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Speaker 1: W M n H W rip the novels.

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Speaker 2: We're back from the grandson.

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Speaker 3: When they hear the crown, it has been decided. I

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love the mind for his wrong.

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Speaker 4: Was I one who lost before even fun moving confidence

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till time forward without fear have to fall out clear

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victory is so far chance break me.

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Speaker 3: I will not be changed.

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Speaker 2: High close minded things spear as wild.

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Speaker 3: Have to the stop. So I ain't no longer saint

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my shid all.

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Speaker 5: I dream work, but dares not follows me.

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Speaker 3: W from careful less fight okay, oh she fail me?

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Speaker 5: When this has long the hell.

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Speaker 6: Names sittings up to me, wor cry.

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Speaker 3: They don't hear your poor cry.

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Speaker 5: They don't pray your poor cry.

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Speaker 3: Scream pray your poor cry.

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Speaker 7: Carry out come quest as long as it chakes to

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the day truth jump men names not as sinless.

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Speaker 3: How's she knew back then?

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Speaker 4: I serve each time I baking again, I'm nursed me

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put all aways prepared, stor cam.

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Speaker 3: Pairs through are ware.

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Speaker 4: That's some difference his The band should cry when you're

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here with that spread, turn by head to song.

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Speaker 8: So I ain't no them sy my hid l you's

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away dns thou follows me well from s turn the

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last fight for cattle to.

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Speaker 3: Rind of me.

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Speaker 6: When this burs long well pays.

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Speaker 3: Cities have to make. This is a call to battle,

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give it all, fight to survive. Time has come to

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make choice. How you live before you, how you live before.

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So I had to stop.

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Speaker 6: So my god, I'll go see my child longing away

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when dark and the sun follows me.

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Speaker 9: To ron Strap from a spice pot work too well made, when.

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Speaker 10: The the name city up to me, good stuff that

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is war Cry. The band is Pulsifier from Portland, Maine,

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and we're going to talk with them in just a moment.

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Welcome everybody. This is Matt Connorton Unleashed and we are

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live from the studios of wm NH ninety five point

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three FM and Glorious Manchester, New Hampshire. Today is Saturday,

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September six, twenty twenty five, and we have entered our

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number three New Marrow trace of the program and we've

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had a great show thus far and really looking forward

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to talking with Pulsifier. Let me get those uh those

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Mike's on here. Welcome everybody. Yeah, so let's see. So

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we have Mia, Chriz Sticks and Patrick.

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Speaker 11: Yes, all right, very.

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Speaker 10: Good I'm glad. I sometimes it's hard to you know,

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I talked to so many people over the course of

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the show. Sometimes I don't remember everybody's names accurately. But

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so I'm really glad you're all here and and that

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you made the drive. You know, obviously you know you're

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you're from out of state, So I mean not that

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Portland is like another part of the country or anything,

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but no, but I do appreciate. I appreciate you all

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coming down and yeah, thanks for having us. And I'm

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gonna get to see you live by the way at

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Swarmy Fest.

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Speaker 11: Right, yes, yeah, we're very excited about that.

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Speaker 4: Yeah.

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Speaker 10: Yeah, that's gonna be November fifteenth, actually right across the

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street at Jewel.

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Speaker 11: Yeah, we just saw it on the way over here.

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We just the club Jewel.

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Speaker 10: Yes, yes, have you played there before?

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Speaker 11: I don't think that we have.

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Speaker 12: We have not? Is this band?

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Speaker 13: No?

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Speaker 7: Not?

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Speaker 10: Is this oh? But as a different band? Yeah, I'm curious.

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Was what was the previous band?

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Speaker 14: I was in a band called render back in the day. Okay, yeah, okay,

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we played there.

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Speaker 12: With Frank Hannon.

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Speaker 10: Frank Hannon I think I member Yeah okay, yeah, yeah,

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oh very cool. Now how so, how long has Pulsifier

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been around? Has Pulsifier have been around a while? Or yeah?

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Speaker 11: What a couple of years now, just a couple of years,

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still pretty new. Oh okay, trying to get our music

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out there right right?

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Speaker 10: How is that going in Portland? Because Portland's always had

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a pretty strong music scene, some good college stations there

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and whatnot.

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Speaker 11: Hey yeah, actually yeah, southern central Maine, I think a

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really good live music see lots of good local bands. Yeah,

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always something going on.

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Speaker 10: Yeah, of great bands, yeah, yeah, no doubt. Are are

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there bands there that you you know sometimes it happens organically.

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Are there bands there that you've kind of unofficially sort

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of teamed up with that you play a lot of

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shows with or what do you think, Chris?

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Speaker 12: Yeah, yeah, there there is a bunch of bands.

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Speaker 11: It's a good sense of community. Yeah, everyone I think

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kind of supports each other.

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Speaker 10: So that's good. Yeah. Yeah, like like who, like who

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are some other bands there.

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Speaker 11: That Loki Okay?

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Speaker 15: Yeah, okay, we played with low Key quite a lot

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in a band called in the Wind.

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Speaker 14: Okay, yeah, band called Echo Ritual, Echo Ritual Yeah, yeah, yeah,

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I mean it's a bunch. I mean, you feel bad

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name it any because you leave a bunch of Yeah,

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there's so many.

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Speaker 10: That's true. Yeah, I'm always interested in hearing about bands

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that we should that we should know about, not all

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of them. Yeah, yeah, Now is War right now? Do

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you have a full album out or an EP? Or

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have you just been releasing singles thus far?

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Speaker 11: There's so many different album is coming out? What the

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end of this month?

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Speaker 10: Oh really? Oh okay, so coming right up.

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Speaker 11: Yes, we're very excited to get that out. But yeah,

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War I will be one of the songs on there.

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Speaker 10: Will this be the first release from Pulsifier as a

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as a full album? Yes, okay, okay, excellent, excellent. We're

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gonna play in a little bit, uh, the first single

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which this will be the world radio premiere for that.

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We're very excited. But now, what what went into deciding

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to record a full album? Because we live in a

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time where you have so many different options as far

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as how you release music. You know, the various guests

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that we talked to on the show, some some just

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do singles, some do EPs, some do albums, Some release

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a series of singles that eventually become an album, which

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is kind of the inverse of how it used to be.

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It used to be, you know, you have an album

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and then you've got singles from that album. So what

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went into your decision as a band to say, let's

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let's do a full album.

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Speaker 12: Well, the latter is kind of what we did.

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Speaker 14: We started out doing singles, yeah, and then we were like, hey,

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we have enough to put together, let's let's do an

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actual physical copy that a lot of people ask for.

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Speaker 10: Yeah, yeah, yeah, And so you're actually going to do

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physical colleges.

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Speaker 11: Yeah, people still ask for that. I was surprised too, Yeah,

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but everything, Oh yeah, people want that physical CD has

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the artwork.

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Speaker 10: And yeah, I've kind of come to the conclusion that

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that's an American phenomenon. And the reason I say that

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is because we also, in fact the last segment in

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the second hour, we interviewed a band called Brides from

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the UK, and we talked to a lot of bands

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from overseas, and it seems like everybody, everybody that we

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talked to from Europe, they they're like, oh, CDs are dead.

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You know, we're just releasing everything digitally. Nobody wants CDs anymore.

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And here it's been such a especially I think in

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the last five years maybe ten years. You know, there

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was a point where it seemed like CDs were dead

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here too. But then but then they've they've made a resurgence,

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and Vinyl of course had an even bigger resurgence.

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Speaker 14: Say yeah, yeah, yeah, that's why we're making sure that

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our artwork for the CD is interesting as well.

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Speaker 12: Yeah, more visuals.

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Speaker 10: Yeah, okay, okay, good, good, Yeah, because that's something I

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always left like when I was a kid. You know,

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you open a CD or an album and you have

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the lyrics, and and if you're really a fan, you know,

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you'll go through and look at all the liner notes

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and you know you want to you want to know

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who their management company is, or who engineered the album

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or you know, if you really, if you really want

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to geek out on it, you know, so, which I did.

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Yeah that's great, that's great.

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Speaker 12: Yeah.

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Speaker 11: How many?

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Speaker 10: So how many tracks on the album?

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Speaker 11: I think this one has? Seven?

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Speaker 12: Yeah?

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Speaker 15: Seven?

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Speaker 10: Seven? Okay, okay.

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Speaker 11: Our songs are slightly younger than some so yeah seven.

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Speaker 10: Okay, okay, Like what's the do you know, offhand, like,

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what's the longest track on the album?

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Speaker 15: Six nineteen it's a venomous thing.

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Speaker 10: Venomous thing. Oh yes, so I I played that for

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for those listening live. I did play that in the

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first hour today to kind of give people a creepy

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for because that's my favorite of the of the four

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that you sent me.

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Speaker 13: That was it?

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Speaker 10: Yeah? Yeah, yeah, no, that's a great song. I love

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the vocals on that. Who so in studio who obviously

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you know you're the lead singer. Who else is doing

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the backing vocals on that? Is that all you? Or

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are there other members singing?

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Speaker 11: They recorded it? Yeah, he had me go back and

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add the harmony.

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Speaker 10: Yet, Yeah, it sounded really good. It sounded really good.

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Is that challenging at all? Harmonizing with yourself that way?

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I've heard some singers say that can be like it's

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when you're it's easy to harmonize with somebody else, but

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when it's your own voice that you're listening to, it's

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challenging to do this.

