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<v Speaker 1>Oh, hey, Rob, you are not on your mic.

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<v Speaker 2>I don't think what are we going to pretend here

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<v Speaker 2>that there's like, oh our our our, our broadcast standards

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<v Speaker 2>are so high. Yes, okay, well we have we we

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<v Speaker 2>do have them.

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<v Speaker 1>They're just we can't be met sometimes they can't be met.

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<v Speaker 1>It's that simple. Wait a minute, Wait a minute.

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<v Speaker 3>You know this is excuse me a damn fine cup

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<v Speaker 3>of coffee.

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<v Speaker 1>Welcome to the first glop culture of the second Trump administration,

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<v Speaker 1>where we're we're nearing the end of January. I'm John

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<v Speaker 1>pod Hornz in New York. Somewhere in the wilds of

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<v Speaker 1>the state of New Jersey wilds, the place that has

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<v Speaker 1>more townships than any other in the planet Earth is

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<v Speaker 1>Rob Long. Hello wild, Rob Long. You're like, I look

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<v Speaker 1>up my equipment. Rob is having sound. We're having sound

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<v Speaker 1>issues with Rob, so we were going to try to

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<v Speaker 1>we're fixing those on the fly. And by we, I

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<v Speaker 1>mean also Jonah Goldberg in Washington High Jonah, Hey, John,

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<v Speaker 1>I know Jonah and I did a podcast together yesterday

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<v Speaker 1>and then he went on Twitter and insulted me for

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<v Speaker 1>the hours for the fact that I quoted you accurately

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<v Speaker 1>an hour out of my day, he ask me, had

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<v Speaker 1>the fly making fun of me? Okay, that's fine.

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<v Speaker 4>All all I say I did was quote you saying

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<v Speaker 4>not to monologize.

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<v Speaker 1>That's okay. Well, that was consciousness of the fact that

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<v Speaker 1>I was at that moment monologizing, and I think I

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<v Speaker 1>think that that self knowledge should not become the object

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<v Speaker 1>of your sport.

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<v Speaker 4>That's fair anyway, apologize.

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<v Speaker 1>That's okay. You know who else needs to apologize? The

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<v Speaker 1>voters of the Academy of Motion Art, Motion Picture Arts

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<v Speaker 1>and Sciences, who today, as we're recording, gave thirteen nominations

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<v Speaker 1>to a movie on Netflix that it is my estimation,

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<v Speaker 1>according to my scientific study of these matters, that literally

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<v Speaker 1>no one has watched from beginning to end. And that

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<v Speaker 1>is a Melia Amelia Perez, Amelia Perez, watch saw twice,

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<v Speaker 1>You saw twice your life? Can I just tell you?

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<v Speaker 1>I think we talked about this the last time. But

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<v Speaker 1>Amelia Perez posits the following question, what if you made

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<v Speaker 1>a French director made an opera largely in Spanish about

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<v Speaker 1>how el Choppo is trans and wants to become a woman,

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<v Speaker 1>and when El Choppo becomes a woman becomes a social

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<v Speaker 1>justice warrior. And tries to save the world because now

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<v Speaker 1>that he she is the person that she is supposed

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<v Speaker 1>to be, that now she can be they can be

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<v Speaker 1>a good person. And it got thirteen nominations. And I'm

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<v Speaker 1>telling you right now, I have not met a single

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<v Speaker 1>person who has gotten past minute sixty of Amelia Perez.

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<v Speaker 1>I have seen it all the way through because of

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<v Speaker 1>my professional obligations, but I was doing wordal and the

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<v Speaker 1>Spelling Bee through the second half, so fortunately I was

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<v Speaker 1>really not paying that much attention. It is awful, It

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<v Speaker 1>is comically awful, so it is of course a thirteen

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<v Speaker 1>Oscar nominee.

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<v Speaker 4>Do you know you know what it reminds me of.

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<v Speaker 4>It's a story you told, was it? John Hughes who

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<v Speaker 4>had a horrible idea for a screenplay that he would

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<v Speaker 4>test out on studio executives to see if they were

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<v Speaker 4>yes men or not yes right. It was a bit

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<v Speaker 4>like a botched abortion or whatever. And if they if

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<v Speaker 4>they said that sounds great, he knew he couldn't trust

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<v Speaker 4>their judgment. It feels like someone pitched that and no

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<v Speaker 4>one realized it was a joke.

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<v Speaker 1>And then they got thirteen Oscar nominations. Because of course

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<v Speaker 1>it's a movie, and now that one of the star

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<v Speaker 1>of the movie, it was actually not the star of

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<v Speaker 1>the movie, but it's the title character is a trans

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<v Speaker 1>person named Carlo Sophia Gascon got an Oscar nomination for

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<v Speaker 1>Best Actress, And we can get to the question of

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<v Speaker 1>whether or not a person who was born male like

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<v Speaker 1>Leah Thomas in the Swimming Pool should be well, that's good, Rob,

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<v Speaker 1>thank you came, yet you fix it anyway. We can

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<v Speaker 1>talk about whether or not this person is stealing, is

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<v Speaker 1>going to possibly steal an Oscar from an actual biological

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<v Speaker 1>woman or not. But she's all not the star of

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<v Speaker 1>the movie, because the star of the movie is Zoweys Saldana,

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<v Speaker 1>who was actually good in it and is in the

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<v Speaker 1>Supporting Actress category. Nonetheless, this is a fast because of

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<v Speaker 1>course that's why it's nominated for thirteen Academy Awards, because

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<v Speaker 1>it's a movie about a transwoman. But the fact that

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<v Speaker 1>that trans woman is el Choppo does not seem to

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<v Speaker 1>have created any moral hazard for the Academy voters, who

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<v Speaker 1>are perfectly happy to imagine that if you just take

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<v Speaker 1>Yaya Sinhoar and you let Yaya Sinhar become a woman,

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<v Speaker 1>Yaya Sinowar will become Gandhi. I mean that is essentially

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<v Speaker 1>kind of like the theme of the movie. Now, I

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<v Speaker 1>just want to say not to anologize that. Conclave, the

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<v Speaker 1>other movie, another movie that I think has seven or

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<v Speaker 1>eight Academy Award nomination. You are muted, Rob, even though

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<v Speaker 1>your sound was good there first.

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<v Speaker 5>Careful on the spoilers here, Okay.

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<v Speaker 1>I just want to say that there. It would be

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<v Speaker 1>great if Carlo Sophia Skan presented the Best Special Effects

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<v Speaker 1>Award along with the actor who plays the mysterious cardinal

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<v Speaker 1>from Kabul in Conclave. And if you've seen the movie,

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<v Speaker 1>you know what I mean. If you haven't, I'm not

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<v Speaker 1>saying anything, so but that would be that would be fun. Yeah, Okay,

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<v Speaker 1>if anybody here cared about so here the here are

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<v Speaker 1>the Oscar nominees, and I would like to know if

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<v Speaker 1>you guys have seen any of Okay, here's here's what

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<v Speaker 1>Here's what they got, Anora, I'm still here. A Brazilian movie, Wicked,

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<v Speaker 1>A Complete Unknown, the Bob Dylan movie, The Substance Body

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<v Speaker 1>Horror with Demi Moore, The con Conclave, The Papal Succession Movie,

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<v Speaker 1>The Brutalist, The Three and a half hour epic of

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<v Speaker 1>post war America and an architect and a rich guy

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<v Speaker 1>and a Holica survivor. Uh, what's watch? What is your?

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<v Speaker 2>What is your?

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<v Speaker 5>Where are you going with this?

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<v Speaker 1>I was going to ask you if you've seen any

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<v Speaker 1>of these films? Okay, that's what I would like to

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<v Speaker 1>know if you, I think you have seen Conclave.

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<v Speaker 5>I've seen Conclave. I've seen Honora, you've seen.

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<v Speaker 1>Yes, and there are eight others and.

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<v Speaker 5>Substance.

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<v Speaker 1>Okay, okay, have seen any of these? Literally? Not seen?

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<v Speaker 2>He said Jonas Jonahs, taking the rob chair for this

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<v Speaker 2>having not seen it.

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<v Speaker 1>Usual, I've watches more television streaming television than I do,

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<v Speaker 1>certainly because of his many flights, many plane flights. So

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<v Speaker 1>I I just think it's interesting that this is a

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<v Speaker 1>mark of how movies have Really there's no question that

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<v Speaker 1>they have shifted into a secondary place in our culture

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<v Speaker 1>that they when for most of my lifetime they occupied

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<v Speaker 1>the primary place in popular culture. The most. Everybody's happier

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<v Speaker 1>in culture.

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<v Speaker 5>Everybody's happier in a way, right because they weren't going

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<v Speaker 5>to give the oscars the movies that you like.

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<v Speaker 1>Anyway, Let's hear, since they give I mean I love, right,

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<v Speaker 1>So now that's the one that I loved. But I mean,

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<v Speaker 1>did I like no? Man?

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<v Speaker 2>Right, So so everybody's everybody's getting what they want. I mean,

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<v Speaker 2>the people in show business are getting awards, which, by

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<v Speaker 2>the way, is something that we definitely want in show

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<v Speaker 2>business all the time.

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<v Speaker 1>I have a mind.

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<v Speaker 2>I have a Writer's Guild Award. I'm a Writer's Guild

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<v Speaker 2>Award winner, along with other awards, but my Writer's Guild Award,

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<v Speaker 2>it still says it. Am I buy a Writer's Guild

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<v Speaker 2>Award winner?

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<v Speaker 1>I want?

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<v Speaker 2>I want the Writers Guild for the Earth Day Special

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<v Speaker 2>in like I don't know, nineteen ninety something, and the reason, yeah,

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<v Speaker 2>the reason it got was because everybody giving James. James,

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<v Speaker 2>I'll explain it. I'll explain it if you let me. Awards,

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<v Speaker 2>let me let me if you can, let me explain

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<v Speaker 2>it here, not to monologize, but everyone on every show

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<v Speaker 2>wrote a little sketch with their characters. So the writers did.

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<v Speaker 2>The Earth Day Special of that year had like one

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<v Speaker 2>hundred and twenty seven writers, which and they all voted

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<v Speaker 2>for themselves.

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<v Speaker 1>So that's what. So that's one fewer than SNL has now.

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<v Speaker 5>Yeah, so they all voted for themselves to get the

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<v Speaker 5>get the Emmy.

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<v Speaker 2>So I have it, and for a long time I

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<v Speaker 2>had it in the bathroom until someone said, you know.

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<v Speaker 1>That's everybody says, yeah in the bathroom. It's all. It's

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<v Speaker 1>like such a thing to say.

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<v Speaker 2>Well, but the difference is that it says the Writers

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<v Speaker 2>Guild Writers Guild Award Award for the Earth Day Special,

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<v Speaker 2>So it does. That's where it belongs. It's not like

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<v Speaker 2>you have to hear.

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<v Speaker 5>And realize you look at the ingredients.

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<v Speaker 4>So is it your contention that it's early yet, But

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<v Speaker 4>basically cinema, right, film theater going cinema.

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<v Speaker 5>Yeah, use of cinema, by the way, is.

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<v Speaker 4>On the path towards where opera and ballet are today.

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<v Speaker 1>They still exist, right, bad analogy, that's a very good.

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<v Speaker 4>And popular culture, or you can call it or theater.

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<v Speaker 1>I mean, actually, there are two thoughts about this, one

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<v Speaker 1>of which is that it's a minority. It's a it's

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<v Speaker 1>a pleasure that is enjoyed by six seven eight percent

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<v Speaker 1>of the population. That the infrastructure that exists to provide

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<v Speaker 1>that pleasure to people is too large and will shrink. Right.

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<v Speaker 1>That is, these thousands of theaters and large buildings, right,

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<v Speaker 1>and you know all of that, and they will they

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<v Speaker 1>will shrink or they will they will become multipurpose spaces

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<v Speaker 1>where other things happen. And then in those spaces seven

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<v Speaker 1>or eight times a year, something big might happen, like

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<v Speaker 1>like there there are two possibly very big Marvel movies

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<v Speaker 1>this year, and Superman and Wicked too, and you know

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<v Speaker 1>Despicable Me seven and Zootopia two and things like that

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<v Speaker 1>that that might have large audiences where they can be activated.

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<v Speaker 1>And otherwise these spaces will either will become bowling alleys

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<v Speaker 1>or bars or whatever they'll do. They'll they'll be games

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<v Speaker 1>to play or something like that. And that's one possibly.

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<v Speaker 1>The other possibility is that they will essentially go extinct

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<v Speaker 1>because the viewing experience of watching any program is now

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<v Speaker 1>arguably better at home than in a theater, or at

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<v Speaker 1>least be talking. You don't people talking, you don't have

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<v Speaker 1>to go somewhere.

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<v Speaker 2>But the problem is you don't feel compelled. The thing

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<v Speaker 2>about going to movie theaters. You used to feel like, oh,

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<v Speaker 2>I better go. I got to go see this movie.

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<v Speaker 2>Everyone's seeing it. I want to go see it. There's

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<v Speaker 2>part of an outing. Now when you're in your house.

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<v Speaker 2>You have this ability to think, well.

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<v Speaker 1>You turn off Amlia Perez is what you're.

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<v Speaker 2>Saying, or like or not today, I do want to

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<v Speaker 2>see it. I just want to see it today, and

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<v Speaker 2>you know, you can see it tomorrow if you want.

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<v Speaker 2>Whereas a movie, you kind of had to go and

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<v Speaker 2>see it.

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<v Speaker 1>Yeah, when we were kids, and when we were kids

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<v Speaker 1>and there was a movie on TV that you wanted

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<v Speaker 1>to see, you had to see it, right, there's no idea. Well,

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<v Speaker 1>those were like the big ones. But let's say there

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<v Speaker 1>was a movie that you had heard of and suddenly

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<v Speaker 1>it's on either in prime time or it's on at

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<v Speaker 1>eleven thirty, and it's a movie you'd heard abund the

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<v Speaker 1>Maltese Falcon, and you're you know, you're our age and

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<v Speaker 1>you're fourteen years old, and you better watch it because

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<v Speaker 1>you don't know when it's coming.

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<v Speaker 2>It was the principle, yeah, right, the same principle that

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<v Speaker 2>these movies were on. But I you know, in a sense,

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<v Speaker 2>though everybody gets this is really just a question economic

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<v Speaker 2>terms of the costs aligning with the with the actual upside,

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<v Speaker 2>which is that the movies are really too expensive to

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<v Speaker 2>make considering what they where they are and so everything's

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<v Speaker 2>going to get pressed down. That's you know, It's that

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<v Speaker 2>that's the difference between theater and and ballet and opera,

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<v Speaker 2>et cetera. So that you have very rich people basically

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<v Speaker 2>supporting and subsidizing these art forms, and you're just I

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<v Speaker 2>don't think you have that with movies. I can't imagine,

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<v Speaker 2>although you do in a weird way. You do have

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<v Speaker 2>to do right because you have it in this sense well,

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<v Speaker 2>supporting the different things. It's a slightly different thing though,

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<v Speaker 2>because because it's it's exciting.

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<v Speaker 5>People invest in movies because they want to be movie stars.

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<v Speaker 5>That's why they do it.

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<v Speaker 2>They don't do it because they did a very very

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<v Speaker 2>complicated economic analysis and they run in a team of consultancs.

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<v Speaker 2>They decided that I alone can make you know, like

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<v Speaker 2>nobody nobody hires McKinsey to figure out how to work

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<v Speaker 2>the system at the win casino because there isn't one,

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<v Speaker 2>you know, it's that's they're gonna lose money, so they

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<v Speaker 2>do that.

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<v Speaker 5>I don't know.

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<v Speaker 2>I just to me, that's that's the that's what's gonna happen.

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<v Speaker 2>Movies are just gonna and and and film productions is

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<v Speaker 2>gonna go down I mean, the costs of it are

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<v Speaker 2>going to go down, and the people who are gonna

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<v Speaker 2>do it are going to be people who are more

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<v Speaker 2>interested in doing but do it and having it doing

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<v Speaker 2>it and then get launching it to a tequila brand.

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<v Speaker 1>That's the that's the smart move. But let me tell

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<v Speaker 1>you a story. So the story is the movie The Brutalist,

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<v Speaker 1>which is a remarkable piece of work, and I really

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<v Speaker 1>do strongly urge people to go see it. It's a

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<v Speaker 1>it's an American epic, and it's really remarkable and there's

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<v Speaker 1>a lot to argue over it. And it is also

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<v Speaker 1>remarkable because it's it's more than three hours long, and

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<v Speaker 1>it costs ten million dollars to make, and it's an

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<v Speaker 1>epic set from nineteen pretty much from nineteen forty six

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<v Speaker 1>through nineteen sixty one.

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<v Speaker 2>Multiple thing you have said, none of the words you

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<v Speaker 2>have just uttered yes, have in any way have encouraged

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<v Speaker 2>me to see this movie.

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<v Speaker 1>I am I okay, I encourage you.

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<v Speaker 5>I'm looking at my crystal ball and in my crystal

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<v Speaker 5>I don't know.

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<v Speaker 2>Much, but I know one hundred percent certainly you are

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<v Speaker 2>that I will never see this freaking Moore.

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<v Speaker 1>You are.

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<v Speaker 2>There's nothing about it that I think is interesting.

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<v Speaker 1>Or entertaining and very interesting, and you will merely doubt

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<v Speaker 1>that you are incorrect. But and I know you, and

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<v Speaker 1>I know your taste, and I think you would actually

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<v Speaker 1>you would find it.

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<v Speaker 2>Va you lost me at three hours.

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<v Speaker 1>Now, let me explain.

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<v Speaker 4>Sometimes you guys make me feel like I'm listening to

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<v Speaker 4>my parents argue with each other.

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<v Speaker 1>But wait, let me explain why I brought it up.

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<v Speaker 2>You love the most.

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<v Speaker 1>Listen to me. It's three and a half hours long.

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<v Speaker 1>It's an American epic. It's said in the past it

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<v Speaker 1>costs ten million dollars to make in total. Wait, that's

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<v Speaker 1>an extraordinary fact alone. And why did it cost ten

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<v Speaker 1>million dollars to make? There's a little hint of why

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<v Speaker 1>it cost ten million dollars to make. That is both

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<v Speaker 1>encouraging and terrifying to people in Hollywood and probably to

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<v Speaker 1>all of us. Okay, are you.

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<v Speaker 5>Going to tell us why?

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<v Speaker 1>Because they used AI. Now we only know that they

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<v Speaker 1>used AI to help them strengthen. Some of the characters

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<v Speaker 1>speak in Hungarian. That's Adrian Adrian Brody nominated for Best Actor,

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<v Speaker 1>Felicity Jones nominated for Best Actress. Hungarian and they speak

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<v Speaker 1>together in Hungarian, and there are scenes where there's Hungarian

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<v Speaker 1>and apparently they used AI to strengthen the Hungarian, make

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<v Speaker 1>it literate, make it make it correct. All of that.

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<v Speaker 1>I'm guessing that more than Hungarian was done here that

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<v Speaker 1>is that involves AI.

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<v Speaker 2>That movie Queer is it's like this, there's tons of

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<v Speaker 2>AI in that movie and it's almost terrible.

