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<v Speaker 1>Hello, and welcome to Castle of Horror, the show dedicated

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<v Speaker 1>to horror movies and awesomeness. We are a feat Spot

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<v Speaker 1>top one hundred horror podcast. This week we have a

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<v Speaker 1>look at the nineteen sixty eight Hammer Dracula film Dracula

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<v Speaker 1>Has Risen from the Grave. This is episode four hundred

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<v Speaker 1>and sixty two. Bear in mind if you haven't seen

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<v Speaker 1>today's movie, we're going to be talking here about up

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<v Speaker 1>from the perspective of horror fans who have seen it,

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<v Speaker 1>So warning spoilers ahead. From Denver, Colorado, I'm your host,

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<v Speaker 1>Jason Henderson, publisher at Castlebridge Media, home of the Castle

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<v Speaker 1>of Horror anthology. With me from Austin is Tony Savaggio,

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<v Speaker 1>lead singer and Basins of the band Deserts of Mars

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<v Speaker 1>and lead guitarist of the band Rise from Fireus Hey Loo,

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<v Speaker 1>Tony Howdy Howdy, also in Austin. Mister Drew Edwards is

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<v Speaker 1>the writer creator of the long running underground comic Halloween Man,

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<v Speaker 1>which you can find at Global Comics. He is a

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<v Speaker 1>Best Writer Ringo nominee, Austin Chronic Best of Boston Award

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<v Speaker 1>winner and a member of the Pen American Fellowship Say Hello.

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<v Speaker 2>Drew who has done this thing? Uh?

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<v Speaker 1>And finally also in Denver color. Commentary from a woman

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<v Speaker 1>that I walked with on a on a walking tour

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<v Speaker 1>of Haunted Denver this weekend, Julia Guzman of Guzman Immigration

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<v Speaker 1>of Denver Cy.

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<v Speaker 2>Hello.

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<v Speaker 3>Hello. I have to say that the ghost tour was

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<v Speaker 3>led by the host of Kessel Horror podcast, So that

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<v Speaker 3>was pretty That's true.

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<v Speaker 1>It was really, it was really a blast. It was

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<v Speaker 1>I spent like two weeks studying for that, and then

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<v Speaker 1>and then and then we hit and it was it

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<v Speaker 1>was great. We all learned all about haunted uh, Haunted

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<v Speaker 1>Denver all.

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<v Speaker 3>Right, super entertaining, super interesting.

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<v Speaker 1>Oh thank you. Some of it even brought me to tears.

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<v Speaker 1>There was like there's like one element of it that

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<v Speaker 1>literally just made me cry every time. So I was

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<v Speaker 1>I was really moved by that. Okay. Dracula Has Risen

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<v Speaker 1>from the Grave is a nineteen six British supernatural horror

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<v Speaker 1>film directed by Freddy Francis and produced by Hammer Film Productions.

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<v Speaker 1>Francis was the director of Tales from the Crip, Who's

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<v Speaker 1>like one of my favorite Amicus movies. It is the

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<v Speaker 1>fourth entry and Hammer's Dracula series third to feature Chris

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<v Speaker 1>Furley as Count Dracula. This is number three with Chris

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<v Speaker 1>Furlee the and the film stars Rupert Davies as a

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<v Speaker 1>clergyman who exorcises Dracula's castle and in doing so, Udding

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<v Speaker 1>unwittingly resurrects the Count back from the dead. Dracula Has

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<v Speaker 1>Risen from the Grave also stars Veronica Carlson, Barry Andrews,

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<v Speaker 1>Barbara Ewing, Ewen Hooper, and the One and Only beloved

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<v Speaker 1>Michael Ripper. It was followed by Taste the Blood of

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<v Speaker 1>Dracula in nineteen seventy. All right, so let's get our

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<v Speaker 1>opening thoughts, just a few thoughts to get us going.

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<v Speaker 1>I cannot wait to talk about this movie. This movie

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<v Speaker 1>is so beautiful that it has been oftentimes my desktop

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<v Speaker 1>on my phone. Let's go Drew, Julia Toni, and then

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<v Speaker 1>I'll go monsieur Drew. What are your opening thoughts? Dracula

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<v Speaker 1>Has Risen from the Grave.

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<v Speaker 2>I think this is a really really interesting entry in

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<v Speaker 2>uh the Dracula the Hammer Dracula canon. I think this

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<v Speaker 2>is one of the first that that really seems like

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<v Speaker 2>it's aimed squarely at the youth culture, and you have

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<v Speaker 2>this much more skewed idea of religion, and you have,

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<v Speaker 2>of course a you know, a a main character who

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<v Speaker 2>is an atheist, which I think is a really novel

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<v Speaker 2>idea for this, this kind of vampire movie. I think

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<v Speaker 2>that it's got a lot of really interesting, conflicted kind

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<v Speaker 2>of characters, which is really really really great when you

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<v Speaker 2>put them up against the in particular the Christopher lee

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<v Speaker 2>Uh version of Dracula, who, above anything else about his character,

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<v Speaker 2>is definitely not conflicted. You know, when he has a goal,

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<v Speaker 2>he goes right for it. You know, everybody else in

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<v Speaker 2>this movie is much more, let's say, all over the

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<v Speaker 2>place in their journey. I think also, unlike a lot

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<v Speaker 2>of the other Hammer movies, and this isn't a knock

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<v Speaker 2>necessarily because I enjoy almost I mean, you can go

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<v Speaker 2>back through this podcast and listen. I enjoy almost every

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<v Speaker 2>Hammer movie we review. But a lot of the characters

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<v Speaker 2>have a much more point A to point B kind

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<v Speaker 2>of arc to them in this movie. And I, you know,

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<v Speaker 2>as somebody that has spent my life writing, I really

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<v Speaker 2>appreciate that. And I don't know, I just think it's real.

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<v Speaker 2>You know, we'll get more into it, but especially this

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<v Speaker 2>time watching it, because this is a movie I have

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<v Speaker 2>seen a lot, and it is in fact one of

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<v Speaker 2>the first DVD that I ever bought. You know, it's

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<v Speaker 2>so it's a movie I've seen a hell of a lot,

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<v Speaker 2>but I got even more out of watching it this

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<v Speaker 2>time when we were doing it so close to some

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<v Speaker 2>of the other Hammer Draculus. You know, I think it's

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<v Speaker 2>it's it's an interesting jump in both style and and

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<v Speaker 2>you know text as well. And you know, I don't

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<v Speaker 2>want to give necessarily my whole thesis statement in my

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<v Speaker 2>opening thoughts, because I do have a lot of thoughts,

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<v Speaker 2>but I kind of want to save it for the conversation.

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<v Speaker 2>But needless to say, I think this is a really interesting.

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<v Speaker 1>Movie, wonderful. Thank you very much for kicking it off.

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<v Speaker 1>That's great, Julia. I think you liked this one a lot.

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<v Speaker 1>I mean you seem to what are your what are

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<v Speaker 1>your thoughts?

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<v Speaker 3>I mean I liked a lot of things about it,

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<v Speaker 3>But there was I sort of it was two minds

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<v Speaker 3>going through, Like some of the movie felt pretty unoriginal,

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<v Speaker 3>and then other then there was a couple of things

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<v Speaker 3>where I was like, well that's really interesting, but it's

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<v Speaker 3>just kind of I think, I don't know, I didn't

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<v Speaker 3>get a whole lot from the script, but I did, like,

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<v Speaker 3>I mean, I know you're a big fan of the set, Jason,

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<v Speaker 3>and the yeah, the idea, a couple of the ideas

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<v Speaker 3>behind it, especially the you know, the atheist hero that

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<v Speaker 3>was very interesting. So I think there's some moments that

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<v Speaker 3>I'm looking forward to discussing and hearing what you guys

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<v Speaker 3>have to say. But I feel like a lot of

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<v Speaker 3>it was just kind of like, okay, like checkbox, a

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<v Speaker 3>bunch of checkboxes for a Hammer Dracula film, which you know,

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<v Speaker 3>I mean, that's that's what makes it a Hammer Dracular film,

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<v Speaker 3>is that text boxes. So I think it's fine.

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<v Speaker 1>I love that idea that you could have a Hammer

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<v Speaker 1>Dracula film be sort of like a James Bond movie,

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<v Speaker 1>that there has to be like points along the way

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<v Speaker 1>that you have to do the thing, you have to

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<v Speaker 1>have a certain element, you have to have the plot

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<v Speaker 1>do a certain thing. And that's really wild that just

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<v Speaker 1>you know, this is the third Christopher Lee Dracula movie,

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<v Speaker 1>and already there are recognizable elements that they have to hit. Tony,

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<v Speaker 1>what are your thoughts.

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<v Speaker 4>Julia, I think Rain actually commented on something really similar,

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<v Speaker 4>likes like, how many drag movies do we have? And

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<v Speaker 4>how many this, this, this, and this now I I yeah,

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<v Speaker 4>there you get I, you know, but even that, like

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<v Speaker 4>I was kind of in between you and Drew because

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<v Speaker 4>I don't know if this is Mike, this certainly wouldn't

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<v Speaker 4>be up there my favorite Dracula movie. But one thing

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<v Speaker 4>I love about watching these hammered Dracula is even if

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<v Speaker 4>there is kind of hey, Dracula's going to do this

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<v Speaker 4>and then this is going to happen, et cetera, he

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<v Speaker 4>is going to, you know, seduce this woman, Like there's

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<v Speaker 4>I have yet to see one where there isn't like

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<v Speaker 4>several things that are fascinating or interesting you know that,

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<v Speaker 4>Oh well look, you know this one has a lot

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<v Speaker 4>of this rooftop stuff. It's got you know, an.

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<v Speaker 1>Arc for the character.

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<v Speaker 4>It's got a you know, Draculu's helper being a priest,

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<v Speaker 4>you know, his Renfield.

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<v Speaker 1>Like Andrew was saying, like.

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<v Speaker 4>That's that's interesting that that doesn't happen very often. So

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<v Speaker 4>there's all these bits, you know, the while they do

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<v Speaker 4>with while they deal with crosses, there's also a prayer

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<v Speaker 4>slash you know, mystical like ritual element to it. As

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<v Speaker 4>well for getting rid of a vampire in this So

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<v Speaker 4>the way that they go through the mythos as well

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<v Speaker 4>is really interesting. So while it's not my favorite, I've

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<v Speaker 4>always just really intrigued at how you get something interesting

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<v Speaker 4>no matter what, and that that's something you can't say.

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<v Speaker 1>For for kind of every franchise.

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<v Speaker 4>So I really enjoy I enjoy that aspect perhaps the most.

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<v Speaker 1>I really I thank you very much to me. I

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<v Speaker 1>really appreciate that there is a continuity such because we've

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<v Speaker 1>talked all the time about how films of this era

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<v Speaker 1>often wouldn't really bother attempting much at continuity, and so

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<v Speaker 1>it's always so wonderful when they actually do, like when

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<v Speaker 1>you leave Frankenstein's Monster underground and you find them later

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<v Speaker 1>underground and a block of ice, I mean. And so

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<v Speaker 1>it's always nice when when you're like, hey, they're they're

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<v Speaker 1>doing a continuity thing, even when they know that that

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<v Speaker 1>people we barely people of of prior decades before home video,

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<v Speaker 1>you know, you had no reason to expect that they

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<v Speaker 1>would remember how the last that ends. But I love

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<v Speaker 1>that they do this, and and uh so, uh uh,

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<v Speaker 1>let's just go right into it, because I want to

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<v Speaker 1>talk about Dracula in this So first I want to

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<v Speaker 1>talk about how he is resurrected, because Hammer Dracula always

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<v Speaker 1>starts out dead and always gets resurrected, well, with a few,

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<v Speaker 1>with a few, uh, with some with some exceptions, but

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<v Speaker 1>often it feels like the cliche. It feels like one

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<v Speaker 1>of the rules of the road that they're hitting.

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<v Speaker 3>And that would be the first one of the ones

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<v Speaker 3>I'm talking about where I'm like, oh, here we go

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<v Speaker 3>again with somebody just delivering blood to Dracula.

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<v Speaker 1>Yeah. So you remember at the end of Dracula Prince

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<v Speaker 1>of Darkness, Uh, Dracula and Barbara Shelley were out on

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<v Speaker 1>the eye and the ice was was over a river,

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<v Speaker 1>over running water in a moat around Dracula's castle, and

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<v Speaker 1>so the the roving anti vampire priest shot at the

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<v Speaker 1>ice and Dracula fell in and it was great. I mean,

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<v Speaker 1>I just never get enough of the beautiful awesomeness of

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<v Speaker 1>that of Dracula's icy demise. It never looks real, but

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<v Speaker 1>it looks like you're on a dark ride with Dracula

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<v Speaker 1>in it. And I dig that. So in this movie,

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<v Speaker 1>Dracula's still under that ice. I just think that's great.

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<v Speaker 1>They don't even bother to mention it to his dialogue.

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<v Speaker 1>They're just like, Dracula died a year ago and later

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<v Speaker 1>we find him in a river.

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<v Speaker 2>Well they say did they say? They do say, did

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<v Speaker 2>you know did he not die in your mountain stream

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<v Speaker 2>or whether something to the Okay.

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<v Speaker 4>Well, you didn't get he didn't flow that far. That's

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<v Speaker 4>the other thing. He's kind of got stuck right outside

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<v Speaker 4>the castle, like we expect him to kind of flow

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<v Speaker 4>out to see, but nope, he did kind of got

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<v Speaker 4>stuck on the grating or something.

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<v Speaker 3>Yeah, I mean so much for running water, Like, doesn't

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<v Speaker 3>seem to have run very much right.

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<v Speaker 1>Well, you know, he's sort of large, so he just

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<v Speaker 1>get hung up on something and you know, so he's there,

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<v Speaker 1>which is so silly. I would have been great there,

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<v Speaker 1>Like Dracula, you know, he gets his blood. He's like,

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<v Speaker 1>oh crap, I'm just stuck in this bike because rebirth.

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<v Speaker 1>I'm here at the bottom of a damn with a

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<v Speaker 1>giant catfish. That's just like it's stuck there making friends

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<v Speaker 1>with the catfish. And you know when we get out

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<v Speaker 1>of here.

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<v Speaker 2>What I love about the beginning of this movie is

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<v Speaker 2>you sort of have to accept that deer in all

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<v Speaker 2>of the action of uh, Dracula Prints of Darkness. Yeah,

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<v Speaker 2>Dracula mosied over to this church, killed a girl, hung

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<v Speaker 2>her up, hung her up in the bell tower, and

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<v Speaker 2>they went right back into the age.

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<v Speaker 1>It's a really good point because he had been dust

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<v Speaker 1>prior to that, until they until they hung up Paul.

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<v Speaker 3>I guess if okay, wait, wait, wait, you've lost me

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<v Speaker 3>and I just watched this movie. Why don't we start

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<v Speaker 3>from the beginning.

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<v Speaker 1>Okay, Dracula Prince of Darkness the movie before this, Remember,

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<v Speaker 1>Dracula starts out as dust because he had turned to

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<v Speaker 1>dust at the end of the first movie. Okay, Then

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<v Speaker 1>the two couples come to visit Dracula in his castle,

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<v Speaker 1>and then in the night, one of them, Paul, is

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<v Speaker 1>murdered and hung up by his heels and his throat slit,

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<v Speaker 1>and that blood brings Dracula back.

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<v Speaker 2>Right.

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<v Speaker 1>Yes, of course, this movie establishes that wild Racula is

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<v Speaker 1>awakened and messing around with those couples and doing all

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<v Speaker 1>this stuff he does in that movie. He also went

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<v Speaker 1>into this town and killed a girl and hung her

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<v Speaker 1>up in a bell tower, and then went back to

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<v Speaker 1>the business of Dracula, Prince of Darkness, and then he

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<v Speaker 1>got killed on the ice.

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<v Speaker 3>It happened, but before Dracula was killed. It's not something

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<v Speaker 3>else I thought maybe I thought maybe it was somebody

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<v Speaker 3>another vampire that don't.

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<v Speaker 2>No, there's there's a time lapse, okay, the which is

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<v Speaker 2>why we get all the depressed villagers that won't go

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<v Speaker 2>the church because the shadow of the castle falls on it.

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<v Speaker 2>It's a bit it's a bit convoluted, I admit. But

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<v Speaker 2>one of the things that I love about it is

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<v Speaker 2>that if it means is if this monsignor had just

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<v Speaker 2>let the townspeople not go the church, right, none of

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<v Speaker 2>this would have happened.

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<v Speaker 3>Okay, so so so on on playing monign advocate here,

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<v Speaker 3>I would say that he would rather save their souls

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<v Speaker 3>than save their bodies. Now, of course if they turn advantage.

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<v Speaker 2>Yeah, but he is. But that's the That's the thing

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<v Speaker 2>that's kind of fascinating to me about this character is

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<v Speaker 2>he's sort of he reminds me a bit of Father

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<v Speaker 2>Sandor from from the previous movie, but he's in Sandor

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<v Speaker 2>is kind of charming in his abrasiveness. This guy, when

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<v Speaker 2>he goes abrasive, just he kind of you know, oscillates

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<v Speaker 2>between being very warm and fuzzy and then being a

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<v Speaker 2>straight up dickhead. And the way he he sort of

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<v Speaker 2>bullies this this drunken priest into going up into the

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<v Speaker 2>mountains and performing an exorcism with him is super dickish.

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<v Speaker 2>And I I don't know if that was intentional, but

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<v Speaker 2>I kind of hope it was because I think this

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<v Speaker 2>movie has a much more complex relationship with a religious

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<v Speaker 2>authority figure that it's sort of it's sort of getting

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<v Speaker 2>you know, if you look at this in the the

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<v Speaker 2>Larger Cannon of Hammer vampire films, you know, like you

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<v Speaker 2>think think about twins of evil, like Peter Cushing's character

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<v Speaker 2>in that who is a minister, but he's also just

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<v Speaker 2>a straight up villain. This character, yeah, this character is

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<v Speaker 2>not that. But it is showing a sort of a

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<v Speaker 2>starting of a strained relationship with with religious faith in

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<v Speaker 2>these movies that I find really interesting.

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<v Speaker 1>That's the the I like. I like that you said that.

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<v Speaker 1>I just want to point out that this You're right,

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<v Speaker 1>that this guy is very conflicted because, for instance, when

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<v Speaker 1>they climb up to Dracula's castle and by the way, okay,

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<v Speaker 1>one thought at a time when they climb up to

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<v Speaker 1>Dracula's castle. He does allow the priest to remain behind.

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<v Speaker 1>He's like, look, it's okay if you know, if you

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<v Speaker 1>don't have the energy.

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<v Speaker 3>Yeah, because his premise was that he needed a guide,

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<v Speaker 3>basically right, But.

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<v Speaker 1>He leaves him behind, and because the guy's too afraid

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<v Speaker 1>to go up, and I thought it was it's actually

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<v Speaker 1>fairly mention of him to leave him behind, Like he's like,

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<v Speaker 1>it's okay, you can you can wait here. You don't

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<v Speaker 1>have to go all the way.

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<v Speaker 2>But you know what a bit even more minshi, Yeah,

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<v Speaker 2>just letting the people be right and not setting in

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<v Speaker 2>motion a Dracula rampage.

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<v Speaker 1>I suppose. I suppose that is true, but I just

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<v Speaker 1>wanted to mention.

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<v Speaker 3>That nobody does achieve his task of making the castle

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<v Speaker 3>Dracula proof anyway.

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<v Speaker 1>Coaches, Well, that that's sort of Drew's points is that

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<v Speaker 1>is that you know these things, every action has an

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<v Speaker 1>equal and opposite reaction. Like he goes to exercise the

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<v Speaker 1>castle and make it so Dracula can't use it, and

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<v Speaker 1>Dracula goes on a gosh darn rampage.

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<v Speaker 3>The only reason Dracula goes on a rampage is because

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<v Speaker 3>he accidentally got brought back to life, which was not

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<v Speaker 3>the intention of the right.

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<v Speaker 2>Yeah, I'm just saying that this is a movie that

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00:16:51.320 --> 00:16:54.600
<v Speaker 2>would be better off if everybody in this movie would

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00:16:54.600 --> 00:16:56.679
<v Speaker 2>have been better off if he had just said, you

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<v Speaker 2>know what, you're a drunk priest. Yeah, olive your breath,

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00:17:00.080 --> 00:17:05.000
<v Speaker 2>best life. You know, let's maybe build a new church

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<v Speaker 2>that's not in the shadow of Castle Dracula. I will say,

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<v Speaker 2>I will say, you know, I'm not saying any of

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<v Speaker 2>this is to the movies detriment. I actually like this

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<v Speaker 2>stuff about this movie because I think it makes all

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00:17:21.200 --> 00:17:25.200
<v Speaker 2>the characters much more interesting because he is well intended,

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<v Speaker 2>Like he's not you know, he's not cartoonish when he's

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<v Speaker 2>being he thinks he's he thinks he's doing the right thing,

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<v Speaker 2>and it's sort of the road the hell is paved

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<v Speaker 2>with good intentions.

