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<v Speaker 1>Our stories are based upon the character of Sherlock Holmes,

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<v Speaker 1>created by Sir Arthur Colan Doyle. Sherlock Holmes is portrayed

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<v Speaker 1>by John Stanley, Doctor Watson by Alfred Shirley, and the

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<v Speaker 1>dramatizations are by Edith Miser.

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<v Speaker 2>Well.

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<v Speaker 3>Here we are again in doctor Watson's study.

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<v Speaker 1>We find him seated in a large armchair in front

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<v Speaker 1>of a crackling fire.

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<v Speaker 2>Good evening, mister Henry. Good evening, doctor Watson.

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<v Speaker 4>Now don't get up.

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<v Speaker 1>You look very comfortable right where you are, and from

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<v Speaker 1>the rightness of your cheeks, i'd say you've had a

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<v Speaker 1>good day off in the country somewhere.

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<v Speaker 2>That's where you are wrong, mister Harrison.

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<v Speaker 5>I've been doing museums most of the day and it's

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<v Speaker 5>very tading works, especially with two small boys.

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<v Speaker 2>Internally, I should think so. But where did you collect

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<v Speaker 2>the kindergarten, doctor, which was abrasive?

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<v Speaker 5>Nephews of mine I was helping along with that education

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<v Speaker 5>in her It's a customer in my families that the

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<v Speaker 5>uncles must take the nephews museum visiting once here having

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<v Speaker 5>mender as a boy being dragged from miles of our galleries.

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<v Speaker 4>But doctor weren't you ever taken to the British music.

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<v Speaker 5>Oh, yes, and to Madame Trussell's. But the Tar of

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<v Speaker 5>London was my favorite. The uncle who took me there

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<v Speaker 5>was quite a fancier of precious stones. He explained the

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<v Speaker 5>history of every jewel in the Crown's collection.

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<v Speaker 1>That must have been an education in itself, they say,

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<v Speaker 1>every famous gem, he's a trail of bloodshed and high

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<v Speaker 1>adventure across the pages of history. And by the way,

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<v Speaker 1>isn't your story tonight about a famous jewel?

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<v Speaker 2>Oh?

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<v Speaker 5>Yes, that is what reminded me so strong. You have

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<v Speaker 5>my boyhood visits to the Tar. The famous Mazarin stone

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<v Speaker 5>I'm going to tell you about had a history that

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<v Speaker 5>would make your hair curl him me a little? Did

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<v Speaker 5>I think when I saw it as a boy that

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<v Speaker 5>I would ever hold that great yellow beauty?

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<v Speaker 3>In Marin and Fritz Garten?

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<v Speaker 4>Did you, doctor?

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<v Speaker 2>Oh?

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<v Speaker 5>Before I tell you that, mister Haris, suppose I give

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<v Speaker 5>you a few moments to see a few words about

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<v Speaker 5>our sponsor's most estimable product.

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<v Speaker 1>Thank you, doctor Watson. As you put it, sir, it

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<v Speaker 1>is indeed an estimable product. So esteam, may I say

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<v Speaker 1>that beginning in nineteen forty eight over one thousand leading

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<v Speaker 1>stories from coast to coast are clipper craft dealers. To

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<v Speaker 1>be exact, there are ten hundred thirty six such distinguished establishments.

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<v Speaker 1>Those leading stores across the country are, of course, the

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<v Speaker 1>key to the amazing values so unique.

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<v Speaker 2>To clipper craft clothes.

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<v Speaker 1>The ten hundred thirty six leading stores are part of

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<v Speaker 1>the famous clipper craft plans. In this plan, their buying

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<v Speaker 1>power is concentrated to affect tremendous savings in manufacturing and

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<v Speaker 1>distribution costs, savings.

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<v Speaker 3>Which are all yours.

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<v Speaker 1>That's why truly fine clipper craft suits are only forty

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<v Speaker 1>and forty five dollars, Why clipper craft top coats and

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<v Speaker 1>overcoats are only forty dollars, and sport jackets only twenty

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<v Speaker 1>six fifty clipper Craft values are truly out of this world.

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<v Speaker 1>Compare them with clothes selling for many dollars more. And now,

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<v Speaker 1>doctor Watson, let's get back to the story of the

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<v Speaker 1>Masterine Stone.

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<v Speaker 2>Yes, let me see where was I? Oh?

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<v Speaker 5>Yes, I'd been married some years and had resumed my

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<v Speaker 5>practice when one snowy winter afternoon one of my calls

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<v Speaker 5>took me in the neighborhood of Baker street. I couldn't

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<v Speaker 5>resist the temptation to drop in and find out for

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<v Speaker 5>myself what my colleague Sherlock.

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<v Speaker 2>Holmes was up to. As I stood there in a

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<v Speaker 2>fall in.

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<v Speaker 5>Snow, waiting for some wont of answer the bell, I

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<v Speaker 5>danced up at the window of his study, and there

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<v Speaker 5>I saw the thin nose and saturnine features of the

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<v Speaker 5>great detective. He was apparently deeply engrossed to the book. Basently,

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<v Speaker 5>the door was opened, and there stood Missus Hudson.

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<v Speaker 6>Well, bless my soulid if it isn't the doctor, Good

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<v Speaker 6>day you, sir, it's a pleasant seeing you again.

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<v Speaker 5>Why missus Hudson, you're looking as beautiful as ever you.

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<v Speaker 2>You don't change at all.

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<v Speaker 7>No, I do you, sir? You and your blandy.

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<v Speaker 2>How is the great man himself him?

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<v Speaker 7>He's in bed asleep, I think, But.

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<v Speaker 2>I just saw him through the window, So.

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<v Speaker 7>That fool you too, that's not him. What do you mean,

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<v Speaker 7>just you be going upstairs and find out for yourself.

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<v Speaker 6>I'm not the one to be given secrets away, least

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<v Speaker 6>of all mister Holme's secret.

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<v Speaker 5>So he's asleep in the middle of the afternoon. Yes, sir,

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<v Speaker 5>I suppose that means a case.

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<v Speaker 6>Yes, sir, he's hard at it now and he's getting

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<v Speaker 6>thinner and thinner.

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<v Speaker 7>When will it be pleased to die?

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<v Speaker 6>And mister Holmes, sir, I'll ask him seven thirty the

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<v Speaker 6>day after tomorrow.

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<v Speaker 7>He'll say.

