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Speaker 1: Stalton Toler says an as AI is a big topic

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in the movie world right now, with most people being

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against it for various reasons. Do you see any pausiti

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that AI can bring to the movie making experience or

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is it all bad?

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Speaker 2: To start with that, I.

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Speaker 3: Think that AI is not all bad. I think that

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there are definitely places for it, but we need to

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be careful with it. I'm not saying like, oh, hey,

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I is going to take over the world and kill

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people and yeah, yeah, Terminator Sky. In that, I am

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implying the fact that I think we live in a

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world where we are still struggling to keep up with technology,

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and I think that technology has now rapidly outpaced humans

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in terms of working the employment line. And there's a

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lot of jobs out there that people are easily going

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to get replaced for, and there's a lot of employers

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that will jump on this opportunity to use technology to

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produce costs, cut costs and get physical labor out of

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the way, because physical labor is not cheap, it's expensive,

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and they're workers comp tons of stuff, paid stats whatever,

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lots of problems for an employer. And we don't live

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in an age where most employers really care about their employees.

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I think that, you know, you have smaller tie like

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businesses and stuff like that, and there are more family,

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community oriented companies out there, for sure, but I think

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there's a lot of more mainline companies that just they

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don't give a shit about you. You're just an employee

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to them, so they're gonna easily just scrap you to

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the side and get AI in there to start handling

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all of these tedious workloads. My point is, I think

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that we have we've got AI that's just boom like

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bloomed out of proportion here, and it's just taken the

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world by storm, and we don't have the proper precautions

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and barriers set up to protect people from this because

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it's just popped up so fast and so unprecedented. It's

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I mean, it's it's crazy what you can do, like

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with with my phone with it at least I don't

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know if you can do with older models. With that

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one sixteen, I can take a photo of something and

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in that photo, chatchept will actually like scan it and

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tell me everything it's in the photo and dissect it.

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I can be like I can take a photo of.

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Speaker 2: A b I can stop it.

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Speaker 3: Yeah, that's it. But I can take a photo of

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a B and be like what kind of B is

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this and chat cheept like, oh this B is so

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and so from this here this region. Yeah yah yeaha

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it's crazy. Uh So there are places where this can

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come in handy using AI. But when it comes to

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stuff like film, uh, I'm biased because I think that

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practical effects should still be used greatly in movies. And

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so when you have AI to refine like scenery and

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stuff like in The Brutalist when they used it to

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work on the backgrounds, I think a little bit. I'm

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not a big fan of that. I think that again,

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AI needs to be kind of kept in check. There's

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a lot of people that I know that you know,

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being a graphic designer and seeing AI just generate logos

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and then having a lot of people to work on

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excelling their skills at being illustrators and artists, and then

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AI just comes in and just like thirty seconds whip

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something up. It's like hod damn, Like it's just gonna

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put these poor people out of business. These people have

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spent years mastering this craft and they're very talented. So

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that's that's where I am. I'm kind of biased on it.

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There's there's there's give and take with it, and we

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just need to find that balance.

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Speaker 2: It's awful get rid of it all. Uh No, like

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it's tough.

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Speaker 1: I think for me where I am with Ai, I

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like it for the things you talked about with you know,

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taking picture being what is this like I like certain

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quality of life things, but it's something of like it

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happens and it helps me go, oh, that's cool, but

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not to the extent of and I know because I

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can't remember where I think you can talk about a

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bit on after nine. But you know, Clay and dealing

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with the brutalist thing had more of a issue with

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like the drawings and landscapes and not so much with

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the voice tuning right, And that's where it's tricky for

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me because I always had more issue with the voices

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because and this is where for them not as much,

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right because even Clays like, oh, I don't care about

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the oscars, but someone like myself who like I kind

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of care, like like it depends the year, but like

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it's not I don't care about as much, but still

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I'm interested in and to me, if I'm looking as

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far as a voting process, right, and if you have

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an actor, you have five categories.

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Speaker 3: Right.

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Speaker 1: Let's say it's down to two actors and both of

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them are doing voices, and one's voice is you know,

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their natural voice, doing an accent, and one is doing

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an accent as well as I can. But then there's

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some touch ups and that leans people to go, oh,

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you know what, maybe I'll give them my vote. And

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that's where it's to me, it's the worry of the snowball.

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I think there's certain things and even like I think

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Dylan said this on Afternight, it's like like technically there's

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stuff like if there's there's been versions of AI all

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throughout our past twenty years, but we don't call me AI,

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even like myself when I upload casts when we got

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lots of different mics, Like it's different with us, but

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with the gimmick I'll use for example, right, me, I

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suppose and David are all using different mics. It's different

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for us because you, me and Kirk all using sures

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and then Dylan's getting a sure. So we usually even

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if it's audio levels, we sound pretty similar. But I

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use something on pound coup Pro. It's like surround compressor

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and I just do that and right away does all

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the checks and bounts. So technically you should say, well, Travis,

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you should be doing that and like going each and

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editing everything like that.

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Speaker 2: But I don't have the time for that.

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Speaker 1: But I also know, like this is not like like that's.

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Speaker 2: The difference where with Kirkland's ADR and Adrenochrome. I sat

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there for days tinkering at that I didn't want and

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I'm sure there's some programs out there and maybe that's

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somewhere again that someone could use that against me as

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far as hey, you use that's that's AI. There's some

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issues there, and that's where I go. I think I'm fine.

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Speaker 1: If it's gonna happen, it doesn't matter. Like the caadegy

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words already nominate people. If the brutalless wins, that's the

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stamp approval. My worry is, oh, you know, like Agent

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Brody and something's changed his voice. What happens if it's

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like and they're like, oh, it's a few lines, But

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then what happens when the movie comes by and it's like, well,

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it's a you know, a few more scenes and then

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it's a section, and that's a whole movie, like you

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saw a Napoleon right, eventually? Right with Walking Phoenix, that

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man has no bush accent whatsoever. Right, it's just him

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being himself. Now, what happens take that movie and they

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go walk and say, I can't do that hype of accent,

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and they go, well, you know what, you're just gonna

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speak regular. But at the end of the movie, we're

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gonna throw a filter on there and the entire movie

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you're gonna be British or what is He's French? Actually sorry,

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he's screwed that up. He's French, right, And that's what

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I worry as far as if people give the handwave

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of like, oh that's fine, and that's fine. Eventually people

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just take take a take and then it'll just become

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the norm. And if that's kind of what happened with CGI, right,

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and that's tough because there lots of time that still

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employs people. Right, But that you could even have that

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argument of I could be wrong, but let's say to

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make it to bring Aliens back, and I think it's

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let's just go Aliens is the first time.

