1
00:00:00,880 --> 00:00:04,120
Speaker 1: W M N h rip the normals.

2
00:00:35,520 --> 00:00:40,159
Speaker 2: Cross the chains and dog to rise and dot to crag.

3
00:00:40,600 --> 00:00:43,479
Speaker 1: I'll b down. You shouldn't be.

4
00:00:44,960 --> 00:00:45,640
Speaker 3: Surprised.

5
00:00:46,119 --> 00:00:51,159
Speaker 4: We've got to be saved by regress way back down

6
00:00:51,359 --> 00:00:52,320
the road.

7
00:00:52,240 --> 00:00:58,640
Speaker 1: To call by sorry, out out, I don't care.

8
00:00:58,640 --> 00:01:05,879
Speaker 5: Don't fun me, we praise, we spring the.

9
00:01:07,480 --> 00:01:10,359
Speaker 1: Question, don't blow them to say.

10
00:01:14,359 --> 00:01:15,439
Speaker 5: Your nell s.

11
00:01:17,799 --> 00:01:23,400
Speaker 6: Hard bright gray bats, why my mom side.

12
00:01:25,040 --> 00:01:26,680
Speaker 5: I can't don't fow.

13
00:01:28,319 --> 00:01:29,719
Speaker 1: Brains stand.

14
00:01:45,560 --> 00:01:51,280
Speaker 4: Sherman shout for your doll to day help me something

15
00:01:51,560 --> 00:01:54,400
ball way if.

16
00:01:54,319 --> 00:02:01,079
Speaker 5: Your house is small drew off the jaws man so

17
00:02:01,560 --> 00:02:03,599
because the stays for.

18
00:02:03,760 --> 00:02:06,599
Speaker 1: The last episode like my fall.

19
00:02:07,200 --> 00:02:12,080
Speaker 5: O god to foko then place.

20
00:02:14,479 --> 00:02:15,280
Speaker 7: My sto.

21
00:02:16,840 --> 00:02:21,719
Speaker 1: S talk to say step.

22
00:02:24,039 --> 00:02:32,919
Speaker 6: Feeling sister says where like wall, Sorry.

23
00:02:34,919 --> 00:02:39,199
Speaker 1: Can't tell so mel play stand.

24
00:03:08,000 --> 00:03:24,240
Speaker 6: Tar trash voice by the side track who so fla fo.

25
00:03:25,680 --> 00:03:43,960
Speaker 1: A sid flies boy boys say to say step I

26
00:03:44,280 --> 00:03:59,919
swell show ka holda for grand.

27
00:04:03,759 --> 00:04:04,000
Speaker 3: Job.

28
00:04:29,000 --> 00:04:32,839
Speaker 7: Oh that is just epic. The track is embraced the

29
00:04:32,959 --> 00:04:35,720
band as Mercury burns. First they are here with us.

30
00:04:35,759 --> 00:04:37,680
We're gonna talk to them in just a moment, but

31
00:04:38,040 --> 00:04:41,160
welcome everybody. As we enter our number two New Marrow

32
00:04:41,240 --> 00:04:44,399
dose of Matt Connorton Unleashed and we are live from

33
00:04:44,439 --> 00:04:47,279
the studios of wm n H ninety five point three

34
00:04:47,399 --> 00:04:51,920
FM and Glorious, very cold but glorious Manchester, New Hampshire.

35
00:04:52,240 --> 00:04:55,639
Today is Saturday January twenty five, twenty twenty five. Jenny

36
00:04:55,720 --> 00:04:59,759
is here as well, of course at the news table. Yes, yes,

37
00:05:00,040 --> 00:05:01,720
I was all a lot of fun having Notley crew

38
00:05:01,800 --> 00:05:05,480
here with us for the first hour. And right now

39
00:05:05,519 --> 00:05:07,680
we have Mercury Burns first. We've got three of the

40
00:05:07,720 --> 00:05:09,879
guys from Mercury Burns first. One of these guys I

41
00:05:10,000 --> 00:05:12,920
know very very well. But Jay, let's start with you

42
00:05:13,040 --> 00:05:15,279
and we'll kind of go through and you can each

43
00:05:15,319 --> 00:05:16,720
tell us who you are and what you do in

44
00:05:16,800 --> 00:05:17,079
the band.

45
00:05:17,439 --> 00:05:22,279
Speaker 8: How's going. I'm Jay, I'm the vocalist. I don't play

46
00:05:22,279 --> 00:05:26,399
any instruments in this particular project, but I played.

47
00:05:26,199 --> 00:05:27,240
Speaker 9: The vocal cords.

48
00:05:27,399 --> 00:05:28,199
Speaker 7: Yes, yes, you do.

49
00:05:29,240 --> 00:05:34,079
Speaker 8: I'm from uh locally from from Manchester area. Yeh been been,

50
00:05:34,439 --> 00:05:37,079
you know, playing in different bands around the scene and

51
00:05:38,439 --> 00:05:39,079
most of my life.

52
00:05:39,240 --> 00:05:43,399
Speaker 7: Yeah, for as long as I've known you, certainly, Yeah, yeah,

53
00:05:43,959 --> 00:05:46,519
hopefully this is the one. Yes, yes, I think it is.

54
00:05:46,639 --> 00:05:48,839
I think it is, and you sir my name is Dan.

55
00:05:49,399 --> 00:05:53,160
I play bass in the band Local from Manchester, Okay,

56
00:05:53,319 --> 00:05:55,519
right up the street, so uh yeah, it's a it's

57
00:05:55,560 --> 00:05:58,319
a pleasure. Yeah yeah, thanks for coming. Great to have

58
00:05:58,399 --> 00:06:01,720
you here. I'm a fellow bass player, so absolutely natural

59
00:06:01,839 --> 00:06:02,600
at kinship with you.

60
00:06:04,120 --> 00:06:07,000
Speaker 10: And you sir, my name is Adam Grant, the guitar

61
00:06:07,079 --> 00:06:11,600
player from Conquered and this project is just kind of

62
00:06:11,680 --> 00:06:15,160
conceived from years of just playing music and being in

63
00:06:15,279 --> 00:06:17,319
bands and yeah, and here we are.

64
00:06:17,800 --> 00:06:21,120
Speaker 7: Yeah yeah. So how long has Mercury Burns first existed?

65
00:06:21,199 --> 00:06:25,160
Speaker 11: This is pretty new, right, roughly two years almost now?

66
00:06:25,399 --> 00:06:27,879
Speaker 7: Okay, okay is this your is this your first release

67
00:06:27,959 --> 00:06:28,879
of this? Uh this EP?

68
00:06:29,240 --> 00:06:29,439
Speaker 11: Yeah?

69
00:06:29,800 --> 00:06:34,279
Speaker 7: Yep, okay, all right, yeah, I really like so we

70
00:06:34,360 --> 00:06:37,439
were kind of talking off air about what to which

71
00:06:37,560 --> 00:06:39,720
track to open the segment with, and I and uh

72
00:06:40,040 --> 00:06:43,000
Embraces my personal favorite. I love the vibe, the the

73
00:06:43,079 --> 00:06:46,439
guitars in that just there's something, there's something different about

74
00:06:46,480 --> 00:06:48,639
it that I think is really really cool. And uh,

75
00:06:48,759 --> 00:06:53,680
you know, Jay, I've always loved your vocals. Uh what like, like,

76
00:06:53,839 --> 00:06:56,399
what is your your kind of I mean, obviously, you know,

77
00:06:56,600 --> 00:06:59,759
broadly speaking, we put you in the metal category, but

78
00:07:00,079 --> 00:07:01,759
you guys have kind of a is there a sub

79
00:07:01,839 --> 00:07:04,480
genre that that you're trying to to fit into? I

80
00:07:04,560 --> 00:07:07,240
mean it's unique. The the EP, it's it's it's a

81
00:07:07,279 --> 00:07:09,600
little different than I can't think of anyone you sound

82
00:07:09,639 --> 00:07:12,000
exactly like you know what I mean, there's there's something.

83
00:07:12,759 --> 00:07:17,079
Speaker 8: We are Like I personally have approached this project a

84
00:07:17,079 --> 00:07:21,120
little differently as anything that like comes along I want

85
00:07:21,160 --> 00:07:23,439
to try to turn into, you know, turn into something.

86
00:07:23,639 --> 00:07:24,439
Speaker 9: Yeah, I've been.

87
00:07:24,480 --> 00:07:24,839
Speaker 11: Very like.

88
00:07:26,360 --> 00:07:29,480
Speaker 8: Guarded and picky about like what I actually want to

89
00:07:29,600 --> 00:07:32,480
like work on as a song and and and this

90
00:07:32,560 --> 00:07:36,519
I'm not necessarily making music for just myself, uh anymore,

91
00:07:36,920 --> 00:07:41,319
Like I'm taking everything into consideration, Like I there there

92
00:07:41,399 --> 00:07:43,120
might be something that I'm not too into that like

93
00:07:43,240 --> 00:07:45,560
someone else and the band is into that like ends

94
00:07:45,639 --> 00:07:48,759
up growing on me. Yeah, and it you know, turns

95
00:07:48,759 --> 00:07:50,680
out to be my favorite, my favorite thing. So it's

96
00:07:50,720 --> 00:07:52,879
it's more of a throw throw it at the wall,

97
00:07:52,920 --> 00:07:55,959
see what sticks, and not necessarily trying to stick to

98
00:07:56,040 --> 00:07:56,879
one type.

99
00:07:56,720 --> 00:07:57,560
Speaker 9: Or style or.

100
00:07:59,160 --> 00:08:02,519
Speaker 8: Hopefully at hopefully by the end of you know, our

101
00:08:02,879 --> 00:08:05,439
second third album, we've got a little bit of every

102
00:08:05,600 --> 00:08:06,519
every genre in there.

103
00:08:06,759 --> 00:08:08,720
Speaker 10: Yeah, And I think that was kind of like the

104
00:08:08,920 --> 00:08:11,839
general idea of putting this EP out in these particular

105
00:08:11,959 --> 00:08:15,399
songs first was to show more of like this, we're

106
00:08:15,519 --> 00:08:17,480
not just a heavy band. We have a little bit

107
00:08:17,519 --> 00:08:19,879
more to offer than you know, and I don't think

108
00:08:19,920 --> 00:08:22,920
we really wanted to pigeonhole ourselves into like the metal

109
00:08:23,040 --> 00:08:24,560
corner of music.

110
00:08:24,759 --> 00:08:29,120
Speaker 7: So yeah, now that makes sense. So it sounds like

111
00:08:29,720 --> 00:08:32,399
you already have more and more songs that you're working

112
00:08:32,440 --> 00:08:33,639
on or you're going to be.

113
00:08:33,759 --> 00:08:36,360
Speaker 10: Yeah, yeah, I mean it's obviously, as we all know,

114
00:08:36,480 --> 00:08:40,600
writing is a slow process, but yeah, yeah, recording, yeah, yeah,

115
00:08:41,559 --> 00:08:43,320
I mean we've been cramming a lot in in the

116
00:08:43,440 --> 00:08:46,840
last year, just writing and recording and you know, just

117
00:08:46,919 --> 00:08:49,480
trying to get this ship sailing a little bit.

118
00:08:50,399 --> 00:08:52,639
Speaker 9: So we've yet to even play our first live show.