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Speaker 11: It's really tricky to do it live.

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Speaker 10: Also, well, yeah, so what does happen live? Does everybody sing?

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Is it does to become a gang vocal thing or

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do you just use carry it yourself?

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Speaker 11: Yeah? Yeah, just do the main vocal part.

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Speaker 10: Yeah, yeah, no, that's cool. So how did Pulsifier come together.

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You know, you mentioned a band that that used to

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be in Chris, But but how did how did the

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four of you because again, you know, Portland is such

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a great scene there, there's musicians everywhere, Like, how did

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the four of you coalesce to form this this unit?

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Speaker 14: What was kind of the well I was, I was

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in a I was in a band called Signal to

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Noise for a while. I remember Signal to Noise still

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out there, still killing it.

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Speaker 12: Yeah, yeah, okay, So it was it was a deal

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where some of my.

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Speaker 14: Music wasn't being brought to the front. Yeah, and my

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ladies like I can write with songs, so any.

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Speaker 11: Riffs that they didn't use the opportunity to write.

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Speaker 10: So so you had ideas, but you know, it kind

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of was it kind of a crowded situation where you've

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got you've got the people who write, and they don't

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kind of want to necessarily share that.

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Speaker 12: That's right.

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Speaker 14: Yeah, And and and so we would me and MEA

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would set the campfire. MO would write these songs and uh,

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and we're like, what are we doing? We gotta we

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gotta do our own comes up.

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Speaker 11: With these guitar riffs that I can just feel what

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he's feeling and inspires me. And I had been writing

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poetry and stuff previously, so I thought I can.

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Speaker 14: Write words for this and yeah, okay, yeah, and then

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we we looked for a while to get the you

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get these guys to jump on with us, and you know,

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the right the right fit is super important.

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Speaker 12: The chemistry has to be right.

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Speaker 10: Yeah.

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Speaker 14: Yeah, because I really I built this band from second

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one to be a band, to be on a bus,

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to be touring constantly, so you know, not only musicians,

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but the chemistry, the thing had to be right.

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Speaker 11: Yeah, like a family. Yeah, because we're all living together

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when we're on the bus, when we're on the road.

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Speaker 10: So yeah, it's yeah. I think I had a phone

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conversation with you all once. I don't know if you remember,

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and you're about about about our radio stuff and then

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and I think you were you were on your way

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to a show or something.

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Speaker 11: You were I remember that again because we were on

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the bus.

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Speaker 10: Yeah, speak, Yeah, that's right. So how how far have

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you have you gone as far as story and like,

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where have you gone outside of outside of the area.

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Speaker 15: Patrick can tell us that, Okay, yeah, we've we've gone

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through the whole country, you know, Our first tour was

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with Annville last year. That was I believe, uh feb

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you were no, No, that was all that was summer.

257
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That was August last year. And yeah, we did the

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whole East coast and they drove over to Texas and

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did Texas, New Mexico, Arizona, California, went up to Washington

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and then back across. We hit like uh, Detroit and

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Chicago and stuff and Ohio and Cleveland. So we really

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did the entire perimeter of the country and some of

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the stuff in the middle too. Wow, twenty six shows.

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That was a good one.

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Speaker 10: Yeah.

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Speaker 15: And the second tour was out in kind of like

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that was our our February tour of this year, and

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that was with Smile, Empty Soul and Tantrick and oh wow.

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Yeah it was amazing. Yeah, those our great guys, all

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of them. And yeah, that was like Texas, New Mexico, Oklahoma,

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Arkansas area. And did another one with Anvil that was

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mostly the East coast right after that.

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Speaker 10: That must have been fun.

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Speaker 12: It's a blast. Yeah. Yeah, those guys are legendary. Yeah,

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always the one.

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Speaker 10: Oh yeah, yeah.

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Speaker 12: They treated us way better than they had.

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Speaker 11: Yeah.

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Speaker 10: Oh that's cool. That's excellent. Well I think we should.

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Uh so what should we know about this? About the

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new track this is going to be the first single

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from the album correct, barriers within within.

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Speaker 11: Yes, So, this song was inspired by a Roomy quote

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which says, your task is not to seek for love,

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but merely to seek and find all the barriers within

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yourself that you have built against it. Okay, the words

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to this song were inspired by that quote.

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Speaker 10: Oh, excellent, excellent, all right, so we're gonna play this

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and again. This is the world old radio premiere of

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this tract. All right, all right, Barriers within from Pulsifire.

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Speaker 3: You are listening to Wuminate.

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Speaker 12: World premiere.

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Speaker 16: Your task is not to seek for love, merely to

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seek and find all the barriers within yourself that you

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have built against it.

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Speaker 3: Seeking for marriers.

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Speaker 17: Built within that g bus luck too far, render by

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us of a fliction, recognizing years, the hard squat, how

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the water the big.

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Speaker 8: Gover pusty game starting over when it falls apart?

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Speaker 5: How to water.

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Speaker 3: Stand and crule? Where um been home sheltered? Where wld

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toy on the river? The stream jumped together could right

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of way?

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Speaker 1: Twere we drained.

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Speaker 5: Out of man up the.

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Speaker 3: Bed of a stage to the strong A way could be.

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Speaker 5: No water come o falls barrier.

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Speaker 15: Still to so.

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Speaker 3: Gathers separates us flooding so much lift and stands that

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never fields, leading into.

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Speaker 17: Waters and running red having clan into Ni my friends

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floating further from the shore.

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Speaker 7: Seeking comfort for sharp snapsircle rys for sure for so.

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Speaker 3: See on the river, on the stream.

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Speaker 8: Want together, Adam riding way.

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Speaker 1: Where the dreams?

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Speaker 3: How's that out there? Have a sad girl called spirals down.

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Speaker 5: So long and.

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Speaker 18: Round sing crowns that say, I swear to the south, so.

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Speaker 5: Sure the river.

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Speaker 3: Hum the stream, I didn't wait with very Let's call.

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Speaker 1: Was lot the.

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Speaker 5: Young con.

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Speaker 3: Let's come.

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Speaker 5: Love down.

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Speaker 10: There. It is the world radio premiere of the new

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track from Pulsifier from the upcoming album that is called

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Barriers Within. I love it. That's very cool, very cool. Yeah,

330
00:22:01,400 --> 00:22:05,839
great job, great chob absolutely So when's the album out?

331
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You probably mentioned it, but I do.

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Speaker 11: We haven't exacted or are we? Just the end of

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this month?

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Speaker 12: The first single is going to be like the first

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weekend of October.

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Speaker 10: Okay, yeah, gotcha, gotcha? And then oh so the first

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single yeah, and then and so you don't have it

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for me e t a on the album yet.

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Speaker 12: Above the same time, we're going to go releast the

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whole thing.

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Speaker 10: Yeah, any videos, if if you, if you all made

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any videos for these for any of these songs, because

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because the music, I mean, there's there's an element of

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I don't know if theatricality is quite the word, but but.

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Speaker 11: That's definitely a good word.

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Speaker 10: It seems like it seems like these songs would would

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lend themselves to that.

348
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Speaker 11: Definitely. I agree, Yeah, I like the theatrics.

349
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Speaker 12: Yeah, everything kind of in order. We haven't quite got there.

350
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We have a lyric video for for a Venomous Thing,

351
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but we've done a full video yet.

352
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Speaker 11: Yeah, but the plans we definitely will you're going.

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Speaker 10: To do one are okay? Yeah, okay, now that makes sense.

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Speaker 15: It's kind of like a three step process where or

355
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we we've been advised to kind of do like a

356
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short teaser video as we're coming up to releasing the

357
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song before we release it, and then maybe a little later,

358
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do a lyric video for Barriers for the same song

359
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Barriers within yeah, and then a little after that do

360
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the full music video.

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Speaker 10: Okay okay, and then what's what's the live show? Like

362
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I mean, are there any I guess, I guess uh.

363
00:23:32,079 --> 00:23:34,440
Theatrics said, yes.

364
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Speaker 11: We definitely try to incorporate a lot of visual so

365
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there's something for people to watch, get right upon them. Okay,

366
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can you hear me?

367
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Speaker 6: Now?

368
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Speaker 10: You can pull it closer to you if it's easier,

369
00:23:43,559 --> 00:23:44,839
that's fine too. Yeah. I just want to make sure

370
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we try.

371
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Speaker 11: To incorporate a lot of visual so people can you know,

372
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it helps to tell the story, yeah, goes along with

373
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the lyrics. So yeah, there's definitely some props involved.

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Speaker 15: Okay, okay, have you seen any videos of our live performances. No,

375
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we have a ton on YouTube. Will a hundred videos

376
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on YouTube? Oh my god, you can see what we're

377
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all about.

378
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Speaker 11: And each song and each song has its own feel,

379
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each song tells its own story, So there's props, there's visuals,

380
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there's stuff going on that that kind of recreate that

381
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and add to it, and we're hoping, yeah, that the

382
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audience will feel just immersed, yeah, rounded and a part

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of it.

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Speaker 10: Yeah.

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Speaker 14: A lot of these topics for these songs are not

386
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the norm, so it's it's it's nice to have the

387
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visuals to help explain you.

388
00:24:33,160 --> 00:24:35,440
Speaker 11: The horse Head with War Cry like there's a meeting.

