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Speaker 1: Okay, picture this. It is the dead of night, February

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twenty fifth, nineteen forty two. You're in Los Angeles, the

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biggest city on the West Coast, and it is completely

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utterly dark, silent. There's a mandatory blackout in effect because

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you know there's a war on, but it still feels

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a million miles.

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Speaker 2: Away until it's not. Suddenly, the whole sky just rips open.

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You hear this deep, guttural roar of hundreds of anti

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aircraft guns, all firing at once.

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Speaker 1: Wow.

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Speaker 2: And then you see it, these brilliant streaks of light, gold, red,

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white tracers, all screaming into the black sky, all converging on,

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well on something you can't see. For almost an hour,

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the entire city just.

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Speaker 1: Shakes, and then the shrapnel starts falling. It's hitting roofs,

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smashing into cars, cratering streets. By the time it's all over,

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the sun comes up and the city takes stock. They

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fired nearly one thousand, four hundred and forty anti aircraft rounds.

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Speaker 2: A staggering amount of ordinance, and five civilians are dead.

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Speaker 1: But here's the part that makes this story so unbelievable,

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the part that ensures we're still to talking about it today.

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None of those people were killed by an enemy bomb.

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They were killed by the blackout, by heart attacks, from

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the sheer terror of their own cities defenses, and.

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Speaker 2: The military's final count of enemy planes shot down zero.

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In fact, they could never even confirm a single enemy

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plane was ever there. It was a battle against a phantom,

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and that fact alone basically guaranteed it would become a legend.

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Speaker 1: Welcome to thrilling threads. Today we are digging into what

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has to be the most chaotic, most expensive, and yet

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entirely non combat battle in US history on the mainland

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during World War II, the infamous Battle of Los Angeles.

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We've got the official military histories, the wild press accounts,

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the skeptical analyzes, and.

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Speaker 2: Our mission is to peel back all those layers of

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panic and frankly conflicting government reports. So what really happened

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that night? Was it a bungled Japanese spy mission, was.

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Speaker 1: It a secret alien visit that the government immediately covered up?

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Speaker 2: Or was it just the biggest, most spectacular case of

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war nerves and American hits.

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Speaker 1: The sources we have give us this incredible, minute by

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minute look at how it all unfolded. It's a perfect

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case study in how fear, combined with brand new, unreliable

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technology and immense political pressure can create an official battle

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out of thin air.

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Speaker 2: And you see how that institutional need to save face

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creates this vacuum of truth, and that is exactly where

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conspiracy theories are born and thrive for decades.

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Speaker 1: To really get a handle on the Battle of Los Angeles,

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you first have to put yourself in the mindset of

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someone living on the West Coast in early nineteen forty two.

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It's just two and a half months after Pearl Harbor.

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Speaker 2: And that attack didn't just sink ships. It completely shattered

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America's feeling of safety. The illusion that the oceans could

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protect the country was gone overnight.

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Speaker 1: And that fear wasn't just some abstract anxiety for people

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in California, Oregon, Washington. It was existential. The military brass

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treated the idea of a Japanese invasion or a major

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air raid not as a possibility, but as a probability.

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Speaker 2: Oh. Absolutely, the entire was on a war footing. They

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were building air raid shelters, installing huge anti aircraft batteries

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and parks and on beaches. Citizens were being drilled constantly.

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The whole system was primed to react instantly to any threat,

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real or perceived.

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Speaker 1: The level of paranoia looking back is just stunning. I mean,

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we found sources describing how us RNY troops were moved

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into the Walt Disney studios lot in Burbank.

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Speaker 2: Right and they weren't there for a tour. They were

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there to physically defend the studio and all the surrounding

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factories from sabotage or an air attack. It was a

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complete militarization of daily life.

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Speaker 1: And you know, you can't just write this off as

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a rational panic because there was a tangible threat just offshore.

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The Imperial Japanese Navy was active up and down the

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West coast.

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Speaker 2: They were their submarines were attacking American merchant ships all

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through late forty one and early forty two. This wasn't

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some distant battle, This was happening right there.

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Speaker 1: What kind of damage were they doing?

