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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of Your Truly

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Johnny Dollar. But first I do want to encourage you.

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If you're enjoying the podcast, please follow us using your

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favorite podcast software. And remember, as you're making your travel plans,

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remember Johnny Dollar air dot com. Johnny Dollar air dot

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com is a price line affiliate link, so part of

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your purchase price supports the great Detectives of Old Time

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Radio at no additional cost to you. So remember when

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making your travel plans, check Johnny Dollar Air dot com.

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Speaker 2: First.

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Speaker 1: Well, we are now after that lost episode we've been

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talking about. The original air date on today's episode is

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September seventh, nineteen fifty eight, and the title is the

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Malibu Mystery.

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Speaker 3: Matter from Hollywood. It's time now, Paul.

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Speaker 4: Yeah, Johnny Dollar, Peter Henley and Western Maritime and Property Insurance.

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Speaker 3: Holy look, you always started making calls with Florid Amston

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Henley across the country, mister dollars to find out that

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you're right here in Los Angeles. And that's right. The

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Beverly Hill. Not here in Beverly Hill. I've cleared up

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the case that brought me here, so as soon as

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I have breakfast, if they serve it at this unearthly hour,

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I'll pack up my bags and go back to heart Rid.

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Please don't Oh, what's up?

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Speaker 4: I want to where clans is?

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Speaker 3: A doctor present us with a claim that I think

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you want to investigate as long as you're write here. Yeah,

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what sort of a claim for the loss of his yacht?

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How much of a claim? Between one hundred and fifty

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and two dollars? Wow? You know where Mallebo Beach is? Yeah? Sure,

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up the coast a few miles used to be a

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famous movie colony, that sort of thing. That's the place.

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And if you can find some means of transportation, I'll

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meet you at the Malibou kid on expensive comments to Hanley,

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I can find anything on a claim that could run

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to a quarter of a million, I'm sure you won't

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be Chinsey, mister. I'll see it's amountable.

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Speaker 5: Pier Bob Bailey and the Exciting Adventures of the Man

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with the Action packed expensing out America's fabulous freelance insurance investigator.

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Speaker 3: Yours truly, Johnny Dollar.

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Speaker 5: And now act one of yours, truly, Johnny Dollar.

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Speaker 3: Expense account submitted by Special Investigator Johnny Dollar to the

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Western Maritime and Property Insurance Company, Los Angeles, California. Following

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is an account of expenses incurred during my investigation of

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the Malible mystery matter. Expense account aud of one two

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and a quarter for a fancy breakfast in my room

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at the Beverly Hilton. It had them two fifty dollars

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deposit it on the best looking rental car I could fine.

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I drove out Santa Monica Boulevard at the Coast Highway

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and then north along the edge of the Blue Pacific,

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some twelve or thirteen miles to Malible for a long

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fishing per stuck out into the ocean. Cars were parked

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for half a mile on either side of the pier entrance,

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and I looked as don't half the population of la

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which crowded out on the peer itself thanks to an

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ambulance to pull away from the curb and headed south

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toward town. I found a parking street. Mister dollars, Yeah,

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oh high, Miss Henley, come along out on the pier

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all right, what's all the mobs so early? In the morning.

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Apparently word of an accident like this gets around quickly.

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But kind of an accident, don't you see the Coast

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Guard vessels are the circling around. Yeah? Did this boat

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you were talking about sync out there? That take us,

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mister Dollar one hundred and fifty thousand dollars diesel? Y

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on what happened to her? Apparently it just blew up. Survivors,

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mister miss is Randolph Meryll, and the steward in Beckham

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managed to get him to the launch for you, pretending

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you picked up by the Coast Guard. Well, skipper went

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down with the young at least no tracer. His daughter

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has been founded yet, Captain Rowlands, but few people just

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have to get back off of pit.

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Speaker 6: All.

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Speaker 3: It's Hanley. I wish is Johnny Taller, a special investigator

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for my insurance company. Captain rawlins of the Coast Guard. Dollar.

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I can't if you found anything out there, Captain, not

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a sign of the titus. Mister Hanley. Yeah, it's mighty

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deep water and I'm afraid that, like mister Merrill and

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his wife told us, he just blew herself to Smitheren. Yeah,

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even from here, I can see some wreckage floating in

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and they're all working around the oil slick out there.

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So the grapples ought to be able to find something

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down below, some traces of a hull or machinery or something.

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When did it happen? Oh two two and a half

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hours ago one of our craft got out. I throw

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it from Santa Monica Harbor, not more than forty minutes

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after she went down. How'd you find out about it?

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Bong call from somebody living along the beach. Potato stood

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out there blowing the whistle and fog going woke him up.

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By the time he got out of bed, he said,

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it looked like the regular fireworks display about a half

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mile off shore. Huh you see where they put a mocker. Boy,

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wouldn't the wind and current move? That's slick and whatever

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wreckage There is no wind. That's why there's still some

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fog out there, and they're allowing for drift. Don't worry

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if there's anything left to the data, so those boys

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will find it now. I excuse me, would you please?

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I gotta keep a check on operations. Yeah, sure, captain,

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see you lent out Henley, you say, mister missus marl

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are okay? Yes? If the Coast Guard in Santa Monica

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through with them. They're probably back at the home in Westward.

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I think i'd like to talk to them by all means. Oh,

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I don't exactly see any particular reason for investing. We

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had a company polace you, mister Dollar, on any claim

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over one hundred picks. Yeah, but the claim can't have

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been made yet. I don't worry it will be win

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a minute. One hundred and fifty thousand dollars yacht. But

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you said the claim could go as high as a

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quarter million. Yeah, that's because of missus Merrill's jewelry, which

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you always took with it. I always had lost too.

