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<v Speaker 1>Today, I'm always watching. We're talking about Lanterns. That's see

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<v Speaker 1>season one or the only season I don't know, Lanterns

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<v Speaker 1>episode two right for this. Welcome to Always Watching the

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<v Speaker 1>Strain of Pit podcast, where we talk about whatever geeky

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<v Speaker 1>TV shows we feel like talking about. My name's Matthew.

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<v Speaker 2>Carroll and I'm Jay Scotty Saint Clair.

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<v Speaker 1>What's up, Scoots?

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<v Speaker 2>Oh, not too much. Just enjoyed another episode of Lanterns.

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<v Speaker 2>How you doing? What do you think? Oh? Man?

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<v Speaker 1>You know, I liked it. I felt like it kind

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<v Speaker 1>of found its voice a little more in this episode

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<v Speaker 1>than the first one. I was a little complaining about

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<v Speaker 1>the vibe of the first one, and this felt a

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<v Speaker 1>little more like they were for one thing and this

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<v Speaker 1>was I think deliberate. We talked a lot about John

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<v Speaker 1>and how he is not expressing himself, and in this episode,

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<v Speaker 1>starting out with how Jordan tossing ice in his face

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<v Speaker 1>or like water, water, water in his face, cold water

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<v Speaker 1>on him, and then a few minutes later he's like,

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<v Speaker 1>quit it with the sir stuff. I know you don't

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<v Speaker 1>mean it. Like hal seems like he's actually trying to

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<v Speaker 1>get him to express himself, which I think which I

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<v Speaker 1>found interesting. It's like Hal sees through his bullshit kind

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<v Speaker 1>of He's like, you keep acting like chain of command

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<v Speaker 1>blah blah. I yes, sir, I won't do any you know,

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<v Speaker 1>I don't question you, sir. But he's like, clearly you

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<v Speaker 1>do like be yourself and like it's it's it's almost

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<v Speaker 1>becoming part of the training that Hall's pushing him towards,

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<v Speaker 1>which I thought was interesting.

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<v Speaker 2>Yeah, I agree with that in the in terms of

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<v Speaker 2>like thinking back on the pilot, I enjoyed it a lot,

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<v Speaker 2>and I know you did too, but I think I was.

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<v Speaker 2>I was a little higher on it as we were

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<v Speaker 2>talking about the episode. But I think there is an

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<v Speaker 2>argument to be made that the first episode was kind

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<v Speaker 2>of finding its footing a little bit, and then I

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<v Speaker 2>felt like there was just a a stronger kind of

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<v Speaker 2>like tone and consistency and kind of confidence, Like it

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<v Speaker 2>felt like they found their footing in this episode. Yeah.

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<v Speaker 2>What I was kind of impressed by is like, again,

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<v Speaker 2>when you have a kind of set up like this

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<v Speaker 2>where it is like the buddy cop thing but they

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<v Speaker 2>don't really get along that well, having them both be

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<v Speaker 2>kind of like equal protagonists and have this sense of

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<v Speaker 2>agency and I'm really interested in what both of them

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<v Speaker 2>are doing at this point. Yeah, I think John has

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<v Speaker 2>made like strides in just an episode, just you know,

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<v Speaker 2>being able to kind of do his own thing and

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<v Speaker 2>have not have to be so subservient. But all of

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<v Speaker 2>that said, I did kind of there was a conceit

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<v Speaker 2>that I kind of had to, you know, wrap my

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<v Speaker 2>head around, and by the end of the episode, I

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<v Speaker 2>was kind of satisfied. But it did just kind of

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<v Speaker 2>strike me that, like the fact that John is being

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<v Speaker 2>sent off on this kind of like side quest, like

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<v Speaker 2>go get my things, go fetch my things. It just

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<v Speaker 2>felt like, I know this this hol is not at

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<v Speaker 2>the top of his game. He's a little rusty, a

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<v Speaker 2>little rugged, a little worse for the wear. But it

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<v Speaker 2>just felt uncharacteristically like unprepared not to bring the thing

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<v Speaker 2>that charges your ring with you, like at all times.

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<v Speaker 2>You've been doing it a long long enough you would

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<v Speaker 2>think he would have that with you in any in

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<v Speaker 2>any scenario. But when John had that conversation with Zoe

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<v Speaker 2>like you know what's going on with your white man?

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<v Speaker 2>You know what's your white man got you doing? I

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<v Speaker 2>was like, Okay, Now, the fact that it was effectively

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<v Speaker 2>kind of like you know, as John said, all along

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<v Speaker 2>the way, he wanted to get me out of the way. Yeah, yeah,

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<v Speaker 2>I was kind.

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<v Speaker 1>Of I'm even wondering knowing that I think this. I

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<v Speaker 1>think Howl's a little bit playing three dimensional chess with

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<v Speaker 1>all this stuff. Like I think he's he's he's rugged,

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<v Speaker 1>and he's not as bought into all the bs and

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<v Speaker 1>and all the the the costume and being the lantern

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<v Speaker 1>as much anymore. Now he's just kind of a grizzled

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<v Speaker 1>and doing his job. Sure, but I think there's something

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<v Speaker 1>to him where he's where he is, Like you know,

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<v Speaker 1>we always he always looks like he's a little crazy,

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<v Speaker 1>Like when he's taking those bodies, it was like, what

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<v Speaker 1>is he doing? He's taking my bodies? Like this crazy?

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<v Speaker 1>Why is he doing this? Dragging naked bodies are on

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<v Speaker 1>the street, And then you realize, oh, totally makes sense,

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<v Speaker 1>Like he's doing a thing that makes And I think

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<v Speaker 1>some of his madness is it very deliberately looks like madness,

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<v Speaker 1>but it is like very intentional and he's doing things

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<v Speaker 1>that matter. And I'm wondering if there's even a world

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<v Speaker 1>where like he sent him away to be attacked by

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<v Speaker 1>those guys. You know what I mean, like oh, interesting,

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<v Speaker 1>like something where he like, I need you to go

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<v Speaker 1>back because you know, my security system shows me there's

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<v Speaker 1>some guys on my house. There's something like whatever, like

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<v Speaker 1>he's he could I know they said if they followed

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<v Speaker 1>him or something, but like some some way where he's like, yeah,

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<v Speaker 1>I need you to go find out that piece of information.

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<v Speaker 1>I needed to know who it was. And I knew

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<v Speaker 1>somebody would track you down because you look like the

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<v Speaker 1>weak link, you know, like they're not gonna come me.

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<v Speaker 1>They're gonna come at you as soon as we're separated.

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<v Speaker 1>But I knew you could handle yourself, you know, like

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<v Speaker 1>I could see something like that in the future of

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<v Speaker 1>the show where Hal realized you realize Hall's kind of

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<v Speaker 1>had it all under control from the beginning.

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<v Speaker 2>For sure. I really like that line of thought and

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<v Speaker 2>that kind of theory. The one thing that kind of

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<v Speaker 2>makes me questioned a little bit, and it doesn't make

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<v Speaker 2>it untrue, but it would just you know, at a

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<v Speaker 2>wrinkle or maybe a potential other reveal is when John

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<v Speaker 2>does decide to, you know, fess up and say, hey,

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<v Speaker 2>this went down. They didn't want me to tell you,

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<v Speaker 2>but like what do you know about manhunters? I do

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<v Speaker 2>believe that Hal is a manipulator. He he omits a

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<v Speaker 2>lot of things. But I believed him when he said

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<v Speaker 2>when he was like, you know, when he goes to

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<v Speaker 2>Sinestro and says, like, what do you like? I believe

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<v Speaker 2>him when he does not know about manhunters. It was

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<v Speaker 2>kind of like set up, like was how the one

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<v Speaker 2>that you know brought this this man hunter here for

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<v Speaker 2>you know, safe harbor? And I was suspecting, like a

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<v Speaker 2>couple of times in the episode, I was like this

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<v Speaker 2>carry is the is the sheriff the man Hunter? Because

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<v Speaker 2>it kind of feels like they have rapport?