389
00:24:35,559 --> 00:24:40,720
It's not just about the horse head, right. That song,

390
00:24:40,960 --> 00:24:44,839
you know, was inspired by researching Alexander the Great's war horse,

391
00:24:44,960 --> 00:24:49,079
uciphilis really Yeah, if you ever look up the story

392
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of bucyphilis. He was afraid of his own shadow, and

393
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Alexander the Great learned if you turn him away from

394
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his shadow, turn his head to the sun. He became

395
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this great warrior. Yeah, and we just thought, you know,

396
00:25:02,359 --> 00:25:04,720
we could all apply that to our lives. We turn

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away from your own darkness.

398
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Speaker 10: And interesting look to the light.

399
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Speaker 11: So yeah, there's different props that represent stuff like that.

400
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Speaker 10: Okay, okay, that's cool. What are some of the other

401
00:25:14,559 --> 00:25:16,839
lyrical themes that show up in these songs?

402
00:25:18,000 --> 00:25:23,599
Speaker 11: Well, for example, distracted Gaze, the props for that are chains. Yeah,

403
00:25:23,759 --> 00:25:28,759
that's the song about anyone who's ever struggled, or who

404
00:25:28,839 --> 00:25:31,599
has known someone who has struggled, breaking free from the

405
00:25:31,680 --> 00:25:34,640
chains of addiction, whatever that addiction may be.

406
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Speaker 10: That's relatable for a lot of people.

407
00:25:36,359 --> 00:25:38,519
Speaker 11: Yeah, we always hope that with our songs. Yeah, there'll

408
00:25:38,519 --> 00:25:42,359
be something somebody can relate to. Yeah, and we'll have

409
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lived through themselves.

410
00:25:43,680 --> 00:25:46,680
Speaker 10: Yeah. Yeah, does it ever happen? Where does anyone ever

411
00:25:46,839 --> 00:25:48,720
approach you and say, hey, that that song.

412
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Speaker 11: Really after some of our lives shows, people have come up,

413
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and that is actually the best feeling, the best feedback

414
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when someone comes up. Sometimes after Scars, I've had people

415
00:26:00,400 --> 00:26:03,759
come up and share their own very like private personal

416
00:26:03,839 --> 00:26:06,720
stories of what they have gone through too and how

417
00:26:06,759 --> 00:26:09,359
the music has helped them not to feel so alone.

418
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Speaker 12: Yeah, distracted gaze as well. Yeah really, Yeah, she's had

419
00:26:14,480 --> 00:26:17,400
to like spend moments with people like like they won't.

420
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Speaker 11: Really they open up and share these yeah, like personally

421
00:26:20,440 --> 00:26:24,039
and we kind of have that connection which is so special, which.

422
00:26:23,920 --> 00:26:24,599
Speaker 12: Is what we're looking for.

423
00:26:24,839 --> 00:26:25,559
Speaker 10: Yeah, exactly.

424
00:26:27,000 --> 00:26:29,720
Speaker 11: Yeah, kept in touch. There's a few people, yeah, who

425
00:26:30,000 --> 00:26:32,960
want to keep in touch and we still talk through.

426
00:26:32,839 --> 00:26:36,279
Speaker 10: Some things and oh that's excellent. Yeah yeah it's great. Yeah, yeah,

427
00:26:36,559 --> 00:26:38,759
very good, very good. Well we should play maybe we

428
00:26:38,759 --> 00:26:41,559
should play that one scars. Should we give that a listen?

429
00:26:41,640 --> 00:26:42,400
Speaker 12: Sure, that'd be great.

430
00:26:42,720 --> 00:26:46,200
Speaker 10: We'll make that the next one. Yeah, here it is, Yeah,

431
00:26:46,240 --> 00:26:47,960
this this all. Yeah, this is a great track. This

432
00:26:48,079 --> 00:26:49,720
is a great track. If you're just joining us. We

433
00:26:49,799 --> 00:26:53,400
have Pulsifier here with us alive in studio and uh,

434
00:26:53,559 --> 00:26:55,799
we're gonna play this this is on the upcoming album too.

435
00:26:55,799 --> 00:26:57,799
I assume I assume these all are it is. Yes,

436
00:26:57,920 --> 00:26:59,160
did we by the way, what's the name of the

437
00:26:59,200 --> 00:27:00,640
album or did you say.

438
00:27:00,920 --> 00:27:02,960
Speaker 12: Or we haven't? We haven't yet. We'll go say for

439
00:27:03,039 --> 00:27:03,640
the first time.

440
00:27:04,000 --> 00:27:06,240
Speaker 11: Oh yeah, the name of the album will be a

441
00:27:06,319 --> 00:27:08,200
personas personas.

442
00:27:08,240 --> 00:27:12,039
Speaker 10: Okay, very good? All right, So from the upcoming album Personas.

443
00:27:12,319 --> 00:27:14,599
Here it is, this is Scars and the band is

444
00:27:14,720 --> 00:27:16,440
Pulsifier Heaven.

445
00:27:16,559 --> 00:27:20,559
Speaker 3: No, let's go on a statue. Hold on, du was

446
00:27:20,680 --> 00:27:24,440
never good enough. That's my staff. Give that it all

447
00:27:24,599 --> 00:27:27,160
to you. What don't action so mad?

448
00:27:27,200 --> 00:27:30,680
Speaker 5: A bout boom put me hot? You thought her?

449
00:27:31,240 --> 00:27:33,359
Speaker 3: Don't tut me out do matter?

450
00:27:33,519 --> 00:27:33,799
Speaker 8: How ha?

451
00:27:35,039 --> 00:27:38,400
Speaker 3: How is actor your b come?

452
00:27:38,440 --> 00:27:40,519
Speaker 11: I wanted someone who loves me.

453
00:27:45,440 --> 00:27:46,759
Speaker 3: You're finally.

454
00:27:50,319 --> 00:27:50,759
Speaker 5: You'll know.

455
00:27:51,079 --> 00:27:58,640
Speaker 3: No chushing me, because where to take emotion of reality?

456
00:28:02,480 --> 00:28:05,759
Speaker 9: I've never got a long enough chef for anyone.

457
00:28:19,160 --> 00:28:24,079
Speaker 3: Check is closed, heliums, time leaves Danny's later, whether or

458
00:28:24,119 --> 00:28:25,000
not he is gone.

459
00:28:25,640 --> 00:28:29,720
Speaker 19: If we're not, no, I wouldn't damn waste a second glance,

460
00:28:30,000 --> 00:28:30,599
reaching a.

461
00:28:30,680 --> 00:28:34,839
Speaker 8: Better place, second chat and somehow complete land new.

462
00:28:35,279 --> 00:28:37,000
Speaker 3: Most days I don't.

463
00:28:36,839 --> 00:28:40,720
Speaker 19: Even think of you, fucking criss a foot used to

464
00:28:41,119 --> 00:28:42,359
be Scott's.

465
00:28:42,000 --> 00:28:50,359
Speaker 3: Remaining ly mind me, pray I can finably.

466
00:28:54,000 --> 00:28:58,680
Speaker 8: You'll know how okay, Jade be because we're You're done.

467
00:29:00,359 --> 00:29:23,279
Speaker 3: Take about of reality a shast You're spider tried.

468
00:29:26,240 --> 00:29:27,319
Speaker 11: The two webb.

469
00:29:30,279 --> 00:29:37,720
Speaker 7: Not a thread, read me the sword forged thrill who fast,

470
00:29:38,440 --> 00:29:40,119
You're stuck in your own.

471
00:29:41,720 --> 00:29:52,079
Speaker 2: Fight? Loan of misery, see or you love, We give

472
00:29:52,240 --> 00:29:53,200
only pity.

473
00:29:56,039 --> 00:30:04,119
Speaker 3: You can't douse the fla just small which you don't do.

474
00:30:09,119 --> 00:30:18,400
Speaker 20: You sell to true du Bosman's chink tiny pick.

475
00:30:22,039 --> 00:30:29,279
Speaker 3: Pick, sailed glass, cour.

476
00:30:42,519 --> 00:30:48,440
Speaker 1: Strong, strong, brow.

477
00:30:49,720 --> 00:30:56,480
Speaker 5: Still cold strong.

478
00:31:01,720 --> 00:31:28,000
Speaker 18: Okay, you're going now summer extreme me take about of reality.

479
00:31:31,599 --> 00:31:33,880
Speaker 3: It were going your connection.

480
00:31:35,680 --> 00:31:36,759
Speaker 5: No high.

481
00:31:44,319 --> 00:31:47,039
Speaker 3: You'll no longer control me.

482
00:31:48,240 --> 00:31:49,799
Speaker 5: We are to control.

483
00:31:50,640 --> 00:32:01,039
Speaker 19: Take about of reality a connections for any w.

484
00:32:08,640 --> 00:32:20,079
Speaker 2: Strong, un web brock cats, Scott's.

485
00:32:19,559 --> 00:32:20,799
Speaker 5: Three pad go.

486
00:32:29,400 --> 00:32:41,559
Speaker 3: Strong a web cat, Scott's redried go.

487
00:33:42,200 --> 00:33:48,359
Speaker 7: Hide the mill do next to night and day has

488
00:33:48,839 --> 00:33:53,200
a weakness some take get your strings.

489
00:33:53,599 --> 00:34:00,480
Speaker 3: The hod A bo not hide away dree could to

490
00:34:00,880 --> 00:34:04,359
get the twenty two days.