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<v Speaker 4>Okay, but I say, you used AI AI to do

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<v Speaker 4>what well, I don't know.

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<v Speaker 1>Sets backwards Une Philadelphia, nineteen fifty one. But my point

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<v Speaker 1>is that this means you can make a giant. You

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<v Speaker 1>could make The Godfather for two million dollars. Well if

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<v Speaker 1>you're bubbling, okay, if you use AI properly. But of

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<v Speaker 1>course everybody in Hollywood, everybody in America is scared to

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<v Speaker 1>death of AI.

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<v Speaker 2>Can we just here's what's interesting about culture and AI

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<v Speaker 2>and movies to me. In the movie Queer with Daniel

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<v Speaker 2>Craig and then an actor whose name I forget now

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00:17:20.440 --> 00:17:22.960
<v Speaker 2>Daniel Craig, Clake, James Bond, there's a whole bunch of

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<v Speaker 2>AI in there for like scenery and like Mexico City

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<v Speaker 2>in the fifties and stuff it's like, and they shot

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<v Speaker 2>it all on a back lot, so it kind of

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<v Speaker 2>looks faky anyway, but like the AI kind of does okay,

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<v Speaker 2>but it's gonna look like those really bad rear screen

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<v Speaker 2>projections from the fifties, look like a bad Hitchcock rear

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<v Speaker 2>screen projection, which we all kind of like except now

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<v Speaker 2>because it's Hitchcock.

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<v Speaker 5>But really it.

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<v Speaker 1>Looks terrible, right ye.

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<v Speaker 2>What's interesting about it is that they didn't use AI

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<v Speaker 2>for the fairly graphic sex scenes between Daniel Craig and

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<v Speaker 2>this other dude and Daniel Craig is an action adventure,

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00:17:56.039 --> 00:17:57.839
<v Speaker 2>and that just shows you how far we come, because

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<v Speaker 2>you know, if you just say yeah, John Wayne, or

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<v Speaker 2>even like Roger Moore, Sean Connery, you said, look, you're

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<v Speaker 2>gonna be in bed with this guy, it's going to

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<v Speaker 2>be pretty obvious what's happening. And there's really no other

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<v Speaker 2>way to fake it. So it's going to be almost

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<v Speaker 2>like you're like, it's happening. You know, it's not going

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00:18:12.680 --> 00:18:17.880
<v Speaker 2>to be it's going to be very very intimate, But

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<v Speaker 2>we're gonna use AI to do the Mountains of Tosco.

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<v Speaker 2>If you're like Sean Connery, how about we do the

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<v Speaker 2>AI for the sex stuff that we Actually.

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<v Speaker 1>It's even worse because Daniel Craig like took this big

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00:18:31.680 --> 00:18:34.160
<v Speaker 1>swing for the fences with this part and did not

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00:18:34.279 --> 00:18:36.119
<v Speaker 1>work an Oscar nomination.

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<v Speaker 5>And well that's because it's that he was he was stiffed.

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<v Speaker 1>He was stiffed, he was slewed, which is what you're saying.

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<v Speaker 2>People thought it because he did in the movie.

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<v Speaker 1>But the weird.

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<v Speaker 2>Thing about that is that it used to be like

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<v Speaker 2>you would get an Oscar nom if you played somebody

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00:18:52.400 --> 00:18:57.880
<v Speaker 2>who was mentally handicapped or sad gay man. And now

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<v Speaker 2>I think you don't. I don't know how you get.

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<v Speaker 2>I don't know how you get.

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<v Speaker 1>Okay.

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<v Speaker 4>One other big thing is that you know yetity you

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00:19:03.680 --> 00:19:05.599
<v Speaker 4>play a drug dealer who becomes a woman.

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<v Speaker 1>Yeah, that's been got transit, here's and here's a big one,

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00:19:10.759 --> 00:19:13.200
<v Speaker 1>got a big one for you. You know how it used

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00:19:13.200 --> 00:19:18.640
<v Speaker 1>to be to every documentary every year, the best documentary.

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<v Speaker 2>We're just deserly trying to get some jokes in here. John,

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00:19:21.799 --> 00:19:24.279
<v Speaker 2>I don't know if you've noticed. You keep going back

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<v Speaker 2>to the ospital.

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<v Speaker 1>Said stiffed. I'm the one who said I started that

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<v Speaker 1>whole thing. I know, I know, okay, I don't. I

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<v Speaker 1>just don't want to be accused of it.

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<v Speaker 2>But you finished too soon, That's what.

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<v Speaker 1>That's what he said. Okay, the documentary film category. Every year,

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<v Speaker 1>there were always two films that involved the Holocaust, right,

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00:19:51.119 --> 00:19:55.279
<v Speaker 1>always two. There was like a Survivor, or there was

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<v Speaker 1>like no, now we are moving what is now twenty

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<v Speaker 1>twenty four? It is the and guess what, Guess what?

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<v Speaker 1>There is a movie. There is no Holocaust movie, but

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<v Speaker 1>there is of course a Palestinian Jenit are being genocided

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<v Speaker 1>movie in the documentary category.

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<v Speaker 5>Well, I got to get a movie's times.

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<v Speaker 1>That's what I'm saying. So the new thing is going

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<v Speaker 1>to be It used to be Hollywood run by Jews,

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<v Speaker 1>Da da da Holocaust, Holocaust, Holocaust. Now it's going to

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<v Speaker 1>be Hollywood run by woke leftist lunatics, palastine genocide, palicying,

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<v Speaker 1>and genocide palacy. So that's a fun that's a fun

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<v Speaker 1>journey that we're taking, you know, as as the politics

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<v Speaker 1>in America shifts radically in the other direction. But so, uh,

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<v Speaker 1>did you like a Noura rob because I loved Anora.

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<v Speaker 2>Yeah.

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<v Speaker 1>That was fun. It was good.

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<v Speaker 2>I was like a real movie. Yeah, I mean it

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00:20:47.720 --> 00:20:49.160
<v Speaker 2>felt like a real movie. It felt like a movie,

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<v Speaker 2>like I mean, I liked I liked the conclavet because

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<v Speaker 2>it was.

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<v Speaker 1>It was.

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<v Speaker 2>I love all that like that specific weird Vatican stuff,

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00:21:01.880 --> 00:21:04.680
<v Speaker 2>you know, as a as a as a devoted Anglican.

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00:21:04.759 --> 00:21:08.839
<v Speaker 2>It it satisfies my need to to uh to look

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00:21:08.880 --> 00:21:10.680
<v Speaker 2>down on the papers, but also think, wow, that's a

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00:21:10.680 --> 00:21:11.640
<v Speaker 2>cool outfit.

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00:21:12.400 --> 00:21:15.960
<v Speaker 1>Cool outfit, nice hallways like yeah, and also a part

388
00:21:16.319 --> 00:21:19.799
<v Speaker 1>one hundred and two hotel rooms they somehow just constructed

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00:21:19.839 --> 00:21:23.759
<v Speaker 1>in the solely to have there so that they could

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00:21:23.799 --> 00:21:25.359
<v Speaker 1>have a conclave every now and then.

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<v Speaker 5>I just like it. I just thought that that was

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<v Speaker 5>it was.

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<v Speaker 1>Pretty it has it has the worst last ten minutes

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00:21:30.839 --> 00:21:33.839
<v Speaker 1>of any movie I've ever seen that. Yeah, But nonetheless,

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00:21:33.880 --> 00:21:36.319
<v Speaker 1>anyway it is, it is so good. It is so

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00:21:36.440 --> 00:21:37.960
<v Speaker 1>fun until that point.

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00:21:38.359 --> 00:21:39.559
<v Speaker 5>So that point's kind of fun.

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00:21:40.319 --> 00:21:41.119
<v Speaker 1>That was a fun movie.

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00:21:41.599 --> 00:21:44.359
<v Speaker 4>I was in London recently with my daughter, Yeah, and

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00:21:45.599 --> 00:21:48.839
<v Speaker 4>we saw two shows on the West End, two things

401
00:21:48.839 --> 00:21:53.079
<v Speaker 4>at theater right, the Mysterious Case of Benjamin Button reset

402
00:21:53.160 --> 00:22:03.519
<v Speaker 4>in a Welsh seaside town and uh the Stranger Things Play,

403
00:22:04.160 --> 00:22:07.519
<v Speaker 4>which we can talk about in a second. But after

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00:22:07.519 --> 00:22:09.279
<v Speaker 4>we saw the Benjamin Button thing, which was the music

405
00:22:09.279 --> 00:22:14.039
<v Speaker 4>which we liked, didn't love, but we liked. It was

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00:22:14.079 --> 00:22:16.799
<v Speaker 4>too early to get dinner, the hotel us too far

407
00:22:16.839 --> 00:22:19.440
<v Speaker 4>away to go home, and so me and my daughter

408
00:22:19.519 --> 00:22:21.960
<v Speaker 4>loved going to the movies. So we went to the

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00:22:22.000 --> 00:22:25.920
<v Speaker 4>big Imax theater in Leicester Square and saw No s

410
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<v Speaker 4>Faratu and biggest Imax theater I've ever been in, and

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00:22:32.039 --> 00:22:34.079
<v Speaker 4>I think except maybe with one at the Smithsonian. It's

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00:22:34.160 --> 00:22:39.160
<v Speaker 4>kind of nuts and not to go back to the

413
00:22:39.279 --> 00:22:43.759
<v Speaker 4>opera versus ballet kind of ye. Yeah, the tickets for

414
00:22:43.839 --> 00:22:46.680
<v Speaker 4>this might as well have been for La Bom at

415
00:22:46.680 --> 00:22:54.400
<v Speaker 4>the Met. I mean I dropped again. I think between popcorn,

416
00:22:54.799 --> 00:22:58.240
<v Speaker 4>soda and two tickets for this Imax thing, close to

417
00:22:58.279 --> 00:22:59.200
<v Speaker 4>one hundred pounds.

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00:22:59.400 --> 00:23:02.079
<v Speaker 1>That was the pop corn. Yeah. They don't put butter

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<v Speaker 1>on their popcorn.

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<v Speaker 2>There, yeah they do. Nobody does. Americans know how to

421
00:23:05.680 --> 00:23:08.319
<v Speaker 2>eat popcorn in general corn nobody else does.

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00:23:08.440 --> 00:23:10.440
<v Speaker 1>Yeah. Well, also when you go when you go to Europe,

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<v Speaker 1>they don't have ice. They don't have ice for drinks,

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00:23:12.839 --> 00:23:14.640
<v Speaker 1>that's the other thing. And they don't Yeah, they don't

425
00:23:14.640 --> 00:23:15.960
<v Speaker 1>have and they don't have butter on the pape.

426
00:23:16.160 --> 00:23:18.480
<v Speaker 2>Now they have more ice than they used to as

427
00:23:18.519 --> 00:23:20.960
<v Speaker 2>growing up as a kid, uh, and they don't. They

428
00:23:20.960 --> 00:23:24.160
<v Speaker 2>still use the little the glasses with the etched in

429
00:23:24.319 --> 00:23:27.240
<v Speaker 2>line that shows you legally in France anyway, how many

430
00:23:27.400 --> 00:23:30.519
<v Speaker 2>sent a leaders, You're going to get no more no loves,

431
00:23:30.559 --> 00:23:32.200
<v Speaker 2>so that there will never be no.

432
00:23:32.440 --> 00:23:34.319
<v Speaker 1>Like but anything, have anything.

433
00:23:34.359 --> 00:23:37.160
<v Speaker 5>It's just like it so barely quenches your thirst.

434
00:23:37.599 --> 00:23:39.960
<v Speaker 2>But speaking of quenching your thirst, could you know that

435
00:23:40.000 --> 00:23:42.839
<v Speaker 2>eighty percent of resolutions fail by February, they lose their

436
00:23:42.839 --> 00:23:45.640
<v Speaker 2>New Year's resolutions. And you could beat the odds. You

437
00:23:45.680 --> 00:23:47.759
<v Speaker 2>could beat those odds. Those are pretty bad odds, eighty

438
00:23:47.759 --> 00:23:51.319
<v Speaker 2>percent fail, but you could beat them with Lumen. Using

439
00:23:51.400 --> 00:23:53.519
<v Speaker 2>Lumen will help you improve your health. Lumen is the

440
00:23:53.559 --> 00:23:56.759
<v Speaker 2>world's first handheld metabolic coach. It's a device that measures

441
00:23:56.759 --> 00:24:00.039
<v Speaker 2>your metabolism through your breath and on the app that

442
00:24:00.319 --> 00:24:02.279
<v Speaker 2>lets you know if you're burning fat or carbs. It

443
00:24:02.279 --> 00:24:05.279
<v Speaker 2>gives you tailored guidance to improve your nutrition, workouts, sleep,

444
00:24:05.319 --> 00:24:08.200
<v Speaker 2>and even Breathe into your Lumen device first thing in

445
00:24:08.279 --> 00:24:10.640
<v Speaker 2>the morning, and it's like that. It looks like the

446
00:24:10.680 --> 00:24:13.079
<v Speaker 2>size of a tiny it's like a size of a

447
00:24:13.200 --> 00:24:15.920
<v Speaker 2>USB driver, and you'll know instantly what's going on with

448
00:24:15.960 --> 00:24:18.160
<v Speaker 2>your metabolism, whether you're burning mostly fat or carbs, and

449
00:24:18.200 --> 00:24:20.960
<v Speaker 2>then Lumen will give you a personalized nutrition plan for

450
00:24:21.039 --> 00:24:23.000
<v Speaker 2>that specific day based on your measurements.

451
00:24:23.160 --> 00:24:25.720
<v Speaker 5>You can also breathe into it before and after workouts.

452
00:24:25.400 --> 00:24:27.559
<v Speaker 2>Or meals, so you know exactly what's going on in

453
00:24:27.559 --> 00:24:29.759
<v Speaker 2>your body in real time, and Lumen will give you

454
00:24:29.799 --> 00:24:32.039
<v Speaker 2>tips to keep you on top of your health gain.

455
00:24:32.359 --> 00:24:34.920
<v Speaker 2>Your metabolism is your body's engine. Is how your body

456
00:24:34.960 --> 00:24:37.599
<v Speaker 2>turns the food you eat into fuel that keeps you going.

457
00:24:37.640 --> 00:24:39.920
<v Speaker 2>And because your metabolism is at the center of everything

458
00:24:39.960 --> 00:24:42.960
<v Speaker 2>your body does, optimal metabolic health translates to a bunch

459
00:24:42.960 --> 00:24:45.720
<v Speaker 2>of benefits in goody, easier weight management, improve energy levels,

460
00:24:45.759 --> 00:24:49.960
<v Speaker 2>better fitness results, better sleep. Lumen gives you the recommendations

461
00:24:50.000 --> 00:24:53.000
<v Speaker 2>you need to improve your metabolic health. So take the

462
00:24:53.000 --> 00:24:55.400
<v Speaker 2>next step to improving your health. Go to lumen dot

463
00:24:55.519 --> 00:24:58.680
<v Speaker 2>me slash glop get twenty percent off your Lumen. That's

464
00:24:58.799 --> 00:25:02.440
<v Speaker 2>Lumen lun do me all one word slash glop for

465
00:25:02.559 --> 00:25:05.240
<v Speaker 2>twenty percent off your purchase. If we thank Luhman for

466
00:25:05.319 --> 00:25:08.039
<v Speaker 2>sponsoring this episode. It's a great device. I use it,

467
00:25:08.119 --> 00:25:11.079
<v Speaker 2>and it really the first time you use it, it's

468
00:25:11.119 --> 00:25:14.319
<v Speaker 2>kind of weird you think this is, and then you

469
00:25:14.359 --> 00:25:16.160
<v Speaker 2>get used to it and it's always right.

470
00:25:16.720 --> 00:25:16.880
<v Speaker 1>Rob.

471
00:25:16.920 --> 00:25:18.359
<v Speaker 2>Can I ask you a question, Yeah.

472
00:25:18.920 --> 00:25:23.039
<v Speaker 4>Less about Luhman and more about your role now as

473
00:25:23.160 --> 00:25:30.039
<v Speaker 4>the probationary spiritual advisor of this podcast. Yes, when you say,

474
00:25:30.440 --> 00:25:32.720
<v Speaker 4>is it bad that when I hear you say yes,

475
00:25:33.480 --> 00:25:37.119
<v Speaker 4>most people will give up their resolutions by February. And

476
00:25:37.200 --> 00:25:39.599
<v Speaker 4>the thing that comes to my mind is I look

477
00:25:39.640 --> 00:25:41.640
<v Speaker 4>at the calendar and I'm like, awesome, I only have

478
00:25:41.759 --> 00:25:43.720
<v Speaker 4>to wait seven more days before I can give up.

479
00:25:46.720 --> 00:25:51.839
<v Speaker 2>Well, you know, as a well known now well known

480
00:25:52.119 --> 00:25:57.599
<v Speaker 2>Episcopalian clergy member of the clergy recently said publicly and

481
00:25:59.279 --> 00:26:02.680
<v Speaker 2>in front of the incoming president and vice president, mercy

482
00:26:03.319 --> 00:26:07.880
<v Speaker 2>is at the heart of our faith. So I will

483
00:26:07.920 --> 00:26:11.880
<v Speaker 2>pray for you, and I offer you only the mercy

484
00:26:11.960 --> 00:26:15.039
<v Speaker 2>that God offers you as you break your covenants.

485
00:26:14.640 --> 00:26:18.079
<v Speaker 5>With yourself, because that's who you're letting down, Jennah.

486
00:26:18.559 --> 00:26:24.119
<v Speaker 1>Not me, not God, not John. You it's worse to

487
00:26:24.240 --> 00:26:30.559
<v Speaker 1>let me down. You're okay with that from th So

488
00:26:30.640 --> 00:26:32.240
<v Speaker 1>what did you like those rato.

489
00:26:35.039 --> 00:26:37.880
<v Speaker 4>It was pretty gross, I gotta say, and it was

490
00:26:38.240 --> 00:26:45.880
<v Speaker 4>not necessary for imax, I gotta say. I guess I

491
00:26:46.000 --> 00:26:47.519
<v Speaker 4>did It was such a.

492
00:26:47.680 --> 00:26:49.240
<v Speaker 1>Throwback in so many ways.

493
00:26:49.559 --> 00:26:51.680
<v Speaker 4>It did not feel like a movie made in twenty

494
00:26:51.720 --> 00:26:54.799
<v Speaker 4>twenty five, released in twenty twenty five. It felt like

495
00:26:55.000 --> 00:26:58.680
<v Speaker 4>it was an homage to a movie that was released

496
00:26:58.720 --> 00:27:07.559
<v Speaker 4>in nineteen seven kind of thing. And uh, yeah it

497
00:27:07.799 --> 00:27:11.160
<v Speaker 4>wasn't it kind of kind of like it didn't know

498
00:27:11.279 --> 00:27:13.119
<v Speaker 4>what it wanted to be. Was it a horror movie?

499
00:27:13.400 --> 00:27:14.319
<v Speaker 1>Was it an homage?

