Speaker 1: W m n H w rip the dove off. We're
back from the ground. A scarce a little.
Speaker 2: Boys, never shy, always provide she should the light.
Speaker 3: Kind of commencer of a nature in ability, station.
Speaker 2: And aptitude, and a transcendent graceless.
Speaker 4: Ever five.
Speaker 2: Shaws and always slollowly, always.
Speaker 3: Jones, never.
Speaker 5: Raking, never a.
Speaker 6: King.
Speaker 3: Look at the King's.
Speaker 7: All right? That is Katie's wart. The band is ek Schnock.
We'll see if I'm pronouncing that correctly when we talked
to our guests in a moment. But welcome everybody. We
have entered our number three new Marrow trace of Matt
Connorton unleashed and we are live from the studios of
wm NH ninety five point three FM in Glorious Manchester,
New Hampshire. You can stream the show from anywhere. I
go to Matt connorton dot com slash live for all
of your live streaming options, social media links, contact info,
show archives, et cetera, et cetera. Today is Saturday March
twenty eight, twenty twenty six, and I believe via WhatsApp
we have David Rausch from A K Schnack.
Speaker 6: Hello David, good morning, Matt and WMNH listeners. Great to
speak with you, guys.
Speaker 7: I'm excited to have you on. This project is really interesting.
So let's clear this up right off the bat, though,
am I pronouncing the name anywhere close to correctly?
Speaker 6: You are absolutely close. You are totally perfect at K schnuck.
You could not be closer. Perfect pronunciation at K schnock.
Speaker 7: Okay, wonderful, wonderful. Well, so let's get this out of
the way.
Speaker 6: What does the name mean, in a combination of Latin
and personal nonsense? Means hey, look at this. In Latin,
the word eke means behold, and schnock is a word
I made up when I was a young dude that
means whatever you want it to. So ek schnack means
hey look at this, or hey check this out.
Speaker 7: Okay, okay, oh wonderful. So yeah, I'm really curious to
ask you about this. I mean, what, how do you
describe How do you describe your music? Because this is
not something that fits into a particular genre. Obviously, you
know there's elements of metal. When you hear the guitars,
you know that becomes clear. The lyrics are are very unique,
and is that you singing are you the lead vocalist.
Speaker 6: Yeah, so that you know, I want it to sound
like a weird, scary old lady. So we just pitched
my voice up a little bit, but that is me.
So yeah. And the music I think of it as
on art rocks style that has three basic qualities, Like
you said, heavy music, there's you know, also pop music
broadly defined, and classical music too. It's kind of a
nephew of Frank Zappa or Queen. So it's an art
music with those three main qualities heavy music, pop music,
and classical music.
Speaker 7: Okay, okay, And yeah, so you're really genre blurring there,
which is cool because you know, it gives you It
gives you an ability to sound like something that's unlike
anything else anyone has ever done. I honestly can't think
of anything that sounds quite like this project. And is
that important to you? I don't know. I don't know
if you've done other projects that were more sort of
mainstream for lack of a better word, But is it
important to you as an artist to really do something
that's unique and to stand out and not just be
kind of following what ever whatever trends are out there, not.
Speaker 6: In its own sake. I don't have a goal to
do that for itself. But I've always struggled to keep
my creative instincts in one vein, I remember that actually
a band I love, I don't know them super well,
but but what I've heard of them I really love
Will Go. I think the bassist in an interview said
something like, you know what will Go albums will sound
like we have our our universe that we work in
and we're going to stay there, and you know, we'll
we'll we'll push its boundaries here and there.
Speaker 8: But but you know, the the the things we do
broadly speaking, which is totally respectable, totally that's that's great.
If that's the way you know, you end up becoming
creative world. For me personally, I've never been able to
exhaust my interests as a songwriter by staying in one genre.
So I jump around from one genre to another, like
I'm playing with boats in a lake, and you know,
jumping in one boat and then letting a friend capsize it,
and then jumping in their boat and capsizing theirs. I
look at them more like that instead of a space
that if I leave my spacesuit, my eyes explode or
my blood, vessels burst, or whatever happens in that circumstance.