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<v Speaker 6>You know his way when he's on a case. I

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<v Speaker 6>seem to remember he's a hollering someone.

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<v Speaker 2>Don't say yes, sir.

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<v Speaker 6>Yesterday he was out dressed like a workman looking for

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<v Speaker 6>a job.

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<v Speaker 7>Today he was an old woman.

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<v Speaker 6>Fair took me and he did, And Lord knows I

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<v Speaker 6>ought to be known his ways.

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<v Speaker 7>By now you'll see his old.

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<v Speaker 6>Woman's umbrella leaning up against the sofa in his study.

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<v Speaker 2>Dear mean, and what is this case it's all about?

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<v Speaker 6>Well, I don't mind telling you, sir, but mind you

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<v Speaker 6>don't let it go any farther.

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<v Speaker 1>Cross my heart, missus Hudson, very well.

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<v Speaker 6>In the case of the crown diamond, what the one

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<v Speaker 6>hundred thousand pounds Burgary, Yes, sir, and mister Holmes is

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<v Speaker 6>getting it back for him.

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<v Speaker 7>Why would you believe it?

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<v Speaker 6>Yesterday we had the Prime Minister and the Home Secretary

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<v Speaker 6>is sitting on mister holmes sofa, both at the same time.

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<v Speaker 5>Why hope it stood up under the stream, and how

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<v Speaker 5>did the homes behave two such famous persons on the

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<v Speaker 5>couch him?

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<v Speaker 7>He was very nice to them and put them right

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<v Speaker 7>at their ease.

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<v Speaker 2>Indyed, yes, sir.

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<v Speaker 6>Then there was old Lord cantro Mere. Oh you know

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<v Speaker 6>what that means.

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<v Speaker 7>He's a stiff.

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<v Speaker 6>And if I do say so, I can get along

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<v Speaker 6>with the Prime Minister. And I have nothing against the

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<v Speaker 6>Home Secretary. He seems an obliging sort of man with

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<v Speaker 6>a civil tongue in his head. But I can't abide

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<v Speaker 6>his lordship poor fellow, yes, sir, and other can mister Holmes.

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<v Speaker 6>You see, you don't believe in mister Holmes, and he's

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<v Speaker 6>against employing him.

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<v Speaker 7>He'd rather he failed.

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<v Speaker 2>Does Holmes know that?

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<v Speaker 7>Do you think mister Holmes knows whatever there is to know?

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<v Speaker 2>Oh?

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<v Speaker 5>Absolutely? But I say perhaps I had better not wake any.

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<v Speaker 2>I wish you would, sir.

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<v Speaker 6>He has not had a bite to eat since yesterday noons,

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<v Speaker 6>and then only a sandwich with a glass of milk.

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<v Speaker 7>And I don't dare speak to him about it. You

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<v Speaker 7>know what he's like, sir, when he's busy on a case.

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<v Speaker 5>Well, suppose I grew up and beard the lion in

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<v Speaker 5>his den. Heh Holmes, I say, Holmes, are you awake?

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<v Speaker 2>He must be asleep.

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<v Speaker 5>Well I'll go in anyway, Oh say, old place and

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<v Speaker 5>the same old litter, scientific charts, chemicals, violin pipes, papers,

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<v Speaker 5>all indigally. There's the old boy himself snoozing in the

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<v Speaker 5>armchair in front of the window.

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<v Speaker 2>I thought I saw him from the street. I could

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<v Speaker 2>just go over and tweak in the air. What's can

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<v Speaker 2>come away from that window? What good gracious homes you

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<v Speaker 2>gave me a.

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<v Speaker 1>Start away from that window? If you value your life, well,

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<v Speaker 1>they've well very well. But I say, hose, this is

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<v Speaker 1>all very confusing here.

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<v Speaker 5>I see you sitting in your armchair and suddenly you

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<v Speaker 5>pop out of me from your bedroom door.

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<v Speaker 2>Since when have.

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<v Speaker 1>You been twins? Yes, it is rather a startling like

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<v Speaker 1>missus ni likeness. Yes, it's a wax image of me.

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<v Speaker 1>I'm expecting to get a bullet through the beautiful head

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<v Speaker 1>at any moment. Would you mind drawing the blinds without

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<v Speaker 1>exposing yourself?

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<v Speaker 2>All right, it's bet n Now I can come into

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<v Speaker 2>the room. Yes, But why all this hocus pocus.

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<v Speaker 1>I'm being watched from a window across the street by

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<v Speaker 1>a gentleman with an unpleasantly efficient air gun. Yes, Watson,

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<v Speaker 1>you come at a critical moment. Yes, sir, I gather

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<v Speaker 1>how far am I justified in allowing you to share

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<v Speaker 1>this danger with me?

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<v Speaker 2>I wonder danger? What kind of danger?

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<v Speaker 3>Sudden death?

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<v Speaker 1>I'm expecting something this evening, expecting what to be murdered?

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<v Speaker 2>Watson? Or what you got joking?

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<v Speaker 1>Even my limited sense of humor could produce a better

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<v Speaker 1>joke than that. Perhaps you'd better go whither still time,

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<v Speaker 1>my dear Holmes.

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<v Speaker 5>You couldn't get me out of here now at the

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<v Speaker 5>point of a revolver.

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<v Speaker 1>Good, But sit down, sit down, may as well be

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<v Speaker 1>comfortable in the meantime, I'm aout a.

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<v Speaker 2>Pipe and a glass of brandy. They have to take

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<v Speaker 2>the place of food these days, but why not eat?

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<v Speaker 1>The faculty has become refined when you starve the rubbish.

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<v Speaker 1>What your digestion gains in the way of blood supply

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<v Speaker 1>is so much lost to the brain present. I'm all brain,

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<v Speaker 1>But this danger, Holmes, his name is Sylvius.

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<v Speaker 2>That are write down?

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<v Speaker 1>Count Negretto Sylvius one three six more side gardens northwest.

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<v Speaker 1>We've got it, yes, good, you can give it to

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<v Speaker 1>Scotland yard with my love and a parting blessing in

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<v Speaker 1>case the murderer is successful.

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<v Speaker 2>Look here, Holmes, I'm in all this. I had nothing

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<v Speaker 2>to do for a day or two.

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<v Speaker 1>Your models don't improve, Watson. Now you've added fipping to

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<v Speaker 1>your other vices. You bear every sign of the busy

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<v Speaker 1>medical man.