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<v Speaker 1>Thank you? That is my exact I think that would

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<v Speaker 1>be if I was writing this show, she would be

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<v Speaker 1>the man Hunter. Like it's it may be a little

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<v Speaker 1>too obvious because she's the She's the only one they're

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<v Speaker 1>getting to know, So it would be the highest, most impactful,

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<v Speaker 1>and we've got a lot of runway to go left

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<v Speaker 1>on the show. It also just immediately who gets to

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<v Speaker 1>walk around the detectors? Who gets to not go through

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<v Speaker 1>the middle detectors the police? Like immediately I was like, Okay,

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<v Speaker 1>she's got Like I was thinking that actually before this episode,

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<v Speaker 1>and then this episode, I was watching it and that

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<v Speaker 1>Detector thing happened, and I was like, yeah, I think

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<v Speaker 1>she might be the Manhunter.

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<v Speaker 2>Yeah, but that alone, that like the mystery of who

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<v Speaker 2>is the Man Hunter? I think that is another reason

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<v Speaker 2>why this episode feels like we're kind of off to

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<v Speaker 2>the races already with episode two, and like this this

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<v Speaker 2>show has kind of got it. It's hook, you know,

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<v Speaker 2>like it's just it's so much fun, like who is

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<v Speaker 2>the Man Hunter? Anybody could be the Man Hunter? Like

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<v Speaker 2>I said, I believe how when he says he doesn't

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<v Speaker 2>know who the Manhunter is and he kind of suspects,

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<v Speaker 2>you know, Aben Suur his predecessor must have brought the

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<v Speaker 2>Man Hunter and that the Manhunter killed him. Now I

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<v Speaker 2>don't know, I suspect that the Manhunter did not kill Abbenser.

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<v Speaker 2>I think that's kind of a red red Hair scribe. Yeah,

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<v Speaker 2>I think the Manhunter is gonna end up being a

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<v Speaker 2>sympathetic character before this is all said and done, but

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<v Speaker 2>maybe not.

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<v Speaker 1>Yeah, I agree completely think that. I mean, well, for

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<v Speaker 1>one thing, I can't help but think this is Martian Manhunter.

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<v Speaker 1>I don't know if that's true. I think manhunters are

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<v Speaker 1>a different thing, at least at first Blush.

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<v Speaker 2>That's immediately where my mind goes as well, like Manhunter's

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<v Speaker 2>right there. Of course it's Martian Manhunter. He must be connected.

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<v Speaker 2>But I guess in the Green Lantern mythology, the Manhunters

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<v Speaker 2>are something a little different.

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<v Speaker 1>Okay, gotcha. I wasn't sure if like Manhunter was a

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<v Speaker 1>species or if it was like a type of like

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<v Speaker 1>kind of like the Lanterns or the Lanterns. I didn't

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<v Speaker 1>know if the man Hunters were like their own core

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<v Speaker 1>kind of not that not necessarily like a core like

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<v Speaker 1>a lantern core obviously, but like, could Martian, that last

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<v Speaker 1>Martian have become a Manhunter for a time and then

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<v Speaker 1>maybe he turned on the Manhunters to join Aben Sour

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<v Speaker 1>and get hidden in this place, and then that's how

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<v Speaker 1>he ended up on Earth, and then that's how we

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<v Speaker 1>like he has a backstory that connects to abn soor

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<v Speaker 1>is my mind's going. But I don't know anything about manhunters.

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<v Speaker 1>Hal Jordan doesn't know anything about Manhunters. We're all, I

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<v Speaker 1>guess we're all going to find out next episode, like

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<v Speaker 1>a little more about who the Manhunters are.

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<v Speaker 2>Yeah, I mean The one thing we do know is

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<v Speaker 2>that they apparently have the ability to shape shift, which

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<v Speaker 2>again is something that they share in common with the

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<v Speaker 2>DC version of the Martians. John Jones is a shape

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<v Speaker 2>shifter as well. So I could totally see a scenario where,

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<v Speaker 2>you know, the DC studio heads or the writers say,

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<v Speaker 2>they recognize that we're going to have the exact conversation

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<v Speaker 2>that we're having, So like maybe we make the Manhunters

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<v Speaker 2>and the Martians, you know, one and the same, or

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<v Speaker 2>maybe it's a faction that's evil. But there was the

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<v Speaker 2>character the subtitles named him as Anton, who was kind

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<v Speaker 2>of the leader of the group that abducted John there,

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<v Speaker 2>and that's where we really learned the most about the Manhunters.

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<v Speaker 2>And he described them as like synthetic beings, and that's

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<v Speaker 2>kind of what really differentiated them from the Martians. To me,

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<v Speaker 2>it sounded like they were almost like an artificial intelligence

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<v Speaker 2>that gained sentience and is just continuing on that trajectory

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<v Speaker 2>and that evolution.

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<v Speaker 1>Yeah, yeah, I didn't get and it actually didn't I

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<v Speaker 1>remember mentioning that now, but until you said, I didn't

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<v Speaker 1>actually catch that for whatever reason. So yeah, like I

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<v Speaker 1>wasn't sure at all, but it did seem like, why

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<v Speaker 1>would you do Manhunters twice? I don't know, it just

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<v Speaker 1>seems weird. It seems like a thing where like if

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<v Speaker 1>you're taking it into the movies or the TV verse,

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<v Speaker 1>you would like change the name slightly so that it

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<v Speaker 1>didn't give this misdirect of the margin Manhunter for people

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<v Speaker 1>that like that is such an obvious connection to DC

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<v Speaker 1>for sure. Yeah, a couple of cool DC connections this episode.

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<v Speaker 1>The Sheriffs from Gotham. That was fun. Ye, that's fun.

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<v Speaker 1>And of course seeing sin Estro. I don't know, I'm

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<v Speaker 1>I know that the Green Lantern movie was hated, but

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<v Speaker 1>I always like, I just I'm a guy who gets

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<v Speaker 1>excited for the next one, you know, whenever they do

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<v Speaker 1>like a hook and that one ending with like the

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<v Speaker 1>his his mentor turning dark and how like there's like

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<v Speaker 1>it was I think in the in the post credits

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<v Speaker 1>of Green Lantern with Sinestro, I was like, ooh cool.

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<v Speaker 1>I know this in the comics is a thing, but

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<v Speaker 1>I've never seen it. I was always excited, so seeing

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<v Speaker 1>this uh version of Sinestro is exciting to me. And

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<v Speaker 1>what Sinestro said was intriguing too. He said, oh yeah, oh, yeah,

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<v Speaker 1>he says, the man Hunter is your second greatest you're

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<v Speaker 1>facing Yeah, and then he said, so tell me more

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<v Speaker 1>about uh, John Stewart, John Stuart. So is he saying

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<v Speaker 1>John Stewart is his greatest threat?

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<v Speaker 2>That is exactly how I read it.

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<v Speaker 1>Yes, Like I'm wondering what that means. And we know

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<v Speaker 1>that Sinestra is an ex green lantern. Does that just

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<v Speaker 1>mean that you see that they're training your replacement. That

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<v Speaker 1>means they'reetting ready to get rid of you. Is that what

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<v Speaker 1>that means? Like that's a threat thing? Or is something

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<v Speaker 1>else going on with John Stewart? Oh?