119
00:08:52,799 --> 00:08:56,440
Speaker 8: Oh okay, Yeah, we've really stuck to working on the

120
00:08:56,720 --> 00:08:58,879
hone in our craft and working on the songs and

121
00:08:59,200 --> 00:09:04,440
at least getting this EP recorded and out there, you know,

122
00:09:04,600 --> 00:09:07,200
so we at least have a product to present to people.

123
00:09:08,440 --> 00:09:09,799
Speaker 7: Where does the name come from, By the way, the

124
00:09:09,879 --> 00:09:12,000
name is so cool Mercury Burns First.

125
00:09:11,759 --> 00:09:15,399
Speaker 9: So initially our idea was to do a concept album.

126
00:09:16,679 --> 00:09:19,799
Speaker 8: And it's it's stemmed from that, like that the concept

127
00:09:19,960 --> 00:09:22,600
was going to be when uh, you know, in the

128
00:09:22,720 --> 00:09:24,600
you know, in the distant future, when when the sun

129
00:09:24,759 --> 00:09:27,120
kind of expands and spells up, you know, the inner

130
00:09:27,240 --> 00:09:29,840
inner solar system, mercury burns first.

131
00:09:30,159 --> 00:09:31,399
Speaker 11: Yes, yes, And.

132
00:09:33,039 --> 00:09:36,320
Speaker 8: So that that idea came, the idea from the name

133
00:09:36,399 --> 00:09:38,080
kind of came from the idea from the album, which

134
00:09:38,960 --> 00:09:42,080
we may or may not have abandoned, at least for

135
00:09:42,200 --> 00:09:44,279
at least for now. I think over the course of

136
00:09:45,240 --> 00:09:47,919
our career we'll probably have that concept album put into

137
00:09:48,679 --> 00:09:52,399
the other albums instead of you focusing everything on one

138
00:09:52,480 --> 00:09:56,879
story and you know, again pigeonhole, pigeonholing ourselves into like

139
00:09:57,120 --> 00:09:59,720
being forced to write a certain thing. We just kind

140
00:09:59,759 --> 00:10:02,440
of want do what comes comes along naturally when it

141
00:10:02,559 --> 00:10:03,279
when it comes along.

142
00:10:03,480 --> 00:10:07,039
Speaker 7: Yeah, yeah, I do feel like, you know, listening to

143
00:10:07,039 --> 00:10:10,279
the lyrics and and you've always been a very interesting

144
00:10:10,919 --> 00:10:13,159
you know, back from your days and function, you know,

145
00:10:13,240 --> 00:10:16,720
your your your lyrics have always been really interesting. You know,

146
00:10:16,840 --> 00:10:18,759
it's you've got to kind of pay attention to what

147
00:10:18,840 --> 00:10:21,720
you're saying, because you know, you've you've got a lot,

148
00:10:22,200 --> 00:10:25,320
you've got a lot that you're trying to express and

149
00:10:25,440 --> 00:10:27,240
and I've always been I've always been really interested in

150
00:10:27,320 --> 00:10:30,879
your lyrics. The lyrics on on some of these tracks

151
00:10:31,039 --> 00:10:35,000
is something sort of apocalyptic, So I'm not surprised.

152
00:10:34,600 --> 00:10:35,480
Speaker 9: When it comes from that.

153
00:10:35,600 --> 00:10:35,720
Speaker 6: You know.

154
00:10:36,759 --> 00:10:38,679
Speaker 9: We started out as it was all going to kind

155
00:10:38,679 --> 00:10:39,200
of be about that.

156
00:10:39,759 --> 00:10:45,240
Speaker 7: Really Uh yeah, there's there there is there is that

157
00:10:45,440 --> 00:10:51,440
that vibe to it, And and Embrace is particularly interesting

158
00:10:51,480 --> 00:10:54,080
to me because there's there's a texture to that song

159
00:10:54,279 --> 00:10:57,080
that's like I haven't heard anything quite like this, you know,

160
00:10:57,200 --> 00:11:02,480
it's it's it's really cool. Are are all the themes

161
00:11:02,600 --> 00:11:06,159
to these songs kind of like that? Or or are

162
00:11:06,320 --> 00:11:08,000
are there like what are what are some things that

163
00:11:08,080 --> 00:11:10,399
you explore in these lyrics?

164
00:11:10,919 --> 00:11:13,639
Speaker 9: If if if this was a concept album, it would

165
00:11:13,639 --> 00:11:14,679
be very like Scattered.

166
00:11:14,679 --> 00:11:16,879
Speaker 8: They're not in order, ye know what I mean. Yeah,

167
00:11:17,320 --> 00:11:20,440
so they're very far apart in the story. Yeah, but

168
00:11:20,519 --> 00:11:24,399
they probably would fit into into it. Yeah, but they're

169
00:11:24,440 --> 00:11:28,120
not necessarily Purposely, We just wanted to give the broadest

170
00:11:28,120 --> 00:11:30,240
spectrum of like what what we sound like?

171
00:11:30,480 --> 00:11:33,600
Speaker 7: Yeah? Yeah, and then so when you do so you

172
00:11:33,679 --> 00:11:35,279
haven't played out yet, but do you do you have

173
00:11:35,360 --> 00:11:36,840
anything uh? Planned?

174
00:11:36,960 --> 00:11:37,360
Speaker 9: Yeah, we have.

175
00:11:37,559 --> 00:11:40,919
Speaker 8: We have a couple of shows lined up with with

176
00:11:41,799 --> 00:11:45,000
the Big Son and Adam McGrath. One of our shows

177
00:11:45,080 --> 00:11:47,320
also features the Forest Forgets.

178
00:11:47,720 --> 00:11:49,679
Speaker 7: Oh, we had them on the show. They're amazing.

179
00:11:49,919 --> 00:11:50,120
Speaker 12: Yeah.

180
00:11:50,519 --> 00:11:53,720
Speaker 8: Our first show is uh February twenty second at the

181
00:11:53,759 --> 00:11:57,480
Gateway in Lawrence, Massachusetts. That's with the Big Son in

182
00:11:57,480 --> 00:12:02,320
Adam McGrath, cool doors, ares Evan. It's ten dollars a person,

183
00:12:02,639 --> 00:12:05,440
twenty one, twenty one plus just tickets at the door.

184
00:12:05,519 --> 00:12:07,919
Speaker 9: We don't have any uh any tickets on sale for that.

185
00:12:08,200 --> 00:12:08,399
Speaker 7: Yeah.

186
00:12:08,879 --> 00:12:13,320
Speaker 13: The next show is March March eighteen, Mark March eighteen,

187
00:12:13,399 --> 00:12:14,559
Middle East upstairs.

188
00:12:14,720 --> 00:12:15,759
Speaker 7: Nice, yeah, excellent.

189
00:12:16,200 --> 00:12:18,120
Speaker 8: That you can get tickets for on the on the

190
00:12:18,159 --> 00:12:20,240
Middle East website. We got links to it on our

191
00:12:20,360 --> 00:12:23,000
on our Facebook, kind of posted it all over the

192
00:12:23,039 --> 00:12:25,240
place right now. So yeah, yeah that that you can

193
00:12:25,279 --> 00:12:28,919
buy tickets ahead of time there, uh, I think they're.

194
00:12:29,320 --> 00:12:30,960
Speaker 11: It's twelve in advance.

195
00:12:31,080 --> 00:12:33,840
Speaker 7: Yeah, okay, okay. Now you're gonna be playing the whole

196
00:12:34,200 --> 00:12:37,360
the whole EP, all five tracks, yes, plus yeah, yeah

197
00:12:38,080 --> 00:12:40,360
and then some Yeah. So you've got other do you guys?

198
00:12:40,679 --> 00:12:42,559
Are you guys gonna be doing any covers or are

199
00:12:42,559 --> 00:12:44,240
you just sticking to originals.

200
00:12:43,840 --> 00:12:46,559
Speaker 8: Or there's a there's a possibility of covers which we're

201
00:12:46,559 --> 00:12:49,320
trying to fill up our time slot, which, yeah, it's

202
00:12:49,360 --> 00:12:51,360
gonna be pretty close, so you might get surprised with

203
00:12:51,399 --> 00:12:52,279
a couple of covers in there.

204
00:12:52,480 --> 00:12:56,399
Speaker 7: Yeah, yeah, that's cool now. So so, uh, Jay, obviously

205
00:12:56,440 --> 00:12:58,639
I know some of your musical history. You were, but

206
00:12:58,759 --> 00:13:01,000
you've been You've been in bands, but between you know,

207
00:13:01,080 --> 00:13:02,720
because for people who don't know, I mean we're going

208
00:13:02,759 --> 00:13:05,399
back like twenty years, you know, function of course, and

209
00:13:05,559 --> 00:13:08,080
then but you've had other projects between that one and

210
00:13:08,159 --> 00:13:08,440
this one.

211
00:13:08,559 --> 00:13:08,840
Speaker 11: Correct.

212
00:13:09,120 --> 00:13:11,639
Speaker 8: Yeah, I've been in some smaller you know, like like

213
00:13:12,159 --> 00:13:16,039
cover bands, and I was in a Christian based heavy

214
00:13:16,039 --> 00:13:17,919
metal band for a little bit called Slate Face.

215
00:13:18,360 --> 00:13:20,440
Speaker 7: I think I remember that because I i'd run into you.

216
00:13:20,679 --> 00:13:22,519
I forget where I've run into you somewhere.

217
00:13:22,960 --> 00:13:24,639
Speaker 9: I think it was probably during the number of years ago,

218
00:13:24,639 --> 00:13:25,039
and I think.

219
00:13:24,919 --> 00:13:29,799
Speaker 7: You had told me about that. Yeah, yeah, okay, And uh.

220
00:13:29,960 --> 00:13:32,000
Speaker 8: I took a little bit of hiatus between then and

221
00:13:32,480 --> 00:13:36,159
in this, and uh really just kind of focused on

222
00:13:36,480 --> 00:13:38,879
what what I want out of you know, like if

223
00:13:39,279 --> 00:13:42,720
I really think this is probably gonna be my uh

224
00:13:43,960 --> 00:13:47,399
magnum opus. Yeah, yeah, like my what I really put

225
00:13:47,480 --> 00:13:51,960
everything into like anything I've been holding back. You know,

226
00:13:52,080 --> 00:13:52,679
it's time there.

227
00:13:52,879 --> 00:13:53,840
Speaker 9: I'm not getting any younger.

228
00:13:54,039 --> 00:13:58,279
Speaker 8: Yeah, So I just really I think all of us

229
00:13:58,320 --> 00:14:01,320
are putting everything we have into into all our eggs

230
00:14:01,320 --> 00:14:01,919
in this basket.

231
00:14:02,200 --> 00:14:02,440
Speaker 6: Yeah.

232
00:14:02,639 --> 00:14:05,039
Speaker 7: Yeah. And I'm curious too with you guys, like I

233
00:14:05,480 --> 00:14:07,399
assume you've both played in other bands before this.

234
00:14:07,519 --> 00:14:11,720
Speaker 13: And yeah, I played, you know, all through high school

235
00:14:11,799 --> 00:14:15,360
and college bands and then you know, life started and

236
00:14:15,480 --> 00:14:18,039
I you know, I still played, but didn't take it

237
00:14:18,120 --> 00:14:18,759
as seriously.

238
00:14:19,159 --> 00:14:19,360
Speaker 6: Yeah.