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<v Speaker 2>Oh to blaze it with that? I say, can't you

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<v Speaker 2>have this fellow arrested? Yes? I can. That's why he's

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<v Speaker 2>determined to kill me. Well, then why don't you?

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<v Speaker 1>Because I don't know where he's hidden the confounded diamond.

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<v Speaker 5>Oh yes, Missus Hudson told me the missing crown jewel.

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<v Speaker 1>I've cast my neck, Watson, and got my fish. What's

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<v Speaker 1>the use of catching them? With the jewels slipped through

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<v Speaker 1>my fingers?

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<v Speaker 5>And is this Count Sylvia's one of your so called fish.

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<v Speaker 1>Yes, he's the shark. The other is Sam Merton, the boxer.

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<v Speaker 1>He's the Count's tool. Sam's not a shark, he's a

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<v Speaker 1>great bullheaded gudgelan. Come in, come in, ah, Missus Hudson,

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<v Speaker 1>What is it a gentleman downstairs?

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<v Speaker 7>See, he says, here's his card, the.

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<v Speaker 1>Gretto sil Well, well, so the old shark is grasping

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<v Speaker 1>the metal.

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<v Speaker 5>Eh Er, that metaphor is a trifle mixed terms.

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<v Speaker 1>Show him up, missus Hudson when I ring if I'm

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<v Speaker 1>not in the room, Show him up, all the same

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00:10:12.080 --> 00:10:15.200
<v Speaker 1>man of nerve Putson. Possibly you've heard of his reputation

220
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<v Speaker 1>as a big game hunter. What a triumphant ending to

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00:10:18.080 --> 00:10:20.320
<v Speaker 1>his sporting record. If he succeeds in adding me to

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<v Speaker 1>his bag, this is proof that he feels my breath

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<v Speaker 1>uncomfortably hot on his neck.

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<v Speaker 2>Look here, why not send for the police? Not yet?

225
00:10:26.639 --> 00:10:29.720
<v Speaker 1>Not quite yet the ticket. Glance out of the window, Watson,

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<v Speaker 1>to see if anyone's hanging about.

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<v Speaker 2>Yes, there's one rough looking fellow near the door. That

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<v Speaker 2>will be Sam.

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<v Speaker 5>They fool bit fatuous, I say, look here, Hose, this

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<v Speaker 5>is serious. I insist I'm staying with you, but you'll

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<v Speaker 5>be in the way, in his way. No, in mind,

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<v Speaker 5>Well I'm not going to budge, and well we'll compromise.

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<v Speaker 5>You shall stay in the bedroom within call in case

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<v Speaker 5>I need you.

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<v Speaker 2>Yes, but home along.

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<v Speaker 1>It's essential that this room be empty when the Count

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<v Speaker 1>enters it. He's come for his own purpose, but he

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<v Speaker 1>may stay for mine. Hurry, I think I hear his

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<v Speaker 1>step on the stairs.

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<v Speaker 7>Oh he's not in here. Sift your step in. I'm

241
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<v Speaker 7>sure you'll be back in a moment.

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<v Speaker 4>Many thanks, and certainly.

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<v Speaker 2>So.

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<v Speaker 8>This is his damn n his bottles and his papers

245
00:11:16.600 --> 00:11:22.559
<v Speaker 8>and all the rest of his hocus pocus. Softly, Sylvia, softly,

246
00:11:23.279 --> 00:11:25.480
<v Speaker 8>there's the old vulture himself asleep.

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<v Speaker 2>In his chair.

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<v Speaker 1>But lucky so he one tap from my gold headed cane.

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<v Speaker 2>Don't it? Can't brig it?

250
00:11:32.279 --> 00:11:35.440
<v Speaker 1>Holmes, you'll quite I trust you were expecting someone else.

251
00:11:36.399 --> 00:11:40.039
<v Speaker 1>I see you've been admiring my wax figure. Pretty little thing,

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00:11:40.080 --> 00:11:43.320
<v Speaker 1>isn't it? Tardanie made it. He's almost as good at

253
00:11:43.360 --> 00:11:45.279
<v Speaker 1>waxworks as your friend Straban's a Is it?

254
00:11:45.360 --> 00:11:46.039
<v Speaker 3>Air guns?

255
00:11:46.759 --> 00:11:47.440
<v Speaker 4>Air guns?

256
00:11:48.080 --> 00:11:49.320
<v Speaker 2>What do you mean? First?

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<v Speaker 1>Put your hat and stick on the side table. Thank you, Now, pray,

258
00:11:57.200 --> 00:11:59.080
<v Speaker 1>take a seat. That's you'd like to put your a

259
00:11:59.120 --> 00:12:01.879
<v Speaker 1>Farvard on the table too, erm no, you prefer to

260
00:12:01.879 --> 00:12:06.679
<v Speaker 1>sit on Well, this visit is most opportune. I want

261
00:12:06.720 --> 00:12:09.440
<v Speaker 1>a few minutes chat with you. Good, I too, wish

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00:12:09.480 --> 00:12:11.639
<v Speaker 1>to have some words with you. May I ask why

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00:12:11.720 --> 00:12:13.039
<v Speaker 1>all these personal attentions?

264
00:12:13.159 --> 00:12:14.200
<v Speaker 4>Because you annoy me.

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00:12:14.679 --> 00:12:16.960
<v Speaker 1>You have put your creatures on my tracks, my creatures,

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<v Speaker 1>I assure you no nonsense.

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<v Speaker 4>Have them followed.

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<v Speaker 8>Two can played that game, my friend. Yesterday there was

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<v Speaker 8>a sporting old gentleman. To day it was an elderly woman, you.

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00:12:26.679 --> 00:12:29.679
<v Speaker 1>Flatter, may Count Old Baron Dawson said the night before

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00:12:29.720 --> 00:12:31.679
<v Speaker 1>he was hanged. But in my case, what the law

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00:12:31.799 --> 00:12:35.360
<v Speaker 1>had gained, the stage had lost, And now you praised

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00:12:35.360 --> 00:12:36.320
<v Speaker 1>my impersonations.

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00:12:37.240 --> 00:12:41.440
<v Speaker 2>Dear me, it was you, you yourself. Quite there's the old.

275
00:12:41.399 --> 00:12:43.279
<v Speaker 1>Lady's umbrella you were gracious enough to hand back to

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00:12:43.320 --> 00:12:45.080
<v Speaker 1>me when we collided in the mineries this morning.

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<v Speaker 3>If I don'ly know, I would never have seen this

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<v Speaker 3>humble home again.