500
00:27:14.720 --> 00:27:20.640
<v Speaker 4>Was I mean the guy who played No Saratu was

501
00:27:20.799 --> 00:27:23.279
<v Speaker 4>uh the guy I think he was penny Wise? You know,

502
00:27:23.359 --> 00:27:27.400
<v Speaker 4>he's a really penny Wise and they recent it. Yes, yes, yeah,

503
00:27:27.839 --> 00:27:30.240
<v Speaker 4>he's very good at it. But like if I was

504
00:27:30.319 --> 00:27:32.440
<v Speaker 4>watching with my dad, my dad would be like, why

505
00:27:32.519 --> 00:27:35.799
<v Speaker 4>can't he blow his nose? Just like the way he

506
00:27:35.920 --> 00:27:37.079
<v Speaker 4>talked was just really annoying.

507
00:27:38.319 --> 00:27:39.119
<v Speaker 1>So I liked it.

508
00:27:39.240 --> 00:27:42.079
<v Speaker 4>It was interesting to look at, but like you, there

509
00:27:42.160 --> 00:27:45.400
<v Speaker 4>was no one to really sympathize with in the whole thing.

510
00:27:45.480 --> 00:27:47.960
<v Speaker 4>No one are really root for and the handful And

511
00:27:48.039 --> 00:27:49.880
<v Speaker 4>like when I heard that William Dafoe was going to

512
00:27:49.920 --> 00:27:52.880
<v Speaker 4>be in No Sparatu I just assumed he was going

513
00:27:52.960 --> 00:27:53.839
<v Speaker 4>to play No Faratu.

514
00:27:54.319 --> 00:27:56.839
<v Speaker 1>But by the way he did, I oh he did

515
00:27:57.119 --> 00:28:00.480
<v Speaker 1>twenty years ago, twenty years ago, and he made a movie.

516
00:28:01.240 --> 00:28:04.400
<v Speaker 1>He made a comedy about the making of the original

517
00:28:05.319 --> 00:28:08.119
<v Speaker 1>No Speratu, the making of the movie in which he

518
00:28:08.319 --> 00:28:12.920
<v Speaker 1>played Max Shrek, the actor who played No Saratu in

519
00:28:13.039 --> 00:28:15.519
<v Speaker 1>the movie, made in Germany in nineteen.

520
00:28:15.599 --> 00:28:16.519
<v Speaker 5>It's strange though.

521
00:28:16.759 --> 00:28:20.000
<v Speaker 1>It's like place van Helsing or the version whatever the

522
00:28:20.119 --> 00:28:24.319
<v Speaker 1>character's name is here in in nos Farta. I loved it.

523
00:28:24.599 --> 00:28:26.880
<v Speaker 1>I loved it, I have to say much to my

524
00:28:28.279 --> 00:28:31.519
<v Speaker 1>I thought it was beautiful. I thought it was it

525
00:28:31.640 --> 00:28:33.759
<v Speaker 1>was really interesting. Look. I thought it was actually quite

526
00:28:34.200 --> 00:28:37.880
<v Speaker 1>I actually was quite moved by it in ways. And

527
00:28:37.960 --> 00:28:41.480
<v Speaker 1>I thought it was very intelligently made. But and it's

528
00:28:41.480 --> 00:28:43.519
<v Speaker 1>a hit. It's a huge hit for a for an

529
00:28:43.559 --> 00:28:46.720
<v Speaker 1>independent movie of that sort. It's going to make a

530
00:28:46.799 --> 00:28:49.599
<v Speaker 1>hundred million dollars at the box office, which for an

531
00:28:49.759 --> 00:28:54.119
<v Speaker 1>R rated horror movie of that sustained grossness, which is a,

532
00:28:54.279 --> 00:28:56.839
<v Speaker 1>by the way, part of a whole move. Honora's like this,

533
00:28:57.319 --> 00:29:01.359
<v Speaker 1>the substances like this. No Speratu is like this, the

534
00:29:01.720 --> 00:29:04.440
<v Speaker 1>Nicole Kidman movie, Baby Girl, and a couple of other things.

535
00:29:05.279 --> 00:29:09.319
<v Speaker 1>Breasts are back on screen. Baby. It's been like twenty

536
00:29:09.400 --> 00:29:11.799
<v Speaker 1>years we haven't seen a naked lady on screen and

537
00:29:11.920 --> 00:29:14.599
<v Speaker 1>let me tell you go to the multiplex. Oh yeah,

538
00:29:14.680 --> 00:29:17.079
<v Speaker 1>you know, it's like going to the pussy Cat back

539
00:29:17.160 --> 00:29:21.119
<v Speaker 1>in nineteen seventy two. We we have we have breasts,

540
00:29:22.559 --> 00:29:22.720
<v Speaker 1>we have.

541
00:29:24.039 --> 00:29:29.119
<v Speaker 2>Since Rodney Dangerfield. But ladies and gentlemen, no, you're yeah,

542
00:29:29.160 --> 00:29:30.759
<v Speaker 2>I think that's true. A lot of that's coming back.

543
00:29:31.920 --> 00:29:34.519
<v Speaker 1>You know what Rodney Denserfield could today be Leah Thomas.

544
00:29:35.519 --> 00:29:39.559
<v Speaker 1>I think in the in Back of School he could

545
00:29:39.640 --> 00:29:44.359
<v Speaker 1>be diving for the girls team. Sure, yeah, that would

546
00:29:44.359 --> 00:29:48.519
<v Speaker 1>get on an Oscar nomination, Yeah, at a Nobel Prize.

547
00:29:48.920 --> 00:29:51.799
<v Speaker 1>But I mean, I'm just saying, Nichole's naked, Mikey Madison

548
00:29:51.880 --> 00:29:56.720
<v Speaker 1>is naked, and Anora he's naked. Lily Rose depth in

549
00:29:57.039 --> 00:30:01.759
<v Speaker 1>in No s Ferratu very mere to me more in

550
00:30:01.920 --> 00:30:06.359
<v Speaker 1>the Substance, More is remarkable in the Substance, which is

551
00:30:06.680 --> 00:30:13.519
<v Speaker 1>a really weird, weird, inventive fund weird movie that is

552
00:30:14.079 --> 00:30:17.480
<v Speaker 1>so gross that if you can't if you can't handle

553
00:30:17.559 --> 00:30:19.880
<v Speaker 1>the gross, you can't handle gross, don't see it.

554
00:30:21.160 --> 00:30:23.599
<v Speaker 2>But I was going to say that there's also kind

555
00:30:23.640 --> 00:30:25.759
<v Speaker 2>of as people get used to it, you know, there's

556
00:30:25.839 --> 00:30:29.759
<v Speaker 2>like it's the it's like the Willem Dafoe thing, you know,

557
00:30:30.000 --> 00:30:32.039
<v Speaker 2>like when it's one of those when the cars new

558
00:30:32.119 --> 00:30:35.319
<v Speaker 2>cars come out, because does cars look weird? Who's gonna

559
00:30:35.359 --> 00:30:36.279
<v Speaker 2>ever want to drive a car like that?

560
00:30:36.400 --> 00:30:36.799
<v Speaker 1>It's weird?

561
00:30:36.839 --> 00:30:38.000
<v Speaker 2>And then a couple of years later you're like, oh,

562
00:30:38.039 --> 00:30:40.720
<v Speaker 2>this car's are normal. When Willem Dafoe is in first

563
00:30:40.799 --> 00:30:43.720
<v Speaker 2>appearing in movies like who's that weird guy? He's a

564
00:30:43.839 --> 00:30:46.720
<v Speaker 2>weird looking freak, and now he's the you would never

565
00:30:46.799 --> 00:30:48.559
<v Speaker 2>cast him as just ferrato because you have a freaker

566
00:30:48.599 --> 00:30:49.079
<v Speaker 2>guy to do that.

567
00:30:49.680 --> 00:30:51.200
<v Speaker 5>And I think it's the same thing like it was

568
00:30:51.240 --> 00:30:51.640
<v Speaker 5>happening now.

569
00:30:51.720 --> 00:30:54.720
<v Speaker 2>Is a lot of these older women, older actors in general,

570
00:30:55.359 --> 00:30:56.920
<v Speaker 2>are you know, there's still kind of in good shape.

571
00:30:57.039 --> 00:31:00.240
<v Speaker 2>And then of course the the to mean more the

572
00:31:00.279 --> 00:31:02.519
<v Speaker 2>substance is really sort of about that subject. That's the

573
00:31:02.640 --> 00:31:05.359
<v Speaker 2>subject of it. So uh and with a little bit

574
00:31:05.400 --> 00:31:08.400
<v Speaker 2>of a I you know, you can you can probably

575
00:31:09.079 --> 00:31:11.200
<v Speaker 2>take your pants down and tell you're well in your eighties.

576
00:31:14.680 --> 00:31:16.519
<v Speaker 4>It's getting them back up that becomes a problem in

577
00:31:16.519 --> 00:31:16.920
<v Speaker 4>your age.

578
00:31:17.519 --> 00:31:24.240
<v Speaker 1>Well maybe hey, I can, I can do it for you.

579
00:31:26.119 --> 00:31:29.279
<v Speaker 2>So uh, all right, I'll tell you though, I will

580
00:31:29.480 --> 00:31:33.160
<v Speaker 2>I'll tell you one uh weird argument we had with

581
00:31:33.319 --> 00:31:39.319
<v Speaker 2>a standards or practices person in a network about a uh.

582
00:31:41.839 --> 00:31:44.200
<v Speaker 5>Yeah, so it's a tag and then and then all

583
00:31:44.279 --> 00:31:45.279
<v Speaker 5>these guys are going to.

584
00:31:47.200 --> 00:31:49.640
<v Speaker 2>Uh this guy was sort of an aristocrat and he's

585
00:31:49.720 --> 00:31:52.599
<v Speaker 2>gonna his father had come to visit him, and he

586
00:31:52.720 --> 00:31:57.880
<v Speaker 2>expected his father to to basically say you're you're I'm

587
00:31:57.880 --> 00:31:59.920
<v Speaker 2>cutting off all your money, but in fact his father

588
00:32:00.119 --> 00:32:00.720
<v Speaker 2>had no money.

589
00:32:01.200 --> 00:32:01.839
<v Speaker 5>Run through it all.

590
00:32:02.319 --> 00:32:05.519
<v Speaker 2>But they were But they reconciled at his club and

591
00:32:05.799 --> 00:32:07.359
<v Speaker 2>he went with his friends to the club and they

592
00:32:07.359 --> 00:32:09.240
<v Speaker 2>all went up to the plunge pool in the club,

593
00:32:09.319 --> 00:32:11.480
<v Speaker 2>which says the most disgusting place in the world because

594
00:32:11.680 --> 00:32:14.039
<v Speaker 2>just a bunch of naked old men in the pool.

595
00:32:14.640 --> 00:32:17.000
<v Speaker 2>And the last scene was the guy sort of in

596
00:32:17.079 --> 00:32:18.640
<v Speaker 2>the pool waist up and one of them is like

597
00:32:19.079 --> 00:32:23.680
<v Speaker 2>all ashen and he says it is is that?

598
00:32:23.759 --> 00:32:24.240
<v Speaker 1>What is that?

599
00:32:24.319 --> 00:32:24.799
<v Speaker 5>An old man?

600
00:32:25.160 --> 00:32:26.119
<v Speaker 2>Yeah? That's stuff.

601
00:32:26.200 --> 00:32:30.079
<v Speaker 5>I goes, y, Hi, hi Chip, How are you? Is

602
00:32:31.359 --> 00:32:32.359
<v Speaker 5>Is he facing us?

603
00:32:33.880 --> 00:32:34.000
<v Speaker 1>Then?

604
00:32:34.480 --> 00:32:36.799
<v Speaker 2>Oh no, he's no. I actually I have no idea.

605
00:32:37.920 --> 00:32:40.799
<v Speaker 2>And the standards of practices woman was like, you can't

606
00:32:40.799 --> 00:32:41.000
<v Speaker 2>do that.

607
00:32:41.160 --> 00:32:42.880
<v Speaker 5>It's disgusting, Like.

608
00:32:42.920 --> 00:32:45.599
<v Speaker 2>What are you what's disgusting about? It's disgusting the idea

609
00:32:45.640 --> 00:32:48.200
<v Speaker 2>that you wouldn't know that he's so old. And she

610
00:32:48.319 --> 00:32:50.039
<v Speaker 2>had this whole thing and it was such a great

611
00:32:50.599 --> 00:32:53.240
<v Speaker 2>it's great to work shop test right, because she was

612
00:32:53.319 --> 00:32:57.359
<v Speaker 2>so horrified by the idea of age being so hideous

613
00:32:57.400 --> 00:33:00.920
<v Speaker 2>that you wouldn't know. A naked old person just is

614
00:33:01.000 --> 00:33:03.759
<v Speaker 2>like a melting candle. It doesn't have a front or

615
00:33:03.799 --> 00:33:08.000
<v Speaker 2>a back. It's just a loose jacket of skin.

616
00:33:10.319 --> 00:33:14.039
<v Speaker 4>So apropos is literally other than changing the subject from

617
00:33:14.079 --> 00:33:19.119
<v Speaker 4>this disgusting topic. I was watching Seinfeld last night, and

618
00:33:20.319 --> 00:33:21.960
<v Speaker 4>which I sometimes do, which is waiting for like the

619
00:33:22.000 --> 00:33:25.279
<v Speaker 4>news to come on, kind of thing, And I've seen

620
00:33:25.319 --> 00:33:29.000
<v Speaker 4>them all so many times, like I very rarely i'll

621
00:33:29.000 --> 00:33:30.799
<v Speaker 4>still laugh, but I know the laugh is coming kind

622
00:33:30.799 --> 00:33:35.440
<v Speaker 4>of thing. I completely forgot this scene, and I remember

623
00:33:35.440 --> 00:33:39.400
<v Speaker 4>of the episode where George is dating a woman he

624
00:33:39.519 --> 00:33:43.279
<v Speaker 4>thinks is ballimic, and he thinks that she goes to

625
00:33:43.359 --> 00:33:46.319
<v Speaker 4>the bathroom to throw up after every every time he

626
00:33:46.359 --> 00:33:49.960
<v Speaker 4>takes her out to dinner and hold to cannery about

627
00:33:50.160 --> 00:33:51.960
<v Speaker 4>you know, catching her in the act and all that.

628
00:33:52.039 --> 00:33:54.839
<v Speaker 4>But anyway, when he goes back, when he first comes

629
00:33:54.880 --> 00:33:57.440
<v Speaker 4>to this, when this thought first enterest his head, he

630
00:33:57.480 --> 00:34:00.799
<v Speaker 4>goes back to the apartment and he's talking to Jerry

631
00:34:00.839 --> 00:34:05.039
<v Speaker 4>and Elaine about it, and he's saying, I think she's balliemic.

632
00:34:05.079 --> 00:34:07.960
<v Speaker 4>I think she's you know. And Elaine's like, and this

633
00:34:08.159 --> 00:34:13.840
<v Speaker 4>concerns you, and he says, yeah, I'm not getting my

634
00:34:14.000 --> 00:34:14.880
<v Speaker 4>money's worse.

635
00:34:15.440 --> 00:34:16.199
<v Speaker 3>I just paint that.

636
00:34:19.559 --> 00:34:20.880
<v Speaker 4>I completely forgot about that.

637
00:34:21.079 --> 00:34:21.760
<v Speaker 1>It was hilarious.

638
00:34:22.280 --> 00:34:24.679
<v Speaker 4>So anyway, maybe we don't have to come back to

639
00:34:25.519 --> 00:34:26.880
<v Speaker 4>moldering blobs of flesh.

640
00:34:27.519 --> 00:34:27.719
<v Speaker 1>Eh.

641
00:34:28.039 --> 00:34:29.800
<v Speaker 5>I don't know, but it gives me at piles of

642
00:34:29.880 --> 00:34:30.880
<v Speaker 5>vomited talk about.

643
00:34:31.559 --> 00:34:33.760
<v Speaker 1>Well, nobody has to be beliemic anymore because they could

644
00:34:33.840 --> 00:34:36.119
<v Speaker 1>just take ozembic when they're twenty pounds underweight. There are

645
00:34:36.119 --> 00:34:41.719
<v Speaker 1>people who are taking were taking these semiglue tides who

646
00:34:41.880 --> 00:34:46.119
<v Speaker 1>literally are like they're now looking like they came out

647
00:34:46.159 --> 00:34:50.840
<v Speaker 1>of the bioffran famine, you know, because they're doing it

648
00:34:51.280 --> 00:34:55.159
<v Speaker 1>while being at a perfect weight and they're using it

649
00:34:55.239 --> 00:34:58.000
<v Speaker 1>to get underweight. And you can see it all over

650
00:34:58.079 --> 00:35:01.400
<v Speaker 1>the place, particularly in like Golden Globes or something like that,

651
00:35:01.559 --> 00:35:05.920
<v Speaker 1>where it really is like human lollipops. There are people

652
00:35:05.960 --> 00:35:08.400
<v Speaker 1>who look like human lollipops. They have this like head

653
00:35:08.800 --> 00:35:12.760
<v Speaker 1>that is that cannot shrink because of the there's nothing

654
00:35:12.760 --> 00:35:15.679
<v Speaker 1>you do to shrink a skull. And then you know,

655
00:35:15.840 --> 00:35:18.400
<v Speaker 1>and and the chin from the top to the bottom

656
00:35:18.760 --> 00:35:21.840
<v Speaker 1>and the rest of their body just shrills away and

657
00:35:21.920 --> 00:35:23.880
<v Speaker 1>they're just like walking along.

658
00:35:24.400 --> 00:35:27.440
<v Speaker 4>I don't get it, like Kathy Baits. Everyone from Kathy

659
00:35:27.480 --> 00:35:30.039
<v Speaker 4>Baits to Mike Pompeo is obviously on these things right,

660
00:35:30.719 --> 00:35:33.119
<v Speaker 4>and they can't admit it, Like I mean, Pompeo's is like,

661
00:35:33.280 --> 00:35:35.760
<v Speaker 4>you know, just eating right and out the size. Catty

662
00:35:35.840 --> 00:35:39.280
<v Speaker 4>Bates will not say that she's done it, And I mean.

663
00:35:39.199 --> 00:35:40.679
<v Speaker 1>You can tell. You can tell by the way you

664
00:35:40.760 --> 00:35:43.400
<v Speaker 1>can tell Cathy because because the first half of the

665
00:35:44.239 --> 00:35:47.880
<v Speaker 1>season of her hit show Mattlock, she looks like Kathy

666
00:35:47.960 --> 00:35:53.400
<v Speaker 1>Baits and then she was after golden globes and pounds

667
00:35:53.440 --> 00:36:00.679
<v Speaker 1>thinner and just three pounds thinner. And you know, she's

668
00:36:00.719 --> 00:36:04.920
<v Speaker 1>a she's a she's a small woman. She's short, which

669
00:36:04.960 --> 00:36:06.639
<v Speaker 1>I didn't really know because she was I don't know

670
00:36:06.639 --> 00:36:07.239
<v Speaker 1>who she was staying.

671
00:36:09.760 --> 00:36:10.599
<v Speaker 3>I know a lot.

672
00:36:11.119 --> 00:36:13.039
<v Speaker 1>I'm just guessing thirty tiunds.

