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Speaker 1: W m n H will rip the novels.

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Speaker 2: You're listening to Mattconnorton Unleashed Tom w m n H

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ninety five point three.

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Speaker 3: You are listening to w m n H ninty five

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point three World premiere.

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Speaker 4: Times the Prison.

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Speaker 5: My mind is myself with all these consequences.

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Speaker 6: Who is simtos his hair col.

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Speaker 7: But I'm looking for light and a reason to go

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on walk someone's hand of wall and not feel some mons.

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Speaker 6: God knows something That word not honey and good times

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we had had something that was said.

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Speaker 5: Straight uptime mostly sorry, girl, looks like a straight potion

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the way Jesup passed snooks the Bouble show.

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Speaker 7: Just how long mispill that has so I guess.

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Speaker 8: My time has come now must be benoh lie right

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in can ride hoy.

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Speaker 9: L.

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Speaker 10: That's so good.

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Speaker 4: God knows that doesn't Ma born on the hody.

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Speaker 11: And to the Times feed here.

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Speaker 12: Just can't be.

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Speaker 13: So girl, I love it. That is the world radio premiere,

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the brand new single from Down Boys that is called

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to whom it may concern, And we're going to talk

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to these guys in just a second. Welcome everybody. We

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have entered our number two Newmarrow dose of Matt Connorton unleashed,

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and we are live from the studios of w m

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n H ninety five point three FM and Glorious Manchester,

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New Hampshire. Today is, of course, Saturday, December thirteen, twenty

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twenty five. Jenny is here at the news table and

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a little warmer in here. Now I've actually unzipped my coat. No,

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it's not, it's fun. It's fine, it's starting, it's starting

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to warm up. It's it's almost sixty degrees. Let's get

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these mics on for these guys here. Welcome, gentlemen, Hey,

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good morning morning. Let's start in the corner there. If

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each of you, Larry will start with you, if you

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can tell us who you are.

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Speaker 14: What you do in the band pretty much. I'm the man,

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Larry Williams.

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Speaker 13: I played drums, all right, very good, Welcome Larry.

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Speaker 15: I'm the understudy to the man Jason Sullivan. Okay, yeah,

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sing and play guitar okay, okay, and you.

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Speaker 16: Sir, I am John Clifford, bass player.

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Speaker 13: All right, welcome John.

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Speaker 17: My name is Bruce and I play guitar and I

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sing backup.

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Speaker 13: Bruce, I gotta get your hey, your mic up over here.

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I'm sorry no, no worries that Mike's plugged into a

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different board. Okay, say all that again, No worries.

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Speaker 17: My name is Bruce and I play guitar and I

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sing backups.

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Speaker 13: All right, very good. Well, it's wonderful to have you

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guys here.

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Speaker 16: Thanks for having us.

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Speaker 13: Two of you have been on the show before, right, yes,

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with day to attend and then, but you guys have

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never been on before, right correct? Okay, just making sure

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because sometimes I forget, like someone will. I've had this

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happen where someone will be like, well, you know, I

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was on the show like ten years ago, and I'm like,

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oh wow, it's hard to keep track. But no, I

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love the new song, thank you. That just now that's

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on all the streaming platforms and everything.

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Speaker 16: Now I assume Yeah comes out today.

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Speaker 13: Excellent, excellent, Well congratulations on that. Now, you guys are

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just you're just releasing singles at this point, right there's

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there's not an album or an EP yet, just over

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a year old. Yeah, yeah, it is a it is

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kind of a new project, right.

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Speaker 14: Most people are doing at this point. So yeah, that's

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where we're at.

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Speaker 13: Yeah, yeah, what do you like do you think you're

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going to do? Do an EP or an album eventually.

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Speaker 14: Yeah.

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Speaker 18: Yeah, we're working on plans now for a full album

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and probably by I said, by the end of twenty

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twenty six, oh something else.

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Speaker 13: Oh okay, excellent, excellent. Now where do you guys record?

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Because everything sounds really good, but there's so many different

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ways to do it.

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Speaker 14: Now.

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Speaker 13: You can go to a studio, you can do it

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at home, you can what's the approach that you guys

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take for.

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Speaker 14: Recording different at home?

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Speaker 9: Right?

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Speaker 17: Yeah, everything's been done at home, Like we we took

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a couple of different approaches. We tried some electronic kits

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on the first couple of singles and on this batch

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with him Make Concern and the next single that's coming

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out after it, we use the live drums. But everything's

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just basically, I bring my laptop to a space, we

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set up mics or whatever and just do it to it.

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It's all home home brewed.

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Speaker 13: Yeah, yeah, no, it's great. That's great. You did it

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with that way with all three You've got three total now, right,

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three songs that you totally you've recorded, Yeah, yep. And

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how did so how did this come about? How did

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down Boys? I mean, obviously you know two of you

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guys play together in another band, But how did how

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did this start?

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Speaker 19: I think I put this thing together, that band with

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those two guys, with Bruce and John. Yeah, eventually he

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was going to be the singer and and the band

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just dissolved right after that. Yeah, really work out. I

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joined a lot of bands. When I joined a lot

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of bands, is I never really liked the band, but

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I always find somebody or too right, They're just like,

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oh man, I got to get these two guys numbers

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right right. And it was pretty much all three of

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these guys. And when the band dissolved, I says, we

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get all do our own thing. Yeah, do originals. That

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was more of a cover thing.

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Speaker 14: Yeah, yeah, it was kind of fifty to fifty. I

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think when I joined it it was mostly covers though. Yeah.

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Speaker 19: Yeah, So I just found these guys I thought, you know,

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are very cute, but I mean they know they know

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how to play all right.

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Speaker 16: But the check claarer right right, I.

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Speaker 14: Had shot with There was no competition. It was nice.

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Speaker 13: Yeah, oh excellent. Did you guys play out a lot?

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Are you playing a lot of shows?

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Speaker 17: It looks like, right, yeah, we've had a lot of

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shows in this past year, and we've got a lot

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coming up for twenty twenty six. So yeah, we found

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ourselves surprisingly busy.

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Speaker 13: Yeah, no, that's great, that's great. Is it hard to

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juggle this with you know? Are you guys? Also? Do

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you have other projects also outside.

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Speaker 16: Of this or I have a total of three myself

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do Yeah?

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Speaker 13: What else you have?

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Speaker 18: So I actually can't say anything yet, So unfortunately there's

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things in the works.

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Speaker 16: Kind asked to keep it down low until it's time

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to announce it.

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Speaker 13: Okay, that's cool.

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Speaker 16: This is my main priority, but I'm involved in two

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other projects.

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Speaker 13: Oh, excellent, excellent. What about you, Jason?

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Speaker 15: Yeah, I have an acoustic duo, soul Shine, and we

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play out once a month. Nice kind of not anywhere

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where it would overlap with you know what we're doing

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now heatistically or anything like that, but yeah, stay active,

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been in and out of bands and in the scene

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for you know, the better part of a couple of decades.

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So yeah, I was happy to get the call and

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yeah and sit here and I think the work speaks

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for itself, and yeah, I think we're doing great. Absolutely

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wanted to add to the tour thing that was going on.

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You said, we're playing out we're hitting like almost every

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state in New England in the next like four months.

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Speaker 13: Good.

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Speaker 14: Yeah, it's pretty cool.

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Speaker 13: Excellent. Do you guys have a favorite place that you've played?

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Is there is there something that stands out or anywhere

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in Manchester brilliant.

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Speaker 19: I don't play a place called Charlie Still, it's a

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great venue, especially for new new bands.

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Speaker 14: And yeah, yeah, really good to us, and uh yeah,

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I think I do like it that.

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Speaker 17: I love Charlie too. Yeah, it's great sound, you know,

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it's like you said, great people. So it's that's probably

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been my favorite venue. We've played there a lot, so

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uh yeah.

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Speaker 14: They gave us a chance and uh, I don't know,

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it just took off from there.

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Speaker 19: They really liked us, and then we started getting other

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gigs and then they started calling us call them first.

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Speaker 14: Yeah, and they've been calling us ever since.

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Speaker 13: He's going to be coming on Mike Hill. He's gonna

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be He's gonna be on the show so very soon,

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I think, yeah, yeah, yeah, because that's a venue that

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comes up a lot on the show. Everybody loves Charlie Soul.

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Jenny and I haven't been there yet, but that's worth

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the trip. Everything everything we hear about it. Yeah, this

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sounds like a mad problem. Oops, it's amazing. I really

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do want to go on the suck it out? Yeah yeah,

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absolutely absolutely. All right, So where does the name come from?

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If it's is it is the origin story of the

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name radio friendly or yeah? Okay, well depends when you ask.