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<v Speaker 4>We had no idea that, you know, his buddy was

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<v Speaker 4>gonna fall down and bleed all over Dracula's.

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<v Speaker 2>That day.

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<v Speaker 1>There's something he.

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<v Speaker 2>Does believe in Dracula. It's not like he's like, you're

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<v Speaker 2>a bunch of superstitious so and so's so.

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<v Speaker 4>Well, nobody, I mean, nobody would have been like, yeah,

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<v Speaker 4>come up and go, come come with me, come bleed

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<v Speaker 4>on Dracula.

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<v Speaker 1>This sounds like a good thing.

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<v Speaker 4>And then when Dracula can't go to his house, he's like, oh, okay,

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<v Speaker 4>well now everybody gets a Dracula problem, right, everybody gets

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<v Speaker 4>a Dracular problem.

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<v Speaker 1>Now.

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<v Speaker 2>Christopher Lee has more dialogue in this movie than he does.

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<v Speaker 2>You know, it's not a lot, but the way he's

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00:18:24.599 --> 00:18:28.599
<v Speaker 2>he is used, it's so afe, like you know, I

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00:18:28.599 --> 00:18:31.119
<v Speaker 2>I did it in my opening, you know, but like

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<v Speaker 2>the who has done this thing? Who has done this thing?

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<v Speaker 2>I love that lying delivery and how super offended he

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00:18:39.400 --> 00:18:43.960
<v Speaker 2>is that somebody performed an exorcism on his castle. And

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<v Speaker 2>I I also, you know, you want to talk about

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<v Speaker 2>Dracula in this movie. I love how personal this attack is.

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<v Speaker 2>This isn't just him wanting food. You know, he is

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<v Speaker 2>mad at this monsignor, and so he's going to go

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<v Speaker 2>direct and directly to him and fuck up his life.

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<v Speaker 1>I mean, think about it. That's where Dracula keeps his stuff. Yeah,

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<v Speaker 1>you beat this too.

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<v Speaker 4>All my Dracula stuff is in my castle. I got

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<v Speaker 4>one cake, now one?

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<v Speaker 3>What would Jason do if I just changed the lock

348
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<v Speaker 3>on his office?

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<v Speaker 1>Right, exactly, Yeah, all my stuff.

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<v Speaker 2>Who has done this thing?

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<v Speaker 4>Exactly, But but it's even more it's even more of

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<v Speaker 4>an affront all jokes aside by the fact that it's worms.

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<v Speaker 4>I mean, these people are so this Dracula especially, these

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00:19:38.960 --> 00:19:42.839
<v Speaker 4>people are so below him in every way that he

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<v Speaker 4>can think of the fact that they barred it from

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<v Speaker 4>his castle home. It's just a I mean triple affront

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<v Speaker 4>ten times a front, right, I saw you. Okay, now

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<v Speaker 4>that's it. And you you know it's it's just such

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00:19:56.680 --> 00:20:01.200
<v Speaker 4>a fundamental just it's pas it's petty.

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<v Speaker 2>And I love it when villains are motivated by pettiness.

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<v Speaker 2>I I it's it's both grandiose and relatable at the

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<v Speaker 2>same time.

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<v Speaker 1>Well, Dracula always is all about revenge, like he often

364
00:20:15.400 --> 00:20:17.200
<v Speaker 1>is is saying, you know, I'm going to take my

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<v Speaker 1>time getting my revenge and spreading it across centuries. So

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<v Speaker 1>you know, this is a common thing for him to

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<v Speaker 1>like pick somebody and really want to want to want

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<v Speaker 1>to get him.

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<v Speaker 2>Well, you know, and this it's like, you desecrated my castle,

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<v Speaker 2>so I'm going to desecrate your niece.

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<v Speaker 5>Yes, yes, and and exactly so I I I want

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<v Speaker 5>to keep talking about Dracula, But I do want to

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<v Speaker 5>mention this castle has completely changed now in universe, we

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00:20:44.839 --> 00:20:48.400
<v Speaker 5>now have a there's no explanation for this at all.

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<v Speaker 1>But in universe, Dracula's castle is now impassable, so there's

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00:20:52.640 --> 00:20:55.079
<v Speaker 1>there's no road leading up to it anymore. There's no

377
00:20:55.160 --> 00:20:59.039
<v Speaker 1>more mote, there's there's only a castle at the top

378
00:20:59.079 --> 00:21:01.759
<v Speaker 1>of a mountain that you have to climb. So either

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00:21:01.920 --> 00:21:04.519
<v Speaker 1>the townsfolk have destroyed the road, which I think is

380
00:21:04.519 --> 00:21:09.880
<v Speaker 1>a reasonable assumption, or or magic has happened and caused

381
00:21:09.920 --> 00:21:13.839
<v Speaker 1>the countryside to be totally differently shaped. Doesn't matter. We

382
00:21:13.960 --> 00:21:17.759
<v Speaker 1>now have a completely different surrounding for the castle, and

383
00:21:17.799 --> 00:21:21.400
<v Speaker 1>there's no way to just ride to You can't just

384
00:21:21.559 --> 00:21:24.960
<v Speaker 1>ride a coach up to the castle door anymore, which

385
00:21:25.000 --> 00:21:27.119
<v Speaker 1>makes no sense, but that's what we're going with.

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00:21:27.319 --> 00:21:30.240
<v Speaker 4>And I mean it's always kind of been sort of magical, yes,

387
00:21:30.400 --> 00:21:33.119
<v Speaker 4>and you can imagine some kind of a between the

388
00:21:33.519 --> 00:21:36.640
<v Speaker 4>magic and the villagers probably doing something.

389
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<v Speaker 1>By the way, I did have a question.

390
00:21:39.240 --> 00:21:41.599
<v Speaker 4>I probably should have looked this up, but you know,

391
00:21:41.720 --> 00:21:44.799
<v Speaker 4>we asked some experts here. How is there any mention

392
00:21:44.920 --> 00:21:49.079
<v Speaker 4>of how they make him so bloodshot? Makeup wise?

393
00:21:49.359 --> 00:21:56.440
<v Speaker 1>Yeah, he has contact lenses. Contacts like that can have

394
00:21:56.440 --> 00:21:57.279
<v Speaker 1>been fun to wear.

395
00:21:57.680 --> 00:22:00.440
<v Speaker 4>I was curious, that's what I figured, but I was like, well,

396
00:22:00.440 --> 00:22:01.119
<v Speaker 4>it says.

397
00:22:00.839 --> 00:22:04.319
<v Speaker 3>In the IMDb that this time around it was they

398
00:22:04.359 --> 00:22:07.680
<v Speaker 3>were better than about the past ones because they're cut smaller,

399
00:22:07.720 --> 00:22:10.119
<v Speaker 3>so they're not like bothering in the inside of his eye. However,

400
00:22:10.400 --> 00:22:11.960
<v Speaker 3>that makes that means that that at one point they're

401
00:22:11.960 --> 00:22:14.000
<v Speaker 3>actually you can actually see the edge.

402
00:22:14.799 --> 00:22:16.240
<v Speaker 1>Right, I mean, but it's effect.

403
00:22:16.920 --> 00:22:19.920
<v Speaker 4>It is super bloodshot all the time, and it looks

404
00:22:20.079 --> 00:22:21.359
<v Speaker 4>it adds to the kind.

405
00:22:21.160 --> 00:22:25.079
<v Speaker 1>Of here I feel like, just gets better and better

406
00:22:25.160 --> 00:22:28.960
<v Speaker 1>every movie, so that you know, he's gorgeous.

407
00:22:28.559 --> 00:22:34.559
<v Speaker 3>In this film. He's absolutely gorgeous in this movie. No,

408
00:22:34.759 --> 00:22:38.000
<v Speaker 3>he he is presently. Yes, you think you're right about

409
00:22:38.000 --> 00:22:41.240
<v Speaker 3>the wig is he's in great shape, so he looks

410
00:22:41.359 --> 00:22:44.599
<v Speaker 3>very like just strong and fit when he's standing there.

411
00:22:44.759 --> 00:22:48.599
<v Speaker 3>And the lighting is so fantastic every time he shows up.

412
00:22:48.720 --> 00:22:50.880
<v Speaker 3>It's like he always steps out of the shadows and

413
00:22:50.880 --> 00:22:53.000
<v Speaker 3>he's his face is always lit more than anything else

414
00:22:53.039 --> 00:22:55.680
<v Speaker 3>around him. It's just great. He looks fantastic.

415
00:22:55.799 --> 00:22:59.039
<v Speaker 1>Yeah. Yeah, he has these really long legs, so he's

416
00:22:59.079 --> 00:23:01.559
<v Speaker 1>able to just like heap all over the place. His

417
00:23:01.720 --> 00:23:06.000
<v Speaker 1>sort of animalism is on display, and it's funny to

418
00:23:06.039 --> 00:23:09.279
<v Speaker 1>think of Dracula Christopher Lee Dracket. So when I say Dracula,

419
00:23:09.519 --> 00:23:13.119
<v Speaker 1>unless I say otherwise, I'm just talking about Lee Dracula

420
00:23:13.359 --> 00:23:16.799
<v Speaker 1>in this thing. But so Dracula as he showed up

421
00:23:16.839 --> 00:23:20.039
<v Speaker 1>in nineteen fifty eight was very urbane in that one.

422
00:23:20.039 --> 00:23:22.000
<v Speaker 1>You know, he has a lot of dialogue and he's like, well,

423
00:23:22.039 --> 00:23:24.000
<v Speaker 1>it'd be very agreeable if you would, if you would

424
00:23:24.039 --> 00:23:25.880
<v Speaker 1>look into my library and make sure everything goes to

425
00:23:25.880 --> 00:23:28.319
<v Speaker 1>blah blah blah blah blah. He talks a lot, you know,

426
00:23:28.559 --> 00:23:31.759
<v Speaker 1>and with each movie he's you know, in the previous

427
00:23:31.759 --> 00:23:34.640
<v Speaker 1>one he's completely mute. In this one he has a

428
00:23:34.640 --> 00:23:38.440
<v Speaker 1>few words. We've come up with all kinds of you know,

429
00:23:38.519 --> 00:23:40.960
<v Speaker 1>no prize theories for it. But the bottom line is

430
00:23:41.920 --> 00:23:44.519
<v Speaker 1>these guys don't want this Dracula talking very much, which

431
00:23:44.559 --> 00:23:47.680
<v Speaker 1>I find strange because he has a really great voice.

432
00:23:47.680 --> 00:23:49.640
<v Speaker 1>But on the other hand, this is the this is

433
00:23:49.640 --> 00:23:51.119
<v Speaker 1>the hammer Dracula. This is hoppening.

434
00:23:51.119 --> 00:23:54.000
<v Speaker 3>Maybe he's expensive to if if you give him lines,

435
00:23:54.039 --> 00:23:54.960
<v Speaker 3>it costs a lot of money.

436
00:23:55.000 --> 00:23:56.599
<v Speaker 1>You know, That would make a lot of sense to me,

437
00:23:56.680 --> 00:23:59.880
<v Speaker 1>But I don't think that's it, because I because, yeah,

438
00:24:00.039 --> 00:24:02.039
<v Speaker 1>don't know, I don't think that's it. I don't think

439
00:24:02.079 --> 00:24:02.720
<v Speaker 1>that's how you know.

440
00:24:02.880 --> 00:24:07.400
<v Speaker 2>I I think at least in this one, they probably thought, well,

441
00:24:07.759 --> 00:24:10.960
<v Speaker 2>he was effective as a mute in the last one.

442
00:24:11.039 --> 00:24:13.480
<v Speaker 2>But we don't want to do the exact same thing again.

443
00:24:13.640 --> 00:24:16.759
<v Speaker 2>So what if we just give him a minimal amount

444
00:24:16.839 --> 00:24:20.359
<v Speaker 2>of dialogue so when he does speak it has because

445
00:24:20.359 --> 00:24:22.119
<v Speaker 2>I feel like when he does speak in this it

446
00:24:22.160 --> 00:24:24.400
<v Speaker 2>has a lot of impact. And you know some of

447
00:24:24.440 --> 00:24:28.119
<v Speaker 2>that is just because you know, Christopher Lee has a

448
00:24:28.160 --> 00:24:33.480
<v Speaker 2>great speaking voice. Yeah, but you know two, I think

449
00:24:33.720 --> 00:24:39.480
<v Speaker 2>you know, he seems so like this isn't Dracula just

450
00:24:39.559 --> 00:24:44.319
<v Speaker 2>going around and randomly raising hell, Like this is Dracula

451
00:24:44.519 --> 00:24:49.119
<v Speaker 2>very purposeful and like I'm going to this town, I'm

452
00:24:49.160 --> 00:24:53.519
<v Speaker 2>targeting this specific group of people, and I'm going to

453
00:24:53.839 --> 00:24:55.240
<v Speaker 2>ruin their lives.

454
00:24:55.519 --> 00:25:01.319
<v Speaker 1>Yes, yeah, it's yeah, that that's like. And the funny

455
00:25:01.400 --> 00:25:03.960
<v Speaker 1>thing is in the in the nineties, eighties and nineties

456
00:25:04.000 --> 00:25:06.720
<v Speaker 1>when the erotic thriller became a big thing, this was

457
00:25:06.759 --> 00:25:11.279
<v Speaker 1>a major plot idea that got transported into like people

458
00:25:11.319 --> 00:25:15.039
<v Speaker 1>in suits. Is this person like laid off my dad

459
00:25:15.119 --> 00:25:16.599
<v Speaker 1>when I was a kid, and so I'm going to

460
00:25:16.680 --> 00:25:19.680
<v Speaker 1>go into their life and ruin everything about their life.

461
00:25:19.799 --> 00:25:22.119
<v Speaker 1>Like that's a that's a common trope for a kind

462
00:25:22.160 --> 00:25:22.960
<v Speaker 1>of I.

463
00:25:23.920 --> 00:25:29.119
<v Speaker 2>Think it's something that we, you know, because Dracula didn't

464
00:25:29.160 --> 00:25:33.480
<v Speaker 2>like up and honestly up until you know, we've started

465
00:25:33.519 --> 00:25:38.000
<v Speaker 2>to get back to more of a overtly evil Dracula.

466
00:25:38.119 --> 00:25:40.880
<v Speaker 2>But but you know, with with the popularity of Anne Rice,

467
00:25:41.680 --> 00:25:45.799
<v Speaker 2>for a long time, we had the conflicted Dracula, who

468
00:25:45.839 --> 00:25:50.799
<v Speaker 2>wouldn't who wouldn't operate like this, even though in Stoker's novel,

469
00:25:50.920 --> 00:25:54.160
<v Speaker 2>you know, is obviously not conflicted at all.

470
00:25:54.359 --> 00:25:57.160
<v Speaker 3>And in this film you have the conflicted Renfeld.

471
00:25:57.200 --> 00:26:01.680
<v Speaker 2>Renfield, he's too and he's great, He's he's wonderful. And

472
00:26:02.720 --> 00:26:06.039
<v Speaker 2>you know, I think I think Dracula, like you know,

473
00:26:06.079 --> 00:26:08.559
<v Speaker 2>there's there's something to be said about maybe you know,

474
00:26:08.640 --> 00:26:13.119
<v Speaker 2>other vampire characters, but I think Dracula works best in

475
00:26:13.240 --> 00:26:15.799
<v Speaker 2>this mode, like I I, at least for my.

476
00:26:17.359 --> 00:26:23.720
<v Speaker 1>Yes. Yeah, Also it's it's further upfront now that I

477
00:26:23.759 --> 00:26:26.480
<v Speaker 1>remember it, because he has even has to steal a coffin.

478
00:26:26.599 --> 00:26:33.559
<v Speaker 1>That's true, yes, but.

479
00:26:33.519 --> 00:26:38.160
<v Speaker 4>It's also again coming from Hey, I am Dracula, you

480
00:26:38.279 --> 00:26:41.599
<v Speaker 4>gotta fear me. I have my own cool coffin. Everything

481
00:26:41.640 --> 00:26:44.559
<v Speaker 4>about this has been you know, I've gotten over the ages.

482
00:26:44.839 --> 00:26:47.640
<v Speaker 4>I ruled a school is great, and then now that

483
00:26:47.799 --> 00:26:51.640
<v Speaker 4>is his you know, his house has been exercised. Uh,

484
00:26:51.680 --> 00:26:53.680
<v Speaker 4>he's even got to steal a coffin. It's just I mean,

485
00:26:53.680 --> 00:26:56.359
<v Speaker 4>it's gotta just burn him up the whole time, Like

486
00:26:56.519 --> 00:26:59.319
<v Speaker 4>you can't just can't do that to do you know

487
00:26:59.319 --> 00:27:02.880
<v Speaker 4>who I am, I'm Dracula, But I think that's just awesome.

488
00:27:03.079 --> 00:27:05.880
<v Speaker 1>That reminds me of there was a there was a

489
00:27:06.000 --> 00:27:10.240
<v Speaker 1>comic mini series about Doctor Doom where Doom winds up

490
00:27:10.400 --> 00:27:13.519
<v Speaker 1>transported to another planet and he winds up there naked

491
00:27:13.559 --> 00:27:16.160
<v Speaker 1>it alone on another planet, and so it's like, what

492
00:27:16.240 --> 00:27:18.480
<v Speaker 1>does Doom do if he has to start from nothing?

493
00:27:18.519 --> 00:27:20.400
<v Speaker 1>And the first thing he does is kills an animal

494
00:27:20.519 --> 00:27:23.240
<v Speaker 1>to make some clothes and a mask, and the next

495
00:27:23.240 --> 00:27:26.079
<v Speaker 1>thing he does is find a gang and take it over.

496
00:27:26.160 --> 00:27:29.599
<v Speaker 1>And then by the end of the first so that

497
00:27:29.759 --> 00:27:33.920
<v Speaker 1>the whole notion was that uber menshed like Dracula and

498
00:27:34.200 --> 00:27:36.960
<v Speaker 1>Doctor Doom. Sure, okay, take it all away. By the

499
00:27:37.039 --> 00:27:38.720
<v Speaker 1>end of the movie, they're going to be built up again.

500
00:27:38.839 --> 00:27:42.240
<v Speaker 1>And yet somehow with the problem is in these little

501
00:27:42.319 --> 00:27:46.440
<v Speaker 1>ninety minute stories. It doesn't quite ever happen for him.

502
00:27:46.440 --> 00:27:49.519
<v Speaker 1>He always winds up somehow killed and back to dust.

503
00:27:50.000 --> 00:27:52.720
<v Speaker 4>I'm picturing that that could go so many different ways,

504
00:27:52.720 --> 00:27:55.799
<v Speaker 4>Like he could have killed like some cute fuzzy creature

505
00:27:55.839 --> 00:27:57.799
<v Speaker 4>or something he never killed, and like, oh my god,

506
00:27:57.839 --> 00:28:02.720
<v Speaker 4>what's wrong with you? Chinchilla's I pity you. I don't

507
00:28:02.720 --> 00:28:08.480
<v Speaker 4>I don't fear you at all. Gurbals like, oh my god,

508
00:28:09.440 --> 00:28:13.000
<v Speaker 4>it's doctor Doom though, like I understand.

509
00:28:12.519 --> 00:28:14.839
<v Speaker 2>That tumbles up beneath Doom.

510
00:28:15.759 --> 00:28:20.559
<v Speaker 4>Yeah, the first encounter is not like, oh man, look

511
00:28:20.559 --> 00:28:22.559
<v Speaker 4>at this guy with his spur and he's you know,

512
00:28:22.799 --> 00:28:23.920
<v Speaker 4>it's not a wolf pelt.

513
00:28:23.960 --> 00:28:26.880
<v Speaker 1>It's like a bunch of Gerbils and he's together.

514
00:28:27.559 --> 00:28:32.000
<v Speaker 2>I actually would probably be even more afraid of that guy,

515
00:28:32.200 --> 00:28:35.559
<v Speaker 2>because they would be like, what the hell is wrong with.

516
00:28:36.319 --> 00:28:38.759
<v Speaker 1>Well, that's what I'm saying it instead of beer, it's pity.

517
00:28:38.880 --> 00:28:42.079
<v Speaker 3>And also that you'd be like, how long did that

518
00:28:42.160 --> 00:28:42.960
<v Speaker 3>take you.

