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<v Speaker 1>Hollo, I moalken stories all the time. Glad you are here.

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<v Speaker 1>Let's get into it.

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<v Speaker 2>When the train started winding its way up the Runeberg climb,

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<v Speaker 2>the haze of the Lowland valleys receded, and I leaned

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<v Speaker 2>toward the window for my first clear look at the

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<v Speaker 2>little alpine village that for years had been a kind

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<v Speaker 2>of private obsession. I had circled its name Great Bruck

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<v Speaker 2>on travel maps more than once, drawn as much by

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<v Speaker 2>the promise of untouristed trails as by something subtler, a

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<v Speaker 2>wish for solitude, perhaps after a lifetime of lesson plans

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<v Speaker 2>and school bells set to strict, inexorable hours. The locomotives

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<v Speaker 2>shuddered and gasped into the station, a modest stone pavilion

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<v Speaker 2>set at the edge of a constellated cluster of red

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<v Speaker 2>roofed homes. There was a mild anticipation to my step,

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<v Speaker 2>a kind I always felt in new places, as if

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<v Speaker 2>the air itself were fresher and tinged with possibility. But

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<v Speaker 2>on the platform I found the first trembling note of strangeness.

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<v Speaker 2>Mounted atop the low ironwork arch was the station clock, generous,

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<v Speaker 2>white faced, ornate with minor golden flourishes. At a glance,

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<v Speaker 2>I saw the time five minutes to four, unremarkable except

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<v Speaker 2>for the motion of the hands. I watched, frowning as

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<v Speaker 2>the minute hands shunted smoothly, not upward around the dial,

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<v Speaker 2>but downward, reversed, retracing its path. Each second ticked off,

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<v Speaker 2>but in the wrong direction. I pressed my lips together,

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<v Speaker 2>suspecting mechanical failure, a loose gear, nothing more. But as

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<v Speaker 2>I hefted my rucksack and started toward the cobbled lane

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<v Speaker 2>that led to the heart of the town, my eye

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<v Speaker 2>was drawn upward the clock tower, its onion dome, crowned

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<v Speaker 2>by a little iron stag marked the hasp of the

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<v Speaker 2>village center. And there too, from my oblique angle, I

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<v Speaker 2>could just make out the black hands lopping backward, steady

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<v Speaker 2>and precise, like a mirrored dance. Between the buildings. Children

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<v Speaker 2>darted by, laughing, while an old woman nodded politely at

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<v Speaker 2>a shopkeeper, glancing at a pocket watch that I realized

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<v Speaker 2>as she closed it must also display time in reverse.

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<v Speaker 2>The rest felt almost ordinary, which only made it stranger.

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<v Speaker 2>The bakery window shimmered with glazed loaves, its chalkboard menu

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<v Speaker 2>listing opening times. I noticed, with small mirrored numbers the

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<v Speaker 2>post offices door bore hours inscribed backward. I saw a

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<v Speaker 2>young man, his hair netted by flower, sweep the street,

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<v Speaker 2>then stop and consult a little brass gaced timepiece before

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<v Speaker 2>stowing it in his apron. Trying to fix some anchor

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<v Speaker 2>of normalcy. I wandered into a corner shop to buy

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<v Speaker 2>a bottle of water. The proprietor, a tall woman with

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<v Speaker 2>an arched brow and a quick, kindly smile, rang up

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<v Speaker 2>my purchase. Excuse me, I ventured your clocks they seemed

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<v Speaker 2>to be running. I trailed off, searching for words that

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<v Speaker 2>wouldn't sound accusatory. She responded, without a trace of irony,

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<v Speaker 2>as if I had remarked on the weather. All clocks

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<v Speaker 2>here run backwards. Of course, this she said lightly, as

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<v Speaker 2>if it was the only sensible thing in the world,

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<v Speaker 2>then turned to help another customer, leaving me with my

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<v Speaker 2>change and a growing heap of questions. There was no explanation,

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<v Speaker 2>just that smiling shrug. I would come to recognize over

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<v Speaker 2>the next hours, no one seemed to find their time odd.

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<v Speaker 2>In the sunlit square, a girl skipped rope reciting numbers

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<v Speaker 2>downward ten nine eight, before springing into laughter. Others went

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<v Speaker 2>about their business, their internal metronomes, matching some rhythm I

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<v Speaker 2>could not discern, but which felt increasingly not like error,

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<v Speaker 2>but like a deliberate dance in which I had missed

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<v Speaker 2>the opening steps. At the guest house, Frau Keller greeted

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<v Speaker 2>me with a clap and a rush of warmth. Compact

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<v Speaker 2>and brisk. She wore her snow white hair in a

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<v Speaker 2>loose twist and bustled between kitchen and parlor, as though

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<v Speaker 2>the two rooms might lose cohesion if left unattended. You

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<v Speaker 2>are our new visitor, she announced, eyes twinkling as if

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<v Speaker 2>to say she knew much more about than she let.

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<v Speaker 2>On second floor window, good sunlight until the reverse morning,

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<v Speaker 2>and the bakery below. You must try the plum bread

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<v Speaker 2>before tomorrow, which is to day's yesterday. More or less.

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<v Speaker 2>She led me along a creaking stair and opened a

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<v Speaker 2>door on a room painted butter yellow and floored in

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<v Speaker 2>wide scarred planks, a big bed, two plump chairs piled

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<v Speaker 2>with knitted throes, and beside the window rhymed with geraniums,

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<v Speaker 2>a little round table with a wind up clock. Its

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<v Speaker 2>face was porcelain, its hands blue delicate, rotating steadily counterclockwise.

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<v Speaker 2>I tested its winding key experimentally. The second hand shimmered

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<v Speaker 2>in its reversed circuit, ticking as crisply as any ordinary device.

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<v Speaker 2>Do your clocks always do that? I asked, not quite

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<v Speaker 2>able to keep the curiosity from edging into my voice.

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<v Speaker 2>Of course, frau Keller replied, as if to say, why

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<v Speaker 2>else would we use them? It is proper village time.

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<v Speaker 2>If the clocks began going the other way, not even

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<v Speaker 2>the chickens would know when to sleep. Her humor hummed

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<v Speaker 2>just below the surface. But I sensed a matter of

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<v Speaker 2>fact pride in her tone. You will adjust, she continued,

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<v Speaker 2>waving a hand, just as you'll become fond of our bread.

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<v Speaker 2>There's nothing finer than ribruck time, except perhaps rebruck cake,

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<v Speaker 2>she offered me. The big brass key delivered a hasty

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<v Speaker 2>description of breakfast hours before six, but after the ten,

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<v Speaker 2>if you count careful, with a wink, and vanished down

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<v Speaker 2>the stairs, trailing the scent of yeast and alpine honey.

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<v Speaker 2>I stood in the unfamiliar quiet, my suit case at

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<v Speaker 2>my feet. It was only just past four, unless it

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<v Speaker 2>was just before four, or perhaps by the town's measure

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<v Speaker 2>some hour both near and far from noon. Entirely unsure

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<v Speaker 2>which clock to consult, I set both my phone and

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<v Speaker 2>my wrist watch on the table, resolved to record everything.

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<v Speaker 2>For most of my life, times march forward had been

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<v Speaker 2>both comfort and oppresser, each bell signaling a lesson, a recess,

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<v Speaker 2>an ending. Now I was adrift, a little amused, a

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<v Speaker 2>little unsettled, and more than determined to sort out Riftbruck's

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<v Speaker 2>backwards hours. I left my luggage and set off into

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<v Speaker 2>the village. Riff Bruck is nestled in an alpine bowl,

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<v Speaker 2>buildings climbing only as far as the pitch of the

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<v Speaker 2>mountain allows. Every surface bore the mark of care, fresh

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<v Speaker 2>paint on carved trim, a sense of deliberate preservation that

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<v Speaker 2>ran through even the clipped box hedges. Children's voices counterpointed

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<v Speaker 2>the sow of afternoon wind descending the pass. The bakery's

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<v Speaker 2>door hung ajar inside. Two bakers, dentical twins, both ruddy

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<v Speaker 2>cheeked and flour dusted, sang along to a radio playing

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<v Speaker 2>in a language I couldn't place. Timing each batch of

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<v Speaker 2>loaves with wind up timers set, I noticed to count down,

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<v Speaker 2>not up. Impossible to burn the bread, one proclaimed, catching

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<v Speaker 2>my glance, if you forget it was already done. I

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<v Speaker 2>drifted to the post office, where a clerk, hair Weiss,

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<v Speaker 2>wore wire spectacles and a vest festooned with stamps of

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<v Speaker 2>improbable animals. He sorted parcels by arranging the dates in

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<v Speaker 2>a descending stack, muttering a little rhyme to himself. At

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<v Speaker 2>the school, an airy, low building with painted wooden shutters,

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<v Speaker 2>I lingered as children who been playing marbles were called inside,

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<v Speaker 2>not by the usual clang of a bell's crescendo, but

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<v Speaker 2>a mellow chime that struck twelve. As the minute hand

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<v Speaker 2>loped backward to meet it, a tall, stooped man stood

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<v Speaker 2>on the steps, ushering them inside. Hair Boorman, the retired

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<v Speaker 2>head master, I would later learn. He nodded to me

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<v Speaker 2>and adjusted an elegant silver timepiece that wouldn't have looked

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<v Speaker 2>out of place a century ago. In the heart of

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<v Speaker 2>the square, preparing chalk for the evening menu, was a

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<v Speaker 2>figure even younger, a girl of perhaps ten, barefoot Despite

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<v Speaker 2>the chill lot, she introduced herself, I am the reigning

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<v Speaker 2>skipping champion of backward years. She drew a mathematical grid

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<v Speaker 2>on the square stones, sums and sub actions labeled in

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<v Speaker 2>reverse order, a puzzle for her friends. And not far

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<v Speaker 2>from her, a boy just into manhood was repairing a

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<v Speaker 2>sign whose hinges creaked. He had broad hands stained with

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<v Speaker 2>ink or machine oil. An infectious laugh emmil apprentice clockmaker,

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<v Speaker 2>spotting my confusion when I looked at the town clock,

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<v Speaker 2>he called, if you think too hard about the hours,

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<v Speaker 2>your head will spin the wrong way. But it all

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<v Speaker 2>lines up. Seriously, he promised to show me a secret

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<v Speaker 2>if I ever cared to see the inside of the

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<v Speaker 2>clockmaker's shop, a promise I half dismissed as the gentle

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<v Speaker 2>carousing of a young man. Still I tucked it away.

