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Speaker 1: And time traveling through the memories in my mind and

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not to the favery fie and what at like to

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remember around the pain, I.

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Speaker 2: Can't forget the places, power to face and again.

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Speaker 3: It takes me about when I was only five one

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and across the house on the bolt of it built.

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Speaker 2: Calls were made to all the memories.

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Speaker 1: And all I think to speak of things, I would say,

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then on that up till modic on way a little dint,

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then that's hot of became of favorite as a friends

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for a time, a furious cool by.

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Speaker 2: Oh how I to relive them?

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Speaker 1: All the smuts we took northan sedils, we spoke pols

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are haunted by one of fame fall nine one five

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was only twelve.

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Speaker 2: Rebecames It's a time for more. A series and a chase.

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Speaker 4: Came.

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Speaker 1: They never listening, and no thing could speak the face

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they would say. They put on the games, those on stair,

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colored trees, head on the stone.

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Speaker 2: I had a lot of.

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Speaker 5: Now they just wash away with the mermise we made.

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Speaker 2: They turned had to pay it.

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Speaker 1: Okay, made noise until one hit made that last day

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the play.

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Speaker 2: Sweeper was now long for.

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Speaker 6: Good.

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Speaker 2: Holy twenty three, say goodbye.

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Speaker 1: House building seventeen years and that of the birthday. These

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balls place quite the trace somewhere.

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Speaker 2: And know it's to speak good thing I would say and.

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Speaker 6: Drove down off.

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Speaker 2: Oh never, that's why I don't know how a boy speak.

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Love fair.

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Speaker 7: What a beautiful song. That is kat Ivy, who is

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with us in studio and we're gonna speak with just

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a moment. Welcome everybody. This is our number two New

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Marrow dose of Matt Connorton Unleashed, and we are live

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from the studios of wm NH ninety five point three

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FM on this glorious Saturday, February fifteen, twenty twenty five.

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Jenny is here as well, of course, at the news

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table and joining us in studio. Kat Ivy is here

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with us.

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Speaker 8: Good morning morning.

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Speaker 7: Hi, are you very well? Very well? You were saying

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off air? Excuse me, I have my winter voice as

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many of us do. Oh yeah, so you were saying

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off air. So this is your your first time doing

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a radio interview.

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Speaker 8: It is, yeah, baby's first radio interview.

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Speaker 7: Oh very cool, very cool. Well, welcome and is that

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the first Excuse me? What it's not the first thing

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that you've had on YouTube, obviously, but this is a

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brand new single, right, this is relatively Yes, this.

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Speaker 9: Was I released it back in November. Actually, I released

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this on my birthday, November twenty eighth this past which

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is also Thanksgiving this year.

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Speaker 7: Oh okay, okay, yeah, very cool. How long have you been?

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How long have you been active as a singer songwriter

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in the area?

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Speaker 8: In the area.

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Speaker 9: So, honestly, it's funny because I started when I was eighteen,

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playing music around like the New England area. Yeah, and

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for about like maybe two years I did it, and

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then I took a hiatus and traveled and got married

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and moved to Hawaii, lived there for a little bit

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and then wow, yeah.

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Speaker 8: And then twenty twenty three I kind of started to

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back up again.

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Speaker 9: Yeah, so I've been doing this, I guess now is

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like trying to be a full time career around New

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England since then.

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Speaker 7: Excellent, excellent. How did we How did we meet you?

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Speaker 10: Did?

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Speaker 7: Did you come to us through Eric?

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Speaker 2: Yes?

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Speaker 7: Come out? Yes, I thought so.

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Speaker 11: Yeah.

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Speaker 7: Yeah, he's been on the show a bunch of times

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and he's amazing.

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Speaker 8: Yeah, he's great, he's great. I'm actually going to play

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a show with him.

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Speaker 7: So oh no, that's okay, what's that he sends me

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the most amazing artists, and your voice is just incredibly

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beautiful to listen to.

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Speaker 8: I really love you, thank you, thank you so much.

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Speaker 7: Yeah. Absolutely. Where was that recorded, by the way, So.

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Speaker 9: That's actually recorded in my home studio, which is just

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my house. And I worked with a producer in Nashville.

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Her name is Abby Lauren and worked on this with me,

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and she recorded the instruments for me at her home studio.

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Oh no, kidding, Yeah, So we collabed online. It was

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just all online.

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Speaker 7: So did you do You did the vocals and guitar,

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I assume, yeah, and then she did everything else.

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Speaker 10: Yeah.

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Speaker 7: No, It's really cool and I would imagine too. I mean,

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with just the vocals and guitar, it would sound great,

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you know if it were you know, a little bit

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stripped down. But the but what she added to it,

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the texture, is really cool, especially since when the song starts,

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this is just my obsor I overanalyze these things, but

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when the song starts, you don't necessarily expect to hear

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those additional elements, So then when they kind of come in,

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it's like, yeah, that's cool. Yeah, and it sort of

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elevates the song as it goes, So that's really nice. Now,

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how Abby Lauren that's her name? Yes, okay, and how

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did you come to work with her?

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Speaker 6: So?

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Speaker 9: Actually, I found her on a website called sound Better,

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and I was just trying to look for a producer

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for that song because that song is very obviously, very

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personal to me, and for my other songs, I actually

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work with my dad, but this one was a little

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bit personal. So I wanted to get a little bit

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of an outside perspective on it, and so I went, yeah,

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I went on the website sound Better, and I found

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her on there, and I messaged her to work with her,

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and she accepted, and we've collapsed and we're actually clabbing

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on a new song coming up hopefully soon the next

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couple of months right now.

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Speaker 8: So I'm excited. She's been great to work with.

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Speaker 7: Oh excellent, Now sound Better. I feel like I've heard

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of sites like that, but I don't think i've heard

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of that one exactly. So is it is it a

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situation where like you go on there and you present

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your music and different producers can kind.

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Speaker 9: Of yeah, yeah, So it's kind of like, oh my god,

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I can't think of the other website that I want

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to think of right now.

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Speaker 7: I can't because I know the one I'm thinking. Yeah, yeah,

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it's if.

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Speaker 9: It's kind of like also if you try to artists

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to do work for you. It's kind of something like that.

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And I had just came across it. I just typed

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in on Google, like producers near me in Boston, and

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that website came up and I was like, oh, let

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me check it out, and then her picture was one

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of the first ones I came up. And I was

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looking at other ones, but I really was drawn to

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her and her energy, so you know, I was like,

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you know what, I'm gonna reach out to her and

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send her my demo and yeah, so if they accept it,

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they'll let you know, and you kind of have to just.

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Speaker 8: Work through the website.

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Speaker 9: Okay, so that way, like you know, if anything weird happens,

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like there's some liability there.

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Speaker 7: Yeah, but yeah, yeah that makes sense. So you're gonna

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work with her on the next one as well?

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Speaker 8: Yes, okay, yes, I'm currently doing that right now.

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Speaker 2: Oh you are? Yeah?

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Speaker 7: Yeah?

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Speaker 9: Is it is?

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Speaker 7: It kind of a similar process where you're doing the

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vocals and guitar and then she's going to add elements.

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Speaker 8: Yeah, yeah, exactly.

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Speaker 9: We'd go on a zoom call beforehand and we kind

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of talk about, you know, go through the song and

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talk about like what we want in it and what

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how do you think it would sound.

