Speaker 1: The last real broadcasting company presents Radio City Playhouse Attraction
Speaker 1: twenty one. Ladies and gentlemen, here's the author of tonight's
Speaker 1: play and the director of Radio City Playhouse, Harry W.
Speaker 2: Duncan thank you, Bob Warren.
Speaker 3: Good evening everybody. Although this is not by any means
Speaker 3: her first appearance on our show, we are very happy,
Speaker 3: indeed to welcome miss jan Minor back to Radio City Plans.
Speaker 3: It was this talented young actress who opened our series
Speaker 3: last July third with a sensational performance in a play
Speaker 3: called Long Distance. So stirring was the impression created by
Speaker 3: Miss Minor in this play that we repeated it some
Speaker 3: weeks later. It is then, with justifiable pride that we
Speaker 3: welcome her back tonight, in response to many, many requests
Speaker 3: from all across the country. She plays the part of
Speaker 3: Janet Wood, a role seldom equalled for the depth and
Speaker 3: intensity of emotion which it required.
Speaker 4: Here is Jan Miner in.
Speaker 3: Strange Identity Attraction twenty one on Radio City Playhouse.
Speaker 5: Somehow I got out of that room. I don't know
Speaker 5: how that I did. I got down the stairs and
Speaker 5: across the street and stumbled into the same dull, dirty
Speaker 5: little Hamburger joint down in one of the bulls. That's
Speaker 5: where I am now numb. I'm incapable of any thoughts.
Speaker 5: My mind refuses to function in the face of anything
Speaker 5: so fantastic, so incredibly evil. I've just seen something that
Speaker 5: no man or woman has ever seen before, and I'm stunned.
Speaker 5: I'm stunned and horrified. I'm so frightened that when the
Speaker 5: waitress brings my coffee, I'm not going to be able
Speaker 5: to speak to her. She's coming now. She thinks something's
Speaker 5: wrong with me because of yesterday has ten cents lady.
Speaker 6: Thanks, Hey, weren't you in here yesterday afternoon?
Speaker 5: Say, honey, you are right listen to this. Do you
Speaker 5: gonna please go away? I'm not going to faint. I
Speaker 5: I've got to decide what to do.
Speaker 6: Yeah, well, don't do it in here, honey.
Speaker 5: It began four weeks ago. I was riding in a
Speaker 5: taxi going north on Fifth Avenue at seventy second Street.
Speaker 5: We stopped for a red light, pulling up alongside of
Speaker 5: a Fifth Avenue bus. We waited for a few seconds,
Speaker 5: and just as the light changed to green, I happened
Speaker 5: to look up. He was sitting on the bus. We
Speaker 5: were so close we could have reached out and touched
Speaker 5: each other. I looked right into his face, right square,
Speaker 5: smack into his face. There's no possibility that I made
Speaker 5: a mistake. I was married to him for five years,
Speaker 5: and I looked directly into his face for at least
Speaker 5: five seconds. That's a long time. It's one, two, three,
Speaker 5: four five that long. I looked right at him for
Speaker 5: that long, and I slid down the level seat onto
Speaker 5: the floor of the cab and fainted. The driver was
Speaker 5: very kind, kind, nice looking boy with a gentle voice.
Speaker 5: He brought me home. He helped me upstairs to the apartment.
Speaker 5: Then he went next door and got Grace Henderson to
Speaker 5: come in and stay with me for a little while.
Speaker 5: Grace was an old friend. I say it was because
Speaker 5: now she thinks I'm not quite all there, and it's
Speaker 5: hard for friendship to stand up against that sort of thing.
Speaker 5: She got me undressed, prought me up on the couch,
Speaker 5: and poured me a stiff shot of brandy. Grace believes
Speaker 5: that brandy don't cure anything.
Speaker 7: Drink that Janet you'll feel better. Brandy cure is anything. Thanks, Grace,
Speaker 7: scare the living daylights out of me painting and taxis.