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<v Speaker 2>Signs advertising the gross Um Carefist the time Keeping Festival

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<v Speaker 2>were strung from window to lamp post, each date a

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<v Speaker 2>careful palindrome, numerals footed and serifed like the loops of

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<v Speaker 2>a treble clef the whole town. Frau Keller told me

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<v Speaker 2>over supper will walk backward in the parade, and the

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<v Speaker 2>clock will be reset. Reset in the proper way, of course,

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<v Speaker 2>not your hurried city fashion. Her smile was conspiratorial. As

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<v Speaker 2>I lay in bed that night, pocket notebook open, I

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<v Speaker 2>cataloged the strangeness of the day. Every mechanical thing seemed

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<v Speaker 2>to follow its own choreography. The people too, unhurried, precise

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<v Speaker 2>entirely unmoved by what, to my mind must surely be

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<v Speaker 2>an inconvenience at best, a persistent confusion at worst. I

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<v Speaker 2>wondered if, after all I would adjust as smoothly as promised,

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<v Speaker 2>or if my mind, trained so many years to order

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<v Speaker 2>and rules, would revolt. Intent on making the most of

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<v Speaker 2>my stay, I awoke the next morning to a chilly brilliance.

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<v Speaker 2>Sunlight spilled through frost laced glass, catching motes in its beam.

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<v Speaker 2>I set out again, notebook in one hand, the other

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<v Speaker 2>clutching my phone set strictly to standard clockwise time. Frau

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<v Speaker 2>Keller had suggested with a certain ryness that we meet

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<v Speaker 2>at four that afternoon for a proper tour of the

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<v Speaker 2>crucial hours of Rebruch. Eager not to miss my guide,

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<v Speaker 2>I poured over my watch after lunch, triple checking its calibration.

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<v Speaker 2>I reached the square precisely at four, by my measure,

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<v Speaker 2>brushing a few errant crumbs from a plum scorone from

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<v Speaker 2>my lapel frau Keller was there, holding her shawl against

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<v Speaker 2>the alpine wind, but instead of greeting me, she cast

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<v Speaker 2>a bemused glance at the church tower's clock and said,

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<v Speaker 2>you are a thorough man. Only you are also late.

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<v Speaker 2>We have just finished. Did you not see the time?

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<v Speaker 2>I was baffled. But it's four now, I replied, showing

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<v Speaker 2>her my phone. She laughed, a crisp, violet sound. Four. Yes,

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<v Speaker 2>but only if you are living forward. Our tour began

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<v Speaker 2>already and has had its history, as all good walks do.

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<v Speaker 2>There was no edge to her voice, only the patient

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<v Speaker 2>humor of some one explaining a joke to a child.

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<v Speaker 2>But I felt myself flush. My confusion became a motif.

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<v Speaker 2>The bus to the next village was posted to leave

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<v Speaker 2>at eight fifty, but rumbled away from the square at

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<v Speaker 2>a moment my own watch recorded eight forty. Cafe hours

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<v Speaker 2>posted on the wall insisted breakfast was served until nine

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<v Speaker 2>zero zero, but on entering at what I thought was

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<v Speaker 2>eight thirty, I found the staff clearing tables for lunch.

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<v Speaker 2>Each time locals pointed out my error with the mild

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<v Speaker 2>patience of those accustomed to such slips. Don't worry emmil

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<v Speaker 2>told me as we nursed coffees one morning. Sometimes it

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<v Speaker 2>is hard at first. Your clocks they are not so

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<v Speaker 2>clever as ours. But you will see. Even the sun

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<v Speaker 2>goes backward here if you are friendly to it. They

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<v Speaker 2>seemed genuinely unbothered by my blunders. I wrote copious notes,

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<v Speaker 2>a little defensive, wondering if there was a deliberate effort

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<v Speaker 2>to keep outsiders on their toes, a private communal joke

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<v Speaker 2>kept alive by gentle corrections. But as I watched the

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<v Speaker 2>street sweepers, the bakers, the school children all move in

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<v Speaker 2>perfect synchrony, I realized there was method beneath the surface.

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<v Speaker 2>On the third day, I realized my own phone, left

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<v Speaker 2>charging over an night, showed an hour precisely reversed from

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<v Speaker 2>the tower's clock face, a trick perhaps of daylight savings.

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<v Speaker 2>I cross referenced arrivals and departures my own appointments with

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<v Speaker 2>posted notices. It was a kind of inverted arithmetic. If

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<v Speaker 2>the bus left at eight fifty and my watch said

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<v Speaker 2>eight forty, then by backward reckoning, I was always arriving

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<v Speaker 2>ten minutes late. Curiosity eclipsed my frustration. I decided to

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<v Speaker 2>systematically record the differences. I set alarms on both my

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<v Speaker 2>phone and my mechanical wristwatch, compared them every hour to

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<v Speaker 2>the big station clock, and tallied the cumulative losses or

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<v Speaker 2>gains as the hours passed. Breakfast, lunch, shop, closing. All

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<v Speaker 2>events in the village shifted subtly against my anchor clocks,

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<v Speaker 2>sometimes earlier, sometimes later, but always in a rhythm consistent

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<v Speaker 2>with the revers dials. The train's schedule befuddled me for

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<v Speaker 2>several days. Departures announced at the next ten correspond to

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<v Speaker 2>a time ten minutes earlier than I expected. Yet no

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<v Speaker 2>one missed the train, no one ran, cursed or seemed disoriented.

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<v Speaker 2>That evening, at the bakery, I found Emmel again, elbows

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<v Speaker 2>deep in dough, surrounded by an arsenal of battered egg timers,

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<v Speaker 2>all ticking with calm certainty from high numbers downward. He

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<v Speaker 2>spotted my confusion and grinned Mercht and say ein Jehaimney's

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<v Speaker 2>Learnin' want to learn a secret. He wiped his hands, then,

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<v Speaker 2>on a scrap of butcher paper, drew two clock faces,

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<v Speaker 2>one with hands moving clockwise, the other reversed regular people,

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<v Speaker 2>he said, tapping the first. They wait for time to

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<v Speaker 2>go round. Here we use the same clock, but see

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<v Speaker 2>it together in its mirror. He wrote tiny numbers by

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<v Speaker 2>each hour marker, mapping backwards hours against the standard. So

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<v Speaker 2>if here it is four, he pointed, for you, it

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<v Speaker 2>is eight, but for us it is just as much four,

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<v Speaker 2>only the other way round. Easy, he laughed. You get

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<v Speaker 2>used to it, he shrugged. When I asked why they

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<v Speaker 2>had adopted this method. This is how it always was.

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<v Speaker 2>The clocks we build are strong. They like going this

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<v Speaker 2>way better. I remained unconvinced. At the schoolyard, the bell

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<v Speaker 2>rang out twelve strokes, but the students collected their bags

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<v Speaker 2>and burst from the doors, as if by some implicit

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<v Speaker 2>signal outside what I thought must be normal dismissal time.

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<v Speaker 2>There was no bluff or trickery in these routines. Everyone

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<v Speaker 2>seemed at ease. I began to note other peculiarities. Visitors

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00:14:30.600 --> 00:14:34.799
<v Speaker 2>to the village families in hiking gear. Photographers bumbled for

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<v Speaker 2>a day or two, consulting their phones or watches, but

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00:14:38.120 --> 00:14:41.799
<v Speaker 2>soon matched their behavior to the public clocks, unconsciously shifting

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00:14:41.840 --> 00:14:46.279
<v Speaker 2>their expectations as if drawn into some communal current. Children

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00:14:46.360 --> 00:14:50.360
<v Speaker 2>played games counting down bakers and clockmakers alike set their

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00:14:50.399 --> 00:14:55.440
<v Speaker 2>dials to match the reversals. There was structure, consistency, and

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00:14:55.519 --> 00:14:58.679
<v Speaker 2>yet the system made no immediate sense when viewed through

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<v Speaker 2>the logic I had spent a lot lifetime teaching. One

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00:15:02.320 --> 00:15:05.279
<v Speaker 2>night by lamplight, I tried to codify what I had learned.

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<v Speaker 2>I listed what I knew. The mechanical clocks ran backward.

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<v Speaker 2>All public schedules were coordinated to the reverse time. Whenever

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00:15:13.039 --> 00:15:16.159
<v Speaker 2>I attempted to impose my own order, I was corrected,

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00:15:16.440 --> 00:15:20.600
<v Speaker 2>not just politely, but consistently and without irony. The system

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00:15:20.679 --> 00:15:24.200
<v Speaker 2>was not arbitrary, nor an accident. But why was there

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00:15:24.240 --> 00:15:27.960
<v Speaker 2>an older tradition at play, a deeper logic behind the spectacle.