673
00:36:12.760 --> 00:36:15.119
<v Speaker 2>And I just say, say, Pompeo, I don't know about

674
00:36:15.159 --> 00:36:18.440
<v Speaker 2>the time Pompei timeline on these because you know he

675
00:36:18.519 --> 00:36:21.280
<v Speaker 2>started losing weight like four years ago like I thought

676
00:36:21.320 --> 00:36:22.199
<v Speaker 2>he was running for president.

677
00:36:22.199 --> 00:36:24.000
<v Speaker 5>Everyth thought he's lady for president because he dropped a

678
00:36:24.000 --> 00:36:26.719
<v Speaker 5>whole lot of weight. And that was really before these things.

679
00:36:26.519 --> 00:36:32.480
<v Speaker 1>Were there were still there was still I think he would.

680
00:36:32.239 --> 00:36:34.039
<v Speaker 5>Have done it the healthy way, just by throwing up

681
00:36:34.079 --> 00:36:34.360
<v Speaker 5>after her.

682
00:36:34.440 --> 00:36:37.320
<v Speaker 1>No, I mean ozempic or the first the first one

683
00:36:37.360 --> 00:36:41.760
<v Speaker 1>of those came around about four four years ago, as

684
00:36:41.800 --> 00:36:44.760
<v Speaker 1>I as I recall, so anyway, I just think it's

685
00:36:44.800 --> 00:36:45.320
<v Speaker 1>a it's a.

686
00:36:48.480 --> 00:36:48.679
<v Speaker 3>There.

687
00:36:48.800 --> 00:36:52.000
<v Speaker 1>It's like human AI. It's like human AI. They're they're

688
00:36:52.079 --> 00:36:56.599
<v Speaker 1>they're they're using you know, magical, magical medicine to shrink

689
00:36:56.639 --> 00:36:59.360
<v Speaker 1>into nothing, just as the brutalist shrank its budgets to nothing.

690
00:36:59.760 --> 00:37:02.480
<v Speaker 1>And it has not it too, will not admit that

691
00:37:02.599 --> 00:37:06.559
<v Speaker 1>it is using ozeva to get to get to ten

692
00:37:06.639 --> 00:37:09.239
<v Speaker 1>million dollars for three and a half hours. But I

693
00:37:09.320 --> 00:37:11.280
<v Speaker 1>mean that's that's sort of like where this is all going.

694
00:37:11.280 --> 00:37:15.199
<v Speaker 1>And everybody is scared, right, everybody is scared, And I

695
00:37:15.400 --> 00:37:18.599
<v Speaker 1>just remember, like this the world of people who are

696
00:37:18.719 --> 00:37:22.199
<v Speaker 1>not going to have jobs because of AI. It reminds

697
00:37:22.239 --> 00:37:24.960
<v Speaker 1>me that the job, my first job in journalism as

698
00:37:24.960 --> 00:37:29.440
<v Speaker 1>an adult, is in a category of job that stopped

699
00:37:29.519 --> 00:37:34.960
<v Speaker 1>existing once the computer came in really once, once everybody

700
00:37:35.079 --> 00:37:37.840
<v Speaker 1>was working on computers and could access the Internet. I

701
00:37:37.960 --> 00:37:41.800
<v Speaker 1>was a researcher out of news magazine and there was

702
00:37:41.840 --> 00:37:45.199
<v Speaker 1>a whole elaborate system of fact checking. Oh I love

703
00:37:45.239 --> 00:37:47.760
<v Speaker 1>that reporting and this and various other things and that. Basically,

704
00:37:48.039 --> 00:37:50.559
<v Speaker 1>over the course of the ten years after I stopped

705
00:37:50.599 --> 00:37:55.000
<v Speaker 1>doing it, it all the entire mid section of the

706
00:37:55.079 --> 00:38:01.440
<v Speaker 1>news magazine staff disappeared, the separation between reporters and writers,

707
00:38:01.880 --> 00:38:06.280
<v Speaker 1>to separate the fact that there were right, as I says,

708
00:38:06.719 --> 00:38:09.639
<v Speaker 1>So that was like, that was the first stage.

709
00:38:09.320 --> 00:38:11.599
<v Speaker 2>Of the It was so amazing though.

710
00:38:11.639 --> 00:38:14.360
<v Speaker 1>I remember, like, no secretaries, right, the secretary is gone

711
00:38:14.400 --> 00:38:17.599
<v Speaker 1>because people could type their own letters and form at them.

712
00:38:18.119 --> 00:38:20.599
<v Speaker 2>Yeah, I used to. I used to write a column

713
00:38:20.639 --> 00:38:23.920
<v Speaker 2>for Newsweek International, and it was great because you just

714
00:38:24.000 --> 00:38:27.960
<v Speaker 2>would write, you know, forty five percent of all overseas

715
00:38:28.039 --> 00:38:31.440
<v Speaker 2>travel is a red eye, and then in big caps

716
00:38:31.599 --> 00:38:33.079
<v Speaker 2>in parents you'd write, check.

717
00:38:33.199 --> 00:38:37.079
<v Speaker 5>Check and check it yes, and every now and then

718
00:38:37.199 --> 00:38:38.039
<v Speaker 5>they would come back.

719
00:38:37.920 --> 00:38:41.559
<v Speaker 2>And say, actually, it's it's actually a tiny, tiny amount

720
00:38:41.679 --> 00:38:45.440
<v Speaker 2>of of over the red eye, undermining your entire column.

721
00:38:45.480 --> 00:38:48.119
<v Speaker 2>Do you want to rewrite it? You say, no, I

722
00:38:48.199 --> 00:38:50.239
<v Speaker 2>think it still stands. I think this sus to just

723
00:38:50.320 --> 00:38:52.920
<v Speaker 2>go out like it's a check was fantastic.

724
00:38:54.199 --> 00:38:56.239
<v Speaker 1>You know. One of the interesting things about the news magazine.

725
00:38:56.239 --> 00:38:58.000
<v Speaker 1>You could do that because there's nobody was paying the

726
00:38:58.039 --> 00:39:01.320
<v Speaker 1>slightest attention to anything. These magazine sold four million copies

727
00:39:01.519 --> 00:39:04.000
<v Speaker 1>a week, and as Charles Grahamer would say, Charles Grammer

728
00:39:04.039 --> 00:39:06.800
<v Speaker 1>wrote a column every other week on the back page

729
00:39:07.159 --> 00:39:10.679
<v Speaker 1>of Time magazine, and every couple of years one of

730
00:39:10.679 --> 00:39:13.079
<v Speaker 1>them would hit and become something that people talked about.

731
00:39:13.760 --> 00:39:16.039
<v Speaker 1>But that an article in The New Republic with a

732
00:39:16.079 --> 00:39:18.880
<v Speaker 1>circulation of forty thousand would get more attention, would get

733
00:39:18.920 --> 00:39:21.840
<v Speaker 1>more response, would get more letters, and would and would

734
00:39:21.960 --> 00:39:24.920
<v Speaker 1>do him better in terms of his reputation, everything like

735
00:39:25.039 --> 00:39:28.239
<v Speaker 1>that than a two page piece in a magazine with

736
00:39:28.400 --> 00:39:33.000
<v Speaker 1>four million readers. And that is that. That was the

737
00:39:33.039 --> 00:39:37.559
<v Speaker 1>conundrum of the of the news magazine. So Rob, don't worry.

738
00:39:37.599 --> 00:39:39.159
<v Speaker 1>You could have made it. We could have said anything.

739
00:39:39.239 --> 00:39:40.559
<v Speaker 1>Nobody was paying the Slice movie.

740
00:39:40.679 --> 00:39:43.159
<v Speaker 5>Nobody was paying the Slice except.

741
00:39:42.840 --> 00:39:45.880
<v Speaker 1>For the time. Except for the time that I let

742
00:39:46.000 --> 00:39:49.159
<v Speaker 1>through as a as a as a fact checker, I

743
00:39:49.239 --> 00:39:53.079
<v Speaker 1>let through the use of the word cement in the

744
00:39:53.159 --> 00:39:58.039
<v Speaker 1>building of a dam between Brazil and Paraguay. And the

745
00:39:58.159 --> 00:40:02.000
<v Speaker 1>word is not cement is the raw material. Concrete is

746
00:40:02.039 --> 00:40:07.400
<v Speaker 1>what Adam is made out. And the magazine got twenty

747
00:40:07.559 --> 00:40:14.639
<v Speaker 1>five hundred letters, twenty five one hundred letters saying, oh,

748
00:40:14.760 --> 00:40:19.800
<v Speaker 1>you idiots client not cement, So that you know, And

749
00:40:19.960 --> 00:40:25.360
<v Speaker 1>so I felt pretty bad. So thirty years ago, that

750
00:40:25.480 --> 00:40:26.159
<v Speaker 1>was forty years ago.

751
00:40:26.239 --> 00:40:29.000
<v Speaker 4>I used to be buddies. I used to be buddies

752
00:40:29.039 --> 00:40:31.280
<v Speaker 4>with a bunch of the editors at the Public Interest,

753
00:40:31.400 --> 00:40:37.519
<v Speaker 4>the nerdy, very intense domestic policy journal edited by Irving

754
00:40:37.559 --> 00:40:44.599
<v Speaker 4>Crystal and Nac Laser, and uh, you know, and Irving

755
00:40:44.960 --> 00:40:46.400
<v Speaker 4>used to have a rule, you said, if we have

756
00:40:46.480 --> 00:40:49.639
<v Speaker 4>more than six thousand subscribers, we're doing something wrong. And

757
00:40:52.920 --> 00:40:56.239
<v Speaker 4>and George Will wrote one of his rare two page

758
00:40:56.559 --> 00:40:59.960
<v Speaker 4>Newsweek columns about an article in the Public Interest called

759
00:41:00.199 --> 00:41:03.039
<v Speaker 4>Nation of Cowards, which was a very weird piece that

760
00:41:03.159 --> 00:41:05.639
<v Speaker 4>my friend Ira Carnahan, who was editing at the time,

761
00:41:05.760 --> 00:41:11.800
<v Speaker 4>let through about how everyone should have a gun because, uh,

762
00:41:12.000 --> 00:41:14.840
<v Speaker 4>you should not outsource your own protection and the protection

763
00:41:14.960 --> 00:41:17.679
<v Speaker 4>of your women folk to the state. And you're a

764
00:41:17.800 --> 00:41:19.960
<v Speaker 4>coward if you're not willing to exercise your right to

765
00:41:20.000 --> 00:41:23.480
<v Speaker 4>self defense. And it was a very high falutinant philosophical thing,

766
00:41:23.639 --> 00:41:26.199
<v Speaker 4>but that, you know, nation of cowards. Everyone should have

767
00:41:26.239 --> 00:41:28.400
<v Speaker 4>a gun. George wrote a two page column about this.

768
00:41:29.159 --> 00:41:33.440
<v Speaker 4>The Publican just was inundated with subscribers, who by the

769
00:41:33.480 --> 00:41:37.239
<v Speaker 4>time the next issue of this quarterly journal came out,

770
00:41:37.639 --> 00:41:42.679
<v Speaker 4>which was full of stuff on you know, the efficacy

771
00:41:42.840 --> 00:41:45.519
<v Speaker 4>of negative income taxes and all that kind of stuff

772
00:41:46.199 --> 00:41:49.119
<v Speaker 4>like what the hell, what the hell magazine, what the

773
00:41:49.239 --> 00:41:53.400
<v Speaker 4>hell is this? Yeah, so that was always the great Yeah,

774
00:41:53.639 --> 00:41:57.159
<v Speaker 4>most new subscribers and most cancelations in one like cycle

775
00:41:57.440 --> 00:41:58.360
<v Speaker 4>like that they'd ever seen.

776
00:41:58.599 --> 00:42:00.840
<v Speaker 1>Well, it's like it's like the greatest ad ever taken

777
00:42:00.920 --> 00:42:05.039
<v Speaker 1>out in variety was taken out by Oscar Hammerstein the

778
00:42:05.159 --> 00:42:09.599
<v Speaker 1>week after Oklahoma premiered in nineteen forty two. It was

779
00:42:09.639 --> 00:42:11.719
<v Speaker 1>the biggest hip Broadway I'd ever seen, sort of like

780
00:42:11.800 --> 00:42:14.599
<v Speaker 1>the Hamilton of its time. And Hammerstein had been through

781
00:42:14.639 --> 00:42:16.840
<v Speaker 1>this long fallow period in which he had had show

782
00:42:16.880 --> 00:42:19.920
<v Speaker 1>after show after show after show that had flopped, and

783
00:42:20.000 --> 00:42:22.519
<v Speaker 1>then he got together with Rogers and they wrote this

784
00:42:22.559 --> 00:42:24.639
<v Speaker 1>show and it was a huge thing. And Hammerstein took

785
00:42:24.639 --> 00:42:28.280
<v Speaker 1>out a full page ad and he said I failed before,

786
00:42:28.480 --> 00:42:32.760
<v Speaker 1>and don't worry, I will fail again, Oscar Efferstein second,

787
00:42:34.239 --> 00:42:36.840
<v Speaker 1>and that is same thing. It's like, we're just going

788
00:42:36.920 --> 00:42:40.079
<v Speaker 1>to be right here publishing our articles on the negative

789
00:42:40.119 --> 00:42:42.880
<v Speaker 1>income text. That piece is an amazing piece of writing,

790
00:42:42.960 --> 00:42:45.000
<v Speaker 1>actually a Nation of Cowards by a guy named jeff

791
00:42:45.199 --> 00:42:48.760
<v Speaker 1>Jeffrey Snyder. No, I don't think. Yeah, he kind of didn't.

792
00:42:50.559 --> 00:42:56.480
<v Speaker 1>Nothing much came of it. Okay, we're going to take

793
00:42:56.480 --> 00:42:57.360
<v Speaker 1>a quick break here.

794
00:43:00.840 --> 00:43:02.440
<v Speaker 2>And we're back, and we're back.

795
00:43:03.920 --> 00:43:05.800
<v Speaker 5>Should we have a band playing or something.

796
00:43:05.920 --> 00:43:08.360
<v Speaker 1>That would be good? You remember those cards. There was

797
00:43:08.400 --> 00:43:11.760
<v Speaker 1>always a card on the Light Show where it would

798
00:43:11.800 --> 00:43:14.880
<v Speaker 1>say will be It would say, we'll be right back.

799
00:43:14.920 --> 00:43:17.079
<v Speaker 1>But that was the card that they showed just when

800
00:43:17.119 --> 00:43:18.039
<v Speaker 1>they were coming back.

801
00:43:18.199 --> 00:43:21.599
<v Speaker 2>And well, because that was the card they showed, because

802
00:43:21.639 --> 00:43:24.159
<v Speaker 2>remember they would they would they would brought be broadcast

803
00:43:25.000 --> 00:43:28.239
<v Speaker 2>three time zones, three different ways, and a guy had

804
00:43:28.280 --> 00:43:30.800
<v Speaker 2>to do that, like a guy in the control thing

805
00:43:30.840 --> 00:43:32.880
<v Speaker 2>would have to take care of all that. There's a

806
00:43:32.920 --> 00:43:34.599
<v Speaker 2>story that you know, if you'ple watching the old Bob

807
00:43:34.679 --> 00:43:36.559
<v Speaker 2>Newhart Show. The end of a lot of the old

808
00:43:36.599 --> 00:43:39.280
<v Speaker 2>Bob Newhart shows, it would be Bob and Emily, his

809
00:43:39.400 --> 00:43:42.400
<v Speaker 2>wife in bed, and they'd be having kind of an

810
00:43:42.519 --> 00:43:44.519
<v Speaker 2>argument and they say good night and turn off the lights,

811
00:43:44.519 --> 00:43:46.199
<v Speaker 2>and then there'd be a beat and then one of

812
00:43:46.239 --> 00:43:48.280
<v Speaker 2>them just couldn't stand it would turn the light.

813
00:43:48.199 --> 00:43:49.519
<v Speaker 1>Back on right.

814
00:43:49.599 --> 00:43:51.079
<v Speaker 2>And there's a famous sort of the guy some guy

815
00:43:51.159 --> 00:43:52.400
<v Speaker 2>in New York, the guy New York, because in New

816
00:43:52.440 --> 00:43:54.039
<v Speaker 2>York what they what they would do is they would

817
00:43:54.079 --> 00:43:57.480
<v Speaker 2>show it was like a coupler because it was a

818
00:43:57.519 --> 00:43:59.920
<v Speaker 2>thirty five millimeters print and it went right into the

819
00:44:00.119 --> 00:44:03.960
<v Speaker 2>broadcast camera. So they had the project They projected it

820
00:44:04.159 --> 00:44:06.639
<v Speaker 2>into the camera. They somehow they did that and they

821
00:44:06.679 --> 00:44:08.119
<v Speaker 2>had a projection as a good guy in the control

822
00:44:08.199 --> 00:44:10.559
<v Speaker 2>room and at one point he just kind of I

823
00:44:10.599 --> 00:44:12.519
<v Speaker 2>gotta know it was breeding porn mag or something. He

824
00:44:12.559 --> 00:44:14.880
<v Speaker 2>wasn't paying any attention and he suddenly looks up and

825
00:44:15.400 --> 00:44:18.840
<v Speaker 2>the Bob Newhart Show has gone black and he goes,

826
00:44:18.920 --> 00:44:21.360
<v Speaker 2>oh no, and then he quickly cuts to the news

827
00:44:21.480 --> 00:44:24.079
<v Speaker 2>or something. He does something got commercial whatever, and it's

828
00:44:24.159 --> 00:44:26.440
<v Speaker 2>like there's till two minutes left of material.

829
00:44:26.519 --> 00:44:29.480
<v Speaker 5>There's a whole scene that then ends up the turning

830
00:44:29.480 --> 00:44:30.920
<v Speaker 5>on the lights and they have the end.

831
00:44:30.880 --> 00:44:31.360
<v Speaker 1>Of the show.

832
00:44:31.559 --> 00:44:34.800
<v Speaker 5>He just he just forgot that that was happening. About NewART,

833
00:44:34.800 --> 00:44:36.760
<v Speaker 5>It always comes out of one person, you know, one guy.

834
00:44:37.400 --> 00:44:39.599
<v Speaker 1>So there is this movie that did not get nominated

835
00:44:39.639 --> 00:44:43.239
<v Speaker 1>for Best Picture called September fifth, which is about the

836
00:44:43.400 --> 00:44:49.480
<v Speaker 1>day in Munich when ABC Sports ended up covering the kidnapped,

837
00:44:49.480 --> 00:44:51.079
<v Speaker 1>you know, the hostage taking and the merger.

838
00:44:51.880 --> 00:44:55.159
<v Speaker 4>Amazing, he has come out here, it is out.

