Speaker 1: You are listening to w MNHLP, Manchester's radio broadcasting at
ninety five point three FM from the top of one
thousand eleven Street. Our studios are located at one nineteen
Canal Street and licensed to Manchesters called WILIC Television Service
in Manchester, New Hampshire, USA.
Speaker 2: This is eleanor Langthorne from Vices Inc.
Speaker 3: And you're listening to Matt Connorton Unleashed on ninety five
point three WMNH Your listeners.
Speaker 4: It's beginning to look alive like Christmas.
Speaker 5: Everywhere you go.
Speaker 2: Take a look at the five and ten.
Speaker 3: It's glistening once again with county hands and silver lanes.
Speaker 5: They're globe.
Speaker 2: It's beginning to look alive like Christmas.
Speaker 5: Tis on every store.
Speaker 6: But the prettiest sign to see is the holly the
move on your own road.
Speaker 7: It's beginning to look alive like Christmas.
Speaker 5: Everywhere you go.
Speaker 3: There's a tree in the Grand Hotel, one in the
park as well.
Speaker 2: It's a curdy kind.
Speaker 5: That doesn't mine the snow.
Speaker 2: It's beginning to look alive like Christmas.
Speaker 3: So the bells will start and the thing that'll make them.
Speaker 5: Ring is the carol. Bet your son right with thing
your home.
Speaker 7: It's beginning to look alive like Christmas ties loveystal but
the prettiest sight to see is the holly by on
your own.
Speaker 3: From Sure It's Christmas.
Speaker 8: Welcome everybody.
Speaker 9: It's that time again.
Speaker 8: Matt Connorton unleashed and we are live from the studios
of w m n H ninety five point three FM
and Glorious Manchester, New Hampshire. A little little wintry outside,
a little icy, but but it is glorious. And that,
of course was Kendra Erica. That is her new holiday single,
her rendition of It's beginning to Look a lot like
Christmas to open this week's show. That is the world
radio premiere of that track. And we're gonna hear some
more holiday music shortly. We've got some great guests lined
up for you today. By the way, I do want
to remind you for those of you listening live on
Saturday morning, the twenty first of December twenty twenty four.
Of course, after the show today, we've got a big
event at the Manchester Masonic Temple, the Holiday Market and
Psychic Event. This goes from noon to five pm, so
Jenny will already be There's that's why she's not with
me this morning. She's gonna be getting set up there.
She's gonna be selling some of her amazing macrom items
that she makes. I don't understand how she does it,
but really really great stuff that she does. And there's
gonna be a lot of artisans there, local businesses participating
and like I always say, Walmart and Target don't need
any more of your money, so please support local businesses.
And it's a great opportunity to do that at the
Holiday Market and Psychic Fair today from noon to five pm.
So after you're done listening to Matt connorton Unleashed, of course,
I hope to see you there. I'll be heading over
there today after the show, and that is at fifteen
oh five Elm Street, and for more information you can
go to Sisterwitch Company dot com. We love the Sister
Witch Company, great people and we love being involved in
what they do. So again, if you're listening live on Saturday,
that is today from noon to five pm at the
Masonic Temple in Manchester. I don't think I've ever been
to the Masonic Temple, so that'll be a that'll be
interesting as well. But no, Sister Witch Company, they do
a lot of great events there. We do have some
great guests today on the show, as I mentioned, and
we're going to open with and I'm going to bring
bring her.
Speaker 9: MIC's up there.
Speaker 8: So Jet, let's see if I can do this. Jennifer Hausinchuck,
good job? Is that right? Yeah? Okay?
Speaker 9: Good yes? Also known as Neon Gypsy.
Speaker 8: Correct or is the on Gypsy the name of the
band or are you the Neon Gypsy?
Speaker 10: It can be there or really because you know, we're
trying to just bring the brand wherever we go. So
whether whether it's me, you know, solo or sometimes it's
different projects. So it always stays me on Gypsy just
for a little bit of consistency.
Speaker 8: Sure. Sure, And we're going to be playing in a
moment studio track that you recently. This was this just
came out right, your rendition of Run Rudolph Front right.
Speaker 10: Well, we actually recorded it last year, but it was
a really last minute thing and it didn't get any
airtime because it was just it was too close to Christmas.
So this is really the debut of it for sure.
Speaker 9: Oh very good.
Speaker 8: So this has not been played on the radio before, No,
not really, So this is the world radio premiere.
Speaker 10: It really is.
Speaker 8: We like those here. We like to do the world
radio premiere.
Speaker 10: It is happening right here in Manchester.
Speaker 8: That is. That is fantastic. No, we appreciate that. By
the way, I learned something so I mentioned this too
yesterday or not yesterday, Yeah, yesterday when I posted a
quick preview video about today's show All my Life, I
thought the name of the song was run Round Rudolph.
Speaker 10: Exactly, me too, yes, And it was a real tongue
twister when I was trying to do the lyrics because
all my life that's what I thought it was too,
so I had to undo it many times. But yeah, yeah,
I just learned that as well.