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Speaker 2: They were mostly focused on disrupting supplies and spreading fear.

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The oil tanker SS Montabello was sunk right off the

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California coast. Another ship, the SSP Soroka, was torpedoed and damaged.

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So for coastal communities. This was very real. They knew

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enemy vessels were out there close to major cities.

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Speaker 1: Which brings us to this single event that really lit

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the fuse, the psychological trigger that happened just two days

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before the battle in la That.

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Speaker 2: Would be the shelling of the Elwood oil field just

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north of Santa Barbara. On the evening of February twenty third,

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the Japanese submarine I seventeen surfaced maybe a few hundred

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yards from the beach and just started shelling this oil field.

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Speaker 1: It's such a bizarre, almost theatrical moment. I mean, it

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happened right in the middle of President Roosevelt's fireside chat

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on the radio.

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Speaker 2: It really was. And what's fascinating is how little physical

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damage it did. The historian Mark Felton calls it a

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pinprick attack. Their aim was terrible. They fired a couple

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dozen shells, did five hundred dollars in damage.

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Speaker 1: No one was hurt five hundred dollars, so basically.

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Speaker 2: Nothing physically nothing, but psychologically it was nuke. Felton argues

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that the attack was a complete success because it achieved

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its real goal terror. It was the first time the

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continental of the United States had taken enemy fire since

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the War of eighteen twelve.

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Speaker 1: It changed everything. Before that night, an attack was a

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what if. After that night, it was a when exactly.

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Speaker 2: It validated everyone's worst fears. It just clapsed that mental

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barrier between the home front and the war zone. That

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acute widespread fear, plus the military's own desperation not to

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have another Pearl Harbor on their watch, that's the cocktail

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that led to the overreaction in Los Angeles just forty

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eight hours later.

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Speaker 1: And of all the places on the West Coast, LA

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was the one they were most worried about. Why was

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the military so fixated on defending Los Angeles?

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Speaker 2: Because Los Angeles was the heart of the Pacific war effort.

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It was the number one city in the country for

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aircraft production. You had North American Aviation Douglas Lockheed all

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churning out planes, Plus you had the massive naval fleet

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anchored down in San Peter Bay.

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Speaker 1: So losing LA would have been catastrophic.

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Speaker 2: It would have crippled the war effort in the pass.

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So the pressure on the local commanders to be vigilant,

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to shoot first and ask questions later, was just immense.

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The Doctrin essentially shifted from verify that engage to engage

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it will figure it out later.

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Speaker 1: And when you combine that mindset with very early, very

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unreliable radar and stressed out gun cruise, any little blip

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on a screen, any stray light in the sky was

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going to be interpreted as a hostile bomber.

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Speaker 2: The whole system was just a tightly wound spring waiting

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for one tiny thing to set it off.

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Speaker 1: Okay, so let's walk through the timeline of that night.

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The chaos really kicks off. On the evening of February

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twenty fourth, Naval intelligence issues a pretty stark warning.

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Speaker 2: They did. They basically said they expected an attack on

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mainline California within the next ten hours. That, of course

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put everybody on high alert.

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Speaker 1: An alert gets called around seven twenty teen pm because

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of what some reports of flares and lights.

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Speaker 2: Yeah, classic case of war nerves, people seeing things near

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defense plants. Yeah, but that alert was actually lifted a

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few hours later, around ten two three pm. So there's

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the brief moment where things seem to calm down.

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Speaker 1: A false sense of security, a.

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Speaker 2: Very false sense, because the real action starts early the

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next morning February twenty fifth, around two am, the radar systems,

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and remember this primitive nineteen forties radar, they pick up

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an unidentified target. It's about one hundred and twenty miles

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west of la and it's moving slowly.

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Speaker 1: Toward the coast, and that's the signal.

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Speaker 2: That's the signal. The information gets relayed to the thirty

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seventh Coast Artillery Brigade, the guys manning the anti aircraft guns.

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By two fifteen am they are on green alert.

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Speaker 1: What does green alert actually mean?

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Speaker 2: It means every gun crew is at their station, weapons

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are loaded, and they are ready to open fire the

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second the order comes down. It's the final stage before combat.