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Speaker 19: I mean, honestly, I don't even know. I think we

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do the down Boys song, so I don't know. It

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just sounded cool, Yeah cool. I think Jason is the

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one who ended up with that. We all had a

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bunch of names there would kind of all agreed on him.

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He's the biggest guy in the.

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Speaker 13: Band, right right, he gets his way.

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Speaker 14: Yeah, we all kind of hate it. We got the

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down Boys.

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Speaker 10: Yeah.

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Speaker 15: I don't know if we want to reveal the origin

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story yet. Yeah no, no, no, there's a bunch of

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theories out there. I kind of want to let it.

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Let everybody, let everybody figure out.

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Speaker 13: Yeah all right.

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Speaker 15: He's got two shepherds and we practice it at his place,

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so you know, he always says down Boys to his dogs.

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Speaker 13: Okay, that could be it could be one could be

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one okay, okay.

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Speaker 14: It could just be that.

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Speaker 15: It sounds like, you know, we're down for Anything or yeah,

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you know in the eighties and the Warrant song and

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then cool cool guys, right, yeah, got down.

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Speaker 13: Sort of you see you see that video and it's like,

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I don't know how cool they are, but you know

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what I mean the choreography and yeah, oh I thought

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that I actually like Warrant. I'm not even knocking the band,

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but I remember the first time I saw the video

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for Down Boys and they're they're all on their knees

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moving in Unison, and I was like, this is a

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little uh yeah, no choreography, insurance isn't good enough. Yeah,

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and it just to be clear, it's Down Boys. It's

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not the Down Boys boys, just Down Boys, very good,

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very good. And then so like this this song just

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came out, you're already working on the next one, because

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you guys probably you know, you're all creative guys. You

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probably have a lot of ideas.

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Speaker 19: We've got a bunch of already done, so we're working

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on recording them, not so much of working.

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Speaker 14: On the song. So yeah, yeah, little tweaks here and

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there for the recordings.

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Speaker 19: Yeah, Homonies and stuff like that, which have really really

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took off.

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Speaker 14: I think the Homedies in the stand of great. Yeah.

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Speaker 18: Yeah, we've actually already got our next single, Spirits Disappear,

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slated to come out in January. Oh wonder this one

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gets some time to breathe and get out there outstanding.

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Try to be a little bit ahead of the game

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and try to do maybe every thirty forty five days

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we'll put something new out.

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Speaker 13: Yeah. It's hard to know, right, I mean, it's hard

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to know how how soon is too soon or you know,

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or too long or it's exactly.

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Speaker 14: Yeah, we're at a good pace. We got seven seven

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I think we got seven originals.

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Speaker 19: Yeah, basically we wrote seven originals and then we instead

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of gotting to ten or twelve, let's let's go back

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and start recording when piece work. Yeah, yeah, we got

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seven that will come out.

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Speaker 13: Okay, okay, standing, you know, we.

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Speaker 19: Ask people which ones they want to hear first, you

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know what I mean? Yeah, which one do you think?

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And these were some of these were voted, right, I mean.

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Speaker 17: Yeah, yeah, this to whom we may concerned. It seems

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like when we played this this song live, for some reason,

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a lot of people resonate with to whom and make.

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Speaker 14: Concern almost everybody.

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Speaker 17: Actually, it's funny though, like depending on who comes up

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to you, like, someone will have a different song that

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they like of our so it's like, oh, I really

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like this one, and then another persons like, oh I

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rel like this one. But honestly, kind of the consensus

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has been to whom I make concern has been a pretty.

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Speaker 19: A lot of melodies, and there's still a lot of

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rock and roll guitar. You know, the drums are strong

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but not crazy. You know, it's not Metallica by any means,

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but right isn't boring.

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Speaker 14: I don't know, I love it.

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Speaker 13: Yeah, this is great, great track.

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Speaker 19: Everybody's writing melodies anymore. Everybody's just like I know the

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places we've everybody's screaming, really just screaming. Everything's drum solos,

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everything solo, solo solo.

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Speaker 14: Yeah, it's really had to understand the music. Although you know,

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the talent is that.

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Speaker 19: Wow, those probably type those and changes were insane and

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that's great sometimes, but sometimes you have the audience and

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you just want to understand the song to be able

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to dance.

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Speaker 14: To it and sing to it.

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Speaker 19: And right, I love rock and roll by Jon je

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It wasn't the hottest song in the world, but I

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mean once you hear it, you're singing it.

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Speaker 13: That's true, That's absolutely true. Yeah, yeah, I agree. I agree.

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Speaker 15: The creativity in this band is off the charts, like Uncharted.

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Our very last practice. We wrote two more really that

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were that were pretty much skeletons that are gonna that

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are going to be built off of and things like that.

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It's just like an unending conveyor belt of things that

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we're jamming out, writing, recording. Yeah, so I wouldn't expect

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us to stop anytime.

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Speaker 13: Yeah, yeah, excellent, excellent, Well we should play another one?

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What uh what should we uh? Which one should we

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play next? And then we'll we'll one of them will

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leave for the end of the show, I mean the

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end of the segment obviously, But which one should we

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play with now.

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Speaker 14: At this point?

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Speaker 16: How about My Kind of Animal?

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Speaker 14: Yeah?

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Speaker 13: Yeah, oh yeah, and this one we did a world

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premiere for it. When this absolutely all right, let's give

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this suspend if you're just joining us down, boys us

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00:15:48,360 --> 00:15:50,399
here with us in studio, and this track is called

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My Kind of Animal.

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Speaker 12: Cans that the.

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Speaker 20: One girl means young names Misterpeno, So.

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Speaker 4: Boy sing the race.

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Speaker 12: Be it by my shot name n.

301
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Speaker 10: Gon On.

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Speaker 4: You can have a real good time.

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Speaker 12: ACA.

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Speaker 4: You're crazy, I'm not.

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Speaker 12: You might cut.

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Speaker 4: You're crazy, I'm not ev You'm got a.

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00:17:15,559 --> 00:17:18,839
Speaker 8: Black tating song, blable.

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00:17:19,240 --> 00:17:24,200
Speaker 21: Breath and front your friend CONTs what have been stop

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all over tonight, friend, I.

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Speaker 4: Got strapped shutting my shot.

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Speaker 12: Soundful human times.

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Speaker 10: You don't up me?

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Speaker 13: We have a b U time.

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Speaker 21: You're crazy AV, I'm not me A. You're not cunning animal,

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you're crazy AV.

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Speaker 4: I'm not You're not whoab You're crazy? I'm not he

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you not conting.

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Speaker 10: Crazy?

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Speaker 21: Hev a love do not contingall you're crazy?

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Speaker 10: Hep not.

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Speaker 21: You not cutting fall the crazy about you're not.

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Speaker 9: There?

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Speaker 22: It is?

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Speaker 13: That is my kind of animal. The band is Down Boys,

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and we've got the guys from Down Boys here in

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the studio with us. And uh, that's a great track.

327
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We you know you heard it here first we played

328
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that when that first came out, and love it and

329
00:19:22,720 --> 00:19:24,240
now what what's what's that one?

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Speaker 9: Is that?

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Speaker 23: Like?

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Speaker 13: U is one of you a veterinarian?

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00:19:26,759 --> 00:19:26,880
Speaker 10: Or what?

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00:19:27,160 --> 00:19:28,799
Speaker 13: What's that song?

335
00:19:29,079 --> 00:19:30,839
Speaker 18: So that one was actually born out of a jam

336
00:19:30,920 --> 00:19:34,079
session up at Jason's place. Either Bruce and I started

337
00:19:34,119 --> 00:19:37,240
playing the riff. You know, we just kind of locked

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00:19:37,279 --> 00:19:39,519
onto it and said, all right, yeah, you know, I

339
00:19:39,640 --> 00:19:41,240
I kind of feel like it has kind of early

340
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Aerosmith kind of. But one of these guys came up

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with the idea, why don't we just take a few

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examples of some personal adult history's.

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Speaker 15: Trying to keep.

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Speaker 13: Yeah yeah, yeah, well well done, well done.

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00:20:00,759 --> 00:20:02,920
Speaker 16: But that one came about pretty easily out of the gym.

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Speaker 13: Yeah, yeah, is that? Is that how most of these happened?

347
00:20:06,039 --> 00:20:08,200
Because that's what these songs feel like. They feel like

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00:20:08,599 --> 00:20:08,880
some of.

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Speaker 14: Them are that way, some of them.

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Speaker 19: These guys have these all three of these guys. Because

351
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I'm the drummer, I don't have much, but you have

352
00:20:15,640 --> 00:20:20,519
a lot to say. Guys, either bring stuff to the table,

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or just before a break, he starts doing something.

