WEBVTT

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<v Speaker 1>Set up with the everyday grind, died out from the

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<v Speaker 1>summer heat, I want to get away from it, Dawn.

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<v Speaker 2>We offer you.

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<v Speaker 3>Escape, escape designed to free you from the four walls

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<v Speaker 3>of today, for a half hour of high adventure.

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<v Speaker 1>You are groping through the midnight dimness of a gigantic

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<v Speaker 1>department store, and suddenly you realize that a hundred eyes

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<v Speaker 1>are staring at you from the shadows, and a hundred

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<v Speaker 1>hands are reaching for your throat, and your most urgent

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<v Speaker 1>desire is to escape.

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<v Speaker 3>Tonight we escape to a fantastic world of night dwellers,

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<v Speaker 3>as John Collier imagines it in his Eerie story Evening Primrose.

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<v Speaker 4>SAIDA what's a moody?

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<v Speaker 5>It's me?

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<v Speaker 6>You last gave me to death?

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<v Speaker 5>What do you mean?

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<v Speaker 7>Coming in so quiet? I thought you be asleep. I

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<v Speaker 7>don't want to wake you.

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<v Speaker 8>Sam.

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<v Speaker 9>I'm so glad you're home.

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<v Speaker 2>What's a many?

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<v Speaker 6>What's terrible?

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<v Speaker 9>You gotta do something, Sam?

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<v Speaker 7>What's terrible?

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<v Speaker 6>It is? Just look at this?

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<v Speaker 7>What's terrible about that? Looks like an ordinary pair of paper?

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<v Speaker 2>To me, that's just it.

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<v Speaker 6>That's just what I thought. But it's got writing in it.

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<v Speaker 2>Oh, it's awful.

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<v Speaker 7>And now wait a minute, Maybe you better tell me

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<v Speaker 7>what this is all about.

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<v Speaker 9>Well, today I went chopping at races the Yeah, I

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<v Speaker 9>needed some writing papers, so I picked this up. It

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<v Speaker 9>was on top of the pile, so I bought it,

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<v Speaker 9>and I brought it home tonight. When I opened it,

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<v Speaker 9>I thought.

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<v Speaker 7>Well, that's not so terrible. Just take it back tomorrow

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<v Speaker 7>and make him give you a knowing.

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<v Speaker 9>You don't understand. It's what's written in it that's so terrible.

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<v Speaker 7>What do you mean what's written in it? All right now?

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<v Speaker 9>And I'll read it.

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<v Speaker 7>Look Sadie, I'm tired. I've been bawling all of the night.

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<v Speaker 6>Sam, Please just read it, but for Pete's Sam.

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<v Speaker 2>All right.

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<v Speaker 7>October nineteenth. Today I made my decision. I decided to

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<v Speaker 7>say goodbye to the world, to get out, leave, break away.

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<v Speaker 7>And I have done it, Sadie, And now I am free,

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<v Speaker 7>really free. Yes I am free.

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<v Speaker 1>At least, Yes I am free at last. The world

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<v Speaker 1>is an intolerable place for a poet. I was broke, starving,

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<v Speaker 1>at my wits end, and then I had the brilliant

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<v Speaker 1>idea I'd escaped to a place where I'd had no

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<v Speaker 1>need to earn a living, where I could write to

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<v Speaker 1>my heart's content in peace and security. And where is

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<v Speaker 1>this place right under your nose, so close you'd never

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<v Speaker 1>think of it. I am now living in Bracy's department store.

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<v Speaker 1>I have everything within arm's reach that anyone would need

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<v Speaker 1>a desire, and it's all free, absolutely free. I arrived

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<v Speaker 1>this afternoon. I'd spent three days looking over all the

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<v Speaker 1>department stores in town. I decided on Bracey's because of

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<v Speaker 1>the completeness of their food department. Therefore, this afternoon I

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<v Speaker 1>entered the store and went immediately to the fourth floor,

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<v Speaker 1>to the rug department, and hid myself in this dusty

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<v Speaker 1>out of the way corner behind the pile of carpets.

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<v Speaker 1>Once I'm settled, i'll furnish it with the best of

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<v Speaker 1>modern pieces from the furniture department. It's small, but it'll

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<v Speaker 1>be cozy enough and safe. After the store closed, I

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<v Speaker 1>made my first venture out. I tiptoed as far as

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<v Speaker 1>the stationary counter and got this paper, the writer's primary need. Now,

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<v Speaker 1>after making my first entry, I'll go out and get food,

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<v Speaker 1>the wine, and the pillars from my bed, perhaps even

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<v Speaker 1>a fancy dressing gown.

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<v Speaker 2>This is perfect. Here I'll be able to write.

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<v Speaker 1>Dawn October fourteenth. I am almost too unnerved to write this.

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<v Speaker 1>The whole thing is unbelievable. After the store was dark

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<v Speaker 1>and completely quiet, I crept out and started for the

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<v Speaker 1>food department. One steps echo hollowly in an empty department

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<v Speaker 1>store at night, and I found myself gliding along the

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<v Speaker 1>floor on tiptoe, moving as silently as possible. But the

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<v Speaker 1>sound of footsteps persisted, and suddenly I realized that they

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<v Speaker 1>were not my own, the night watchman. I was in

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<v Speaker 1>the salon modern so quickly I seized a mink coat

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<v Speaker 1>from a hanger and drinked it about my.

