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<v Speaker 1>Oh gee is folks, it's showtime.

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<v Speaker 2>People say good money to see this movie.

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<v Speaker 3>When they go out to a theater, they want closed sodas,

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<v Speaker 3>pop popcorn, and no monsters. In the Projection Booth, everyone

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<v Speaker 3>for tend podcasting isn't boring, got it off?

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<v Speaker 4>Hey, folks, Welcome to a special episode of the Projection Booth.

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<v Speaker 4>I'm your host, Mike White. On this episode, I'm talking

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<v Speaker 4>with the authors of the Scarred for Life series. That's

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<v Speaker 4>Scarred for Life Volume one, two, and three, all available

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<v Speaker 4>at lulu dot com. They are also behind the Scarred

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<v Speaker 4>for Life podcast as well as a live show. They

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<v Speaker 4>being Steven Brothers Stone and Dave Lawrence. They took the

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<v Speaker 4>time out of their schedules to talk to me about

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<v Speaker 4>their series. I had a wonderful discussion. I have to

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<v Speaker 4>say that it was prompted by a comment that was

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<v Speaker 4>made on a episode that we did, oh quite a

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<v Speaker 4>few years ago now, when we talked about Miracle Mile,

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<v Speaker 4>which really helped capture the nuclear paranoia that had gripped

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<v Speaker 4>the world at that time, possibly a little bit earlier.

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<v Speaker 4>And one of the listeners to that episode told me

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<v Speaker 4>that I was overreacting, that there was no reason for

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<v Speaker 4>me to be as scared as I was by nuclear annihilation. Well, yeah,

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<v Speaker 4>it's kind of hard telling a ten, twelve, fourteen year

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<v Speaker 4>old that, especially when it's all over every piece of

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<v Speaker 4>media that you can possibly think of, including television, comics, movies, books, music,

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<v Speaker 4>and these caardful life books really bring that home. Thank

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<v Speaker 4>you so much for listening. Thanks to Stephen and Dave

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<v Speaker 4>for their time. I hope you enjoyed this interview.

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<v Speaker 2>Guys.

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<v Speaker 4>I am super excited talk to you about your book

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<v Speaker 4>series and also your podcast and also your live show.

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<v Speaker 4>My gosh, you guys are doing a lot of stuff.

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<v Speaker 4>Stephen and Dave, tell me a little bit more about yourselves,

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<v Speaker 4>and really, what's the backstory before you even meet.

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<v Speaker 1>We met at Forbidden Planet, at the comic shop chain

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<v Speaker 1>in Britain. I think there's one in New York as well.

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<v Speaker 1>I went there for twenty three years and Dave was

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<v Speaker 1>the oldest customer through that. I've always said this.

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<v Speaker 5>Longest serving, longest, even not the oldest, longest serving.

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<v Speaker 1>One day, I will remember the longest serving through the doors.

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<v Speaker 1>And as happens, they become a friend of the shop,

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<v Speaker 1>then just become a friend, and Dave would bring in

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<v Speaker 1>buckets of biscuits. We'd make cups of tea and coffee

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<v Speaker 1>and just have a nice natter, and it's gone for life.

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<v Speaker 1>Born from a conversation we had him work with me

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<v Speaker 1>and Dave and Cole I made who worked a Forbidden Planet.

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<v Speaker 1>It was a really quiet morning. There was no deliveries,

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<v Speaker 1>there was nothing to do, so reading bits, kids, drinking tea,

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<v Speaker 1>and it was one of those conversations where it was

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<v Speaker 1>do you remember this from when we were kids? Remember

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<v Speaker 1>that comic with the shark that was going around and

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<v Speaker 1>biting people in half? And remember that TV show about

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<v Speaker 1>the Standing Stones that was terrifying with the horrible theme

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<v Speaker 1>music toward film board games even And it must have

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<v Speaker 1>been about what an hour and a half at least Dave,

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<v Speaker 1>that we were chatting, probably a couple of hours before

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<v Speaker 1>we had to start working. But I realized everything that

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<v Speaker 1>we were talking about was horrible, violent, shocking, scary, inappropriate.

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<v Speaker 1>We were talking about like the racist sitcoms that we grew

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<v Speaker 1>up with in the seventies, and most of it was

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<v Speaker 1>aimed at children. So I wanted to read a book

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<v Speaker 1>that I just assumed somewhat somewhere I had written about

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<v Speaker 1>the dark Side of seventies and eighties pop culture and

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<v Speaker 1>couldn't find one at all on the internet anywhere. So

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<v Speaker 1>next day in work I was chatting to Call about

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<v Speaker 1>it and he said, you enjoy writing, why don't you

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<v Speaker 1>write it? And I just laughed in his space. I

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<v Speaker 1>wasn't a professional writer. I just enjoyed it as i'll be.

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<v Speaker 1>But I couldn't shift it from your head. So I

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<v Speaker 1>was making lists, making noteses Over the next week. I

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<v Speaker 1>realized one of god gans a huge task this was

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<v Speaker 1>going to be to write this book. There was so

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<v Speaker 1>much to write about. So the next time Dave was

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<v Speaker 1>in the following week, I said to Dave, like, you

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<v Speaker 1>enjoy writing as well, actually writing this book together, and

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<v Speaker 1>he said yeah, and David you can take over from here.

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<v Speaker 1>It was it's crazy, wasn't it.

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<v Speaker 5>Well, that's absolutely when we did the lack of material

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<v Speaker 5>that it seed me these massive lists of stuff. I

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<v Speaker 5>came up with massive lists of stuff. There's so much

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<v Speaker 5>in the seventies that we could probably do another book

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<v Speaker 5>for the same size the first one, which is seventy to

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<v Speaker 5>forty pages, and fill it with all new stuff easily.

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<v Speaker 5>So yes, So Stee said, you want to write this book.

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<v Speaker 5>So I said, yeah, And I think the fact that

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<v Speaker 5>we're working out together kind of propelled us onward a bit,

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<v Speaker 5>I think, because I think if we'd done it on

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<v Speaker 5>our own.

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<v Speaker 2>We have just given up at some point.

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<v Speaker 5>In point of fact, a guy, a friend of ours,

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<v Speaker 5>Johnny Mains, said to us, after the first book, you

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<v Speaker 5>can tell you know professional writers, because no professional writer

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<v Speaker 5>would have attempted what you've done. You know, it was

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<v Speaker 5>such an incredibly all encompassing thing we did that nobody

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<v Speaker 5>would attempt it. People would picked one thing that they

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<v Speaker 5>pick horror films, they pick TV shows or record whatever.

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<v Speaker 2>But we did. We try to do everything.

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<v Speaker 1>Yeah, I remember he said, a normal human being would

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<v Speaker 1>have split that book into six books just like that.

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<v Speaker 2>So we started writing back and forth.

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<v Speaker 5>After three and a half very long years, Volume one

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<v Speaker 5>came out in March twenty seventeen, and we had a

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<v Speaker 5>conversation the day that Stee was about to hit publish

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<v Speaker 5>and we're saying, oh, how many you think to go

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<v Speaker 5>to sell?

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<v Speaker 2>How many do you think?

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<v Speaker 5>And Stee that if it sells, I think it was

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<v Speaker 5>three hundred in my lifetime.

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<v Speaker 2>I'll be happy.

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<v Speaker 5>And I'm the wild optimist here about a thousand, and

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<v Speaker 5>we've just got a big giddy thinking that a possible.

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<v Speaker 5>I think we've reach Steve's targets on day one.

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<v Speaker 1>Yeah, on day one we read sease.

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<v Speaker 5>Target day one. And this is all from self promotion.

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<v Speaker 5>This isn't with any big promotional campaign behinds. This is

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<v Speaker 5>on Twitter, Facebook, that kind of thing. It's not us

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<v Speaker 5>having big billboard adverts anywhere. And we reached I think

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<v Speaker 5>now that this point we're about over the three books.

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<v Speaker 5>We've got about twenty twenty four thousand books sold at

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<v Speaker 5>this point. Yeah, and then blossomed from there. We got

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<v Speaker 5>a brief radio interview on our local radio station, Radio City,

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<v Speaker 5>and then we got contact by who's now a good

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<v Speaker 5>friend of ours, Bob's issue said that you want to

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<v Speaker 5>come on my radio show and talk about the books,

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<v Speaker 5>which we did for an hour. A whole hour was

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<v Speaker 5>devoted to the books on BBC Radio Teas. And then

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<v Speaker 5>he said, you want to come up and do a

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<v Speaker 5>compile of live conversation of a small vegan restaurant, you know,

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<v Speaker 5>And we did that in the back room of that

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<v Speaker 5>as our sixty people attending it. It was packed out.

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<v Speaker 5>And then he said basically he said there's some money

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<v Speaker 5>in this. We could do a live show based on this,

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<v Speaker 5>and that's how we got into doing the live shows. Yeah,

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<v Speaker 5>it's gone on from.

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<v Speaker 1>There, the electronic music record label Castles in Space. There's

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<v Speaker 1>been two music albums inspired by Scotred for Life and

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<v Speaker 1>the TV shows we grew up with. We've handed it

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<v Speaker 1>interest from two TV production companies to turn it into

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<v Speaker 1>a documentary series. It's bizarrely Yeah, that's the little show

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<v Speaker 1>that we did with Bob. He said, it proves there's

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<v Speaker 1>an audience. He said, we can take this on the road.

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<v Speaker 1>If we can do a little vegan restaurant in Teesside,

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<v Speaker 1>we could do Manchester, we can do Birmingham. And we

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<v Speaker 1>love doing shows. We love them. They're just meeting the

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<v Speaker 1>people who read the books is just lovely.

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<v Speaker 4>When you put out the first volume, did you call

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<v Speaker 4>it volume one? Did you know that there was going

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<v Speaker 4>to be more already?

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<v Speaker 1>Yeah, it was scard Blake Volume one, the nineteen seventies

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<v Speaker 1>because originally it seems insane now, but we were going

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<v Speaker 1>to do everything in one book, which is just ridiculous.

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<v Speaker 1>So we knew originally we were going to do two.

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<v Speaker 1>Volume one the seventies Volume two the nineteen eighties, but

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<v Speaker 1>we realized how much television there was to talk about

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<v Speaker 1>in the nineteen eighties, so on we had to with

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<v Speaker 1>the nineteen eighties into two books. So it just became

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<v Speaker 1>a trilogy because we had to make it a trilogy.

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<v Speaker 4>Like you said, these books are seven hundred pages for

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<v Speaker 4>the first one. It's massive. These are massive books.

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<v Speaker 5>We have volumes one and three about seven and forty

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<v Speaker 5>pages each, which is the action you can do on

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<v Speaker 5>our pubishing platform. Therefore forty with that absolute maximum, Volume

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<v Speaker 5>two I think is five hundred fifty something like that

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<v Speaker 5>somewhere around the flave on the bark, so that's two

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<v Speaker 5>thousand pages worth of material there. I think it's about

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<v Speaker 5>a third of a million words. This because it's quite

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<v Speaker 5>a low type as well, so that there's a lot

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<v Speaker 5>in there.

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<v Speaker 4>So when there's value four coming out.