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<v Speaker 2>Interesting? Yeah, No, that very very interesting question and I'll

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<v Speaker 2>be curious to see where it goes. But just knowing

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<v Speaker 2>what I know about Sinestro and the fact that he

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<v Speaker 2>was a green lantern that made the change to yellow,

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<v Speaker 2>and where the green cores is all about willpower, the

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<v Speaker 2>yellow cores is all about fear. So I took that

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<v Speaker 2>as like a manipulating manipulation tactically, like what what would

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<v Speaker 2>you know? What would how be scared of? What would

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<v Speaker 2>be his greatest fear is being replaced? Thinking that you know,

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<v Speaker 2>he he can no longer you know, have this power

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<v Speaker 2>and this responsibility that's made him who he is for

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<v Speaker 2>for so long. I mean, I may be stretching a

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<v Speaker 2>little bit, but I get the sense that How one

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<v Speaker 2>of the things he made. Well, we'll see where the

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<v Speaker 2>season goes, but I think there's gonna be a conversation

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<v Speaker 2>between How and John about their fathers. And I think

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<v Speaker 2>Hal has some unresolved trauma and and grief around the

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<v Speaker 2>death of his father where he just really kind of

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<v Speaker 2>like poured himself into becoming you know, the next test pilot,

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<v Speaker 2>and then that immediately went into being a green lantern.

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<v Speaker 2>So he's poured so much of himself into fulfilling that role.

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<v Speaker 2>When that gets taken away, what's what's he left with? Yeah, well,

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<v Speaker 2>I kind of love that. The construct with the bird, Oh,

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<v Speaker 2>it was just a fun you know, through line throughout

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<v Speaker 2>the episode.

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<v Speaker 1>It was fun, but it also really meant something.

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<v Speaker 2>At the end, Okay, where are you going with it?

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<v Speaker 1>We talked a lot about how he's he's still trying

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<v Speaker 1>to keep his his self private, his emotions private. Okay

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<v Speaker 1>to me, that bird did mean something to him. Oh yeah,

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<v Speaker 1>And at the end of the episode when haw asks him,

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<v Speaker 1>tell me about the bird, like clearly that meant something

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<v Speaker 1>to you. He's like it's just a bird and just

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<v Speaker 1>crushes it. And like that's just him still scared to

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<v Speaker 1>express himself, either because he's he scared to like show

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<v Speaker 1>who he is, scared to show emotion not necessary or

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<v Speaker 1>not scared is the wrong word. Like he's just resisting

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<v Speaker 1>showing emotion for whatever reason. And some of it, as

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<v Speaker 1>we discussed last episode, like being a black man and

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<v Speaker 1>like feeling like he can't screw up, like his dad said,

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<v Speaker 1>like you can get angry, he can get angry. You

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<v Speaker 1>can't get angry, you know, like we can't do that.

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<v Speaker 1>There's that whole thing, there's this superior officer thing, or

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<v Speaker 1>there's just something in him that he's been trained to

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<v Speaker 1>not allow his emotions to sort of get in the

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<v Speaker 1>way of being the perfect soldier. And like Hal knows

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<v Speaker 1>that those emotions and the will and like what you

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<v Speaker 1>create is a big part of being a green lantern.

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<v Speaker 1>And I think he's I think that's why the water

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<v Speaker 1>at the beginning, and that's why all this he's trying

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<v Speaker 1>to push him a little more to be a little

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<v Speaker 1>more open with with who he is. And I think

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<v Speaker 1>that bird was a representation of that and I loved it.

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<v Speaker 1>This episode is flitting around. It gave his character a

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<v Speaker 1>little just just a little mystery of like what does

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<v Speaker 1>the bird mean to him? You know, like and how

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<v Speaker 1>it felt like he just had this little buddy, this

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<v Speaker 1>little friend. I liked it a lot. I really liked

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<v Speaker 1>the bird. And then at the end, him just being

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00:14:13.399 --> 00:14:16.840
<v Speaker 1>willing to crush it was heartbreaking in a weird way,

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<v Speaker 1>like to me because I was like, what a cute

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00:14:18.799 --> 00:14:21.759
<v Speaker 1>little birdie and he just crushes it. But you know

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<v Speaker 1>that that's like like he was very protective of the bird,

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<v Speaker 1>like he caught it while he's like flying through all

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00:14:27.879 --> 00:14:30.200
<v Speaker 1>those cars and stuff, Like he was protective of the bird.

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<v Speaker 1>But then when asked what it meant to him, he's

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<v Speaker 1>just like, nothing means anything to me, you know. And

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<v Speaker 1>that's a that's a dark way to live. And I

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00:14:39.720 --> 00:14:41.279
<v Speaker 1>don't think how it's trying to pull it out of

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<v Speaker 1>him a little more.

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<v Speaker 2>Absolutely, Yeah, just I you know, this is totally speculation,

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<v Speaker 2>but I have to imagine at some point there's there

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<v Speaker 2>going to be some revelations about that bird, and it

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<v Speaker 2>might be in the form of a flashback. And the

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00:14:53.720 --> 00:14:55.960
<v Speaker 2>obvious place to go is, you know, maybe an interaction

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<v Speaker 2>with his father. You could we could see him as

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<v Speaker 2>a kid again and maybe he has this moment or

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<v Speaker 2>he wants to protect the bird, but the father encourages,

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00:15:03.279 --> 00:15:06.759
<v Speaker 2>you know, harshness or you know, don't be soft like that.

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<v Speaker 2>But the other thing that I kind of noted in

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<v Speaker 2>this episode, and I can't remember in episode one how

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<v Speaker 2>much we learned about what John's history before becoming a

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<v Speaker 2>lantern in training was. But he made the note about

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<v Speaker 2>where hal got shot. He said through the shoulder, you know,

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00:15:24.480 --> 00:15:26.360
<v Speaker 2>clean through. That was clearly a warning shot. So I

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<v Speaker 2>was like, okay, he's got some combat training.

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<v Speaker 1>Well he called him a sniper. I don't know. He

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00:15:32.360 --> 00:15:35.039
<v Speaker 1>said you snipers, that's right, which I don't think we

316
00:15:35.120 --> 00:15:38.320
<v Speaker 1>knew until until this. But he's like, you snipers are

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00:15:38.360 --> 00:15:40.159
<v Speaker 1>all the same or something like that. And then he's like,

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00:15:40.200 --> 00:15:42.159
<v Speaker 1>that's through and through. That's a great warning shot. Like

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<v Speaker 1>he's a sniper and knows knows a lot about being

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<v Speaker 1>a sniper.

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<v Speaker 2>Yeah, And he frequently refers to halis Jordan, which is

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00:15:51.320 --> 00:15:54.200
<v Speaker 2>a very like military coded thing or like police kind

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<v Speaker 2>of like you know, combat training kind of thing to

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<v Speaker 2>refer to your your colleagues by their last name like that.

325
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<v Speaker 2>But I'm wondering maybe, you know, with this bird again,

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00:16:01.440 --> 00:16:03.879
<v Speaker 2>maybe it'll be a flashback to a combat scenario he

327
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<v Speaker 2>was in where he wanted to, you know, protect an

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00:16:06.679 --> 00:16:09.840
<v Speaker 2>innocent that could have been represented by this bird, but

329
00:16:09.879 --> 00:16:12.000
<v Speaker 2>instead had to follow warders or make the tough call.

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00:16:12.159 --> 00:16:15.120
<v Speaker 1>Sure, so I wonder if it could connect to his mom.

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00:16:15.519 --> 00:16:16.879
<v Speaker 2>I thought about that for a second too.