839
00:44:55.280 --> 00:44:58.800
<v Speaker 1>I've seen it. It's what's what's remarkable about it is

840
00:44:58.960 --> 00:45:03.840
<v Speaker 1>it is a movie a about how ABC Sports covered

841
00:45:05.519 --> 00:45:10.559
<v Speaker 1>the technical deficiencies and dealt with the technical problems of

842
00:45:10.719 --> 00:45:14.920
<v Speaker 1>covering this story in the Olympic village. And that's what

843
00:45:15.039 --> 00:45:17.599
<v Speaker 1>it's about. There are sort of moments where they're like

844
00:45:17.719 --> 00:45:19.039
<v Speaker 1>are we doing the right thing? Are we doing the

845
00:45:19.079 --> 00:45:21.079
<v Speaker 1>wrong thing? But most of it is like how do

846
00:45:21.199 --> 00:45:23.840
<v Speaker 1>we get the film out, how do we get on

847
00:45:24.000 --> 00:45:27.840
<v Speaker 1>the satellite? And can we make a chiron? How are

848
00:45:27.840 --> 00:45:30.320
<v Speaker 1>we going to make the right chiron? CBS has the

849
00:45:30.440 --> 00:45:33.760
<v Speaker 1>right to the satellite and not us, And it is

850
00:45:34.320 --> 00:45:37.800
<v Speaker 1>I loved it because that stuff fascinates me. But it's

851
00:45:38.119 --> 00:45:42.559
<v Speaker 1>literally like looking through the wrong end of a binocular

852
00:45:44.440 --> 00:45:46.719
<v Speaker 1>at an issue in the United States, do you know

853
00:45:46.760 --> 00:45:49.280
<v Speaker 1>what I mean? Or an issue on the planet, because

854
00:45:49.639 --> 00:45:53.480
<v Speaker 1>what happens to the hostage is almost incidental it's like

855
00:45:53.559 --> 00:45:56.440
<v Speaker 1>the mcguffin almost of the How did they make a

856
00:45:56.599 --> 00:46:00.199
<v Speaker 1>show in nineteen seventy two with all this all this

857
00:46:00.360 --> 00:46:02.280
<v Speaker 1>antiquated technology, It's.

858
00:46:02.159 --> 00:46:02.880
<v Speaker 4>A really good show.

859
00:46:03.039 --> 00:46:04.679
<v Speaker 1>Was this way to look at it? Yeah?

860
00:46:04.840 --> 00:46:08.519
<v Speaker 5>It was international terroristic like, and I think it's very.

861
00:46:08.679 --> 00:46:12.239
<v Speaker 1>Yeah, yeah, it's very I mean it's it's the fact

862
00:46:12.320 --> 00:46:14.159
<v Speaker 1>is it's made by these like guys who weren't even

863
00:46:14.199 --> 00:46:17.559
<v Speaker 1>alive when it happened.

864
00:46:18.760 --> 00:46:21.440
<v Speaker 5>So that is that is becoming less and less of

865
00:46:21.440 --> 00:46:23.599
<v Speaker 5>an unusual I know, But I mean the fact that.

866
00:46:23.679 --> 00:46:26.559
<v Speaker 1>They had, the fact that they were so interested. I

867
00:46:26.599 --> 00:46:28.159
<v Speaker 1>don't know if you can hear my my dog is

868
00:46:28.239 --> 00:46:30.719
<v Speaker 1>going crazy for some reason, if you're here, I heard.

869
00:46:30.920 --> 00:46:33.760
<v Speaker 2>Well that in this way, I did hear a piece

870
00:46:33.800 --> 00:46:35.880
<v Speaker 2>of bad news. I'm not nobody I knew very well,

871
00:46:35.880 --> 00:46:38.039
<v Speaker 2>but I just heard the news that a woman died

872
00:46:38.719 --> 00:46:41.039
<v Speaker 2>to something. She died and she was unexpected her death,

873
00:46:41.639 --> 00:46:43.199
<v Speaker 2>and like, oh my god, it's terrible.

874
00:46:43.280 --> 00:46:43.440
<v Speaker 1>Yeah.

875
00:46:43.760 --> 00:46:45.440
<v Speaker 2>Some say, yeah, you know it's terrible because you know,

876
00:46:45.559 --> 00:46:50.400
<v Speaker 2>she's sixty two, and I'm I'm still the person, even

877
00:46:50.440 --> 00:46:53.480
<v Speaker 2>though I'm not physically that person who says, well, in

878
00:46:53.599 --> 00:46:56.320
<v Speaker 2>my mind, I was like, well, let me sixty two.

879
00:46:57.599 --> 00:47:01.079
<v Speaker 2>You know, it's it was a good run. Uh and

880
00:47:01.239 --> 00:47:04.519
<v Speaker 2>I turned a big round number this year. And I

881
00:47:05.199 --> 00:47:07.199
<v Speaker 2>have a hard time adjusting to the fact that actually,

882
00:47:07.920 --> 00:47:12.360
<v Speaker 2>you know, it is unusual to die at sixty sixty

883
00:47:12.400 --> 00:47:16.119
<v Speaker 2>two is a young age to die. But I still

884
00:47:16.159 --> 00:47:18.880
<v Speaker 2>have I need to make that transition psychologically to hearing

885
00:47:18.960 --> 00:47:23.880
<v Speaker 2>that news instead of saying in my head, well, you know, saying,

886
00:47:24.000 --> 00:47:26.519
<v Speaker 2>oh my god, we have to do something about this.

887
00:47:28.480 --> 00:47:32.599
<v Speaker 1>Well, there's there's always those. Yeah, there's always those epic

888
00:47:32.679 --> 00:47:34.639
<v Speaker 1>That's all I can say. You know, you can, you can.

889
00:47:35.320 --> 00:47:40.519
<v Speaker 1>You can defeat anything withuticals. You know, this guy Barry

890
00:47:40.559 --> 00:47:43.119
<v Speaker 1>Weis interviewed him and he's got this documentary out and

891
00:47:43.199 --> 00:47:46.159
<v Speaker 1>he's trying to live forever, same as Brian Johnson or

892
00:47:46.199 --> 00:47:46.679
<v Speaker 1>something like that.

893
00:47:47.760 --> 00:47:50.480
<v Speaker 5>He tweets very unusual.

894
00:47:51.719 --> 00:47:54.320
<v Speaker 1>Because he's busy, because it's unusual for him to tweet,

895
00:47:54.360 --> 00:47:57.760
<v Speaker 1>because he has to follow his OCD two hundred and

896
00:47:57.840 --> 00:48:00.360
<v Speaker 1>fifty steps a day routines to do the things that

897
00:48:00.400 --> 00:48:01.679
<v Speaker 1>are going to keep him alive forever.

898
00:48:01.840 --> 00:48:06.119
<v Speaker 6>But though hearing him talk like what it's not a

899
00:48:06.199 --> 00:48:08.760
<v Speaker 6>way you want to live? Well, but yeah, here's how

900
00:48:08.840 --> 00:48:10.880
<v Speaker 6>weird he is. He tweeted this I really I think

901
00:48:10.880 --> 00:48:12.559
<v Speaker 6>he tweeted like an hour or two hours.

902
00:48:14.000 --> 00:48:20.480
<v Speaker 2>A side by side comparison chart comparison including number, duration,

903
00:48:21.000 --> 00:48:26.440
<v Speaker 2>et cetera, comparing his nighttime erections to his nineteen year

904
00:48:26.440 --> 00:48:28.320
<v Speaker 2>old son's nighttime erections.

905
00:48:28.360 --> 00:48:29.239
<v Speaker 1>Saw that that was him.

906
00:48:29.280 --> 00:48:34.639
<v Speaker 7>Okay, yeah, yeah, he said his duration is two minutes

907
00:48:34.719 --> 00:48:38.519
<v Speaker 7>more than his, which I guess he says, which Hey,

908
00:48:38.679 --> 00:48:43.679
<v Speaker 7>but I'm like, this kid's nineteen, and I think that

909
00:48:43.920 --> 00:48:44.639
<v Speaker 7>when that's.

910
00:48:46.440 --> 00:48:50.920
<v Speaker 2>When that's what you're measuring, there are other things going on.

911
00:48:51.480 --> 00:48:53.880
<v Speaker 1>I guess I'll say that I don't think you should

912
00:48:53.880 --> 00:49:00.360
<v Speaker 1>be measuring your son's the length of your son's ended

913
00:49:01.159 --> 00:49:07.079
<v Speaker 1>excited member, I I mean I I think it's probably

914
00:49:07.440 --> 00:49:08.800
<v Speaker 1>only one of the three of us who has a

915
00:49:08.960 --> 00:49:11.599
<v Speaker 1>son and I I so he's asleep.

916
00:49:11.639 --> 00:49:14.320
<v Speaker 5>But the well's I think it's a there's a machine

917
00:49:14.360 --> 00:49:14.719
<v Speaker 5>that used.

918
00:49:18.280 --> 00:49:22.159
<v Speaker 1>Isn't like Louis, It's like, I don't know.

919
00:49:22.280 --> 00:49:25.679
<v Speaker 4>Yeah, I mean, it's ultimately there's an app for that, right,

920
00:49:26.360 --> 00:49:29.760
<v Speaker 4>But no, I there's one thing. It's one thing to

921
00:49:29.880 --> 00:49:33.480
<v Speaker 4>measure such things, and that's problematic in all sorts of ways.

922
00:49:34.239 --> 00:49:36.360
<v Speaker 4>It's another thing to tweet about it.

923
00:49:36.480 --> 00:49:40.599
<v Speaker 2>To tweet about here's all the categories, so you know,

924
00:49:40.800 --> 00:49:44.239
<v Speaker 2>so you know the categories, the number of erection episodes,

925
00:49:46.079 --> 00:49:51.639
<v Speaker 2>the total duration of erection episodes, the average erection quality,

926
00:49:51.719 --> 00:49:54.760
<v Speaker 2>which I think is understare that's that's who's judging that now,

927
00:49:55.519 --> 00:49:57.000
<v Speaker 2>And and sleep efficiency.

928
00:49:57.119 --> 00:49:57.960
<v Speaker 5>That's the fourth.

929
00:49:59.480 --> 00:50:07.159
<v Speaker 1>M you know, the the uncategorizable writer and one of

930
00:50:07.199 --> 00:50:16.840
<v Speaker 1>the grosser into it. I can just yeah, so the

931
00:50:19.239 --> 00:50:23.320
<v Speaker 1>the uncategorizable writer. Neil Stevenson sort of a science science

932
00:50:23.360 --> 00:50:27.320
<v Speaker 1>fiction writer who is just a poly math of remarkable

933
00:50:28.840 --> 00:50:32.440
<v Speaker 1>depth and as I wrote a cycle of novels about

934
00:50:32.480 --> 00:50:35.840
<v Speaker 1>the dawn of the scientific age in London in the

935
00:50:35.960 --> 00:50:41.280
<v Speaker 1>seventeenth century called the Quicksilver the Baroque cycle, and Quicksilver

936
00:50:42.280 --> 00:50:44.960
<v Speaker 1>features a portrait of Isaac Newton, who is one of

937
00:50:45.000 --> 00:50:50.119
<v Speaker 1>the characters in the book who is portrayed as somebody

938
00:50:50.159 --> 00:50:53.000
<v Speaker 1>who we would now say is very much on the spectrum.

939
00:50:53.039 --> 00:50:55.039
<v Speaker 1>And what Isaac Newton wants to do at the beginning

940
00:50:55.119 --> 00:50:58.199
<v Speaker 1>of this book is he's trying to figure out how

941
00:50:58.400 --> 00:51:01.920
<v Speaker 1>what's going on inside the huge an eye, and so

942
00:51:02.360 --> 00:51:07.519
<v Speaker 1>he Stevenson describes how in the book and other characters

943
00:51:07.519 --> 00:51:09.719
<v Speaker 1>who are dealing with him, that's that he puts a

944
00:51:09.880 --> 00:51:15.280
<v Speaker 1>lens in between his eyeball and and his eyelid and

945
00:51:15.559 --> 00:51:18.599
<v Speaker 1>kind of like moves it around and it's like, you know,

946
00:51:18.800 --> 00:51:21.159
<v Speaker 1>scratching his eye. But you know, this is the only

947
00:51:21.239 --> 00:51:24.000
<v Speaker 1>way you're going to get this information. And it's part

948
00:51:24.000 --> 00:51:26.320
<v Speaker 1>of the part of the brilliance of this book is

949
00:51:26.480 --> 00:51:30.360
<v Speaker 1>this portrait of these guys who were trying to figure

950
00:51:30.360 --> 00:51:32.639
<v Speaker 1>out things about the human body and how the world

951
00:51:32.679 --> 00:51:34.880
<v Speaker 1>and how the world in the universe works that no

952
00:51:34.960 --> 00:51:39.239
<v Speaker 1>one had ever looked into before. And so they didn't

953
00:51:39.239 --> 00:51:42.559
<v Speaker 1>There was no path, there was no there was no system,

954
00:51:42.639 --> 00:51:45.559
<v Speaker 1>There was no scientific method really as yet, and so

955
00:51:45.800 --> 00:51:49.840
<v Speaker 1>they were themselves guinea pigs or they were body snatching

956
00:51:49.920 --> 00:51:54.239
<v Speaker 1>and you know, dissecting corpses from you know, graveyards and

957
00:51:54.239 --> 00:51:58.000
<v Speaker 1>stuff like that. And and so that this guy reminds

958
00:51:58.079 --> 00:52:00.719
<v Speaker 1>me of that, that is, he thinks he is Isaac Newton.

959
00:52:00.760 --> 00:52:02.679
<v Speaker 1>He thinks he is one of these guys. He is

960
00:52:02.800 --> 00:52:04.320
<v Speaker 1>the jet He is going to figure out how to

961
00:52:04.400 --> 00:52:07.400
<v Speaker 1>live forever. And therefore everything must be measured, everything must

962
00:52:07.440 --> 00:52:11.199
<v Speaker 1>be calculated and calibrated, and you have to be and

963
00:52:11.440 --> 00:52:18.719
<v Speaker 1>it is like, maybe this information will live hundreds of

964
00:52:18.800 --> 00:52:22.760
<v Speaker 1>years later to our human benefit. The way Isaac Newton's

965
00:52:22.840 --> 00:52:25.360
<v Speaker 1>experiments with gravity and things like that have But.

966
00:52:26.840 --> 00:52:29.800
<v Speaker 2>But it's also fair to say that, actually, son, yeah,

967
00:52:32.119 --> 00:52:33.920
<v Speaker 2>nothing good can come of it.

968
00:52:34.159 --> 00:52:36.039
<v Speaker 5>If this is the guy that lives forever.

969
00:52:37.880 --> 00:52:43.719
<v Speaker 1>Rights always, that's always the problem. It's like the reincarnation problem, right,

970
00:52:43.800 --> 00:52:48.400
<v Speaker 1>It's always like why why? Yeah? Why is everybody Cleopatra?

971
00:52:49.400 --> 00:52:52.559
<v Speaker 1>I'm sorry, Caesar, I'm sorry. You know what you're gonna be.

972
00:52:52.719 --> 00:52:54.519
<v Speaker 1>You're gonna be like you're going to be the guy

973
00:52:54.519 --> 00:52:57.119
<v Speaker 1>who car at the age of nine from Typhus, Like

974
00:52:57.199 --> 00:52:59.920
<v Speaker 1>that's that's who you are. You're more likely you're ninety

975
00:53:00.079 --> 00:53:04.119
<v Speaker 1>nine percent likely to be somebody who dies of strep throat.

976
00:53:04.559 --> 00:53:09.000
<v Speaker 2>Well, if you're if you're a scientologist, yes, and you're

977
00:53:09.119 --> 00:53:13.239
<v Speaker 2>operating Theayton level seven or something, you are the reincarnated

978
00:53:13.480 --> 00:53:17.920
<v Speaker 2>great warrior in the thought in the intergalactic battle against

979
00:53:18.000 --> 00:53:21.559
<v Speaker 2>Xenu or Xena or whatever Xenu, which means that the

980
00:53:22.000 --> 00:53:27.400
<v Speaker 2>scientologists that we know of now were actually great warriors,

981
00:53:27.599 --> 00:53:30.039
<v Speaker 2>which I was strange I would work with Christy Ally

982
00:53:30.119 --> 00:53:31.239
<v Speaker 2>was a lone woman, but I worked with her for

983
00:53:31.280 --> 00:53:33.960
<v Speaker 2>a long time scientologists. I thought, like, I don't think

984
00:53:34.079 --> 00:53:38.360
<v Speaker 2>Kirsty was a great warrior in a past. I don't

985
00:53:39.440 --> 00:53:41.880
<v Speaker 2>she had skills. I'm sure she's very you know, very

986
00:53:42.360 --> 00:53:43.199
<v Speaker 2>the runs.

987
00:53:43.039 --> 00:53:45.599
<v Speaker 1>Very very fast. Yeah. And there is a trailer for

988
00:53:45.719 --> 00:53:49.639
<v Speaker 1>the for the I guess eighth Mission Impossible movie.

989
00:53:50.280 --> 00:53:50.360
<v Speaker 2>Uh.

990
00:53:50.519 --> 00:53:53.119
<v Speaker 1>And of course in this trailer, the trailer is, you know,

991
00:53:53.599 --> 00:53:56.599
<v Speaker 1>you must know that in the human you know Ethan

992
00:53:56.920 --> 00:53:59.760
<v Speaker 1>Hunt world, the world will end and you will watch

993
00:53:59.800 --> 00:54:01.719
<v Speaker 1>the world end as I laugh. Ha ha ha ha,

994
00:54:01.960 --> 00:54:05.440
<v Speaker 1>says some villain. And then you see basically Tom Cruise

995
00:54:05.519 --> 00:54:07.960
<v Speaker 1>running across the top of a pyramid, Tom Cruise running

996
00:54:08.000 --> 00:54:10.920
<v Speaker 1>across the tower bridge, Tom Cruise running, you know, at

997
00:54:10.960 --> 00:54:14.239
<v Speaker 1>the top of the you know, Machu Picchu, like he's

998
00:54:14.280 --> 00:54:16.480
<v Speaker 1>just running. All he does is run. He's like eighty

999
00:54:16.639 --> 00:54:19.880
<v Speaker 1>five years old and he's running. And my question is

1000
00:54:20.039 --> 00:54:22.639
<v Speaker 1>is he running or they is he walking slowing the

1001
00:54:22.719 --> 00:54:23.199
<v Speaker 1>camera down?

1002
00:54:23.199 --> 00:54:23.239
<v Speaker 2>No?

1003
00:54:23.719 --> 00:54:26.320
<v Speaker 5>No, he does like this is famous, does his own

1004
00:54:26.360 --> 00:54:28.440
<v Speaker 5>running thing. He does his own stuff.

1005
00:54:28.480 --> 00:54:32.079
<v Speaker 2>It's like, actually it's a real problem in the ensure

1006
00:54:32.119 --> 00:54:34.480
<v Speaker 2>in the completion bond business.

1007
00:54:34.199 --> 00:54:36.599
<v Speaker 1>Right, but the running. But the running he doesn't have

1008
00:54:36.760 --> 00:54:36.920
<v Speaker 1>to do.

1009
00:54:37.559 --> 00:54:40.280
<v Speaker 5>So it's going to an airplane, you might as well

1010
00:54:40.280 --> 00:54:40.760
<v Speaker 5>do the running.