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Speaker 14: I just can't help but put a beat to it.

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00:20:27,279 --> 00:20:29,960
Speaker 19: Yeah, he has his bass down, he's picking it back up,

356
00:20:30,000 --> 00:20:31,039
and then we don't take a break.

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Speaker 14: We end up just like jam it to something.

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Speaker 19: He comes up some kind of words, We record it,

359
00:20:36,200 --> 00:20:38,440
and then next time we come in and go because

360
00:20:38,480 --> 00:20:40,640
if he records it, like well, I'll remember what we did,

361
00:20:40,680 --> 00:20:43,119
because if you don't, you don't even remember something. When

362
00:20:43,119 --> 00:20:46,119
you're jamming, you know you having fun. He puts words

363
00:20:46,160 --> 00:20:48,440
to it before you know what their songs. Yeah, not

364
00:20:48,599 --> 00:20:53,160
all of them, but I think this way, even like

365
00:20:53,240 --> 00:20:55,319
our genres, I think they're all different some of them.

366
00:20:55,359 --> 00:20:56,799
You know, you might be like I kind to hear

367
00:20:56,880 --> 00:20:59,519
a little of this band and that, but not in

368
00:20:59,680 --> 00:21:02,480
all every one of them. We might hear something different,

369
00:21:02,599 --> 00:21:05,039
you know what I mean, Not to sound.

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Speaker 14: Like somebody today, you know what I mean. Yeah, it's

371
00:21:06,839 --> 00:21:08,119
been out a long time. Yeah.

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00:21:09,400 --> 00:21:11,000
Speaker 13: Do you guys have any like, is there anybody else

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00:21:11,039 --> 00:21:12,799
in the scene you kind of you know what happens organically,

374
00:21:12,839 --> 00:21:15,279
you've kind of sort of teamed up with, like for

375
00:21:15,440 --> 00:21:17,319
shows like that. Is there anybody who play a lot

376
00:21:17,359 --> 00:21:18,079
of shows.

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Speaker 14: With Mystic Angel? Yeah? Yeah, yeah, because it's convenient.

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00:21:23,359 --> 00:21:26,799
Speaker 13: Yeah yeah, yeah, up the drums once exactly. Yeah that

379
00:21:26,880 --> 00:21:27,319
makes sense.

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Speaker 14: Yeah, thumbs down The Angel dumbs down. Nathan Hills getting

381
00:21:32,240 --> 00:21:32,720
a little.

382
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Speaker 13: Yeah, Nathan Hill's great. Yeah, he's been on the show.

383
00:21:34,880 --> 00:21:36,640
Speaker 14: He's amazing. Yeah, yeah, great guy.

384
00:21:36,880 --> 00:21:40,559
Speaker 19: Absolutely, Yeah, I mean we've played with everyone, Lone Wolf James,

385
00:21:40,640 --> 00:21:44,720
I know he's been down. Anthony from Perching.

386
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Speaker 13: Sin nice Yeah, yeah, excellent, very vibrant scene. Yeah, absolutely, absolutely, no,

387
00:21:51,440 --> 00:21:53,519
it is incredible. You know, sometimes people will ask, like,

388
00:21:53,599 --> 00:21:55,200
you know, Jenny does a book, and people will ask,

389
00:21:55,240 --> 00:21:57,200
you know, where do you find all this talent to

390
00:21:57,279 --> 00:21:58,880
come on the show. It's like, well, it's everywhere.

391
00:22:00,039 --> 00:22:03,400
Speaker 19: Collectively, we all played everywhere. Yeah, he was covering for

392
00:22:03,559 --> 00:22:08,599
Exception for a while, great great metal band. And this

393
00:22:08,720 --> 00:22:12,000
guy's doing all our recording now yeah yeah, this guy's

394
00:22:12,039 --> 00:22:14,079
writing lyrics. Well those are all really hot at work,

395
00:22:14,119 --> 00:22:15,640
and I just came for them to put it together.

396
00:22:15,880 --> 00:22:22,039
Speaker 13: Yeah. Yeah, I'll tell you where to show up. You guys,

397
00:22:22,079 --> 00:22:24,759
do any if you made any music videos or anything

398
00:22:24,960 --> 00:22:26,240
for any of these songs?

399
00:22:26,319 --> 00:22:28,240
Speaker 16: Not yet, we have that in the works, ye too.

400
00:22:28,359 --> 00:22:32,279
Speaker 13: Yeah, yeah, because you guys are all you're you're very photogenic.

401
00:22:33,119 --> 00:22:35,839
Speaker 14: That's true. Yeah, I do have a face for reading.

402
00:22:37,240 --> 00:22:40,279
I looked like Alice Cooper a little. So yeah, you

403
00:22:40,440 --> 00:22:41,200
think that's cute.

404
00:22:42,559 --> 00:22:44,720
Speaker 13: But say the pictures that you you know, because most bands,

405
00:22:44,720 --> 00:22:46,960
you know, they just you know, kind of stand there,

406
00:22:47,079 --> 00:22:48,920
just look at the camera, you know. But you guys

407
00:22:48,960 --> 00:22:52,400
are you're very animated in your pictures, so you know, but.

408
00:22:52,440 --> 00:22:53,640
Speaker 14: It's an animated picture.

409
00:22:56,079 --> 00:22:58,440
Speaker 13: Well there you go. Somebody somebody drew it and it

410
00:22:58,519 --> 00:22:58,880
looks like.

411
00:22:59,440 --> 00:22:59,839
Speaker 14: One of them.

412
00:23:00,839 --> 00:23:05,200
Speaker 13: I'm just giving you type no, but I can just

413
00:23:05,319 --> 00:23:07,680
I can imagine. I can imagine you guys do it.

414
00:23:07,759 --> 00:23:10,160
But but there is something you might do as far

415
00:23:10,200 --> 00:23:11,960
as the video. Yeah, in the words, yeah, yeah, I

416
00:23:12,000 --> 00:23:12,680
can't see why not.

417
00:23:12,759 --> 00:23:15,000
Speaker 17: I mean, I think that any video presence is kind

418
00:23:15,000 --> 00:23:16,799
of important for any band nowadays, Like a lot of

419
00:23:17,359 --> 00:23:20,079
people use Instagram or Snapchat or whatever and just getting

420
00:23:20,400 --> 00:23:22,200
stuff out there, even it's not like a full fledged video.

421
00:23:22,240 --> 00:23:23,279
But I do think it would be cool to do

422
00:23:23,319 --> 00:23:24,720
a full video. I don't know what song we would

423
00:23:24,759 --> 00:23:26,480
do it for, but hell, it's doing for all of them.

424
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Speaker 14: I don't really care.

425
00:23:27,160 --> 00:23:30,599
Speaker 13: Yeah, yeah, yeah, it really is important. It's funny because

426
00:23:31,079 --> 00:23:33,240
like a lot of people who don't know, who don't

427
00:23:33,279 --> 00:23:36,640
pay attention, think that music videos are dead, like because

428
00:23:36,680 --> 00:23:40,160
they people have a perception that you know, once MTV,

429
00:23:41,119 --> 00:23:43,720
you know, stop playing videos effectively more than more than

430
00:23:43,720 --> 00:23:46,559
twenty years ago now and VH one probably did as well,

431
00:23:46,880 --> 00:23:48,680
that you know that that the art form of the

432
00:23:48,759 --> 00:23:51,119
music video is dead. And what what people don't realize

433
00:23:51,240 --> 00:23:53,400
is it's actually, I think more important than ever because

434
00:23:53,440 --> 00:23:56,400
of YouTube, you know, and what major artists who have

435
00:23:56,640 --> 00:23:59,559
like you know, a gazillion dollars will actually put out.

436
00:23:59,599 --> 00:24:01,880
I think I think Metallica did it. Beyonce has done

437
00:24:01,920 --> 00:24:04,920
it where they'll well released an album and literally for

438
00:24:05,119 --> 00:24:08,079
every single song on the album, there's a video, a

439
00:24:08,200 --> 00:24:10,680
fully produced, high budget video, and it's you know, it

440
00:24:10,839 --> 00:24:12,720
just goes on social media and of course, but it

441
00:24:12,759 --> 00:24:15,880
helps fuel the you know, the algorithms and and and

442
00:24:16,000 --> 00:24:18,440
sell and sell the music and and it's really more

443
00:24:18,559 --> 00:24:20,519
more important than ever. I think, you know, I think

444
00:24:20,559 --> 00:24:20,880
you're right.

445
00:24:20,920 --> 00:24:22,519
Speaker 16: I think it's just a different medium now.