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Speaker 1: Then just a few minutes later, at two twenty one am,

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the entire county is plunged into a total blackout.

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Speaker 2: And that is such a critical detail because now you've

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taken away all the familiar lights, all the visual reference points.

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You're in total darkness, which just ramps up the fear

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and crucially makes it so much easier for people to

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miss in interpret what they're seeing in the sky.

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Speaker 1: But here's the part that should have stopped everything right

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in its tracks. The radar target it vanishes.

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Speaker 2: It does the official Army record state that the mysterious

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object tracked in from sea seems to have vanished just

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a few miles from the coast. The one piece of

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technology confirming a threat was now silent.

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Speaker 1: But it didn't matter.

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Speaker 2: It didn't matter at all. The human element, the anxiety

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had already taken over. Even with no radar contact. The

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command center was suddenly flooded with phone calls and reports

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from observers on the ground claiming to see enemy planes.

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Speaker 1: So human eyewitnesses in a panic overrode the technology.

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Speaker 2: They did. The system was now running purely on fear,

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and then at three spears six am, you get the

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one specific report that finally.

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Speaker 1: Lights the fuse the ignition point. What was the very

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first thing they actually shot at?

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Speaker 2: According to the reports, an observer on the coast near

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Santa Monica reported seeing a balloon carrying a red flare.

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That's the key. A simple weather balloon might have been ignored,

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but a balloon with a flare that suggests a target

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marker or enemy signaling.

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Speaker 1: It gives them the hostile intent they were looking for.

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Speaker 2: It's the justification they needed. Instantly, four anti aircraft batteries

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open fire and as the official history puts it, the

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air over Los Angeles erupted like a volcano.

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Speaker 1: And they're not firing rifles. What kind of shells are

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we talking about.

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Speaker 2: We're talking about twelve point eight pound high explosive anti

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aircraft shells. These are massive projectiles designed to explode in

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mid air and shred bombers with shrapnel. These are deadly

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heavy duty weapons.

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Speaker 1: And the barrage just keeps going. The final tally is

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somewhere between fourteen hundred and four hundred and forty rounds

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plus a ton of zero point fifty caliber machine gun fire.

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And this goes on for over an hour until just

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after four am.

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Speaker 2: Can you just imagine being a resident huddled in your

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house in the dark listening to that. The noise must

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have been absolutely terrifying. The ground would have been shaking.

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Speaker 1: And yet through all of this, the fighter planes, the

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interceptors that are supposed to go up and fight enemy bombers,

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they stay on the ground.

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Speaker 2: They do The fourth Interceptor Command kept its pilots on standby,

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and the reason is simple. The gun crews on the

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ground couldn't give them a consistent target. The reports were

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all over the place, different directions, different speeds different altitudes.

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There was nothing for the pilots to actually intercept.

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Speaker 1: So they just let the guys on the ground keep shooting.

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The all clear doesn't sound it until seven twenty one

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am when the sun is up, and then comes the

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real tragedy, the civilian cost.

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Speaker 2: Right, not from an enemy, but from the defense itself.

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Five people died. Wow. Three people were killed in car

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crashes during that chaotic pitch black blackout, and two others

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died from heart attacks, which the coroner directly attributed to

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the stress of the hour long bombardment.

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Speaker 1: So the defense was literally more dangerous to the public

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than the enemy that wasn't even there.

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Speaker 2: Without a doubt. And then there was the property damage.

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That falling shrapnel had to land somewhere.

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Speaker 1: It rained down all over a huge metropolitan area it did.

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Speaker 2: The sources are filled with accounts of shell fragments hitting boardings,

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shattering windows, damaging cars. There's one really chilling story about

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a couple in bed and a piece of shrapnel crashed

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through their roof and landed right on their bed, just

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seconds after they jumped out to take cover.

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Speaker 1: That's terrifying. It just shows how random and widespread the

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danger was. Real physical destruction, all caused by American guns

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firing at a ghost.

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Speaker 2: The next morning, as you can imagine, the newspapers went

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absolutely wild, a media frenzy, a total frenzy. The Los

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Angeles Times headline screamed, air battle rages over Los Angeles.