Speaker 5: What's the matter with you? Anyway? Grace? Hand me Clinton's
Speaker 5: picture party, good picture on the table there, Hand it
Speaker 5: to me. Why sure, honey, sure there? Thanks? You never
Speaker 5: knew him, did you? Nope? I wish you had. Well,
Speaker 5: that's war. Yes, it's funny that you know me so
Speaker 5: well and yet that you've never known Clint.
Speaker 7: I don't want to be brutal, Janet, but there's no
Speaker 7: use brooding over Clint.
Speaker 5: He's been dead for five years and it's over.
Speaker 7: And that's that he's not dead, I know, honey, and
Speaker 7: it's fine to think of him that way.
Speaker 5: I saw him in a Fifth Avenue bus this afternoon.
Speaker 5: That's why I fainted, Janet. I took a cab home
Speaker 5: from shopping. We came to seventy second Street and stopped,
Speaker 5: and we pulled up alongside a bus. I looked up
Speaker 5: and saw him in the bus. He wasn't more than
Speaker 5: three feet away from me. I looked right into his face,
Speaker 5: and then I fainted. Janet's baby, you mustn't talk that way.
Speaker 5: I know it's been tough getting over Clint. I know
Speaker 5: you were.
Speaker 7: Pretty gone on the guy, but Honey, this isn't healthy.
Speaker 7: He's been dead for five years, and you've just got
Speaker 7: to face it. You've got to stop brooding. Um, he
Speaker 7: will start seeing him out of every street corner. That's
Speaker 7: the way people start going nuts.
Speaker 5: You've dice the top that you're behaving like a right
Speaker 5: into his face, Janet stopped. I did. I saw him.
Speaker 5: I looked at him for at least five seconds. I'm
Speaker 5: going to call it. I can call all the doctors
Speaker 5: you like. I saw him. I was as calm and
Speaker 5: cool as could be. I wasn't even thinking about him.
Speaker 5: I'd been shopping and had my hair done that I
Speaker 5: looked up the bus and there he was. You can
Speaker 5: call all the doctors in New York, but there's nothing
Speaker 5: neurotic or double vision or queer about this, Janet.
Speaker 7: Baby, it's so easy to be fooled in things like this.
Speaker 7: You saw somebody that looked like Clinton, and just the
Speaker 7: way the lights fell or something of the shape of
Speaker 7: his head. I mean, it's so big alive. Janet's a
Speaker 7: war department. Never makes mistakes like that. Never they sent
Speaker 7: you his belongings, his letters. He made a mistake, baby,
Speaker 7: and it's upset you.
Speaker 5: He was the strongest man I ever knew he was
Speaker 5: so big. He taught me so much. He took me
Speaker 5: up into the mountains, and in two weeks I was
Speaker 5: skiing like an expert. He taught me to shoot, to ride.
Speaker 5: When he was with me, I could do anything, Janet.
Speaker 5: I began to get part of his mind inside mine.
Speaker 5: He took up painting one time. In four months later
Speaker 5: he gave a one man exhibition. More than half the
Speaker 5: pictures were sold. That's what he's like, Janet. Please. He
Speaker 5: used to say that only geniuses were normal, that the
Speaker 5: rest of us were subnormal. He didn't think that he
Speaker 5: was unusual. He just thought that he utilized all of
Speaker 5: his ability. He he had the most beautiful body I
Speaker 5: ever saw On the beach. Women and even men would
Speaker 5: look at him with all his strength and brilliancy. He
Speaker 5: was so tender, honey, so tender. I could pick out
Speaker 5: his hand from every hand in the world. I know
Speaker 5: it wasn't any optical illusion, grace or mistake. He's alive
Speaker 5: and I saw him. I don't know what to say.
Speaker 5: After five years, is what are you going to do?
Speaker 5: I don't know. You could check with the War Department.