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<v Speaker 1>Yeah, just because it's a I mean, it's just a

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00:16:19.279 --> 00:16:22.240
<v Speaker 1>story thing to connect to the parents. And we've seen

334
00:16:22.279 --> 00:16:25.240
<v Speaker 1>his dad and I'm sorry, if your dad is shooting

335
00:16:25.320 --> 00:16:27.960
<v Speaker 1>apples off your head, your mom is not in the picture.

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<v Speaker 2>Definitely not. Definitely not that is.

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<v Speaker 1>A single dad activity. I think. Yeah, I think you're

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00:16:39.000 --> 00:16:41.000
<v Speaker 1>totally right. I think we'll get some sort of flashback

339
00:16:41.039 --> 00:16:44.279
<v Speaker 1>that elucidates why the bird is important to him and

340
00:16:44.799 --> 00:16:49.399
<v Speaker 1>also like his sort of secret emotional core that he's

341
00:16:49.440 --> 00:16:53.159
<v Speaker 1>been so resistant to share because his dad trained it

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<v Speaker 1>out of him.

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<v Speaker 2>You know, Well, his dad didn't show up at all

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<v Speaker 2>in this episode. And I know we're here to talk

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<v Speaker 2>about episode two, but thinking back on episode one when

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<v Speaker 2>we wrapped last week, I kind of wanted to message

347
00:17:07.839 --> 00:17:10.319
<v Speaker 2>you immediately after we wrapped and say, hey, can we

348
00:17:10.359 --> 00:17:14.599
<v Speaker 2>pick up and do a quick recording here because episode

349
00:17:14.599 --> 00:17:17.440
<v Speaker 2>one ended on the cliffhanger of you know how, his

350
00:17:17.480 --> 00:17:19.480
<v Speaker 2>frozen body there in the bleachers, which we we got

351
00:17:19.519 --> 00:17:21.400
<v Speaker 2>to see him do again in this episode, fully leaning

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<v Speaker 2>into the Friday night lights of it all. But they

353
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<v Speaker 2>didn't even touch on that in this episode. I immediately

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<v Speaker 2>wanted to, you know, get back on and record because

355
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<v Speaker 2>I thought, and I know I'm not alone. I know

356
00:17:32.319 --> 00:17:34.359
<v Speaker 2>other people on the Internet have come to this conclusion too,

357
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<v Speaker 2>but Haligram, what if that was a haligram?

358
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<v Speaker 1>So absolutely absolutely could be a haligram. Good call, and

359
00:17:45.240 --> 00:17:46.880
<v Speaker 1>I would love it because I would really like to

360
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<v Speaker 1>as much as I want, obviously John Stewart to become

361
00:17:48.960 --> 00:17:50.759
<v Speaker 1>a lantern, I would love to see how Jordan stick

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00:17:50.799 --> 00:17:51.160
<v Speaker 1>around too.

363
00:17:51.240 --> 00:17:51.599
<v Speaker 2>I love this.

364
00:17:51.720 --> 00:17:54.279
<v Speaker 1>I love Booth the actors a lot, and it would

365
00:17:54.319 --> 00:17:57.039
<v Speaker 1>be a great twist if it's not training his replacement,

366
00:17:57.079 --> 00:17:59.319
<v Speaker 1>it's actually how Jordan's still gonna be around in the

367
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<v Speaker 1>universe with John Stewart as later and there could be

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<v Speaker 1>three lanterns on Earth.

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<v Speaker 2>Yeah, sure, sure, yeah.

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<v Speaker 1>Let's see. Oh, speaking of the bird, we're talking about

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<v Speaker 1>the bird a lot. You could see it on it

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<v Speaker 1>on I loved how they played it because as soon

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<v Speaker 1>as you created the bird and then took off the ring,

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<v Speaker 1>Hal's eyes did this thing where he's like, huh, his surprised.

375
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<v Speaker 1>It was a surprise in his eyes. And then we

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<v Speaker 1>find it out that like, not only is making a

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00:18:27.599 --> 00:18:32.359
<v Speaker 1>living construct impressive, but keeping it going after the ring

378
00:18:32.400 --> 00:18:35.920
<v Speaker 1>has been removed, and then he kind of not knowing

379
00:18:36.000 --> 00:18:39.720
<v Speaker 1>how much he's being challenged, he's able to hold on

380
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<v Speaker 1>to the will through all the stuff he goes through,

381
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<v Speaker 1>which I got a question a little bit, because how

382
00:18:45.400 --> 00:18:47.400
<v Speaker 1>do you hold onto your will when you're unconscious? Twice?

383
00:18:47.559 --> 00:18:50.160
<v Speaker 1>Good question. I was wondering about that. But maybe that's

384
00:18:50.200 --> 00:18:52.680
<v Speaker 1>the thing. Maybe you're maybe you're if your focus is

385
00:18:52.720 --> 00:18:55.480
<v Speaker 1>good enough, if your willpower is strong enough, even in

386
00:18:55.519 --> 00:18:58.920
<v Speaker 1>your dreams, you're you're you're focusing on that bird. But

387
00:18:59.119 --> 00:19:01.680
<v Speaker 1>he says, if you lose concentration, the bird will disappear.

388
00:19:01.759 --> 00:19:04.640
<v Speaker 1>And then he like keeps it through two being knocked

389
00:19:04.640 --> 00:19:07.920
<v Speaker 1>out twice, which yeah, that seems weird, but uh, they

390
00:19:07.920 --> 00:19:09.960
<v Speaker 1>but they call it him possible and then he says

391
00:19:10.000 --> 00:19:12.720
<v Speaker 1>it a little later, he's like, there's no there's no

392
00:19:12.759 --> 00:19:14.319
<v Speaker 1>way they're telling the truth though, because you would have

393
00:19:14.359 --> 00:19:19.480
<v Speaker 1>at least given me a Hurrah, right, which hourrah is Marines? Right? Generally,

394
00:19:20.119 --> 00:19:26.160
<v Speaker 1>uh rah is Marines. Okay, I'm wondering if maybe maybe

395
00:19:26.160 --> 00:19:29.000
<v Speaker 1>he was Marines. Maybe it's a marine sniper just given

396
00:19:29.039 --> 00:19:30.559
<v Speaker 1>to the but I don't know.

397
00:19:33.599 --> 00:19:37.680
<v Speaker 2>Yeah, I'm pretty sure how was Air Force? But h yeah,

398
00:19:37.680 --> 00:19:39.839
<v Speaker 2>it could be that that John was was geens.

399
00:19:39.920 --> 00:19:41.440
<v Speaker 1>Yeah, yeah, that's what That's what I meant.

400
00:19:41.759 --> 00:19:54.680
<v Speaker 3>Yeah, looking, I'm looking up the uh hohorrah associated with

401
00:19:54.680 --> 00:19:56.640
<v Speaker 3>what military branches to make sure I'm not like making

402
00:19:56.640 --> 00:19:56.960
<v Speaker 3>that up.

403
00:19:57.440 --> 00:20:02.880
<v Speaker 1>Oh, it's units, it's army battle cry. Hoorah is primarily

404
00:20:02.880 --> 00:20:04.440
<v Speaker 1>associated with the United States Army.

405
00:20:05.920 --> 00:20:09.039
<v Speaker 2>Oh, okay, I guess uh similar variations.

406
00:20:09.960 --> 00:20:10.480
<v Speaker 1>Interesting.

407
00:20:11.599 --> 00:20:12.799
<v Speaker 2>Yeah, in the Navy it's who.

408
00:20:12.720 --> 00:20:15.359
<v Speaker 1>Yah who yah. Yeah, it says, uh.