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They were selling it as a victory. You know that

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the city had fought off a determined enemy invader. That

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became the public narrative almost immediately, so.

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Speaker 1: The people of La woke up believing they had survived

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a real attack. The government now has to explain what happened,

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and this is where the story starts to fracture.

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Speaker 2: This is where the institutional dissonance kicks in, and it's

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what opens the door for all the conspiracy theories. The

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Navy is the first to speak, and they are incredibly dismissive.

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Speaker 1: Right Secretary of the Navy, Frank Knox, he holds a

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press conference almost right away.

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Speaker 2: He does, and he calls the whole thing a false alarm.

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He chalks it up to anxiety and war nerves. The

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Navy's official line was that there was no evidence of

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the presence of enemy planes.

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Speaker 1: Period, which from their perspective probably made sense.

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Speaker 2: It makes total sense. The Navy's intelligence network was looking

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at the big picture fleets, aircraft, carriers, submarine movements. They

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knew there was no large Japanese force anywhere near California

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capable of launching that kind of attack, So for them,

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it was clearly a local panic.

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Speaker 1: But the Army had a much bigger problem, oh.

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Speaker 2: A massive problem. The Army under the War Department, had

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just fired four hundred and forty very expensive shells, terrified

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millions of people, caused significant property damage, and were responsible

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for the deaths of five civilians.

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Speaker 1: They couldn't just say oops are bad.

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Speaker 2: Especially not so soon after the disaster at Pearl Harbor.

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Admitting they panicked and fired at the short nothing would

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have been a public relations catastrophe. It would have looked

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like gross incompetence.

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Speaker 1: So they had to create a different story. They needed

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to justify what they did exactly.

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Speaker 2: They had to change the narrative from we panicked to

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we repelled a threat. So the Secretary of War, Henry Stimpson,

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comes out with a completely different conclusion. He announces that

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from one to five unidentified airplanes had been over Los Angeles.

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Speaker 1: One to five. That's a curiously specific and yet vague.

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Speaker 2: Number Very telling, isn't it. If they had claimed a

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huge swarm of bombers, the Navy would have immediately refuted

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it with their own intelligence. But one to five small

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elusive planes, that's a story you can't easily disprove. It

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suggests a sneaky reconnaissance mission.

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Speaker 1: And Stimpson even offered a couple of theories for where

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these mystery planes came from.

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Speaker 2: He did theory one was that they were commercial planes

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being flown by enemy agents, maybe from secret airfields hidden

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in Mexico or somewhere in the California desert. This played

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right into the public sphere of spies and saboteurs.

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Speaker 1: And the second theory that.

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Speaker 2: They were small scout plans launched from Japanese submarines, just

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like the one that had shelled the Elwood oil field.

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This was the more plausible sounding explanation.

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Speaker 1: So let's talk about the damage control aspect. The Army

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is clearly trying to save face, but by publicly contradicting

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the Navy, another branch of the same government, weren't they

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creating an even bigger political mess.

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Speaker 2: You'd think so, but you have to look at the

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pressure they were under Secretary Knox at the Navy had

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already taken the huge political hit for Pearl Harbor, his

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credibility was already damaged. But for Stimson in the army,

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this was a failure on the home front. Admitting incompetence

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here could have been a career ender.

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Speaker 1: So the short term goal was to shift the blame.

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It wasn't incompetence, it was a mysterious, highly advanced enemy.

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Speaker 2: Sisily, the narrative becomes we didn't fire at nothing. We

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successfully defended the city from a very clever enemy who

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was testing our defenses. It preserves the illusion of competence

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and vigilance.

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Speaker 1: But the public wasn't stupid. They could see the contradiction

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right away.

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Speaker 2: Immediately you have two cabinet secretaries seeing completely opposite things.

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An editorial in the Long Beach Independent newspaper pointed out,

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writing about a mysterious reticence about the whole affair, that

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just poured gasoline on the fire of a potential cover.

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Speaker 1: Up, and the skepticism went all the way to Congress.

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Speaker 2: It sure did. A California Congressman leland Ford was furious.