239
00:14:19,480 --> 00:14:23,759
Speaker 13: And then the keyboardist in our band, Jeremy, me and

240
00:14:23,919 --> 00:14:27,840
him and playing music together for ten twelve years, you know,

241
00:14:28,039 --> 00:14:30,360
just once we get together, a bunch of different guys

242
00:14:30,440 --> 00:14:33,120
play covers. So you know, we we played, you know,

243
00:14:33,159 --> 00:14:36,320
we played our last shows like around Halloween. You know,

244
00:14:36,519 --> 00:14:39,559
so we play you know, once a week. And then,

245
00:14:40,399 --> 00:14:42,159
you know, and I was able to get him in

246
00:14:42,200 --> 00:14:45,000
the bands. I think Joel said we need someone on keys.

247
00:14:45,080 --> 00:14:47,639
I was like, oh, I know a guy, so you know,

248
00:14:47,799 --> 00:14:50,840
so and we've been playing together, you know, every week

249
00:14:51,080 --> 00:14:53,559
for the past I came into the band about a

250
00:14:53,639 --> 00:14:55,600
year and a half ago. They had an original bass player.

251
00:14:55,720 --> 00:14:58,320
Oh okay, and then you know I came check them out,

252
00:14:58,360 --> 00:15:02,000
and then you know, as bands do things, people go

253
00:15:02,240 --> 00:15:05,799
different ways and came down and played and thankfully okay,

254
00:15:06,080 --> 00:15:07,320
yeah fun like sure.

255
00:15:07,200 --> 00:15:09,360
Speaker 11: Did yeah show up next week?

256
00:15:09,480 --> 00:15:12,080
Speaker 13: Oh yeah, you know, and it's great, especially you know,

257
00:15:12,279 --> 00:15:14,360
we're getting up there in Asian to be able to

258
00:15:15,200 --> 00:15:17,240
work our schedules out so that we can actually get

259
00:15:17,279 --> 00:15:20,360
together and do something that we really enjoy and are

260
00:15:20,440 --> 00:15:22,080
building something towards.

261
00:15:22,200 --> 00:15:24,600
Speaker 14: It's it's so much fun. I really hope this goes

262
00:15:24,840 --> 00:15:25,679
places for us.

263
00:15:25,840 --> 00:15:28,000
Speaker 7: Yeah yeah, no, I think I think you're onto something

264
00:15:28,080 --> 00:15:29,159
great and how about you?

265
00:15:30,000 --> 00:15:32,559
Speaker 10: So for me, I mean basically the whole music thing

266
00:15:32,679 --> 00:15:36,559
started out as an angsty teen playing playing hardcore and

267
00:15:36,600 --> 00:15:40,039
punk music locally here in a band called Strike Three.

268
00:15:41,200 --> 00:15:42,360
Speaker 7: I remember Strike Three.

269
00:15:42,559 --> 00:15:43,360
Speaker 11: Yeah wow.

270
00:15:43,639 --> 00:15:45,840
Speaker 9: They were like when we were in high school.

271
00:15:45,879 --> 00:15:47,759
Speaker 8: Like they were like the first kind of people that

272
00:15:47,840 --> 00:15:50,120
I knew that were ever so like they're partially they're

273
00:15:50,159 --> 00:15:53,600
partially yeah, so myself the reason why I'm a musician,

274
00:15:53,720 --> 00:15:55,919
oh wow, because like I went to their shows and

275
00:15:56,039 --> 00:15:57,639
like saw that, Hey, you know these guys that I

276
00:15:57,960 --> 00:16:00,480
go to school with are doing this, Like why not?

277
00:16:00,720 --> 00:16:01,440
Speaker 7: Oh that's cool.

278
00:16:01,559 --> 00:16:04,159
Speaker 10: Our drummer Joel is also he was also in that band,

279
00:16:05,360 --> 00:16:08,679
so we you know, we had done all that stuff

280
00:16:08,679 --> 00:16:11,080
and been a part of that scene. And I think

281
00:16:11,159 --> 00:16:13,320
once you're a part of that scene like that that

282
00:16:13,559 --> 00:16:16,679
lifeblood of just being a part of that music and

283
00:16:16,840 --> 00:16:20,799
just the energy just never goes away, like it's always

284
00:16:21,000 --> 00:16:24,600
in you. And like, so you know, I did that

285
00:16:24,759 --> 00:16:27,000
and then took a break for a while obviously, like

286
00:16:27,559 --> 00:16:32,639
raised my family and uh, and then some years went by,

287
00:16:33,000 --> 00:16:34,240
tried to put some stuff together.

288
00:16:34,679 --> 00:16:39,200
Speaker 11: Yeah, nothing really came to fruition. Then I did that.

289
00:16:39,279 --> 00:16:41,279
Speaker 10: I'm in a cover band as well, just to keep

290
00:16:41,440 --> 00:16:45,000
keep the fingers moving. And then now it was just

291
00:16:45,080 --> 00:16:47,279
like one day I just finally went on Facebook and

292
00:16:47,360 --> 00:16:51,279
I was like, who wants to play music? And Jay responded,

293
00:16:51,399 --> 00:16:53,840
and you know, a couple other people and we just

294
00:16:54,039 --> 00:16:55,639
this is where we're at, and it's kind of like

295
00:16:56,080 --> 00:16:58,279
put this together, and like Jay said, it's kind this

296
00:16:58,360 --> 00:17:00,639
is kind of like we're all in right now.

297
00:17:00,879 --> 00:17:04,039
Speaker 11: Yeah, let's do this because like you said, we're not getting.

298
00:17:03,799 --> 00:17:09,119
Speaker 7: Younger, right right. No, I think you're onto something really

299
00:17:09,160 --> 00:17:11,359
good though, you know this, Like I said, I listen

300
00:17:11,440 --> 00:17:15,599
to loly P. I think it's it's really good. Tell

301
00:17:15,640 --> 00:17:17,680
me about the I'm curious too about the cover art.

302
00:17:17,720 --> 00:17:18,839
Speaker 11: I like the cover art.

303
00:17:19,000 --> 00:17:21,960
Speaker 7: It definitely matches the it matches the name and the

304
00:17:22,319 --> 00:17:24,720
vibe of of of what we're what we're hearing from.

305
00:17:24,799 --> 00:17:29,240
Speaker 10: So that that came to place. Our drummer, Joel found

306
00:17:29,319 --> 00:17:33,640
this guy. His name's Matt Barnes. He's from the UK actually, okay,

307
00:17:34,079 --> 00:17:36,240
and he does like a bunch of like uh, I

308
00:17:36,279 --> 00:17:40,039
guess it's like horrors, like book covers and movie art,

309
00:17:40,759 --> 00:17:42,960
and so he contacted him and he's the one who

310
00:17:42,960 --> 00:17:44,319
actually put this together for us.

311
00:17:45,200 --> 00:17:48,559
Speaker 7: So yeah, no, it looks really cool. How much how

312
00:17:48,640 --> 00:17:50,480
much direction did you have to give him or or

313
00:17:50,799 --> 00:17:51,079
did you.

314
00:17:51,160 --> 00:17:54,480
Speaker 10: Just tell him just I think Joel, like Joel kind

315
00:17:54,519 --> 00:17:57,839
of had the whole like he was the brainchild behind

316
00:17:57,920 --> 00:17:59,720
that artwork, and we were just kind of give him

317
00:17:59,720 --> 00:18:01,599
the put and it was kind of like his idea

318
00:18:01,720 --> 00:18:03,799
because it started out with the whole concept thing a

319
00:18:03,880 --> 00:18:06,240
little bit, yeah, and then it just kind of turned

320
00:18:06,279 --> 00:18:08,359
into that and you know, we went back and forth

321
00:18:08,400 --> 00:18:09,599
a little bit with the ideas.

322
00:18:10,000 --> 00:18:12,319
Speaker 11: Yeah, and that's that's what we ended up with.

323
00:18:12,839 --> 00:18:14,839
Speaker 7: Yeah. I encourage people to if you haven't seen it,

324
00:18:14,839 --> 00:18:17,640
go online and check it out. It's yeah, you know,

325
00:18:17,680 --> 00:18:19,480
it kind of looks it looks like it could be

326
00:18:19,519 --> 00:18:22,440
a movie poster, you know. But yeah, it's it's cool.

327
00:18:22,480 --> 00:18:25,359
It's very striking. And I like the reds anyway because

328
00:18:25,400 --> 00:18:28,720
red's my favorite color. But but yeah, no, I like

329
00:18:28,799 --> 00:18:32,400
it a lot. Like was that something where when you

330
00:18:32,519 --> 00:18:34,799
guys saw it, like, did did everybody in the band

331
00:18:34,839 --> 00:18:36,599
immediately like it? Or did you have to kind of

332
00:18:36,640 --> 00:18:37,079
think about it?

333
00:18:37,200 --> 00:18:37,799
Speaker 11: I don't think so.

334
00:18:38,200 --> 00:18:40,799
Speaker 8: It actually send us like a stock photo of like

335
00:18:41,480 --> 00:18:44,240
the guy sitting out front to Ashnaut and there was

336
00:18:44,279 --> 00:18:46,279
like a couple of things that like I wasn't I

337
00:18:46,359 --> 00:18:47,920
wasn't a fan of and they really they changed it

338
00:18:48,039 --> 00:18:50,279
and and now I mean, you know, yeah, I love it.

339
00:18:50,440 --> 00:18:52,559
So yeah, yeah, they like there was a little like

340
00:18:54,079 --> 00:18:56,960
the holes coming out of his out of his helmet

341
00:18:57,079 --> 00:19:00,799
was like a little phallic. Oh really, I don't know

342
00:19:00,839 --> 00:19:03,720
if we're going you know, it's not gonna be the

343
00:19:03,920 --> 00:19:05,119
theme we're going for it.

344
00:19:06,119 --> 00:19:08,839
Speaker 7: Although it would get people, yeah talking about it, good

345
00:19:08,880 --> 00:19:11,400
good conversation piece, But no, I do understand.

346
00:19:12,200 --> 00:19:14,079
Speaker 13: Yeah, I mean Joel I think does does a lot

347
00:19:14,079 --> 00:19:16,759
of the art direction too. He's a very artistic guy.

348
00:19:16,920 --> 00:19:20,119
You know, he released his own comic book and you

349
00:19:20,160 --> 00:19:23,799
know he kind of paintings. He art, Yeah, has a

350
00:19:23,880 --> 00:19:28,039
really great eye yeah for art, I mean he yeah.

351
00:19:28,039 --> 00:19:28,480
Speaker 11: He's great.

352
00:19:28,759 --> 00:19:32,000
Speaker 14: He's put out a comic book, yeah, comic a couple

353
00:19:32,039 --> 00:19:32,599
of years ago.

354
00:19:33,039 --> 00:19:34,680
Speaker 7: Oh, very cool, Yeah, j O L.

355
00:19:34,880 --> 00:19:36,319
Speaker 11: Joel Okay, yeah.

356
00:19:36,200 --> 00:19:37,920
Speaker 13: But he's haid art shows and Boston and stuff with

357
00:19:37,960 --> 00:19:40,079
his painting and everything. So I think we have a

358
00:19:40,279 --> 00:19:42,200
lot of different directions we can go in with this

359
00:19:42,440 --> 00:19:45,000
with you know, not only the music, but the art

360
00:19:45,279 --> 00:19:46,160
and the live show.

361
00:19:46,720 --> 00:19:49,480
Speaker 14: Yeah, you know, I'm I think we have a good direction.