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I don't know. I haven't yet talked to her. Then

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let's do it. Tell but I haven't been for a

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friend of mine living up on the hill behind the beach,

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who was also awakened and saw the explosion, I wouldn't

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have known about it even more soon. Yeah, come on,

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let's talk to the Marylands. Pete Hanley had his own car,

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so I tailed him to the Meryl home in Westward.

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It wasn't a nice but certainly not a fancy section.

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I'd have thought a man with one hundred and fifty

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thousand dollars. Yacht would live in the study bel Air property.

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The Brentwood Hills was every Palisades one of the sections

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that displayed a little more well. However, mister Merrill pretty

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well explained it, and quite frankly, when I had to

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take such a loss in selling out my lastics business,

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I decided we'd better at Trench a bit.

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Speaker 7: And really, mister Dollar, I don't miss that lovely big

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place we had in bel Air one bit. After all,

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they just the two of us, and we don't do

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a lot of entertaining my coffee.

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Speaker 3: No nos. A matter of fact, Dollar, I was thinking

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of selling potatoes for we know, to be frank about it,

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for purely economic reasons. Oh wouldn't it have been pretty

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high to get your price for a boat like that? Possibly?

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Quite frankly, the maintenance on it alone became quite a

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burden after I lost my business. But no matter. Now

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the insurance will pay for are mister and missus Merrill.

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There is one thing that I must find out. Yes,

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miss Hammy, this is Merrill jewelry. No, thank Evans, No,

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that's safe.

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Speaker 7: Careful dear the glass top on that table.

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Speaker 3: Oh sorry, no, you.

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Speaker 7: See mister Hanley, The jewels were the first thing I

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thought of when the engine on the Tatus started making

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funny sounds and woke me up.

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Speaker 3: Well, I'm glad of that. Here they are.

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Speaker 2: All satan sound the test? Did I keep them in?

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Speaker 7: I'll look at the Missidalla I beat beautiful, yes.

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Speaker 3: Very But now suppose you tell me just what happened

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out there on the yacht. They said they'd been cruising

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peacefully up the coast, all hands on board asleep except

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for the skip at the wheel. Then the engine started

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making strange sounds, shaking the whole yacht. The marrels and

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the crew jumped out of their beds and rushed on deck.

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By then, the captain had discovered something wrong with a

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fuel system, so he ordered them off from the tender

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while he tried to operate the extinguisher system. Then, barely

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minutes after they cleared a side, came a series of explosions,

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and that was the last they saw the Tatus and

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the captain. As for the marrals, they were humbly glad

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they'd been lucky enough to escape. Lucky Suddenly sitting there,

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I'd be toying with the jewels. I discovered something that. Yeah,

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they believed me. This case did need investigation, needed it

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back back two of yours, truly, Johnny Dollar in a moment.

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Speaker 6: And now for another episode in the life of Sergeant

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Donald bell Weather.

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Speaker 2: My husband, Hi, honey, to fix the winds?

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Speaker 3: Your wife rus a sure dead river? How that? Oh

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you fixed him? Good for you, Donald, Thank you right there.

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Well that's that now if the rains were prepared for it, huh?

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I feel better now, Oh, me too.

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Speaker 6: A driver has to see the danger if he expects

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to avoid it, that's right, and also keeps the back

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and side window is clear and rain and snowy weather.

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Speaker 3: That's right.

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Speaker 6: Oh, how about the horn?

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Speaker 3: Lorn?

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Speaker 6: The horn doesn't work, sergeant.

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Speaker 3: Aren't you going to fix it?

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Speaker 6: No?

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Speaker 3: I don't think so, Frankly, Reba, I hate horns. Whenever

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there's a traffic jam, the first thing some guys do

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is bother horn, which does absolutely no good. Of course,

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not all it does is jar everyone's nerves. No, I

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don't think I'll fix the horse.

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Speaker 6: But now wait a minute.

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Speaker 3: Done.

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Speaker 6: Look, Supposing we're driving along and suddenly we see a

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youngster on his bicycle headed right out into the street,

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founding that horn warn't even possibly avoid.

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Speaker 2: A tragic accident, Yes, that's true.

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Speaker 6: Or supposing we're driving on the highway and just as

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we're about to pass a car, that car decides to

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pull out into our lane and pass the car ahead

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of him.

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Speaker 2: He obviously doesn't see us.

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Speaker 6: We won't hear a shout, but one little beef on

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that horn, and he'll automatically scoop back and avoid a collision.

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Speaker 3: Raby, you've convinced me, even though it can be a nuisance,

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the automobile horn is a necessity.

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Speaker 6: Then you're repaired immediately, My Donald, that's my dollar.

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Speaker 5: Now Act two of yours, truly, Johnny Dollar and the

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Malavou mystery matters.

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Speaker 3: Remember when you were a kid and first found out

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about how mercury would play a piece of gold make

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it look like silver, How you went around putting it

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on everything made of gold that you could find. And

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remember when you first learned that the diamond put a

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scratch on glass, How you went around with your mother's

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engagement ring cutting grooves and window panes, glass tabletops and

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so on. Okay, sitting there listening to the Marrals tell

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about the explosion on their yacht, I toyed with some

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of the beautiful jewelry. Missus Merrill had been able to

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save jewelry in short for one hundred thousand dollars. Absent mindedly,

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I dragged the diamond in one of her rings across

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the glass top of the coffee table a couple of times,

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then again with pressure, and it did not cut into

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the glass. I tried a couple of the other so

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called diamonds among her jewels, same results, no result. Those

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highly insured jewels were paced. Oh, mister Dollar, looks like

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we have the whole story now, Yeah, sure looks that way.