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<v Speaker 2>Shoulders and stood stock still.

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<v Speaker 1>I could have reached out and touched him, but he

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<v Speaker 1>passed without so much.

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<v Speaker 2>As a glance.

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<v Speaker 1>I started to smile, but the smile froze on my lips.

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<v Speaker 1>There was someone else here. I was looking straight into

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<v Speaker 1>a pair of eyes, large, flat, luminous in human eyes

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<v Speaker 1>a dozen feet away. They belonged to a creature dressed

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<v Speaker 1>as a man, but he was as pale as something

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<v Speaker 1>found under a stone. His hands, hanging motionless at his sides,

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<v Speaker 1>looked more like the fins on a fish than human hands.

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<v Speaker 1>And then he not bad for a beginner, I'm sorry.

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<v Speaker 1>I didn't know anybody else lived here.

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<v Speaker 2>Oh, yes, we live here. It's delightful. We yes, all

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<v Speaker 2>of us, don't you see? Look around you?

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<v Speaker 1>I looked around and saw nothing. I looked again and

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<v Speaker 1>saw an old one come clamoring out from behind a clock.

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<v Speaker 1>And there were three elderly angeneus, incredibly emaciated, pale as

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<v Speaker 1>lace almost transparent, simmering before a perfume counter and a

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<v Speaker 1>chenzy lady swam out from the curtains and the drapes.

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<v Speaker 1>Then they came swarming thick around me, pale, thin, wispy,

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<v Speaker 1>moving silently, fluttering like gauze in the wind, whispery important

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<v Speaker 1>the darkning. They were pressing around me, clawing, holding me,

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<v Speaker 1>their pale faces contorted with venomous and human hatred. I

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<v Speaker 1>was paralyzed. All I could do was repeat over and

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<v Speaker 1>over again.

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<v Speaker 2>I am not a detective. I'm not a detective.

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<v Speaker 1>I'm not.

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<v Speaker 2>The sickly stop let him speak.

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<v Speaker 1>I am not a detective or a burglar. I'm a poet.

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<v Speaker 2>What are you doing here? I've renounced the world.

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<v Speaker 1>I came here to live where I could be alone,

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<v Speaker 1>away from the world.

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<v Speaker 6>Why didn't you come over? To the world.

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<v Speaker 5>She's coming now.

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<v Speaker 1>I followed their eyes toward the balcony, and the hair

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<v Speaker 1>on my neck rose again. They're coming down the wall

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<v Speaker 1>like an ancient spider. Clambered an old lady, wrinkled and

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<v Speaker 1>crackled and emaciated. She must have been at least eighty,

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<v Speaker 1>a shadowy matriarch, and the things around me bowed and scraped.

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<v Speaker 2>As she reached the floor and floated tortoisesh.

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<v Speaker 5>What's going on here? Where is that stupid girl? What's

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<v Speaker 5>keeping her?

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<v Speaker 1>Oh?

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<v Speaker 2>Missus vanderpan what is it?

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<v Speaker 5>Who's this?

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<v Speaker 2>Mister Roscoe, Missus Vanderpant, May I present mister mister Snell,

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<v Speaker 2>Charles Snell. Yes, mister Snell, he's a poet. He has

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<v Speaker 2>come here to live. Oh he has he That's what

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<v Speaker 2>he says, and I believe him.

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<v Speaker 5>Well.

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<v Speaker 2>He avoided the night watchman quite neatly for a beginner.

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<v Speaker 1>Thank you very well.

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<v Speaker 5>We shall see. A poet should find inspiration here.

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<v Speaker 2>Mister Snell. Missus Vanderpant is our grand old lady.

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<v Speaker 5>Oh I am quite the oldest inhabitant here, mister Snell.

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<v Speaker 5>Three mergers in a complete rebuilding, but they didn't get

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<v Speaker 5>rid of me. Oh, where is Ella?

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<v Speaker 2>Where is my bras see? He was bringing in missus

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<v Speaker 2>vonderpant it will come.

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<v Speaker 5>Terrible little creature. She's our founding, mister Snall, she's not

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<v Speaker 5>quite our sort.

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<v Speaker 2>Oh is that so?

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<v Speaker 5>I have been here, mister Snell, ever since the terrible

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<v Speaker 5>times of the eighties. I was a young girl, then

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<v Speaker 5>a beauty, they said, I'm sure, and poor Papa lost

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<v Speaker 5>his money. Racy's meant a lot to a young girl

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<v Speaker 5>in those days. So when I wasn't able to have

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<v Speaker 5>a charge account.

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<v Speaker 10>I came here to live. That's better than a charge account.

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<v Speaker 10>I was quite alarmed when others began to come after

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<v Speaker 10>the crash of nineteen hundred and seven. But it was

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<v Speaker 10>the dear judge, the colonel, missus, how are you, missus?

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<v Speaker 10>Bilbay right plays and it comes of an old Philadelphia family.

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<v Speaker 10>You'll find us quite nice here, I'm sure I will.