446
00:24:22,680 --> 00:24:26,319
Speaker 13: Yeah, exactly, it's it's it's changed. But but but a

447
00:24:26,359 --> 00:24:28,240
lot of these videos too, you know, the like the

448
00:24:28,279 --> 00:24:30,400
big budget ones, they look like something you might have

449
00:24:30,480 --> 00:24:33,200
seen in the you know, in the the heyday of MTV,

450
00:24:33,359 --> 00:24:39,319
you know. So yeah, people people like and it's easy,

451
00:24:39,440 --> 00:24:41,519
like you can even make you can do something very

452
00:24:41,599 --> 00:24:43,640
I've seen some really creative things that are actually very

453
00:24:43,680 --> 00:24:46,880
low budget but end up being really impactful, you know,

454
00:24:46,960 --> 00:24:50,640
as far as music videos. So yeah, there's really there's

455
00:24:50,640 --> 00:24:52,240
really no limit to what you can do with the

456
00:24:52,279 --> 00:24:55,240
technology now. So it's incredible.

457
00:24:55,839 --> 00:24:58,440
Speaker 19: It's not everything right, that's right, and I could buy

458
00:24:58,599 --> 00:25:00,680
I could buy you the best guitar in the world, right,

459
00:25:00,799 --> 00:25:04,079
and this guy could play the cheapest one probably better.

460
00:25:04,079 --> 00:25:10,400
Speaker 13: Right, exactly exactly. Now what So what's kind of the

461
00:25:11,720 --> 00:25:13,680
future trajectory for you guys? Do you think like you

462
00:25:13,759 --> 00:25:15,160
have do you have kind of a long term plan

463
00:25:15,400 --> 00:25:16,240
or get rich?

464
00:25:16,440 --> 00:25:18,920
Speaker 17: You know yet our day jobs?

465
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Speaker 18: You know, I don't know if there's really a plan.

466
00:25:20,519 --> 00:25:23,039
We started this really just to have some fun. Yeah,

467
00:25:23,599 --> 00:25:25,400
we were doing our thing, having a good time. We'll

468
00:25:25,400 --> 00:25:27,559
go up to Charlie's every couple of weeks and yeah,

469
00:25:27,720 --> 00:25:29,960
out of nowhere, it's just when are you guys playing again?

470
00:25:29,960 --> 00:25:31,640
When are you guys putting stuff out? When are you

471
00:25:31,720 --> 00:25:33,720
doing an album? We're like, oh, okay, now what do

472
00:25:33,799 --> 00:25:33,960
we do?

473
00:25:34,240 --> 00:25:34,480
Speaker 13: Yeah?

474
00:25:34,599 --> 00:25:36,240
Speaker 18: So, I mean we have a few plans for like

475
00:25:36,480 --> 00:25:38,880
an album, maybe a video or two. We'll book some shows,

476
00:25:38,920 --> 00:25:40,839
but yeah, we're kind of just here for the ride.

477
00:25:40,880 --> 00:25:41,720
Let's see where it takes.

478
00:25:41,920 --> 00:25:42,119
Speaker 3: Yeah.

479
00:25:42,240 --> 00:25:43,759
Speaker 16: Yeah, it'll be as surprised as you.

480
00:25:44,119 --> 00:25:44,319
Speaker 24: Yeah.

481
00:25:44,480 --> 00:25:46,599
Speaker 13: Yeah, that's exciting. I mean, you know, it's a good

482
00:25:46,640 --> 00:25:48,519
way to approach it, I think, yeah, yeah, And when

483
00:25:48,680 --> 00:25:50,000
when is your next show? Like, do you ask have

484
00:25:50,000 --> 00:25:52,640
anything this weekend? Or when is oh tonight? Where are

485
00:25:52,640 --> 00:25:53,440
you playing tonight.

486
00:25:53,400 --> 00:25:55,440
Speaker 14: Right up the street here and Bad Burger. I guess,

487
00:25:55,519 --> 00:25:58,519
oh excellent down a new place now is that?

488
00:25:59,079 --> 00:26:02,799
Speaker 18: Yeah, we're doings Christmas party with the bottom motion, the

489
00:26:02,839 --> 00:26:05,440
bottom motive and thumbs down doors at eight.

490
00:26:05,519 --> 00:26:08,599
Speaker 16: I think a ten dollars cover charge. Where cool Christmas costume?

491
00:26:08,680 --> 00:26:10,079
Speaker 13: You may, oh that's cool.

492
00:26:10,240 --> 00:26:10,440
Speaker 14: Yeah.

493
00:26:11,240 --> 00:26:12,839
Speaker 13: Jenny and I went to Bad Burger for the first

494
00:26:12,880 --> 00:26:17,000
time to see uh it was under the horizon Vices Inc.

495
00:26:17,440 --> 00:26:20,599
And uh plague Dad. Yeah, that was a fun show.

496
00:26:22,200 --> 00:26:26,079
Speaker 15: Oh yeah, I love them take place.

497
00:26:26,240 --> 00:26:26,440
Speaker 14: Yeah.

498
00:26:26,480 --> 00:26:30,880
Speaker 13: See I took you there. That was not that long ago.

499
00:26:32,640 --> 00:26:43,839
See speechless. Yeah, Florida, I drove, drove, Yeah, we took

500
00:26:43,920 --> 00:26:46,519
our We were trying to figure out like, uh, we

501
00:26:46,599 --> 00:26:49,039
could just ask, but I would ruin the mystery the

502
00:26:49,160 --> 00:26:52,519
uh the giant Bad Burger truck that sits there. We

503
00:26:52,640 --> 00:26:54,920
were trying to figure out, like does do the owners

504
00:26:54,960 --> 00:26:57,319
have special permission from the city to just park that there?

505
00:26:57,440 --> 00:26:59,799
Or do they just pay pay all the parking every

506
00:26:59,799 --> 00:27:02,160
sing all day or just pay the ten dollars parking

507
00:27:02,200 --> 00:27:04,440
ticket every day or whatever. Yeah, but I love that.

508
00:27:04,559 --> 00:27:07,799
I love that John chart it is. Oh yeah, it's

509
00:27:07,839 --> 00:27:08,400
it's perfect.

510
00:27:08,480 --> 00:27:10,920
Speaker 16: Yeah, but we need be having that parking space tonight,

511
00:27:11,000 --> 00:27:11,440
but whatever.

512
00:27:12,319 --> 00:27:16,960
Speaker 13: Yeah, yeah, it's occupied twenty four seven, right, Yeah.

513
00:27:16,759 --> 00:27:18,519
Speaker 15: They seem to be a have a good strategy. You're

514
00:27:18,559 --> 00:27:20,559
doing a good job. They were on the billboard and

515
00:27:20,640 --> 00:27:23,160
the JumboTron on the way in that we saw as well.

516
00:27:23,319 --> 00:27:26,759
Speaker 13: Oh nice, Yeah, yeah, yeah, that's awesome. That's awesome. And

517
00:27:26,839 --> 00:27:29,680
then so and then after this, because a lot of

518
00:27:29,720 --> 00:27:32,200
bands kind of go into sort of a quasi hibernation

519
00:27:32,319 --> 00:27:34,400
during the winter, Are you guys gonna gonna keep playing

520
00:27:34,400 --> 00:27:35,359
shows through the winter or what?

521
00:27:35,480 --> 00:27:37,839
Speaker 16: We're gonna keep going? We have the next week, we're

522
00:27:37,839 --> 00:27:39,839
gonna be back up in Charlie still with day to attend.

523
00:27:40,079 --> 00:27:40,480
Speaker 13: Excellent.

524
00:27:40,519 --> 00:27:42,519
Speaker 16: If you check our website www.

525
00:27:42,759 --> 00:27:46,039
Speaker 18: Down Boys Rock dot com, we've already have January for

526
00:27:46,319 --> 00:27:48,680
January through mar maybook for twenty twenty six.

527
00:27:48,839 --> 00:27:51,880
Speaker 13: Okay, excellent, excellent, outstanding. Who does the website, by the way,

528
00:27:52,079 --> 00:27:55,000
that would be me, Oh, very good. I know it's

529
00:27:55,000 --> 00:27:58,240
an odd question to be asked, but I do because

530
00:27:58,240 --> 00:28:00,519
I like the website, and I'm a web site nerd,

531
00:28:01,119 --> 00:28:03,920
and I see a lot of bad websites. I'm sure

532
00:28:03,960 --> 00:28:04,599
you have as well.

533
00:28:04,680 --> 00:28:05,960
Speaker 16: Oh yeah, I'm sure this is one of them.

534
00:28:06,319 --> 00:28:08,240
Speaker 13: No, no, no, no, that's why I bring it up.

535
00:28:08,240 --> 00:28:09,319
Speaker 16: I have no idea what I'm doing.