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And mister Merrow, whenever you're ready, you just file your

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claim and we'll take care of him, all right, Stanley.

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And quite frankly, well why kid about it? Now that

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I've lost my business, I can well use the money.

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Oh and I'm kind of surprised you haven't sold some

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of these jewels. Dollar. There is a thing called sentiment,

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but even money can't buy.

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Speaker 7: Of course, mister Dollar, before I part with these jewels, yes,

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I'm sure.

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Speaker 3: Shall we go, Hanley? They don't give perfectly sative side

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with a Meryll's account of the wreck? Why go back

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to Malibu? Did I? Say, I was perfectly satisfying, Haleen. Look,

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wouldn't you feel a lot better if that wreck could

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be located, maybe brought up for examination. Yes, but you're

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certainly lucky missus. Merrill saved that fortune and Jeury, what jewelry?

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What are you talking about? You saw it yourself and

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I can it's covered for one hundred thousand dollars that

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jewelry that she showed me. What are you getting out dollard? Look,

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I take it Merrill's business came a cropper. I'm like, yes,

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he simply bit off more than he could chew, you know,

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overestimated his market, overexpanded, matter of fact, than thankful these

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00:14:38,039 --> 00:14:40,039
past couple of years that I didn't prove it's bit

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to invest in it. Merroll is quite a promoter, you know,

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you mean a crook? Why didn't see that? No, here's

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Bella a stake where he used to live, is yeh?

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Her jewelry, that sort of thing. It will all impress

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the people he got the financi venture. A real fast

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guy was somebody else's buck hand, all right, I guess

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you could say that about us. So that's why you

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wanted me to investigate this. So called accident to a shot. No,

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not a torment. I've told what do you mean by

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soap call? Hanley? You say a friend of yours actually

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saw the explosion. That's how I learned of it, almost

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as soon as the Coastguard. But not if you know

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the address. That's where we're going. I told you he

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lives up on a hill over looking Malibu Beach. On

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the first We're going to stop at the Cinamonica Coastguard

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station and pick up a charter or two. Why also,

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if you know a good surveyor, will take him along

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with us? Dog? Yeah, Henny, I've got an idea that

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may save your company a lot of money. At the

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Coastguard station, we picked up a navigation chart and the

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topographical map of the Malibu area. Then we picked up

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a surveyor named Buckley, who dragged along one of those

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tripods surveying instruments. Then onto the house of Hanley's friend

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up at the Malibu Hills, and from him we got

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some information to begin to bear out some of my suspicions. Yeah,

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that's right, that's right. When I heard the yacht's whistle,

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little foghorn, I hopped out of bed and I stood

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right here in this doorway to the port. Huh, leaning

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against it the way you are right now, mister Duncan. Yeah, yeah,

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that's right.

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Speaker 4: Yeah.

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Speaker 3: Because it was so dark, was so foggy out there

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over the ocean. I was about to go back to bed,

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and then boom the boat exploded. Where. Oh, I can

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00:16:18,320 --> 00:16:21,000
tell you exactly where from here that is? What do

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00:16:21,039 --> 00:16:23,960
you mean? Well, the flash the flash had made, it

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00:16:24,000 --> 00:16:29,000
was right square between those two trees. All right, mister Barkley.

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00:16:29,320 --> 00:16:31,559
Instead up your transit and get a line on that. Yep,

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then PLoP the line on this map, right Dollar, Look

283
00:16:35,159 --> 00:16:37,559
you look, can't lee see that? Michael boy with the

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00:16:37,559 --> 00:16:40,120
coast guide boats are looking for the wreck. Well, the

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00:16:40,240 --> 00:16:42,639
line mister Dupkin has given us is nowhere in that

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Well yeah, mister Duncan. Do you suppose any of your

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00:16:45,480 --> 00:16:47,440
neighbors heard the noise and get up for a look.

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I certainly would think so, then we really have something

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00:16:51,360 --> 00:16:54,200
to work on. But Dollar, I still don't understand you will,

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00:16:54,279 --> 00:17:04,079
mister Hanley, you will plenty.

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Speaker 5: BacT free of yours, truly, Johnny Dollar, in.

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00:17:03,759 --> 00:17:07,519
Speaker 3: A moment, Times have changed, and so has the man.

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How often do we hear the phrase ah, those were

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00:17:11,279 --> 00:17:15,400
the good old days. But were they? Let's look at

295
00:17:15,400 --> 00:17:19,000
the record. During the War of eighteen hundred and twelve,

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the man who discharged a missile of destruction had a

297
00:17:22,240 --> 00:17:27,480
pretty simple job. A lighted taper, a fuse, some gunpowder,

298
00:17:27,920 --> 00:17:32,200
a metal ball, then an explosion, and a metal ball

299
00:17:32,359 --> 00:17:36,279
was propelled toward its target located a few hundred yards away.

300
00:17:37,400 --> 00:17:40,319
Now go back in time to the year thirteen hundred

301
00:17:40,359 --> 00:17:44,799
and twenty seven. Again the operation was simple, the taper,

302
00:17:45,240 --> 00:17:49,799
the gunpowder, but this time an enlarged arrow fitted into

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00:17:49,839 --> 00:17:53,559
a block of metal. A man and mail, a smoky

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00:17:53,559 --> 00:17:58,880
explosion and the arrow flies a few hundred feet. Now

305
00:17:59,400 --> 00:18:03,599
come up to the seated before a complicated control panel.