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<v Speaker 10>And of course our dear young people came in nineteen

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<v Speaker 10>twenty nine. Their poor paupers jumped from skyscrapers. They couldn't

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<v Speaker 10>bear to be without charge accounts either.

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<v Speaker 2>But you mean all these nice people live here ooh,

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<v Speaker 2>and many more. You shall meet them all later.

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<v Speaker 5>Oh, here comes Ella with my bras come hear you, stupid.

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<v Speaker 2>Thing, Missus vander Patters waiting, Ella, Yes.

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<v Speaker 5>Yes, sir, I'm coming as fast as I can here

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<v Speaker 5>on the table over there. Now, be careful, don't spill it.

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<v Speaker 2>But she's young, well, of course, she is a little

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<v Speaker 2>younger than most of us.

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<v Speaker 1>She's different, she's beautiful.

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<v Speaker 2>That's right, old fellow. She's really not our sort.

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<v Speaker 1>Or you shouldn't say such things.

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<v Speaker 2>She can hear you.

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<v Speaker 5>Oh that doesn't matter, Missus Bilby.

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<v Speaker 2>Please, mister Snow will understand these things better after you've

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<v Speaker 2>been here for a while. But it seems to me.

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<v Speaker 5>Miss Snail, we have certain rules here. They are necessary

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<v Speaker 5>for our survival. I'm sure you won't find it hard

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<v Speaker 5>to observe them.

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<v Speaker 2>Well, yes, but I should.

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<v Speaker 5>Advise you that you try. If you do not, it

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<v Speaker 5>would be most unfortunate, mister Snail, most unfortunate for you.

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<v Speaker 1>October fifteenth. You can imagine my feelings last night. My

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<v Speaker 1>first thought was to escape as quickly as possible. In fact,

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<v Speaker 1>I planned to quit my hiding place and mingle with

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<v Speaker 1>the crowds and leave Braceeds forever. But just at dawn,

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<v Speaker 1>mister Roscoe brought me a cup of coffee, which must

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<v Speaker 1>have been drugged for I fell asleep, and when I awoke,

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<v Speaker 1>I found that I'd slept all day, and night was

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<v Speaker 1>closing over the store.

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<v Speaker 2>Once more.

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<v Speaker 1>Later, I have spent my second night here. I saw

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<v Speaker 1>Ella again, Ella, the pearl of this remote, fantastic cave.

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<v Speaker 1>She's not like the others, a trifle pale, but otherwise

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<v Speaker 1>normal and human and.

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<v Speaker 2>Beautiful. A child of perhaps eighteen, she is.

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<v Speaker 1>The only thing that makes this nightmare bearable. October twentieth

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<v Speaker 1>Escape seems almost impossible. There is a very effective burglar

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<v Speaker 1>alarm system, and the doors are all carefully guarded, but

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<v Speaker 1>that is nothing compared to the dark men.

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<v Speaker 2>Who are the dark men?

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<v Speaker 1>I don't know, but the inhabitants here threaten any transgressor.

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<v Speaker 1>With these dark men, I shall try to discover who

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<v Speaker 1>they are. I am sure I'm watched, though they've begun

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<v Speaker 1>to trust me.

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<v Speaker 5>Now.

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<v Speaker 1>Speaking to the night watchman would be suicide, even if

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<v Speaker 1>he believed my fantastic story or didn't shoot me as

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<v Speaker 1>a burglar. I'm convinced that neither eleanor I could get

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<v Speaker 1>out of here alive. She and the night watchmen are

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<v Speaker 1>the only real people here. And how the others hate

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<v Speaker 1>the night watchman.

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<v Speaker 5>Odious vulgar creature. He reeks of the coarse sun.

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<v Speaker 2>Oh, come now, missus Bilby.

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<v Speaker 1>He's really a very personable young man, very young for

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<v Speaker 1>a night watchman.

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<v Speaker 2>Mister Snow, Sometimes I wonder about your taste.

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<v Speaker 11>You must not stay so much to yourself. You must

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<v Speaker 11>become dead acquainted with our ways.

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<v Speaker 2>That's quite true, old man. Oh, you must come to

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<v Speaker 2>the plate tonight. We're going to be entertained with one

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<v Speaker 2>of Missus Bilby's tragic comedies, Love in Shadowland. I'm sure

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<v Speaker 2>you will enjoy it.

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<v Speaker 1>I'm sure I will.

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<v Speaker 5>It's really a festive occasion.

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<v Speaker 6>You know.

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<v Speaker 1>One of is coming over Wannamakers.

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<v Speaker 2>Yes, the entire colony over at Wannamakers is coming here

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<v Speaker 2>en mass, to attend the play.

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<v Speaker 1>You mean there are people living in other.

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<v Speaker 11>Stores, Oh dear, yes, didn't you know? Of course, the

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<v Speaker 11>best people live in Braces and Wanna Makers.

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<v Speaker 2>Come now, missus Bilby, there are some very nice people

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<v Speaker 2>at Altman's.

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<v Speaker 1>Miss Bilby, Hello, Ella, good evening, mister Snall.

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<v Speaker 5>Well what is it ella.

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<v Speaker 6>Please, ma'am. I i'd so love to see your play tonight.

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<v Speaker 6>May I have your permission, certainly not.