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Speaker 7: And yeah, all that so outstanding. Yeah, you mentioned working

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with your dad, So dad also recorded some of your

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your previous songs.

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Speaker 9: Yes, so my songs Indiana Jones and Memory Lane that

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I have out as well. He was the one that

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produced with me on those songs. So he used to

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be a musician himself. His band in the eighties was

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called Explicit.

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Speaker 7: Okay, and I that name has come up on the

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show before.

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Speaker 12: Oh really, it's like Explicit, Yeah, okay, there's somebody who

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has been on the show who either either was in

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that band or had a probably more.

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Speaker 7: Likely had a parent. Yeah, yeah, okay, because I swear

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that name has come up before. That's interesting.

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Speaker 8: That's so funny.

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Speaker 9: That would be fun I mean, I know that some

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of the band members do live around here, so I'm

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not surprised that did come up.

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Speaker 7: It makes sense.

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Speaker 9: Yeah, yeah, so he used to be in that band,

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and then you know, I kind of came along and

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he'd stopped music for a while to you know, support

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the family, and when I, like, I had some interest

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in doing music, he was obviously super excited and he

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started working on these songs with me as well. And

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he also plays like the instruments and stuff too, and yeah,

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so it's been a learning process.

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Speaker 8: With us both for that as well.

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Speaker 7: What he does, he play guitar, he.

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Speaker 9: Does, he plays guitar, He does a lot of like keyboards.

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I was I think his main instrument was keyboard.

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Speaker 8: He was in the band.

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Speaker 9: He doesn't do any of the singing, so I didn't

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get that from him. I did get that from my mom.

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Who's I think listening right now, So shout out to

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my mom. Okay, but yeah I got my singing from

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her and the instruments from him.

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Speaker 7: Yeah. Well, coming from a musical family, yeah, it was

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bound to you.

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Speaker 8: Know that you would, it was bound to stick at

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some point.

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Speaker 7: Yeah, No, that's cool. Did he teach you how to

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play guitar or did you take lessons or did you

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learn on your own?

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Speaker 9: So he bought me my first guitar when I was

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five years old. There's some videos of me like trying

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to play, obviously not doing it very well, like an

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electric little mini red Fender guitar. Yeah, and then around

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twelve years old, since I was still expressing really interest

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in wanting to learn, they put me in some lessons.

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Speaker 7: Okay, yeah, okay, yeah. Do you like when did you

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start writing your own songs? Do you know? Around what

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age you?

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Speaker 6: Yeah?

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Speaker 9: So around also twelve years old is when I started

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writing lyrics to songs. I was going through a lot

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of you know, just stuff in my home life and

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you know, in my personal life and everything, and I

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didn't really know how to express my feelings. So actually

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I learned from my favorite band, whose Life House, And

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they've been my favorite band for a long time. The

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singer would say that his therapy was writing music. Okay,

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so because they were such an idol to me, that

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was like, all right, let me try that. So I

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started writing lyrics just to kind of get my feelings

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out of like you know, home stuff, personal stuff, and

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then maybe like boys or whatever, you know, just like

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small twelve year old things. And I kind of grew

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with me as I got older, and it's now a

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therapy to me. I don't think I could live without

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doing it.

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Speaker 7: Yeah. Do you remember the first song you ever wrote?

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Speaker 9: I actually, the first song I ever wrote with music

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attached to it because I for a long time I

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just wrote lyrics and like, maybe someday I'll go back

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to those. But yeah, I think the first song I

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ever wrote with music was about a boy that I

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liked in eighth grade.

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Speaker 8: And there's still a video of me, Like I didn't

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post it anywhere.

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Speaker 9: Yeah, there's still a video I have of me on

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my computer singing that song because I was gonna try

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and be brave, but I'm kind of glad I didn't.

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Speaker 7: Yeah, I'm trying to remember now, Life House, what was

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their big breakout hit? When when they because I remember

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a Life House or yeah, I can't, but I'm drying

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a blank on Uh what they what? When? When did

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they get big? Like early two thousands?

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Speaker 9: Yeah, yeah, it was like the like two thousand, like

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two thousand and two thousand and one. Their first hit

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was Hanging by a Moment.

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Speaker 7: Oh yeah, yeah, yeah, okay, yeah it was it was

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in it was in there, but I couldn't quite recall. Okay,

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So that was their big breakout, but they had they

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had other hits.

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Speaker 9: Right, yeah they You and Me another huge hit for

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them back in like two thousand and five. Yeah, yeah, okay, yeah, yeah,

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first time was a big hit.

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Speaker 7: Yep, I remember that one now yeah yeah, so very.

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Speaker 9: Much like in the two thousand, between two thousand and

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twenty ten, like they had their like prime yeahs.

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Speaker 7: Yeah yeah. Are they still together?

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Speaker 9: No, I don't think they're like they never said they

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broke up per se. But I know the lead singer,

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Jason Wade, does do solo shows right now. I actually

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just went to his solo show back in November. I

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think he played in was its Massachusetts somewhere I forget

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exactly where it was, but it was awesome.

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Speaker 8: Honestly.

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Speaker 9: It was such an intimate show too, Like he just

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had him and his guitar and his other bandmate and

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his guitar and just oh.

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Speaker 8: Cool saying songs that we knew, and it was really awesome.

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Speaker 7: Do they do Just Life House?

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Speaker 2: Yeah?

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Speaker 8: And then he has his own solo stuff as well

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that he's been doing.

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Speaker 7: So did you get to meet him?

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Speaker 8: I've met him a few times actually, yeah.

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Speaker 9: I have been able to tell him that he's been

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an inspiration to me and his songs have been, you know,

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helpful for me going through my life.

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Speaker 8: So that's an awesome one. And he's so nice, super nice.

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Speaker 9: Yeah, that's cool, and that's such an inspiration to me

286
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as well as being a musician myself, you know, like

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having those experiences and meeting your idols as musicians, because

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sometimes you know, it's not good to meet your idols,

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but I thankfully had such a great experience with them

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that it's shaped me for sure.

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Speaker 7: No, that's really good. Yeah, because they you know, they

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always say, don't meet your heroes. Yeah, but but sometimes

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it actually does turn out well.

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Speaker 9: Yeah, so far I've had some good experiences, so hopefully

295
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that keeps going.

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Speaker 7: That's awesome. Now do you play, So you play guitar?

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Do you play anything in addition to guitar?

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Speaker 9: No, right now, just guitar. I am learning piano. I

299
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do wish I was better at piano. I kicked myself

300
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sometimes for not learning earlier. But yeah, yeah, so kind

301
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of just guitar, singing, writing, Yeah.

302
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Speaker 8: Yeah.

303
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Speaker 7: And when you play out, is it always just you?

304
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Or do you have does anyone join you?

305
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Speaker 8: No, it's it's just me. Yeah, even like bringing my

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own equipment inside.

307
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Speaker 9: Actually, I had some really nice people last night who

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I played at the Steelheel Resort at their Tova tavern,

309
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the Little bar area.

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Speaker 8: It's like up near Laconia.

311
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Speaker 9: Yeah, I had this really awesome group of people help

312
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me bring my equipment outside after the show. Because usually

313
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it's just me carrying all my heavy stuff. I'm just like,

314
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all right, yeah, I'm to go now, you know. But

315
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they were like, we can't watch you bring these out

316
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by yourself.