491
00:34:05,759 --> 00:34:10,599
Speaker 5: Say only love you for the mascula.

492
00:34:11,159 --> 00:34:18,599
Speaker 3: Leady be, don't be skin You're just a latter.

493
00:34:19,719 --> 00:34:25,519
Speaker 5: Run my stage, Wake me free from.

494
00:34:25,360 --> 00:34:26,840
Speaker 3: The pistol, last.

495
00:34:41,239 --> 00:34:50,320
Speaker 8: Glas, Yesterday, She Constant for her Wora Day.

496
00:34:51,639 --> 00:34:58,320
Speaker 9: Shut Princess, Shebery Mad, Spend.

497
00:34:58,320 --> 00:35:05,760
Speaker 5: Time, had Ver Remains, playing only Love You for the

498
00:35:06,079 --> 00:35:10,480
Matthew World, Me it all.

499
00:35:11,880 --> 00:35:13,280
Speaker 3: Jump Me stands.

500
00:35:15,079 --> 00:35:22,360
Speaker 5: You're just to night time around my stage. Way to refrain.

501
00:35:23,039 --> 00:35:54,840
Speaker 9: From fix to last tree. If there's accasion, no one chancing, No, but.

502
00:35:55,119 --> 00:36:00,639
Speaker 21: You try jerky and up stuff by chasing wake the

503
00:36:00,800 --> 00:36:07,960
clack page, hold nor play coun take out twin.

504
00:36:09,480 --> 00:36:14,519
Speaker 3: We could stamp, break, break the glass, change hold them.

505
00:36:17,039 --> 00:36:21,199
Speaker 10: That is glass Cage. The band is Pulsifier and that

506
00:36:21,400 --> 00:36:23,480
is gonna be on the upcoming album. What's it called

507
00:36:23,519 --> 00:36:23,760
the end?

508
00:36:23,840 --> 00:36:25,320
Speaker 11: Personas personas?

509
00:36:25,440 --> 00:36:27,559
Speaker 10: Yes, I love it. That is that is really good.

510
00:36:28,320 --> 00:36:30,559
It's really good. Gets you move in, gets you move in.

511
00:36:30,679 --> 00:36:34,760
And we also heard Scars before that too, another great track.

512
00:36:34,920 --> 00:36:36,760
And uh, we got one more that we're gonna say

513
00:36:36,800 --> 00:36:40,880
for the end. But so we were talking off air

514
00:36:40,920 --> 00:36:43,039
while I was playing, and Chris, you were commenting, and

515
00:36:43,119 --> 00:36:44,840
this is something I noticed. So I'm glad you reminded

516
00:36:44,880 --> 00:36:48,239
me because I wanted to ask about this. When you're

517
00:36:48,360 --> 00:36:51,000
when you're soloing, you know there's not a second guitar

518
00:36:51,119 --> 00:36:55,000
track underneath. That's right, and which is an interesting decision

519
00:36:55,000 --> 00:36:56,760
because that's that's not what a lot of bands do,

520
00:36:57,119 --> 00:37:00,119
although some bands do that. But but you can can

521
00:37:00,199 --> 00:37:03,079
you explain, uh, because you were explaining it off Aaron,

522
00:37:03,119 --> 00:37:04,960
This was interesting to me. Why you make that choice.

523
00:37:05,039 --> 00:37:09,599
Speaker 14: Yeah, it just allows the uh, the fantastic bass plane

524
00:37:09,639 --> 00:37:11,960
of Patrick to shine through where it should. Yeah, you know,

525
00:37:12,119 --> 00:37:13,920
we want to make sure that's heard, you know, not

526
00:37:14,119 --> 00:37:16,079
only in the uh in the souls, but.

527
00:37:16,280 --> 00:37:17,480
Speaker 12: Through the songs as well.

528
00:37:17,760 --> 00:37:19,920
Speaker 14: Yeah, and we did two or three passes for some

529
00:37:20,039 --> 00:37:21,599
of these songs, like hey, can you turn up the

530
00:37:21,599 --> 00:37:24,599
base a little bit more on this recording? Yeah, we

531
00:37:24,719 --> 00:37:26,559
want to make sure that it's there, and we want

532
00:37:26,599 --> 00:37:31,920
to make sure it's kind of like it simulates live sound.

533
00:37:32,159 --> 00:37:32,400
Speaker 10: Yeah.

534
00:37:32,599 --> 00:37:34,159
Speaker 12: Yeah, that's what we sound like.

535
00:37:34,280 --> 00:37:36,199
Speaker 10: As a bass player myself. I commend you for that

536
00:37:36,599 --> 00:37:38,960
because because we we bass players don't get the respect

537
00:37:39,039 --> 00:37:39,440
we deserve.

538
00:37:39,559 --> 00:37:41,960
Speaker 15: Right, my friends, now we're friends now, Yes.

539
00:37:42,320 --> 00:37:44,360
Speaker 12: Yes, Patrick gets it, don't you worry.

540
00:37:44,599 --> 00:37:46,840
Speaker 10: No, that's good. That's good.

541
00:37:47,320 --> 00:37:47,800
Speaker 11: And then.

542
00:37:49,599 --> 00:37:52,119
Speaker 10: So when you do is that is that the case

543
00:37:52,159 --> 00:37:54,599
with all those songs, like do you use it so

544
00:37:54,679 --> 00:37:59,559
you don't use the second guitar track on anything No, wow, okay, interesting, okay, No,

545
00:37:59,639 --> 00:38:02,119
that's yeah. No, I like that and it does. Yeah,

546
00:38:02,119 --> 00:38:04,559
it does. Let the whole rhythm section kind of come through,

547
00:38:05,599 --> 00:38:09,000
which was it Scars too? There's like, uh, there's a

548
00:38:09,039 --> 00:38:11,159
solo you do toward the end. Was it Scars or

549
00:38:11,199 --> 00:38:12,639
was it the one we played before that where it's

550
00:38:12,679 --> 00:38:14,760
like you kind of don't see it coming, like all

551
00:38:14,800 --> 00:38:16,239
of a sudden, you're playing and it's like, oh, I

552
00:38:16,280 --> 00:38:17,400
didn't expect a solo there.

553
00:38:17,760 --> 00:38:19,559
Speaker 12: Yeah it was Barriers.

554
00:38:19,639 --> 00:38:22,079
Speaker 10: Yeah, well it might have been. It probably was. Yeah,

555
00:38:22,199 --> 00:38:24,880
Actually it feels like yeah. And I was like and

556
00:38:24,960 --> 00:38:26,440
I was like, oh, that's cool. Oh it must have

557
00:38:26,440 --> 00:38:28,559
been Barriers because I hadn't heard that before now yeah,

558
00:38:28,599 --> 00:38:30,920
and so and because the other ones I'd already listened to,

559
00:38:31,320 --> 00:38:32,679
and I was kind of like, oh, but I like that.

560
00:38:32,800 --> 00:38:34,639
I like the surprise. You know, it fits right, but

561
00:38:34,719 --> 00:38:36,360
it's still kind of a surprise. It's like, oh, that

562
00:38:36,440 --> 00:38:38,039
solo kind of sneaks up on you. Yeah.

563
00:38:38,079 --> 00:38:40,559
Speaker 14: That whole breakdown section is the part that Patrick had

564
00:38:40,559 --> 00:38:43,320
written Okay that I kind of played over the top

565
00:38:43,360 --> 00:38:43,519
of it.

566
00:38:43,800 --> 00:38:45,840
Speaker 12: Yeah, you know, yeah, like, hey, what was that bass rif?

567
00:38:46,599 --> 00:38:48,159
Just play it? On the guitar and play a solo

568
00:38:48,159 --> 00:38:51,559
over it. Yeah, yeah, yeah, I like that. Yeah.

569
00:38:51,559 --> 00:38:54,079
Speaker 10: I'm kind of curious too about some of your influences

570
00:38:54,119 --> 00:38:57,840
as far as vocals, like who who did you listen

571
00:38:57,920 --> 00:38:59,480
to growing up? Or who do you listen to now?

572
00:38:59,519 --> 00:39:00,599
And who who?

573
00:39:00,760 --> 00:39:03,760
Speaker 11: Kind of so many But yeah, we were talking about

574
00:39:03,760 --> 00:39:06,480
that where we all came from different backgrounds before we

575
00:39:06,559 --> 00:39:10,239
all got together. I was actually from a theater background

576
00:39:10,639 --> 00:39:14,400
before teaming up with these guys, so musical theater and

577
00:39:14,679 --> 00:39:17,360
community theater stuff like that since I was a kid.

578
00:39:18,320 --> 00:39:21,000
Speaker 10: Yeah, So is that is that how you learn to

579
00:39:21,039 --> 00:39:22,880
sing basically and the way that you do?

580
00:39:23,159 --> 00:39:26,039
Speaker 11: I used to say, I'm not necessarily a singer. I'm

581
00:39:26,079 --> 00:39:30,480
an actress. I can act like I can sing, and

582
00:39:30,880 --> 00:39:33,840
you know, lots of karaoke nights. Yeah, And I would

583
00:39:33,840 --> 00:39:36,480
say what I lack in talent, I make up for

584
00:39:36,679 --> 00:39:37,719
with enthusiasm.

585
00:39:39,239 --> 00:39:41,960
Speaker 10: But so you didn't have any vocal any formal training

586
00:39:42,000 --> 00:39:44,079
as far as working with a vocal coach or anything.