362
00:19:49,839 --> 00:19:54,759
Speaker 7: Yeah. Yeah, it's it's good to have, you know, kind

363
00:19:54,799 --> 00:19:58,440
of a be able to approach it from different you know,

364
00:19:58,559 --> 00:20:01,039
different aspects and elements like the art, you know, the

365
00:20:01,200 --> 00:20:03,480
the art work with because not everyone thinks about that,

366
00:20:03,640 --> 00:20:05,759
you know, some people don't really put a lot of

367
00:20:05,799 --> 00:20:07,880
thought into that part of it. But we live in

368
00:20:07,920 --> 00:20:10,799
an era where, you know, with social media and everything,

369
00:20:10,839 --> 00:20:14,200
you've really got to in terms of branding, you know,

370
00:20:14,279 --> 00:20:16,400
you've really got to think about all of that, all

371
00:20:16,519 --> 00:20:19,680
these different aspects and elements. You know, it's it's it's

372
00:20:19,680 --> 00:20:21,799
a lot different than it used to be in that sense,

373
00:20:21,880 --> 00:20:24,759
you know. So so yeah, I think that's I think

374
00:20:24,839 --> 00:20:28,400
that's really cool. And is now right now? Is everything

375
00:20:28,480 --> 00:20:32,160
only available on streaming or are are you making physical CDs?

376
00:20:32,400 --> 00:20:35,440
Speaker 10: So we have right now, we have CDs already available

377
00:20:36,319 --> 00:20:37,640
which you can get on band camp.

378
00:20:37,960 --> 00:20:38,359
Speaker 11: Excellent.

379
00:20:38,559 --> 00:20:42,039
Speaker 10: We have vinyls coming uh March, nice should be like

380
00:20:42,319 --> 00:20:44,519
mid to end of March, should be arriving for those.

381
00:20:44,839 --> 00:20:48,839
Speaker 7: Oh, very cool, very cool, expensive though right to do vinyl? Yes,

382
00:20:48,960 --> 00:20:52,119
I've I've heard it's it's very expensive. But no, I

383
00:20:52,200 --> 00:20:55,400
think I think that's great that you're doing that. I'm

384
00:20:55,559 --> 00:20:58,880
I'm imagining that artwork on a on a full vinyl

385
00:20:58,960 --> 00:21:01,599
and oh, that's it's gotta be. Uh, that's gonna look

386
00:21:01,640 --> 00:21:04,039
really cool. I assume it's gonna be the same image

387
00:21:04,039 --> 00:21:07,079
for the image. Okay, so not know. Some people they

388
00:21:07,279 --> 00:21:09,160
try to do like a different image for the vinyl

389
00:21:09,200 --> 00:21:11,640
to make it like a limited edition thing. But it's

390
00:21:11,680 --> 00:21:13,240
like that's already limited edition.

391
00:21:13,319 --> 00:21:16,079
Speaker 14: It's vinyl, you know, be orange vinyl.

392
00:21:16,519 --> 00:21:22,000
Speaker 7: Yeah, yeah, nice, nice, No, that's that's awesome, that's awesome.

393
00:21:22,319 --> 00:21:26,000
I have a theory that most people who buy new

394
00:21:26,200 --> 00:21:29,839
vinyl never actually play it, but they just buy it

395
00:21:29,920 --> 00:21:31,599
because if you know, if you're really a fan, of

396
00:21:31,680 --> 00:21:34,519
somebody it's cool to have, you know, like we have.

397
00:21:35,799 --> 00:21:38,200
We opened the show today with a new track from

398
00:21:38,240 --> 00:21:40,880
Mike Frasier. He's a singer songwriter from Seattle, and we

399
00:21:40,960 --> 00:21:42,920
did the world radio premiere of his new song in

400
00:21:42,920 --> 00:21:45,079
April days. But when Jenny and I met him, remember

401
00:21:45,119 --> 00:21:47,079
that we met him at the Shaft skiing he was

402
00:21:47,160 --> 00:21:49,279
touring and he gave us a vinyl. He was very

403
00:21:49,279 --> 00:21:52,319
excited to give us his vinyl record, and and and

404
00:21:52,599 --> 00:21:54,559
it looked great and everything, and you know, the artwork

405
00:21:54,640 --> 00:21:57,079
was cool, and it's like, okay, awesome, But but then

406
00:21:57,119 --> 00:21:59,599
there's that, you know, like I always have that conversation

407
00:22:00,599 --> 00:22:02,759
with myself in my mind. Should I tell him I

408
00:22:02,839 --> 00:22:06,160
have nothing to play it on or or or does

409
00:22:06,240 --> 00:22:08,920
it matter or does he care whether I have something

410
00:22:08,960 --> 00:22:10,880
to play it on or not? He clearly he wants

411
00:22:10,960 --> 00:22:11,559
us to have it.

412
00:22:12,319 --> 00:22:15,599
Speaker 8: I feel like often in that situation, someone might go

413
00:22:15,680 --> 00:22:18,079
out and buy a record player. So like people people

414
00:22:18,160 --> 00:22:20,359
give vinyl and like it'll sit for a while, but

415
00:22:20,400 --> 00:22:22,240
then you're like, you know what, I want to play this? Yeah,

416
00:22:22,759 --> 00:22:24,799
you know, you see see a little record player sitting

417
00:22:24,799 --> 00:22:26,640
at a yard sale, and you know, maybe you'll grab it.

418
00:22:26,880 --> 00:22:29,680
Speaker 7: Right right, Yeah, that's true. That's true. We don't even

419
00:22:29,720 --> 00:22:32,000
have a CD player at home, really, we have one

420
00:22:32,079 --> 00:22:34,640
here at the station. I think, I don't know if

421
00:22:34,680 --> 00:22:36,559
you guys know Rob as a veto he ost granted

422
00:22:36,559 --> 00:22:39,440
state of mind, but he actually uses it. I think

423
00:22:39,480 --> 00:22:43,200
he's the only one that I forget that it's even there.

424
00:22:44,279 --> 00:22:46,640
But yeah, you're right. But I do think though, there's

425
00:22:46,680 --> 00:22:48,960
there's a lot of value in physical media because even

426
00:22:49,200 --> 00:22:50,839
you know, even if somebody never plays it, if they

427
00:22:50,920 --> 00:22:52,960
just want it because they're a fan. You know, people

428
00:22:53,119 --> 00:22:55,920
like to have the artwork, they like to look at

429
00:22:56,000 --> 00:22:57,599
liner notes and all that kind of stuff.

430
00:22:57,599 --> 00:22:59,480
Speaker 8: It was kind of our idea behind, you know, getting

431
00:22:59,480 --> 00:23:01,119
the physical obies of stuff, because it's like, you know,

432
00:23:01,359 --> 00:23:04,039
like the average person's probably gonna just stream it, you know,

433
00:23:04,200 --> 00:23:05,720
or if they're you know, they buy the album, they'll

434
00:23:05,720 --> 00:23:09,400
buy it on you know, Spotify or iTunes. Yeah, but

435
00:23:09,680 --> 00:23:11,680
you know, the people that you know, know us already

436
00:23:11,720 --> 00:23:13,799
care about us and like want to have a piece

437
00:23:13,839 --> 00:23:15,799
of our art, like well, you know, they buy the

438
00:23:15,839 --> 00:23:20,680
CD and yeah there or the album the record yeah exactly.

439
00:23:20,880 --> 00:23:23,200
Speaker 7: Yeah, yeah, because there was a period where you know,

440
00:23:23,519 --> 00:23:25,200
CDs like nobody was doing CDs.

441
00:23:25,279 --> 00:23:27,880
Speaker 13: You know, there's still there's still something cool but grabbing

442
00:23:27,920 --> 00:23:30,960
the CD. I still have racks of my CDs. Yeah,

443
00:23:31,079 --> 00:23:33,599
grab one and play it front to back while you're

444
00:23:33,759 --> 00:23:35,000
you're taking it drive, you know.

445
00:23:35,200 --> 00:23:38,039
Speaker 8: Yeah, it's like I feel like that the EP sounds

446
00:23:38,079 --> 00:23:40,680
better in my car on the CD than any other

447
00:23:40,920 --> 00:23:42,519
any other thing I've listened to it on.

448
00:23:42,759 --> 00:23:45,400
Speaker 9: So it's just there's something about that. Yeah, I still

449
00:23:45,440 --> 00:23:46,480
have a CD player in my car.

450
00:23:46,720 --> 00:23:50,599
Speaker 7: Yeah. Yeah, Oh, excellent, excellent, Well we should play another track.

451
00:23:51,119 --> 00:23:53,759
I'll let you guys pick what should we What should

452
00:23:53,759 --> 00:23:58,480
we play next? We opened with Embrace Let's do Deaf

453
00:23:58,519 --> 00:24:02,319
and Blind? Deaf and Blind? All right? Uh, if you

454
00:24:02,440 --> 00:24:06,680
are just joining us on this uh chilly Saturday morning,

455
00:24:06,720 --> 00:24:09,359
here we got Mercury Burns. First is with us live

456
00:24:09,400 --> 00:24:10,960
and studio or part of the band? How many guys

457
00:24:11,000 --> 00:24:12,039
are in the band? Is it five?

458
00:24:12,160 --> 00:24:12,440
Speaker 12: Or six?

459
00:24:12,519 --> 00:24:12,680
Speaker 5: Six?

460
00:24:12,880 --> 00:24:13,079
Speaker 14: Six?

461
00:24:13,240 --> 00:24:13,440
Speaker 7: Six?

462
00:24:13,559 --> 00:24:13,759
Speaker 5: Yeah?

463
00:24:13,839 --> 00:24:15,640
Speaker 7: So what does everybody? Okay, so we know what the

464
00:24:15,720 --> 00:24:17,519
three of you do. It's unusual to see a band

465
00:24:17,599 --> 00:24:20,240
that large. What are the other three guys all do? One's?

466
00:24:20,319 --> 00:24:20,440
Speaker 1: Uh?

467
00:24:20,799 --> 00:24:24,640
Speaker 10: So we have Joel's our drummer, Max, Max is the

468
00:24:24,680 --> 00:24:29,440
other guitar player okay. Also my son kind of an

469
00:24:29,480 --> 00:24:33,480
interesting story. Oh and then we have Jeremy he plays

470
00:24:33,519 --> 00:24:34,359
synth and keys.

471
00:24:34,720 --> 00:24:37,680
Speaker 7: Oh okay, that must be cool playing with your son

472
00:24:37,759 --> 00:24:38,240
in a band.

473
00:24:38,559 --> 00:24:40,799
Speaker 10: Yeah, it was one of those things like when we

474
00:24:40,920 --> 00:24:43,799
were assembling the whole lineup, it was just he came

475
00:24:43,920 --> 00:24:45,839
and you know, he's he has had a lot of

476
00:24:45,920 --> 00:24:49,119
interesting guitar and yeah, like well that's a no brainer,

477
00:24:49,480 --> 00:24:50,519
like just come on, let's go.

478
00:24:50,960 --> 00:24:51,440
Speaker 7: Oh wow.

479
00:24:51,599 --> 00:24:54,880
Speaker 10: So and actually the a lot of the guitar work

480
00:24:55,000 --> 00:24:57,480
the I guess I said they were the better guitar

481
00:24:57,599 --> 00:25:01,400
solos on the record were his, which for Embrace, and

482
00:25:01,880 --> 00:25:04,839
uh the guitar solo on Hindsight was his as well.

483
00:25:04,960 --> 00:25:07,440
Speaker 11: Oh no kidding. Yeah, so those are all written by him.

484
00:25:07,599 --> 00:25:10,240
Speaker 7: So oh very cool. Did you did you teach him

485
00:25:10,279 --> 00:25:12,160
or I would like to.