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Speaker 2: The mother the queen xenomorph appears? Right?

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Speaker 1: Yeah, I could be wrong, So I might be speaking

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my ass there, but I bet it took more people

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to practically make that than it would for someone.

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Speaker 2: To animate that.

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Speaker 1: Right, it might make I'm not even talking about the time.

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I'm just saying you could probably find someone in the

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world that is the best CGI person. You know, I

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could make the Queen Zeno morph, and then technically that

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put all those practical people out of work. Right, So

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we've been here before in a different way. This is

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just like a complete computer now doing it. So I

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think it's something that, unfortunately we have to accept. I

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think it is gonna be something that's gonna get abused.

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I think there's levels of and even to myself, I'm like,

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I think, then if you use it in a film,

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that should definitely be you should say that. And maybe

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there's some situations like the Oscars or other words, where

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maybe that takes out of contention. But then it's tough

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if something's so great, like where do you draw the line?

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And that's tough with a lot of things. Right, I'm

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not gonna draw the line of not watching something if

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I'm interested in it, because if I were to do

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that with everything, I wouldn't be watching almost anything. I

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wouldn't be watching this phone because I'm sure the people

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that made this phone weren't just like you know, working

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for good hours and good labor, you know. Like that's

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the thing, Like there's so much stuff that we use

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in our day life that it's tough where and I

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want to do an after bred butter about this of

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like where you draw the line on certain things or

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how or how do you do it? Because at some

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point there's just too much of it. So that's where

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I think we unfortunately have to accept it. I think

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I just don't want it to get abused and it

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just be replaced, like I will never here's the difference.

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I will never like, hey, I made this Batman film

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completely AI, I'm not watching that if it's one of

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those things not for me, Like I've seen some ofos

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and don't get me wrong, every year those things get

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more and more impressive, the photos, the videos they and

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that's what have you seen it going around?

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Speaker 2: Maybe you should search on Actually I might.

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Speaker 1: I don't want to pull it up because he actually

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could get just pulled off there or something like that.

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Have you seen the Evil Dead opening recreated?

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Speaker 2: AI?

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Speaker 1: No, So it's like whenever it happens in the Eel

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Dead when it's like the spirits or whatever, and it's

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like they're pointing a few and they're going through the

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woods and they go to the cabin. Someone recreated that

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with AI and that's where for me it's like okay,

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And even with scoring films appreciating them, that's where people

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showed the comparison.

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Speaker 2: I like, look at what these four guys did in

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the eighties.

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Speaker 1: One guy has a board strap to them, the camera's there.

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I'm always gonna respect that and I'm always going to

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give that higher grades.

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Speaker 2: You can use AI.

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Speaker 1: Of course, it might make it better, or it might

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make it easier, might make it faster, But if I

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know someone did it practical and worked harder, especially because

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that's what we do right now.

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Speaker 2: That's because like Shoestring Budget were independent filmmakers.

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Speaker 1: But it's like, I'm always going to lean to the

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hard work, even if it doesn't look as crisp. You know,

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there's more blood, sweat and tears poured in that than

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just a simple click of a button, which again everyone's

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kind of guilty of it. Right, So it's a it's

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a tough situation and we'll have to see how goes

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going forward. But that's my worry of the brutalist having

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a few AI things, even if they're minor, and then

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it wins best Picture. I feel like it's kind of

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all bets are off at that point.

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Speaker 2: I feel like it it is the start of a ball.

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Speaker 1: And then soon I'm sure some big film's gonna use

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it like a billion.

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Speaker 2: Dollar like other films already do.

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Speaker 1: I'm sure you know, a secret war something's gonna use

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it and then boom, and.

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Speaker 2: Like I said, it can be a tool. You can

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use it.

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Speaker 1: But I get there why there's a certain eck around it,

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and I have a certain ick around it too, and

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I think it just comes to different parts of it.

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Speaker 2: So let's see my apple mic ruining the show.

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Speaker 1: She went, I don't think it's ruining the show as

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but I always edited the I think it's just because you,

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me and David are a different audio, and I always

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fix it and pose live.

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Speaker 2: I tried.

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Speaker 1: I'm always tinkering with it. It's just tough because we

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all different mics. But you know, we'll get your bare

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mic down line there and Toldon says, I definitely thought

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about it on the CGI practical effects level.

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Speaker 2: Yeah, and it's tough situation. So uh taya. You can

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end this portion of the episode with did you find

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that evil dead thing? Did you see that?

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Speaker 3: No?

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Speaker 2: No, he didn't even look. He didn't care.

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Speaker 1: He's like, gohever, try to talking about I'm gonna go

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back to my porn. What do you think of the

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Final Destination trailer? And then what do you think about

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dress World? Because I know the trailer, but they gave

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us some images and lots and lots of details of

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what's happening in this movie.

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Speaker 3: So yeah, Final Destination. I don't even know if I've

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seen all of them. I just remember. I just remember

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being traumatized as a kid. This is a movie franchise

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that's till to this day. When I enter certain scenarios

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in life, a lot of these movies. Yeah, log truck, Escalator,

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tanning booth. Not necessarily, but it just pops in my

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head when I see it, because you don't you don't go,

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I don't tam, but whenever I see a tanning booth,

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it just pops in my mind. But Escalator especially, Yeah,

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there's just a few things, and it's I remember there

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was a train with a chain on it, and like

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cut a guy's head off or something like that might

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be the first one. Anyways, I digress. The movies definitely

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have a certain place in my heart for not in

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like a good way, but just a it's a traumatizing thing.