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He demanded a full congressional investigation. He basically asked, was

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this a real raid, or was this a staged event

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to scare two million people? Or he wondered was it

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a ploy by the government to justify moving critical war

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industries inland away from the coast.

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Speaker 1: So the moment the government couldn't agree that it was nothing,

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they guaranteed that people would believe it was something far

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more sinister being hidden.

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Speaker 2: That's the seat that official ambiguity is the soil in

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which every conspiracy theory about this event grew.

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Speaker 1: So we've got the Army saying planes, the Navy saying

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no planes, and after the war the Japanese government confirming

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they sent no aircraft over La that night. So the

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big question remains, what were those gun crews actually shooting

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at for an hour?

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Speaker 2: The historical consensus, which was confirmed by military investigations years later,

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is both simple and kind of mind bending. It all

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comes down to human perception under extreme stress.

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Speaker 1: It started with that one weather balloon.

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Speaker 2: The nineteen forty nine report from the US Coast Artillery

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Association confirmed that a meteorological balloon released at one am

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started all the shooting. A later nineteen eighty three study

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by the Office of Air Force History backed this up,

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calling the whole thing a textbook case of war nerves

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triggered by that balloon and then amplified by well by

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the defense itself.

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Speaker 1: This is a key Why did they fire on four

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and forty rounds at what was essentially.

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Speaker 2: Nothing, Because after the first few shots, the vast majority

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of the firing was aimed at their own anti aircraft

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shell bursts and the smoke clouds they created. It was

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a self perpetuating illusion, a feedback loop.

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Speaker 1: Okay, walk me through that, because it sounds wild. I'm

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a gun around it's pitch black. I'm terrified.

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Speaker 2: Right, Another battery fires a shell. It explodes thousands of

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feet up, creating a bright flash and a puff of

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white smoke. Immediately, the searchlights, which are programmed to lock

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onto any potential target, all converge on that brightly lit

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puff of smoke.

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Speaker 1: And to me on the ground, that illuminated smoke cloud

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against a black sky looks like a solid object.

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Speaker 2: It looks exactly like a solid object. It visually confirms

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in your mind that there's a target up there. So

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your battery fires at the smoke cloud. Your shell explodes,

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creating another puff of smoke.

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Speaker 1: Which becomes the target for the next sky.

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Speaker 2: It's a chain reaction of perceptual error. The defense was

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literally manufacturing its own targets over and over again.

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Speaker 1: That explains the sheer volume of fire. They weren't just

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shooting randomly into the sky. They thought they were firing

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at confirmed, visual targets.

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Speaker 2: And this is what fed the idea that they were

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fighting a really advanced, nimble enemy. When a gun crew

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fired at a smoke puff and missed, what happened. The

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smoke would naturally start to dissipate or drift away on

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the high altitude.

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Speaker 1: Winds, which to a stressed out observer doesn't look like

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smoke dissolving.

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Speaker 2: No, to them, it looked like the enemy craft just

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executed a highly advanced evasive maneuver to dodge their shell.

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They'd see it vanish and then re pier somewhere else

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as another shell burst lit up a different patch of sky.

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That perceived evasiveness just justified firing even more Wow.

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Speaker 1: The Coast Artillery Association's report even says that once the

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firing started, imagination created all kinds of targets, and that.

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Speaker 2: Explains the witness reports, which were just all over the map.

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People reported seeing everything from a single object to swarms

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of hundreds of planes. Their speed estimates were from very

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slow to over two hundred miles an hour, their altitude

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from a few thousand feet to over twenty thousand.

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Speaker 1: Those aren't the characteristics of a squadron of airplanes.

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Speaker 2: Not at all. But they are the perfect description of

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scattered smoke clouds at different altitudes, drifting on different wind currents,

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being lit up intermittently from different angles. The enemy was

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in Japanese. It was a weather balloon followed by a

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fireworks show of their own making.

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Speaker 1: And despite this very clear logical explanation, the Battle of

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Los Angeles is still a cornerstone of modern UFO mythology.

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We have to talk about why that myth was so

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powerful and why it's been so hard to shape.

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Speaker 2: Well, as we said, it all started with that institutional dissonance,

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the government's two stories. The army insisted on the presence

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of unknown craft, and that official ambiguity was all the

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opening the UFO narrative needed.