Speaker 5: They wouldn't believe me. No, no, they wouldn't. You don't
Speaker 5: believe me, do you? Hi? Yes, honey, But it's just
Speaker 5: that there's no possible way of explaining it. Do you
Speaker 5: know anything about private detectives? How do you find one?
Speaker 5: Why don't you call what's his name? Your lawyer? Grange?
Speaker 7: And you'd better get some rest or you'll break up.
Speaker 7: You look terrible. I called to it Grange, my lawyer.
Speaker 5: He recommended a man named Powell, a private detective company.
Speaker 5: I made an appointment with mister Powell for the next afternoon,
Speaker 5: and then I tried to get some sleep, but I couldn't.
Speaker 5: Over and over and over, I asked myself, why, why, why? Why?
Speaker 5: Why would he be alive and in New York and
Speaker 5: not get in touch with me? Why? There was no answer,
Speaker 5: no reason. Why would he be alive and let me
Speaker 5: go on thinking he was dead? That's the first question
Speaker 5: mister Powell would ask me.
Speaker 8: Why would he be alive and let you go on
Speaker 8: thinking he was dead?
Speaker 5: Why?
Speaker 2: What reason could there be?
Speaker 5: I don't know, all right?
Speaker 2: Could he be ill? I don't know, I mean mentally ill?
Speaker 5: Perhaps, I don't know.
Speaker 2: Have you checked with the War Department?
Speaker 7: No.
Speaker 5: Five years ago they sent me his belongings and some letters.
Speaker 5: He's buried in the military cemetery in Pyrol. That's what
Speaker 5: they said. If I went to see them, they well,
Speaker 5: you know how far I did.
Speaker 2: Have you collected his insurance?
Speaker 5: Yes, in a lump sum. I also have a war pension.
Speaker 2: What would he be using for money?
Speaker 5: I don't know.
Speaker 8: Did he leave you reasonably well fixed? I mean, would
Speaker 8: the money be of no inter to him? Or how
Speaker 8: you understand I'm.
Speaker 5: Not trying to He let me thirty five thousand insurance,
Speaker 5: about five thousand cash and the pension.
Speaker 2: It's a very baffling thing. You know, you could have
Speaker 2: the caskets.
Speaker 5: It's the Powell. I'd like to start with the fact
Speaker 5: that I saw him alive yesterday.
Speaker 2: Well, and we've got to find a reason.
Speaker 6: Not yet.
Speaker 5: We've got to find Clinton first, and then he'll tell
Speaker 5: me the reason.
Speaker 2: I don't think.
Speaker 5: Please help me. Can you imagine how I feel? I'll
Speaker 5: pay pay anything you have.
Speaker 2: He isn't important, it's we've so little.
Speaker 7: To go on.
Speaker 5: I brought you his picture, surely.
Speaker 2: Missus Wood. We often have missing person cases.
Speaker 8: But usually not one where there's such incontrovertible proof that
Speaker 8: the person is dead. The War Department never makes mistakes
Speaker 8: like this. They'd have every widow and mother and wife
Speaker 8: and the country raising the very devil. They absolutely never
Speaker 8: could declare a man dead until they've absolute and final proof.
Speaker 2: I think you've made a mistake, missus.
Speaker 5: Will you stop treating me as if I were feeble minded?
Speaker 5: I saw him. I tell you stop talking to me
Speaker 5: about the War Department. I saw him. I'm asking you
Speaker 5: to find him. I'm not asking for psychiatric help. I'm
Speaker 5: insane and as sharp witted.
Speaker 2: As you are.
Speaker 8: If you can't be of any please, missus Wood, I'm
Speaker 8: sorry if it makes me so furious.
Speaker 5: We got to start with the assumption that he's alive.
Speaker 5: We can't prove he's alive. We've got to believe he
Speaker 5: is alive, and then we've got to try to find him.
Speaker 8: Could there be any sort of secret mission, any reason
Speaker 8: why the government wishes your husband to be thought that?