486
00:25:12,160 --> 00:25:14,759
Speaker 10: Say yes, but no, I think the Internet had more

487
00:25:14,799 --> 00:25:16,119
to do with that than anything else.

488
00:25:16,400 --> 00:25:16,599
Speaker 11: Yeah.

489
00:25:16,720 --> 00:25:19,519
Speaker 7: So it's amazing now like with YouTube, you can you know,

490
00:25:19,759 --> 00:25:21,480
take lessons right online.

491
00:25:21,559 --> 00:25:24,160
Speaker 13: Yeah yeah, yeah, And it's it's so cool because nowadays

492
00:25:24,240 --> 00:25:26,400
it seems like they're you know, guitar solos have kind

493
00:25:26,400 --> 00:25:29,400
of gone away in a lot of mainstream suck and

494
00:25:29,799 --> 00:25:30,680
I think these are some of.

495
00:25:30,680 --> 00:25:32,680
Speaker 14: The best guitar solos that I've I've heard in a

496
00:25:32,759 --> 00:25:33,240
long time.

497
00:25:33,359 --> 00:25:34,640
Speaker 9: Yeah, things very tasteful and.

498
00:25:36,319 --> 00:25:39,720
Speaker 7: I agree, Yeah, I agree absolutely. All right, let's give

499
00:25:39,720 --> 00:25:41,519
this a spin. So this is called Deaf and Blind

500
00:25:42,039 --> 00:25:44,400
and the band is Mercury Burns First.

501
00:26:07,279 --> 00:26:11,799
Speaker 15: Call it DISPETI shop so cons sold all my dad,

502
00:26:11,920 --> 00:26:18,400
the city shows based off spot shot when see these superstitions,

503
00:26:18,400 --> 00:26:27,000
A real mine, the ship when taking time, breast a tusko, the.

504
00:26:27,079 --> 00:26:28,559
Speaker 1: Can't pay come man.

505
00:26:35,000 --> 00:26:37,279
Speaker 16: Two times shows.

506
00:26:38,160 --> 00:27:06,119
Speaker 1: The cant God, let's hear you, s stay us O.

507
00:27:06,359 --> 00:27:10,240
Speaker 5: Sho, gully drowning and so shot.

508
00:27:10,000 --> 00:27:11,400
Speaker 1: Off your lives.

509
00:27:13,880 --> 00:27:19,240
Speaker 2: Not to estimated in my life and sas.

510
00:27:19,799 --> 00:27:21,319
Speaker 1: Is the same body a.

511
00:27:21,720 --> 00:27:28,000
Speaker 2: Sign the doctors turn tails for long.

512
00:27:28,039 --> 00:27:36,519
Speaker 1: Ride, call to shots, flash camera.

513
00:27:38,920 --> 00:27:42,960
Speaker 5: Stall are you trying.

514
00:27:44,960 --> 00:27:49,599
Speaker 1: Tell him? So stay?

515
00:27:56,680 --> 00:28:13,519
Speaker 2: Tell blah side to stay non tall girl, bid to stay?

516
00:28:30,000 --> 00:28:45,880
Speaker 1: Why stay? Okay? So to sty west line.

517
00:28:52,079 --> 00:28:58,880
Speaker 5: Line to time shot.

518
00:28:59,359 --> 00:29:21,079
Speaker 7: To that'll get the blood pumping on a cold Saturday morning.

519
00:29:21,440 --> 00:29:21,839
I love it.

520
00:29:22,000 --> 00:29:22,440
Speaker 17: That is.

521
00:29:22,960 --> 00:29:26,480
Speaker 7: The band is Mercury Burns First, and that is called

522
00:29:26,559 --> 00:29:28,960
Deaf and Blind. And we've got three of the guys

523
00:29:29,000 --> 00:29:31,880
from Mercury Burns First here with us live in studio.

524
00:29:31,960 --> 00:29:34,319
Great track, guys, I love the energy of that. Thanks,

525
00:29:34,400 --> 00:29:37,359
really really good. We have jay Dan and Adam here

526
00:29:37,480 --> 00:29:41,440
from the band joining us. And where do you guys record? Where? Where?

527
00:29:41,519 --> 00:29:43,160
Where did the where did you record the EP?

528
00:29:43,599 --> 00:29:46,000
Speaker 10: So we did this at right actually right around the

529
00:29:46,000 --> 00:29:47,680
corner at Black Hearts Sound Studio.

530
00:29:48,000 --> 00:29:52,319
Speaker 7: Oh nice. We had Eric Sotter on the show. I

531
00:29:52,400 --> 00:29:53,960
don't know, it was maybe six months ago. It all

532
00:29:54,119 --> 00:29:56,559
becomes a blur, but but I told him when we

533
00:29:56,599 --> 00:29:57,839
had him on, I said, it's great to have you

534
00:29:57,880 --> 00:30:00,400
on because your name comes up all the time on

535
00:30:00,519 --> 00:30:02,319
the show. Because his name does, it comes up all

536
00:30:02,359 --> 00:30:03,759
the time. So many of the guests that we've had

537
00:30:04,039 --> 00:30:06,160
have recorded with him, and everything that comes out of

538
00:30:06,160 --> 00:30:07,119
there sounds amazing.

539
00:30:07,519 --> 00:30:09,440
Speaker 10: Yeah, he did a really good job, and he actually

540
00:30:09,519 --> 00:30:11,880
helped out quite a bit, like just pulling some of

541
00:30:11,960 --> 00:30:14,039
this stuff to the loose ends that we didn't have

542
00:30:14,240 --> 00:30:14,920
ready to go.

543
00:30:15,279 --> 00:30:18,400
Speaker 8: So yeah, there are even little little parts of like

544
00:30:18,920 --> 00:30:21,240
solos that he kind of gave us ideas for that

545
00:30:21,559 --> 00:30:24,759
like kind of you know, spiced it up a little bit.

546
00:30:24,839 --> 00:30:25,200
Speaker 18: And then.

547
00:30:26,599 --> 00:30:28,519
Speaker 10: Yeah, it's just stuff that you just don't think about

548
00:30:28,559 --> 00:30:30,279
because someone else has got a set of years on

549
00:30:30,359 --> 00:30:32,160
it and you're like, oh, that's actually sounds a lot

550
00:30:32,240 --> 00:30:33,079
better than I thought it did.

551
00:30:33,319 --> 00:30:33,519
Speaker 6: Yeah.

552
00:30:33,759 --> 00:30:36,839
Speaker 13: Yeah, And we're recording live just in our in our studio,

553
00:30:37,079 --> 00:30:39,079
you know, we just pump it out and you know,

554
00:30:39,279 --> 00:30:42,039
not not a whole lot of mastering and stuff like that.

555
00:30:42,200 --> 00:30:44,680
So finally when we're in the studio and perfecting and

556
00:30:44,799 --> 00:30:47,519
he's picking up on other little nuances as they're recording

557
00:30:47,640 --> 00:30:50,440
track by track, you know, and gave us some good ideas.

558
00:30:50,519 --> 00:30:52,960
So it was it was awesome working with him. Yeah,

559
00:30:52,960 --> 00:30:54,680
his name comes up all the time, even as the

560
00:30:54,720 --> 00:30:56,839
barber the other day. You know, it's like oh yeah, I.

561
00:30:56,880 --> 00:31:00,599
Speaker 7: Know, yeah, yeah, yeah, absolutely, No, he's he's remarkable at

562
00:31:00,599 --> 00:31:01,000
what he does.

563
00:31:01,119 --> 00:31:01,880
Speaker 9: He did a great job.

564
00:31:02,240 --> 00:31:02,960
Speaker 11: Absolutely.

565
00:31:04,160 --> 00:31:07,680
Speaker 7: How long was the process of recording these uh, I.

566
00:31:07,720 --> 00:31:12,640
Speaker 10: Mean it it started like, uh, it was dragged out

567
00:31:12,680 --> 00:31:15,119
because I think initially we thought we were just gonna

568
00:31:15,160 --> 00:31:17,079
go right in there and pump these songs out and

569
00:31:17,160 --> 00:31:19,200
be done with it. But yeah, it took probably a

570
00:31:19,359 --> 00:31:21,799
better part of like four or five months to just

571
00:31:21,920 --> 00:31:24,000
cause and it was like just odd, like a couple

572
00:31:24,039 --> 00:31:24,839
of days here and there.

573
00:31:24,880 --> 00:31:25,960
Speaker 11: It wasn't like consistent.

574
00:31:26,200 --> 00:31:28,640
Speaker 10: Yeah, it was spaced out, so it was spaced out,

575
00:31:29,480 --> 00:31:32,039
but I think it was just also just the learning

576
00:31:32,160 --> 00:31:35,359
curve of being in the studio and being like, oh,

577
00:31:35,799 --> 00:31:38,000
like we actually need to take some time and do

578
00:31:38,119 --> 00:31:38,759
this the right way.

579
00:31:38,960 --> 00:31:42,519
Speaker 7: Yeah. That makes sense though, because you know, like we

580
00:31:42,599 --> 00:31:44,720
were talking about earlier, this what you're doing here is

581
00:31:45,000 --> 00:31:47,519
fairly complex. It's not you know, it's not just three

582
00:31:47,640 --> 00:31:48,920
chord rock, you know, it's.

583
00:31:48,880 --> 00:31:51,279
Speaker 9: Yeah, and there's and you know, just six six gears

584
00:31:51,319 --> 00:31:52,039
in the machine, so.

585
00:31:52,079 --> 00:31:56,039
Speaker 8: It's yeah, yeah, exactly, and and it really it's been

586
00:31:56,119 --> 00:31:58,160
running smoothly pretty much the whole time. There's not a

587
00:31:58,240 --> 00:32:01,480
lot of conflict, ornybody's stepping on anybody's toes.

588
00:32:03,880 --> 00:32:05,119
Speaker 9: It's it's gone really well.

589
00:32:05,359 --> 00:32:07,279
Speaker 7: Yeah, yeah, because I would think, you know, with six

590
00:32:07,359 --> 00:32:10,599
guys too, you've got so you've got six different schedules

591
00:32:10,680 --> 00:32:12,960
to work with and everything. I mean, I would think

592
00:32:12,960 --> 00:32:14,720
it would be challenging, but it sounds like it's been.

593
00:32:14,880 --> 00:32:18,240
Speaker 8: We finally just downloaded this this calendar app where everybody

594
00:32:18,279 --> 00:32:21,279
can like put out their blackout dates. We're finally getting

595
00:32:21,319 --> 00:32:24,759
a little organized to know like where, Yeah, I'll find

596
00:32:24,799 --> 00:32:25,839
out how busy Dan is.

597
00:32:28,319 --> 00:32:30,960
Speaker 10: A lot going on, But I mean, for the most part, though,

598
00:32:31,720 --> 00:32:34,480
our regular practices have been pretty much locked down. I

599
00:32:34,559 --> 00:32:37,039
think it's just the level of commitment that we're at

600
00:32:37,119 --> 00:32:39,400
right now. We're all really committed to doing this, and

601
00:32:39,519 --> 00:32:41,400
I think that was the thing, was, like, you know,

602
00:32:41,559 --> 00:32:44,200
practices are definite. Everything else will figure out.

603
00:32:44,519 --> 00:32:49,400
Speaker 7: Yeah, yeah, how do you do you guys? Are you

604
00:32:49,480 --> 00:32:51,880
able to have practices where it's all six of you

605
00:32:52,279 --> 00:32:53,599
on a regular basis.