279
00:12:48.480 --> 00:12:48.600
<v Speaker 2>Eh.

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00:12:49.360 --> 00:12:52.159
<v Speaker 1>Oh, well, we all have our neglected opportunities. You admit

281
00:12:52.240 --> 00:12:55.840
<v Speaker 1>you have dubbed me why you used to shoot lions

282
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<v Speaker 1>in Algeria?

283
00:12:57.000 --> 00:12:57.240
<v Speaker 4>Well?

284
00:12:57.480 --> 00:13:02.720
<v Speaker 1>But why why the spot, the excitement, the danger, and

285
00:13:02.879 --> 00:13:04.600
<v Speaker 1>no doubt, to free the country from the pest.

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00:13:04.679 --> 00:13:05.080
<v Speaker 2>Exactly?

287
00:13:05.320 --> 00:13:08.519
<v Speaker 1>Well, those are my reasons in the nutshell you did.

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00:13:08.879 --> 00:13:10.519
<v Speaker 1>I'll show your sit down, sit down at once, and

289
00:13:10.559 --> 00:13:14.559
<v Speaker 1>take your hand from your hippocket. Better, there's another more

290
00:13:14.600 --> 00:13:18.799
<v Speaker 1>practical reason I want that diamond. Fancy that your reason

291
00:13:18.840 --> 00:13:20.399
<v Speaker 1>in coming here is to find out how much I know?

292
00:13:20.720 --> 00:13:23.919
<v Speaker 1>So you may judge how far my removal is necessary? Well,

293
00:13:23.919 --> 00:13:26.519
<v Speaker 1>as you say, from your point of view, it's quite essential.

294
00:13:27.600 --> 00:13:28.200
<v Speaker 4>Absolutely.

295
00:13:28.519 --> 00:13:30.879
<v Speaker 2>In short, there's only one thing I do not know.

296
00:13:31.200 --> 00:13:32.799
<v Speaker 4>And what is the missing fact?

297
00:13:33.000 --> 00:13:36.639
<v Speaker 3>If I may inquire, where is the crown diamond hidden?

298
00:13:37.120 --> 00:13:37.480
<v Speaker 4>Dear me?

299
00:13:37.960 --> 00:13:38.480
<v Speaker 2>So that's it.

300
00:13:39.480 --> 00:13:40.679
<v Speaker 4>Suppose I don't know, You.

301
00:13:40.679 --> 00:13:42.960
<v Speaker 1>Can't bluff me, you'll yes, your absolutely plate class I

302
00:13:42.960 --> 00:13:44.320
<v Speaker 1>can see at the very back of your mind.

303
00:13:44.480 --> 00:13:48.159
<v Speaker 4>Really well, then of course you see where the diamond is.

304
00:13:48.320 --> 00:13:49.360
<v Speaker 2>You know then you admitted it.

305
00:13:49.799 --> 00:13:50.720
<v Speaker 4>I have nothing more.

306
00:13:50.919 --> 00:13:54.759
<v Speaker 1>Come, come be reasonable. If not, your get hurt.

307
00:13:56.720 --> 00:13:59.960
<v Speaker 8>And you talk to me about love. You see the

308
00:14:00.120 --> 00:14:02.960
<v Speaker 8>notebook suredly you know what I keep in it. No,

309
00:14:03.279 --> 00:14:05.799
<v Speaker 8>I don't pretend to be a mind reader. This book

310
00:14:06.120 --> 00:14:08.639
<v Speaker 8>is you me, yes, you, every move of.

311
00:14:08.639 --> 00:14:11.159
<v Speaker 2>Your fifteen dangerous life. The no homes, there are limits

312
00:14:11.200 --> 00:14:12.480
<v Speaker 2>to my patients. Sits here, all of it.

313
00:14:12.600 --> 00:14:14.639
<v Speaker 3>The real facts in the death of missus Harold left

314
00:14:14.679 --> 00:14:14.840
<v Speaker 3>to the.

315
00:14:14.840 --> 00:14:18.039
<v Speaker 1>Primer estate fabrication, the complete life history of miss Minie Warrender.

316
00:14:18.120 --> 00:14:20.919
<v Speaker 2>You can't prove anything, and plenty more. Here's the robbery,

317
00:14:20.960 --> 00:14:22.480
<v Speaker 2>and the train just looks to the Riviera.

318
00:14:22.639 --> 00:14:25.519
<v Speaker 1>On February the thirteenth, eighteen ninety two the forge check

319
00:14:25.559 --> 00:14:27.559
<v Speaker 1>on the critilione. No you're wrong there, then I am

320
00:14:27.639 --> 00:14:31.480
<v Speaker 1>right about the others. Now they come, you're a card

321
00:14:31.519 --> 00:14:34.519
<v Speaker 1>player and the other fellow has all the trumps. Time

322
00:14:34.600 --> 00:14:35.440
<v Speaker 1>to throw in your hands?

323
00:14:35.559 --> 00:14:36.639
<v Speaker 2>What connection is all this for?

324
00:14:36.720 --> 00:14:37.399
<v Speaker 4>The theft of the crown?

325
00:14:37.480 --> 00:14:41.679
<v Speaker 1>Your patients, My dear fellow patience. I had the cabman

326
00:14:41.679 --> 00:14:44.080
<v Speaker 1>who took you to white Wall, the one who drove

327
00:14:44.120 --> 00:14:46.440
<v Speaker 1>you away. I had the commissionaire who saw you near

328
00:14:46.480 --> 00:14:48.639
<v Speaker 1>the case that proves nothing. I have Hikey Sanders.

329
00:14:50.200 --> 00:14:52.759
<v Speaker 3>I yes, Hike Sanders, who refused to cut it up

330
00:14:52.799 --> 00:14:52.960
<v Speaker 3>for you.

331
00:14:53.399 --> 00:14:55.200
<v Speaker 2>Hike has peached Ike.

332
00:14:56.879 --> 00:14:59.240
<v Speaker 1>Oh wait till I if my that is the hand

333
00:14:59.279 --> 00:15:03.840
<v Speaker 1>I played from only one card is missing the athy time,

334
00:15:03.960 --> 00:15:07.639
<v Speaker 1>you'll never get it. No, sitter, You're going to be

335
00:15:07.720 --> 00:15:10.200
<v Speaker 1>locked up for twenty years. You want Sam, perhaps longer.