587
00:39:43,920 --> 00:39:46,760
Speaker 11: Not formal training now, you know, just yeah, just for fun, Yeah,

588
00:39:47,239 --> 00:39:50,199
singing along with the radio, karaoke nights, stuff like that.

589
00:39:50,559 --> 00:39:53,480
Speaker 10: Yeah. Is there anyone who kind of inspires you in

590
00:39:53,599 --> 00:39:56,480
terms of how they sing, like I see, I hope

591
00:39:56,519 --> 00:39:58,760
this isn't too cliche, but I hear a little bit

592
00:39:58,760 --> 00:40:00,760
of Ann Wilson all right, thank you?

593
00:40:00,920 --> 00:40:06,320
Speaker 11: Yes, yeah, yeah, that's a huge compliment. Yep, she's amazing,

594
00:40:07,280 --> 00:40:12,480
Amy Lee with avan essence love them. Yeah yeah, I

595
00:40:12,519 --> 00:40:15,159
grew up yeah in the nineties with that, Like that's

596
00:40:15,159 --> 00:40:16,039
a huge influence.

597
00:40:16,239 --> 00:40:16,440
Speaker 10: Yeah.

598
00:40:16,920 --> 00:40:22,199
Speaker 11: Alanis Morissette is such a good storyteller. Yes, yeah, just

599
00:40:22,280 --> 00:40:22,559
a lot.

600
00:40:22,719 --> 00:40:22,920
Speaker 3: Yeah.

601
00:40:23,559 --> 00:40:26,039
Speaker 10: And then so so who who are the primary writers?

602
00:40:26,039 --> 00:40:26,760
So is that the two of you?

603
00:40:27,000 --> 00:40:27,119
Speaker 13: Is it?

604
00:40:28,039 --> 00:40:28,199
Speaker 12: Well?

605
00:40:28,320 --> 00:40:29,199
Speaker 10: As far as music, and.

606
00:40:29,360 --> 00:40:32,519
Speaker 12: We all definitely do our own parts, that's their own part.

607
00:40:32,960 --> 00:40:33,159
Speaker 9: Yeah.

608
00:40:33,360 --> 00:40:35,840
Speaker 11: I write the words and sing them. Yeah, Chris does

609
00:40:35,880 --> 00:40:39,599
the guitar, riffs, Jay on drums, Patrick on bass, and

610
00:40:39,679 --> 00:40:41,360
we all you know, when we come together, it just

611
00:40:41,519 --> 00:40:42,840
grows into something new.

612
00:40:43,199 --> 00:40:46,000
Speaker 12: Yeah. Right, it's no fun having one guy dictate everything.

613
00:40:46,239 --> 00:40:46,440
Speaker 10: Yeah.

614
00:40:46,480 --> 00:40:48,400
Speaker 14: I want to be inspired by the other guys in

615
00:40:48,440 --> 00:40:50,639
the room, people in the room. So I want everybody

616
00:40:50,679 --> 00:40:53,320
to do their own thing well as much as possible.

617
00:40:53,599 --> 00:40:54,559
Everybody has ideas.

618
00:40:54,639 --> 00:40:57,559
Speaker 10: Oh yeah, well certainly, and again there's part of my

619
00:40:57,639 --> 00:40:59,920
bass by bias as a bass player. But you know,

620
00:41:00,159 --> 00:41:03,480
but but certainly it does sound like the rhythm section

621
00:41:03,800 --> 00:41:06,440
has a lot to do with how these songs. Oh yeah,

622
00:41:06,519 --> 00:41:09,559
flesh out because you know, both the bass and the drums.

623
00:41:09,599 --> 00:41:13,400
I mean you can really hear everything comes through and

624
00:41:13,800 --> 00:41:16,519
uh and it is definitely a part of the Pulsifier sound.

625
00:41:17,239 --> 00:41:19,719
Speaker 14: Absolutely, Yeah, everybody playing off each other. You can hear

626
00:41:20,360 --> 00:41:22,800
like the bass does follows the drums or back and

627
00:41:22,920 --> 00:41:25,920
forth or whatever. Everybody's kind of Oh that's a cool part.

628
00:41:26,039 --> 00:41:28,079
Let me see if I can accent that. Yeah, a

629
00:41:28,119 --> 00:41:29,679
lot of lot to feel that way.

630
00:41:31,280 --> 00:41:33,079
Speaker 10: Where does the name come from? By the way, Pulsifier

631
00:41:33,559 --> 00:41:34,360
Who came up with the name?

632
00:41:35,280 --> 00:41:35,440
Speaker 12: Yeah?

633
00:41:35,519 --> 00:41:38,039
Speaker 11: Yeah, yeah, it has meaning though, do you want to

634
00:41:38,079 --> 00:41:39,320
explain it early?

635
00:41:39,360 --> 00:41:39,639
Speaker 12: You can.

636
00:41:42,840 --> 00:41:46,400
Speaker 11: The idea behind it was, you know that inspiration comes

637
00:41:46,480 --> 00:41:50,880
from not from just us personally, but from all around us. Yeah,

638
00:41:51,199 --> 00:41:54,599
and we take that inspiration and use it to make

639
00:41:54,679 --> 00:41:57,280
something new. You know, it passes through us as a

640
00:41:57,360 --> 00:42:01,239
band that we can share with everyone else as something different.

641
00:42:01,599 --> 00:42:03,000
Speaker 10: Yeah, no, that makes sense.

642
00:42:03,280 --> 00:42:05,280
Speaker 11: The vibrational pulse.

643
00:42:05,320 --> 00:42:07,320
Speaker 12: Right right, so we add our own spin on the

644
00:42:07,480 --> 00:42:08,760
vibe and send it back out.

645
00:42:09,079 --> 00:42:12,280
Speaker 10: Yeah okay. And then the name of the album personas,

646
00:42:12,440 --> 00:42:14,320
where where does that name come from personas.

647
00:42:14,719 --> 00:42:18,400
Speaker 14: Oh, that's just it's that is because every song is

648
00:42:18,719 --> 00:42:23,280
kind of like it's kind of a each character of

649
00:42:23,400 --> 00:42:25,880
someone's personality. You know, if you go to work, you

650
00:42:25,960 --> 00:42:28,119
have one persona. If you want to rock stage, you're

651
00:42:28,119 --> 00:42:30,519
on another persona. And that's what this album is like.

652
00:42:30,639 --> 00:42:33,320
It's all these songs are are kind of like a

653
00:42:33,480 --> 00:42:38,880
journey of growth, Yeah, with different characters and different shadows

654
00:42:38,920 --> 00:42:39,679
that you have to deal with.

655
00:42:40,239 --> 00:42:45,639
Speaker 11: The warrior, the lover, the the child, the animal, yeah,

656
00:42:46,199 --> 00:42:50,199
the inner voice, ye, shadow, all of it.

657
00:42:50,320 --> 00:42:54,639
Speaker 10: Yeah, No, that's that's cool. When you when you play live,

658
00:42:55,639 --> 00:42:57,519
do you do you have any material that you haven't

659
00:42:57,559 --> 00:43:00,480
recorded that is part of your live set, because it

660
00:43:00,559 --> 00:43:02,480
sounds like you got a lot of ideas. You probably

661
00:43:02,519 --> 00:43:05,000
have lots of songs. I haven't red it yet, right.

662
00:43:05,400 --> 00:43:09,199
Speaker 12: Yeah, we have way too many songs and really yeah, yeah, it's.

663
00:43:09,079 --> 00:43:12,239
Speaker 15: So hard to decide which songs to put on the

664
00:43:12,320 --> 00:43:15,119
album because like in my opinion, and I think in

665
00:43:15,159 --> 00:43:17,719
all of our opinions, every single song is a banger,

666
00:43:17,960 --> 00:43:19,679
Like they can all be the single. None of them

667
00:43:19,679 --> 00:43:21,960
are filler. Yeah, So it was like almost a shame

668
00:43:22,079 --> 00:43:23,440
only doing seven songs.

669
00:43:23,960 --> 00:43:26,079
Speaker 10: It's a good problem. To have. But yeah, it's like,

670
00:43:26,280 --> 00:43:28,039
I mean, how do you even decide when you've got

671
00:43:28,159 --> 00:43:29,280
I mean how hard? Yeah?

672
00:43:29,679 --> 00:43:31,960
Speaker 11: Like which ones do we leave out? We don't want

673
00:43:32,000 --> 00:43:33,519
to leave any of them out? I want them all

674
00:43:33,679 --> 00:43:34,079
out there.

675
00:43:34,519 --> 00:43:36,519
Speaker 10: How many songs do you have? Can you put a

676
00:43:36,599 --> 00:43:39,760
number on it? Like as a band originals?

677
00:43:40,599 --> 00:43:42,880
Speaker 11: How many do you think? No finish?

678
00:43:43,119 --> 00:43:44,239
Speaker 12: So I actually we.

679
00:43:44,320 --> 00:43:50,599
Speaker 14: Actually try to prioritize and not like completely finish the song,

680
00:43:50,679 --> 00:43:52,639
and we live and we give it plenty times to grow.

681
00:43:53,039 --> 00:43:55,920
There's many songs we jam we are constantly jamming on.