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00:15:28.919 --> 00:15:31.120
<v Speaker 2>I began to wonder if the phenomenon was more than

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00:15:31.120 --> 00:15:34.960
<v Speaker 2>a custom, if through sheer collective adherents, the village had

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00:15:35.000 --> 00:15:38.399
<v Speaker 2>created not so much a quirk but an alternative standard,

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00:15:38.679 --> 00:15:41.480
<v Speaker 2>running parallel in a sense to the rest of the world.

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00:15:42.120 --> 00:15:45.600
<v Speaker 2>I thought of metric time in revolutionary France, the half

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00:15:45.639 --> 00:15:49.600
<v Speaker 2>hour time zones of Newfoundland. Daylight savings clung to by

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00:15:49.639 --> 00:15:54.240
<v Speaker 2>stubborn states, but none felt as absolute as this new

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00:15:54.320 --> 00:15:58.399
<v Speaker 2>questions sprouted. Was Rebruck, an isolated oddity or the living

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00:15:58.480 --> 00:16:02.600
<v Speaker 2>remnant of a wider lost practice. Did backward time change

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00:16:02.600 --> 00:16:06.600
<v Speaker 2>the perception of time itself? At breakfast next morning, over

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00:16:06.639 --> 00:16:10.240
<v Speaker 2>boiled eggs and crisp dark bread, I asked Fraukeller if

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00:16:10.240 --> 00:16:13.759
<v Speaker 2>she ever found herself confused when leaving the village when

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00:16:13.840 --> 00:16:18.279
<v Speaker 2>visiting Lucerne, for example. She set down her knife, considering

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00:16:18.840 --> 00:16:21.320
<v Speaker 2>for a day or two perhaps, But you see, time

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00:16:21.399 --> 00:16:24.919
<v Speaker 2>is a garment you wear what fits Riffbruck. Time keeps

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00:16:24.960 --> 00:16:27.840
<v Speaker 2>us together. When we go out, we put on new hours,

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00:16:27.879 --> 00:16:31.120
<v Speaker 2>and nobody notices. But here in our walls it would

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00:16:31.120 --> 00:16:34.440
<v Speaker 2>be most odd to let your hours leak in. Her

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00:16:34.480 --> 00:16:38.320
<v Speaker 2>tone was neither defensive nor evasive, but that of someone

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00:16:38.480 --> 00:16:42.919
<v Speaker 2>for whom the question itself bordered on the nonsensical. Emmil

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00:16:43.039 --> 00:16:46.320
<v Speaker 2>listening at the next table, offered, if you stay long enough,

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00:16:46.480 --> 00:16:50.120
<v Speaker 2>you find the backward way easier. It is less anxious.

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00:16:50.639 --> 00:16:53.240
<v Speaker 2>No one here ever misses what is coming or what

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00:16:53.320 --> 00:16:58.279
<v Speaker 2>has already passed. Doesn't that mean you're always late? I asked,

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00:16:58.320 --> 00:17:01.679
<v Speaker 2>but he just laughed and shook his head head. Deciding

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00:17:01.720 --> 00:17:04.640
<v Speaker 2>my note book could take no more theorizing, I resolved

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00:17:04.640 --> 00:17:07.519
<v Speaker 2>to go to the source. True to his earlier offer.

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00:17:07.880 --> 00:17:11.319
<v Speaker 2>Emil invited me that afternoon, after as he put it,

284
00:17:11.720 --> 00:17:14.720
<v Speaker 2>the hand passes twelve for the second time, not the

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00:17:14.799 --> 00:17:18.160
<v Speaker 2>first to visit the clockmakers gild at the edge of

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00:17:18.200 --> 00:17:22.160
<v Speaker 2>the village. The guild house was a marvel old as

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00:17:22.200 --> 00:17:25.960
<v Speaker 2>any cathedral, if smaller, with centuries of dark oak beams

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00:17:26.000 --> 00:17:30.200
<v Speaker 2>curving over a warren of work benches. Inside, the sweet,

289
00:17:30.319 --> 00:17:34.279
<v Speaker 2>ghostly tang of lubricating oil mixed with dust, and the faint,

290
00:17:34.440 --> 00:17:37.640
<v Speaker 2>persistent ticking of a hundred clocks, all out of step

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00:17:37.799 --> 00:17:41.160
<v Speaker 2>with my internal rhythm. At the heart of the room,

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00:17:41.359 --> 00:17:44.599
<v Speaker 2>Master Umacher sat, a stately man with a sweep of

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00:17:44.680 --> 00:17:48.559
<v Speaker 2>silvered hair and the posture of a conductor. Around him,

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00:17:48.720 --> 00:17:53.279
<v Speaker 2>young apprentices, some still in school, others Groan debated the

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00:17:53.359 --> 00:17:56.880
<v Speaker 2>adjustment of a grandfather clock, whose hands traced their path

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00:17:57.000 --> 00:18:01.640
<v Speaker 2>backwards across the dial, never faltering. The Master offered me

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00:18:01.720 --> 00:18:04.799
<v Speaker 2>a seat and a cup of heated berry cordial. You

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00:18:04.880 --> 00:18:08.759
<v Speaker 2>wish to understand, hair Lerer, He began with more gravity

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00:18:08.799 --> 00:18:11.799
<v Speaker 2>than I expected. Then let us show you the bones

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00:18:11.839 --> 00:18:15.920
<v Speaker 2>of our hours. From shelf to shelf. He produced clocks

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00:18:15.960 --> 00:18:20.400
<v Speaker 2>by the dozen, carriage clocks, wrist watches, barock mantel pieces,

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00:18:20.440 --> 00:18:24.079
<v Speaker 2>all their gears ingeniously reversed so that their hands swept

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00:18:24.119 --> 00:18:28.359
<v Speaker 2>counter to the rightful direction. Some even bore two faces

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00:18:28.400 --> 00:18:32.240
<v Speaker 2>standard and reverse back to back. The apprentices maintained the

305
00:18:32.279 --> 00:18:37.480
<v Speaker 2>mechanisms with a reverence befitting delicate surgery. Nothing here was haphazard.

306
00:18:38.559 --> 00:18:42.920
<v Speaker 2>Umaca positioned a schematic before me. See here, every clock

307
00:18:43.000 --> 00:18:46.680
<v Speaker 2>is in negotiation. Once, long ago it was all confusion.

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00:18:47.279 --> 00:18:50.799
<v Speaker 2>Hair Borman perhaps remembers better than I. The retired head

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00:18:50.839 --> 00:18:55.559
<v Speaker 2>master stepped in, smiling, grand eyebrows arched. There was a

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00:18:55.559 --> 00:18:58.599
<v Speaker 2>time when the miller's watches and the notary's clocks quarreled

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00:18:58.599 --> 00:19:03.799
<v Speaker 2>over the proper hour, ecclesiastic time, market time feuds. Even

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00:19:04.200 --> 00:19:08.200
<v Speaker 2>some would rush about others linger endlessly correcting each other.

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00:19:08.599 --> 00:19:12.039
<v Speaker 2>So the council declared, we make a fresh start. His

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00:19:12.200 --> 00:19:16.519
<v Speaker 2>voice dropped to a hush. The solution reversed the direction.

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00:19:17.160 --> 00:19:19.680
<v Speaker 2>If no one could claim the hour as right, it

316
00:19:19.720 --> 00:19:23.640
<v Speaker 2>would belong equally to every one and equally to none.

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00:19:24.000 --> 00:19:27.839
<v Speaker 2>Umarca nodded. The system had to be rigorous. We apprenticed

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00:19:27.839 --> 00:19:30.960
<v Speaker 2>our children to the new way. Clocks built to withstand

319
00:19:31.079 --> 00:19:35.720
<v Speaker 2>outside interference. Apprentices made to master both directions so that

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00:19:35.759 --> 00:19:39.400
<v Speaker 2>no one could claim confusion. We do our arithmetic in

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00:19:39.480 --> 00:19:44.599
<v Speaker 2>both directions. He beckoned Emil to demonstrate. Emil, on a

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00:19:44.599 --> 00:19:50.000
<v Speaker 2>small chalkboard, demonstrated reverse edition, counting downward to reach a sum,

323
00:19:50.440 --> 00:19:54.680
<v Speaker 2>an elegant, if baffling logic, which the apprentices corrected comfortingly

324
00:19:54.839 --> 00:19:59.119
<v Speaker 2>when I stumbled. More impressive were the blueprints they laid out,

325
00:19:59.599 --> 00:20:04.359
<v Speaker 2>showing not just clocks, but rolling calendars, ingenious devices that

326
00:20:04.519 --> 00:20:09.240
<v Speaker 2>ticked down the days to festival observances, with codices illuminated

327
00:20:09.319 --> 00:20:13.160
<v Speaker 2>in mirrored ink. When I asked about outside a confusion,

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00:20:13.480 --> 00:20:17.640
<v Speaker 2>Umarca held up a battered ledger. Visitors always think it strange,

329
00:20:18.039 --> 00:20:22.079
<v Speaker 2>but after some days most are just children, especially they

330
00:20:22.119 --> 00:20:25.400
<v Speaker 2>have less to unlearn. There are rules for both clocks

331
00:20:25.440 --> 00:20:29.519
<v Speaker 2>and people. The carefulness of it all struck me. This

332
00:20:29.759 --> 00:20:33.920
<v Speaker 2>was no accident or folly. Rebruc's clocks ran backwards because

333
00:20:33.920 --> 00:20:37.319
<v Speaker 2>the people willed them so, and had maintained, with passion

334
00:20:37.359 --> 00:20:41.960
<v Speaker 2>and effort, a parallel order that belonged solely here. I

335
00:20:42.039 --> 00:20:46.119
<v Speaker 2>pressed them on advantages. Was there something gained by backward time?