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<v Speaker 1>This is the thing we get asked more than anything,

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<v Speaker 1>is when are you doing the nineteen nineties book? And

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<v Speaker 1>the answer is never, And the reason for that is

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<v Speaker 1>we made they believe the seventies and eighties are unique decades.

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<v Speaker 1>The nineties to us personally, the nineties was one long

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<v Speaker 1>ten year party. It was the only decade decade I've

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<v Speaker 1>lived through. There was good times. And our scuard Fly

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<v Speaker 1>era specifically begins with a TV show called The Owl

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<v Speaker 1>Service in nineteen sixty nine and ends with ghost Watch

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<v Speaker 1>in nineteen ninety two, and we believe after that, see

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<v Speaker 1>the edges are standed off and the safety wheels go

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<v Speaker 1>back on. We just don't think the nineties isn't this

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<v Speaker 1>card flight decade at all. It's a specific era. But

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<v Speaker 1>we do have loads of plans future projects. Next year,

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<v Speaker 1>we're going to do two short story horror anthologies inspired

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<v Speaker 1>by the old lurid All horror books that we grew

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<v Speaker 1>up with. And in twenty twenty six we're going to

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<v Speaker 1>do a Rito Hardback annual, the kind of things that

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<v Speaker 1>kids in the seventies eighties they still do, the wake

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<v Speaker 1>up on Christmas Day and unwrap your you kind of

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<v Speaker 1>be no annual or your two thousand and eighty annual.

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<v Speaker 1>So there'll be full of comic strips and stories and

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<v Speaker 1>puzzles and things related to what we talk about.

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<v Speaker 4>Were there shows and movies and things that you guys

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<v Speaker 4>just weren't aware of when he went into this and

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<v Speaker 4>that you got turned into absolutely In fact.

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<v Speaker 5>Even now we still get messages on Facebook on x

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<v Speaker 5>Twitter as was oh have you seen this, and we go.

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<v Speaker 1>Now that's amazing.

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<v Speaker 2>That would have definitely gone in, would have known about it.

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<v Speaker 5>So that it's just endless to go back to us.

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<v Speaker 5>THEA said about the nineties book. The reason I think,

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<v Speaker 5>as well, we're not going to do a nineties book

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<v Speaker 5>is because the seventies and eighties books are about us

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<v Speaker 5>growing up. So what you've got is the nineteen seventies.

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<v Speaker 5>It's this little kids sitting here from a teley watching

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<v Speaker 5>scary things of the telly. Our fears are ghosts and

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<v Speaker 5>monsters that you see all the TV. And then in

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<v Speaker 5>the eighties were teenagers going out into the world getting

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<v Speaker 5>jobs for.

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<v Speaker 2>The first time.

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<v Speaker 5>So our fears are more about unemployment or AIDS or

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<v Speaker 5>and I particularly talk about in the second book living

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<v Speaker 5>quite near to Birknhead, place called birk Andhead. Birkenhead used

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<v Speaker 5>to be a very rich town because of shipbuilding, and

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<v Speaker 5>then it's on the wrong side of the country rules

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<v Speaker 5>like the history of the ship building has gone away,

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<v Speaker 5>so it's very poor out. I talk about visiting the

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<v Speaker 5>local I'm trying to use.

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<v Speaker 2>The Bacon word garbage dump.

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<v Speaker 5>Where you'd see people unemployed, people waiting to put through

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<v Speaker 5>the bellache and I find something to they can sell

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<v Speaker 5>or use. So it was a very deprived time. But

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<v Speaker 5>our fears are real. They're not the monsters and ghost

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<v Speaker 5>any well. The real things was getting off.

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<v Speaker 1>Nutrier wore a third of volume three devoted to nuclear war, because,

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<v Speaker 1>as Dave said, things got real for us. And I

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<v Speaker 1>remember the period between nineteen eighty three and nineteen eighty four.

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<v Speaker 1>I don't exaggerate. Every single day I would think, is

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<v Speaker 1>this the day they pressed the button? And yeah, we

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<v Speaker 1>were still going to see Ghostbusters and Gremlins and listening

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<v Speaker 1>to Juran, But the idea that we might die any

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<v Speaker 1>day randomly was always in the back of our head.

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<v Speaker 1>I think days, right, It's who we were, It's what

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<v Speaker 1>those decades were. In the nineties, and obviously every decade

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<v Speaker 1>as it's bad moments. But all I can remember is

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<v Speaker 1>going out clubbing. Everyone was drunk, everyone was on ecstasy,

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<v Speaker 1>was a party, and I think part of that was

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<v Speaker 1>a reaction to the idea that we survived the eighties,

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<v Speaker 1>we got through it. Let's just have some good times.

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<v Speaker 1>The reason these books are called Scarred for Life is

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<v Speaker 1>because people our age always say only God, you remember

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<v Speaker 1>that scene from that TV Do you remember the window

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<v Speaker 1>scene from Salem's Lot Starred Me for Life? Do you

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<v Speaker 1>remember whatever scenes from a film it's garn me for life.

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<v Speaker 1>There's not much from the nineties that I can say, Oh,

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<v Speaker 1>it's got me for life. People always say when me,

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<v Speaker 1>and they've post things on social media loads of the

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<v Speaker 1>reactions to always I can't believe we survived the seventies

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<v Speaker 1>or eighties. Both people will only ever say that about

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<v Speaker 1>the nineties in relation to the amounts of drinking jokes.

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<v Speaker 1>It's a different.

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<v Speaker 4>It is amazing speaking of nuclear war. Of course, you've

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<v Speaker 4>got movies like The Day After in Threads where they're

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<v Speaker 4>just directly looking at this, but then it seeps into everything.

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<v Speaker 4>It seeps into the TV shows that you're watching, or

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<v Speaker 4>even the comedy film you look at like real Genius

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<v Speaker 4>or spies like Gus when they were talking about missile

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<v Speaker 4>defense systems and deterrence for nuclear missiles coming in. It's

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<v Speaker 4>just amazing how even our comedies were scarred or with

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<v Speaker 4>the politics of the time.

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<v Speaker 5>Absolutely, there was a comedy series in Britain called Three

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<v Speaker 5>of a Kai, which had three comedians acting out very sketches,

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<v Speaker 5>and one of the sketches is about the four minute warning,

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<v Speaker 5>the nuclear alert warning going off, and two of the

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<v Speaker 5>characters are going to have sex because I think they

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<v Speaker 5>can think to do for the four minutes they've got left.

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<v Speaker 5>That still always says in the live shows, anybody can

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<v Speaker 5>get and maintain an erection in the last four minutes

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<v Speaker 5>of your life when you're about to get new it's

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<v Speaker 5>a better man than me, and me as well. But yeah,

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<v Speaker 5>it was everywhere. It was in comedy and in particular

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<v Speaker 5>I mentioned this to you before the start of the recording.

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<v Speaker 2>It was in music.

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<v Speaker 5>We do a top ten nuclear pop songs in our

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<v Speaker 5>live shows, and it was a big test to cut

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<v Speaker 5>it down to ten nuclear war songs.

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<v Speaker 2>There's a lot.

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<v Speaker 5>A number one obviously is the classic Frank he goes

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<v Speaker 5>to Hollywood two Tribes, so there's a lot in that.

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<v Speaker 2>Yeah.

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<v Speaker 1>It was in comic We had nuclear war in comics

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<v Speaker 1>two thousand and eight. Judge Dread the flagshied character. There's

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<v Speaker 1>a story from nineteen eighty two called the Apocalypse Tour

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<v Speaker 1>where Mega City Jude dread City goes to war with

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<v Speaker 1>the sobs and they obliterate half the city and kill

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<v Speaker 1>four hundred million people, and the after effects of that

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<v Speaker 1>story is still being felt today. And I'm a big

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<v Speaker 1>computer game of video gamer and board gamer. Nuclear War

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<v Speaker 1>was in board games and video games, and there's a

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<v Speaker 1>game called Supremacy, a board game from the eighties, which

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<v Speaker 1>is quite risk. It's all the players trying to take

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<v Speaker 1>over the world, but if it gets to death con one,

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<v Speaker 1>you can start flinging nukes that you know the players.

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<v Speaker 1>So it came with little black plastic mushroom clouds that

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<v Speaker 1>you put on the board so no one could joint

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<v Speaker 1>to those territories. So, yeah, there's a strange time.

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<v Speaker 4>That's amazing. Wow, what were some of the things that

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<v Speaker 4>you discovered while you were doing your research that you

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<v Speaker 4>hadn't been aware of before, because of course you're coming

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<v Speaker 4>from a very personal place as far as these things

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<v Speaker 4>scarred me. But as you're looking at the other material

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<v Speaker 4>that you weren't aware of, what we were just like,

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<v Speaker 4>oh my god, I can't believe this exists.

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<v Speaker 1>There's a TV show called Shadows of Fear from the

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<v Speaker 1>early seventies. It's a psychological thriller anthology with an incredibly

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<v Speaker 1>nasty streak, and it just fell down the back of

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<v Speaker 1>the sofa of television history, and I remember watching it.

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<v Speaker 1>I found out about it, read about it, thought this

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<v Speaker 1>sounded like God's Wife material. It's one of the best

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<v Speaker 1>things I've ever seen in my life. It's unrelentingly nasty,

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<v Speaker 1>and it was one of the things that made me

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<v Speaker 1>think this era was just full of genuinely full of

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<v Speaker 1>some of the best television ever made. But I think

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<v Speaker 1>we churned it out and we became used to it.

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<v Speaker 1>I know people have watched Shadow for Shadows of Fear

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<v Speaker 1>for the first time. We were Twitter followers, Facebook followers,

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<v Speaker 1>and he always come back and goes it was incredible.

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<v Speaker 1>I've never even heard of it.

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<v Speaker 2>I've never seen.

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<v Speaker 1>Anything written about it, but there was shadow of things

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<v Speaker 1>like that were amazing, but just became forgotten.

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<v Speaker 5>I've course I've just remembered too, in particular one called

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00:16:58.960 --> 00:17:02.080
<v Speaker 5>scarf Jack that I sent it to you.

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<v Speaker 2>I sent the link to you to know something the

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00:17:04.079 --> 00:17:04.480
<v Speaker 2>look at this.

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<v Speaker 1>Do you remember my reaction? The thing it was, there's

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<v Speaker 1>about twenty five shocked baship, which we have.