Speaker 9: Where did you record this?
Speaker 10: We recorded at Studio fifty one, which is our home studio.
After COVID a lot of people started to go, you
know and get in their own studios, so we're finally
set up with all the equipment we need and we
recorded it right in Portland main.
Speaker 8: By the way, for those you brought stickers, I'm gonna
hold these up in front of the camera here that's
in front of me for people watching online. So we
should mention too, and Jenny will be excited. She loves stickers.
Here's the uh we get that right in front of
the camera, Studio fifty one sticker. So you were just
talking about Studio fifty one and this school k neon
gypsy sticker too.
Speaker 9: I love the logo. Who designed the logo?
Speaker 8: Did you do that?
Speaker 11: Or yeah?
Speaker 10: My graphic designers. That's one of the renditions. But really
they're holographic and sparkly. We'll make sure to get you those.
Speaker 3: Yeah.
Speaker 8: Yeah, no, that's cool though, I dig it.
Speaker 10: Yeah, thank you.
Speaker 8: So so this track, so you recorded this at Studio
fifty one, yes, okay.
Speaker 10: Yeah, yeah.
Speaker 8: Do you record other artists there too or is it
just your material for that?
Speaker 10: Now we're opening it up to other artists as well. So,
and we're thinking about doing some collaborations as well too,
just for the fun of it, because sometimes the music
industry gets a little stressful when you're just trying to
get out there, whether you're getting out to just play
and get paid or whether you're just you know, trying
to get your stuff out there.
Speaker 9: Yeah.
Speaker 10: I really need to keep the fun in it and
the collaboration. So we'll be having different artists from the
area come in and we're just going to do different
collaborations with originals.
Speaker 9: Outstanding and some covers too, but yeah, very cool.
Speaker 8: Well, so for anyone who's interested in recording there, this
will kind of give you an idea of what kind
of a sound you can get. And let's give this
a spin and then we'll come back and Jennifer is
going to play for us today too. She brought her guitar,
so really looking forward to that.
Speaker 9: But here it is.
Speaker 8: This is run Rudolph Run as I now know the correct, uh,
the correct name of this classic song. Chuck Berry did
this originally correct?
Speaker 10: Yeah, and it was written in nineteen fifty eight.
Speaker 9: Nineteen fifty eight.
Speaker 8: Well, yeah, so that's that's.
Speaker 10: Why we have that title stuck in our head. Yes,
if you weren't born, then you can't know.
Speaker 8: All your life has that exactly exactly all right? Here
it is Run Rudolph Run Eon gipsy, you know the
last of mine.
Speaker 12: Run random by.
Speaker 13: Run Don rudof SA get to town.
Speaker 5: Santagam home in town o Na.
Speaker 12: Can take the freeway down, Run Don Rudolf a very
run Okay, Yeah, saying Santa to uncle a child, what
have you been looking for?
Speaker 13: No im for Christmas? Is a fucking ball electric jar
not away when boodof.
Speaker 14: W isn' I gotta shoot the star, run Ron boodof Santa,
don get to child.
Speaker 5: Santa Nick come right down on me.
Speaker 13: Can take the freeway hour.
Speaker 12: Run don Boodo being America right, okay run run rudall Santa.
Speaker 5: Don't I get to child.
Speaker 12: Santa Nick ahead, he can take a freeway now.
Speaker 15: Run don bud be.
Speaker 13: Like americal right, ye, saying saying that to you, my
girl child?
Speaker 16: What would please you most to.
Speaker 12: Get a little baby don They can grass see drink
and wit.
Speaker 17: Not a way.
Speaker 13: He went brudoh whizar like a saber chet run un
Rudo Sanada may get to town, said, I make amery
turn im.
Speaker 12: He can take the freeway down, run don Buda, feeling
like American right, Okay, run.
Speaker 5: Don go go.
Speaker 9: N run Buda, run Rudolph run. That is neon Gipsy.
Speaker 8: That is a brand new and uh yeah, Jennifer, we
were talking kind of off air. You're gonna be recording
more at the at Studio fifty one. You've got a
bunch of originals You're going to be doing right right.
Speaker 6: Yeah.
Speaker 10: Some of the songs actually are thirty years old. When
I wrote them, I put them in a book, close
a book, put it away forever, and then resurface them,
and I actually still really liked them. We just upgraded
the music, but we've got about five to seven that
are literally waiting for me to get in the studio.
Brian and did all his parts, and it's all on
me to get down there with vocals and recording the guitar,
and it's going to be all rock. So there's when
I play out, it's acoustic. But I really wanted to
bring the rock portion into playing because I love that aspect.
But more often than not, if I'm playing out, I
play acoustic.
Speaker 8: Oh okay, okay, So do you do a lot of
shows just you? Or does Brian join you for the
acoustic shows.