336
00:20:46.559 --> 00:20:52.000
<v Speaker 2>Something scientific? Perhaps Emmil grinned, Maybe we just like being

337
00:20:52.039 --> 00:20:55.079
<v Speaker 2>the only ones who know what's coming. It teaches you

338
00:20:55.160 --> 00:20:57.759
<v Speaker 2>to see the world not by deadlines, but by what

339
00:20:57.839 --> 00:21:03.960
<v Speaker 2>you remember later. Umacha smiled with an ambiguous pride. Perhaps time,

340
00:21:04.119 --> 00:21:07.119
<v Speaker 2>like a story, is best remembered from its end toward

341
00:21:07.200 --> 00:21:11.680
<v Speaker 2>its beginning. The other apprentices nodded, half in jest, half

342
00:21:11.720 --> 00:21:15.359
<v Speaker 2>in earnest. I emerged from the workshop with my head

343
00:21:15.400 --> 00:21:19.640
<v Speaker 2>whirring like a freshly wound mechanism, the knowledge, both demystifying

344
00:21:19.720 --> 00:21:23.440
<v Speaker 2>and destabilizing. What I'd taken for a charming error was

345
00:21:23.680 --> 00:21:28.599
<v Speaker 2>in fact a finely built, universally agreed upon structure, one

346
00:21:28.599 --> 00:21:32.559
<v Speaker 2>that required collective precision and brought the village not confusion,

347
00:21:32.880 --> 00:21:38.119
<v Speaker 2>but paradoxically order. The days curled by the festival approached,

348
00:21:38.319 --> 00:21:43.599
<v Speaker 2>and the village's metabolism quickened. Banners appeared on balconies, colored streamers,

349
00:21:43.640 --> 00:21:46.119
<v Speaker 2>reversed in their lettering so that only a mirror could

350
00:21:46.160 --> 00:21:50.160
<v Speaker 2>read them aright. In the square, children practiced walking backward

351
00:21:50.200 --> 00:21:52.960
<v Speaker 2>in lines, giggling as they tried not to look over

352
00:21:53.000 --> 00:21:57.839
<v Speaker 2>their shoulders. Led by Lot, the undisputed expert flower Cellars

353
00:21:57.920 --> 00:22:01.279
<v Speaker 2>arranged bouquets upside down so they will look their best

354
00:22:01.279 --> 00:22:04.480
<v Speaker 2>from the end of the parade. Even the weather, it

355
00:22:04.599 --> 00:22:09.079
<v Speaker 2>seemed conspired morning fog warming to late afternoon sun in

356
00:22:09.119 --> 00:22:13.079
<v Speaker 2>an order that felt somehow retrieved from the day's conclusion

357
00:22:13.240 --> 00:22:17.920
<v Speaker 2>rather than its start. One evening, Master Umacher sought me out,

358
00:22:18.240 --> 00:22:22.799
<v Speaker 2>inviting me to observe the innermost ceremony, the secret resetting

359
00:22:22.960 --> 00:22:26.680
<v Speaker 2>of the town's clocks. That night, after the square had emptied,

360
00:22:26.960 --> 00:22:30.160
<v Speaker 2>I followed the clockmakers through shadowed alleys to the base

361
00:22:30.200 --> 00:22:34.599
<v Speaker 2>of the tower. Inside amid thick beams and ancient stones,

362
00:22:34.839 --> 00:22:39.240
<v Speaker 2>the guild assembled at a great mahogany table. Master Uermacher

363
00:22:39.240 --> 00:22:42.759
<v Speaker 2>said a battered leather bound folio, its pages cramped with

364
00:22:42.839 --> 00:22:47.480
<v Speaker 2>mirroring numbers pennied in fading script. The older apprentices turned

365
00:22:47.519 --> 00:22:51.000
<v Speaker 2>the heavy pages with gloved hands. Each record noted the

366
00:22:51.039 --> 00:22:55.200
<v Speaker 2>moment of reset, public and private, running back through decades.

367
00:22:56.200 --> 00:22:59.039
<v Speaker 2>The hands of the tower clock were uncoupled by a gentle,

368
00:22:59.359 --> 00:23:04.759
<v Speaker 2>almost ceremonial movement at a precisely calculated reverse. Midnight, the

369
00:23:04.880 --> 00:23:07.680
<v Speaker 2>hands were drawn to overlap. Then each clock in the

370
00:23:07.759 --> 00:23:11.880
<v Speaker 2>village was synchronized, winding hub minute by minute back to

371
00:23:11.920 --> 00:23:16.559
<v Speaker 2>the newly defined starting point. I watched, awestruck as the

372
00:23:16.559 --> 00:23:21.839
<v Speaker 2>apprentices consulted brass compasses, checking alignments against blue glass lanterns

373
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<v Speaker 2>and mirrored hour glasses. Emil explained, sotto voch, every clock

374
00:23:26.880 --> 00:23:29.960
<v Speaker 2>must run together or the village falls out of time.

375
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<v Speaker 2>After I was shown the earliest official chronicle the moment

376
00:23:34.599 --> 00:23:38.920
<v Speaker 2>the Umkia the reversal was decreed, a council of elders,

377
00:23:39.119 --> 00:23:42.799
<v Speaker 2>faces painted in brown sepia, their signatures mirrored as if

378
00:23:42.839 --> 00:23:45.559
<v Speaker 2>seen in water, had ordered the change in the early

379
00:23:45.640 --> 00:23:50.559
<v Speaker 2>eighteen hundreds. The reasons fairness, peace, a closing of old

380
00:23:50.599 --> 00:23:53.960
<v Speaker 2>wounds so profound that time itself was adjusted to support

381
00:23:54.000 --> 00:23:58.000
<v Speaker 2>the new concord by the hearth. The apprentices spoke in

382
00:23:58.079 --> 00:24:03.359
<v Speaker 2>low conspiratorial tones. It isn't just custom, one explained. The

383
00:24:03.440 --> 00:24:06.880
<v Speaker 2>year after the clocks turned, the harvest was greater than ever.

384
00:24:07.400 --> 00:24:10.519
<v Speaker 2>My own great grandfather never once missed a birth or

385
00:24:10.519 --> 00:24:13.559
<v Speaker 2>a wedding by the new time, And they say our

386
00:24:13.599 --> 00:24:17.799
<v Speaker 2>elders live longer than in the valley below. Another added,

387
00:24:18.200 --> 00:24:21.599
<v Speaker 2>visitors when they stay blend in. When they leave, they

388
00:24:21.640 --> 00:24:25.119
<v Speaker 2>forget they ever had trouble, like a fever that lifts

389
00:24:25.680 --> 00:24:30.079
<v Speaker 2>her Bormann leaning clothes. Added a stirring anecdote. Once a

390
00:24:30.119 --> 00:24:33.680
<v Speaker 2>stranger from Zurich arrived for a week by the festival,

391
00:24:33.960 --> 00:24:37.039
<v Speaker 2>he could recall all appointments in reverse, and found he

392
00:24:37.079 --> 00:24:41.680
<v Speaker 2>anticipated the return train's time before it departed. He remembered

393
00:24:41.680 --> 00:24:44.640
<v Speaker 2>the end before the beginning. He wrote a long letter

394
00:24:44.680 --> 00:24:48.119
<v Speaker 2>about the piece it brought him, but then, away from Redbruck,

395
00:24:48.440 --> 00:24:52.319
<v Speaker 2>remembered none of it. Over mulled cider, I listened to

396
00:24:52.359 --> 00:24:56.799
<v Speaker 2>more stories of mist trains miraculously caught of children whose

397
00:24:56.839 --> 00:25:00.799
<v Speaker 2>recitations improved after the clocks reversal, of old women who

398
00:25:00.839 --> 00:25:04.960
<v Speaker 2>grew younger in spirit by counting years back, Whether tall

399
00:25:05.000 --> 00:25:08.319
<v Speaker 2>Tale or tenet. The stories pulsed with an easy pride

400
00:25:08.640 --> 00:25:11.480
<v Speaker 2>and an affection for a code that bound rather than

401
00:25:11.559 --> 00:25:16.160
<v Speaker 2>isolated its keepers. Night deepened, and as I prepared to

402
00:25:16.200 --> 00:25:19.279
<v Speaker 2>return to the guest house, I realized that my internal

403
00:25:19.359 --> 00:25:23.400
<v Speaker 2>sense of fatigue harmonized with the reversed routine. I did

404
00:25:23.480 --> 00:25:26.720
<v Speaker 2>not check my wristwatch. When I did later, the hour

405
00:25:26.759 --> 00:25:31.480
<v Speaker 2>seemed plausible both forward and backward. I scribbled a final

406
00:25:31.519 --> 00:25:35.480
<v Speaker 2>note in my diary. Is village time a code, a

407
00:25:35.480 --> 00:25:38.960
<v Speaker 2>metaphor a mask? Does it matter? Or is it simply

408
00:25:39.000 --> 00:25:41.480
<v Speaker 2>a sign of what people can accomplish when they agree

409
00:25:41.519 --> 00:25:45.599
<v Speaker 2>to make a world together? No matter how implausible its rules.