Speaker 7: So yeah, it sounds like you would kind of get
bored if you were in a project where it was
like you had you had certain parameters that Yeah, that's
always interesting too. When artists they obviously as they become
more successful and they kind of develop a formula for
what seems to work for them commercially, and that does
create sort of those parameters, and some artists can push
the boundaries. Some artists have to stay locked in, you know,
like if you know ACDC, just as a random example
of that, right, you know, they've got a formula, they've
got a template, and if they venture out of that,
people are going to be very confused. But it sounds
like it must be very exciting to approach it the
way that you do it, And I'm curious kind of
drilling down on that with this project. Do you go
when you do this your approach to creating these songs,
do you consciously think I have to do something that's different,
I have to do something that's unique that's hard to define,
or is it more just sort of we're gonna see
what comes out here. I'm gonna I'm gonna create this song,
but I'm not trying to be different or weird or
however people perceive it. I'm just trying to create whatever
is in my head that I think is going to
sound good.
Speaker 6: I think it's more the second one. I can't guarantee
that everything I make people will love. I hope everybody
loves it, but I make it to move people in
some way or another. It's not too achieve some arbitrary
thing of like I did something out or genre defying
or whatever like for its own sake. I think it's
more I kind of look at it the way I
look at life generally. You know, there's such a range
of kinds of experiences one can have, from incredible sorrow
to joy to rage too terror to boredom, you know,
and every everything in between and other stuff. And I've
always thought of the genres as each like kind of
paints or something, colors of different paints in that whole picture.
And so, you know, there's certainly compelling folk music about anger,
like Bruce Springsteen or Patti Smith or whatever. Plenty of
those songs are pissed off, but you know, in terms
of just the raw emotional color of rage, death, metal
is the angriest to perform. On the other hand, there
are converge songs that are love song. It sounds doesn't
sound like it the most, you know, maybe the most
immediately to some ears. Anyway, loving sound is something softer,
maybe like a folk song or soul music or something
like that. So I think of the genres more as
just different ways of showing the vast array of experiences
we can have. So that's how I use them.
Speaker 7: And how did how did this project start?
Speaker 6: This?
Speaker 7: Is it true? That started at a temple University in Philly.
Speaker 6: Yeah, that's right. So I had been actually to go
on this thing about the different emotions and emotional experiences
and whatever we can have as people. Originally I thought
I was going to be a psychotherapist, and I had
gotten out of college, went to Skidmore College and I
graduated in two thousand and seven studying psychology and philosophy.
And I had a job as an take worker in
a behavioral healthcare center in South Philly. I saw every
major and supporting role of the diagnostic statistic manual of
mental disorders schizophrenia, major depression, bipolar disorder, addictions, and you know,
kids in a lot of circumstances in really great despair,
and I had thought I was going to do that career,
and I had this intake worker position, which I really
at first, you know, it was hard, but I got
I ultimately, I was able to do it at first
because I was I believed that, you know, the world
as it is, can help these people with a system
that we have. And then over the next year I
just got ground down about like, holy crap, this system
in which we live is really pitted against people, whether
we are people who need care or people who are
giving care. And I just got my ass worked and
roasted by it. And then meanwhile, I had been writing
this weird music as a little twenty three year old guy.
And when I eventually said, oh crap, I can't do
this anymore. I gotta be on my way and try
music out. I went to Temple University and I met
a really fantastic number of musicians and still friends to
this day. That started the first version of the band
with me in twenty eleven. So the beginning of A. K.
Schnock was a transition from great, uh you know, kind
of a personal psychological political crisis, from one walk of
life to another. And then meeting like minded thinkers and
feelers and musicians at that at Temple University where I
went to study classical guitar, when I changed the course
of my life.
Speaker 7: Okay, okay, by the way, Yeah, that is interesting to me,
and I I I know a little bit about what
you're what you're talking about, how the system is, uh
is pitted against these people who so desperately need to
help and uh, it sounds like you got uh you know,
there's a lot of burnout in that field obviously. Yeah,
and it sounds like you you kind of you were
you had the foresight to see what was coming for
you if you had if you had stuck with it.
So so that that's interesting. And then I assume so
at Temple and you were studying it was classical guitar,
is that correct? Yeah, And that obviously shaped, I assume
shaped what you're doing today because you know it in
terms of being able to do things that are very technical. Obviously,
that classical training is very helpful. And then so that
was where the original iteration of the band formed, the
first lineup formed at Temple. Yeah, okay, and then and
that was Oh, so this project has actually been around
a while then, So that was you said that was
twenty eleven. Yeah, it's been a long time, long time.
