, no, that makes sense. Yeah, that totally makes sense.

1540
01:42:59,640 --> 01:43:01,239
You ever hear from any of your students who have

1541
01:43:01,279 --> 01:43:02,960
followed your your music career.

1542
01:43:03,680 --> 01:43:06,279
Speaker 26: So they some of them do follow me in you know,

1543
01:43:06,439 --> 01:43:09,079
social media, and they'll like like a post. And I

1544
01:43:09,159 --> 01:43:11,600
have a student who will sometimes come when I play

1545
01:43:11,640 --> 01:43:13,840
in Massachusetts. He'll come sometimes come to my shows, which

1546
01:43:13,840 --> 01:43:14,600
is always really fun.

1547
01:43:14,840 --> 01:43:18,840
Speaker 11: That's cool. That's very cool. Yeah, yeah, that's excellent. Well,

1548
01:43:19,000 --> 01:43:21,640
so we uh will begin to wrap up in a moment,

1549
01:43:21,760 --> 01:43:25,159
but we'll probably play studio track.

1550
01:43:26,159 --> 01:43:29,720
Speaker 26: Whoops, I knew that was coming.

1551
01:43:29,880 --> 01:43:31,479
Speaker 17: It's usually me so thank you.

1552
01:43:32,640 --> 01:43:34,960
Speaker 11: Jenny and I are both clutches, so where the last

1553
01:43:35,000 --> 01:43:37,840
people will ever judge you for dropping.

1554
01:43:37,600 --> 01:43:40,600
Speaker 17: Something to hold onto anything for two days?

1555
01:43:41,079 --> 01:43:43,760
Speaker 26: Lately, I feel like my clumsiness is getting worse and

1556
01:43:43,880 --> 01:43:46,319
it might just be the like I said, the aftermaths

1557
01:43:46,319 --> 01:43:48,680
of the trip and not planning enough time to transition.

1558
01:43:49,000 --> 01:43:51,079
Speaker 17: To blame it on the humidity week. Maybe it's just

1559
01:43:51,239 --> 01:43:53,680
you know, yeah, it got to us problem.

1560
01:43:53,800 --> 01:43:56,720
Speaker 26: I am actually writing a song. It's like, well, I

1561
01:43:56,920 --> 01:43:58,000
only have this so far.

1562
01:43:58,960 --> 01:44:02,239
Speaker 23: It's like I can a little clumsy, chipping over my

1563
01:44:02,359 --> 01:44:03,119
own two feet.

1564
01:44:03,800 --> 01:44:07,239
Speaker 26: People think I'm funny, but I'm just trying to get by.

1565
01:44:08,640 --> 01:44:10,159
Speaker 15: Yeah, I'm a little.

1566
01:44:09,960 --> 01:44:11,520
Speaker 26: Clumsy something something.

1567
01:44:11,800 --> 01:44:14,960
Speaker 23: But the clumsiest thing that I ever did.

1568
01:44:15,640 --> 01:44:16,600
Speaker 26: Was falling for you.

1569
01:44:18,319 --> 01:44:19,880
Speaker 2: For you, I.

1570
01:44:21,600 --> 01:44:22,199
Speaker 15: Wait to hear it.

1571
01:44:22,720 --> 01:44:23,920
Speaker 26: Maybe you can help me write the rest.

1572
01:44:26,119 --> 01:44:26,520
Speaker 11: There you go?

1573
01:44:27,600 --> 01:44:27,880
Speaker 2: Cool?

1574
01:44:28,319 --> 01:44:31,039
Speaker 11: What what what should we play to close the show?

1575
01:44:31,119 --> 01:44:32,760
What's a studio track we should play?

1576
01:44:33,079 --> 01:44:35,680
Speaker 26: Either just because I can or Grateful? Depends if you

1577
01:44:35,720 --> 01:44:38,039
want to play like a rocker track or a dreamy

1578
01:44:38,239 --> 01:44:39,279
grateful track.

1579
01:44:39,560 --> 01:44:41,239
Speaker 11: Was Grateful the one that you said had some of

1580
01:44:41,319 --> 01:44:42,680
your electric guitar playing in it.

1581
01:44:42,840 --> 01:44:45,520
Speaker 26: No, I don't think you have that song. I don't

1582
01:44:45,560 --> 01:44:47,920
know if I ever sent that. Well, it's called Starlights.

1583
01:44:49,640 --> 01:44:52,359
That was the one I recorded entirely in my home studio.

1584
01:44:52,359 --> 01:44:53,359
I don't know if you have that one.

1585
01:44:53,520 --> 01:44:56,520
Speaker 11: Is it online? It is, because if it's online, I

1586
01:44:56,560 --> 01:44:57,159
can find it.

1587
01:44:57,479 --> 01:44:59,319
Speaker 26: Oh, I found it okay, and now people in the

1588
01:44:59,359 --> 01:45:01,159
comments can tell you what they think of this was.

1589
01:45:01,600 --> 01:45:04,079
This was before I even had logic pro. I produced

1590
01:45:04,159 --> 01:45:08,039
this on Oh was it garage band?

1591
01:45:11,720 --> 01:45:19,239
Speaker 11: At This will be very interesting. Okay, cool? Cool and

1592
01:45:19,479 --> 01:45:21,800
uh And before we wrap up to Jenny, you want

1593
01:45:21,840 --> 01:45:24,520
to mention the what's happening today the virtual event.