Speaker 5: I don't know. It doesn't sound very likely.
Speaker 2: Could he be Uh could be having any sort of
Speaker 2: affair you mean a woman? Yes, I suppose he could.
Speaker 5: But can you imagine a man pretending he's dead just
Speaker 5: because he's married and wants to live with another woman?
Speaker 5: But he'd come back and ask for a divorce. Well,
Speaker 5: I've asked myself every possible question as to why there
Speaker 5: isn't any answer. You just got to find him.
Speaker 8: Well, missus Wood, I'll put some men on it at once, and,
Speaker 8: believe me, will the very best we can. I'll go
Speaker 8: home and write me a list of every place he
Speaker 8: ever mentioned.
Speaker 2: Or ever went to. We'll get busy right away.
Speaker 5: How long does this sort of thing usually take?
Speaker 8: Oh, two days, two weeks, maybe two years, maybe never.
Speaker 5: I see.
Speaker 8: We'll keep in touch with you, all right, missus Wood. Yes,
Speaker 8: you realize, of course that if we do find him,
Speaker 8: there may be something behind his.
Speaker 2: Well, behind this his strange behavior.
Speaker 8: That will make you wish you'd never tried to find
Speaker 8: him at all.
Speaker 5: I'm quite prepared for anything, anything. For three weeks I
Speaker 5: heard nothing. I'd go to bed at nights and it
Speaker 5: would start, Why why, why? What? Why? Over and over?
Speaker 5: Why should he want me to think he was dead?
Speaker 5: Why when we were so in love, so happy, so
Speaker 5: completely wonderful to get us? Why would he do this?
Speaker 5: Then I began to get sick, I couldn't eat. I
Speaker 5: began to go over our life together, wondering what I
Speaker 5: could have done with his maids. Clinton hate me. I
Speaker 5: exaggerated the silly little differences of opinion which we'd had.
Speaker 5: I began to manufacture terrible, non existent crimes which i'd committed,
Speaker 5: always against Clinton. And then I began to think that
Speaker 5: perhaps I had made a mistake. It couldn't have happened.
Speaker 5: He was dead and i'd seen his double. I began
Speaker 5: to get a funny twisting feeling in my legs. I'd
Speaker 5: be walking around the apartment and I began to feel
Speaker 5: as thought nerve was loose in my knees. And then
Speaker 5: one day, mister Powell phones, they'd had some luck.
Speaker 9: You want to be down there right away.
Speaker 8: One of my men located him in a cheap walk
Speaker 8: up on West fiftieth Street. He's apparently spending a lot
Speaker 8: of time in Saint Patrick's Cathedral.
Speaker 5: St. Patrick's Cathedral.
Speaker 2: Yes, does that surprise you?
Speaker 5: Yes, it does rather. But I don't think I better wait, would.
Speaker 2: Wait a minute, don't go yet.
Speaker 8: I'm quite sure there's something, well, something sinister about this.
Speaker 8: I don't know why, but it's not like any case
Speaker 8: I've ever had before. I was wondering if you'd like
Speaker 8: me to go and see him first.
Speaker 2: Then let you know what.
Speaker 5: No, No, I'll go give me the address.
Speaker 2: It's written down.
Speaker 5: Thanks. You've been very kindly to Powell, very understanding.
Speaker 2: You look very tired. Try to get calm down little
Speaker 2: before you see him.
Speaker 5: All right, I'll go in somewhere and have some coffee.
Speaker 5: I'll be all right. That was yesterday. I came into
Speaker 5: this frowzy little hamburger place yesterday afternoon. Yesterday it looked
Speaker 5: exactly the same way it looks now, and it looked
Speaker 5: the same way tomorrow. I came in here because it
Speaker 5: was right across the street from the address that mister
Speaker 5: Paul had given me. That was yesterday, less than twenty
Speaker 5: four hours ago. I've got to go over everything very
Speaker 5: careful in my mind, because I don't dare forget. I
Speaker 5: don't dare forget anything, he said. I came in here
Speaker 5: yesterday afternoon about four o'clock. The waitress thought I was
Speaker 5: behaving strangely. I can hear the suspicion in her voice.