1011
00:54:41.239 --> 00:54:43.320
<v Speaker 1>So the last Mission Impossible, which I thought was really

1012
00:54:43.519 --> 00:54:46.079
<v Speaker 1>not not very good. Does have this one absolutely fantastic

1013
00:54:46.159 --> 00:54:49.840
<v Speaker 1>scene in the middle where which is slapstick just sheer

1014
00:54:49.920 --> 00:54:54.920
<v Speaker 1>slaps to comedy where he and uh this actress Whateverna

1015
00:54:55.000 --> 00:54:58.599
<v Speaker 1>Haley Atwell are are are handcuffed together in the wrong

1016
00:54:58.760 --> 00:55:01.920
<v Speaker 1>position in a carr and they have to get away

1017
00:55:01.960 --> 00:55:05.480
<v Speaker 1>from and they're running right and they're driving through Rome

1018
00:55:06.119 --> 00:55:12.320
<v Speaker 1>and like it's it's it's hilariously funny. Which is which is?

1019
00:55:12.519 --> 00:55:13.960
<v Speaker 1>I don't know why I brought that up, because there's

1020
00:55:13.960 --> 00:55:16.159
<v Speaker 1>another one coming, but that the movie is otherwise lousy,

1021
00:55:16.280 --> 00:55:18.079
<v Speaker 1>and so this is the sequel to it, so they're

1022
00:55:18.079 --> 00:55:21.239
<v Speaker 1>making a lousy movie sequel. I don't know what is

1023
00:55:21.360 --> 00:55:23.960
<v Speaker 1>going on. My phone is ringing, my dog is for me.

1024
00:55:24.039 --> 00:55:29.840
<v Speaker 1>I'm free, It is okay, I'm free to okay. Uh Severance, Jonah,

1025
00:55:29.920 --> 00:55:32.400
<v Speaker 1>are you gonna watch? Did you watch the original Severance?

1026
00:55:32.440 --> 00:55:34.679
<v Speaker 1>Have you watched the first episode in the first season?

1027
00:55:35.239 --> 00:55:38.440
<v Speaker 4>My wife has decided that she's not interested in the

1028
00:55:38.480 --> 00:55:40.920
<v Speaker 4>second season, and she's told me, you go watch that

1029
00:55:41.000 --> 00:55:43.920
<v Speaker 4>by yourself. So I have not gotten around to it yet.

1030
00:55:47.039 --> 00:55:48.639
<v Speaker 4>I did not love it as much as a lot

1031
00:55:48.719 --> 00:55:50.760
<v Speaker 4>of people did, but I was interested in it to

1032
00:55:50.840 --> 00:55:56.440
<v Speaker 4>see where it was going, but it felt a little

1033
00:55:56.559 --> 00:55:58.360
<v Speaker 4>it felt a little bit like I was getting set

1034
00:55:58.440 --> 00:56:00.920
<v Speaker 4>up for a lost style bait and swet, well.

1035
00:56:00.840 --> 00:56:02.880
<v Speaker 1>That is that is the danger. That is the real

1036
00:56:03.000 --> 00:56:05.559
<v Speaker 1>danger here. And if they, if they, if they don't

1037
00:56:06.480 --> 00:56:10.159
<v Speaker 1>solve the puzzle, or at least three quarters of the puzzle,

1038
00:56:10.320 --> 00:56:12.840
<v Speaker 1>then yeah, we will have been taken yet again. I

1039
00:56:13.000 --> 00:56:15.159
<v Speaker 1>quite like the first episode to say, and I will

1040
00:56:15.199 --> 00:56:17.519
<v Speaker 1>say this, I rewatched a lot of it with my

1041
00:56:17.760 --> 00:56:20.519
<v Speaker 1>son who was fourteen, who wanted to see it, wanted

1042
00:56:20.519 --> 00:56:23.880
<v Speaker 1>to see the first season before the second, and uh,

1043
00:56:23.960 --> 00:56:26.119
<v Speaker 1>there was a there was a big There are nine

1044
00:56:26.159 --> 00:56:28.800
<v Speaker 1>episodes and there is a big reveal at the end

1045
00:56:28.880 --> 00:56:34.440
<v Speaker 1>of the eighth episode that nobody but nobody sees coming.

1046
00:56:35.000 --> 00:56:38.239
<v Speaker 1>And I saw my son and then my my daughter

1047
00:56:38.360 --> 00:56:41.079
<v Speaker 1>told me who is who is? Who is abroad for

1048
00:56:41.679 --> 00:56:45.519
<v Speaker 1>a semester watched it on the plane or something like that,

1049
00:56:45.679 --> 00:56:48.800
<v Speaker 1>having downloaded it, and they I saw my son gasp

1050
00:56:49.800 --> 00:56:54.079
<v Speaker 1>and like go like you know that that. I was like, oh, well,

1051
00:56:54.079 --> 00:56:55.239
<v Speaker 1>you know what, this is effective?

1052
00:56:55.360 --> 00:56:56.480
<v Speaker 3>Like the the.

1053
00:56:58.000 --> 00:57:00.360
<v Speaker 1>That really worked, and it only worked as I really

1054
00:57:00.599 --> 00:57:04.840
<v Speaker 1>spent time building it up to get to this surprise.

1055
00:57:05.000 --> 00:57:07.079
<v Speaker 1>And you know a lot of these shows really don't

1056
00:57:07.119 --> 00:57:11.559
<v Speaker 1>ever really surprise. They're just they're just puzzles without solutions.

1057
00:57:11.639 --> 00:57:15.119
<v Speaker 1>But I thought this was a pretty good first episode

1058
00:57:16.280 --> 00:57:19.000
<v Speaker 1>for a puzzle show second season. But I don't know,

1059
00:57:19.280 --> 00:57:23.039
<v Speaker 1>it's like who knows what's what's going to happen that

1060
00:57:23.119 --> 00:57:25.000
<v Speaker 1>I tell you about the Billy Crystal Show. So there's

1061
00:57:25.000 --> 00:57:27.079
<v Speaker 1>a Billy Crystal show on Apple which is a which

1062
00:57:27.199 --> 00:57:31.599
<v Speaker 1>is a called before that is a puzzle show. He's

1063
00:57:31.639 --> 00:57:35.639
<v Speaker 1>a he's a child psychiatrist, and there's a there's a

1064
00:57:36.079 --> 00:57:40.480
<v Speaker 1>seven or eight year old kid who he comes across

1065
00:57:40.519 --> 00:57:47.719
<v Speaker 1>his path who is appears possessed or haunted by eighteenth

1066
00:57:47.880 --> 00:57:52.039
<v Speaker 1>century Dutch people who live in upstate New he is

1067
00:57:52.119 --> 00:57:55.599
<v Speaker 1>somehow having or reliving or he can speak Dutch. Also

1068
00:57:55.760 --> 00:58:00.719
<v Speaker 1>weird stuff. And Billy Crystal is fantastic, And the show

1069
00:58:00.880 --> 00:58:06.519
<v Speaker 1>is so annoying because it's basically like in the end,

1070
00:58:06.599 --> 00:58:10.719
<v Speaker 1>the resolution is you know, as banal as you imagine

1071
00:58:10.960 --> 00:58:13.480
<v Speaker 1>it's going to be, and you know a lot of

1072
00:58:13.559 --> 00:58:16.000
<v Speaker 1>unbelievable things happen. But I have to say he's a

1073
00:58:16.119 --> 00:58:19.199
<v Speaker 1>very good he's a very good dramatic actor and is

1074
00:58:19.440 --> 00:58:23.119
<v Speaker 1>very convincing, and it plays a very flawed character and

1075
00:58:24.119 --> 00:58:26.480
<v Speaker 1>the shows are in the episodes are thirty minutes long,

1076
00:58:26.599 --> 00:58:30.159
<v Speaker 1>Which wouldn't it be great if there were like more

1077
00:58:30.400 --> 00:58:33.440
<v Speaker 1>streaming dramas that were thirty minutes long instead of sixty

1078
00:58:33.679 --> 00:58:37.400
<v Speaker 1>Like I like it, like I kind of enjoy the

1079
00:58:37.599 --> 00:58:44.039
<v Speaker 1>uh enjoy the thirty minute drama. They're never Why why

1080
00:58:44.320 --> 00:58:49.079
<v Speaker 1>did that? Why couldn't that have been a thing? Like

1081
00:58:49.480 --> 00:58:54.719
<v Speaker 1>why was that separation so plain? That comedy sitcoms were

1082
00:58:54.760 --> 00:58:57.440
<v Speaker 1>thirty minutes and dramatic shows were sixty minutes? Rob?

1083
00:58:57.519 --> 00:58:58.000
<v Speaker 3>Do you know?

1084
00:58:58.159 --> 00:58:59.639
<v Speaker 1>Is there an answer to no idea?

1085
00:59:00.079 --> 00:59:02.639
<v Speaker 2>I do think comedy doesn't really work at sixty minutes,

1086
00:59:02.719 --> 00:59:05.199
<v Speaker 2>so comedy was sort of like always going to be thirty.

1087
00:59:07.599 --> 00:59:09.639
<v Speaker 5>I'm much like, I don't know when that happened, Like

1088
00:59:09.679 --> 00:59:10.920
<v Speaker 5>there were weren't there drama?

1089
00:59:10.920 --> 00:59:12.880
<v Speaker 2>I mean like obviously there were anthology dramas that were

1090
00:59:13.000 --> 00:59:13.880
<v Speaker 2>thirty minutes.

1091
00:59:13.960 --> 00:59:16.559
<v Speaker 1>Well minutes, yeah, right, so there were that.

1092
00:59:16.719 --> 00:59:17.119
<v Speaker 2>So there's that.

1093
00:59:17.400 --> 00:59:20.280
<v Speaker 1>So I'm not sure.

1094
00:59:20.320 --> 00:59:21.840
<v Speaker 4>I mean, so what was the last what was the

1095
00:59:21.960 --> 00:59:25.440
<v Speaker 4>last thirty minute drama on real TV? I don't know,

1096
00:59:25.719 --> 00:59:28.599
<v Speaker 4>I mean, honestly, I can't think of one. I mean

1097
00:59:29.400 --> 00:59:32.280
<v Speaker 4>an hour, right, I mean I was like, yeah, Adam

1098
00:59:32.440 --> 00:59:33.719
<v Speaker 4>twelve was.

1099
00:59:33.840 --> 00:59:35.880
<v Speaker 5>There's an hour Dragon emergency.

1100
00:59:36.000 --> 00:59:37.920
<v Speaker 2>Yeah, there's call those training.

1101
00:59:38.280 --> 00:59:41.639
<v Speaker 1>We're now back, we're back into you know, the sixties here.

1102
00:59:42.159 --> 00:59:44.639
<v Speaker 2>But there was a there was a trend for unfunny

1103
00:59:44.719 --> 00:59:49.880
<v Speaker 2>comedies to be called comedies that were thirty minutes. They

1104
00:59:49.920 --> 00:59:51.960
<v Speaker 2>were like over to drama, ye, and that they didn't

1105
00:59:51.960 --> 00:59:55.400
<v Speaker 2>really last for the drama. I mean liked care days

1106
00:59:55.400 --> 00:59:58.960
<v Speaker 2>and it was an hour. Maybe, but there were no

1107
00:59:59.039 --> 01:00:00.840
<v Speaker 2>I don't think no. I maybe there were.

1108
01:00:00.840 --> 01:00:04.800
<v Speaker 4>Sort of action comedies that we're in now, right because

1109
01:00:05.159 --> 01:00:08.239
<v Speaker 4>like the Intensive Hazard do they have a tense speed.

1110
01:00:08.039 --> 01:00:09.280
<v Speaker 1>And brown Shoe which I love?

1111
01:00:10.039 --> 01:00:10.400
<v Speaker 2>Good for you?

1112
01:00:11.159 --> 01:00:16.039
<v Speaker 4>Yeah, yeah, yeah, that guy that guys made tense, right,

1113
01:00:16.079 --> 01:00:17.440
<v Speaker 4>I mean you can do it in an hour if

1114
01:00:17.480 --> 01:00:19.480
<v Speaker 4>it's also a detective thing, right.

1115
01:00:19.639 --> 01:00:25.000
<v Speaker 1>Yeah right yeah, But yeah, I don't know. There should

1116
01:00:25.039 --> 01:00:27.159
<v Speaker 1>be more things that are shorter. I think that's what

1117
01:00:27.320 --> 01:00:30.440
<v Speaker 1>that is all September fifth, is that it's ninety minutes long.

1118
01:00:30.519 --> 01:00:33.679
<v Speaker 1>I saw a really wonderful new musical on Broadway this

1119
01:00:33.760 --> 01:00:37.599
<v Speaker 1>week called Maybe Happy, ending an hour and forty minutes long,

1120
01:00:37.679 --> 01:00:40.599
<v Speaker 1>no intermissions, like that dream.

1121
01:00:40.760 --> 01:00:42.079
<v Speaker 5>When I first moved to New York.

1122
01:00:42.199 --> 01:00:45.199
<v Speaker 4>That's like the sex scene with Daniel Craig that's right,

1123
01:00:45.719 --> 01:00:45.960
<v Speaker 4>but for.

1124
01:00:46.079 --> 01:00:47.719
<v Speaker 5>Real, I went first through New York.

1125
01:00:47.760 --> 01:00:50.199
<v Speaker 2>I had lunch with a bunch of people, and I'm

1126
01:00:50.239 --> 01:00:51.480
<v Speaker 2>one of the guys that to the guys say were

1127
01:00:51.639 --> 01:00:55.840
<v Speaker 2>Broadaly producers, and uh, and we're just also talking generally.

1128
01:00:55.880 --> 01:00:57.400
<v Speaker 5>And then they said so then they sort of got

1129
01:00:57.440 --> 01:00:58.039
<v Speaker 5>on this jack.

1130
01:00:58.280 --> 01:01:00.480
<v Speaker 2>He said, you know, we need.

1131
01:01:02.159 --> 01:01:07.119
<v Speaker 5>Ninety minute no intermission. Ninety minute no intermission. It's money

1132
01:01:07.159 --> 01:01:07.559
<v Speaker 5>in the bank.

1133
01:01:07.880 --> 01:01:09.599
<v Speaker 2>And I said, really, that seems like a pretty that's

1134
01:01:09.960 --> 01:01:11.360
<v Speaker 2>how hard is that to write a ninety minute no

1135
01:01:11.400 --> 01:01:14.800
<v Speaker 2>intermission comedy. And then they made me promise to write

1136
01:01:14.840 --> 01:01:17.760
<v Speaker 2>one because they were so which I ever did, but

1137
01:01:17.840 --> 01:01:20.320
<v Speaker 2>they were so obsessed with the idea, like not even

1138
01:01:20.360 --> 01:01:23.440
<v Speaker 2>an animation. Did you show up? You see the play,

1139
01:01:23.719 --> 01:01:26.119
<v Speaker 2>you'll laugh, and then you go to dinner, you know

1140
01:01:26.159 --> 01:01:27.519
<v Speaker 2>all along you're gotta get out, you know, you know

1141
01:01:27.599 --> 01:01:28.159
<v Speaker 2>you're out of there.

1142
01:01:28.360 --> 01:01:28.880
<v Speaker 1>It's great.

1143
01:01:29.639 --> 01:01:32.119
<v Speaker 2>And that that was a thing that even though that

1144
01:01:32.360 --> 01:01:35.280
<v Speaker 2>is where really where the sweet spot is financially, it's

1145
01:01:35.280 --> 01:01:37.159
<v Speaker 2>still hard to get people to write that or produce that,

1146
01:01:37.280 --> 01:01:38.639
<v Speaker 2>or to act in it or do you know it's

1147
01:01:39.719 --> 01:01:41.960
<v Speaker 2>so even a thirty minute drama which would be a

1148
01:01:42.000 --> 01:01:43.960
<v Speaker 2>thirty minute drama which would be really good if it

1149
01:01:44.079 --> 01:01:44.920
<v Speaker 2>was a really good drama.

1150
01:01:45.360 --> 01:01:46.960
<v Speaker 5>It's hard to get people to do it, even though

1151
01:01:47.039 --> 01:01:47.719
<v Speaker 5>they make money.

1152
01:01:48.239 --> 01:01:52.679
<v Speaker 4>John is just a factual question, a point of information.

1153
01:01:56.119 --> 01:01:59.079
<v Speaker 4>Maybe I'm just misremembering from my own childhood because I

1154
01:01:59.119 --> 01:02:01.159
<v Speaker 4>saw Nicholas Nickel and a couple of things like that.

1155
01:02:01.880 --> 01:02:03.960
<v Speaker 4>But I feel like that used to be a thing

1156
01:02:05.000 --> 01:02:10.840
<v Speaker 4>where they had sort of expedited dinner things where you

1157
01:02:10.880 --> 01:02:15.000
<v Speaker 4>would get fifty minutes during intermission to go get a

1158
01:02:15.079 --> 01:02:17.480
<v Speaker 4>meal at a nice restaurant and then you go back

1159
01:02:17.519 --> 01:02:19.840
<v Speaker 4>to the second half. Does that still happen? Did that

1160
01:02:19.960 --> 01:02:21.280
<v Speaker 4>ever happen beyond the Yeah?

1161
01:02:21.360 --> 01:02:25.360
<v Speaker 1>Well, the only show that that has worked like that

1162
01:02:26.199 --> 01:02:28.840
<v Speaker 1>was basically a cash grab, and that was the Harry

1163
01:02:28.960 --> 01:02:33.880
<v Speaker 1>Potter two part play The Curse Child, which was originally

1164
01:02:33.960 --> 01:02:37.239
<v Speaker 1>staged as two plays. You get to buy two tickets

1165
01:02:38.199 --> 01:02:39.880
<v Speaker 1>and you would buy you would see the matinee and

1166
01:02:39.920 --> 01:02:42.360
<v Speaker 1>then you would see it in the evening, and there

1167
01:02:42.480 --> 01:02:47.480
<v Speaker 1>was like ninety minutes for dinner. But that was a

1168
01:02:47.559 --> 01:02:49.719
<v Speaker 1>cash grab because they turned out they could cut it

1169
01:02:49.960 --> 01:02:51.480
<v Speaker 1>very easily, cut it down to three and a half

1170
01:02:51.559 --> 01:02:54.599
<v Speaker 1>hours or three hours, and it's now on Broadway three hours.

1171
01:02:56.559 --> 01:02:57.679
<v Speaker 5>But an Angels in America.

1172
01:02:57.800 --> 01:02:58.400
<v Speaker 1>Was that too too?

1173
01:02:58.519 --> 01:02:58.639
<v Speaker 3>Right?

1174
01:02:59.480 --> 01:03:03.039
<v Speaker 1>No, I was the two parts were maybe they stayed

1175
01:03:03.079 --> 01:03:05.119
<v Speaker 1>when they when they revived it, maybe they did it

1176
01:03:05.199 --> 01:03:05.599
<v Speaker 1>that way, but.

1177
01:03:05.800 --> 01:03:08.400
<v Speaker 5>Nobody America thought, you know what, just going at a

1178
01:03:08.480 --> 01:03:09.480
<v Speaker 5>quick bite and got right back.