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<v Speaker 11>You know better than that, your stupid creature. You know

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<v Speaker 11>where you belong, in the basement by the garbage can.

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<v Speaker 2>But Missus Bilby, mister sna Ella, you're becoming entirely too

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<v Speaker 2>forward of late. I advise you to watch your step.

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<v Speaker 2>Remember the dark men.

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<v Speaker 6>Oh no, please, mister Roscoe. I'll be good, I promise

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<v Speaker 6>I will.

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<v Speaker 7>Oh no, please, don't send.

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<v Speaker 4>For the dark man.

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<v Speaker 6>I'm sorry, Missus Bilby.

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<v Speaker 2>Ella, I'll come back. Charles. You forget yourself, let her go.

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<v Speaker 2>But how can you treat her like that? Why are

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<v Speaker 2>you always frighten her? And what is all this about

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<v Speaker 2>the dark men? Wailed mister Snellight.

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<v Speaker 11>Please, mister Rascal, not now, you'll spoil our whole evening.

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<v Speaker 11>And I do so want mister Snell to enjoy.

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<v Speaker 2>My play very well, Missus Bilby. Later, Charles, but I

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<v Speaker 2>want to know about the dark men.

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<v Speaker 5>Later, later October.

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<v Speaker 1>Twenty first, I found an opportunity to speak to Ella alone.

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<v Speaker 1>I had not dared to speak to her before. Here

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<v Speaker 1>one has the sense always of pale eyes secretly watching.

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<v Speaker 1>But last night at the play, I induced a fit

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<v Speaker 1>of hiccups as I anticipated I was sternly reprimanded and

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<v Speaker 1>told to go and secret myself in the basement where

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<v Speaker 1>the night watchman wouldn't hear me. This was exactly what

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<v Speaker 1>I'd planned. I went to the basement, and there, in

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<v Speaker 1>the darkness, among the garbage cans and the rats, I

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<v Speaker 1>heard sobbing.

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<v Speaker 2>Ella, Ella, Oh, Ella, is that you?

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<v Speaker 4>Yes?

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<v Speaker 2>Why are you crying? What is it? Ella?

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<v Speaker 6>They wouldn't even let me see the plane.

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<v Speaker 2>Oh is that all?

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<v Speaker 6>Oh, mister Snellert, I'm so unhappy?

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<v Speaker 4>Are there they?

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<v Speaker 2>You mustn't cry.

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<v Speaker 6>You're the only one, the only one who is kind.

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<v Speaker 2>Ella. Why are you here?

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<v Speaker 1>Why did they treat you so differently?

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<v Speaker 6>Because I'm not like them? I didn't choose to come here.

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<v Speaker 2>You mean you are hell prisoner?

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<v Speaker 6>Yes, you see, I was only six. I came here

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<v Speaker 6>on a shopping tour with my mother. I got lost

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<v Speaker 6>and fell asleep behind the counter. It was dark when

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<v Speaker 6>I awoke, and they found me. Some of them wanted

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<v Speaker 6>to send for the dark men because they were afraid

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<v Speaker 6>I would tell on em, But missus Vonderpant said now

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<v Speaker 6>I could stay and be her maid. I've been here ever.

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<v Speaker 1>Since since you were six. But haven't you ever tried

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<v Speaker 1>to get away.

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<v Speaker 6>Oh no, I don't know anything about out there. I

291
00:17:16.000 --> 00:17:20.119
<v Speaker 6>wouldn't know what to do. Besides her, I'm afraid to

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00:17:20.160 --> 00:17:23.960
<v Speaker 6>take the chance. If anyone tries to get out, they

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00:17:24.000 --> 00:17:25.079
<v Speaker 6>send for the dark men.

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<v Speaker 2>Ella, who are the dark men?

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00:17:28.880 --> 00:17:33.400
<v Speaker 6>Don't you know? Oh, it's horrible. Tell me you know

296
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<v Speaker 6>how people live in all the stores at Gimbals and Bloomingdales.

297
00:17:37.200 --> 00:17:38.039
<v Speaker 2>Yes, yes, I know.

298
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<v Speaker 6>Will the dark men live at the Undertakers Good Heavens.

299
00:17:43.680 --> 00:17:47.359
<v Speaker 6>And whenever someone dies or breaks the rules, or when

300
00:17:47.400 --> 00:17:50.079
<v Speaker 6>a burglar gets in and sees these people and might tell,

301
00:17:51.039 --> 00:17:53.359
<v Speaker 6>they send for the dark men.

302
00:17:53.359 --> 00:17:54.119
<v Speaker 2>That's horrible.

303
00:17:54.440 --> 00:17:56.440
<v Speaker 6>They put the body in the butcher's shop and the

304
00:17:56.440 --> 00:18:01.160
<v Speaker 6>food department, and then the dark men come. I saw

305
00:18:01.200 --> 00:18:01.680
<v Speaker 6>them once.

306
00:18:02.400 --> 00:18:04.640
<v Speaker 2>It was terrible. What do they do?

307
00:18:05.400 --> 00:18:08.559
<v Speaker 6>They go in where the dead person is. They have

308
00:18:08.640 --> 00:18:12.640
<v Speaker 6>wax with them and all sorts of things, And when

309
00:18:12.680 --> 00:18:16.640
<v Speaker 6>they're gone, there's just a wax model left on the counter.