519
00:28:43.599 --> 00:28:48.160
<v Speaker 1>To make to make this code of man? Everybody hung

520
00:28:48.240 --> 00:28:53.279
<v Speaker 1>this alien guy? He's really in dire streets. Okay, so

521
00:28:53.559 --> 00:28:57.039
<v Speaker 1>we talked. We talked a little bit about Dracula. I

522
00:28:57.039 --> 00:28:59.880
<v Speaker 1>want to talk some more about the Hammer universe. Once again,

523
00:29:00.759 --> 00:29:02.880
<v Speaker 1>we are back in the Hammer versus. This is only

524
00:29:02.960 --> 00:29:06.759
<v Speaker 1>the third Christopher Le Dracula movie. There aren't very many,

525
00:29:06.839 --> 00:29:09.359
<v Speaker 1>so when we talk about setting the vocabulary, this is

526
00:29:09.400 --> 00:29:13.519
<v Speaker 1>one of them. And boy oh boy. So this rooftop

527
00:29:13.599 --> 00:29:17.839
<v Speaker 1>set by Bernard Robinson. So instead of a small village

528
00:29:17.920 --> 00:29:20.200
<v Speaker 1>in most of this movie, we're in a large city

529
00:29:20.240 --> 00:29:24.759
<v Speaker 1>called Kinnenberg, and it's made up of all of these

530
00:29:25.240 --> 00:29:30.039
<v Speaker 1>very close together buildings and people live in these multi

531
00:29:30.079 --> 00:29:34.000
<v Speaker 1>story town homes and they have these big clay tiled

532
00:29:34.079 --> 00:29:38.200
<v Speaker 1>rooftops that are close together. So the young people sneak

533
00:29:38.240 --> 00:29:41.400
<v Speaker 1>out at night and jaunt around the rooftops of the

534
00:29:41.440 --> 00:29:44.519
<v Speaker 1>city to meet one another. It is the coolest. I

535
00:29:44.519 --> 00:29:47.200
<v Speaker 1>don't know if that's ever. I don't know if that's real.

536
00:29:47.319 --> 00:29:49.839
<v Speaker 1>I don't know if anybody ever lived in a town

537
00:29:49.880 --> 00:29:52.119
<v Speaker 1>where you just sort of wander around the rooftops all night.

538
00:29:52.480 --> 00:29:52.880
<v Speaker 2>I don't know.

539
00:29:52.960 --> 00:29:56.880
<v Speaker 1>I don't care. It is a great concept for this movie, Like, yeah,

540
00:29:57.000 --> 00:29:59.480
<v Speaker 1>all right, Connenberg, you just hang out on the roofs

541
00:29:59.480 --> 00:30:02.640
<v Speaker 1>all the time. It is great. It's a neat looking set,

542
00:30:03.039 --> 00:30:03.720
<v Speaker 1>just just.

543
00:30:03.720 --> 00:30:07.759
<v Speaker 2>Really the sets in this and the whole rooftop set

544
00:30:07.839 --> 00:30:11.200
<v Speaker 2>up to me. Almost feels like they looked at the

545
00:30:11.359 --> 00:30:14.799
<v Speaker 2>end of Curse of the Werewolf with a werewolf having

546
00:30:14.920 --> 00:30:19.799
<v Speaker 2>a rampage across rooftops. Yes, and like the higher ups

547
00:30:19.839 --> 00:30:24.039
<v Speaker 2>and Hammer was like, get me more rooftop action, Yes,

548
00:30:24.599 --> 00:30:26.559
<v Speaker 2>because I mean it.

549
00:30:26.759 --> 00:30:27.559
<v Speaker 1>Oh you're so right.

550
00:30:27.839 --> 00:30:32.599
<v Speaker 2>Yeah, absolutely, talk about a movie that makes such good

551
00:30:32.799 --> 00:30:36.440
<v Speaker 2>use of its it sets though, like and it does

552
00:30:36.559 --> 00:30:41.160
<v Speaker 2>really give you a sense of geography, you know, like

553
00:30:41.279 --> 00:30:45.960
<v Speaker 2>because you have the bakery and bar where our hero

554
00:30:46.240 --> 00:30:51.079
<v Speaker 2>Paul lives, you have the Monsignor's apartment, and you get

555
00:30:51.119 --> 00:30:53.519
<v Speaker 2>the sense of kind of how far they are from,

556
00:30:53.680 --> 00:30:54.559
<v Speaker 2>which is not far.

557
00:30:54.839 --> 00:30:57.480
<v Speaker 1>You get the senses like it's like, you know, probably

558
00:30:57.519 --> 00:30:59.559
<v Speaker 1>like one hundred and fifty yards, like they're they're really

559
00:30:59.599 --> 00:31:02.160
<v Speaker 1>they're really close together. You know. You gotta like turn

560
00:31:02.200 --> 00:31:04.480
<v Speaker 1>a couple of corners so that if you're chasing Dracula,

561
00:31:04.599 --> 00:31:08.279
<v Speaker 1>he can turn a corner and be and be gone. Yeah.

562
00:31:08.480 --> 00:31:08.680
<v Speaker 2>Oh.

563
00:31:08.720 --> 00:31:11.279
<v Speaker 1>Also, of course nineteen sixty this is nineteen sixty eight,

564
00:31:11.359 --> 00:31:14.720
<v Speaker 1>So Mary Poppins came out in nineteen sixty four, and

565
00:31:14.759 --> 00:31:16.839
<v Speaker 1>it has a lot of stuff on the rooftops, you know,

566
00:31:17.000 --> 00:31:22.000
<v Speaker 1>so there's there are definitely predecessors. Boy, it's cool I mean,

567
00:31:22.000 --> 00:31:26.720
<v Speaker 1>I just there's also another like so that looks beautiful.

568
00:31:27.119 --> 00:31:30.559
<v Speaker 1>So when Dracula is fleeing onto the rooftops, that's really cool.

569
00:31:30.880 --> 00:31:34.480
<v Speaker 1>There's also a moment when Dracula comes to Veronica Carlson,

570
00:31:34.519 --> 00:31:36.559
<v Speaker 1>who we haven't really talked about yet, and he sort

571
00:31:36.559 --> 00:31:38.839
<v Speaker 1>of stands in her bedroom. She's sitting on the bed

572
00:31:38.920 --> 00:31:42.240
<v Speaker 1>and he sort of stands there half in darkness. It

573
00:31:42.359 --> 00:31:48.119
<v Speaker 1>is so incredibly well constructed as as as a as

574
00:31:48.119 --> 00:31:51.599
<v Speaker 1>an image that it looks almost like a poster, like

575
00:31:51.640 --> 00:31:55.240
<v Speaker 1>it should be a poster. Really locking in all of

576
00:31:55.279 --> 00:31:56.960
<v Speaker 1>this movie is really good.

577
00:31:57.599 --> 00:32:00.839
<v Speaker 4>And you know, even again back to the room top scenes,

578
00:32:00.920 --> 00:32:03.359
<v Speaker 4>like they decided to do that because it gives you

579
00:32:03.400 --> 00:32:06.680
<v Speaker 4>such a great uh there's so much action that can

580
00:32:06.720 --> 00:32:10.119
<v Speaker 4>happen across those I mean, look at any daredevil anything

581
00:32:10.200 --> 00:32:14.880
<v Speaker 4>right for Mars. Yeah, but you can you know, you

582
00:32:14.920 --> 00:32:18.079
<v Speaker 4>can flow across that so well, and it looks it

583
00:32:18.119 --> 00:32:20.920
<v Speaker 4>looks cool, you know, and it gives us something again,

584
00:32:20.960 --> 00:32:24.039
<v Speaker 4>it gives us something different. Even though there are you know,

585
00:32:24.440 --> 00:32:28.400
<v Speaker 4>horse drawn buggies and carriages and everything like that, they

586
00:32:28.400 --> 00:32:30.799
<v Speaker 4>give us something different here to break that up.

587
00:32:30.839 --> 00:32:34.119
<v Speaker 1>And that's all the rooftop stuff. You mentioned the horse

588
00:32:34.200 --> 00:32:35.480
<v Speaker 1>drawn carriage.

589
00:32:35.920 --> 00:32:36.119
<v Speaker 2>You know.

590
00:32:37.240 --> 00:32:41.759
<v Speaker 1>So Black Park, which had played the woods of Transylvania

591
00:32:42.119 --> 00:32:46.799
<v Speaker 1>many times in these movies, is back again playing Transylvania.

592
00:32:46.920 --> 00:32:51.720
<v Speaker 1>So it's still Black Park. However, the reason everything else

593
00:32:51.759 --> 00:32:54.480
<v Speaker 1>looks different is because we moved from Brace Studios to Pinewood,

594
00:32:54.599 --> 00:32:56.960
<v Speaker 1>and which is where Star Wars would be shot in

595
00:32:57.000 --> 00:33:00.000
<v Speaker 1>like less than ten years. So you know, it's it's

596
00:33:00.440 --> 00:33:03.680
<v Speaker 1>it's a stranger. It's a strange adjustment to to be

597
00:33:03.720 --> 00:33:06.440
<v Speaker 1>in these very different sets. But but part of their

598
00:33:06.480 --> 00:33:08.720
<v Speaker 1>move to Pinewood means that they could build a more

599
00:33:08.720 --> 00:33:12.759
<v Speaker 1>expansive set like that rooftop set. So you know, that's

600
00:33:12.759 --> 00:33:16.279
<v Speaker 1>how that's how it goes. Do you want to talk Drew?

601
00:33:16.599 --> 00:33:21.240
<v Speaker 1>You had some thoughts about Uh, forgive me, I I

602
00:33:21.240 --> 00:33:23.000
<v Speaker 1>don't think that we've covered this. We talked about it

603
00:33:23.039 --> 00:33:27.640
<v Speaker 1>extensively beforehand. But the whole question about the youthfulness of

604
00:33:27.720 --> 00:33:31.680
<v Speaker 1>the main characters, and the the whole question of religion

605
00:33:31.799 --> 00:33:34.960
<v Speaker 1>and debating religion, going to visit your girlfriend's you know,

606
00:33:35.160 --> 00:33:37.920
<v Speaker 1>parental figures and offending.

607
00:33:37.400 --> 00:33:41.160
<v Speaker 2>Them, so which I think is something a lot of

608
00:33:41.200 --> 00:33:42.400
<v Speaker 2>people can relate to.

609
00:33:43.759 --> 00:33:45.920
<v Speaker 1>Yeah, I mean, the last movie was a bunch of young.

610
00:33:46.000 --> 00:33:47.480
<v Speaker 1>Married's right, it was ye.

611
00:33:47.519 --> 00:33:51.799
<v Speaker 2>That they don't they don't feel like this. This feels

612
00:33:51.960 --> 00:33:56.400
<v Speaker 2>much more even though it's it's set in the you know,

613
00:33:56.480 --> 00:34:01.960
<v Speaker 2>the whatever the ham Hammer time period is, this one

614
00:34:02.079 --> 00:34:08.920
<v Speaker 2>is yeah, you know really yepkay huh okay, Well, the

615
00:34:08.920 --> 00:34:15.719
<v Speaker 2>the vague Victorian past of of the Hammer Escape to

616
00:34:15.880 --> 00:34:20.840
<v Speaker 2>use Jason's the use Jason's like, this feels very like

617
00:34:21.039 --> 00:34:23.360
<v Speaker 2>the the you know, the hero kind of looks like

618
00:34:23.400 --> 00:34:24.599
<v Speaker 2>the lead singer of the Who.

619
00:34:24.760 --> 00:34:29.239
<v Speaker 1>Yes, there's a both. There's a little bit of Jagger

620
00:34:29.400 --> 00:34:31.280
<v Speaker 1>and a lot of Robert Daltrey. Yeah.

621
00:34:31.880 --> 00:34:35.679
<v Speaker 2>Yeah, and so they've style already styled him to look

622
00:34:35.760 --> 00:34:40.280
<v Speaker 2>a little bit more rock and roll. But he feels

623
00:34:40.800 --> 00:34:45.000
<v Speaker 2>a lot young like, like you know, the the you know,

624
00:34:45.039 --> 00:34:49.639
<v Speaker 2>the characters in in Dracula Prince of Darkness are even

625
00:34:49.920 --> 00:34:53.320
<v Speaker 2>if they're supposed to be comparable age like, they feel

626
00:34:53.719 --> 00:34:58.559
<v Speaker 2>you know, they're they're married, their upper class, you know,

627
00:34:59.000 --> 00:35:05.559
<v Speaker 2>they have a much more establishment feel about them. This guy,

628
00:35:07.119 --> 00:35:11.239
<v Speaker 2>he's a self taught scholar. He's always reading. Yeah, he

629
00:35:11.920 --> 00:35:15.079
<v Speaker 2>says stuff like, well, I'm interested in truth. I'm interested

630
00:35:15.119 --> 00:35:21.039
<v Speaker 2>in truth. He's he's an atheist, which, again incredibly novel

631
00:35:21.400 --> 00:35:29.760
<v Speaker 2>for the incredibly christian Hammer Dracula series, and just you know,

632
00:35:29.920 --> 00:35:34.519
<v Speaker 2>like his whole relationship with every you know, from his

633
00:35:34.599 --> 00:35:38.280
<v Speaker 2>girlfriend to the way he interacts with his boss, to

634
00:35:38.760 --> 00:35:41.400
<v Speaker 2>the fact that he even has a boss, and he's

635
00:35:41.440 --> 00:35:46.800
<v Speaker 2>not like this independently wealthy, you know, nobleman. It just

636
00:35:46.960 --> 00:35:51.239
<v Speaker 2>feels much more contemporary. It feels like Hammer is trying

637
00:35:51.280 --> 00:35:56.519
<v Speaker 2>to do a character that is a little more relatable

638
00:35:57.239 --> 00:36:00.840
<v Speaker 2>and a little bit more you know again, a little

639
00:36:00.880 --> 00:36:04.960
<v Speaker 2>bit more appealing directly to youth culture. Even the fact,

640
00:36:05.920 --> 00:36:08.199
<v Speaker 2>even the fact that he does have a bit of

641
00:36:08.239 --> 00:36:13.880
<v Speaker 2>a scuffle with the older religious authority figure who again

642
00:36:14.559 --> 00:36:19.039
<v Speaker 2>acts acts out. Even though he's he's very polite, he

643
00:36:19.079 --> 00:36:23.880
<v Speaker 2>doesn't you know, necessarily say anything disrespectful. He doesn't say, well,

644
00:36:23.920 --> 00:36:27.280
<v Speaker 2>you're an idiot for being religious. He just says like, well,

645
00:36:27.320 --> 00:36:30.760
<v Speaker 2>I myself am not religious, and the mon signior acts

646
00:36:30.920 --> 00:36:33.599
<v Speaker 2>very petulant about it afterwards.

647
00:36:35.119 --> 00:36:38.920
<v Speaker 3>Maybe that's the message, but also but also the message

648
00:36:38.960 --> 00:36:41.639
<v Speaker 3>end up being that if you're not religious, then you

649
00:36:41.679 --> 00:36:44.800
<v Speaker 3>can't win, Like because when he's trying, when he actually

650
00:36:45.800 --> 00:36:50.280
<v Speaker 3>gets Dracula because he's an atheist, it doesn't work. But

651
00:36:52.360 --> 00:36:55.480
<v Speaker 3>when he gets killed by a cross and there's a

652
00:36:55.519 --> 00:36:59.119
<v Speaker 3>priest who actually manages not only to be a priest

653
00:36:59.119 --> 00:37:01.719
<v Speaker 3>and believe, but also so break the spell of Dracula

654
00:37:01.760 --> 00:37:05.480
<v Speaker 3>that spelled that Dracula had on him. Then he crosses

655
00:37:05.559 --> 00:37:08.159
<v Speaker 3>himself and that's like he's like, Okay, I get it.

656
00:37:08.199 --> 00:37:10.079
<v Speaker 3>Now I have to be like I was wrong. So

657
00:37:10.119 --> 00:37:12.159
<v Speaker 3>I kind of feel like that's the lesson is maybe

658
00:37:12.159 --> 00:37:13.159
<v Speaker 3>the opposite.

659
00:37:12.719 --> 00:37:16.440
<v Speaker 4>By the way, before I'm exercised for Dracula's Castle, of course,

660
00:37:16.480 --> 00:37:19.639
<v Speaker 4>I meant Roger Daltrey, and I think I did it wrong.

661
00:37:19.800 --> 00:37:21.719
<v Speaker 1>But I think you said the right thing. I don't.

662
00:37:22.239 --> 00:37:22.599
<v Speaker 1>I don't.

663
00:37:22.960 --> 00:37:25.599
<v Speaker 4>I think I I was thinking like about five different

664
00:37:25.639 --> 00:37:26.480
<v Speaker 4>things at once.

665
00:37:27.199 --> 00:37:30.440
<v Speaker 1>Just in case, just in case. Roger Daltrey, by the way,

666
00:37:30.719 --> 00:37:34.679
<v Speaker 1>did some excellent horror work himself, especially in Legacy, which

667
00:37:34.800 --> 00:37:39.480
<v Speaker 1>was written by Jimmy Sankster. And yeah, really really.

668
00:37:39.559 --> 00:37:43.840
<v Speaker 4>Yeah, it's very he's very definitely our guy is very

669
00:37:43.920 --> 00:37:46.719
<v Speaker 4>dull Trey in his Oh yeah. And I wonder if

670
00:37:46.719 --> 00:37:49.519
<v Speaker 4>that was if he was if that was purposefuler, I mean,

671
00:37:49.599 --> 00:37:51.239
<v Speaker 4>makes if it was, it was a good idea.

672
00:37:53.360 --> 00:37:56.159
<v Speaker 2>I have to believe that it was purpose because I

673
00:37:56.199 --> 00:38:00.360
<v Speaker 2>really do think they were trying to release, you know,

674
00:38:00.400 --> 00:38:06.719
<v Speaker 2>and to Julia's point, you know, I you know, ultimately

675
00:38:06.800 --> 00:38:10.679
<v Speaker 2>this is a supernatural vampire movie, so like, you know,

676
00:38:10.800 --> 00:38:14.280
<v Speaker 2>no atheists and fox foxholes. But the fact that they

677
00:38:14.320 --> 00:38:19.760
<v Speaker 2>even like that's his arc is still kind of interesting. Also,

678
00:38:20.320 --> 00:38:23.360
<v Speaker 2>the fact that the fact that you have this rubbing

679
00:38:23.440 --> 00:38:28.920
<v Speaker 2>up against this corrupted priest who is basically bullied into

680
00:38:29.000 --> 00:38:34.119
<v Speaker 2>being the Renfield in this movie is incredibly like I said,

681
00:38:34.159 --> 00:38:37.960
<v Speaker 2>there is a much more even if they do end

682
00:38:38.320 --> 00:38:41.199
<v Speaker 2>on the side of like I said, we're not at

683
00:38:41.280 --> 00:38:43.800
<v Speaker 2>Twins of Evil yet, you know, we're not We're not

684
00:38:43.920 --> 00:38:46.480
<v Speaker 2>there yet. But the fact that this movie even has

685
00:38:46.559 --> 00:38:52.679
<v Speaker 2>a slightly more complicated relationship with Christianity is you know,

686
00:38:52.920 --> 00:38:58.199
<v Speaker 2>does feel light years away from from Prince of Darkness already.

687
00:38:58.519 --> 00:39:02.199
<v Speaker 2>And I just think that that's that's interesting, you know,

688
00:39:02.840 --> 00:39:05.360
<v Speaker 2>you know, and again I'm not saying it's the most

689
00:39:05.519 --> 00:39:09.320
<v Speaker 2>complicated writing ever, but it does it does, you know,

690
00:39:09.519 --> 00:39:12.320
<v Speaker 2>give everything maybe a bit more of a of a

691
00:39:12.760 --> 00:39:15.760
<v Speaker 2>you know, dare I say it bite to it, and

692
00:39:17.639 --> 00:39:19.960
<v Speaker 2>you know the fact that you have a mind. The

693
00:39:20.039 --> 00:39:23.960
<v Speaker 2>Mond Senior, who would have been one hundred percent you know,

694
00:39:24.199 --> 00:39:28.920
<v Speaker 2>even in his bluntness, would have been portrayed as charming

695
00:39:29.440 --> 00:39:33.320
<v Speaker 2>the way Sandor was the fact that he can come

696
00:39:33.360 --> 00:39:37.320
<v Speaker 2>across is kind of petulant and kind of dickish. That

697
00:39:38.079 --> 00:39:43.000
<v Speaker 2>even there is again much more complicated, because as I said,

698
00:39:43.119 --> 00:39:46.320
<v Speaker 2>you know, the young hero, you know, Paul, even when

699
00:39:46.360 --> 00:39:49.719
<v Speaker 2>he's having this conversation like the the you know, the

700
00:39:49.800 --> 00:39:52.800
<v Speaker 2>mon Sior does kind of make him feel like he

701
00:39:52.880 --> 00:39:57.320
<v Speaker 2>can speak freely because he leads into well, I think, yeah,

702
00:39:57.360 --> 00:40:00.280
<v Speaker 2>I think people are don't speak the truth, don't speak

703
00:40:00.360 --> 00:40:04.679
<v Speaker 2>their honesty enough. And so that's that's what Paul does.