682
00:43:56,079 --> 00:43:58,800
We have one called h I Have the Storm. It's

683
00:43:58,840 --> 00:44:01,119
been something we've been the new one. We've been just

684
00:44:01,199 --> 00:44:04,039
messing with that for months now. It's just slowly growing.

685
00:44:04,400 --> 00:44:05,840
Speaker 12: It has to give. You have to give it time.

686
00:44:06,119 --> 00:44:09,079
Speaker 15: You have to time to grow, like simmering in the pot.

687
00:44:09,719 --> 00:44:09,920
Speaker 8: Yeah.

688
00:44:10,519 --> 00:44:12,079
Speaker 14: Yeah, we came up with a new part on that

689
00:44:12,199 --> 00:44:14,000
song just a couple of weeks ago. It was it

690
00:44:14,119 --> 00:44:15,760
was like, oh, there we go, that's what we were

691
00:44:15,800 --> 00:44:16,400
looking forwards.

692
00:44:16,480 --> 00:44:17,239
Speaker 12: Yeah, it's great.

693
00:44:17,480 --> 00:44:21,800
Speaker 10: Yeah, where did did we talk about where you recorded? Where? Where?

694
00:44:21,920 --> 00:44:25,199
Where did you've recorded these? Because everything Halo Studio?

695
00:44:25,559 --> 00:44:27,480
Speaker 11: Okay, John Wyman.

696
00:44:27,360 --> 00:44:30,639
Speaker 10: Yeah, Okay, I want to make sure legendary. Everything sounds

697
00:44:30,679 --> 00:44:32,039
so good, so we want to make sure. Okay, so

698
00:44:32,119 --> 00:44:33,880
tell me. So I don't know about John Wyman, tell

699
00:44:33,880 --> 00:44:34,320
me about him.

700
00:44:34,679 --> 00:44:39,280
Speaker 14: The halo is is world famous or infamous? Oh yeah, yeah,

701
00:44:39,639 --> 00:44:43,480
and yeah he's uh, he's done some done some pretty

702
00:44:43,519 --> 00:44:46,079
incredible stuff, especially with the local scene. But he's also

703
00:44:46,320 --> 00:44:49,639
also on National Guy. You know, I don't want to misspeak.

704
00:44:49,639 --> 00:44:51,599
I don't I can't say for sure. Some of the

705
00:44:51,679 --> 00:44:53,159
Nationalists done, but he's done.

706
00:44:54,239 --> 00:44:54,400
Speaker 12: You know.

707
00:44:55,320 --> 00:44:56,920
Speaker 14: I think the last one is big thing he did

708
00:44:57,119 --> 00:45:00,000
was pretty reckless stuff. I'm not okay, yeah, okay.

709
00:45:00,760 --> 00:45:02,840
Speaker 10: So he's in Portland or is he? Where is he?

710
00:45:03,840 --> 00:45:07,039
Speaker 12: Yeah? Non descript undisclosed buildings.

711
00:45:07,519 --> 00:45:10,599
Speaker 11: Yeah, it looks like yeah, from the outside, you would

712
00:45:10,679 --> 00:45:13,119
not expect what's on the inside. I love that.

713
00:45:13,280 --> 00:45:15,159
Speaker 12: Okay, Yeah, what a cool spot.

714
00:45:15,519 --> 00:45:15,760
Speaker 10: Wow.

715
00:45:15,960 --> 00:45:17,400
Speaker 12: Yeah, the good guy is amazing.

716
00:45:19,239 --> 00:45:20,719
Speaker 10: And how did you come to work with him? How

717
00:45:20,760 --> 00:45:23,440
did that come about? Because because he's obviously a big.

718
00:45:23,360 --> 00:45:25,800
Speaker 14: You know, yeah, it bled over from from my previous

719
00:45:25,880 --> 00:45:28,280
bands that I would I would call it there. Yeah, okay,

720
00:45:28,639 --> 00:45:31,440
oh cool, And I just knew that I'm not going

721
00:45:31,519 --> 00:45:32,199
to go anywhere else.

722
00:45:32,280 --> 00:45:33,079
Speaker 12: That's the place to go.

723
00:45:33,360 --> 00:45:37,559
Speaker 11: Yeah, yeah, actually, yeah, it's such a good ear for details.

724
00:45:38,400 --> 00:45:41,000
Speaker 10: Does he does he kind of become like, you know,

725
00:45:41,719 --> 00:45:44,840
because obviously every producer has their own style, everyone's different,

726
00:45:44,880 --> 00:45:46,639
everyone kind of has their own approach. Does he become

727
00:45:46,760 --> 00:45:49,119
like like that, like a fifth member of the band.

728
00:45:49,000 --> 00:45:51,679
Speaker 12: Or he did? Yeah, yeah, he was.

729
00:45:51,840 --> 00:45:52,159
Speaker 9: He was.

730
00:45:53,719 --> 00:45:58,719
Speaker 12: Talking about doing the harmonies for for Scars.

731
00:45:59,719 --> 00:46:01,480
Speaker 11: He gets excited and then you know, are like, we're

732
00:46:01,519 --> 00:46:03,159
onto something. Likes it.

733
00:46:04,280 --> 00:46:06,239
Speaker 14: Yeah, she's be't doing her vocal stuff. And after you

734
00:46:06,440 --> 00:46:08,199
take Ea spins around, he's like, did you guys hear that?

735
00:46:08,480 --> 00:46:08,679
Speaker 10: Yeah?

736
00:46:08,679 --> 00:46:11,039
Speaker 12: That was that was fantastic. And you let me bring

737
00:46:11,079 --> 00:46:14,480
out my little player and show you the fists.

738
00:46:14,199 --> 00:46:18,360
Speaker 11: And no kidd Yeah, and he'll play something.

739
00:46:18,360 --> 00:46:20,800
Speaker 12: Very creative, so he gets the juices flowing as well.

740
00:46:21,400 --> 00:46:21,760
Speaker 3: Brilliant.

741
00:46:21,880 --> 00:46:24,519
Speaker 15: Yeah, and he has the most incredible ear too, Like

742
00:46:24,880 --> 00:46:28,079
your guitar could be out of tune by one cent

743
00:46:28,599 --> 00:46:30,840
and they'll be like, oh, no, tune not And you're like,

744
00:46:30,880 --> 00:46:32,079
what do you mean, Like it's imperfect?

745
00:46:32,119 --> 00:46:32,679
Speaker 12: You know it's not.

746
00:46:33,000 --> 00:46:36,440
Speaker 14: We're playing the live track and he's like, Patrick, your

747
00:46:36,679 --> 00:46:38,519
d string is off, it's flat.

748
00:46:38,760 --> 00:46:42,559
Speaker 12: Yeah, I'm like, okay, not according to the tuner, it's not,

749
00:46:42,760 --> 00:46:44,199
but you're.

750
00:46:44,440 --> 00:46:47,079
Speaker 11: Easy on you. Yeah, yeah, yeah, he gets the best

751
00:46:47,159 --> 00:46:47,480
out of you.

752
00:46:48,320 --> 00:46:51,480
Speaker 10: Yeah, that's what it takes. It's but it's also good

753
00:46:51,519 --> 00:46:55,119
to you, good, good for you. It speaks you know,

754
00:46:55,199 --> 00:46:57,119
you're obviously mature as a band to be able to

755
00:46:57,159 --> 00:46:58,960
work with someone like because some people can't work with

756
00:46:59,039 --> 00:47:01,400
a producer like that, you know what I mean. Some

757
00:47:01,519 --> 00:47:04,639
people get resentful. They feel like, oh, this guy's trying

758
00:47:04,639 --> 00:47:06,280
to take over what I'm doing, you know what I mean.

759
00:47:07,079 --> 00:47:08,440
So for you to be able to go in and

760
00:47:08,519 --> 00:47:11,280
be open, you know, not everyone can go to him.

761
00:47:11,320 --> 00:47:11,760
Speaker 11: We want that.

762
00:47:12,239 --> 00:47:14,719
Speaker 14: Yeah, you've gotta be careful not to be too attached

763
00:47:14,760 --> 00:47:17,559
to your own ideas. It prevents growth and thought.

764
00:47:17,719 --> 00:47:18,960
Speaker 12: You just have to go with that.

765
00:47:19,119 --> 00:47:20,719
Speaker 11: But he lets us try too. That's another thing.

766
00:47:20,760 --> 00:47:20,960
Speaker 4: I like.

767
00:47:21,039 --> 00:47:22,920
Speaker 11: I'll be like, can I just try? I go be like,

768
00:47:22,960 --> 00:47:25,360
this is gonna sound really weird. Can I just try something?

769
00:47:25,719 --> 00:47:26,960
Speaker 10: Yeah, And I'll be like.

770
00:47:26,960 --> 00:47:28,760
Speaker 11: And then give me your feedback. If you don't like it,

771
00:47:28,920 --> 00:47:32,280
we'll cut it, take it. Lets me try stuff.

772
00:47:33,280 --> 00:47:35,119
Speaker 10: I'm really glad I moved that filter. He sounds so

773
00:47:35,199 --> 00:47:35,559
much better.

774
00:47:36,760 --> 00:47:37,480
Speaker 11: Let's start over.

775
00:47:37,639 --> 00:47:40,679
Speaker 10: Yeah, but if you are just joining us. We have

776
00:47:40,760 --> 00:47:45,519
Pulsifier here with us alive in studio, and so what's

777
00:47:45,599 --> 00:47:47,599
kind of the do you know what the sort of

778
00:47:47,639 --> 00:47:49,239
the long term plan is? So the album will be

779
00:47:49,320 --> 00:47:53,159
out probably October, like what's kind.