606
00:32:53,319 --> 00:32:55,240
Speaker 8: Normally we can all get there once, you know, once

607
00:32:55,240 --> 00:32:57,599
a week. Yeah, We've always had it up in the

608
00:32:57,640 --> 00:33:00,000
air that that we can we'll have an optional set

609
00:33:00,119 --> 00:33:01,960
can practice, which we kind.

610
00:33:01,799 --> 00:33:05,160
Speaker 9: Of have never never really ourselves up on.

611
00:33:05,519 --> 00:33:05,720
Speaker 5: Yeah.

612
00:33:05,960 --> 00:33:08,240
Speaker 8: Yeah, I think now that we have some shows coming up,

613
00:33:08,279 --> 00:33:10,359
will probably you know, between now and then, we'll probably

614
00:33:10,440 --> 00:33:12,839
throw an extra practice in here here and there to

615
00:33:13,119 --> 00:33:14,000
work on the actual like.

616
00:33:14,440 --> 00:33:17,880
Speaker 7: Yeah, you know the show. Yeah, yeah, now, very cool,

617
00:33:18,039 --> 00:33:23,599
very cool. What what went into the when you decided

618
00:33:23,640 --> 00:33:27,240
to work with Eric Sotter? What went into that? Like,

619
00:33:27,519 --> 00:33:30,119
were you examining various options or what or was he

620
00:33:30,240 --> 00:33:31,720
the obvious choice right from the beginning.

621
00:33:32,319 --> 00:33:36,240
Speaker 10: I think initially when I when we started looking at studios,

622
00:33:37,519 --> 00:33:39,880
there were quite there's obviously quite a few to choose

623
00:33:39,960 --> 00:33:43,440
from between here in Massachusetts and oh yeah, I mean

624
00:33:43,480 --> 00:33:45,480
I had my sights set on a few down in

625
00:33:45,640 --> 00:33:47,880
mass but it was just a matter It's the travel

626
00:33:47,960 --> 00:33:50,319
time and all that. And it was also trying to

627
00:33:50,400 --> 00:33:53,680
find someone that was going to be able to hear

628
00:33:53,799 --> 00:33:56,680
what we're doing right like, and I'm sure there's a

629
00:33:56,680 --> 00:33:59,359
plenty of studios out there that probably could have handled this,

630
00:33:59,519 --> 00:34:01,880
but I we definitely wanted the insight of somebody who's

631
00:34:01,880 --> 00:34:04,640
already done some heavy stuff. Yeah, and that was kind

632
00:34:04,680 --> 00:34:07,359
of the where we found Eric, So.

633
00:34:07,640 --> 00:34:10,400
Speaker 7: Yeah, yeah, And what about the mastering?

634
00:34:10,440 --> 00:34:11,800
Speaker 11: Did you no?

635
00:34:12,039 --> 00:34:12,079
Speaker 1: So?

636
00:34:12,280 --> 00:34:14,920
Speaker 10: The mastering was actually done by West west Side Music

637
00:34:15,039 --> 00:34:20,239
in New York by Alan Dutchesskay, which he's done so

638
00:34:20,440 --> 00:34:21,960
many albums and this and that.

639
00:34:22,159 --> 00:34:23,599
Speaker 7: It's going to say the name is familiar.

640
00:34:23,800 --> 00:34:26,880
Speaker 10: Yeah, I mean he's done everybody that's ever been on

641
00:34:26,920 --> 00:34:29,920
the radio from what I could see from his portfolio.

642
00:34:30,079 --> 00:34:31,519
But it was like one of those things when I

643
00:34:31,639 --> 00:34:35,280
was looking at places that have it done, it was

644
00:34:36,119 --> 00:34:38,639
like where did these Where did this record get done?

645
00:34:38,639 --> 00:34:39,800
Speaker 11: Where did that record get done?

646
00:34:39,840 --> 00:34:41,920
Speaker 10: And then I contacted him and he was like the

647
00:34:42,039 --> 00:34:44,400
nicest guy ever, and it was just they took care

648
00:34:44,440 --> 00:34:46,039
of everything for us and it was great.

649
00:34:46,280 --> 00:34:49,079
Speaker 7: Yeah, yeah, no, that's excellent. Yeah, it came out, came

650
00:34:49,119 --> 00:34:53,000
out really well. Do you plan to you know, obviously

651
00:34:53,079 --> 00:34:55,880
you're you're already thinking about or I don't know how

652
00:34:55,920 --> 00:34:58,760
far you are in the process of the next Obviously

653
00:34:58,840 --> 00:35:01,360
you've you've got more songs, right, so you're already. Yeah.

654
00:35:01,400 --> 00:35:04,639
Speaker 9: I feel like through through this process we've learned a lot.

655
00:35:04,880 --> 00:35:07,320
Speaker 8: We already kind of like from the beginning, we've Adam

656
00:35:07,360 --> 00:35:11,599
has been recording our our live sessions. Yeah, and you know,

657
00:35:11,719 --> 00:35:15,000
we've just kind of he's he's been honing his craft

658
00:35:15,119 --> 00:35:18,960
on mixing and that on our you know, just our practices.

659
00:35:19,280 --> 00:35:19,440
Speaker 12: Yeah.

660
00:35:19,840 --> 00:35:23,679
Speaker 8: I feel like if we're gonna do like a full album,

661
00:35:24,599 --> 00:35:27,480
we would maybe look to get that done under like

662
00:35:27,559 --> 00:35:30,000
a maybe a label, someone paying for it, yeah, or

663
00:35:31,480 --> 00:35:33,719
more likely just releasing singles ourselves.

664
00:35:33,880 --> 00:35:37,079
Speaker 7: Yeah. It's you know, we live in a time where

665
00:35:37,079 --> 00:35:39,000
you've got so many options as far as how you

666
00:35:39,280 --> 00:35:41,519
how you release music. You know, you can put out

667
00:35:41,559 --> 00:35:43,280
an EP, you can put out a full album. You

668
00:35:43,360 --> 00:35:46,119
can do I guess you know. Now they're calling it

669
00:35:46,159 --> 00:35:48,880
the waterfall effect, where you release you know, instead of

670
00:35:48,920 --> 00:35:51,639
releasing an album and then singles, you release the singles

671
00:35:51,679 --> 00:35:54,360
and then the singles eventually become an album.

672
00:35:54,519 --> 00:35:54,719
Speaker 12: Yeah.

673
00:35:55,239 --> 00:35:57,239
Speaker 7: Yeah, there's so many ways to do it now and

674
00:35:57,400 --> 00:35:58,760
with Spotify and everything.

675
00:35:58,760 --> 00:36:00,639
Speaker 8: Because I feel like the song is that we wrote

676
00:36:00,639 --> 00:36:03,079
along with with the songs that are on the EP

677
00:36:04,480 --> 00:36:06,719
kind of fit they would fit together as like a

678
00:36:06,760 --> 00:36:07,519
full length album.

679
00:36:07,679 --> 00:36:10,159
Speaker 9: Yeah, They're all kind of in the same vein, and like.

680
00:36:12,199 --> 00:36:14,039
Speaker 8: You know, anybody that comes to see our show, we'll

681
00:36:14,079 --> 00:36:17,000
kind of we'll see it's it's we worked to make

682
00:36:17,039 --> 00:36:17,440
it kind of.

683
00:36:18,960 --> 00:36:19,320
Speaker 9: Blowing.

684
00:36:20,079 --> 00:36:25,039
Speaker 7: Yeah piece yeah, yeah, no, that makes sense. Has I

685
00:36:25,800 --> 00:36:32,239
assume that? I mean when the band started, was was

686
00:36:32,280 --> 00:36:34,840
this kind of what you guys had in mind? Because

687
00:36:34,880 --> 00:36:36,360
it's been a couple of years right since the.

688
00:36:36,400 --> 00:36:40,039
Speaker 8: Band start, I mean, you know, working as you know,

689
00:36:40,400 --> 00:36:43,400
a promoter and for me in the past that we

690
00:36:43,480 --> 00:36:46,239
didn't even have an album until the very end and

691
00:36:46,519 --> 00:36:48,239
we split up once. It was so it was like

692
00:36:49,000 --> 00:36:50,599
we did were I wanted to do that the other

693
00:36:50,679 --> 00:36:54,280
way around, like start with something that we could actually

694
00:36:54,480 --> 00:36:57,000
like give the people instead of just like the only

695
00:36:57,039 --> 00:36:58,679
way you can see us is the come is come

696
00:36:58,760 --> 00:37:02,280
see us, right right? And uh so yeah, it was

697
00:37:02,320 --> 00:37:04,840
it was it was pretty intentional to to get the

698
00:37:04,920 --> 00:37:07,320
album done before we like, you know, we we weren't

699
00:37:07,360 --> 00:37:10,760
really interested in just playing every dive bar every day

700
00:37:10,800 --> 00:37:11,239
of the week.

701
00:37:11,960 --> 00:37:12,119
Speaker 17: You know.

702
00:37:13,440 --> 00:37:15,519
Speaker 8: The function was the house band at the Bomb Shelter,

703
00:37:15,599 --> 00:37:17,079
and we played like three days a week at the

704
00:37:17,119 --> 00:37:18,599
same Oh I remember the same bar.

705
00:37:18,840 --> 00:37:21,719
Speaker 9: So that was not what we were looking to do

706
00:37:21,840 --> 00:37:22,000
with this.

707
00:37:22,480 --> 00:37:22,679
Speaker 19: Yeah.

708
00:37:22,920 --> 00:37:25,480
Speaker 7: Yeah, Now I think I think the way you're approaching

709
00:37:25,519 --> 00:37:28,800
it is uh is excellent. Uh we wanna play? Uh

710
00:37:28,920 --> 00:37:30,000
we can play another one?

711
00:37:30,199 --> 00:37:30,320
Speaker 5: Uh?

712
00:37:30,679 --> 00:37:32,079
Speaker 7: What should we what should we play?

713
00:37:33,079 --> 00:37:34,039
Speaker 11: Let's do hindsight?

714
00:37:34,159 --> 00:37:36,639
Speaker 7: We do We'll do uh, We'll do hindsight. Okay, And

715
00:37:36,960 --> 00:37:40,000
if you are just joining us, we have Mercury Burns

716
00:37:40,079 --> 00:37:42,079
first three of the guys from the band here with

717
00:37:42,199 --> 00:37:45,239
us uh in studio and yeah, let's give this a spin.

718
00:37:45,559 --> 00:37:47,800
This is from the EP the Self THAT'LDP. This is

719
00:37:47,880 --> 00:37:48,639
called Hindsight.

720
00:37:49,840 --> 00:38:13,960
Speaker 1: Whoops, I'll find.

721
00:38:13,840 --> 00:38:18,719
Speaker 5: Little cars, no cloud side the walls.

722
00:38:20,239 --> 00:38:27,960
Speaker 2: Me busins long, it's not the long, go call live,

723
00:38:28,039 --> 00:38:31,360
don side ball, what he's doing, what he's doing?

724
00:38:31,599 --> 00:38:32,320
Speaker 1: Walk again?

725
00:38:32,920 --> 00:38:37,920
Speaker 2: And where our stands? The ways that was just do scals.

726
00:38:55,840 --> 00:39:01,320
Speaker 5: It's starting on and be a choice car you b face.

727
00:39:03,119 --> 00:39:09,599
Speaker 1: My naw far and grey places because I have to roll.