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And so I thought, oh, man, like this new trailer,

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let's watch it, Let's see what happens. And yeah, it was, Uh,

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it was. It was exactly how I expected it was

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going to go, because it's just this, this whole thing

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is his master plan and it's almost warline supernatural with

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how things are mapped out and planned. But it's at

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the same time it's not because the guy is kind

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of like he's playing his music and the speakers are

279
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making things fall over and that leads to like something

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else lighting on fire, and it's just so tactically planned

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that like it's crazy, that's that's final destination. And so

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his death was pretty brutal, but it was, you know,

283
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it was just enough to kind of entice you because

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I'm wondering, Okay, what's the story going to be? How

285
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what is what is their focus here? I always feel like, Okay,

286
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they think they cheat death, but they never really do,

287
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or like you go through the whole movie and at

288
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the end it turns out like, oh, well no, it

289
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hasn't even started yet. It's like, oh, we're all going

290
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to get off the ride or something like that. Like

291
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they really like to derail deflect what your expectations are

292
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in these movies.

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Speaker 2: So yeah, I think I've only seen one. And then

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I supposedly as I think viewer non said that nothing

295
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shown the Trap is actually a spoiler, So there you go.

296
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I don't know if I'll see this.

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Speaker 1: I know Tony Todds and thell also be great to

298
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see one of Tony Todd's last things, but I just

299
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I don't care. I don't say don't care, so maybe

300
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I should give them a chance. I'm not a fan

301
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of the antagonists being just like something like that, like

302
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bad luck, like you can't kill it, you can't stop it.

303
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Speaker 2: I know.

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Speaker 1: I'm sure in the movie they're trying to find a way,

305
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but it's not been the thing for me. And then

306
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people will probably find that odd because I'm into the

307
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Saw movies and I should like the kills, but it's

308
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never done it for me.

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Speaker 2: So maybe I'll give them a go this time. I

310
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won't be on a retro or anything like that.

311
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Speaker 1: But maybe I'll give a go and watch I think

312
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I've seen one, but maybe watch some other ones. But

313
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I just yeah, I've never felt the need to go

314
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further into them because it's just not a concept I enjoy.

315
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But we'll see coming out, may see if it's a

316
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big hit or not. And then uh, Drastic World tailor,

317
00:14:08,080 --> 00:14:10,320
we got some good stuff going on. I don't know

318
00:14:10,440 --> 00:14:12,799
what good stuff, but I don't know. Do you want

319
00:14:12,840 --> 00:14:13,480
me to set this up?

320
00:14:13,519 --> 00:14:15,200
Speaker 2: Do you want to just go? What's what's the deal?

321
00:14:15,200 --> 00:14:18,200
He tes? I need three minutes tonight.

322
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Speaker 3: Need three minutes. Yeah.

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Speaker 1: I catched the opening of the show and I said, no,

324
00:14:21,799 --> 00:14:24,080
Tras is back, Baby, You're going last on the end.

325
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Speaker 2: But it's gonna be its own cutout.

326
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Speaker 3: So so yeah, I mean that sbubs dropped that that

327
00:14:28,440 --> 00:14:32,120
article in a chat and I panicked when I when

328
00:14:32,120 --> 00:14:34,240
I read it, but but I calmed down after I

329
00:14:34,279 --> 00:14:36,840
went I've read the Vanity Fair article and hoole, I

330
00:14:36,840 --> 00:14:38,480
read a couple of times because I thought, okay, like

331
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they first got the article, that's right, that was I've

332
00:14:46,960 --> 00:14:49,399
been on the Jurassic Park train this whole week. I

333
00:14:49,519 --> 00:14:51,840
watched the first one. I watched Drastic World Dominion, and

334
00:14:51,879 --> 00:14:55,600
I've gotten back into playing Drastic World evolution to just

335
00:14:56,200 --> 00:14:58,000
living it up right now. It's a good time to

336
00:14:58,000 --> 00:14:59,000
be a Jurassic Park fan.

337
00:15:00,080 --> 00:15:05,759
Speaker 2: You know what, well, ladyship and he just took his

338
00:15:05,840 --> 00:15:07,120
mask off. He's a dinosaur.

339
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Speaker 3: I got that when I was in the States at targets.

340
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Speaker 2: That was worth the ten seconds of dead air, you know.

341
00:15:19,240 --> 00:15:20,919
Speaker 3: Oh yeah, so yeah, this.

342
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Speaker 2: I'll talk. We'll get to their comments in a section continue.

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Speaker 3: Uh So, yeah, the movie though, I am. I am

344
00:15:30,679 --> 00:15:32,600
very very excited for it. I'm excited to see this

345
00:15:32,679 --> 00:15:36,960
trailer now. The whole mention of them doing hybrids again,

346
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that definitely brought me down a bit because I thought, Okay,

347
00:15:40,600 --> 00:15:42,919
we've done that, like Dominion was moving off from that,

348
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we weren't going into that pool again.

349
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Speaker 2: Do you want to mention the specific types of hybrid,

350
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what the inspiration was.

351
00:15:49,559 --> 00:15:52,159
Speaker 3: The inspiration was Xenomore from Alien the rank or from

352
00:15:52,440 --> 00:15:56,399
the Jedi, and then just t Rex. But I understand

353
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what they're going for and I'm not even gonna call

354
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it a hybrid because this is very different. After reading

355
00:16:01,320 --> 00:16:05,919
the Vanity Fair article, this is and if you don't

356
00:16:05,960 --> 00:16:07,639
want to know the plot details just from what they

357
00:16:07,639 --> 00:16:10,559
talked about in the article check back in like thirty seconds.

358
00:16:11,519 --> 00:16:13,240
Speaker 2: So sure, the trail is gonna give away a lot.

359
00:16:13,320 --> 00:16:14,879
Speaker 3: Yeah, the trailer is gonna give it away, so we

360
00:16:15,000 --> 00:16:18,120
know that there. I won't go into those other specifics,

361
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but the basic narrative is they're going to this location

362
00:16:20,960 --> 00:16:23,159
that is the site the first site of the genetic

363
00:16:23,240 --> 00:16:25,679
testing for Jurassic Park thirty years ago. It's a very

364
00:16:25,679 --> 00:16:27,799
old site and some of the things that they were

365
00:16:27,799 --> 00:16:30,159
doing on here basically have been thriving in the area.