317
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Speaker 8: We're going to help you. And I loved That's so

318
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so nice. I just I'm so thankful for people like that.

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Speaker 7: Yeah, that is really cool. How much How many songs

320
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do you have in terms of original material, like when

321
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you go to play live, how many do you have

322
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to play?

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Speaker 8: I've quite a bit. I'd say I have probably like

324
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twelve ready.

325
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Speaker 9: Obviously I don't have that many out right now as

326
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I'm like currently working on the process of recording those.

327
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Speaker 8: Yeah, but yeah, i'd say about twelve thirteen.

328
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Speaker 7: Maybe do you do you must do some covers you

329
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would imagine, Oh, of course, yeah.

330
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Speaker 9: I do definitely mostly covers, just because you know, it's

331
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good to play what people know. Yeah, and then I

332
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try to put in at least like three or four

333
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of my original songs in there as well.

334
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Speaker 7: What do you do for covers? I'm always curious because

335
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I've always my theory has always been you can kind

336
00:16:05,799 --> 00:16:09,120
of learn a lot about someone's influences by the covers

337
00:16:09,720 --> 00:16:10,240
that they play.

338
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Speaker 8: Yeah, yeah, oh my god.

339
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Speaker 9: I'd say it's a range, but definitely early two thousands,

340
00:16:15,679 --> 00:16:18,159
kind of like you know, the lifehouse type genre, you know,

341
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like stuff that was popular like Coldplay, Lifehouse, Nickelback, which

342
00:16:23,200 --> 00:16:25,440
I know people have some mixed feelings on Niccleback.

343
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Speaker 8: I personally thought they were a great band.

344
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Speaker 9: Yeah, Taylor Swift obviously, and like you know, some of

345
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the new stuff from like Sabrina Carpenter and all that,

346
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and then some country in there as well. I try

347
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to really do a good mix, but a lot of

348
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popular songs that people will be like, oh, I forgot

349
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about this one.

350
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Speaker 7: Yeah. Yeah. Nickelback does get a lot of hate, and

351
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yeah they have for a long time. And it's but

352
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it's almost like it's it's almost like it's not real,

353
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like like at a certain point it just became cool.

354
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Speaker 8: Yeah, Nickelback, it was a Vandwagon thing for sure.

355
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Speaker 7: Yeah. It's like, uh, but sometimes too, these things kind

356
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of come around, Like I remember, not not that long go,

357
00:17:00,159 --> 00:17:04,160
when it was cool to hate to hate Limp Biscuit yeah, yeah,

358
00:17:04,240 --> 00:17:06,599
and now it's like cool to like limp biscuits.

359
00:17:06,759 --> 00:17:06,960
Speaker 6: Yeah.

360
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Speaker 8: It's kind of like.

361
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Speaker 9: The trends, right, like the clothing trends too, where something

362
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was cool back in the day and then people made

363
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fun of it and then it starts to get become

364
00:17:15,680 --> 00:17:18,279
cool again. It's in thrift soars and you know, everyone's like, oh,

365
00:17:18,359 --> 00:17:20,119
I need that new thing right right?

366
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Speaker 10: Yeah?

367
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Speaker 7: Now, what are your kind of your your long term

368
00:17:23,039 --> 00:17:27,119
plans and goals have you? Do you plan to tour?

369
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Do you plan to find that?

370
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Speaker 13: Yeah?

371
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Speaker 7: Yeah, I'm curious and I don't know if you've thought

372
00:17:33,039 --> 00:17:36,400
that far. I mean sometimes when you're you know, when

373
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you're working as a musician, sometimes you almost can't plan

374
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too far ahead because things are so unpredictable.

375
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Speaker 9: But yeah, yeah, honestly I do try to think about it,

376
00:17:45,440 --> 00:17:47,359
but then I also try not to think about it

377
00:17:47,480 --> 00:17:49,440
too much, yeah, because then I'll get in my own

378
00:17:49,480 --> 00:17:52,200
head if like maybe a timeline thing didn't happen quite yet.

379
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Speaker 8: Yeah, but of course I would love to tour.

380
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Speaker 9: That's like my big goal is to tour on my

381
00:17:57,519 --> 00:18:00,279
original music and to have an audience for my original music.

382
00:18:00,359 --> 00:18:03,519
That's always been my goal since I started doing music. Yeah,

383
00:18:03,880 --> 00:18:06,119
so that would be awesome and amazing for sure.

384
00:18:06,279 --> 00:18:11,759
Speaker 7: Yeah. Who is kind of your your dream like national

385
00:18:11,839 --> 00:18:13,599
act to tour with? Like do you have do you

386
00:18:13,640 --> 00:18:15,720
have somebody in mind who you'd really love to open for?

387
00:18:16,000 --> 00:18:17,279
Speaker 8: NOA Kon? For sure?

388
00:18:17,720 --> 00:18:18,640
Speaker 7: I'm not sure who that is.

389
00:18:18,960 --> 00:18:21,039
Speaker 8: Oh, he's from Vermont and New Hampshire.

390
00:18:21,039 --> 00:18:24,799
Speaker 9: Actually he grew up in oh, I think Upward, New Hampshire,

391
00:18:24,839 --> 00:18:27,480
I forget the town. But then he moved to Vermont

392
00:18:27,599 --> 00:18:30,759
and his newest album is called Sixth Season and it's

393
00:18:30,799 --> 00:18:33,200
talking about basically living in New England and living in

394
00:18:33,279 --> 00:18:34,319
Vermont and stuff.

395
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Speaker 7: And oh, we gotta get him on the show NOA

396
00:18:38,279 --> 00:18:38,640
Kon I.

397
00:18:38,640 --> 00:18:41,079
Speaker 9: Mean, yeah, he's gotten pretty big recently. He actually played

398
00:18:41,079 --> 00:18:44,440
at Fenway last year. Yeah, and it was an amazing show.

399
00:18:44,440 --> 00:18:45,880
Speaker 8: I went to that. But yeah, oh my god, if

400
00:18:45,920 --> 00:18:47,599
I could open for NOA Kon that would be great.

401
00:18:47,720 --> 00:18:47,920
Speaker 4: Yeah.

402
00:18:49,200 --> 00:18:49,319
Speaker 9: Uh.

403
00:18:49,480 --> 00:18:51,319
Speaker 7: Any anybody else you kind of have in mind who

404
00:18:51,599 --> 00:18:52,440
you'd like to open for?

405
00:18:53,799 --> 00:18:54,359
Speaker 8: Oh, I don't know.

406
00:18:54,440 --> 00:18:57,839
Speaker 9: I mean obviously there's some amazing you know, musicians around

407
00:18:58,039 --> 00:18:59,519
New Hampshire as well, Like I would love to play

408
00:18:59,559 --> 00:19:01,839
a show like re Becca Termol. Yeah, you know, I'm

409
00:19:01,880 --> 00:19:03,640
gonna be I think playing a show with Katie Dobbins

410
00:19:03,680 --> 00:19:04,799
because I know she's awesome too.