So how was I mean, I assume the sound has
changed and evolved over time or I mean, were those
early songs that you did, were those also very much
genre bending or did it start out a little more conventional.
Speaker 6: Also genre bending. I've been in one project that was
more stationarily just one project. I was in an indie
rock band that I played drums in, and that was
I loved that group. But anytime I've ever written music
in my own personal musical language, it's always been, uh,
you know, the shape shifting sound that it is for
better or for worse.
Speaker 7: Ye. So yeah, And then when did you start releasing
music with AK Schnack Now I'm butchering it. You're perfect
AKA snack all good? When when when did that begin?
As far as your your first output with the project?
Speaker 6: I think our first EP was released in twenty fourteen, Okay.
It's a tiny, little, uh eighteen minute EP called Letters
to Herrmann Vasquez Rubio, which I don't think is on
our Spotify, but it is.
Speaker 7: On band camp, okay.
Speaker 6: And then it was another five years or so before
we put out the second two releases, so we have
big old gaps between releases.
Speaker 7: Okay, yeah, Shadows Grow Fangs, that's your first since twenty nineteen. Correct,
that's right, Okay. And what was the spark that brought
this to fruition in terms of because obviously you do
take long breaks between recording what what brought this?
Speaker 6: Uh?
Speaker 7: What what brought this to light? Wanting to do the CP.
Speaker 6: I always, you know, again, for better or for worse.
I take a long time to get the full picture
of what I want a release to be. In fact,
let's see Shadows of Fangs the Internet three. Almost all
of the songs on that EP are about as old
as the the story I was saying, like, I started
writing the title track Shadows Grow Fangs on a bike
ride home from my job as an intake worker. So
I take a long time to finish stuff. And and
so I think in terms of what compelled it, I
was like, Okay, you got to just put this out already.
Let's just put these songs out on this EP and
make this happen. So I guess the answer is, do it,
Gosh darn it, David, do it already. Put it out already,
and you know, you could have a you could have
a kid graduating high school with this record. Put it
out so.
Speaker 7: Well. You know, good things take time, right, you.
Speaker 6: Know you're correct? Correct? Easy? Yes, yes, I got to
go easy on myself.
Speaker 7: There you go, There you go. I also want to
know more about your connection with EMF, and yes, EMF
for people who don't remember Unbelievable, I mean, that's like
the song that people remember the most. You're Unbelievable from EMF.
And of course I'm not sure how much music they've released,
and I know they have probably quite a bit, that
they've been around a long time obviously, but tell us
about your connection with EMF and the touring and all that.
Speaker 6: Yes, so we met them on our West Coast tour
this past June, and like you say, I had heard
that song and I'd always loved it. I probably heard
it when I was ten years old, and you know,
hadn't heard the other music until I was put onto
it by the fact that we were going to be
touring with them. Had no idea what they would be
like as dudes. But they were absolutely lovely, lovely, you know,
to use a British term, lovely books and that tour
was you know, fifteen days, but it felt like one
big day, the best day of our lives, I think,
and just you know, constant warmth and laughter and you know,
and they're much more seasoned than we are obviously.
Speaker 9: Yeah, but.
Speaker 6: We just had so much fun with them, and they
saw that we were taking what we were doing seriously
and we were supportive in terms of just the brass
tacks of people collaborating on a tour and independable and
all that. So, uh, and we're on this we're on
the same booking agency as they are, okay, And so
that's how we like the simplest way in which we
got connected. Our manager pitched to the booking agency that
we'd be the opening act for that tour, and they
took us up on it, and we proved ourselves and
the rest is history. So we're on tour with them
this May on the East Coast for nine days and
then six dates in England. Wow in June.
Speaker 7: Oh fantastic. That's excellent. Yeah, you know, and it sounds
like you're having a great experience with them and how
they are as people, which is great because obviously you
don't always know going into a situation when you're opening
for somebody, what the headliner is going to be, like,
how they're going to be as people, how they're going
to treat you, and it sounds like it sounds like
they're like legitimately really good people. So that's that's wonderful.
Speaker 6: Yes, yeah, it was awesome. And right there's you know,
like life is a mix and people are a mix.
Each of each one of us is a huge mix
of virtues, flaws and mediocrits. So, like you say, you
never know what that mix is going to look like
in an individual, in a group of people, in a
set of experiences you can have. But with that relationship,
it was just very lucky or blessed however you look
at it.