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<v Speaker 5>This concept in our books as a thing called the

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<v Speaker 5>four forty five club, and what it is is basically

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<v Speaker 5>rich Telly when you got home from school. In the

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<v Speaker 5>acting about four ish, four fifteen, four twenty would be

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<v Speaker 5>something very gently it'll be a puppet show on and

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<v Speaker 5>something like that. Four forty five The gloves Rough the

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00:17:30.400 --> 00:17:33.759
<v Speaker 5>programs they showed at four forty five were unrelentfully grim

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00:17:33.839 --> 00:17:37.079
<v Speaker 5>and scary and they're horrible. One in particular, Thestashi's till

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00:17:37.079 --> 00:17:41.000
<v Speaker 5>talk about very briefly. There's one called calf Jack, set

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<v Speaker 5>during the Irish Rebellion of seventeen ninety two, I think,

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<v Speaker 5>and Irish villagers being essentially progress are all shot by

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00:17:50.720 --> 00:17:53.480
<v Speaker 5>British soldier English soldiers. This, by the way, it's on

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<v Speaker 5>TV at the same time as the Northern Ireland troubles

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00:17:55.799 --> 00:17:59.240
<v Speaker 5>are going under, the ira abobbing campaigns, hungry strikes were

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<v Speaker 5>going on and the else. It was a very unfatching

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00:18:02.799 --> 00:18:08.359
<v Speaker 5>depiction of British basically English forces in Ireland. And the

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<v Speaker 5>reason he's called scarf Jack is that in the first

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<v Speaker 5>episode he is hanged. Two people game give him news

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<v Speaker 5>around his neck, string them from a tree and then

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<v Speaker 5>they talk about their future plans. While in the foreground,

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00:18:23.920 --> 00:18:27.359
<v Speaker 5>the two legs of the victim are swinging slowly backwards

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<v Speaker 5>and forwards across the screen. That was a kid's program

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<v Speaker 5>at four forty five in the afternoon.

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<v Speaker 1>Dave, Dave, do you remember you sent me screen grabs

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<v Speaker 1>of the opening thirty seconds.

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<v Speaker 2>With all the children with the blood creer like they've

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<v Speaker 2>been shot dead.

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00:18:42.559 --> 00:18:47.160
<v Speaker 1>Yeah, but literally like children lying in a river with

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<v Speaker 1>blood pouring from the nose, blood pouring from the ears

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<v Speaker 1>because they've been shot dead. And it's just the opening

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<v Speaker 1>of a kid show.

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<v Speaker 5>The other one, I think we talked about absolute classic.

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<v Speaker 5>If anybody wants to watch, it's called one called Noah's Castle.

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<v Speaker 5>Noah's Castle is again. This is sudden TV problems in

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<v Speaker 5>that era which TV had various regions and the regions

363
00:19:06.960 --> 00:19:10.240
<v Speaker 5>played their own program that the phone network, and this

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00:19:10.519 --> 00:19:16.279
<v Speaker 5>was Southern TV. And it's about a near future Britain

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00:19:16.839 --> 00:19:22.240
<v Speaker 5>in which something has happened has caused hyperinflation, invasions out

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<v Speaker 5>of control, and people are starving to death, bodies in

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<v Speaker 5>the streets starves to death, and it is heavily implied

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00:19:31.079 --> 00:19:35.720
<v Speaker 5>that schoolgirls are prostituting themselves for food. Again, this is

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<v Speaker 5>a kid's show at four in the afternoon. It's about

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<v Speaker 5>a man who holds food which is has been made

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<v Speaker 5>a crime. He's holding food and he's prepared to protect

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<v Speaker 5>it with a gun. There's one point son finds out

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<v Speaker 5>he's holding food and I look like he's gonna shoot when.

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<v Speaker 2>You believe he's gonna shoot him, it's a protect his secret.

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<v Speaker 5>And also the father invites into the home is former

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<v Speaker 5>boss who is basically to keep his secrets. He's prepared

377
00:20:05.519 --> 00:20:08.359
<v Speaker 5>to pimp out his own seinage daughter and possibly even

378
00:20:08.359 --> 00:20:12.799
<v Speaker 5>his younger one was from tech. If this absolutely ever

379
00:20:12.880 --> 00:20:18.279
<v Speaker 5>left in my math, but again the kids four forty

380
00:20:18.319 --> 00:20:21.119
<v Speaker 5>five in the afternoon, these are things I discovered when

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<v Speaker 5>raving the first.

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<v Speaker 4>I found it very interesting reading your book because of

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00:20:24.920 --> 00:20:28.119
<v Speaker 4>course you're coming from a British perspective. I'm here with

384
00:20:28.480 --> 00:20:32.440
<v Speaker 4>my American perspective. But our countries were so tied together,

385
00:20:32.559 --> 00:20:36.880
<v Speaker 4>especially between Maggie and Ronald. And you'd see even going

386
00:20:36.920 --> 00:20:39.359
<v Speaker 4>back to what was that TV show that you guys

387
00:20:39.400 --> 00:20:43.480
<v Speaker 4>had that inspired the Genesis video with all the puppets

388
00:20:43.599 --> 00:20:47.839
<v Speaker 4>splitting image, spit spitting image, right, splitting image.

389
00:20:47.839 --> 00:20:49.920
<v Speaker 2>They were two of the main characters.

390
00:20:49.960 --> 00:20:53.079
<v Speaker 1>A lot of times it was a special relationship, was

391
00:20:53.119 --> 00:20:55.160
<v Speaker 1>a big thit. We had a lot of American imports

392
00:20:55.160 --> 00:20:58.279
<v Speaker 1>in the seventies, but the nineteen eighties was when the

393
00:20:58.319 --> 00:21:04.000
<v Speaker 1>floodgates opened and we were constantly getting these what felt

394
00:21:04.000 --> 00:21:09.599
<v Speaker 1>like to us impossibly glossy, almost like phil Nic American shows,

395
00:21:09.640 --> 00:21:11.920
<v Speaker 1>who get the A Team and Night Rider and a

396
00:21:12.200 --> 00:21:16.839
<v Speaker 1>she wrote and everything, absolutely everything. That's why in volume

397
00:21:16.839 --> 00:21:20.759
<v Speaker 1>one there's very little American stuff in the first book.

398
00:21:21.079 --> 00:21:23.319
<v Speaker 1>But in the second book that we did you'll see,

399
00:21:23.359 --> 00:21:26.440
<v Speaker 1>like we do bits about the animations.

400
00:21:25.880 --> 00:21:26.400
<v Speaker 4>That came over.

401
00:21:26.440 --> 00:21:31.359
<v Speaker 1>There was real Ghostbusters and Rambo and RoboCop cartoons, and

402
00:21:31.519 --> 00:21:35.079
<v Speaker 1>V was a huge thing. V shut the country down

403
00:21:35.160 --> 00:21:37.440
<v Speaker 1>over the summer and the summer of nineteen eighty four

404
00:21:37.759 --> 00:21:42.400
<v Speaker 1>the Los Angeles Olympics, BBC one and BBC two showed

405
00:21:42.400 --> 00:21:47.559
<v Speaker 1>the Olympics, and ITV, the commercial channel, bought V and

406
00:21:47.680 --> 00:21:50.079
<v Speaker 1>V the Final Battle and no one was watching the

407
00:21:50.079 --> 00:21:53.160
<v Speaker 1>Olympic because the whole country was watching the reptile in

408
00:21:53.279 --> 00:21:55.960
<v Speaker 1>vapers take over America. But this is the thing I think.

409
00:21:56.839 --> 00:21:59.359
<v Speaker 1>There was always the glamour and the fascination of it.

410
00:21:59.519 --> 00:22:01.920
<v Speaker 1>It was the world was a much bigger place back then,

411
00:22:01.960 --> 00:22:05.400
<v Speaker 1>before the Internet, so we would have Dave, do you

412
00:22:05.440 --> 00:22:09.799
<v Speaker 1>remember Kelly Moltith, Yes, I did remember Kelly. Yeah, American

413
00:22:09.839 --> 00:22:14.119
<v Speaker 1>comedian who had his own show and best clears stick

414
00:22:14.240 --> 00:22:17.319
<v Speaker 1>was I'm an American that would seemed impossibly glamorous to us.

415
00:22:17.519 --> 00:22:21.640
<v Speaker 1>So with the American eye view of Britain, and we'd

416
00:22:21.640 --> 00:22:26.480
<v Speaker 1>have American comedians as show hosts treated like royalty. I

417
00:22:26.519 --> 00:22:28.920
<v Speaker 1>remember reading all my Marvel comics and DC comics and

418
00:22:29.519 --> 00:22:33.440
<v Speaker 1>I would learn who Wayne Newton was through all the

419
00:22:33.519 --> 00:22:36.119
<v Speaker 1>kind of the references and the comics, and I knew

420
00:22:36.160 --> 00:22:39.839
<v Speaker 1>what hostless twinkies were. So America was this really glamorous

421
00:22:40.400 --> 00:22:41.440
<v Speaker 1>country to us?

422
00:22:42.119 --> 00:22:42.400
<v Speaker 2>Yeah?

423
00:22:43.079 --> 00:22:44.160
<v Speaker 1>That wasn't Britain, was it.

424
00:22:45.160 --> 00:22:45.680
<v Speaker 2>Yeah.

425
00:22:46.920 --> 00:22:50.200
<v Speaker 5>I think one thing our books are it's a kick

426
00:22:50.240 --> 00:22:53.000
<v Speaker 5>against that though, because when you say the eighties, people

427
00:22:53.039 --> 00:22:55.319
<v Speaker 5>do think of Neon bright colors and they think of

428
00:22:56.279 --> 00:22:59.759
<v Speaker 5>Magnum growing up in his for our world it is

429
00:23:00.440 --> 00:23:03.960
<v Speaker 5>well that was we were gray, we were grim, and

430
00:23:04.359 --> 00:23:06.839
<v Speaker 5>we've always did that great grim. I think a Brittish

431
00:23:06.880 --> 00:23:10.039
<v Speaker 5>sensibility to be a little bit more grim, but not

432
00:23:10.119 --> 00:23:13.480
<v Speaker 5>so optimistic, as it's proved by many of our TV shows.

433
00:23:13.799 --> 00:23:15.119
<v Speaker 2>But you've got a lot of that stuff.

434
00:23:15.279 --> 00:23:17.759
<v Speaker 5>I still don't know what about stuff is so mistick.

435
00:23:18.000 --> 00:23:22.359
<v Speaker 2>I'm by America. Do apologize, but.

436
00:23:21.880 --> 00:23:24.200
<v Speaker 5>But we keep Oh if you did not mention Land

437
00:23:24.279 --> 00:23:26.839
<v Speaker 5>the Lost, We're like, no, we never got it, we

438
00:23:26.920 --> 00:23:30.279
<v Speaker 5>never saw it. We haven't seen it, still don't.

439
00:23:30.319 --> 00:23:34.720
<v Speaker 1>Really it's oh, yeah, no we didn't. We didn't know

440
00:23:34.720 --> 00:23:37.000
<v Speaker 1>what Land of the Loss was. No, it was just

441
00:23:37.039 --> 00:23:39.799
<v Speaker 1>the thing I'm fascinated by. If I can ask you

442
00:23:39.839 --> 00:23:43.039
<v Speaker 1>a question it as an American, what do you make

443
00:23:43.079 --> 00:23:43.599
<v Speaker 1>of our books?

444
00:23:44.599 --> 00:23:46.279
<v Speaker 4>I was telling Dave, I'm a little bit of an

445
00:23:46.279 --> 00:23:49.839
<v Speaker 4>Anglo file so some of this stuff is familiar to me,

446
00:23:49.880 --> 00:23:52.039
<v Speaker 4>some of the TV shows, some of the references, but

447
00:23:52.200 --> 00:23:54.640
<v Speaker 4>not all of it. So it was very interesting to

448
00:23:55.240 --> 00:23:57.519
<v Speaker 4>practice open and look at another culture that is so

449
00:23:57.599 --> 00:24:01.160
<v Speaker 4>similar but yet so removed at the same time, and

450
00:24:01.279 --> 00:24:04.319
<v Speaker 4>just to see, oh, what are these shows that they're watching.