411
00:19:05,039 --> 00:19:07,799
Speaker 7: Oh, very cool. Yeah, she's she's been so I haven't

412
00:19:07,799 --> 00:19:10,720
seen her in probably two or three years, but she's

413
00:19:10,880 --> 00:19:12,960
she's been on the show a couple of times. And

414
00:19:13,079 --> 00:19:15,960
Rebecca Turmel she was on maybe six months ago, okay,

415
00:19:16,039 --> 00:19:17,279
and she's yeah, she's amazing.

416
00:19:17,440 --> 00:19:19,720
Speaker 9: Yeah, And I think I'm playing a show in April

417
00:19:19,799 --> 00:19:21,720
Aprily Teeth. I want to say with Temple Mountain too,

418
00:19:21,920 --> 00:19:25,359
so I'll be opening for an activist, so that'll be cool.

419
00:19:25,440 --> 00:19:28,519
But any like national Ones, I don't know. I feel

420
00:19:28,559 --> 00:19:30,680
like I like a lot of people that are really big.

421
00:19:30,920 --> 00:19:33,440
I guess I could dream big, but you know, sometimes

422
00:19:34,160 --> 00:19:36,319
like I don't know, but I know there's this artist

423
00:19:36,599 --> 00:19:38,880
in uh I think based in Los Angeles. Her name

424
00:19:38,960 --> 00:19:41,559
is Blue Eyes, okay, and I get a lot of

425
00:19:41,640 --> 00:19:44,160
my inspiration from her music too, And I you know,

426
00:19:44,440 --> 00:19:47,000
she was doing some tour with Hunter Hayes. I want

427
00:19:47,039 --> 00:19:50,079
to say opening for him, so, I mean that would

428
00:19:50,079 --> 00:19:51,559
be really cool because I love her stuff too.

429
00:19:51,799 --> 00:19:54,279
Speaker 7: Yeah, when you do play out, do you are you

430
00:19:54,480 --> 00:19:56,640
able to like, do you get out of New England

431
00:19:56,799 --> 00:19:57,119
at all?

432
00:19:57,319 --> 00:19:59,880
Speaker 8: Or are you not yet I will.

433
00:20:00,319 --> 00:20:03,960
Speaker 9: I've been looking actually recently in like obviously Nashville to

434
00:20:04,000 --> 00:20:06,119
see if there's like some things I could try and

435
00:20:06,680 --> 00:20:08,519
you know, kind of dip my toes in in there.

436
00:20:08,599 --> 00:20:10,799
Speaker 8: I know it's a huge, big world over there. Yeah,

437
00:20:10,839 --> 00:20:13,519
but I would love to go down in Nashville.

438
00:20:13,839 --> 00:20:16,480
Speaker 7: Yeah. A lot of our guests have done that, and

439
00:20:16,799 --> 00:20:20,279
and the stories and the experiences they have are generally positive,

440
00:20:20,319 --> 00:20:24,319
because I would imagine it would be intimidating, you know, yeah,

441
00:20:24,559 --> 00:20:28,240
oh yeah, but uh, but most people seem to find

442
00:20:28,279 --> 00:20:33,240
it pretty more welcoming than they necessarily expect and out good. Yeah.

443
00:20:33,279 --> 00:20:33,480
Speaker 10: Yeah.

444
00:20:33,880 --> 00:20:36,319
Speaker 7: And the producer that that that you're you've been working.

445
00:20:36,200 --> 00:20:37,960
Speaker 8: I'm sorry, what name Lauren?

446
00:20:38,279 --> 00:20:38,920
Speaker 7: Abby? Lauren?

447
00:20:39,079 --> 00:20:39,240
Speaker 9: Yes?

448
00:20:39,559 --> 00:20:41,279
Speaker 7: Has she has? She talked to you about that, like

449
00:20:41,359 --> 00:20:43,000
trying to get you to go down there a little bit.

450
00:20:43,079 --> 00:20:44,359
Speaker 8: Yeah, I mean she's definitely.

451
00:20:44,799 --> 00:20:48,880
Speaker 9: I asked her some advice, you know, and she said that, I,

452
00:20:49,119 --> 00:20:51,079
you know, to do a lot more like singer Songwriter

453
00:20:51,480 --> 00:20:53,359
Nights and a lot more of that kind of stuff.

454
00:20:53,440 --> 00:20:54,920
Speaker 8: And yeah, I.

455
00:20:55,039 --> 00:20:58,200
Speaker 9: Haven't asked her the exact places, but I probably should, Yeah,

456
00:20:58,680 --> 00:21:00,920
to see like if she recommend anywhere I can try.

457
00:21:01,279 --> 00:21:04,480
Speaker 7: Yeah, got to go yeah, yeah, no doubt, I think

458
00:21:04,519 --> 00:21:07,480
we should play. So you've got more, You've got a

459
00:21:07,519 --> 00:21:09,960
couple of other songs online, and I think we should

460
00:21:10,000 --> 00:21:12,920
play this because partly because I'm curious to ask you

461
00:21:13,000 --> 00:21:18,039
about it. Sure, Indiana Jones, Yeah, tell us about this

462
00:21:18,200 --> 00:21:21,680
song because obviously, you know, people know Indiana Jones before

463
00:21:21,880 --> 00:21:24,200
the movie. And yeah, you know, I'm old enough to remember.

464
00:21:24,200 --> 00:21:25,880
When I was a kid, my dad took me to

465
00:21:25,880 --> 00:21:30,039
see the original Indiana Jones movie Lot of Stark. Yeah, yeah,

466
00:21:30,319 --> 00:21:31,920
but tell us about this song.

467
00:21:32,359 --> 00:21:35,079
Speaker 9: So, yeah, Indiana Jones. Well, you know the name is

468
00:21:35,519 --> 00:21:38,640
has the movie involved. It is not really about the movie,

469
00:21:38,720 --> 00:21:41,240
but it did take inspiration from the movie. Okay, So

470
00:21:41,880 --> 00:21:44,119
the the part of the movie, which is the most

471
00:21:44,119 --> 00:21:46,319
popular part where you know, Indy goes into the tomb

472
00:21:46,400 --> 00:21:48,279
and he takes the artifact and he replaces it with

473
00:21:48,319 --> 00:21:50,319
the bag of sand yep. I kind of related that

474
00:21:50,480 --> 00:21:53,839
to how time takes things from people in your life

475
00:21:53,920 --> 00:21:56,000
and tries to kind of replace it with something else,

476
00:21:56,039 --> 00:21:58,599
but nothing could ever truly fill that void.

477
00:21:59,160 --> 00:21:59,319
Speaker 11: You know.

478
00:21:59,440 --> 00:22:02,200
Speaker 9: It's like if someone passes from your life, right and

479
00:22:02,279 --> 00:22:04,319
maybe like a friend or something, and maybe you meet

480
00:22:04,359 --> 00:22:05,920
another friend later on in life.

481
00:22:06,720 --> 00:22:08,119
Speaker 8: They kind of remind you of that friend.

482
00:22:08,119 --> 00:22:10,519
Speaker 9: They kind of start feeling that not they feeling the place,

483
00:22:10,599 --> 00:22:12,640
but you know, kind of reminding you of how that

484
00:22:12,720 --> 00:22:13,559
friend made you feel.

485
00:22:13,799 --> 00:22:15,519
Speaker 8: But it's never going to truly feel that void.

486
00:22:15,599 --> 00:22:17,119
Speaker 9: And I feel like time does that with a lot

487
00:22:17,160 --> 00:22:19,160
of things, where it takes things from you and a

488
00:22:19,240 --> 00:22:20,160
lot of things change.