366
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The site is abandoned by humans and engine and whatnot.

367
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But we also learned that some of the stuff that

368
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they were creating necessarily was not great and like perfect creations.

369
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So everything we've seen has been dinosaurs and then the

370
00:16:46,000 --> 00:16:48,879
hybrids that they've intentionally been combining, like wraptor t rex

371
00:16:48,879 --> 00:16:52,360
together boom and Dominus rex. That's it. They've mastered creating those,

372
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but creation isn't always perfect right off the hop, and

373
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so what I like this is that it's not hybrid,

374
00:17:00,039 --> 00:17:04,559
it's it's just mutated monstrosities. We're like, oh, we're gonna

375
00:17:04,799 --> 00:17:06,839
we're gonna try and create a t rex, So let's

376
00:17:06,880 --> 00:17:08,480
take this frog Edy name and put it into the

377
00:17:08,480 --> 00:17:10,559
t Rex DNA and let's see what we get, and

378
00:17:10,519 --> 00:17:15,160
the boom, they just get this fucking atrocious, horrific monster.

379
00:17:15,359 --> 00:17:18,240
This thing is crazy. And they've hinted at that a

380
00:17:18,319 --> 00:17:21,119
little bit in Camp Cretaceous where they had I can't

381
00:17:21,119 --> 00:17:23,440
even remember the name of it, but it was like

382
00:17:23,480 --> 00:17:27,200
a special kind of like raptor dinosaur thing and it

383
00:17:27,240 --> 00:17:30,000
was very much just like a monster thing. It was

384
00:17:30,160 --> 00:17:32,680
just not a dinosaur. I can get on board with that.

385
00:17:33,079 --> 00:17:36,839
I think that this they have this ugly, weird, horrific,

386
00:17:36,880 --> 00:17:39,279
horror looking thing. That's great. And I liked what they

387
00:17:39,279 --> 00:17:42,119
put in the Vanity Fair article about how they're talking

388
00:17:42,160 --> 00:17:45,000
that the Jurassic World movies felt like it was much

389
00:17:45,039 --> 00:17:51,839
more like, uh a kids movie. Did they say, like, no,

390
00:17:51,880 --> 00:17:54,480
not it was. It was for kids, but more family oriented.

391
00:17:54,559 --> 00:17:59,920
But then they said that more kids movies, kids movies.

392
00:18:00,279 --> 00:18:04,519
But Gareth Edwards I think was addressing how the first

393
00:18:04,599 --> 00:18:08,039
Trouser Park movie was more like like a family movie

394
00:18:08,039 --> 00:18:10,359
in the Witness Protection Program or something like that, Like

395
00:18:10,440 --> 00:18:13,359
it it's not like it's a scary movie and it

396
00:18:13,599 --> 00:18:16,000
has many scenes that terrify you. And I think that's

397
00:18:16,039 --> 00:18:18,039
again what Gareth was saying, like, with this movie, we

398
00:18:18,079 --> 00:18:20,920
wanted to really really tackle that and really come down

399
00:18:20,960 --> 00:18:23,440
on that, being like a like, this is gonna be

400
00:18:23,480 --> 00:18:27,000
a very freaky, scary movie. And I'm so thankful for that,

401
00:18:27,039 --> 00:18:30,319
because let's let's go for the Jurassic World movies. That

402
00:18:30,400 --> 00:18:33,559
trilogy just kind of it went so far away from that,

403
00:18:33,880 --> 00:18:36,119
with the exception of some select scenes in there that

404
00:18:36,160 --> 00:18:38,839
were really really well done, like Fallen Kingdom's intro scene

405
00:18:38,839 --> 00:18:40,720
on the island with the t Rex. That's probably the

406
00:18:40,720 --> 00:18:42,400
best part of the whole movie, just because it's so

407
00:18:42,640 --> 00:18:47,440
horrifically freaky and horror vibes. So there's that going forward too.

408
00:18:47,640 --> 00:18:51,440
But the idea that we're getting like mutant mutated a

409
00:18:51,480 --> 00:18:54,680
dinosaur here, we're getting spina sources back in, We're getting

410
00:18:54,720 --> 00:18:57,680
t rex is in here, we're getting what could be

411
00:18:58,039 --> 00:19:00,799
the Megaladon. I'm gonna pull up a photo so you

412
00:19:00,839 --> 00:19:02,319
can see it, Travis, because I want to know what

413
00:19:02,440 --> 00:19:05,400
you think of this photo.

414
00:19:05,680 --> 00:19:07,079
Speaker 2: Dinosaur expert right here.

415
00:19:07,279 --> 00:19:12,119
Speaker 3: So so people everyone's saying, mosesare in the bottom corner there,

416
00:19:12,480 --> 00:19:15,599
there's three spinosaurs. Spinosaurus is around the boat. But that

417
00:19:15,960 --> 00:19:20,480
to me looks like it could be a megalodon. I

418
00:19:20,519 --> 00:19:22,880
don't know, man, you know what you know what a

419
00:19:22,960 --> 00:19:24,000
megalodon is.

420
00:19:24,240 --> 00:19:26,559
Speaker 1: Yeah, it's the big thing that eats a babysitter in

421
00:19:26,720 --> 00:19:28,839
uh Drastic World, the first one.

422
00:19:29,039 --> 00:19:32,240
Speaker 3: No, that's the Moses meg Remember Jason stayed them big shark.

423
00:19:32,960 --> 00:19:36,119
Speaker 2: It's a megadome. Okay, So I think it's a shark.

424
00:19:35,960 --> 00:19:37,240
Speaker 3: Okay, I think it's a big shark.

425
00:19:37,319 --> 00:19:39,920
Speaker 2: Yeah, and you think it's the mosaurus.

426
00:19:39,960 --> 00:19:42,319
Speaker 3: Well, people are saying it's moses saurus, which I hope

427
00:19:42,319 --> 00:19:44,240
it is. I don't watch sharks in this movie. I

428
00:19:44,240 --> 00:19:45,119
don't watch sharks.