336
00:15:10.759 --> 00:15:13.159
<v Speaker 1>What good will the diamond beat you? Then none in

337
00:15:13.200 --> 00:15:15.879
<v Speaker 1>the world. Now we don't want you, and we don't

338
00:15:15.919 --> 00:15:17.960
<v Speaker 1>want Sam. We want the diamond.

339
00:15:18.639 --> 00:15:20.320
<v Speaker 3>Give it up, and as far as we are concerned,

340
00:15:20.360 --> 00:15:21.000
<v Speaker 3>you are free if you.

341
00:15:21.039 --> 00:15:22.080
<v Speaker 2>Behave yourself in the future.

342
00:15:22.919 --> 00:15:26.080
<v Speaker 1>My commission is to get the stone, not you, and

343
00:15:26.399 --> 00:15:29.919
<v Speaker 1>if I refuse, then it will be you and not

344
00:15:30.039 --> 00:15:33.000
<v Speaker 1>the stone. I think it might be as well to

345
00:15:33.039 --> 00:15:35.919
<v Speaker 1>have your friend Sam at this conference. He's waiting outside

346
00:15:35.960 --> 00:15:37.960
<v Speaker 1>in the street because you tap on the window and

347
00:15:38.000 --> 00:15:38.720
<v Speaker 1>motion him to come up.

348
00:15:39.159 --> 00:15:41.120
<v Speaker 2>Oh, missus hudsonill let to let him in. She's quite

349
00:15:41.200 --> 00:15:42.799
<v Speaker 2>used to my receiving curious characters.

350
00:15:43.720 --> 00:15:53.600
<v Speaker 4>Very well, he's coming. Now, what are you going to do?

351
00:15:54.200 --> 00:15:56.519
<v Speaker 2>I have a shark and a gudgeon in my debt.

352
00:15:56.960 --> 00:15:57.960
<v Speaker 2>Now I'm drawing it.

353
00:15:58.799 --> 00:16:02.120
<v Speaker 3>And up they come together. You will never die in

354
00:16:02.279 --> 00:16:06.080
<v Speaker 3>your bed homes? Does it matter very much? It's no

355
00:16:06.200 --> 00:16:07.360
<v Speaker 3>use fingering your pistol, my friend.

356
00:16:07.360 --> 00:16:08.840
<v Speaker 1>You wouldn't dare to use it even if I gave

357
00:16:08.879 --> 00:16:11.879
<v Speaker 1>you time to draw mighty things revolvers.

358
00:16:12.519 --> 00:16:13.759
<v Speaker 2>Let us stick to air guns.

359
00:16:14.600 --> 00:16:17.679
<v Speaker 1>But listen that the fairy footstep of your friend mister Murton,

360
00:16:18.919 --> 00:16:22.919
<v Speaker 1>come in, Sam, come in rather dull waiting in the street,

361
00:16:22.960 --> 00:16:24.360
<v Speaker 1>isn't it Worsner?

362
00:16:24.519 --> 00:16:25.240
<v Speaker 3>It's all up?

363
00:16:25.360 --> 00:16:25.559
<v Speaker 2>Sam?

364
00:16:26.039 --> 00:16:28.440
<v Speaker 3>Put it in the nutshell? What's his coat trying to do?

365
00:16:28.679 --> 00:16:29.320
<v Speaker 2>Be funny?

366
00:16:29.600 --> 00:16:31.159
<v Speaker 3>I'm loving a funny moode myself.

367
00:16:31.360 --> 00:16:34.039
<v Speaker 1>No, I expect not, and I can promise you that

368
00:16:34.120 --> 00:16:37.039
<v Speaker 1>you'll feel even less humorous if the evening progresses. Now

369
00:16:37.120 --> 00:16:39.840
<v Speaker 1>a kiss syl Yes, I can't waste time. I'm going

370
00:16:39.879 --> 00:16:42.279
<v Speaker 1>to that bedroom. I shall play on my violin for

371
00:16:42.440 --> 00:16:45.039
<v Speaker 1>five minutes. At the end of that time, I shall

372
00:16:45.080 --> 00:16:46.120
<v Speaker 1>return to your decision.

373
00:16:46.759 --> 00:16:49.120
<v Speaker 2>Do we take you, whether we get.

374
00:16:49.039 --> 00:16:49.799
<v Speaker 4>The stone.

375
00:16:51.039 --> 00:16:54.480
<v Speaker 2>Now, whether I put my violin. I have said this

376
00:16:56.159 --> 00:16:56.759
<v Speaker 2>five minutes.

377
00:16:56.840 --> 00:17:29.799
<v Speaker 1>Remember, Clippercraft has a great reputation for fine quality. That's

378
00:17:29.839 --> 00:17:32.039
<v Speaker 1>what you go by when you choose your first clipper

379
00:17:32.079 --> 00:17:35.680
<v Speaker 1>Craft suit. And once you've worn clipper Craft, you learn

380
00:17:35.759 --> 00:17:39.319
<v Speaker 1>how marvelously it stands up to hardware, how very comfortable

381
00:17:39.359 --> 00:17:42.400
<v Speaker 1>you feel in it. The long wear comes from fine

382
00:17:42.480 --> 00:17:46.759
<v Speaker 1>materials and precision workmanship. Your comfort comes from excellent fit

383
00:17:47.119 --> 00:17:50.920
<v Speaker 1>resulting from skilled designing. What will amaze you is how

384
00:17:51.039 --> 00:17:54.559
<v Speaker 1>so much is possible for so very little. Remember, clipper

385
00:17:54.640 --> 00:17:58.039
<v Speaker 1>Craft suits are only forty and forty five dollars, clipper

386
00:17:58.079 --> 00:18:01.079
<v Speaker 1>Craft top coats and overcoats are only forty dollars, and

387
00:18:01.240 --> 00:18:05.920
<v Speaker 1>sport jackets only twenty six fifty. These are modest prices, indeed,

388
00:18:06.079 --> 00:18:10.079
<v Speaker 1>for clothes obviously worth much more. The Great Clippercraft Plan,

389
00:18:10.480 --> 00:18:13.599
<v Speaker 1>concentrating the buying power of ten hundred and thirty six

390
00:18:14.000 --> 00:18:17.799
<v Speaker 1>leading stores across the nation, makes these remarkable values possible

391
00:18:18.279 --> 00:18:21.680
<v Speaker 1>in your own local independent store. The store you can

392
00:18:21.759 --> 00:18:26.519
<v Speaker 1>trust selling expensive clothes at inexpensive low prices at the

393
00:18:26.640 --> 00:18:30.920
<v Speaker 1>nation's finest independent stores is the great, big idea behind

394
00:18:31.000 --> 00:18:34.559
<v Speaker 1>the clipper Craft plan. That's why men who know insist

395
00:18:34.680 --> 00:18:37.839
<v Speaker 1>on Clippercraft pothes. So be sure to visit the clipper

396
00:18:37.920 --> 00:18:39.160
<v Speaker 1>Craft store in your city.