489
00:22:21,240 --> 00:22:24,759
Speaker 8: And during that I thought that it's always.

490
00:22:24,519 --> 00:22:26,440
Speaker 9: Nice to kind of think of things that say the same,

491
00:22:26,559 --> 00:22:28,680
like it's always going to rain, the sun's always going

492
00:22:28,759 --> 00:22:30,880
to come out in the same way. The song that

493
00:22:30,920 --> 00:22:33,000
you heard back in nineteen ninety nine still sounds the

494
00:22:33,039 --> 00:22:35,400
same to this day, you know, so you kind of

495
00:22:35,640 --> 00:22:39,119
have to pick out the things that are saying the

496
00:22:39,160 --> 00:22:41,400
same to help you go through the change in your life.

497
00:22:41,599 --> 00:22:43,359
Speaker 8: Yeah, kind of what that's about.

498
00:22:43,559 --> 00:22:45,680
Speaker 7: No, And that's very relatable. And I think too, you know,

499
00:22:45,799 --> 00:22:47,759
you mentioned like a song you heard back in ninety nine.

500
00:22:47,759 --> 00:22:49,920
I mean, that's that's very relatable for people. I think

501
00:22:49,960 --> 00:22:54,000
that's a big part of why. I mean, it's funny.

502
00:22:54,000 --> 00:22:56,559
I was saying to somebody just recently, there are some

503
00:22:56,720 --> 00:23:00,680
things I'll hear that I liked a lot long time ago,

504
00:23:01,240 --> 00:23:03,519
and some things I'll hear that I liked a long

505
00:23:03,559 --> 00:23:05,839
time ago, and I'll go, wow, I used to like that, really,

506
00:23:06,200 --> 00:23:09,000
but yeah, but then there's other things you know that

507
00:23:09,119 --> 00:23:10,680
I'll hear that I liked a long time ago, that

508
00:23:10,720 --> 00:23:12,480
I'll hear them now and I love them as much

509
00:23:12,519 --> 00:23:14,400
as the first time I heard them, Right, And I

510
00:23:14,519 --> 00:23:16,519
think that, and I think that's kind of part of

511
00:23:16,599 --> 00:23:20,039
what what you're Oh, yeah exactly, Yeah, I think, And

512
00:23:20,079 --> 00:23:22,640
I think music is probably the single greatest example of that.

513
00:23:22,759 --> 00:23:25,519
You know, you hear, you hear something you love from

514
00:23:25,559 --> 00:23:28,599
a long time ago, and it's it's there's almost a comfort.

515
00:23:28,319 --> 00:23:30,599
Speaker 9: To it, Yeah exactly, And that's kind of what that's about.

516
00:23:30,680 --> 00:23:31,799
Just kind of find comfort in that.

517
00:23:32,160 --> 00:23:34,039
Speaker 7: Very cool, very cool. All right, So let's give this

518
00:23:34,119 --> 00:23:37,240
a spin. So this is called Indiana Jones and if

519
00:23:37,279 --> 00:23:39,160
you are just joining us, kat Ivy is here with

520
00:23:39,319 --> 00:23:42,920
us live in studio, and uh, let's give this a listen.

521
00:24:00,680 --> 00:24:03,160
Speaker 2: Had to manage.

522
00:24:04,839 --> 00:24:10,480
Speaker 14: Everything, Rolly knows a nice.

523
00:24:12,039 --> 00:24:14,759
Speaker 13: Finch, I.

524
00:24:17,079 --> 00:24:21,720
Speaker 10: Dream juice and Orea Fama.

525
00:24:21,920 --> 00:24:24,759
Speaker 13: Friends out of Maria School.

526
00:24:29,519 --> 00:24:32,359
Speaker 4: Now drink why.

527
00:24:32,799 --> 00:24:41,720
Speaker 10: Golden worriobarmon bensas, saddle.

528
00:24:44,279 --> 00:24:51,920
Speaker 13: The count all the rid and stay and say oh

529
00:24:52,240 --> 00:24:54,759
the song of Old.

530
00:24:56,599 --> 00:24:58,680
Speaker 6: Man don't.

531
00:25:00,640 --> 00:25:05,279
Speaker 13: The s safe so good as the other things.

532
00:25:06,440 --> 00:25:09,480
Speaker 2: We try to face the.

533
00:25:12,480 --> 00:25:28,079
Speaker 10: Adian jo, wondering.

534
00:25:28,880 --> 00:25:35,160
Speaker 1: All the new experience and I say.

535
00:25:35,279 --> 00:25:47,039
Speaker 2: With those ay the change, I will not you s

536
00:25:48,440 --> 00:25:59,400
sports out by swear man, how do we.

537
00:26:03,440 --> 00:26:04,680
Speaker 6: We are sad?

538
00:26:05,880 --> 00:26:08,279
Speaker 5: There's races.

539
00:26:13,319 --> 00:26:16,359
Speaker 2: The stay, come on.

540
00:26:17,839 --> 00:26:24,039
Speaker 13: And stay and say all the songs I thought over.

541
00:26:24,119 --> 00:26:31,920
Speaker 2: By racious and still safe so good.

542
00:26:33,000 --> 00:26:38,599
Speaker 5: So I'm still back from and you're trying to place the.

543
00:26:43,200 --> 00:26:44,559
Speaker 6: Near dram.

544
00:26:55,359 --> 00:26:59,359
Speaker 13: If there's a word, I can go back.

545
00:26:59,359 --> 00:27:02,039
Speaker 2: To a moment for.

546
00:27:05,400 --> 00:27:06,279
Speaker 13: The s.

547
00:27:07,799 --> 00:27:12,759
Speaker 6: Say w s.

548
00:27:15,319 --> 00:27:32,240
Speaker 2: And this sty can count on the way say the say.

549
00:27:35,000 --> 00:27:40,440
Speaker 6: Ah. So I thought oh by the man.

550
00:27:42,480 --> 00:27:46,160
Speaker 2: And was still serious so cool?

551
00:27:47,279 --> 00:27:51,359
Speaker 1: Some of those is long that you could Besides that,

552
00:27:51,559 --> 00:27:53,680
I'm gonna say where.

553
00:27:57,279 --> 00:28:00,359
Speaker 2: Begging and stiffy.

554
00:28:08,000 --> 00:28:34,079
Speaker 7: Jo and that is kat Ivy who is here with

555
00:28:34,200 --> 00:28:37,680
us in studio on this Saturday morning, And yeah, very

556
00:28:37,720 --> 00:28:39,920
cool song. Are people able to.

557
00:28:41,440 --> 00:28:41,480
Speaker 11: Do?

558
00:28:41,640 --> 00:28:44,480
Speaker 7: People ever talk to you about the song and kind

559
00:28:44,519 --> 00:28:46,200
of know without you explaining it.

560
00:28:46,359 --> 00:28:46,680
Speaker 4: What the.

561
00:28:48,599 --> 00:28:48,759
Speaker 11: You know?

562
00:28:48,920 --> 00:28:49,640
Speaker 2: I don't really know.