Speaker 5: I asked her for a check, and she said.
Speaker 7: Why sure, honey, Yes, five coffee, fifty cents.
Speaker 5: Listen, Darie, are you sife? Here's a dollar? No, I'm
Speaker 5: all right, well, you don't look so good. I'm all right.
Speaker 5: The change.
Speaker 10: Well, thanks baby, thanks a lot, and take care of yourself.
Speaker 4: Tell what where you're going?
Speaker 5: What it sounds dirty? So horrible? Yeah, Dear God, whatever
Speaker 5: this is, give me the strength to be, give me
Speaker 5: the strength to take it. Please God, Please, I can't
Speaker 5: go on. It would make him hide in this dirty,
Speaker 5: horrible house to be.
Speaker 11: There's nobody home, quin, good God, let me.
Speaker 5: I'll tell you. You're gonna help me, help you understand this,
Speaker 5: help me.
Speaker 12: Come in, Janet, don't say anything, just to me. Please,
Speaker 12: don't say anything.
Speaker 5: Yes, is it really you?
Speaker 12: Oh, Janet, Janet Darling.
Speaker 7: Never it is.
Speaker 5: It doesn't matter. It's so long as you're alive. I
Speaker 5: don't care. I want to hear anything. I just want
Speaker 5: old you like this and not care about why, what's happened?
Speaker 5: You love me? There's nothing, nothing else. It's it's morning, Clint. Yes,
Speaker 5: we've got to talk about it now. Yes, you've got
Speaker 5: to tell me. I know I'm waiting, j.
Speaker 12: Jane.
Speaker 2: I can't tell you.
Speaker 5: Listen, there's absolutely nothing you can't tell me. I'm your wife.
Speaker 5: I love you. I love you so much that I
Speaker 5: forgive anything. There isn't anything you could have done that
Speaker 5: I wouldn't forgive. There's no crime, no wickedness, no nothing
Speaker 5: that I but you've got to tell me if we're
Speaker 5: ever to have any life together again, you've got to
Speaker 5: tell me why you let me think you were dead for.
Speaker 12: Five years where we're not going to have any life together.
Speaker 5: You're sick, that's it. You're sick and you've been through something.
Speaker 5: You need rest, rest and a good food and a
Speaker 5: good bad and me you need manna. Boy. Is there
Speaker 5: some sort of secret mission that you're on that I well,
Speaker 5: has it something to do with the war?
Speaker 6: No?
Speaker 5: Yes, then tell me.
Speaker 2: I can't tell him.
Speaker 5: Please don't touch yourself. Whatever it is, I can take it.
Speaker 5: I'm not afraid. I'll look after you. I want you
Speaker 5: to come home with me now, away from this dreadful,
Speaker 5: dark apartment.
Speaker 12: I'm not going home with you, chatny y, you're what
Speaker 12: This is my last day here. HI may have to
Speaker 12: leave at any minute.
Speaker 5: I just can't understand anything worse. Nothing could be worse
Speaker 5: than this, nothing, not knowing, not knowing what's behind this
Speaker 5: fantastic and tell you. I demand that you tell me.
Speaker 5: You've got to tell me. I can't you understand? Look
Speaker 5: you're go on like this. I go crazy. I lost
Speaker 5: my mind.
Speaker 12: I saw you that day on the bus. I should
Speaker 12: have left New York and gone away. I knew you'd
Speaker 12: trying to find me. I knew it would be like.
Speaker 5: Now, tell me it.
Speaker 2: Happened. In Cairo. I was hungry forty eight hour pass.