429
00:19:45,200 --> 00:19:45,400
Speaker 2: But what.

430
00:19:47,000 --> 00:19:50,160
Speaker 1: If it's a shark just to get bought by the

431
00:19:49,240 --> 00:19:52,480
uh the mosasaurus like Jurassic Park three style.

432
00:19:54,720 --> 00:19:58,920
Speaker 3: Oh then that's okay. Yeah, mosesare reigned supreme. Uh this

433
00:19:59,079 --> 00:20:01,519
scene in or two, however, I think because they re

434
00:20:01,880 --> 00:20:06,400
they reconfirmed that the not reconfirmed, they confirmed that that

435
00:20:06,640 --> 00:20:08,839
scene that they couldn't do in the first movie. Is

436
00:20:08,880 --> 00:20:11,920
that river Rats scene from the book that they're going

437
00:20:11,960 --> 00:20:14,000
to be putting into here, which I'm speculating that this

438
00:20:14,000 --> 00:20:16,559
this could be it. It could be a version of

439
00:20:16,599 --> 00:20:17,319
it of some kind.

440
00:20:17,359 --> 00:20:19,559
Speaker 1: But so you uploaded this Photo'm like well, how can

441
00:20:19,599 --> 00:20:21,920
I get rid of this photo? But you up, it's

442
00:20:21,960 --> 00:20:23,400
saved now in our geek.

443
00:20:23,119 --> 00:20:24,960
Speaker 3: First fits in there, so I can just whip it

444
00:20:25,000 --> 00:20:28,480
out whenever there, we'll see it tomorrow.

445
00:20:29,200 --> 00:20:31,400
Speaker 1: Well, you know Taylor had that reaction to this news,

446
00:20:31,440 --> 00:20:33,960
and then when I've saw the news, and then I've

447
00:20:34,400 --> 00:20:36,160
saw the article, and then what Taylor said and all

448
00:20:36,160 --> 00:20:38,160
this other stuff, I think, I'm still.

449
00:20:38,279 --> 00:20:45,480
Speaker 2: Look at me, you're excited, You're I have zero excitement

450
00:20:45,559 --> 00:20:47,960
for this movie. Whatsoever. I will see it.

451
00:20:48,440 --> 00:20:51,119
Speaker 1: I will see it because I like Marshall Lee not

452
00:20:51,160 --> 00:20:54,720
seeing it was blading time, and I like Edwards movies

453
00:20:54,759 --> 00:20:58,119
for the most part. Uh. I really liked the creator,

454
00:20:58,119 --> 00:20:59,720
I think more than a lot of other people. I

455
00:20:59,720 --> 00:21:03,039
think Rogue One and God's They'll have some good things

456
00:21:03,079 --> 00:21:05,799
about them, but honestly, I have problems with both them.

457
00:21:05,839 --> 00:21:09,720
We have reviews and retros of them. To me, you saying, oh,

458
00:21:09,839 --> 00:21:13,680
it's it's not a hybrid, it's a it's a mutated thing.

459
00:21:14,880 --> 00:21:18,839
That's a tomato tomato, that's a potato potato. That's well,

460
00:21:18,920 --> 00:21:21,400
we didn't have sex, but I blew the guy. It

461
00:21:21,440 --> 00:21:25,039
doesn't matter. It's it's it's gonna be a dinosaur that's

462
00:21:25,079 --> 00:21:28,640
not a dinosaur that looks fucking weird and messed up.

463
00:21:29,039 --> 00:21:31,519
I think i'd be I think if this was a

464
00:21:31,559 --> 00:21:34,079
different movie, maybe i'd be more excited.

465
00:21:34,079 --> 00:21:36,400
Speaker 2: But I just feel like we're out of ideas and

466
00:21:37,240 --> 00:21:37,839
k cool.

467
00:21:37,920 --> 00:21:40,359
Speaker 1: I guess, like I said this where I liked the

468
00:21:40,400 --> 00:21:43,480
idea of okay, this was the Testing Island, not the island,

469
00:21:43,519 --> 00:21:45,200
but the testing on it's all the worst stuff there.

470
00:21:45,240 --> 00:21:47,559
But I also just think, like, if things went really bad,

471
00:21:47,599 --> 00:21:49,759
why didn't they just kill them, you know, like not

472
00:21:49,880 --> 00:21:51,960
don't let them grow up? Like why they lend these

473
00:21:52,039 --> 00:21:54,640
mutatings go around so already I'm just spending my disbelief

474
00:21:54,640 --> 00:21:56,920
because it's also been so long, like why has the

475
00:21:56,960 --> 00:22:01,359
island not been just bombed? And again, it's very tough, right,

476
00:22:01,559 --> 00:22:04,880
I feel like the same way, not the exact same way.

477
00:22:04,880 --> 00:22:06,960
But there's the people that you know, like love Last Jedi,

478
00:22:07,279 --> 00:22:09,400
and then they got Rise of Skywalker, and clearly if

479
00:22:09,400 --> 00:22:11,079
you love that, there's lots of things that film does

480
00:22:11,119 --> 00:22:13,039
that you'd go, oh, I'm not a fan of this.

481
00:22:13,480 --> 00:22:15,599
To me, we had talked about before and the last

482
00:22:15,599 --> 00:22:19,400
movie literally ended with the whole setup of dinosaurs in

483
00:22:19,440 --> 00:22:21,279
the wild what we're gonna do. We got that great

484
00:22:21,319 --> 00:22:24,039
short film right of that family camping, and then they've

485
00:22:24,079 --> 00:22:26,480
just said, like, oh, in this movie they found out

486
00:22:26,519 --> 00:22:29,559
that dinosaurs they couldn't really survive in our world now,

487
00:22:29,599 --> 00:22:32,279
so they went back and it's like, oh, well that's lame,

488
00:22:32,319 --> 00:22:35,839
and we are we doing another People go there because

489
00:22:35,880 --> 00:22:37,920
I guess they said what this is? They find out

490
00:22:37,960 --> 00:22:41,000
that there's some strand in the dinosaurs that can cure

491
00:22:41,039 --> 00:22:41,680
heart disease.