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Speaker 1: If the government admits something was there but they don't know.

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Speaker 2: What it was, then maybe, just maybe it was something

402
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so extraordinary, so secret they couldn't possibly tell the public

403
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the truth, especially in the middle of a world war,

404
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they accidentally created the perfect setup for an extraterrestrial explanation,

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and that.

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Speaker 1: Myth got its biggest boost from one single image, the

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famous photograph from the Los Angeles Times on February twenty sixth,

408
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the one that shows all the searchlight beams converging on

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what looks like a solid saucer shaped object.

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Speaker 2: That photo is the Mona Lisa of ufology for this event,

411
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but it's a piece of unintentional deception. We now know

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that the photo was heavily retouched before it.

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Speaker 1: Was published, so it was fate.

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Speaker 2: Not with Malicia's intent. In the nineteen forties, photo retouching

415
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was a standard practice at newspapers. They did it to

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make images clearer for printing on cheap newsprint with black

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and white ink. The artist's job was just to make

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the searchlight beams pop against the dark sky. But in

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doing that, in doing that, by manually painting over the

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light beams and darkening the negative space around them, he

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accidentally solidified what was really just an ephemeral collection of

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light and drifting smoke into a single, hard edged, mysterious shape.

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Speaker 1: So you're saying, one of the most iconic UFO photos

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of all time is basically an artifact of old school

425
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graphic design.

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Speaker 2: That's exactly what it is. An attempt to clarify an

427
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image for a newspaper accidentally created the visual proof for

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a myth that would last for eighty years.

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Speaker 1: It's really incredible, and that retouched photo is so convincing

430
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that it's been used as real evidence ever since.

431
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Speaker 2: Absolutely. The film historian Larry Harnish did a deep dive

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on this and found that the photo was used completely

433
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out of context in the marketing for the twenty eleven

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sci fi movie Battle Los Angeles, right alongside totally fabricated

435
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newspaper headlines, just to sell this idea of a historical

436
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alien invasion. It cemented the myth in popular culture.

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Speaker 1: And for the UFO theory to be true, you'd have

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to believe in a massive conspiracy.

439
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Speaker 2: A conspiracy of thousands of people, which is where it

440
00:21:26,640 --> 00:21:30,079
really falls apart. Stephen Nelson, who's the director of the

441
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Fort mccarth Museum right there in LA He makes this

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point perfectly. The idea that thousands of soldiers, gunners, officers,

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air raid wardens, all of whom were confused and terrified

444
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that night, would all collectively agree to keep the secret

445
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of an alien visitation for the rest of their lives,

446
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he says, just defies logic. It's far more likely that

447
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they were confused by smoke and light than that they

448
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all signed an intergalactic non disclosure agreement exactly. The event

449
00:21:58,000 --> 00:21:59,960
did find its way into culture in other ways, though

450
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Steven Spielberg made the comedy nineteen forty one, which is

451
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loosely based on the panic of that night.

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Speaker 1: I've heard that many of the veterans who were actually

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there didn't appreciate the humor.

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Speaker 2: No, many reportedly felt the film makes them look stupid,

455
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which highlights a serious point for those men behind the guns.

456
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This was not funny. They thought they were in a

457
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real battle, defending their country from attack. So to have

458
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history later judge it as this great comical screw up

459
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that was a bitter pill to swallow for some.

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Speaker 1: We've covered the fear, the timeline, the physics, the politics,

461
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but this event has a much darker historical significance, one

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that's deeply tied to the racial and political climate of

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the time.

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Speaker 2: It absolutely does, and this is the part of the

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story that often gets overshadowed by the UFO talk. The

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timing of the Battle of Los Angeles is just it's

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horrific when you look at the broader context.

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Speaker 1: It happened just days after President Roosevelt signed Executive Order

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nine zero sixty six.

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Speaker 2: Just six days after Executive Order nine zero sixty six

471
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was the order that authorized the US military to begin

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the process of rounding up and forcibly removing all Japanese

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Americans from the West Coast.