Speaker 12: A taxi i'd hired for the day went over an
Speaker 12: old man. He was a funny, tiny, wistened old man,
Speaker 12: a beggar, an Egyptian. He didn't seem to be hurt
Speaker 12: very much, but he was so old that I made
Speaker 12: him come back to my hotel and lie down.
Speaker 5: For a bit. He was very clean, but so old
Speaker 5: that his bones.
Speaker 12: Were like like little bits of stick. I made him
Speaker 12: lie down on my bed for a few minutes. I
Speaker 12: gave him a sip of wine, and he closed his
Speaker 12: eyes for about ten minutes, then opened them, looked up
Speaker 12: at me, and told me he was dying.
Speaker 2: He seemed read.
Speaker 12: His whole face lit up as though it were the
Speaker 12: most tremendous relief. He told me not to be worried,
Speaker 12: not to try to help him, that he was very
Speaker 12: old and quite ready to die. Then he reached into
Speaker 12: his clothes and handed me this. What is it?
Speaker 2: It's the holder?
Speaker 6: What the holder?
Speaker 12: It's a little wheelbarrow made of the finest cold, a
Speaker 12: tiny little golden wheel bar and the green stone inside
Speaker 12: it as an emerald. He said it would be of
Speaker 12: no use to anybody but me. I didn't understand what
Speaker 12: he meant. He said I'd been picked, picked, chosen. I
Speaker 12: asked him what he meant, but he wouldn't say. He
Speaker 12: told me the howls had brought good luck and bad luck.
Speaker 12: He said, if I held it over my heart and
Speaker 12: wished that I get my wish.
Speaker 2: Then he sort of breathed once, and I can't.
Speaker 12: I can't go, Wader, I can't, Janet, please don't make me.
Speaker 2: Well.
Speaker 12: In just a few seconds, there was nothing left, nothing
Speaker 12: but a thin, fine, silvery powder. He he just disintegrated
Speaker 12: in front of my very eyes, to dust, dry fine
Speaker 12: gray dust.
Speaker 5: Is old as old this forever, like poor mis power.
Speaker 5: I didn't know what to do.
Speaker 12: I I called the manager, but he wouldn't believe that
Speaker 12: anybody had just died in my bed.
Speaker 2: There was nothing there, just half a cupful of dust,
Speaker 2: dry white dust.
Speaker 5: And then I.
Speaker 9: Went on with my leave.
Speaker 12: I was a little shaken, so I went out and
Speaker 12: got drunk. The next night I reported back to camp.
Speaker 12: I blurted out the story in the mess. One night,
Speaker 12: I passed the haul around and everybody wished. Some wished
Speaker 12: for money, some for girl something. Of course, nothing happened.
Speaker 5: Did you expect something? What? Oh? Not? Really? I I
Speaker 5: don't know then what? Then?
Speaker 12: I took it and wished that you standing in front
Speaker 12: of me. Everybody laughed. We knew there was nothing in it.
Speaker 12: Nobody believed the story. I certainly didn't. I felt sort
Speaker 12: of sheepish. That night I went to bed, I got
Speaker 12: the hauled out and looked at it again.
Speaker 2: It sort of fascinated me.
Speaker 12: I began to imagine all sorts of.
Speaker 2: Wishes I could make.
Speaker 12: I wished that I could be made invisible, that I
Speaker 12: could move my body from one place or another instantly,
Speaker 12: silly day dreaming kids, Stop Clinton.
Speaker 5: Please come home? Knew not well, you'll let me finish.
Speaker 12: Days passed by January. This was nineteen forty three. The
Speaker 12: advance in an issue was told German dive bombers were
Speaker 12: continuously in action. It was a time of horror and death,
Speaker 12: and and all through those terrible days, the feeling gradually
Speaker 12: came over me that the halder would for some time
Speaker 12: when I was in desperate trouble, that.
Speaker 2: It would help me.
Speaker 12: This feeling became very strong. I can't describe it, but
Speaker 12: it was very strong. One night, with ten men, I
Speaker 12: was ambushed in a small mountain pass. We knew that
Speaker 12: it was the end. We knew we would all be killed.