451
00:24:04.440 --> 00:24:07.680
<v Speaker 4>Some of those shows would slide into our lives. I

452
00:24:07.720 --> 00:24:10.559
<v Speaker 4>remember writish show I can't remember the name of it,

453
00:24:10.599 --> 00:24:12.640
<v Speaker 4>that was on Nickelodeon when I was a kid, and

454
00:24:12.680 --> 00:24:15.279
<v Speaker 4>I was just like, this is terrifying. And of course

455
00:24:15.359 --> 00:24:19.400
<v Speaker 4>whether they call those the touch moments from the doctor

456
00:24:19.440 --> 00:24:24.079
<v Speaker 4>who behind the Sofa, Yes, we had. I especially remember

457
00:24:24.160 --> 00:24:27.839
<v Speaker 4>Tom Baker, of course, and some of those episodes were terrifying.

458
00:24:28.039 --> 00:24:31.640
<v Speaker 1>Have you ever seen Blake seven, Mike, we won't spoil

459
00:24:31.640 --> 00:24:34.799
<v Speaker 1>the ending. It's one of the most famous endings in

460
00:24:34.880 --> 00:24:38.039
<v Speaker 1>TV history. I would say it's up there with the Prisoner.

461
00:24:38.440 --> 00:24:40.960
<v Speaker 1>It's on a level with the prisoner. It's still discussed

462
00:24:41.000 --> 00:24:44.559
<v Speaker 1>to this day of Void. All spoilers because I don't

463
00:24:44.559 --> 00:24:48.720
<v Speaker 1>want to spoil anything. But basically the premises it's a

464
00:24:48.839 --> 00:24:53.920
<v Speaker 1>gango reason fighters stroke terrorists. They make no bones about

465
00:24:53.920 --> 00:24:55.960
<v Speaker 1>the fact that these people are terrorists as well, striking

466
00:24:56.000 --> 00:24:59.799
<v Speaker 1>out against an evil glactic federation in the far future

467
00:25:00.559 --> 00:25:02.759
<v Speaker 1>and are led by a guy called Blake who is

468
00:25:02.920 --> 00:25:09.960
<v Speaker 1>this idealistic rebel, but the rest of his group are criminals,

469
00:25:08.880 --> 00:25:14.839
<v Speaker 1>the space pirates, hackers, the people who have committed crimes.

470
00:25:14.880 --> 00:25:17.240
<v Speaker 1>They meet in a prison. But what a lot of

471
00:25:17.240 --> 00:25:19.559
<v Speaker 1>people forget is do you know what Dave you tell

472
00:25:19.599 --> 00:25:20.240
<v Speaker 1>us better than me.

473
00:25:21.119 --> 00:25:27.240
<v Speaker 5>Basically, the Federation, which is the ruling government of the space,

474
00:25:27.319 --> 00:25:33.039
<v Speaker 5>basically decide to discredit Blake by having him accused of

475
00:25:33.400 --> 00:25:36.759
<v Speaker 5>child more station imagine that in a show. Now you

476
00:25:36.839 --> 00:25:38.720
<v Speaker 5>have your hero and he's accused of being a child

477
00:25:38.759 --> 00:25:40.440
<v Speaker 5>elect For the first episode, right.

478
00:25:40.359 --> 00:25:44.160
<v Speaker 1>The Church episode, I transmitted that eight pm.

479
00:25:45.000 --> 00:25:48.599
<v Speaker 5>Yeah, would not get on, could not get past the

480
00:25:48.599 --> 00:25:52.759
<v Speaker 5>script The worst part about it is that to back

481
00:25:52.839 --> 00:25:56.640
<v Speaker 5>up this accusation of child more station and they essentially

482
00:25:56.640 --> 00:26:00.839
<v Speaker 5>brainwash children into believing it really happened. And those children

483
00:26:00.920 --> 00:26:02.440
<v Speaker 5>then have the rest of their lives the memories of

484
00:26:02.480 --> 00:26:06.000
<v Speaker 5>being molested in the head to discredit this political figure.

485
00:26:06.759 --> 00:26:09.160
<v Speaker 5>And he's found guilty of this crime and he's shipped off,

486
00:26:09.160 --> 00:26:12.119
<v Speaker 5>and that no point later on is he acquitted of it.

487
00:26:12.200 --> 00:26:14.319
<v Speaker 5>So many of the people he deals with, for all

488
00:26:14.400 --> 00:26:18.000
<v Speaker 5>they know he's a child molester and he's their main

489
00:26:18.119 --> 00:26:21.839
<v Speaker 5>hear of the show. That's probably a uniquely British angle

490
00:26:21.880 --> 00:26:24.319
<v Speaker 5>on something. I always say that I don't think that

491
00:26:24.440 --> 00:26:26.839
<v Speaker 5>American TV would go with that at all.

492
00:26:27.640 --> 00:26:30.599
<v Speaker 1>There's no sense of demographics of focused groups back then,

493
00:26:30.759 --> 00:26:33.720
<v Speaker 1>was there. It was just make your show. Here's a

494
00:26:33.759 --> 00:26:37.000
<v Speaker 1>load of money, make your program and will show it.

495
00:26:37.000 --> 00:26:41.240
<v Speaker 5>It was an era of creative freedom don't entirely think

496
00:26:41.279 --> 00:26:42.440
<v Speaker 5>exists anymore in Britain.

497
00:26:42.839 --> 00:26:44.920
<v Speaker 2>Nowadays. They have pitch meetings.

498
00:26:44.559 --> 00:26:46.559
<v Speaker 5>And they go in and say, make us a show

499
00:26:47.119 --> 00:26:50.599
<v Speaker 5>like I don't know, the Spectamorus, make us a ship

500
00:26:50.759 --> 00:26:52.960
<v Speaker 5>like that, or make it like the Antique road Show

501
00:26:53.079 --> 00:26:55.839
<v Speaker 5>with this happening up. But in those dates, people just

502
00:26:55.920 --> 00:27:00.599
<v Speaker 5>made these wildly iconic quirky shown she couldn't put into

503
00:27:00.599 --> 00:27:04.200
<v Speaker 5>any category really and just showed them that was interesting.

504
00:27:04.200 --> 00:27:05.599
<v Speaker 5>One because they were doing a show back in the

505
00:27:05.640 --> 00:27:08.720
<v Speaker 5>newspaper Offits and for some reason or the second series

506
00:27:08.759 --> 00:27:11.359
<v Speaker 5>of Fearing Figures, whatever, we got this load of money.

507
00:27:11.440 --> 00:27:12.160
<v Speaker 2>What should we do with it?

508
00:27:12.240 --> 00:27:14.559
<v Speaker 5>They gave it to a guy and said, go make

509
00:27:14.599 --> 00:27:16.720
<v Speaker 5>us a show, and he ran and made this really

510
00:27:17.519 --> 00:27:22.160
<v Speaker 5>scary paranormal show called the Amga Factor. Were basically to

511
00:27:22.799 --> 00:27:26.759
<v Speaker 5>investing his invest paranormal phenomenon and it's strong stuff.

512
00:27:27.480 --> 00:27:30.599
<v Speaker 1>Because a storm didn't it. Mary white House went mental

513
00:27:30.680 --> 00:27:33.279
<v Speaker 1>over one of the episodes. One of the episodes showed

514
00:27:33.279 --> 00:27:36.279
<v Speaker 1>someone suddenly burst into fire and went to deaths. But

515
00:27:36.720 --> 00:27:39.559
<v Speaker 1>it was the idea that the BBC suddenly had all

516
00:27:39.559 --> 00:27:42.079
<v Speaker 1>this money and just thought, oh shut that, let's just

517
00:27:42.640 --> 00:27:47.400
<v Speaker 1>make this incredibly scary, bizarre show and we'll just transmit it.

518
00:27:47.640 --> 00:27:51.680
<v Speaker 1>But there's no free airings, there's no notes, there's no

519
00:27:51.920 --> 00:27:54.880
<v Speaker 1>anything us through things on the air. It was a

520
00:27:54.920 --> 00:27:56.279
<v Speaker 1>wild West, it really was.

521
00:27:57.119 --> 00:27:59.440
<v Speaker 5>In case anybody listening doesn't there, Mary White's House was

522
00:27:59.440 --> 00:28:01.240
<v Speaker 5>a morals on paying it. She started off in the

523
00:28:01.240 --> 00:28:04.559
<v Speaker 5>sisties writing articles on how to bring up your son

524
00:28:04.599 --> 00:28:06.559
<v Speaker 5>so who doesn't turn up gay? So she was a

525
00:28:06.640 --> 00:28:08.200
<v Speaker 5>Christian world campaign and she had to think of the

526
00:28:08.279 --> 00:28:12.279
<v Speaker 5>national viewers in this association and any probe would all

527
00:28:12.400 --> 00:28:16.319
<v Speaker 5>that offended her personality. She would then campaign strongly against.

528
00:28:16.680 --> 00:28:19.119
<v Speaker 5>Another example would be The Singing Detective, which is at

529
00:28:19.119 --> 00:28:22.519
<v Speaker 5>Tennis Potter production, first episode of the a sex scene

530
00:28:23.079 --> 00:28:26.200
<v Speaker 5>and I believe she counted the number of pelvic thrusts

531
00:28:26.880 --> 00:28:31.119
<v Speaker 5>in the scene to complain about this. She was outraged.

532
00:28:31.319 --> 00:28:35.079
<v Speaker 5>In fact, in many ways, the Singing Detective led to

533
00:28:35.119 --> 00:28:39.000
<v Speaker 5>her dow for as a solicitive voice in moral campaign

534
00:28:39.559 --> 00:28:43.079
<v Speaker 5>because she said the writer Dennis she said that scene

535
00:28:43.440 --> 00:28:47.160
<v Speaker 5>was autobiographical and he had watched his mother having sex

536
00:28:47.240 --> 00:28:49.960
<v Speaker 5>with a guy in the woods. She was then sued

537
00:28:50.720 --> 00:28:53.920
<v Speaker 5>by Poster's mother and she went on to defend herself

538
00:28:54.680 --> 00:28:56.759
<v Speaker 5>by saying that she was on medication and made her

539
00:28:56.799 --> 00:28:58.400
<v Speaker 5>say stuff that she didn't belie even and it's just

540
00:28:58.480 --> 00:29:00.920
<v Speaker 5>it was, but anyway, it was the also fared down

541
00:29:01.000 --> 00:29:03.319
<v Speaker 5>for I think as a moral campaigner.

542
00:29:03.440 --> 00:29:06.000
<v Speaker 4>Yeah, I'm mostly familiar with her from the whole video

543
00:29:06.119 --> 00:29:07.039
<v Speaker 4>Nasties campaign.