397
00:18:40.480 --> 00:18:43.680
<v Speaker 9>These leading stores in the metropolitan area are proud to

398
00:18:43.759 --> 00:18:46.599
<v Speaker 9>add their names to Clippercraft in your suit top code

399
00:18:46.640 --> 00:18:50.720
<v Speaker 9>and overcoade. In Manhattan, John Wannamaker Men's Stores Broadway at

400
00:18:50.799 --> 00:18:54.480
<v Speaker 9>eighth and sixty seven Liberty Street, Sacks thirty fourth Broadway

401
00:18:54.519 --> 00:18:58.079
<v Speaker 9>at thirty fourth in Brooklyn, Abraham and Strauss in Newark,

402
00:18:58.119 --> 00:19:02.119
<v Speaker 9>New Jersey Boulevard Men's Shop, and in Jamaica the B

403
00:19:02.279 --> 00:19:05.599
<v Speaker 9>and B Clothes Shop, one sixty four oh eight Jamaica Avenue.

404
00:19:12.400 --> 00:19:14.079
<v Speaker 2>Now let's return to two twenty one B.

405
00:19:14.240 --> 00:19:16.640
<v Speaker 3>Baker Street, where Count Sylvia's.

406
00:19:16.119 --> 00:19:19.920
<v Speaker 1>And his henchman Sam are discussing the dilemma while Sherlock

407
00:19:20.000 --> 00:19:22.480
<v Speaker 1>Holmes violin can still be heard in the next room.

408
00:19:31.599 --> 00:19:35.160
<v Speaker 5>He played pretty down, a ah, shut up, Sam, that hey,

409
00:19:35.240 --> 00:19:36.960
<v Speaker 5>does this mean that he knows about the stone?

410
00:19:37.440 --> 00:19:40.119
<v Speaker 4>He knows too much about it. I'm not sure he

411
00:19:40.200 --> 00:19:43.319
<v Speaker 4>doesn't know everything. Good Lord, Heike Sam is.

412
00:19:43.319 --> 00:19:46.960
<v Speaker 3>A split ah, yes has he do take him? But

413
00:19:47.039 --> 00:19:47.799
<v Speaker 3>that's safe now.

414
00:19:47.839 --> 00:19:50.599
<v Speaker 4>That won't help us now to make up my mind.

415
00:19:50.680 --> 00:19:53.240
<v Speaker 3>He half a mouth, he's a leary coe. What if

416
00:19:53.240 --> 00:19:53.799
<v Speaker 3>he's listening?

417
00:19:53.880 --> 00:19:55.920
<v Speaker 4>How can it be with that violin squeaking back? Now?

418
00:19:56.480 --> 00:19:58.559
<v Speaker 3>There he is sitting right in that chair.

419
00:19:58.880 --> 00:19:59.839
<v Speaker 4>Rocket's only a dummy?

420
00:20:01.079 --> 00:20:04.759
<v Speaker 2>Well striking me? Madam?

421
00:20:04.799 --> 00:20:05.839
<v Speaker 3>Tis so saying it it?

422
00:20:05.920 --> 00:20:07.000
<v Speaker 2>What's a living spirit of it?

423
00:20:07.119 --> 00:20:07.839
<v Speaker 8>Thifty yarn and know?

424
00:20:08.000 --> 00:20:08.559
<v Speaker 2>Oh? Shut up?

425
00:20:08.559 --> 00:20:10.200
<v Speaker 8>You're wasting our time and there isn't many too much.

426
00:20:11.319 --> 00:20:13.480
<v Speaker 8>He can jail us over the stone than touchee can.

427
00:20:14.599 --> 00:20:16.680
<v Speaker 8>But he'll let us go if we tell him where

428
00:20:16.799 --> 00:20:17.440
<v Speaker 8>the stone is.

429
00:20:17.759 --> 00:20:20.119
<v Speaker 3>Why give up a hundred thousand quid.

430
00:20:20.319 --> 00:20:21.039
<v Speaker 4>It's one or the other.

431
00:20:22.160 --> 00:20:23.680
<v Speaker 3>He's in there a low listing me.

432
00:20:23.839 --> 00:20:27.079
<v Speaker 8>He's armed and ready. That's too noisy and never get

433
00:20:27.119 --> 00:20:30.799
<v Speaker 8>away side. It's likely the police have whatever evidence he's collected.

434
00:20:33.160 --> 00:20:33.519
<v Speaker 2>What was that?

435
00:20:35.000 --> 00:20:37.079
<v Speaker 3>I just sworn I heard something move over there in

436
00:20:37.119 --> 00:20:37.759
<v Speaker 3>the window.

437
00:20:37.920 --> 00:20:41.039
<v Speaker 5>Sat in the street, MoU slightly How lucky at cappany

438
00:20:41.079 --> 00:20:43.000
<v Speaker 5>you've got the brains if slugging snow?

439
00:20:43.039 --> 00:20:43.759
<v Speaker 3>Good is up to you.

440
00:20:44.480 --> 00:20:47.000
<v Speaker 4>Yes, I fool better men than he.

441
00:20:48.240 --> 00:20:50.839
<v Speaker 8>The stone is here in my secret pocket. I can

442
00:20:50.880 --> 00:20:52.599
<v Speaker 8>get out of England to night, cut it into four

443
00:20:52.599 --> 00:20:56.000
<v Speaker 8>pieces of apsdam before Sunday. He knows nothing about man

444
00:20:56.079 --> 00:20:58.680
<v Speaker 8>saida but that false far about. He must chance it

445
00:20:58.759 --> 00:21:03.039
<v Speaker 8>as it is not a moment to lose. As for Holmes,

446
00:21:03.559 --> 00:21:05.480
<v Speaker 8>full word of restless. If you can get the stone,

447
00:21:06.039 --> 00:21:09.160
<v Speaker 8>we'll bling on the wrong track, and before he discovers

448
00:21:09.200 --> 00:21:11.720
<v Speaker 8>it is wrong, it'll.