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Speaker 1: And this panic in Los Angeles, this battle, it played

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right into the hands of those who were pushing for internment.

476
00:23:12,160 --> 00:23:16,240
Speaker 2: It became immediate local proof that the policy was necessary.

477
00:23:16,640 --> 00:23:20,079
It weaponized the public's fear against their own neighbors, against

478
00:23:20,119 --> 00:23:21,920
American citizens of Japanese descent.

479
00:23:22,039 --> 00:23:23,680
Speaker 1: How direct was that connection.

480
00:23:23,640 --> 00:23:27,359
Speaker 2: It was extremely direct. In the hours after the shooting stopped,

481
00:23:27,680 --> 00:23:31,599
the Los Angeles Police Department started circulating completely unfounded reports

482
00:23:31,839 --> 00:23:36,039
that Japanese American citizens have been caught signaling Japanese aircraft

483
00:23:36,519 --> 00:23:37,839
from the ground during the.

484
00:23:37,839 --> 00:23:41,039
Speaker 1: Raid, signaling aircraft that we now know didn't even exist.

485
00:23:41,279 --> 00:23:44,519
Speaker 2: It made no difference, the evidence didn't matter. The pre

486
00:23:44,640 --> 00:23:48,319
existing racial prejudice, now supercharged by the terror of a

487
00:23:48,319 --> 00:23:52,799
supposed air raid, made those lies feel true. It solidified

488
00:23:52,799 --> 00:23:55,480
the false narrative that there was a fifth column of

489
00:23:55,559 --> 00:23:57,920
Japanese Americans ready to aid an invasion.

490
00:23:58,119 --> 00:24:01,400
Speaker 1: So this bizarre phantom battle in the political cover and

491
00:24:01,440 --> 00:24:04,839
the psychological justification for leaders to move forward with the

492
00:24:04,839 --> 00:24:07,920
mass removal of nearly one hundred and twenty thousand people.

493
00:24:07,640 --> 00:24:10,119
Speaker 2: Two thirds of whom were American citizens born and raised

494
00:24:10,160 --> 00:24:12,559
in the United States. So the Battle of Los Angeles

495
00:24:12,599 --> 00:24:15,839
stops being just a story of military buffoonery and becomes

496
00:24:15,880 --> 00:24:19,440
this tragic catalyst. The fear it generated helped destroy the

497
00:24:19,480 --> 00:24:21,920
lives and livelihoods of thousands of innocent people.

498
00:24:22,079 --> 00:24:24,480
Speaker 1: It's a crucial part of the story, and yet it's

499
00:24:24,519 --> 00:24:27,559
also important to remember the perspective of the people on

500
00:24:27,599 --> 00:24:29,240
the ground firing those guns.

501
00:24:29,480 --> 00:24:32,759
Speaker 2: It is while history rightly judges the event as a

502
00:24:32,799 --> 00:24:36,359
massive overreaction for the soldiers of the thirty seventh Coast

503
00:24:36,480 --> 00:24:41,400
Artillery Brigade, it was very real that Museum director Steven Nelson,

504
00:24:41,519 --> 00:24:43,680
he's talked to many veterans over the years, and he

505
00:24:43,720 --> 00:24:45,640
said almost all of them told him that night was

506
00:24:45,680 --> 00:24:48,160
their first experience with battle conditions.

507
00:24:48,559 --> 00:24:50,839
Speaker 1: They truly believed they were fighting for their lives and

508
00:24:50,880 --> 00:24:51,480
for the city.

509
00:24:51,599 --> 00:24:55,119
Speaker 2: They did, and the general threat wasn't imaginary. The Japanese

510
00:24:55,240 --> 00:24:58,039
really did bomb Dutch Harbor in Alaska. Later on they

511
00:24:58,119 --> 00:25:01,319
landed troops in the Aleutian Islands. A Japanese submarine even

512
00:25:01,359 --> 00:25:03,759
launched a plane that dropped bombs on a forest in Oregon.

513
00:25:04,240 --> 00:25:08,079
The war was real, the threat was real. It's just

514
00:25:08,079 --> 00:25:11,400
that on that specific night in Los Angeles, the target

515
00:25:11,480 --> 00:25:11,680
was not.