780
00:47:53,039 --> 00:47:53,920
Speaker 11: Of about October?

781
00:47:54,199 --> 00:47:56,320
Speaker 10: And then you're gonna be hitting the road again or

782
00:47:56,480 --> 00:47:57,400
then we are hitting.

783
00:47:57,199 --> 00:48:01,480
Speaker 11: The road again for another national tour. This one's called Rocktober.

784
00:48:01,880 --> 00:48:05,800
Speaker 15: Okay, Scottie Austin from Saving Abel Oh.

785
00:48:05,719 --> 00:48:08,559
Speaker 10: Okay, yeah, yeah, okay, So so tell us about this.

786
00:48:08,760 --> 00:48:10,599
Is this like a is it like a package tour,

787
00:48:10,599 --> 00:48:11,960
a festival or what like what?

788
00:48:12,199 --> 00:48:13,679
Speaker 12: It's kind of a mixture? Yeah, he is.

789
00:48:13,960 --> 00:48:17,400
Speaker 14: He is making a big push for one of one

790
00:48:17,440 --> 00:48:20,519
of his songs, so he has kind of like handpicked

791
00:48:20,599 --> 00:48:23,360
his favorite spots that he's played over the years. Oh

792
00:48:24,039 --> 00:48:26,239
and so this is gonna be like this ought to

793
00:48:26,280 --> 00:48:27,519
be a pretty interesting tour.

794
00:48:27,760 --> 00:48:27,960
Speaker 10: Yeah.

795
00:48:28,679 --> 00:48:32,679
Speaker 12: Yeah, you have a lot of support and he's wild.

796
00:48:32,760 --> 00:48:35,800
Speaker 11: He's so fun to watch live. Yeah, a lot of fun,

797
00:48:35,960 --> 00:48:36,679
very entertaining.

798
00:48:36,960 --> 00:48:40,400
Speaker 14: Yeah, we just did a show with him in Ohio

799
00:48:40,800 --> 00:48:42,840
and we were just standing out watching and he just

800
00:48:42,880 --> 00:48:44,679
looked at it. He's like, you guys are coming up

801
00:48:45,800 --> 00:48:46,119
with us.

802
00:48:46,360 --> 00:48:48,719
Speaker 10: Oh that's very cool.

803
00:48:49,159 --> 00:48:51,119
Speaker 11: Yeah, we had to run up, but we're in that

804
00:48:51,280 --> 00:48:55,119
half pipe. We're in there's a skate park. The stage

805
00:48:55,199 --> 00:48:57,280
was on the top of the half pipe, so he's like,

806
00:48:57,840 --> 00:48:59,760
come on up here, guys, and we like ran up

807
00:48:59,760 --> 00:49:01,280
the I jumped on stage.

808
00:49:01,719 --> 00:49:01,920
Speaker 12: Yeah.

809
00:49:03,159 --> 00:49:07,559
Speaker 10: He's quite character and great, great entertainer. Yeah, oh very cool.

810
00:49:07,760 --> 00:49:09,119
Are you on the full tour? Are you doing the

811
00:49:09,119 --> 00:49:12,360
whole run with him? Who on the whole way? Excellent?

812
00:49:12,559 --> 00:49:16,239
Speaker 14: We actually have We actually have three more after that

813
00:49:16,440 --> 00:49:18,840
before April three one tours, so we're going to be

814
00:49:18,880 --> 00:49:22,000
busy through the yeah. Yeah, and after that we want

815
00:49:22,000 --> 00:49:23,440
to flip the script. We want to be on the

816
00:49:23,519 --> 00:49:26,840
other side of of the you know, instead of direct support.

817
00:49:26,880 --> 00:49:28,920
We want to see if we can, uh, what we

818
00:49:29,000 --> 00:49:31,880
can do as far as headlining a small club tour.

819
00:49:32,280 --> 00:49:34,199
Speaker 12: Yeah, we're just kind of feeling it out, yeah, what

820
00:49:34,320 --> 00:49:36,039
we can do. Yeah.

821
00:49:36,280 --> 00:49:39,039
Speaker 10: Yeah, so you're on the right path. Are you on

822
00:49:39,079 --> 00:49:40,760
a label by the way, as far as the album

823
00:49:40,840 --> 00:49:42,119
itself that's going to be coming out or is that

824
00:49:42,199 --> 00:49:43,719
all DI I Y or how are you doing that?

825
00:49:43,760 --> 00:49:45,840
Because there's so many Like we were talking about earlier,

826
00:49:45,880 --> 00:49:47,880
there's so many ways to release music. Now, there's so

827
00:49:47,960 --> 00:49:48,599
many ways to.

828
00:49:49,400 --> 00:49:52,280
Speaker 12: Yeah, this this management, but there's no it's it would

829
00:49:52,360 --> 00:49:55,639
still technically independent. Yeah, it protects us the best.

830
00:49:55,960 --> 00:49:59,480
Speaker 10: Yeah, yeah, it does, absolutely does.

831
00:49:59,519 --> 00:50:01,400
Speaker 14: There's no you know a lot of time, you know,

832
00:50:01,639 --> 00:50:03,199
you hear it over and over, there's no reason to

833
00:50:03,239 --> 00:50:05,760
have a label. I'm sure labels will disagree, and I'm

834
00:50:05,800 --> 00:50:08,079
sure that they can get you out there. But there's

835
00:50:08,079 --> 00:50:10,599
a there's always a back and forth, there's always a

836
00:50:10,960 --> 00:50:12,519
you always pay for it one way or another.

837
00:50:12,800 --> 00:50:15,400
Speaker 10: It's always a risk too, because you know a label,

838
00:50:15,559 --> 00:50:17,159
you know, they might come along and offer you a

839
00:50:17,199 --> 00:50:19,119
bunch of you know, big advance for your album or

840
00:50:19,119 --> 00:50:21,599
whatever and that kind of thing, and the cash infusion

841
00:50:21,719 --> 00:50:25,079
is great, it can be, and they might, you know,

842
00:50:25,199 --> 00:50:28,119
they might make you famous. They also might have you

843
00:50:28,199 --> 00:50:30,360
record an album and then say we've changed our mind

844
00:50:30,400 --> 00:50:33,320
and shelve your album that you've worked on and you

845
00:50:33,440 --> 00:50:36,039
can't be heartbreak and you can't do anything with it.

846
00:50:37,920 --> 00:50:40,039
Speaker 14: Oh yeah, hey, there's a there's already a hard rock

847
00:50:40,079 --> 00:50:42,199
album out. We're going to hold yours off until that

848
00:50:42,519 --> 00:50:45,519
runs its course. And oh yeah, there's a lot to it.

849
00:50:45,679 --> 00:50:49,719
Speaker 10: There's so much that can go wrong. Yeah, and I'm

850
00:50:49,760 --> 00:50:51,800
not saying, you know, I mean, obviously, if the right

851
00:50:51,960 --> 00:50:54,199
deal came along, you know, you'd consider it, right, but

852
00:50:54,280 --> 00:50:56,719
absolutely yeah, But but you're being smart about it, you know.

853
00:50:57,000 --> 00:50:58,599
And and we live in a time where you don't

854
00:50:58,639 --> 00:51:00,559
have to wait for the right deal. You can just

855
00:51:00,800 --> 00:51:02,920
go make your own you know, go make your own way.

856
00:51:03,000 --> 00:51:05,119
And and so I think you're on a great path.

857
00:51:05,199 --> 00:51:06,079
I think you're Yeah.

858
00:51:06,159 --> 00:51:08,119
Speaker 14: I mean, it comes to a point where in order

859
00:51:08,199 --> 00:51:09,920
to do some of the bigger things you have to

860
00:51:10,000 --> 00:51:12,119
be on the label. We're not quite there yet, so

861
00:51:12,159 --> 00:51:14,119
we're not worried about it. Yeah, yeah, no, I think

862
00:51:14,199 --> 00:51:16,280
so until then, we're gonna drive our own ship a

863
00:51:16,280 --> 00:51:16,880
little bit longer.

864
00:51:16,920 --> 00:51:18,840
Speaker 10: There you go, There you go. No, I think that's

865
00:51:18,880 --> 00:51:23,639
the right approach. Absolutely so. And then we should remind

866
00:51:23,639 --> 00:51:27,599
people too about Swarmy Fest coming out November fifteenth.

867
00:51:27,719 --> 00:51:31,519
Speaker 11: Yeah, Yes, November fifteenth. Swarmy Fast sounds like it's going

868
00:51:31,559 --> 00:51:35,239
to be amazing. Has the band Sepsis, Yeah, and a

869
00:51:35,440 --> 00:51:38,280
bunch of other bands and acts and performers.

870
00:51:38,519 --> 00:51:41,320
Speaker 10: Silent Season is now co headlining with Sepsis, which is cool.

871
00:51:41,360 --> 00:51:44,719
We had them on recently and uh, yeah, they're they're great.

872
00:51:45,320 --> 00:51:46,679
Speaker 11: We're very excited to be part of it.

873
00:51:46,800 --> 00:51:50,079
Speaker 10: Yeah yeah, yeah, right across the street a Jewel and

874
00:51:50,480 --> 00:51:52,960
this show Matt Conderton Unleashed. We're one of the sponsors.