Speaker 7: Yeah, now that's fantastic. And did you also collaborate on
a song with them?
Speaker 6: Yes, so on tour they had this basically complete idea
for a song. That's you know, if people don't know
their sound, generally, it's it's party music with a little
bit of more and sometimes more than a little bit
of punk rock energy and tenacity and and then even
to some extent, some political import too. So they have
dear friends like most of us do, who are in
the queer community, and you know, in this troubled world,
the queer community is under great attack all the time.
And so they wrote a song of solidarity with them
called lgbt Q plus Lover. And they had this song
that they were going to premiere on tour, and they
did the first nights, and then when they saw us
and heard my singing and the other singer in my band,
Bella this incredible contralto, they said, Holy, holy heck, these
this guy and Gal are are really good singers. And
they have the beginning of the song basically sounds like
a big choral pad, and they had they have a
synth pad on the tracks, usually live and on recording.
But they're like, why don't we have the opener the
two singers from the opening band come on and join us,
which we did from the third all the way to
the last eleventh show of the night, and then after
that because we had so much fun and because audiences
really appreciated it, they memorialized that relationship by having us
on the on that recording. So the song is called
l g b t Q plus Lover, and again it's
a song of solidarity with gay, transgender, transsexual, non binary
other other folks who are under attack and need our
ally ship.
Speaker 7: That's extremely cool. I fully support that, and I actually
pulled it up. I'm kind of scanning through the lyrics,
just making sure that I can play it, because I might.
I might play it later in the show. We do
have another track of yours that I'm going to play
at the end of our conversation, but after that, I
might sneak this one in two. I'm just scarning. I'm
just scanning through making sure there's no uh no language
and I.
Speaker 6: Don't think we have any naughty words. That he does
say the word boo hoo. So depending on your audience's sensitivities,
maybe I should. Maybe I am a potty mouth for
saying that.
Speaker 7: I can assure you I have a highly insensitive audience,
so I think. So what I'm going to do is,
I'm at the end of our versation, I'm gonna play
another track of yours, and then immediately after that, I'm
gonna play this m F track because I found it online.
So I think that's awesome, and that's so cool for
you like that. That was probably a huge surprise, right
when when they asked you to do that. I assume
it was.
Speaker 6: You know, if you have a certain amount of success
in any kind of creative or professional thing, it's a
sort of naturally human mistake to like deify people. And
I'm reminded, you know, this guy's kind of a controversial figure,
I think unfortunately because I don't personally I think he's
a heroic person. Nobody nobody's perfect, but Ralph Nader, the
consumer advocate, you know, leftist gad fly.
Speaker 7: I'm a fan.
Speaker 6: Okay, heck yes, we got the Ralph Nader crew in
the in the building. Ralph Naders says about politicians, he
just says, they're not gods. They are people that tie
their shoes in the morning and brush their teeth at night,
and so you can relate to them just as fellow people.
You don't have to feel smaller in there. You know,
they're they're You're just as powerful as they are in
some respect. And uh, it's you know, it's a bit
of a jump of a comparison. But basically, when n
F said, hey, we see what you're doing, we like
it so much, we want you to join us, there
was this surreal, like wait, what moment of but you
but you guys literally helped with with your breakout, world
famous sing goal when I was eleven years old. You
helped put together the beginnings of my little brains understanding
of what pop music is, and now you want me
to participate in the continuation of your art. So it
was it was pretty surreal and beautiful. And but then no,
they're just people that put their shoes on in the
morning and take them off at night and brush their
teeth at night and whatever.
Speaker 7: So yeah, that's that's amazing, awesome. I can't wait to
I can't wait to play that. So at the end
of our conversation. So, like I said, I'm gonna play
two things. So at the end of our conversation, I'm
gonna play Jeremy. I'm really curious to hear about this,
the Jeremy Bentham song Jeremy Utilitarian sad Boy. Tell us
about this, tell us about a song?
Speaker 6: Sure, So, like I said, I'll four out of five
of the songs from our Shadows Grow Fangs EP, which
we released last October, I believe I can't. I think so.