492
00:22:41,799 --> 00:22:43,359
Speaker 2: Right, So it's the.

493
00:22:43,279 --> 00:22:46,160
Speaker 1: Same thing as like Julian Moore going to an island

494
00:22:46,200 --> 00:22:49,279
to do some stuff and then they get left behind

495
00:22:49,519 --> 00:22:52,279
and something goes wrong and then there's no Wi Fi

496
00:22:52,839 --> 00:22:56,559
and instead of dinosaurs, this time it's mutated dinosaurs, and

497
00:22:56,599 --> 00:22:58,039
that fucking blows to me.

498
00:22:58,319 --> 00:22:59,559
Speaker 2: I hope this.

499
00:23:00,079 --> 00:23:02,200
Speaker 1: I trust this director a lot more than Collin Trevarro.

500
00:23:02,440 --> 00:23:04,640
I like the cast, so I'm going to go with

501
00:23:04,720 --> 00:23:07,319
an open mind because I would like to enjoy it.

502
00:23:07,640 --> 00:23:09,319
I like the idea of saying, oh, we're gonna make

503
00:23:09,359 --> 00:23:13,400
more horror type of vibes. But I think with that franchise,

504
00:23:13,440 --> 00:23:15,440
you can only go so long because they think or

505
00:23:15,720 --> 00:23:17,680
so far because I think.

506
00:23:17,519 --> 00:23:17,880
Speaker 2: That, like.

507
00:23:19,440 --> 00:23:21,519
Speaker 1: The way these are billion dollar movies those last year.

508
00:23:21,519 --> 00:23:23,519
I think it's kind of similar to the Bay Transformer ones,

509
00:23:23,559 --> 00:23:25,880
Like I don't know if the general audience is wanting

510
00:23:25,920 --> 00:23:28,960
a more horror based Drastic World, Like I think the

511
00:23:29,039 --> 00:23:31,640
Drastic World horror levels that they go one that trilogy

512
00:23:31,759 --> 00:23:33,319
is just the right amount for them.

513
00:23:33,559 --> 00:23:34,000
Speaker 2: I don't know.

514
00:23:34,240 --> 00:23:35,839
Speaker 1: Like you say that, I'm like, oh, that sounds great,

515
00:23:35,920 --> 00:23:37,480
and Garre saying them like, oh that sounds great.

516
00:23:37,720 --> 00:23:38,960
Speaker 2: But I don't know if.

517
00:23:38,799 --> 00:23:42,000
Speaker 1: The GA is clamoring for that, right, And I just

518
00:23:42,039 --> 00:23:45,440
wonder if this movie, like it's gonna be interesting because

519
00:23:45,960 --> 00:23:48,000
those last year all made a billion and I think

520
00:23:48,039 --> 00:23:49,440
if it just makes it a little bit under or

521
00:23:49,440 --> 00:23:51,480
still big hit, then they're fine. But if there's like

522
00:23:51,519 --> 00:23:53,640
a big decline, I still think it has a lot

523
00:23:53,680 --> 00:23:55,799
to do. If people are done not done. But I mean,

524
00:23:55,839 --> 00:23:58,960
like people didn't like that last like Dominion, so they're

525
00:23:59,000 --> 00:24:01,319
not gonna come back. But still you'll never know, right,

526
00:24:01,400 --> 00:24:05,079
So Yeah, I'm really curious how it goes. Finally, Spob

527
00:24:05,119 --> 00:24:07,720
says giving me vibes like when the director of Dominion

528
00:24:07,759 --> 00:24:13,079
said that one Dinosaur was like the Joker. Yeah, I

529
00:24:13,079 --> 00:24:13,519
I did not.

530
00:24:13,720 --> 00:24:16,839
Speaker 2: Enjoy that interview. It just made me more and more worried,

531
00:24:16,920 --> 00:24:17,440
so we'll see.

532
00:24:17,480 --> 00:24:19,720
Speaker 1: And I just feel like I'm surprised, I guess with

533
00:24:19,839 --> 00:24:22,839
Drastic part because I feel like one of the main

534
00:24:22,920 --> 00:24:26,039
things you didn't like in Romulus is exactly what you

535
00:24:26,880 --> 00:24:30,680
explained here of that ending having something very mutated and

536
00:24:30,680 --> 00:24:32,720
you're like, I don't know about this, Like don't you

537
00:24:32,720 --> 00:24:34,920
think there's a chance if you see this mutating thing

538
00:24:35,000 --> 00:24:37,119
or both things you make the same one the same

539
00:24:37,119 --> 00:24:39,160
way when you're like, oh, Magalo don just doesn't fit.

540
00:24:39,599 --> 00:24:41,680
You know there's gonna moment where you see what they've created,

541
00:24:41,759 --> 00:24:44,240
your go oh, this looks awful and you can't get

542
00:24:44,240 --> 00:24:46,319
into the third like the third act is then't being

543
00:24:46,400 --> 00:24:48,680
chased by this mutat t rext You're just like, oh,

544
00:24:48,720 --> 00:24:50,599
I'm not digging this at all, Like it's just like

545
00:24:50,599 --> 00:24:52,200
what if it's part human like they're gonna do in

546
00:24:52,240 --> 00:24:54,400
Drastic Park four, where like I just feel like there

547
00:24:54,519 --> 00:24:56,599
is lots of room for air when you get more

548
00:24:56,640 --> 00:24:58,519
into the very sci fi.

549
00:24:58,960 --> 00:25:03,640
Speaker 3: There there is. There absolutely is that possibility of me

550
00:25:03,799 --> 00:25:05,920
being completely turned off by whatever we get at the

551
00:25:06,000 --> 00:25:10,839
end Romulus. That's for me. It's different because I would

552
00:25:10,839 --> 00:25:14,440
have preferred it if it was just the xenomorphs and

553
00:25:14,519 --> 00:25:17,160
not necessarily all that black goop stuff and that that

554
00:25:17,240 --> 00:25:21,400
thing at the end. But with this, it's like I

555
00:25:21,759 --> 00:25:23,920
was never super opposed to the hybrids. I thought it

556
00:25:23,960 --> 00:25:26,160
was cool with the adominous Rex and the indo raptor.