544
00:29:08.279 --> 00:29:09.920
<v Speaker 1>That was a big one for me. I was always

545
00:29:09.920 --> 00:29:12.480
<v Speaker 1>been a huge horror fan. But the video nasty era

546
00:29:12.519 --> 00:29:15.119
<v Speaker 1>in the eighties. I still look back with us at

547
00:29:15.160 --> 00:29:17.200
<v Speaker 1>that era. But she was in the papers every three

548
00:29:17.240 --> 00:29:20.799
<v Speaker 1>seconds trying to get all these films banned, and normal

549
00:29:20.839 --> 00:29:24.240
<v Speaker 1>films got scooped up in that hysteria. The war film

550
00:29:24.279 --> 00:29:26.920
<v Speaker 1>The Big Red One, purely because of the type, there

551
00:29:26.920 --> 00:29:32.079
<v Speaker 1>was a not scene. But in Britain, the video nasty era,

552
00:29:32.200 --> 00:29:34.519
<v Speaker 1>it became this thing amongst teenagers and people in the

553
00:29:34.559 --> 00:29:39.440
<v Speaker 1>twenties where it became a ready made checklist of films

554
00:29:39.480 --> 00:29:42.319
<v Speaker 1>to tick off. It didn't matter where they were rubbish,

555
00:29:42.359 --> 00:29:44.240
<v Speaker 1>and I've got to say eighty percent of them were

556
00:29:44.279 --> 00:29:47.319
<v Speaker 1>just awful films. It didn't matter because I could ring

557
00:29:47.359 --> 00:29:50.920
<v Speaker 1>me mate and say I've just watched the Bernie, I've

558
00:29:50.920 --> 00:29:54.440
<v Speaker 1>got it uncopied, I want to come round and watch it. It

559
00:29:53.920 --> 00:29:56.000
<v Speaker 1>was a succession of holy grails that you just had

560
00:29:56.039 --> 00:30:01.000
<v Speaker 1>to watch to find out that Texas changeaw Massacre, the Exorcist,

561
00:30:01.640 --> 00:30:04.920
<v Speaker 1>Clockwork Orange were all freely available in America. Blew my

562
00:30:05.039 --> 00:30:07.599
<v Speaker 1>mind as a teenager because you had to accumulate a

563
00:30:07.680 --> 00:30:10.960
<v Speaker 1>network of contacts to see these things. In the eighties,

564
00:30:11.920 --> 00:30:12.200
<v Speaker 1>it was.

565
00:30:12.200 --> 00:30:12.759
<v Speaker 2>Quite the time.

566
00:30:13.920 --> 00:30:15.720
<v Speaker 5>My favorite thing about that story say, is when you

567
00:30:15.720 --> 00:30:19.200
<v Speaker 5>talk about the grading system for the videos, Oh, this was.

568
00:30:19.200 --> 00:30:22.240
<v Speaker 1>Absolutely real and it wasn't just a Liverpool thing. This

569
00:30:22.359 --> 00:30:26.319
<v Speaker 1>was around the country. You develop the grading system, you'd

570
00:30:26.319 --> 00:30:29.960
<v Speaker 1>say to you one of your friends, I've got Anthropopacus

571
00:30:30.079 --> 00:30:32.799
<v Speaker 1>the Beast on copy. It would be a ten generation copy.

572
00:30:33.079 --> 00:30:37.000
<v Speaker 1>The grading system would be crystal or mint, which meant

573
00:30:37.039 --> 00:30:42.000
<v Speaker 1>it was pretty much a perfect copy. Then what do

574
00:30:42.000 --> 00:30:45.720
<v Speaker 1>you thought, was it degraded but still would it was

575
00:30:45.799 --> 00:30:49.599
<v Speaker 1>still a copy? But the most common grade for video

576
00:30:49.720 --> 00:30:54.359
<v Speaker 1>nasties was it's watchable, which basically means you can just

577
00:30:54.440 --> 00:30:56.599
<v Speaker 1>about hear things and you can just about make out

578
00:30:56.640 --> 00:31:00.559
<v Speaker 1>figures through the snowstorm figure of twenty generation. Well, you

579
00:31:00.559 --> 00:31:04.160
<v Speaker 1>would genuinely go around me mates and say, I don't know,

580
00:31:04.240 --> 00:31:07.240
<v Speaker 1>I've got kind of ill show of the accession. It's

581
00:31:07.279 --> 00:31:10.519
<v Speaker 1>watchable and you'd be trying to figure out what's going on.

582
00:31:10.960 --> 00:31:12.880
<v Speaker 2>But amazing.

583
00:31:13.640 --> 00:31:16.920
<v Speaker 4>The thing I'm always fascinated by, too is to see

584
00:31:17.519 --> 00:31:21.440
<v Speaker 4>cultures reflecting one another, like watching The Young Ones with

585
00:31:21.519 --> 00:31:24.480
<v Speaker 4>the episode I think It's Oil where it suddenly becomes

586
00:31:24.720 --> 00:31:27.759
<v Speaker 4>Dallas parody and I'm just like, this is great to

587
00:31:27.799 --> 00:31:32.119
<v Speaker 4>see how Dallas is being reinterpreted back to us as

588
00:31:32.200 --> 00:31:36.119
<v Speaker 4>far as the perception of these characters, and just to see,

589
00:31:36.119 --> 00:31:40.319
<v Speaker 4>of course the four lads just completely change their characters

590
00:31:40.839 --> 00:31:43.839
<v Speaker 4>in that skit, that whole part of that episode. I

591
00:31:43.880 --> 00:31:45.759
<v Speaker 4>love that kind of stuff and I did see some

592
00:31:45.880 --> 00:31:48.119
<v Speaker 4>of that in the book as well as far as Oh,

593
00:31:48.160 --> 00:31:52.079
<v Speaker 4>this probably came from this American thing being reflected back

594
00:31:52.119 --> 00:31:54.960
<v Speaker 4>in British culture, and I just thought that was fascinating

595
00:31:55.000 --> 00:31:55.720
<v Speaker 4>as well.

596
00:31:56.039 --> 00:31:59.440
<v Speaker 5>To see American takes on Britain. Because if you'll have

597
00:31:59.519 --> 00:32:03.200
<v Speaker 5>the Cologne where Colombo goes Britten, and you can guarantee

598
00:32:03.279 --> 00:32:05.160
<v Speaker 5>there'll be a guy in a bursky in half one

599
00:32:05.200 --> 00:32:08.240
<v Speaker 5>of the height guards walking past. In the background, there'll

600
00:32:08.279 --> 00:32:10.920
<v Speaker 5>be a red bus to be a sound box, all

601
00:32:10.960 --> 00:32:16.920
<v Speaker 5>these icons that aren't entirely accurate depiction in our country,

602
00:32:17.319 --> 00:32:19.319
<v Speaker 5>the Dick van Dag's accent, for example.

603
00:32:20.480 --> 00:32:21.960
<v Speaker 1>So there's a lot of that in the comments that

604
00:32:21.960 --> 00:32:25.079
<v Speaker 1>I was reading where I don't know Spider Man would

605
00:32:25.079 --> 00:32:28.960
<v Speaker 1>come to one of my favorite two parts Spider Man

606
00:32:29.000 --> 00:32:32.400
<v Speaker 1>stories and a spectacular Spider Man comic in the very

607
00:32:32.799 --> 00:32:35.319
<v Speaker 1>late eighties, I believe it was a very early nineties.

608
00:32:35.440 --> 00:32:39.400
<v Speaker 1>He comes to Liverpool for two issues except this is

609
00:32:39.400 --> 00:32:41.759
<v Speaker 1>before the Internet. Obviously no one had provided the artist

610
00:32:41.880 --> 00:32:45.039
<v Speaker 1>or writer with residence. So we've got a huge golden

611
00:32:45.079 --> 00:32:50.000
<v Speaker 1>gate bridge banning Liverpool and burking ahead. We've got missed

612
00:32:50.039 --> 00:32:53.279
<v Speaker 1>everywhere and gas lamps and all the streets are cobbled.

613
00:32:53.279 --> 00:32:57.160
<v Speaker 1>It's basically Liverpool is like eighteen eighty nine London, and

614
00:32:57.319 --> 00:33:00.880
<v Speaker 1>I adore it because we was just a guilty I

615
00:33:00.880 --> 00:33:02.519
<v Speaker 1>think we were just as guilty as stuff like this,

616
00:33:02.599 --> 00:33:05.359
<v Speaker 1>because while as they said, we were in the middle

617
00:33:05.359 --> 00:33:11.039
<v Speaker 1>of this huge unemployment crisis minus strikes and you name

618
00:33:11.079 --> 00:33:16.400
<v Speaker 1>it to us America, we were completely aware that Dallas

619
00:33:16.440 --> 00:33:21.880
<v Speaker 1>and Dynasty was impossibly glamorous. It was almost a fantasy land.

620
00:33:22.000 --> 00:33:26.200
<v Speaker 1>But even just normal American sit soap operas was to

621
00:33:26.359 --> 00:33:29.359
<v Speaker 1>put glamorous to us. We had Coronation Street and eas Standards,

622
00:33:29.640 --> 00:33:35.079
<v Speaker 1>which is this our bleak everyday life thing, and even

623
00:33:35.359 --> 00:33:38.920
<v Speaker 1>American soap operas like fulcon Crest and well the other

624
00:33:39.200 --> 00:33:42.240
<v Speaker 1>Oh my god, this is everyone's won the lottery.

625
00:33:42.799 --> 00:33:44.599
<v Speaker 4>Tell me a little bit more about your live shows.

626
00:33:44.599 --> 00:33:46.079
<v Speaker 4>What do you guys do You talked about the Top

627
00:33:46.119 --> 00:33:48.359
<v Speaker 4>of the Pops with the nuclear war songs. What else

628
00:33:48.359 --> 00:33:51.119
<v Speaker 4>do you guys do for however long you're on stage,

629
00:33:51.920 --> 00:33:54.160
<v Speaker 4>we're going to stay for about I said nineteen minutes.

630
00:33:54.200 --> 00:33:55.960
<v Speaker 4>I think plus a half. In our Q and A.

631
00:33:55.960 --> 00:33:58.400
<v Speaker 5>At the end, we just we talk about all sorts

632
00:33:58.400 --> 00:33:58.839
<v Speaker 5>of stuff.

633
00:33:59.119 --> 00:34:00.119
<v Speaker 2>I talk about a.

634
00:34:00.160 --> 00:34:05.599
<v Speaker 5>Thing called Alternatives three, which is nineteen seventy seven April

635
00:34:05.599 --> 00:34:06.200
<v Speaker 5>Fool's joke.

636
00:34:06.960 --> 00:34:09.679
<v Speaker 4>Oh, you guys were famous for your April Fool's joke.

637
00:34:09.920 --> 00:34:11.639
<v Speaker 4>I've seen some of those.

638
00:34:11.719 --> 00:34:14.960
<v Speaker 5>Yes, in the fifties they did one about spaghetti trees

639
00:34:14.960 --> 00:34:18.360
<v Speaker 5>in Switzerland. But as in nineteen seventy seven and this

640
00:34:18.760 --> 00:34:22.440
<v Speaker 5>Angler TV, it was made at a fake documentary called

641
00:34:22.440 --> 00:34:26.440
<v Speaker 5>Alternatives three about how the Great and the Good were

642
00:34:26.480 --> 00:34:28.920
<v Speaker 5>being what you thought was the brain Dray was actually

643
00:34:28.960 --> 00:34:32.320
<v Speaker 5>the Great and the Good being taken off planet to

644
00:34:32.599 --> 00:34:34.400
<v Speaker 5>a space station on the foreside of the room before

645
00:34:34.440 --> 00:34:38.719
<v Speaker 5>being taken to Mars because the auth was dying and

646
00:34:39.000 --> 00:34:41.159
<v Speaker 5>if you were watching the program, you'd been left behind

647
00:34:41.199 --> 00:34:44.480
<v Speaker 5>and you were doomed. April Fols joke, nineteen seventy seven.