I think that's right. Four out of five of them
are very old songs in my writing history. So when
I still lived in Philadelphia and just around the time
that I started going to Temple University. As I was
finishing up my changing from a would be shrink into
a beginning musician beginning musician, I lived around the corner
from this really curious, complicated museum called Eastern State Penitentiary,
which was a prison. It's the North Philly in the
Fairmount neighborhood, and it's this great, big brick fortress in
a you know, pretty like relatively nice part of the city.
There's like a couple rough spots here and there around it,
but like it's sort of nice around there. But there's
this but there's this prison museum, and every every Halloween
they had this Haunted Prison event, and I would went
to the Haunted Prison event and my friends would play
prisoners who were also zombies. And then I went there
the next day and I learned about this guy Jeremy Bentham,
who was this British full who and least at least
in our troubled tradition, he was sort of a predecessor
to Marx. He believed in the highest good, in the
least amount of suffering, the most pleasure, the least amount
of pain, for the highest number of people, and he
believed that the government can play a positive and real
role in that. Wow, big whoop and incredible. It seems
sort of obvious now, but for his time it was.
It was an important thing to say. And he precedes Marx,
so this is all good. But he had this weird idea,
which was the idea of solitary confinement. So if you're
familiar with the horrible things we do to prisoners, yes,
sometimes we're so brutal as to black people in closet
sized rooms and leave them there indefinitely. I have a friend,
in fact, named Keith Lamar who has been in solitary
confinement for thirty five years. He's an innocent man on
death row in Ohio. He's got ten months until the
scheduled execution. But you know, so he's an example of
this complete disaster of let's say, good intentions creating horrific nonsense.
So the song is a an exploration of how did
you how did you miss? How did you forget to
carry the two on this cute little moral calculation you
had Jeremy Bentham, you know, your highest good for highest number,
you know, kind of imagining something like the social safety net.
And these are all good ideas and making sure people
have food and housing in basic livelihood and human rights
on it. But now you have this idea of locking
people and closets indefinitely. Where'd you go wrong? It's weirdo right.
And then the funniest, the last weird coincidence about his
story that comes up in the song and the lyric
is that he had this idea that when you die,
you don't have to worry about death. You can grieve
the people that have died, but death is not a
harm to the person that dies because they're no longer.
There's no harm to somebody who doesn't exist, So don't
fear death. And then in relation to the body, well,
what do you do? What do you tell people about
what to do with your body when you die? He said,
I want to he said, basically taxidermy me, put me
in my seated position. He was a professor at an
Oxford in London or sorry in England, and so he said,
just put me in my cool hats with my cane
and my professor le Garb made me look swell or whatever,
and have me seated with a big smile on my face,
and just let my body be an image of.
Speaker 10: You.
Speaker 6: Know, the the body as a stale instrument was his phrase,
like a thing that just comes and goes and no
big deal. And you know, my former students, you can
even laugh at me or whatever. So there's kind of
like this light heartedness, right, but there's also this this weird,
grotesque accident where like he's putting his dead body in
this in this cell for his students to muse ad
and to love him after he's gone, or to laugh
at him, or to be growth, grow soud or whatever. Right,
And meanwhile, his confused, absurd philosophical tradition ends up putting
living people in cells. And and those are those bodies
are not stale instruments at all. Those people are living
people with hopes and dreams and fears and emotions and
lives they want to live. So and then that's the
story of Keith Lamar is another important thing that if
we speak again, I want to tell you about. But
for folks who need inspiration and want to help with
an important cause, check out Keithlamar dot org, okay, and
you can hear about his story. He's an imprisoned man
on death row wrongfully who is an incredible philosopher, writer
and fact musician too, so Keith Lamar dot Org and
I'm sure you'd be interested in that as well. I
really love this conversation and it seems like you are
curious about the right things.
Speaker 7: Oh. Absolutely, And I'm also someone who my entire life,
I've always been very much opposed to the death penalty.
One of the few things my dad, who passed away
not too long ago, it's one of the few things
that he and I actually agreed on all the way
to his end, is politically one of the few things
we agreed on was that the death penalty is egregious
and wrong. So yeah, I'm going to look that up.
I am curious to know more about that, and I
would like to have a follow up conversation with you
on that subject in the future. Definitely. Yeah, that'd be
very interesting. So we're going to in a moment, we'll
let you go, David, and we're going to play We
are going to play Jeremy Utilitarian sad Boy to at
the close of our conversation, and then, like I said,
I am also going to play that E m F
track LGBTQ plus Lover. Very curious to hear that as well.