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00:18:03,720 --> 00:18:07,400
Is another man ready to discharge a missile. He, however,

307
00:18:07,920 --> 00:18:10,519
is a far cry from that artillery man of eighteen

308
00:18:10,599 --> 00:18:14,400
twelve or the cannoneer of thirteen twenty seven. This man

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00:18:14,880 --> 00:18:20,519
is a skilled, tutored technician. He knows his job. He

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00:18:20,559 --> 00:18:24,640
pushes a button and a sleek, slim pointed missile blasts

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00:18:24,640 --> 00:18:28,279
its way into the heavens. Its trajectory has been predetermined

312
00:18:28,279 --> 00:18:33,680
by other men with modern day technicological nohow. The missile

313
00:18:33,759 --> 00:18:37,000
lands not a few hundred feet or yards from its

314
00:18:37,039 --> 00:18:41,759
launching site, but three thousand, four thousand, or five thousand

315
00:18:41,880 --> 00:18:47,480
miles away. Quite a difference, isn't it. As times have changed,

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00:18:48,359 --> 00:18:52,799
so has the man, and now act free of yours, truly,

317
00:18:52,960 --> 00:19:00,799
Johnny Dollar and the Malibu mystery matter. Pete Hanley, the

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00:19:00,839 --> 00:19:03,200
insurance man and partly of the surveyor, and I continued

319
00:19:03,200 --> 00:19:05,680
our interviews of people living along Malible Beach. You'd seen

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00:19:05,720 --> 00:19:07,480
the unexplored, yes, sir.

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00:19:07,559 --> 00:19:09,960
Speaker 7: I just rode right up in bed and I could

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see straight out my front.

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00:19:11,599 --> 00:19:14,799
Speaker 3: Window, and you saw the actual explosion, Missus Green. I

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00:19:15,039 --> 00:19:20,319
certainly did rap right out through there. Good, thank you. Okay,

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00:19:20,359 --> 00:19:22,160
mister Brackley, get a beat on it with your surveying

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00:19:22,200 --> 00:19:28,960
instrument and plot it on the map. Right, that's right, Yes,

327
00:19:29,200 --> 00:19:31,279
see the flash right the other side of that big

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00:19:31,359 --> 00:19:33,559
uliander butt up there in the yard. And you were

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00:19:33,599 --> 00:19:37,559
standing right here, mister Pump exactly, Yes, sir, Why like

330
00:19:37,680 --> 00:19:40,319
lit up the whole scar, Okay, mister Barkley, right, why

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even through the fog.

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00:19:41,400 --> 00:19:46,079
Speaker 2: I could see it just friend day, I'll say I did.

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00:19:46,160 --> 00:19:46,640
Speaker 3: Gee.

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00:19:46,920 --> 00:19:48,519
Speaker 2: You see, he was having a little party and I

335
00:19:48,720 --> 00:19:49,839
just got in the kitchen to make.

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Speaker 6: Some scrambled bay.

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00:19:50,640 --> 00:19:52,839
Speaker 2: Yes, well not just where it have to be an

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up all night and having some drinks.

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00:19:54,319 --> 00:19:55,480
Speaker 3: Well, where were you standing?

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Speaker 2: Whistle started and the fog one.

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00:19:57,319 --> 00:20:01,599
Speaker 6: We came out here right where you're standing on gluey gee,

342
00:20:01,720 --> 00:20:02,400
Me and my friend.

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00:20:02,440 --> 00:20:04,720
Speaker 2: We thought it was the fourth of July all over again.

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00:20:06,079 --> 00:20:16,599
Speaker 3: Yes, sir, so, according to our survey Captain Rawlins, your

345
00:20:16,640 --> 00:20:19,160
boats have been looking in the wrong area for that wreck. Yeah,

346
00:20:19,240 --> 00:20:21,960
misster Dollar. According to this chart that surveyor made, the

347
00:20:22,039 --> 00:20:25,519
tatoes went down right on top of calico rocks. That's

348
00:20:25,519 --> 00:20:27,920
a formation only about thirty feet below the surface. That

349
00:20:28,039 --> 00:20:30,160
means that our divers will have no trouble at all

350
00:20:30,240 --> 00:20:32,079
finding the racks and then go to it. Captain, we'll

351
00:20:32,119 --> 00:20:33,920
be at the Beverly Hilton. Let me know what you find.

352
00:20:33,960 --> 00:20:40,319
We'll do, mister Dollar, wright them three five twenty five

353
00:20:40,359 --> 00:20:42,200
for some lunch. Then we went up to my roman

354
00:20:42,200 --> 00:20:45,839
and a waited. Finally, a couple of hours later came

355
00:20:45,880 --> 00:20:47,000
the call from Captain Rowlands.

356
00:20:47,400 --> 00:20:49,839
Speaker 4: Almost Dollar, our divers didn't find a sign of her,

357
00:20:49,920 --> 00:20:51,640
not a sign of the tatus or any part of her.

358
00:20:51,680 --> 00:20:55,839
But yes, Captain, we did find a lot of Well,

359
00:20:55,920 --> 00:20:58,160
we looked like heavy cans when it burst over, like

360
00:20:58,640 --> 00:21:01,839
maybe they'd contained some kind of explosive exactly like that, and.

361
00:21:01,880 --> 00:21:04,400
Speaker 3: Some heavy logs and tight chain west into the rucks

362
00:21:04,559 --> 00:21:07,200
like an explosion of driven them in a raft, maybe

363
00:21:07,200 --> 00:21:09,279
a load of with dynamite or something to make the explosion.