410
00:25:46.319 --> 00:25:48.799
<v Speaker 2>The answer was not at hand, nor would it, I

411
00:25:48.880 --> 00:25:52.680
<v Speaker 2>now suspected, come quickly. But as I watched the towers

412
00:25:52.720 --> 00:25:56.079
<v Speaker 2>hands reach their mirrored apex, and heard the faint laughter

413
00:25:56.240 --> 00:25:59.640
<v Speaker 2>echoing up from the square, I felt something shifting, not

414
00:25:59.759 --> 00:26:02.920
<v Speaker 2>just in my understanding, but in the deeper geometry of

415
00:26:02.960 --> 00:26:06.960
<v Speaker 2>my days. I had come in pursuit of peace, of constancy,

416
00:26:07.200 --> 00:26:11.200
<v Speaker 2>of the reliable forward movement of hours. Instead I found

417
00:26:11.240 --> 00:26:14.039
<v Speaker 2>a community in loving revolt against the tyranny of one

418
00:26:14.079 --> 00:26:17.799
<v Speaker 2>way time, a place where ritual habit and compact made

419
00:26:17.799 --> 00:26:21.240
<v Speaker 2>the impossible seem not just normal but essential. And as

420
00:26:21.240 --> 00:26:23.519
<v Speaker 2>I closed my notebook for the night, I could not

421
00:26:23.599 --> 00:26:27.839
<v Speaker 2>shake the suspicion, equal parts delight and quiet unease, that

422
00:26:27.920 --> 00:26:32.519
<v Speaker 2>I was already imperceptibly slipping into the rhythm of backward hours.

423
00:26:33.079 --> 00:26:36.039
<v Speaker 2>Emmel had said the backward way was easier, and now,

424
00:26:36.240 --> 00:26:38.880
<v Speaker 2>sitting in the soft lamp light by my guest house window,

425
00:26:39.240 --> 00:26:42.920
<v Speaker 2>I was inclined to believe him. The festival banners outside

426
00:26:43.000 --> 00:26:46.599
<v Speaker 2>rubbed ambush shadows on the street, and faint voices drifted up.

427
00:26:46.960 --> 00:26:49.880
<v Speaker 2>The village carried itself as if rehearsing for an event

428
00:26:50.000 --> 00:26:54.119
<v Speaker 2>whose climax it already remembered. In place of certainty, I

429
00:26:54.240 --> 00:26:59.400
<v Speaker 2>nursed a restless, expanding curiosity. I had grasped the mechanics

430
00:26:59.400 --> 00:27:04.119
<v Speaker 2>of the system, yes, the clocks, the schedules, the mirrored arithmetic.

431
00:27:04.519 --> 00:27:08.039
<v Speaker 2>But that comprehension only made the daily world more enigmatic.

432
00:27:08.720 --> 00:27:11.680
<v Speaker 2>What had I truly learned, except that a community could

433
00:27:11.720 --> 00:27:16.599
<v Speaker 2>declare time's direction and together make it so. I decided

434
00:27:16.720 --> 00:27:19.680
<v Speaker 2>that night to test the limits of my own adjustment.

435
00:27:20.680 --> 00:27:23.599
<v Speaker 2>First an experiment, I keyed in an alarm on my

436
00:27:23.720 --> 00:27:27.720
<v Speaker 2>smartphone to morrow morning, seven thirty sharp. I set my

437
00:27:27.720 --> 00:27:31.119
<v Speaker 2>wrist watch too, the reliable old kind, winding its spring

438
00:27:31.160 --> 00:27:35.000
<v Speaker 2>in the accepted forward fashion. Then on a notepad, I wrote,

439
00:27:35.400 --> 00:27:39.400
<v Speaker 2>intend to wake early village time or city time. I

440
00:27:39.440 --> 00:27:42.519
<v Speaker 2>set both devices on the bedside table and turned out

441
00:27:42.559 --> 00:27:45.400
<v Speaker 2>the light. Determined to hold tight to my own measure

442
00:27:45.440 --> 00:27:50.000
<v Speaker 2>of hours, I woke late, according to both devices, later,

443
00:27:50.079 --> 00:27:53.279
<v Speaker 2>still by the hands of the bedside clock. The alarm

444
00:27:53.359 --> 00:27:56.079
<v Speaker 2>when I checked it had failed to sound, or perhaps

445
00:27:56.119 --> 00:27:58.440
<v Speaker 2>it had rung, and I dismissed it in my sleep.

446
00:27:58.720 --> 00:28:02.960
<v Speaker 2>But there was no evidence, no mistnotification, no stray buzzing.

447
00:28:03.599 --> 00:28:06.319
<v Speaker 2>My body felt well rested, but there was a subtle,

448
00:28:06.480 --> 00:28:09.799
<v Speaker 2>off kilter sense that I had not really skipped anything urgent.

449
00:28:10.880 --> 00:28:14.039
<v Speaker 2>Glancing out the window, I saw the bakery opening, frau

450
00:28:14.119 --> 00:28:17.119
<v Speaker 2>Keller setting out tables for what she by her idiom

451
00:28:17.319 --> 00:28:21.440
<v Speaker 2>called the late before morning. I tried to reconstruct my night,

452
00:28:21.720 --> 00:28:25.240
<v Speaker 2>skimming backward through the haze just before waking. Already the

453
00:28:25.279 --> 00:28:28.720
<v Speaker 2>sequencing seemed muddled. Had I turned once or twice to

454
00:28:28.799 --> 00:28:33.000
<v Speaker 2>consult the lamp, had dawn arrived first? Or my dreams?

455
00:28:33.559 --> 00:28:37.000
<v Speaker 2>I dressed and went down for breakfast, pencil in hand,

456
00:28:37.039 --> 00:28:41.240
<v Speaker 2>determined to maintain the discipline of record. The bakery thrummed

457
00:28:41.240 --> 00:28:45.200
<v Speaker 2>with people, locals, a few hiking tourists, all chit chatting

458
00:28:45.240 --> 00:28:48.240
<v Speaker 2>as though on a string pulled from somewhere behind them.

459
00:28:48.519 --> 00:28:51.759
<v Speaker 2>Lot was there, perched on a stool, spinning a coin

460
00:28:51.839 --> 00:28:55.960
<v Speaker 2>between her fingers. She brightened when she saw me. Did

461
00:28:56.000 --> 00:28:59.920
<v Speaker 2>you have interesting dreams? She asked, Without waiting for an answer,

462
00:29:00.079 --> 00:29:03.640
<v Speaker 2>she rattled on, sometimes I remember what will happen yesterday

463
00:29:03.720 --> 00:29:06.720
<v Speaker 2>if I think hard enough. Her borman says, that is

464
00:29:06.759 --> 00:29:10.680
<v Speaker 2>because we practice both times at school. You should come today.

465
00:29:10.880 --> 00:29:15.359
<v Speaker 2>We do subtraction that leads to the beginning. Her friends giggled,

466
00:29:15.559 --> 00:29:19.079
<v Speaker 2>Lot beamed There was nothing calculated in her claim, but

467
00:29:19.160 --> 00:29:22.279
<v Speaker 2>it spun a question in my mind. Was memory here

468
00:29:22.400 --> 00:29:26.799
<v Speaker 2>too subject to customs of reversal? I spent that morning

469
00:29:26.880 --> 00:29:30.519
<v Speaker 2>trailing the edge of the festival preparations. The square was

470
00:29:30.559 --> 00:29:35.319
<v Speaker 2>a living laboratory. Children walked backward with layers of deliberate clumsiness,

471
00:29:35.640 --> 00:29:38.839
<v Speaker 2>the older ones correcting the little ones with gentle tugs.

472
00:29:39.519 --> 00:29:43.880
<v Speaker 2>Shopkeepers chalked menus and schedules on sandwich boards, the reversed

473
00:29:43.960 --> 00:29:49.039
<v Speaker 2>numbers growing more ornate as the festival approached. Even the tourists.

474
00:29:49.400 --> 00:29:53.000
<v Speaker 2>Two young couples with city windbreakers and day packs, looked

475
00:29:53.000 --> 00:29:56.279
<v Speaker 2>over their shoulders at an arriving bus, unsure if it

476
00:29:56.319 --> 00:29:59.880
<v Speaker 2>was departing or arriving. Their faces a mix of amusement

477
00:30:00.079 --> 00:30:04.119
<v Speaker 2>and surrender. My diary entries became a source of confusion.

478
00:30:04.480 --> 00:30:06.720
<v Speaker 2>I started to note things as they appeared to happen,

479
00:30:07.000 --> 00:30:10.319
<v Speaker 2>but I found myself uncertain whether a meal, a conversation

480
00:30:10.440 --> 00:30:13.359
<v Speaker 2>with Emmil, or a walk through the Linden Woods belonged

481
00:30:13.359 --> 00:30:16.319
<v Speaker 2>to one day or the next. Before. I attempted to

482
00:30:16.359 --> 00:30:19.559
<v Speaker 2>keep my notes linear, but the pages filled with corrections

483
00:30:19.559 --> 00:30:23.160
<v Speaker 2>and cross outs, arrows pointing backward as often as forward.

484
00:30:23.839 --> 00:30:27.480
<v Speaker 2>Was this simple suggestion or was the collective rhythm beginning

485
00:30:27.480 --> 00:30:31.640
<v Speaker 2>to rewire something fundamental. I drifted to the school just

486
00:30:31.759 --> 00:30:34.680
<v Speaker 2>before the noon bell. Hair Bormann stood in the sun,

487
00:30:35.000 --> 00:30:37.640
<v Speaker 2>herding a line of children into a bright class room

488
00:30:37.720 --> 00:30:41.920
<v Speaker 2>pinched with chalk dust and raucous laughter. Through the open window,

489
00:30:42.279 --> 00:30:46.839
<v Speaker 2>I heard the lesson unfolding. This week's problem, intoned hair

490
00:30:46.880 --> 00:30:50.640
<v Speaker 2>Boorman is due the week before next. If you finish early,

491
00:30:50.720 --> 00:30:55.359
<v Speaker 2>you can hand it in after last Tuesday. Does everyone understand? Nods,

492
00:30:55.519 --> 00:30:59.400
<v Speaker 2>exasperated sighs. And then if you remember the answer before

493
00:30:59.440 --> 00:31:02.559
<v Speaker 2>hearing the question, keep it safe. We may use it again.