409
00:20:15.279 --> 00:20:16.599
<v Speaker 2>We get we get shipped for that.

410
00:20:18.880 --> 00:20:23.400
<v Speaker 1>Who rah rah is the Marine Marine Corps is the

411
00:20:23.480 --> 00:20:29.079
<v Speaker 1>US Navy, and who is the US Army to express agreement.

412
00:20:33.440 --> 00:20:34.759
<v Speaker 1>All right, that's enjoyable.

413
00:20:35.720 --> 00:20:40.119
<v Speaker 2>Yeah, there's something uh incredibly uh you know, it instills

414
00:20:40.160 --> 00:20:42.880
<v Speaker 2>a lot of camaraderie when you just you just start grunting,

415
00:20:43.160 --> 00:20:46.839
<v Speaker 2>you know, all together. It does something for the yeah

416
00:20:46.880 --> 00:20:47.880
<v Speaker 2>spirit the corps.

417
00:20:48.119 --> 00:20:48.720
<v Speaker 1>Absolutely.

418
00:20:49.240 --> 00:20:50.000
<v Speaker 2>Uh.

419
00:20:50.759 --> 00:20:53.640
<v Speaker 1>I was mistaken. I said, who rah it is the Army,

420
00:20:54.240 --> 00:20:57.519
<v Speaker 1>That's what I searched, But it's who ah is the

421
00:20:57.640 --> 00:21:00.240
<v Speaker 1>Army without an R. But they said an R in

422
00:21:00.279 --> 00:21:03.440
<v Speaker 1>the episode, so I don't know. That's closer to ourah

423
00:21:03.440 --> 00:21:06.200
<v Speaker 1>to me, which is the US Marine Corps. I don't know. Anyway,

424
00:21:06.440 --> 00:21:08.440
<v Speaker 1>I was wondering if that might be a small clue

425
00:21:08.480 --> 00:21:10.200
<v Speaker 1>to who he was, like where he's from.

426
00:21:11.559 --> 00:21:15.960
<v Speaker 2>Yeah, yeah, I uh. This may be based on some

427
00:21:16.039 --> 00:21:18.480
<v Speaker 2>comics interpretations, but I was always kind of under the

428
00:21:18.519 --> 00:21:20.759
<v Speaker 2>impression when it comes to John, like I get the

429
00:21:20.799 --> 00:21:23.400
<v Speaker 2>sense that he's like a combat like architect, Like I

430
00:21:23.440 --> 00:21:25.000
<v Speaker 2>know in the Navy, they have a unit called the

431
00:21:25.039 --> 00:21:28.039
<v Speaker 2>CBS and they kind of go ahead and they basically

432
00:21:28.240 --> 00:21:34.000
<v Speaker 2>build like the infrastructure for like a temporary like battle

433
00:21:34.039 --> 00:21:37.440
<v Speaker 2>station setup. So they're like, you know, creating roads and

434
00:21:37.519 --> 00:21:40.839
<v Speaker 2>they're basically architectural engineers but also have the combat training.

435
00:21:40.839 --> 00:21:42.960
<v Speaker 2>And I know that's an element of John Stewart from

436
00:21:43.000 --> 00:21:45.000
<v Speaker 2>the comics for sure. That's kind of what differentiates him

437
00:21:45.000 --> 00:21:47.640
<v Speaker 2>from the other Lanterns. He's got that architectural kind of

438
00:21:47.839 --> 00:21:51.079
<v Speaker 2>engineer mind when it comes to his constructs. So it

439
00:21:51.160 --> 00:21:54.079
<v Speaker 2>is interesting that he's so talented at creating a living

440
00:21:55.440 --> 00:21:58.599
<v Speaker 2>being in this interpretation or this adaptation.

441
00:21:59.039 --> 00:22:03.200
<v Speaker 1>Yeah, yeah, that's interesting. Yeah, he's he's apparently very talented lantern.

442
00:22:03.240 --> 00:22:07.640
<v Speaker 1>He's with very little practice that we can tell able

443
00:22:07.680 --> 00:22:09.799
<v Speaker 1>to do that. And and it was impressive that he

444
00:22:09.839 --> 00:22:13.119
<v Speaker 1>can even just do it. Looked like how was impressed

445
00:22:13.160 --> 00:22:16.279
<v Speaker 1>even just removing the ring. It's interesting. We talk a

446
00:22:16.279 --> 00:22:22.000
<v Speaker 1>lot about how little John seems to want to express

447
00:22:23.160 --> 00:22:25.480
<v Speaker 1>and how he's holding his cards close to his vest

448
00:22:25.559 --> 00:22:29.839
<v Speaker 1>or whatever, but really Hal is doing the same thing

449
00:22:30.279 --> 00:22:36.759
<v Speaker 1>at least when it comes to like honesty about lanterns,

450
00:22:36.839 --> 00:22:41.319
<v Speaker 1>honesty about the guardians, honesty about the training, like all

451
00:22:41.319 --> 00:22:44.880
<v Speaker 1>of that stuff seems very like like Hal's keeping a

452
00:22:44.880 --> 00:22:48.000
<v Speaker 1>lot from John, And I wonder what that what that is?

453
00:22:48.000 --> 00:22:51.240
<v Speaker 1>Is it similar where he's just part of his personality

454
00:22:51.240 --> 00:22:55.119
<v Speaker 1>that he's grumpy he doesn't want to be replaced, or

455
00:22:55.160 --> 00:22:57.119
<v Speaker 1>is there actually like a lack of trust there?

456
00:22:57.359 --> 00:22:59.960
<v Speaker 2>You know, I think it's a little bit of column,

457
00:23:00.039 --> 00:23:03.279
<v Speaker 2>a little bit of columb Yeah, at this juncture, because

458
00:23:03.279 --> 00:23:07.400
<v Speaker 2>it's you know, John had the conversation with Onton when

459
00:23:07.440 --> 00:23:09.960
<v Speaker 2>he kind of has he susses him out as an alien.

460
00:23:10.000 --> 00:23:14.799
<v Speaker 2>The word choice of proximity as opposed to closeness. We're

461
00:23:14.839 --> 00:23:18.000
<v Speaker 2>not not close at all. Yeah, that is a very

462
00:23:18.000 --> 00:23:18.799
<v Speaker 2>two sided coin.

463
00:23:19.680 --> 00:23:22.720
<v Speaker 1>Mmm. I think that's true. So I think a lot

464
00:23:22.720 --> 00:23:26.000
<v Speaker 1>of the sort of stilted vibe in the relationship is

465
00:23:26.039 --> 00:23:28.359
<v Speaker 1>really like they're still just so. They've been working together

466
00:23:28.359 --> 00:23:30.079
<v Speaker 1>for a while. I forget how long they said, was

467
00:23:30.119 --> 00:23:32.119
<v Speaker 1>it a year or whatever?

468
00:23:32.279 --> 00:23:34.039
<v Speaker 2>I cannot remember. I can last.

469
00:23:33.880 --> 00:23:35.680
<v Speaker 1>Episode he had mentioned he'd been you've been training me

470
00:23:35.720 --> 00:23:37.519
<v Speaker 1>for this long, you still haven't let me do this

471
00:23:37.720 --> 00:23:43.079
<v Speaker 1>or taught me to fly or whatever. So it seemed

472
00:23:43.359 --> 00:23:46.240
<v Speaker 1>as if that car crash last episode was the first

473
00:23:46.240 --> 00:23:48.680
<v Speaker 1>time he gave him the ring, Like it seemed that way.