364
00:21:09,319 --> 00:21:12,240
Everybody saw exactly. But what I don't understand is the

365
00:21:12,279 --> 00:21:15,240
oil slick we've found, the wreckage floating around. Captain. I

366
00:21:15,279 --> 00:21:18,839
think that oil slick and the flat somewhere planted out there. Look,

367
00:21:19,039 --> 00:21:21,400
check every port of the Mexican coast, large or small

368
00:21:21,400 --> 00:21:23,839
for the tatus. I'll talk to you lady. Come on, Hemmy,

369
00:21:24,240 --> 00:21:31,039
we're going out to see the Merrows. On the way

370
00:21:31,079 --> 00:21:33,720
out to Westwood, I wanted, I was satisfied. I was

371
00:21:33,799 --> 00:21:36,319
sure I knew just how Merrill had pulled his little

372
00:21:36,319 --> 00:21:40,799
fraud little what's little about a few hundred thousand bucks,

373
00:21:40,839 --> 00:21:42,480
But I needed more than that for the sake of

374
00:21:42,519 --> 00:21:44,920
the insurance company who would have to prosecute it. So

375
00:21:45,000 --> 00:21:47,000
when we got there, I decided to try a bluff.

376
00:21:47,240 --> 00:21:50,079
I'm in, mister dollars, it's the Henley. I didn't expect

377
00:21:50,079 --> 00:21:51,160
to see you back here at.

378
00:21:51,079 --> 00:21:53,480
Speaker 2: The phone yes, won't you gentlemen sit down?

379
00:21:53,920 --> 00:21:57,920
Speaker 3: Merrol, I think you ought to know. The coast guard

380
00:21:58,000 --> 00:22:03,319
finally found something out there, off. Oh yeah, the remains

381
00:22:03,359 --> 00:22:08,160
of your skipper on the Tatus. What that's impossible, Nancy,

382
00:22:08,680 --> 00:22:13,880
also evidence that he'd been murdered, murdered, probably by you, Meryl.

383
00:22:14,480 --> 00:22:15,880
Speaker 2: No, he's still alive.

384
00:22:16,000 --> 00:22:19,839
Speaker 3: What fancy can you prove it? Yes? Would you rather

385
00:22:19,920 --> 00:22:21,519
have your husband charge with his murder?

386
00:22:21,799 --> 00:22:21,960
Speaker 6: No?

387
00:22:23,319 --> 00:22:25,359
Speaker 2: He in Mexico with a.

388
00:22:25,400 --> 00:22:28,480
Speaker 3: Yacht, Nancy fire, That's what I figured, at some remote

389
00:22:28,480 --> 00:22:30,480
little port on the coast of Mexico, he and the

390
00:22:30,519 --> 00:22:34,839
Tatus Dollar where the yacht can be completely gone over disguise. Meanwhile,

391
00:22:34,880 --> 00:22:36,960
of course, you thought you'd collect the insurance on air

392
00:22:37,000 --> 00:22:39,359
because of the completely phony wreck you almost got away

393
00:22:39,359 --> 00:22:42,880
with thanks to the fog and the doctor Nancy fool,

394
00:22:42,960 --> 00:22:49,440
I could all right, how did you find out dollar?

395
00:22:50,000 --> 00:22:52,720
Your wife's phony jewels? Tip me off that you are

396
00:22:52,759 --> 00:22:56,839
not exactly paragons of virtue. Name of the paste, Hanley

397
00:22:56,839 --> 00:22:58,839
and nothing else. And I'll lay odds they'll sell the

398
00:22:58,880 --> 00:23:01,640
originals that they point and they carefully lose the fakes.

399
00:23:01,880 --> 00:23:03,559
Why didn't they claim to lose them in the wreck?

400
00:23:03,599 --> 00:23:06,319
All that would have been overplaying their hand. Apparently having

401
00:23:06,359 --> 00:23:08,720
saved those jewels made the wreck with all them are legitimate.

402
00:23:09,200 --> 00:23:11,559
But the really clever stunt was dumping oil on the

403
00:23:11,599 --> 00:23:13,559
water and some odd bits of wreckage. You are away from

404
00:23:13,599 --> 00:23:16,160
the spot where they blew off the raft. Yeah, it

405
00:23:16,319 --> 00:23:18,279
almost kept the Coast Guide from finding the cans of

406
00:23:18,359 --> 00:23:22,039
explosives they've used for the little fireworks display. But Meryl,

407
00:23:22,680 --> 00:23:26,440
the only thing around here that's been sunk is you Dollar.

408
00:23:27,039 --> 00:23:30,680
I'll fight you and this this insurance company with every

409
00:23:30,799 --> 00:23:33,000
legal trick in the book. You know something, mister maryl

410
00:23:33,799 --> 00:23:41,799
I don't think you'll get the first base. Yeah, when

411
00:23:41,839 --> 00:23:43,880
a krook tries to pull a fast one on an

412
00:23:43,880 --> 00:23:46,759
honest insurance company. But you'll see what I mean when

413
00:23:46,759 --> 00:23:49,920
the courts get through with Maryland his wife. Expense acount

414
00:23:49,920 --> 00:23:51,839
total including mileage on the Reddle carn A couple of

415
00:23:51,839 --> 00:23:55,720
extra days to Beverly Hilton, one hundred and fifty Yours, Truly,

416
00:23:56,319 --> 00:23:57,279
Johnny Dallas.

417
00:24:14,920 --> 00:24:18,359
Speaker 5: Yours Truly, Johnny Dollar is starring Bob Bailey, written Nathan

418
00:24:18,440 --> 00:24:22,160
Hollywood and has written, produced and directed by Jack Johnstone.