563
00:28:49,839 --> 00:28:51,960
Speaker 9: I do when I play out, I like to kind

564
00:28:52,000 --> 00:28:54,359
of give a little brief of you know, what I'm singing,

565
00:28:54,440 --> 00:28:57,839
especially since people don't know my music mostly and I

566
00:28:57,920 --> 00:29:00,400
want to give away for them to connec to it,

567
00:29:00,680 --> 00:29:01,880
you know, especially if they're hearing it.

568
00:29:01,880 --> 00:29:02,480
Speaker 8: For the first time.

569
00:29:02,799 --> 00:29:06,279
Speaker 9: Yeah, but I also love to leave it up to interpretation,

570
00:29:06,559 --> 00:29:08,839
you know. I would love to have someone listen to

571
00:29:08,880 --> 00:29:11,039
my song and maybe put it into their own life,

572
00:29:11,079 --> 00:29:13,240
even if it's not at all what I wrote it about,

573
00:29:13,279 --> 00:29:14,680
if they can relate to it in any way.

574
00:29:15,039 --> 00:29:17,160
Speaker 8: Yeah, that's that's my you know, that's my dream.

575
00:29:17,440 --> 00:29:21,440
Speaker 7: No, that's cool. I've always thought when uh, you know,

576
00:29:21,480 --> 00:29:23,359
if I really if I really love a song and

577
00:29:23,440 --> 00:29:25,440
it means something to me, and then I hear I

578
00:29:25,480 --> 00:29:26,839
don't know if this has ever happened to you, but

579
00:29:27,039 --> 00:29:29,640
when I hear, then I hear the person who wrote

580
00:29:29,640 --> 00:29:31,960
it explain it, and it turns out that what they

581
00:29:32,000 --> 00:29:34,880
had in mind was something completely different from what it

582
00:29:35,000 --> 00:29:37,759
means to me. There's that there's that weird sensation of

583
00:29:38,240 --> 00:29:41,039
oh right, you know, and then and it shouldn't be

584
00:29:41,200 --> 00:29:44,400
like that because it doesn't matter, because art is subjective

585
00:29:44,440 --> 00:29:47,200
anyway exactly. Everything is whatever it means to you. That's

586
00:29:47,200 --> 00:29:49,200
what it means to you, exactly. But I but I've

587
00:29:49,240 --> 00:29:50,920
always kind of had that since I was a kid,

588
00:29:51,079 --> 00:29:53,480
like on the and it's not like it happens much,

589
00:29:53,559 --> 00:29:56,279
but on those rare occasions where someone explains the song

590
00:29:56,359 --> 00:29:57,200
and it's like, oh.

591
00:29:57,440 --> 00:30:00,359
Speaker 8: Really, yeah, you're like, wait a minute, that it wasn't

592
00:30:00,400 --> 00:30:01,759
at all what I thought that was.

593
00:30:02,279 --> 00:30:04,359
Speaker 9: And you know, it does, I feel, as much as

594
00:30:04,400 --> 00:30:06,480
you don't want it to, it does kind of tarnish

595
00:30:06,519 --> 00:30:09,599
it a little bit for you, you know, and you

596
00:30:09,720 --> 00:30:11,640
know that's not what I want to do, but you know,

597
00:30:11,839 --> 00:30:14,839
being such a smaller artist right now, I think it's

598
00:30:14,839 --> 00:30:17,079
important to kind of try and make those connections with

599
00:30:17,119 --> 00:30:20,759
people explaining where I'm coming from, yea, and hoping that

600
00:30:21,079 --> 00:30:22,799
you know, I don't have to do it so much soon.

601
00:30:22,960 --> 00:30:28,440
Speaker 7: Right right, right exactly. So you're working on so do

602
00:30:28,519 --> 00:30:30,759
you have plans to I know, because you're already working

603
00:30:30,799 --> 00:30:32,960
on the that's in progress right the next song that

604
00:30:33,000 --> 00:30:36,680
you're doing with why I have a mental bloby lord

605
00:30:36,799 --> 00:30:40,640
Abby Lauren have this mental black with her name. Do

606
00:30:40,720 --> 00:30:42,720
you have what's kind of the long term plan as

607
00:30:42,720 --> 00:30:44,519
far as releasing music? Do you plan to do an

608
00:30:44,559 --> 00:30:46,440
album or are you gonna keep doing singles?

609
00:30:46,680 --> 00:30:46,920
Speaker 6: Yeah?

610
00:30:47,160 --> 00:30:50,480
Speaker 9: So, actually I'm hoping to you know, the songs that

611
00:30:50,519 --> 00:30:53,559
I have Indiana Jones, Memory Lane and autumn and then

612
00:30:53,599 --> 00:30:56,759
the songs I'm currently working on. I'm hoping to create

613
00:30:56,759 --> 00:31:00,480
an EP called Nostalgia, Okay, and I have about I

614
00:31:00,519 --> 00:31:02,559
think two more songs, so I'm working on one with

615
00:31:02,640 --> 00:31:04,480
her and I'm working on one with my dad currently,

616
00:31:04,599 --> 00:31:06,960
so I'm working on two right now. Yeah, and those

617
00:31:07,000 --> 00:31:09,960
two are going to complete the EP called Nostalgia, which

618
00:31:10,480 --> 00:31:13,240
you know, nostalgia has been a huge part of my life,

619
00:31:13,319 --> 00:31:15,559
like growing up, especially being in your twenties. It's kind

620
00:31:15,559 --> 00:31:19,240
of that weird transition from being a younger kid to adulthood,

621
00:31:19,319 --> 00:31:21,480
so you're like, what do I do now, you know,

622
00:31:21,720 --> 00:31:23,920
and you have a lot of like, oh, I miss

623
00:31:24,079 --> 00:31:26,079
those times when I was a kid. Things were easier,

624
00:31:26,279 --> 00:31:29,200
you know, especially in the world right now. Sometimes it's

625
00:31:29,279 --> 00:31:31,839
like you go to a nostalgia for a comfort a lot,

626
00:31:31,880 --> 00:31:34,279
and I feel like that happened to me. So that's

627
00:31:34,319 --> 00:31:36,319
why I am naming this one nostalgia.

628
00:31:36,480 --> 00:31:41,480
Speaker 7: Okay, Okay, yeah, no, that's cool. Do you are you

629
00:31:41,599 --> 00:31:46,279
also planning to continue to do the solo acoustic performances

630
00:31:46,440 --> 00:31:49,960
or do you ever think about maybe having some sort

631
00:31:50,000 --> 00:31:51,359
of backup band or anything like that.

632
00:31:51,519 --> 00:31:54,400
Speaker 8: Or yeah, I mean, of course, you know, solo is

633
00:31:54,839 --> 00:31:57,440
where I do thrive. But I would love to have

634
00:31:57,759 --> 00:31:59,920
a backup band. I would love to, especially like going

635
00:32:00,160 --> 00:32:01,079
on a tour or something.

636
00:32:01,119 --> 00:32:02,759
Speaker 9: I would love to have a little bit of extra

637
00:32:03,519 --> 00:32:05,680
support and you know, to be able to kind of

638
00:32:05,680 --> 00:32:07,559
put on a show, because you do get a little

639
00:32:07,559 --> 00:32:10,680
limited when it's just you right right, And I think

640
00:32:10,720 --> 00:32:11,480
that would be so fun.

641
00:32:11,480 --> 00:32:12,680
Speaker 8: I would love to have a band to go on

642
00:32:12,759 --> 00:32:13,039
tour with.