494
00:31:03.680 --> 00:31:06.279
<v Speaker 2>The room was full of an energy I recognized from

495
00:31:06.279 --> 00:31:09.079
<v Speaker 2>my own years as a teacher, but the logic here

496
00:31:09.200 --> 00:31:13.839
<v Speaker 2>was deliciously inverted. The children seemed not just unfazed, but

497
00:31:13.920 --> 00:31:18.319
<v Speaker 2>quietly competitive. Who could internalize the leap most elegantly, Who

498
00:31:18.400 --> 00:31:22.000
<v Speaker 2>might spot the clever twist. The head master saw me

499
00:31:22.039 --> 00:31:24.319
<v Speaker 2>at the edge of the courtyard and beckoned, as he

500
00:31:24.359 --> 00:31:27.559
<v Speaker 2>sent the children off for recess. You find us at

501
00:31:27.559 --> 00:31:31.319
<v Speaker 2>our arithmetic. I see the tourists in town. Do they

502
00:31:31.359 --> 00:31:34.680
<v Speaker 2>ask you for directions? I tell them whatever hour they

503
00:31:34.720 --> 00:31:37.680
<v Speaker 2>hope for, it has already passed, and so is certain

504
00:31:37.720 --> 00:31:42.519
<v Speaker 2>to be free. I smiled, admitting my own confusion. I

505
00:31:42.559 --> 00:31:45.680
<v Speaker 2>don't think my mind works in both directions, I said,

506
00:31:46.000 --> 00:31:51.079
<v Speaker 2>not entirely joking. He considered eyes narrowing in practiced amusement.

507
00:31:51.640 --> 00:31:55.000
<v Speaker 2>Your brain perhaps not yet, but your habits they drift

508
00:31:55.039 --> 00:31:58.440
<v Speaker 2>as the sun does subtly. But with persistence you will

509
00:31:58.480 --> 00:32:01.640
<v Speaker 2>see hear. Time is not an imposition. It is a

510
00:32:01.720 --> 00:32:04.599
<v Speaker 2>habit made together. When you leave, you'll wonder why the

511
00:32:04.680 --> 00:32:08.680
<v Speaker 2>other way feels so stern. He invited me to tea,

512
00:32:08.799 --> 00:32:14.680
<v Speaker 2>promising a conversation after now, but before long I agreed. Later,

513
00:32:14.920 --> 00:32:18.599
<v Speaker 2>wandering the square, I overheard a conversation between emmyl and

514
00:32:18.640 --> 00:32:22.759
<v Speaker 2>two villagers at a cafe table. They bantered over mist appointments,

515
00:32:23.119 --> 00:32:26.000
<v Speaker 2>each trying to outwit the other with stories of remembering

516
00:32:26.039 --> 00:32:29.839
<v Speaker 2>to be early by being late. The laughter was infectious,

517
00:32:30.200 --> 00:32:33.559
<v Speaker 2>but I sensed, beyond the levity something practiced in the

518
00:32:33.599 --> 00:32:37.240
<v Speaker 2>way they held to backward rhythms, like dancers marking time

519
00:32:37.319 --> 00:32:40.720
<v Speaker 2>to a melody only they could hear. I returned to

520
00:32:40.759 --> 00:32:44.279
<v Speaker 2>the guest house that afternoon to find frau Keller winding

521
00:32:44.319 --> 00:32:47.519
<v Speaker 2>all the clocks at once. On the counter lay a

522
00:32:47.599 --> 00:32:51.039
<v Speaker 2>stack of mail. The envelopes were stamped with dates in

523
00:32:51.079 --> 00:32:54.480
<v Speaker 2>descending order, the only place I'd ever seen a calendar

524
00:32:54.640 --> 00:32:59.279
<v Speaker 2>counting down instead of up. You're noticing, yes, she quipped

525
00:32:59.680 --> 00:33:02.599
<v Speaker 2>in Bruck. We are closer to the past than the future.

526
00:33:03.039 --> 00:33:06.920
<v Speaker 2>That is why there's less to worry about. I hesitated.

527
00:33:07.279 --> 00:33:11.400
<v Speaker 2>But isn't that just an elaborate performance. Surely people slip,

528
00:33:12.359 --> 00:33:15.440
<v Speaker 2>she shrugged, nestling a clock against her hip. When your

529
00:33:15.440 --> 00:33:18.160
<v Speaker 2>neighbors turn their clocks this way, you have a choice

530
00:33:18.440 --> 00:33:23.640
<v Speaker 2>fight or join over time joining is easier. Emmil poked

531
00:33:23.680 --> 00:33:27.119
<v Speaker 2>his head in, flower dusted and beaming. Want to help

532
00:33:27.160 --> 00:33:30.039
<v Speaker 2>set the parade flags? Lot says you need to walk

533
00:33:30.079 --> 00:33:32.799
<v Speaker 2>backward at least once, or you'll miss the proper hour.

534
00:33:33.920 --> 00:33:36.400
<v Speaker 2>And so I found myself arm in arm with Lot

535
00:33:36.480 --> 00:33:39.880
<v Speaker 2>and a gaggle of children practicing a reverse promenade through

536
00:33:39.920 --> 00:33:43.640
<v Speaker 2>the cobbled lanes. It was as disorienting as one might expect,

537
00:33:43.920 --> 00:33:47.119
<v Speaker 2>made bearable only by the children's laughter and the muscular

538
00:33:47.200 --> 00:33:52.079
<v Speaker 2>jollity of Emmil, who counted backward aloud seven six five

539
00:33:52.720 --> 00:33:57.680
<v Speaker 2>with operatic gusto, steering our little procession past amused onlookers

540
00:33:58.359 --> 00:34:03.119
<v Speaker 2>along the route. The festival preparations thickened, shop windows filled

541
00:34:03.119 --> 00:34:07.039
<v Speaker 2>with upturned bouquets. Someone had hung an enormous mirror on

542
00:34:07.079 --> 00:34:10.639
<v Speaker 2>the western wall of the square, distorting the parade's reflection

543
00:34:10.920 --> 00:34:15.360
<v Speaker 2>into a tangle of reversed movement. That evening, as dusk

544
00:34:15.440 --> 00:34:19.920
<v Speaker 2>pressed along the eaves, the festivals rhythms seeped into every conversation.

545
00:34:20.599 --> 00:34:24.480
<v Speaker 2>Even the newest visitors spoke of tomorrow's yesterday and joked

546
00:34:24.480 --> 00:34:27.800
<v Speaker 2>about their watches running away from them. I caught sight

547
00:34:27.840 --> 00:34:31.159
<v Speaker 2>of the tourists from earlier now consulting a local time

548
00:34:31.239 --> 00:34:36.639
<v Speaker 2>table and following it without protest, their smartphones abandoned. I

549
00:34:36.679 --> 00:34:40.039
<v Speaker 2>remembered something Frau Keller had said, Time is a garment,

550
00:34:40.480 --> 00:34:44.480
<v Speaker 2>you wear what fits. I began reluctantly to fit the

551
00:34:44.559 --> 00:34:47.559
<v Speaker 2>village's hours to my own body, my rest and hunger,

552
00:34:47.639 --> 00:34:50.920
<v Speaker 2>waking at odd times meals falling with the sun rising

553
00:34:51.039 --> 00:34:53.440
<v Speaker 2>or setting, in a symmetry that I had never before

554
00:34:53.519 --> 00:34:58.159
<v Speaker 2>noticed or needed. True to his word, her Borman invited

555
00:34:58.159 --> 00:35:00.679
<v Speaker 2>me to his house, a compact cotton at the edge

556
00:35:00.679 --> 00:35:04.719
<v Speaker 2>of the village, tunneled beneath archways of ancient vines. We

557
00:35:04.800 --> 00:35:07.880
<v Speaker 2>sat in a window seat as the last sunlight curled

558
00:35:07.880 --> 00:35:10.880
<v Speaker 2>around the hills, a tray of tea and apple cake

559
00:35:10.960 --> 00:35:14.760
<v Speaker 2>between us. He spoke with the deliberate cadence of a teacher,

560
00:35:15.000 --> 00:35:18.199
<v Speaker 2>weighing words, as if each bore a subtle charge. The

561
00:35:18.280 --> 00:35:21.599
<v Speaker 2>children learn to remember backward early. It helps them in maths,

562
00:35:21.679 --> 00:35:25.199
<v Speaker 2>in language, in stories. You be surprised at their memory games.

563
00:35:25.639 --> 00:35:27.559
<v Speaker 2>They find it easier to recall a list from the

564
00:35:27.599 --> 00:35:30.639
<v Speaker 2>last item to the first. It carries into age two.

565
00:35:31.000 --> 00:35:33.280
<v Speaker 2>You'll see most of the elders here remember not just

566
00:35:33.360 --> 00:35:36.639
<v Speaker 2>what happened, but how to say this the way it unwound.