Speaker 10: This is relatively new with taking a different approach to
a band. I've been in a lot of renditions of
bands before, and what I've ended up finding is that,
of course, you know, bands are family. You know, sometimes
it works, sometimes it doesn't. Dynamics are you know, always
very tricky, and everyone that comes into a band brings
their own style and or flavor, and you know, it
worked on different variety of levels. But I really wanted
to refocus and have it be Neon Gypsy brand of
what we're bringing out there. So we're doing it a
little different this time. And instead of saying, dude, I
want to start a band and then and then you
like know a drummer and you pull people in that
you just know, what we're doing is we're creating the brand,
the sound, the music ourselves in studio and then we're
putting the brand out there and hopefully what people do
musicians as they say, wow, I love that sound, I
love that feel, and when they come into the project,
they're bringing that particular vibe, right, so that we're not
changing you know, like coming in and you know, sounding
like Greg Almonds because of some dude that comes in
that likes Greg Almonds, you know, or you know what
I mean. Yeah, So we're doing it a little bit
differently and we're attracting the musicians that we feel fit
the actual brand.
Speaker 8: Yeah yeah, well, because yeah, you want to attract obviously,
not not only musicians for the band, but for the
for the studio too.
Speaker 9: You want people to come and record, I assume, so.
Speaker 8: Right, yeah, yeah, and uh yeah no uh run Rudolph
ru it sounds great, is it just now who so
do you have Is it just you and Brian on
the track.
Speaker 9: Or are there other musicians who play on the track.
Speaker 10: On that particular one, we had Keoni Ben come in,
a musician that is a bass player that we we knew, okay,
so he did play bass on that And as far
as that goes, Rick Ash is a drummer in the
area who will come in and play with us as well.
Speaker 8: Okay.
Speaker 10: So yeah, we definitely, you know, we'll bring in people
for bass and drums and the and the instruments that
obviously we're not playing. For some of the recorded originals
that are coming out, we actually hired somebody in Africa
who did all the percussion because they can they can
mike every single you know, you know, drum on their
on their you know sound so and you know, and
then obviously when we're playing local we'll pull in local musicians.
Speaker 8: So it's amazing too. This is a subject that comes
up on the show a lot. It's amazing to live
in a time where you can do, like what you
just said, like work with somebody in Africa, you know,
and send tracks back and forth.
Speaker 9: And I also think, you.
Speaker 8: Know, I you refer to the pandemic earlier and how that,
you know, kind of changes the dynamics of things. Obviously,
it was a terrible experience, the pandemic, but you know,
we have to find these silver linings where we can,
and I think one of the few silver linings is
it really kind of forced a lot of creative people
to find new ways to create. And obviously the ability
to you know, send tracks back and forth with people
in other parts of the world, We've had that for
a long time. But I think when the pandemic showed up,
it kind of forced people who maybe were resistant to
doing that to try it. And it opened up new
ways to be creative that maybe people hadn't considered before,
you know, and I think I think now musicians are
much more open to that and and being able to
that's pretty cool, right, being able to collaborate with somebody
in Africa.
Speaker 10: Yeah, you know. Yeah, And you know, creativity should not
be limited by money, and it was for me for
for decades. You know, I started playing and singing in
bands and and getting creative, you know, in high school
and back then it was four tracks and those are
relatively you know, easy.
Speaker 8: To get and just noodle around with the creative fuel
task him. Yeah, I had one, you know, and we had.
Speaker 10: I've always had a home studio, and you know, just
getting the creative idea out there and on back then tape,
you know, kept the creative float going and it made
me feel like, well, this is why I want to
do it, and kept the passion in it, you know.
The moment that I couldn't access that anymore, or maybe
it got beyond technology that I could even really want
to deal with, is you know, it should it should
be something that all musicians can access. And I think
that home studios do that for people. And honestly, I
think at this point people don't have to spend you know,
thousands of dollars to get a great track, and you honestly,
I mean, I'm okay with not having a big name
on on our tracks, yeah you know, yeah, and totally
fine with, uh with doing it at home.
Speaker 9: So yeah, yeah, do you want to do you want
to play? So I'm dying here? You play live?
Speaker 5: Yeah?
Speaker 9: Yeah we did.
Speaker 8: Uh, we did a little sound check before the When
you're the first guest on the show in the morning,
you actually get a sound check and uh, you sound
you sounded amazing, just a little bit that I heard.
Speaker 9: So I'm really looking forward to this.
Speaker 8: If you are just joining us, neon gipsy here with us,
live in studio on this Saturday morning, this cold Saturday morning.
Speaker 9: So what are you gonna play for us?
Speaker 18: Well?
Speaker 10: I got some originals for you. This is this is
let's start with come on up. I guess let's see
if I can get my fingers work in it's freezing outside.
Speaker 8: What is it like to uh? Feels like it?
Speaker 10: Yeah, it feels like too.
Speaker 9: It's a cold morning.
Speaker 6: Yeah.
Speaker 10: This one's called come on Up. We're we're recording this
one in studio. Full rock version.
Speaker 8: Okay.
Speaker 10: So anytime I play an acoustic I always picture a
full rock band in the back in in in my mind,
I'm playing as a rock star on it. I call
it my axe acoustic. So this is called come on up.
Speaker 5: All right.