1594
01:45:24,920 --> 01:45:29,560
Speaker 34: Yes, today is the sixth annual Virtual Walk to support

1595
01:45:29,960 --> 01:45:33,600
and raise awareness for c RPS Complex Regional paint Syndrome.

1596
01:45:33,920 --> 01:45:36,159
You can find out more information at r s d

1597
01:45:36,560 --> 01:45:39,600
S dot org. R s d S dot org is

1598
01:45:39,680 --> 01:45:44,880
the Reflex Sympathetic Dystrophy Association, which is what the disease.

1599
01:45:44,680 --> 01:45:45,359
Speaker 2: Used to be called.

1600
01:45:45,600 --> 01:45:47,680
Speaker 34: So if you want to find out more about complex

1601
01:45:47,720 --> 01:45:49,840
sweet your pain syndrome, if you want to help us

1602
01:45:50,119 --> 01:45:52,680
and donate to the walk, all the money and proceeds

1603
01:45:52,760 --> 01:45:55,640
goes to help with awareness and helping folks out there

1604
01:45:55,680 --> 01:45:57,840
that have it, both young and oult. So check out

1605
01:45:57,960 --> 01:46:01,479
r s d S dot org and for more information

1606
01:46:01,600 --> 01:46:03,720
on me, go to gencoffee dot com, j E N

1607
01:46:03,880 --> 01:46:05,000
N C O F f.

1608
01:46:05,079 --> 01:46:06,039
Speaker 17: U I dot com.

1609
01:46:06,680 --> 01:46:08,600
Speaker 11: Very good, very good, And of course if you missed

1610
01:46:08,600 --> 01:46:10,159
any part of today's show, it'll be up in just

1611
01:46:10,199 --> 01:46:12,319
a little bit at w m hradio dot org and

1612
01:46:12,399 --> 01:46:15,359
on my website Matt Connorton dot com. And Katie Doobbins,

1613
01:46:15,359 --> 01:46:16,960
thank you again so much. Always nice to see you.

1614
01:46:17,079 --> 01:46:19,600
Speaker 26: Thank you so much for doing this and supporting so

1615
01:46:19,760 --> 01:46:22,039
many local artists, not just me. Oh you've supported me

1616
01:46:22,159 --> 01:46:24,439
from like the early days, and I appreciate you so much.

1617
01:46:24,479 --> 01:46:28,520
Speaker 11: Oh absolutely, well, well, well we appreciate you. Oh did

1618
01:46:28,600 --> 01:46:29,520
we mention your website?

1619
01:46:29,600 --> 01:46:29,720
Speaker 2: Is it?

1620
01:46:29,840 --> 01:46:31,359
Speaker 11: It's Katiedobbins music dot com.

1621
01:46:31,439 --> 01:46:32,000
Speaker 26: Is that's right?

1622
01:46:32,199 --> 01:46:35,720
Speaker 11: Everything is there? Absolutely and uh here's a so This

1623
01:46:35,840 --> 01:46:39,039
track features Katie on the electric guitar. Check this out.

1624
01:46:39,159 --> 01:46:41,880
This is called Starlights two.

1625
01:46:45,760 --> 01:47:03,079
Speaker 23: Nice and quite tie you smiling remind me we're still shining.

1626
01:47:03,880 --> 01:47:07,840
No matter where life takes us will be fine.

1627
01:47:09,600 --> 01:47:22,600
Speaker 29: Because we are shine from his side.

1628
01:47:24,880 --> 01:47:25,479
Speaker 10: I f.

1629
01:47:27,079 --> 01:47:27,800
Speaker 29: A lot.

1630
01:47:32,520 --> 01:47:33,760
Speaker 26: My starlight.

1631
01:47:47,520 --> 01:47:56,039
Speaker 23: When my life is dimmed and fading. You speak to

1632
01:47:56,920 --> 01:48:01,159
my heart, reminding me ead.

1633
01:48:01,520 --> 01:48:03,479
Speaker 15: Eating a little.

1634
01:48:04,840 --> 01:48:10,479
Speaker 23: Bit of gle can be enough to light after the host.

1635
01:48:13,359 --> 01:48:29,039
Speaker 29: We are shot.

1636
01:48:24,039 --> 01:48:44,439
Speaker 37: From itside back to It's a lot starlight, starlight.

1637
01:48:50,560 --> 01:48:55,800
Speaker 23: To cover all your hungry hearts. Let's come alive tonight.

1638
01:48:57,479 --> 01:49:01,239
Speaker 38: Oh we need a lot, a lot of bed piddle

1639
01:49:01,439 --> 01:49:07,600
bil I get a hold of right away, cannot feel

1640
01:49:07,720 --> 01:49:12,720
your hand in mine. Join us, see me, hope me,

1641
01:49:13,000 --> 01:49:15,880
snowing all of us ki shine.

1642
01:49:18,279 --> 01:49:20,960
Speaker 6: We are start.

1643
01:49:26,720 --> 01:49:35,840
Speaker 29: Shot from the side. Be flight.

1644
01:49:41,359 --> 01:50:08,760
Speaker 13: Starlight we starlight, we starlight, starlight, weave starlight

1645
01:50:12,279 --> 01:50:12,479
Speaker 6: Yah