419
00:24:22,759 --> 00:24:26,359
Heard in our cast were Paula Winslow, Eleanor Ortley, Gene Tatum,

420
00:24:26,480 --> 00:24:30,559
Ben Wright, Harry Bartel will write Laurence Dobkin and Barney

421
00:24:30,559 --> 00:24:33,519
Phillips be shure to join us next week, same time

422
00:24:33,640 --> 00:24:37,920
and station, or another exciting story of yours truly, Johnny Dollar.

423
00:24:38,279 --> 00:25:23,960
Speaker 3: This is Roy Rowan speaking your Trulie. Johnny Dollar has

424
00:25:24,000 --> 00:25:27,119
been a presentation of the United States Armed Forces Radio

425
00:25:27,240 --> 00:25:28,440
and Television Service.

426
00:25:33,279 --> 00:25:36,920
Speaker 1: Welcome Back. A good case where Johnny finds the right

427
00:25:37,000 --> 00:25:41,559
person to save the insurance company money, despite the agent

428
00:25:41,640 --> 00:25:45,079
doing the typical thing of trying to tell Johnny there's

429
00:25:45,119 --> 00:25:48,440
no case. And I just do continue to be puzzled

430
00:25:48,559 --> 00:25:52,799
why you would call in this very expensive, top flight

431
00:25:53,000 --> 00:25:55,759
investigator who will charge you a lot of money if

432
00:25:55,799 --> 00:26:00,799
you're not going to trust his judgment. Now, this episode

433
00:26:00,960 --> 00:26:03,680
has an interesting feature and it might be evidence of

434
00:26:03,720 --> 00:26:08,480
the challenges that Johnstone faced in trying to establish continuity.

435
00:26:09,119 --> 00:26:12,319
At the start of the episode, It's mentions that Johnny's

436
00:26:12,400 --> 00:26:15,880
last case was in California and so it was just

437
00:26:16,039 --> 00:26:20,279
hanging around the problem with that is that John Abbott,

438
00:26:20,279 --> 00:26:24,720
who wrote the Who Is Johnny Dollar matter, actually tracked

439
00:26:24,720 --> 00:26:29,319
down the script that aired during that week, and the

440
00:26:29,400 --> 00:26:33,519
episode the Limping liability matter involved Johnny going to New

441
00:26:33,640 --> 00:26:37,960
York in a case involving Smoky. Now, I won't go

442
00:26:38,079 --> 00:26:41,680
into all the plot, but I will say reading Abbott's synopsis,

443
00:26:41,759 --> 00:26:43,839
it sounds like a really good story. In fact, it

444
00:26:43,960 --> 00:26:47,640
might be the best Smoky story that there was, So

445
00:26:47,680 --> 00:26:49,960
it's a shame that it's missing. But at any rate,

446
00:26:50,640 --> 00:26:53,799
that story had Johnny in New York this episode, and

447
00:26:53,839 --> 00:26:57,200
the next star in California. And then we have an

448
00:26:57,200 --> 00:27:01,559
episode that aired on September twenty first, Johnson Payil Matter,

449
00:27:01,920 --> 00:27:05,079
where Pat McCracken calls Johnny and tells him he's been

450
00:27:05,119 --> 00:27:07,920
working too hard and that Johnny needs to take a

451
00:27:08,359 --> 00:27:13,519
vacation to southern California, which makes little sense given that

452
00:27:13,559 --> 00:27:17,359
the last two cases have been in California. It seems

453
00:27:17,640 --> 00:27:21,279
likely to me that the Johnson Payil Matter was either

454
00:27:21,599 --> 00:27:25,839
the episode that would have originally aired on August thirty

455
00:27:25,880 --> 00:27:30,000
first or September seventh, but the order got switched. Now,

456
00:27:30,079 --> 00:27:32,880
I tend to imagine this sort of thing happening if

457
00:27:32,880 --> 00:27:36,559
there's a conflict between the writer and the director, with

458
00:27:36,759 --> 00:27:39,720
there being a deadline to have the script in and

459
00:27:39,880 --> 00:27:41,920
the writer not being able to make it, and the

460
00:27:42,000 --> 00:27:46,160
director having to reach out to another writer. In this case,

461
00:27:46,279 --> 00:27:49,400
Johnstone is the director and he's the one who wrote

462
00:27:49,440 --> 00:27:54,119
all the scripts. So let's go ahead and disregard that theory.

463
00:27:54,119 --> 00:27:58,799
For this particular episode. It may have been a case

464
00:27:58,839 --> 00:28:02,160
of something with the network. Also may have been about

465
00:28:02,480 --> 00:28:06,160
actor availability. But at any rate, it's time now for

466
00:28:06,319 --> 00:28:11,160
listener comments and feedback. And we have a couple comments

467
00:28:11,680 --> 00:28:18,720
regarding the Glacier Ghost matter over on Instagram Brains Benton Rights,

468
00:28:19,039 --> 00:28:22,359
how fond to hear this lost episode? Hope Johnny got

469
00:28:22,400 --> 00:28:26,640
a messive trout on Facebook. Emmett Rights, what a great

470
00:28:26,759 --> 00:28:30,640
Christmas present, Thank you, Adam. And then I've got an email.