536
00:28:09,400 --> 00:28:11,400
Speaker 13: No, it's a good it's a good site. That's why

537
00:28:11,440 --> 00:28:12,839
I bring it up. It's a good site. I see

538
00:28:12,880 --> 00:28:15,559
a lot of really bad websites, and this is a

539
00:28:15,599 --> 00:28:15,960
good one.

540
00:28:16,359 --> 00:28:16,680
Speaker 14: That's why.

541
00:28:17,000 --> 00:28:17,039
Speaker 9: No.

542
00:28:17,240 --> 00:28:18,640
Speaker 13: No, if I if I didn't like it, I wouldn't

543
00:28:18,640 --> 00:28:19,079
have brought it up.

544
00:28:19,160 --> 00:28:21,000
Speaker 16: I appreciate it. I just tried to keep it like

545
00:28:21,400 --> 00:28:22,599
meat and potatoes, no frills.

546
00:28:22,880 --> 00:28:25,759
Speaker 13: No, it's it's good. There's there's a good amount of information,

547
00:28:25,880 --> 00:28:28,759
but it's not overkill, and the layout is nice, and

548
00:28:29,000 --> 00:28:31,960
it's no, it's good. Like I said, I know, it's

549
00:28:31,960 --> 00:28:34,319
an odd thing to bring up, but I look. I

550
00:28:34,359 --> 00:28:36,000
look at a lot of websites, and I see a

551
00:28:36,079 --> 00:28:39,119
lot of musicians with really bad websites. So I like

552
00:28:39,240 --> 00:28:39,519
this one.

553
00:28:39,720 --> 00:28:41,640
Speaker 18: I do the website, and I do the social media

554
00:28:41,920 --> 00:28:45,119
exces in charge of most of the you know, music production. Okay, okay,

555
00:28:45,319 --> 00:28:48,400
everybody just kind of fell into a cool role. Yeah yeah,

556
00:28:48,440 --> 00:28:48,799
it happened.

557
00:28:49,440 --> 00:28:51,880
Speaker 13: Well that's nice too. And when when that happens naturally,

558
00:28:51,920 --> 00:28:54,160
when it's organic, when everybody just kind of finds their

559
00:28:54,400 --> 00:28:56,599
you know, their their role like that and uh no,

560
00:28:56,839 --> 00:28:58,359
you guys are you guys are doing great and I

561
00:28:58,599 --> 00:29:00,279
think you're gonna I think you're gonna have a very

562
00:29:00,279 --> 00:29:03,319
successful twenty twenty six. That's my prediction because you're you're

563
00:29:03,359 --> 00:29:06,880
definitely uh, you're definitely on the right track. Anything we

564
00:29:07,079 --> 00:29:08,599
you know, we'll we'll close out in a couple of

565
00:29:08,599 --> 00:29:10,480
minutes with do it Again. But any anything we didn't

566
00:29:10,480 --> 00:29:11,920
talk about that you want to make sure our listeners

567
00:29:12,000 --> 00:29:12,640
know about.

568
00:29:14,079 --> 00:29:15,480
Speaker 17: Not that I can think of, just come out to

569
00:29:15,559 --> 00:29:17,200
our shows. I want to have a couple of shout outs,

570
00:29:17,240 --> 00:29:20,839
maybe yeah, yeah to my mom, Uh, hello to my mother,

571
00:29:20,920 --> 00:29:24,319
Hello to my family and friends and everything, and uh yeah,

572
00:29:24,359 --> 00:29:26,359
thanks for thanks for having us and tuning in and

573
00:29:26,400 --> 00:29:27,720
all that. We really appreciate you guys.

574
00:29:28,160 --> 00:29:30,680
Speaker 13: Oh, speaking of tuning in, Tom Sirah Cusa is in

575
00:29:30,799 --> 00:29:34,160
the chat room, shout out to Jeff and Ed.

576
00:29:34,519 --> 00:29:36,799
Speaker 17: Yeah, yeah, boys, shout out to Aaron.

577
00:29:37,000 --> 00:29:38,519
Speaker 14: He's the bass player from DTA.

578
00:29:39,440 --> 00:29:42,599
Speaker 13: Tom said, a perfect opening song. Jason Sullivan has the

579
00:29:42,680 --> 00:29:47,359
perfect blues voice and tone. Great tune fellas. Congratulations, Yeah,

580
00:29:48,799 --> 00:29:49,759
very cool, very cool.

581
00:29:49,960 --> 00:29:50,079
Speaker 9: Oh.

582
00:29:50,200 --> 00:29:52,720
Speaker 13: Sheila Russo from Paper Jam is in the chat room,

583
00:29:52,880 --> 00:29:55,799
says I know her. Absolutely. We love paper jam.

584
00:29:56,000 --> 00:29:58,000
Speaker 16: Yeah, we were just featuring in November December.

585
00:29:58,079 --> 00:30:02,480
Speaker 13: Oh that's right, congratulations on that. Yeah, absolutely, yeah. Sheila says, hey, guys,

586
00:30:02,880 --> 00:30:06,240
I love the song totally uh totally down for this.

587
00:30:06,680 --> 00:30:12,160
See what she did, I just start trademarking. That's right,

588
00:30:12,319 --> 00:30:12,759
that's right.

589
00:30:13,640 --> 00:30:13,759
Speaker 20: Uh.

590
00:30:14,240 --> 00:30:17,599
Speaker 13: Tom Syracusa said, down Boys Baby, great new England rock

591
00:30:17,640 --> 00:30:20,759
and roll band. And uh, Mike Hill is a great

592
00:30:20,839 --> 00:30:22,920
human and a great soul. Yep, Mike's gonna be on

593
00:30:22,960 --> 00:30:25,119
the show soon. Really looking forward to that. And he said,

594
00:30:25,160 --> 00:30:28,680
love you guys, Yeah, absolutely absolutely. Tom's a great guy

595
00:30:28,680 --> 00:30:31,440
and we love day to attend. They're they're a great

596
00:30:31,480 --> 00:30:36,119
band too, so wonderful, so we'll so yeah, so go

597
00:30:36,279 --> 00:30:42,079
to the website uh for uh yeah uh down Boys

598
00:30:42,319 --> 00:30:44,759
rock dot com right, yep, down Boys rock dot com

599
00:30:45,480 --> 00:30:47,920
for everything. Yeah, down Boys was probably taken right Oh

600
00:30:48,000 --> 00:30:53,640
yeah yeah, well I won't ask, uh what what what

601
00:30:53,799 --> 00:30:55,799
you saw when you investigated the domain.

602
00:30:56,599 --> 00:30:57,799
Speaker 16: Where the down Boys can't go?

603
00:30:58,240 --> 00:30:58,359
Speaker 10: Right?

604
00:30:58,559 --> 00:31:03,000
Speaker 13: Right, where the Down Boys can't go? No, I like

605
00:31:03,039 --> 00:31:08,640
spontaneous song parodies. Guys, Thank you very much. I appreciate

606
00:31:08,680 --> 00:31:11,240
all four of you coming in and for having absolutely

607
00:31:11,559 --> 00:31:13,359
and we can close out the segment with this track

608
00:31:13,440 --> 00:31:15,480
do It Again? What what should we know about this one?

609
00:31:16,519 --> 00:31:18,000
Any anything, anything we should know about?

610
00:31:18,240 --> 00:31:20,079
Speaker 17: So I think the song Can't kind of came out

611
00:31:20,119 --> 00:31:22,359
from an idea John had that has been kicking around

612
00:31:22,400 --> 00:31:24,160
for a while and we've just kind of had different

613
00:31:24,200 --> 00:31:27,400
iterations of it throughout you know, the history of us collectively,

614
00:31:27,519 --> 00:31:29,839
and so yeah, I think we just kind of gave

615
00:31:29,880 --> 00:31:30,839
the music to Jason and.

616
00:31:32,599 --> 00:31:34,279
Speaker 14: Yeah, the first song might have been that mettle thing

617
00:31:34,359 --> 00:31:35,599
that's still not together yet.

618
00:31:35,759 --> 00:31:37,359
Speaker 19: Yeah, yeah, I think that might have been the first

619
00:31:37,359 --> 00:31:40,480
song we actually put together, right, Yeah, I think so.

620
00:31:40,960 --> 00:31:43,240
Speaker 13: Oh wow, okay, all right, very cool, very cool. So

621
00:31:43,319 --> 00:31:45,240
we're gonna give this a spin. This is called do

622
00:31:45,319 --> 00:31:47,480
it Again. This is down boys and again guys, thank

623
00:31:47,519 --> 00:31:48,680
you so much, Thank.

624
00:31:48,519 --> 00:32:25,839
Speaker 11: You, distubbery shot so gigo, we've got three hours.