648
00:34:44.599 --> 00:34:47.440
<v Speaker 5>The only problem was it didn't get shown on April first.

649
00:34:47.719 --> 00:34:50.480
<v Speaker 5>There was a backlog of programming. It was a strike

650
00:34:51.400 --> 00:34:55.559
<v Speaker 5>a show on June twentieth, sir. Everybody believed this was

651
00:34:55.559 --> 00:34:56.639
<v Speaker 5>true Cook.

652
00:34:57.239 --> 00:34:59.800
<v Speaker 2>Whereas Whistle Come would you talk about don't we?

653
00:35:01.320 --> 00:35:04.559
<v Speaker 1>It's basically me, Dave and Bob Fisher and the host.

654
00:35:04.639 --> 00:35:09.880
<v Speaker 1>He writes for magazines like fourteen Times Electronic Sound, Doctor

655
00:35:09.880 --> 00:35:12.760
<v Speaker 1>Who magazine in Britain. So the three of us, we've

656
00:35:12.760 --> 00:35:16.280
<v Speaker 1>got a PowerPoint slideshow. In part one, we talk about

657
00:35:16.280 --> 00:35:18.360
<v Speaker 1>the seventies when we were all little kids. We to

658
00:35:18.360 --> 00:35:21.159
<v Speaker 1>have a little memory of the first thing that really

659
00:35:21.159 --> 00:35:24.079
<v Speaker 1>scared us about Doctor Who. We talk about Walsal Gummich.

660
00:35:24.039 --> 00:35:27.000
<v Speaker 1>We talk about the idea that a lot of horror

661
00:35:27.000 --> 00:35:32.920
<v Speaker 1>back then was unintentional. There's Worzel Gummich whimsical children's show

662
00:35:32.960 --> 00:35:36.280
<v Speaker 1>in Britain, and a character called Nosey Bond, and we

663
00:35:36.320 --> 00:35:41.559
<v Speaker 1>were both designed as July magical characters. They're both terrified,

664
00:35:41.920 --> 00:35:45.679
<v Speaker 1>absolutely terrifying. Then we talk about the paranormal. There was

665
00:35:45.679 --> 00:35:49.800
<v Speaker 1>a big paranormal boom in the seventies, public information films

666
00:35:49.840 --> 00:35:52.800
<v Speaker 1>obviously these many horror films that would just pop up

667
00:35:53.039 --> 00:35:56.119
<v Speaker 1>during advert breaks, and we have a little fifteen minute break,

668
00:35:56.199 --> 00:35:58.239
<v Speaker 1>and then we talk about the nineteen eighties and when

669
00:35:58.280 --> 00:36:02.639
<v Speaker 1>stuff got real. We've got like the age, hysteria and unemployment.

670
00:36:02.880 --> 00:36:06.440
<v Speaker 1>We talk about Noah's Castle, a lot about threads nuclear war,

671
00:36:06.679 --> 00:36:09.119
<v Speaker 1>and that's when we do a there's a very famous

672
00:36:09.239 --> 00:36:12.760
<v Speaker 1>British show called Top of the Pops flag Ship music show,

673
00:36:13.119 --> 00:36:15.000
<v Speaker 1>so we do a Top of the Pops countdown of

674
00:36:15.119 --> 00:36:18.320
<v Speaker 1>the top ten nuclear war pop songs, plat around that

675
00:36:18.400 --> 00:36:20.559
<v Speaker 1>with they we end up with ghost Watch.

676
00:36:20.639 --> 00:36:22.480
<v Speaker 2>I think it ends. But we talk about all that

677
00:36:22.519 --> 00:36:24.559
<v Speaker 2>kind of stuff, don't we do. There's a lot more

678
00:36:24.559 --> 00:36:24.800
<v Speaker 2>in there.

679
00:36:24.840 --> 00:36:27.159
<v Speaker 5>We talk about an awful martin a quite short periods

680
00:36:27.159 --> 00:36:30.199
<v Speaker 5>are French Chu Christ Dummies, there's French must dummies. Still

681
00:36:30.199 --> 00:36:31.679
<v Speaker 5>got a rack in a story be from watching After

682
00:36:31.880 --> 00:36:32.760
<v Speaker 5>Start the Spiders.

683
00:36:33.599 --> 00:36:36.039
<v Speaker 2>Lots of stuff. Yeah, we talked about a lot of stuff.

684
00:36:36.519 --> 00:36:38.800
<v Speaker 1>It's a good time. It's very lighter to comedy show,

685
00:36:39.039 --> 00:36:42.000
<v Speaker 1>but very informative. We do try and get loads of

686
00:36:42.000 --> 00:36:45.400
<v Speaker 1>faction information in there, even when it's bleak stuff we're

687
00:36:45.440 --> 00:36:47.760
<v Speaker 1>talking about. We do keep things late.

688
00:36:49.679 --> 00:36:50.400
<v Speaker 2>Yeah, laughs.

689
00:36:50.920 --> 00:36:52.840
<v Speaker 5>So I was I was saying one little bit and

690
00:36:52.960 --> 00:36:54.239
<v Speaker 5>I do. At the end of the Top of the

691
00:36:54.280 --> 00:36:57.280
<v Speaker 5>Pops thing is I talk briefly about Leins nine and

692
00:36:57.280 --> 00:37:01.440
<v Speaker 5>red balloons. I actually contacted Norad to ask them whether

693
00:37:01.760 --> 00:37:05.039
<v Speaker 5>balloons in the air would actually trigger and the American

694
00:37:05.039 --> 00:37:07.840
<v Speaker 5>military response, thinking they're not going to get back to

695
00:37:07.840 --> 00:37:09.719
<v Speaker 5>me and so, and strange enough they did, and they

696
00:37:09.760 --> 00:37:13.599
<v Speaker 5>sent me a lovely email from Ken or somebody saying, no,

697
00:37:13.800 --> 00:37:15.800
<v Speaker 5>we wouldn't actually go to nuclear war over.

698
00:37:15.719 --> 00:37:18.440
<v Speaker 2>Read balloons, which is good to know, which is good.

699
00:37:18.760 --> 00:37:20.320
<v Speaker 2>It was reassuring.

700
00:37:21.079 --> 00:37:23.159
<v Speaker 4>You talked about how you do a Q and A afterwards.

701
00:37:23.159 --> 00:37:27.000
<v Speaker 4>Do you notice the same themes or TV shows, movies,

702
00:37:27.119 --> 00:37:29.199
<v Speaker 4>anything like that constantly coming up?

703
00:37:30.239 --> 00:37:34.199
<v Speaker 1>Shait thinks it always be threads. There's a specific one.

704
00:37:34.239 --> 00:37:36.280
<v Speaker 1>There was a bit of a holy grail was discovered

705
00:37:36.360 --> 00:37:39.360
<v Speaker 1>last month. We always get at least one person in

706
00:37:39.440 --> 00:37:42.239
<v Speaker 1>the Q and as mentions a thing called the Hexham Heads.

707
00:37:42.719 --> 00:37:47.119
<v Speaker 1>There was a nineteen seventies early eighties current affairs kind

708
00:37:47.119 --> 00:37:50.840
<v Speaker 1>of lighthearted magazine show called Nationwide. It was just after

709
00:37:50.920 --> 00:37:54.760
<v Speaker 1>children's television and just before the Big Adult Chosen the Evening.

710
00:37:55.519 --> 00:37:59.719
<v Speaker 1>Nationwide had a kind of ten minute segment in nineteen

711
00:37:59.719 --> 00:38:04.599
<v Speaker 1>seven about basically these two kids in a little town

712
00:38:04.639 --> 00:38:08.599
<v Speaker 1>called Hexham dug up these two stone heads and took

713
00:38:08.639 --> 00:38:11.320
<v Speaker 1>them into the house, at which pointed there was like

714
00:38:11.519 --> 00:38:14.360
<v Speaker 1>poltigeist activity with the next door neighbors in their house

715
00:38:14.760 --> 00:38:17.960
<v Speaker 1>all kinds of stuff happening. The next door neighbors said

716
00:38:18.159 --> 00:38:20.119
<v Speaker 1>they were walking in the middle of the night. There

717
00:38:20.119 --> 00:38:23.960
<v Speaker 1>was a half man, half sheep creature walked into the bedroom.

718
00:38:24.719 --> 00:38:28.119
<v Speaker 1>There was a woman called Dr Anne Russ. She was

719
00:38:28.159 --> 00:38:31.760
<v Speaker 1>an expert in stoneheads, ancient stoneheads. She took these heads

720
00:38:31.760 --> 00:38:34.599
<v Speaker 1>to analyze them, took them back to her house. She

721
00:38:34.760 --> 00:38:36.760
<v Speaker 1>was walking in the middle of the night by a werewolf.

722
00:38:37.000 --> 00:38:40.760
<v Speaker 1>She said it was an actual werewolf on its hind legs.

723
00:38:41.320 --> 00:38:44.679
<v Speaker 1>So nationwide reported on this, and this was at six

724
00:38:44.760 --> 00:38:47.599
<v Speaker 1>pm in the evening, and it didn't spare anything. There's

725
00:38:47.639 --> 00:38:50.519
<v Speaker 1>a shot of a severed head, it's fake on a

726
00:38:50.679 --> 00:38:53.679
<v Speaker 1>tree branch. You've got a short clip of Oliver Reed

727
00:38:53.719 --> 00:38:57.000
<v Speaker 1>from Casel the werewolf suddenly like a jump skirt and

728
00:38:57.119 --> 00:39:00.679
<v Speaker 1>telling this terrifying story as if this is real. This

729
00:39:00.760 --> 00:39:06.039
<v Speaker 1>happened where wolves exist, and it terrified everyone who watched it.

730
00:39:06.199 --> 00:39:08.880
<v Speaker 1>But the footage was lost for decades and it was

731
00:39:08.960 --> 00:39:11.800
<v Speaker 1>unheerthed by the BBC archive last month. So it became

732
00:39:12.199 --> 00:39:14.679
<v Speaker 1>a bit of a news story and it did not disappoint.

733
00:39:15.079 --> 00:39:18.679
<v Speaker 1>But this is the thing everyone in the Q and

734
00:39:18.760 --> 00:39:21.440
<v Speaker 1>A section, I would say it's ten percent the shame

735
00:39:21.519 --> 00:39:24.119
<v Speaker 1>themes come up again and again and the other eighty

736
00:39:24.119 --> 00:39:28.360
<v Speaker 1>percent of people completely surprising us. Was really personal, though

737
00:39:28.400 --> 00:39:30.920
<v Speaker 1>some of it doesn't make sense at all, because when

738
00:39:30.960 --> 00:39:34.320
<v Speaker 1>you're a kid, I'm scared. My first memory had been

739
00:39:34.360 --> 00:39:37.320
<v Speaker 1>scared by anything on television. It's being I think I

740
00:39:37.360 --> 00:39:40.480
<v Speaker 1>was three or four and scared of something on Eschame Street.