474
00:23:48.680 --> 00:23:50.680
<v Speaker 1>I don't know if that's the case, but it was

475
00:23:50.720 --> 00:23:53.599
<v Speaker 1>like here and you want it, here it is, and

476
00:23:53.599 --> 00:23:57.200
<v Speaker 1>and gave him the chance to use it. But like

477
00:23:57.279 --> 00:24:00.319
<v Speaker 1>it's it's like he's testing him for his talent, like

478
00:24:00.359 --> 00:24:03.079
<v Speaker 1>the car crash and then the bird, but he's also

479
00:24:03.240 --> 00:24:05.680
<v Speaker 1>testing him for like whether he can trust him or

480
00:24:05.759 --> 00:24:08.079
<v Speaker 1>is he just a guardian stooge kind of you know

481
00:24:08.079 --> 00:24:10.599
<v Speaker 1>what I mean? Because I think Hal has the idea

482
00:24:10.640 --> 00:24:15.319
<v Speaker 1>of like being the green Lantern is more than just

483
00:24:15.400 --> 00:24:19.799
<v Speaker 1>serving the like sort of uh, chain of command. He

484
00:24:19.839 --> 00:24:22.440
<v Speaker 1>does his own thing, and I've been sure apparently did

485
00:24:22.480 --> 00:24:25.680
<v Speaker 1>the same thing, so right, Yeah, I don't know, it's

486
00:24:25.720 --> 00:24:26.920
<v Speaker 1>it's I'm enjoying the.

487
00:24:26.839 --> 00:24:30.200
<v Speaker 2>Show a lot. It's it's cool. Oh yeah, absolutely, yeah,

488
00:24:30.240 --> 00:24:34.440
<v Speaker 2>it's uh it's stellar quality. Damon Lindelof's doing his thing.

489
00:24:35.160 --> 00:24:37.960
<v Speaker 2>We're only two episodes in, but uh, I'm pretty pleased

490
00:24:38.000 --> 00:24:41.160
<v Speaker 2>with it thus far. Yeah, and I was not anticipating,

491
00:24:41.200 --> 00:24:43.279
<v Speaker 2>like they're doing a great job in terms of like

492
00:24:43.319 --> 00:24:46.599
<v Speaker 2>we got the suit in episode two, he's on another planet.

493
00:24:46.839 --> 00:24:49.920
<v Speaker 2>We're very interstellar kind of things. And in episode two

494
00:24:49.960 --> 00:24:50.759
<v Speaker 2>that's really exciting.

495
00:24:51.440 --> 00:24:56.119
<v Speaker 1>Yeah, yeah, that was and seeing that, just seeing the

496
00:24:56.200 --> 00:24:59.759
<v Speaker 1>lantern was cool. It reminded me a lot of Watchman

497
00:25:00.039 --> 00:25:03.640
<v Speaker 1>when they were like certain relics of the Watchman stuff

498
00:25:03.680 --> 00:25:05.599
<v Speaker 1>would like come out and just sort of beat these

499
00:25:05.640 --> 00:25:09.039
<v Speaker 1>little sci fi elements, you know. And seeing him charge

500
00:25:09.039 --> 00:25:12.319
<v Speaker 1>his ring and say the oath like very nonchalantly and

501
00:25:12.440 --> 00:25:13.960
<v Speaker 1>rush it's it felt so.

502
00:25:14.160 --> 00:25:16.599
<v Speaker 2>Wrong, like how many times have I done this? How

503
00:25:16.640 --> 00:25:17.920
<v Speaker 2>can I do it in the quickest way?

504
00:25:18.559 --> 00:25:22.559
<v Speaker 1>It reminded me a little of Luke Skywalker throwing his

505
00:25:22.640 --> 00:25:23.599
<v Speaker 1>lightsaber behind him.

506
00:25:23.720 --> 00:25:27.039
<v Speaker 2>Oh a little sacrilege. Yeah, yeah, a little sacrileges. Yeah,

507
00:25:27.079 --> 00:25:29.119
<v Speaker 2>I'm glad you brought up the lantern too, because we

508
00:25:29.200 --> 00:25:32.640
<v Speaker 2>you know, we talked about the potential of three lanterns

509
00:25:32.680 --> 00:25:37.039
<v Speaker 2>being out there between how Guy and John. But I

510
00:25:37.039 --> 00:25:39.880
<v Speaker 2>could be mistaken, but I kind of thought the design

511
00:25:40.039 --> 00:25:43.440
<v Speaker 2>of the lantern here and it's various iterations, like I

512
00:25:43.440 --> 00:25:46.240
<v Speaker 2>thought it was kind of a throwback to the original

513
00:25:46.480 --> 00:25:49.599
<v Speaker 2>original green lantern Alan Scott, who like debuted in like

514
00:25:49.640 --> 00:25:53.039
<v Speaker 2>the thirties where he was much more magic based and

515
00:25:53.160 --> 00:25:57.119
<v Speaker 2>a little more flamboyant in his in his garb and whatnot.

516
00:25:57.160 --> 00:26:01.720
<v Speaker 2>But fact that may have been a reference to that,

517
00:26:01.759 --> 00:26:03.680
<v Speaker 2>And if so, I applaud them for it.

518
00:26:04.079 --> 00:26:06.599
<v Speaker 1>That feels one hundred percent like something Lindeloff would do,

519
00:26:07.880 --> 00:26:11.000
<v Speaker 1>like after his Watchman stuff, like he just loved using

520
00:26:11.160 --> 00:26:15.599
<v Speaker 1>just like kind of really period stuff that felt much

521
00:26:15.680 --> 00:26:20.400
<v Speaker 1>older and and drawing connections to like imagined histories and

522
00:26:20.440 --> 00:26:23.759
<v Speaker 1>stuff in that show. And so I could I could

523
00:26:23.759 --> 00:26:28.799
<v Speaker 1>absolutely see that here. Let's see. I like the line

524
00:26:29.200 --> 00:26:32.240
<v Speaker 1>and this goes with him trying to get John to

525
00:26:32.759 --> 00:26:35.079
<v Speaker 1>loosen up and show him who he is. You know,

526
00:26:36.200 --> 00:26:40.000
<v Speaker 1>he has that line Jesus Christ, Almighty, unclench.

527
00:26:44.599 --> 00:26:46.160
<v Speaker 2>I really liked it.

528
00:26:47.039 --> 00:26:49.640
<v Speaker 1>Another helline I really liked was when he say he's

529
00:26:49.799 --> 00:26:53.480
<v Speaker 1>bantering back and forth with the sheriff and she says

530
00:26:53.480 --> 00:26:56.519
<v Speaker 1>something about it, well, it won't make my marriage an

531
00:26:56.519 --> 00:26:59.839
<v Speaker 1>he's smoother, and he says, your marriage is unsmooth.

532
00:27:00.640 --> 00:27:04.640
<v Speaker 2>Oh yeah, that kind of makes me think of when

533
00:27:04.640 --> 00:27:07.039
<v Speaker 2>he interrupts, like the town hall too, and he's sitting

534
00:27:07.079 --> 00:27:11.079
<v Speaker 2>with Jason Ridger's character and the sheriff's honey, and both answer.

535
00:27:11.359 --> 00:27:14.799
<v Speaker 1>So good, so good. It's so it's so cruel.

536
00:27:18.240 --> 00:27:22.160
<v Speaker 2>Are you all talking about me? Oh? You are talking

537
00:27:22.160 --> 00:27:22.599
<v Speaker 2>about me?

538
00:27:22.720 --> 00:27:24.960
<v Speaker 1>Yeah, this is a long pause. You're talking about me.