Speaker 16: No, don't need drag not, dont need a small one.
Speaker 5: I don't need to.
Speaker 19: Just need you to give up up, don't need much
need you to come on. No in need a thank you,
turn the TV, non need Gussie show, just need to
do the gam.
Speaker 5: In ned look hold up? Yeah, who o come on.
Speaker 2: Now?
Speaker 10: I don't need a diamond, no full length.
Speaker 5: Burst now, I don't need to go up time in.
Speaker 18: I don't need you to hold up many doors, come.
Speaker 20: On up, don't need buch deed Tryna come on, don't
need much need Tryna come on, don't need buch Dejurna coma.
Speaker 13: Big rock baby.
Speaker 16: I love it.
Speaker 7: I love it.
Speaker 8: If you are just joining us Neon Gypsy is there
with us a live in studio and uh, that's that's great.
Speaker 18: Yeah.
Speaker 8: Is everything kind of high energy that that you do or.
Speaker 18: A lot of it.
Speaker 10: Or and or as high energy as it is dynamic? Yes,
dynamics or high energy? Yeah, yeah, So I have a slower,
slower song where you know, the bridge kind of just
kicks up and when we get that recorded full band,
it'll just be like a wall of sound up in
the bridge, you know, and then comes back down. So yeah, dynamics, yeah, yeah.
Speaker 9: Now are you the primary songwriter? Do you write everything?
Speaker 10: Or actually, Brian my guitarist, my you are mine.
Speaker 8: The mysterious Brian Right, he's he's over there, he's over there.
Speaker 9: On the corner.
Speaker 10: Brian writes a lot of cool stuff on electric guitar,
lead riffs and stuff and then I'll write the lyrics.
Usually I wrote this song music lyrics, and so you know,
it's it's kind of a give or take really or collaboration.
But the songs I have here today I wrote and
lyrics and the music.
Speaker 9: Yeah, yeah, excellent. Do you have how many? How many
songs have you written?
Speaker 8: Do you think like it's probably hard to put a
number on it, But I mean you strike me as
someone who probably has written a lot.
Speaker 9: You probably write a lot, like ever, yeah, like like
can you put a number on like like a vaguely uh.
Speaker 10: Probably. I was one of those kids.
Speaker 12: I was.
Speaker 11: I was not cool.
Speaker 10: I'm still I'm still reaching for that goal. But I
was one of those kids that's you know, in grade
school high school, sat in my room with a notebook
and I pined over my pen and paper, writing mostly lyrics.
What I thought was poetry, and the saddest day of
my life was my absolute favorite high school poetry teacher
looked at the stuff I was bringing in. He said,
you know, make you make a really great lyric writer.
And I was insulted.
Speaker 9: Really, I was insulted at the.
Speaker 10: Time because I had not started playing music and I
wanted to be a poet, and so I went in
with all my writings and toils, you know, on wielding
my pen and came in I'll emo and he's like,
you know, and I was really offended at that point.
And then I started playing a guitar. So, you know,
I probably have hundreds of songs, but it's like a sketch.
You know, not every sketch is going to be great,
but you know you can pull pieces of those here
and there, smash things together, you know, scratch it whatever.
But that song that I just sang, I wrote, put
in a book, closed the book, and then packed the
book away and then didn't open.
Speaker 9: It for twenty years kidding.
Speaker 10: So that song's actually thirty years old, which is dating myself. Yeah,
so that was resurrected.
Speaker 8: Do you remember the first song you ever wrote, Actually, one.
Speaker 10: Of the first songs I ever did write I can
play today called Fifth Dimension, no kidding, Yeah, And I
wrote that in high school, you know, sitting on my bed,
like I said, toiling and writing poet. It was poetry
at the time, and that's also resurfaced. And the thing
that's changed about that is the music the way I
played it, not so much the chords, but the playing
has changed, yea, and that one is Yeah, that one
just keeps. I figure if songs keep resurfacing, then they
must be worth something, you know, or to me at least,
right you know. So those those are the ones that resurface.
Speaker 9: But yeah, yeah, that's pretty cool. It's something that you
wrote so early. You know that it survives, you.
Speaker 10: Know, right, well, I wrote it. My aunt got me
an old k guitar at a just a thrift shop
somewhere for like twenty bucks, and you needed tetannis shots
to you know, even play the strings. You know, the
strings had never been changed. But I was around music
all of my life. So my grandparents, you know, everyone
in our family Germans, Pollockx Ukrainians, they all played music
and it didn't matter what it was, whether it was
the harmonica, the guitar, banjo, you know, whatever poke music.
So we were surrounded by it, but we never really
called ourselves musicians. It was just part of what we
did to celebrate and have fun. So I've always seen
my grandfather playing guitar, but he didn't really know chords,
you know. He would too just kind of tune the
guitar to an open tuning and pluck away at it,
and so I learned how to play without knowing what
chords I was playing and often just play by sound
know or here, you know, hearing what I'm doing. So
I wrote that particular song that we're talking about not
knowing chords, okay, and I still don't. And that's why
I always say I'm not really you know, I'm not
really a musician. I don't read music, you know me either.