Speaker 12: It was letterally rained death, and I suddenly became terrified.
Speaker 12: I'd always been nervous in action, but never before I
Speaker 12: lost control of myself.
Speaker 2: There were German plains everywhere.
Speaker 5: I stood up, scream at the scream at the world.
Speaker 5: I wish for just one month.
Speaker 2: I begged for a month.
Speaker 12: If I have to die, give me a month, just
Speaker 12: one month, any time in five years and ten years,
Speaker 12: what a month? Give me back a month to see
Speaker 12: my wife again.
Speaker 5: Goddon, Darling, Please come on me. You're so thick, you
Speaker 5: for so terrible. Please, Janet, you may not believe this.
Speaker 5: I got my wish.
Speaker 12: I was instantly killed that night, instantly killed.
Speaker 2: Yet I'm here with you in this room. Don't you
Speaker 2: understand I'd got my wish and I'm leaving. I've got
Speaker 2: to leave Clinton.
Speaker 5: Stop.
Speaker 12: Where are you going, Jennet, get away from my door.
Speaker 2: Please, I don't want you to see this.
Speaker 5: What Clinton? What is it?
Speaker 2: My month is up?
Speaker 5: Janet?
Speaker 2: I wished through a month back here again.
Speaker 12: I got it. I followed you in the daytime. I've
Speaker 12: watched you and seen you. But there was no use
Speaker 12: my coming back into your life. You made the adjustment,
Speaker 12: you were set, you were happy.
Speaker 5: I've never been happy without you. Never. Clinton. Please, please
Speaker 5: come on, get away door. This is a nightmare.
Speaker 6: It didn't.
Speaker 5: JENEDI who Clinton?
Speaker 2: Glennon, don't do it?
Speaker 6: Clinton? Wait, No, no.
Speaker 5: Clinton, dust up, just thin Greg silver dust. Somehow I
Speaker 5: got out of that room. Somehow I fought down the hysteria,
Speaker 5: the terror. I stumbled down the stairs, crossed the tree,
Speaker 5: back into this horrible little Hamburger place. I've got the
Speaker 5: halt of with me. I want to go with Clinton.
Speaker 5: If it worked for him, perhaps it will work for me.
Speaker 2: I'm gonna try it.
Speaker 5: I just can't live without him. Oh, a loving Father
Speaker 5: God in heaven. If this is just sin, forgive me, Please, please.
Speaker 2: God, forgive me.
Speaker 5: But I've got to go with him. I've got to
Speaker 5: go with Clinton if I can. Hey, Joe, did that gang?
Speaker 5: It was backing so queen.
Speaker 10: Without pay her checks, the fancy dresses with the chief cake, Hey, Joey,
Speaker 10: Dad Camia and bring a rag his great kind of
Speaker 10: dust stuff fall over the floor.
Speaker 1: You have just heard Strange identity and original radio drama
Speaker 1: written and directed by Harry W. Duncan. Jan Minor starred
Speaker 1: in the difficult role of Janet Wood. Clinton was Bernard Grant.
Speaker 1: Other players were Etha Laubert and Lyle Sudrow. The music
Speaker 1: was composed by doctor Roy Shield and conducted by Joseph Garner.
Speaker 1: Radio City Playhouse is supervised for the National Broadcasting Company
Speaker 1: by Richard P.
Speaker 5: McDonough.
Speaker 4: This is Harry Johnson Agham. Next week Radio City Playhouse
Speaker 4: will not be heard. In its place a special news
Speaker 4: program called Plans for the New Congress, presented under the
Speaker 4: auspices of the Democratic National Committee. The week after, Radio
Speaker 4: City Playhouse will be back as usual and we very
Speaker 4: much hope you'll join us. Good Night, everybody.
Speaker 1: This is NBC, the National Broadcasting Company.