625
00:32:26,039 --> 00:32:27,960
Speaker 7: Leader cool on.

626
00:32:28,160 --> 00:32:33,160
Speaker 22: The nor get't saus seed the safty.

627
00:32:35,559 --> 00:32:36,359
Speaker 24: Then you do.

628
00:32:38,240 --> 00:32:44,160
Speaker 12: Wild why a d.

629
00:32:46,039 --> 00:32:50,720
Speaker 25: He'd be still on my shoulder always being wrong has

630
00:32:50,839 --> 00:32:55,920
gotten a hole and A can wait to see the

631
00:32:56,279 --> 00:33:02,680
day where sern bling my top right for a think

632
00:33:02,880 --> 00:33:08,160
I by somebody top down in my pet.

633
00:33:08,119 --> 00:33:10,720
Speaker 4: Streaming nom yeah.

634
00:33:12,640 --> 00:33:13,119
Speaker 9: To the.

635
00:33:15,720 --> 00:33:18,880
Speaker 10: To to.

636
00:33:21,400 --> 00:33:38,440
Speaker 8: My God, blot your sell ball.

637
00:33:38,680 --> 00:33:41,799
Speaker 6: If you both in bad you have to boot.

638
00:33:44,319 --> 00:33:47,680
Speaker 22: Rookie sat zirro the ball.

639
00:33:49,880 --> 00:33:50,920
Speaker 14: Then you see.

640
00:33:52,599 --> 00:33:53,119
Speaker 17: Why you.

641
00:33:57,440 --> 00:33:57,720
Speaker 9: Y me.

642
00:34:00,319 --> 00:34:05,039
Speaker 20: Get it still around by shoulder, always mean long has

643
00:34:05,240 --> 00:34:12,400
got and I can wait to see the day wheel

644
00:34:13,280 --> 00:34:15,880
I turn now playing my god side.

645
00:34:16,360 --> 00:34:23,800
Speaker 4: What's thy gods? Myself by put your consent, Noma.

646
00:34:26,920 --> 00:34:35,679
Speaker 26: Stupid, stupid yet.

647
00:34:38,360 --> 00:34:41,480
Speaker 22: Struggle to feel a struggles go. You feel like you're

648
00:34:41,599 --> 00:34:45,320
down and out and you can't catch a break. And

649
00:34:45,400 --> 00:34:50,920
see if your goddamn life, you gotta pick yourself up

650
00:34:50,960 --> 00:34:53,519
by the distress, put yourself back in the game.

651
00:34:54,000 --> 00:34:54,719
Speaker 14: No one's coming.

652
00:34:54,960 --> 00:34:56,440
Speaker 13: You got see yourself.

653
00:34:59,079 --> 00:35:00,199
Speaker 1: Love me a.

654
00:35:02,239 --> 00:35:07,519
Speaker 25: Dish from my shoulder, always wrong as got.

655
00:35:09,079 --> 00:35:18,639
Speaker 26: And we just see the day when my well d

656
00:35:19,079 --> 00:35:25,679
and myself. Chicasta streams home much.

657
00:35:36,119 --> 00:35:38,400
Speaker 27: Nana's Kitchen and Pizzeria.

658
00:35:38,679 --> 00:35:44,719
Speaker 5: From Nana's hands to your plate tradition, love and taste.

659
00:35:44,840 --> 00:35:50,000
Speaker 23: That's great, so fermented dough flavor, so true.

660
00:35:52,440 --> 00:35:56,639
Speaker 16: Each bite, the story made just for you.

661
00:35:57,719 --> 00:36:01,440
Speaker 27: Six o three two three two nine three six six

662
00:36:02,239 --> 00:36:10,599
Nana's Kitchen and Pizza Reed fifteen Dartleuth Dry Auburn, Newhampshires.

663
00:36:15,039 --> 00:36:17,840
Speaker 3: The two greatest rock and roll bands of all time

664
00:36:18,000 --> 00:36:21,320
face off as the Chubb Theater hosts tributes to the

665
00:36:21,400 --> 00:36:23,159
Beatles and the Rolling Stone.

666
00:36:23,440 --> 00:36:26,199
Speaker 13: Beatles Versus Stones, a musical.

667
00:36:25,880 --> 00:36:28,559
Speaker 3: Showdown comes to Chubb Theater at the Capitol Center for

668
00:36:28,639 --> 00:36:32,599
the Arts on Thursday, December eleventh at seven thirty pm.

669
00:36:33,000 --> 00:36:36,079
Tickets can be purchased at the theater box office or

670
00:36:36,159 --> 00:36:40,599
online at CCA NH dot com. The Capital Center for

671
00:36:40,679 --> 00:36:44,320
the Arts is located at forty four South Main Street, Conquered,

672
00:36:44,360 --> 00:36:51,639
New Hampshire. The show is appropriate for all ages. Luigi's

673
00:36:51,719 --> 00:36:54,400
Pizza Bar and Grill the fun.

674
00:36:55,079 --> 00:36:59,559
Speaker 25: Let's praise his liceies with toppings all the ground.

675
00:37:00,159 --> 00:37:02,000
Speaker 4: It's a Pizza bario.

676
00:37:01,760 --> 00:37:07,000
Speaker 3: Mine Luigi's Pizza Bar and Grill, seven to twelve Valley Street, Manchester.

677
00:37:07,280 --> 00:37:10,119
Come on in or call six two two one zero

678
00:37:10,400 --> 00:37:15,440
two one. Luigi keeping the tradition alive since nineteen seventy five.

679
00:37:17,280 --> 00:37:19,119
Speaker 4: Pizza for every one.

680
00:37:19,800 --> 00:37:23,880
Speaker 1: Come join a past two nights with each slye sense

681
00:37:23,960 --> 00:37:24,199
of it.

682
00:37:24,880 --> 00:37:26,760
Speaker 10: Everything feels so right.

683
00:37:29,760 --> 00:37:31,960
Speaker 14: In times of crisis. You need a law firm that

684
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stands by your side.

685
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686
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687
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688
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689
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690
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691
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692
00:37:57,199 --> 00:38:00,760
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693
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694
00:38:04,480 --> 00:38:07,840
Speaker 29: I'll bring your kitchen to life with Queen City Cabinetry,

695
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696
00:38:12,119 --> 00:38:15,920
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697
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five thirty pm, in Saturdays ten am to two pm.

698
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Speaker 3: They can be reached at.

699
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Speaker 29: Six oh three two two two to zero zero seven

700
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701
00:38:30,920 --> 00:38:34,559
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702
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703
00:38:37,360 --> 00:38:40,119
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704
00:38:40,159 --> 00:38:41,920
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705
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706
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707
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708
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and a whole lot of jazz. We have twelve craft

709
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710
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and some of the friendliest bar tenders around. Please come

711
00:39:00,480 --> 00:39:03,039
visit Pembrook City Limits at one thirty four Main Street,

712
00:39:03,079 --> 00:39:06,840
the historic sun Cook Village, only six miles outside of Manchester.

713
00:39:07,280 --> 00:39:10,679
Open Tuesdays to Wednesdays four to ten Thursday's a Sunday

714
00:39:10,880 --> 00:39:11,599
eleven to ten.

715
00:39:11,960 --> 00:39:14,400
Speaker 13: Pembrook City Limits where it's all about the music.

716
00:39:14,639 --> 00:39:17,280
Speaker 3: Disneys Cafe is the place to put a smile on

717
00:39:17,360 --> 00:39:19,800
your face. Judy and the crew will take care of you,

718
00:39:20,039 --> 00:39:23,719
bring your appetite and treat your taste buds right. Business

719
00:39:23,800 --> 00:39:27,920
cafe is always a winning choice. Breakfast, lunch or supper

720
00:39:28,400 --> 00:39:32,639
Dizzne's Cafe at eight sixty Elm Street in downtown Manchester.

721
00:39:33,119 --> 00:39:36,000
Dine in, take out or make a reservation call six

722
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oh three, six oh six two five three two, Eat

723
00:39:40,320 --> 00:39:43,320
and drink and be happy Dizze's Cafe.

724
00:39:43,639 --> 00:39:46,400
Speaker 31: When it comes to keeping WMNH on the air and

725
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your own personal or business computer needs. Trust Groland Computers,

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733
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Speaker 1: Zero Midnight seven times out of ten we listened to

734
00:40:26,480 --> 00:40:33,079
our music at night don titled books program.

735
00:40:32,960 --> 00:40:37,000
Speaker 3: Late Night to Light with DJ Midas right here on WMNH, Manchester.

736
00:40:37,199 --> 00:40:37,639
Speaker 1: Do you want to know?