704
00:40:04.880 --> 00:40:07.800
<v Speaker 2>And then he kind of gets he literally gets ejected

705
00:40:08.280 --> 00:40:13.039
<v Speaker 2>from their their home, even though again he's perfectly polite

706
00:40:13.159 --> 00:40:17.480
<v Speaker 2>about it. He's not, you know, he's actually very respectful.

707
00:40:18.159 --> 00:40:20.199
<v Speaker 3>He told his story in the book that people and

708
00:40:20.239 --> 00:40:22.519
<v Speaker 3>this is true for all of us. If I say

709
00:40:22.559 --> 00:40:26.880
<v Speaker 3>to you, you know, you can tell me anything, you know,

710
00:40:27.559 --> 00:40:29.519
<v Speaker 3>be honest with me. I appreciate honesty. And then you

711
00:40:29.559 --> 00:40:32.079
<v Speaker 3>tell me that you like to kill murder rabbits or whatever,

712
00:40:32.199 --> 00:40:34.159
<v Speaker 3>I'm not going to be like, oh, thanks for me,

713
00:40:34.400 --> 00:40:38.480
<v Speaker 3>thanks for sharing. Horrified, be horrified.

714
00:40:38.800 --> 00:40:38.880
<v Speaker 2>No.

715
00:40:39.000 --> 00:40:42.880
<v Speaker 3>But my point is, like I'm saying, I wouldn't you know, yeah,

716
00:40:42.960 --> 00:40:44.760
<v Speaker 3>most of us wouldn't. And even and if you would.

717
00:40:45.000 --> 00:40:47.400
<v Speaker 3>It's probably because that's like like I wouldn't let me.

718
00:40:47.400 --> 00:40:47.880
<v Speaker 2>Put it this way.

719
00:40:48.079 --> 00:40:51.480
<v Speaker 3>I would never there's never. I'm never horrified by stories

720
00:40:51.519 --> 00:40:53.440
<v Speaker 3>that my clients tell me because I'm fully ready for

721
00:40:53.519 --> 00:40:56.079
<v Speaker 3>their for their story. But if somebody tells me this

722
00:40:56.159 --> 00:40:58.079
<v Speaker 3>in the in the wild, like in my house, I

723
00:40:58.159 --> 00:40:59.440
<v Speaker 3>might be horrified, you know what I'm saying.

724
00:40:59.480 --> 00:41:02.239
<v Speaker 1>So like that makes for good drama. The fact that

725
00:41:02.280 --> 00:41:05.119
<v Speaker 1>he's that it's a it's a twist. He goes, tell

726
00:41:05.159 --> 00:41:07.599
<v Speaker 1>me your mind and then he's offended. That's actually more

727
00:41:07.599 --> 00:41:09.440
<v Speaker 1>interesting than if he hadn't been.

728
00:41:09.880 --> 00:41:14.719
<v Speaker 2>Well. This dinner, this dinner sequence is incredibly relatable. Yes,

729
00:41:14.960 --> 00:41:20.239
<v Speaker 2>I mean, it's it's it's so you know, I mean,

730
00:41:20.280 --> 00:41:25.000
<v Speaker 2>who of us has not had a awkward family dinner?

731
00:41:25.119 --> 00:41:28.199
<v Speaker 2>You know, it's it's again, and I just I have

732
00:41:28.280 --> 00:41:32.519
<v Speaker 2>to believe, I have to believe that, you know, that's intentional,

733
00:41:32.599 --> 00:41:36.119
<v Speaker 2>that they were trying to, you know, appeal to people

734
00:41:37.079 --> 00:41:43.480
<v Speaker 2>that you know wouldn't necessarily you know, again, because like

735
00:41:43.559 --> 00:41:47.280
<v Speaker 2>how how far This might only be the third Christopher

736
00:41:47.400 --> 00:41:51.280
<v Speaker 2>Lee and the fourth you know Hammer Dracula movie, but

737
00:41:51.519 --> 00:41:55.119
<v Speaker 2>it's still you know, Hammer had been around and had

738
00:41:55.159 --> 00:41:59.880
<v Speaker 2>been a viable brand in horror movies for for over

739
00:42:00.079 --> 00:42:03.360
<v Speaker 2>a decade at this point. And you know they so

740
00:42:03.400 --> 00:42:05.719
<v Speaker 2>they're trying to, you know, see what they can do

741
00:42:05.760 --> 00:42:09.000
<v Speaker 2>with the formula and maybe broaden their appeal a little up.

742
00:42:09.519 --> 00:42:12.679
<v Speaker 1>Oh absolutely, and they're always tweaking it. You know that

743
00:42:12.760 --> 00:42:15.760
<v Speaker 1>the the you know that these these are these movies

744
00:42:15.800 --> 00:42:18.360
<v Speaker 1>are coming around really quickly. You know, they're not not

745
00:42:18.760 --> 00:42:22.039
<v Speaker 1>I mean, well except for the big expanse between nineteen

746
00:42:22.079 --> 00:42:25.239
<v Speaker 1>fifty eight nineteen sixty six, But after that, they're like

747
00:42:25.280 --> 00:42:29.079
<v Speaker 1>the Taste the Blood and Scars one year together, you know,

748
00:42:29.320 --> 00:42:33.119
<v Speaker 1>Dracula AD and then Satanic Rites separated by a year.

749
00:42:33.320 --> 00:42:36.480
<v Speaker 2>Well that's if only you're talking about the Dracula series.

750
00:42:36.519 --> 00:42:41.559
<v Speaker 2>I mean that's not even counting you know, or Frankenstein

751
00:42:41.639 --> 00:42:46.679
<v Speaker 2>movies or standalone hammer horror films like The Reptile or or.

752
00:42:48.119 --> 00:42:50.400
<v Speaker 1>Right, and that that is the kind of thing that

753
00:42:51.000 --> 00:42:54.239
<v Speaker 1>it fills my heart with delight. I love being able

754
00:42:54.280 --> 00:42:57.480
<v Speaker 1>to anytime you have something that amounts to kind of

755
00:42:57.519 --> 00:43:00.719
<v Speaker 1>a family of filmmakers who keep coming back. And that's

756
00:43:00.719 --> 00:43:03.480
<v Speaker 1>why I talk about the Beach Party movies so much.

757
00:43:03.719 --> 00:43:06.039
<v Speaker 1>I love that those movies came like every six months

758
00:43:06.039 --> 00:43:08.960
<v Speaker 1>like somehow they were able to just churn those things

759
00:43:09.000 --> 00:43:12.079
<v Speaker 1>out using the same people over and over and over again.

760
00:43:12.480 --> 00:43:18.840
<v Speaker 1>It's it's cool, It's it's fun, all right. So let's

761
00:43:18.840 --> 00:43:23.440
<v Speaker 1>see the Let's get back for a moment to the

762
00:43:23.599 --> 00:43:26.639
<v Speaker 1>end of Dracula, like his fall, and then we'll come

763
00:43:26.679 --> 00:43:29.360
<v Speaker 1>around to whatever we'll pick up whenever we missed. But oh,

764
00:43:29.360 --> 00:43:30.320
<v Speaker 1>go ahead, Joy, what is it?

765
00:43:30.360 --> 00:43:31.719
<v Speaker 3>Well okay, I mean, if you want to come back

766
00:43:31.760 --> 00:43:34.039
<v Speaker 3>to it. But we haven't talked about the females at all.

767
00:43:34.199 --> 00:43:37.039
<v Speaker 2>Well, let's talk about Veronica, but I definitely want to

768
00:43:37.079 --> 00:43:39.760
<v Speaker 2>talk about the priest more too.

769
00:43:40.079 --> 00:43:43.880
<v Speaker 1>Yeah, okay, then we can save the big cross impalement

770
00:43:44.320 --> 00:43:48.360
<v Speaker 1>until later. So I do want to talk about the

771
00:43:48.360 --> 00:43:53.480
<v Speaker 1>female stars, So moving in order of lesser importance. The

772
00:43:53.519 --> 00:43:55.920
<v Speaker 1>bar Maid who is ZENI rude.

773
00:43:56.079 --> 00:43:58.239
<v Speaker 3>I've been telted on behalf of the bar Maid that

774
00:43:58.320 --> 00:44:00.719
<v Speaker 3>she is of lesser important than anything else in this film.

775
00:44:00.760 --> 00:44:04.199
<v Speaker 1>Yeah, okay, all right, I'm offended on her behalf, So

776
00:44:04.599 --> 00:44:08.039
<v Speaker 1>all right, I love the Barmaide. I think she is

777
00:44:08.079 --> 00:44:12.239
<v Speaker 1>a really neat character. Zina. She's called and she is sassy,

778
00:44:12.599 --> 00:44:17.880
<v Speaker 1>and she has a cool high nineteen sixties wig, and

779
00:44:18.639 --> 00:44:22.159
<v Speaker 1>you know, which makes her so distinctly a hammer creature

780
00:44:22.360 --> 00:44:27.400
<v Speaker 1>basically where she's she's sexy and weirdly semi Victorian, but

781
00:44:27.440 --> 00:44:31.480
<v Speaker 1>also kind of nineteen sixties. It's like, and uh, you know,

782
00:44:31.599 --> 00:44:34.519
<v Speaker 1>she's funny, So I like what she seems like she's.

783
00:44:34.360 --> 00:44:38.079
<v Speaker 2>Got an unrequited, unrequited crush on.

784
00:44:38.559 --> 00:44:41.440
<v Speaker 3>Oh sure, yes that, But also I feel like she

785
00:44:41.559 --> 00:44:43.840
<v Speaker 3>just wants to be loved. I mean, is that so wrong?

786
00:44:44.239 --> 00:44:52.039
<v Speaker 3>She to quote downloads? She uh, clearly, you know, is

787
00:44:52.400 --> 00:44:54.880
<v Speaker 3>just make I feel like this character. You know, the

788
00:44:54.920 --> 00:44:58.360
<v Speaker 3>actors are always, not always, but often have backstories for

789
00:44:58.440 --> 00:45:00.800
<v Speaker 3>their character that nobody else knows it was about. I

790
00:45:00.840 --> 00:45:04.639
<v Speaker 3>feel like this actor really has quite an elaborate backstory

791
00:45:04.639 --> 00:45:07.159
<v Speaker 3>for this character because I just there was so much

792
00:45:07.400 --> 00:45:11.239
<v Speaker 3>to her, given that she doesn't have nearly as many lines,

793
00:45:11.280 --> 00:45:13.159
<v Speaker 3>you know, as some of the other characters. But I

794
00:45:13.320 --> 00:45:15.960
<v Speaker 3>really got that she's just, you know, she's trying to

795
00:45:16.000 --> 00:45:19.440
<v Speaker 3>make it in this world. And it's like Alice the

796
00:45:19.639 --> 00:45:22.719
<v Speaker 3>the you know, the TV show Alice, and she doesn't

797
00:45:22.800 --> 00:45:25.280
<v Speaker 3>have uh you know, she doesn't have money, she doesn't

798
00:45:25.320 --> 00:45:27.800
<v Speaker 3>have education. She's a woman, so she can't really do

799
00:45:27.920 --> 00:45:30.920
<v Speaker 3>much except for be a barmaid. And but she wants

800
00:45:31.000 --> 00:45:33.480
<v Speaker 3>to be loved, she wants you know, companionship, and so

801
00:45:33.800 --> 00:45:37.280
<v Speaker 3>this guy, you know, she's really into him. And then

802
00:45:37.360 --> 00:45:39.960
<v Speaker 3>when Dracula, when she's under Dracula spelled, then she's like,

803
00:45:40.039 --> 00:45:43.519
<v Speaker 3>why am I not enough for you? Why do you

804
00:45:43.559 --> 00:45:46.039
<v Speaker 3>need her like you have me? She says it twice.

805
00:45:46.079 --> 00:45:48.480
<v Speaker 3>She gets slapped, and she still says it again. She's like,

806
00:45:49.079 --> 00:45:52.079
<v Speaker 3>you have me. I felt bad for her that character.

807
00:45:52.079 --> 00:45:57.239
<v Speaker 2>Really, I I agree with you. She's she's very kind

808
00:45:57.239 --> 00:45:59.880
<v Speaker 2>of you know, she's funny, but she's also very trad

809
00:46:00.679 --> 00:46:03.599
<v Speaker 2>and like the way after she gets bit, the way

810
00:46:03.639 --> 00:46:06.800
<v Speaker 2>she's like still going around the bakery with her you know,

811
00:46:06.920 --> 00:46:11.280
<v Speaker 2>neck wound covered up. And then even after Dracula kills her,

812
00:46:11.599 --> 00:46:14.440
<v Speaker 2>you know, you see her corpse and she's got the

813
00:46:14.480 --> 00:46:18.400
<v Speaker 2>little budding vampire frames, but she's got this like frozen

814
00:46:18.760 --> 00:46:22.440
<v Speaker 2>grin almost like she was killed by the Joker on

815
00:46:22.480 --> 00:46:28.000
<v Speaker 2>her face. And Dracula just is like destroy her, you know,

816
00:46:28.119 --> 00:46:31.320
<v Speaker 2>like I don't even want her around as another vampire

817
00:46:31.639 --> 00:46:32.360
<v Speaker 2>you know he has.

818
00:46:32.719 --> 00:46:35.440
<v Speaker 3>Yeah, he totally throws her away, I mean uses her

819
00:46:35.440 --> 00:46:37.719
<v Speaker 3>and throws her away quite literally uses her and throws.

820
00:46:37.559 --> 00:46:41.599
<v Speaker 1>Her AWAYA is a user. Here is this horrible person.

821
00:46:41.960 --> 00:46:43.800
<v Speaker 4>And this is the well, this is kind of the

822
00:46:43.840 --> 00:46:47.320
<v Speaker 4>first time I can remember him actively, not just oh no,

823
00:46:47.400 --> 00:46:49.440
<v Speaker 4>something happened to one of my brides, but just like, no,

824
00:46:49.599 --> 00:46:50.480
<v Speaker 4>you're not good enough.

825
00:46:50.880 --> 00:46:52.519
<v Speaker 1>I'm moving on.

826
00:46:52.880 --> 00:46:55.320
<v Speaker 4>Big time and you're not coming along the right the

827
00:46:55.360 --> 00:46:59.159
<v Speaker 4>way the way it's horrible, well.

828
00:46:59.079 --> 00:47:01.960
<v Speaker 2>The way Dracula, uh, you know, I was talking about

829
00:47:01.960 --> 00:47:05.840
<v Speaker 2>this before we started recording. The way Dracula goes about

830
00:47:06.000 --> 00:47:10.039
<v Speaker 2>the two attacking the two women is very different, Like

831
00:47:10.159 --> 00:47:16.039
<v Speaker 2>he is very abusive towards Zena. But with Maria that

832
00:47:16.159 --> 00:47:18.800
<v Speaker 2>is the character's name, right, Maria. The other.

833
00:47:20.679 --> 00:47:22.639
<v Speaker 3>I kept saying movie.

834
00:47:24.400 --> 00:47:30.400
<v Speaker 2>With Maria, he's more tender, and he's more traditionally seductive.

835
00:47:30.519 --> 00:47:34.079
<v Speaker 2>It's more uh you know, reserved. You know, it's not

836
00:47:34.400 --> 00:47:41.000
<v Speaker 2>it's not the sort of uh you know, dominating you know,

837
00:47:41.480 --> 00:47:44.800
<v Speaker 2>and then abusive. Uh you know, because we've seen Lee's

838
00:47:44.880 --> 00:47:48.480
<v Speaker 2>Dracula in this mode somewhat before, Like he is kind

839
00:47:48.480 --> 00:47:52.639
<v Speaker 2>of that way the Barber Shelley's character in in you know,

840
00:47:52.719 --> 00:47:58.119
<v Speaker 2>Prince of Darkness, but he is very mean spirited towards Zena.

841
00:47:58.320 --> 00:48:02.440
<v Speaker 2>And you know that that sort of under under current

842
00:48:02.599 --> 00:48:06.320
<v Speaker 2>of classism that Tony keeps talking about is I think

843
00:48:06.679 --> 00:48:10.880
<v Speaker 2>readily apparent in that relationship. It's like, well, of course

844
00:48:10.880 --> 00:48:12.599
<v Speaker 2>I'm not going to keep you around as one of

845
00:48:12.639 --> 00:48:15.840
<v Speaker 2>my brides. You're you're just a barmaid, you know, Like

846
00:48:16.599 --> 00:48:19.719
<v Speaker 2>you know, I'm Dracula. I could have any woman I want.

847
00:48:19.880 --> 00:48:23.639
<v Speaker 2>I should, I should, you know, have the cream of

848
00:48:23.679 --> 00:48:26.679
<v Speaker 2>the crop, the greatest, you know, you know, like, so

849
00:48:26.760 --> 00:48:29.679
<v Speaker 2>that's why I'm going to go after the monsignor's daughter,

850
00:48:29.840 --> 00:48:33.559
<v Speaker 2>because you know she's she's more innocent, and you know,

851
00:48:33.679 --> 00:48:34.880
<v Speaker 2>of course that's going.

852
00:48:34.719 --> 00:48:35.960
<v Speaker 3>To and the revenge.

853
00:48:36.320 --> 00:48:39.920
<v Speaker 2>Revenge, of course, the revenge. The revenge is never fought away,

854
00:48:40.239 --> 00:48:41.079
<v Speaker 2>is it.

855
00:48:41.199 --> 00:48:43.440
<v Speaker 3>He reminds me a lot in this movie of John

856
00:48:43.519 --> 00:48:47.239
<v Speaker 3>Makovich in Dangerous Liaisons. You know, the way he's the

857
00:48:47.280 --> 00:48:50.360
<v Speaker 3>way he's always a predator, but he's but he's a

858
00:48:50.360 --> 00:48:53.960
<v Speaker 3>predator against different women differently. Is very similar.

859
00:48:54.239 --> 00:48:57.559
<v Speaker 1>Wow, that's very much. I agreed. Agreed.

860
00:48:57.960 --> 00:49:01.119
<v Speaker 4>Do you try to make her a little less sympathetic, though,

861
00:49:01.159 --> 00:49:05.239
<v Speaker 4>because even when she's confronted with trying to uh, you know,

862
00:49:05.280 --> 00:49:08.960
<v Speaker 4>get it on with with our hero. Uh, whenever she's caught,

863
00:49:10.079 --> 00:49:12.239
<v Speaker 4>she's like, I was gonna take your manu.

864
00:49:15.559 --> 00:49:17.800
<v Speaker 1>And each other? Like wait, I know what's going on.

865
00:49:19.360 --> 00:49:24.440
<v Speaker 4>She's not to touch his crotch, and his girlfriend's like whoa, whoa, whoa.

866
00:49:25.400 --> 00:49:30.000
<v Speaker 2>That whole sequence to me seems like something that probably

867
00:49:30.039 --> 00:49:32.920
<v Speaker 2>would have been you know, is supposed to be funny.

868
00:49:33.239 --> 00:49:37.840
<v Speaker 2>But but in contemporary lie like because you have the

869
00:49:37.920 --> 00:49:42.079
<v Speaker 2>hero who apparently doesn't drink that much. He says, only beer,

870
00:49:42.400 --> 00:49:47.559
<v Speaker 2>and so he drinks three schnops and is you know,

871
00:49:48.280 --> 00:49:51.960
<v Speaker 2>horned up and drunk, and she's gonna take advantage of him,

872
00:49:52.079 --> 00:49:57.840
<v Speaker 2>which to contemporary eyes probably seems even sketchier than it

873
00:49:57.880 --> 00:50:01.559
<v Speaker 2>does in this movie, because the movie, you know, that

874
00:50:02.280 --> 00:50:05.880
<v Speaker 2>plays out much more lighthearted, even the fact that you know,

875
00:50:06.119 --> 00:50:09.480
<v Speaker 2>he's not entirely opposed to her coming on to him

876
00:50:09.519 --> 00:50:10.840
<v Speaker 2>while he's drunk.

877
00:50:11.599 --> 00:50:14.760
<v Speaker 4>I mean yes, but also like she knows exactly what

878
00:50:14.800 --> 00:50:19.360
<v Speaker 4>she's doing. Oh no, And to the again she actually

879
00:50:19.360 --> 00:50:22.199
<v Speaker 4>gets caught, it's still like I don't know, I'll see

880
00:50:22.199 --> 00:50:24.039
<v Speaker 4>what I can do, what can I get away with here?