310
00:18:18.599 --> 00:18:20.599
<v Speaker 6>Then our people put a frock on it or a

311
00:18:20.640 --> 00:18:22.400
<v Speaker 6>bathing suit and mix it up with all the other

312
00:18:22.440 --> 00:18:26.319
<v Speaker 6>wax models in the windows. And nobody ever knows.

313
00:18:27.079 --> 00:18:29.839
<v Speaker 1>Ellie, you mean all these dummies.

314
00:18:29.440 --> 00:18:34.039
<v Speaker 6>Hut, No, at least not all of them. But if

315
00:18:34.079 --> 00:18:37.599
<v Speaker 6>you displease these people, the same thing might happen to you.

316
00:18:43.319 --> 00:18:47.839
<v Speaker 1>October thirtieth, I've not kept up my journal. Writing has

317
00:18:47.880 --> 00:18:51.519
<v Speaker 1>been out of the question once more. I'm frozen with terror,

318
00:18:52.160 --> 00:18:54.079
<v Speaker 1>not for myself now, but for Ella.

319
00:18:54.839 --> 00:18:55.480
<v Speaker 2>They hate her.

320
00:18:56.079 --> 00:18:58.359
<v Speaker 1>Any time, they might turn against her and send her

321
00:18:58.720 --> 00:19:02.960
<v Speaker 1>to the dark men. My mind is filled with her.

322
00:19:04.279 --> 00:19:08.039
<v Speaker 1>I dream of her every day. I live to see

323
00:19:08.079 --> 00:19:12.839
<v Speaker 1>her at night. We've managed it several times. They trust

324
00:19:12.839 --> 00:19:15.200
<v Speaker 1>me now and let me roam about without interference.

325
00:19:16.039 --> 00:19:17.759
<v Speaker 2>And finally tonight.

326
00:19:17.480 --> 00:19:27.960
<v Speaker 1>I met her again and said it, Ella, I love you.

327
00:19:29.359 --> 00:19:30.200
<v Speaker 2>I love you. Ella.

328
00:19:30.640 --> 00:19:32.960
<v Speaker 1>Let let's get married or whatever they do here, and

329
00:19:33.000 --> 00:19:34.480
<v Speaker 1>then we can live together in my home in.

330
00:19:34.480 --> 00:19:35.359
<v Speaker 2>The carpet department.

331
00:19:35.559 --> 00:19:39.039
<v Speaker 1>They wouldn't dare hurt you then, Oh, don't look so dismayed.

332
00:19:39.200 --> 00:19:41.200
<v Speaker 1>If you like, we'll go away from here. Maybe we

333
00:19:41.240 --> 00:19:44.519
<v Speaker 1>can get transferred to Bergdorf Goodman overlooking Central Park.

334
00:19:45.000 --> 00:19:45.480
<v Speaker 6>Charles.

335
00:19:45.480 --> 00:19:51.960
<v Speaker 2>Don't you but I love you, Ella?

336
00:19:52.519 --> 00:19:54.519
<v Speaker 1>You're not in love with someone else?

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00:19:55.400 --> 00:19:59.279
<v Speaker 6>Charles, Yes, I am.

338
00:19:59.400 --> 00:20:00.200
<v Speaker 2>But who? Yeah?

339
00:20:01.039 --> 00:20:05.839
<v Speaker 1>I thought you hated them ally, Ah, it must be Roscoe.

340
00:20:05.839 --> 00:20:07.359
<v Speaker 1>He's the only one that's young enough.

341
00:20:07.599 --> 00:20:11.440
<v Speaker 6>Oh No, Charles, not Roscoe, especially not him. I do

342
00:20:11.640 --> 00:20:13.400
<v Speaker 6>hate them more make me shudder.

343
00:20:13.559 --> 00:20:15.160
<v Speaker 2>Well who is it? Then?

344
00:20:15.640 --> 00:20:18.640
<v Speaker 6>Is he who the night watchman?

345
00:20:19.640 --> 00:20:21.480
<v Speaker 2>No, it's impossible.

346
00:20:21.559 --> 00:20:24.720
<v Speaker 6>Oh I love him. He smells of the sun.

347
00:20:24.880 --> 00:20:25.200
<v Speaker 2>Ella.

348
00:20:25.880 --> 00:20:29.400
<v Speaker 6>Oh it was wonderful the way it happened. Don't tell

349
00:20:29.400 --> 00:20:31.039
<v Speaker 6>on me, Charles, or they're punishment.

350
00:20:31.160 --> 00:20:34.079
<v Speaker 1>Oh no, No, I was careless.

351
00:20:34.160 --> 00:20:36.799
<v Speaker 6>And there he was coming around the corner in the

352
00:20:36.880 --> 00:20:41.440
<v Speaker 6>ladies lingerie department. I was caught. There were only some

353
00:20:41.559 --> 00:20:45.400
<v Speaker 6>wax models in there under things. There was nothing else

354
00:20:45.440 --> 00:20:50.720
<v Speaker 6>to do. I slipped off night dress and stood still.

355
00:20:52.079 --> 00:20:55.400
<v Speaker 2>M m, I see he.