1179
01:03:11.119 --> 01:03:14.000
<v Speaker 1>But you know who, you know who invented this was

1180
01:03:14.119 --> 01:03:18.320
<v Speaker 1>Eugene O'Neil, who was a gas bag of unbelievable proportions

1181
01:03:18.440 --> 01:03:21.039
<v Speaker 1>and wrote two or three shows that were five or

1182
01:03:21.079 --> 01:03:23.719
<v Speaker 1>six hours long and did have and did have meal

1183
01:03:23.760 --> 01:03:26.360
<v Speaker 1>breaks in them. I think more Stately Mansions and Strange

1184
01:03:26.400 --> 01:03:30.119
<v Speaker 1>Interlude both had literally had meal breaks in them so

1185
01:03:30.239 --> 01:03:32.599
<v Speaker 1>that you could be yelled at for three at people's

1186
01:03:32.599 --> 01:03:34.480
<v Speaker 1>scream on stage for three hours, and you go and

1187
01:03:34.559 --> 01:03:36.159
<v Speaker 1>you eat and come back and you get screamed at

1188
01:03:36.239 --> 01:03:41.000
<v Speaker 1>for another three hours by an alcoholic, drunken family revealing

1189
01:03:41.079 --> 01:03:43.760
<v Speaker 1>its secrets to each other in dark, great Dark.

1190
01:03:44.320 --> 01:03:46.079
<v Speaker 4>I think it was a long day's Journey in Tonight

1191
01:03:46.559 --> 01:03:50.800
<v Speaker 4>that I remember seeing on Broadway, and they were bragging

1192
01:03:50.880 --> 01:03:54.880
<v Speaker 4>about how they figured out a way to cut like

1193
01:03:55.039 --> 01:03:57.239
<v Speaker 4>forty minutes out of it by having no one knew,

1194
01:03:57.719 --> 01:04:01.440
<v Speaker 4>by having the actors talk over each other, because the

1195
01:04:01.480 --> 01:04:04.440
<v Speaker 4>whole thing was like normal people when they have arguments.

1196
01:04:04.559 --> 01:04:06.719
<v Speaker 4>They don't wait for the other person to finish. They yell,

1197
01:04:06.840 --> 01:04:10.159
<v Speaker 4>so like if you overlap the sentences by ten percent

1198
01:04:10.280 --> 01:04:14.760
<v Speaker 4>on each end. Sure, it's totally brutalizing to the audience,

1199
01:04:14.880 --> 01:04:16.440
<v Speaker 4>but it does save you forty minutes.

1200
01:04:16.960 --> 01:04:17.199
<v Speaker 5>Yeah.

1201
01:04:17.760 --> 01:04:20.519
<v Speaker 2>Also, they keep saying, what's wrong with mom? I mean

1202
01:04:20.559 --> 01:04:24.360
<v Speaker 2>at this point, like she's high. That's what's wrong with it.

1203
01:04:24.840 --> 01:04:25.239
<v Speaker 1>She's high.

1204
01:04:25.280 --> 01:04:26.800
<v Speaker 2>You want to call from the from the audience.

1205
01:04:27.239 --> 01:04:30.039
<v Speaker 1>This is not a mystery, So can I can I

1206
01:04:30.199 --> 01:04:32.360
<v Speaker 1>just say this that in nineteen ninety seven I saw

1207
01:04:32.440 --> 01:04:37.519
<v Speaker 1>an extraordinarily brilliant production of The Iceman Cometh, which is

1208
01:04:37.840 --> 01:04:39.800
<v Speaker 1>one of the two great O'Neil plays as far as

1209
01:04:39.800 --> 01:04:41.639
<v Speaker 1>I'm long day serving the Time being the other one,

1210
01:04:41.679 --> 01:04:43.880
<v Speaker 1>the I s Men Comets set in the bar, and

1211
01:04:44.000 --> 01:04:47.960
<v Speaker 1>it's it's about to observe the people, the losers and

1212
01:04:48.599 --> 01:04:53.400
<v Speaker 1>wastrels and the tragic figures in this bar. And everybody

1213
01:04:53.440 --> 01:04:55.400
<v Speaker 1>in the bar is waiting for this character Hickey to

1214
01:04:55.480 --> 01:04:57.559
<v Speaker 1>show up. In the first half hours, people talking about

1215
01:04:57.599 --> 01:04:59.679
<v Speaker 1>Hickey and where's Hickey, and when's Hickey coming, and where's

1216
01:04:59.719 --> 01:05:03.280
<v Speaker 1>Hicke And then Hickey enters and Hickey has a twenty

1217
01:05:03.400 --> 01:05:07.400
<v Speaker 1>five minute long monologue. That is one of the great

1218
01:05:07.719 --> 01:05:12.480
<v Speaker 1>challenges in modern acting to memorize this monologue. It's a

1219
01:05:12.519 --> 01:05:14.559
<v Speaker 1>challenge for the audience too, by the way, it is

1220
01:05:14.760 --> 01:05:20.280
<v Speaker 1>well unless you have a genuinely great, like absolutely transfixing performance.

1221
01:05:20.400 --> 01:05:23.800
<v Speaker 1>Jason Robarts famously made his reputation his career by playing

1222
01:05:23.840 --> 01:05:27.599
<v Speaker 1>this part off Broadway and becoming Jason Robarts as a result.

1223
01:05:27.679 --> 01:05:31.840
<v Speaker 1>And I saw this amazingly brilliant performance that just had

1224
01:05:31.920 --> 01:05:35.039
<v Speaker 1>you at the edge of your seat. And it was

1225
01:05:35.119 --> 01:05:39.079
<v Speaker 1>by Kevin Spacey. So is all in Kevin. Kevin Spacey,

1226
01:05:39.119 --> 01:05:43.719
<v Speaker 1>he was a stage and an even better molester of

1227
01:05:43.800 --> 01:05:50.119
<v Speaker 1>fourteen year olds and you know, completely acquitted. No, he

1228
01:05:50.199 --> 01:05:53.280
<v Speaker 1>would he wasn't acquitted. He was he wasn't acquitted of

1229
01:05:53.360 --> 01:05:59.480
<v Speaker 1>doing what he did to Adam Rapp, who he acknowledged

1230
01:05:59.519 --> 01:06:02.679
<v Speaker 1>that he had basically taking this fourteen year old boy

1231
01:06:02.719 --> 01:06:05.800
<v Speaker 1>and carried him from the kitchen at a party into

1232
01:06:05.960 --> 01:06:08.079
<v Speaker 1>a bedroom and had like had his way with him.

1233
01:06:08.360 --> 01:06:10.119
<v Speaker 1>It was just I don't think he had his way

1234
01:06:10.159 --> 01:06:10.440
<v Speaker 1>with him.

1235
01:06:10.440 --> 01:06:10.840
<v Speaker 2>I don't think.

1236
01:06:11.199 --> 01:06:13.039
<v Speaker 1>I don't think he knowledged that it was drunk and

1237
01:06:13.079 --> 01:06:16.679
<v Speaker 1>didn't remember and Rap said it happened, so he didn't

1238
01:06:16.719 --> 01:06:20.000
<v Speaker 1>remember I don't know whatever. Okay, uh So, I think

1239
01:06:20.199 --> 01:06:20.639
<v Speaker 1>it's like you.

1240
01:06:20.639 --> 01:06:22.920
<v Speaker 4>Guys can't keep this podcast from going dark.

1241
01:06:24.679 --> 01:06:27.320
<v Speaker 1>Now we have to go dark by talking about David Lynch. Scott,

1242
01:06:27.360 --> 01:06:32.320
<v Speaker 1>our producer tells us, So, David Lynch, who who got

1243
01:06:32.880 --> 01:06:34.079
<v Speaker 1>the problem with this? Is that like.

1244
01:06:37.360 --> 01:06:39.760
<v Speaker 2>It's been all over So, I mean it's been everyone

1245
01:06:39.800 --> 01:06:42.280
<v Speaker 2>has written there David Lynch articles. So I don't know

1246
01:06:42.320 --> 01:06:44.480
<v Speaker 2>what to say except that I remember there was I

1247
01:06:44.519 --> 01:06:48.360
<v Speaker 2>can't remember the name of the restaurant on Beverly Boulevard.

1248
01:06:48.679 --> 01:06:49.679
<v Speaker 2>He would go there everything.

1249
01:06:49.480 --> 01:06:52.679
<v Speaker 1>Bob It's a big boy. He did go to a

1250
01:06:52.719 --> 01:06:53.719
<v Speaker 1>Bob's wing Boy every day.

1251
01:06:56.119 --> 01:06:58.480
<v Speaker 2>You go to this restaurant on Beverly Boulevard every day

1252
01:06:59.119 --> 01:07:02.320
<v Speaker 2>for lunch. And he always had a tomato soup. And

1253
01:07:02.480 --> 01:07:04.480
<v Speaker 2>if you went there and you said, I think I'll

1254
01:07:04.480 --> 01:07:06.920
<v Speaker 2>have tomato soup, they would say, we don't have that

1255
01:07:07.000 --> 01:07:10.119
<v Speaker 2>on the menu. He somehow managed to even be weird

1256
01:07:10.159 --> 01:07:12.199
<v Speaker 2>about his weird and mysterious about.

1257
01:07:11.960 --> 01:07:14.159
<v Speaker 5>His lunch order, which I think I've always enjoyed.

1258
01:07:16.800 --> 01:07:21.119
<v Speaker 1>I think here's the thing about David Lynch. The Elephant

1259
01:07:21.199 --> 01:07:24.599
<v Speaker 1>Man is a genuinely great and remarkable and extraordinary movie.

1260
01:07:25.239 --> 01:07:29.440
<v Speaker 1>I think Blue Velvet is one of the is a

1261
01:07:29.639 --> 01:07:33.760
<v Speaker 1>great though very hard to watch movie, and the first

1262
01:07:34.320 --> 01:07:36.960
<v Speaker 1>six episodes of Twin Peaks are among the best things

1263
01:07:37.000 --> 01:07:40.119
<v Speaker 1>that have ever been done on television. But don't let

1264
01:07:40.159 --> 01:07:43.960
<v Speaker 1>anybody fool you into wasting your time now that he

1265
01:07:44.079 --> 01:07:46.960
<v Speaker 1>is dead watching the eighteen hour Twin Peaks The Return,

1266
01:07:47.039 --> 01:07:50.079
<v Speaker 1>which was his last work, which was on Showtime six

1267
01:07:50.239 --> 01:07:56.719
<v Speaker 1>or seven years ago, because it was agonizingly boring, agonizingly boring,

1268
01:07:57.239 --> 01:07:59.760
<v Speaker 1>and the whole point of it was to be agonizingly boring.

1269
01:07:59.840 --> 01:08:03.960
<v Speaker 1>His whole purpose was to make to test the patience

1270
01:08:04.079 --> 01:08:06.360
<v Speaker 1>of every human being on earth who would bother to

1271
01:08:06.480 --> 01:08:09.679
<v Speaker 1>watch it, to see whether they would sit for watch

1272
01:08:09.760 --> 01:08:12.360
<v Speaker 1>a guy mop a floor for four minutes, which happens

1273
01:08:12.400 --> 01:08:14.039
<v Speaker 1>at the end of like one of the like the

1274
01:08:14.159 --> 01:08:16.279
<v Speaker 1>third episode, and it's a guy in a bid and

1275
01:08:16.279 --> 01:08:18.760
<v Speaker 1>he's mopping the floor and he mops the floor, and

1276
01:08:18.800 --> 01:08:20.199
<v Speaker 1>he mops the floor, and he mops the floor, and

1277
01:08:20.239 --> 01:08:23.600
<v Speaker 1>he mops the floor, and then the end credits come up.

1278
01:08:23.680 --> 01:08:26.239
<v Speaker 1>And the entire time you're watching, you're waiting for something

1279
01:08:26.319 --> 01:08:32.880
<v Speaker 1>to happen, and nothing happens. So I got to give

1280
01:08:32.920 --> 01:08:35.600
<v Speaker 1>him credit for taking one hundred and fifty million dollars

1281
01:08:36.399 --> 01:08:40.359
<v Speaker 1>from Matthew Blanket Showtime and making a show seeing whether

1282
01:08:40.439 --> 01:08:43.079
<v Speaker 1>people could be fooled into watching somebody mop a floor

1283
01:08:43.960 --> 01:08:48.520
<v Speaker 1>for four minutes. It's like, it's like this way to

1284
01:08:48.600 --> 01:08:51.399
<v Speaker 1>the Egress story about Pt. Barnum. You know when when

1285
01:08:51.479 --> 01:08:54.439
<v Speaker 1>the when the Barnum circus was too crowded, he would

1286
01:08:54.479 --> 01:08:57.000
<v Speaker 1>put up a sign to try to get people to

1287
01:08:57.239 --> 01:08:59.520
<v Speaker 1>leave by saying this way to the Egress, and they

1288
01:08:59.560 --> 01:09:01.279
<v Speaker 1>would think, oh, there's I'm going to see an animal

1289
01:09:01.399 --> 01:09:03.680
<v Speaker 1>called the egress. And of course egress means exits, so

1290
01:09:03.800 --> 01:09:07.399
<v Speaker 1>they would walk out. They would walk out the exit,

1291
01:09:07.880 --> 01:09:10.039
<v Speaker 1>and that was Barnum's way of clearing the room and

1292
01:09:10.279 --> 01:09:11.880
<v Speaker 1>making sure that other people could get in.

1293
01:09:12.079 --> 01:09:18.000
<v Speaker 2>So that was saying Long Day's Journey in Tonight starring

1294
01:09:18.960 --> 01:09:21.159
<v Speaker 2>I will say it's funny.

1295
01:09:21.159 --> 01:09:24.000
<v Speaker 4>I was looking through his movies and I completely forgot

1296
01:09:25.439 --> 01:09:29.600
<v Speaker 4>that he directed The Straight Story, which I loved.

1297
01:09:30.239 --> 01:09:32.600
<v Speaker 1>Yeah, that is one. That is the strangest. Yes, that

1298
01:09:32.760 --> 01:09:35.159
<v Speaker 1>is that is the strangest thing on his resume, even

1299
01:09:35.159 --> 01:09:36.920
<v Speaker 1>though you think the strangest thing as the resume is,

1300
01:09:36.960 --> 01:09:40.520
<v Speaker 1>you know one of his strange movies. That's right.

1301
01:09:40.600 --> 01:09:43.039
<v Speaker 4>The fact that it's like when when a freak does

1302
01:09:43.079 --> 01:09:46.960
<v Speaker 4>something totally normal and sweet, you're like, WHOA, that's weird.

1303
01:09:48.880 --> 01:09:51.359
<v Speaker 4>But the straight story is just a lovely G rated

1304
01:09:51.479 --> 01:09:55.560
<v Speaker 4>movie which was actually produced by my friend Neil Edelstein, So.

1305
01:09:55.640 --> 01:09:58.479
<v Speaker 1>There you h It is a beautiful movie about a

1306
01:09:58.520 --> 01:10:01.359
<v Speaker 1>seventy nine year old man who has to get to

1307
01:10:01.439 --> 01:10:04.039
<v Speaker 1>see his brother before his brother dies, and he has

1308
01:10:04.159 --> 01:10:09.520
<v Speaker 1>no way to get there except to drive his tractor, right,

1309
01:10:10.119 --> 01:10:12.039
<v Speaker 1>and not a tractor. It's sort of like it ends up.

1310
01:10:12.199 --> 01:10:14.199
<v Speaker 1>It's a kind of version of what we now call

1311
01:10:14.279 --> 01:10:19.199
<v Speaker 1>it jazzy. He kind of jury rigs a motor vehicle

1312
01:10:19.319 --> 01:10:22.920
<v Speaker 1>that will drive him. It's kind of like miles an hour, right,

1313
01:10:23.119 --> 01:10:24.720
<v Speaker 1>he basically, And it's a real story.

1314
01:10:25.000 --> 01:10:25.640
<v Speaker 5>It's a good movie.

1315
01:10:27.039 --> 01:10:29.439
<v Speaker 1>It is a good movie. And and and he made

1316
01:10:29.479 --> 01:10:32.520
<v Speaker 1>several good movies. And he made several absolutely unwatchable movies

1317
01:10:32.600 --> 01:10:36.520
<v Speaker 1>like Lost Highway and Inland Empire, which are unwatchable, and

1318
01:10:36.800 --> 01:10:44.600
<v Speaker 1>and Dune, which is unwatchable though it has some pretty

1319
01:10:44.640 --> 01:10:48.319
<v Speaker 1>amazing imagery in it. I mean, but we did think

1320
01:10:48.399 --> 01:10:52.119
<v Speaker 1>that Dune was unfilmable until these last two Dunes came out, right,

1321
01:10:52.119 --> 01:10:53.880
<v Speaker 1>and I think we're pretty good, right, I mean, they're

1322
01:10:54.319 --> 01:10:57.319
<v Speaker 1>they're pretty good. They're not great, though, but they're pretty good.

1323
01:10:58.560 --> 01:11:01.000
<v Speaker 1>Have you seen did we discuss the Bob Dylan movie.

1324
01:11:01.560 --> 01:11:03.279
<v Speaker 1>Either you've seen I have not seen it. I have

1325
01:11:03.399 --> 01:11:06.600
<v Speaker 1>not seen it, Okay, because because Timothy shallow May, of course,

1326
01:11:06.600 --> 01:11:09.359
<v Speaker 1>who was the star of Done, plays Bob Dylan. And

1327
01:11:09.479 --> 01:11:11.720
<v Speaker 1>it's a pretty interesting one two punch to have been

1328
01:11:12.039 --> 01:11:15.439
<v Speaker 1>you know what, Deep in Dune Part two at the

1329
01:11:15.439 --> 01:11:17.399
<v Speaker 1>beginning of the year and to be Bob Dylan at

1330
01:11:17.439 --> 01:11:20.319
<v Speaker 1>the end of the year. That's that's one of those like,

1331
01:11:21.239 --> 01:11:23.560
<v Speaker 1>you know, star polls. You know, this is like, that's

1332
01:11:23.600 --> 01:11:26.119
<v Speaker 1>why we're going to be watching him for the next

1333
01:11:26.199 --> 01:11:28.640
<v Speaker 1>forty or fifty years, because he can do that. He

1334
01:11:28.720 --> 01:11:30.039
<v Speaker 1>can do both of those things.

1335
01:11:30.680 --> 01:11:33.359
<v Speaker 4>So what I I have not seen the movie. I've

1336
01:11:33.479 --> 01:11:35.960
<v Speaker 4>never been like obsessed with Bob Dylan. I mean, I

1337
01:11:36.199 --> 01:11:39.279
<v Speaker 4>like dog Bob Dylan, but like I stopped smoking pot

1338
01:11:39.359 --> 01:11:41.439
<v Speaker 4>a really long time ago, and so that took some

1339
01:11:41.560 --> 01:11:44.000
<v Speaker 4>of the appeal away. And I'm not trying to denigrate

1340
01:11:44.079 --> 01:11:46.760
<v Speaker 4>him a great lyricist all that kind of stuff. Have

1341
01:11:46.880 --> 01:11:51.840
<v Speaker 4>just never been obsessed with them. And but I've always

1342
01:11:51.920 --> 01:11:54.880
<v Speaker 4>you know, there are these cottage industries in egghead world

1343
01:11:55.399 --> 01:11:59.760
<v Speaker 4>that I just love. And one of them is the

1344
01:12:01.000 --> 01:12:03.920
<v Speaker 4>Bob Dylan's a closet conservative, or at least he's not

1345
01:12:04.000 --> 01:12:08.600
<v Speaker 4>a stalinist sub genre, which Ron Radosh has been big on.