449
00:21:11.480 --> 00:21:14.759
<v Speaker 4>Be in Holland and we'll be out of the country.

450
00:21:15.480 --> 00:21:18.240
<v Speaker 3>Sounds good to me. I wanty a day carry.

451
00:21:18.359 --> 00:21:19.279
<v Speaker 4>Where would it be safer.

452
00:21:19.680 --> 00:21:21.400
<v Speaker 2>Let's have a look at it, that's the idea.

453
00:21:21.480 --> 00:21:22.839
<v Speaker 3>Huh, let have many.

454
00:21:22.839 --> 00:21:25.160
<v Speaker 5>I think I'm going to snatch it off here now, okay, mister,

455
00:21:25.240 --> 00:21:26.079
<v Speaker 5>I'm getting fed.

456
00:21:26.000 --> 00:21:29.960
<v Speaker 4>Over the fence, Sam. We can't afford a quarrel. Are here?

457
00:21:30.279 --> 00:21:32.200
<v Speaker 4>Come over here to the window, out of the line

458
00:21:32.240 --> 00:21:35.880
<v Speaker 4>of that keyhole, are there? Hold it to the light.

459
00:21:37.000 --> 00:21:37.759
<v Speaker 4>It is a beauty.

460
00:21:38.000 --> 00:21:40.319
<v Speaker 2>Uh, thank you gentlemen, your homes.

461
00:21:40.559 --> 00:21:42.319
<v Speaker 3>I thought you said he was a dummy.

462
00:21:42.440 --> 00:21:45.039
<v Speaker 1>Dear me, not very flattering off you can't you scowld

463
00:21:45.119 --> 00:21:48.480
<v Speaker 1>you you fief temper temper, no violence, gentlemen.

464
00:21:48.240 --> 00:21:51.359
<v Speaker 2>Please consider the furniture. We'll be so waiting below.

465
00:21:53.519 --> 00:21:54.279
<v Speaker 4>But how the deuce?

466
00:21:54.319 --> 00:21:56.279
<v Speaker 1>There is a second door to my bedroom behind that

467
00:21:56.359 --> 00:21:58.640
<v Speaker 1>window curtain. Me I thought the game was up where

468
00:21:58.640 --> 00:22:01.839
<v Speaker 1>you heard me displace the dummy your I believe you're

469
00:22:01.880 --> 00:22:02.640
<v Speaker 1>the devil himself?

470
00:22:02.720 --> 00:22:03.359
<v Speaker 3>You flatter me?

471
00:22:04.200 --> 00:22:07.680
<v Speaker 1>Ah, but here are friends from stuff from yard. Take

472
00:22:07.720 --> 00:22:10.000
<v Speaker 1>him away, boys, sir, But I say I'm about the

473
00:22:10.079 --> 00:22:13.880
<v Speaker 1>blooming fiddle. It's still playing quite right, Sam, remarkable invention

474
00:22:14.079 --> 00:22:14.839
<v Speaker 1>the gramophone.

475
00:22:15.359 --> 00:22:27.079
<v Speaker 2>Let you play car at more? And that's it all right? Watson?

476
00:22:27.160 --> 00:22:33.039
<v Speaker 2>Even stop that machine? Hi, I say, Holmes, I've lost

477
00:22:33.039 --> 00:22:35.519
<v Speaker 2>at least five pounds in the last half hour. Did

478
00:22:35.599 --> 00:22:39.759
<v Speaker 2>he beneficial to your waistline? Becoming disgustingly plump? Look at

479
00:22:39.759 --> 00:22:42.519
<v Speaker 2>this way it's the crown Gamon.

480
00:22:44.000 --> 00:22:44.640
<v Speaker 4>Hello, what's up?

481
00:22:44.720 --> 00:22:51.559
<v Speaker 2>Now? Come in? Come in? Oh missus huntson again? Now

482
00:22:51.599 --> 00:22:53.559
<v Speaker 2>do you ever let us alone? Well?

483
00:22:53.599 --> 00:22:54.119
<v Speaker 3>Show him up?

484
00:22:56.200 --> 00:22:58.400
<v Speaker 10>Then I must say home, you have most mannerly people

485
00:22:58.440 --> 00:23:00.799
<v Speaker 10>in your household. I ran into a group of raffians

486
00:23:00.799 --> 00:23:02.000
<v Speaker 10>as I was coming to the door.

487
00:23:02.119 --> 00:23:04.400
<v Speaker 1>Oh, that must have been the fellows from Scotland Yard.

488
00:23:05.279 --> 00:23:07.240
<v Speaker 1>It's a rather warm in here. May I take your

489
00:23:07.279 --> 00:23:11.519
<v Speaker 1>overcoat right Fiveecouncil. Oh the more, I have no intention

490
00:23:11.680 --> 00:23:14.279
<v Speaker 1>of staying. Doctor Watson will assure you that these sudden

491
00:23:14.400 --> 00:23:17.480
<v Speaker 1>changes of temperature are most insidious. Sh your hands off

492
00:23:17.519 --> 00:23:20.160
<v Speaker 1>my coat. I intend to keep it on very well.

493
00:23:21.160 --> 00:23:25.319
<v Speaker 10>I came to see how your self appointed task is

494
00:23:25.359 --> 00:23:25.759
<v Speaker 10>getting on.

495
00:23:26.200 --> 00:23:28.240
<v Speaker 2>It's difficult, very difficult.

496
00:23:28.400 --> 00:23:31.519
<v Speaker 10>Yes, I suspect that you would find it so. Every

497
00:23:31.599 --> 00:23:32.599
<v Speaker 10>man has his limitation.

498
00:23:32.920 --> 00:23:36.640
<v Speaker 1>Yes, I've been greatly perplexed, no doubt, especially on one point.

499
00:23:37.240 --> 00:23:38.359
<v Speaker 2>But perhaps you can help me.

500
00:23:38.640 --> 00:23:41.319
<v Speaker 10>You' apply from my advice rather late in the day. Still,

501
00:23:41.559 --> 00:23:44.400
<v Speaker 10>I'm ready to give you the benefit of my opinions.