539
00:27:25.759 --> 00:27:30.279
<v Speaker 1>It's really good. Last thing I've got my notes is

540
00:27:30.559 --> 00:27:34.039
<v Speaker 1>them show showing John the tragedy. I kind of wish

541
00:27:34.039 --> 00:27:36.200
<v Speaker 1>we'd gotten some flashes of what he was seeing.

542
00:27:36.799 --> 00:27:37.799
<v Speaker 2>Yeah, that would have been nice.

543
00:27:38.599 --> 00:27:41.359
<v Speaker 1>It's it's an effective scene, but I just like there

544
00:27:41.359 --> 00:27:45.640
<v Speaker 1>were later moments when I was wanting like a visual

545
00:27:45.680 --> 00:27:49.160
<v Speaker 1>representation of John seeing it again or something like, there

546
00:27:49.160 --> 00:27:52.759
<v Speaker 1>were later moments when John was clearly I don't know

547
00:27:53.240 --> 00:27:56.720
<v Speaker 1>how affected is John by that vision, because it seems

548
00:27:56.759 --> 00:27:58.480
<v Speaker 1>like it could be a very powerful thing to make

549
00:27:58.519 --> 00:28:01.559
<v Speaker 1>someone live through the pain of the tragedy that everyone

550
00:28:01.839 --> 00:28:05.920
<v Speaker 1>there is a people experienced and I can't tell how

551
00:28:06.000 --> 00:28:11.359
<v Speaker 1>much John has been impacted by that. The fact that

552
00:28:11.400 --> 00:28:13.759
<v Speaker 1>he even brought it up to Howl almost immediately makes

553
00:28:13.799 --> 00:28:16.559
<v Speaker 1>me think he's less impacted, like he's he's still on

554
00:28:16.640 --> 00:28:17.359
<v Speaker 1>the hall side.

555
00:28:18.160 --> 00:28:20.559
<v Speaker 2>I agree, But there was an agree version.

556
00:28:20.319 --> 00:28:23.599
<v Speaker 1>Of this where he could have been like, uh, COSO

557
00:28:23.759 --> 00:28:27.519
<v Speaker 1>affected by seeing that tragedy that he's like near flipping

558
00:28:27.559 --> 00:28:29.920
<v Speaker 1>on hal You know, yeah, I.

559
00:28:29.839 --> 00:28:32.160
<v Speaker 2>Think part of it is the approach that they chose

560
00:28:32.599 --> 00:28:35.079
<v Speaker 2>to do that because he started off by saying, you

561
00:28:35.079 --> 00:28:37.599
<v Speaker 2>guys are about to torture somebody that doesn't know anything,

562
00:28:37.960 --> 00:28:39.599
<v Speaker 2>and they says, we're not going to torture you, We're

563
00:28:39.599 --> 00:28:42.160
<v Speaker 2>going to recruit you. But they effectively torture him because

564
00:28:42.200 --> 00:28:44.559
<v Speaker 2>I mean, that is very painful, and maybe in their

565
00:28:44.599 --> 00:28:47.000
<v Speaker 2>eyes I can see like, we're not torturing, We're showing

566
00:28:47.039 --> 00:28:50.440
<v Speaker 2>you the truth, We're showing your story. But I kind

567
00:28:50.440 --> 00:28:51.920
<v Speaker 2>of agree with you. That was my read to the

568
00:28:51.920 --> 00:28:56.319
<v Speaker 2>fact that even though he is questioning because he has

569
00:28:56.359 --> 00:28:59.079
<v Speaker 2>the conversation with Zoe, you know, can I trust him?

570
00:28:59.079 --> 00:29:00.599
<v Speaker 2>And she says, if you have to ask that question,

571
00:29:00.599 --> 00:29:04.839
<v Speaker 2>you already know the answer. He still confides in him

572
00:29:04.839 --> 00:29:06.680
<v Speaker 2>and how says like, did you go to the did

573
00:29:06.759 --> 00:29:08.519
<v Speaker 2>you go to the Guardians first? He says no, I

574
00:29:08.920 --> 00:29:12.599
<v Speaker 2>report to you. So again, even though it seems like

575
00:29:12.640 --> 00:29:14.559
<v Speaker 2>it's a little bit of a character flaw in some

576
00:29:14.640 --> 00:29:17.759
<v Speaker 2>regards at this point, how stoic he is, there's still

577
00:29:17.759 --> 00:29:20.599
<v Speaker 2>something to be said for that resilience, that will, that

578
00:29:20.799 --> 00:29:24.400
<v Speaker 2>training that he has yeah to be able to withstand

579
00:29:24.440 --> 00:29:25.279
<v Speaker 2>those kind of things.

580
00:29:26.400 --> 00:29:28.319
<v Speaker 1>And I think there's something really about that where he

581
00:29:28.440 --> 00:29:32.559
<v Speaker 1>is trying to be there is a moment where the

582
00:29:32.599 --> 00:29:35.000
<v Speaker 1>whole his whole character is based around this idea that

583
00:29:35.079 --> 00:29:38.680
<v Speaker 1>like they asked, how are you frightened? And he said no?

584
00:29:39.200 --> 00:29:43.240
<v Speaker 1>And that was supposedly a big part of what made

585
00:29:44.119 --> 00:29:47.880
<v Speaker 1>how Jordan howl Jordan, and that's what he's aiming for.

586
00:29:48.000 --> 00:29:51.759
<v Speaker 1>And so all that every you know, fear, desire, things

587
00:29:51.759 --> 00:29:54.119
<v Speaker 1>that are in his own mind seem like weaknesses to

588
00:29:54.200 --> 00:29:57.079
<v Speaker 1>him that he's trying to purge. And I think that

589
00:29:58.640 --> 00:30:00.680
<v Speaker 1>I really, like, I still feel like we're going to

590
00:30:00.720 --> 00:30:03.839
<v Speaker 1>find out that's either that's not the question he asked,

591
00:30:04.119 --> 00:30:06.319
<v Speaker 1>or that's not how he answered it, or John's going

592
00:30:06.359 --> 00:30:10.359
<v Speaker 1>to answer it differently. Something is going to happen around

593
00:30:10.400 --> 00:30:13.799
<v Speaker 1>that that is going to be revelatory, like as to

594
00:30:13.839 --> 00:30:18.880
<v Speaker 1>what that question truly means to to how and to John.

595
00:30:19.480 --> 00:30:22.519
<v Speaker 1>Like I'm waiting for some that to be a pivotal

596
00:30:22.559 --> 00:30:25.480
<v Speaker 1>moment in the show, either when we see it through

597
00:30:26.000 --> 00:30:29.480
<v Speaker 1>how it went through in reality versus the story, or

598
00:30:29.519 --> 00:30:30.519
<v Speaker 1>when we see John.

599
00:30:30.359 --> 00:30:33.799
<v Speaker 2>Go through it. Yeah, yeah, I think you're right. There's

600
00:30:34.000 --> 00:30:37.880
<v Speaker 2>like the answer to that question that you think that

601
00:30:38.759 --> 00:30:42.119
<v Speaker 2>he wants to hear, but the reality is no. I

602
00:30:42.160 --> 00:30:44.160
<v Speaker 2>want you to say that you do have fear because

603
00:30:44.759 --> 00:30:45.279
<v Speaker 2>you have to.

604
00:30:46.200 --> 00:30:50.240
<v Speaker 1>Yeah, yeah, Like fear is part of it. It's having

605
00:30:50.279 --> 00:30:52.559
<v Speaker 1>the will to keep fighting. You have to have fear.

606
00:30:52.599 --> 00:30:55.839
<v Speaker 1>You have to have a concern for others and yourself.