But I want to know, please share with our listeners
where's the best place to go online to keep up
with everything you're doing? Everything ak schnack is doing. How
to spell it for people who don't know how to spell it?
And uh and anything else you want our listeners to
be aware of in terms of finding you online.
Speaker 6: Great, yes, for better or for worse? I chose a
funny name for this act. I often think of the
hip hop artist talib Quality. You know, yeah, he could
have he was. He's obviously very creative guy. He could
have chosen a much more forward name for himself. But
for whatever reason, some of us, you know, just get
attached to challenging names. And he has a whole song
about you pronounced the name quality, any questions whatever, So
he's making kind of making fun of his of that
choice of his own. For me and our band. Uh,
the name is spelled e double c e e c
c e space s h n a K schnock k
schnock e double c e space s h n a
K And we got to update it, so bear with
us on the on the website. But but certainly websites
are are an old school thing to do, so you
can check it out there but in terms of the
most immediate things, I think Instagram is the best medium
to get the totally most up to date AH updates
about us and any any streaming platform of your choice.
To check out the music, and then we can certainly
send you merch if you fall in love with the
music and want some want a vinyl or a T
shirt or something, we have a store for that. Two
and yeah, so I think the the maybe for for
for an odd band. We have more hum drum, mediocre
ways of listening to us.
Speaker 7: So yeah, you know what, though it occurs to me,
it does make you very google able, as I like
to say, because if someone googles your name and you know,
assuming they spell correctly, there's not gonna be any confusion.
Oh is this is this the correct at? Do I
have the right one? You don't have to worry about that.
So that's a good thing. Absolutely, Thank you. Well, So
we're going to to in a moment. We're gonna play
this track, Jared, Jeremy, I don't know, I have so
much trouble with it. Jeremy utilitarian sad boy. I need
more caffeine this morning. But David, thank you so much
for joining us. This has been a wonderful conversation. Fascinated
by your music. I really love it. Check out the
ep everybody Shadows Grow Fangs really really good and we
will definitely have you back. Man, this has been wonderful.
Thank you so much for joining us today.
Speaker 6: Thank you so much, man, and peace and love to
w M n H listeners. So much gratitude to you,
and hopefully we'll see you on the East Coast tour.
Boston might be the nearest you guys, are I think
so uh so Yeah, much love and gratitude to everybody
in the w M n H universe. Peace and love, Davy.
Speaker 7: All right, talk to you soon, my friend. Take care,
bye bye. All right. That was David Roush. The project
is k Schnack and check this out. This is called
Jeremy Utilitarian sad Boy from the ep Shadows Grow. Thanks Hey.
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Speaker 1: Ld BJQ.
Speaker 14: Yeah, you and me wele to.
Speaker 13: I had some say long, fellow man. So it's being gay,
but God's great plan love to three people.
Speaker 1: It's the most ball thing.
Speaker 9: It's prey, a prey upon.
Speaker 3: Let's say.
Speaker 13: The Angel say I may be your friend, I'm sister
or your brother.
Speaker 14: You will be so rased to discovered. Hey, hell, I
think with each other. And it's plait to see even
yes straight, because I just says, they explain to me,
who hate hate?
Speaker 1: W I love all? Plus you trust me free to.
Speaker 9: Yeah, you and me you need to. I don't see.
Speaker 7: So let's be pertly queer.
Speaker 13: Spell put the words that you struggle once a here
and if film FETs you, well, I do love.
Speaker 7: It's the us and that'll get us through the Angel soon.
Speaker 6: I do love.
Speaker 14: It may be dead by your counsel or your beast's
father as well.
Speaker 7: Trust, Mother, you will be so.
Speaker 13: Trust to discover that hell o't say we will shove
back and.
Speaker 14: Wait to see he wouldn't feel straight because the choices
on another boy and they explain to me what I hate.
Speaker 3: Love with.
Speaker 1: Bless you trust me walk pret you break me to
do everything in my power.
Speaker 6: Can you hear the angel sing?
Speaker 4: Prete shake tail feather the fucking works, l g G.
Just do it, just to it, just do it now
to protect Prette attack.
Speaker 14: My friend, my sister or your brother hasn't bet you
will be so to discover how old they with each other?
Explains to say, you know, yeah straight because I'm your sists.
Speaker 11: What the height.
Speaker 6: With the.
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