502
00:23:44.720 --> 00:23:47.319
<v Speaker 1>You understand, we can doubtless frame a case against the

503
00:23:47.400 --> 00:23:50.839
<v Speaker 1>actual thief once you have caught quite But the real

504
00:23:50.960 --> 00:23:53.920
<v Speaker 1>question is how shall we proceed against the receiver. What

505
00:23:54.000 --> 00:23:56.319
<v Speaker 1>would you regard as the final evidence against the receiver

506
00:23:56.559 --> 00:23:58.880
<v Speaker 1>the actual possession of the stone. Of course, you would

507
00:23:58.960 --> 00:24:01.680
<v Speaker 1>arrest him on that, I said. In that case, my

508
00:24:01.799 --> 00:24:04.799
<v Speaker 1>dear lord Cantelba, I shall be under the painful necessity

509
00:24:04.839 --> 00:24:08.759
<v Speaker 1>of advising your arrest. For Get yourself, mister Holmes.

510
00:24:09.240 --> 00:24:11.839
<v Speaker 10>I have no time, as it's childish jokes, I may

511
00:24:11.920 --> 00:24:14.039
<v Speaker 10>tell you frankly, sir that I have never had any

512
00:24:14.119 --> 00:24:16.119
<v Speaker 10>believe in your powers, good evening one moment.

513
00:24:16.799 --> 00:24:18.960
<v Speaker 1>Actually to make off with the Mazarin stone would be

514
00:24:19.000 --> 00:24:21.480
<v Speaker 1>even more serious to be found in temporary possession of it.

515
00:24:21.920 --> 00:24:23.960
<v Speaker 2>It is intolerable. Let me pass immediately.

516
00:24:24.160 --> 00:24:25.680
<v Speaker 1>Just put your hand in the right hand pocket of

517
00:24:25.720 --> 00:24:26.240
<v Speaker 1>your overcoat.

518
00:24:27.039 --> 00:24:27.559
<v Speaker 4>What do you mean?

519
00:24:27.640 --> 00:24:28.240
<v Speaker 2>Do as I ask?

520
00:24:28.960 --> 00:24:34.119
<v Speaker 1>Well, I, however, see what's this? Seems to be the

521
00:24:34.200 --> 00:24:39.640
<v Speaker 1>Mazarin stone. For shame, sir, for shame, well, bless my

522
00:24:39.759 --> 00:24:43.079
<v Speaker 1>soul hoven thunder well, I'll be undoubtedly.

523
00:24:43.359 --> 00:24:47.400
<v Speaker 2>However, I really must apologize. I never could resist dramatic situation.

524
00:24:48.039 --> 00:24:49.880
<v Speaker 1>I took the liberty of slipping the stone into your

525
00:24:49.920 --> 00:24:53.319
<v Speaker 1>pocket and beginning of our interview very well to say,

526
00:24:53.359 --> 00:24:55.119
<v Speaker 1>I am bewil That is putting it mildly.

527
00:24:55.799 --> 00:24:58.359
<v Speaker 10>We are greatly indebted to you, sir, in spite of

528
00:24:58.480 --> 00:25:02.640
<v Speaker 10>your somewhat pervertive sense of humor, and I certainly withdraw

529
00:25:02.720 --> 00:25:06.359
<v Speaker 10>any reflection I may have made on your amazing professional part.

530
00:25:06.960 --> 00:25:10.119
<v Speaker 1>How the dooe the details can wait. I trust your

531
00:25:10.160 --> 00:25:12.960
<v Speaker 1>pleasure in relaying youth of our success will be some

532
00:25:13.200 --> 00:25:14.920
<v Speaker 1>small atonement for my practical job.

533
00:25:15.039 --> 00:25:16.279
<v Speaker 2>Oh yes it will, sir.

534
00:25:16.400 --> 00:25:19.799
<v Speaker 10>It will Indeed, I can hardly wait to get the

535
00:25:19.880 --> 00:25:22.359
<v Speaker 10>good word around A good day, mister Holmes.

536
00:25:22.440 --> 00:25:25.240
<v Speaker 1>Good day, Lord Cantlebyon Watson, will you show his launch

537
00:25:25.279 --> 00:25:29.079
<v Speaker 1>him out with pleasure and tell missus Hudson I should

538
00:25:29.079 --> 00:25:33.240
<v Speaker 1>be obliged if you'd send up dinner for two as

539
00:25:33.279 --> 00:25:46.920
<v Speaker 1>soon as possible. What an extraordinary story, doctor Watson, and

540
00:25:47.079 --> 00:25:48.240
<v Speaker 1>what a perfect climax.

541
00:25:48.400 --> 00:25:51.640
<v Speaker 5>Yes, mister Holmes always had an eye for the dramatic,

542
00:25:52.279 --> 00:25:54.039
<v Speaker 5>which reminds me next week's story.

543
00:25:54.119 --> 00:25:56.200
<v Speaker 3>Did you say that next week's story is going to

544
00:25:56.240 --> 00:25:57.440
<v Speaker 3>be particularly dramatic?

545
00:25:57.519 --> 00:25:57.799
<v Speaker 2>Doctor?

546
00:25:58.039 --> 00:26:00.680
<v Speaker 5>I didn't say it, mister Harris, because you into thatting me,

547
00:26:01.000 --> 00:26:01.839
<v Speaker 5>but I was going to.

548
00:26:02.799 --> 00:26:02.960
<v Speaker 2>Yes.

549
00:26:03.119 --> 00:26:05.240
<v Speaker 5>Next week, I'm going to tell you how the five

550
00:26:05.440 --> 00:26:09.640
<v Speaker 5>year old racehorse Blazing Star suddenly dropped dead of old age,

551
00:26:10.160 --> 00:26:13.680
<v Speaker 5>and how my youthful pass in the game of rugby

552
00:26:13.799 --> 00:26:16.799
<v Speaker 5>saved Poems and myself from a diabolical plot of our

553
00:26:17.039 --> 00:26:19.519
<v Speaker 5>arch enemy, Professor Mariotti.

554
00:26:27.000 --> 00:26:30.319
<v Speaker 1>The makers of Clippercraft Clothes and ten hundred and thirty

555
00:26:30.400 --> 00:26:33.319
<v Speaker 1>six leading stores from coast to coast have brought you

556
00:26:33.400 --> 00:26:36.279
<v Speaker 1>another in the new series of broadcasts featuring the world's

557
00:26:36.319 --> 00:26:45.400
<v Speaker 1>most famous detective, Sherlock Holmes Sherlock Holmes is produced and

558
00:26:45.519 --> 00:26:49.279
<v Speaker 1>directed by Basil Lochren, with special music by Albert Berman.