557
00:25:26,240 --> 00:25:28,960
Those were some cool things, but they weren't executed like

558
00:25:30,079 --> 00:25:32,839
in the greatest of ways. I still think there's a

559
00:25:32,880 --> 00:25:35,359
lot more stuff you can do just with the regular dinosaurs.

560
00:25:35,880 --> 00:25:38,799
And the idea here were Okay, they're gonna be trapped

561
00:25:38,799 --> 00:25:41,359
on an islands, They're gonna have dinosaurs everywhere. This kind

562
00:25:41,400 --> 00:25:43,759
of gives me Jurassic Park three vibes. Or they're stuck

563
00:25:43,759 --> 00:25:45,960
here and they have this old facility and all the

564
00:25:46,000 --> 00:25:48,759
dinosaurs are running loose, which gets me very excited at

565
00:25:48,759 --> 00:25:51,559
the fact that there's that. And then we have just, Okay,

566
00:25:51,640 --> 00:25:55,960
these things that have been here genetically created that shouldn't

567
00:25:55,960 --> 00:25:59,079
be shouldn't have been genetically created created, there's some mutated

568
00:25:59,119 --> 00:26:03,039
abominations and they just have the thirty years just grow

569
00:26:03,119 --> 00:26:05,480
and evolve further.

570
00:26:05,720 --> 00:26:08,240
Speaker 2: The thing it's a thing from Romulus, Like.

571
00:26:08,160 --> 00:26:12,000
Speaker 3: It's just that that's the dinosta.

572
00:26:12,440 --> 00:26:15,319
Speaker 2: Yeah, that's Zeno more. I love Rahmin this I saw it.

573
00:26:15,319 --> 00:26:18,119
Speaker 1: It's like, get me that super Mike says, Fallen Kingdom

574
00:26:18,160 --> 00:26:20,279
was not very well liked. To mean, he's still made

575
00:26:20,279 --> 00:26:22,279
a billion though in that international money.

576
00:26:22,319 --> 00:26:22,920
Speaker 2: Absolutely.

577
00:26:23,359 --> 00:26:26,400
Speaker 1: That's just why I was comparing it to Bays Transformers,

578
00:26:26,400 --> 00:26:28,759
where you had that people just would turn out and

579
00:26:28,799 --> 00:26:32,240
go and then eventually I think it was the Last Night, right,

580
00:26:32,319 --> 00:26:34,680
Like I feel like it's like a big drop, let's

581
00:26:34,680 --> 00:26:40,200
see last Night, Like eventually it catches up, right, eventually

582
00:26:40,960 --> 00:26:43,279
people go, you know what? I even then it's still

583
00:26:43,279 --> 00:26:45,480
a big hit. But like I think it was like

584
00:26:45,519 --> 00:26:47,519
the first Transformers and then they all made a billion

585
00:26:47,599 --> 00:26:48,119
to the Last Night.

586
00:26:48,200 --> 00:26:50,039
Speaker 2: The Last Night made six hundred million.

587
00:26:50,119 --> 00:26:53,440
Speaker 1: Now again that's a big hit, and I can actually

588
00:26:53,440 --> 00:26:55,559
see that being the trajectory of this. But then what

589
00:26:55,640 --> 00:27:00,920
happened after Bumblebee Transformer one? What is the uh the

590
00:27:01,119 --> 00:27:02,920
Rise of the Beast? Did you ever see that Rise

591
00:27:02,920 --> 00:27:03,519
of the Beast.

592
00:27:03,319 --> 00:27:05,720
Speaker 3: One for it?

593
00:27:05,960 --> 00:27:06,960
Speaker 2: Oh? He did? Sorry about that.

594
00:27:06,960 --> 00:27:08,839
Speaker 1: I never listened, But I'm excited for that Ga Joe

595
00:27:08,839 --> 00:27:10,640
movie that they still haven't fucking started to do. But

596
00:27:11,559 --> 00:27:15,039
ever since then, like well then they just quickly check

597
00:27:15,160 --> 00:27:20,880
like bumble Bee movie, let's just see the box office

598
00:27:20,960 --> 00:27:23,440
numbers here because I remember it being like kind of

599
00:27:23,519 --> 00:27:28,480
Light that made four hundred and sixty eight million Transformers one.

600
00:27:28,440 --> 00:27:30,759
Speaker 2: That was a bomb. I you haven't watched the one yet, have.

601
00:27:30,720 --> 00:27:32,519
Speaker 3: You Transformers one?

602
00:27:32,599 --> 00:27:32,680
Speaker 2: No?

603
00:27:32,720 --> 00:27:33,519
Speaker 3: I haven't seen it.

604
00:27:33,599 --> 00:27:35,880
Speaker 1: Oh I'm surprised. I hear nothing but good things. Everyone

605
00:27:35,920 --> 00:27:37,880
just says it's like really good. I just haven't got

606
00:27:37,920 --> 00:27:40,119
around to it. But I thought you would be all

607
00:27:40,160 --> 00:27:43,839
over that. And then Rise of the Beast made four

608
00:27:43,960 --> 00:27:46,279
forty so they're stuck in that, and like, you know what,

609
00:27:46,559 --> 00:27:49,200
you know, some people might not like me to say it.

610
00:27:49,200 --> 00:27:50,839
I think some people will agree with me. Some people

611
00:27:50,960 --> 00:27:51,799
don't agree with me.

612
00:27:52,359 --> 00:27:52,960
Speaker 2: But for me.

613
00:27:53,559 --> 00:27:56,839
Speaker 1: Another case that was BVS, where like all mass stills

614
00:27:56,880 --> 00:27:59,839
at Billion Dollar Film, but for me BVS, I feel

615
00:27:59,880 --> 00:28:02,000
like kind of sunk all the future stuff.

616
00:28:02,039 --> 00:28:02,200
Speaker 2: I know.

617
00:28:02,200 --> 00:28:04,400
Speaker 1: All the people are like, oh, Joss Wien's Justice League.

618
00:28:04,440 --> 00:28:05,759
This it wasn't Zach stuff.

619
00:28:06,920 --> 00:28:07,319
Speaker 2: I don't know.