356
00:20:55.440 --> 00:21:00.079
<v Speaker 6>Stopped near me. He looked at me. Oh, Charles. If

357
00:21:00.119 --> 00:21:03.960
<v Speaker 6>he spoke to me, he said, say, honey, I wish

358
00:21:04.000 --> 00:21:08.440
<v Speaker 6>they made them like you on Eighth Avenue. Oh, Charles,

359
00:21:08.480 --> 00:21:10.119
<v Speaker 6>wasn't that a lovely thing to say?

360
00:21:10.640 --> 00:21:13.839
<v Speaker 1>Personally, I should have said Park Avenue.

361
00:21:14.119 --> 00:21:17.599
<v Speaker 6>Charles, don't get like these people here. It doesn't matter

362
00:21:17.640 --> 00:21:21.920
<v Speaker 6>what avenue, Charles. It was just a lovely thing to say.

363
00:21:22.200 --> 00:21:24.680
<v Speaker 2>But what can you do about him? Allow? He belongs

364
00:21:24.720 --> 00:21:25.720
<v Speaker 2>to another world.

365
00:21:26.000 --> 00:21:30.440
<v Speaker 6>Yes, to Eighth Avenue, And I want to go there, Charles.

366
00:21:30.960 --> 00:21:32.119
<v Speaker 6>Are you really my friend?

367
00:21:32.200 --> 00:21:32.359
<v Speaker 4>Oh?

368
00:21:32.519 --> 00:21:33.880
<v Speaker 2>Yes, yes, of course I am.

369
00:21:34.079 --> 00:21:36.680
<v Speaker 6>Then I'll tell you I'm going to stand there again

370
00:21:36.720 --> 00:21:39.799
<v Speaker 6>in a laundry department, so he'll see me, and then

371
00:21:40.319 --> 00:21:41.680
<v Speaker 6>perhaps you'll speak to me again.

372
00:21:41.839 --> 00:21:44.079
<v Speaker 2>Oh Ella, you're only torturing yourself.

373
00:21:44.400 --> 00:21:48.319
<v Speaker 6>No, because this time I shall answer him and he'll

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<v Speaker 6>take me.

375
00:21:48.720 --> 00:21:52.400
<v Speaker 1>Away, take you away. Oh no, no, no, no, Ella.

376
00:21:52.480 --> 00:21:55.759
<v Speaker 2>I couldn't bear that you don't love him.

377
00:21:56.160 --> 00:21:58.000
<v Speaker 1>You only think you do because you think you'll take

378
00:21:58.000 --> 00:21:59.880
<v Speaker 1>you out of here, But you don't know that he

379
00:22:00.039 --> 00:22:03.000
<v Speaker 1>will and I will. Ella, I've made up my mind.

380
00:22:04.599 --> 00:22:08.319
<v Speaker 6>I couldn't let you do it, even if I loved you.

381
00:22:08.319 --> 00:22:12.799
<v Speaker 6>You couldn't do it, Charles. Why not because you really

382
00:22:12.839 --> 00:22:15.640
<v Speaker 6>belong here. You've become one of.

383
00:22:15.599 --> 00:22:19.279
<v Speaker 1>Them now, Ella, Ella, you mustn't say that it's true.

384
00:22:19.640 --> 00:22:24.720
<v Speaker 6>And Charles, I've got to go with someone watching.

385
00:22:25.960 --> 00:22:31.680
<v Speaker 8>Wait Hella, No Ella, come back, Ella, please, old fellow,

386
00:22:31.680 --> 00:22:37.319
<v Speaker 8>you'll arouse the night watchman Rascal. Yes, love can be

387
00:22:37.599 --> 00:22:41.519
<v Speaker 8>very upsetting, can't it. You heard just the last moment,

388
00:22:41.680 --> 00:22:43.400
<v Speaker 8>or so very touching.

389
00:22:43.839 --> 00:22:47.279
<v Speaker 2>I was rather surprised, And yet it's understandable. I've been

390
00:22:47.319 --> 00:22:52.200
<v Speaker 2>attracted to Ella myself. We're still young, you know, and

391
00:22:52.359 --> 00:22:57.119
<v Speaker 2>so she loves another too bad old fellow. Who could

392
00:22:57.160 --> 00:23:00.319
<v Speaker 2>it be? Could it be that I am the cause

393
00:23:00.400 --> 00:23:03.720
<v Speaker 2>of your heart break. You flatter yourself too much, Rascal.

394
00:23:03.880 --> 00:23:10.279
<v Speaker 2>Then who the old judge? M certainly not the colonel, hardly,

395
00:23:10.400 --> 00:23:14.480
<v Speaker 2>none of those, not one of the customers. She loves

396
00:23:14.519 --> 00:23:16.759
<v Speaker 2>the night watchman. Can you imagine that she loves the

397
00:23:16.880 --> 00:23:20.480
<v Speaker 2>night ooh.

398
00:23:21.160 --> 00:23:24.960
<v Speaker 1>Er Roscoe. I shouldn't have said that. It's not true.

399
00:23:25.079 --> 00:23:26.440
<v Speaker 1>At least I don't think it's true.

400
00:23:27.039 --> 00:23:29.599
<v Speaker 2>You wouldn't you said you'll love her too.