737
00:40:38,119 --> 00:40:42,880
Speaker 3: Because Saturdays and Sunday nights midnight to four am.

738
00:40:44,199 --> 00:40:48,880
Speaker 27: This hour on wm NH is sponsored by CGI Business

739
00:40:48,960 --> 00:40:53,760
Solutions located at five Dartmouth Drive in Auburn. They serve

740
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all your business needs including employee benefits, planning, corporate design

741
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and business administration, investments and wealth management and customized business

742
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insurance solutions. Their phone number is eight sixty six eight

743
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four one forty six hundred or on the web at

744
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CGI Business Solutions dot com.

745
00:41:16,440 --> 00:41:19,960
Speaker 2: Behold the harmony of airwaves as you immerse yourself in

746
00:41:20,039 --> 00:41:24,079
the captivating frequencies of w m NHLP, the sonic card

747
00:41:24,199 --> 00:41:27,760
meats of Manchester, transcending through the ether at ninety five

748
00:41:27,800 --> 00:41:31,559
point three megahertz frequency modulation or transmissions emanate from the

749
00:41:31,679 --> 00:41:34,320
zedith of one thousand l Streets to insure into the

750
00:41:34,400 --> 00:41:37,400
hearts of our creative realm at one nineteen Canal Street,

751
00:41:37,559 --> 00:41:41,400
where innovation and sound coluge. They're the impro moder of

752
00:41:41,519 --> 00:41:45,079
Manchester Public Television Service in the venerable city of Manchester,

753
00:41:45,199 --> 00:41:48,960
New Hampshire, USA. Enrich your auditory journey with the depth

754
00:41:49,000 --> 00:41:53,119
of our license to WESBINOSPT. Your missives did WMNH ninety

755
00:41:53,119 --> 00:41:56,519
five three at gmail dot com or traverse the virtual

756
00:41:56,599 --> 00:42:01,119
corridors of wmnhradio dot org. Engage with our sonic vibrations

757
00:42:01,159 --> 00:42:04,760
by communing with us through the digital channels or radio seconds.

758
00:42:04,880 --> 00:42:08,159
Eager to enthrall you with its rising cadence and envilap

759
00:42:08,199 --> 00:42:11,000
you with a symphony of foundless Oh that's war is one, dude.

760
00:42:15,199 --> 00:42:54,920
Speaker 10: W m n H rips the nobles where boy, oh.

761
00:42:54,920 --> 00:42:58,199
Speaker 1: I think God, Now, this one is to be joy

762
00:42:58,440 --> 00:43:02,880
that I was and I was a kid. I got

763
00:43:02,960 --> 00:43:07,360
my face up there not toilets with the geese side.

764
00:43:07,559 --> 00:43:13,440
Speaker 9: Then I wasn't always a stoop bum, but when I was,

765
00:43:14,119 --> 00:43:18,760
I was a jump I didn't always look.

766
00:43:18,719 --> 00:43:23,880
Speaker 24: As I used to have him go filled me with us.

767
00:43:25,960 --> 00:43:30,559
Speaker 1: I remember of the man times and picks them a bo.

768
00:43:33,320 --> 00:43:38,239
It feels like someone that's shopping their sad fuck off.

769
00:43:38,119 --> 00:43:42,039
Speaker 10: Of my arm rye.

770
00:43:42,599 --> 00:43:47,119
Speaker 1: Don you mess side called where no scene down the bomb?

771
00:43:47,239 --> 00:43:48,239
Speaker 12: Me roll alive?

772
00:43:49,119 --> 00:43:54,079
Speaker 1: I ride do you miss side call where no scene

773
00:43:54,360 --> 00:43:57,400
down the bomb? Me roll up live?

774
00:44:04,800 --> 00:44:17,639
Speaker 24: Yes, when I was in school, didn't make those grapes.

775
00:44:17,800 --> 00:44:21,920
Speaker 1: I was, yes, still being dumb fool. When I was

776
00:44:22,039 --> 00:44:26,920
still young, all I cared out proud Wis girls, but

777
00:44:27,400 --> 00:44:31,159
they didn't like my temples. I used to be such

778
00:44:31,239 --> 00:44:34,079
a stool before day.

779
00:44:34,039 --> 00:44:37,039
Speaker 8: As nine, crying on the floor.

780
00:44:37,800 --> 00:44:41,639
Speaker 9: They used to wear my fans read me of my

781
00:44:41,840 --> 00:44:48,280
milk money taking. When I was growing up, I remember

782
00:44:48,719 --> 00:44:50,320
the van times.

783
00:44:50,559 --> 00:44:56,679
Speaker 1: It didn't at my mom. It feels like someone is

784
00:44:56,840 --> 00:45:00,639
shoving the time like all of my Oh.

785
00:45:02,320 --> 00:45:08,440
Speaker 9: I ride down your nasie go no scene donna bob

786
00:45:08,639 --> 00:45:14,760
you roll alive? A ride done naside call WI no

787
00:45:15,079 --> 00:45:18,760
scene Donna Boby roll up live.

788
00:45:35,199 --> 00:45:35,400
Speaker 10: You know.

789
00:45:35,639 --> 00:45:37,760
Speaker 4: When I was a boy, my.

790
00:45:37,960 --> 00:45:41,400
Speaker 32: Father used to look down at me insane. What the

791
00:45:41,639 --> 00:45:45,800
hell is even then go outside and cut some grass.

792
00:45:46,599 --> 00:45:49,320
Why don't you go kids a girl, you stupid loser?

793
00:46:24,480 --> 00:46:29,320
Speaker 1: Rhy dot you nas I go way no scene down.

794
00:46:29,239 --> 00:46:35,039
Speaker 9: The Bomby, roll the line, I rhyme, dons I go

795
00:46:35,519 --> 00:46:37,480
way no scene down.

796
00:46:37,400 --> 00:46:40,159
Speaker 10: The Bomby road, up the line.

797
00:47:05,960 --> 00:47:09,400
Speaker 4: You right up to tea bad. I don't want to

798
00:47:09,480 --> 00:47:10,239
be like you.

799
00:47:11,480 --> 00:47:14,639
Speaker 33: I recognizable from the person.

800
00:47:15,559 --> 00:47:18,519
Speaker 4: Still she should it no better.

801
00:47:20,039 --> 00:47:24,119
Speaker 21: Sounded for a while now the probably trying.

802
00:47:25,559 --> 00:47:29,760
Speaker 12: I say, I don't want made sound no way hill.

803
00:47:33,880 --> 00:47:41,360
Speaker 10: Don't way hill? How he long guy? How he long?

804
00:47:45,159 --> 00:47:45,880
Speaker 8: No body?

805
00:47:46,239 --> 00:47:47,039
Speaker 10: I ca.

806
00:47:49,000 --> 00:47:53,199
Speaker 12: Hoddy long guy, how he loved.

807
00:47:56,559 --> 00:47:59,840
Speaker 33: She's trying to hit the ring, said but I don't

808
00:47:59,840 --> 00:48:04,280
want want to start. John said, ain't no please like choke.

809
00:48:04,639 --> 00:48:08,360
But it started like you want start, buddy, who wasn't

810
00:48:08,400 --> 00:48:09,079
what you want?

811
00:48:10,599 --> 00:48:11,079
Speaker 10: Said dot?

812
00:48:11,119 --> 00:48:14,639
Speaker 4: Why John is so we can't waste some man that

813
00:48:14,760 --> 00:48:15,840
we want to waste.

814
00:48:15,639 --> 00:48:23,760
Speaker 12: Some minutes jots some many way child that ain't long,

815
00:48:23,960 --> 00:48:35,039
guy that ain't long, my brody r d that ain't long,

816
00:48:35,239 --> 00:48:37,840
guy that ain't long.

817
00:48:47,559 --> 00:48:47,800
Speaker 9: M h.

818
00:48:52,280 --> 00:48:57,199
Speaker 8: I've got that shick can feeling what we used to yealing.

819
00:48:57,840 --> 00:49:02,480
Speaker 1: I don't know what to to still he shoot you,

820
00:49:03,559 --> 00:49:04,280
I got.

821
00:49:04,199 --> 00:49:09,719
Speaker 3: That sick chaffee out right down noway, so I don't

822
00:49:09,840 --> 00:49:13,400
know what sometime so so.

823
00:49:38,119 --> 00:49:42,440
Speaker 12: No way, that ain't a.

824
00:49:42,519 --> 00:49:45,599
Speaker 10: Long guy that long.

825
00:49:49,400 --> 00:49:50,159
Speaker 4: Don't put it.

826
00:49:53,239 --> 00:49:56,840
Speaker 12: That ain't a long guy that a long?