Speaker 9: I never learned to read music.
Speaker 10: I just simply did it for expression.
Speaker 9: Yeah, so yeah, do you want to you want to
play another one? I'm done here more.
Speaker 10: Yeah great, I'm still warming up my fingers, so I apologize, ye,
but yeah, this is the this is the song called
Fifth Dimension. I'm just gonna tune up a little bit.
Speaker 9: Yeah yeah, this this song is actually about.
Speaker 10: Well fifth dimension basically, if you know, if you're if
you're on a different plane, if somebody can they see you,
can they hear you, can they understand you?
Speaker 2: You know?
Speaker 10: It was actually one of my poetic days where I
was getting really deep in emo.
Speaker 6: And this was.
Speaker 10: Recorded, uh you know a few years ago, but it
was right before pandemic and then the world closed down
and I lost track of where the actual wave file
went and all the stun files.
Speaker 8: And so we're going to be re recording this one.
Speaker 10: Okay, yeah, this is called Fifth Dimension.
Speaker 9: Neon Gypsy live in studio.
Speaker 16: Watchip please there linger.
Speaker 5: Holla bound your mind?
Speaker 18: Maybe there and I can see honor your thoughts of
one mind?
Speaker 16: Did not pay he send.
Speaker 18: To bil dementia? Watch you steal her? I think of me?
Speaker 19: Did I pay I send to bid dementia? Watch you
stee her?
Speaker 18: I think of me? Won't you still believe and.
Speaker 16: No believe in me?
Speaker 21: Yeah? Magah believe in.
Speaker 5: No no.
Speaker 16: Watch of thieves.
Speaker 18: Let me see home with your rides. Maybe they're I
won't have them gool nor the rout they shun night.
Speaker 19: Dip a pair hells into dimp dementia. Watch you steer?
Speaker 5: I think of me?
Speaker 19: Did not fair hair into pentimenta? Won't just stealum beat?
Won't just still believe?
Speaker 14: And no.
Speaker 16: Believe in Megge.
Speaker 21: Maggie believe in no believe in Maggie.
Speaker 5: Maggie.
Speaker 9: That was the first one you wrote. You were off
to a great starter.
Speaker 8: I really like that.
Speaker 10: It sounded a lot different. It definitely wasn't as upbeat,
yes as you said it. I think you said it.
Do you always play up? I don't know what you
just said. But when I originally wrote it, it was
pretty sing song y. Yeah, and I didn't really have
a lot of confidence when I was playing and singing.
I was singing secretly, you know, in my room. Yeah,
never sang in front of anyone, and so everything was
pretty mellow and kind of safe when I first wrote.
So that that was you know again, put it away
in a book for twenty years, come back to it
with more confidence, with more attitude, and you know, yeah,
and that's what that's what that brings to the table. Yeah, dynamics.
Speaker 8: No, that was great. Yeah, yeah, I really like that
a lot. Absolutely, thank you. Now, when you record the album,
how many how many tracks are you gonna record? Have
you settled on that when you do the because you're
going to do a full album, right?
Speaker 9: Is that the plant?
Speaker 10: Well, we were thinking about singles just because you have
a lot more to talk about more often.
Speaker 9: True, that's true.
Speaker 7: Yeah, And.
Speaker 10: I like that idea, you know, because you're always fresh.
And what we're hoping to do is, you know, we
have any where from five to nine songs between me
and Brian writing and some of those are just blow
your head off rock. Yeah, kind of a combination of
a I wouldn't say classic rock, not really, I don't
know rock, classic rock, contemporary mixed all together, yeah yeah,
and then throwing throwing in a little eighties flair with
his lead solos and stuff.
Speaker 5: Yeah.
Speaker 9: So yeah, yeah, that's another thing too that comes up
a lot on the show.
Speaker 8: As you know, we live in a time where you
can really there's so many different ways you can release music, so.
Speaker 9: Many different strategies you can use.
Speaker 8: And you know, like when I was growing up, it was,
you know, an artist would usually the first single would
go to radio. It was always an album, and the
first single would go to radio six eight weeks before
the album comes out, and then the album comes out,
and then there's a second single and so forth and
from there. But now you can do it so many
different ways, and you know, you can just do singles.
Speaker 9: You can do it ep.
Speaker 8: You can. A lot of artists that we talk to
now will it's kind of the inverse of how it
originally worked. We're instead of releasing an album and then
a bunch of singles, they release a bunch of singles
that eventually coalesced.
Speaker 9: Yeah, yeah, I think.
Speaker 10: That's the direction we would go.
Speaker 1: Yeah.
Speaker 10: Yeah, I mean, interestingly enough, a lot of the songs
are kind of very different, but for some reason, they
they all seem to work as a storyboard when you
put them together as an album. And I guess that's
the way albums work, right, They're telling a story even
though each song isn't exactly maybe the same genre or style.
I feel like we have a lot of different stuff
going on, but the dynamics are what keep that cohesive
as an album if you were to put them all together.