401
00:23:30.119 --> 00:23:34.079
<v Speaker 1>You wouldn't do anything tell anybody. This is a secret

402
00:23:34.079 --> 00:23:35.759
<v Speaker 1>between us, between friends, isn't it.

403
00:23:36.039 --> 00:23:39.400
<v Speaker 2>Of course, old man, as secret as the grave.

404
00:23:39.559 --> 00:23:43.000
<v Speaker 1>She's young. Perhaps he'll leave and she'll forget him in time.

405
00:23:43.480 --> 00:23:47.759
<v Speaker 1>Who knows, perhaps she will learn to love you er me,

406
00:23:48.240 --> 00:23:51.119
<v Speaker 1>of course, in time, and we'll figure a way to

407
00:23:51.240 --> 00:23:52.079
<v Speaker 1>keep her safe.

408
00:23:51.920 --> 00:23:56.279
<v Speaker 2>Here, absolutely safe. Now, don't you worry about it? Well,

409
00:23:56.799 --> 00:24:08.039
<v Speaker 2>it's almost dawn. Time for bed. Good morning, Charles, early evening,

410
00:24:08.200 --> 00:24:10.720
<v Speaker 2>November fourth. I was a fool.

411
00:24:11.519 --> 00:24:13.920
<v Speaker 1>I should have known he couldn't be trusted. You must

412
00:24:13.920 --> 00:24:16.960
<v Speaker 1>have gone straight to missus von der Pant This evening,

413
00:24:17.000 --> 00:24:21.359
<v Speaker 1>the atmosphere has changed. People flickered to and fro, smiling

414
00:24:21.480 --> 00:24:26.559
<v Speaker 1>nervously horribly, with a sort of frightened sadistic exultation. An

415
00:24:26.599 --> 00:24:30.279
<v Speaker 1>informal dance in the record apartment's been called off, and

416
00:24:30.400 --> 00:24:32.000
<v Speaker 1>I can't find Ella.

417
00:24:32.400 --> 00:24:39.559
<v Speaker 2>I'm going out again now. Who look for her? Roscoe?

418
00:24:39.960 --> 00:24:43.079
<v Speaker 2>What have you done with her? Quiet? Night watchman? I

419
00:24:43.079 --> 00:24:44.880
<v Speaker 2>don't care what have you done with her? Whatever I did,

420
00:24:44.920 --> 00:24:46.119
<v Speaker 2>I did for your own good as well as the

421
00:24:46.119 --> 00:24:50.519
<v Speaker 2>good of us all. Wait a minute, what is that?

422
00:24:51.839 --> 00:24:56.839
<v Speaker 2>What are those people carrying? White Sella? She's tied up.

423
00:24:56.960 --> 00:24:59.799
<v Speaker 2>They're carrying her Ella, Hella.

424
00:24:59.680 --> 00:25:06.920
<v Speaker 1>Stop big doll, stop it, let me go, Let me go,

425
00:25:08.160 --> 00:25:08.720
<v Speaker 1>stop it.

426
00:25:09.799 --> 00:25:10.359
<v Speaker 2>I watching me.

427
00:25:10.519 --> 00:25:12.559
<v Speaker 1>But they're taking her into the butcher shop.

428
00:25:13.519 --> 00:25:28.559
<v Speaker 4>Hella, hella, hella, Yes, Charles, those are the dark men.

429
00:25:35.240 --> 00:25:35.680
<v Speaker 2>Midnight.

430
00:25:36.400 --> 00:25:40.000
<v Speaker 1>I am scribbling this last entry hurriedly. There and there

431
00:25:40.039 --> 00:25:43.079
<v Speaker 1>in the butcher shop with Ella the dark Man.

432
00:25:43.759 --> 00:25:44.799
<v Speaker 2>There's only one thing to do.

433
00:25:45.519 --> 00:25:47.680
<v Speaker 1>I'm going to find the night Watchman and tell him

434
00:25:47.920 --> 00:25:50.599
<v Speaker 1>he and I will save her if we can, and

435
00:25:50.640 --> 00:25:54.519
<v Speaker 1>if we're overpowered, well, I will leave this pad on

436
00:25:54.559 --> 00:25:56.680
<v Speaker 1>the stationary counter tomorrow.

437
00:25:56.680 --> 00:25:58.440
<v Speaker 2>If I live, I will recover it.

438
00:25:59.000 --> 00:26:01.839
<v Speaker 1>If I do not, whoever finds this and reads it,

439
00:26:02.400 --> 00:26:06.240
<v Speaker 1>look in the windows. Look for three new wax dummies,

440
00:26:06.799 --> 00:26:11.200
<v Speaker 1>two men, one rather sensitive looking and a girl. She

441
00:26:11.319 --> 00:26:14.880
<v Speaker 1>has blonde hair and blue eyes, and her nose turns

442
00:26:14.960 --> 00:26:15.440
<v Speaker 1>up a little.

443
00:26:16.279 --> 00:26:20.720
<v Speaker 2>Look for us. And then find them, smoke them out,

444
00:26:21.519 --> 00:26:22.359
<v Speaker 2>exterminate them.