728
00:39:10,639 --> 00:39:17,480
Speaker 2: I know the nthing alcomes two along the shoulders a

729
00:39:17,719 --> 00:39:20,800
lot don despite the world.

730
00:39:24,920 --> 00:39:27,159
Speaker 5: We count the kill smoke, it's wrong.

731
00:39:28,639 --> 00:39:30,800
Speaker 3: I'm always messed with same God.

732
00:39:32,119 --> 00:39:33,880
Speaker 5: We're twenty twenty two.

733
00:39:34,159 --> 00:39:36,599
Speaker 1: Said see my girl on side.

734
00:40:08,880 --> 00:40:16,719
Speaker 5: As long as wrong, always sim gone. They're twenty twenty two,

735
00:40:17,280 --> 00:40:20,079
s seem credal sign.

736
00:40:22,960 --> 00:40:30,400
Speaker 2: The freaking Mike we talks say to the world the

737
00:40:30,840 --> 00:40:36,920
very cord there doing till my baseball.

738
00:40:38,000 --> 00:40:41,079
Speaker 1: We were wes.

739
00:40:40,639 --> 00:40:47,519
Speaker 2: Broke colt We all level one the other change because

740
00:40:47,599 --> 00:40:54,199
I'm there a little scared what the soul tis as

741
00:40:55,440 --> 00:40:58,199
the fust manifolds to.

742
00:40:58,360 --> 00:41:01,880
Speaker 1: Stands always that won't be still.

743
00:41:05,679 --> 00:41:06,599
Speaker 5: A full show.

744
00:41:06,840 --> 00:41:07,400
Speaker 1: I'm a fool.

745
00:41:07,519 --> 00:41:12,280
Speaker 2: Scars come wa wall m made a fuss and we're

746
00:41:12,400 --> 00:41:13,559
on its water.

747
00:41:13,800 --> 00:41:15,559
Speaker 1: And we won't be a world.

748
00:41:19,880 --> 00:41:25,000
Speaker 2: The three eccon man, you tell some fay Ton and

749
00:41:25,239 --> 00:41:31,280
small look till we're card doing the word change.

750
00:41:32,079 --> 00:41:33,360
Speaker 1: We spol.

751
00:41:34,559 --> 00:41:40,039
Speaker 2: We are bring one for me spoke and be on ba.

752
00:41:41,639 --> 00:41:50,159
Speaker 5: I'm not on change because I'm mansc plays so chip

753
00:41:52,079 --> 00:41:57,039
the fuck small made of pos step aldays.

754
00:41:56,960 --> 00:41:58,679
Speaker 1: That won't be store.

755
00:42:17,559 --> 00:42:20,280
Speaker 7: That is cool. That is called hindsight. The band is

756
00:42:20,360 --> 00:42:22,920
Mercury Burns first we've got three of the guys from

757
00:42:22,920 --> 00:42:25,480
the band here with us in studio. I was telling

758
00:42:25,599 --> 00:42:27,000
these guys off air, I think that would be a

759
00:42:27,159 --> 00:42:30,760
very strong radio single, really really catchy. It's got a

760
00:42:30,800 --> 00:42:33,760
cool vibe to it. But uh yeah, excellent, excellent job.

761
00:42:33,840 --> 00:42:34,079
Speaker 11: Guys.

762
00:42:35,719 --> 00:42:37,079
Speaker 7: Do you do you do you each have your own

763
00:42:37,119 --> 00:42:39,559
favorite of the of these of these tracks? Do you

764
00:42:39,599 --> 00:42:41,880
each have one that really stands out for you?

765
00:42:43,000 --> 00:42:45,199
Speaker 8: I mean that comes around, like I keep I feel

766
00:42:45,199 --> 00:42:48,559
like I have like a favorite, you know, different each

767
00:42:48,599 --> 00:42:51,800
week is a different favorite. Like mine started out as Embrace, Yeah,

768
00:42:53,280 --> 00:42:58,639
and uh, respond is our heaviest song, and that's you know,

769
00:42:58,880 --> 00:43:01,760
like it's it's a different vein from the kind of

770
00:43:01,800 --> 00:43:03,800
the few that we played, so like, yeah, it's hard.

771
00:43:03,880 --> 00:43:07,679
It's hard to put that against like, uh, the song

772
00:43:07,719 --> 00:43:11,079
we just played. They're they're apples and oranges. So like

773
00:43:11,719 --> 00:43:16,480
I would say, like that's my favorite, like yeah, yeah,

774
00:43:16,599 --> 00:43:19,880
but but respond is my favorite heavy song. Okay, Okay,

775
00:43:20,599 --> 00:43:24,760
it's it's yeah, it varies, yeah, yeah, what about you Dan?

776
00:43:25,480 --> 00:43:28,039
Speaker 13: Yeah, I had to embrace Thiss my favorite song. I

777
00:43:28,159 --> 00:43:31,159
love that just kind of the more mellow vibe and yeah,

778
00:43:31,199 --> 00:43:34,199
yeah it hops into you know, a lot heavier late

779
00:43:34,320 --> 00:43:37,679
later on. Yeah, from playing I think Respond is one

780
00:43:37,719 --> 00:43:39,679
of my favorites to play. I got a little bass

781
00:43:39,719 --> 00:43:42,400
and drum break down midway for me and Joel, So

782
00:43:42,519 --> 00:43:44,000
that's it's really fun to play.

783
00:43:44,119 --> 00:43:46,440
Speaker 11: Yeah, Yeah, what about you, Adam? I mean for me,

784
00:43:46,599 --> 00:43:48,039
it's basically all of them.

785
00:43:48,199 --> 00:43:51,159
Speaker 10: I think it's just because we've we've poured so much

786
00:43:51,360 --> 00:43:53,599
energy into them and just seeing like where they're, where

787
00:43:53,599 --> 00:43:56,440
they're coming and going, and the overall development of the

788
00:43:56,559 --> 00:43:59,360
songs themselves, and you know, especially when you have, like

789
00:43:59,440 --> 00:44:03,400
you said, guys in one band and coming from the

790
00:44:03,519 --> 00:44:07,159
concepts of where the song started in garage band, because

791
00:44:07,159 --> 00:44:09,559
that's usually how we do it. We'll put the arrangement,

792
00:44:09,679 --> 00:44:12,159
a quick arrangement together for everyone to listen to, yeah,

793
00:44:12,239 --> 00:44:12,599
and then.

794
00:44:12,519 --> 00:44:13,719
Speaker 11: To see it when unfold.

795
00:44:14,119 --> 00:44:16,199
Speaker 10: That's why it's kind of like cool, this is great,

796
00:44:16,320 --> 00:44:21,159
Like yeah, So I don't have a particular favorite, Okay, Okay.

797
00:44:20,920 --> 00:44:23,679
Speaker 8: They were all really we're really proud of of each

798
00:44:23,800 --> 00:44:26,559
theres they're all our children and they all have special

799
00:44:27,199 --> 00:44:27,760
special too.

800
00:44:28,199 --> 00:44:32,280
Speaker 7: Yeah, no doubt, no doubt. Well, guys, the time goes

801
00:44:32,320 --> 00:44:34,480
so fast. I think we'll probably close the segment with

802
00:44:34,639 --> 00:44:36,519
respond because we were talking about and that is a

803
00:44:36,559 --> 00:44:39,280
great track. That's the opener of the EP, and it

804
00:44:39,400 --> 00:44:42,480
is it is good and heavy. But what should people

805
00:44:42,559 --> 00:44:44,679
know about? Where to keep up with you online, everything

806
00:44:44,760 --> 00:44:45,320
that the band is.

807
00:44:45,840 --> 00:44:47,920
Speaker 9: We're on Instagram, We're on Facebook.

808
00:44:48,519 --> 00:44:50,679
Speaker 8: We have band Campus where you can get our merch

809
00:44:50,920 --> 00:44:55,679
or our CDs, our records, t shirts. You know, come

810
00:44:55,719 --> 00:44:57,320
out and see us at the Gateway or at the

811
00:44:57,360 --> 00:45:03,440
Middle East. The Gateways h February twenty second. Middle East

812
00:45:03,559 --> 00:45:06,239
is March eighteenth. We'd love to see you guys there.

813
00:45:06,440 --> 00:45:07,159
Come check it out.

814
00:45:07,880 --> 00:45:09,800
Speaker 11: Excellent, thanks Mercury Burns.

815
00:45:09,840 --> 00:45:11,920
Speaker 14: First on the Google machine, yes, yes.

816
00:45:12,440 --> 00:45:16,039
Speaker 7: Yes, it's very googleable, which is important, which is important.

817
00:45:16,559 --> 00:45:20,039
Speaker 8: Yeah, we have our the albums up on Spotify, iTunes, Pandora,

818
00:45:20,199 --> 00:45:22,280
all you know, all the streaming services, all.

819
00:45:22,039 --> 00:45:25,639
Speaker 7: Major streaming Yeah, yeah, excellent. Yeah, no, you guys got it,

820
00:45:25,880 --> 00:45:29,679
got it well covered. And congratulations on the EP and

821
00:45:30,400 --> 00:45:32,480
and everything that you're doing. And we'll we'll definitely have

822
00:45:32,559 --> 00:45:34,840
to have you back in the future. But uh yeah,

823
00:45:34,880 --> 00:45:37,679
I think we'll close out the segment with respond Again.

824
00:45:37,760 --> 00:45:40,679
That's the opener and very very strong track, nice and

825
00:45:40,760 --> 00:45:43,360
heavy and of course if you're listening live on Saturday.

826
00:45:43,679 --> 00:45:45,960
We have Iron Jaw coming up in the next hour.

827
00:45:46,000 --> 00:45:48,239
Those guys are going to be skyping in from Texas.

828
00:45:48,599 --> 00:45:51,800
But we will close out with this. This is called

829
00:45:52,039 --> 00:45:54,800
the segment with this, this is called respond. It is

830
00:45:54,880 --> 00:45:58,320
the opener from Mercury burns first and guys, thank you again,

831
00:45:58,400 --> 00:46:01,159
thank you great absolutely.

832
00:46:22,679 --> 00:46:30,239
Speaker 1: Le sails us as examp. The songs and who shots

833
00:46:30,599 --> 00:46:33,760
where the sounds a laugh? What do I want to explore?

834
00:46:34,519 --> 00:46:38,880
Let's cross into what wesels? Let's not tell you nial

835
00:46:39,719 --> 00:46:42,159
to get to ground with all that's lap?

836
00:46:42,280 --> 00:46:53,679
Speaker 2: Why stuff to as what a less to show out?

837
00:46:55,760 --> 00:47:09,079
Explock like a fly.

838
00:47:09,679 --> 00:47:17,639
Speaker 6: Gund okay, light of course the CONTs.

839
00:47:15,119 --> 00:47:18,360
Speaker 1: Taking step back the works to a show.

840
00:47:20,079 --> 00:47:23,039
Speaker 6: With all that way, this shot so much of work

841
00:47:23,119 --> 00:47:28,039
a tank that way starts the restaurant place for fight

842
00:47:28,239 --> 00:47:28,960
start off.

843
00:47:34,400 --> 00:47:54,880
Speaker 1: As show way. You can't say sorry you stay up

844
00:47:55,320 --> 00:48:01,239
of face were okay? Shows You can tell your plan

845
00:48:01,519 --> 00:48:05,440
that says never last they stand no trans before you

846
00:48:05,800 --> 00:48:10,280
die the gas of the floor of that out last

847
00:48:10,679 --> 00:48:22,480
fair jack fly over your because from Nack always suggested

848
00:48:23,320 --> 00:48:33,360
towards your sir, you can't as her.