1346
01:12:08.680 --> 01:12:10.359
<v Speaker 4>There are a bunch of people. I'm sure you got

1347
01:12:10.439 --> 01:12:12.359
<v Speaker 4>him to write about it for the Weekly Standard, and

1348
01:12:13.079 --> 01:12:15.880
<v Speaker 4>that it it's like, you know, I can't remember what

1349
01:12:15.920 --> 01:12:17.520
<v Speaker 4>the word for it is, but there are there are

1350
01:12:17.600 --> 01:12:20.760
<v Speaker 4>kinds of trees that have to wait for a forest

1351
01:12:20.840 --> 01:12:23.640
<v Speaker 4>fire for their seeds to germinate, so they can lie

1352
01:12:23.720 --> 01:12:27.840
<v Speaker 4>in the oil for century, literally centuries until there's a

1353
01:12:27.920 --> 01:12:30.640
<v Speaker 4>forest fire, and then these trees start to put So

1354
01:12:30.760 --> 01:12:32.960
<v Speaker 4>this movie comes out and all of a sudden, it's

1355
01:12:33.119 --> 01:12:36.760
<v Speaker 4>like it's like the game of Telephon where they're you know,

1356
01:12:37.000 --> 01:12:40.560
<v Speaker 4>they're active at these sleeper People holding receipts on this

1357
01:12:40.760 --> 01:12:43.399
<v Speaker 4>fight are activated from across the land.

1358
01:12:43.640 --> 01:12:45.960
<v Speaker 5>And that's a lovely, dark and deep yeah.

1359
01:12:46.119 --> 01:12:50.199
<v Speaker 1>Yeah, yes, but I have promises.

1360
01:12:49.760 --> 01:12:51.760
<v Speaker 2>To I H yeah, I I I.

1361
01:12:53.520 --> 01:12:53.800
<v Speaker 1>Missed.

1362
01:12:54.239 --> 01:12:55.359
<v Speaker 2>I missed Bob Dylan.

1363
01:12:55.520 --> 01:12:57.359
<v Speaker 1>I just missed it. I missed it.

1364
01:12:57.600 --> 01:13:00.159
<v Speaker 2>I was too young or something. I just never it

1365
01:13:00.279 --> 01:13:01.640
<v Speaker 2>was never a thing. And then when it was a

1366
01:13:01.760 --> 01:13:03.600
<v Speaker 2>thing where I listened to it, thinking, well, I should

1367
01:13:03.680 --> 01:13:06.880
<v Speaker 2>I should like this, right, it's this is officially approved art.

1368
01:13:06.960 --> 01:13:09.319
<v Speaker 2>I should like it, and I just never kind of

1369
01:13:09.359 --> 01:13:12.159
<v Speaker 2>got into it. And yet some of the songs are great,

1370
01:13:12.239 --> 01:13:14.359
<v Speaker 2>and then that, but the covers are good. You know

1371
01:13:14.880 --> 01:13:20.119
<v Speaker 2>Girl from the North uh Country County which is from.

1372
01:13:20.000 --> 01:13:22.760
<v Speaker 1>The North Country, Yeah, which is basically the same song

1373
01:13:22.800 --> 01:13:26.399
<v Speaker 1>as Scarborough Fare right, But that's literally it's the same

1374
01:13:27.319 --> 01:13:28.439
<v Speaker 1>version of the same song.

1375
01:13:28.720 --> 01:13:33.359
<v Speaker 5>The Roseanne the Roseanne Cash cover is beautiful.

1376
01:13:34.039 --> 01:13:34.319
<v Speaker 1>But I.

1377
01:13:35.840 --> 01:13:37.319
<v Speaker 5>I just never I don't, I don't care.

1378
01:13:37.560 --> 01:13:40.159
<v Speaker 4>His cover of the Facts of Life theme song was fantastic.

1379
01:13:40.319 --> 01:13:41.920
<v Speaker 5>Well, it was because he was the original cast.

1380
01:13:42.319 --> 01:13:45.279
<v Speaker 1>Yeah, you don't forget that he was.

1381
01:13:47.079 --> 01:13:47.760
<v Speaker 4>He was, he was.

1382
01:13:47.840 --> 01:13:50.800
<v Speaker 1>He was married cheerily to three of the three of

1383
01:13:50.880 --> 01:13:58.600
<v Speaker 1>the girls we're to get from the word gay. Oh

1384
01:13:58.720 --> 01:13:59.079
<v Speaker 1>I don't know.

1385
01:13:59.199 --> 01:13:59.800
<v Speaker 3>Yeah, I.

1386
01:14:01.720 --> 01:14:04.520
<v Speaker 1>Speaking of Bob Bilds. I wrote a piece about a

1387
01:14:04.800 --> 01:14:09.119
<v Speaker 1>complete Unknown which I talk about this fact that the

1388
01:14:09.520 --> 01:14:13.520
<v Speaker 1>movie implicitly is about how Dylan would not did not

1389
01:14:13.640 --> 01:14:16.960
<v Speaker 1>want to be used by the old Stalinists as their

1390
01:14:17.079 --> 01:14:21.600
<v Speaker 1>vehicle for cultural domination. And yeah, I got a lot

1391
01:14:21.680 --> 01:14:23.720
<v Speaker 1>of male from people who are like, but you didn't

1392
01:14:24.039 --> 01:14:26.359
<v Speaker 1>talk about this lyric and what about that Weather chose

1393
01:14:26.399 --> 01:14:29.359
<v Speaker 1>that he that he wasn't really And there is that

1394
01:14:29.560 --> 01:14:35.239
<v Speaker 1>one song. There is that one amazing zion Zionist song

1395
01:14:35.760 --> 01:14:39.640
<v Speaker 1>came out of nowhere Neighborhood Bully, released in nineteen eighty three,

1396
01:14:40.680 --> 01:14:46.039
<v Speaker 1>which could be the sort of like commentary theme song

1397
01:14:47.279 --> 01:14:49.880
<v Speaker 1>about you know they call you the neighborhood bully because

1398
01:14:49.880 --> 01:14:51.720
<v Speaker 1>all you're trying to do is defend yourself and then

1399
01:14:51.760 --> 01:14:53.840
<v Speaker 1>they attack you for it. And where it just came

1400
01:14:53.880 --> 01:14:56.199
<v Speaker 1>out of nowhere and that was he did it, and

1401
01:14:56.760 --> 01:14:58.920
<v Speaker 1>it's there and you can listen to it if you like.

1402
01:14:59.039 --> 01:15:04.800
<v Speaker 1>And now we are going to I say this because.

1403
01:15:05.119 --> 01:15:08.479
<v Speaker 2>On the the in Santa Monica, there's a coffee place

1404
01:15:08.520 --> 01:15:10.560
<v Speaker 2>called the eighteenth Street Cafe, which is in the middle

1405
01:15:10.560 --> 01:15:12.159
<v Speaker 2>of a kind of a weird neighborhood at least what

1406
01:15:12.199 --> 01:15:14.359
<v Speaker 2>was back then, and it was kind of a little

1407
01:15:14.359 --> 01:15:18.520
<v Speaker 2>bungalow thing was because the coffee hit place and it

1408
01:15:18.640 --> 01:15:21.239
<v Speaker 2>was where you'd go, uh. It was near a couple

1409
01:15:21.279 --> 01:15:24.600
<v Speaker 2>of fancy preschools and so like you if you were

1410
01:15:24.680 --> 01:15:26.920
<v Speaker 2>young writer on TV or something and you lived on

1411
01:15:26.960 --> 01:15:28.600
<v Speaker 2>the West Side, that's kind of you were. You'd be

1412
01:15:28.720 --> 01:15:30.760
<v Speaker 2>hanging out there like one thirty in the afternoon waiting

1413
01:15:30.800 --> 01:15:33.760
<v Speaker 2>to pick up your kid. Uh, and so you know,

1414
01:15:33.800 --> 01:15:35.279
<v Speaker 2>we'd go and that's I would go and meet people

1415
01:15:35.279 --> 01:15:40.439
<v Speaker 2>there all the time. And in the basement, the rumor

1416
01:15:40.520 --> 01:15:44.239
<v Speaker 2>was always that there was a boxing gym owned by

1417
01:15:44.279 --> 01:15:47.640
<v Speaker 2>Bob Dylan. Bob Dylan would spend his time in this

1418
01:15:47.720 --> 01:15:51.319
<v Speaker 2>boxing gym in the basement of the eighteen Street cafe.

1419
01:15:52.199 --> 01:15:54.560
<v Speaker 5>And I remember I wasn't there for this, but a

1420
01:15:54.600 --> 01:15:55.479
<v Speaker 5>friend of mine told me the story.

1421
01:15:55.479 --> 01:15:57.319
<v Speaker 2>He's in line, he's getting a cup of coffee and

1422
01:15:57.680 --> 01:15:59.960
<v Speaker 2>another dad from the one of the pre school d

1423
01:16:00.640 --> 01:16:02.399
<v Speaker 2>behind him or next to him, and they're going to

1424
01:16:02.439 --> 01:16:03.840
<v Speaker 2>get their coffee. He goes, is you here in this rumor?

1425
01:16:03.880 --> 01:16:06.279
<v Speaker 2>They're like downstairs, this is like a boxing gym owned

1426
01:16:06.319 --> 01:16:10.199
<v Speaker 2>by Bob Dylan. And his friend was like, that's kind

1427
01:16:10.239 --> 01:16:14.760
<v Speaker 2>of hard to leave. Bob Dylan boxes hey getting boxy? Yeah, yeah,

1428
01:16:14.960 --> 01:16:17.079
<v Speaker 2>it's like I don't see him boxing. I don't see

1429
01:16:17.159 --> 01:16:21.920
<v Speaker 2>him as a boxer. And behind them little man sid

1430
01:16:22.079 --> 01:16:24.239
<v Speaker 2>why not? And it was Bob Dylan who was just

1431
01:16:24.279 --> 01:16:26.319
<v Speaker 2>getting a coffee on his way downstairs to the boxing

1432
01:16:26.399 --> 01:16:27.439
<v Speaker 2>gym that was actually below it.

1433
01:16:28.760 --> 01:16:33.159
<v Speaker 1>So yeah, there's a photo of Barack Obama hanging the

1434
01:16:33.279 --> 01:16:36.520
<v Speaker 1>Metal of Freedom around Bob Dylan's neck like in twenty twelve,

1435
01:16:36.600 --> 01:16:41.039
<v Speaker 1>twenty thirteen, something like that, and I'm like, oh my god,

1436
01:16:41.159 --> 01:16:43.319
<v Speaker 1>that's like my uncle shloyme like it was. You know,

1437
01:16:43.439 --> 01:16:45.319
<v Speaker 1>He's like, you know, we had he had he had

1438
01:16:45.720 --> 01:16:48.520
<v Speaker 1>weird hair and whatever. You know when you saw his face.

1439
01:16:49.079 --> 01:16:50.760
<v Speaker 1>Paul Simon is the same way. By the way you

1440
01:16:50.800 --> 01:16:54.479
<v Speaker 1>look at Paul Simon, You're like, look, you know, it's

1441
01:16:54.479 --> 01:16:58.159
<v Speaker 1>an old juice. He would be he would be in

1442
01:16:58.239 --> 01:16:59.920
<v Speaker 1>Boca yeah, jazz.

1443
01:17:00.199 --> 01:17:01.840
<v Speaker 2>But Paul Siman's like, oh, look, it's an old Jewish

1444
01:17:01.920 --> 01:17:07.560
<v Speaker 2>lady and her husband Billy Crystal or by the way,

1445
01:17:07.880 --> 01:17:08.760
<v Speaker 2>who looks like late Crystal.

1446
01:17:09.199 --> 01:17:11.520
<v Speaker 1>Billy Crystal Crystal is also look is also an old

1447
01:17:11.560 --> 01:17:12.039
<v Speaker 1>Jewish man.

1448
01:17:12.199 --> 01:17:16.439
<v Speaker 5>Yeah, and you know Billy Billy Crystal. But Warren Baby,

1449
01:17:17.600 --> 01:17:18.079
<v Speaker 5>well that's.

1450
01:17:17.920 --> 01:17:20.520
<v Speaker 1>True, but Billy Crystal now looks like the wizard in

1451
01:17:20.960 --> 01:17:27.479
<v Speaker 1>the Princess Bride. We shouldn't make fun of. He lost

1452
01:17:27.560 --> 01:17:31.119
<v Speaker 1>his house. Billy Crystal's house burned down in the fire.

1453
01:17:31.279 --> 01:17:33.119
<v Speaker 1>So got to feel sorry for Billy Crystal.

1454
01:17:33.680 --> 01:17:36.039
<v Speaker 5>But if you're in if you're in a fancy men's club,

1455
01:17:36.119 --> 01:17:37.920
<v Speaker 5>you'll never know if he's facing you or not.

1456
01:17:38.720 --> 01:17:40.079
<v Speaker 1>We've done we've done. No, we've done.

1457
01:17:40.119 --> 01:17:41.880
<v Speaker 4>No politics here, and I don't want to start. But

1458
01:17:43.880 --> 01:17:49.159
<v Speaker 4>in the inaugural inaugural address of a current president, he

1459
01:17:49.239 --> 01:17:53.479
<v Speaker 4>starts talking about the fires in California and that some

1460
01:17:53.560 --> 01:17:56.239
<v Speaker 4>of the richest, most famous people in America had their

1461
01:17:56.279 --> 01:17:59.239
<v Speaker 4>homes burned down. And then there's this long pause and

1462
01:17:59.359 --> 01:18:03.600
<v Speaker 4>then he goes, which is very interesting, What did that mean?

1463
01:18:05.800 --> 01:18:07.520
<v Speaker 4>What was he trying to imply there? I don't I

1464
01:18:07.560 --> 01:18:08.279
<v Speaker 4>don't get.

1465
01:18:09.359 --> 01:18:13.000
<v Speaker 1>I think he was implying that poor people deliberately set

1466
01:18:13.079 --> 01:18:15.840
<v Speaker 1>the fires. To do you think that? I don't know.

1467
01:18:16.199 --> 01:18:18.800
<v Speaker 1>I don't know. That's the only I mean, what what else?

1468
01:18:18.800 --> 01:18:19.920
<v Speaker 1>What else would be interesting?

1469
01:18:20.000 --> 01:18:22.880
<v Speaker 2>I think people just say that Harry Shearer used to

1470
01:18:22.920 --> 01:18:28.079
<v Speaker 2>do this very very niche impression of mister Blackwell, who

1471
01:18:28.239 --> 01:18:32.640
<v Speaker 2>was a fashion kind of weird oddity character, a.

1472
01:18:32.680 --> 01:18:34.680
<v Speaker 1>Real person made the ten worst dress.

1473
01:18:36.000 --> 01:18:37.680
<v Speaker 2>All that an he talks like this.

1474
01:18:37.760 --> 01:18:41.079
<v Speaker 8>He thought he talked the ten best dressed. It's a

1475
01:18:41.199 --> 01:18:44.079
<v Speaker 8>Dolan sleeve. But no, no, yeah, this is the way

1476
01:18:44.079 --> 01:18:47.279
<v Speaker 8>he talked. Actually is the way mister Blackwell talk. And

1477
01:18:47.359 --> 01:18:50.319
<v Speaker 8>he would do this impression of mister Blackwell. And he

1478
01:18:50.359 --> 01:18:53.880
<v Speaker 8>would and he said that the restaurants in Beverly Hills.

1479
01:18:53.920 --> 01:18:58.720
<v Speaker 8>There's a bistro. There's a bistro, Godden. Interesting.

1480
01:18:59.039 --> 01:19:05.279
<v Speaker 5>Interesting, That's that's what Trump is. Trump is basically mister

1481
01:19:05.359 --> 01:19:06.359
<v Speaker 5>Blackwell at this point.

1482
01:19:07.239 --> 01:19:13.479
<v Speaker 1>All right, all right, mister. The the connection, the classic

1483
01:19:13.520 --> 01:19:17.880
<v Speaker 1>glop connection being made between mister Blackwell and Donald Trump.

1484
01:19:18.000 --> 01:19:21.039
<v Speaker 1>And it was fair because Melania did wear that hat

1485
01:19:21.079 --> 01:19:23.399
<v Speaker 1>that made her look like Zoro. That's all I gotta say.

1486
01:19:24.119 --> 01:19:26.319
<v Speaker 1>I love that, and I thought that, I like that.

1487
01:19:26.720 --> 01:19:28.640
<v Speaker 1>I like that, but she did look like Zoro, and

1488
01:19:28.720 --> 01:19:31.000
<v Speaker 1>I thought it was a kind of reach shout out

1489
01:19:31.399 --> 01:19:34.359
<v Speaker 1>to the Mexican people who are about to be slapped

1490
01:19:34.399 --> 01:19:35.119
<v Speaker 1>with a two hundred and.

1491
01:19:35.159 --> 01:19:39.960
<v Speaker 4>Fifty percent like the black coated spy and spy vers

1492
01:19:39.960 --> 01:19:40.279
<v Speaker 4>a spy.

1493
01:19:40.960 --> 01:19:44.039
<v Speaker 1>Oh yeah, yeah, that's good. I think that's that. Yeah.

1494
01:19:44.560 --> 01:19:47.119
<v Speaker 1>Or Zora, I'm still I'm still I'm still going with

1495
01:19:47.239 --> 01:19:50.560
<v Speaker 1>Zora or Cappuccin and the pink panther and Zora. Anyway,

1496
01:19:50.840 --> 01:19:54.199
<v Speaker 1>all right, Scott Emmigrant says the Hamburglar. So we're gonna

1497
01:19:54.279 --> 01:19:57.359
<v Speaker 1>let him have the last word. Milania looks like the

1498
01:19:57.439 --> 01:20:00.960
<v Speaker 1>hamburg all right, Please please don't be offended. We're just

1499
01:20:01.159 --> 01:20:01.960
<v Speaker 1>trying to amuse you.

1500
01:20:03.159 --> 01:20:04.279
<v Speaker 4>We're just running acting here.

1501
01:20:04.359 --> 01:20:07.680
<v Speaker 1>This is until next time. Here's why they don't do this.

1502
01:20:07.960 --> 01:20:09.479
<v Speaker 5>Here's why they don't do one hour comedies.

1503
01:20:10.880 --> 01:20:11.439
<v Speaker 1>Exhibit A.

1504
01:20:14.239 --> 01:20:56.319
<v Speaker 9>Bye, Where is that fellow's friend? He probably owes your money. Huh, well,

1505
01:20:56.439 --> 01:20:57.000
<v Speaker 9>I'll ask you.

1506
01:20:57.640 --> 01:20:58.600
<v Speaker 1>Esthetic can't talk.

1507
01:21:00.640 --> 01:21:03.439
<v Speaker 9>Look who knows so much? Well, it just so happens

1508
01:21:03.479 --> 01:21:07.079
<v Speaker 9>that your friend here is only mostly dead. There's a

1509
01:21:07.119 --> 01:21:10.560
<v Speaker 9>big difference between mostly dead and all that. Please open

1510
01:21:10.640 --> 01:21:11.000
<v Speaker 9>his mouth.