741
00:39:41.119 --> 00:39:44.800
<v Speaker 1>It was numbers of black background and numbers shooting towards

742
00:39:44.800 --> 00:39:47.280
<v Speaker 1>the screen, and I was convincedly, we're going to smash

743
00:39:47.280 --> 00:39:49.199
<v Speaker 1>out at the screen and come into the TV the

744
00:39:49.280 --> 00:39:49.800
<v Speaker 1>living room.

745
00:39:50.199 --> 00:39:53.199
<v Speaker 5>My childhood fear was a TV show called Skippy the

746
00:39:53.199 --> 00:39:56.599
<v Speaker 5>Bush Kangaroo. I don't know that everybody to marka we

747
00:39:56.679 --> 00:39:58.480
<v Speaker 5>have no idea of doing about. But it is actually

748
00:39:58.480 --> 00:39:59.920
<v Speaker 5>a bit like Champion of the Wonderhorse, but it's a

749
00:40:00.039 --> 00:40:01.000
<v Speaker 5>to kangaroo, right to go?

750
00:40:01.039 --> 00:40:04.079
<v Speaker 2>What's that gif? The boys out of the world, that kind.

751
00:40:03.920 --> 00:40:07.280
<v Speaker 5>Of thing, right. I was absolutely terrified of this thing.

752
00:40:08.000 --> 00:40:09.519
<v Speaker 5>I used to cry every time he came. At the

753
00:40:09.559 --> 00:40:11.320
<v Speaker 5>very start off the titles as a whistle, and every

754
00:40:11.320 --> 00:40:14.320
<v Speaker 5>time that whistle came, I started crying. I don't know

755
00:40:14.360 --> 00:40:15.960
<v Speaker 5>why my mom put it on week after week. I'll

756
00:40:15.960 --> 00:40:17.599
<v Speaker 5>be obvious with you I do not know why they

757
00:40:17.679 --> 00:40:18.679
<v Speaker 5>kept being put out there.

758
00:40:19.000 --> 00:40:19.679
<v Speaker 2>I was true.

759
00:40:19.719 --> 00:40:22.000
<v Speaker 5>Besides, I actually wrote a peace of bat for the

760
00:40:22.000 --> 00:40:22.920
<v Speaker 5>first one, and they didn't.

761
00:40:22.679 --> 00:40:24.159
<v Speaker 2>Make it in the end because we didn't have enough roote.

762
00:40:24.599 --> 00:40:28.480
<v Speaker 5>I discovered that when you see Skippy's hands doing anything,

763
00:40:29.000 --> 00:40:32.840
<v Speaker 5>what that actually is. They had a bit of a kangaroo,

764
00:40:33.440 --> 00:40:35.159
<v Speaker 5>a goat of kangaroos, and have a lot of kangaroos,

765
00:40:35.159 --> 00:40:37.760
<v Speaker 5>and they had a caul and rather than have a

766
00:40:37.800 --> 00:40:39.639
<v Speaker 5>big part of dead kangaroos, they thought, Joe, what well,

767
00:40:39.639 --> 00:40:41.440
<v Speaker 5>we're used as watch as we can, and they took

768
00:40:41.519 --> 00:40:45.840
<v Speaker 5>the arms and made them into novelty backscratches. They touted

769
00:40:45.840 --> 00:40:48.480
<v Speaker 5>the cards off the dead kangaroos and made them into

770
00:40:48.480 --> 00:40:51.519
<v Speaker 5>novesty backscratches. Every time you see your towns, that actually

771
00:40:51.719 --> 00:40:55.480
<v Speaker 5>Skippy's cousin if there murdered time turned into a novelty backscratcher.

772
00:40:56.159 --> 00:40:58.000
<v Speaker 1>When we love the show, we'll never get bored during

773
00:40:58.039 --> 00:41:00.119
<v Speaker 1>the shows. But we're doing this mostly the same thing

774
00:41:00.199 --> 00:41:02.840
<v Speaker 1>every time. But we loved the Q and A section.

775
00:41:03.280 --> 00:41:06.320
<v Speaker 1>It always starts off quiet because people are shy and

776
00:41:06.320 --> 00:41:08.400
<v Speaker 1>don't want to put the handle. But by the end

777
00:41:08.440 --> 00:41:10.800
<v Speaker 1>of it, after about twenty twenty five minutes, it's turned

778
00:41:10.840 --> 00:41:14.360
<v Speaker 1>into this mass group discussion and then we've all got

779
00:41:14.400 --> 00:41:16.760
<v Speaker 1>to go home. We've got an idea and we were

780
00:41:16.760 --> 00:41:19.840
<v Speaker 1>thinking about doing a one off show with a view

781
00:41:19.880 --> 00:41:22.119
<v Speaker 1>to see how well it does. Just a Q and

782
00:41:22.199 --> 00:41:24.920
<v Speaker 1>a just a group discussion. So we just have this

783
00:41:25.000 --> 00:41:28.920
<v Speaker 1>informal no plan, no script. We're calling call it the

784
00:41:28.960 --> 00:41:32.440
<v Speaker 1>Scardfully Support Group. Anyone who was damaged by the city,

785
00:41:32.920 --> 00:41:34.760
<v Speaker 1>who came and get your trauma out and we'll just

786
00:41:35.159 --> 00:41:37.599
<v Speaker 1>have a big group discussion and have a good old time.

787
00:41:38.360 --> 00:41:41.440
<v Speaker 4>They get the three books, you've got, the live show

788
00:41:41.480 --> 00:41:43.679
<v Speaker 4>that you do, and now tell me about the podcast.

789
00:41:44.480 --> 00:41:48.119
<v Speaker 5>We were contacted again. This is opportunity falling into our labs. Really,

790
00:41:48.280 --> 00:41:53.320
<v Speaker 5>we're contacted by a DJ from Absolute Radio which is

791
00:41:53.760 --> 00:41:55.880
<v Speaker 5>in London. He does a drive stash, a guy called

792
00:41:55.880 --> 00:41:57.239
<v Speaker 5>Andy Bush, and he says, do you want to do

793
00:41:57.280 --> 00:42:00.360
<v Speaker 5>a podcast? There's these great books we love to podcast.

794
00:42:00.440 --> 00:42:02.800
<v Speaker 5>So we said, yeah, I go on, then why not.

795
00:42:03.800 --> 00:42:06.920
<v Speaker 5>We put a call out for guests and I think

796
00:42:06.960 --> 00:42:09.159
<v Speaker 5>it's fair to safety. We've been amazed at the number

797
00:42:09.159 --> 00:42:10.159
<v Speaker 5>of people said yeah, well do it.

798
00:42:10.800 --> 00:42:14.400
<v Speaker 1>Most of it absolutely gobsmacked. This is the thing we've

799
00:42:14.440 --> 00:42:19.719
<v Speaker 1>got reeverals, celebrity followers on social media, and this is

800
00:42:19.760 --> 00:42:23.239
<v Speaker 1>the thing. We've just contacted them through social media and said,

801
00:42:23.280 --> 00:42:26.079
<v Speaker 1>would you like to do this? Do you know inside

802
00:42:26.159 --> 00:42:29.719
<v Speaker 1>Number nine and legal gentleman Mike, Yeah, we're Rishier Smith,

803
00:42:30.239 --> 00:42:33.719
<v Speaker 1>Jeremy Dyson, people like that would just said absolutely love

804
00:42:33.760 --> 00:42:37.800
<v Speaker 1>the books. We've discovered how many celebrity kind of fans

805
00:42:37.800 --> 00:42:41.320
<v Speaker 1>of the books through contacting them. So we've been blown

806
00:42:41.360 --> 00:42:43.559
<v Speaker 1>away by the reaction. It's been amazing. But the the

807
00:42:43.639 --> 00:42:46.639
<v Speaker 1>idea is we get famous people on it's talk about

808
00:42:46.719 --> 00:42:50.480
<v Speaker 1>their rear, their influences, the things they love. They listed

809
00:42:50.559 --> 00:42:52.760
<v Speaker 1>the three things that's guarded them for life as a kid,

810
00:42:52.960 --> 00:42:54.679
<v Speaker 1>so we get to find that out as well. So

811
00:42:54.719 --> 00:42:58.480
<v Speaker 1>we've got people who aren't necessarily famous, but they created

812
00:42:58.519 --> 00:43:01.440
<v Speaker 1>this stuff, so the listeners will know the stuff that

813
00:43:01.480 --> 00:43:04.280
<v Speaker 1>they created. Then you've got people like, like I said,

814
00:43:04.320 --> 00:43:08.320
<v Speaker 1>Rucey Sheersmith, a lot of buy famous British celebrities who

815
00:43:09.159 --> 00:43:11.440
<v Speaker 1>I didn't know. Loads of them would go oh, I'm

816
00:43:11.440 --> 00:43:14.119
<v Speaker 1>massively into video nasties and I'm like, really, so they

817
00:43:14.199 --> 00:43:16.920
<v Speaker 1>have this kind of secret love of horror. But I

818
00:43:16.960 --> 00:43:19.880
<v Speaker 1>think the nice thing Davis We've discovered out with Dave.

819
00:43:20.599 --> 00:43:23.920
<v Speaker 1>All these people are generally called on to chad shows

820
00:43:24.000 --> 00:43:27.000
<v Speaker 1>or podcasts to talk about this thing that they're famous for.

821
00:43:27.920 --> 00:43:30.599
<v Speaker 1>We certainly talk about that, but we want you to

822
00:43:30.639 --> 00:43:32.519
<v Speaker 1>talk about your love of horror. We want you to

823
00:43:32.519 --> 00:43:34.159
<v Speaker 1>talk about your love a video that it's the things

824
00:43:34.159 --> 00:43:35.960
<v Speaker 1>they never get a chance to talk about, and you

825
00:43:36.000 --> 00:43:39.559
<v Speaker 1>can see the passion come out, which is lovely. So

826
00:43:40.159 --> 00:43:44.440
<v Speaker 1>we've done two episodes of season two so far and

827
00:43:44.480 --> 00:43:45.760
<v Speaker 1>they've been amazing.

828
00:43:46.519 --> 00:43:48.320
<v Speaker 5>One of them is Grady Hendrix because he has on

829
00:43:48.400 --> 00:43:52.119
<v Speaker 5>his own Twitter anyway, So Grady Hendrix with a horror writer.

830
00:43:53.000 --> 00:43:56.480
<v Speaker 2>He was brilliant. He was absolutely pliers. Yeah, so.

831
00:43:57.960 --> 00:43:59.440
<v Speaker 5>That's gonna be a good listen when it comes out

832
00:43:59.519 --> 00:44:00.039
<v Speaker 5>early next.

833
00:44:00.039 --> 00:44:04.840
<v Speaker 1>You think, oh he was at Dela Light. Absolutely based

834
00:44:04.880 --> 00:44:07.599
<v Speaker 1>on the guests who've already had, we started contacting proper

835
00:44:07.639 --> 00:44:10.000
<v Speaker 1>a list does and they can only say no, So

836
00:44:10.840 --> 00:44:11.199
<v Speaker 1>why not?