607
00:30:55.960 --> 00:30:59.160
<v Speaker 1>And I don't know, there's just a lot going on there,

608
00:30:59.480 --> 00:31:02.319
<v Speaker 1>but uh, it's it's kind of subtle. It's subtle so far,

609
00:31:02.359 --> 00:31:05.880
<v Speaker 1>which I like, there's obviously like I don't know, there's

610
00:31:06.039 --> 00:31:07.839
<v Speaker 1>it's such a it's such a fine line. It's like

611
00:31:09.000 --> 00:31:11.119
<v Speaker 1>we were talking we did a patron hang today for

612
00:31:11.160 --> 00:31:14.119
<v Speaker 1>them c Ucast and we were talking about like brand

613
00:31:14.200 --> 00:31:16.319
<v Speaker 1>new day, which I won't spoil here, but there's there's

614
00:31:16.319 --> 00:31:18.160
<v Speaker 1>a big pivotal moment in the thing that I feel

615
00:31:18.160 --> 00:31:20.680
<v Speaker 1>like wasn't set up well. But then I'm sitting there

616
00:31:20.680 --> 00:31:23.279
<v Speaker 1>thinking like how could they have set it up well?

617
00:31:23.519 --> 00:31:25.599
<v Speaker 1>And would it have crossed the line into cheesy if

618
00:31:25.640 --> 00:31:27.480
<v Speaker 1>they did set it up too well? Like you know

619
00:31:27.480 --> 00:31:30.240
<v Speaker 1>what I mean those things of like, uh, it's a

620
00:31:30.279 --> 00:31:35.279
<v Speaker 1>constant thing that shows if you, if you, if you

621
00:31:35.359 --> 00:31:39.640
<v Speaker 1>go too much into like explaining or giving too much

622
00:31:39.680 --> 00:31:42.920
<v Speaker 1>context to one of those pivotal moments, then it can

623
00:31:43.000 --> 00:31:47.680
<v Speaker 1>feel like like a mister Belvityer episode or whatever, like

624
00:31:47.720 --> 00:31:50.279
<v Speaker 1>you're just too much. It's like like you're sitting down

625
00:31:50.319 --> 00:31:54.480
<v Speaker 1>and saying the moral out loud, But then there's the

626
00:31:54.519 --> 00:31:56.640
<v Speaker 1>other version where you don't set it up enough and

627
00:31:56.680 --> 00:32:00.720
<v Speaker 1>then you don't get to feel the payoff of the emotion.

628
00:32:00.559 --> 00:32:05.240
<v Speaker 2>Like I think that's but is that actually actually that's

629
00:32:05.240 --> 00:32:08.160
<v Speaker 2>what they were saying for me? But it's open to interpretation.

630
00:32:07.720 --> 00:32:10.039
<v Speaker 1>Right, And I want I don't want to sprint spoil

631
00:32:10.119 --> 00:32:13.519
<v Speaker 1>brand new day on a Lanterns podcast, soft off, I'll

632
00:32:13.519 --> 00:32:20.559
<v Speaker 1>tell you what I'm talking about. That feels that feels rude. Yeah,

633
00:32:20.599 --> 00:32:22.640
<v Speaker 1>all right, Well, you got anything else you want to

634
00:32:22.720 --> 00:32:23.799
<v Speaker 1>mention about this episode?

635
00:32:24.400 --> 00:32:27.240
<v Speaker 2>No, I don't think so there's another solid episode. Like

636
00:32:27.240 --> 00:32:30.359
<v Speaker 2>I said, it feels like the season is kind of

637
00:32:30.359 --> 00:32:32.440
<v Speaker 2>finding its footing, and I feel like we're we're kind

638
00:32:32.440 --> 00:32:35.119
<v Speaker 2>of off to the races from here. So I'm I'm

639
00:32:35.160 --> 00:32:38.440
<v Speaker 2>pretty excited and enjoying it and looking forward to the

640
00:32:38.519 --> 00:32:39.039
<v Speaker 2>right ahead.

641
00:32:39.440 --> 00:32:44.279
<v Speaker 1>Yeah with you man, all right, well, uh, you want

642
00:32:44.319 --> 00:32:45.920
<v Speaker 1>to tell the people about anything you got going on.

643
00:32:46.640 --> 00:32:49.200
<v Speaker 2>Well you can catch both of us over on Multiverse News.

644
00:32:49.200 --> 00:32:51.119
<v Speaker 2>It's a stranded pan of podcast where we talk about

645
00:32:51.119 --> 00:32:53.759
<v Speaker 2>the latest and greatest in movie news, TV news, sometimes

646
00:32:53.839 --> 00:32:56.440
<v Speaker 2>video game news. So, uh, there's been a lot of

647
00:32:56.640 --> 00:32:59.200
<v Speaker 2>great things going on on over there with the D

648
00:32:59.319 --> 00:33:01.599
<v Speaker 2>twenty three and out to check that out. And then

649
00:33:01.880 --> 00:33:05.839
<v Speaker 2>for my personal stuff, I am I am developing a

650
00:33:06.000 --> 00:33:09.200
<v Speaker 2>short film, So check out at jay Scotti for Real,

651
00:33:09.599 --> 00:33:12.400
<v Speaker 2>my YouTube channel, and other social handles to find out

652
00:33:12.440 --> 00:33:15.640
<v Speaker 2>about that. Looking forward to rolling some stuff out very soon.

653
00:33:16.119 --> 00:33:19.880
<v Speaker 1>Sweet man. Yeah, I can't wait. And uh, well yeah,

654
00:33:20.160 --> 00:33:23.079
<v Speaker 1>I'm on those things too, And check out Marvelson Macivers podcast.

655
00:33:23.839 --> 00:33:26.880
<v Speaker 1>We've got a lot coming up with Vision Quest popping

656
00:33:26.960 --> 00:33:30.000
<v Speaker 1>in October, and then immediately after we get that, well

657
00:33:30.079 --> 00:33:34.839
<v Speaker 1>no before that, we have Endgame Encore coming out, and

658
00:33:34.880 --> 00:33:38.599
<v Speaker 1>we've got so we're talking about whatever the four minutes

659
00:33:38.640 --> 00:33:42.039
<v Speaker 1>they're adding to the movie or whatever. I'm sure we

660
00:33:42.079 --> 00:33:45.359
<v Speaker 1>will talk extensively about those four minutes. There will be

661
00:33:45.400 --> 00:33:48.319
<v Speaker 1>hours and hours of podcasting about those four minutes, for sure,

662
00:33:49.039 --> 00:33:53.240
<v Speaker 1>at least four hours, yes, four hour per minute. That's

663
00:33:53.240 --> 00:33:55.680
<v Speaker 1>about That's probably pretty fair about what we do over there.

664
00:33:55.799 --> 00:33:57.799
<v Speaker 1>So check out the marvels and macavers, pocast, and anything

665
00:33:57.799 --> 00:34:01.000
<v Speaker 1>else over strandapina dot com. We will be back very

666
00:34:01.079 --> 00:34:06.920
<v Speaker 1>soon right here on Always Watching, covering Lanterns Peace, We'll

667
00:34:06.960 --> 00:34:10.119
<v Speaker 1>be watching. Thank you for listening to Always Watching a

668
00:34:10.159 --> 00:34:13.360
<v Speaker 1>Stranded Panda podcast. If you dig this podcast and want

669
00:34:13.360 --> 00:34:15.440
<v Speaker 1>to see what else we do, go to strandedpana dot

670
00:34:15.440 --> 00:34:18.119
<v Speaker 1>com for all our other myriad of podcasts in this

671
00:34:18.400 --> 00:34:20.519
<v Speaker 1>geeky TV space. Thanks again