875
00:51:53,639 --> 00:51:54,760
This will be our third year.

876
00:51:54,920 --> 00:51:55,320
Speaker 12: Very cool.

877
00:51:55,920 --> 00:51:57,760
Speaker 10: Yeah yeah, so we'll be there, Jenny and I will

878
00:51:57,800 --> 00:52:01,039
be there, so yeah, really looking forward to that. So yeah,

879
00:52:01,079 --> 00:52:01,519
that'll be a fun.

880
00:52:01,639 --> 00:52:02,280
Speaker 11: Yeah, we can't wait.

881
00:52:02,440 --> 00:52:04,159
Speaker 15: Yeah, we've been trying to play with Stepsis for a

882
00:52:04,199 --> 00:52:07,119
little while, but we've had opportunities, but there's always just

883
00:52:07,199 --> 00:52:09,960
been you know, a wrench in the plans with timing.

884
00:52:10,079 --> 00:52:12,960
Speaker 11: Yeah, yeah, kind of coordinate. Yeah, who's free when? So yeah,

885
00:52:13,000 --> 00:52:16,039
we're very excited to team up with them and everyone

886
00:52:16,079 --> 00:52:19,000
who's part of it. Yeah yeah, everyone who comes out. Yeah,

887
00:52:19,039 --> 00:52:20,559
it's like, come on out and party with us.

888
00:52:20,679 --> 00:52:25,000
Speaker 10: We're gonna have fun, absolutely absolutely, Well, the time goes quickly.

889
00:52:25,079 --> 00:52:26,599
We are approaching the top of the hour, and I

890
00:52:26,639 --> 00:52:28,199
want to make sure that we can get this last

891
00:52:28,280 --> 00:52:31,320
song and because we are going to play in a moment,

892
00:52:33,199 --> 00:52:35,559
we're gonna play Venomous Thing. Okay, So I need to

893
00:52:35,639 --> 00:52:36,800
know is there a story, like.

894
00:52:36,840 --> 00:52:38,559
Speaker 11: What is a story behind everything?

895
00:52:38,880 --> 00:52:40,960
Speaker 10: I need to know, especially this one, because like I said,

896
00:52:40,960 --> 00:52:41,880
this one's my favorite.

897
00:52:42,440 --> 00:52:44,559
Speaker 11: Yes, there's a story behind every song that we do.

898
00:52:44,800 --> 00:52:47,400
So for this one for Venomous Thing, like we talked about,

899
00:52:47,440 --> 00:52:51,760
it was actually the first single that we released, and

900
00:52:51,920 --> 00:52:56,360
this song is really for anyone who's ever dealt with

901
00:52:57,199 --> 00:53:03,079
any type of toxic relationship, codependent relationship, and it's really

902
00:53:03,159 --> 00:53:07,039
about kind of looking at that whole relationship but also

903
00:53:07,119 --> 00:53:10,280
looking at yourself, like self reflection. And you know what

904
00:53:10,400 --> 00:53:14,280
part did I play? And like with most of our songs,

905
00:53:14,320 --> 00:53:17,400
it's you know, the the underlying element is also about

906
00:53:17,440 --> 00:53:20,920
becoming stronger and healing and just personal growth.

907
00:53:21,199 --> 00:53:24,719
Speaker 10: Yeah, okay, okay, very good. I like the positive message

908
00:53:24,760 --> 00:53:26,760
and all of that, so, which seems to be a

909
00:53:26,800 --> 00:53:29,239
theme in your music. So I think that's amazing it is, yes,

910
00:53:29,800 --> 00:53:32,119
And also so before we play that, before we finish

911
00:53:32,199 --> 00:53:34,440
up one other thing, where's the best place for people

912
00:53:34,480 --> 00:53:36,239
to go online? Where should people go online? To keep

913
00:53:36,280 --> 00:53:37,760
up with everything Pulsifier is doing.

914
00:53:38,000 --> 00:53:42,119
Speaker 15: You can find us absolutely everywhere. Facebook, dot Com, slash

915
00:53:42,199 --> 00:53:46,639
Pulsifier band. You can YouTube Pulsifier. We have a huge

916
00:53:46,719 --> 00:53:51,760
YouTube channel. We're growing on TikTok that's TikTok Pulsifier. It's

917
00:53:51,760 --> 00:53:57,079
always the same name. Instagram, we got Pulsifier Instagram. Oh,

918
00:53:57,239 --> 00:53:59,800
is there anything else insight of that old school Yeah.

919
00:54:00,639 --> 00:54:01,599
Fireband dot com.

920
00:54:01,719 --> 00:54:05,559
Speaker 10: You can see all of our shows and space socials.

921
00:54:05,159 --> 00:54:06,320
Speaker 12: And the merger check out.

922
00:54:06,360 --> 00:54:07,800
Speaker 11: We got a lot of cool merch for you guys,

923
00:54:07,960 --> 00:54:10,559
so yeah, we'll have it. Yeah, and we bring it

924
00:54:10,679 --> 00:54:12,639
out also when we play lives, we always set up

925
00:54:12,639 --> 00:54:14,800
our table. We always encourage people to come on over,

926
00:54:14,920 --> 00:54:17,320
say hey to us, hang out house, let us know what.

927
00:54:17,400 --> 00:54:19,760
Speaker 15: You think, and hew you reach out to us online too.

928
00:54:19,840 --> 00:54:22,360
You know, we're always someone's always running all the pages,

929
00:54:22,440 --> 00:54:24,719
so we want to talk, we want to chat, and

930
00:54:25,079 --> 00:54:27,599
you know, we're always out to say hi and talk

931
00:54:27,639 --> 00:54:28,320
about what's going on.

932
00:54:28,679 --> 00:54:31,800
Speaker 10: Okay, okay, very good, very good. Well listen, thank you,

933
00:54:31,880 --> 00:54:34,480
Thank you all four of you for thanking us today. Absolutely,

934
00:54:34,960 --> 00:54:36,840
and uh we're going to play that track in a moment.

935
00:54:36,920 --> 00:54:38,760
If you miss any part of today's show, it will

936
00:54:38,760 --> 00:54:40,599
be up in just a little bit at WM and

937
00:54:40,719 --> 00:54:43,559
hradio dot org and my website Matt Conorton dot com.

938
00:54:43,639 --> 00:54:45,280
Thank you to everybody who joined us today.

939
00:54:45,159 --> 00:54:45,840
Speaker 12: Thanks for having us.

940
00:54:46,119 --> 00:54:46,760
Speaker 11: Thank you so much.

941
00:54:46,960 --> 00:54:49,639
Speaker 10: Absolutely, and Jenny, I'm sure we'll be back with us

942
00:54:49,719 --> 00:54:51,440
next week on the show, but we're going to close

943
00:54:51,519 --> 00:54:54,320
this one out with this is venomous thing and the

944
00:54:54,480 --> 00:54:56,400
band is pulsifi.

945
00:55:46,440 --> 00:55:55,679
Speaker 3: Each by memory clums with a hand a nat hold

946
00:55:56,199 --> 00:55:58,159
the shadows cold.

947
00:55:58,599 --> 00:56:11,119
Speaker 13: Yesterday's yeah dancing with deep move people can't be saved, said.

948
00:56:11,199 --> 00:56:15,840
Speaker 3: K just really when you came up to.

949
00:56:17,400 --> 00:56:19,960
Speaker 5: She said, can you all fight?

950
00:56:21,840 --> 00:56:24,239
Speaker 3: Been all little spir.

951
00:56:25,960 --> 00:56:26,880
Speaker 5: Ugar had.

952
00:56:29,880 --> 00:56:32,280
Speaker 11: Somewhere and then.

953
00:56:33,920 --> 00:56:34,360
Speaker 2: Hurt me.

954
00:56:37,320 --> 00:56:40,360
Speaker 5: Jewels, been all girl spir.

955
00:56:41,719 --> 00:56:48,000
Speaker 3: Come back then to pray, So why let you back.

956
00:56:51,159 --> 00:56:59,239
Speaker 11: And don't be in places you don't walk? Go co

957
00:56:59,519 --> 00:57:01,079
tippy face it.

958
00:57:03,079 --> 00:57:04,280
Speaker 3: I don't want to know.

959
00:57:06,960 --> 00:57:09,519
Speaker 2: You're gonna missed cloison.

960
00:57:11,679 --> 00:57:19,360
Speaker 3: Can't say I'm kissing my blood story now it's just stop.

961
00:57:21,800 --> 00:57:32,960
Speaker 5: Try to say give me up, ms chegy the gods,

962
00:57:38,920 --> 00:57:50,880
Kay don't want come back, okay, So why.

963
00:57:50,840 --> 00:58:04,280
Speaker 3: Can't you, oh victim't fu say you take control shooting

964
00:58:04,519 --> 00:58:16,320
your venom like shot so control old on't me try

965
00:58:16,480 --> 00:58:23,440
not to drown and step pull me under choice.

966
00:58:24,400 --> 00:58:37,800
Speaker 20: Spile day said the offense bast show it is gone.

967
00:58:39,280 --> 00:58:41,360
Speaker 5: From leaving

968
00:58:43,639 --> 00:58:57,000
Speaker 6: Kay again you're the fast, so why not you that

969
00:58:58,400 --> 00:58:58,760
again