849
00:48:33,320 --> 00:48:50,960
Speaker 3: Child last starts.

850
00:48:51,119 --> 00:48:57,320
Speaker 1: Can you ask your knock up.

851
00:49:12,800 --> 00:49:18,159
Speaker 6: We woke out, We act put in a will resport

852
00:49:18,800 --> 00:49:22,079
we wore act put.

853
00:49:22,559 --> 00:49:27,920
Speaker 1: We will respawn or brown exploring class.

854
00:49:27,880 --> 00:49:38,840
Speaker 19: Plot, gray, well race right glads the world elsewhere else we.

855
00:49:38,960 --> 00:49:42,239
Speaker 6: Know we round with them their flows. I couldn't lie

856
00:49:42,400 --> 00:49:46,639
with the solstars. We're gonna sound so well go don't

857
00:49:46,719 --> 00:49:50,360
true explode with less that class in the one webs

858
00:49:50,719 --> 00:49:55,079
and that's not tryer gountry balls there tract brown with

859
00:49:55,239 --> 00:49:58,599
all that laft with my starts with the ball.

860
00:50:52,079 --> 00:50:54,280
Speaker 20: In times of crisis, you need a law firm that

861
00:50:54,360 --> 00:50:57,440
stands by your side. With over forty years of experience,

862
00:50:57,559 --> 00:51:00,679
Craig and Getsulus is dedicated to fighting for your rights.

863
00:51:01,079 --> 00:51:04,079
As former state prosecutors, our attorneys have the knowledge and

864
00:51:04,159 --> 00:51:07,880
trial experience to provide an aggressive defense against any charge,

865
00:51:08,280 --> 00:51:12,519
from duys to homicides. If you've been injured, our compassionate

866
00:51:12,559 --> 00:51:15,159
team will assess your case and fight for the compensation

867
00:51:15,280 --> 00:51:18,719
you deserve. Serving all of New Hampshire. Craigan Getzulis is

868
00:51:18,760 --> 00:51:21,800
here when you need us most. Visit Craigatzulis dot com

869
00:51:22,000 --> 00:51:26,039
for a free consultation. Craigan Getsulus, your advocates, your.

870
00:51:26,000 --> 00:51:31,119
Speaker 21: Allies, bring your kitchen to life with Queen Citycabinetry, located

871
00:51:31,199 --> 00:51:34,679
at eighty seven Elm Street in the historic Sunbeam Wall

872
00:51:34,840 --> 00:51:38,280
in Manchester, open Monday through Friday nine am to.

873
00:51:38,360 --> 00:51:42,239
Speaker 22: Five thirty pm, in Saturdays ten am to two pm.

874
00:51:42,760 --> 00:51:45,840
They can be reached at six h three two two

875
00:51:45,960 --> 00:51:49,360
two to zero zero seven. We're on the web at

876
00:51:49,480 --> 00:51:56,239
Queen citycabinatree NH dot com. Come see the possibilities. Queen Citycabinetry.

877
00:51:56,519 --> 00:51:59,320
Another crowd sponsor of WMNH.

878
00:52:00,159 --> 00:52:02,840
Speaker 18: Cafe is the place to put a smile on your face.

879
00:52:02,960 --> 00:52:04,840
Judy and the crew will take care out of you,

880
00:52:05,079 --> 00:52:08,760
bring your appetite and trig your taste buds right business

881
00:52:08,840 --> 00:52:12,960
cafe is always a winning choice. Breakfast, lunch or supper

882
00:52:13,440 --> 00:52:17,679
Dizze's Cafe at eight sixty Elm Street in downtown Manchester.

883
00:52:18,159 --> 00:52:21,039
Dine in, take out or make a reservation call six

884
00:52:21,239 --> 00:52:25,159
h three six oh six two five three two, Eat,

885
00:52:25,599 --> 00:52:28,360
drink and be happy Dizze's Cafe.

886
00:52:28,719 --> 00:52:31,440
Speaker 17: When it comes to keeping WMNH on the air and

887
00:52:31,559 --> 00:52:35,320
your own personal or business computer needs, trust Groland Computers,

888
00:52:35,559 --> 00:52:39,320
located on Elm Street in Manchester. Groland handles computer repair,

889
00:52:39,519 --> 00:52:42,400
virus removal and custom built systems. Are you looking for

890
00:52:42,519 --> 00:52:45,800
budget friendly options, check out our selection of fully inspected

891
00:52:45,960 --> 00:52:50,039
used computers. We offer tailored on site solutions no unnecessary

892
00:52:50,119 --> 00:52:53,679
expenses here. Visit Groland dot com or call Grolling Computers

893
00:52:53,840 --> 00:52:57,440
at six zero three six four five zero one zero one.

894
00:52:57,599 --> 00:53:00,239
Your Tech, Your Way, trust groll In Computer.

895
00:53:07,280 --> 00:53:07,800
Speaker 3: Midnight.

896
00:53:08,199 --> 00:53:12,119
Speaker 6: Seven times out of ten we listened to our music

897
00:53:12,400 --> 00:53:13,199
at night.

898
00:53:14,960 --> 00:53:18,119
Speaker 3: Don titled business program.

899
00:53:18,000 --> 00:53:22,039
Speaker 19: Late Night to Light with DJ Midas right here on WNH, Manchester.

900
00:53:22,280 --> 00:53:23,800
Speaker 1: You want because.

901
00:53:25,519 --> 00:53:27,920
Speaker 9: Saturdays and Sunday nights midnight to four am.

902
00:53:29,239 --> 00:53:34,719
Speaker 23: This hour on WMNH is sponsored by CGI Business Solutions,

903
00:53:35,079 --> 00:53:39,079
located at five Dartmouth Drive in Auburn. They serve all

904
00:53:39,159 --> 00:53:43,599
your business needs including employee benefits, planning, corporate design and

905
00:53:43,719 --> 00:53:49,719
business administration, investments and wealth management and customized business insurance solutions.

906
00:53:50,000 --> 00:53:52,559
Their phone number is eight sixty six eighty four to

907
00:53:52,639 --> 00:53:56,400
one forty six hundred, or on the web at CGI

908
00:53:56,639 --> 00:53:58,480
Business Solutions dot com.

909
00:54:01,480 --> 00:54:05,000
Speaker 24: Behold the harmony of airwaves as you immerse yourself in

910
00:54:05,079 --> 00:54:09,480
the captivating frequencies of w MNHLP, the sonic heart beats

911
00:54:09,519 --> 00:54:13,039
of Manchester transcending through the ether at ninety five point

912
00:54:13,079 --> 00:54:17,039
three megahertz. Frequency modulation or transmissions emanate from the zenith

913
00:54:17,119 --> 00:54:19,800
of one thousand doll streets, insure into the hearts of

914
00:54:19,880 --> 00:54:23,360
our creative realm at one nineteen Canal Street, where innovation

915
00:54:23,599 --> 00:54:27,480
and sound collage. They're the impro moder of Manchester Public

916
00:54:27,519 --> 00:54:31,280
Television Service in the venerable city of Manchester, New Hampshire, USA.

917
00:54:31,719 --> 00:54:34,719
Enrich your auditory journey with the depth of our license

918
00:54:34,800 --> 00:54:38,599
to wesdens wept your missives. Did WMNH ninety five three

919
00:54:38,679 --> 00:54:42,239
at gmail dot com or traverse the virtual corridors of

920
00:54:42,480 --> 00:54:46,800
wmnhradio dot org. Engage with our sonic vibrations by communing

921
00:54:46,840 --> 00:54:50,239
with us through the digital channels or radio beckons, eager

922
00:54:50,320 --> 00:54:53,280
to enthrall you with its mesmerizing cadence and develop you

923
00:54:53,360 --> 00:54:55,519
with a symphony of boundless auditories.

924
00:54:55,559 --> 00:55:02,639
Speaker 7: Won dude, w m n H rips the normals?

925
00:55:12,159 --> 00:55:18,360
Speaker 1: H m hmmmmm.

926
00:55:19,119 --> 00:55:20,039
Speaker 16: Can't be aloud?

927
00:55:22,239 --> 00:55:23,039
Speaker 1: How your boat?

928
00:55:23,880 --> 00:55:25,679
Speaker 5: Well, all right, I'll.

929
00:55:25,599 --> 00:55:27,400
Speaker 16: Tell you can't turn us go.

930
00:55:31,079 --> 00:55:35,320
Speaker 1: That's no hurting bird, lou there.

931
00:55:36,440 --> 00:55:39,320
Speaker 16: Why you're gurning g starre jumping my top.

932
00:55:39,199 --> 00:55:39,679
Speaker 1: In the air.

933
00:55:42,360 --> 00:55:42,800
Speaker 23: I am.

934
00:55:54,880 --> 00:55:57,559
Speaker 16: Yeah, boiled it?

935
00:56:00,199 --> 00:56:05,679
Speaker 12: Take all that Everard, Well, I waited all night, that's right,

936
00:56:06,079 --> 00:56:07,760
went down job, last night.

937
00:56:10,679 --> 00:56:19,440
Speaker 16: Great si fency, work around the soul, the bils.

938
00:56:21,559 --> 00:56:25,159
Speaker 19: Donning scale, ton of my body, steak sharma.

939
00:56:25,239 --> 00:56:26,360
Speaker 22: Bestie.

940
00:56:27,639 --> 00:56:30,840
Speaker 1: Setting, scree be far the art of bar.

941
00:56:33,119 --> 00:56:38,360
Speaker 12: Time sat, I would tell Peper race waiting and stopped,

942
00:56:38,360 --> 00:56:42,280
geting gets great to come to the surfing and race.

943
00:56:43,239 --> 00:56:45,320
Speaker 16: I just get all the various names.

944
00:56:49,559 --> 00:57:03,159
Speaker 25: Timetop time, top time, I get out of various estam.

945
00:57:36,800 --> 00:57:41,760
Speaker 16: From the day that we were, lock of silsil arbery.

946
00:57:44,000 --> 00:57:47,719
Speaker 1: Crowd right, how are you at above the day job?

947
00:57:50,880 --> 00:57:57,039
Speaker 12: The time is die, don't hell the day durable, die

948
00:57:57,159 --> 00:58:02,960
out of the holliready kills day, shut it stead like

949
00:58:03,199 --> 00:58:06,480
god by y'all, sneak shop, pirty.

950
00:58:08,079 --> 00:58:09,960
Speaker 1: Ms through the gotta and.

951
00:58:10,079 --> 00:58:11,159
Speaker 5: All that kind of.

952
00:58:14,559 --> 00:58:18,480
Speaker 25: Steps out with stell dem race away, gets.

953
00:58:18,320 --> 00:58:21,239
Speaker 1: Stopped, it gets fraid, comes with.

954
00:58:21,280 --> 00:58:25,400
Speaker 16: A servings embrace. I get all the various naves.

955
00:58:29,559 --> 00:58:31,880
Speaker 2: Then you banda.

956
00:58:41,239 --> 00:58:48,119
Speaker 16: Various getting on red right.

957
00:58:50,079 --> 00:58:57,280
Speaker 12: I don't run away, don't wake be away, get no God,

958
00:58:57,519 --> 00:59:02,679
no vergenary that so at the ferry they have a

959
00:59:02,840 --> 00:59:04,400
down find the

960
00:59:06,039 --> 00:59:06,280
Speaker 1: Same