881
00:50:26.159 --> 00:50:31.280
<v Speaker 1>Ben Hill, Okay, we're talking about a totally different time.

882
00:50:31.480 --> 00:50:37.239
<v Speaker 3>But like missus Roper, you know.

883
00:50:37.239 --> 00:50:40.000
<v Speaker 2>And she you know she is. I think it would

884
00:50:40.039 --> 00:50:43.280
<v Speaker 2>be even different if it was an unattractive woman like

885
00:50:43.360 --> 00:50:48.199
<v Speaker 2>she is objectively as attractive as the lead woman, if

886
00:50:48.679 --> 00:50:52.880
<v Speaker 2>not more. I mean she's she's styled differently. Obviously she's

887
00:50:52.920 --> 00:50:58.199
<v Speaker 2>got more, she's got more cleavage. Her clothing isn't as nice,

888
00:50:58.840 --> 00:51:01.159
<v Speaker 2>but you know she you have a you have a

889
00:51:01.239 --> 00:51:03.639
<v Speaker 2>nice girl blonde and a fiery red head.

890
00:51:03.840 --> 00:51:06.719
<v Speaker 4>That's well, there's there's also like when she comes back

891
00:51:06.840 --> 00:51:11.400
<v Speaker 4>to the the bar, then she's actually standing around with

892
00:51:11.480 --> 00:51:12.679
<v Speaker 4>pretty much just a corset.

893
00:51:13.079 --> 00:51:14.719
<v Speaker 1>Yeah, weird, like.

894
00:51:16.920 --> 00:51:19.400
<v Speaker 4>No shirt basically, and so it was it was one

895
00:51:19.440 --> 00:51:22.400
<v Speaker 4>of these things like it's it's a weird again. It

896
00:51:22.440 --> 00:51:25.079
<v Speaker 4>goes back to that class kind of thing, like we're

897
00:51:25.119 --> 00:51:27.519
<v Speaker 4>supposed to see her more. What they're trying to do

898
00:51:27.599 --> 00:51:29.719
<v Speaker 4>is code it more like you know, she would get

899
00:51:29.800 --> 00:51:33.840
<v Speaker 4>seduced by Dracula in a weird way. But it's just

900
00:51:34.239 --> 00:51:36.760
<v Speaker 4>you know, that's her lot, that's she's like, yeah, I'm

901
00:51:36.880 --> 00:51:40.679
<v Speaker 4>you know, her sexuality is part of her character in

902
00:51:40.760 --> 00:51:43.719
<v Speaker 4>that like kind of that's her, that's her brand, you know,

903
00:51:44.480 --> 00:51:47.199
<v Speaker 4>And it contrasts it's very like I said, I think

904
00:51:47.199 --> 00:51:49.840
<v Speaker 4>I said before, like it's a very So she's she's

905
00:51:49.880 --> 00:51:54.320
<v Speaker 4>the Rizzo to our our Maria is Sandra d And

906
00:51:54.360 --> 00:51:58.559
<v Speaker 4>he's definitely definitely the Hey, I'm cool, I'm I'm the

907
00:51:58.639 --> 00:52:00.679
<v Speaker 4>Zuko of the this screw.

908
00:52:00.920 --> 00:52:06.639
<v Speaker 2>What's what's interesting to me, you know about her is

909
00:52:06.760 --> 00:52:11.000
<v Speaker 2>even though the movie kind of judges her for her

910
00:52:11.639 --> 00:52:15.280
<v Speaker 2>you know, overt sexuality, she doesn't judge herself.

911
00:52:15.599 --> 00:52:16.119
<v Speaker 1>Oh exactly.

912
00:52:16.199 --> 00:52:20.159
<v Speaker 2>Yeah, yeah, unless I guess you could read the way

913
00:52:20.360 --> 00:52:25.199
<v Speaker 2>Dracula treats her is her own judgment of her. There's

914
00:52:25.239 --> 00:52:29.559
<v Speaker 2>an interpretation there. But but I am choosing to not

915
00:52:30.239 --> 00:52:32.519
<v Speaker 2>to not slut shame Zena.

916
00:52:34.119 --> 00:52:37.599
<v Speaker 1>But no, I mean, she's that's her. That's that's her.

917
00:52:37.719 --> 00:52:41.679
<v Speaker 4>Hey, I've I live in in my own terms, and

918
00:52:41.800 --> 00:52:44.800
<v Speaker 4>I take what I want is her character, right, which

919
00:52:44.880 --> 00:52:47.800
<v Speaker 4>again is why when she tries to use that as

920
00:52:47.880 --> 00:52:51.199
<v Speaker 4>a vampire and gets tossed aside, it is, like you said,

921
00:52:51.199 --> 00:52:54.840
<v Speaker 4>it's more tragic because you know, Draculas used to like, well,

922
00:52:54.960 --> 00:52:57.920
<v Speaker 4>you know, I've got a vampire women in every town.

923
00:52:58.400 --> 00:53:01.639
<v Speaker 4>So the fact that he chose this to just be

924
00:53:01.760 --> 00:53:05.719
<v Speaker 4>super petty and I am completely through with this, this

925
00:53:05.840 --> 00:53:08.639
<v Speaker 4>plaything is yeah, you know triple evil.

926
00:53:08.719 --> 00:53:11.840
<v Speaker 1>Well said, yeah, it is interesting to me also that

927
00:53:12.000 --> 00:53:14.320
<v Speaker 1>her look, but we talked a little bit about, you

928
00:53:14.360 --> 00:53:17.639
<v Speaker 1>know her, it is it is more distinctly of a

929
00:53:18.039 --> 00:53:20.719
<v Speaker 1>it's kind of a sixties look much more of her

930
00:53:20.880 --> 00:53:21.400
<v Speaker 1>her hair.

931
00:53:21.679 --> 00:53:24.440
<v Speaker 2>She's kind of got the I mean, this is a

932
00:53:24.480 --> 00:53:26.880
<v Speaker 2>contemporary show, but it was set in this time period.

933
00:53:27.199 --> 00:53:31.119
<v Speaker 2>She's kind of got a Christina Hendricks and Madman hairdo well.

934
00:53:31.159 --> 00:53:33.800
<v Speaker 1>I was gonna say, it looks like like laughing hair

935
00:53:34.000 --> 00:53:36.679
<v Speaker 1>Like it looks like like you know, Joanne Worley and

936
00:53:36.719 --> 00:53:39.239
<v Speaker 1>all these other people who are wearing these like shaggy

937
00:53:39.320 --> 00:53:43.519
<v Speaker 1>shaggy wigs. It's total it is totally sixties up. Whereas

938
00:53:43.599 --> 00:53:48.880
<v Speaker 1>Veronica Carlson, Sure she's also a sixties girl, but her

939
00:53:48.960 --> 00:53:52.639
<v Speaker 1>hair is more classic. I mean it is long, and

940
00:53:52.679 --> 00:53:55.199
<v Speaker 1>it is it is, you know, as straight as you

941
00:53:55.239 --> 00:53:56.519
<v Speaker 1>can possibly get it.

942
00:53:56.639 --> 00:54:00.480
<v Speaker 2>And and she's she's kind of got the more boring

943
00:54:00.800 --> 00:54:07.360
<v Speaker 2>part because she she's she's the virginal, innocent who's gonna

944
00:54:07.360 --> 00:54:10.320
<v Speaker 2>be corrupted by Dracula. But you don't even you don't

945
00:54:10.360 --> 00:54:12.880
<v Speaker 2>even get a full corruption the way we saw with

946
00:54:12.960 --> 00:54:17.679
<v Speaker 2>Barbara Shelley in Prince of Darkness. You know, she's you know,

947
00:54:18.039 --> 00:54:22.400
<v Speaker 2>she's she's more of a damsel and distress type.

948
00:54:22.960 --> 00:54:25.719
<v Speaker 1>She does have an innocent sexuality. I mean, she's perfectly

949
00:54:25.760 --> 00:54:27.960
<v Speaker 1>happy to like sneak out at night and see your boyfriend.

950
00:54:28.000 --> 00:54:28.320
<v Speaker 1>I mean.

951
00:54:29.800 --> 00:54:33.800
<v Speaker 3>That's why she was cast. I mean they they auditioned

952
00:54:34.079 --> 00:54:37.679
<v Speaker 3>her because James Carrera saw a picture of her coming

953
00:54:37.679 --> 00:54:40.119
<v Speaker 3>out of the waves in a white bikini allah Bo

954
00:54:40.239 --> 00:54:43.440
<v Speaker 3>Derek on the front page of a tabloid and was like,

955
00:54:43.519 --> 00:54:44.000
<v Speaker 3>I want her.

956
00:54:44.880 --> 00:54:46.719
<v Speaker 1>Yeah, yeah, isn't well.

957
00:54:46.760 --> 00:54:51.559
<v Speaker 2>And it is implied that she stays overnight with with

958
00:54:51.559 --> 00:54:52.079
<v Speaker 2>with Paul.

959
00:54:52.639 --> 00:54:55.400
<v Speaker 1>So this is what I mean about in innocent sexuality.

960
00:54:55.519 --> 00:54:58.639
<v Speaker 1>Like they are sexual, but they are not corrupt. They

961
00:54:58.679 --> 00:55:01.159
<v Speaker 1>are there's something in a and and kind of.

962
00:55:01.119 --> 00:55:04.440
<v Speaker 2>Not well, and they're they're in love and you know,

963
00:55:04.599 --> 00:55:07.760
<v Speaker 2>as it turns out, you know, his love for her,

964
00:55:07.920 --> 00:55:10.119
<v Speaker 2>like you know when when the ship hits the fan,

965
00:55:11.320 --> 00:55:14.440
<v Speaker 2>you know, the Mon Senior realizes that Paul's love for

966
00:55:14.519 --> 00:55:19.119
<v Speaker 2>her is you know, what's really going to save her,

967
00:55:19.599 --> 00:55:23.440
<v Speaker 2>and you know there there's again like that's you know,

968
00:55:23.480 --> 00:55:26.360
<v Speaker 2>the Mond Senior has an arc. You know it's a

969
00:55:26.400 --> 00:55:30.480
<v Speaker 2>small arc. But a character like like like father Sandor,

970
00:55:30.840 --> 00:55:33.360
<v Speaker 2>as much as I enjoy him, does not have an arc.

971
00:55:33.719 --> 00:55:34.280
<v Speaker 1>That's correct.

972
00:55:34.280 --> 00:55:38.000
<v Speaker 2>He starts out one way, he ends one way. Peter

973
00:55:38.119 --> 00:55:41.360
<v Speaker 2>Cushing as Van Helsing, as much as I love him,

974
00:55:41.719 --> 00:55:45.039
<v Speaker 2>does not have an arc. In any prior Hammer movie,

975
00:55:45.199 --> 00:55:49.000
<v Speaker 2>the Mond Senior would have begun the movie one way

976
00:55:49.199 --> 00:55:51.320
<v Speaker 2>and ended the movie one way.

977
00:55:51.599 --> 00:55:53.400
<v Speaker 1>I feel like they're taking your class, and I'm so

978
00:55:53.480 --> 00:55:56.239
<v Speaker 1>thankful for it. Honestly, thank you.

979
00:55:56.239 --> 00:56:00.559
<v Speaker 2>You're you're so kind. You know, like the mod Senior

980
00:56:00.639 --> 00:56:02.960
<v Speaker 2>has to kind of realize that he was at least

981
00:56:03.119 --> 00:56:07.519
<v Speaker 2>a little bit wrong about Paul. And I love this

982
00:56:07.679 --> 00:56:11.199
<v Speaker 2>movie for that because, I you know it it gives

983
00:56:11.280 --> 00:56:16.079
<v Speaker 2>it a distinct flavor that is slightly different from all

984
00:56:16.119 --> 00:56:20.559
<v Speaker 2>the other Hammer movies. And you know, also the fact that,

985
00:56:20.880 --> 00:56:25.480
<v Speaker 2>you know, the Monsignor is rendered powerless by another priest.

986
00:56:26.320 --> 00:56:30.159
<v Speaker 2>You know, he's he's chasing, you know, across the rooftops

987
00:56:30.159 --> 00:56:32.920
<v Speaker 2>and he literally gets brained in the head by this

988
00:56:32.920 --> 00:56:37.880
<v Speaker 2>This the the Ghoul priest that we've been following through

989
00:56:38.239 --> 00:56:42.599
<v Speaker 2>this entire movie. And again even that character gets an arc.

990
00:56:42.960 --> 00:56:46.360
<v Speaker 2>So you know, it's it's this is a pretty good

991
00:56:46.440 --> 00:56:50.039
<v Speaker 2>structured little movie. You know, it's it's not perfect, but.

992
00:56:50.440 --> 00:56:53.239
<v Speaker 1>No, I that's a good point. And it's one of

993
00:56:53.280 --> 00:57:01.079
<v Speaker 1>the dangers, of course, because these movies oscillate between different characters.

994
00:57:01.159 --> 00:57:05.599
<v Speaker 1>In the next film, if I recall, there's almost too

995
00:57:05.679 --> 00:57:08.880
<v Speaker 1>much time spent with the supporting characters and not enough

996
00:57:08.920 --> 00:57:11.960
<v Speaker 1>with Dracula. But this one kind of I think sets

997
00:57:11.960 --> 00:57:15.000
<v Speaker 1>the right balance. And by the way, I don't remember completely,

998
00:57:15.079 --> 00:57:17.000
<v Speaker 1>so we'll find out for sure when we watch Taste

999
00:57:17.000 --> 00:57:19.440
<v Speaker 1>the Blood to see if if it's if it is

1000
00:57:19.480 --> 00:57:21.519
<v Speaker 1>imbalanced or not all right?

1001
00:57:22.599 --> 00:57:25.199
<v Speaker 3>Before we move away from Veronica Carlton Carlson, do you

1002
00:57:25.239 --> 00:57:27.559
<v Speaker 3>want to Jason, do you want to talk about meeting her?

1003
00:57:27.679 --> 00:57:31.280
<v Speaker 1>I mean, I my story of meeting her is probably

1004
00:57:31.280 --> 00:57:35.039
<v Speaker 1>no more interesting than you know lots of She was

1005
00:57:35.079 --> 00:57:37.719
<v Speaker 1>a very lovely person, and she met many people, and

1006
00:57:37.800 --> 00:57:42.400
<v Speaker 1>she was always just incredibly gracious. So Veronica Carlson wound

1007
00:57:42.519 --> 00:57:45.880
<v Speaker 1>up being a painter in California and would often go

1008
00:57:46.039 --> 00:57:48.880
<v Speaker 1>and do panels. I've I chaired a couple of panels

1009
00:57:48.920 --> 00:57:51.920
<v Speaker 1>with Veronica crossing on them, one of them that had

1010
00:57:52.039 --> 00:57:56.599
<v Speaker 1>Veronica Carlson and any grid pits actually, and she was

1011
00:57:56.880 --> 00:58:02.199
<v Speaker 1>just just an incredibly funny and kind lady. And I

1012
00:58:02.599 --> 00:58:06.039
<v Speaker 1>remember once somebody asked a very complicated question, and that

1013
00:58:06.119 --> 00:58:08.079
<v Speaker 1>somebody might have been me. So if I were a

1014
00:58:08.079 --> 00:58:10.679
<v Speaker 1>better storyteller, I would have said that this question was mine,

1015
00:58:10.679 --> 00:58:14.159
<v Speaker 1>But I can't actually remember for sure, But I remember

1016
00:58:14.480 --> 00:58:17.760
<v Speaker 1>the question was something like it was something something like,

1017
00:58:18.000 --> 00:58:21.360
<v Speaker 1>you know, given the rapid expansion of of you know,

1018
00:58:21.639 --> 00:58:24.760
<v Speaker 1>the economy in the mid century, do you think that

1019
00:58:24.800 --> 00:58:27.639
<v Speaker 1>your characters were trying to show a change and more?

1020
00:58:27.920 --> 00:58:30.159
<v Speaker 1>And and she was like, could you repeat that question?

1021
00:58:30.320 --> 00:58:30.760
<v Speaker 2>Like like.

1022
00:58:32.760 --> 00:58:35.239
<v Speaker 3>It was this it was this sort of like a

1023
00:58:35.280 --> 00:58:35.880
<v Speaker 3>dense question.

1024
00:58:36.039 --> 00:58:38.239
<v Speaker 1>What in the absolute hell are you talking about?

1025
00:58:38.800 --> 00:58:41.639
<v Speaker 3>I really, I'm just here for a panel. I'm not

1026
00:58:41.800 --> 00:58:44.599
<v Speaker 3>I'm not this is not a prefet I'm not in

1027
00:58:45.000 --> 00:58:45.840
<v Speaker 3>a college course.

1028
00:58:46.280 --> 00:58:51.480
<v Speaker 1>Yes, neat lady. You know, she did not brook any

1029
00:58:51.519 --> 00:58:55.000
<v Speaker 1>disrespect towards any of her co stars, you know.

1030
00:58:55.320 --> 00:58:55.400
<v Speaker 2>Uh.

1031
00:58:55.920 --> 00:59:00.679
<v Speaker 1>She her her discussions of Christopher Lee were complicated because

1032
00:59:00.760 --> 00:59:03.239
<v Speaker 1>she earlier she would always say that when when she

1033
00:59:03.320 --> 00:59:05.679
<v Speaker 1>was young, she completely looked up to him, and when

1034
00:59:05.719 --> 00:59:09.760
<v Speaker 1>she was older, she was irritated that he was such

1035
00:59:09.760 --> 00:59:14.000
<v Speaker 1>a jerkuad about horror movies, you know, and she felt like,

1036
00:59:14.039 --> 00:59:15.840
<v Speaker 1>this was the work that we did, you know, and

1037
00:59:15.840 --> 00:59:17.480
<v Speaker 1>we were proud of the work that we did. And

1038
00:59:17.559 --> 00:59:20.880
<v Speaker 1>if somebody insulted hammer or said something ignorant, like, you know,

1039
00:59:20.960 --> 00:59:22.840
<v Speaker 1>and if they were low budgeted or she was like,

1040
00:59:22.880 --> 00:59:25.239
<v Speaker 1>these weren't low budget these were major films, you know,

1041
00:59:25.320 --> 00:59:28.639
<v Speaker 1>from a from a very important, uh, very important studio

1042
00:59:29.039 --> 00:59:33.519
<v Speaker 1>of the era. So she was very quick to even

1043
00:59:33.559 --> 00:59:36.199
<v Speaker 1>things out and correct things and going, let me make

1044
00:59:36.320 --> 00:59:39.880
<v Speaker 1>let me make clear like what hammer was, and and

1045
00:59:39.880 --> 00:59:43.239
<v Speaker 1>and I think Chris has been unfair and here's why.

1046
00:59:43.400 --> 00:59:47.679
<v Speaker 1>So she was a neat lady.

1047
00:59:47.119 --> 00:59:49.639
<v Speaker 2>You said this wasn't interesting.

1048
00:59:50.000 --> 00:59:53.199
<v Speaker 3>I know, he sounded so dismissive at first, and then

1049
00:59:53.199 --> 00:59:57.079
<v Speaker 3>he goes into like fully documentary level analysis.

1050
00:59:57.440 --> 01:00:01.519
<v Speaker 1>Oh that's kind of neat lady. Hot, my god, even

1051
01:00:01.679 --> 01:00:04.000
<v Speaker 1>even yeah, no.

1052
01:00:04.039 --> 01:00:07.039
<v Speaker 3>Always, even in her in her older her older years.

1053
01:00:07.320 --> 01:00:09.440
<v Speaker 1>Well, the thing is, I'm now probably older than she

1054
01:00:09.639 --> 01:00:13.360
<v Speaker 1>was when I when I hosted her, No doubt that's true.

1055
01:00:13.920 --> 01:00:17.679
<v Speaker 2>But anyway, anyway, well, I mean, Jason does have an

1056
01:00:17.719 --> 01:00:21.800
<v Speaker 2>interesting conception of time. So in his mind, right, he's older.

1057
01:00:22.360 --> 01:00:24.719
<v Speaker 3>Yeah, in Jason's mind, I'm sixty five.

1058
01:00:24.800 --> 01:00:27.800
<v Speaker 1>So yeah, what are you talking about? What does that mean?

1059
01:00:28.239 --> 01:00:30.000
<v Speaker 3>You always you always ate me?

1060
01:00:30.559 --> 01:00:34.360
<v Speaker 1>No, no, us, I'll say, you know, you know, we're

1061
01:00:34.400 --> 01:00:37.719
<v Speaker 1>pushing sixty when we're not remotely pushing sixty.