471
00:28:31,359 --> 00:28:34,000
Time to get out your crystal ball. You said there

472
00:28:34,000 --> 00:28:38,200
were three recently discovered Johnny Dollar episodes. It may be

473
00:28:38,359 --> 00:28:41,039
wonder do you think if AI were to get the

474
00:28:41,160 --> 00:28:45,519
Johnny Dollar scripts, voices, tone, and all that makes up

475
00:28:46,160 --> 00:28:49,480
Johnny Dollar, that it would be able to recreate all

476
00:28:49,559 --> 00:28:53,920
the lost episodes. Well that's a tough question, certainly, not

477
00:28:54,160 --> 00:28:58,960
with the technology that's available today. In addition, there are

478
00:28:59,400 --> 00:29:04,680
some episodisodes even during the Hollywood era of Johnny Dowler

479
00:29:04,880 --> 00:29:08,319
for which there are no scripts available, and all of

480
00:29:08,359 --> 00:29:12,759
the New York scripts are missing, so unless those were

481
00:29:12,799 --> 00:29:18,119
somehow recovered, it couldn't recreate all the lost episodes. And

482
00:29:18,160 --> 00:29:22,279
then even with those that are in existence, there are

483
00:29:22,640 --> 00:29:27,119
legal challenges because those are held by the Paiey Center

484
00:29:27,200 --> 00:29:32,160
at UCLA after having been relocated from the Thousand Oaks Library,

485
00:29:32,440 --> 00:29:37,000
and are subject to copyright in a different way than

486
00:29:37,200 --> 00:29:42,039
our scrips, and so there would be some legal wrangling

487
00:29:42,160 --> 00:29:46,119
about that, and the Pailey Center wouldn't release anything until

488
00:29:46,160 --> 00:29:50,119
they were sure that it was legally allowed for them

489
00:29:50,160 --> 00:29:55,000
to do so. Now, if AI advances a bet and

490
00:29:55,240 --> 00:30:01,000
all those legal hurdles were cleared, could you recreate lost

491
00:30:01,119 --> 00:30:06,039
Golden age of radio scraps? I suppose. Now you may

492
00:30:06,119 --> 00:30:09,000
be detecting that I'm not the greatest fan of this,

493
00:30:09,279 --> 00:30:12,680
and let me be clear that I'm not some anti

494
00:30:13,079 --> 00:30:18,559
AI person. It has its uses. There are some things

495
00:30:18,599 --> 00:30:25,279
that philosophically, though, I feel, really are human endeavors in pursuits,

496
00:30:25,480 --> 00:30:29,079
and acting tends to be one of those things. Yeah.

497
00:30:29,119 --> 00:30:33,599
I know there's all the rage about AI actors and whatever.

498
00:30:34,240 --> 00:30:37,559
Modern Hollywood can do what it would like, but I

499
00:30:37,599 --> 00:30:40,720
think the strength of the way the Golden Age of

500
00:30:40,839 --> 00:30:46,119
radio worked is in human interaction and human connection, there's

501
00:30:46,200 --> 00:30:50,359
an individual element to it. It's first of all in

502
00:30:50,599 --> 00:30:56,599
the performer and the choices that they make with their performance,

503
00:30:56,880 --> 00:30:59,519
and there are all sorts of choices. On a very

504
00:30:59,599 --> 00:31:04,240
basic level, you might start by choosing what type of

505
00:31:04,880 --> 00:31:08,799
voice you're going to do. There were several performers during

506
00:31:08,839 --> 00:31:11,480
the Golden Age of Radio that had several places they

507
00:31:11,480 --> 00:31:16,079
could go beyond just older, young, or basic stuff like that,

508
00:31:16,519 --> 00:31:19,480
and the words you might emphasize, and the way you

509
00:31:19,640 --> 00:31:25,000
might deliver a line, and in many programs, it's also

510
00:31:25,240 --> 00:31:29,559
a matter of the way the actors relate to each other.

511
00:31:30,400 --> 00:31:32,839
And one thing about the Golden Age of Radio that

512
00:31:33,000 --> 00:31:37,519
is special is just how much so many of these

513
00:31:37,680 --> 00:31:42,079
actors worked with each other. And when you think about

514
00:31:42,160 --> 00:31:47,759
the Hollywood and New York radio communities, they were relatively

515
00:31:48,279 --> 00:31:52,119
small groups of people, with so many folks who did

516
00:31:52,279 --> 00:31:58,599
thousands and thousands of performances together. And it's something that

517
00:31:58,799 --> 00:32:03,279
on that scale we have never seen before, I think,

518
00:32:03,279 --> 00:32:07,720
in history, and we will never see again where you

519
00:32:08,039 --> 00:32:14,160
had this very elite group of maybe fifty to one

520
00:32:14,240 --> 00:32:20,480
hundred actors on each coast that worked together on so

521
00:32:20,640 --> 00:32:26,960
many different programs We're talking thousands and thousands of performances

522
00:32:27,079 --> 00:32:30,519
by so many actors. If we were able to get

523
00:32:30,680 --> 00:32:35,319
accurate totals as opposed to just what survived. Think about

524
00:32:35,559 --> 00:32:40,319
how many programs people like Howard mcneer did or Virginia

525
00:32:40,519 --> 00:32:45,960
greg and there is this really unique human element of

526
00:32:46,519 --> 00:32:51,599
actors playing off of each other and a performance chemistry

527
00:32:51,799 --> 00:32:56,720
between actors, which is such a big part of what

528
00:32:57,079 --> 00:33:01,799
made the Golden age of radio magical. Well, someday, could

529
00:33:01,839 --> 00:33:06,759
you create a machine that could imitate the voice of

530
00:33:06,880 --> 00:33:11,359
Bob Bailey and Virginia Grag and program that machine to

531
00:33:11,599 --> 00:33:18,359
make choices based on whatever machine logic that it might say? Sure,

532
00:33:18,680 --> 00:33:23,519
are you going to produce something that will seamlessly replicate