Speaker 9: Yeah, no, that makes sense, That makes sense. You want
to you want to play another one?
Speaker 22: We have time and want to.
Speaker 10: Yeah, let me see what I got here. I got
another original, which is you know we could do that? Well,
we could do a cover. I don't know.
Speaker 9: You want you want to play another original?
Speaker 11: Yeah?
Speaker 9: I really like your originals, So yeah, we'll.
Speaker 10: Do that, because that's why I'm here. I'm here. I
am a musician.
Speaker 8: Yes, yes, if you are just joining us, we have
Neon Gypsy live in studio.
Speaker 10: This is a slower one, so ok, you can see
it a little bit more mellow.
Speaker 16: All right, Now, I could see maybe I'm down night.
Speaker 18: Waiting cune until up to me.
Speaker 19: Tell me it's all right? Now I can ask you
on my hand, but I fill it. Don't expect you
to wander stay.
Speaker 18: Don't you normal time?
Speaker 5: It has away?
Speaker 16: Were things.
Speaker 18: Like falling the brain damn into the streams. Don't you
normally time?
Speaker 12: It ha.
Speaker 5: Way?
Speaker 18: Were things.
Speaker 23: Like pulling the rains damn into into the street, into.
Speaker 24: The street, No, bam boot, I cove been lonely sitting
right by your side, and now I could pulling your
clothes wom your so.
Speaker 5: Time?
Speaker 25: And now I could tell you Patty your wrong that
I indeed but your known this don't say but they
cannot be. Don't you normal time?
Speaker 18: It has a way wealthy face.
Speaker 16: Like pulling the brains damn into the streets.
Speaker 18: Don't you normally time? He has away wealth.
Speaker 24: Face like pulling the brains damn into into the street.
Speaker 15: It's you streets No ball bow, Yeah it's you streams
No No, the no three b bo it's you three No,
not the novel three.
Speaker 8: That's my favorite one so far. Really, I really like that.
I really like that. If you are just joining us
neon Gypsy here with us live in studio on this
Saturday morning, sounding fantastic. Now, are you what's your show
schedule like, are you playing out a lot or are
you more focused on recording or what's going on there.
Speaker 10: I was playing out quite a bit as a you know,
a cover artist and then mixing in some of my originals.
Sometimes it was you know, three to four times a month,
which was a little too much. I start started feeling
a little more like a machine. Yeah, it was a
lot of fun, So I'm slowing down a little bit.
I will be playing in January at a really cool
place in Gorham. It's called Sidecar Winding Whiskey Bar, which
is a really swanky place you pull up a couch
and get your you know, sniffer and just kind of
pontificate about all of the music coming out of my mouth. Yeah,
that's a really cool place. And a few other places
that you can find on Neon Gypsy on my Facebook
page for the events. But right now for twenty twenty five,
I do have some venues in New Hampshire as well,
the Barnyard. I'll be playing there this summer. They haven't
quite got their their scheduled together yet. That's a really fun.
Speaker 8: Place to play where is that I'm not familiar with.
Speaker 10: That's in Candya Okay, Yeah, that's a really great venue.
It's an outdoor venue and everybody there that you know,
they're playing corn hole on the side, and you know,
it's just it's such a great vibe, especially in the summer,
and everybody there that just always they listen. You know,
they're not just you know, they're enjoying themselves, but they
really do listen and appreciate the music there. But we
are I'm slowing down a little bit more on the
idea of just play out, play out, play out, and
got to focus on getting in the studio because some
of these songs are so old, you know that now's
the time, like we've got to get this done. Now
that we got the upgrades in the studio.
Speaker 8: Rolling yeah, absolutely, absolutely Now Now the goal is to
obviously have other musicians coming and record with you, right,
But you're not there yet, I assume with the studio
or you're or maybe you are.
Speaker 18: No, we are, yeah, we are.
Speaker 10: You know. The only thing we don't have is a
drum room and you know, acoustic drums. We work, you know,
I think what what is nice about home studios or
our studios. It's it's a small home studio, but we're
working with an E kit so we can just plug
in and you know, keep it simple, make it affordable,
you know, so that people can come in and get
creative and you're getting clean sounds coming out of that
without the complication of having a degree to make up
every drum on a kite.
Speaker 4: Right.
Speaker 10: Yeah, So we do have musicians coming in right now.
We have Rick Ash that just finished up a track.
He came in. He's from the Mid Coast area in Maine,
and he just resurrected a song from the nineties, you know,
with this old band Crazy Knave and Brian and I
got to be a part of that and I got
to play it's called Blackout Brandy. I got to play
Blackout Brandy. I have a little cameo in the bridge.
I get to play a drunk girl.
Speaker 9: So yeah, okay, okay, so another word, So you're a
Blackout Brandy, and.
Speaker 10: I guess I would be.
Speaker 5: Yeah.
Speaker 10: I get a few things that I, you know, say
in there, and then I get to sing just a
little bit and nail it. I'll send you the song
if you'd look, if you would play it, it would
be awesome.