516
00:25:12,039 --> 00:25:14,119
Speaker 1: So in the end, the Battle of Los Angeles was

517
00:25:14,119 --> 00:25:18,319
this perfect storm. You had unreliable technology, immense political pressure

518
00:25:18,319 --> 00:25:21,440
on the military, a society gripped by fear, and all

519
00:25:21,480 --> 00:25:24,920
of it combined to create this massive, deadly response to

520
00:25:24,960 --> 00:25:26,319
a self generated illusion.

521
00:25:26,680 --> 00:25:29,440
Speaker 2: The unseen enemy that night wasn't from Japan, and it

522
00:25:29,480 --> 00:25:32,680
wasn't from outer space. It was mass anxiety given form

523
00:25:32,720 --> 00:25:34,480
by the physics of searchlights on smoke.

524
00:25:34,680 --> 00:25:36,920
Speaker 1: So when you boil it all down, the US government

525
00:25:37,000 --> 00:25:41,079
fires over fourteen hundred anti aircraft shells, kills five of

526
00:25:41,119 --> 00:25:44,400
its own civilians, damages property all over the city, and

527
00:25:44,440 --> 00:25:47,759
then has two of its highest ranking cabinet secretaries give

528
00:25:47,839 --> 00:25:50,839
completely contradictory explanations for what happened.

529
00:25:50,880 --> 00:25:53,599
Speaker 2: And that's the takeaway. The chaos wasn't just in the sky,

530
00:25:53,839 --> 00:25:57,200
it was in the official response. A single weather balloon,

531
00:25:57,680 --> 00:26:00,680
followed by the fireworks of their own making, created a

532
00:26:00,720 --> 00:26:04,799
political crisis that directly fueled one of the worst civil

533
00:26:04,880 --> 00:26:06,640
rights violations in American history.

534
00:26:06,759 --> 00:26:10,440
Speaker 1: The true unidentified flying object was an optical illusion, but

535
00:26:10,519 --> 00:26:14,039
the lasting damage came from that fractured official story. The

536
00:26:14,079 --> 00:26:16,480
second the Navy said it was nothing and the Army

537
00:26:16,519 --> 00:26:19,839
said it was one to five enemy craft, they created

538
00:26:19,880 --> 00:26:23,319
a mystery. In human nature abhors a vacuum. People will

539
00:26:23,400 --> 00:26:26,480
always rush to feel with something more exciting, more conspiratorial.

540
00:26:26,559 --> 00:26:30,119
Speaker 2: It's a textbook example of how fragile truth becomes under pressure.

541
00:26:30,640 --> 00:26:33,119
The Army felt it had to justify its actions, so

542
00:26:33,200 --> 00:26:35,720
it bent the story and trying to solve a short

543
00:26:35,799 --> 00:26:38,880
term pr problem, they created a historical myth that has

544
00:26:38,960 --> 00:26:40,319
lasted for almost a century.

545
00:26:40,400 --> 00:26:43,799
Speaker 1: We've seen how fear and conflicting official stories can turn

546
00:26:43,839 --> 00:26:47,400
a phantom into a perceived enemy with consequences that were

547
00:26:47,440 --> 00:26:50,440
far more real and devastating than any imaginary bomb.

548
00:26:50,920 --> 00:26:52,440
Speaker 2: So we want to leave you at this question to

549
00:26:52,480 --> 00:26:55,599
think about, given that the Battle of Los Angeles proves

550
00:26:55,640 --> 00:27:00,119
how easily mass hysteria, official panic, and visual misinterpretation and

551
00:27:00,160 --> 00:27:03,960
can create an enduring myth with real world consequences. What

552
00:27:04,039 --> 00:27:05,759
modern event do you think we might look back on

553
00:27:05,799 --> 00:27:07,720
in eighty years and see as a similar case.

554
00:27:07,839 --> 00:27:10,319
Speaker 1: What are the weather balloons, the smoke clouds, and the

555
00:27:10,359 --> 00:27:12,720
searchlights of our time. We'd love to hear what you think.

556
00:27:12,799 --> 00:27:13,279
Let us know