445
00:26:23.000 --> 00:26:37.039
<v Speaker 7>Adventures find them, smoke them out to extiminate them. Adventures same,

446
00:26:38.640 --> 00:26:39.359
<v Speaker 7>not horrible.

447
00:26:40.839 --> 00:26:45.079
<v Speaker 9>We gotta do something, kill somebody something, Oh Sam, what'll

448
00:26:45.119 --> 00:26:45.480
<v Speaker 9>we do?

449
00:26:46.200 --> 00:26:46.240
<v Speaker 6>Do?

450
00:26:47.240 --> 00:26:48.119
<v Speaker 2>Not go to bad?

451
00:26:48.279 --> 00:26:50.319
<v Speaker 4>But Sam, whoever wrote.

452
00:26:50.079 --> 00:26:53.200
<v Speaker 7>This is sure got a weird senswer. You may probably

453
00:26:53.200 --> 00:26:55.039
<v Speaker 7>some clock down and braces o to be fired.

454
00:26:56.599 --> 00:26:57.880
<v Speaker 9>You mean you think it's just a storm.

455
00:26:58.799 --> 00:27:02.119
<v Speaker 2>You couldn't You don't believe that stuff? Do you what?

456
00:27:03.359 --> 00:27:03.799
<v Speaker 6>I don't know.

457
00:27:03.880 --> 00:27:07.759
<v Speaker 7>I just thought I forget it, baby, snap out of it.

458
00:27:08.839 --> 00:27:11.519
<v Speaker 7>I shouldn't leave you alone. You get too many ideas

459
00:27:11.559 --> 00:27:12.680
<v Speaker 7>when I go bowling at night.

460
00:27:13.000 --> 00:27:17.559
<v Speaker 9>Sam, Sam, don't you think maybe we ought to just

461
00:27:18.440 --> 00:27:20.759
<v Speaker 9>take it back and show somebody nuts?

462
00:27:20.759 --> 00:27:23.200
<v Speaker 7>It's not what the bother? They laugh at your baby,

463
00:27:23.240 --> 00:27:24.440
<v Speaker 7>think you were crazy or something.

464
00:27:24.799 --> 00:27:27.880
<v Speaker 6>Yeah, yeah, I guess you're right.

465
00:27:28.839 --> 00:27:29.799
<v Speaker 9>I guess I was silly.

466
00:27:29.920 --> 00:27:30.559
<v Speaker 2>Forget it.

467
00:27:31.480 --> 00:27:32.960
<v Speaker 7>Come on, let's go to bed. I'm tired.

468
00:27:33.079 --> 00:27:36.759
<v Speaker 9>Sure, Sam, Golly, you know, for a while I was

469
00:27:36.799 --> 00:27:37.440
<v Speaker 9>sure scared.

470
00:27:38.559 --> 00:27:39.359
<v Speaker 6>I even forgot what I.

471
00:27:39.359 --> 00:27:42.240
<v Speaker 9>Was gonna tell you what Sam, I found the cutest

472
00:27:42.279 --> 00:27:45.799
<v Speaker 9>dress today only nineteen ninety five. Yeah, yeah, it was

473
00:27:45.799 --> 00:27:48.240
<v Speaker 9>in the window with Bracy's. It was on a beautiful

474
00:27:48.279 --> 00:27:58.240
<v Speaker 9>little wet smartled don hair. Oh why, and I don't

475
00:27:58.319 --> 00:28:02.240
<v Speaker 9>up to no two minutes.

476
00:28:14.160 --> 00:28:17.920
<v Speaker 3>Escape is produced and directed by Norman McDonald. Tonight we

477
00:28:17.960 --> 00:28:21.000
<v Speaker 3>have brought you Evening Primrose by John Collier, adapted for

478
00:28:21.160 --> 00:28:24.440
<v Speaker 3>radio by John Douncle. Featured in Tonight's story were Bill

479
00:28:24.519 --> 00:28:28.599
<v Speaker 3>Conrad as Charles and Constance Cavendish is Ella with Harry Bartel,

480
00:28:28.720 --> 00:28:31.720
<v Speaker 3>Lillian Bayer, Jeff Corey K. Miller and Irene ted Rose.

481
00:28:31.839 --> 00:28:33.640
<v Speaker 3>Special music by Ivan Ditmar.

482
00:28:36.960 --> 00:28:40.680
<v Speaker 1>Next week, when you've had all you can stand of routine,

483
00:28:41.680 --> 00:28:45.880
<v Speaker 1>when your every day chose offer you no release, when

484
00:28:45.880 --> 00:28:50.640
<v Speaker 1>the four walls are closing in on you, join us for.

485
00:28:52.240 --> 00:28:52.640
<v Speaker 2>Escape.

486
00:28:59.759 --> 00:29:02.519
<v Speaker 3>Next week we escape with another great story by one

487
00:29:02.519 --> 00:29:04.240
<v Speaker 3>of the world's outstanding authors.

488
00:29:04.680 --> 00:29:06.759
<v Speaker 2>Good Night then until this same time.

489
00:29:06.599 --> 00:29:17.359
<v Speaker 3>Next week, when once again we offer you Escape. Roy Rowin,

490
00:29:17.440 --> 00:29:30.519
<v Speaker 3>speaking for CBS, the Columbia Broadcasting System