567
00:35:37.159 --> 00:35:40.519
<v Speaker 2>For them. The shape of things is always opening, not closing,

568
00:35:41.599 --> 00:35:45.679
<v Speaker 2>he paused, sipping. We keep diaries in reverse. If you

569
00:35:45.719 --> 00:35:48.679
<v Speaker 2>go to the library, you'll find the ledgers written backward

570
00:35:48.679 --> 00:35:51.360
<v Speaker 2>from the recent to the ancient, as if each new

571
00:35:51.559 --> 00:35:55.280
<v Speaker 2>entry erases a little of what preceded. It. Is it

572
00:35:55.400 --> 00:35:59.039
<v Speaker 2>just language? Then I asked a kind of mnemonic, a trick,

573
00:36:00.119 --> 00:36:04.000
<v Speaker 2>he smiled, perhaps at first, but after a while, habit

574
00:36:04.119 --> 00:36:08.719
<v Speaker 2>reorders thoughts. Memory becomes a kind of prediction. In the village,

575
00:36:08.880 --> 00:36:12.039
<v Speaker 2>you plan by picturing the outcome. Then let the steps

576
00:36:12.079 --> 00:36:16.360
<v Speaker 2>reveal themselves as you walk backwards through them. That sense

577
00:36:16.519 --> 00:36:20.760
<v Speaker 2>of living in anticipatory retrospection gave me pause. Does it

578
00:36:20.800 --> 00:36:25.800
<v Speaker 2>not make you anxious? Not knowing oddly? No, it's not uncertainty,

579
00:36:25.840 --> 00:36:29.199
<v Speaker 2>but relief. You know what mattered once you arrive, the

580
00:36:29.239 --> 00:36:33.199
<v Speaker 2>way a story clarifies only after it's told. Here we

581
00:36:33.320 --> 00:36:36.960
<v Speaker 2>try to live always with that clarity in mind. I

582
00:36:37.000 --> 00:36:40.599
<v Speaker 2>found myself thinking of my years of teaching, recalling times

583
00:36:40.639 --> 00:36:45.239
<v Speaker 2>i'd feared losing track, students bewildered by deadlines, the stress

584
00:36:45.280 --> 00:36:49.320
<v Speaker 2>of assembling futures from an endless march of days. What

585
00:36:49.480 --> 00:36:52.480
<v Speaker 2>if instead we could live as though every day was

586
00:36:52.599 --> 00:36:57.639
<v Speaker 2>unlacing gently back toward its route. The library became my crucible.

587
00:36:58.000 --> 00:37:01.400
<v Speaker 2>It was a flashing, honey colored room, shelves bode under

588
00:37:01.480 --> 00:37:06.159
<v Speaker 2>ancient volumes. The librarian, a distant cousin of Emil's, greeted

589
00:37:06.199 --> 00:37:09.320
<v Speaker 2>me and directed me to the town records. Rows of

590
00:37:09.360 --> 00:37:12.800
<v Speaker 2>heavy ledgers, bearing two dates for every entry, are before

591
00:37:13.039 --> 00:37:17.760
<v Speaker 2>and after, both racing in opposite directions. I paged through

592
00:37:17.800 --> 00:37:20.880
<v Speaker 2>an account of the first reversal, written in mirror script

593
00:37:20.920 --> 00:37:24.239
<v Speaker 2>by a deft, unhurried hand. The decree was signed as

594
00:37:24.239 --> 00:37:28.039
<v Speaker 2>I'd seen, for peace, for fairness, for time owed, and forgiven.

595
00:37:28.679 --> 00:37:31.920
<v Speaker 2>The local idioms scattered throughout evoked a vision of time

596
00:37:31.960 --> 00:37:35.960
<v Speaker 2>as unfolding toward origins, not endings. We meet next sooner

597
00:37:36.079 --> 00:37:39.679
<v Speaker 2>on the before after Eve, bring bread baked for return

598
00:37:40.000 --> 00:37:43.199
<v Speaker 2>and milk for forgetting. I was even shown a few

599
00:37:43.280 --> 00:37:47.280
<v Speaker 2>letters left behind by outsiders, each with confused apologies and

600
00:37:47.320 --> 00:37:51.880
<v Speaker 2>misplaced recollections, their timelinds telescoped or scattering, like beads on

601
00:37:51.920 --> 00:37:56.400
<v Speaker 2>a floor. One missive, never mail declared. Days here are

602
00:37:56.440 --> 00:38:00.840
<v Speaker 2>easier thought backward. I find myself forgiving old regrets, planning

603
00:38:00.880 --> 00:38:06.199
<v Speaker 2>as memory not anticipation, The future weighs less. A creeping

604
00:38:06.239 --> 00:38:09.920
<v Speaker 2>suspicion grew. Was this merely a clever group mnemonic, or

605
00:38:09.960 --> 00:38:13.639
<v Speaker 2>had the generations of living this way tilted cognition shaped

606
00:38:13.719 --> 00:38:16.840
<v Speaker 2>new neural paths made ease of what elsewhere was rare?

607
00:38:17.400 --> 00:38:21.199
<v Speaker 2>I wondered a little hungrily if a study, a careful

608
00:38:21.239 --> 00:38:24.280
<v Speaker 2>battery of tests, might show that children here could remember

609
00:38:24.320 --> 00:38:28.199
<v Speaker 2>sequences better In reverse, elder's less anxious about to morrow,

610
00:38:28.519 --> 00:38:33.000
<v Speaker 2>minds more at peace with unfinished business. That evening, walking

611
00:38:33.039 --> 00:38:36.320
<v Speaker 2>back to the guest house, I met Master Uermacher tending

612
00:38:36.320 --> 00:38:40.119
<v Speaker 2>a small garden behind his workshop. The old man wielded

613
00:38:40.119 --> 00:38:44.360
<v Speaker 2>a trowel with slow, precise scuffs, unearthing bulbs as if

614
00:38:44.400 --> 00:38:48.079
<v Speaker 2>they were keep saves hidden for a future. Remembering, he

615
00:38:48.159 --> 00:38:51.159
<v Speaker 2>motioned for me to join him. You've seen our clocks

616
00:38:51.199 --> 00:38:54.719
<v Speaker 2>and our rituals, he said, straightening. But you wonder still,

617
00:38:54.760 --> 00:38:59.079
<v Speaker 2>I think what this all amounts to I do, I admitted.

618
00:38:59.559 --> 00:39:02.960
<v Speaker 2>Is it a charm, a joke grown serious? Or are

619
00:39:03.000 --> 00:39:07.039
<v Speaker 2>you guarding something deeper, something that rewires how people live together?

620
00:39:08.079 --> 00:39:11.119
<v Speaker 2>He dusted his hands and pondered, eyes fixed on the

621
00:39:11.119 --> 00:39:14.440
<v Speaker 2>distant shimmer of the mountain snows. Perhaps it is all

622
00:39:14.519 --> 00:39:17.760
<v Speaker 2>three time. Here is a pact. We agree on the

623
00:39:17.800 --> 00:39:21.199
<v Speaker 2>story we want to remember. You saw the festival ceremony,

624
00:39:21.519 --> 00:39:24.559
<v Speaker 2>the clocks drawn to a single point, not because the

625
00:39:24.639 --> 00:39:28.039
<v Speaker 2>hour matters, but because if we start together, we unravel

626
00:39:28.119 --> 00:39:32.159
<v Speaker 2>the fear of being left behind. He looked at me, softening.

627
00:39:32.719 --> 00:39:35.239
<v Speaker 2>We are old this place, and I in my childhood,

628
00:39:35.480 --> 00:39:38.960
<v Speaker 2>my father's father told me every tradition is a rehearsal

629
00:39:39.000 --> 00:39:42.519
<v Speaker 2>for forgiveness. If we agree on the direction of our days,

630
00:39:42.800 --> 00:39:46.519
<v Speaker 2>we can heal old wounds because we rewrite what matters together.

631
00:39:47.639 --> 00:39:50.280
<v Speaker 2>I felt, for a moment, the bottom dropping out of

632
00:39:50.280 --> 00:39:54.679
<v Speaker 2>my preconceptions. The Backward clocks weren't just an eccentricity, nor

633
00:39:54.760 --> 00:39:58.199
<v Speaker 2>even a grand mnemonic. They were a social engine, a

634
00:39:58.280 --> 00:40:01.800
<v Speaker 2>means of engineering. Communal mes memory, a way to ensure

635
00:40:01.800 --> 00:40:05.960
<v Speaker 2>that every moment, every mistake, could be lessened by collective agreement.

636
00:40:06.360 --> 00:40:08.920
<v Speaker 2>Were written in the story as it was lived. Backward

637
00:40:10.000 --> 00:40:14.159
<v Speaker 2>Emil arriving behind us with a lantern chimed in half serious,

638
00:40:14.199 --> 00:40:18.599
<v Speaker 2>half sunlight. The best part Herleira life is easier when

639
00:40:18.599 --> 00:40:21.320
<v Speaker 2>you remember it from the finish. You have no dread,

640
00:40:21.800 --> 00:40:24.840
<v Speaker 2>just gratitude, like savoring the end of a book before

641
00:40:24.880 --> 00:40:29.039
<v Speaker 2>returning to its first page. A festival rehearsal called the

642
00:40:29.039 --> 00:40:31.800
<v Speaker 2>apprentices away, and the old man left me By the

643
00:40:31.840 --> 00:40:35.920
<v Speaker 2>garden's boundary. The mountain air grew thin and blue. I

644
00:40:36.000 --> 00:40:39.840
<v Speaker 2>stood there, caught inside a realization so gentle and complete

645
00:40:39.880 --> 00:40:43.199
<v Speaker 2>it seemed to move my very breath. Time here was

646
00:40:43.239 --> 00:40:48.119
<v Speaker 2>not a fixed arrow, but a dialogue endlessly reinterpreted, ultimately

647
00:40:48.159 --> 00:40:52.519
<v Speaker 2>forgiving because it was shared. It was not about mechanical oddity,

648
00:40:52.840 --> 00:40:57.159
<v Speaker 2>nor even communal trickery or collective myth. The clock's backward

649
00:40:57.199 --> 00:41:00.280
<v Speaker 2>movement was the visible surface of a social contract to

650
00:41:00.320 --> 00:41:03.480
<v Speaker 2>hold past and future as neighboring rooms to let memory

651
00:41:03.519 --> 00:41:07.000
<v Speaker 2>interlace freely with longing and regret, so the pain of missing,

652
00:41:07.239 --> 00:41:12.079
<v Speaker 2>the anxiety of anticipation could be softened, dissipated, perhaps even averted.