Speaker 9: Absolutely.
Speaker 10: Yeah, it's a great song that's mastered in out there
and ready to go.
Speaker 9: Oh fantastic.
Speaker 10: Okay, yeah, so yeah, artists are welcome to come and
visit us. Like I said, it's just a small, small,
but mighty studio, you know. Okay, But the difference is
we just had a musician come in who actually has
a home studio and he's like, you know, I really
don't quite know what I'm doing to the level of
that Brian does in studio produce sing and recording. Yeah,
and he just wanted to come in and relax and play.
He didn't want to push the buttons and okay.
Speaker 9: Yeah, so yeah, very cool.
Speaker 8: Now, how do where should people go online to find
out more about a Studio fifty one?
Speaker 10: We have a Facebook page, okay, and it's you know,
there's a lot of Studio fifty ones out there, but
you know, we're out of Portland, Maine. And look for
the spaceship with the half naked woman on the logo.
Speaker 8: Okay, and with the guitar and that's us.
Speaker 9: Okay, yeah, okay, very cool, very cool. Do you want
to play one more? We have time if you want to.
Speaker 10: I can play a cover tune.
Speaker 8: Yeah, sure, yeah, whatever you want, yeah, all right, if
you're just joining us. Neon Gypsy is here with us
live in studio. Coming up in the second hour, we
have the Healer, Mike McDowell will be here, and then
in the third hour the return of Cody Pope and
Byron g And I love having those guys on the show.
Speaker 9: Always amazing.
Speaker 8: But Neon Gypsy is sounding great here on this chilly
Saturday morning.
Speaker 10: But I'm getting warmed up a little bit.
Speaker 8: Yeah yeah, it's warming up in here too.
Speaker 9: I closed the door.
Speaker 2: That helps.
Speaker 10: My fingers are the last to get circulations.
Speaker 8: Yeah, yeah, all right.
Speaker 10: I'll play play cover to him.
Speaker 26: For you, all right, if you'll know who this is, okay,
in the sunshine, when she's gone.
Speaker 16: It's no long Wesday, he's waiting.
Speaker 18: You know, sunshall and she's gone.
Speaker 11: She's going to know And at times she goes well, m.
Speaker 27: One too, when this time gone.
Speaker 5: One to her.
Speaker 28: If she's gone on, stay here, you know, sushe and
she's gone, she's gone away to.
Speaker 11: No anytimes she goes away, no no one, no one.
Speaker 17: No no no no no no no no no no
no no no no no no no no no.
Speaker 2: No, no.
Speaker 12: One, no.
Speaker 18: No, I mean this has no game, no sancha range.
Speaker 5: Yeah no no no no.
Speaker 12: No no no no no no.
Speaker 16: No, no no no.
Speaker 8: Oh, fantastic, fantastic Neon Gypsy here with us alive in
studio and uh hey, before we wrap up in a moment,
we're going to close out the segment with We're gonna
play I'm gonna play Run Rudolph Run again, the new
studio track. So we're very glad to feature that today
as well. But where should people go online? What's the
best place to go to keep up with everything that
you're doing right now?
Speaker 10: It's Facebook. I am on Instagram as well, got to
get a little better about that. But on Facebook you
can find me on Gypsy and there's there's actually two
profiles out there. I just can't get that other one off.
It's been hacked. So just look for the current one
you'll find out of Portland. Yeah, and then Studio fifty
one is just simply at Studio fifty one, look for
the big ufo yeah logo with the with the half
naked lady playing a guitar.
Speaker 9: Well, you know what, for those watching online, put the
camera on me.
Speaker 8: There you go, there's for those of you watching, there's
the lad is, there's the sticker, so very nice, very nice.
Speaker 9: Well, thank you so much, Jennifer. This has been this
has been amazing.
Speaker 10: Thank you so much for having me. I really appreciate it.
Speaker 8: Absolutely, we'll do it again in the future, especially where
you've got more studio tracks coming up, so.
Speaker 10: That'd be awesome.
Speaker 9: Thank you, absolutely absolutely, And if you are listening.
Speaker 8: Live on Saturday morning, stick around the healer. Mike McDowell
is coming up. Uh, I'm gonna have to go let
him in when he's uh when he arrives. So he's
keeping me posted and uh.
Speaker 9: It's a little chilly out there this morning. After all.
Speaker 8: We will close out the segment with once again, this
is the studio track, Run Rudolph Run.
Speaker 9: This is Neon Gipsy.
Speaker 13: You know you're gonna last mine.
Speaker 17: Run rand Thank you, Bobby, Run, Don.
Speaker 14: Ruda Sat, get to town, Santa Mega, down on.
Speaker 12: NACAN, take the freeway down, Run Don Budo Baby go round.
Speaker 14: Okay, yeah saying I don't by child, what have you
been a meig for?
Speaker 13: No, My Christmas is a fucking ball electric jar.
Speaker 17: No no way an when.
Speaker 14: Boodof wazn' i gotta shoot the star. Run don boodoll Santa,
Do I get to child.
Speaker 16: Santa?