1062
01:00:37.960 --> 01:00:42.159
<v Speaker 3>So I'm going to be sixty when some day, some day.

1063
01:00:42.639 --> 01:00:47.360
<v Speaker 2>Because because Jason is really looking forward to being an

1064
01:00:47.360 --> 01:00:50.280
<v Speaker 2>old man, it's like his his he's he's worked his

1065
01:00:50.360 --> 01:00:56.320
<v Speaker 2>whole life to reach the stage of scholarly, you know, like,

1066
01:00:56.480 --> 01:00:58.079
<v Speaker 2>is you want to be the professor right?

1067
01:00:58.320 --> 01:01:01.480
<v Speaker 1>You know, so it's yeah, you know if this is

1068
01:01:01.519 --> 01:01:04.079
<v Speaker 1>a ride, though, honestly I think actually I'm ready for

1069
01:01:04.159 --> 01:01:07.800
<v Speaker 1>it to stop. That that you're actually right, But I

1070
01:01:07.800 --> 01:01:08.559
<v Speaker 1>don't think.

1071
01:01:08.920 --> 01:01:10.679
<v Speaker 2>Jason, do you need do you need a do you

1072
01:01:10.719 --> 01:01:11.239
<v Speaker 2>need a hug?

1073
01:01:11.519 --> 01:01:14.880
<v Speaker 3>He just means he's at he's at the point that

1074
01:01:14.920 --> 01:01:16.800
<v Speaker 3>he wants to be at professor wise.

1075
01:01:17.039 --> 01:01:20.159
<v Speaker 2>So he wants you want you want this is this

1076
01:01:20.280 --> 01:01:23.679
<v Speaker 2>is peak Jason, And you don't want to you don't

1077
01:01:23.679 --> 01:01:26.400
<v Speaker 2>want to aid. You just want to stop aging it.

1078
01:01:26.840 --> 01:01:28.320
<v Speaker 1>Yeah, yeah he doesn't.

1079
01:01:28.320 --> 01:01:29.679
<v Speaker 3>I don't think he's got a death wish.

1080
01:01:30.079 --> 01:01:31.079
<v Speaker 1>He just wants to stop.

1081
01:01:31.320 --> 01:01:35.239
<v Speaker 2>But that that that briefly came out that way, and

1082
01:01:35.280 --> 01:01:37.280
<v Speaker 2>I was like, oh that got dark.

1083
01:01:37.840 --> 01:01:45.280
<v Speaker 1>No no, no, no, no, I appreciate. Yeah, Okay, I want

1084
01:01:45.320 --> 01:01:47.039
<v Speaker 1>to talk about the death of Dracula.

1085
01:01:47.199 --> 01:01:49.199
<v Speaker 2>So no, no, no, no, no, no no no. What else did

1086
01:01:49.199 --> 01:01:51.280
<v Speaker 2>we miss and talk about the priest?

1087
01:01:51.880 --> 01:01:56.599
<v Speaker 1>Okay? Elwen Hooper obviously he left a bigger impression on you.

1088
01:01:56.719 --> 01:02:01.239
<v Speaker 2>Then is the m v P of this this movie

1089
01:02:01.400 --> 01:02:05.360
<v Speaker 2>starts with his church dude gets traumatized. He spends the

1090
01:02:05.400 --> 01:02:10.679
<v Speaker 2>rest of the movie being abused by everybody he comes across,

1091
01:02:11.239 --> 01:02:15.639
<v Speaker 2>and he is so sympathetic to me. You know, he

1092
01:02:16.440 --> 01:02:19.880
<v Speaker 2>this actor is doing you know, his character doesn't even

1093
01:02:19.960 --> 01:02:23.440
<v Speaker 2>have a name. He's just called priest, and he's doing

1094
01:02:24.000 --> 01:02:29.079
<v Speaker 2>so much heavy lifting here, you know, like he's basically

1095
01:02:29.440 --> 01:02:34.159
<v Speaker 2>bullied by the mind Senior. Then he his his head

1096
01:02:34.159 --> 01:02:38.199
<v Speaker 2>wound resurrects Dracula. Dracula. You know, it's not even like

1097
01:02:38.320 --> 01:02:42.320
<v Speaker 2>Dracula enthralls him or you know, gives him his blood

1098
01:02:42.519 --> 01:02:45.159
<v Speaker 2>or anything like, there's none of that. It's just like

1099
01:02:46.760 --> 01:02:49.639
<v Speaker 2>just like, okay, bitch, you're my goal now, you know.

1100
01:02:50.079 --> 01:02:53.679
<v Speaker 2>And and man like, first of all, like you know,

1101
01:02:53.559 --> 01:02:57.360
<v Speaker 2>you're saying, like the ending of this movie would not

1102
01:02:57.480 --> 01:03:00.519
<v Speaker 2>have happened the same way with this guy. This guy

1103
01:03:00.880 --> 01:03:04.239
<v Speaker 2>also has an arc. He starts out one way and

1104
01:03:04.320 --> 01:03:07.159
<v Speaker 2>he comes back to his faith at the very end

1105
01:03:07.199 --> 01:03:10.239
<v Speaker 2>of the movie. But before that, like the scene where

1106
01:03:10.280 --> 01:03:15.679
<v Speaker 2>he has to burn Zena's body, yea so deeply sad,

1107
01:03:15.920 --> 01:03:20.119
<v Speaker 2>like it's so messed up and so gnarly. And then

1108
01:03:20.199 --> 01:03:22.519
<v Speaker 2>also the scene where he's having to dig up and

1109
01:03:22.639 --> 01:03:26.159
<v Speaker 2>dump a body to get a fresh coffin for Dracula.

1110
01:03:26.639 --> 01:03:30.519
<v Speaker 2>All the facial acting that this guy is doing. You

1111
01:03:30.519 --> 01:03:32.760
<v Speaker 2>know that this is one of the reasons why I

1112
01:03:32.840 --> 01:03:37.960
<v Speaker 2>love Hammer is they find these like British character actors, which,

1113
01:03:38.000 --> 01:03:40.519
<v Speaker 2>by the way, Michael Ripper also great in this movie.

1114
01:03:41.079 --> 01:03:45.880
<v Speaker 2>But yeah, but you know this this guy, you know,

1115
01:03:46.519 --> 01:03:51.880
<v Speaker 2>he's taking again a very minimal character and he's he's

1116
01:03:52.039 --> 01:03:54.800
<v Speaker 2>doing so much with it because like they find these

1117
01:03:54.800 --> 01:03:58.880
<v Speaker 2>guys with these great faces and they do so much

1118
01:03:59.000 --> 01:04:02.280
<v Speaker 2>with it. Like he's so oh deep. This is such

1119
01:04:02.280 --> 01:04:06.960
<v Speaker 2>a deeply sad character to me that I I I was.

1120
01:04:07.119 --> 01:04:11.320
<v Speaker 2>I just loved it. And you know the way he

1121
01:04:10.960 --> 01:04:14.400
<v Speaker 2>he just has this put upon like even when he's

1122
01:04:14.440 --> 01:04:17.719
<v Speaker 2>trying to pretend to be normal when he enters the

1123
01:04:17.760 --> 01:04:20.199
<v Speaker 2>bakery and it's like trying to rent a room, and

1124
01:04:20.639 --> 01:04:25.119
<v Speaker 2>he he never looks directly at anybody, like you know,

1125
01:04:25.280 --> 01:04:28.840
<v Speaker 2>all the choices the s guy makes gives this character

1126
01:04:29.079 --> 01:04:34.719
<v Speaker 2>so much more than you know was probably on the page.

1127
01:04:35.079 --> 01:04:36.079
<v Speaker 1>And sorry.

1128
01:04:36.280 --> 01:04:40.400
<v Speaker 4>It's also interesting that again, since he's a priest, it's

1129
01:04:40.400 --> 01:04:43.320
<v Speaker 4>a it's a twisting of the tail like Dracula I'm

1130
01:04:43.320 --> 01:04:45.440
<v Speaker 4>sure directly was like, yo, yeah, this time I got

1131
01:04:45.480 --> 01:04:49.000
<v Speaker 4>a priest. How how evil is that? Yeh, Like I

1132
01:04:49.039 --> 01:04:51.719
<v Speaker 4>was able to to I don't have my house.

1133
01:04:51.480 --> 01:04:54.159
<v Speaker 1>But I have corruption all over well, and it's it's

1134
01:04:54.239 --> 01:04:57.559
<v Speaker 1>like the perfect it's the perfect you.

1135
01:04:57.519 --> 01:05:02.440
<v Speaker 2>Know, kind of front for Dracula because no one, you know,

1136
01:05:02.920 --> 01:05:06.199
<v Speaker 2>even Paul the atheist, you know, at you know, towards

1137
01:05:06.239 --> 01:05:08.280
<v Speaker 2>the end of the movie, you know, Paul is like

1138
01:05:08.360 --> 01:05:12.000
<v Speaker 2>running back to get his stuff and he runs into

1139
01:05:12.039 --> 01:05:16.039
<v Speaker 2>the priest, and of course he takes the priest back

1140
01:05:16.239 --> 01:05:19.880
<v Speaker 2>to the mon Senior's house, even though this guy is

1141
01:05:19.880 --> 01:05:23.920
<v Speaker 2>the person that's caved the mon Senior's skull in. But

1142
01:05:24.440 --> 01:05:28.599
<v Speaker 2>you know, people are just trained, especially in this world,

1143
01:05:29.039 --> 01:05:33.480
<v Speaker 2>to trust clergy people. So it's kind of a perfect

1144
01:05:33.679 --> 01:05:38.039
<v Speaker 2>you know, foil for Dracula and a perfect well not

1145
01:05:38.159 --> 01:05:41.920
<v Speaker 2>a foil, but a perfect you know, daytime errand boy

1146
01:05:42.159 --> 01:05:44.840
<v Speaker 2>for Dracula. No one will suspect this guy.

1147
01:05:45.000 --> 01:05:46.800
<v Speaker 4>I mean to the point where even when they try

1148
01:05:46.800 --> 01:05:49.239
<v Speaker 4>to do the rituals that they need to do and

1149
01:05:49.320 --> 01:05:51.639
<v Speaker 4>he's like, yeah, yeah, I can do that. Oh wait,

1150
01:05:51.800 --> 01:05:56.239
<v Speaker 4>I'm corrupted, Like oh I just I mean, it's it

1151
01:05:56.320 --> 01:05:57.840
<v Speaker 4>works really well well.

1152
01:05:57.880 --> 01:06:01.519
<v Speaker 2>And the way, you know, again going towards where where

1153
01:06:01.760 --> 01:06:04.960
<v Speaker 2>you know, Jason wants to end. You know, he's the

1154
01:06:05.000 --> 01:06:06.880
<v Speaker 2>one that's saying, like, well, what you know, if you

1155
01:06:06.920 --> 01:06:09.800
<v Speaker 2>don't say a prayer, Dracula is not going to die.

1156
01:06:10.079 --> 01:06:12.880
<v Speaker 1>Okay, I do want to talk about that, So before

1157
01:06:12.920 --> 01:06:14.840
<v Speaker 1>we get to the end, let's talk about that business.

1158
01:06:15.360 --> 01:06:18.360
<v Speaker 1>So they come close to killing Dracula at one point,

1159
01:06:18.559 --> 01:06:20.679
<v Speaker 1>and Paul.

1160
01:06:22.280 --> 01:06:26.320
<v Speaker 3>Fa So this is a new concept and lots of

1161
01:06:26.320 --> 01:06:28.320
<v Speaker 3>people have complained about this over the years.

1162
01:06:28.320 --> 01:06:32.400
<v Speaker 1>All right, this this concept that that our young hero

1163
01:06:32.719 --> 01:06:37.519
<v Speaker 1>can can stab a big old steak through you know,

1164
01:06:37.519 --> 01:06:40.960
<v Speaker 1>that Paul can drive a stake through Dracula's heart and

1165
01:06:41.000 --> 01:06:43.199
<v Speaker 1>then it doesn't go the way you expect, which is

1166
01:06:43.239 --> 01:06:45.159
<v Speaker 1>kind of cool for any horror movies when you're trying

1167
01:06:45.159 --> 01:06:47.239
<v Speaker 1>to kill something and it doesn't die the way you expect,

1168
01:06:47.440 --> 01:06:51.760
<v Speaker 1>because Dracula starts scrabbling about and hissing and doing all this,

1169
01:06:52.000 --> 01:06:55.119
<v Speaker 1>but he's not dying. And the priest says, well, you

1170
01:06:55.199 --> 01:06:57.559
<v Speaker 1>have to pray. I mean, we've never heard this before.

1171
01:06:58.679 --> 01:07:01.559
<v Speaker 3>I know, I think that's consistent. I think that's consistent

1172
01:07:01.840 --> 01:07:05.199
<v Speaker 3>because all the other films, it's not nobody prays out loud,

1173
01:07:05.199 --> 01:07:07.960
<v Speaker 3>but all the other films whenever somebody puts their fingers

1174
01:07:07.960 --> 01:07:09.960
<v Speaker 3>together in the shape of a cross. What makes it

1175
01:07:10.360 --> 01:07:13.440
<v Speaker 3>a weapon is the faith. And so I think that's

1176
01:07:13.639 --> 01:07:16.760
<v Speaker 3>that's just understood that that people when they're when they're

1177
01:07:16.920 --> 01:07:20.079
<v Speaker 3>killing Dracula, it's their faith that's killing Dracula. And so

1178
01:07:20.480 --> 01:07:23.079
<v Speaker 3>I think even though he's not saying a prayer quote unquote,

1179
01:07:23.440 --> 01:07:26.199
<v Speaker 3>they're not saying quite prayers, they're still praying in their

1180
01:07:26.239 --> 01:07:26.960
<v Speaker 3>soul or whatever.

1181
01:07:27.119 --> 01:07:30.039
<v Speaker 1>I am totally down with that.

1182
01:07:30.159 --> 01:07:35.119
<v Speaker 2>But I think an atheist in in this universe is

1183
01:07:35.119 --> 01:07:37.400
<v Speaker 2>sort of like a unicorn, you know. I don't think

1184
01:07:37.440 --> 01:07:40.480
<v Speaker 2>there is that many atheists in in the.

1185
01:07:40.440 --> 01:07:43.639
<v Speaker 3>Hammer louted ones, just like there aren't out gay people.

1186
01:07:44.079 --> 01:07:46.880
<v Speaker 2>Yeah, I mean, look at look at the way they

1187
01:07:47.159 --> 01:07:49.800
<v Speaker 2>reacted when he said he was an atheist. They basically

1188
01:07:50.079 --> 01:07:52.239
<v Speaker 2>was like, well, you're not having any cake, Get the

1189
01:07:52.280 --> 01:07:52.840
<v Speaker 2>heck out.

1190
01:07:52.719 --> 01:07:53.559
<v Speaker 1>Of here, get out.

1191
01:07:54.000 --> 01:08:00.480
<v Speaker 2>Yeah, And you know, you know, I think what's good

1192
01:08:00.599 --> 01:08:03.519
<v Speaker 2>about this is it gives you know, both of these

1193
01:08:03.639 --> 01:08:06.199
<v Speaker 2>characters something to do in the end of the movie,

1194
01:08:06.280 --> 01:08:10.199
<v Speaker 2>because like the priest basically just ends up right back

1195
01:08:10.239 --> 01:08:12.920
<v Speaker 2>in the thrall of Dracula. Like the very next scene

1196
01:08:13.280 --> 01:08:18.239
<v Speaker 2>he's he's driving the hearse with Maria in tow and

1197
01:08:18.239 --> 01:08:21.079
<v Speaker 2>in the very end he redeems himself. You know, he's

1198
01:08:21.119 --> 01:08:23.319
<v Speaker 2>the one that starts to say a prayer, you know,

1199
01:08:23.720 --> 01:08:27.479
<v Speaker 2>even though it seemingly his heart gives out while doing it.

1200
01:08:27.960 --> 01:08:31.399
<v Speaker 2>And you know that's even you know, there's some subtle

1201
01:08:31.479 --> 01:08:35.479
<v Speaker 2>stuff done with this character visually, like you know, even

1202
01:08:35.479 --> 01:08:39.119
<v Speaker 2>though he's he's got the monkering throughout the entire movie.

1203
01:08:39.239 --> 01:08:43.000
<v Speaker 2>He starts the movie with darker hair, and by the

1204
01:08:43.119 --> 01:08:46.359
<v Speaker 2>end of the movie he's got grayer hair, as if

1205
01:08:46.520 --> 01:08:50.840
<v Speaker 2>like his service to Dracula is literally just sort of

1206
01:08:50.920 --> 01:08:52.399
<v Speaker 2>sucking the life out of him.

1207
01:08:52.600 --> 01:08:55.199
<v Speaker 3>Well, and I haven't talked about vampires as a metaphor

1208
01:08:55.199 --> 01:08:58.479
<v Speaker 3>for addiction in a while, so let's do that. That

1209
01:08:58.479 --> 01:09:01.399
<v Speaker 3>That's the thing is that he is constantly being pulled back,

1210
01:09:01.439 --> 01:09:03.920
<v Speaker 3>and he tries to go into recovery, He tries to

1211
01:09:03.920 --> 01:09:06.199
<v Speaker 3>go to you know, Dracula rehab, and then he just

1212
01:09:06.239 --> 01:09:08.560
<v Speaker 3>gets sucked right back in again. You know, he says,

1213
01:09:08.760 --> 01:09:10.760
<v Speaker 3>I'm weak willed or whatever he says, so I can't

1214
01:09:10.960 --> 01:09:14.439
<v Speaker 3>exactly what, but he talks about how he's easily you know,

1215
01:09:14.479 --> 01:09:18.039
<v Speaker 3>he just keeps getting controlled, and then the other guy's like, well,

1216
01:09:18.079 --> 01:09:20.319
<v Speaker 3>I'm going to command you. I'm gonna you need to

1217
01:09:20.359 --> 01:09:22.239
<v Speaker 3>listen to me. Now, I'm going to take take it

1218
01:09:22.279 --> 01:09:23.000
<v Speaker 3>the reins or whatever.

1219
01:09:23.079 --> 01:09:26.279
<v Speaker 2>And it's not quite he's literally an alcoholic too, So

1220
01:09:26.560 --> 01:09:33.560
<v Speaker 2>like this guy's battling addiction on two fronts and you know,

1221
01:09:33.840 --> 01:09:37.279
<v Speaker 2>like he's he's he's a lot more complicated than Clove,

1222
01:09:37.640 --> 01:09:43.960
<v Speaker 2>you know who we just and I again so interesting,

1223
01:09:45.000 --> 01:09:49.920
<v Speaker 2>you know, and again the the the the young hero

1224
01:09:50.800 --> 01:09:53.840
<v Speaker 2>isn't really like yeah, I guess he's the one that tosses.

1225
01:09:54.600 --> 01:09:55.239
<v Speaker 1>He tosses.

1226
01:09:55.880 --> 01:09:59.079
<v Speaker 2>This might be my favorite death of Dracula in any

1227
01:09:59.119 --> 01:10:04.000
<v Speaker 2>of these movies because it's the most hardcore Dracula falls.

1228
01:10:04.159 --> 01:10:07.680
<v Speaker 2>It gets impailed on a giant cruci.

1229
01:10:08.960 --> 01:10:13.319
<v Speaker 1>Yes, and he again with this Dracula is so wild

1230
01:10:13.439 --> 01:10:17.239
<v Speaker 1>because he's sexy when he's like kissing Ronica crossing on

1231
01:10:17.319 --> 01:10:20.399
<v Speaker 1>the cheeks, and then he is bug like when he

1232
01:10:20.560 --> 01:10:23.840
<v Speaker 1>is impaled on this on this cross like he just

1233
01:10:24.039 --> 01:10:27.520
<v Speaker 1>is like a spider that's been that's somehow been stuck

1234
01:10:27.560 --> 01:10:31.159
<v Speaker 1>through with something and it's he's grotesque.

1235
01:10:32.600 --> 01:10:35.119
<v Speaker 4>Yeah, he does, like although it is turned about fair

1236
01:10:35.199 --> 01:10:38.119
<v Speaker 4>play because I gotta say Paul gets the award for

1237
01:10:38.319 --> 01:10:40.359
<v Speaker 4>most thrown around by Dracula.

1238
01:10:40.560 --> 01:10:43.439
<v Speaker 1>Yes, the movie, he's constantly like.