643
00:32:13,359 --> 00:32:15,480
Speaker 7: But it looks like too, it's liberating in a way

644
00:32:15,480 --> 00:32:17,359
at the same time when it's just you because you

645
00:32:17,440 --> 00:32:20,720
don't have to worry about anybody else's schedule.

646
00:32:20,599 --> 00:32:23,039
Speaker 8: Right, and all that right to you, and it is

647
00:32:23,160 --> 00:32:24,119
just relying on yourself.

648
00:32:24,680 --> 00:32:26,599
Speaker 7: I've always wondered what that would be like because I

649
00:32:26,759 --> 00:32:29,240
used to you know, like you know, your dad played

650
00:32:29,279 --> 00:32:31,000
in a band. I used to play in a lot

651
00:32:31,039 --> 00:32:32,960
of bands, but I never I was never in a

652
00:32:33,000 --> 00:32:35,440
situation where I just did a solo thing. So I've

653
00:32:35,519 --> 00:32:38,000
never experienced what it's like when you're just kind of

654
00:32:38,400 --> 00:32:40,559
when when you you know, not having to check with

655
00:32:41,079 --> 00:32:44,039
you know, okay, is this person available for this show?

656
00:32:44,200 --> 00:32:47,279
All that, and you know, and of course too, when

657
00:32:47,319 --> 00:32:50,079
it's just you, it opens up I think more places

658
00:32:50,160 --> 00:32:52,599
that you can play because obviously a lot of places

659
00:32:52,680 --> 00:32:53,720
you can't have a full.

660
00:32:53,599 --> 00:32:54,359
Speaker 8: Band, of course.

661
00:32:54,519 --> 00:32:58,079
Speaker 9: Yeah, And you know, obviously, being in yourself, you make

662
00:32:58,160 --> 00:33:01,000
the decisions, and you know, it's like if something goes bad,

663
00:33:01,039 --> 00:33:03,559
it's on you, you know, or something goes great, it's

664
00:33:03,720 --> 00:33:06,799
on you too, And you know. But I would also

665
00:33:06,960 --> 00:33:11,200
sometimes going into performances or anything like that, sometimes like,

666
00:33:11,240 --> 00:33:13,200
oh I kind of wish I had like a partner, yeah,

667
00:33:13,240 --> 00:33:14,640
you know, just to be like if I'm nervous, at

668
00:33:14,720 --> 00:33:16,160
least I have a little bit of like a support

669
00:33:16,400 --> 00:33:17,440
or someone there.

670
00:33:17,599 --> 00:33:20,960
Speaker 8: But I think it feels character to do it by yourself.

671
00:33:21,279 --> 00:33:26,000
Speaker 7: Yeah, yeah, no doubt. When you uh, do you do

672
00:33:26,160 --> 00:33:28,640
long like three hour shows, when you do a lot

673
00:33:28,680 --> 00:33:29,759
a lot of covers, Yeah.

674
00:33:29,640 --> 00:33:31,279
Speaker 8: Yeah, yeah, that's that's mostly.

675
00:33:31,480 --> 00:33:32,680
Speaker 7: That's mostly what you're doing.

676
00:33:32,799 --> 00:33:32,960
Speaker 13: Yeah.

677
00:33:33,240 --> 00:33:35,839
Speaker 7: No, that's good though. It's good experience and it's yeah,

678
00:33:36,039 --> 00:33:39,519
you make some good money doing that, so that's that's excellent.

679
00:33:40,960 --> 00:33:42,880
Do you do you ever have an opportunity to do

680
00:33:43,000 --> 00:33:45,519
shows where it's more like almost like a listening room

681
00:33:45,640 --> 00:33:47,640
type thing where you're able to just focus on the

682
00:33:47,720 --> 00:33:48,400
original music.

683
00:33:48,599 --> 00:33:50,359
Speaker 9: Yeah, so that's what I'm doing with Temple Mountain on

684
00:33:50,440 --> 00:33:54,079
April eighteenth, we're doing I think the Prayers of Nature

685
00:33:54,279 --> 00:33:54,880
Listening Room.

686
00:33:55,000 --> 00:33:57,240
Speaker 7: Fantastic they were they were here last week.

687
00:33:57,359 --> 00:33:59,920
Speaker 9: Oh okay, that's awesome. Yeah, we're doing that on April eighteen,

688
00:34:00,160 --> 00:34:01,079
so that'll be exciting.

689
00:34:01,359 --> 00:34:01,839
Speaker 7: Excellent.

690
00:34:02,119 --> 00:34:06,640
Speaker 9: Yeah, and then some maybe singer songwriter things come in

691
00:34:06,720 --> 00:34:09,000
the way. You know that it hasn't been announced yet,

692
00:34:09,039 --> 00:34:11,440
so I don't want to say it pretymature, okay, okay,

693
00:34:11,920 --> 00:34:13,840
but some good stuff coming, yeah, I'm hoping.

694
00:34:13,960 --> 00:34:18,000
Speaker 7: So yeah, excellent, excellent. Where should people go online to

695
00:34:18,079 --> 00:34:19,440
keep up with everything that you're doing?

696
00:34:19,800 --> 00:34:22,960
Speaker 9: So I'm on all the socials cat Ivy Music with

697
00:34:23,039 --> 00:34:26,599
a K. I like to do you know, some daily

698
00:34:26,679 --> 00:34:29,039
v logs too. When I play gigs, I like to

699
00:34:29,119 --> 00:34:30,840
kind of show my like day in the life of

700
00:34:31,119 --> 00:34:32,519
singer songwriter in New Hampshire.

701
00:34:32,599 --> 00:34:34,320
Speaker 8: You know, those are fun to do.

702
00:34:34,519 --> 00:34:37,400
Speaker 9: And then you know on Facebook, I have my own

703
00:34:37,480 --> 00:34:39,880
website cativy music dot com as well.

704
00:34:40,159 --> 00:34:43,480
Speaker 7: Yeah. Excellent, excellent. Do you have anything this weekend that

705
00:34:43,519 --> 00:34:44,880
you're playing that that we should.

706
00:34:44,679 --> 00:34:48,960
Speaker 8: Plug or I don't this weekend, but I do next Saturday.

707
00:34:49,559 --> 00:34:53,679
Speaker 9: I'm playing at Twin Barnes Brewery in north Woodstock in

708
00:34:53,719 --> 00:34:57,360
New Hampshire. So I'll be up by the mountains. Oh yeah,

709
00:34:57,400 --> 00:35:00,519
I'll be playing there. I leave it's five clock five

710
00:35:00,559 --> 00:35:01,639
to eight five.

711
00:35:02,599 --> 00:35:04,719
Speaker 7: I have to check. Oh okay, and what is the

712
00:35:04,800 --> 00:35:05,800
name of the place again.

713
00:35:05,920 --> 00:35:06,960
Speaker 8: Twin Barnes Brewery.

714
00:35:07,920 --> 00:35:11,679
Speaker 9: They have two locations, ones of Meredith and this one's

715
00:35:11,679 --> 00:35:15,039
in north Woodstock And there got that from New Hampshire

716
00:35:15,079 --> 00:35:15,760
Music Collective.

717
00:35:15,880 --> 00:35:18,559
Speaker 7: Oh okay, very good. Now do you work with the

718
00:35:18,760 --> 00:35:19,400
Music Collective?