620
00:28:07,359 --> 00:28:09,279
Speaker 1: I used to see these movies with a lot of people,

621
00:28:09,559 --> 00:28:12,279
and then we saw BVS with my friends group, and

622
00:28:12,319 --> 00:28:15,440
then when JUSTE League rolled around, they weren't seeing it

623
00:28:15,480 --> 00:28:17,119
and it wasn't because they're like, well, you know, Joss

624
00:28:17,119 --> 00:28:18,799
Wallen's trucking this just like no, that last.

625
00:28:18,640 --> 00:28:19,160
Speaker 2: One was bad.

626
00:28:19,400 --> 00:28:22,880
Speaker 1: So Mike, you're right, and I suppose, yeah, they would

627
00:28:22,880 --> 00:28:25,599
get five million from five hundred million from China, absolutely right.

628
00:28:25,640 --> 00:28:28,559
But what does happen is eventually there's one movie that

629
00:28:28,759 --> 00:28:31,319
starts the crater right, and to me BVS was a

630
00:28:31,319 --> 00:28:31,680
bit of that.

631
00:28:31,839 --> 00:28:33,400
Speaker 2: You had still some hits to It's called.

632
00:28:33,279 --> 00:28:36,079
Speaker 1: Won Women by Me like overall, but with the Bay stuff,

633
00:28:36,400 --> 00:28:38,400
it was like whatever, what was before Last Night?

634
00:28:38,440 --> 00:28:42,519
Speaker 2: Taylor? What was the movie before that? Extinction something?

635
00:28:42,640 --> 00:28:45,559
Speaker 1: Rise of Extension Agity, Yeah, that was the one that

636
00:28:45,640 --> 00:28:48,279
clearly they put that out. That's the first one with

637
00:28:48,359 --> 00:28:51,279
Marky Mark right, Yes, yeah, they put that out, and

638
00:28:51,319 --> 00:28:54,279
then clearly people started the taper off because they didn't

639
00:28:54,279 --> 00:28:55,359
come back as much for.

640
00:28:56,960 --> 00:28:59,400
Speaker 2: Last Night and then Bumblebee and then Rise the Beast.

641
00:28:59,440 --> 00:29:01,720
Speaker 1: So that's where I wonder if Dominion could be that right,

642
00:29:02,119 --> 00:29:04,359
especially Dominion. You gotta remember it had to bump and

643
00:29:04,400 --> 00:29:06,960
bring the original cast back. It's a lot different.

644
00:29:06,960 --> 00:29:09,279
Speaker 2: I wonder if do do you think Dominion makes a.

645
00:29:09,200 --> 00:29:11,720
Speaker 1: Billion tailor if Sam Neil and Laura Dern are back

646
00:29:12,240 --> 00:29:15,400
or aren't back? Because I don't I'd not say to bombs,

647
00:29:15,400 --> 00:29:16,519
but I don't think it makes a billion.

648
00:29:19,400 --> 00:29:20,799
Speaker 3: That's tricky to say.

649
00:29:22,200 --> 00:29:23,759
Speaker 2: That brought a lot of people like myself.

650
00:29:25,279 --> 00:29:27,160
Speaker 1: That brought people like me that like I'm done with

651
00:29:27,160 --> 00:29:30,279
these movies and like Sam Neil's back, all right, I

652
00:29:30,279 --> 00:29:32,519
gotta see this, you know so and he was still

653
00:29:32,519 --> 00:29:33,279
good and that's a good thing.

654
00:29:33,319 --> 00:29:34,519
Speaker 2: They're all enjoyable, So.

655
00:29:36,200 --> 00:29:38,480
Speaker 3: It'll be cool to see though, how this is set up?

656
00:29:38,559 --> 00:29:41,160
Is this, you know, rebirth just implies like, hey, we're

657
00:29:41,200 --> 00:29:44,079
going a whole new plethora of movies. I really thought

658
00:29:44,119 --> 00:29:47,839
Dominion was the last one. So how this movie does

659
00:29:48,440 --> 00:29:51,119
like storyline wise, or we can get another trilogy? Is

660
00:29:51,160 --> 00:29:54,839
this just one off like an anthology? I don't know.

661
00:29:54,880 --> 00:29:57,039
But I'm gonna have to finish or start and finish

662
00:29:57,160 --> 00:29:59,440
Chaos Theory on Netflix so you can kind of catch

663
00:29:59,519 --> 00:30:00,880
up with this story Rene here.

664
00:30:00,920 --> 00:30:05,160
Speaker 1: Right, and you saw the creator, right, yeah, Edwards last movie. Yeah,

665
00:30:05,240 --> 00:30:07,079
and that's something he shot on like a small camera.

666
00:30:07,119 --> 00:30:09,160
It was a budget of eighty million. That's the thing

667
00:30:09,559 --> 00:30:12,119
where like if they can keep this, obviously they're gonna

668
00:30:12,119 --> 00:30:14,960
be big dinosaurs. But if they can keep this down

669
00:30:15,319 --> 00:30:17,440
a lot, I think it's gonna be a profit so.

670
00:30:19,000 --> 00:30:22,920
Speaker 3: Uh Jurassic World four oh interesting with a budget of

671
00:30:22,920 --> 00:30:24,279
twitter and sixty five million?

672
00:30:25,799 --> 00:30:25,960
Speaker 1: Was this?

673
00:30:26,039 --> 00:30:26,359
Speaker 2: Sorry?

674
00:30:26,720 --> 00:30:29,240
Speaker 3: Tunar and sixty five million is what I'm seeing on here.

675
00:30:29,279 --> 00:30:30,920
I don't know if that's.

676
00:30:30,559 --> 00:30:33,440
Speaker 1: I wouldn't trust that yet. I would wait till we're

677
00:30:33,480 --> 00:30:35,400
closer to that. I don't know if they'd have a

678
00:30:35,440 --> 00:30:38,920
budget there yet. So well, Aziman, that is it for

679
00:30:39,000 --> 00:30:43,720
this episode. Thank you very much for tuning in here

680
00:30:43,759 --> 00:30:45,200
for us. Next won't be boring.