533
00:33:23,680 --> 00:33:28,440
the experience of listening to the lost episodes? I don't

534
00:33:28,480 --> 00:33:31,799
really think so. I think what you would find if

535
00:33:31,839 --> 00:33:37,119
you were to create something like that from scratch, it

536
00:33:37,160 --> 00:33:41,200
would have kind of an uncanny Valley feel if you

537
00:33:42,000 --> 00:33:49,960
heard the original radio programs for the existing episodes. And

538
00:33:50,000 --> 00:33:53,279
I think a lot of people be like it, you know,

539
00:33:53,759 --> 00:33:58,160
just not quite able to lay their finger on the

540
00:33:58,240 --> 00:34:03,119
exact thing that's missing. But I suspect the human elements,

541
00:34:03,200 --> 00:34:07,519
So I mean, so my answer is, yeah, it could happen,

542
00:34:08,000 --> 00:34:09,840
but it's not going to happen in a way that

543
00:34:09,960 --> 00:34:13,760
be satisfactory for me. I think a far more interesting

544
00:34:13,920 --> 00:34:19,280
use of AI, and that I'm more optimistic and positive about,

545
00:34:19,760 --> 00:34:24,480
is using it for audio editing and clearing up some

546
00:34:24,599 --> 00:34:29,719
of the really junkie sounding episodes out there. S Burdvack,

547
00:34:29,880 --> 00:34:34,920
the Society to Preserve and Encourage Radio Drama, Variety and Comedy,

548
00:34:35,199 --> 00:34:38,599
has done some incredible work in this past year to

549
00:34:38,719 --> 00:34:43,039
begin to leverage AI tools to clean up the more

550
00:34:43,119 --> 00:34:47,280
muffled recordings out there, and again, I think that's where

551
00:34:47,320 --> 00:34:51,159
it makes sense to invest the time, energy and resources.

552
00:34:51,239 --> 00:34:54,480
I feel like, maybe it's just me, but I feel

553
00:34:54,519 --> 00:34:59,280
like any efforts along those lines are going to be

554
00:34:59,440 --> 00:35:02,039
a lot of work. It's going to be a long

555
00:35:02,159 --> 00:35:05,960
time coming, and it is probably not going to be

556
00:35:06,000 --> 00:35:09,400
a satisfying result. So that's my take, but I do

557
00:35:09,480 --> 00:35:12,480
appreciate the question. And then we have a comment from

558
00:35:12,719 --> 00:35:18,400
doctor who done it regarding the Donald Bellow Weather sketches.

559
00:35:18,599 --> 00:35:22,679
Donald and Reba need to have some kids. Every time

560
00:35:22,760 --> 00:35:27,440
they are talking, it's always about auto accidents. Well, the

561
00:35:27,440 --> 00:35:31,039
thing is that with those two that if they had

562
00:35:31,199 --> 00:35:37,280
kids the primary motivation would be to have an entire

563
00:35:37,440 --> 00:35:40,320
slew of new safety as you used to talk about,

564
00:35:41,159 --> 00:35:45,199
although maybe that might not be as big a preoccupation

565
00:35:45,559 --> 00:35:49,440
in the late fifties or whenever those particular ads were

566
00:35:49,639 --> 00:35:54,119
aired as it would be today. All right, well, now

567
00:35:54,199 --> 00:35:58,199
it is time to think our Patreon supporter of the day,

568
00:35:58,400 --> 00:36:00,679
and I want to go ahead and think Jack patreonon

569
00:36:00,760 --> 00:36:05,400
supporter since November twenty nineteen, currently supporting the podcast at

570
00:36:05,440 --> 00:36:08,280
the Detective Sergeant level of seven dollars and fourteen cents

571
00:36:08,360 --> 00:36:11,159
or more per month. Thanks so much for your support, Jack,

572
00:36:11,440 --> 00:36:13,840
and that will do it for today, and that will

573
00:36:13,880 --> 00:36:17,320
do it for this year in terms of new episodes,

574
00:36:17,800 --> 00:36:21,960
at least on this Great Detectives of Old Time Radio feed.

575
00:36:22,199 --> 00:36:25,519
We will have a New Year's Eve episode of the

576
00:36:25,519 --> 00:36:29,840
Amazing World of Radio at Amazing dot Great Detectives dot net,

577
00:36:30,079 --> 00:36:32,599
and we will have new episodes of the Old Time

578
00:36:32,719 --> 00:36:36,679
Radio snack Wagon till January fifth, and so we will

579
00:36:36,679 --> 00:36:43,000
be bringing you encores through Saturday, January tenth. Then on Sunday,

580
00:36:43,199 --> 00:36:49,519
January eleventh, we'll present the premiere of our Tarzan series

581
00:36:49,599 --> 00:36:53,639
on the Great Adventurers of Old Time Radio and return

582
00:36:53,840 --> 00:36:57,960
on January twelfth, to your typical great Detectives of Old

583
00:36:58,000 --> 00:37:01,480
Time radio lineup. I want to go ahead and thank

584
00:37:01,639 --> 00:37:05,960
everyone so much for listening during a very challenging year

585
00:37:06,039 --> 00:37:10,280
we've had in twenty twenty five. Appreciate all of your support,

586
00:37:10,639 --> 00:37:13,159
and I wanted to just close by wishing you all

587
00:37:13,239 --> 00:37:17,480
a safe and happy and last New year. But for

588
00:37:17,559 --> 00:37:21,800
now from Boise, Idaho, this is your host, Adam Graham

589
00:37:22,480 --> 00:37:23,320
signing off.