719
00:35:20,199 --> 00:35:21,760
Speaker 8: Yes, excellent, just started this year.

720
00:35:22,039 --> 00:35:25,519
Speaker 7: Oh very good. Yeah, yeah, that's that's that's excellent. That's

721
00:35:27,039 --> 00:35:32,800
we had on John. I'm having trouble with names this morning.

722
00:35:33,199 --> 00:35:33,719
Speaker 8: It happens.

723
00:35:34,679 --> 00:35:37,079
Speaker 7: What's his name, John from the Music Collective?

724
00:35:37,320 --> 00:35:39,920
Speaker 9: Oh yeah, yeah, Oh my god, don't ask me because

725
00:35:39,920 --> 00:35:41,599
now my brain's like I forgot everything I've ever known.

726
00:35:41,719 --> 00:35:41,920
I know.

727
00:35:43,920 --> 00:35:49,880
Speaker 7: It's I blame the weather. John MacArthur. Yes, yeah. We

728
00:35:49,960 --> 00:35:52,639
had John on the show a while ago, and you know,

729
00:35:52,760 --> 00:35:54,840
talking all about the collective and everything, and wow, that

730
00:35:54,920 --> 00:35:58,280
guy's busy. Like when he was going on, oh yeah,

731
00:35:58,320 --> 00:36:00,119
when he was talking about the number of events that

732
00:36:00,239 --> 00:36:03,440
he like that he himself has to run over the

733
00:36:03,480 --> 00:36:04,039
course of a year.

734
00:36:04,079 --> 00:36:07,199
Speaker 8: We we're like, wow, yeah, And I think they just

735
00:36:07,239 --> 00:36:10,119
got some more too recently, so he's been a busy guy.

736
00:36:10,239 --> 00:36:12,760
Speaker 7: Yeah, they're doing great stuff. Yeah, New Hampshire Music Collective.

737
00:36:12,800 --> 00:36:16,960
Absolutely we support them. And yeah, we got to get

738
00:36:17,039 --> 00:36:18,760
him back on because I'm sure he has a ton

739
00:36:18,840 --> 00:36:20,360
of new stuff to talk about.

740
00:36:20,480 --> 00:36:22,400
Speaker 8: Oh yeah, yeah, oh yeah, you can get him going.

741
00:36:22,440 --> 00:36:22,760
I'm sure.

742
00:36:23,239 --> 00:36:25,320
Speaker 7: No, that's great that you're working with them. That's fantastic.

743
00:36:25,440 --> 00:36:27,480
Speaker 8: Yeah, they're awesome, you know, John and Reva, they're great.

744
00:36:27,800 --> 00:36:31,079
Speaker 7: Absolutely, absolutely, Well, I think we should, uh, we'll close

745
00:36:31,119 --> 00:36:35,639
out the segment with another song here, memory Lane. Anything

746
00:36:35,679 --> 00:36:36,639
we should know about.

747
00:36:36,440 --> 00:36:39,119
Speaker 9: This or that you want to well, I mean, memory

748
00:36:39,239 --> 00:36:42,360
Lane does kind of say what it is in its title.

749
00:36:42,480 --> 00:36:44,760
You know, it is about going down memory lane and

750
00:36:44,920 --> 00:36:46,960
kind of having all of the good and the bad

751
00:36:47,599 --> 00:36:49,960
things in your life create you to who you are,

752
00:36:50,079 --> 00:36:52,559
whether you like it or not, you know, and underlyingly,

753
00:36:52,679 --> 00:36:55,559
I did write it about how me and my husband

754
00:36:55,840 --> 00:36:59,119
met in my own memory lane and how I've gone

755
00:36:59,159 --> 00:37:01,639
down that a lot and my life from those moments.

756
00:37:01,679 --> 00:37:04,440
Speaker 8: And you're living those really happy, fun moments when.

757
00:37:04,320 --> 00:37:04,639
Speaker 9: You need to.

758
00:37:05,039 --> 00:37:05,280
Speaker 14: Yeah.

759
00:37:05,440 --> 00:37:09,280
Speaker 7: Yeah, very cool, very cool, very positive, excellent, excellent, So

760
00:37:09,440 --> 00:37:12,119
we will we will end the segment with this and

761
00:37:12,599 --> 00:37:14,519
if you are listening live on Saturday, of course we

762
00:37:14,599 --> 00:37:18,199
have the two's coming up next, but we'll give this

763
00:37:18,280 --> 00:37:20,840
a spin and kat Ivy, thank you again so much.

764
00:37:21,079 --> 00:37:23,119
Speaker 8: Thank you for having me absolutely much fun.

765
00:37:23,199 --> 00:37:25,000
Speaker 7: Absolutely we'll do this again in the future as you

766
00:37:25,039 --> 00:37:28,079
have new music coming out and we'll definitely have you back.

767
00:37:28,400 --> 00:37:30,320
And so we'll wrap up this segment with this. This

768
00:37:30,480 --> 00:37:31,519
is called memory Lane.

769
00:37:51,159 --> 00:37:52,000
Speaker 11: Get it way.

770
00:38:00,559 --> 00:38:06,960
Speaker 2: The game, so have some more.

771
00:38:08,320 --> 00:38:16,920
Speaker 14: Sweet coach me into my pol thought the memories of

772
00:38:17,039 --> 00:38:20,119
that me and I come bot it to first.

773
00:38:19,920 --> 00:38:24,119
Speaker 13: Born fucking their foot about the.

774
00:38:31,079 --> 00:38:37,119
Speaker 6: Stays runs man, say your time, send Liny.

775
00:38:41,320 --> 00:38:54,599
Speaker 2: Salty to sweets, have sag it try.

776
00:38:59,039 --> 00:39:13,880
Speaker 5: But try to see as call it best.

777
00:39:16,719 --> 00:39:28,280
Speaker 2: Resting coffee looking away to go to mob.

778
00:39:35,360 --> 00:39:40,599
Speaker 1: Chain for mods of b start you do a lot

779
00:39:40,920 --> 00:39:42,679
blash and just get.

780
00:39:42,880 --> 00:39:50,159
Speaker 11: Touched driving so fat know you brad and a dodging

781
00:39:50,440 --> 00:39:53,360
bad yourself.

782
00:39:54,400 --> 00:39:55,079
Speaker 6: Your mor.

783
00:40:00,320 --> 00:40:09,639
Speaker 4: Stays from is one for seventy your tois wasn't a

784
00:40:09,800 --> 00:40:10,800
many of it.

785
00:40:14,800 --> 00:40:32,639
Speaker 6: Salted sweats you joy, but.

786
00:40:52,800 --> 00:40:58,519
Speaker 2: You could that's your next or should.

787
00:41:02,880 --> 00:41:06,840
Speaker 5: Person where lay doesn't wait.

788
00:41:07,519 --> 00:41:12,239
Speaker 6: For any.

789
00:41:12,960 --> 00:41:17,960
Speaker 4: Drive another rock see seventy of your toes in a

790
00:41:18,079 --> 00:41:20,360
way your head.

791
00:41:22,920 --> 00:41:37,519
Speaker 6: So did say a right the enjoy him.

792
00:41:40,760 --> 00:42:02,119
Speaker 2: Bad Bartell