1239
01:10:43.439 --> 01:10:49.479
<v Speaker 4>Whoa knocked He gets knocked around our Dracula. Or maybe

1240
01:10:49.520 --> 01:10:53.239
<v Speaker 4>this is just the most knockdown Dracula. Contracula knocks down priests,

1241
01:10:53.279 --> 01:10:55.960
<v Speaker 4>he knocks down his servants, and he knocks down his

1242
01:10:56.039 --> 01:10:59.359
<v Speaker 4>love interests, and he knocks down Paul multiple times, just

1243
01:10:59.399 --> 01:11:00.920
<v Speaker 4>throwing him all over the police.

1244
01:11:03.319 --> 01:11:06.720
<v Speaker 2>Dracula is not around in this movie.

1245
01:11:08.000 --> 01:11:08.720
<v Speaker 1>You're totally ready.

1246
01:11:08.720 --> 01:11:12.880
<v Speaker 2>He's he's on a roaring rampage of revenge and he

1247
01:11:12.960 --> 01:11:14.640
<v Speaker 2>aroars and he rampages.

1248
01:11:14.960 --> 01:11:17.159
<v Speaker 3>I have to read to you guys this this bit

1249
01:11:17.279 --> 01:11:20.640
<v Speaker 3>in IMDb. It says Sir Christopher Lee love to recount

1250
01:11:20.640 --> 01:11:24.479
<v Speaker 3>the following tale. Hammer was given a Queen's Award to

1251
01:11:24.640 --> 01:11:28.079
<v Speaker 3>Industry while shooting the final scenes of Dracula impaled on

1252
01:11:28.159 --> 01:11:31.560
<v Speaker 3>the rocks with a group of British government dignitaries watching

1253
01:11:31.600 --> 01:11:35.720
<v Speaker 3>as Lee thrashed around, screaming and pouring with gore. After

1254
01:11:35.760 --> 01:11:38.720
<v Speaker 3>the scene wrapped, a minister turned to his wife and said,

1255
01:11:38.840 --> 01:11:40.399
<v Speaker 3>that man is a member of my club.

1256
01:11:46.439 --> 01:11:50.880
<v Speaker 1>Gosh, yeah, this is when Christopher Lee is. There are

1257
01:11:50.920 --> 01:11:53.199
<v Speaker 1>a couple of times when chrispher Lee really kind of

1258
01:11:53.239 --> 01:11:56.960
<v Speaker 1>earns his his pay, like one is when he gets

1259
01:11:57.000 --> 01:12:00.880
<v Speaker 1>to do really good monologues, which rarely happens in a hammer,

1260
01:12:01.439 --> 01:12:04.199
<v Speaker 1>and then also just all these physical bits. He's very

1261
01:12:04.199 --> 01:12:07.560
<v Speaker 1>good at this, you know, And yeah, that's a that's

1262
01:12:07.840 --> 01:12:11.760
<v Speaker 1>a good ending. Although honestly, if we had to at

1263
01:12:11.760 --> 01:12:17.479
<v Speaker 1>this moment name our favorite hammered hammer Dracula deaths, I

1264
01:12:17.520 --> 01:12:21.119
<v Speaker 1>think the the one from Dracula a D where he

1265
01:12:21.239 --> 01:12:25.239
<v Speaker 1>gets where he gets killed by the wagon wheel is better.

1266
01:12:25.439 --> 01:12:28.600
<v Speaker 1>I think that that's that's really that's even cooler. But

1267
01:12:28.880 --> 01:12:29.960
<v Speaker 1>this is I just.

1268
01:12:29.960 --> 01:12:33.520
<v Speaker 2>Think the overkill of him being staked with a giant

1269
01:12:33.600 --> 01:12:38.520
<v Speaker 2>cross appeals. And apparently, you know, apparently I wasn't the

1270
01:12:38.560 --> 01:12:40.960
<v Speaker 2>only one that this left an impression on, because I

1271
01:12:41.000 --> 01:12:46.000
<v Speaker 2>mean this, this gets echoed in Monster Squad because Dracula

1272
01:12:46.079 --> 01:12:49.199
<v Speaker 2>gets impelled on a giant cross in that movie as well.

1273
01:12:49.359 --> 01:12:52.560
<v Speaker 2>So and you know, I have to believe that's a

1274
01:12:52.640 --> 01:13:00.239
<v Speaker 2>direct reference. You know, there's somebody should do a h

1275
01:13:00.880 --> 01:13:03.680
<v Speaker 2>like a clip reel of all the times dra not

1276
01:13:03.720 --> 01:13:06.720
<v Speaker 2>just Christopher Lee, but like every Dracula, like all the

1277
01:13:06.800 --> 01:13:11.000
<v Speaker 2>time Dracula has been killed in a movie, and we

1278
01:13:11.039 --> 01:13:14.560
<v Speaker 2>could just pick out which which Dracula had the juiciest death.

1279
01:13:14.560 --> 01:13:16.720
<v Speaker 1>Yes, indeed, that's a good idea. That would be a

1280
01:13:16.760 --> 01:13:20.359
<v Speaker 1>really cool just reel of of Dracula's deaths.

1281
01:13:20.800 --> 01:13:22.359
<v Speaker 2>The many deaths of Dracula.

1282
01:13:22.520 --> 01:13:28.000
<v Speaker 1>Yeah, alright, I believe that covers the whole of the film.

1283
01:13:28.279 --> 01:13:31.520
<v Speaker 1>So I would like to come around, uh and get

1284
01:13:31.520 --> 01:13:35.880
<v Speaker 1>our final thoughts and then get into our endorsements. So

1285
01:13:36.840 --> 01:13:40.560
<v Speaker 1>where did we did we start with? Drew? It was Drew? Yes,

1286
01:13:41.079 --> 01:13:43.640
<v Speaker 1>mister Drew. And you've been Drew. You've done such a

1287
01:13:43.640 --> 01:13:46.000
<v Speaker 1>good job in this whole discussion of keeping us on

1288
01:13:46.960 --> 01:13:50.560
<v Speaker 1>you know, and you know everybody's been so super wise,

1289
01:13:50.600 --> 01:13:53.319
<v Speaker 1>but I I appreciate that you've kept us on track,

1290
01:13:53.479 --> 01:13:56.159
<v Speaker 1>or kept me on track. And god, no, no, you're

1291
01:13:56.159 --> 01:13:58.000
<v Speaker 1>forgetting the awesomeness of this or that.

1292
01:13:58.159 --> 01:14:01.560
<v Speaker 3>So not just that, but it was peak Professor Edwards

1293
01:14:01.640 --> 01:14:02.399
<v Speaker 3>in this episode.

1294
01:14:02.720 --> 01:14:06.239
<v Speaker 2>Oh well, gosh, I I that is what I needed

1295
01:14:06.279 --> 01:14:09.920
<v Speaker 2>to hear today. I was having a low self esteem.

1296
01:14:10.119 --> 01:14:13.800
<v Speaker 2>Oh and and that this just perked me right back up.

1297
01:14:13.920 --> 01:14:19.920
<v Speaker 2>So thank you? I yeah, I what First of all,

1298
01:14:19.960 --> 01:14:23.680
<v Speaker 2>what a lovely discussion we got out of this. I

1299
01:14:23.760 --> 01:14:28.399
<v Speaker 2>In case you could not tell by my enthusiasm throughout

1300
01:14:28.399 --> 01:14:32.439
<v Speaker 2>the entire discussion, I really, I really loved this movie,

1301
01:14:32.680 --> 01:14:35.520
<v Speaker 2>and you know, I'm glad that this is one of

1302
01:14:35.520 --> 01:14:40.279
<v Speaker 2>the first DVDs I ever thought. Yeah, and I'm still

1303
01:14:40.319 --> 01:14:46.239
<v Speaker 2>watching that same DVD decades later, so that DVD has

1304
01:14:46.359 --> 01:14:50.399
<v Speaker 2>held together nicely and has served me served me well.

1305
01:14:50.560 --> 01:14:53.880
<v Speaker 2>So thank you hammer Box set I bought in the

1306
01:14:53.960 --> 01:14:59.720
<v Speaker 2>early aughts. But uh yeah, this is a fantastic Hammer

1307
01:14:59.760 --> 01:15:04.520
<v Speaker 2>horror movie, and I think a transitional vampire film, and

1308
01:15:05.079 --> 01:15:09.439
<v Speaker 2>I think, uh yeah, everybody should go out and watch

1309
01:15:09.479 --> 01:15:12.239
<v Speaker 2>along with us as we work our way through all

1310
01:15:12.319 --> 01:15:14.520
<v Speaker 2>these these Hammer horror classics.

1311
01:15:14.560 --> 01:15:17.319
<v Speaker 1>Wonderful. Thank you very much. Julia. What are your thoughts?

1312
01:15:17.439 --> 01:15:19.840
<v Speaker 3>I think the discussion has made me realize that I

1313
01:15:19.920 --> 01:15:22.880
<v Speaker 3>like this movie more than I thought I did so

1314
01:15:23.000 --> 01:15:25.039
<v Speaker 3>because there's definitely, like I said, there were some things

1315
01:15:25.079 --> 01:15:27.960
<v Speaker 3>that I thought were you know, kind of like cliche,

1316
01:15:28.279 --> 01:15:31.159
<v Speaker 3>but but really there's a lot of interesting stuff that

1317
01:15:31.199 --> 01:15:33.079
<v Speaker 3>we've kind of uncombed as we've been talking about it.

1318
01:15:33.119 --> 01:15:38.840
<v Speaker 3>So very interesting discussion and an interesting, interesting film as well.

1319
01:15:38.920 --> 01:15:40.520
<v Speaker 1>Thank you, Tony. What about you?

1320
01:15:40.760 --> 01:15:43.359
<v Speaker 4>I think I have come around more. I mean, I

1321
01:15:43.399 --> 01:15:46.159
<v Speaker 4>thought it was a good movie, but I think the

1322
01:15:46.199 --> 01:15:51.159
<v Speaker 4>discussion really helps. Yeah, it's kind of what's fun about

1323
01:15:51.319 --> 01:15:54.319
<v Speaker 4>doing this right, Yeah, watching it coming out of theater

1324
01:15:54.600 --> 01:15:59.359
<v Speaker 4>talking about it, it's great. I yeah, I like the

1325
01:15:59.399 --> 01:16:04.159
<v Speaker 4>brutality of this Dracula. I really still enjoy the rooftop

1326
01:16:04.239 --> 01:16:06.640
<v Speaker 4>setting is just something to break it, break things up.

1327
01:16:06.680 --> 01:16:09.720
<v Speaker 4>I think that's neat. Overall, it's it's still fun. And

1328
01:16:09.760 --> 01:16:13.079
<v Speaker 4>even if it's again, any Hammer Dracula, even if it's

1329
01:16:13.079 --> 01:16:17.640
<v Speaker 4>not your favorite Dracula, you're always gonna get something neat

1330
01:16:18.000 --> 01:16:21.359
<v Speaker 4>or a twist here and there, and that can't be

1331
01:16:21.399 --> 01:16:23.600
<v Speaker 4>said about everything. And that's another reason why I like

1332
01:16:23.680 --> 01:16:24.319
<v Speaker 4>those films.

1333
01:16:24.439 --> 01:16:28.319
<v Speaker 1>That's that's really that's really wonderful. Thank you so much. Uh,

1334
01:16:28.560 --> 01:16:31.960
<v Speaker 1>this one always the first thing that I go to

1335
01:16:32.199 --> 01:16:34.800
<v Speaker 1>is just the look of it. But I I feel

1336
01:16:34.800 --> 01:16:37.239
<v Speaker 1>like there is no such thing as a perfect Hammer

1337
01:16:37.279 --> 01:16:39.960
<v Speaker 1>Hammer film. There are some that are super close, you know.

1338
01:16:40.079 --> 01:16:42.600
<v Speaker 1>I feel like Brides of Dracula is probably as close

1339
01:16:42.680 --> 01:16:45.239
<v Speaker 1>to a perfect Hammer film as you get. But what

1340
01:16:45.239 --> 01:16:48.479
<v Speaker 1>it's more like is that there are just many, many

1341
01:16:48.680 --> 01:16:52.359
<v Speaker 1>facets of Hammer and everyone has an element of what

1342
01:16:52.439 --> 01:16:55.600
<v Speaker 1>would make the perfect Hammer movie. And this one has

1343
01:16:55.640 --> 01:16:59.960
<v Speaker 1>several really cool ideas, such as you know, alternating sect

1344
01:17:00.479 --> 01:17:05.159
<v Speaker 1>and animalistic Christopher Lee and also these amazing sets and

1345
01:17:05.399 --> 01:17:08.600
<v Speaker 1>it's this is a really fun one and gosh, I

1346
01:17:08.600 --> 01:17:11.039
<v Speaker 1>would love to see this one giant on a giant screen.

1347
01:17:11.159 --> 01:17:15.199
<v Speaker 1>I would just that would be so cool. So thank

1348
01:17:15.239 --> 01:17:20.039
<v Speaker 1>you very much. I've really enjoyed discussing it all right, endorsements.

1349
01:17:20.399 --> 01:17:22.560
<v Speaker 1>Dying to know because it's been a couple of weeks

1350
01:17:22.680 --> 01:17:25.119
<v Speaker 1>since we were together, Drew, what do you have for us?

1351
01:17:25.720 --> 01:17:32.399
<v Speaker 2>So I watched a Swedish I guess you know, kitty

1352
01:17:32.800 --> 01:17:36.000
<v Speaker 2>horror film for lack of a better term, called nelly

1353
01:17:36.199 --> 01:17:42.920
<v Speaker 2>Rap Monster Agent on Prime and it was just charming

1354
01:17:43.119 --> 01:17:47.159
<v Speaker 2>and delightful. It's about a young girl named Nellie who

1355
01:17:47.199 --> 01:17:51.520
<v Speaker 2>goes to stay with her odd uncle Hannibal, who, unbeknownst

1356
01:17:51.560 --> 01:17:55.680
<v Speaker 2>to her, is what is called a monster agent, which

1357
01:17:55.720 --> 01:18:02.760
<v Speaker 2>is basically like a group of monster hunters, and she's

1358
01:18:02.800 --> 01:18:08.520
<v Speaker 2>soon drawn into this world of vampires and werewolves and everything.

1359
01:18:08.800 --> 01:18:14.720
<v Speaker 2>But she ends up befriending a girl, a character that

1360
01:18:14.880 --> 01:18:17.720
<v Speaker 2>is what they call a Frankensteiner, which is like their

1361
01:18:17.840 --> 01:18:23.880
<v Speaker 2>version of Frankenstein's and who doesn't want to be a monster,

1362
01:18:24.000 --> 01:18:26.760
<v Speaker 2>she wants to be a baker. And it's just so

1363
01:18:26.920 --> 01:18:31.399
<v Speaker 2>cute and the monster effects were actually surprisingly really well done.

1364
01:18:31.600 --> 01:18:34.520
<v Speaker 2>Like all the makeup and everything, and I just found

1365
01:18:34.520 --> 01:18:38.439
<v Speaker 2>it very, very charming. It is a kid's film, so

1366
01:18:38.560 --> 01:18:43.920
<v Speaker 2>you're mileage may vary. But as a new father, I

1367
01:18:43.960 --> 01:18:48.720
<v Speaker 2>find that I really enjoy coming across these movies that

1368
01:18:49.039 --> 01:18:53.520
<v Speaker 2>are genre adjacent, but I can watch with no trepidation

1369
01:18:54.239 --> 01:18:58.239
<v Speaker 2>with my daughter. So you know, I could see this

1370
01:18:58.439 --> 01:19:02.680
<v Speaker 2>being a go to Halloween movie for and then the

1371
01:19:02.720 --> 01:19:05.800
<v Speaker 2>next few years because it's it works very well on

1372
01:19:05.840 --> 01:19:06.319
<v Speaker 2>that level.

1373
01:19:06.439 --> 01:19:09.800
<v Speaker 1>Wonderful. Thank you very very much, Julia. What about you?

1374
01:19:10.159 --> 01:19:13.000
<v Speaker 3>I can't remember what we what we talked about last time,

1375
01:19:13.439 --> 01:19:15.439
<v Speaker 3>so I'm going to We've.

1376
01:19:15.159 --> 01:19:17.239
<v Speaker 1>Talked about the Honor Farm just before there.

1377
01:19:17.319 --> 01:19:19.640
<v Speaker 3>No, no, no, I'm saying last I can't remember what I

1378
01:19:19.640 --> 01:19:21.960
<v Speaker 3>already endorsed last time we met, so I don't know

1379
01:19:22.000 --> 01:19:25.800
<v Speaker 3>which movies I've seen since then. But yes, no, I

1380
01:19:25.840 --> 01:19:28.560
<v Speaker 3>know that the Denver Goes Tour. There's a bunch of

1381
01:19:28.600 --> 01:19:32.880
<v Speaker 3>places that the Jason researched, and one of them is

1382
01:19:32.920 --> 01:19:36.039
<v Speaker 3>this awesome, such a cool bar that we'll have to

1383
01:19:36.079 --> 01:19:39.640
<v Speaker 3>take you guys to when you're in town. That is

1384
01:19:40.439 --> 01:19:42.600
<v Speaker 3>it's called Honor Farm, which it's a name that I

1385
01:19:42.720 --> 01:19:45.439
<v Speaker 3>just keep forgetting because it doesn't it feels like it

1386
01:19:45.439 --> 01:19:48.560
<v Speaker 3>should be haunted something or something, but but there's like,

1387
01:19:49.039 --> 01:19:51.720
<v Speaker 3>you know, these all these skeletons everywhere, and it's it's

1388
01:19:51.800 --> 01:19:54.760
<v Speaker 3>just a really cool place. But no, as far as

1389
01:19:54.880 --> 01:19:57.920
<v Speaker 3>things that I've watched, I just went to see the

1390
01:19:58.000 --> 01:20:01.479
<v Speaker 3>Life of Chuck, which is actually not at all what

1391
01:20:01.560 --> 01:20:05.000
<v Speaker 3>I expected it to be. It's very strange. It's a

1392
01:20:05.039 --> 01:20:08.239
<v Speaker 3>really strange movie, really cool. I liked it a lot,

1393
01:20:08.520 --> 01:20:12.880
<v Speaker 3>super starks that had cast. Even though Tom Hidleston's on

1394
01:20:12.920 --> 01:20:15.600
<v Speaker 3>the poster, he didn't show up until like a third

1395
01:20:15.640 --> 01:20:20.199
<v Speaker 3>of the way in. So it's very interesting. Based on

1396
01:20:20.239 --> 01:20:23.279
<v Speaker 3>a Stephen King novella, and so that explains some of

1397
01:20:23.319 --> 01:20:26.720
<v Speaker 3>the weirdness of it. But I recommend it. Don't don't

1398
01:20:26.760 --> 01:20:30.119
<v Speaker 3>assume anything based on the small trailers that you may

1399
01:20:30.159 --> 01:20:30.520
<v Speaker 3>have seen.

1400
01:20:31.079 --> 01:20:33.640
<v Speaker 1>Wonderful. Thank you very much, Tony. What about you? So

1401
01:20:34.119 --> 01:20:36.560
<v Speaker 1>I'm seeing that tomorrow. I'm stoked.

1402
01:20:37.439 --> 01:20:40.880
<v Speaker 4>I did enjoy twenty eight years later. I think it's

1403
01:20:40.880 --> 01:20:44.239
<v Speaker 4>a much artsier film than people might think it is,

1404
01:20:44.319 --> 01:20:49.239
<v Speaker 4>and bonkers in places that people that were completely unexpected.

1405
01:20:49.880 --> 01:20:52.840
<v Speaker 4>But I'll try to take too long. But my big

1406
01:20:52.960 --> 01:20:57.680
<v Speaker 4>endorsement is it's Chattanooga Film Festival time and you know,

1407
01:20:57.720 --> 01:21:01.000
<v Speaker 4>I've talked about it in previous years. Do a great,

1408
01:21:01.439 --> 01:21:05.760
<v Speaker 4>just a fantastic job on their virtual fest. It started

1409
01:21:05.840 --> 01:21:09.640
<v Speaker 4>when they had to pivot during lockdown and they've kept it.

1410
01:21:09.840 --> 01:21:13.319
<v Speaker 4>And it's really hard to get distributors to send their

1411
01:21:13.359 --> 01:21:16.079
<v Speaker 4>movies because now they're like, hey, I can see these

1412
01:21:16.119 --> 01:21:19.720
<v Speaker 4>in theaters. Now, why would I let you stream my movie?

1413
01:21:19.880 --> 01:21:23.319
<v Speaker 4>So Chattanooga Film Fest gets a lot of stuff, but

1414
01:21:23.439 --> 01:21:25.239
<v Speaker 4>there's you know, I want to say there's close to

1415
01:21:25.279 --> 01:21:28.119
<v Speaker 4>thirty at least virtual things, and some of them are

1416
01:21:28.159 --> 01:21:33.159
<v Speaker 4>time you know, they show it that specific days for rights.