653
00:41:12.760 --> 00:41:16.599
<v Speaker 2>The festival, the school lessons, the reversed ledgers, all were

654
00:41:16.639 --> 00:41:20.119
<v Speaker 2>tools for living more lightly in the world. I walked

655
00:41:20.119 --> 00:41:21.840
<v Speaker 2>back to my room with a piece I had not

656
00:41:21.960 --> 00:41:25.280
<v Speaker 2>known in years. For the first time since arrival, I

657
00:41:25.360 --> 00:41:28.199
<v Speaker 2>did not bother to check my phone. I wound the

658
00:41:28.239 --> 00:41:31.679
<v Speaker 2>little clock on my bedside table, and with a deliberate pleasure,

659
00:41:32.000 --> 00:41:35.840
<v Speaker 2>watched the hands slip backward. When I tried to write

660
00:41:35.840 --> 00:41:38.719
<v Speaker 2>in my diary that night, I found myself beginning with

661
00:41:38.760 --> 00:41:42.039
<v Speaker 2>the outcome, working in reverse to explain the steps that

662
00:41:42.119 --> 00:41:45.320
<v Speaker 2>had brought me there. I described the contentment of the

663
00:41:45.360 --> 00:41:49.440
<v Speaker 2>evening before mentioning the encounter with Umarka, and then noted

664
00:41:49.480 --> 00:41:53.400
<v Speaker 2>my breakfast last, as if arranging experience not by sequence,

665
00:41:53.719 --> 00:41:58.079
<v Speaker 2>but by the importance revealed only in reflection. It felt

666
00:41:58.079 --> 00:42:01.039
<v Speaker 2>more natural than I could have imagined only days before.

667
00:42:01.639 --> 00:42:04.599
<v Speaker 2>I realized, with an odd surge of humility, that I

668
00:42:04.639 --> 00:42:10.239
<v Speaker 2>had spent decades valuing order, punctuality, causes before effects, rewarding

669
00:42:10.280 --> 00:42:14.800
<v Speaker 2>students for logical stepwise progress. Yet here the grace was

670
00:42:14.800 --> 00:42:18.519
<v Speaker 2>in assembling the meaning afterward, in shared arrival rather than

671
00:42:18.599 --> 00:42:22.559
<v Speaker 2>private striving. On the day of the festival, the village

672
00:42:22.639 --> 00:42:26.480
<v Speaker 2>gathered in the square, everyone from infants balanced on their

673
00:42:26.480 --> 00:42:29.760
<v Speaker 2>mothers hips to the oldest window watchers pressed together in

674
00:42:29.800 --> 00:42:34.760
<v Speaker 2>a murmuring ring. The tower bells began to toll, low, resonant,

675
00:42:34.960 --> 00:42:39.639
<v Speaker 2>seeming to spiral inward. As night fell, the clockmakers ascended

676
00:42:39.679 --> 00:42:43.239
<v Speaker 2>the tower to begin the reset. This time, masters and

677
00:42:43.280 --> 00:42:46.679
<v Speaker 2>apprentices beckoned me to join. We filed up the narrow,

678
00:42:46.960 --> 00:42:51.239
<v Speaker 2>circular stair, each step oddly liberating, as if climbing down

679
00:42:51.320 --> 00:42:55.400
<v Speaker 2>into dawn. At the summit, caught in shadows and flickering

680
00:42:55.480 --> 00:42:58.559
<v Speaker 2>lantern light, I watched as the mechanism halted in its

681
00:42:58.599 --> 00:43:02.639
<v Speaker 2>reversed sweep. Hands poised together at the mirrored midnight, exactly

682
00:43:02.679 --> 00:43:06.199
<v Speaker 2>as recorded in the ancient ledgers. A hush. Then as

683
00:43:06.199 --> 00:43:09.760
<v Speaker 2>a single apprentice lot solemn as I'd never seen her,

684
00:43:10.119 --> 00:43:12.760
<v Speaker 2>placed her palm to the cool glass, and whispered a

685
00:43:12.760 --> 00:43:16.239
<v Speaker 2>string of numbers backwards, a prayer or a wish sent

686
00:43:16.400 --> 00:43:20.239
<v Speaker 2>spiraling into the old wood an iron in that instant,

687
00:43:20.480 --> 00:43:23.159
<v Speaker 2>as the hands ticked down in synchrony with a hundred

688
00:43:23.159 --> 00:43:26.559
<v Speaker 2>clocks across the village. The air in the tower vibrated

689
00:43:26.599 --> 00:43:29.800
<v Speaker 2>with a presence I could not name a shared heartbeat,

690
00:43:30.079 --> 00:43:33.840
<v Speaker 2>a suspension, as if for one moment everyone agreed on

691
00:43:33.920 --> 00:43:36.440
<v Speaker 2>the shape of what had just ended and thus could

692
00:43:36.519 --> 00:43:41.840
<v Speaker 2>begin again. Down below, villagers cheered, lot turned beaming and

693
00:43:41.960 --> 00:43:44.639
<v Speaker 2>offered me a hand. Now you will always know what

694
00:43:44.719 --> 00:43:48.119
<v Speaker 2>happened before, she said, and I realized she meant both

695
00:43:48.159 --> 00:43:52.719
<v Speaker 2>the hour and the reason we descended together. In the square,

696
00:43:53.079 --> 00:43:56.599
<v Speaker 2>children tossed petals backward over the crowd as the festival

697
00:43:56.679 --> 00:44:00.920
<v Speaker 2>lights shivered in their mirrored lanterns. Strangers and friends greeted

698
00:44:00.920 --> 00:44:04.519
<v Speaker 2>each other with phrases only half comprehensible to an outsider.

699
00:44:04.840 --> 00:44:08.920
<v Speaker 2>Yet somehow I understood their rhythm to the next, before day,

700
00:44:09.239 --> 00:44:13.039
<v Speaker 2>to the last. First, I slipped my own wristwatch from

701
00:44:13.039 --> 00:44:16.199
<v Speaker 2>my sleeve, uncertain for the first time whether to wind

702
00:44:16.239 --> 00:44:19.360
<v Speaker 2>it forward or back. The urge was not to correct,

703
00:44:19.559 --> 00:44:22.199
<v Speaker 2>but to let it rest. The hands would find their

704
00:44:22.239 --> 00:44:26.119
<v Speaker 2>way in time, as would I. Walking among the villagers

705
00:44:26.559 --> 00:44:30.440
<v Speaker 2>shoulder to shoulder in a celebration conceived not as anticipation

706
00:44:30.599 --> 00:44:34.039
<v Speaker 2>of what might come, but as gratitude for all already shared.

707
00:44:34.519 --> 00:44:38.039
<v Speaker 2>I felt something unfasten. I sensed the power in this

708
00:44:38.199 --> 00:44:42.039
<v Speaker 2>common volition, this gentle conspiracy against the tyranny of an

709
00:44:42.079 --> 00:44:46.639
<v Speaker 2>indifferent arrow. As the crowd thinned the square, echoing only

710
00:44:46.679 --> 00:44:49.000
<v Speaker 2>with the last notes of laughter, I turned to the

711
00:44:49.079 --> 00:44:52.559
<v Speaker 2>tower and watched its hands sweep together, backward and forward,

712
00:44:52.840 --> 00:44:56.360
<v Speaker 2>meeting at zero. It occurred to me, with quiet awe

713
00:44:56.559 --> 00:44:58.760
<v Speaker 2>that if this whole village could agree to make time

714
00:44:58.840 --> 00:45:02.719
<v Speaker 2>run backward and it were was lived and remembered and loved,

715
00:45:03.000 --> 00:45:05.599
<v Speaker 2>not just performed, there might be far more in the

716
00:45:05.599 --> 00:45:08.280
<v Speaker 2>world that could be changed by mutual choice than I

717
00:45:08.320 --> 00:45:12.840
<v Speaker 2>had ever let myself imagine. Perhaps I thought, the reality

718
00:45:12.880 --> 00:45:16.079
<v Speaker 2>we share is always a matter of such agreements, a

719
00:45:16.119 --> 00:45:19.840
<v Speaker 2>masterpiece of collective imagination, in which we set the rules

720
00:45:19.840 --> 00:45:24.519
<v Speaker 2>for forgiveness, belonging, memory, and hope. I stepped out into

721
00:45:24.559 --> 00:45:28.039
<v Speaker 2>the snowlit street, uncertain if it was very late or

722
00:45:28.079 --> 00:45:31.480
<v Speaker 2>beautifully early, and found myself smiling at the wonder of

723
00:45:31.559 --> 00:45:33.840
<v Speaker 2>not needing to descide.

724
00:45:35.320 --> 00:45:37.800
<v Speaker 1>And that is the end. Thank you for listening, and

725
00:45:37.840 --> 00:45:48.079
<v Speaker 1>I will see you in the next one.