837
00:44:12.000 --> 00:44:12.199
<v Speaker 2>Yeah?

838
00:44:12.199 --> 00:44:14.519
<v Speaker 5>I mean I contacted Ryan Reynolds with no hope. He's

839
00:44:14.519 --> 00:44:17.159
<v Speaker 5>don't actually get back to me at all. He's invested

840
00:44:17.199 --> 00:44:19.280
<v Speaker 5>in Wrexham and I am twenty four percent Welsh, so

841
00:44:19.760 --> 00:44:20.719
<v Speaker 5>I've got some hopes.

842
00:44:22.679 --> 00:44:24.679
<v Speaker 4>I don't imagine this is a full time gig or

843
00:44:24.800 --> 00:44:26.800
<v Speaker 4>is it. Do you guys have day jobs.

844
00:44:27.639 --> 00:44:30.480
<v Speaker 5>I choose their children for maths because I've got a

845
00:44:30.480 --> 00:44:33.159
<v Speaker 5>maths degree and that's what I was doing for many years.

846
00:44:33.280 --> 00:44:36.280
<v Speaker 5>I was a private tutor. I would ideally like to

847
00:44:36.280 --> 00:44:37.800
<v Speaker 5>this full time, to be honest with you, because it's

848
00:44:37.840 --> 00:44:40.519
<v Speaker 5>watched for for and about maths.

849
00:44:41.199 --> 00:44:44.599
<v Speaker 1>What I worked in Forbidden Planet for twenty three years

850
00:44:44.840 --> 00:44:49.639
<v Speaker 1>until twenty twenty, then kind of worked eighteen months in

851
00:44:49.679 --> 00:44:52.400
<v Speaker 1>a gaming cafe in town in Liverpool City Center. But

852
00:44:53.239 --> 00:44:56.639
<v Speaker 1>my kind of day job, I'm an illustrator digital artist.

853
00:44:56.719 --> 00:45:00.000
<v Speaker 1>I work for a walk gaming company called Crooked Dice.

854
00:45:00.519 --> 00:45:06.400
<v Speaker 1>It's Warhammer forty thousand little miniatures fighting except it's based

855
00:45:06.400 --> 00:45:09.519
<v Speaker 1>around on the TV characters from the seventies and eighties.

856
00:45:09.559 --> 00:45:12.119
<v Speaker 1>So it's an absolute dream job. So you've got kind

857
00:45:12.119 --> 00:45:16.239
<v Speaker 1>of relator versus night Rider, that kind of thing. I

858
00:45:16.480 --> 00:45:19.000
<v Speaker 1>do the box art on the character cards and stuff

859
00:45:19.039 --> 00:45:19.400
<v Speaker 1>like that.

860
00:45:20.000 --> 00:45:23.360
<v Speaker 4>Is that why the books look so good? Especially those covers?

861
00:45:23.920 --> 00:45:24.519
<v Speaker 1>Oh bless you?

862
00:45:24.679 --> 00:45:25.480
<v Speaker 2>It was? Yeah.

863
00:45:25.519 --> 00:45:27.519
<v Speaker 1>I designed one and two. I never had the time

864
00:45:27.599 --> 00:45:30.000
<v Speaker 1>to paint to cover until volume three, but I painted

865
00:45:30.000 --> 00:45:32.400
<v Speaker 1>the cover to Bollime three and lay them out. It's

866
00:45:32.480 --> 00:45:34.320
<v Speaker 1>just stuff I enjoy and get paid for.

867
00:45:35.079 --> 00:45:37.320
<v Speaker 5>They're based on specific things arely those stay. Their first

868
00:45:37.320 --> 00:45:40.000
<v Speaker 5>covers based on I think it's Countdown Annual, isn't it,

869
00:45:40.360 --> 00:45:42.360
<v Speaker 5>and the second one's based on Smash It's.

870
00:45:43.039 --> 00:45:44.440
<v Speaker 1>Yeah, that's right.

871
00:45:44.519 --> 00:45:44.679
<v Speaker 2>Yeah.

872
00:45:44.760 --> 00:45:47.159
<v Speaker 1>It was a British comic from the seventies called Countdown.

873
00:45:47.400 --> 00:45:49.320
<v Speaker 1>It was a very specific design for Want of the

874
00:45:49.360 --> 00:45:53.519
<v Speaker 1>Annuals Volume two the eighties. It's based on a music

875
00:45:53.599 --> 00:45:57.320
<v Speaker 1>magazine called Smash Hit, which had very distinctive design. Chanson

876
00:45:57.400 --> 00:46:00.639
<v Speaker 1>Volume three is based on a British comic called Looking,

877
00:46:00.880 --> 00:46:02.960
<v Speaker 1>which was based on film and TV stuff from the

878
00:46:03.000 --> 00:46:07.639
<v Speaker 1>seventies and eighties. So British readers immediately go, ah, I

879
00:46:07.679 --> 00:46:09.519
<v Speaker 1>know what you've done there any thing Kndaly.

880
00:46:10.039 --> 00:46:12.639
<v Speaker 4>I recognize Smash Hits. I didn't recognize the other two.

881
00:46:13.119 --> 00:46:16.159
<v Speaker 4>So what is your guys' link tree? Where can people

882
00:46:16.159 --> 00:46:17.360
<v Speaker 4>go to find out more information?

883
00:46:18.119 --> 00:46:20.639
<v Speaker 2>It's just a link tree for Slash Scarf for Life.

884
00:46:21.360 --> 00:46:22.639
<v Speaker 5>If you want to buy the books, you go to

885
00:46:22.719 --> 00:46:24.920
<v Speaker 5>Lulu dot com and just type in Scarf Life finds

886
00:46:24.960 --> 00:46:26.559
<v Speaker 5>once or three and you'll find the.

887
00:46:27.400 --> 00:46:31.440
<v Speaker 1>Podcast is on a Google scard for Life podcast and

888
00:46:31.480 --> 00:46:32.239
<v Speaker 1>you'll find it there.

889
00:46:32.960 --> 00:46:36.039
<v Speaker 5>Yeah, that's the same we wereye on Spotify and Apples

890
00:46:36.320 --> 00:46:37.039
<v Speaker 5>you will find us.

891
00:46:37.800 --> 00:46:39.960
<v Speaker 4>Stephen Dave, thank you so much for your time. This

892
00:46:40.039 --> 00:46:41.760
<v Speaker 4>has been so nice talking with you guys.

893
00:46:42.760 --> 00:46:45.880
<v Speaker 1>It's been lovely. There's a British comedian called Ken Dodd

894
00:46:46.320 --> 00:46:49.840
<v Speaker 1>who ran for decades, but he was famous. His live

895
00:46:49.880 --> 00:46:53.599
<v Speaker 1>shows would run for six al because he loved the

896
00:46:53.760 --> 00:46:56.159
<v Speaker 1>bolling so much. But I think this is the problem

897
00:46:56.239 --> 00:46:57.920
<v Speaker 1>me and Dave. If we can talk all day, we

898
00:46:58.039 --> 00:47:00.119
<v Speaker 1>look we just once you started.

899
00:46:59.840 --> 00:47:03.400
<v Speaker 5>As absolutely well, le'll just keep going that. We don't stop.

900
00:47:03.400 --> 00:47:06.760
<v Speaker 5>We can do another ten hours here, keep absolutely yeah.

901
00:47:07.519 --> 00:47:09.440
<v Speaker 1>Yeah, but it's been lovely.

902
00:47:28.039 --> 00:47:40.599
<v Speaker 6>Shut shelters to get away.

903
00:47:42.000 --> 00:47:49.199
<v Speaker 7>The boys are going, tell us general is a party time?

904
00:47:51.280 --> 00:47:57.320
<v Speaker 7>If it is, can you're gone starting to weed on all.

905
00:48:00.119 --> 00:48:01.960
<v Speaker 7>Don't think they're weird. I'm tired.

906
00:48:04.639 --> 00:48:06.360
<v Speaker 1>Don't think who's too smooth?

907
00:48:09.159 --> 00:48:12.639
<v Speaker 7>It's not less after crying saying it's some.

908
00:48:12.880 --> 00:48:32.960
<v Speaker 8>Mistake, it's sounderstand it's sound mistake, it's understand. After the laughter,

909
00:48:33.480 --> 00:48:37.400
<v Speaker 8>let's die away all the bias.

910
00:48:38.000 --> 00:48:44.039
<v Speaker 7>They're fine, No surface notice, no not much time said.

911
00:48:45.599 --> 00:48:47.559
<v Speaker 2>You got the bad guys on the road.

912
00:48:49.960 --> 00:48:55.320
<v Speaker 1>Don't try to say you're sorry. Don't say he tore

913
00:48:55.599 --> 00:48:56.159
<v Speaker 1>his girl.

914
00:48:59.000 --> 00:48:59.880
<v Speaker 5>They've gone and grab.

915
00:49:00.199 --> 00:49:01.519
<v Speaker 1>Don't doty.

916
00:49:03.519 --> 00:49:06.599
<v Speaker 3>He's not the only one seen.

917
00:49:06.679 --> 00:49:21.199
<v Speaker 8>Its SERVI stay. It's sunderstand. It's so mistake. It's sunderstand.

918
00:49:26.000 --> 00:49:28.800
<v Speaker 7>Sell us, commander, what do you think?

919
00:49:30.639 --> 00:49:31.880
<v Speaker 8>So you know that you love me?

920
00:49:32.000 --> 00:49:32.039
<v Speaker 6>Know?

921
00:49:32.280 --> 00:49:32.320
<v Speaker 8>That?

922
00:49:35.760 --> 00:49:36.800
<v Speaker 7>Is it on them?

923
00:49:36.639 --> 00:49:37.800
<v Speaker 6>I'll be on the bridge.

924
00:49:39.880 --> 00:49:44.840
<v Speaker 7>We should all throw in the tower. They'll not fight

925
00:49:44.960 --> 00:49:50.880
<v Speaker 7>out to school, not in the spinest dollar.

926
00:49:53.320 --> 00:49:54.239
<v Speaker 2>Something you'll fail.

927
00:49:57.719 --> 00:49:59.559
<v Speaker 5>Listen the card and flower.

928
00:50:00.039 --> 00:50:03.880
<v Speaker 6>It's sound Stay.

929
00:50:05.360 --> 00:50:16.199
<v Speaker 8>It's understand its soundstay, its sounderstand.

930
00:50:19.760 --> 00:51:00.400
<v Speaker 4>It sounds stay.

931
00:51:01.559 --> 00:51:07.000
<v Speaker 1>That's all the stuff. It's some story that's a stop.

932
00:51:08.239 --> 00:51:10.920
<v Speaker 4>It's so the sturn that's all.

933
00:51:12.719 --> 00:51:16.000
<v Speaker 1>It's so the stay that's on the stop.

934
00:51:16.840 --> 00:51:22.719
<v Speaker 3>And it's so stay sound it so the space.

935
00:51:23.840 --> 00:51:27.159
<v Speaker 1>That's a good stuff that's on the story.