1417
01:21:33.960 --> 01:21:37.800
<v Speaker 4>But I've just really enjoyed Since Friday, I've seen like

1418
01:21:37.840 --> 01:21:40.960
<v Speaker 4>fifteen movies, so you know, I you know, I'm fitting

1419
01:21:40.960 --> 01:21:44.359
<v Speaker 4>them in amongst you know, actually doing stuff adult things

1420
01:21:44.399 --> 01:21:47.079
<v Speaker 4>and band stuff and everything like that. But I've tried

1421
01:21:47.079 --> 01:21:50.279
<v Speaker 4>to stay up late and watch as many movies as possible.

1422
01:21:50.319 --> 01:21:53.039
<v Speaker 4>They also do a great job of they have this

1423
01:21:53.199 --> 01:21:56.199
<v Speaker 4>lineup that's midnight movies they call the Red Eye Movies,

1424
01:21:56.279 --> 01:22:00.000
<v Speaker 4>and each night there's a movie like a secret movie,

1425
01:22:01.159 --> 01:22:04.039
<v Speaker 4>and those have been great. Last night was Killer Party,

1426
01:22:04.359 --> 01:22:07.399
<v Speaker 4>which was an eighties you know slasher, kind of the

1427
01:22:07.800 --> 01:22:11.680
<v Speaker 4>typical slasher boner comedy kind of stuff, you know, with

1428
01:22:11.720 --> 01:22:14.840
<v Speaker 4>some fool new wave and also you know hard rock

1429
01:22:14.920 --> 01:22:17.439
<v Speaker 4>metal soundtrack, like all the things that make a good

1430
01:22:17.479 --> 01:22:21.319
<v Speaker 4>eighties of that time period. There was an anime block.

1431
01:22:21.399 --> 01:22:24.800
<v Speaker 4>They've shown the Horror Party Beach, So every night this

1432
01:22:24.880 --> 01:22:28.279
<v Speaker 4>week I'm looking forward to, you know, since since they started,

1433
01:22:28.319 --> 01:22:31.239
<v Speaker 4>I've been looking forward. I've also seen some great movies

1434
01:22:31.279 --> 01:22:36.920
<v Speaker 4>that several films that has a documentary extracismode the transgressive

1435
01:22:37.000 --> 01:22:41.960
<v Speaker 4>legacy of classificata s and it's about these s classification

1436
01:22:42.159 --> 01:22:46.560
<v Speaker 4>horror movies and erotic movies that happened after the fall

1437
01:22:46.600 --> 01:22:49.560
<v Speaker 4>of Franco right, and that was fascinating. And there's you know,

1438
01:22:49.640 --> 01:22:52.279
<v Speaker 4>actors and actresses and directors and and it's just it's

1439
01:22:52.319 --> 01:22:54.640
<v Speaker 4>also a history lesson about what was going on in

1440
01:22:54.640 --> 01:22:58.960
<v Speaker 4>that era. There's a band and another doc The most

1441
01:22:59.000 --> 01:23:02.079
<v Speaker 4>Australian band were about a punk band called the hard Ons.

1442
01:23:02.840 --> 01:23:06.720
<v Speaker 4>There's you know, there was a music related horror, low

1443
01:23:06.760 --> 01:23:11.039
<v Speaker 4>budget horror pittern Oster and the Mission of Light. There's

1444
01:23:11.039 --> 01:23:15.000
<v Speaker 4>a Hollywood movie Operation Jaca, Liga Fade and Blood, which

1445
01:23:15.039 --> 01:23:20.319
<v Speaker 4>is a weird Collywood plus some people from Israel at

1446
01:23:20.319 --> 01:23:22.119
<v Speaker 4>the time. This is a couple of years back, a

1447
01:23:22.159 --> 01:23:25.119
<v Speaker 4>year or two back, have a thing and a really

1448
01:23:25.159 --> 01:23:29.800
<v Speaker 4>fascinating documentary called Bob Morgan's just going to tell some stories.

1449
01:23:30.000 --> 01:23:33.560
<v Speaker 4>And Bob Morgan, uh, you know, is in Kentucky and

1450
01:23:33.600 --> 01:23:38.119
<v Speaker 4>he lived with he knew Faulkner and is this artist.

1451
01:23:38.199 --> 01:23:41.279
<v Speaker 4>And it starts as as you know, him being this

1452
01:23:41.439 --> 01:23:44.520
<v Speaker 4>kind of quirky uh you know, found object artist, but

1453
01:23:44.600 --> 01:23:48.159
<v Speaker 4>then goes into you know, queer Kentucky and you know

1454
01:23:48.319 --> 01:23:51.520
<v Speaker 4>what growing up as a gay man in this area

1455
01:23:51.560 --> 01:23:55.760
<v Speaker 4>and the further history of that. It that turned out

1456
01:23:55.800 --> 01:23:58.319
<v Speaker 4>to be something I had, you know, didn't expect. And

1457
01:23:58.359 --> 01:24:02.520
<v Speaker 4>that's the greatness of to me, Chattanooga, I've I've as

1458
01:24:02.520 --> 01:24:06.359
<v Speaker 4>a virtual fest has turned out these just a lot

1459
01:24:06.399 --> 01:24:09.079
<v Speaker 4>of it's very indie and you know, I don't want

1460
01:24:09.079 --> 01:24:11.760
<v Speaker 4>to go too long. But a couple of others. There

1461
01:24:11.800 --> 01:24:14.920
<v Speaker 4>was one called Hacked, a double entendre, rage fueled karma.

1462
01:24:14.960 --> 01:24:17.680
<v Speaker 4>That's you know, crass in the good ways that I

1463
01:24:17.840 --> 01:24:20.079
<v Speaker 4>like it things to be crassed. But it started as

1464
01:24:20.079 --> 01:24:25.079
<v Speaker 4>this filmmaker got scammed for twenty grand right right when

1465
01:24:25.199 --> 01:24:26.680
<v Speaker 4>they were about to buy heat and his wife were

1466
01:24:26.680 --> 01:24:28.880
<v Speaker 4>about to buy a house. And so he turns that

1467
01:24:28.960 --> 01:24:31.800
<v Speaker 4>scam into part of the movie and then also kind

1468
01:24:31.840 --> 01:24:34.760
<v Speaker 4>of this revenge on the person who scammed him by

1469
01:24:34.800 --> 01:24:37.920
<v Speaker 4>way of the movie. So uh, you know, it's his

1470
01:24:38.039 --> 01:24:43.279
<v Speaker 4>own like Catharsis as a movie. There's a crime one

1471
01:24:43.439 --> 01:24:45.920
<v Speaker 4>called The Misadventures of Vincent Hick. And again I'm trying

1472
01:24:45.920 --> 01:24:48.279
<v Speaker 4>to see as many as much as possible. There's you know,

1473
01:24:48.279 --> 01:24:51.279
<v Speaker 4>I talked less about the horror side other than Peter Nostro,

1474
01:24:51.439 --> 01:24:54.600
<v Speaker 4>but there's there's a bunch of stuff, and you know, there's,

1475
01:24:54.720 --> 01:24:57.640
<v Speaker 4>like I said, I'm hoping to see you know, I'm

1476
01:24:57.680 --> 01:25:01.359
<v Speaker 4>hoping to catch by the by Friday that it ends.

1477
01:25:01.520 --> 01:25:04.239
<v Speaker 4>My goal is to watch all twenty seven or thirty

1478
01:25:04.920 --> 01:25:07.720
<v Speaker 4>entries if possible, but we'll see how far I get.

1479
01:25:09.000 --> 01:25:11.319
<v Speaker 4>But they do just such a great job, and they're

1480
01:25:11.399 --> 01:25:14.600
<v Speaker 4>really passionate about all the good things and you know,

1481
01:25:14.680 --> 01:25:18.920
<v Speaker 4>being good people and respecting film. And I can't say

1482
01:25:19.000 --> 01:25:21.600
<v Speaker 4>enough good things about the way that they run the

1483
01:25:21.680 --> 01:25:24.279
<v Speaker 4>virtual fest that if you want to, there's a discord

1484
01:25:24.359 --> 01:25:27.279
<v Speaker 4>channel all of this stuff, like being excited about filming

1485
01:25:27.359 --> 01:25:29.600
<v Speaker 4>and keeping that hybrid because it's also you can buy

1486
01:25:29.720 --> 01:25:32.800
<v Speaker 4>hybrid ticket so you could go watch films in the theater.

1487
01:25:32.960 --> 01:25:36.399
<v Speaker 4>There's exclusives to the to the actual in person fest,

1488
01:25:36.560 --> 01:25:38.359
<v Speaker 4>and then you can watch as much as you want

1489
01:25:38.359 --> 01:25:40.359
<v Speaker 4>on the virtual fest as well, if you If you

1490
01:25:40.680 --> 01:25:44.399
<v Speaker 4>that's your bag. So I'm always you know, I know

1491
01:25:44.439 --> 01:25:46.920
<v Speaker 4>I'm spreading it pretty thick, but you know, these kind

1492
01:25:46.920 --> 01:25:49.319
<v Speaker 4>of fests are things that I dig and they give us.

1493
01:25:49.399 --> 01:25:53.359
<v Speaker 4>They give a really cool voice to independent filmmakers and

1494
01:25:53.720 --> 01:25:57.399
<v Speaker 4>that doesn't always happen regardless, and I think that that's

1495
01:25:57.439 --> 01:26:00.439
<v Speaker 4>that's pretty rad. Hopefully I'll all when come back the

1496
01:26:00.439 --> 01:26:02.760
<v Speaker 4>next week, I might have more, we might do a

1497
01:26:02.760 --> 01:26:06.119
<v Speaker 4>wrap up, but I still think that they're just they're

1498
01:26:06.119 --> 01:26:09.119
<v Speaker 4>doing good stuff and I think they should be commended

1499
01:26:09.159 --> 01:26:12.079
<v Speaker 4>for that in addition to me just loving to watch

1500
01:26:12.279 --> 01:26:13.600
<v Speaker 4>a buttload of movies.

1501
01:26:14.319 --> 01:26:18.159
<v Speaker 1>That's that's fantastic. What what's the name of the festival again?

1502
01:26:18.399 --> 01:26:21.439
<v Speaker 1>The Chattanooga Film Festival. Chat Chat is just simply the

1503
01:26:21.520 --> 01:26:25.119
<v Speaker 1>Chattanooga Film Festival, all right. I well, I'll make sure

1504
01:26:25.119 --> 01:26:27.199
<v Speaker 1>it gets in the in the show in the show notes.

1505
01:26:27.840 --> 01:26:30.640
<v Speaker 1>Chat film Fest is there is their thing, and it's

1506
01:26:30.800 --> 01:26:33.319
<v Speaker 1>they're just great. I wish I'd had a chance to

1507
01:26:33.359 --> 01:26:36.319
<v Speaker 1>watch the Horror Party Beach with you, because I love

1508
01:26:36.560 --> 01:26:39.880
<v Speaker 1>I love Yeah. Well, I think they offer I don't know.

1509
01:26:40.199 --> 01:26:42.720
<v Speaker 4>In the past, it's also worked that you could rent,

1510
01:26:43.079 --> 01:26:45.720
<v Speaker 4>like I bought a I bought a virtual film pass

1511
01:26:46.199 --> 01:26:50.079
<v Speaker 4>and they go through events. But there might be you know,

1512
01:26:50.359 --> 01:26:52.920
<v Speaker 4>tickets where you can just see, you know, they had

1513
01:26:52.960 --> 01:26:55.880
<v Speaker 4>it from I know last year you could buy a

1514
01:26:56.039 --> 01:26:58.800
<v Speaker 4>single ticket, but I haven't checked since I already had

1515
01:26:58.800 --> 01:26:59.199
<v Speaker 4>a pass.

1516
01:26:59.560 --> 01:27:03.840
<v Speaker 1>I needed research that. But yeah, it's super cool, wonderful.

1517
01:27:03.920 --> 01:27:07.680
<v Speaker 1>I have two quick endorsements. One is, I don't know

1518
01:27:07.720 --> 01:27:09.920
<v Speaker 1>if anybody else will appreciate this the way I do.

1519
01:27:10.079 --> 01:27:13.279
<v Speaker 1>But in nineteen ninety five, there was an anthology series

1520
01:27:13.279 --> 01:27:16.000
<v Speaker 1>called Picture Windows from Norm Jewison, and I've been looking

1521
01:27:16.079 --> 01:27:18.279
<v Speaker 1>for it for years and years and years because it

1522
01:27:18.359 --> 01:27:24.640
<v Speaker 1>was an anthology of dramas, often crime or sexy or horror.

1523
01:27:25.159 --> 01:27:29.359
<v Speaker 1>But the trick was every single story was based on

1524
01:27:29.399 --> 01:27:32.199
<v Speaker 1>a famous painting, so like the famous painting of the

1525
01:27:32.199 --> 01:27:35.359
<v Speaker 1>clown sitting at a table with a cigarette danging from

1526
01:27:35.359 --> 01:27:39.359
<v Speaker 1>his mouth becomes a crime story with Alan Arkin, you know.

1527
01:27:39.840 --> 01:27:43.960
<v Speaker 1>And it had it had these great actors and you know,

1528
01:27:44.720 --> 01:27:47.800
<v Speaker 1>really good creatives behind it. So nineteen ninety five and

1529
01:27:47.800 --> 01:27:50.319
<v Speaker 1>then it disappeared, it like just went poof. You couldn't

1530
01:27:50.319 --> 01:27:53.399
<v Speaker 1>find picture windows anywhere. Well, anyway, it's all been it's

1531
01:27:53.520 --> 01:27:56.560
<v Speaker 1>all been uploaded to YouTube, so you can see all

1532
01:27:56.560 --> 01:28:00.560
<v Speaker 1>six episodes, and I'm thrilled. The other thing is Lukasman,

1533
01:28:00.840 --> 01:28:03.079
<v Speaker 1>as you know, who is a member of our cast,

1534
01:28:03.359 --> 01:28:06.920
<v Speaker 1>is the chair of the American Immigration Lawyers Association in Colorado,

1535
01:28:06.960 --> 01:28:10.039
<v Speaker 1>and she spent last week acting as one of the

1536
01:28:10.079 --> 01:28:15.960
<v Speaker 1>hosts of the national conference for AILA here in Denver, Colorado.

1537
01:28:16.039 --> 01:28:18.439
<v Speaker 1>And so she was like dedicating her whole life to

1538
01:28:18.479 --> 01:28:20.720
<v Speaker 1>this for like a long, long long time. It was

1539
01:28:20.720 --> 01:28:22.560
<v Speaker 1>a really big deal. So I just want to like

1540
01:28:22.680 --> 01:28:25.399
<v Speaker 1>endorse that it was an amazing amount of work and

1541
01:28:25.439 --> 01:28:27.479
<v Speaker 1>really impressive and I'm just so proud of them.

1542
01:28:27.479 --> 01:28:30.399
<v Speaker 3>So there you go, very nice. Thank you of course.

1543
01:28:31.079 --> 01:28:35.239
<v Speaker 1>So and that's it. We hope that you're doesn't hate me.

1544
01:28:35.399 --> 01:28:36.600
<v Speaker 1>But as you picked that.

1545
01:28:38.319 --> 01:28:41.319
<v Speaker 4>In my brain because this is how I think I

1546
01:28:41.359 --> 01:28:45.199
<v Speaker 4>am picturing the episode that is that the dogs playing cards?

1547
01:28:45.439 --> 01:28:45.640
<v Speaker 2>Yes?

1548
01:28:46.239 --> 01:28:51.079
<v Speaker 1>Oh my god, like what would that be? Yes? I

1549
01:28:51.079 --> 01:28:53.119
<v Speaker 1>if I ever get another office, because right now in

1550
01:28:53.159 --> 01:28:55.359
<v Speaker 1>my office, I used to have a really elegant office

1551
01:28:55.359 --> 01:28:58.239
<v Speaker 1>that was painted like a dark, sumptuous red and it

1552
01:28:58.239 --> 01:29:01.119
<v Speaker 1>was all wood. And in this office since it was

1553
01:29:01.399 --> 01:29:05.239
<v Speaker 1>painted blue, I decorated it with movie posters. But I

1554
01:29:05.239 --> 01:29:08.880
<v Speaker 1>think in the future next office I have will be velvet,

1555
01:29:09.239 --> 01:29:13.119
<v Speaker 1>velvet paintings like yeah, you know, so it'll be dogs

1556
01:29:13.119 --> 01:29:17.159
<v Speaker 1>playing poker and Jesus meeting mothers and and.

1557
01:29:17.520 --> 01:29:23.039
<v Speaker 4>My very Italian Catholic grandfather had a bullfighter oh boy, yeah.

1558
01:29:23.680 --> 01:29:30.319
<v Speaker 1>Oh and and girls with castanets like yeah, yeah all that. Yeah, yes,

1559
01:29:32.119 --> 01:29:34.680
<v Speaker 1>Can I decorate one of the rooms with with.

1560
01:29:35.159 --> 01:29:37.960
<v Speaker 3>Your your room? You can redecorate your room.

1561
01:29:38.680 --> 01:29:41.239
<v Speaker 1>It stays in your room. That's that's our that's our.

1562
01:29:41.439 --> 01:29:43.359
<v Speaker 4>Like, I don't care what's in your office because I

1563
01:29:43.359 --> 01:29:45.920
<v Speaker 4>don't have to go in there is the nature of

1564
01:29:45.920 --> 01:29:46.359
<v Speaker 4>the Beast.

1565
01:29:46.640 --> 01:29:48.439
<v Speaker 1>But I know we're talking about that series.

1566
01:29:48.479 --> 01:29:50.760
<v Speaker 4>All I could think about is what is the dog play?

1567
01:29:50.800 --> 01:29:53.439
<v Speaker 1>Yeah? Well, or you know, it'd be funny if you

1568
01:29:53.479 --> 01:29:56.560
<v Speaker 1>did Night Hot. Actually, if you rebooted, because it's a

1569
01:29:56.560 --> 01:29:59.239
<v Speaker 1>long time ago now right, if you rebooted Picture Windows.

1570
01:29:59.279 --> 01:30:02.199
<v Speaker 1>What I would do is an episode called Nighthawks, But

1571
01:30:02.239 --> 01:30:04.479
<v Speaker 1>you can somehow find a way to go from one

1572
01:30:04.560 --> 01:30:07.920
<v Speaker 1>Nighthawks to another, So you'd like start with Nighthawks and

1573
01:30:07.920 --> 01:30:10.000
<v Speaker 1>then you'd wind up at like the one with Marilyn

1574
01:30:10.039 --> 01:30:12.479
<v Speaker 1>Monroe and then you wind up at the one with

1575
01:30:12.560 --> 01:30:16.560
<v Speaker 1>the monsters, like because there's a million ripoffs of Night

1576
01:30:16.680 --> 01:30:20.079
<v Speaker 1>of Night. So yeah, that would that would be really funny.

1577
01:30:19.760 --> 01:30:23.520
<v Speaker 4>That would be fascinating. Yes, I mean I'm down with

1578
01:30:23.560 --> 01:30:24.000
<v Speaker 4>all of this.

1579
01:30:24.319 --> 01:30:28.560
<v Speaker 1>Yeah, so anyway, yeah, picture Windows that I am a

1580
01:30:28.720 --> 01:30:33.840
<v Speaker 1>sucker for a late nineties anthology series, so certainly Picture Windows.

1581
01:30:33.840 --> 01:30:37.640
<v Speaker 1>But also, what's the one that's a vampire? The Hunger?

1582
01:30:38.119 --> 01:30:41.079
<v Speaker 1>Holy shit, The Hunger is so good. Jesus Christ, I

1583
01:30:41.119 --> 01:30:44.880
<v Speaker 1>had no idea. It is really good, and nobody ever

1584
01:30:44.920 --> 01:30:48.840
<v Speaker 1>talks about it like it's like it never existed. So yeah, anyway,

1585
01:30:50.039 --> 01:30:52.880
<v Speaker 1>all right, everyone be excellent to one another. Thank you

1586
01:30:52.960 --> 01:30:56.359
<v Speaker 1>so much, and we will talk to you really soon.

1587
01:30:57.000 --> 01:30:59.039
<v Speaker 1>Come to the Facebook page. Tell us about your favorite

1588
01:30:59.039 --> 01:31:03.520
<v Speaker 1>anthologies and and why I'm crazy, uh to to like

1589
01:31:03.720 --> 01:31:11.399
<v Speaker 1>The Hunger so much? Byeway by perfect m m

1590
01:31:15.359 --> 01:31:18.119
<v Speaker 2>M m hm