Speaker 15: Come right down?
Speaker 13: He contact the freeway hour.
Speaker 17: Run down boot beat in America.
Speaker 13: Round okay, run run Boodo Santa.
Speaker 5: Don't I get to child Santa?
Speaker 17: Ni ahead, tell him he can take a freeway.
Speaker 12: Run don bood be like Americal rounda.
Speaker 13: Say saying that to you, my girl child?
Speaker 16: What what please?
Speaker 5: You wants to get.
Speaker 13: Little baby?
Speaker 12: Don they can grass, sleep, drink and wht not away
went brudo.
Speaker 13: Whiz and like a saber.
Speaker 12: Chet run don rudo Sanada may.
Speaker 5: Get to town.
Speaker 17: Shada.
Speaker 12: Make him down and he can take the freeway down
run don Buda, feeling like American. Right, Okay, run don Bud,
run Ruda.
Speaker 5: Run on Buddha, run.
Speaker 13: Run on America.
Speaker 12: Okay, let back around.
Speaker 4: It's beginning to love like Christmas.
Speaker 5: Everywhere you go.
Speaker 2: Take a look at the five and ten.
Speaker 6: It's glistening once again with county Hans and silver lanes.
Speaker 18: They're globe.
Speaker 2: It's beginning to look alive like Christmas.
Speaker 5: Tis on every store.
Speaker 6: But the prettiest sign to see is the holly than
the move on your own road.
Speaker 4: It's beginning to look alive like Christmas.
Speaker 16: Everywhere you go.
Speaker 3: There's a tree in the Grand Hotel, one in the
park as well. It's a curdy kind that doesn't mine
the snow. It's beginning to look a lot like Christmas.
So the bells will start and the thing that'll make
them rain is the Carol Bet you sun right with
thing your home.
Speaker 4: It's beginning to look alive like Christmas.
Speaker 2: Ties a love crystal.
Speaker 7: But the prettiest sight to see is the holly that
will be on your own front.
Speaker 4: Sure's Christmas?
Speaker 2: No m.
Speaker 5: M hm m m.
Speaker 16: Well you know.
Speaker 29: Well, you know well, you know that you got there, said, well,
you know well, you know well, you know that you
got this.
Speaker 3: Hmm.
Speaker 30: Running through a mansion, answer in a standing question, left alone,
through room, through both LEAs I know your left make question.
Destiny is best to ring. Obsessing all my lessons learned,
I think I've earned some rest agains. It's time to
burn the desperate yearning furloughs to cope with later greater understanding.
Handling matters as a man. In standing a football, we
know what's right and making not demands, and never given
into ghosts, just hoping for where change It never comes.
As long as you don't run. It's fundamentally U central
central intel spelled it out. It sounds a bit like
selflf wellness. You've already won.
Speaker 22: It's all about to combine some time is an illusion.
You can do it because you've done it someday.
Speaker 30: Some say, prove it to yourself and that's enough to
use the runway claims be taking off a lot of
these guys no lives. To try to find us flying freely,
feeling finding finding flight, pass that, to find us climbing
higher than we dared you scared to fall back to
the ground, resounding off the atmosphere.
Speaker 27: It's clear, will never come back down. Oh no, we're
all out day.
Speaker 31: Painting on this cat. Last our sparks left. We're burning
like the stars. We've got scars as.
Speaker 9: We fron them.
Speaker 2: Working so.
Speaker 3: Well, you know.
Speaker 27: Well, you know well, you know that you got this,
said well, you know well, you know well, you know
that you got this.
Speaker 22: I feel a little bitter.
Speaker 30: I've just read a lot a lot of lyrics. Need
a bit to sit and settle myself down before I
hear it. Fear is nothing to do with the science system. Listen, serious,
gear up, dust off script rust off. You can drive
a number and ver six off this path that at
last I I've found so many floors and lock doors
are going down? How many more before I'm forced to
lay down and take a break, Before I break and
fade out, listening that this has got me thinking about
what's missing. It's insensitive, obsessing over every single mistake, taking
time and making rhymes to take my minds up all
the sickness witness in between the lines of something written,
you got this, you got this?
Speaker 12: Well you know?
Speaker 22: Will you know?
Speaker 27: Will you know that you got this?
Speaker 3: Listen?
Speaker 5: Well you know?
Speaker 22: Will you know?
Speaker 27: Will you know that you got this?
Speaker 22: M You can through these windows, watching people following windblows.
Speaker 30: Holding on the hope that no wind, Folks beneath the
way of carry getting their burdens, hurting inside and endout,
trying trying to be something someday, some way, somehow, someone
that they can be proud of, shure the world what
they climbed out of, holding onto who they were.
Speaker 22: While turning into something more.
Speaker 30: Be putting keys in their own doors, ensuring needs to
just be sure so they won't need to need no more.
Speaker 22: Indeed, we plead to leave this poor imploring we don't
need to work.
Speaker 30: We can be without being forced, without being forced, without
being forced, without being.
Speaker 22: Forced, without being worn. We without being poor without being
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