827
00:50:00,119 --> 00:50:04,719
Speaker 1: I got that, said Jeff, very like I'd always tell him.

828
00:50:05,719 --> 00:50:09,280
Speaker 8: I say, no, I so time sall I.

829
00:50:09,480 --> 00:50:10,639
Speaker 10: May sell y how.

830
00:50:35,039 --> 00:50:36,360
Speaker 24: Oh to see me.

831
00:50:36,519 --> 00:50:39,039
Speaker 1: Now if we did out would make you proud?

832
00:50:39,400 --> 00:50:41,679
Speaker 4: Go so far from all yesterday?

833
00:50:43,599 --> 00:50:44,280
Speaker 10: One for me?

834
00:50:44,800 --> 00:50:47,800
Speaker 4: Still not clear? How the hell do we get here?

835
00:50:48,159 --> 00:50:50,440
The lasting years Ancern and Sue.

836
00:50:50,239 --> 00:50:58,159
Speaker 26: A age's concerning them leave and you know there's nothing

837
00:50:58,320 --> 00:50:58,719
from me?

838
00:50:58,880 --> 00:51:01,920
Speaker 8: And I still I don't wanna tell.

839
00:51:04,760 --> 00:51:08,280
Speaker 12: Rick got up out the train? You want to go free?

840
00:51:09,599 --> 00:51:10,639
Speaker 10: Just a cry?

841
00:51:13,599 --> 00:51:16,199
Speaker 12: The Sultan's not.

842
00:51:19,519 --> 00:51:20,800
Speaker 1: Always chasing something.

843
00:51:20,920 --> 00:51:23,239
Speaker 4: You got to something in of you?

844
00:51:23,880 --> 00:51:26,039
Speaker 12: And am I going on my way?

845
00:51:28,360 --> 00:51:29,199
Speaker 10: Not gonna to me?

846
00:51:29,360 --> 00:51:33,199
Speaker 12: Awful look that you never thought that you I am

847
00:51:33,360 --> 00:51:35,760
lunching you and all god games.

848
00:51:41,199 --> 00:51:45,119
Speaker 10: I mean an there's nothing for me, I said, I.

849
00:51:45,480 --> 00:51:50,719
Speaker 4: Wanna tell sick, got up out the train?

850
00:51:51,639 --> 00:51:52,760
Speaker 10: You to go free?

851
00:51:54,039 --> 00:52:00,639
Speaker 1: Just money the Sultan, it's not.

852
00:52:24,719 --> 00:52:39,239
Speaker 12: Oh my, I don't want.

853
00:52:39,119 --> 00:52:39,800
Speaker 14: To tell.

854
00:52:42,519 --> 00:52:44,599
Speaker 4: I gotta got train you away?

855
00:52:45,000 --> 00:52:46,079
Speaker 10: You want to do free.

856
00:52:46,920 --> 00:52:56,440
Speaker 12: It's just a dollar CROs. The Sultan's not I don't

857
00:52:56,519 --> 00:52:57,559
want to tell.

858
00:53:00,320 --> 00:53:00,960
Speaker 8: This southing.

859
00:53:05,039 --> 00:53:05,519
Speaker 12: Don't what.

860
00:53:09,199 --> 00:53:09,840
Speaker 1: This southing?

861
00:53:15,599 --> 00:53:19,079
Speaker 13: Well, I don't know if you're wondering why on earth we.

862
00:53:19,199 --> 00:53:23,719
Speaker 34: Landed here with the struggle in the heartland, in our

863
00:53:23,840 --> 00:53:29,760
disconnected fear, we got politicians scream insanity, lying cold watch truth.

864
00:53:29,880 --> 00:53:32,480
Speaker 4: Right through that scene, I thought we were all.

865
00:53:32,440 --> 00:53:35,679
Speaker 34: In this together, huddled around this Liberty.

866
00:53:36,400 --> 00:53:37,719
Speaker 4: Is this my married?

867
00:53:38,960 --> 00:53:40,280
Speaker 12: Is this my married?

868
00:53:41,519 --> 00:53:44,599
Speaker 4: Shouldn't we stand two together as w.

869
00:53:46,639 --> 00:53:47,920
Speaker 12: Is this my Mary?

870
00:53:48,199 --> 00:53:48,519
Speaker 14: Come?

871
00:53:49,079 --> 00:53:51,079
Speaker 10: This is my Mary Come.

872
00:53:51,840 --> 00:53:54,960
Speaker 5: If it is, then we ain't even close to done.

873
00:53:56,400 --> 00:53:58,039
Speaker 8: We gotta take it to the cities.

874
00:53:58,920 --> 00:54:02,360
Speaker 33: We gotta take it to the streets, because these promts

875
00:54:02,400 --> 00:54:04,199
of division are tearing.

876
00:54:04,000 --> 00:54:06,159
Speaker 1: Down all our hopes and dreams.

877
00:54:06,760 --> 00:54:09,840
Speaker 13: I don't care if you're a Democrat. I don't care

878
00:54:09,880 --> 00:54:11,440
if you're out the state's right.

879
00:54:11,880 --> 00:54:15,079
Speaker 24: I don't care if you're independence. I don't care if

880
00:54:15,079 --> 00:54:16,559
you're black cold white.

881
00:54:17,079 --> 00:54:21,719
Speaker 12: This is my Mary Come, This is my bery comes

882
00:54:22,719 --> 00:54:25,599
home of the breed of breed.

883
00:54:27,280 --> 00:54:30,079
Speaker 4: This is my very come, This is this.

884
00:54:30,239 --> 00:54:32,000
Speaker 12: My Mary comes.

885
00:54:33,239 --> 00:54:35,039
Speaker 4: Huddle around miss Liberty.

886
00:54:38,320 --> 00:54:41,760
Speaker 1: We have not forgotten who we are. We are bound

887
00:54:41,840 --> 00:54:43,480
together near and for you.

888
00:54:43,639 --> 00:54:46,760
Speaker 10: And me, you and me, you and me, you and me,

889
00:54:47,239 --> 00:54:47,840
you and me.

890
00:54:49,519 --> 00:54:53,559
Speaker 1: Will we ride and Ica as our own?

891
00:54:57,239 --> 00:55:01,280
Speaker 12: So what is the truth? What is the truth?

892
00:55:02,239 --> 00:55:07,880
Speaker 1: The woody is a Meica through and through? Will you

893
00:55:08,199 --> 00:55:10,280
just open your eyes?

894
00:55:10,480 --> 00:55:15,079
Speaker 10: Will you just let her in? Because I hear the

895
00:55:15,280 --> 00:55:16,719
blowing of the wind.

896
00:55:19,039 --> 00:55:20,760
Speaker 4: Maybe it was just a pink house.

897
00:55:21,599 --> 00:55:23,199
Speaker 16: Maybe it was just a pink coat.

898
00:55:24,119 --> 00:55:27,599
Speaker 1: Maybe we should try to go, Maybe we should take

899
00:55:27,719 --> 00:55:30,920
it so. Maybe we should just have some fun.

900
00:55:31,760 --> 00:55:33,639
Speaker 16: Maybe we were both born to run.

901
00:55:34,320 --> 00:55:36,159
Speaker 8: Maybe we should just take a chance.

902
00:55:36,599 --> 00:55:39,880
Speaker 1: What else, maybe we should just get up and dance.

903
00:55:41,239 --> 00:55:47,079
Speaker 23: Is this my marya, This is my mery, come home

904
00:55:47,480 --> 00:55:54,159
of the brain and of the free America? Is this

905
00:55:54,320 --> 00:56:04,039
all Maryica? Around this liberty, cool stormry because the storm

906
00:56:04,119 --> 00:56:07,840
man flow of Mary, because the sun man. Every eye,

907
00:56:08,440 --> 00:56:14,480
every voice, every year, mister s Mary, because some men

908
00:56:14,599 --> 00:56:16,159
is our Mary.

909
00:56:16,039 --> 00:56:20,119
Speaker 12: Come man, come praying to us to guide.

910
00:56:19,840 --> 00:56:25,840
Speaker 10: Us clean down Mary, come get us our Mary.

911
00:56:26,199 --> 00:56:28,480
Speaker 1: Go every every eye.

912
00:56:28,800 --> 00:56:36,920
Speaker 23: Every voice, every year, mister our memy comes our merry, come.

913
00:56:38,000 --> 00:56:40,880
Speaker 14: Praying to the Lord to guide us clean.

914
00:57:03,039 --> 00:57:07,039
Speaker 10: It's it's.

915
00:57:12,239 --> 00:57:21,239
Speaker 14: It's books, Sis weeks seeks.

916
00:57:26,360 --> 00:59:14,320
Speaker 12: Some time, sustides speak songs, speech, s